WEBVTT - Wonder Man E01-04

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<v Speaker 1>Worrying. Today's episode contains spoilers for the first four episodes

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<v Speaker 1>of wonder Man on Disney Plus. We warn't Oo.

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<v Speaker 2>Hello.

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<v Speaker 1>My name is Jason Concepcion and I'm rosday Night, and

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<v Speaker 1>welcome back to ext revision of the podcast where we

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<v Speaker 1>dive deep into your favorite shows, movies, comics, and pop culture.

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<v Speaker 1>Coming from my art podcast where Ringing Me three up a.

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<v Speaker 2>Week plus news plus news. Today's episode, Wow, guys, I've

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<v Speaker 2>been waiting to talk about this show for so long.

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<v Speaker 2>It's wonder Man. It's out. You guys are loving it.

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<v Speaker 2>You're loving it in the discord, the people are loving it,

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<v Speaker 2>the critics are loving it. It's marvels. Hello, good omen

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<v Speaker 2>for our twenty twenty six in the MCU. So we're

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<v Speaker 2>gonna be talking about episodes one through four. So if

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<v Speaker 2>you haven't watched them yet, you know, go and watch them,

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<v Speaker 2>then come back or listen to us and then go

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<v Speaker 2>watch them and listen again.

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<v Speaker 1>Okay, we're covering the first four episodes of this binge

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<v Speaker 1>dropped series, wonder Man, which is wonderful and very very fun.

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<v Speaker 1>Let's quickly recap this chunk. So Episode one is Mattinee.

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<v Speaker 1>We meet Simon Williams, who is a struggling but very

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<v Speaker 1>dedicated actor who is, you know, like many in LA

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<v Speaker 1>searching for that big break, is not finding it, not

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<v Speaker 1>finding it, not finding it. He gets fired from a

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<v Speaker 1>show because he's, you know, trying to do too much,

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<v Speaker 1>basically with he's doing too much one the small part

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<v Speaker 1>that he has, he's trying to do too much. He

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<v Speaker 1>meets he also breaks up with his girlfriend, and then

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<v Speaker 1>he meets Trevor Slattery. We all know him as once

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<v Speaker 1>the frontman for a terrorist organization, but now just kind

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<v Speaker 1>of a normal, washed up actor who's since been cleared

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<v Speaker 1>after the events of Iron Man two. Trevor tells Simon

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<v Speaker 1>that he really wants to remake the classic wonder Man

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<v Speaker 1>film directed by von Kovac, and Simon is, like, I

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<v Speaker 1>got an audition for this. They connect over the opportunity

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<v Speaker 1>and Simon lands an audition, which he hopes that Trevor

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<v Speaker 1>can help him with.

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<v Speaker 2>Yeah, and that's about right. And what I really love

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<v Speaker 2>about that episode is we kind of establish that Simon

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<v Speaker 2>is a very lonely guy, but his hyperfixation, his love

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<v Speaker 2>is acting, and when he was a little kid, his

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<v Speaker 2>dad would take him to go and watch wonder Man,

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<v Speaker 2>which were these kind of Saturday morning serials in this world.

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<v Speaker 2>And obviously we learn in that first episode two that

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<v Speaker 2>Simon has some kind of budgeoning superhero powers. We're just

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<v Speaker 2>not sure what. We just get a glow of his

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<v Speaker 2>eyes here, and it is also revealed that Trevor is

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<v Speaker 2>not necessarily to be trust and then we move into

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<v Speaker 2>episode two where after Simon's imprompt you interview that by

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<v Speaker 2>the way, he scammed his way into and I love

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<v Speaker 2>that moment. There's so many good La moments here. There's

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<v Speaker 2>a fantastic La show and he scams his way into

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<v Speaker 2>the audition. They love him, and the casting director for

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<v Speaker 2>wonder Man says, Okay, look self tape for this shitty

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<v Speaker 2>indie movie and then at least I'll have some proof

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<v Speaker 2>of how good you were. And Simon cannot get the

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<v Speaker 2>self tape right, it's literally two lines. He is obsessed.

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<v Speaker 2>He's doing it in his apartment. He calls Trevor. Trevor's like, yeah,

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<v Speaker 2>I'll come to your house where he wants to spy

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<v Speaker 2>on him for the Department of Damage Control, but instead

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<v Speaker 2>Simon's like, you can't come in there. Maybe I punched

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<v Speaker 2>a giant hole in the wall, or maybe I didn't,

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<v Speaker 2>who knows. So Trevor takes him too. In one of

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<v Speaker 2>the best cameos of the year, Joey panta Liano's house,

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<v Speaker 2>Joey Pants and Joy Joey Pants to record this incredible

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<v Speaker 2>sale tape that's going to get Simon the job. But

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<v Speaker 2>when we get there, it becomes quite clear that there

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<v Speaker 2>is a very complicated relationship. And while Joey Pants and

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<v Speaker 2>Trevor world wants close, Trevor's kind of misled Simon about

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<v Speaker 2>their closeness. There was a falling out, but in one

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<v Speaker 2>of the moments that sort of gets you really emotionally

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<v Speaker 2>connected with what this show is doing so well, Joey

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<v Speaker 2>pushes it a little bit too far and Simon just

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<v Speaker 2>stands up for Trevor, and the two of them go

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<v Speaker 2>back to Simon's apartment and they make a fantastic video

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<v Speaker 2>and they really feel like he's gonna get this role.

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<v Speaker 2>And again, this show is just so wonderful, And we

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<v Speaker 2>get this moment where Trevor sees that the wall has

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<v Speaker 2>this huge hole in it and Simon's like, hey, you

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<v Speaker 2>like Pepperoni pizza, and Trevor just goes yeah, I love

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<v Speaker 2>Pepperoni pizza, and there's kind of this burgeoning friendship that's

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<v Speaker 2>so powerful by the end of episode two, which makes

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<v Speaker 2>a lot of sense because episode three years Are is

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<v Speaker 2>like a big emotional kind of core episode.

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<v Speaker 1>Then we go to episode three Pacoma, in which Simon

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<v Speaker 1>takes Trevor to his hometown. Trevor in the previous episode

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<v Speaker 1>has successfully placed the damage hacking ring or a ring.

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<v Speaker 1>Very funny by the way that damage control is like,

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<v Speaker 1>we want you to spy on Simon. Take this ring,

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<v Speaker 1>which was like his whole thing as a man when

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<v Speaker 1>he was pretending to be the Mandarin and the leader

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<v Speaker 1>of the fucking ten rings. Take this ring, place it

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<v Speaker 1>on Simon's computer, and it will do all the hacking

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<v Speaker 1>for you. He's managed to do that. Now in episode

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<v Speaker 1>three Pacoima, Simon takes Trevor to meet his family out

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<v Speaker 1>of Pacoima, and we learned through a flashback that Simon

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<v Speaker 1>at one point was like in a house fire and

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<v Speaker 1>was completely unharmed. So we're learning more about Simon's apparent powers,

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<v Speaker 1>you know. We see a lot of like the family

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<v Speaker 1>conflict at the home and see how all of this

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<v Speaker 1>has led Simon to be the person he is and

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<v Speaker 1>seek out acting as that kind of way to put

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<v Speaker 1>himself to characters we understand, like why he loves movies

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<v Speaker 1>and TV from the kind of interactions that he has

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<v Speaker 1>with his family and his brother and his mom, who

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<v Speaker 1>is very supportive of everything he does. It's also clear

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<v Speaker 1>that he's like not he's telling them he's more successful. Yeah,

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<v Speaker 1>he is, is getting more opportunities than he is.

