1 00:00:00,760 --> 00:00:17,520 Speaker 1: I am all in. Oh, let's just I Am all 2 00:00:17,600 --> 00:00:21,920 Speaker 1: in with Scott Patterson and I Heart Radio podcast. Hello again, 3 00:00:22,160 --> 00:00:25,840 Speaker 1: good to see everybody. Hi. I am Scott Patterson and 4 00:00:26,000 --> 00:00:29,160 Speaker 1: this is the I Am all In Podcast with our 5 00:00:29,200 --> 00:00:33,479 Speaker 1: Heart Radio Concert interrupt Us. This is episode thirteen Concert 6 00:00:33,520 --> 00:00:37,320 Speaker 1: interrupt Us. Air date February two thousand one. Laura La 7 00:00:37,440 --> 00:00:40,960 Speaker 1: gives Rory, Paris, Madeline, and Luise tickets to a Bengals concert, 8 00:00:41,320 --> 00:00:44,640 Speaker 1: but the evening doesn't go quite as planned. Oh my god, 9 00:00:44,680 --> 00:00:49,120 Speaker 1: what an episode. Uh rummage sales and heartbreak and and 10 00:00:49,560 --> 00:00:56,040 Speaker 1: uh hoodies with zippers with spangles and emeralds all over 11 00:00:56,080 --> 00:01:00,200 Speaker 1: them that evoked nc Pherson memories and the Bengal and 12 00:01:00,840 --> 00:01:03,400 Speaker 1: and bad guys that were in the girls they didn't 13 00:01:03,400 --> 00:01:07,080 Speaker 1: know whose age they were. And that's Brandon Routh there. 14 00:01:07,120 --> 00:01:10,440 Speaker 1: He was Superman as a as a baby, as as 15 00:01:10,480 --> 00:01:13,120 Speaker 1: a little bit part in a in in one of 16 00:01:13,120 --> 00:01:16,640 Speaker 1: the episodes of The Iconics. Here's who knew? Could anybody 17 00:01:16,680 --> 00:01:21,080 Speaker 1: have predicted that Brandon Ralph trying to lead Madeleine and 18 00:01:21,160 --> 00:01:24,880 Speaker 1: Louise astray in a New York City apartment with maybe 19 00:01:24,920 --> 00:01:28,520 Speaker 1: a spiked drink or maybe about the spike a drink 20 00:01:28,959 --> 00:01:34,640 Speaker 1: would become Superman in Hollywood. Strange, I know. I mean, 21 00:01:34,800 --> 00:01:37,000 Speaker 1: that's what's kind of fascinating. And as we go through 22 00:01:37,000 --> 00:01:40,960 Speaker 1: the episodes, so many people guest start on this show, 23 00:01:40,800 --> 00:01:45,800 Speaker 1: so many Jon Hamm, I know, don't spoil it, don't 24 00:01:45,800 --> 00:01:48,200 Speaker 1: spoil it. I know he's coming. I can't wait. Well, no, 25 00:01:48,320 --> 00:01:50,720 Speaker 1: I knew that. Well, no, I know, you know, But 26 00:01:50,920 --> 00:01:53,880 Speaker 1: I mean, I guess Danielle doesn't know. Danielle doesn't know. 27 00:01:55,280 --> 00:01:57,880 Speaker 1: I don't know. Are you are you like living for 28 00:01:58,920 --> 00:02:02,640 Speaker 1: the Handbone? I do love John Hamm. I do enjoy 29 00:02:02,720 --> 00:02:05,000 Speaker 1: me some John ham He's pretty great. You know what 30 00:02:05,040 --> 00:02:08,080 Speaker 1: they say, that's what they say about John Hamm. What 31 00:02:09,639 --> 00:02:14,920 Speaker 1: guys google John ham egg plant. Let's see what happened. 32 00:02:17,400 --> 00:02:22,639 Speaker 1: Love of God, nobody google that. Everybody do it? Everybody listening. 33 00:02:23,360 --> 00:02:27,799 Speaker 1: Oh my goodness. But back to Brandon Ralph, the Brandon round, Yes, 34 00:02:27,880 --> 00:02:31,000 Speaker 1: the the one and only. And you know, for me, 35 00:02:31,080 --> 00:02:34,320 Speaker 1: it started out slow, but it really picked up momentum. 