WEBVTT - Listener Mail: The Hearth's Filthy Lesson

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow your Mind listener mail.

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<v Speaker 2>My name is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick. And hey, we're coming at

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<v Speaker 3>you with new stuff after roughly a week or so off.

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<v Speaker 3>Do we say this was a listener mail episode? I

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<v Speaker 3>think you did. But if we didn't, here, yeah, here

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<v Speaker 3>we are with listener mail for you. Hey, if you

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<v Speaker 3>are a listener of Stuff to Blow your Mind and

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<v Speaker 3>you have never gotten in touch before, this is a

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<v Speaker 3>great time to try it. You can email us at

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<v Speaker 3>contact at stuff to Blow your Mind dot com. Messages

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<v Speaker 3>of all sorts are welcome. We especially appreciate feedback to

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<v Speaker 3>any episodes, recent or older episodes, if you want, if

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<v Speaker 3>you've got thoughts to add, something interesting, to build on

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<v Speaker 3>anything we brought up in the episode, of course, if

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<v Speaker 3>you ever have corrections if necessary, If you have just

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<v Speaker 3>something interesting you want to share with us, we got

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<v Speaker 3>some messages of that sort here today, Or if you

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<v Speaker 3>just want to tell us what you like about the

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<v Speaker 3>show where you listen from that kind of thing. All

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<v Speaker 3>all sorts of messages are welcome. Contact at Stuff to

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<v Speaker 3>Blow your Mind dot com.

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<v Speaker 2>You can also ask to join the Discord server by

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<v Speaker 2>emailing us to that address.

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<v Speaker 3>All right, Rob, if you don't mind, I think we

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<v Speaker 3>should kick things off today with actually a couple of

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<v Speaker 3>messages from our listener Robin, one about ancient art and

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<v Speaker 3>another one about festive holiday cocktails. We're sort of we're

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<v Speaker 3>past the point for one season of holiday cocktails, but

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<v Speaker 3>just in time for another. All right, I'll start with

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<v Speaker 3>the one about art. So this is from Robin. Robin says, Hey, Rob,

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<v Speaker 3>Joe and JJ just a quick email with some cool

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<v Speaker 3>stuff I came across, maybe fodder for future topics. Sometimes

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<v Speaker 3>the almighty cursed algorithm actually digs up something worthwhile, and

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<v Speaker 3>I got served up an image of an ancient sculpture

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<v Speaker 3>from early history with a quick line of description. Intrigued,

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<v Speaker 3>I dug a bit more into the Gwynall line. Gwinnall,

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<v Speaker 3>if you're trying to look this up, is spelled gue nnol.

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<v Speaker 3>That's a Welsh word apparently meaning Martin. And just for

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<v Speaker 3>a bit of description, The Gwynall Lioness is a roughly

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<v Speaker 3>five thousand year old limestone statuette. It's a little over

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<v Speaker 3>eight centimeters tall and it shows a lion human hybrid form.

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<v Speaker 3>It's posed in a very interesting way. So we see

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<v Speaker 3>it from the thighs up to the head. The lower

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<v Speaker 3>parts of the legs I don't know if they ever existed.

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<v Speaker 3>If they did, they're no longer attached to the rest

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<v Speaker 3>of the statuette. But we see from the thighs up

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<v Speaker 3>and so it's a lion human form with sort of

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<v Speaker 3>the upright torso of a human body, but with a

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<v Speaker 3>lion's head. No Maine, just a manless lion. And also,

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<v Speaker 3>I don't know, the hands to me look like they're

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<v Speaker 3>supposed to be maybe lion claws, but this could be interpreted.

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<v Speaker 3>I guess it's just fingers. But it's a very unusual

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<v Speaker 3>interesting pose. First of all, the figure is extremely muscular,

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<v Speaker 3>and second of all, it's got its fists or claws

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<v Speaker 3>like pushed together with its elbows bent up. I don't

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<v Speaker 3>know what you would call this arm posture, but it's

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<v Speaker 3>like just raise your arms up and push your fists

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<v Speaker 3>together in front of your chest. And it's also sort

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<v Speaker 3>of rotating at the torso, so it looks like it's

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<v Speaker 3>doing some kind of exercise. I don't know if this

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<v Speaker 3>is like a pilates move.

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<v Speaker 2>Yeah, this looks a lot like the bodybuilding pose that

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<v Speaker 2>is called the most muscular, except in the most muscular

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<v Speaker 2>like the fists are not like touching, they're like crisscrossing.

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<v Speaker 2>You've all seen this one if you've seen any amount

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<v Speaker 2>of bodybuilding, just clips you know, you know Arnold Schwarzenegger

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<v Speaker 2>back in the day, that sort of thing.

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<v Speaker 3>So, this statuette was allegedly found near modern day bagh Dad.

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<v Speaker 3>I don't know if it's known exactly when it was found,

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<v Speaker 3>but the trading history of it and collections seems to

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<v Speaker 3>begin in the early nineteen thirties, so it seemed it

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<v Speaker 3>was found somewhere around Baghdad before that time, in the

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<v Speaker 3>early nineteen thirties and held for a while in the

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<v Speaker 3>private collection of a guy who was I guess a

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<v Speaker 3>major tennis player named Alistair Bradley Martin who was also

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<v Speaker 3>an art collector. But it's been on display at some museums,

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<v Speaker 3>I believe the Brooklyn Museum in New York and so forth.

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<v Speaker 3>But anyway, I'm going to continue with Robin's message here

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<v Speaker 3>about this statuette. Robin says, holy mackinaw, what a fascinating

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<v Speaker 3>and gorgeous piece of art, but even better in the

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<v Speaker 3>Wikipedia article on this artwork, the first link in the

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<v Speaker 3>further reading tab is a book called Art of the

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<v Speaker 3>First Cities the third millennium BC, from the Mediterranean to

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<v Speaker 3>the Indus, edited by Joan ruse at All. That book

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<v Speaker 3>is downloadable as a PDF from the link provided there.

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<v Speaker 3>And wow, is that ever a treasure of incredible art

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<v Speaker 3>from the distant past. I love seeing the connections, similarities

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<v Speaker 3>and the different takes on common subjects of art and

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<v Speaker 3>expression by different people in the past. Early artwork gives

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<v Speaker 3>me the shivers in the best way. I find a

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<v Speaker 3>real connection can be forged with the artist, and to

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<v Speaker 3>think about who they were and when they were living, well,

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<v Speaker 3>it really blows my mind. As they say. Anyway, thanks

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<v Speaker 3>for the continued excellent content and wishing you all folks

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<v Speaker 3>down there a happy holiday season. Cheers Robin Well. First

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<v Speaker 3>of all, thank you so much, Robin. A great message,

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<v Speaker 3>and I love that you brought this up. So I

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<v Speaker 3>got interested looking at this artwork. And I have two

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<v Speaker 3>takes on this one, I guess, one sort of thoughtful

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<v Speaker 3>and one kind of internet brained. The more thoughtful take

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<v Speaker 3>is yes, I totally know what you mean about the

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<v Speaker 3>way that ancient art can send shivers through your body.

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<v Speaker 3>Rob I assume you have a similar experience as well,

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<v Speaker 3>and I agree with you, Robin, that it is something

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<v Speaker 3>about that sudden connection between minds that are so distant

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<v Speaker 3>in time and space, like your mind and the artist's

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<v Speaker 3>mind across thousands of years. It's easy to feel, by

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<v Speaker 3>virtue of this encounter with someone's art, that you know

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<v Speaker 3>them in some intimate way, maybe better than people who

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<v Speaker 3>have actually met them know them, because art is a window,

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<v Speaker 3>you know, it's a window in kind of deep parts

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<v Speaker 3>of people's mind and character. Often people express things through

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<v Speaker 3>art works that maybe they aren't comfortable sharing in conversation.

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<v Speaker 3>You know, it's commonly thought of that art is in

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<v Speaker 3>some way an expression of the personality of the artists.

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<v Speaker 3>So like by seeing the works that people create, you

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<v Speaker 3>know something very familiar and close and maybe commonly hidden

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<v Speaker 3>about them. And yet because of the distance in time

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<v Speaker 3>and the anonymity of the artist in this case, we

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<v Speaker 3>don't know who made this lion of statue. Not only

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<v Speaker 3>can you never meet this artist, there's just so much

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<v Speaker 3>about their life and context you cannot know and will

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<v Speaker 3>never know. How different their life was from yours, how

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<v Speaker 3>differently they saw the world and everything like that. And

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<v Speaker 3>I think it's that tension between the intimate mental connection

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<v Speaker 3>established by viewing a piece of art and the objective

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<v Speaker 3>ignorance we have the total mystery about the life of

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<v Speaker 3>the artist that makes ancient art so haunting, at least

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<v Speaker 3>to me.

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<v Speaker 2>Absolutely, yeah, I agree with all that. And by the way,

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<v Speaker 2>the book that was referenced, Art of the First Cities,

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<v Speaker 2>this was a two thousand and three publication from the

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<v Speaker 2>Metropolitan Museum of Art. Looks like you can still pick

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<v Speaker 2>up copies of it. Yeah, it looks like a handsome volume.

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<v Speaker 3>Oh nice. Yeah, I'm gonna have to go back and

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<v Speaker 3>check out that link after we record this. But anyway,

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<v Speaker 3>there are just so many questions that spring to mind.

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<v Speaker 3>I don't know, It's like you want to know more

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<v Speaker 3>about the mindset of the artist when you can't. For example,

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<v Speaker 3>so this is a lion human hybrid. But I always

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<v Speaker 3>wonder in these cases were of these ancient artworks, is

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<v Speaker 3>it best thought of as anthropomorphic, meaning a lion taking

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<v Speaker 3>a human form, or theiomorphic? Is it a human taking

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<v Speaker 3>a lion form? And you can't necessarily tell by the picture,

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<v Speaker 3>but you can make guess is like, what does it

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<v Speaker 3>mean when it's a lion's head on a human body

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<v Speaker 3>as opposed to like a human head on a lion's body.

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<v Speaker 3>Does one imply more anthropomorphism versus theeomorphism than the other?

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<v Speaker 2>Yeah? Yeah, I mean you can just look at our

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<v Speaker 2>own modern dreams of half human half animal hybrids and

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<v Speaker 2>they can ultimately convey a whole host of different ideas,

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<v Speaker 2>and certainly that would have been the case in the

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<v Speaker 2>ancient past as.

