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Speaker 1: And it's drink chess, motherfucking podcast. Mason, he's a legendary

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Speaker 1: queen's rapper. He's like greed is your boy in O R.

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Speaker 1: He's a Miami hippop pioneer. What up is d j

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Speaker 1: e FN? Together they drink it up with some of

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Speaker 1: the biggest players in the most professional unprofessional podcast. And

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Speaker 1: your number one sorts for drunk drinks, motherfucking every day

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Speaker 1: is New year'sz. That's like, it's time for drink champs,

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Speaker 1: drink up, motherfuck motherfuck would goold be? Hopefully is what

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Speaker 1: it should be. This is your boy in O R.

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Speaker 1: What up is d J e F? This is drink chance.

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Speaker 1: Motherfucking two thousand eight New Year makes some motherfucking first

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Speaker 1: christ Off. Before we introduced our guests, I want to

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Speaker 1: say that it's our first time and we haven't worked.

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Speaker 1: I haven't worked now, we've been on a super vacation. Yeah.

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Speaker 1: I had meetings, but I ain't working to take a booking, right,

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Speaker 1: I didn't even have a booking since right, Mr Lee, No,

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Speaker 1: So this is our first time working. I'm proba no.

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Speaker 1: But that was like, and it's crazy about this. The

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Speaker 1: last New Year's Eve was my first time bumping into

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Speaker 1: Prodigy and we've seen each other in an at least

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Speaker 1: that's right, that's right. So um so, without no further

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Speaker 1: a dude, I would like to introduce. When we started

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Speaker 1: this show, we said we want to interview legends. We

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Speaker 1: want to interview people we respect and people who have

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Speaker 1: a legacy in this game. And I'm standing about three

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Speaker 1: individuals who who are the bit of that. They are

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Speaker 1: the picture of that segment. When you think of legendary,

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Speaker 1: you think of a career, you think of happy h

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Speaker 1: plcnoy and was going to produce it stro there l

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Speaker 1: e S's very important. Not when me after that, Why

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Speaker 1: isn't a man travel up? Man? My name was Elis

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Speaker 1: because my real name is Lea Shawn And don't try

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Speaker 1: to go out there and scare me and try to

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Speaker 1: burn them, burn them credit cross and swipe Niche is

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Speaker 1: l E s h N. And I used to go

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Speaker 1: to school and they used to call me lush On

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Speaker 1: and you know that back then that was the transformation

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Speaker 1: of the Key Shawns and Lush Shawns and you know

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Speaker 1: all the girl names and then with the Lisha On.

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Speaker 1: So I just say, yo, look, I gotta break this

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Speaker 1: up and then my brother went to the Lower east

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Speaker 1: Side which was high school, and he was like, Yo,

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Speaker 1: they're doing this ship down the Little east Side scratching

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Speaker 1: and you know your name is Elis Boom. We're gonna

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Speaker 1: make your name Elis take to take to take the

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Speaker 1: s h You know, he didn't get it from there,

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Speaker 1: but he went to school out there, and that's what

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Speaker 1: That's what it was. They was doing a lot of

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Speaker 1: the park ship and all the jams and stuff, and

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Speaker 1: he was bringing the tapes back from the from you know,

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Speaker 1: the Cold Crush and what they was doing down there.

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Speaker 1: So he was like, now we're gonna make you Elis

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Speaker 1: as a DJ. Because it wasn't had really nothing to

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Speaker 1: do with the Low east Side. It traveled with me

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Speaker 1: to this date. Now was your very first beat Likes

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Speaker 1: of Bit, very first beat on Wax was likes a

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Speaker 1: Bit Wax very first that I was just saying this

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Speaker 1: earlier is I think Rabbiloyd and as he has one

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Speaker 1: of the most standout verses on a classic album, do

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Speaker 1: you might win me up there when I'm leaving? But

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Speaker 1: but but I'm saying, when when do you go at?

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Speaker 1: When do your guys? We'll come on with the queen's

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Speaker 1: guys that you know and you we were queens. Yeah,

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Speaker 1: you better come over here. You know this verse? Then

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Speaker 1: you better come over here. We went downstairs. I gotta

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Speaker 1: wait him. Yeah, okay, okay, come on, come on over here.

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Speaker 1: Come on, y'all, you're gonna see this verse form wrapping.

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Speaker 1: No he just called on and you was spelling out

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Speaker 1: rapping North. He just ain't. Yeah, he said. I said,

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Speaker 1: you don't know rapping Noise said I know, Big North.

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Speaker 1: I said, my dude, we have this skiver. Come on

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Speaker 1: and come over here. You do you know this? You

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Speaker 1: know this verse one? You know? Listen, man, I'm want

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Speaker 1: to see who knows it best. Me, you and I said,

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Speaker 1: and we're going to that a noise just who's gone?

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Speaker 1: Who's no I'm just like America. Come out. It's the

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Speaker 1: double Big you know I did. He's sad fun with me.

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Speaker 1: I'm a shade out of qv Puss. The affinity you

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Speaker 1: as getting on with it constantly, definitely to the death

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Speaker 1: of me. Come and test me. Trust me. That's heat

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Speaker 1: last you there. Go back a mirrige over to a

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Speaker 1: holiday and I'll have it. And I'm datcause I go

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Speaker 1: up on the hardcore. I literally go to drum make

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Speaker 1: me bucking because I'm a wow on the fucker. You know,

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Speaker 1: you know what? I see it even back, I that

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Speaker 1: when I go to see my potpie b got m

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Speaker 1: Louvie show you the peo trying to chew me to

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Speaker 1: the alley. I know to start wild going when it

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Speaker 1: gets going that game, my lady. So I stay went

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Speaker 1: back green over the bag anymore green, you know. I mean,

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Speaker 1: I'm a natural boss. I'm trying to cut your day.

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Speaker 1: You deserve that a lot like you had cracks in

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Speaker 1: your pocket. That is dealer right right here. Like like

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Speaker 1: I was in jail with that out of my head.

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Speaker 1: I actually came home and but I could I could

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Speaker 1: see you laying that vote was even though I've never

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Speaker 1: seen you related that vote. But y'all had a met

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Speaker 1: at that point at all. I don't think so. I

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Speaker 1: don't think. I don't think so. No. I kind of

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Speaker 1: met them after I came on from jail. But how

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Speaker 1: did that? How did that come together? That was great?

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Speaker 1: I mean, just the back didn't that We're spilling the

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Speaker 1: names out and stuff like that roup annoying. And the

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Speaker 1: name actually came from a stud stood be rail for

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Speaker 1: the first side and we were joking one day and

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Speaker 1: he was like, yeah, you look like the noisy he

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Speaker 1: pulled in. Nobody was calling me team name is just

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Speaker 1: a joke. He was baking on the block and everybody

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Speaker 1: was laughing. The next day I got him go to

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Speaker 1: the candy store. Hey don't know it. It was talking

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Speaker 1: about went up kept mc day man that you can't

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Speaker 1: even stop. He looked like he looked like the character

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Speaker 1: the crazy Thing people that didn't even name when he

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Speaker 1: was bacon. Get they're calling me knowing it wasn't even there, like,

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Speaker 1: oh ship, I would keep the day everybody called, they

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Speaker 1: gave me my name, you know, I'm like, let's do it.

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Speaker 1: And now you're from twelve Street two right, Greginally, I'm

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Speaker 1: from the forty side of Burning forty still right. I

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Speaker 1: grew up with nas in Jungle and Fuada Wilson's and

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Speaker 1: I'm on the forty side of Burning back. And yes,

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Speaker 1: from the from the forty side of twelve Street. That's

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Speaker 1: that's going side. That's because the forty first spunk side,

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Speaker 1: Spoke side, Spunk side, Yeah, yeah, yeah, he's the forties side.

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Speaker 1: That's the block I lived on my pops, you know't

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Speaker 1: number about it. So he was on that block when

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Speaker 1: you know, he's seen me hustling and he's like, no,

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Speaker 1: you can't live in the same roof. He's kicking indoors

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Speaker 1: and ships. So I went over to the Grandma Crib,

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Speaker 1: which was on three of course from having them for

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Speaker 1: the first on the forty first side. Yeah, so you know,

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Speaker 1: I did my bid on both sides. There's so much

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Speaker 1: talent that comes from QB had. I think it got

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Speaker 1: a lot to do with the Juice Crew, you know

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Speaker 1: what I mean. And the inspirational school was Molly and

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Speaker 1: Shan really right, Yeah, so I mean the inspiration that

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Speaker 1: you know they came from that probably it just you know,

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Speaker 1: you know, it's just you know, but legacy just continued,

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Speaker 1: you know. Craig g you know what, trash, trash, big

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Speaker 1: on trash, always trash when we make jokes about him.

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Speaker 1: So I think it got a lot to do that

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Speaker 1: with the legacy that was from Queen's Bridge. Because I

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Speaker 1: look for me personally myself, Uh, it made me be

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Speaker 1: proud to be from Queensbridge, you know what I mean.

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Speaker 1: And I used to go to school and uh, you know,

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Speaker 1: they used to play where you're from. I'm like, I'm

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Speaker 1: from Queen's Bride, so you know what I'm saying. But

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Speaker 1: for years, um, you know, because I came out with

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Speaker 1: a brother then Capone that was from Queens But everybody

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Speaker 1: would confuse me and they would always say that I'm

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Speaker 1: from Queen's Bridge and from years, for years I would

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Speaker 1: say no because I'm from not probably be from where

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Speaker 1: I'm from. But tonight, tonight, I am from Queen's Bridge.

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Speaker 1: My side is the forty first that most of my

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Speaker 1: bid on the forty first side. But but you you

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Speaker 1: fit in like you was like I came. I came

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Speaker 1: the first time I came. Now I had seen y'all

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Speaker 1: be the red part. Came home and I wanted to

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Speaker 1: go to see these dude they were wanting to block

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Speaker 1: drinking ian j And it was the first time I've

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Speaker 1: ever really seen people drinking like like the afternoon. It

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Speaker 1: was out of plastic cup. So um, you know, uh,

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Speaker 1: we gotta speak on it. Recently, you know, our brother products,

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Speaker 1: we want to say rest in peace. In fact, let's

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Speaker 1: give a moment of size. Everybody just be quiet for

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Speaker 1: a second. Rest in peace. Products. Recently he passed me

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Speaker 1: we understand that. And did you see the overwhelming amount

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Speaker 1: of love that he received on Instagram? Man, Yeah, I

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Speaker 1: wish he would have got to see that when he

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Speaker 1: was here. That was the only like negative part I

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Speaker 1: had to say. I was like, I love that people

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Speaker 1: show the love. But then again, as a person who

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Speaker 1: knows him, I wish he could have been here to

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Speaker 1: see that. Was was that something like how you felt

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Speaker 1: to annoyed? For sure? But he really always got love

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Speaker 1: because we used to call the science and we're all

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Speaker 1: the same age coming up man young, and everybody knew

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Speaker 1: he always had that another level of mentality and his

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Speaker 1: mind was always on another level, you know what I mean.

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Speaker 1: And he got that when we to go do shows

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Speaker 1: and stuff, we're going into the guards, they prop be

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Speaker 1: to the side dropping knowledge and you know, I'm not,

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Speaker 1: you know, too much into the guard body and stuff

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Speaker 1: like that. But he would take some information from that

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Speaker 1: and move on and then pick up books and move

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Speaker 1: on from knowledge and share it. So I always seem

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Speaker 1: like the real recognized rail when it came to Prodigy

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Speaker 1: may do shows. A lot of stuff we was wounding,

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Speaker 1: so we just bumped into a lot of drama. But

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Speaker 1: used to have a lot of dudes coming to show

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Speaker 1: p love like yo something, we could do this on

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Speaker 1: the struff for you. So he always had that respect.

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Speaker 1: But of course definitely what he seen the love scene

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Speaker 1: that uh you know that he got it was past

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Speaker 1: people that don't even wrap. It was like from like

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Speaker 1: like just you know, I remember just watching the news

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Speaker 1: there was a random guys yeah down that's say oh

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Speaker 1: yeah yeah to yeah. So um, then he made a

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Speaker 1: whole little news Yeah that was that was the whole album.

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Speaker 1: Albums as we're talking about, you know, and it matched

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Speaker 1: up like album and the staff or there's something you

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Speaker 1: gotta chill out. Oh, this is definitely a mob deep

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Speaker 1: album in the stats, you know what I mean. But

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Speaker 1: I just want to give it a little bit of time,

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Speaker 1: you know what I mean. So it fully recorders and something.

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Speaker 1: You got a piece together half and half you know,

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Speaker 1: I gotta piece it together, stuff that's already recorded and

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Speaker 1: stuff like that, because you know, I think that's what

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Speaker 1: people want to, you know, just one last hurrah. Yeah

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Speaker 1: you know you know him him out stuff like that.

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Speaker 1: So that's definitely in the mix, right, that's what's up man.

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Speaker 1: You know. Um again, could oldest is too to everybody

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Speaker 1: because we all took it hard. Like I mean that

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Speaker 1: he was the craziest thing. I was gonna say this

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Speaker 1: until later. But the craziest thing is that day in Vegas,

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Speaker 1: you guys got a stage that I was right right there.

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Speaker 1: So the crazy shing this his was crazy that I

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Speaker 1: want everybody to really pay attention to this. I've been

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Speaker 1: working on my food show for two years. Right, finally

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Speaker 1: got the deal. Finally we had to pick the choices.

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Speaker 1: We had to pick where we had to film. Right,

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Speaker 1: so I had a choice of Las Vegas or New Orleans.

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Speaker 1: For some reason, they pushed me towards New Orleans. And

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Speaker 1: the fact is I didn't pick New Orleans because they

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Speaker 1: pushed me towards it. So I said I was going

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Speaker 1: to Vegas. There was nothing like me. I just freestyle,

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Speaker 1: and it was like God made like like see like

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Speaker 1: the last hours, like I was crazy like the last

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Speaker 1: long like I didn't know. I even was bluffing because

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Speaker 1: I was like, damn, gonna go to big. I don't

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Speaker 1: know what I'm gonna do. Look stupid because I picked

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Speaker 1: this and then it just so happened to out of rap.

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Speaker 1: So I was there and I asked me to come out,

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Speaker 1: and I came out and I got to see Pete

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Speaker 1: Like last moment. That meant very It was very deep

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Speaker 1: to me. Man shout out to the auto wrap. Yeah

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Speaker 1: that's that's a dope. That's a dope thing. It's really

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Speaker 1: man and the relationship that I see. I have a

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Speaker 1: mom Pep goes back back when nobody like, yo, what

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Speaker 1: shot he's uh. First video for his first album, H

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Speaker 1: I C I S. Was on street in Queensbridge, come out.

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Speaker 1: I don't don't know what happened was. I seen him

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Speaker 1: in the gas station in Manhattan. Run and I'll get

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Speaker 1: my cars. He gets call Gosh. He was like, we're

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Speaker 1: you about to go out with Yeah, I'm about to

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Speaker 1: go to Queen's vide He's like Prodigy shooting his video.

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Speaker 1: He's like, Yo, I'm gonna follow you. He was by

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Speaker 1: itself and came to the projects by himself self. That's

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Speaker 1: how he came a Dreams. He can't nobody guard nothing.

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Speaker 1: He wa't too wish for that. He gotta relaxed. You know,

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Speaker 1: I love you now. He he really thinks you know

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Speaker 1: how to fight. I just don't know, Like he says

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Speaker 1: that like camera maybe like Nora. Why do I need

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Speaker 1: a bodyguard? Miss a good fight like Iced team, You're

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Speaker 1: gonna get sued. You my brother, Iced Tea. You know,

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Speaker 1: I love me, always supported me, So he's been there.

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Speaker 1: He's also on my food show too. I gotta let

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Speaker 1: y'all know the food show that the announces because on

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Speaker 1: the run eating he's coming out in the February. Uh,

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Speaker 1: you know what I'm saying. I can't announce who who

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Speaker 1: the hell is with me? Because I thought I think

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Speaker 1: we got past that. They got a press release coming

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Speaker 1: out next week, so I don't want to piss him off,

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Speaker 1: you know what I'm saying. And they've been doing good.

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Speaker 1: How you do? How you see a marketing plan? Since

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Speaker 1: that nineties? These motherfucker's had a marketing plan. I've been

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Speaker 1: working out market who y'all gotta market? I love you.

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Speaker 1: Got a lot coming coming. I who got to step

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Speaker 1: it up? People? Yeah, it was what was your favorite

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Speaker 1: studio session happen? Wow? It might have been life So

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Speaker 1: a bitch I would that because it was so it

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Speaker 1: was just so okay. You know I'm running around now

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Speaker 1: DJ and you know what I'm saying, he doing a

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Speaker 1: zbad And then they give him the deal and I

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Speaker 1: just go DJ like I had come on ZEA had soundtrack. Yeah,

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Speaker 1: that was the first single, was halftime half time. That's

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Speaker 1: when they gave him the sing to be talking about Yes, okay, okay,

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Speaker 1: so you know what I mean, We're just going through

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Speaker 1: the travels and then it's just like I'm just DJ

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Speaker 1: and hanging out. I'm making beats in the crib because

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Speaker 1: I'm doing I'm selling CDs. I'm like the neighborhood DJ,

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Speaker 1: your sweet sixteen you know, anybody's party Paro that was

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Speaker 1: nas Man City and Z was naas Man, so you

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Speaker 1: didn't know. I didn't even know a Zy Okay. So

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Speaker 1: I'm just just doing a regular you know what I'm saying, DJ,

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Speaker 1: and just you know what I'm saying, making beats and

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Speaker 1: doing my tapes in the hood. And now it's just like, yo,

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Speaker 1: I just can't get together. We got eight records. Just

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Speaker 1: bring all your beats to the studio and I'm gonna

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Speaker 1: go through some joints. And a Z was dead okay,

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Speaker 1: already already, okay, So I'll bring the joints. Got my

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Speaker 1: little fold of floppy this some loading new joints in

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Speaker 1: the in the the three thousand has a six PC sixty.

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Speaker 1: I'm loading join myself and just look at so yeah,

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Speaker 1: I'm loading to beat something to joint, you know. I mean,

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Speaker 1: I'm just playing and I ain't even come. He didn't

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Speaker 1: get the play everything. If the first record I pulled

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Speaker 1: up was the the Isasi Pubbers to Earn for Your Love.

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Speaker 1: So I'm playing in the beat and then he's he's

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Speaker 1: in the corner just heboutself just came doing his little chancel.