36 00:02:34,520 --> 00:02:38,760 Speaker 1: It really just caught on fired, didn't it. Um I 37 00:02:38,840 --> 00:02:43,680 Speaker 1: thought the Tristan move was a little ham handed. Probably 38 00:02:43,720 --> 00:02:47,840 Speaker 1: he was intentionally obviously he was intentionally doing it. Um. 39 00:02:47,880 --> 00:02:50,520 Speaker 1: I didn't think he was being particularly smooth. He was 40 00:02:50,560 --> 00:02:55,440 Speaker 1: so obviously being you know, manipulative, and it just wasn't 41 00:02:56,480 --> 00:03:00,160 Speaker 1: It was just so clumsy of him to to hit 42 00:03:00,240 --> 00:03:03,720 Speaker 1: on Paris that way with his back turn to Rory. 43 00:03:03,760 --> 00:03:05,680 Speaker 1: I mean, it was just I don't know. Yeah, that's 44 00:03:05,680 --> 00:03:08,800 Speaker 1: an interesting whole thing going on there. But there's another 45 00:03:08,880 --> 00:03:10,840 Speaker 1: Paris thing that just stands out to me in this 46 00:03:10,919 --> 00:03:14,760 Speaker 1: episode the most. Do you guys have a I mean, 47 00:03:14,760 --> 00:03:16,800 Speaker 1: there's something that really stands out to me about this 48 00:03:16,840 --> 00:03:18,760 Speaker 1: episode that I think, Well, she said it was the 49 00:03:18,760 --> 00:03:22,040 Speaker 1: best night of her life. She's never had a better time. 50 00:03:22,240 --> 00:03:25,400 Speaker 1: She kept looking at Rory with these these puppy dog eyes, 51 00:03:25,600 --> 00:03:28,679 Speaker 1: and you know it, really it was her opportunity to 52 00:03:28,680 --> 00:03:31,040 Speaker 1: show her vulnerability and how screwed up her family life 53 00:03:31,080 --> 00:03:32,800 Speaker 1: is and she just completely out of control of it. 54 00:03:32,840 --> 00:03:34,480 Speaker 1: And she wishes she had a friend like this, and 55 00:03:34,520 --> 00:03:36,560 Speaker 1: she wishes she had a mother like this, and it's 56 00:03:36,600 --> 00:03:39,440 Speaker 1: just all this end and go. She didn't go with 57 00:03:39,480 --> 00:03:42,520 Speaker 1: the other girls. She stayed with Rory, and that to 58 00:03:42,640 --> 00:03:48,040 Speaker 1: me was huge. She stayed with the Bengals. Yeah, but 59 00:03:48,200 --> 00:03:52,840 Speaker 1: she did the right thing, and she essentially picked Rory 60 00:03:53,200 --> 00:03:56,000 Speaker 1: over the other girls. Now, whether it was for the 61 00:03:56,080 --> 00:03:59,800 Speaker 1: right thing, or because she was having a great time, 62 00:04:00,000 --> 00:04:02,320 Speaker 1: because she wanted the concert, it doesn't really matter. She 63 00:04:02,320 --> 00:04:04,280 Speaker 1: she almost just stood up to the other girls and said, 64 00:04:04,320 --> 00:04:06,320 Speaker 1: I'm not going with you. Well she's not. You know, 65 00:04:06,400 --> 00:04:10,560 Speaker 1: she's not a trollop, right. She she's got Tristan, she's hopeful. 66 00:04:10,680 --> 00:04:12,160 Speaker 1: She knows she's not going to get it. You know, 67 00:04:12,240 --> 00:04:15,680 Speaker 1: she's not into those like the dumb hot guys, right, 68 00:04:15,800 --> 00:04:18,800 Speaker 1: she doesn't care. And and Madeline Louise are just like, 69 00:04:18,839 --> 00:04:21,400 Speaker 1: it's party time, USA at the rock concert. Let's go, 70 00:04:21,480 --> 00:04:23,839 Speaker 1: we'll come back, you know, we'll meet some hot guys 71 00:04:23,880 --> 00:04:26,640 Speaker 1: that's not Paris, and sure to stay. Deep down, she 72 00:04:26,720 --> 00:04:30,080 Speaker 1: was respectful of Rory that Rory invited her to this concert, 73 00:04:30,520 --> 00:04:32,599 Speaker 1: and it was the right thing to do to stay 74 00:04:32,800 --> 00:04:35,920 Speaker 1: and and follow the rules that Laurela had put in place. 