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<v Speaker 3>Well as For my internet brained take on this, I'm sorry,

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<v Speaker 3>but a comparison did come to mind. I was looking

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<v Speaker 3>at this leonine human being that is just so jacked

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<v Speaker 3>with muscles, and it made me think about those comic

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<v Speaker 3>book superhero illustrations that get turned into memes because the

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<v Speaker 3>muscles are comically gigantic. I'm thinking particularly of an image

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<v Speaker 3>I've seen many times on the internet of like Captain America,

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<v Speaker 3>where he looks just like a truck.

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<v Speaker 2>Yeah, you included that one here, this in our outline,

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<v Speaker 2>and this is the infamous big chested Rob Leifeld Captain America.

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<v Speaker 3>And I'm not trying to hate, by the way, I

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<v Speaker 3>don't know anything about this artist. I'm just say it's

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<v Speaker 3>a funny image.

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<v Speaker 2>A lot of people have fun with lifel illustrations. I mean,

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<v Speaker 2>he was and is a very influential figure in comics,

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<v Speaker 2>particularly Marvel, but some of his designs are maimed a

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<v Speaker 2>lot because of their anatomical ridiculousness, even within the world

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<v Speaker 2>of comic book superheroes. Yeah.

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<v Speaker 3>On the other hand, I think there are multiple ways

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<v Speaker 3>you can kind of read the pose of this lion

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<v Speaker 3>human with the hands clasped together like that, Like is

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<v Speaker 3>that a muscle flexing pose or kind of a you know,

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<v Speaker 3>we were thinking of it as like an exercise bodybuilding pose,

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<v Speaker 3>but you could also read that as the hands clasp

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<v Speaker 3>of contemplation. You know. I don't know if it had

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<v Speaker 3>the same association in the ancient Mesopotamian culture that produced this,

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<v Speaker 3>but we often think of clasped hands as prayer or

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<v Speaker 3>meditation or contemplation, thoughtfulness, wisdom. That could be what's going

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<v Speaker 3>on here.

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<v Speaker 2>Yeah, it's hard to say exactly. It's hard. It's hard

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<v Speaker 2>to read this image. I mean it's easier to read

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<v Speaker 2>the Captain America. I think he's he's being in all tough. Uh,

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<v Speaker 2>that's that's just basically the read I'm getting here tough

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<v Speaker 2>and a little little mean. Ye, but yeah, it's hard

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<v Speaker 2>to read the lioness.

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<v Speaker 3>But anyway, thank you again, Robin. Oh should we do

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<v Speaker 3>this other message from Robin about festive holiday cocktails?

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<v Speaker 2>Yeah? Absolutely, Yeah, this one came in separately, and this

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<v Speaker 2>one was was sent to us as well as to

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<v Speaker 2>Tracy and Holly over at stuff you missed in history class,

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<v Speaker 2>and this is how it goes down. Hi, Holly and

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<v Speaker 2>Rob and Tracy and Joe. Please forgive the slightly odd

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<v Speaker 2>co mingling of stuff personnel, But from listening to both

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<v Speaker 2>of your podcasts, stuff you missed a history class and

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<v Speaker 2>stuff to blow your mind, I think the two of

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<v Speaker 2>you are most relevant to the question I have. If

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<v Speaker 2>I may calling out Holly in particular because she has

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<v Speaker 2>a cocktail book out. That book is Killer Cocktails, Dangerous

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<v Speaker 2>Drinks in Spired by History's most Nefarious Criminals. It's out now.

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<v Speaker 2>You can get it in all sorts of formats.

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<v Speaker 3>Oh wonderful. Shout out to our crossover listeners, by the way.

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<v Speaker 2>Yeah, anyway, Robin continues, it seems that both of you

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<v Speaker 2>are fans of a tasty cocktail. I would love to

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<v Speaker 2>make some tasty holiday cocktails for family and friends in

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<v Speaker 2>the next few weeks, and I am looking for fun

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<v Speaker 2>ideas and inspiration. Do the two of you either A

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<v Speaker 2>have an outlet where you if use specifically about tasty

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<v Speaker 2>drinks in your experience. I know about your exciting book, Hollie.

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<v Speaker 2>I am waiting until after Christmas in case someone already

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<v Speaker 2>wrapped it up for me or B have favorite or

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<v Speaker 2>a favorites that you go to websites, blogs, social media,

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<v Speaker 2>et cetera for cocktail inspiration. Thank you ever so much

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<v Speaker 2>for any info in this area. Much appreciated. Happy mixing. Well, Yes,

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<v Speaker 2>Rob and I do enjoy a cocktail, be it one

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<v Speaker 2>that is infused with a spirit or one that is

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<v Speaker 2>alcohol free. I love a great many zero proof cocktails

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<v Speaker 2>these days as well. Big fanatropical drinks, so often turned

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<v Speaker 2>to the pages of Jeff Beach Bumberry as well as

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<v Speaker 2>his Total Tiki app on top of his published books.

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<v Speaker 2>You know, so it's a great These are great places

0:12:12.640 --> 0:12:15.880
<v Speaker 2>to find cool, historic tiki drinks to try out. I

0:12:15.920 --> 0:12:18.360
<v Speaker 2>also love to look through the pages of Imbibe Magazine

0:12:18.480 --> 0:12:23.480
<v Speaker 2>and their website imbibemagazine dot com for ideas. In fact,

0:12:23.920 --> 0:12:27.360
<v Speaker 2>one of the holiday drinks I've been making regularly each

0:12:27.440 --> 0:12:30.920
<v Speaker 2>year for a few years now is one called nutty

0:12:31.040 --> 0:12:35.000
<v Speaker 2>like a fruitcake. That's a lot of fun. So you

0:12:35.040 --> 0:12:37.920
<v Speaker 2>can find that at Imbibe magazine. I will, however, stress

0:12:37.960 --> 0:12:40.200
<v Speaker 2>that this is one of those drinks that every year

0:12:40.200 --> 0:12:43.440
<v Speaker 2>I make it, it feels a little stronger and a

0:12:43.480 --> 0:12:46.640
<v Speaker 2>little sweeter. And I know that I'm not changing the

0:12:46.679 --> 0:12:49.480
<v Speaker 2>way I make it, but I think the makeup of

0:12:49.559 --> 0:12:53.400
<v Speaker 2>myself is changing each year. It just feels sweeter and

0:12:53.440 --> 0:12:56.400
<v Speaker 2>stronger to my sensibilities. So if you do make this

0:12:56.520 --> 0:13:00.200
<v Speaker 2>drink and it's a great Christmas, you know, holiday Day,

0:13:00.320 --> 0:13:04.760
<v Speaker 2>New Year's drink, and so forth, I would say, don't

0:13:04.800 --> 0:13:08.000
<v Speaker 2>be a hero. Consider cutting it with soda water. It's

0:13:08.000 --> 0:13:10.400
<v Speaker 2>still a great drink if you do it that way. Yeah,

0:13:10.440 --> 0:13:14.240
<v Speaker 2>I support that. Certainly, over time the body craves less

0:13:14.280 --> 0:13:18.000
<v Speaker 2>alcohol and sugar, I would say, but yeah, yeah, you know,

0:13:18.400 --> 0:13:21.600
<v Speaker 2>on the subject of cutting drinks or not being a hero,

0:13:21.840 --> 0:13:24.080
<v Speaker 2>I think this came up recently on a Weird House

0:13:24.080 --> 0:13:24.760
<v Speaker 2>Cinema episode.

0:13:24.760 --> 0:13:26.439
<v Speaker 3>I don't remember if we may have cut it. I

0:13:26.440 --> 0:13:28.080
<v Speaker 3>don't know if we left it in or not, But anyway,

0:13:28.480 --> 0:13:32.280
<v Speaker 3>I want to stand up for the non dry martini.

0:13:32.480 --> 0:13:35.280
<v Speaker 3>You know, whenever people order a martini in a movie,

0:13:35.320 --> 0:13:37.440
<v Speaker 3>if they specify anything about it, they always say dry

0:13:37.559 --> 0:13:40.160
<v Speaker 3>one very dry martini, meaning you know, higher content of

0:13:40.240 --> 0:13:42.920
<v Speaker 3>your whatever, your your hard spirit is in your gin

0:13:43.080 --> 0:13:46.360
<v Speaker 3>or your vodka. So I recommend if you're making yourself

0:13:46.360 --> 0:13:50.440
<v Speaker 3>a martini for New Year's try try a wetter, gentler martini.

0:13:50.520 --> 0:13:52.800
<v Speaker 3>I think it's a nice experience. I think a gin

0:13:52.880 --> 0:13:56.440
<v Speaker 3>based martini is better. And go less on the gin,

0:13:56.600 --> 0:13:59.480
<v Speaker 3>heavier on the vermouth, and try it with some olive brine.

0:13:59.559 --> 0:14:00.439
<v Speaker 3>It's it's nice.

0:14:00.760 --> 0:14:03.439
<v Speaker 2>Yeah, And I do want to stress too for folks

0:14:03.480 --> 0:14:07.000
<v Speaker 2>out there who don't drink alcohol or considering stopping or

0:14:07.280 --> 0:14:09.720
<v Speaker 2>you know, considering doing a dry january, as a lot

0:14:09.760 --> 0:14:11.959
<v Speaker 2>of folks do these days. I mean, there's never been

0:14:11.960 --> 0:14:15.920
<v Speaker 2>a better time in my opinion, to go that route.

0:14:15.960 --> 0:14:19.640
<v Speaker 2>Like we have so many wonderful zero proof spirits, zero

0:14:19.680 --> 0:14:24.440
<v Speaker 2>proof ingredients, cocktail recipes to go off of. Yeah, you

0:14:24.480 --> 0:14:27.640
<v Speaker 2>can still have a grand time and get you know,

0:14:27.880 --> 0:14:31.120
<v Speaker 2>so much out of the cocktail experience these days.

0:14:31.480 --> 0:14:34.640
<v Speaker 3>Totally agree. There there are even some like canned, pre

0:14:34.720 --> 0:14:38.560
<v Speaker 3>made non alcoholic cocktails you can buy now that we've

0:14:38.600 --> 0:14:40.040
<v Speaker 3>tried recently that are really good.