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Speaker 1: Now he was like, yeah, what you got so he

301
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Speaker 1: I guess nas listening to what he was saying. Then

302
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Speaker 1: he's doing his little joint. He wasn't doing the hook,

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Speaker 1: he was doing a mom the float and then he

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Speaker 1: just he the vaalerie. My mentality and it's money are

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Speaker 1: all because I haven't made it this ye. It wasn't

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Speaker 1: a good five centers or something. Mother, all the ones

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Speaker 1: in the sentence. You only know that the niggas. You know,

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Speaker 1: I love being a fat but that was so you

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Speaker 1: ain't meet this guy. You play the beat and that

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Speaker 1: nigga kicks visualize in the to my life and he's

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Speaker 1: just doing he just don so I'm like, yo, what,

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Speaker 1: I'm like, what's going on in and Nas picks up

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Speaker 1: and then now they didn't bolted. Then he had just

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Speaker 1: joined out the hole's life to it you that. So

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Speaker 1: I'm in the I'm in the days and God bless

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Speaker 1: the dead. Black from Tennis Street. They had to black

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Speaker 1: so nobody back then, nobody couldn't take no music out

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Speaker 1: the studio because they're stealing music. Back then it was terrible,

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Speaker 1: So nobody left with a CD or nothing. So I'm

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Speaker 1: crossing the street in the hood, going from my mom's

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Speaker 1: blocked to my grandmothers and black Ad pulls up into

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Speaker 1: into the at the stop like bumping the joint. But

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Speaker 1: the hell, how do you get that something? He's like, yeah,

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Speaker 1: come on side. Well, you know, NASA come home. The

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Speaker 1: hoodie left the tape in the way, so they d

326
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Speaker 1: around or with the joint all black blazing. So I'm

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00:19:41,240 --> 00:19:43,760
Speaker 1: thinking it's a fat you know nigs from Fridays. Anybody

328
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Speaker 1: say oh, it's just good. They're never gonna tell you

329
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Speaker 1: it's just whack. There's a few niggas that are just

330
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Speaker 1: a beer. The ain't gonna never get the artist tooth.

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Speaker 1: So I'm thinking that you got from man, you got professor.

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Speaker 1: My ship is just don't don't even know you. You

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Speaker 1: know what I'm saying. I'm just looking for the only unknown. Yes,

334
00:20:00,160 --> 00:20:07,480
Speaker 1: everybody else's back, and the record that started it was

335
00:20:07,560 --> 00:20:10,240
Speaker 1: a dream and like really until we started DJ and

336
00:20:10,359 --> 00:20:12,840
Speaker 1: going on tour and the world started singing the record,

337
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Speaker 1: I just thought it was like some project ship you

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Speaker 1: know what it is. Let me tell you what. It

339
00:20:16,800 --> 00:20:19,000
Speaker 1: was the last record too, so I think I heard

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Speaker 1: the whole album but that record. So I'm like, oh, yeah,

341
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Speaker 1: just like that because it's the last one. But now

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Speaker 1: I was picking you, by the way. He picked an

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Speaker 1: awesome record from you. But it made nas a hero

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Speaker 1: in a certain sense because it's like I got cute

345
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Speaker 1: to I got Pete right, I got large Professor and

346
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Speaker 1: he was the other one. I got all of them

347
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Speaker 1: and nobody else. Nobody really knows you but your phone

348
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Speaker 1: Queen's bridge. So that me that made no it's kind

349
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Speaker 1: of like it's a little fun like did something with

350
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Speaker 1: somebodyhood from the beginning, and then he gave he gave

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Speaker 1: bothers a chance, and you know, and God blessed. The

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Speaker 1: second record was sugar Hill. Oh my god, sec record did.

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Speaker 1: Now it's got the ship running. I'm like, oh ship,

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Speaker 1: so I'm already already got this moved up because I'm

355
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Speaker 1: I'm in the same session yourself in the same like

356
00:21:16,600 --> 00:21:20,000
Speaker 1: less than like not tree months, less than three months.

357
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Speaker 1: That was the second like the follow up in the

358
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Speaker 1: sense it was a follow you know capone story about

359
00:21:24,200 --> 00:21:27,399
Speaker 1: Looking Hill. Did you ever hear this copons things that

360
00:21:27,560 --> 00:21:29,880
Speaker 1: he played beat you? Because you won't have to say

361
00:21:29,960 --> 00:21:32,760
Speaker 1: this record right, the boy wasn't say it was that,

362
00:21:33,800 --> 00:21:38,720
Speaker 1: but it's called the craze, so the same Paul has

363
00:21:38,760 --> 00:21:44,080
Speaker 1: the same like six, I was not there. I was

364
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Speaker 1: not there, but because barely he played it for you.

365
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Speaker 1: Oh you played it when you was around, and you

366
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Speaker 1: went and you gave a day. Never had hard to tell.

367
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Speaker 1: I didn't think that was the truth. Like when Puffy sample.

368
00:22:01,200 --> 00:22:03,560
Speaker 1: You see, I went in the crates bow and I

369
00:22:03,680 --> 00:22:05,600
Speaker 1: dunk in the CRZ and now I was like, you know,

370
00:22:05,680 --> 00:22:07,479
Speaker 1: going to craz and let's do it. And actually when

371
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Speaker 1: I did the beat, now I was like, no, man,

372
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Speaker 1: I need to get on that. I'm like, you know,

373
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Speaker 1: like you know how to play for him first? And

374
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Speaker 1: well you know, man, I like what you think? Yeah, wait,

375
00:22:19,080 --> 00:22:20,760
Speaker 1: did you tell about did you tell the phone you

376
00:22:20,800 --> 00:22:26,080
Speaker 1: didn't believe the story. I never really did, because I like,

377
00:22:26,160 --> 00:22:30,680
Speaker 1: if he didn't play he Loves You, my father and

378
00:22:30,760 --> 00:22:34,280
Speaker 1: his father's friends numberbody was raised off off for the

379
00:22:34,320 --> 00:22:36,480
Speaker 1: pace lit so you know what I mean. So we're good,

380
00:22:36,960 --> 00:22:40,320
Speaker 1: but well, he thinks he played it for faith for noon,

381
00:22:40,480 --> 00:22:42,680
Speaker 1: if he paid it, if he played it around me

382
00:22:43,359 --> 00:22:45,600
Speaker 1: for real, for real at that time, and it was

383
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Speaker 1: on that I'm not looking Miss Jones Jones and she

384
00:22:48,200 --> 00:22:53,560
Speaker 1: was down a bike line and she used always be

385
00:22:53,760 --> 00:22:57,640
Speaker 1: She's always being. The projects didn't come to the stop

386
00:22:57,760 --> 00:23:00,400
Speaker 1: to talking about that record. He didn't. He say something

387
00:23:00,440 --> 00:23:03,280
Speaker 1: about that record, but I don't remember. We could go

388
00:23:03,520 --> 00:23:05,200
Speaker 1: go to a boy. I want to ask you guys,

389
00:23:05,240 --> 00:23:07,520
Speaker 1: what did y'all f feel about Steve Stole? What did

390
00:23:07,560 --> 00:23:10,200
Speaker 1: he say? He said he started with that record. He

391
00:23:10,320 --> 00:23:18,560
Speaker 1: said Eazy was not a lyricist. It was crazy. And

392
00:23:18,600 --> 00:23:21,000
Speaker 1: I lost that drink cham still but I saw we

393
00:23:21,080 --> 00:23:22,960
Speaker 1: said it was crazy. They had a whole thirty hours.

394
00:23:25,280 --> 00:23:27,680
Speaker 1: I didn't even know, Like, because you know how you

395
00:23:27,840 --> 00:23:29,800
Speaker 1: do this ship, sometimes you'd be so into it you're

396
00:23:29,800 --> 00:23:32,359
Speaker 1: not really peating people. Like when I had to look

397
00:23:32,400 --> 00:23:33,840
Speaker 1: at it back, I was like, damn, I should have

398
00:23:33,960 --> 00:23:36,040
Speaker 1: been hard on like me personally, I was like, and

399
00:23:36,080 --> 00:23:38,080
Speaker 1: he said the same thing about what he said about Omega.

400
00:23:38,880 --> 00:23:41,520
Speaker 1: He said Omega was just a show. He said a

401
00:23:41,560 --> 00:23:45,080
Speaker 1: lot of He said, I didn't realize that. I didn't

402
00:23:45,080 --> 00:23:50,320
Speaker 1: realize it. But you know, it's a platform let people whatever.

403
00:23:50,400 --> 00:23:53,440
Speaker 1: His opinion is that I honestly I remember my when

404
00:23:53,440 --> 00:23:55,119
Speaker 1: now I was wrong eazy to hes rung on the

405
00:23:55,280 --> 00:23:58,040
Speaker 1: hill before in the studio or anything like that. He

406
00:23:58,119 --> 00:24:04,639
Speaker 1: want the hill run and anybody like you big up

407
00:24:04,680 --> 00:24:08,879
Speaker 1: a zig up. He wasn't. Just as big as not.

408
00:24:10,040 --> 00:24:14,399
Speaker 1: UM could have been the label, definitely the label Emma

409
00:24:14,440 --> 00:24:18,920
Speaker 1: at the time, the rollout, at the time. He was

410
00:24:18,960 --> 00:24:21,280
Speaker 1: the first rap to even break through on m I

411
00:24:21,400 --> 00:24:23,879
Speaker 1: like on some street you know, to get a get

412
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Speaker 1: a real hit record, and and it's real the single

413
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Speaker 1: solo Manion Records. So I got it, yea. So it

414
00:24:37,680 --> 00:24:39,760
Speaker 1: was like it was like it was like your Shooting

415
00:24:39,800 --> 00:24:43,240
Speaker 1: Hills twenty thousand and in the week and I'm like, okay,

416
00:24:43,320 --> 00:24:44,560
Speaker 1: what's that. I don't know, keep going on from the

417
00:24:44,600 --> 00:24:48,840
Speaker 1: hood twenty thous Okay, another twenty another nothing not twenty

418
00:24:49,400 --> 00:24:51,359
Speaker 1: Like oh that's a go record, Oh that's a play record.

419
00:24:51,359 --> 00:24:53,439
Speaker 1: So you know, they know it sales when it starts

420
00:24:53,480 --> 00:24:56,240
Speaker 1: to roll. They kind of predict where it's gonna sell that.

421
00:24:56,359 --> 00:24:58,200
Speaker 1: But I ain't know not now, I'm just making music.

422
00:24:58,640 --> 00:25:02,040
Speaker 1: I'm just sampling everything in the And like I said,

423
00:25:03,160 --> 00:25:05,480
Speaker 1: you think you think with the label saying the label,

424
00:25:05,520 --> 00:25:08,760
Speaker 1: I think the label the label there hadn't been a

425
00:25:08,840 --> 00:25:11,119
Speaker 1: label because he had deal was managing. He was running

426
00:25:11,119 --> 00:25:12,679
Speaker 1: a heavy DAL at the time, so he had him

427
00:25:12,720 --> 00:25:16,680
Speaker 1: around the right people around deal O Dio. Deal was

428
00:25:17,240 --> 00:25:20,000
Speaker 1: was his man told, so he hadn't around the right

429
00:25:20,080 --> 00:25:21,600
Speaker 1: people and he was doing the right you know what

430
00:25:21,600 --> 00:25:24,680
Speaker 1: I mean, Beca's and you have you know, all them

431
00:25:24,760 --> 00:25:27,000
Speaker 1: up there. So man, I think it's a DJ like

432
00:25:27,280 --> 00:25:29,440
Speaker 1: like being around that. What you think, I just I

433
00:25:29,520 --> 00:25:32,159
Speaker 1: mean I think the label and I think the label,

434
00:25:32,200 --> 00:25:34,119
Speaker 1: But I mean I wouldn't know that. I mean, you know,

435
00:25:34,520 --> 00:25:36,480
Speaker 1: first of all, I'm all like I didn't even know

436
00:25:36,480 --> 00:25:40,200
Speaker 1: I was walking into today. This is the third time

437
00:25:40,320 --> 00:25:43,240
Speaker 1: walking into Yeah Touch. But I mean, you know, I

438
00:25:43,400 --> 00:25:45,359
Speaker 1: was on my mixtape ground at the time. Man, So

439
00:25:45,720 --> 00:25:47,879
Speaker 1: you know, these fact is just making you know, a

440
00:25:47,960 --> 00:25:50,080
Speaker 1: lot of noise. Man, I'm just glad it's been part

441
00:25:50,119 --> 00:25:52,280
Speaker 1: of history and help break these black. But you see

442
00:25:52,280 --> 00:25:54,639
Speaker 1: there's any observation you would have that maybe why a

443
00:25:54,800 --> 00:25:56,560
Speaker 1: Z minor. I think the label could have had something

444
00:25:56,560 --> 00:26:00,320
Speaker 1: to do it early rap autists on that mind situation,

445
00:26:00,440 --> 00:26:03,560
Speaker 1: you know, the label and then success so fast too,

446
00:26:04,320 --> 00:26:05,879
Speaker 1: you know what I'm saying, Like being that he was

447
00:26:05,920 --> 00:26:08,520
Speaker 1: a birth from now So even though he wasn't like

448
00:26:08,600 --> 00:26:10,560
Speaker 1: an overshadowing type of thing, like you know what I mean,

449
00:26:10,640 --> 00:26:13,080
Speaker 1: it didn't you know, Na's career just kept going and going.

450
00:26:13,160 --> 00:26:16,720
Speaker 1: It never really went down and didn't and was just

451
00:26:16,920 --> 00:26:20,119
Speaker 1: still stuck with I think Colombia. I think Columbia Records

452
00:26:20,200 --> 00:26:25,639
Speaker 1: was more of a commercial seen. That's what Naz was on.

453
00:26:25,720 --> 00:26:27,840
Speaker 1: It was a commercial issue. But if that's the case,

454
00:26:27,880 --> 00:26:30,480
Speaker 1: then that didn't start working to the second album because

455
00:26:30,680 --> 00:26:33,560
Speaker 1: really Illmatic was because they let they let him do

456
00:26:33,600 --> 00:26:36,320
Speaker 1: his thing on the first wasn't it wasn't a commercial success.

457
00:26:36,560 --> 00:26:39,720
Speaker 1: It was success, right, but they but he had to

458
00:26:39,720 --> 00:26:42,600
Speaker 1: build a foundation first and then after that I think

459
00:26:42,640 --> 00:26:45,280
Speaker 1: it was like it was time to do radio. That's

460
00:26:45,480 --> 00:26:50,320
Speaker 1: that's interesting because the infamous album MHM was that an

461
00:26:50,400 --> 00:26:53,480
Speaker 1: underground success for y'all? Was that I would take that

462
00:26:53,600 --> 00:26:57,200
Speaker 1: platinum I would say Um, you know, the Infamous album

463
00:26:57,240 --> 00:27:00,879
Speaker 1: didn't go platinum, but we we scratched the surface, like

464
00:27:01,040 --> 00:27:04,120
Speaker 1: you know what I mean. It wasn't it wasn't records really,

465
00:27:04,600 --> 00:27:06,640
Speaker 1: but it wasn't enough to keep us. You're not even

466
00:27:06,720 --> 00:27:12,040
Speaker 1: on the Door album. It's platinum praise, it's blatinum in

467
00:27:12,080 --> 00:27:14,560
Speaker 1: the hood. You no, that's platinum because you know what

468
00:27:14,680 --> 00:27:16,880
Speaker 1: it was back then is you're sending on a certain

469
00:27:16,880 --> 00:27:19,000
Speaker 1: amount of record. If they don't send it back, they automatic.

470
00:27:21,400 --> 00:27:23,320
Speaker 1: But that's definitely that's definitely a plan. But we didn't

471
00:27:23,320 --> 00:27:26,199
Speaker 1: have no problem with it because the Infamous album went

472
00:27:26,280 --> 00:27:28,920
Speaker 1: gold and then we came out with the Hello on

473
00:27:29,000 --> 00:27:31,520
Speaker 1: Earth and that win gold. So it was like at

474
00:27:31,560 --> 00:27:33,880
Speaker 1: that time, it was like it was like some ep

475
00:27:34,040 --> 00:27:36,560
Speaker 1: M D ship, Right remember EPM D st come out

476
00:27:36,600 --> 00:27:40,760
Speaker 1: and go to that's you know, not Mark Deep. I

477
00:27:40,760 --> 00:27:43,960
Speaker 1: ain't gonna lie man, I want to really really big

478
00:27:44,280 --> 00:27:48,080
Speaker 1: brothers up because if the two man arsenal like it

479
00:27:48,240 --> 00:27:50,680
Speaker 1: left for us to come come to our ship. But

480
00:27:51,480 --> 00:27:54,000
Speaker 1: I just really realized, I went, um, you know what

481
00:27:54,160 --> 00:27:56,880
Speaker 1: we do every time we uh from a podcast, we're

482
00:27:56,880 --> 00:27:59,920
Speaker 1: going to people's Scott discography and we played the music.

483
00:28:00,000 --> 00:28:01,480
Speaker 1: I see you was doing it on your own today.

484
00:28:03,160 --> 00:28:05,000
Speaker 1: So you know, I just go and I just go

485
00:28:05,200 --> 00:28:08,160
Speaker 1: listen to all the records and I just and I'm like, damn,

486
00:28:08,240 --> 00:28:11,280
Speaker 1: that ship took me like a fucking the whole day

487
00:28:11,480 --> 00:28:16,600
Speaker 1: like just I'm like, damn lease, motherfucker's damn it. And

488
00:28:16,640 --> 00:28:20,480
Speaker 1: then then we got Elis here, So like the day

489
00:28:21,720 --> 00:28:24,920
Speaker 1: touch how much more deep means to the world, Like

490
00:28:25,040 --> 00:28:27,440
Speaker 1: I had to remember myself. I mean, it means a

491
00:28:27,480 --> 00:28:29,399
Speaker 1: lot to me, you know what I mean. So I

492
00:28:29,640 --> 00:28:32,720
Speaker 1: didn't even see people, you know, binging us up and

493
00:28:32,800 --> 00:28:35,200
Speaker 1: stuff like that. That that it always felt good and

494
00:28:35,280 --> 00:28:38,160
Speaker 1: it always humbled me. And to this day, you know,

495
00:28:38,280 --> 00:28:41,280
Speaker 1: I'm still humbled by it. Like I'll take a picture

496
00:28:41,320 --> 00:28:43,880
Speaker 1: in anybody and save this uping this ship like that.

497
00:28:44,200 --> 00:28:46,360
Speaker 1: That's a beautiful thing. Man, that's a beautiful thing. Now

498
00:28:46,440 --> 00:28:48,480
Speaker 1: you gotta be man, because it's like when you win

499
00:28:48,600 --> 00:28:52,000
Speaker 1: that store and somebody's like, yo, Elis or I have

500
00:28:52,240 --> 00:28:54,840
Speaker 1: yo that beat or that yo, you changed my life.

501
00:28:54,880 --> 00:28:56,760
Speaker 1: You don't understand what I was going through at that

502
00:28:56,880 --> 00:28:59,000
Speaker 1: time of life. So a lot of the music that

503
00:28:59,160 --> 00:29:01,320
Speaker 1: was made back there, and you know what I'm saying,

504
00:29:01,400 --> 00:29:04,680
Speaker 1: the young the youngest and and the people our age

505
00:29:04,760 --> 00:29:08,600
Speaker 1: be like yo bo like really that was dope. And

506
00:29:09,000 --> 00:29:10,880
Speaker 1: somebody who called you for a beat that you never

507
00:29:11,880 --> 00:29:15,560
Speaker 1: thought said again, who somebody who called you for a

508
00:29:15,600 --> 00:29:18,040
Speaker 1: beat that you never thought would would? Who called me

509
00:29:18,160 --> 00:29:23,080
Speaker 1: for a beat? That Queen Latifa? And did it happen?