75 00:04:36,279 --> 00:04:38,039 Speaker 1: It's a little bit of a role reversal, isn't it. 76 00:04:38,080 --> 00:04:40,080 Speaker 1: Trying to get on Rory's good side, trying to get 77 00:04:40,080 --> 00:04:43,480 Speaker 1: on Laurelized good side as well, you know, wishing she 78 00:04:44,040 --> 00:04:46,080 Speaker 1: suddenly wanted to be part of that family. She wanted 79 00:04:46,120 --> 00:04:48,840 Speaker 1: a sister, She needs a sister. Rory is going to 80 00:04:48,920 --> 00:04:53,000 Speaker 1: be her sister with Laura la acting more and more 81 00:04:53,040 --> 00:04:58,240 Speaker 1: like Emily Gilmore because that whole scene when she barged 82 00:04:58,279 --> 00:05:00,320 Speaker 1: into the party and say, out of the way, Kippy. 83 00:05:00,520 --> 00:05:04,200 Speaker 1: You know, I'm with me now, and your parents and 84 00:05:04,200 --> 00:05:06,320 Speaker 1: I are going to talk and talk and talk and talk, 85 00:05:06,360 --> 00:05:08,039 Speaker 1: and we're gonna say so much to each other. We 86 00:05:08,040 --> 00:05:11,599 Speaker 1: could be talking all night. Um. That's Emily, because Laura 87 00:05:11,640 --> 00:05:14,880 Speaker 1: Lia is a good mom. Don't you think that Lorelai 88 00:05:15,160 --> 00:05:19,480 Speaker 1: is a good mother. I think she's a great mother. Yeah, yeah, 89 00:05:20,000 --> 00:05:26,440 Speaker 1: I mean she's she's yeah, she's winning me over each episode. 90 00:05:26,480 --> 00:05:28,839 Speaker 1: I'm I'm you know, I know he's very critical of 91 00:05:28,880 --> 00:05:30,400 Speaker 1: her with the maxim Dina thing, and I think I 92 00:05:30,400 --> 00:05:35,279 Speaker 1: should have been and but I don't know what it's 93 00:05:35,360 --> 00:05:39,640 Speaker 1: like to be in that situation that young, having a child. 94 00:05:39,680 --> 00:05:41,680 Speaker 1: I mean, I can't imagine having a child if I 95 00:05:41,760 --> 00:05:44,719 Speaker 1: was sixteen years old and I was a single dad, 96 00:05:44,960 --> 00:05:49,080 Speaker 1: and you know, I was thirty two and you know, 97 00:05:49,240 --> 00:05:51,440 Speaker 1: I didn't really you know, and I lived from my 98 00:05:51,520 --> 00:05:53,000 Speaker 1: kid and I was being a great dad and the 99 00:05:53,000 --> 00:05:54,800 Speaker 1: whole thing. But that whole there's a whole side of 100 00:05:54,839 --> 00:05:57,480 Speaker 1: my my life that is not present, which is, you know, 101 00:05:57,520 --> 00:06:01,520 Speaker 1: the the romantic side and had nobody else to lean 102 00:06:01,560 --> 00:06:05,560 Speaker 1: on other than Mike, my son, and I saw some 103 00:06:06,200 --> 00:06:09,159 Speaker 1: very attractive teacher who was very interested in me and 104 00:06:09,279 --> 00:06:11,800 Speaker 1: was being very aggressive with me. I mean, how you know, 105 00:06:11,880 --> 00:06:14,760 Speaker 1: I I don't know if I would have managed to 106 00:06:14,880 --> 00:06:17,120 Speaker 1: fend that off either. You know, I think all reason 107 00:06:17,200 --> 00:06:21,080 Speaker 1: goes out the window. Window and extraordinary circumstances. That's probably 108 00:06:21,120 --> 00:06:23,520 Speaker 1: one of them. So I'm gonna go back in time 109 00:06:23,640 --> 00:06:26,200 Speaker 1: and give him a free pass, maybe a couple of 110 00:06:26,200 --> 00:06:29,800 Speaker 1: the balls off. Being the cool