0:14:40.440 --> 0:14:43.200
<v Speaker 2>Yeah, yeah, absolutely. So if any of you out there

0:14:43.240 --> 0:14:46.360
<v Speaker 2>have particular favorites you'd like to share, write in. We'd

0:14:46.360 --> 0:14:47.080
<v Speaker 2>love to hear from you.

0:14:54.920 --> 0:14:58.160
<v Speaker 3>All right. This next message is from Elliott and it

0:14:58.360 --> 0:15:03.480
<v Speaker 3>concerns our episodes on Sacred Trees, specifically the second episode

0:15:03.520 --> 0:15:06.280
<v Speaker 3>we did on that where I talked about sacred trees

0:15:06.320 --> 0:15:08.760
<v Speaker 3>struck by lightning and Rob you talked about the meaning

0:15:08.760 --> 0:15:13.200
<v Speaker 3>of the Rowan Tree. Elliott says. Greetings, longtime listener, first

0:15:13.280 --> 0:15:15.920
<v Speaker 3>time writer here. Primarily thank you for your service with

0:15:15.960 --> 0:15:19.120
<v Speaker 3>the podcast. It's an educational joy and a wonderful wellspring

0:15:19.200 --> 0:15:22.760
<v Speaker 3>of inspiration. Thank you so much, Elliott. Elliott says, as

0:15:22.800 --> 0:15:26.000
<v Speaker 3>a small token of appreciation for the Rowan Tree episode,

0:15:26.040 --> 0:15:29.480
<v Speaker 3>I wanted to share some seeds. Specifically, I know the

0:15:29.560 --> 0:15:32.760
<v Speaker 3>Rowan tree is used by Ursula k Legwin in her

0:15:32.880 --> 0:15:37.800
<v Speaker 3>Earthsea series. The first chapter of book three, The Farthest Shore,

0:15:38.040 --> 0:15:41.080
<v Speaker 3>is called the Rowan Tree. The specific Rowan tree in

0:15:41.160 --> 0:15:44.000
<v Speaker 3>question is one which stands adjacent to a fountain in

0:15:44.040 --> 0:15:47.640
<v Speaker 3>the courtyard in the Magical School of Roke, the inspiration

0:15:47.880 --> 0:15:51.040
<v Speaker 3>for Hogwarts. This scene is actually a callback to book

0:15:51.080 --> 0:15:54.320
<v Speaker 3>one titled A Wizard of Earth see when the young

0:15:54.360 --> 0:15:57.360
<v Speaker 3>protagonist first arrives at the school and meets the arch

0:15:57.520 --> 0:16:01.760
<v Speaker 3>Mage an inspiration for Dumbledore. Since Ursula le Gwin's father

0:16:01.920 --> 0:16:05.760
<v Speaker 3>was an anthropologist working with Indigenous Americans, documented by her

0:16:05.800 --> 0:16:09.040
<v Speaker 3>mother in the book Ishi in Two Worlds, Young Ursula

0:16:09.080 --> 0:16:12.720
<v Speaker 3>grew up surrounded by inherently anthropological questions such as what

0:16:12.880 --> 0:16:16.520
<v Speaker 3>does this tree mean to this culture? The magic system

0:16:16.520 --> 0:16:19.200
<v Speaker 3>in the Earth Sea universe is also fascinating to view

0:16:19.200 --> 0:16:22.320
<v Speaker 3>through this lens. An episode on the on magic systems

0:16:22.320 --> 0:16:27.080
<v Speaker 3>in general could be fun. Thanks again for your great work, Elliott, Well,

0:16:27.120 --> 0:16:29.560
<v Speaker 3>thank you Elliott. A couple of thoughts. First of all, yes,

0:16:29.640 --> 0:16:33.480
<v Speaker 3>I love Ursula Legwin. I haven't read the Earthsea series yet.

0:16:33.680 --> 0:16:35.600
<v Speaker 3>This email has made me think maybe that should be

0:16:35.720 --> 0:16:39.600
<v Speaker 3>my next fiction read. Been meaning to for years. I

0:16:39.640 --> 0:16:44.960
<v Speaker 3>think there is a cool sensibility about cultures in her work,

0:16:45.480 --> 0:16:49.800
<v Speaker 3>that the way she depicts invented alien cultures and her

0:16:49.800 --> 0:16:53.120
<v Speaker 3>sci fi novels. I haven't read any of her fantasy work,

0:16:53.160 --> 0:16:57.280
<v Speaker 3>but excited about Earthsea. It feels very sensitive and lived in,

0:16:57.320 --> 0:17:01.880
<v Speaker 3>with a kind of heterogeneity visible within the general trends

0:17:01.920 --> 0:17:06.280
<v Speaker 3>as opposed to the stories that depict alien cultures or

0:17:06.320 --> 0:17:09.880
<v Speaker 3>invented culture is in a very flat or symbolic way

0:17:09.960 --> 0:17:14.159
<v Speaker 3>where it's just like everyone does this, you know. And also,

0:17:14.320 --> 0:17:16.520
<v Speaker 3>if you would like to learn more about the story

0:17:16.520 --> 0:17:18.760
<v Speaker 3>of the man known as Ishi mentioned in this email,

0:17:19.520 --> 0:17:21.919
<v Speaker 3>the person who's in the title of the Theodor Krober

0:17:21.920 --> 0:17:24.680
<v Speaker 3>book Eshi in Two Worlds. We discussed him in our

0:17:24.720 --> 0:17:27.359
<v Speaker 3>series on Brain Theft from twenty twenty one, so you

0:17:27.359 --> 0:17:29.080
<v Speaker 3>can go back and listen to that if you want

0:17:29.080 --> 0:17:29.760
<v Speaker 3>to hear about Hi.

0:17:30.359 --> 0:17:32.480
<v Speaker 2>All right, let's see. Oh, we do have a number

0:17:32.520 --> 0:17:37.359
<v Speaker 2>of messages related to the Hearth. I believe that's a

0:17:37.720 --> 0:17:40.800
<v Speaker 2>there's a Hearth related title for today's listener mail episode.

0:17:41.400 --> 0:17:44.320
<v Speaker 2>So let's get into some of these. This first one

0:17:44.359 --> 0:17:47.880
<v Speaker 2>comes to us from Mike, subject line x Men ninety

0:17:47.920 --> 0:17:53.280
<v Speaker 2>seven Fireplace. We were talking about various fireplace for your

0:17:53.280 --> 0:18:03.600
<v Speaker 2>home DVDs, streaming options and so forth. So Mike says,

0:18:03.640 --> 0:18:06.320
<v Speaker 2>to add to the collection, Marvel has posted an X

0:18:06.400 --> 0:18:09.440
<v Speaker 2>Men animated series Fireplace on YouTube.

0:18:10.440 --> 0:18:12.720
<v Speaker 3>You know, Mike included a link and I tried to

0:18:12.760 --> 0:18:15.080
<v Speaker 3>go check this out, but by the time I checked it,

0:18:15.080 --> 0:18:17.960
<v Speaker 3>it was after Christmas and the video was gone, so

0:18:18.040 --> 0:18:20.159
<v Speaker 3>it may have been just a before Christmas thing and

0:18:20.160 --> 0:18:22.160
<v Speaker 3>then taken down. I don't know, or maybe it's still

0:18:22.160 --> 0:18:24.560
<v Speaker 3>out there somewhere. But I did find a screenshot and

0:18:24.560 --> 0:18:26.480
<v Speaker 3>I pulled that in and put it in our outline,

0:18:26.520 --> 0:18:29.040
<v Speaker 3>so here you can see rob what the X Men

0:18:29.080 --> 0:18:32.119
<v Speaker 3>fireplace looked like. I appreciate that this is more like

0:18:32.440 --> 0:18:33.959
<v Speaker 3>a hand drawn animation style.

0:18:34.400 --> 0:18:36.760
<v Speaker 2>Yes, yeah, very much in the style of X Men

0:18:36.880 --> 0:18:40.040
<v Speaker 2>ninety seven, which is an amazing series. By the way,

0:18:40.320 --> 0:18:43.520
<v Speaker 2>it hits really hard. I think it's must viewing for

0:18:43.560 --> 0:18:46.480
<v Speaker 2>anyone who grew up with the nineties X Men cartoon.

0:18:46.920 --> 0:18:49.359
<v Speaker 2>But I think I haven't tested this out yet, but

0:18:49.400 --> 0:18:51.600
<v Speaker 2>I think you could also watch X Men ninety seven

0:18:51.680 --> 0:18:54.720
<v Speaker 2>without having watched the original X Men series. I watched

0:18:54.760 --> 0:18:56.280
<v Speaker 2>it with my kid and it was a lot of fun,

0:18:56.600 --> 0:18:58.720
<v Speaker 2>and we've been talking about, well should we get mom

0:18:58.760 --> 0:19:02.200
<v Speaker 2>in on the action as well? And I think there's

0:19:02.240 --> 0:19:03.800
<v Speaker 2>I think you can get into it. That's my theory.

0:19:03.840 --> 0:19:05.800
<v Speaker 2>I think you can watch X Men ninety seven with

0:19:06.000 --> 0:19:09.920
<v Speaker 2>only just like a casual understanding of Marvel's X Men.

0:19:10.160 --> 0:19:13.200
<v Speaker 3>Trying to see who's got stockings. The stockings have names

0:19:13.200 --> 0:19:17.640
<v Speaker 3>on them here. Oh yeah, we have a stocking for Wolverine, Storm, Rogue,

0:19:18.040 --> 0:19:19.280
<v Speaker 3>Gene Jeene Gray.

0:19:19.400 --> 0:19:22.280
<v Speaker 2>And then who this says morph in Morph? Yeah, morph

0:19:22.440 --> 0:19:26.719
<v Speaker 2>is a shape shifting mutants. Yes, I don't know if

0:19:26.720 --> 0:19:30.359
<v Speaker 2>I knew morph Morph was in the in the original series. Okay,

0:19:30.359 --> 0:19:32.840
<v Speaker 2>and has a I think a more prominent role in

0:19:32.880 --> 0:19:33.840
<v Speaker 2>this one. Cool.