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<v Speaker 2>His brother obviously not a fan of Simon's lifestyle, right.

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<v Speaker 1>Trevor learns about this interesting these hints that Simon is unique,

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<v Speaker 1>perhaps is a super powered individual. He successfully records these

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<v Speaker 1>as damage control wants him to do. But then deciding,

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<v Speaker 1>you know, like the family is like, oh, you're such

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<v Speaker 1>a good friend, you know, And we were worried when

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<v Speaker 1>Simon moved down to to you know, moved across the

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<v Speaker 1>mountain to La, over the hill to La, that he

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<v Speaker 1>was going to be lonely and he wasn't gonna have friends,

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<v Speaker 1>and you're seeming such a great friend to him, and

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<v Speaker 1>this is You're exactly what he needs. He needs someone

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<v Speaker 1>like you in his life who's supporting him and knows

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<v Speaker 1>the acting the ropes of the industry and what it

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<v Speaker 1>takes to climb up that mountain, and Trevor, feeling absolutely

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<v Speaker 1>terrible now you know, erases the recording and it's like,

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<v Speaker 1>I love that.

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<v Speaker 2>Do that and then Chemist at.

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<v Speaker 1>The end they get it's wonderful. There's a moment where

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<v Speaker 1>there's a big fight, like an argument that's going on

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<v Speaker 1>in the kitchen, where Simon releases that what I take

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<v Speaker 1>to be like an ionic ionics, those ionic powered powers.

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<v Speaker 1>And at the end, Simon gets the callback for the

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<v Speaker 1>Wonderman film, alongside Trevor, who also gets a callback for

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<v Speaker 1>the for the Wonderman film.

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<v Speaker 2>Also, I want to say, Simon, I love you so much.

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<v Speaker 2>I love your pure hearted nature. But why does this

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<v Speaker 2>man not have representation and why was he reading for

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<v Speaker 2>the pall if nobody knows what he is? Like, let's

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<v Speaker 2>be a bit more suspicious. That's why we're gonna leave

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<v Speaker 2>all main characters who we love and in this burgeoning

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<v Speaker 2>new friendship, and we're going to head into a really

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<v Speaker 2>surreal bottle. Episode episode four, it's Doorman. It's the history

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<v Speaker 2>of DeMar Doorman Davis, who we learn is the reason

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<v Speaker 2>that superheroics and superheroes are actually banned from being on

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<v Speaker 2>sets in real movies, and that is because there was

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<v Speaker 2>a guy called DeMar the Doorman Davis, who could create

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<v Speaker 2>essentially like a portal through his stomach that allowed things

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<v Speaker 2>to pass through. One night, he's at a club, Josh

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<v Speaker 2>Gadd is there playing himself, singing a rap version of

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<v Speaker 2>Summer by Olaf, and he ends up having to save

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<v Speaker 2>the lives of the people in the club by allowing

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<v Speaker 2>them to go through his stomach portal. Josh Gadd takes

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<v Speaker 2>him on as kind of like a slightly problematic sidekick

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<v Speaker 2>and eventually ropes him into being in a movie called

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<v Speaker 2>cash Grab hilarious, and unfortunately, Josh Gadd goes through DeMar's

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<v Speaker 2>body and doesn't come out, and we learn that that

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<v Speaker 2>is why superheroes were banned in what they call the

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<v Speaker 2>Doorman clause. We earlier saw that Simon l about not

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<v Speaker 2>having superpowers to be on and his wonder Man audition,

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<v Speaker 2>and then at the end we see Simon actually watching

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<v Speaker 2>it when he's on a TV show playing a nurse

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<v Speaker 2>and seeing them bring in this Dorman closes and he

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<v Speaker 2>just clause and he walks out, and that's where we

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<v Speaker 2>leave the first four episodes of wonder Man.

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<v Speaker 1>Quite a bit of retcon. Oh world building here, Let's

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<v Speaker 1>take a quick break and then let's talk about this episode. Okay,

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<v Speaker 1>we're back. So first of all, we must discuss the

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<v Speaker 1>fact that apparently in the MCU there have been issues

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<v Speaker 1>regarding superpowered people who have been below the radar of

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<v Speaker 1>the eventers people that we it's you know, very funny

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<v Speaker 1>to me that this is built around Doorman, who in

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<v Speaker 1>the comics was the Lakes Avenger, and the Great Lakes

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<v Speaker 1>Avengers were basically like exactly what it sounds like, They're

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<v Speaker 1>like the fourth They're like the fourth String Avenger team.

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<v Speaker 1>And and we learned that there have been superpowered people

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<v Speaker 1>in Hollywood for a bit and the and in fact

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<v Speaker 1>had risen to some amount of fame, like Doorman was

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<v Speaker 1>like it was like a guy for for for a

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<v Speaker 1>number of years. But because of this uh you know,

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<v Speaker 1>terrible work workplace incident in which Josh Gad was swallowed

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<v Speaker 1>by mister Davis incredible to the period into into some

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<v Speaker 1>like shadow realm uh that all of the Hollywood players

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<v Speaker 1>and apparently the unions also got together and said, Okay,

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<v Speaker 1>from now on, too high insurance, the insurance rates are horrendous. Therefore,

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<v Speaker 1>superpowered people cannot have like I guess, recurring roles in TV,

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<v Speaker 1>and cannot be like above the line. I don't know,

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<v Speaker 1>like what is that? That's why I'm wondering, we need

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<v Speaker 1>what is the gotta know?

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<v Speaker 2>We gotta know that is actually I think ironically that's

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<v Speaker 2>one of the powerful things about this show is like

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<v Speaker 2>so much of the MCU includes a lot of plausible,

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<v Speaker 2>you know, deniability, Like can you just imagine that something's

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<v Speaker 2>gonna happen? Can you suspend your this belief? What I

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<v Speaker 2>love about this show is like we are thinking it's

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<v Speaker 2>so grounded in the reality of acting that we really

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<v Speaker 2>are like okay, but like, can you have like somebody

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<v Speaker 2>who's really got like you know, what if they just

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<v Speaker 2>have a superpower that allows them to find really cool fabrics?

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<v Speaker 2>Like can they be your costume designer? Or is that

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<v Speaker 2>too dangerous? Like does it have to be a is

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<v Speaker 2>it like a superpower where you have to go inside

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<v Speaker 2>somebody else? That's a very specific choice. Josh gab May.

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<v Speaker 1>I think what they should have done is ban the

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<v Speaker 1>use of superpowers on set and ban the use of

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<v Speaker 1>authentic superpowers in movie production, Like you can't use your power,

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<v Speaker 1>you can't use your power. Like let's say Pyro is

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<v Speaker 1>in a movie. He can't use his fire power on set,

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<v Speaker 1>like you'd have to make that would have to be

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<v Speaker 1>CGI or some kind of like other special effects. But

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<v Speaker 1>he can't like really do it. And I think that's

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<v Speaker 1>what they should have done. You can't. It's done to

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<v Speaker 1>like ban super peer superpowered people. Uh, you know, writ large,

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<v Speaker 1>what they should have done is like ban all use

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<v Speaker 1>of superpowers. Now you're gonna have You're gonna have weird

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<v Speaker 1>incidents now where like somebody with a healing factor or whatever,

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<v Speaker 1>you know, like less subtle, more subtle powers might fly

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<v Speaker 1>under the radar, but yeah, you just can't use them

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<v Speaker 1>on set or in any way benefiting the movie production.