510
00:29:23,880 --> 00:29:27,120
Speaker 1: It happened. We went, They flew in the Atlanta to Atlanta.

511
00:29:27,240 --> 00:29:30,080
Speaker 1: She had just shot, Yeah, she had just shot the movie.

512
00:29:30,640 --> 00:29:32,560
Speaker 1: Set it off. He was working in the Dungeon House

513
00:29:33,280 --> 00:29:40,480
Speaker 1: in the Dungeon for the record of person. Yeah. Now,

514
00:29:40,560 --> 00:29:43,160
Speaker 1: I mean we just started working. But at that time

515
00:29:43,240 --> 00:29:47,240
Speaker 1: she was already movie career, so the focus wasn't as strong.

516
00:29:47,360 --> 00:29:52,280
Speaker 1: She wanted a record. But and God blessed Kausli blessed.

517
00:29:52,320 --> 00:29:54,080
Speaker 1: He was my manager, and he put me in the right,

518
00:29:54,320 --> 00:29:55,560
Speaker 1: He put me in the place. He just was on

519
00:29:55,680 --> 00:29:57,640
Speaker 1: phone like boom you want boom, boom boom. You know

520
00:29:57,640 --> 00:30:00,520
Speaker 1: what I'm saying. And then Steve stopped my manager. He

521
00:30:00,600 --> 00:30:02,080
Speaker 1: picked it up on the end and I was with

522
00:30:02,200 --> 00:30:04,959
Speaker 1: track me stuffing. But you had Chris Asty, Yeah, it's

523
00:30:05,000 --> 00:30:08,000
Speaker 1: not damn. Just get a lot of money. Drink to me,

524
00:30:08,080 --> 00:30:13,400
Speaker 1: old man. Oh God, I'm just tell let's just say

525
00:30:13,480 --> 00:30:17,360
Speaker 1: this man, I made a record that is Miami's national anthem,

526
00:30:17,520 --> 00:30:26,760
Speaker 1: which is, well Smith, welcome to my text. I love you,

527
00:30:27,600 --> 00:30:33,960
Speaker 1: I love you text understand did you would do this

528
00:30:34,040 --> 00:30:39,920
Speaker 1: to wait too? Like a co producing NAS wrote, the

529
00:30:39,960 --> 00:30:44,880
Speaker 1: whole thing is keep writing a shout more. I've been

530
00:30:47,920 --> 00:30:52,120
Speaker 1: sign the record. He look, public checks show no no,

531
00:30:52,200 --> 00:31:00,360
Speaker 1: no show, but public text and publishing checks show who

532
00:31:02,920 --> 00:31:05,040
Speaker 1: he was gonna say, hustling by Rick Ross or something

533
00:31:05,080 --> 00:31:08,760
Speaker 1: like that. I'm just talking about Papa everything now Grandad

534
00:31:08,840 --> 00:31:12,200
Speaker 1: plays both, you know, But it's anthem wise, It's like,

535
00:31:12,560 --> 00:31:14,440
Speaker 1: I mean, you get here, you know what I mean? No,

536
00:31:14,560 --> 00:31:18,520
Speaker 1: I know what you're really go in tonight, but I'm Miami.

537
00:31:18,600 --> 00:31:23,920
Speaker 1: I can't. I can't. I can't know what I mean.

538
00:31:24,800 --> 00:31:28,640
Speaker 1: At least it's a long I respected check ye expect

539
00:31:28,680 --> 00:31:32,360
Speaker 1: the anthem wise so good, well tricky treating got one

540
00:31:32,480 --> 00:31:36,160
Speaker 1: right now Paradise para oh Man. But it's it's like

541
00:31:36,400 --> 00:31:40,360
Speaker 1: a no heavy. But it's trick that you can't be

542
00:31:40,800 --> 00:31:44,680
Speaker 1: like no disrespecting. You can't be real summist. You talking

543
00:31:44,680 --> 00:31:48,240
Speaker 1: about welcome a chance about out shot out let me

544
00:31:48,280 --> 00:31:51,040
Speaker 1: be sitty in Miami. He didn't shut out. He said,

545
00:31:51,120 --> 00:31:57,920
Speaker 1: they're welcome to my I'm child town can do look

546
00:31:57,960 --> 00:32:01,840
Speaker 1: of that ship. He was keeping it sound like that

547
00:32:02,200 --> 00:32:06,440
Speaker 1: so good shouting the cold shout of shout out to

548
00:32:06,480 --> 00:32:08,600
Speaker 1: will Smith. Will Smith, you know what I mean of all?

549
00:32:09,400 --> 00:32:11,840
Speaker 1: We always in there big up and chaff people. You

550
00:32:11,960 --> 00:32:13,800
Speaker 1: always in that big wake. We did this album two

551
00:32:13,840 --> 00:32:16,520
Speaker 1: weeks incredible. We have four studios right out the whole.

552
00:32:16,560 --> 00:32:18,360
Speaker 1: Now they leged the whole. La backs man, we got

553
00:32:18,440 --> 00:32:22,040
Speaker 1: it done right now. He's just came in said just right,

554
00:32:27,560 --> 00:32:32,480
Speaker 1: all right. Look was a love of right from Will Smith,

555
00:32:32,720 --> 00:32:35,000
Speaker 1: throwing it out there. Well because in case you're looking

556
00:32:35,040 --> 00:32:40,320
Speaker 1: at the bring it down. Nobody knew nobody, no, okay.

557
00:32:40,560 --> 00:32:43,400
Speaker 1: I was just lay y'all. How was in the studio

558
00:32:43,520 --> 00:32:45,280
Speaker 1: just laughing at Depth because he was so funny. Like

559
00:32:45,640 --> 00:32:48,600
Speaker 1: remember Yellow was doing the Kobe album and Kobe and

560
00:32:48,760 --> 00:32:51,120
Speaker 1: I opened the right Kobe Roynd. He was like, no,

561
00:32:51,960 --> 00:32:54,520
Speaker 1: I don't even write the right, like I'm bust your

562
00:32:54,520 --> 00:32:56,840
Speaker 1: g as one on white guys. I don't know why

563
00:32:56,840 --> 00:32:58,760
Speaker 1: I said that. I don't even know. I was just like,

564
00:32:59,160 --> 00:33:03,200
Speaker 1: if you come write to old right beat you. He

565
00:33:03,360 --> 00:33:06,520
Speaker 1: looked at me, you must be drunk. But did you

566
00:33:06,600 --> 00:33:08,920
Speaker 1: play him out for them? You know where he's at.

567
00:33:09,560 --> 00:33:13,040
Speaker 1: But this I realized my offer wouldn't have been took up.

568
00:33:13,240 --> 00:33:15,120
Speaker 1: You know where we was at, where he was in

569
00:33:15,240 --> 00:33:19,560
Speaker 1: Mr child You know where Mr Childs is street? You

570
00:33:19,640 --> 00:33:22,400
Speaker 1: know what the closest basketball courting did I know from

571
00:33:22,440 --> 00:33:26,479
Speaker 1: fifty cent street is Old Bridge going to Queens right,

572
00:33:26,800 --> 00:33:31,800
Speaker 1: but pretty has to think about that. One want to play.

573
00:33:33,720 --> 00:33:36,520
Speaker 1: It's like like twelve, you don't one in the morning.

574
00:33:36,600 --> 00:33:38,760
Speaker 1: I'm like, let's go. I got everybody with me. He

575
00:33:38,840 --> 00:33:42,240
Speaker 1: just looked. He said, naha, you want to win this one?

576
00:33:43,640 --> 00:33:45,200
Speaker 1: Big up the Kobe. But he did not let people

577
00:33:45,240 --> 00:33:49,800
Speaker 1: write it wrong. Don't want he played ball at any time? Yeah, Queensbridge.

578
00:33:49,800 --> 00:33:51,920
Speaker 1: I played ball at any time and be mad alloud

579
00:33:52,000 --> 00:33:55,280
Speaker 1: and nobody don't say nothing like you could be in

580
00:33:55,360 --> 00:33:58,840
Speaker 1: the Queens. I look back now I was gonna happen

581
00:33:58,840 --> 00:34:01,520
Speaker 1: about this. Yeah, we grew up a full colot basketball

582
00:34:01,600 --> 00:34:04,040
Speaker 1: courts on our block and you walk out the building,

583
00:34:04,120 --> 00:34:07,000
Speaker 1: you're the folk close. They said that people have in

584
00:34:07,040 --> 00:34:09,520
Speaker 1: their backyard when they get rich. You know what you

585
00:34:09,600 --> 00:34:12,000
Speaker 1: had on the It was like that. You can see

586
00:34:12,239 --> 00:34:15,759
Speaker 1: that's how I run wrong when I'm moving to the block.

587
00:34:15,960 --> 00:34:18,759
Speaker 1: Before the first sat wrong was outside him in his

588
00:34:18,880 --> 00:34:23,440
Speaker 1: pop for full court one on one, the rain everything.

589
00:34:23,520 --> 00:34:29,160
Speaker 1: I'm like going one on one and this is your

590
00:34:31,160 --> 00:34:34,200
Speaker 1: he started the spot. Yes, he was over like he

591
00:34:34,320 --> 00:34:36,560
Speaker 1: was one of them, were spect dudes, like he'll come

592
00:34:36,600 --> 00:34:39,440
Speaker 1: outside looking for a kid. I was just like, you know,

593
00:34:40,280 --> 00:34:44,279
Speaker 1: in my drugs whenever I see the like old like,

594
00:34:44,600 --> 00:34:47,200
Speaker 1: I don't want him to you know, I sound he's

595
00:34:47,239 --> 00:34:52,200
Speaker 1: that type of guy to wrong them pop man man?

596
00:34:52,360 --> 00:34:55,839
Speaker 1: And what is the little brother doing right now? Daniel? Yeah?

597
00:34:55,840 --> 00:35:01,560
Speaker 1: I thought they could play ball to overseas? So what

598
00:35:01,800 --> 00:35:05,239
Speaker 1: what what does now you just have? Have you just

599
00:35:05,280 --> 00:35:09,040
Speaker 1: said you came from Russia? Yea, so now wait from Russia.

600
00:35:10,239 --> 00:35:13,359
Speaker 1: We don't we don't like Russia. No, yeah, we didn't

601
00:35:13,360 --> 00:35:16,120
Speaker 1: have to just such a great time. We gotta we

602
00:35:16,239 --> 00:35:19,560
Speaker 1: gotta Russia picked up something the Russia have this how

603
00:35:19,640 --> 00:35:21,600
Speaker 1: you know this is not the place? Use that it

604
00:35:21,719 --> 00:35:24,680
Speaker 1: was a bad said Russians against racism. We said, damn.

605
00:35:24,800 --> 00:35:30,120
Speaker 1: We gotta say just like you gotta say russ again

606
00:35:32,000 --> 00:35:34,560
Speaker 1: in the right water rocking right, But you just came

607
00:35:34,600 --> 00:35:37,360
Speaker 1: back from rushing. Now this is a having show on

608
00:35:37,560 --> 00:35:43,000
Speaker 1: all team shows, the legacy, it was a you know,

609
00:35:43,320 --> 00:35:47,000
Speaker 1: a having show. You know them you know, support the

610
00:35:47,120 --> 00:35:49,200
Speaker 1: legacy and all that stuff. But you know, I'll be

611
00:35:49,280 --> 00:35:51,480
Speaker 1: traveling all the time to a lot of different places

612
00:35:51,600 --> 00:35:55,440
Speaker 1: like that, and they just got they showed so much love,

613
00:35:55,719 --> 00:35:57,640
Speaker 1: you know what they mean. They definitely have a lot

614
00:35:57,680 --> 00:36:00,680
Speaker 1: of love for hip hop, like the culture general. Yeah,

615
00:36:00,920 --> 00:36:12,080
Speaker 1: like so just crazy, but I love it, like hours,

616
00:36:12,120 --> 00:36:14,960
Speaker 1: And I don't know how we did that, you know,

617
00:36:15,280 --> 00:36:24,160
Speaker 1: you know, but I love This is definitely a topic

618
00:36:24,280 --> 00:36:26,320
Speaker 1: we we talk about all the time on Drink Champs.

619
00:36:26,400 --> 00:36:30,920
Speaker 1: What's going on now? USA Network presents Unsolved the Murders

620
00:36:30,920 --> 00:36:33,360
Speaker 1: of Tupac and the Notorious b I G. From a

621
00:36:33,400 --> 00:36:36,720
Speaker 1: director of the People versus O. J. Simpson American crime Story.

622
00:36:37,239 --> 00:36:40,480
Speaker 1: This is a ten episode limited series event that goes

623
00:36:40,560 --> 00:36:44,520
Speaker 1: beyond the headlines to explore their friendship, the East Coast

624
00:36:44,600 --> 00:36:47,840
Speaker 1: and West Coast rap feud, and the dual investigations that

625
00:36:47,920 --> 00:36:51,839
Speaker 1: still have the world wondering why after twenty years, these

626
00:36:51,920 --> 00:36:54,439
Speaker 1: caves are still unsolved. I mean, we're all still wondering.

627
00:36:54,480 --> 00:36:56,960
Speaker 1: We're all scratching our heads. We talked about all the

628
00:36:57,000 --> 00:36:59,759
Speaker 1: time on Drink Champs. So let's check it out. Let's

629
00:36:59,800 --> 00:37:02,600
Speaker 1: see if this got some some answers for us It's Unsolved.

630
00:37:03,000 --> 00:37:05,239
Speaker 1: The Murders of Tupac and the Notorious b I G

631
00:37:05,760 --> 00:37:10,960
Speaker 1: A limited series event February at ten pm Eastern, nine

632
00:37:11,000 --> 00:37:15,320
Speaker 1: pm Central only on the USA Network. Again. That's February

633
00:37:16,719 --> 00:37:21,280
Speaker 1: ten pm Eastern, nine pm Central only on the USA Network,

634
00:37:21,640 --> 00:37:24,000
Speaker 1: The Murders of Tupac and the Notorious b I G.

635
00:37:24,719 --> 00:37:26,600
Speaker 1: I wish we could find answers to this. Your boy

636
00:37:26,680 --> 00:37:29,319
Speaker 1: in r E e F Drink Champs. It's going down

637
00:37:29,400 --> 00:37:35,719
Speaker 1: in r E bomb my favorite place to go. I

638
00:37:35,760 --> 00:37:41,760
Speaker 1: would have to say probably, I like friends, you got friends,

639
00:37:42,400 --> 00:38:02,359
Speaker 1: you got it. You gotta do it, man, I gotta

640
00:38:02,400 --> 00:38:07,080
Speaker 1: do it next time. I'm not gonna lie. I eat Escar,

641
00:38:07,400 --> 00:38:11,400
Speaker 1: I eat sam Ascargo and Paris. Only in Paris they

642
00:38:11,440 --> 00:38:14,640
Speaker 1: got the joints. The car doesn't taste well. I'm snail.

643
00:38:14,719 --> 00:38:18,239
Speaker 1: Let all know. ME tell you I can probably like

644
00:38:18,239 --> 00:38:20,520
Speaker 1: anyone's what you want to the spot they put the

645
00:38:21,680 --> 00:38:24,240
Speaker 1: like like like the green on it, with the cheese

646
00:38:24,320 --> 00:38:26,480
Speaker 1: on top of it, with the bottle. You don't you

647
00:38:26,480 --> 00:38:28,600
Speaker 1: don't even know you're eating a snam. You don't even

648
00:38:28,640 --> 00:38:30,960
Speaker 1: know what y'all would be like. Oh, it's like a hustle,

649
00:38:31,040 --> 00:38:33,000
Speaker 1: Like it's like a lust like I stuck a muscles.

650
00:38:33,280 --> 00:38:35,600
Speaker 1: If it tastes like that, I've never had it, but

651
00:38:35,640 --> 00:38:37,520
Speaker 1: I would imagine that's what you gotta go. You gotta

652
00:38:37,560 --> 00:38:39,880
Speaker 1: only do it in France because that's they're delicate, testing

653
00:38:39,960 --> 00:38:42,760
Speaker 1: like that's dead. Like y'all. I had it in Problem

654
00:38:42,840 --> 00:38:45,640
Speaker 1: Once twelve. It's okay. Oh here they got scar going

655
00:38:45,680 --> 00:38:49,040
Speaker 1: Problem once twelf I'm not having out here Trance France

656
00:38:49,960 --> 00:38:53,560
Speaker 1: the steakhouts problem with t Yeah, I'm not eating that,

657
00:38:53,880 --> 00:38:58,000
Speaker 1: I'm grabbing. So did you say your baby place to God? Don't?

658
00:38:58,000 --> 00:39:01,760
Speaker 1: I would say France transparent, like one of my favorite

659
00:39:01,800 --> 00:39:04,960
Speaker 1: place kill. And you know what's good about frast is

660
00:39:05,040 --> 00:39:08,000
Speaker 1: you just get like the rich culture. But then when

661
00:39:08,040 --> 00:39:10,920
Speaker 1: you go to that show, this was the world's cast

662
00:39:11,120 --> 00:39:15,040
Speaker 1: in the world coming to a mom shows coming to

663
00:39:17,280 --> 00:39:20,000
Speaker 1: I'm gonna tell you like this straight up. The last

664
00:39:20,080 --> 00:39:23,400
Speaker 1: two times that I went to Paris, I said, fucking

665
00:39:23,480 --> 00:39:26,160
Speaker 1: you know, let me go without security or whatever. Side

666
00:39:26,320 --> 00:39:28,680
Speaker 1: when and I think the Niggs could notice that ship

667
00:39:29,920 --> 00:39:36,560
Speaker 1: from my neck was hurt. I was like, God, yore, listen,

668
00:39:36,760 --> 00:39:40,200
Speaker 1: my dad, I'm not gonna lie to give it right back.

669
00:39:40,280 --> 00:39:46,360
Speaker 1: What's your boys, man? What's your boys? He's a killer. Yeah. Yeah, Listen.

670
00:39:46,560 --> 00:39:48,520
Speaker 1: One time I walked through the crowd the same ass

671
00:39:48,520 --> 00:39:50,600
Speaker 1: action you said, and I went like this to the

672
00:39:50,640 --> 00:39:52,600
Speaker 1: dude here to give me to and the dude grabbed

673
00:39:52,640 --> 00:39:55,600
Speaker 1: my watch. A hundred fifty busts down at the time.

674
00:39:55,840 --> 00:39:57,719
Speaker 1: He grabbed my watch, and he looked at me. He

675
00:39:57,840 --> 00:40:00,120
Speaker 1: looked like I could go Lauri where he was like

676
00:40:01,000 --> 00:40:04,319
Speaker 1: and let me y. I was like, I still don't

677
00:40:04,320 --> 00:40:07,800
Speaker 1: want to give me but he had me here. You

678
00:40:07,840 --> 00:40:10,240
Speaker 1: know that you had to go in so I wouldn't

679
00:40:10,239 --> 00:40:12,200
Speaker 1: have to run the ground. Don't go to the States.