0:19:34.520 --> 0:19:37.920
<v Speaker 3>Well, as I've said before on the show, I'm underfamiliar

0:19:38.000 --> 0:19:40.879
<v Speaker 3>with the X Men cartoons, both old and new. I

0:19:40.880 --> 0:19:43.040
<v Speaker 3>haven't seen this new one, and I didn't ever watch

0:19:43.119 --> 0:19:45.199
<v Speaker 3>much of the old one, so I don't know as

0:19:45.280 --> 0:19:46.679
<v Speaker 3>much as I would like to, But I don't know.

0:19:46.720 --> 0:19:49.800
<v Speaker 3>It looks fun, I like the visual style. I'd like

0:19:49.840 --> 0:19:50.440
<v Speaker 3>to check it out.

0:19:50.800 --> 0:19:53.560
<v Speaker 2>Yeah, yeah, it's solid. Let's see what else? Oh? And

0:19:53.640 --> 0:19:56.640
<v Speaker 2>then this is the This is also from Mike, Right,

0:19:56.720 --> 0:20:00.440
<v Speaker 2>Mike sent something that sent over something that aw wrestler dead.

0:20:00.880 --> 0:20:04.400
<v Speaker 2>It's a video of one hangman Adam Page sipping whiskey

0:20:04.440 --> 0:20:07.000
<v Speaker 2>in front of a burning house that's serving as a

0:20:07.040 --> 0:20:10.600
<v Speaker 2>yule log. I didn't I personally don't follow wrestling as

0:20:10.640 --> 0:20:12.520
<v Speaker 2>much these days, so I don't know what the context

0:20:12.600 --> 0:20:17.720
<v Speaker 2>is for this. But still, anything within in the virtual

0:20:17.800 --> 0:20:22.800
<v Speaker 2>Christmas Hearth domain, I'm all for it. Oh, and this

0:20:23.000 --> 0:20:25.399
<v Speaker 2>just springs to mind as well. I didn't think to

0:20:25.440 --> 0:20:27.240
<v Speaker 2>mention this earlier, but when we were talking about like

0:20:27.280 --> 0:20:32.840
<v Speaker 2>spinoffs of virtual hearts, digital hearths and fireplaces and indeed

0:20:32.920 --> 0:20:37.480
<v Speaker 2>yule Logs Adult Swims yule Log from twenty twenty two,

0:20:37.840 --> 0:20:41.080
<v Speaker 2>it's like a horror movie that begins as a yule

0:20:41.119 --> 0:20:44.399
<v Speaker 2>Log video feed and then it evolves into a horror movie.

0:20:44.640 --> 0:20:48.400
<v Speaker 2>Oh yeah, my pal nick A Katanawat did the original

0:20:48.400 --> 0:20:50.840
<v Speaker 2>score for it. This is the same bunch that also

0:20:51.000 --> 0:20:54.320
<v Speaker 2>did Too Many Cooks a few years I think a

0:20:54.320 --> 0:20:55.360
<v Speaker 2>couple of years before that.

0:20:55.520 --> 0:21:00.280
<v Speaker 3>So similar vein so like fireplace for your home in

0:21:00.320 --> 0:21:03.680
<v Speaker 3>the style of Too Many Cooks. Exactly, Yes, perfect, that's

0:21:03.720 --> 0:21:04.320
<v Speaker 3>what I want.

0:21:05.400 --> 0:21:07.600
<v Speaker 2>In speaking of what we want, I was also thinking.

0:21:07.800 --> 0:21:10.200
<v Speaker 2>We talked a little bit about this when we discussed

0:21:10.280 --> 0:21:12.840
<v Speaker 2>the movie Blue Sunshine and Weird House Cinema, which has

0:21:13.160 --> 0:21:17.320
<v Speaker 2>a very notable horrific hearth sequence in it. These are

0:21:17.520 --> 0:21:20.000
<v Speaker 2>some of my ideas. These are movies that we need

0:21:20.400 --> 0:21:25.240
<v Speaker 2>digital hearth feeds. For Blue Sunshine, of course, The wicker

0:21:25.320 --> 0:21:29.320
<v Speaker 2>Man obviously not quite a hearth, but fire Fellowship of

0:21:29.359 --> 0:21:32.600
<v Speaker 2>the Ring seems just a no brainer. We need one

0:21:32.960 --> 0:21:37.880
<v Speaker 2>of the Roaring Hop a hearth with the one ring

0:21:37.960 --> 0:21:40.800
<v Speaker 2>in there, you know, staying nice and cool and shining,

0:21:40.880 --> 0:21:45.680
<v Speaker 2>and maybe we can glimpse the script in the interior

0:21:45.720 --> 0:21:47.840
<v Speaker 2>of the ring. I think that would be a good one.

0:21:48.240 --> 0:21:50.880
<v Speaker 2>And then finally, Citizen Kane. It's been a while since

0:21:50.880 --> 0:21:54.080
<v Speaker 2>I've seen Citizen Kane, but I'm reminded that Citizen Kane

0:21:54.119 --> 0:21:57.320
<v Speaker 2>had a phenomenal fireplace. It seems like that would be

0:21:57.560 --> 0:21:58.840
<v Speaker 2>a great inclusion as well.

0:21:59.480 --> 0:22:02.520
<v Speaker 3>I gotta say my entry is the Vincent Price House

0:22:02.560 --> 0:22:06.399
<v Speaker 3>of Wax, whereas our burning House of Wax. Though, that

0:22:06.440 --> 0:22:08.480
<v Speaker 3>would be kind of hard to loop, I think because

0:22:08.480 --> 0:22:10.840
<v Speaker 3>as the wax figmurines melt, maybe they could melt and

0:22:10.840 --> 0:22:13.080
<v Speaker 3>then it could go in reverse and they reconstitute and

0:22:13.119 --> 0:22:13.320
<v Speaker 3>it just.

0:22:13.359 --> 0:22:17.760
<v Speaker 2>Got coving forth forever. It sounds fun. Who Likewise, this

0:22:17.800 --> 0:22:21.000
<v Speaker 2>would be hard to loop. But melting Nazis from the

0:22:21.080 --> 0:22:23.480
<v Speaker 2>end of Raiders of the Last Star. Ah, Yes, that

0:22:23.480 --> 0:22:24.760
<v Speaker 2>could also potentially work.

0:22:25.000 --> 0:22:27.000
<v Speaker 3>Melting Nazis for your home Yeah yes.

0:22:27.720 --> 0:22:30.280
<v Speaker 2>Oh. A couple of quick messages from the Discord server

0:22:31.240 --> 0:22:35.360
<v Speaker 2>in regards to hearth videos and so forth, One Gorpi

0:22:35.520 --> 0:22:38.040
<v Speaker 2>writes in with the following back in two thousand and eight,

0:22:38.119 --> 0:22:40.800
<v Speaker 2>Stephen Colbert made a holiday special and one of the

0:22:40.800 --> 0:22:44.159
<v Speaker 2>extras on the DVD was a yule log that but

0:22:44.240 --> 0:22:47.199
<v Speaker 2>a random book would occasionally be thrown into it. I

0:22:47.240 --> 0:22:49.800
<v Speaker 2>remember Fahrenheit four fifty one was one of the first

0:22:49.800 --> 0:22:54.600
<v Speaker 2>books thrown into the yule log. Nice and then oh

0:22:54.600 --> 0:22:57.160
<v Speaker 2>and then we also heard from Matt on Discord. Matt

0:22:57.200 --> 0:23:00.720
<v Speaker 2>writes loving the hearth episode so far. If I growing

0:23:00.800 --> 0:23:03.480
<v Speaker 2>up in the Burbs, we had a functional woodstove fireplace

0:23:03.480 --> 0:23:05.399
<v Speaker 2>in the living room, so between that and being a

0:23:05.400 --> 0:23:08.000
<v Speaker 2>boy scout as a kid, I have a strong nostalgia

0:23:08.040 --> 0:23:11.160
<v Speaker 2>for fireplaces and campfires. The apartment I lived in had

0:23:11.160 --> 0:23:14.920
<v Speaker 2>a faux fireplace mantle with a rotating fire effect and

0:23:15.119 --> 0:23:18.119
<v Speaker 2>a built in space heater. Something I noticed over the

0:23:18.200 --> 0:23:20.600
<v Speaker 2>years was that even if the heater part wasn't on,

0:23:21.119 --> 0:23:23.439
<v Speaker 2>my face would flush after sitting in front of the

0:23:23.480 --> 0:23:25.720
<v Speaker 2>fire effect for a while, as though it was a

0:23:25.760 --> 0:23:29.040
<v Speaker 2>real fire and not just a rotating stencil and red light.

0:23:29.760 --> 0:23:32.520
<v Speaker 2>And Netflix certainly wasn't the first. I've got this gym

0:23:32.560 --> 0:23:34.720
<v Speaker 2>from two thousand and five, and I'm sure there were

0:23:34.760 --> 0:23:40.240
<v Speaker 2>plenty before it. Matt includes a photograph of a DVD

0:23:40.400 --> 0:23:43.240
<v Speaker 2>here holiday fire a virtual fireplace.

0:23:43.760 --> 0:23:46.520
<v Speaker 3>Oh man, I bet like Kmart could not keep these

0:23:46.560 --> 0:23:48.200
<v Speaker 3>on the shelves in two thousand and six.

0:23:48.680 --> 0:23:52.760
<v Speaker 2>Yeah, I have to admit there many times where I'll

0:23:52.800 --> 0:23:54.280
<v Speaker 2>go up to I will be at a friend's house

0:23:54.320 --> 0:23:56.879
<v Speaker 2>who has a faux fireplace of some kind, and I

0:23:56.920 --> 0:23:58.840
<v Speaker 2>will still warm my hands by it. I just can't.

0:23:58.880 --> 0:24:01.560
<v Speaker 2>Just like you see it, you do it, and even

0:24:01.560 --> 0:24:04.000
<v Speaker 2>when you feel no heat coming off of it, the

0:24:04.119 --> 0:24:09.760
<v Speaker 2>ritual of the of the situation is still feels potent. Yeah.

0:24:09.880 --> 0:24:13.320
<v Speaker 3>Interesting that the thing Matt saying about the physiological reaction,

0:24:13.440 --> 0:24:15.159
<v Speaker 3>the flushing without the heat.