mom meaning she's got 111 00:06:29,800 --> 00:06:32,760 Speaker 1: the tickets to the Bengals, she gives up her awesome 112 00:06:32,839 --> 00:06:36,679 Speaker 1: seat so Rory can take all the girls like she's 113 00:06:36,680 --> 00:06:41,200 Speaker 1: the cool mom, but she's also she's not the weird mom. 114 00:06:41,360 --> 00:06:45,360 Speaker 1: She's still strict enough that she's the mom. There's balance there, 115 00:06:45,400 --> 00:06:47,760 Speaker 1: there's good balance there, and she did do it. That 116 00:06:47,839 --> 00:06:50,599 Speaker 1: was a great move for her to do. Made me 117 00:06:50,680 --> 00:06:52,440 Speaker 1: just fall in love with her more. You know what 118 00:06:52,520 --> 00:06:54,400 Speaker 1: a great move to do for your kid, because that's 119 00:06:54,480 --> 00:06:56,839 Speaker 1: that's what I do from my son. You know, I 120 00:06:56,880 --> 00:07:01,240 Speaker 1: do the exact same thing. It's just about sacrifice, pushing 121 00:07:01,279 --> 00:07:04,760 Speaker 1: them forward, getting them go over there. Talk to those boys, 122 00:07:04,920 --> 00:07:09,160 Speaker 1: you know this, get involved in that be be more social, 123 00:07:09,240 --> 00:07:11,880 Speaker 1: be more friends, have more friends, that kind of thing. So, 124 00:07:12,280 --> 00:07:14,040 Speaker 1: and she's sitting up there at the top of Mount 125 00:07:14,080 --> 00:07:16,440 Speaker 1: Everest when she and Suki were dying to go to 126 00:07:16,440 --> 00:07:20,720 Speaker 1: the concert, but she gives it up for Rory and 127 00:07:20,800 --> 00:07:23,680 Speaker 1: she managed to sit next to And here's a nice 128 00:07:23,720 --> 00:07:27,720 Speaker 1: little trivia piece of trivia that very few people will know. 129 00:07:27,880 --> 00:07:29,840 Speaker 1: You're ready for this, You ready for this. I'm going 130 00:07:29,880 --> 00:07:32,600 Speaker 1: to announce it right here, right now. One of the 131 00:07:32,640 --> 00:07:38,080 Speaker 1: main writers, John Stevens from Gilmore Girls, who was Mr. 132 00:07:38,160 --> 00:07:42,400 Speaker 1: Writer Room himself, Writer's Room himself, was sitting next to 133 00:07:42,480 --> 00:07:45,360 Speaker 1: Laurelai and he had a couple of lines that was him. 134 00:07:46,520 --> 00:07:49,360 Speaker 1: That was John Stevens, And I think he even was 135 00:07:49,480 --> 00:07:54,320 Speaker 1: an associate producer at some point. Very very very talented writer. 136 00:07:55,000 --> 00:07:57,880 Speaker 1: And I did do some research to figure out where 137 00:07:57,880 --> 00:08:00,920 Speaker 1: they filmed the concert, which was on the Warner Brothers 138 00:08:01,280 --> 00:08:03,200 Speaker 1: in the theater. Yeah they have they have a whole 139 00:08:03,240 --> 00:08:07,480 Speaker 1: theater there, yea. Um. But yeah, I thought the Bengals 140 00:08:07,480 --> 00:08:12,520 Speaker 1: sounded great. Susannah Hoffs, great songwriter, great singer, you know, 141 00:08:12,680 --> 00:08:17,360 Speaker 1: nice and easy, really groovy. But yeah, that episode really 142 00:08:17,400 --> 00:08:19,960 Speaker 1: got really got going. It was it was it was 143 00:08:20,000 --> 00:08:24,680 Speaker 1: really cooking there and uh, you know, I I really 144 00:08:25,240 --> 00:08:28,440 Speaker 1: did enjoy the I did enjoy the Luke stuff. I 145 00:08:28,520 --> 00:08:31,320 Speaker 1: you know, the Rachel stuff where the l McPherson girl 146 00:08:31,400 --> 00:08:34,880 Speaker 1: that dumped me and broke