680
00:40:12,239 --> 00:40:14,799
Speaker 1: That's like their version of summer jams to the state.

681
00:40:14,880 --> 00:40:18,080
Speaker 1: But yeah, Paris, But I love parents still too, and

682
00:40:18,160 --> 00:40:20,799
Speaker 1: I still love Paris even though regardless because it's it's

683
00:40:20,920 --> 00:40:23,440
Speaker 1: just like anywhere else, Like when you go somewhere you

684
00:40:23,560 --> 00:40:31,680
Speaker 1: could get called slipping. Yeah, anywhere else, exactly anywherewhe Jamaica Street,

685
00:40:32,480 --> 00:40:36,320
Speaker 1: Madame got mad police now because they're getting wrong and

686
00:40:36,360 --> 00:40:38,440
Speaker 1: to make you have no more, you gonna yeah us

687
00:40:39,040 --> 00:40:42,320
Speaker 1: your trust me camera everywhere. Now. I'm just about coliseum.

688
00:40:42,480 --> 00:40:44,120
Speaker 1: Me let me not saying you know what I said,

689
00:40:44,160 --> 00:40:46,560
Speaker 1: to make it to make us two big, that coliseum

690
00:40:46,560 --> 00:40:48,919
Speaker 1: a lot that's all police. I think a police officer

691
00:40:49,040 --> 00:40:53,920
Speaker 1: old man. Just so. So when it comes to errors

692
00:40:54,120 --> 00:40:58,439
Speaker 1: in hip hop, one is the best era in hip hop. Man,

693
00:40:59,320 --> 00:41:06,040
Speaker 1: it depends on you ask I mean, but you can't

694
00:41:06,160 --> 00:41:08,600
Speaker 1: mean you can ask us because we don't know, don't

695
00:41:09,640 --> 00:41:12,719
Speaker 1: I'm not. I'm just saying. I mean, ship, I love

696
00:41:13,040 --> 00:41:15,719
Speaker 1: the Coochie rapp everyone in the cane and so it's

697
00:41:15,760 --> 00:41:21,200
Speaker 1: like ladies, yeah, gun on hand. You know what I'm saying,

698
00:41:21,840 --> 00:41:25,440
Speaker 1: Like late eighties, early nights e pm D. You know

699
00:41:25,440 --> 00:41:28,840
Speaker 1: what I'm saying. Yes, Like for me, that's what I

700
00:41:28,880 --> 00:41:32,279
Speaker 1: would have to say, but I've grown up now to

701
00:41:32,520 --> 00:41:35,279
Speaker 1: me like oh ship this mom deep, there's too pop

702
00:41:35,400 --> 00:41:39,800
Speaker 1: this NA just three ninety six seven to be like,

703
00:41:39,920 --> 00:41:44,919
Speaker 1: oh no little second guests on that's what's your six?

704
00:41:45,040 --> 00:41:47,520
Speaker 1: Only DJ? You know? I mean it tied between like

705
00:41:47,840 --> 00:41:50,880
Speaker 1: eighty six through a because I don't know. But every

706
00:41:50,920 --> 00:41:53,600
Speaker 1: time you have to said alreadhs me on Twitter and

707
00:41:53,800 --> 00:41:56,680
Speaker 1: he tells he says any to eight is way better

708
00:41:56,719 --> 00:41:59,359
Speaker 1: than name. But he said every time he said, he said,

709
00:42:00,120 --> 00:42:09,759
Speaker 1: Squez just like plays. I think it's slept off. I

710
00:42:09,840 --> 00:42:12,600
Speaker 1: think Kid was just big. It was out the kid place.

711
00:42:13,000 --> 00:42:15,719
Speaker 1: I mean now like like the way we talk about them,

712
00:42:16,160 --> 00:42:19,719
Speaker 1: but they were big killing. Listen to the records. Now

713
00:42:20,280 --> 00:42:22,960
Speaker 1: you're like, yo, this is kind of l They was killing.

714
00:42:23,000 --> 00:42:25,160
Speaker 1: They were. It really wasn't cursing either, right, there's like

715
00:42:25,200 --> 00:42:29,239
Speaker 1: their personal sep I mean yeah. And it was making movies. Yeah,

716
00:42:29,440 --> 00:42:32,400
Speaker 1: it was in the movies, like the house Party that was.

717
00:42:33,480 --> 00:42:35,880
Speaker 1: That's what the guys the you're gonna kick your ass

718
00:42:36,000 --> 00:42:38,640
Speaker 1: the full full force and the pretty heard it and

719
00:42:39,320 --> 00:42:42,920
Speaker 1: do our drinkcash. Yeah, they from the beginning, from the beginning,

720
00:42:43,040 --> 00:42:46,120
Speaker 1: it started it. You know, they've been hitting us up

721
00:42:46,120 --> 00:42:49,480
Speaker 1: from the beginning. You know, there's a place for hip

722
00:42:49,520 --> 00:42:51,360
Speaker 1: hop people. You know, this is what we do. We

723
00:42:51,560 --> 00:42:54,759
Speaker 1: come here to represent all legends. There's places that you know.

724
00:42:54,880 --> 00:42:58,000
Speaker 1: We had a strategic phone call with the companies and

725
00:42:58,040 --> 00:43:00,560
Speaker 1: the powers and places that be and they said that

726
00:43:00,960 --> 00:43:05,960
Speaker 1: they wanted to start uh implicating or putting new artists

727
00:43:06,040 --> 00:43:08,400
Speaker 1: in there, and we said, nah, I can't do it.

728
00:43:09,840 --> 00:43:11,920
Speaker 1: They have we can do it, but it's gonna be

729
00:43:12,040 --> 00:43:16,879
Speaker 1: our way exactly like they got all this, we gotta

730
00:43:16,920 --> 00:43:20,279
Speaker 1: bring you you come with you know, I meant Blee

731
00:43:20,400 --> 00:43:22,440
Speaker 1: coming to cast and over. That's dope. You know what

732
00:43:22,440 --> 00:43:26,560
Speaker 1: I'm saying, like, but you know, new artists, they have

733
00:43:27,000 --> 00:43:29,680
Speaker 1: their lane already, you have your hot knights. Every social

734
00:43:29,719 --> 00:43:35,040
Speaker 1: media is all there because yeah, did you know? Because

735
00:43:35,080 --> 00:43:38,080
Speaker 1: that's how that's old school new school. That's just you know,

736
00:43:38,320 --> 00:43:41,000
Speaker 1: it's it's together that people want to represent a legends.

737
00:43:41,040 --> 00:43:43,919
Speaker 1: We want to represent people that business game ten years

738
00:43:44,000 --> 00:43:47,040
Speaker 1: that oh more and put it in network and deserves

739
00:43:47,120 --> 00:43:50,960
Speaker 1: to be mechanized. And mind you when years and more

740
00:43:51,000 --> 00:43:53,040
Speaker 1: people don't want to recognize we when we started the

741
00:43:53,080 --> 00:43:56,239
Speaker 1: platform based on that premise, we didn't know what was

742
00:43:56,280 --> 00:43:58,520
Speaker 1: gonna pop. It was just us. We didn't do it

743
00:43:59,040 --> 00:44:01,520
Speaker 1: because we wanted to do it, and it just happened

744
00:44:01,560 --> 00:44:03,840
Speaker 1: to pop off. What I'm saying, it's just like I

745
00:44:03,960 --> 00:44:08,960
Speaker 1: think it was genius. We need the Mob Deep Chronicles

746
00:44:09,080 --> 00:44:13,359
Speaker 1: podcast to happen as well. We're talking about that. Yeah

747
00:44:13,400 --> 00:44:18,320
Speaker 1: you're rapping on what you know, what I'm saying, I

748
00:44:18,440 --> 00:44:20,960
Speaker 1: just about because you're gonna see you want to see

749
00:44:21,000 --> 00:44:24,480
Speaker 1: the impact, you know this, because people just want to

750
00:44:24,560 --> 00:44:29,719
Speaker 1: hit these Mob Deep stories. So I'm actually working on

751
00:44:29,800 --> 00:44:34,279
Speaker 1: the documentary. So that just talking about the documentary. We

752
00:44:34,320 --> 00:44:40,320
Speaker 1: were talking about what I'm sorry students talking you know,

753
00:44:44,000 --> 00:44:47,920
Speaker 1: the Mom Deep documentary. It's gonna be a mom Deep documentary. Um,

754
00:44:50,239 --> 00:44:54,160
Speaker 1: it's gonna be uh. An extraordinary company gave me a lane.

755
00:44:54,320 --> 00:44:56,000
Speaker 1: I don't want to say it because the contracts are

756
00:44:56,040 --> 00:44:58,960
Speaker 1: not done yet. Okay, cool, And it's a good company

757
00:44:59,040 --> 00:45:01,439
Speaker 1: that we all know. And they're giving me a lane

758
00:45:01,480 --> 00:45:04,200
Speaker 1: to do documentaries, not just some them long deep, but

759
00:45:04,360 --> 00:45:10,640
Speaker 1: on a few artists that I owed so do engratulated

760
00:45:10,760 --> 00:45:17,960
Speaker 1: makes lord for that guy. You got the namestry, I don't.

761
00:45:18,040 --> 00:45:21,200
Speaker 1: I don't. Yeah, I don't got the name of it yet.

762
00:45:21,400 --> 00:45:26,799
Speaker 1: And talk about yet. Let's see trying to because that's

763
00:45:26,800 --> 00:45:30,040
Speaker 1: why I started drinking. The presidentis first. Let I ain't

764
00:45:30,040 --> 00:45:32,719
Speaker 1: gonna laugh. Let me tell y'all something, man. I don't

765
00:45:32,760 --> 00:45:35,440
Speaker 1: know if y'all know me, but have knocked down a

766
00:45:35,560 --> 00:45:44,560
Speaker 1: lot of industry bitches. My nigga. Listen, young snipe, trust

767
00:45:45,520 --> 00:45:52,279
Speaker 1: trust nineties music, a second ago music to trust me.

768
00:45:52,360 --> 00:45:56,560
Speaker 1: You give me too much credit to listen. I remember

769
00:45:56,640 --> 00:45:59,600
Speaker 1: I had to pay I'm not the pig the Tory

770
00:45:59,680 --> 00:46:20,920
Speaker 1: Core trail Blazer he was topping nig I don't want

771
00:46:20,960 --> 00:46:24,120
Speaker 1: to because that one more. I was like this nigga,

772
00:46:24,239 --> 00:46:33,200
Speaker 1: happies really out here? No I just had a lot

773
00:46:33,239 --> 00:46:38,360
Speaker 1: of friends. We were mild you out here. We were like,

774
00:46:39,080 --> 00:46:42,160
Speaker 1: that's a great one. You were like French Montanna, like

775
00:46:42,200 --> 00:46:44,640
Speaker 1: how French is right now the telling you have, But

776
00:46:45,920 --> 00:46:51,359
Speaker 1: y'all don't know you think I'm actually being truthfully. Man

777
00:46:51,640 --> 00:46:57,640
Speaker 1: was knocking him down, you know girls, And she's like

778
00:46:57,760 --> 00:47:00,400
Speaker 1: that you don't respect for guys like you can hear

779
00:47:00,520 --> 00:47:05,080
Speaker 1: that book because you that I ain't gonna I'm a

780
00:47:05,120 --> 00:47:06,840
Speaker 1: married man. I got a little back areas to you,

781
00:47:09,440 --> 00:47:13,879
Speaker 1: your your past, your gass, doesn't You're not bad, your

782
00:47:13,880 --> 00:47:21,719
Speaker 1: focus gonna be great. I love it. Do you know

783
00:47:22,520 --> 00:47:27,560
Speaker 1: you say that book just gonna let him do it?

784
00:47:31,520 --> 00:47:35,279
Speaker 1: So not a mom deep movie. That guy could be. Yeah,

785
00:47:35,760 --> 00:47:37,839
Speaker 1: that guy could be in the works. But but it's

786
00:47:37,840 --> 00:47:40,080
Speaker 1: still a challenge though, because you you want to make it.

787
00:47:40,280 --> 00:47:43,400
Speaker 1: It was a documentary, would be first, right, And it's

788
00:47:43,440 --> 00:47:45,759
Speaker 1: still a challenge because you don't want to rush it,

789
00:47:46,080 --> 00:47:49,200
Speaker 1: do it too fast and just rusting. Don't rush it,

790
00:47:49,520 --> 00:47:51,680
Speaker 1: you know, don't rush it. But at the same token

791
00:47:52,800 --> 00:47:58,799
Speaker 1: with the some bioppy fist. But we got we got

792
00:47:58,840 --> 00:48:02,640
Speaker 1: a big one, right, we got a Tupac one, we

793
00:48:02,760 --> 00:48:06,200
Speaker 1: got an n w A right makes sense. It makes

794
00:48:06,200 --> 00:48:10,320
Speaker 1: sense they and I mean my personal I think that

795
00:48:11,600 --> 00:48:13,680
Speaker 1: could have been better. I think the n W one

796
00:48:13,840 --> 00:48:17,760
Speaker 1: was the best woman because because when I watched the movie,

797
00:48:17,840 --> 00:48:19,640
Speaker 1: I was like, oh shoot, I could follow this story

798
00:48:19,719 --> 00:48:24,320
Speaker 1: because even without really knowing them, you still kind of

799
00:48:24,440 --> 00:48:26,200
Speaker 1: was like, oh ship, Yeah, this is the thing that

800
00:48:26,320 --> 00:48:29,200
Speaker 1: we was hearing it. They put it together fast, but

801
00:48:29,360 --> 00:48:31,879
Speaker 1: the people that probably was really really closer than probably

802
00:48:31,920 --> 00:48:35,440
Speaker 1: wanted them to put even more. That was good for

803
00:48:35,600 --> 00:48:38,640
Speaker 1: people that followed them. How about the Tupac movie, I

804
00:48:38,880 --> 00:48:40,959
Speaker 1: feel about that. I didn't even watch it. I didn't.

805
00:48:41,200 --> 00:48:43,279
Speaker 1: I thought it could have been better. You think it

806
00:48:43,360 --> 00:48:46,160
Speaker 1: could be a mom D movie? You got it could

807
00:48:46,160 --> 00:48:48,600
Speaker 1: be that they made pop, they made big like we

808
00:48:48,719 --> 00:48:51,080
Speaker 1: talked about Mom. Did we go plant on the first

809
00:48:51,120 --> 00:48:54,279
Speaker 1: album or not real Close or whatever? You think? It's

810
00:48:54,440 --> 00:48:57,719
Speaker 1: the world were ready for a mom DEP albums and movie,

811
00:48:58,239 --> 00:49:02,560
Speaker 1: probably because problems and all Ship is God blessed because

812
00:49:02,719 --> 00:49:05,680
Speaker 1: it like I always knew Mom was the biggest was

813
00:49:05,880 --> 00:49:08,200
Speaker 1: one of the biggest groups ever. Right. But when I

814
00:49:08,280 --> 00:49:11,800
Speaker 1: see Peace Death, you seem like Stephen colemore like this,

815
00:49:12,000 --> 00:49:14,640
Speaker 1: just like different people just showing them love them all deep.

816
00:49:14,840 --> 00:49:17,600
Speaker 1: It's like wow, like that ship would sell out theatersts.

817
00:49:17,640 --> 00:49:20,880
Speaker 1: I'm telling them, you've done properly. But I've done the properly.

818
00:49:20,960 --> 00:49:23,440
Speaker 1: Like everybody would have to be involved, everybody from the

819
00:49:23,520 --> 00:49:26,040
Speaker 1: beginning from you know, they gotta you know, you gotta

820
00:49:26,080 --> 00:49:28,840
Speaker 1: get Twin, you gotta get you know, Todd and you

821
00:49:29,600 --> 00:49:32,200
Speaker 1: gotta get you get your trick, you get everybody that

822
00:49:32,280 --> 00:49:35,440
Speaker 1: you know that gets say Twin story, Like how that

823
00:49:35,760 --> 00:49:39,040
Speaker 1: just just that accident. God blessed, God blessed that accident.

824
00:49:39,120 --> 00:49:42,080
Speaker 1: It was crazy, like that was to us in Queens,

825
00:49:42,160 --> 00:49:45,200
Speaker 1: like like we we we don't know fifteen different stories.

826
00:49:45,600 --> 00:49:48,000
Speaker 1: Just who would happened? You know what I'm saying. So

827
00:49:48,120 --> 00:49:50,920
Speaker 1: I'm the outside of you know what I'm saying, Like

828
00:49:50,920 --> 00:49:53,160
Speaker 1: I've always been like yeah, family, but I was always like,

829
00:49:53,360 --> 00:49:55,399
Speaker 1: you know, from the other side. So I'm just telling

830
00:49:55,480 --> 00:49:57,799
Speaker 1: y'all that that would be something that that they'll eat

831
00:49:57,880 --> 00:50:00,320
Speaker 1: up fast. But who you know, who's the person to

832
00:50:00,400 --> 00:50:04,000
Speaker 1: do it because he probably feels like he ain't do

833
00:50:04,480 --> 00:50:07,920
Speaker 1: Pops movie? Right, is baby Boom? I think Baby Boom

834
00:50:08,120 --> 00:50:10,880
Speaker 1: is the guy to to to bring home that marbl

835
00:50:10,960 --> 00:50:13,320
Speaker 1: but even more outside and looking at because you're actually

836
00:50:13,360 --> 00:50:17,880
Speaker 1: an inside outside. But but Mom Deep is the soundtrack

837
00:50:18,280 --> 00:50:21,680
Speaker 1: if you're a hip hop kid or a generation mom.

838
00:50:21,760 --> 00:50:24,800
Speaker 1: Deep and y'all's sound is the sound of our generation

839
00:50:25,120 --> 00:50:26,920
Speaker 1: to a certain point, like n w A was a

840
00:50:27,000 --> 00:50:30,680
Speaker 1: sound of a generation, and so it deserves that those

841
00:50:30,719 --> 00:50:33,920
Speaker 1: accolades and in the film properly made. And you know

842
00:50:33,920 --> 00:50:36,560
Speaker 1: what I'm saying, if I could be, it would have

843
00:50:36,640 --> 00:50:38,640
Speaker 1: to be y'all still evolved. That's what makes n w

844
00:50:38,840 --> 00:50:42,719
Speaker 1: A ship so better than everybody else is because you know,

845
00:50:43,560 --> 00:50:47,359
Speaker 1: obviously Pop Big wasn't hit like this. There's no way

846
00:50:47,440 --> 00:50:50,759
Speaker 1: you could do a big point movie without bat like.