0:24:15.320 --> 0:24:16.919
<v Speaker 2>You know, it kind of comes back to what we

0:24:16.920 --> 0:24:19.919
<v Speaker 2>were talking about earlier about zero proof cocktails. I've had

0:24:20.000 --> 0:24:22.880
<v Speaker 2>sit situations before where I've had a zero proof cocktail

0:24:23.320 --> 0:24:26.040
<v Speaker 2>and you know, you kind I kind of feel like

0:24:26.080 --> 0:24:32.159
<v Speaker 2>a little flushed, a little, a little like psychosomatic imbibing

0:24:32.760 --> 0:24:39.239
<v Speaker 2>of like purely mental alcohol. In those situations.

0:24:37.720 --> 0:24:40.840
<v Speaker 3>Like just the the belief that you're having a cocktail

0:24:40.920 --> 0:24:43.679
<v Speaker 3>provides some amount of social disinhibition, even if there's no

0:24:43.800 --> 0:24:44.879
<v Speaker 3>actual alcohol in it.

0:24:45.080 --> 0:24:48.040
<v Speaker 2>Yeah, because there's so much, of course, with with any

0:24:48.040 --> 0:24:50.879
<v Speaker 2>of these things where there's the actual stimuli there's the

0:24:50.920 --> 0:24:55.520
<v Speaker 2>actual you know, chemical and biological processes that are involved.

0:24:55.560 --> 0:24:59.560
<v Speaker 2>But then there's some there's ritual, there's there's additional sensory

0:24:59.640 --> 0:25:03.919
<v Speaker 2>data it's not tied to the heat or to the

0:25:03.960 --> 0:25:07.480
<v Speaker 2>alcohol and so forth, and all of that has an

0:25:07.480 --> 0:25:11.480
<v Speaker 2>effect on the mind as well. There have probably been studies,

0:25:11.760 --> 0:25:14.520
<v Speaker 2>maybe there even been studies about people warming themselves by

0:25:14.560 --> 0:25:16.680
<v Speaker 2>a fake firelight. I don't know all right.

0:25:16.720 --> 0:25:20.760
<v Speaker 3>This next message comes from Joe, a subject line on illumination.

0:25:26.160 --> 0:25:29.800
<v Speaker 3>Dear Rob and Joe, thank you for your illuminating had

0:25:29.840 --> 0:25:32.000
<v Speaker 3>to swing at that slow pitch over the plate sorry

0:25:32.560 --> 0:25:36.200
<v Speaker 3>podcast on hearths. I wanted to write in with some

0:25:36.280 --> 0:25:39.959
<v Speaker 3>cultural commentary on your observations on the nature of firelight

0:25:40.320 --> 0:25:44.560
<v Speaker 3>and how we take pervasive electric illumination for granted. I

0:25:44.640 --> 0:25:47.600
<v Speaker 3>connected this conversation with an upcoming ritual in which I

0:25:47.640 --> 0:25:52.399
<v Speaker 3>partake annually, Honkkah. My favorite thing about Honkkah is the

0:25:52.480 --> 0:25:55.920
<v Speaker 3>sacred practice of turning off all the other lights while

0:25:55.920 --> 0:25:59.960
<v Speaker 3>the candles burn. The light of the honakiah or manora,

0:26:00.040 --> 0:26:03.080
<v Speaker 3>both words are correct is intended to be the only

0:26:03.200 --> 0:26:06.040
<v Speaker 3>light in the area for the time when the candles burn.

0:26:06.920 --> 0:26:09.280
<v Speaker 3>It can be an extraordinary gift of peace in a

0:26:09.320 --> 0:26:11.919
<v Speaker 3>time of year which is usually filled with joy, that

0:26:12.000 --> 0:26:15.000
<v Speaker 3>brings with it a sizable share of chaos, noise, and

0:26:15.040 --> 0:26:18.640
<v Speaker 3>of course bright electric light. I am a secular jew,

0:26:18.720 --> 0:26:21.440
<v Speaker 3>so for me, this holiday isn't about a divine connection.

0:26:21.800 --> 0:26:24.320
<v Speaker 3>But I find the ten or fifteen minutes of darkness,

0:26:24.440 --> 0:26:28.120
<v Speaker 3>but for the flickering, fading, waning light as the candles

0:26:28.119 --> 0:26:31.800
<v Speaker 3>in my manora dwindle, strengthen my relationship to my ancestors

0:26:31.800 --> 0:26:34.760
<v Speaker 3>whose nights were lit by this ephemeral source. It's not

0:26:34.800 --> 0:26:37.720
<v Speaker 3>a portal to another world, but for me, firelight does

0:26:37.800 --> 0:26:40.960
<v Speaker 3>open a passageway of sorts through time and creates a

0:26:40.960 --> 0:26:44.600
<v Speaker 3>connection to a history I choose to treasure. Joe, Well,

0:26:44.600 --> 0:26:47.680
<v Speaker 3>thank you, Joe. Yeah, that's very interesting, and it does

0:26:47.720 --> 0:26:51.119
<v Speaker 3>expand on some themes we talked about in the second

0:26:51.119 --> 0:26:53.359
<v Speaker 3>of our Hearth episodes when we were talking about the

0:26:54.240 --> 0:26:59.359
<v Speaker 3>study of how time lit by firelight is used differently

0:26:59.480 --> 0:27:03.280
<v Speaker 3>than time lit by daylight or by electric light. And

0:27:03.400 --> 0:27:07.840
<v Speaker 3>in one particular case of people studied living in Southern Africa,

0:27:08.280 --> 0:27:11.960
<v Speaker 3>time that was lit exclusively by firelight was used overwhelmingly

0:27:12.040 --> 0:27:15.720
<v Speaker 3>for storytelling, as opposed to other types of conversation which

0:27:15.760 --> 0:27:20.160
<v Speaker 3>dominated during daylight hours. And that's kind of an interesting observation.

0:27:20.240 --> 0:27:23.000
<v Speaker 3>Don't know how universally true that holds, but it seems

0:27:23.080 --> 0:27:26.560
<v Speaker 3>that other sources have documented that it is common for

0:27:26.720 --> 0:27:31.240
<v Speaker 3>people who have environments lit entirely by firelight to dwell

0:27:31.280 --> 0:27:34.119
<v Speaker 3>in a kind of storytelling space, or in a space

0:27:34.200 --> 0:27:38.440
<v Speaker 3>that puts everyday experiences in the context of a kind

0:27:38.440 --> 0:27:41.399
<v Speaker 3>of bigger picture and a history and a world and

0:27:41.440 --> 0:27:43.960
<v Speaker 3>a realm of meaning, as opposed to just the day

0:27:44.040 --> 0:27:47.159
<v Speaker 3>to day tactics of getting by that consume most of

0:27:47.200 --> 0:27:51.840
<v Speaker 3>our energy. And so I thought that that was really interesting,

0:27:51.880 --> 0:27:54.719
<v Speaker 3>and I wonder to what extent there was a kind

0:27:54.720 --> 0:27:57.440
<v Speaker 3>of economic explanation in the paper we talked about, which

0:27:57.480 --> 0:28:02.159
<v Speaker 3>is that firelight is enough light to stay awake and

0:28:02.240 --> 0:28:04.919
<v Speaker 3>interact with other people, to like talk and sing and

0:28:05.000 --> 0:28:08.200
<v Speaker 3>dance and have social time. But the quality of the

0:28:08.280 --> 0:28:10.879
<v Speaker 3>light produced by a fire is typically not good enough

0:28:10.920 --> 0:28:13.840
<v Speaker 3>to see what you're doing, well enough to get most

0:28:14.000 --> 0:28:16.479
<v Speaker 3>kinds of work done, you know. So it's like it

0:28:16.600 --> 0:28:19.080
<v Speaker 3>produces a time you can be awake and do things,

0:28:19.119 --> 0:28:22.840
<v Speaker 3>but you can't really be very economically productive. And that

0:28:22.920 --> 0:28:24.960
<v Speaker 3>could be viewed in some ways as a kind of

0:28:25.000 --> 0:28:27.760
<v Speaker 3>blessing because it allows you to engage in these other

0:28:27.840 --> 0:28:30.600
<v Speaker 3>types of activities. And so we were thinking, is it

0:28:30.640 --> 0:28:33.240
<v Speaker 3>only that kind of mechanical explanation where it's like, well,

0:28:33.240 --> 0:28:36.119
<v Speaker 3>you can't really see good enough to do most types

0:28:36.160 --> 0:28:40.080
<v Speaker 3>of economic work with the firelight, or is it also

0:28:40.240 --> 0:28:43.560
<v Speaker 3>that there are things about the esthetic qualities of firelight

0:28:43.640 --> 0:28:46.160
<v Speaker 3>that just put you in a different frame of mind

0:28:46.360 --> 0:28:50.479
<v Speaker 3>that also lend themselves to these sort of storytelling meaning

0:28:50.520 --> 0:28:53.840
<v Speaker 3>orientations and thinking more about the big picture and thinking

0:28:53.880 --> 0:28:58.360
<v Speaker 3>more about other worlds and dreams. I guess I'm not

0:28:58.360 --> 0:29:00.640
<v Speaker 3>fully prepared to have this conversation day, but maybe it's

0:29:00.640 --> 0:29:02.360
<v Speaker 3>something to come back to in the future. Like, if

0:29:02.360 --> 0:29:05.760
<v Speaker 3>it is the case that firelight puts you in a

0:29:05.840 --> 0:29:12.160
<v Speaker 3>particularly imaginative or expansive state of mind compared to daylight

0:29:12.280 --> 0:29:15.600
<v Speaker 3>or bright electric light, why is that? What is it

0:29:15.680 --> 0:29:19.480
<v Speaker 3>about the firelight environment that that makes you think differently?

0:29:20.240 --> 0:29:23.840
<v Speaker 3>Is it something about the color of the light, or

0:29:23.880 --> 0:29:27.960
<v Speaker 3>the relative amount of darkness surrounding you or what. I

0:29:27.960 --> 0:29:30.280
<v Speaker 3>don't know exactly, but I think they'll be interesting to consider.