my heart. I I thought 147 00:08:34,920 --> 00:08:36,720 Speaker 1: back to New York City when I lived in New 148 00:08:36,800 --> 00:08:39,560 Speaker 1: York and I was studying acting and doing theater and 149 00:08:39,600 --> 00:08:42,280 Speaker 1: all that stuff, and you know, going out at night 150 00:08:42,360 --> 00:08:46,960 Speaker 1: and meeting models and things like that. You know it 151 00:08:47,080 --> 00:08:49,400 Speaker 1: was you know, so I knew what I was drawing 152 00:08:49,440 --> 00:08:52,320 Speaker 1: from in those moments. I when I saw that scene, 153 00:08:52,920 --> 00:08:55,360 Speaker 1: I said, oh, yeah, I've been that guy. I yeah, 154 00:08:55,440 --> 00:08:57,600 Speaker 1: that's that's from a change. It was such a major 155 00:08:57,720 --> 00:09:03,319 Speaker 1: revelation to the audience and to Laurel, like wow, and 156 00:09:03,440 --> 00:09:10,200 Speaker 1: how you went so just like leep crazy over the sweatshirt. Yeah, 157 00:09:10,280 --> 00:09:12,760 Speaker 1: that was that was That was the big relationship that 158 00:09:12,760 --> 00:09:17,640 Speaker 1: that really rocked my world that I will never recover from. Yeah, 159 00:09:17,640 --> 00:09:21,560 Speaker 1: and it helps us with that timeline clarity because that 160 00:09:21,720 --> 00:09:26,559 Speaker 1: was happening the town new but Laura la wasn't totally 161 00:09:26,600 --> 00:09:31,239 Speaker 1: privy to all of it. Fun episode. I enjoyed watching it. 162 00:09:31,240 --> 00:09:35,600 Speaker 1: It really was fun, and it was fun watching Paris 163 00:09:35,640 --> 00:09:39,080 Speaker 1: melt and reveal a more vulnerable side. It was fun 164 00:09:39,720 --> 00:09:44,440 Speaker 1: watching Laureli really be in command of you know, her mom. 165 00:09:44,800 --> 00:09:47,840 Speaker 1: Engine was firing on all cylinders. It was it was 166 00:09:47,880 --> 00:09:50,719 Speaker 1: great to watch. It really was. Yeah, like when Rory 167 00:09:51,160 --> 00:09:53,200 Speaker 1: says to the girls when they think it's so cool 168 00:09:53,240 --> 00:09:55,200 Speaker 1: that lore Lie is so young, and Rory says, she's 169 00:09:55,240 --> 00:09:59,480 Speaker 1: my best friend, and I almost think they're jealous, or 170 00:09:59,520 --> 00:10:01,959 Speaker 1: maybe not almost things I think they are jealous. Well, 171 00:10:02,000 --> 00:10:05,400 Speaker 1: they yeah, they can't even imagine it. They can't possibly 172 00:10:05,440 --> 00:10:08,320 Speaker 1: imagine you remember when I mean whose mother was it? 173 00:10:08,320 --> 00:10:11,080 Speaker 1: It was Paris's mother, that visitor that was at Chiltern, 174 00:10:11,280 --> 00:10:14,960 Speaker 1: and it was just you could just since the distance, 175 00:10:15,720 --> 00:10:19,280 Speaker 1: uh you know, the generational difference between those two, I mean, 176 00:10:19,320 --> 00:10:21,960 Speaker 1: they're just I mean, it was like trying to get 177 00:10:22,000 --> 00:10:28,440 Speaker 1: this very sensitive, insecure, very bright girl to you know, 178 00:10:28,480 --> 00:10:31,240 Speaker 1: to behave like someone in her generation, which is probably 179 00:10:31,559 --> 00:10:33,800 Speaker 1: the same you know, it's the same thing that that 180 00:10:33,880 --> 00:10:36,200 Speaker 1: Emily did the laurel Iz. So you know, there's some 181 00:10:36,240 --> 00:10:40,120 Speaker 1: similarities all the way around here between Rory and I mean, 182 00:10:40,160 --> 00:10:42,600 Speaker 1: I'm