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<v Speaker 2>I think, Jason, that you're absolutely right that is a

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<v Speaker 2>sensible option. I would also say, I think that what

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<v Speaker 2>we're seeing here is the establishment once again of damage

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<v Speaker 2>control as essentially like a authoritarian government arm. We saw

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<v Speaker 2>that in Miss Marvel. Obviously they were hunting down kids

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<v Speaker 2>who had mutations. We know they've been using essentially what

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<v Speaker 2>seems like pre sentinel technology to find people who have superpowers.

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<v Speaker 2>So I think this is establishing the fear and oppression

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<v Speaker 2>and hatred that we need to have an X Men

0:13:38.960 --> 0:13:42.400
<v Speaker 2>in their MCU. That makes sense, and I love that

0:13:42.440 --> 0:13:45.880
<v Speaker 2>we're getting to see it from these almost like street

0:13:45.960 --> 0:13:48.160
<v Speaker 2>eye views. I'm not even calling it like street level

0:13:48.200 --> 0:13:50.360
<v Speaker 2>because Spider Man's a street level hero when he saves

0:13:50.440 --> 0:13:54.320
<v Speaker 2>his little local neighborhood. I'm talking about the fact, like, yeah,

0:13:54.400 --> 0:13:56.600
<v Speaker 2>if you're gonna say kind of like what she Hawk did,

0:13:56.600 --> 0:13:58.360
<v Speaker 2>so well, if you're gonna say that, this is a

0:13:58.360 --> 0:14:00.240
<v Speaker 2>world where you can have a Captain America or you

0:14:00.280 --> 0:14:03.240
<v Speaker 2>can have a Bucky. Marvel has never been the DC

0:14:03.400 --> 0:14:05.840
<v Speaker 2>universe where there's a pantheon of gods. This is a

0:14:05.880 --> 0:14:08.200
<v Speaker 2>Marvel universe where anyone could have those powers. So I

0:14:08.200 --> 0:14:12.880
<v Speaker 2>think there's something so refreshing and fun and inventive about

0:14:13.000 --> 0:14:16.720
<v Speaker 2>showing us this from the smallest possible perspective of just

0:14:16.880 --> 0:14:19.560
<v Speaker 2>a regular guy trying to get along in his job.

0:14:20.080 --> 0:14:23.040
<v Speaker 2>I think that is fascinating, and I think this essentially

0:14:23.080 --> 0:14:27.280
<v Speaker 2>sets up a great way for them to introduce multiple

0:14:27.280 --> 0:14:31.000
<v Speaker 2>different genres, vibes, tones also, guys. I know, obviously the

0:14:31.040 --> 0:14:33.520
<v Speaker 2>big thing here is the studio. The studio. The studio.

0:14:33.680 --> 0:14:36.080
<v Speaker 2>This is like the studio by got crazy news for you.

0:14:36.400 --> 0:14:39.080
<v Speaker 2>This show was wrapped like before the studio even came out.

0:14:39.160 --> 0:14:41.520
<v Speaker 2>So this is just one of those things where people

0:14:41.600 --> 0:14:44.080
<v Speaker 2>had a similar story in mind. They were thinking about

0:14:44.440 --> 0:14:47.680
<v Speaker 2>working in LA, the struggles of being a creative and

0:14:47.720 --> 0:14:50.840
<v Speaker 2>all those things. And I think that that meta angle

0:14:51.320 --> 0:14:53.880
<v Speaker 2>serves the MCU really well here, and I just generally

0:14:53.920 --> 0:14:56.960
<v Speaker 2>think they should be making more things like this. I

0:14:57.000 --> 0:14:59.440
<v Speaker 2>also cannot imagine that the budget was as high as

0:14:59.480 --> 0:15:02.040
<v Speaker 2>the other SEE shows where they were spending fifty sixty

0:15:02.080 --> 0:15:05.600
<v Speaker 2>million an episode. So yeah, and also as well, like

0:15:05.840 --> 0:15:08.760
<v Speaker 2>what a fantastic idea to just be like, well, we're

0:15:08.760 --> 0:15:10.520
<v Speaker 2>making a show about an actor, so we just need

0:15:10.520 --> 0:15:13.560
<v Speaker 2>to hire a really good actor. Like the first episode,

0:15:13.600 --> 0:15:16.520
<v Speaker 2>all the highlights are just Yah Yah doing like different

0:15:17.160 --> 0:15:20.280
<v Speaker 2>freaking acting exercises and bits, and you just want to

0:15:20.360 --> 0:15:23.480
<v Speaker 2>keep watching him because he's so good. That's a fee

0:15:23.640 --> 0:15:25.960
<v Speaker 2>of storytelling. Yeah.

0:15:26.000 --> 0:15:28.160
<v Speaker 1>I think the thing that I like about this show

0:15:28.480 --> 0:15:32.560
<v Speaker 1>is the fact that it's so charming and kind of

0:15:32.840 --> 0:15:35.720
<v Speaker 1>low stakes. I mean that like in a not mean way. Yeah,

0:15:35.760 --> 0:15:39.240
<v Speaker 1>no complimentary in this and then the load bearing stuff,

0:15:39.240 --> 0:15:42.400
<v Speaker 1>the stuff that connects it to the MCU is is

0:15:43.200 --> 0:15:45.440
<v Speaker 1>a much lighter touch, And I think you're right, what

0:15:45.480 --> 0:15:49.800
<v Speaker 1>they've it's basically all damage control. What they've basically done

0:15:50.160 --> 0:15:55.320
<v Speaker 1>is as they've in previous MCU properties. They're positioning damage

0:15:55.360 --> 0:15:59.720
<v Speaker 1>control as like the we jail superheroes. We put superheroes

0:15:59.720 --> 0:16:05.600
<v Speaker 1>in jail well, and I think it's a great on

0:16:05.880 --> 0:16:08.200
<v Speaker 1>ramp for some of the stuff that we're going to

0:16:08.280 --> 0:16:11.480
<v Speaker 1>need for the X Men. Let's let's do a quick

0:16:11.880 --> 0:16:15.920
<v Speaker 1>refresher on damage control. We first see them post post

0:16:16.000 --> 0:16:20.040
<v Speaker 1>Infinity War in Spider Man Homecoming, we see them doing,

0:16:20.360 --> 0:16:24.640
<v Speaker 1>you know, seizing alien tech, doing a lot of clean

0:16:24.720 --> 0:16:27.280
<v Speaker 1>up after the Battle of New York. Of course, that

0:16:27.360 --> 0:16:28.440
<v Speaker 1>alien tech would then.

0:16:29.960 --> 0:16:31.480
<v Speaker 2>Fall to various.

0:16:32.640 --> 0:16:37.120
<v Speaker 1>Villainous forces who want to use it as for their

0:16:37.160 --> 0:16:40.520
<v Speaker 1>own benefit, but also to sell on the black market.