847
00:50:53,200 --> 00:50:55,560
Speaker 1: I would be totally against it. And I don't have

848
00:50:55,600 --> 00:50:57,120
Speaker 1: love for the family. I can see what the family

849
00:50:57,239 --> 00:50:59,319
Speaker 1: is doing. I'll get it, but what you see ain't

850
00:50:59,320 --> 00:51:01,960
Speaker 1: doing a movie. I'm just hearing your example like you

851
00:51:02,120 --> 00:51:07,279
Speaker 1: just can't and with you guys, I'm just telling you, man,

852
00:51:07,440 --> 00:51:10,160
Speaker 1: everybody has their own little memories that that I asked

853
00:51:10,200 --> 00:51:12,759
Speaker 1: me something, I would go to the movies, right. That's

854
00:51:12,800 --> 00:51:14,360
Speaker 1: why you're saying, if it's done right, because you know

855
00:51:14,600 --> 00:51:17,839
Speaker 1: the story. You know a lot of histories, so may

856
00:51:18,040 --> 00:51:20,759
Speaker 1: be done with the way you from the last time

857
00:51:20,840 --> 00:51:23,759
Speaker 1: the habit was here. You don't understand when when we

858
00:51:23,880 --> 00:51:27,960
Speaker 1: said ship one's beat was made off the project store, Like,

859
00:51:28,080 --> 00:51:32,279
Speaker 1: people still like, what are you talking about? Crazy? But

860
00:51:32,520 --> 00:51:34,840
Speaker 1: people are living the projects, so you don't know that.

861
00:51:40,040 --> 00:51:43,640
Speaker 1: You know what I'm saying? What you know? Okay, shot time? Okay, man,

862
00:51:44,080 --> 00:51:49,560
Speaker 1: that click, but that's a genius ship then we were

863
00:51:49,640 --> 00:51:52,000
Speaker 1: just talking about that. No, men haven't talking about how

864
00:51:52,080 --> 00:51:54,480
Speaker 1: he used to be. He's being a project chilling and

865
00:51:54,560 --> 00:51:59,279
Speaker 1: the habit just dip off. He upstairs making him be

866
00:51:59,400 --> 00:52:04,680
Speaker 1: cooking a lot. Let me tell you what have you.

867
00:52:05,160 --> 00:52:07,160
Speaker 1: He's the power down a lot of stuff, you know,

868
00:52:07,880 --> 00:52:09,759
Speaker 1: so if you ain't go win more like he was

869
00:52:09,800 --> 00:52:11,600
Speaker 1: good at making beats and studio like, let me get

870
00:52:11,600 --> 00:52:13,839
Speaker 1: you one right now. He'll be like, now I don't

871
00:52:13,880 --> 00:52:17,160
Speaker 1: like your power, but like what do I made from?

872
00:52:17,239 --> 00:52:19,120
Speaker 1: And not right there in the studio with nots and

873
00:52:19,200 --> 00:52:22,800
Speaker 1: ray corners right there just like bump. You see he

874
00:52:22,920 --> 00:52:26,520
Speaker 1: said that though what he just said. Student first, first,

875
00:52:26,920 --> 00:52:29,560
Speaker 1: we're coming back to that. Okay, may go back to

876
00:52:29,640 --> 00:52:32,640
Speaker 1: that place, my brother, but I ain't gonna. I'm gonna

877
00:52:32,640 --> 00:52:35,440
Speaker 1: tell you what makes that crazy is you can go

878
00:52:35,560 --> 00:52:38,480
Speaker 1: on the studio with half, you can lay some ship

879
00:52:39,800 --> 00:52:41,840
Speaker 1: and then leave and he'll come back and he'll have

880
00:52:42,120 --> 00:52:46,360
Speaker 1: three different more beats to the same exactly like this

881
00:52:46,480 --> 00:52:47,960
Speaker 1: one was whack. I'm like, yo, what do you mean

882
00:52:50,040 --> 00:52:52,399
Speaker 1: a whole notherip and it's better than that. You can't

883
00:52:52,480 --> 00:52:55,040
Speaker 1: argue with him. And then like I remember, like later

884
00:52:55,160 --> 00:52:57,640
Speaker 1: that was like the third birth. I was like, yo,

885
00:52:57,960 --> 00:53:00,759
Speaker 1: I have just remember what I told I, look as

886
00:53:00,840 --> 00:53:02,640
Speaker 1: does that? But has does now? I said, you and

887
00:53:02,680 --> 00:53:06,799
Speaker 1: your having ship, He'll just keep making it better and better,

888
00:53:07,360 --> 00:53:12,279
Speaker 1: like that's some genior ship. Now. I I'm just never

889
00:53:12,400 --> 00:53:15,160
Speaker 1: satisfied in the mouth. I'm my own worst critic when

890
00:53:15,239 --> 00:53:18,600
Speaker 1: it comes to beats. Tony tests can tested that. Probably

891
00:53:18,719 --> 00:53:20,160
Speaker 1: right when you'd be making the beats, he'd be like,

892
00:53:20,800 --> 00:53:24,560
Speaker 1: you'll never be done if somebody don't say, Yo, that's it. No,

893
00:53:24,760 --> 00:53:26,920
Speaker 1: that's the true. He's the truth. He's right. Like if

894
00:53:26,960 --> 00:53:29,080
Speaker 1: you don't have that artist there to be like, oh no, no, no,

895
00:53:29,320 --> 00:53:33,759
Speaker 1: ne'sary finished out right there, chill has We'll just go

896
00:53:33,960 --> 00:53:35,600
Speaker 1: and be like, nah, we ain't gonna play for you.

897
00:53:36,239 --> 00:53:38,480
Speaker 1: You don't need to, like now play that beat right

898
00:53:38,520 --> 00:53:41,960
Speaker 1: there and you skip it super trying to find this

899
00:53:42,480 --> 00:53:44,520
Speaker 1: be like, yo, know that's it. And then you'd be like,

900
00:53:47,040 --> 00:53:51,759
Speaker 1: you know what I'm saying. Okay, it wants shots, got them.

901
00:53:52,200 --> 00:53:58,120
Speaker 1: We gotta go back to that story. It wasn't even

902
00:53:58,200 --> 00:54:00,400
Speaker 1: that beat first. It wasn't. It wasn't that be the

903
00:54:00,560 --> 00:54:03,560
Speaker 1: first it was, So there's another beat to that road

904
00:54:04,040 --> 00:54:05,879
Speaker 1: it was, it was, it was, it was the same.

905
00:54:06,080 --> 00:54:09,920
Speaker 1: It was the same, sensible, but and I switched. I've

906
00:54:09,960 --> 00:54:19,719
Speaker 1: started off together something will be honest. I'm gonna be honest.

907
00:54:20,000 --> 00:54:22,560
Speaker 1: I know you can't see as a producer producer, so

908
00:54:22,800 --> 00:54:26,520
Speaker 1: as a producer, you were just showing off, showing off.

909
00:54:26,680 --> 00:54:37,400
Speaker 1: You were showing off. He was like, I got show off. Yes,

910
00:54:38,800 --> 00:54:45,680
Speaker 1: you was just like niked. He was spackingcause nobody everybody,

911
00:54:45,800 --> 00:54:49,000
Speaker 1: everybody pretty much. And he always waited to hear what

912
00:54:49,200 --> 00:54:52,839
Speaker 1: the snare was gonna sound. It was always that nation,

913
00:54:53,200 --> 00:54:55,319
Speaker 1: what must do? What much do you use? On that one?

914
00:54:56,040 --> 00:54:59,800
Speaker 1: I pret using the NPC six six, but every machine

915
00:54:59,840 --> 00:55:02,000
Speaker 1: he got. When when I went to the forty first

916
00:55:02,000 --> 00:55:03,880
Speaker 1: side and were doing music, you know, on the four

917
00:55:03,960 --> 00:55:06,719
Speaker 1: side was hustling. So we went on forty first side,

918
00:55:06,760 --> 00:55:09,440
Speaker 1: was like music. Didn't think he got like, hell, I

919
00:55:09,480 --> 00:55:11,680
Speaker 1: got to tweet that got the sixty You winn't go

920
00:55:12,160 --> 00:55:16,160
Speaker 1: and then we was on the only shot of till

921
00:55:16,200 --> 00:55:31,319
Speaker 1: the breaking elis rapping noise. Oh I'm tired, I'm shot. Yeah, yeah,

922
00:55:31,760 --> 00:55:42,279
Speaker 1: you'll listen. Man drinking alias tone touch mormde. This is

923
00:55:42,320 --> 00:55:49,800
Speaker 1: to y'all. Saluis thank y'all. It was terrible. Oh we

924
00:55:49,840 --> 00:55:53,239
Speaker 1: shouldn't drinking. What is that A whole bunch of Jensen's. Yeah,

925
00:55:54,120 --> 00:55:56,319
Speaker 1: a lot knock something doy all to night. You'll be ready,

926
00:55:56,800 --> 00:56:00,600
Speaker 1: trust trust me. It's it's like a much your analogy

927
00:56:00,920 --> 00:56:02,600
Speaker 1: if you playing the game, when you played the game,

928
00:56:02,640 --> 00:56:04,759
Speaker 1: you'll be ready, like if you're playing like if you

929
00:56:05,000 --> 00:56:08,279
Speaker 1: you won't. We shouldn't be We shouldn't be drinking at

930
00:56:08,280 --> 00:56:10,239
Speaker 1: you're gonna knock it out the pall. But it's not

931
00:56:10,320 --> 00:56:18,719
Speaker 1: like you're not gonna walk around like but trust me,

932
00:56:19,280 --> 00:56:21,920
Speaker 1: that's what it's made for. Like we abuse it because

933
00:56:22,600 --> 00:56:27,400
Speaker 1: you don't say don't say that when where is it

934
00:56:27,520 --> 00:56:31,160
Speaker 1: from those that No, No, we bought a case and

935
00:56:31,239 --> 00:56:35,360
Speaker 1: that ship came straight from China, and Chinese with the

936
00:56:35,520 --> 00:56:44,160
Speaker 1: Chinese was going on they're gone. It's a bunch of roots.

937
00:56:44,239 --> 00:56:49,120
Speaker 1: But originally supposed the Chinese were killing tigers and smashing

938
00:56:49,160 --> 00:56:52,360
Speaker 1: the bones and putting like Jin saying. But then obviously

939
00:56:52,719 --> 00:56:55,280
Speaker 1: all that ship got banned because it was actually killing tigers.

940
00:56:55,920 --> 00:56:57,960
Speaker 1: So now it's just all roots, like a bunch of

941
00:56:58,080 --> 00:57:01,960
Speaker 1: roots and okay, yeah you can any Jamaican spots and

942
00:57:02,080 --> 00:57:08,480
Speaker 1: culture coach and coach, So hi, how you how now

943
00:57:08,600 --> 00:57:13,000
Speaker 1: if Havoc right now, if six nine, you know six

944
00:57:13,120 --> 00:57:20,760
Speaker 1: nine is what's his name? What's this? What's coffee? All? Right? Now?

945
00:57:21,280 --> 00:57:23,120
Speaker 1: If he calls you for a bee with this havocs

946
00:57:23,160 --> 00:57:27,360
Speaker 1: there right, you get a chance? A chance? Why not?

947
00:57:28,520 --> 00:57:32,640
Speaker 1: Because because at the end of side, um, yeah, I'm

948
00:57:32,680 --> 00:57:35,480
Speaker 1: move with music man, Like I love music period, so

949
00:57:35,680 --> 00:57:40,320
Speaker 1: I don't get caught up in the old. Uh. You know,

950
00:57:40,520 --> 00:57:42,480
Speaker 1: I don't like this music and I don't like your

951
00:57:42,560 --> 00:57:45,000
Speaker 1: new music. Like a lot of this ship I don't

952
00:57:45,040 --> 00:57:47,080
Speaker 1: like today, but a lot of this ship back in

953
00:57:47,120 --> 00:57:49,400
Speaker 1: the days I didn't like either, so you know what

954
00:57:49,440 --> 00:57:51,560
Speaker 1: I mean. So I'm just a music man, but it's weak.

955
00:57:51,640 --> 00:57:55,160
Speaker 1: You know. I will lean more towards you know, my

956
00:57:55,400 --> 00:57:58,120
Speaker 1: vibe of music. But I always love a challenge. So

957
00:57:59,520 --> 00:58:02,280
Speaker 1: if any he came to me for a beat, I'll

958
00:58:02,320 --> 00:58:04,400
Speaker 1: be like, okay, but what if they did something on

959
00:58:04,520 --> 00:58:06,920
Speaker 1: the beat? You didn't like what you do at that

960
00:58:07,040 --> 00:58:08,560
Speaker 1: point to check out of me a little bit che

961
00:58:09,200 --> 00:58:11,480
Speaker 1: difference and check them. I adn't matter that now, but

962
00:58:11,520 --> 00:58:16,200
Speaker 1: oldjoke something, Um, if they did something that you didn't

963
00:58:16,240 --> 00:58:19,080
Speaker 1: like over, what do you tell an artistly like would

964
00:58:19,080 --> 00:58:21,480
Speaker 1: you're trying to produce that like the way it used

965
00:58:21,480 --> 00:58:23,160
Speaker 1: to be? You could? You can try to guard them,

966
00:58:24,640 --> 00:58:28,000
Speaker 1: and that's a great thing. You know, maybe you should

967
00:58:28,040 --> 00:58:30,680
Speaker 1: do it like this and God and as long as

968
00:58:30,680 --> 00:58:32,880
Speaker 1: you're not doing it in a way that is uh,

969
00:58:34,280 --> 00:58:37,080
Speaker 1: you don't want to like disrespect artists when he's doing

970
00:58:37,120 --> 00:58:40,360
Speaker 1: his craft, Like just be mindful that he's probably trying

971
00:58:40,400 --> 00:58:43,080
Speaker 1: his hardest. So you do want to go on to

972
00:58:43,480 --> 00:58:45,960
Speaker 1: you know what he's doing. But it's your art as

973
00:58:46,000 --> 00:58:48,560
Speaker 1: well because it's your beat. So I feel like you

974
00:58:48,680 --> 00:58:51,280
Speaker 1: have every every you know sense to tell him what

975
00:58:51,360 --> 00:58:52,880
Speaker 1: to do on your be as well, like you should

976
00:58:52,920 --> 00:58:56,200
Speaker 1: have input. Yeah, but he's still paying for it. You know,

977
00:58:56,800 --> 00:59:00,920
Speaker 1: you can't just be thatn't You don't do this the

978
00:59:01,000 --> 00:59:02,919
Speaker 1: best you could do to the beat and make a house,

979
00:59:02,960 --> 00:59:06,280
Speaker 1: So sometimes you got to you gotta give it up

980
00:59:06,360 --> 00:59:09,240
Speaker 1: and be like all at some point you know what

981
00:59:09,240 --> 00:59:10,880
Speaker 1: I mean? Of course I said, you could got him

982
00:59:10,920 --> 00:59:13,880
Speaker 1: and be like staying on this so understand what he's saying.

983
00:59:14,440 --> 00:59:17,000
Speaker 1: We've all been asking ourselves the same questions. How can

984
00:59:17,080 --> 00:59:20,120
Speaker 1: in case this famous be unsolved? From a director of

985
00:59:20,200 --> 00:59:24,280
Speaker 1: the people versus O. J. Simpson. American Crime Story Unsolved

986
00:59:24,320 --> 00:59:26,480
Speaker 1: The mergers of TUPAC and a Notorious b I G.

987
00:59:26,960 --> 00:59:30,960
Speaker 1: A limited series event airs February seven at ten pm Eastern,

988
00:59:31,360 --> 00:59:34,640
Speaker 1: nine pm Central only on the USA Network. Again check

989
00:59:34,680 --> 00:59:38,920
Speaker 1: it out February at ten pm Eastern, nine pm Central

990
00:59:39,200 --> 00:59:42,080
Speaker 1: only on USA Network. Hopefully we get some new facts

991
00:59:42,160 --> 00:59:48,960
Speaker 1: on this rapper. You was on Tommy Boy? What was

992
00:59:49,040 --> 00:59:51,880
Speaker 1: that experience being on Tommy Boy? It was quick for me, man,

993
00:59:51,920 --> 00:59:53,800
Speaker 1: I got I got, I got the deal and got

994
00:59:53,960 --> 00:59:58,720
Speaker 1: locked up right behind it. I got the deal and

995
00:59:59,000 --> 01:00:02,000
Speaker 1: actually my second half, you know, you get the first

996
01:00:02,080 --> 01:00:04,400
Speaker 1: half to get me finish album. They actually gave it

997
01:00:04,480 --> 01:00:05,840
Speaker 1: to me, just to give me out. That paid for

998
01:00:05,880 --> 01:00:14,120
Speaker 1: the lads and all that. You couldn't even know. I

999
01:00:14,120 --> 01:00:16,200
Speaker 1: didn't even I didn't even finish the whole album. That's

1000
01:00:16,200 --> 01:00:21,360
Speaker 1: why I actually came out as an eph came out

1001
01:00:21,360 --> 01:00:26,280
Speaker 1: of the EP the first album. Now l S, why

1002
01:00:26,400 --> 01:00:33,680
Speaker 1: don't think nature album? H like I went to the

1003
01:00:33,760 --> 01:00:36,360
Speaker 1: forefront of music because at the end of the day,

1004
01:00:36,400 --> 01:00:40,320
Speaker 1: that was nas protege right correct, and he had the

1005
01:00:40,640 --> 01:00:44,760
Speaker 1: bus I remember just all the cul free styles. Nature

1006
01:00:44,960 --> 01:00:49,040
Speaker 1: was all over the world. Why do you think went

1007
01:00:50,400 --> 01:00:53,480
Speaker 1: the way he should have went? Mm? It was a

1008
01:00:53,520 --> 01:00:58,560
Speaker 1: little tough because I think Nature was dealing with the

1009
01:00:58,640 --> 01:01:01,080
Speaker 1: firm battle and it was the end and what's the hour?

1010
01:01:02,640 --> 01:01:05,160
Speaker 1: So the tools that could have probably got them closer

1011
01:01:05,200 --> 01:01:08,360
Speaker 1: to the well probably didn't get it. He probably didn't

1012
01:01:08,400 --> 01:01:11,040
Speaker 1: get that chance to like you know, they're dealing over

1013
01:01:11,160 --> 01:01:13,960
Speaker 1: the streets and deal over Queen's Ridge and the day

1014
01:01:14,000 --> 01:01:16,640
Speaker 1: to day that that was outside of the music when

1015
01:01:16,720 --> 01:01:22,760
Speaker 1: I'm saying right, so um, track masters tried, They tried

1016
01:01:22,840 --> 01:01:26,440
Speaker 1: without NASA's health. Just saw some what's her name? But

1017
01:01:26,520 --> 01:01:31,280
Speaker 1: I think it was a little and what's some relationships?

1018
01:01:31,520 --> 01:01:35,280
Speaker 1: How what's your relationship with track masters? No? Should everything good?