0:29:30.680 --> 0:29:35.320
<v Speaker 2>Yeah, fluctuations shadows. I wonder if lava lamps get into

0:29:35.360 --> 0:29:38.120
<v Speaker 2>a similar area, like, you know, yeah, we'll probably you know,

0:29:38.280 --> 0:29:40.120
<v Speaker 2>you're not doing a lot of like serious study by

0:29:40.360 --> 0:29:44.680
<v Speaker 2>by Lava Lamp. You're you're you're doing other things. Yeah,

0:29:44.880 --> 0:29:47.560
<v Speaker 2>you're you're you're dreaming, you know. All right, This next

0:29:47.560 --> 0:29:54.840
<v Speaker 2>one comes to us from Anna. Anna writes, and it says, Hi,

0:29:54.920 --> 0:29:57.840
<v Speaker 2>Robin Joe, you talk about the TV show of a Fireplace.

0:29:57.880 --> 0:29:59.720
<v Speaker 2>Reminds me of something that came out a few years

0:29:59.720 --> 0:30:02.800
<v Speaker 2>ago here in Australia. It was just one long train

0:30:02.960 --> 0:30:05.920
<v Speaker 2>journey and it ran all day long. There's a famous

0:30:05.960 --> 0:30:09.400
<v Speaker 2>train in Australia called the Gone that runs through the

0:30:09.480 --> 0:30:13.120
<v Speaker 2>center of Australia. I had to look this up and yeah,

0:30:13.160 --> 0:30:16.000
<v Speaker 2>it goes right through the middle from the northern coast

0:30:16.040 --> 0:30:19.280
<v Speaker 2>to the southern coast. It looks pretty incredible. The show,

0:30:19.720 --> 0:30:22.520
<v Speaker 2>Anna continues, was mostly shots from the front of the

0:30:22.560 --> 0:30:26.600
<v Speaker 2>train moving along the track, interspersed with other external shots

0:30:26.640 --> 0:30:29.120
<v Speaker 2>of the train moving along. Because the train goes through

0:30:29.120 --> 0:30:32.239
<v Speaker 2>the center of Australia, the landscape is mostly desert. There

0:30:32.280 --> 0:30:35.880
<v Speaker 2>was no soundtrack, just the soothing clackety clack of the train.

0:30:36.480 --> 0:30:39.080
<v Speaker 2>It was quite popular at the time. The fact that

0:30:39.120 --> 0:30:42.040
<v Speaker 2>there wasn't much going on was what made it appealing

0:30:42.480 --> 0:30:45.400
<v Speaker 2>because people found it soothing. I live in Sydney now,

0:30:45.440 --> 0:30:47.600
<v Speaker 2>so I don't encounter fireplaces a lot, but I grew

0:30:47.720 --> 0:30:50.280
<v Speaker 2>up in Tasmania, where they were a part of life

0:30:50.360 --> 0:30:53.120
<v Speaker 2>in winter. Obviously, here in Australia, winter is at the

0:30:53.160 --> 0:30:55.600
<v Speaker 2>opposite time of the year, so I don't associate them

0:30:55.600 --> 0:30:59.600
<v Speaker 2>with Christmas, but I do associate them with family gatherings. Anyway,

0:31:00.000 --> 0:31:01.200
<v Speaker 2>thanks for the great podcast.

0:31:01.440 --> 0:31:04.800
<v Speaker 3>Yeah, well thanks Anna. Well, yeah, I agree that that's

0:31:04.840 --> 0:31:07.640
<v Speaker 3>an interesting comparison. So when we were talking about Slow

0:31:07.680 --> 0:31:10.760
<v Speaker 3>TV and the Hearth episodes, we talked about obviously, you know,

0:31:10.800 --> 0:31:12.800
<v Speaker 3>the mule log fireplace for your home, all of these

0:31:12.840 --> 0:31:16.840
<v Speaker 3>fire burning movies, but we also talked about Andy Warhol's Empire,

0:31:16.920 --> 0:31:19.479
<v Speaker 3>which is just a shot of the Empire State Building

0:31:19.520 --> 0:31:21.520
<v Speaker 3>filmed over the course of one night as as the

0:31:21.560 --> 0:31:23.680
<v Speaker 3>sky grows dark and the floodlights come on at the

0:31:23.680 --> 0:31:26.960
<v Speaker 3>top of the building, and not much happens. You just

0:31:27.040 --> 0:31:29.600
<v Speaker 3>look at the building for I don't know, six hours

0:31:29.640 --> 0:31:31.480
<v Speaker 3>or eight hours. How I think it's like eight hours

0:31:31.480 --> 0:31:33.160
<v Speaker 3>the full length of the movie when played at the

0:31:33.240 --> 0:31:36.720
<v Speaker 3>frame rate that's intended. And so that's one way of

0:31:36.760 --> 0:31:39.680
<v Speaker 3>doing it. The train thing is on a similar theme,

0:31:39.720 --> 0:31:43.160
<v Speaker 3>though it does seem kind of different because there you

0:31:43.240 --> 0:31:45.960
<v Speaker 3>are going from one place to another. Though I still

0:31:46.000 --> 0:31:48.280
<v Speaker 3>think it'd be hard to call that much of a

0:31:48.280 --> 0:31:51.960
<v Speaker 3>plot by conventional standards, but there's something more literally of

0:31:52.000 --> 0:31:53.000
<v Speaker 3>a journey about it.

0:31:53.320 --> 0:31:55.440
<v Speaker 2>I should go ahead and to add a real time

0:31:55.480 --> 0:31:58.880
<v Speaker 2>self correction here. I think I said gone. I think

0:31:59.000 --> 0:32:01.600
<v Speaker 2>GAN would be more accurate because this was formerly the

0:32:01.640 --> 0:32:05.840
<v Speaker 2>Afghan Express and it was abbreviated to GAN. But yeah,

0:32:05.880 --> 0:32:08.920
<v Speaker 2>this does sound like a very interesting program in its

0:32:08.960 --> 0:32:13.120
<v Speaker 2>own right. I'm reminded now of I believe this was

0:32:13.160 --> 0:32:19.360
<v Speaker 2>a twenty sixteen project from the band Cigaroes. They did

0:32:19.960 --> 0:32:21.880
<v Speaker 2>some sort of project where they had like a camera

0:32:21.920 --> 0:32:23.640
<v Speaker 2>mounted on the top of a vehicle and they were

0:32:23.680 --> 0:32:27.640
<v Speaker 2>just driving around Iceland and then of course with their

0:32:27.800 --> 0:32:31.320
<v Speaker 2>signature sound on top of that. But I remember when

0:32:31.360 --> 0:32:34.200
<v Speaker 2>that came out. I remember a lot of us were

0:32:34.280 --> 0:32:36.600
<v Speaker 2>very intrigued by it, and I think you can still

0:32:36.600 --> 0:32:39.080
<v Speaker 2>pull it up on their website, and maybe that just

0:32:39.080 --> 0:32:41.120
<v Speaker 2>linked to some other places you can watch it, but anyway,

0:32:41.120 --> 0:32:43.360
<v Speaker 2>it's still out there if you want to ride around

0:32:43.400 --> 0:32:45.120
<v Speaker 2>Iceland with cigarettes.

0:32:45.680 --> 0:32:55.600
<v Speaker 3>Well, thanks again, Anna, Okay, let's see Rob do you

0:32:55.680 --> 0:32:58.640
<v Speaker 3>mind if I do this message about our vault episodes

0:32:58.680 --> 0:33:03.560
<v Speaker 3>on the shadow, please do. This comes from ls. LS says, hey,

0:33:03.800 --> 0:33:08.000
<v Speaker 3>I thought your episodes on shadows were quite intriguing. I

0:33:08.080 --> 0:33:11.360
<v Speaker 3>was particularly curious about the role shadows play in characters

0:33:11.480 --> 0:33:15.440
<v Speaker 3>or religious figures, such as Chaia and that, by the way,

0:33:15.520 --> 0:33:19.000
<v Speaker 3>is a Hindu deity that is a personification of the

0:33:19.040 --> 0:33:23.800
<v Speaker 3>shadow or of shade. LS continues. The stories you featured

0:33:23.840 --> 0:33:27.280
<v Speaker 3>in these episodes had characters with their shadows being stolen

0:33:27.760 --> 0:33:30.560
<v Speaker 3>or in some cases a separate entity. This got me

0:33:30.600 --> 0:33:33.920
<v Speaker 3>thinking about characters that have shadows as an integral part

0:33:34.000 --> 0:33:38.240
<v Speaker 3>of their being, especially in ways that reflect some sort

0:33:38.440 --> 0:33:42.360
<v Speaker 3>of inner evil or buried personality. An example that comes

0:33:42.400 --> 0:33:48.720
<v Speaker 3>to mind is Vex from League of Legends parentheses. I know, well, LS,

0:33:48.800 --> 0:33:50.640
<v Speaker 3>maybe you know, but I don't know. I don't know

0:33:50.680 --> 0:33:52.880
<v Speaker 3>what I've heard of League of Legends, but I don't

0:33:52.880 --> 0:33:54.760
<v Speaker 3>know anything about it. This implies to me that there

0:33:54.840 --> 0:33:58.400
<v Speaker 3>must be I don't know something notorious about it.

0:33:58.920 --> 0:34:00.880
<v Speaker 2>I mean, I don't know much of Legal Legends, but

0:34:01.480 --> 0:34:06.000
<v Speaker 2>the TV series Arcane, the animated series, is quite good

0:34:06.360 --> 0:34:09.080
<v Speaker 2>and I'm not very far into it, but people really

0:34:09.080 --> 0:34:11.919
<v Speaker 2>love it and I've been impressed by it so far.

0:34:12.120 --> 0:34:14.680
<v Speaker 2>So yeah, I mean it seems like a rich world,

0:34:14.680 --> 0:34:16.359
<v Speaker 2>but I don't know anything about the original video.

0:34:16.440 --> 0:34:19.200
<v Speaker 3>Kain Arkane is a show based on legal legends.

0:34:19.239 --> 0:34:19.640
<v Speaker 2>Correct.

0:34:19.760 --> 0:34:24.440
<v Speaker 3>Oh okay, yeah, so Ls continues about this character Vex.

0:34:24.719 --> 0:34:29.120
<v Speaker 3>This character features abilities revolving around her sentient shadow, one

0:34:29.160 --> 0:34:31.360
<v Speaker 3>that is a source of power, a thing that she

0:34:31.440 --> 0:34:35.880
<v Speaker 3>can separate from and manipulate. Another, maybe more prominent exhibit

0:34:36.040 --> 0:34:40.480
<v Speaker 3>is the departed shadow of the Marvel character Centry. This

0:34:40.520 --> 0:34:43.800
<v Speaker 3>thing is called the Void and is somewhat its own character.