0:16:41.440 --> 0:16:44.000
<v Speaker 1>This leads directly to the creation of the Vulture and

0:16:45.000 --> 0:16:48.760
<v Speaker 1>other things. And then we go to Miss Marvel, where

0:16:49.360 --> 0:16:53.080
<v Speaker 1>the Department of Damage Control UH is more of an

0:16:53.120 --> 0:16:57.320
<v Speaker 1>overt villain, tracking Kamalakon as a superhuman threat, et cetera.

0:16:57.440 --> 0:17:00.680
<v Speaker 1>This is again going to be directly UH I think

0:17:02.280 --> 0:17:05.600
<v Speaker 1>relevant to the X Men, and of course absolutely Kamala

0:17:05.720 --> 0:17:10.119
<v Speaker 1>is a mutant, so they are already tracking mutants. In

0:17:10.200 --> 0:17:13.600
<v Speaker 1>She Hulk, we learn that they have detention facilities for

0:17:13.760 --> 0:17:17.680
<v Speaker 1>enhanced individuals. They have the legal authority to imprison superhumans.

0:17:17.720 --> 0:17:20.199
<v Speaker 1>They arrest Shee Hulk, they take her blood. You know,

0:17:20.240 --> 0:17:24.760
<v Speaker 1>they're part of the government basically, and part of the

0:17:24.800 --> 0:17:29.040
<v Speaker 1>government's wing of superhuman basically control.

0:17:29.640 --> 0:17:34.240
<v Speaker 2>Yeah. Absolutely, and Ian made a great I to Wonderman. Yeah, yeah,

0:17:34.280 --> 0:17:37.800
<v Speaker 2>and Ian made a great point like they basically have

0:17:37.880 --> 0:17:40.080
<v Speaker 2>to fill the super prisons because they've built them, and

0:17:40.119 --> 0:17:43.040
<v Speaker 2>that is like such a good commentary I feel, I

0:17:43.080 --> 0:17:45.199
<v Speaker 2>have to say. So, I'm in a I was in

0:17:45.240 --> 0:17:47.080
<v Speaker 2>the discord this morning, lots of people were watching it

0:17:47.119 --> 0:17:49.200
<v Speaker 2>and there was a question in there from Muff nineteen

0:17:49.200 --> 0:17:51.200
<v Speaker 2>seventy six that is in this space And I have

0:17:51.359 --> 0:17:54.120
<v Speaker 2>actually changed my mind on this with wonder Man, because

0:17:54.160 --> 0:17:56.520
<v Speaker 2>as everyone knows, I was a big damage control fan.

0:17:56.560 --> 0:17:59.359
<v Speaker 2>I Leftdway mcduffee, so I didn't love this kind of

0:17:59.400 --> 0:18:03.480
<v Speaker 2>military government version of them, but I think it works,

0:18:04.160 --> 0:18:06.080
<v Speaker 2>especially in the state of the world that way. And now,

0:18:06.080 --> 0:18:07.879
<v Speaker 2>so this is what Muff said, And I'll ask you, Jason,

0:18:08.240 --> 0:18:10.560
<v Speaker 2>what do you think of the role of damage control

0:18:10.600 --> 0:18:13.480
<v Speaker 2>in the MCU, Like do you enjoy that take and

0:18:13.680 --> 0:18:16.040
<v Speaker 2>do you feel like Agent Cleary is kind of a

0:18:16.119 --> 0:18:20.160
<v Speaker 2>new anti Nick Fury, Well, how do you read how

0:18:20.200 --> 0:18:22.920
<v Speaker 2>they've kind of reimagined them and why that's gonna lie? Yeah,

0:18:22.960 --> 0:18:23.639
<v Speaker 2>I do like it.

0:18:23.680 --> 0:18:29.639
<v Speaker 1>I mean, there's not quite enough for us to really

0:18:29.760 --> 0:18:35.640
<v Speaker 1>understand the true nefariousness of it. We've seen the inside

0:18:35.640 --> 0:18:39.480
<v Speaker 1>of the prison a little bit. We've obviously seen Cleary

0:18:39.560 --> 0:18:47.760
<v Speaker 1>running around tracking people, but it's not a lot of

0:18:48.920 --> 0:18:53.159
<v Speaker 1>I mean, honestly, like the it's very like Cloak and Dagger,

0:18:53.240 --> 0:18:56.439
<v Speaker 1>like it's about tracking people and seeing do they have

0:18:56.520 --> 0:18:59.080
<v Speaker 1>powers or they're hiding them. That's very nefarious, but there's

0:18:59.080 --> 0:19:03.080
<v Speaker 1>not been a lot of like open confrontation, say what's

0:19:03.160 --> 0:19:06.679
<v Speaker 1>the aim and why are they doing it? If the

0:19:06.800 --> 0:19:10.159
<v Speaker 1>reason is to make sure that superpowered people don't like

0:19:10.200 --> 0:19:13.840
<v Speaker 1>destroy property, break the law, et cetera, you know, and

0:19:13.960 --> 0:19:17.760
<v Speaker 1>to and basically as a law enforcement arm, like you know,

0:19:17.800 --> 0:19:20.679
<v Speaker 1>where do you put a criminal with superpowers? You're going

0:19:20.720 --> 0:19:23.280
<v Speaker 1>to have to put them in a much more stranger jail. Okay,

0:19:24.480 --> 0:19:28.600
<v Speaker 1>I'm eager to see how this, if indeed it does

0:19:29.760 --> 0:19:34.199
<v Speaker 1>evolve into like a Sentinel type program. I'm here to

0:19:34.240 --> 0:19:37.600
<v Speaker 1>see how that happens and why, because right now, philosophically,

0:19:38.240 --> 0:19:42.960
<v Speaker 1>it just seems to be you know, it's all about prisons,

0:19:43.119 --> 0:19:45.720
<v Speaker 1>it's all about it's all about where do we store

0:19:45.800 --> 0:19:50.520
<v Speaker 1>superhuman people who are who have committed crimes? So how

0:19:50.560 --> 0:19:54.600
<v Speaker 1>does that then change to we're going out and hunting

0:19:54.640 --> 0:19:57.520
<v Speaker 1>and persecuting people who have powers that have committed no crime.

0:19:59.119 --> 0:20:02.240
<v Speaker 1>That is switch that I'm waiting to see me too.