1019
01:01:35,400 --> 01:01:39,280
Speaker 1: My phone ain't ring, but be good. They starting a

1020
01:01:39,320 --> 01:01:41,760
Speaker 1: new Steve style starting. I love a lot of the

1021
01:01:41,880 --> 01:01:44,520
Speaker 1: man a dating. You can never be mad at somebody

1022
01:01:44,600 --> 01:01:47,160
Speaker 1: that brought me to a well and you teach your

1023
01:01:47,200 --> 01:01:50,560
Speaker 1: family over school. It's real ship, real ship that real

1024
01:01:50,640 --> 01:01:55,600
Speaker 1: sick now, Okay, well, you're all from Queen's Bridge, that's

1025
01:01:55,640 --> 01:01:58,840
Speaker 1: the obvious thing. But I'm not used to seeing Alis

1026
01:01:59,440 --> 01:02:02,160
Speaker 1: with more of So what's going on y'all? I mean

1027
01:02:05,480 --> 01:02:11,520
Speaker 1: y'all flying together? Like, come on, it was announced it

1028
01:02:11,560 --> 01:02:14,920
Speaker 1: to the was to the people. Come on. I mean,

1029
01:02:15,000 --> 01:02:17,200
Speaker 1: first of all, don't want you know, you know, the

1030
01:02:17,720 --> 01:02:20,480
Speaker 1: you know, p past the way and stuff like going.

1031
01:02:20,840 --> 01:02:24,320
Speaker 1: So they holding me down like people think it's like

1032
01:02:24,440 --> 01:02:28,280
Speaker 1: the time where I just people that I know around

1033
01:02:28,360 --> 01:02:31,520
Speaker 1: me to hold me down. And then in the in

1034
01:02:31,600 --> 01:02:35,760
Speaker 1: the process of that, you know, obviously you know Elias,

1035
01:02:35,960 --> 01:02:38,800
Speaker 1: he's a blue time a producer looking at me like

1036
01:02:39,040 --> 01:02:41,600
Speaker 1: we're trying to team up and do stuff, and then

1037
01:02:41,680 --> 01:02:45,280
Speaker 1: we got annoyed here, you know, so we just want

1038
01:02:45,320 --> 01:02:47,200
Speaker 1: to just all stick together, you know what I mean,

1039
01:02:47,440 --> 01:02:50,360
Speaker 1: you know, get a time like this, you know what,

1040
01:02:51,160 --> 01:02:55,320
Speaker 1: talk back in the day, stick together something. But it's

1041
01:02:55,840 --> 01:02:59,360
Speaker 1: to say that actually, like because I you know, if

1042
01:02:59,400 --> 01:03:02,120
Speaker 1: it wasn't for East two right here, I don't know

1043
01:03:02,240 --> 01:03:04,280
Speaker 1: what I wonna be doing right now, you know what

1044
01:03:04,280 --> 01:03:07,400
Speaker 1: I'm saying on a daily basis, like I'd probably just

1045
01:03:08,200 --> 01:03:11,720
Speaker 1: be by myself because who could I bring on, you know,

1046
01:03:11,880 --> 01:03:14,400
Speaker 1: on the road with me? As these two they both

1047
01:03:14,400 --> 01:03:18,440
Speaker 1: from my block, so queens. But I see that on

1048
01:03:18,600 --> 01:03:21,480
Speaker 1: stage if I staid in the university, we oh that's right.

1049
01:03:21,600 --> 01:03:23,440
Speaker 1: And I called you know like I was like, the

1050
01:03:23,520 --> 01:03:25,600
Speaker 1: prodid you tribute? Like how they're gonna do this? You

1051
01:03:25,680 --> 01:03:29,000
Speaker 1: know right? And then I didn't even come out first.

1052
01:03:29,720 --> 01:03:32,520
Speaker 1: Nord came out right and started and started his ship,

1053
01:03:32,600 --> 01:03:35,360
Speaker 1: and I was like, okay, this is this is gonna

1054
01:03:35,400 --> 01:03:37,360
Speaker 1: be a goal right now. I just felt the right

1055
01:03:37,400 --> 01:03:39,880
Speaker 1: the way you felt, the energy in the family and togetherness.

1056
01:03:40,280 --> 01:03:42,440
Speaker 1: But like I said, it was a prodigy tribute yourself.

1057
01:03:42,680 --> 01:03:44,920
Speaker 1: Nobody knew how it was going to be presented. But

1058
01:03:45,000 --> 01:03:48,000
Speaker 1: when when when when Nord came out off the top,

1059
01:03:48,200 --> 01:03:51,160
Speaker 1: I was the first one before it probably was giving

1060
01:03:51,200 --> 01:03:54,680
Speaker 1: up the guys that was your queens get the money there.

1061
01:03:56,960 --> 01:04:01,240
Speaker 1: So it was all right, yeah, started show is a

1062
01:04:01,560 --> 01:04:05,160
Speaker 1: monster on that stage. That's your favor? Is that your

1063
01:04:05,160 --> 01:04:07,560
Speaker 1: favorite place on the studio? What you like, Marto, It's

1064
01:04:07,560 --> 01:04:11,960
Speaker 1: the stage. I love performing literally, like I realized, like

1065
01:04:12,360 --> 01:04:15,200
Speaker 1: my name Tuan Perry, but on the stage, I'm rapping

1066
01:04:15,280 --> 01:04:19,320
Speaker 1: on it top just a separation off top easy and

1067
01:04:19,400 --> 01:04:23,800
Speaker 1: it comes easy to do that. It's music huge. You

1068
01:04:25,560 --> 01:04:27,240
Speaker 1: I get so much stuff out there, like so when

1069
01:04:27,240 --> 01:04:30,160
Speaker 1: I'm home, it's like, yo, so looking at me, like

1070
01:04:30,440 --> 01:04:33,440
Speaker 1: is that dam you know? You know what I mean,

1071
01:04:33,600 --> 01:04:35,400
Speaker 1: recognize something you don't? You know what I mean? But

1072
01:04:35,560 --> 01:04:40,520
Speaker 1: over there it's like yo, picture like you know what

1073
01:04:40,520 --> 01:04:42,680
Speaker 1: I mean. I'm just away on the block. You know,

1074
01:04:42,720 --> 01:04:48,320
Speaker 1: I'm actually living in Florida, right somebody talking up, break

1075
01:04:48,360 --> 01:04:57,280
Speaker 1: down the block, come sprust some miamis definitely exactly we've

1076
01:04:57,280 --> 01:04:59,960
Speaker 1: been trying to get him on solo. Yes, yeah, I'm

1077
01:05:00,040 --> 01:05:03,040
Speaker 1: this is beautiful because you know why, And and God

1078
01:05:03,080 --> 01:05:05,320
Speaker 1: bless from being a little emotional, I could I could

1079
01:05:05,360 --> 01:05:08,680
Speaker 1: feel proud of you watching us right now. I feel him.

1080
01:05:09,240 --> 01:05:12,919
Speaker 1: I literally feel that man like I got feel him saying, oh,

1081
01:05:13,040 --> 01:05:15,800
Speaker 1: look at these niggers. They hold me downstairs. I said

1082
01:05:15,800 --> 01:05:17,920
Speaker 1: to you, I said, congrats. You know I mean that

1083
01:05:18,080 --> 01:05:28,959
Speaker 1: from y'all you killed it yat and running behind y'all.

1084
01:05:29,080 --> 01:05:33,040
Speaker 1: And he and Peter loved that right now, like you

1085
01:05:33,080 --> 01:05:35,760
Speaker 1: know what I mean, because you know before he passed,

1086
01:05:35,800 --> 01:05:40,480
Speaker 1: like you, he was right there and I remember you

1087
01:05:40,600 --> 01:05:43,600
Speaker 1: was shooting the Food show and look and look look

1088
01:05:43,680 --> 01:05:45,720
Speaker 1: at that part of people cutting your wisdom. But I

1089
01:05:45,840 --> 01:05:47,800
Speaker 1: said to him I said, I said it to you,

1090
01:05:47,920 --> 01:05:50,240
Speaker 1: to usel I'm getting drunk to night both for dr

1091
01:05:51,040 --> 01:05:54,400
Speaker 1: no excuse, and you said I'm coming back right. I

1092
01:05:54,560 --> 01:05:57,200
Speaker 1: know you know what. I can't God blessed. He said,

1093
01:05:57,560 --> 01:06:00,400
Speaker 1: ain't feeling that good to like, But I've been here

1094
01:06:00,440 --> 01:06:03,560
Speaker 1: him say that for fifteen years of the row. I

1095
01:06:03,680 --> 01:06:06,640
Speaker 1: throw like it was always that was his way, like

1096
01:06:06,760 --> 01:06:09,720
Speaker 1: you're killed, let me let me and this game. So

1097
01:06:09,760 --> 01:06:11,720
Speaker 1: I didn't figure nothing. So when I heard you say

1098
01:06:11,720 --> 01:06:14,200
Speaker 1: that same story, I was like, holy sh it. I

1099
01:06:14,360 --> 01:06:17,439
Speaker 1: was like he said to you he didn't feel good

1100
01:06:17,520 --> 01:06:19,360
Speaker 1: that night or something like that, but it was yeah,

1101
01:06:19,400 --> 01:06:22,320
Speaker 1: But like I said that, I heard that so many times,

1102
01:06:22,960 --> 01:06:25,480
Speaker 1: like you know, so you know God us, But you

1103
01:06:25,520 --> 01:06:27,800
Speaker 1: know what we're gonna do. We're gonna make sure Marv D,

1104
01:06:28,920 --> 01:06:31,600
Speaker 1: We're gonna make sure Ropper Noid Ellie has totally touched.

1105
01:06:31,760 --> 01:06:35,920
Speaker 1: We're gonna make sure that hip hop continues respect that

1106
01:06:36,200 --> 01:06:40,840
Speaker 1: name Prodigy Marve DP, and we're gonna continue to respect

1107
01:06:40,880 --> 01:06:45,000
Speaker 1: that legacy because it hurts me in hip hop where

1108
01:06:45,040 --> 01:06:47,880
Speaker 1: a person can't make it to a certain place and

1109
01:06:48,120 --> 01:06:50,920
Speaker 1: big up the next man, I say, I respect you

1110
01:06:52,280 --> 01:06:55,360
Speaker 1: for what you did, what you're doing and how like.

1111
01:06:56,800 --> 01:06:59,680
Speaker 1: That's why I guess this is this ship is working

1112
01:06:59,720 --> 01:07:04,520
Speaker 1: as we because we don't mind big enough. We want

1113
01:07:04,560 --> 01:07:06,640
Speaker 1: to do That's what we want to do, because what

1114
01:07:06,840 --> 01:07:09,600
Speaker 1: the fun We're going to expect country music to pick

1115
01:07:09,640 --> 01:07:15,240
Speaker 1: you up. Ain't with y'all. I'm with y'all. I love y'all.

1116
01:07:15,280 --> 01:07:18,720
Speaker 1: I know your versus and we're gonna always be you

1117
01:07:18,720 --> 01:07:22,080
Speaker 1: know what I'm saying this This, this is what people

1118
01:07:22,200 --> 01:07:26,160
Speaker 1: talking about. Everybody owning their own you know what I mean?

1119
01:07:26,280 --> 01:07:28,880
Speaker 1: And you really go back to pe music. It's deeping

1120
01:07:28,960 --> 01:07:31,680
Speaker 1: and rap. We all know that. Like, I gotta ask

1121
01:07:31,720 --> 01:07:33,280
Speaker 1: this one question. I'm sorry to cut you off, so

1122
01:07:33,440 --> 01:07:35,440
Speaker 1: sorry because the fans gonna kill me for this. But

1123
01:07:36,880 --> 01:07:41,400
Speaker 1: one question is that he keeps arriving and I just

1124
01:07:41,560 --> 01:07:43,800
Speaker 1: want to ask it. I don't believe it, but I

1125
01:07:43,880 --> 01:07:45,920
Speaker 1: just want to ask it is every time I go

1126
01:07:46,000 --> 01:07:48,840
Speaker 1: on the internet and anything is posted about Prodigy, they

1127
01:07:48,920 --> 01:07:54,480
Speaker 1: say that Prodigy was writing a Luminati book, so people

1128
01:07:54,600 --> 01:07:59,760
Speaker 1: feel like there was a conspiracy. That is a concy conspiracy. Yeah,

1129
01:08:00,400 --> 01:08:03,600
Speaker 1: and not just half to acts that because that question

1130
01:08:03,720 --> 01:08:06,720
Speaker 1: just keeps. It's just it hurts to hear that. Though. Man,

1131
01:08:07,360 --> 01:08:09,880
Speaker 1: I don't know if any of Lumina anything when they

1132
01:08:09,920 --> 01:08:13,240
Speaker 1: came to Prodacy. But I knew that he was enlightened

1133
01:08:13,480 --> 01:08:15,600
Speaker 1: and he didn't talk about a lot of stuff because

1134
01:08:15,640 --> 01:08:18,679
Speaker 1: they say he was bringing an actual book. I've heard

1135
01:08:18,720 --> 01:08:22,879
Speaker 1: it from people like Bust that story he said Prodigy

1136
01:08:23,479 --> 01:08:26,640
Speaker 1: heard anybody where he talked about the book. And so

1137
01:08:26,760 --> 01:08:29,920
Speaker 1: now so people will take that like, you know, like

1138
01:08:30,040 --> 01:08:32,880
Speaker 1: just regular fans on the internet, and they just trying

1139
01:08:32,880 --> 01:08:37,320
Speaker 1: to say that this was some conspiracy because because they say,

1140
01:08:37,439 --> 01:08:41,360
Speaker 1: like the A but it doesn't make sense. I'd say

1141
01:08:41,400 --> 01:08:44,240
Speaker 1: that to myself too, But I mean, it's all speculation,

1142
01:08:44,400 --> 01:08:48,000
Speaker 1: Man's it's all speculation. I mean, you know, I don't

1143
01:08:48,080 --> 01:08:51,640
Speaker 1: want to even really kind of feed that far. You

1144
01:08:51,680 --> 01:08:53,200
Speaker 1: know what I'm saying. I want to kind of keep

1145
01:08:53,240 --> 01:08:56,720
Speaker 1: his legacy alive at the level. But you know, we

1146
01:08:56,880 --> 01:09:00,519
Speaker 1: do hear the things where they'd be like luminary understanding

1147
01:09:00,640 --> 01:09:02,679
Speaker 1: or a matter of fact. I was just watching Van

1148
01:09:02,880 --> 01:09:09,000
Speaker 1: Jones Today's and at the end, what did the ax

1149
01:09:09,120 --> 01:09:13,200
Speaker 1: day zee it? What happened? Said? He was like, are

1150
01:09:13,240 --> 01:09:18,600
Speaker 1: you alluding I had the water and I couldn't hear it.

1151
01:09:18,920 --> 01:09:22,120
Speaker 1: I know, he said no, But anyway, that's the same

1152
01:09:22,200 --> 01:09:24,519
Speaker 1: thing that you know, kind of like we go through,

1153
01:09:25,240 --> 01:09:28,479
Speaker 1: you know, with the whole um mout. I don't like

1154
01:09:28,560 --> 01:09:30,160
Speaker 1: if you have su sense to just say you're not

1155
01:09:32,320 --> 01:09:35,800
Speaker 1: like this. Just think about it, just thinking about if

1156
01:09:35,880 --> 01:09:38,880
Speaker 1: that was kind of true, right without want to send

1157
01:09:39,000 --> 01:09:44,960
Speaker 1: him and saying I say, I don't know if this

1158
01:09:45,120 --> 01:09:47,679
Speaker 1: is true or not, but I know that my brother

1159
01:09:47,840 --> 01:09:51,479
Speaker 1: was enlightened, and uh he spoke a lot of truth,

1160
01:09:52,400 --> 01:09:57,280
Speaker 1: and uh, you know, I just want to remember the legacy,

1161
01:09:57,439 --> 01:09:59,840
Speaker 1: the legacy because trash, because you know you trash my

1162
01:10:00,040 --> 01:10:02,200
Speaker 1: but the two and like you know, um, he got

1163
01:10:02,280 --> 01:10:04,080
Speaker 1: me scared to sleep at night, the ship, the trash

1164
01:10:04,160 --> 01:10:06,160
Speaker 1: be talking about. I'd be like, yi, I don't even

1165
01:10:06,320 --> 01:10:08,800
Speaker 1: want to talk to trash some like even like you

1166
01:10:08,960 --> 01:10:12,200
Speaker 1: know what's going on, you know the street, like the

1167
01:10:13,680 --> 01:10:20,160
Speaker 1: trash come on. I want to sleep later, you know.

1168
01:10:20,439 --> 01:10:22,439
Speaker 1: You know what. I started to figure out that it's

1169
01:10:22,439 --> 01:10:25,800
Speaker 1: a little crazy because you know, I managed May and

1170
01:10:25,880 --> 01:10:28,360
Speaker 1: they did the video with little Wayne, did Joe a

1171
01:10:28,360 --> 01:10:30,560
Speaker 1: little way, They did two vities, a little wine, and

1172
01:10:30,640 --> 01:10:34,040
Speaker 1: then fans honed in on this video and they started

1173
01:10:34,080 --> 01:10:36,720
Speaker 1: to say home he got a T shirt that got

1174
01:10:36,800 --> 01:10:40,160
Speaker 1: this sign and then when he played the guitar shirt.

1175
01:10:40,240 --> 01:10:42,360
Speaker 1: Yeah he did this, and then he did and then

1176
01:10:44,000 --> 01:10:46,080
Speaker 1: I could turn you into a little Manati right now

1177
01:10:46,160 --> 01:10:56,439
Speaker 1: with that ship, the white those but I'm saying that's

1178
01:10:56,600 --> 01:10:58,600
Speaker 1: that's what made me realize that when they started to

1179
01:10:58,640 --> 01:11:01,840
Speaker 1: telling maybe and they're like yo, they looked at the

1180
01:11:02,000 --> 01:11:05,040
Speaker 1: Little Wayne video and they're like Luminatti. I'm like, oh man,

1181
01:11:05,479 --> 01:11:07,600
Speaker 1: And then it hit Little Wayne making a record with

1182
01:11:07,720 --> 01:11:09,800
Speaker 1: these guys, and then she was random. We did, we

1183
01:11:09,880 --> 01:11:12,840
Speaker 1: did have video mad random, and these motherfuckers turned it

1184
01:11:12,880 --> 01:11:15,400
Speaker 1: into a Luminati conspiracy. I'm like, oh now I can't

1185
01:11:15,479 --> 01:11:17,960
Speaker 1: believe anything that I used to think about too. If

1186
01:11:18,000 --> 01:11:20,920
Speaker 1: you count the rock bottles little table right now, it

1187
01:11:20,960 --> 01:11:27,920
Speaker 1: looks like it has a chance. I man mit his hands.

1188
01:11:32,840 --> 01:11:35,719
Speaker 1: They were like a little a little a small word,

1189
01:11:36,120 --> 01:11:40,280
Speaker 1: no little god looking r E album like that. I

1190
01:11:40,360 --> 01:11:48,120
Speaker 1: have no idea. And then Melviney like these Nikes this

1191
01:11:48,320 --> 01:11:54,720
Speaker 1: n like Jesus, I was I leaving the car like

1192
01:11:54,800 --> 01:11:56,800
Speaker 1: I think, I don't get in certain places they had

1193
01:11:56,840 --> 01:12:00,639
Speaker 1: a rock naship. I didn't get it, Like I don't

1194
01:12:00,680 --> 01:12:03,439
Speaker 1: know what I'm just saying. I don't want to see that.