sorry, between Paris and Laurela and Laurea La and 183 00:10:42,600 --> 00:10:46,960 Speaker 1: her own mother, and I mean it's really intertwined. Behavior 184 00:10:47,080 --> 00:10:50,640 Speaker 1: did anyone pick up on the scene where they were 185 00:10:50,640 --> 00:10:52,520 Speaker 1: talking about how they're sixty years old and that was 186 00:10:52,559 --> 00:10:55,800 Speaker 1: the age that laurel had Rory, and they're all like, 187 00:10:55,880 --> 00:11:01,240 Speaker 1: we're sixteen years old. Well, it just drives home the 188 00:11:01,320 --> 00:11:07,440 Speaker 1: point deeper, how extraordinary the situation is and how young 189 00:11:08,320 --> 00:11:12,000 Speaker 1: they are, yeah, to have a child. And it really 190 00:11:12,040 --> 00:11:15,120 Speaker 1: makes us flashback to that time. You know, it puts 191 00:11:15,200 --> 00:11:18,160 Speaker 1: us right there when when Rory was born and Laurelai 192 00:11:18,360 --> 00:11:22,520 Speaker 1: was one of those children kids or you know that age. Yeah, 193 00:11:22,640 --> 00:11:26,840 Speaker 1: my god, I mean, imagine Madeline having a baby, imagine 194 00:11:26,920 --> 00:11:30,360 Speaker 1: any of them having Imagine Rory having a baby. I mean, 195 00:11:30,440 --> 00:11:32,640 Speaker 1: Rory would probably be a good mother too, she'd figure 196 00:11:32,640 --> 00:11:36,280 Speaker 1: it out. You know, it makes you admire Lorelai because 197 00:11:36,280 --> 00:11:39,680 Speaker 1: you're like, wow, she really and she made her own money, 198 00:11:40,040 --> 00:11:42,440 Speaker 1: and she's raised this amazing kid, and she's got this 199 00:11:42,480 --> 00:11:46,600 Speaker 1: incredible group of friends, and you realize like, wow, this 200 00:11:46,600 --> 00:11:51,160 Speaker 1: could have gone another way, and she's she's she had 201 00:11:51,200 --> 00:11:53,600 Speaker 1: to be and she probably already did. She inherited from 202 00:11:53,600 --> 00:11:57,360 Speaker 1: her mother and her father as a backbone made of iron, 203 00:11:57,920 --> 00:12:01,080 Speaker 1: So that's inherited um. And I think all the talkie 204 00:12:01,080 --> 00:12:04,760 Speaker 1: talkie talked no No, it's just the mass consumption of 205 00:12:04,760 --> 00:12:07,640 Speaker 1: coffee because she's got a million things she's got to 206 00:12:07,679 --> 00:12:10,040 Speaker 1: accomplish's you know, she's got to get her kid off 207 00:12:10,080 --> 00:12:11,599 Speaker 1: to school, she gotta wake up early, she's got to 208 00:12:11,640 --> 00:12:13,480 Speaker 1: do her job. She's gotta do this, you gotta do that. 209 00:12:13,559 --> 00:12:17,080 Speaker 1: I mean she's busy. She's busy seven now, thinking of 210 00:12:17,120 --> 00:12:20,640 Speaker 1: head planning ahead, you know, days, weeks, months, years. I 211 00:12:20,640 --> 00:12:24,680 Speaker 1: mean it's exhausting, it's absolutely exhausting. So how do you 212 00:12:24,760 --> 00:12:30,880 Speaker 1: think Laura Lie felt finding out about Rachel? Because we 213 00:12:30,960 --> 00:12:35,280 Speaker 1: know I'd love to learn more from you what Luke felt. 214 00:12:37,080 --> 00:12:40,360 Speaker 1: But what do you think Laura Life felt? Well, laurel 215 00:12:40,360 --> 00:12:44,559 Speaker 1: Life feels you know that now she's she's sort of considering. 