0:20:02.320 --> 0:20:04.480
<v Speaker 2>So Ian made a great point that Cleary is not

0:20:04.600 --> 0:20:07.119
<v Speaker 2>necessarily like at the top of the totem pole, like

0:20:07.160 --> 0:20:09.680
<v Speaker 2>he's not filling the raft or whatever, like this is

0:20:09.720 --> 0:20:11.600
<v Speaker 2>a small prison he needs to fill. He's going off

0:20:11.640 --> 0:20:16.359
<v Speaker 2>the low level. Subero's Like Simon, I am really interested

0:20:16.400 --> 0:20:20.320
<v Speaker 2>to see who our Machiavelli and kind of mind behind

0:20:20.400 --> 0:20:24.200
<v Speaker 2>damage Control is because it could definitely be a kind

0:20:24.240 --> 0:20:29.000
<v Speaker 2>of you know, industry plant type situation where somebody in

0:20:29.040 --> 0:20:31.520
<v Speaker 2>the government who hates mutants, who hates superpower people, is

0:20:31.520 --> 0:20:34.480
<v Speaker 2>trying to stoke fear and division. Would be interesting to

0:20:34.520 --> 0:20:36.600
<v Speaker 2>maybe see if they're even a mutant themselves and they

0:20:36.600 --> 0:20:39.320
<v Speaker 2>want to get humans to you know, attack mutants and

0:20:39.320 --> 0:20:41.480
<v Speaker 2>then have mutants up rise up. You know, that sounds

0:20:41.520 --> 0:20:44.200
<v Speaker 2>like something Magneto would do. But yeah, I'm very interested

0:20:44.240 --> 0:20:47.399
<v Speaker 2>to see if who the real person behind damage control

0:20:47.440 --> 0:20:50.240
<v Speaker 2>is I also would love a real damage control just

0:20:50.280 --> 0:20:53.160
<v Speaker 2>a bunch of cool people who go around and clean

0:20:53.240 --> 0:20:55.679
<v Speaker 2>up after the thing. So maybe we'd get in the future,

0:20:55.720 --> 0:20:58.080
<v Speaker 2>maybe that's a reform damage control, But I think for

0:20:58.160 --> 0:21:01.320
<v Speaker 2>now we're gonna find out that somebody be scary and big,

0:21:01.400 --> 0:21:04.159
<v Speaker 2>has a big agenda for them, and we're just seeing

0:21:04.200 --> 0:21:06.720
<v Speaker 2>the foot soldiers right now. That's my feeling.

0:21:22.160 --> 0:21:25.639
<v Speaker 1>I want to see. You know, we haven't really picked

0:21:25.720 --> 0:21:29.080
<v Speaker 1>up the thread of sword that was there.

0:21:28.760 --> 0:21:30.640
<v Speaker 2>After the real.

0:21:30.560 --> 0:21:35.680
<v Speaker 1>WandaVision stuff, and Sword, if you recall, was the government

0:21:35.720 --> 0:21:43.800
<v Speaker 1>agency that was tasked with controlling and studying sentient technology,

0:21:44.160 --> 0:21:47.800
<v Speaker 1>so like vision and I could and so I guess

0:21:48.000 --> 0:21:51.320
<v Speaker 1>I'm wondering if there's a world in which damage control

0:21:51.560 --> 0:21:56.560
<v Speaker 1>and Sword kind of like get merged together in a

0:21:56.640 --> 0:22:02.440
<v Speaker 1>in a like MCU Department of Homeland Security against super.

0:22:03.080 --> 0:22:05.080
<v Speaker 2>Visually see that oh.

0:22:06.600 --> 0:22:12.920
<v Speaker 1>And that like vision technology, sentient technology then gets turned

0:22:13.040 --> 0:22:18.720
<v Speaker 1>into like sentinel technology that's then used combined with jamage

0:22:18.720 --> 0:22:24.160
<v Speaker 1>controls kind of like uh intel that they've gleaned from

0:22:24.200 --> 0:22:28.160
<v Speaker 1>tracking Howard people, Yeah, surveillance, and they turned that into

0:22:28.200 --> 0:22:30.160
<v Speaker 1>a kind of sentinel Dude, I think that I wonder

0:22:30.160 --> 0:22:31.680
<v Speaker 1>if you called it like because.

0:22:31.480 --> 0:22:35.240
<v Speaker 2>Honestly, we saw in Wondervision when Monica was looking around,

0:22:35.320 --> 0:22:37.640
<v Speaker 2>we saw those giant robots like we all had those

0:22:37.680 --> 0:22:41.760
<v Speaker 2>conversations are sword building sentinels while these become sentinels. I

0:22:41.840 --> 0:22:43.760
<v Speaker 2>love that, Jason. I want to ask you a big

0:22:43.840 --> 0:22:47.000
<v Speaker 2>question that this show leaves me with less to do

0:22:47.040 --> 0:22:48.760
<v Speaker 2>with what it sets up or doesn't set up, because

0:22:48.760 --> 0:22:50.480
<v Speaker 2>I think it's a fantastic show, and we can talk

0:22:50.480 --> 0:22:53.760
<v Speaker 2>a little bit more about that in this conversation. But Jason,

0:22:54.119 --> 0:22:56.320
<v Speaker 2>as somebody who follows this stuff, we talk about it

0:22:56.320 --> 0:22:58.359
<v Speaker 2>for our job. We write stories with both written comics.

0:22:58.400 --> 0:23:01.680
<v Speaker 2>You've written comics at Marvel. What does a Marvel spotlight

0:23:01.800 --> 0:23:04.240
<v Speaker 2>mean in the MCU. I think we still trying to

0:23:04.240 --> 0:23:05.000
<v Speaker 2>work out.

0:23:06.760 --> 0:23:10.200
<v Speaker 1>So yes, So wonder Man is a Marvel spotlight, as

0:23:10.359 --> 0:23:13.200
<v Speaker 1>was Echo, as was was wherewolf by Night technically a

0:23:13.240 --> 0:23:17.639
<v Speaker 1>Marvel spotlight, wherewolf by Night was a special presentation, was

0:23:17.680 --> 0:23:20.800
<v Speaker 1>not technically a Marvel spotlight. So it's Echo and now

0:23:20.960 --> 0:23:24.760
<v Speaker 1>wonder Man, Now Marvel spotlight seems to me to be

0:23:26.680 --> 0:23:31.199
<v Speaker 1>here is the my realistic read. My realistic read is

0:23:31.280 --> 0:23:34.800
<v Speaker 1>Marvel's spotlight is a term lifted from the Comics, an

0:23:34.800 --> 0:23:41.080
<v Speaker 1>anthology comic series within Marvel that again highlighted a particular

0:23:41.280 --> 0:23:45.000
<v Speaker 1>hero or group of heroes for one story that would

0:23:45.080 --> 0:23:49.679
<v Speaker 1>not then continue. I think that the Spotlight brand is

0:23:49.800 --> 0:23:56.000
<v Speaker 1>basically a reverse engineered way for Marvel to like clear

0:23:56.080 --> 0:23:58.840
<v Speaker 1>the decks of the stuff that they had in production

0:23:59.640 --> 0:24:04.320
<v Speaker 1>that started rolling down the track before Marvel decided, oh,

0:24:04.359 --> 0:24:06.159
<v Speaker 1>we made too much stuff and we got to cut it.

0:24:06.840 --> 0:24:09.240
<v Speaker 1>So I think it's a way for them. It's basically

0:24:09.280 --> 0:24:14.200
<v Speaker 1>like a you know, like a like a clearing house

0:24:14.400 --> 0:24:18.280
<v Speaker 1>of stuff, and if any of it sticks, maybe it'll

0:24:18.320 --> 0:24:19.439
<v Speaker 1>become an ongoing series.

0:24:19.520 --> 0:24:20.160
<v Speaker 2>Yes, it does.

0:24:20.520 --> 0:24:23.000
<v Speaker 1>It's a way for them. It's a way for them

0:24:23.040 --> 0:24:25.480
<v Speaker 1>to get off of stuff and to put it out

0:24:25.520 --> 0:24:30.719
<v Speaker 1>without being married to it being an ongoing series.