0:34:44.400 --> 0:34:47.600
<v Speaker 3>In the Doctor Strange trade paperback The God of Magic

0:34:48.360 --> 0:34:52.680
<v Speaker 3>parentheses Kate slash Walta, the Void is imprisoned in the

0:34:52.760 --> 0:34:56.440
<v Speaker 3>Wizard's Sanctum, a being that mirrors the strength of Century,

0:34:56.480 --> 0:35:01.200
<v Speaker 3>but returns the century's good deeds into equal of darkness.

0:35:01.800 --> 0:35:04.600
<v Speaker 3>These characters come to mind because they have different behaviors

0:35:04.640 --> 0:35:07.600
<v Speaker 3>than the shadows featured in the episodes. I thought that

0:35:07.680 --> 0:35:10.520
<v Speaker 3>the idea of the shadow being the reflection of someone's

0:35:10.560 --> 0:35:14.720
<v Speaker 3>inner evil, like a personification of intrusive thoughts or source

0:35:14.760 --> 0:35:17.640
<v Speaker 3>of power, was a topic that wasn't reached due to

0:35:17.760 --> 0:35:21.480
<v Speaker 3>time constraints, but felt that this kind of interpretation of

0:35:21.520 --> 0:35:24.239
<v Speaker 3>shadow was something that you might find curious. There are

0:35:24.280 --> 0:35:27.120
<v Speaker 3>certainly many more instances of this, but I may have

0:35:27.160 --> 0:35:32.200
<v Speaker 3>spent too much time on this anyways, LS well, thank you. Ells. Yeah,

0:35:32.640 --> 0:35:36.000
<v Speaker 3>I guess we didn't get into it in the episode.

0:35:36.280 --> 0:35:38.880
<v Speaker 3>For example, I know the shadow. I don't know a

0:35:38.880 --> 0:35:41.719
<v Speaker 3>ton about this, but I know the shadow in I

0:35:41.760 --> 0:35:44.719
<v Speaker 3>almost called it Jungian psychology. I try not to say

0:35:44.800 --> 0:35:47.400
<v Speaker 3>Jungian psychology these days because I feel like that gives

0:35:47.640 --> 0:35:50.840
<v Speaker 3>Jungianism too much of the implication that it's based on

0:35:51.000 --> 0:35:56.799
<v Speaker 3>like direct scientific research in Jungian thought. Uh, there's this

0:35:56.920 --> 0:36:01.760
<v Speaker 3>idea of the shadow that is basically the the subconscious,

0:36:01.960 --> 0:36:05.160
<v Speaker 3>repressed version of the ego or of the self. And

0:36:05.200 --> 0:36:08.120
<v Speaker 3>so it's like the version of you that is maybe

0:36:08.239 --> 0:36:11.239
<v Speaker 3>the version that that you don't want people to see,

0:36:11.239 --> 0:36:13.440
<v Speaker 3>that would maybe do bad things that you know you

0:36:13.440 --> 0:36:17.200
<v Speaker 3>shouldn't do, or in some other way would would violate

0:36:17.360 --> 0:36:21.920
<v Speaker 3>your your externally validated ethos. You know, it's the the

0:36:22.040 --> 0:36:24.759
<v Speaker 3>version of you that could be let loose if you

0:36:24.920 --> 0:36:26.680
<v Speaker 3>just cut off all of your inhibitions.

0:36:27.280 --> 0:36:31.279
<v Speaker 2>The the mister hide to your doctor Jekyl exactly, yes,

0:36:31.920 --> 0:36:33.879
<v Speaker 2>and so yeah, you can have kind of interesting thoughts

0:36:33.920 --> 0:36:37.879
<v Speaker 2>about the ways that your conscious self interacts with the

0:36:38.400 --> 0:36:41.720
<v Speaker 2>you know, with your your repressed desires and the things

0:36:41.719 --> 0:36:43.800
<v Speaker 2>that you know you shouldn't do, and so forth.

0:36:44.239 --> 0:36:47.040
<v Speaker 3>Those kind of interactions between the conscious self and the

0:36:47.239 --> 0:36:50.160
<v Speaker 3>and the shadow self, I don't know, maybe kind of

0:36:50.200 --> 0:36:53.360
<v Speaker 3>blend in interesting ways that that come out in our behaviors.

0:36:53.400 --> 0:36:55.719
<v Speaker 3>But then again, I don't want to I don't want

0:36:55.719 --> 0:36:58.160
<v Speaker 3>to overstate or give the impression that that I think

0:36:58.280 --> 0:37:01.680
<v Speaker 3>Youngian thought is like a sign scientifically validated way of

0:37:01.760 --> 0:37:04.880
<v Speaker 3>understanding humanity. It's more just kind of like an interesting

0:37:05.800 --> 0:37:08.400
<v Speaker 3>philosophical framework on the human mind.

0:37:09.400 --> 0:37:12.160
<v Speaker 2>All right, Well, on that note, should should we turn

0:37:12.239 --> 0:37:15.040
<v Speaker 2>to a little weird house cinema limail to round out

0:37:15.040 --> 0:37:18.640
<v Speaker 2>the episode? Absolutely the Void to Our Century?

0:37:19.000 --> 0:37:20.920
<v Speaker 3>If you will, Let's see you want to do this

0:37:21.000 --> 0:37:23.360
<v Speaker 3>one from Nathan and Olivia or this one from Joan?

0:37:24.400 --> 0:37:28.160
<v Speaker 2>Oh? I mean, whether they're both great? Your choice.

0:37:28.640 --> 0:37:30.919
<v Speaker 3>Let's see, I'll take Nathan and Olivia, then you take Joan.

0:37:30.920 --> 0:37:34.000
<v Speaker 3>How about that sounds good? Okay? So this is from

0:37:34.080 --> 0:37:37.160
<v Speaker 3>an account called Nathan and Olivia, though the email uses

0:37:37.200 --> 0:37:39.759
<v Speaker 3>the first person singular pronoun, so it seems like this

0:37:39.800 --> 0:37:43.680
<v Speaker 3>is from either Nathan or Olivia in superposition for the

0:37:43.719 --> 0:37:53.799
<v Speaker 3>time being. Subject line Dead Mountaineers Hotel Hi Robert, Joe

0:37:53.800 --> 0:37:57.040
<v Speaker 3>and JJ just finished the Weird House episode on the

0:37:57.120 --> 0:38:00.719
<v Speaker 3>Dead Mountaineers Hotel. I was especially excited for this one

0:38:00.840 --> 0:38:04.640
<v Speaker 3>as the Strugatsky's have been cited by the developers of

0:38:04.680 --> 0:38:08.520
<v Speaker 3>the video game disco Elysium as a core inspiration to

0:38:08.600 --> 0:38:11.640
<v Speaker 3>the game, and then they add if you search Arcadi,

0:38:12.200 --> 0:38:16.640
<v Speaker 3>Arcadi and Boris Strugatsky disco Elysium Steam, you should find

0:38:16.640 --> 0:38:20.360
<v Speaker 3>a list of inspirations the developers made on a Steam

0:38:20.360 --> 0:38:23.719
<v Speaker 3>page for the game. Disco Elysium is my favorite game

0:38:23.760 --> 0:38:27.680
<v Speaker 3>of all time. You play as an amnesiac detective trying

0:38:27.719 --> 0:38:30.239
<v Speaker 3>to solve a murder and get his life together or

0:38:30.320 --> 0:38:34.120
<v Speaker 3>not in the fictional city of Revashl. It is a

0:38:34.120 --> 0:38:38.560
<v Speaker 3>callback to classic CRPGs like Planescape Torment and regarded as

0:38:38.560 --> 0:38:40.680
<v Speaker 3>one of the best written video games of all time.

0:38:41.040 --> 0:38:44.399
<v Speaker 3>The lead writer for the game was Robert Kurwitz, who

0:38:44.520 --> 0:38:48.600
<v Speaker 3>is Estonian. Oh yeah, was Dead Mountaineer's Hotel Estonian? I

0:38:48.600 --> 0:38:50.719
<v Speaker 3>know it was one of the Baltic states where it

0:38:50.760 --> 0:38:54.240
<v Speaker 3>was made. Yes, Rob just confirmed it was Estonian. Anyway,

0:38:54.280 --> 0:38:56.920
<v Speaker 3>The email goes on. I really enjoyed the episode on

0:38:57.200 --> 0:39:00.360
<v Speaker 3>the Dead Mountaineers Hotel. The influence on Disco Elysia is

0:39:00.400 --> 0:39:03.239
<v Speaker 3>easy to see. If you were ever to decide to

0:39:03.239 --> 0:39:05.800
<v Speaker 3>do a weird house episode on a video game, Disco

0:39:05.840 --> 0:39:08.600
<v Speaker 3>would be a great candidate. It's relatively short, and the

0:39:08.680 --> 0:39:12.080
<v Speaker 3>choices are endless and isn't traditionally difficult as there is

0:39:12.120 --> 0:39:14.560
<v Speaker 3>no combat. It sounds great to me.

0:39:15.200 --> 0:39:17.800
<v Speaker 2>You had me at it's relatively short.

0:39:18.040 --> 0:39:21.759
<v Speaker 3>Yeah, good writing and short. That's my kind of game

0:39:21.800 --> 0:39:24.960
<v Speaker 3>these days. Take care and thanks for a great show,

0:39:25.200 --> 0:39:29.279
<v Speaker 3>Nathan and Olivia. So yeah, thank you for getting in touch,

0:39:29.360 --> 0:39:32.920
<v Speaker 3>either Nathan or Olivia or both of you whoever wrote this.

0:39:33.480 --> 0:39:37.120
<v Speaker 3>That I've heard great things about the game, I actually well,

0:39:37.120 --> 0:39:40.760
<v Speaker 3>actually I'm understanding. I did downloaded it and I started

0:39:40.880 --> 0:39:43.439
<v Speaker 3>playing it one day, but I didn't actually like get

0:39:43.440 --> 0:39:46.360
<v Speaker 3>into the you know as one of those threshold I

0:39:46.400 --> 0:39:48.400
<v Speaker 3>played like five minutes. So I just need to like

0:39:48.440 --> 0:39:49.400
<v Speaker 3>start over someday.