1195
01:12:04,479 --> 01:12:09,479
Speaker 1: Put you over here. Ain't no conspiracy, and that that's

1196
01:12:09,520 --> 01:12:11,800
Speaker 1: just funked up what I'm saying. I tell some of

1197
01:12:11,880 --> 01:12:14,320
Speaker 1: my homie, I told him, there's no conspiracy. Conspiracy is

1198
01:12:14,360 --> 01:12:20,760
Speaker 1: the conspiracy. So conspiracy the work is spiracy is the conspiracy. Yeah, yeah,

1199
01:12:20,960 --> 01:12:24,840
Speaker 1: because it's it's it's it's deflecting the truth, right yea

1200
01:12:24,920 --> 01:12:27,439
Speaker 1: saying you're making up another truth and then you're not

1201
01:12:27,560 --> 01:12:31,080
Speaker 1: seeing what's really going about, calling it a conspiracy, taking

1202
01:12:31,080 --> 01:12:33,200
Speaker 1: away the credence from it. And then yeah, I told,

1203
01:12:33,280 --> 01:12:35,200
Speaker 1: and then they started making you look crazy and then

1204
01:12:35,600 --> 01:12:37,560
Speaker 1: just taking a cast from that. I just now, you

1205
01:12:37,600 --> 01:12:43,360
Speaker 1: ain't kidding, You ain't poor that much like that? S Yeah,

1206
01:12:44,360 --> 01:12:50,479
Speaker 1: please smoke with I stopped smoking over. I'm mad, how

1207
01:12:50,520 --> 01:12:56,479
Speaker 1: already right now? Annoyed? What too? Your shout out to luck?

1208
01:12:56,600 --> 01:12:59,240
Speaker 1: Now we in luck now, definitely shout out tell us now,

1209
01:13:00,600 --> 01:13:04,920
Speaker 1: looks man, you know what doesn't work, you don't want

1210
01:13:05,720 --> 01:13:09,680
Speaker 1: maybe cheers you with the blood. That's a different way

1211
01:13:11,080 --> 01:13:18,719
Speaker 1: is different. You don't give it back. Drawing So Queen's Bridge,

1212
01:13:19,320 --> 01:13:22,800
Speaker 1: Who is the next star came from queens Bridge? Right now?

1213
01:13:23,160 --> 01:13:25,920
Speaker 1: The next start to come to Queensbridge come from now,

1214
01:13:26,120 --> 01:13:28,200
Speaker 1: it's gonna be It's gonna be somebody that don't need

1215
01:13:28,280 --> 01:13:32,840
Speaker 1: our help. M're gonna stay by. You're gonna be like, well,

1216
01:13:32,920 --> 01:13:36,200
Speaker 1: you don't have to shoot. That's what all of you.

1217
01:13:37,800 --> 01:13:40,840
Speaker 1: That's where it goes. That's where that's what. I don't

1218
01:13:40,880 --> 01:13:42,600
Speaker 1: think that has to happen though, you know, I'm just

1219
01:13:42,640 --> 01:13:46,200
Speaker 1: saying that's the younger people's mentality though. Like I've listened

1220
01:13:46,280 --> 01:13:48,960
Speaker 1: listen the other day, I kid you not because you're not.

1221
01:13:51,040 --> 01:13:54,400
Speaker 1: These guys on Facebook and they're like, you know, who's

1222
01:13:54,400 --> 01:13:58,240
Speaker 1: the illest rapper from left? Right? All right? I mean,

1223
01:13:58,520 --> 01:14:03,400
Speaker 1: come on, we we got a this conversation. Right. I

1224
01:14:03,439 --> 01:14:06,439
Speaker 1: don't even mean to grab right, but come on, but

1225
01:14:06,800 --> 01:14:10,599
Speaker 1: these guys, the younger generation, I just mean, I looked

1226
01:14:10,600 --> 01:14:13,000
Speaker 1: at the conversation because I'm just petty, so I went

1227
01:14:13,240 --> 01:14:16,599
Speaker 1: I looked at the conversation and these guys they actually

1228
01:14:16,720 --> 01:14:20,160
Speaker 1: was picking fun with Chapter over man. All right, but

1229
01:14:20,280 --> 01:14:24,200
Speaker 1: this is a guy you know, hey, people all right,

1230
01:14:24,560 --> 01:14:27,960
Speaker 1: they pick they never even had an album, did they

1231
01:14:28,040 --> 01:14:33,840
Speaker 1: pick it? Some people picking Moose and Maze this is

1232
01:14:33,840 --> 01:14:37,800
Speaker 1: a my artist, but Motionles brother fact not yes, not man.

1233
01:14:38,200 --> 01:14:39,400
Speaker 1: But this is W'm trying to tell you. This is

1234
01:14:39,439 --> 01:14:42,840
Speaker 1: how the younger generation is. The younger generation don't want

1235
01:14:42,880 --> 01:14:49,200
Speaker 1: to give a fun about what came before, and that's crazy.

1236
01:14:49,360 --> 01:14:52,200
Speaker 1: But at the same token, I remember not giving the

1237
01:14:52,240 --> 01:14:56,080
Speaker 1: funk about what came before me as well. I don't know,

1238
01:14:56,160 --> 01:15:00,559
Speaker 1: maybe it's a DJ, it's not a DJ. The funk

1239
01:15:00,600 --> 01:15:04,639
Speaker 1: about who came before is is that we didn't want

1240
01:15:04,640 --> 01:15:06,639
Speaker 1: to actually help when we did it on our own.

1241
01:15:07,520 --> 01:15:12,479
Speaker 1: Thank you. That's a very better explation. But I'm not

1242
01:15:12,600 --> 01:15:14,760
Speaker 1: even prideful. But it's just like, yo, you know what

1243
01:15:15,000 --> 01:15:17,400
Speaker 1: you know, let me let me need. I didn't think

1244
01:15:17,439 --> 01:15:20,479
Speaker 1: I was gonna get you want to over people. I

1245
01:15:20,560 --> 01:15:22,560
Speaker 1: didn't think I want to help, But did you not

1246
01:15:22,680 --> 01:15:25,840
Speaker 1: want to pay? Like you always pay harmish even when

1247
01:15:25,880 --> 01:15:29,519
Speaker 1: I didn't want to. I always paid harmles always pay harmlesh.

1248
01:15:29,560 --> 01:15:31,519
Speaker 1: You know what I mean for the people before. Because

1249
01:15:31,520 --> 01:15:33,640
Speaker 1: it's not like we didn't care about Molly mam. No,

1250
01:15:33,840 --> 01:15:36,600
Speaker 1: I care, but I mean I cared too, But I

1251
01:15:36,920 --> 01:15:38,800
Speaker 1: wasn't gonna go to mom's mom and be like, yo,

1252
01:15:39,160 --> 01:15:41,200
Speaker 1: you need something else. I'm like, but I want to

1253
01:15:41,200 --> 01:15:44,000
Speaker 1: show Molly maw that I could do it. You understand

1254
01:15:44,000 --> 01:15:46,360
Speaker 1: what I'm saying. So that's what I was thinking. What

1255
01:15:46,600 --> 01:15:50,360
Speaker 1: was I cannell you people that? Yeah, so I mean, cool,

1256
01:15:50,479 --> 01:15:55,280
Speaker 1: let's the ox man. Let's not do that. Clearly I

1257
01:15:55,400 --> 01:16:01,519
Speaker 1: made it was that was saying I was seeing you

1258
01:16:01,560 --> 01:16:04,320
Speaker 1: other niggers from from my hood, saying who's the illest raper.

1259
01:16:05,240 --> 01:16:07,840
Speaker 1: I didn't really care because somebody sent me the link,

1260
01:16:08,160 --> 01:16:14,320
Speaker 1: so I latched it. It was I was like really,

1261
01:16:14,439 --> 01:16:19,160
Speaker 1: I was like like, I was like people they were given.

1262
01:16:19,520 --> 01:16:22,880
Speaker 1: They gave Soul's sisters it before. I just said. He

1263
01:16:23,000 --> 01:16:26,040
Speaker 1: just said, I know I shot his brother. I did

1264
01:16:26,160 --> 01:16:29,840
Speaker 1: stopped to like, you know the guy you know K

1265
01:16:30,000 --> 01:16:34,000
Speaker 1: seven is from ver Yeah, I was from the seven?

1266
01:16:34,680 --> 01:16:39,599
Speaker 1: Yeah yeah, yeah, don't do that. So they placed him

1267
01:16:39,640 --> 01:16:42,920
Speaker 1: higher on the truck. YouTube I was eating Come Beaty

1268
01:16:42,960 --> 01:16:48,080
Speaker 1: Come was what was the other group was one of

1269
01:16:48,160 --> 01:16:54,439
Speaker 1: those don't tell me that? That was probably I'm sorry.

1270
01:16:54,439 --> 01:16:58,320
Speaker 1: I got emotional just now saying that you give me

1271
01:16:58,400 --> 01:17:04,280
Speaker 1: that that's the shop? What else? I gotta go at

1272
01:17:04,360 --> 01:17:08,599
Speaker 1: his with a left franky Yeah yeah, you was stocking

1273
01:17:08,680 --> 01:17:13,320
Speaker 1: of pictures out there too. He was talking on now listen,

1274
01:17:16,280 --> 01:17:20,280
Speaker 1: that's so listen. I'm gonna be honest, half listen, this

1275
01:17:20,360 --> 01:17:22,720
Speaker 1: is what you're gonna do. Let can't you ask ball?

1276
01:17:22,800 --> 01:17:25,200
Speaker 1: I don't let me give you let me give you

1277
01:17:25,520 --> 01:17:29,960
Speaker 1: like gonna get listen, I'm gonna tell you that only

1278
01:17:30,000 --> 01:17:33,920
Speaker 1: getting happened to hillis I did. You should write everything

1279
01:17:34,040 --> 01:17:36,720
Speaker 1: that you're not now, like put in a different way

1280
01:17:36,880 --> 01:17:41,360
Speaker 1: right and you get like a Florius chest right to

1281
01:17:41,479 --> 01:17:45,280
Speaker 1: plays are wrong and you you snitch it on yourself,

1282
01:17:45,360 --> 01:17:48,679
Speaker 1: but you're not really stitching up your shot because you're

1283
01:17:48,720 --> 01:17:58,760
Speaker 1: doing it every way. Ship Keywong and ship is tom wad.

1284
01:17:58,880 --> 01:18:02,599
Speaker 1: I haven't give you this tragic and you just talking

1285
01:18:02,600 --> 01:18:07,080
Speaker 1: about yeah escapating. I'm telling you you got ill fretty

1286
01:18:07,120 --> 01:18:16,400
Speaker 1: shades a black story. You your your you know, nia

1287
01:18:16,760 --> 01:18:18,519
Speaker 1: your nieces to be on the hill, like yo, you

1288
01:18:18,760 --> 01:18:24,760
Speaker 1: see like what I don't care here on a different level,

1289
01:18:24,840 --> 01:18:33,640
Speaker 1: he's making beats and doing other fans. Let's story. I

1290
01:18:33,760 --> 01:18:36,960
Speaker 1: saw he's a great guy. No, no, you're a great guy.

1291
01:18:37,360 --> 01:18:38,960
Speaker 1: I'm not. I don't know if you got a girl now.

1292
01:18:39,000 --> 01:18:41,360
Speaker 1: I'm just so sorry because this is back of the day.

1293
01:18:41,760 --> 01:18:47,479
Speaker 1: You're too late with you. You're horrible with you saying

1294
01:18:47,560 --> 01:18:54,280
Speaker 1: now you say infamous way back because me and I'll

1295
01:18:54,360 --> 01:18:56,720
Speaker 1: just be laughing at some times when because he'd be

1296
01:18:56,880 --> 01:19:01,160
Speaker 1: as aggrimating for your hown't this one now on this

1297
01:19:01,320 --> 01:19:04,400
Speaker 1: one like, no, you gotta admit that. Come on, Ellen,

1298
01:19:04,439 --> 01:19:10,400
Speaker 1: you're gonna spe He was, you can't even I can't.

1299
01:19:10,479 --> 01:19:12,160
Speaker 1: I can't hit it because I have to see it.

1300
01:19:13,040 --> 01:19:16,120
Speaker 1: I haven't see Oh yeah, I have to see you listen.

1301
01:19:16,160 --> 01:19:17,680
Speaker 1: I used to been a session we have you used

1302
01:19:17,720 --> 01:19:21,519
Speaker 1: to have three one session? That is that one and

1303
01:19:21,600 --> 01:19:24,519
Speaker 1: at two o'clock and was sending one away to the

1304
01:19:24,600 --> 01:19:35,200
Speaker 1: middle like that's definitely a sound. Sounds had stood the

1305
01:19:35,400 --> 01:19:43,640
Speaker 1: Legal life dream. Everyone different sessions. No, come now, I go.

1306
01:19:43,840 --> 01:19:46,360
Speaker 1: I was very proud of you. Like at one point

1307
01:19:46,439 --> 01:19:52,920
Speaker 1: I was keeps going something I'm I'm like, when you

1308
01:19:53,000 --> 01:19:56,160
Speaker 1: know what I just I just because that's one thing.

1309
01:19:56,800 --> 01:19:59,880
Speaker 1: Um a poem too, I'm gonna be honest, poem. I

1310
01:20:00,040 --> 01:20:02,360
Speaker 1: always felt like poems should have made a job out.

1311
01:20:03,640 --> 01:20:07,960
Speaker 1: That's really who he is. Like he's really like that nigga.

1312
01:20:08,200 --> 01:20:10,720
Speaker 1: One day he told me, he was like, look at

1313
01:20:10,760 --> 01:20:15,840
Speaker 1: my socks. It matches my collar. I've never thought of

1314
01:20:15,920 --> 01:20:23,639
Speaker 1: the life, I've never thought that people really cared. I've

1315
01:20:23,760 --> 01:20:26,639
Speaker 1: never thought I was like, what does that mean? White?

1316
01:20:27,280 --> 01:20:29,760
Speaker 1: Like he really matched I'm puttering. We don't give a

1317
01:20:29,880 --> 01:20:32,760
Speaker 1: funk about matching that. We just we just put this

1318
01:20:32,840 --> 01:20:34,680
Speaker 1: funk over the on and we just go out. We

1319
01:20:34,760 --> 01:20:36,920
Speaker 1: put the knife in one sock. You know what I'm

1320
01:20:36,960 --> 01:20:39,160
Speaker 1: saying that you want to put. I put my money

1321
01:20:39,200 --> 01:20:41,599
Speaker 1: on my other side, like I still got my sick

1322
01:20:41,760 --> 01:20:45,240
Speaker 1: stuffed in. Like I'm like old school parters. I played handball,

1323
01:20:45,880 --> 01:20:47,599
Speaker 1: you know what I'm saying, Like I'm an old school

1324
01:20:47,640 --> 01:20:55,639
Speaker 1: parter in my heart. I gotta tell you know I don't.

1325
01:20:56,640 --> 01:20:59,840
Speaker 1: But yeah, so I'm just telling you that's a part

1326
01:20:59,880 --> 01:21:02,640
Speaker 1: of Listen. Your poem could write the ill sex in

1327
01:21:02,720 --> 01:21:07,799
Speaker 1: the city stack somebody. How you put me with somebody?

1328
01:21:07,840 --> 01:21:18,080
Speaker 1: I don't you give me too much credit? Y'all, y'allas,

1329
01:21:18,640 --> 01:21:25,440
Speaker 1: I'm y'all niggas just like you poem Westley Dave Farrow,

1330
01:21:27,360 --> 01:21:29,720
Speaker 1: A couple more niggas. Who has not some nigga looking.

1331
01:21:30,000 --> 01:21:40,800
Speaker 1: That's what's how we got won't get faer No, no, no, no, no,

1332
01:21:40,920 --> 01:21:46,439
Speaker 1: no no. Before now you go anyway, Um, I'm a

1333
01:21:46,520 --> 01:21:48,720
Speaker 1: fun of the I'm a family. Yeah me too. I

1334
01:21:48,840 --> 01:21:56,800
Speaker 1: definitely don't want another shot right now. But in fact,

1335
01:21:56,840 --> 01:21:59,320
Speaker 1: then you had fun that was expected. No no, I

1336
01:21:59,360 --> 01:22:03,000
Speaker 1: didn't even have one back then. They was you know, uh,

1337
01:22:04,640 --> 01:22:12,479
Speaker 1: drink chips. Yeah, let me listen, listen, you know him.

1338
01:22:12,479 --> 01:22:15,080
Speaker 1: So what was your favorite album you ever worked on?

1339
01:22:15,280 --> 01:22:20,920
Speaker 1: Who was your favorite publy murdered music? That's what you

1340
01:22:20,960 --> 01:22:23,160
Speaker 1: have to didn't have a movie to part the music,

1341
01:22:24,120 --> 01:22:28,400
Speaker 1: the music. That's when this pop bang man. The music

1342
01:22:28,520 --> 01:22:31,679
Speaker 1: was coming out so dope, so easy. I didn't even

1343
01:22:32,320 --> 01:22:34,439
Speaker 1: nobody was doing it. That's the way he felt it.

1344
01:22:34,760 --> 01:22:36,400
Speaker 1: You know, we don't have the many mansion on that

1345
01:22:36,920 --> 01:22:40,280
Speaker 1: long aland they had the cream together living together. It's

1346
01:22:40,320 --> 01:22:42,840
Speaker 1: like we're sucking out the hub, but we know because

1347
01:22:42,880 --> 01:22:45,600
Speaker 1: we motherfucker's living on top of yell. You know what

1348
01:22:45,640 --> 01:22:50,080
Speaker 1: I mean? But what was your questions? Didn't Pete moved

1349
01:22:50,120 --> 01:22:53,880
Speaker 1: along his favorite album he ever worked on? The musicament

1350
01:22:54,400 --> 01:22:57,519
Speaker 1: real quick before you get into the movie, because I did,

1351
01:22:57,640 --> 01:22:59,800
Speaker 1: I did, I did, I did. But I was listening

1352
01:22:59,840 --> 01:23:02,559
Speaker 1: to that an extra today, murder Music, and I wanted

1353
01:23:02,600 --> 01:23:05,920
Speaker 1: to ask you, was that when y'all went like got

1354
01:23:05,920 --> 01:23:10,960
Speaker 1: away from samples murder music? Because it felt like that

1355
01:23:11,200 --> 01:23:13,320
Speaker 1: that album, it felt like that, but I was I

1356
01:23:13,479 --> 01:23:18,280
Speaker 1: was still sampling. I was still sampling at the time. Okay,

1357
01:23:18,400 --> 01:23:22,280
Speaker 1: I just wanted to I was thinking about left that

1358
01:23:22,360 --> 01:23:27,679
Speaker 1: album that what was the which one? Which music? Murder music.

1359
01:23:28,479 --> 01:23:40,080
Speaker 1: You had the naz joint quiet question, minds do man?