0:24:30.800 --> 0:24:33.480
<v Speaker 2>Yeah, that's right. It's basically a mini series. Yeah. I

0:24:33.520 --> 0:24:35.440
<v Speaker 2>love that. Yeah, that's the perfect read. Also, I would

0:24:35.480 --> 0:24:38.280
<v Speaker 2>say as well, it is interesting because I do think,

0:24:38.320 --> 0:24:41.879
<v Speaker 2>like quality wise, the final thing that we got with

0:24:41.920 --> 0:24:44.879
<v Speaker 2>wonder Man is obviously a much higher quality, much more streamlined,

0:24:45.000 --> 0:24:47.240
<v Speaker 2>much less chopped up in the edit than what we

0:24:47.320 --> 0:24:50.679
<v Speaker 2>got with Echo. But I do think that this is

0:24:50.720 --> 0:24:53.000
<v Speaker 2>the right thing Marvel, which should be doing with the TV.

0:24:53.160 --> 0:24:55.640
<v Speaker 2>The movies need to look like the movies everybody loves them.

0:24:55.680 --> 0:24:58.760
<v Speaker 2>We got our great phase one of Disney plus Originals

0:24:58.760 --> 0:25:01.200
<v Speaker 2>where we did get those deeper conne actions. But let's

0:25:01.240 --> 0:25:03.560
<v Speaker 2>tell these weird stories. Like when I was growing up,

0:25:03.800 --> 0:25:06.240
<v Speaker 2>there was a fan comic that was online called like

0:25:06.359 --> 0:25:09.240
<v Speaker 2>Life as a Hufflepuff or Life as a Background Hufflepuff

0:25:09.320 --> 0:25:11.159
<v Speaker 2>or something, and me and my friend were obsessed with

0:25:11.200 --> 0:25:13.359
<v Speaker 2>it because the whole funny story was just like, what

0:25:13.400 --> 0:25:16.399
<v Speaker 2>would it be like to be somebody in the background

0:25:16.480 --> 0:25:19.239
<v Speaker 2>of a somebody else's story? Right? And I think that

0:25:19.440 --> 0:25:25.160
<v Speaker 2>is what wonder Man Echo this incredible, you know, Night

0:25:25.200 --> 0:25:28.120
<v Speaker 2>of the Seven Kingdoms, Like it's giving us these different views,

0:25:28.160 --> 0:25:30.320
<v Speaker 2>and I think that it's giving us something we can't

0:25:30.359 --> 0:25:32.640
<v Speaker 2>get in the cinema, especially with wond Amount. Well even

0:25:32.680 --> 0:25:36.359
<v Speaker 2>with Echo, you don't get an indigenous, female, disabled, death

0:25:36.520 --> 0:25:39.520
<v Speaker 2>led action movie in the cinema as much as we should.

0:25:39.880 --> 0:25:43.560
<v Speaker 2>So I think, like these movies are these spaces can

0:25:43.560 --> 0:25:46.639
<v Speaker 2>tell really interesting stories. I just want Marvel to trust

0:25:46.680 --> 0:25:49.880
<v Speaker 2>the creators as much as they trust trusted Death's them

0:25:49.920 --> 0:25:52.640
<v Speaker 2>with this, because you can feel this is like a

0:25:52.800 --> 0:25:56.000
<v Speaker 2>full artist's vision, like the show does not feel like

0:25:56.040 --> 0:25:59.320
<v Speaker 2>it was compromised or confused, though they did hold it

0:25:59.359 --> 0:26:01.760
<v Speaker 2>for a long time, So I do think that that

0:26:01.960 --> 0:26:04.840
<v Speaker 2>hints maybe Mavel wasn't as sure of it as they

0:26:04.880 --> 0:26:05.320
<v Speaker 2>are now.

0:26:06.440 --> 0:26:12.280
<v Speaker 1>Well, I think that the trust is it trust or

0:26:12.359 --> 0:26:19.320
<v Speaker 1>is it just that they loosened the restrictions in terms

0:26:19.359 --> 0:26:22.720
<v Speaker 1>of how many connections there needed to be. They could

0:26:22.720 --> 0:26:27.040
<v Speaker 1>be the strength to me, the strength of wonder Man

0:26:27.200 --> 0:26:29.200
<v Speaker 1>is like, they don't need all this load bearing stuff

0:26:29.200 --> 0:26:31.160
<v Speaker 1>to be like, Okay, now we gotta lead. This has

0:26:31.200 --> 0:26:32.919
<v Speaker 1>to lead to Doomsday, and this has to lead to

0:26:32.960 --> 0:26:34.920
<v Speaker 1>the X Men, and this part needs to connect here,

0:26:34.960 --> 0:26:37.200
<v Speaker 1>and we need to make sure that when Wonderman shows

0:26:37.280 --> 0:26:39.240
<v Speaker 1>up on this that people are like, oh my god,

0:26:39.280 --> 0:26:42.239
<v Speaker 1>what's Wonderman. They don't need it, doesn't They don't need

0:26:42.280 --> 0:26:44.560
<v Speaker 1>to do that. Like, it's really nice to have Slattery

0:26:44.640 --> 0:26:48.480
<v Speaker 1>come in, but he's always been a tangential character one

0:26:48.480 --> 0:26:52.760
<v Speaker 1>that they've done like a wonderful honestly, Like, I I

0:26:52.960 --> 0:26:58.080
<v Speaker 1>liked the twist that Slattery was not the Mandarin, but

0:26:58.240 --> 0:27:02.040
<v Speaker 1>I love everything they've done with this since sing Into like.

0:27:02.440 --> 0:27:05.880
<v Speaker 2>Has been so much more interesting ever since shang Chi. Well, okay,

0:27:05.920 --> 0:27:08.080
<v Speaker 2>so something I learned, and I guess why Destin is

0:27:08.119 --> 0:27:12.280
<v Speaker 2>in charge of this is that actually this was originally

0:27:12.320 --> 0:27:14.560
<v Speaker 2>just going to be a Trevor Slattery show and it

0:27:14.640 --> 0:27:16.520
<v Speaker 2>was going to be so low that they did after

0:27:16.560 --> 0:27:19.840
<v Speaker 2>shang Chi and it evolved, And I love that because

0:27:19.880 --> 0:27:23.760
<v Speaker 2>I think that Trevor is essentially one of the MCU's

0:27:23.800 --> 0:27:27.080
<v Speaker 2>best side men, Like he's such a good person to

0:27:27.240 --> 0:27:32.000
<v Speaker 2>uplift another character to be the silly guy opposite them.

0:27:32.040 --> 0:27:35.160
<v Speaker 2>And I think actually that that relationship here, what they've

0:27:35.200 --> 0:27:37.600
<v Speaker 2>done that they often don't do, and that people have

0:27:37.680 --> 0:27:41.000
<v Speaker 2>often criticized them for with cameos or easter eggs. They

0:27:41.040 --> 0:27:43.640
<v Speaker 2>don't feel like they're going to lead anywhere or whatever. Here,

0:27:43.680 --> 0:27:46.000
<v Speaker 2>you don't actually mind because what they build in is

0:27:46.040 --> 0:27:50.520
<v Speaker 2>a relationship so important to both of these characters that

0:27:50.560 --> 0:27:52.480
<v Speaker 2>you just really believe in it and you want them

0:27:52.480 --> 0:27:54.800
<v Speaker 2>to be friends and I and you don't really. Yeah,

0:27:54.840 --> 0:27:57.240
<v Speaker 2>it's great that it's Trevor Slattery from Shang Chi, But

0:27:57.359 --> 0:28:00.680
<v Speaker 2>we are seeing so many people in the discord online saying, hey,

0:28:00.680 --> 0:28:02.720
<v Speaker 2>I watched this with my kid who's never watched a Marvel,

0:28:02.800 --> 0:28:04.159
<v Speaker 2>or Hey, me and my mum watched this, and we

0:28:04.240 --> 0:28:07.560
<v Speaker 2>just thought it was so fun. This is accessible at

0:28:07.560 --> 0:28:10.959
<v Speaker 2>a level where it previously hasn't been. Also helps and

0:28:11.000 --> 0:28:13.040
<v Speaker 2>we can do a little mini Rosie explains here, which

0:28:13.080 --> 0:28:15.960
<v Speaker 2>I know Jason Olays loves to do, but also helps.