0:39:49.880 --> 0:39:51.960
<v Speaker 2>Yeah, yeah, I've I've been tempted to pick it up

0:39:51.960 --> 0:39:55.000
<v Speaker 2>as well because I've always heard great things, and as

0:39:55.040 --> 0:39:57.919
<v Speaker 2>of this recording, there's like a massive sale on it

0:39:57.960 --> 0:40:01.440
<v Speaker 2>on the on the console that I use in their

0:40:01.520 --> 0:40:04.320
<v Speaker 2>web store, so I like, I have it bookmarked, and

0:40:04.360 --> 0:40:07.640
<v Speaker 2>I've been trying to decide It's like, is seventy percent off?

0:40:07.719 --> 0:40:09.640
<v Speaker 2>Is this the threshold at which I buy this game?

0:40:10.120 --> 0:40:11.840
<v Speaker 2>And then what will it take for me to actually

0:40:11.880 --> 0:40:15.799
<v Speaker 2>play it? I just play fewer games these days, but yeah,

0:40:16.040 --> 0:40:19.440
<v Speaker 2>I've only heard great things and a Planescape Torment that

0:40:19.560 --> 0:40:22.040
<v Speaker 2>was one that I loved so much back in the day.

0:40:22.120 --> 0:40:27.359
<v Speaker 2>That is an amazing game Dungeons and Dragons game set

0:40:27.360 --> 0:40:31.760
<v Speaker 2>in the Planescape setting, which is also one of my favorites. Yeah,

0:40:31.880 --> 0:40:34.399
<v Speaker 2>loads of fun. So if it's anything like that, that's

0:40:35.040 --> 0:40:39.479
<v Speaker 2>that's a great sign. All right, One more weird house message. Yes,

0:40:39.560 --> 0:40:47.160
<v Speaker 2>this one comes to us from Joan Jones, says, I

0:40:47.320 --> 0:40:51.319
<v Speaker 2>just enjoyed listening to your discussion of Return to Oz. Yes,

0:40:51.360 --> 0:40:54.560
<v Speaker 2>so we recently re ran this as a Weird House

0:40:54.560 --> 0:40:59.480
<v Speaker 2>Cinema rewind episode, and I think I managed to more

0:40:59.560 --> 0:41:02.800
<v Speaker 2>or less hit the debut of the new Wicked movie

0:41:03.200 --> 0:41:06.080
<v Speaker 2>without really intending too. It's like ended up being like, oh,

0:41:06.080 --> 0:41:07.600
<v Speaker 2>that was a great I patted myself on the back

0:41:07.640 --> 0:41:09.719
<v Speaker 2>for it, but it was kind of by accident. I

0:41:09.760 --> 0:41:13.440
<v Speaker 2>wasn't even thinking about it. But obviously Wicked has been

0:41:13.440 --> 0:41:15.719
<v Speaker 2>a huge hit. Everyone I know who has seen it

0:41:15.840 --> 0:41:18.759
<v Speaker 2>loved it. The rest of my family really loved it,

0:41:18.800 --> 0:41:22.680
<v Speaker 2>but I haven't seen it just yet. Anyway, Jones says, Oh, boys,

0:41:23.080 --> 0:41:26.160
<v Speaker 2>your grandma's minds were being blown by those characters before

0:41:26.200 --> 0:41:28.840
<v Speaker 2>you were a twinkle in your daddy's eyes. What you

0:41:28.960 --> 0:41:31.520
<v Speaker 2>view as mind blowing is all from the original Oz

0:41:31.520 --> 0:41:35.120
<v Speaker 2>books by bomb You owe it to yourself to read them.

0:41:35.160 --> 0:41:38.960
<v Speaker 2>Bomb Can the original illustrator, and the new illustrations are wonderful.

0:41:39.080 --> 0:41:43.000
<v Speaker 2>They have a fantastic art deco vibe. Ozma of Oz

0:41:43.120 --> 0:41:46.000
<v Speaker 2>is Dorothy's best friend, not her alter ego. She's the

0:41:46.080 --> 0:41:48.680
<v Speaker 2>rightful ruler of Oz, but was hidden for most of

0:41:48.680 --> 0:41:52.200
<v Speaker 2>her life when momby transformed her into the least likely

0:41:52.280 --> 0:41:55.839
<v Speaker 2>creature imaginable, a little boy named Tip. When Tip gets

0:41:55.840 --> 0:41:58.799
<v Speaker 2>transformed into a beautiful fairy princess, he's initially not too

0:41:58.800 --> 0:42:01.680
<v Speaker 2>happy about it. Totally can talk, but he just doesn't

0:42:01.719 --> 0:42:05.000
<v Speaker 2>feel like it. Auntie m and Uncle Henry eventually joined

0:42:05.040 --> 0:42:09.839
<v Speaker 2>Dorothy and Oz. Oh lots of twists and turns there. Yeah.

0:42:09.880 --> 0:42:12.200
<v Speaker 2>As a little girl, my personal favorite was a magic

0:42:12.440 --> 0:42:15.279
<v Speaker 2>turnstyle that would dress you in a new outfit. Every

0:42:15.280 --> 0:42:18.000
<v Speaker 2>time you went through it. I just realized turnstyle may

0:42:18.000 --> 0:42:21.560
<v Speaker 2>have been a pun for turn style. My friends and

0:42:21.600 --> 0:42:26.520
<v Speaker 2>I hated Glinda's hairstyle and loved polychrome The Fairy of

0:42:26.560 --> 0:42:30.080
<v Speaker 2>the Rainbow. Wow. Somebody once pointed out that Oz is

0:42:30.120 --> 0:42:33.920
<v Speaker 2>a distinctly American fairy tale. In Alice in Wonderland, for example,

0:42:34.000 --> 0:42:37.000
<v Speaker 2>all the characters are self centered creeps who work against Alice.

0:42:37.280 --> 0:42:40.680
<v Speaker 2>In Oz, Dorothy succeeds by making friends. Check out the

0:42:40.680 --> 0:42:43.160
<v Speaker 2>books sometime, Joan, Oh.

0:42:43.040 --> 0:42:44.839
<v Speaker 3>Yeah, I didn't really. I guess I didn't really think

0:42:44.880 --> 0:42:46.680
<v Speaker 3>about that. But in both of the Oz stories I

0:42:46.719 --> 0:42:50.200
<v Speaker 3>know from the movies, not from the books, Dorothy is

0:42:50.200 --> 0:42:52.439
<v Speaker 3>is a friend maker, even in a very strange lend.

0:42:52.760 --> 0:42:54.520
<v Speaker 3>She picks up friendships wherever she goes.

0:42:55.160 --> 0:42:56.360
<v Speaker 2>Yeah, that's a great point.

0:42:56.520 --> 0:42:56.600
<v Speaker 1>Ye.

0:42:57.480 --> 0:43:00.319
<v Speaker 2>Every time the Wizard of Oz has come up, we

0:43:00.360 --> 0:43:02.560
<v Speaker 2>often hear from folks who have read the books who

0:43:02.600 --> 0:43:06.359
<v Speaker 2>point out just how deep and weird it all is.

0:43:07.120 --> 0:43:08.759
<v Speaker 2>I have to I've never I have never read any

0:43:08.800 --> 0:43:12.879
<v Speaker 2>of it, but I enjoy these little little tidbits about

0:43:12.920 --> 0:43:14.279
<v Speaker 2>the deep weirdness.

0:43:13.800 --> 0:43:17.320
<v Speaker 3>Of OZ totally. All Right, Does that do it for today?

0:43:17.920 --> 0:43:20.279
<v Speaker 2>I believe it does. We'll go ahead and close out

0:43:20.320 --> 0:43:22.799
<v Speaker 2>this episode of Stuff to Blow Your Mind listener Mail,

0:43:22.800 --> 0:43:24.480
<v Speaker 2>but we'll be back with more in the future, so

0:43:24.600 --> 0:43:28.319
<v Speaker 2>keep the listener mails coming. We read everything that comes in.

0:43:29.280 --> 0:43:31.640
<v Speaker 2>It doesn't necessarily make it to a listener mail episode,

0:43:31.640 --> 0:43:34.640
<v Speaker 2>but a lot of it does. Likewise, you can leave

0:43:34.680 --> 0:43:37.359
<v Speaker 2>your thoughts and the discord server. You can write into

0:43:37.440 --> 0:43:39.440
<v Speaker 2>us via email and we'll send you the link for that.

0:43:40.080 --> 0:43:42.160
<v Speaker 2>We're also there are some some other places. There's a

0:43:42.760 --> 0:43:45.399
<v Speaker 2>there's a Stuff to Blow your Mind Facebook group called

0:43:45.440 --> 0:43:47.919
<v Speaker 2>the Discussion Module. You can look that up and ask

0:43:47.960 --> 0:43:50.920
<v Speaker 2>to join that if if you prefer to use the Facebook.

0:43:51.800 --> 0:43:55.120
<v Speaker 2>Speaking of social if you're on Instagram where STBYM podcast,

0:43:55.640 --> 0:43:57.880
<v Speaker 2>follow us there. It's one way to keep up with

0:43:57.920 --> 0:44:00.919
<v Speaker 2>what we're putting out these days. On letter We're Weird

0:44:00.960 --> 0:44:04.640
<v Speaker 2>House and you can follow the Weird House cinema selections there.

0:44:05.120 --> 0:44:07.920
<v Speaker 2>And yeah, those are the main plugs I can think of.

0:44:07.960 --> 0:44:08.719
<v Speaker 2>What do you got, Joe?

0:44:09.480 --> 0:44:12.200
<v Speaker 3>Just our email once again. Oh but first, huge thanks

0:44:12.239 --> 0:44:16.120
<v Speaker 3>as always to our excellent audio producer JJ Posway. If

0:44:16.120 --> 0:44:18.160
<v Speaker 3>you want to get in touch by email and you

0:44:18.280 --> 0:44:21.319
<v Speaker 3>missed the address earlier in the episode, once again, it

0:44:21.400 --> 0:44:31.080
<v Speaker 3>is contact at Stuff to Blow your Mind dot com.

0:44:31.200 --> 0:44:34.160
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:44:34.239 --> 0:44:37.040
<v Speaker 1>more podcasts from my heart Radio, visit the iHeartRadio app,

0:44:37.160 --> 0:44:39.920
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.