1360
01:23:40,200 --> 01:23:43,280
Speaker 1: That mixing up? There was your samples? We was We

1361
01:23:43,400 --> 01:23:46,160
Speaker 1: was lucky with that. It didn't feel like samples at

1362
01:23:46,200 --> 01:23:48,800
Speaker 1: that part, so you know that was the error when

1363
01:23:48,840 --> 01:23:51,360
Speaker 1: the same you know, the samples people stop sampling a lot.

1364
01:23:52,400 --> 01:23:57,439
Speaker 1: So what's the expert Eliot shoot? Really? I mean, if

1365
01:23:57,760 --> 01:24:00,599
Speaker 1: you don't know, I've been in Virginia and I remember

1366
01:24:00,960 --> 01:24:02,439
Speaker 1: it now and he was on the radio as well,

1367
01:24:02,560 --> 01:24:06,160
Speaker 1: right on three jams still right now. Not because I'm

1368
01:24:06,320 --> 01:24:08,400
Speaker 1: you know, mean to have this doing a few things,

1369
01:24:08,439 --> 01:24:10,600
Speaker 1: so I stepped away, Yes, but I'm you know, I

1370
01:24:10,720 --> 01:24:12,800
Speaker 1: made my mark in Virginia. I don't did all the

1371
01:24:12,880 --> 01:24:16,640
Speaker 1: clubs and all the everything radio station and had a

1372
01:24:16,720 --> 01:24:20,000
Speaker 1: little mixture basically thrown like the clue the flex you

1373
01:24:20,080 --> 01:24:21,360
Speaker 1: know it took a page out of any book and

1374
01:24:21,439 --> 01:24:23,400
Speaker 1: going that to them and heat it up the streets

1375
01:24:23,439 --> 01:24:25,960
Speaker 1: for everything that's going on in there. Now you know

1376
01:24:25,960 --> 01:24:28,880
Speaker 1: what I'm saying back into the production, you know what

1377
01:24:28,880 --> 01:24:31,880
Speaker 1: I'm saying back deep and full flat, full flat, full flash.

1378
01:24:32,360 --> 01:24:34,280
Speaker 1: I'm talking about hip hop. So I got a book

1379
01:24:34,280 --> 01:24:38,960
Speaker 1: service to me. Yeah, that's good. Was that topic top?

1380
01:24:39,240 --> 01:24:41,840
Speaker 1: We know what it is. I got to on the joint.

1381
01:24:41,920 --> 01:24:43,920
Speaker 1: You know that you don't know the eld bars and

1382
01:24:44,000 --> 01:24:49,840
Speaker 1: the glory story sun. When I played that beating the

1383
01:24:50,000 --> 01:24:53,639
Speaker 1: drums just hit. It's just just just feels how fast

1384
01:24:53,680 --> 01:24:57,439
Speaker 1: that I write that? Right you write it. I don't

1385
01:24:57,439 --> 01:24:59,360
Speaker 1: even know if you vote it. I don't even rolled.

1386
01:24:59,400 --> 01:25:02,360
Speaker 1: I just thinking just no, no, No, I did, I did.

1387
01:25:02,520 --> 01:25:05,800
Speaker 1: I was trying. I had, I had, I had had

1388
01:25:05,840 --> 01:25:08,640
Speaker 1: a piece of it. No, I had the story in

1389
01:25:08,760 --> 01:25:14,400
Speaker 1: my mind and we had me created has right came in.

1390
01:25:14,840 --> 01:25:17,439
Speaker 1: That's why. That's why when at the end you hear

1391
01:25:17,600 --> 01:25:19,840
Speaker 1: nas like, because he came in and the ship was

1392
01:25:19,840 --> 01:25:23,080
Speaker 1: already m you don't you remind me of right now?

1393
01:25:23,360 --> 01:25:26,880
Speaker 1: You produced for Mother Superior, didn't you? Yes? Yes, which

1394
01:25:27,000 --> 01:25:32,200
Speaker 1: is as you see that. You know, if it would

1395
01:25:32,200 --> 01:25:34,800
Speaker 1: have came out, I think that would have changed a

1396
01:25:34,920 --> 01:25:37,439
Speaker 1: lot of records you produced an I I think you

1397
01:25:37,479 --> 01:25:41,000
Speaker 1: produced a drop with Caress One on that record were

1398
01:25:41,080 --> 01:25:43,360
Speaker 1: Caress one saying where you at? Where you at? Miami's

1399
01:25:43,400 --> 01:25:46,439
Speaker 1: on the map. That's the hook did the hooks? Yeah?

1400
01:25:46,479 --> 01:25:48,680
Speaker 1: See that was and that's crazy because I did that

1401
01:25:48,840 --> 01:25:50,280
Speaker 1: on some you know how somebody call you with that

1402
01:25:50,320 --> 01:25:53,479
Speaker 1: brown paper Bag Money. I just remember I remember seeing

1403
01:25:53,640 --> 01:25:56,560
Speaker 1: him on the production and that that that record, that

1404
01:25:56,640 --> 01:26:00,280
Speaker 1: whole album got shoved by Island and that wand it

1405
01:26:00,360 --> 01:26:02,080
Speaker 1: came out and would have changed the whole landscape of

1406
01:26:02,120 --> 01:26:06,599
Speaker 1: Miami hip hop. Yeah, got gods holding themn my goddamn.

1407
01:26:07,000 --> 01:26:08,400
Speaker 1: I mean, you don't bless me for that. I'm just

1408
01:26:08,479 --> 01:26:14,080
Speaker 1: God bless you. What's what's next for rapping? Normal? I

1409
01:26:14,200 --> 01:26:16,400
Speaker 1: got two of the producers on the side of me,

1410
01:26:16,560 --> 01:26:20,160
Speaker 1: the guys the Limit and to know what I mean.

1411
01:26:20,760 --> 01:26:23,000
Speaker 1: So we're working together doing shows, you know what I mean.

1412
01:26:23,439 --> 01:26:25,320
Speaker 1: Touch right now, I'm working in the book. My cousin

1413
01:26:25,439 --> 01:26:27,360
Speaker 1: Mumo just came on, you know what I mean. So

1414
01:26:28,040 --> 01:26:30,680
Speaker 1: you try to make you pop? Yeah, God bless you?

1415
01:26:32,240 --> 01:26:34,720
Speaker 1: What you all the success? What's next for you? On

1416
01:26:35,640 --> 01:26:46,080
Speaker 1: the podcast so nervous, podcasts riding and of course earlier

1417
01:26:46,160 --> 01:26:49,960
Speaker 1: what I said, you know, documentaries and interested in that

1418
01:26:50,160 --> 01:26:53,320
Speaker 1: the movie after that, I'm a feeling yeah yeah, yeah.

1419
01:26:53,360 --> 01:26:55,840
Speaker 1: It had the bio pick because it's not he's not

1420
01:26:56,240 --> 01:27:00,400
Speaker 1: he's not telling you about the solo Havoc album. Let's

1421
01:27:00,439 --> 01:27:03,560
Speaker 1: gonna played us some racket and and he you know,

1422
01:27:03,760 --> 01:27:10,439
Speaker 1: have your no I speaking He played us a racket

1423
01:27:10,600 --> 01:27:13,519
Speaker 1: right now and then you might have to hear it.

1424
01:27:14,160 --> 01:27:19,120
Speaker 1: You know what I'm saying. Damn cool, like what you

1425
01:27:19,200 --> 01:27:23,280
Speaker 1: make one of the gonna be that Wait second will

1426
01:27:23,320 --> 01:27:26,720
Speaker 1: be in the studio, circle house, my ship and got

1427
01:27:26,800 --> 01:27:32,400
Speaker 1: some ship tonight. I'm definitely going to the baseman. Wait,

1428
01:27:32,479 --> 01:27:35,400
Speaker 1: cools in the basement, Tony to hand. We don't want

1429
01:27:35,439 --> 01:27:37,960
Speaker 1: to see Okay, So what time is the basement proper?

1430
01:27:38,000 --> 01:27:39,880
Speaker 1: Because because right now I'm the old man, right I

1431
01:27:40,000 --> 01:27:45,320
Speaker 1: want to find man, let me have house. Well we're

1432
01:27:45,360 --> 01:27:48,639
Speaker 1: done here, we're going straight in. Yeah yeah yeah, Tony.

1433
01:27:48,760 --> 01:27:51,200
Speaker 1: Get Tony. Can I can get on the set? Yeah

1434
01:27:52,280 --> 01:28:01,080
Speaker 1: yeah yeah, Tony. What's next for you? To the basement? Listen,

1435
01:28:01,120 --> 01:28:03,840
Speaker 1: I'm real talk respect to the legend to touch right

1436
01:28:04,880 --> 01:28:09,880
Speaker 1: all the time. To tell you, man, he was out here,

1437
01:28:10,280 --> 01:28:13,040
Speaker 1: he was on here a couple of days ago, me

1438
01:28:13,120 --> 01:28:15,080
Speaker 1: and you and try to get it together to get

1439
01:28:15,160 --> 01:28:17,760
Speaker 1: here to come to to get you. We couldn't quite

1440
01:28:18,520 --> 01:28:21,519
Speaker 1: uh put it together at that moment. And we want

1441
01:28:21,560 --> 01:28:24,120
Speaker 1: to salute you because we understand that you also this

1442
01:28:24,240 --> 01:28:27,439
Speaker 1: is your second time coming out here on your own.

1443
01:28:27,760 --> 01:28:32,680
Speaker 1: I don't think that was whatever goes unappreciated thank you

1444
01:28:32,760 --> 01:28:36,160
Speaker 1: for having me again. You'll come as many times as

1445
01:28:36,200 --> 01:28:39,519
Speaker 1: you want. Listen, listen and all. That's the way. Am

1446
01:28:39,520 --> 01:28:42,400
Speaker 1: I welcome. But that's not that now you know why

1447
01:28:42,400 --> 01:28:44,720
Speaker 1: I have that. I want to I want to make

1448
01:28:44,840 --> 01:28:48,360
Speaker 1: that part clear Tony and Elias and Rapper Noois, I

1449
01:28:48,400 --> 01:28:50,800
Speaker 1: want I want that to be clear. This is a

1450
01:28:50,920 --> 01:28:57,479
Speaker 1: platform that we made for us by Sweet and New Foodball. Yeah,

1451
01:29:02,560 --> 01:29:07,679
Speaker 1: we didn't love and we're gonna We're gonna always represent

1452
01:29:08,000 --> 01:29:10,679
Speaker 1: because our platforms for people that have been in ahead

1453
01:29:10,720 --> 01:29:13,519
Speaker 1: ten years and more that sit here and we're still smiling.

1454
01:29:13,920 --> 01:29:15,759
Speaker 1: You know what I'm saying. They don't understand the pressures

1455
01:29:15,800 --> 01:29:17,479
Speaker 1: and the things that we go through, the ups and

1456
01:29:17,600 --> 01:29:20,519
Speaker 1: downs and the backstories of how you have to even

1457
01:29:20,640 --> 01:29:24,000
Speaker 1: maintain that ten years. And we're gonna tell them that far.

1458
01:29:24,120 --> 01:29:25,880
Speaker 1: We're gonna tell them the good parts. That's what they

1459
01:29:25,960 --> 01:29:28,479
Speaker 1: need to head the same motivating exactly, you know what

1460
01:29:28,479 --> 01:29:30,720
Speaker 1: I'm saying. But at the end of the day, we

1461
01:29:30,880 --> 01:29:33,439
Speaker 1: ain't gonna stop this platform. I would rather like I

1462
01:29:33,600 --> 01:29:35,840
Speaker 1: told you, we had to the call with the big

1463
01:29:35,880 --> 01:29:39,200
Speaker 1: people at vote and it was wonderful, and then somebody says,

1464
01:29:39,520 --> 01:29:46,600
Speaker 1: so we're gonna interview the new guy, you fire me

1465
01:29:47,960 --> 01:29:50,000
Speaker 1: the new Joe Buttons. Pick up Joe Buttons out here,

1466
01:29:50,520 --> 01:29:53,599
Speaker 1: big pick him up. But I'll Yo Buttons job there, BECU.

1467
01:29:53,600 --> 01:29:55,800
Speaker 1: If you don't want me to, you don't interview. And

1468
01:29:55,880 --> 01:29:59,479
Speaker 1: that's no disrespect to the new people. I'm just saying, Champs,

1469
01:30:00,120 --> 01:30:04,439
Speaker 1: this food show, I got new guys. Um for you

1470
01:30:04,520 --> 01:30:06,800
Speaker 1: know other shows I got I wanna have new guys,

1471
01:30:06,880 --> 01:30:09,920
Speaker 1: But for this drink Champs platform is made for people

1472
01:30:10,160 --> 01:30:15,880
Speaker 1: who deserve that's right. Pause, Yeah, this is made for

1473
01:30:15,960 --> 01:30:18,120
Speaker 1: the lessons. This is made for people who've been here

1474
01:30:18,560 --> 01:30:21,920
Speaker 1: and you're going. Unfortunately, it's only a rap when you

1475
01:30:22,000 --> 01:30:25,040
Speaker 1: have ten years and more people say you, oh, you

1476
01:30:25,160 --> 01:30:28,800
Speaker 1: can't do it again than you. Not in rocking rolls,

1477
01:30:29,200 --> 01:30:33,400
Speaker 1: not in jazz music. It's only hip hop. And we

1478
01:30:33,520 --> 01:30:37,880
Speaker 1: gotta stop that fucking badass rumor. So I'm gonna I'm

1479
01:30:37,880 --> 01:30:42,560
Speaker 1: gonna lead the way and saying that we get we

1480
01:30:42,640 --> 01:30:49,559
Speaker 1: get fined with with time like wine, round, get fine

1481
01:30:49,640 --> 01:30:51,880
Speaker 1: with time like wine. Let me say something good. Now,

1482
01:30:52,479 --> 01:30:54,800
Speaker 1: what's great about everybody here at this table is that

1483
01:30:54,920 --> 01:30:57,400
Speaker 1: the twenty plus years in the game and we're still

1484
01:30:57,400 --> 01:31:03,800
Speaker 1: going to Russia from Eastern Europe, the Friends, those shows,

1485
01:31:03,800 --> 01:31:06,840
Speaker 1: a little bit Planet. I'm gonna Lucky put out twenty

1486
01:31:06,880 --> 01:31:09,000
Speaker 1: plus years ago. I'm not gonna lie. That's what I

1487
01:31:09,080 --> 01:31:12,680
Speaker 1: told you. Want to go to a cold place. The

1488
01:31:12,720 --> 01:31:15,760
Speaker 1: whole waits so far we don't think I gotta go.

1489
01:31:16,040 --> 01:31:21,479
Speaker 1: But the Grammys that ship. I was mad stuck. Yeah,

1490
01:31:21,560 --> 01:31:23,920
Speaker 1: you was mad stuff beat that. I was so s

1491
01:31:25,320 --> 01:31:27,040
Speaker 1: I was almost rady to go. But I'm like whatever

1492
01:31:27,600 --> 01:31:30,040
Speaker 1: that was, that was totally me this time. This is time.

1493
01:31:30,080 --> 01:31:32,880
Speaker 1: I was like, wait up, we got hit his warm weather. Yeah,

1494
01:31:33,760 --> 01:31:41,280
Speaker 1: this is the grand needs right, non Granma. Yeah I shouldn't.

1495
01:31:41,439 --> 01:31:45,439
Speaker 1: I played myself. I played myself. But no, it's not

1496
01:31:45,600 --> 01:31:48,120
Speaker 1: We're a great places I had to be. I'm not

1497
01:31:48,200 --> 01:31:51,000
Speaker 1: a Grammy type of guy. Yeah you are a buddy. No,

1498
01:31:51,360 --> 01:31:54,519
Speaker 1: I'm like after party grammy guy. I'm not like a

1499
01:31:54,640 --> 01:31:58,600
Speaker 1: Grammy guy. I got a d D. I can't. I

1500
01:31:58,680 --> 01:32:02,439
Speaker 1: can't see that stiff. Let's just a small here. We listen,

1501
01:32:02,680 --> 01:32:05,200
Speaker 1: We're gonna end in the right way. Pick up a

1502
01:32:05,960 --> 01:32:08,439
Speaker 1: big up wrapper North, get up to pick up p J.

1503
01:32:09,160 --> 01:32:14,400
Speaker 1: Yeah producing yeah, yes, said place game Creek representing our legends.

1504
01:32:14,840 --> 01:32:22,160
Speaker 1: We love our people, and you know what, Donna you

1505
01:32:22,240 --> 01:32:24,080
Speaker 1: know what I was gonna do. We're gonna take a picture.

1506
01:32:24,080 --> 01:32:26,040
Speaker 1: We're gonna have a drop. We're gonna pick up where

1507
01:32:26,040 --> 01:32:30,200
Speaker 1: we I forgot where we at again looks now showing

1508
01:32:30,280 --> 01:32:32,840
Speaker 1: us the red carpet, the green carpet, and the peak

1509
01:32:32,880 --> 01:32:35,280
Speaker 1: carpet for the rose. I'm gonna use the bathroom if

1510
01:32:35,280 --> 01:32:37,920
Speaker 1: we're gonna come back, take a drop and a picture.

1511
01:32:46,080 --> 01:32:48,760
Speaker 1: What up, Drink Champs Army. E fn here. I just

1512
01:32:48,840 --> 01:32:51,400
Speaker 1: want to remind you all to pick up merch at

1513
01:32:51,479 --> 01:32:54,000
Speaker 1: drink Champs dot com or eight and nine dot com.

1514
01:32:54,360 --> 01:32:56,519
Speaker 1: We really appreciate your supporting us, whether you watch us

1515
01:32:56,560 --> 01:32:59,599
Speaker 1: on Revote or listening listening to us on audio Boom

1516
01:32:59,760 --> 01:33:02,360
Speaker 1: where it be iTunes or Spotify, or however you get

1517
01:33:02,400 --> 01:33:05,679
Speaker 1: the audio, or watching us on YouTube or Revolte dot tv.

1518
01:33:06,000 --> 01:33:08,439
Speaker 1: We appreciate the Drink Champs Army, but you could also

1519
01:33:08,520 --> 01:33:10,800
Speaker 1: further support us and make sure you know you rock

1520
01:33:10,920 --> 01:33:13,720
Speaker 1: in the latest and drink Champs apparel and check us

1521
01:33:13,760 --> 01:33:17,160
Speaker 1: at drink Champs dot com, follow us drink Champs dot com.

1522
01:33:17,400 --> 01:33:19,240
Speaker 1: You can find the merch there or eight and nine

1523
01:33:19,600 --> 01:33:22,360
Speaker 1: dot com, and also follow us on all our socials

1524
01:33:22,439 --> 01:33:25,720
Speaker 1: that's at drink champs across the board, Facebook, Twitter, Instagram,

1525
01:33:26,080 --> 01:33:29,120
Speaker 1: um at Who's Crazy on Instagram, at d j E

1526
01:33:29,360 --> 01:33:32,040
Speaker 1: f N on Twitter and Facebook, and Noria's at the

1527
01:33:32,120 --> 01:33:37,200
Speaker 1: Real Noriega on Instagram, at Noriega on Twitter and on Facebook.

1528
01:33:37,360 --> 01:33:37,760
Speaker 1: Check us