0:28:16.000 --> 0:28:18.800
<v Speaker 2>The something they did that's so interesting in meta is

0:28:18.840 --> 0:28:22.040
<v Speaker 2>for the most part, when Ben Kingsley in this show

0:28:22.160 --> 0:28:25.359
<v Speaker 2>says Trevor Slattery has a previous role, it is a

0:28:25.560 --> 0:28:30.200
<v Speaker 2>real Ben Kingsley role. So when they mentioned the plays

0:28:30.200 --> 0:28:32.200
<v Speaker 2>he's been in, the guys who directed him in Leah,

0:28:32.280 --> 0:28:35.879
<v Speaker 2>that shit is real. But Rosie explains, England, the big

0:28:36.080 --> 0:28:38.600
<v Speaker 2>laugh here that you get if you're English is a

0:28:38.640 --> 0:28:40.680
<v Speaker 2>reference to the fact that Ben Kingsley or in this

0:28:40.720 --> 0:28:43.200
<v Speaker 2>case Trevor Slattery once played a character I believe called

0:28:43.320 --> 0:28:47.320
<v Speaker 2>Roy Jenkins on Coronation Street. Coronation Street is our northern

0:28:47.440 --> 0:28:50.760
<v Speaker 2>daily soap. It plays a primetime in the evenings set

0:28:50.880 --> 0:28:52.920
<v Speaker 2>kind of near a fictionalized talent that we've been in

0:28:53.000 --> 0:28:58.120
<v Speaker 2>Manchester and it is like ultimate working class soap opera majesty.

0:28:58.200 --> 0:29:00.200
<v Speaker 2>I watch it every year I get a britboxer out

0:29:00.200 --> 0:29:02.720
<v Speaker 2>at Christmas because there's always like a serial killer or

0:29:02.720 --> 0:29:05.480
<v Speaker 2>a mass murder or this year there was a car

0:29:05.520 --> 0:29:08.800
<v Speaker 2>crash crossover that also included a girl who'd been kidnapped

0:29:08.800 --> 0:29:11.200
<v Speaker 2>and a guy who murdered someone. So you really get

0:29:11.200 --> 0:29:14.320
<v Speaker 2>these crazy, big, bombastic bits. But I think that not

0:29:14.400 --> 0:29:17.840
<v Speaker 2>only are they getting to pay homage to the MCU,

0:29:18.120 --> 0:29:20.760
<v Speaker 2>to these comic book stories, to cinema. Of course, it's

0:29:20.800 --> 0:29:22.320
<v Speaker 2>a movie about it's a show about how much we

0:29:22.360 --> 0:29:27.320
<v Speaker 2>love movies, but also they're building in British history, British

0:29:27.360 --> 0:29:30.040
<v Speaker 2>televisual history. They're doing what they did with Wonder Vision,

0:29:30.240 --> 0:29:32.640
<v Speaker 2>but they're expanding it out to the weirdest stuff, to

0:29:32.720 --> 0:29:35.760
<v Speaker 2>the character actors. Look Joey Pants, he's no, he's not

0:29:35.800 --> 0:29:38.200
<v Speaker 2>a nobody, right, we love Joey Pants. He's an icon,

0:29:38.520 --> 0:29:41.200
<v Speaker 2>but to some younger kids he might not necessarily be

0:29:41.320 --> 0:29:44.720
<v Speaker 2>some big name get. Instead, they've gone for a character actor,

0:29:44.800 --> 0:29:47.760
<v Speaker 2>someone who will commit to this really complicated role, but

0:29:47.880 --> 0:29:49.480
<v Speaker 2>who also then a kid can look up and go,

0:29:49.560 --> 0:29:51.880
<v Speaker 2>oh my god. They're in so many like he's in Bound,

0:29:51.960 --> 0:29:55.440
<v Speaker 2>He's in the Matrix. We get that great moment where yeah, yes, well,

0:29:55.560 --> 0:29:57.640
<v Speaker 2>Simon says to him, you know, I always every time

0:29:57.680 --> 0:29:59.760
<v Speaker 2>I eat a steak, I think about you and the Matrix.

0:30:00.480 --> 0:30:03.960
<v Speaker 2>So there's just so much kind of depth to these

0:30:04.080 --> 0:30:09.360
<v Speaker 2>characters that I think that it almost transcends the usual

0:30:09.440 --> 0:30:11.680
<v Speaker 2>questions of how does it set stuff up? And hilariously

0:30:11.680 --> 0:30:13.760
<v Speaker 2>we've answered them it does set stuff up. They do

0:30:13.800 --> 0:30:16.680
<v Speaker 2>a great job seating it. But so far, I'm just

0:30:16.760 --> 0:30:19.160
<v Speaker 2>happy to follow these guys on their adventure, and I

0:30:19.240 --> 0:30:23.040
<v Speaker 2>really hope that they don't broaden the scope too much

0:30:23.080 --> 0:30:26.479
<v Speaker 2>because I think that the personal stakes here, they do

0:30:26.560 --> 0:30:28.360
<v Speaker 2>such a good job at them that they feel high

0:30:28.480 --> 0:30:31.440
<v Speaker 2>enough that I just really care. Like the Percoima family

0:30:31.480 --> 0:30:36.520
<v Speaker 2>episode was like heart wrenching, the first episode where he

0:30:36.600 --> 0:30:40.040
<v Speaker 2>gets fired from American Horror Story. I was struggling to

0:30:40.120 --> 0:30:42.640
<v Speaker 2>rewatch it because it's so well done and it's so

0:30:42.760 --> 0:30:47.600
<v Speaker 2>painful to watch. Also, another important note, guys, Twilight exists

0:30:47.680 --> 0:30:51.800
<v Speaker 2>in the MCU confirmed Cannon same cast Simon Williams a

0:30:51.800 --> 0:30:55.560
<v Speaker 2>Twilight fan, important for me personally, Jason. Any other kind

0:30:55.640 --> 0:30:58.040
<v Speaker 2>of big takeaways as you look towards the second half

0:30:58.080 --> 0:31:01.160
<v Speaker 2>of the season, which we'll be covering later this week. Well, one,

0:31:01.200 --> 0:31:02.000
<v Speaker 2>I wonder.

0:31:02.160 --> 0:31:08.120
<v Speaker 1>If so Doorman is in a damage control prison, right

0:31:08.160 --> 0:31:11.920
<v Speaker 1>that's my guest, or kidnapping or I don't even know

0:31:11.960 --> 0:31:12.880
<v Speaker 1>what the charge is.

0:31:13.480 --> 0:31:16.360
<v Speaker 2>They said, I wonder if they've been like experimenting on

0:31:16.440 --> 0:31:19.040
<v Speaker 2>him as well, because they said they've like they've searched

0:31:19.120 --> 0:31:21.640
<v Speaker 2>every inch of him or something. I do also think

0:31:21.680 --> 0:31:26.520
<v Speaker 2>there's some very interesting implications here about like the disposability

0:31:26.680 --> 0:31:28.920
<v Speaker 2>of like a black actor and cinema after he's been

0:31:28.920 --> 0:31:31.160
<v Speaker 2>brought up as this kind of mascot to a white actor.

0:31:31.280 --> 0:31:34.600
<v Speaker 2>They doing some really interesting stuff. But yeah, he's either dead,

0:31:34.880 --> 0:31:37.760
<v Speaker 2>been experimented on, or in a damage control prison.

0:31:38.040 --> 0:31:38.960
<v Speaker 1>Would be interesting.

0:31:39.240 --> 0:31:42.800
<v Speaker 2>Simon and Trevor are both doing a number of sus

0:31:42.840 --> 0:31:45.520
<v Speaker 2>things that are illegal in this show, so I wouldn't

0:31:45.560 --> 0:31:48.120
<v Speaker 2>be surprised if we ended up in a damage control prison.

0:31:48.480 --> 0:31:53.200
<v Speaker 1>I hope he's okay, and me too. My I feel

0:31:53.240 --> 0:31:57.760
<v Speaker 1>like we're gonna Joshka is gonna like they're gonna get

0:31:57.800 --> 0:32:00.720
<v Speaker 1>him back, right, He's probably still alive. We don't know

0:32:00.760 --> 0:32:07.200
<v Speaker 1>how it works, but it's side of Doorman, and I

0:32:07.240 --> 0:32:11.200
<v Speaker 1>think there's a chance that Josh we might josh ged

0:32:11.320 --> 0:32:12.360
<v Speaker 1>might pop out of door.

0:32:12.440 --> 0:32:15.480
<v Speaker 2>Maybe maybe you'll get puked up or something. I mean

0:32:15.520 --> 0:32:17.560
<v Speaker 2>also would be in This is just my head canon,

0:32:17.600 --> 0:32:20.000
<v Speaker 2>but maybe like Doorman and Josh Gadd planned all of

0:32:20.000 --> 0:32:22.120
<v Speaker 2>this and now they're just like living happily ever after.

0:32:22.480 --> 0:32:23.160
<v Speaker 2>Off the radar.

0:32:25.360 --> 0:32:28.000
<v Speaker 1>Yeah, I'm I'm really excited to watch the back half

0:32:28.040 --> 0:32:28.920
<v Speaker 1>of the show.

0:32:28.960 --> 0:32:32.400
<v Speaker 2>We got we got Joey Pants, we got Ashley Green

0:32:32.480 --> 0:32:38.680
<v Speaker 2>from Twilight, we got obviously Josh gadd and that crazy cameo.

0:32:39.200 --> 0:32:42.040
<v Speaker 2>Any other big actors you would like to see.

0:32:43.240 --> 0:32:44.640
<v Speaker 1>I don't even know who the show.

0:32:44.800 --> 0:32:47.640
<v Speaker 2>I know, it's so weird, definitely in that Disney space,

0:32:47.720 --> 0:32:49.760
<v Speaker 2>I know, I don't think so it's hard to even

0:32:49.800 --> 0:32:51.720
<v Speaker 2>think about it. I mean, I mean, I'd love to

0:32:51.720 --> 0:32:53.960
<v Speaker 2>see them bring in like Regina King or something, because

0:32:54.000 --> 0:32:56.280
<v Speaker 2>you know, because Watchman or something like that. But I

0:32:56.320 --> 0:32:58.040
<v Speaker 2>don't know that's it. She's a she's a big get.

0:32:58.560 --> 0:33:01.720
<v Speaker 2>I just think that this show has so many interesting

0:33:02.200 --> 0:33:04.600
<v Speaker 2>things to say, and it's really funny to watch it

0:33:04.640 --> 0:33:08.240
<v Speaker 2>coming out post the studio, knowing that this was more

0:33:08.240 --> 0:33:10.840
<v Speaker 2>of an armaged and deep impact kind of zeitgeist thing

0:33:10.960 --> 0:33:13.440
<v Speaker 2>than a Disney trying to replicate it. But I'm sure

0:33:13.440 --> 0:33:16.080
<v Speaker 2>that people will see it as being derivative though so far,

0:33:16.120 --> 0:33:18.240
<v Speaker 2>I've just seen people happy that there's another great TV

0:33:18.320 --> 0:33:20.760
<v Speaker 2>show out, So that's a nice feeling to have. And

0:33:20.840 --> 0:33:23.800
<v Speaker 2>I think people because it was dropped, as happened with

0:33:23.880 --> 0:33:26.560
<v Speaker 2>Echo kind of all in one go. And then obviously

0:33:26.640 --> 0:33:30.520
<v Speaker 2>we know with Ironheart that was also a show where

0:33:30.760 --> 0:33:32.560
<v Speaker 2>the show ended up being dropped in kind of a

0:33:32.600 --> 0:33:35.960
<v Speaker 2>weird phase. And yeah, so this is really nice to

0:33:36.000 --> 0:33:38.280
<v Speaker 2>have a BINS drop that at first did seem like

0:33:38.280 --> 0:33:39.680
<v Speaker 2>they were trying to bury it. But I think the

0:33:39.680 --> 0:33:42.480
<v Speaker 2>word of mouth, the love from people like Alan Sepamore,

0:33:42.480 --> 0:33:45.160
<v Speaker 2>who we've had on the show, from other critics has

0:33:45.280 --> 0:33:50.160
<v Speaker 2>just been another great gateway to people getting excited to

0:33:50.360 --> 0:33:52.920
<v Speaker 2>check it out, even if it wasn't necessarily on their radar.

0:33:54.760 --> 0:33:56.720
<v Speaker 1>On the next episode of Extra Vision, we're diving into

0:33:56.720 --> 0:33:58.840
<v Speaker 1>the biggest news of the week. That's it for this episode.

0:33:58.840 --> 0:33:59.960
<v Speaker 1>Thanks all listening by.

0:34:03.160 --> 0:34:03.400
<v Speaker 2>X Ray.

0:34:03.480 --> 0:34:06.160
<v Speaker 1>Vision is hosted by Jason Concepcion and Rosie Knight and

0:34:06.280 --> 0:34:08.040
<v Speaker 1>is a production of iHeart Podcasts.

0:34:08.239 --> 0:34:11.840
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

0:34:12.080 --> 0:34:14.120
<v Speaker 1>Our supervising producer is Abu Zafar.

0:34:14.520 --> 0:34:18.439
<v Speaker 2>Our producers are Common Laurent Dean Jonathan, and Bay Wag.

0:34:18.560 --> 0:34:21.359
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:34:21.400 --> 0:34:22.680
<v Speaker 1>songs by Aaron Kaufman.

0:34:22.840 --> 0:34:26.239
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:34:26.320 --> 0:34:28.080
<v Speaker 2>Heidi our Discord moderator,