216 00:12:45,480 --> 00:12:47,840 Speaker 1: I think Laurela is kind of on the fence. I 217 00:12:47,880 --> 00:12:51,120 Speaker 1: think she feels a certain way about Luke and that's undeniable, right, 218 00:12:51,160 --> 00:12:53,240 Speaker 1: there's an attraction there, but is she going to act 219 00:12:53,240 --> 00:12:55,520 Speaker 1: on it? And I think that's really the debate it's 220 00:12:55,559 --> 00:12:58,640 Speaker 1: going on within her. Is this, you know, whereas she 221 00:12:58,640 --> 00:13:00,520 Speaker 1: should have been having this debate with her self with 222 00:13:00,640 --> 00:13:03,960 Speaker 1: Max Mattina, she's having this debate with with Luke because 223 00:13:03,960 --> 00:13:05,960 Speaker 1: they are such friends and they've known each other a 224 00:13:05,960 --> 00:13:11,040 Speaker 1: long time, and she goes there three times a day sometimes, um, 225 00:13:11,640 --> 00:13:14,680 Speaker 1: usually once at least once a day. So it's a 226 00:13:14,800 --> 00:13:18,719 Speaker 1: you know, it's a real practical question, right, how she's 227 00:13:18,720 --> 00:13:21,240 Speaker 1: gonna she is she gonna alter her her schedule, she 228 00:13:21,280 --> 00:13:23,680 Speaker 1: gonna alter her daily life. If that blows up, she 229 00:13:23,720 --> 00:13:25,600 Speaker 1: won't be able to go to Luke's anymore. And it's like, 230 00:13:26,160 --> 00:13:30,200 Speaker 1: so she's having that debate, but learning that he was 231 00:13:30,280 --> 00:13:34,880 Speaker 1: with you know, the the the uber fox girlfriend that 232 00:13:35,040 --> 00:13:38,560 Speaker 1: was the road the road went to Pamplona, Spain and 233 00:13:38,640 --> 00:13:42,000 Speaker 1: ran with the bulls or whatever she did, wildlife photographer 234 00:13:42,120 --> 00:13:46,840 Speaker 1: and like jumped into volcanoes since it all road bulls like, 235 00:13:47,440 --> 00:13:50,640 Speaker 1: you know, dove into hundred foot cliffs, into tiny little 236 00:13:50,720 --> 00:13:54,959 Speaker 1: bodies of water, you know, just a wild, wild woman. Um. 237 00:13:55,000 --> 00:13:58,199 Speaker 1: And I think Laurela, Yeah, And I think Suky nailed 238 00:13:58,280 --> 00:14:01,360 Speaker 1: or she was jealous, or she was measuring herself against this, 239 00:14:01,480 --> 00:14:04,120 Speaker 1: and you know, maybe that's why Luke doesn't make a 240 00:14:04,160 --> 00:14:05,920 Speaker 1: move on me, because I'm not pretty enough and I'm 241 00:14:05,920 --> 00:14:09,360 Speaker 1: not wild enough, and you know that kind of I think, Okay, 242 00:14:09,640 --> 00:14:11,920 Speaker 1: you just made such a good point because when they 243 00:14:12,000 --> 00:14:17,080 Speaker 1: describe her as Ell McPherson. That's like, excuse me, do 244 00:14:17,080 --> 00:14:20,240 Speaker 1: you know what I mean? Like huh, And you definitely 245 00:14:20,280 --> 00:14:24,560 Speaker 1: think like I can't compete with Ell McPherson and no 246 00:14:24,560 --> 00:14:28,720 Speaker 1: nobody can. That was like, let me tell you something. 247 00:14:28,760 --> 00:14:31,880 Speaker 1: I've met these people. I've I've been at parties with 248 00:14:31,960 --> 00:14:35,040 Speaker 1: these people. You know, I've met several of these these 249 00:14:35,080 --> 00:14:38,280 Speaker 1: supermodels and they are staggeringly I mean, it's like you 250 00:14:38,320 --> 00:14:41,880 Speaker 1: can't You're dumbfounded. You can't believe what you're seeing. Yeah, 251 00:14:42,480 --> 00:14:46,600 Speaker 1: um if they're so tall and so thin and it's 252 00:14:46,640 --> 00:14:49,280 Speaker 1: just like what is going on over there? Yeah. When 253 00:14:49,440 --> 00:14:51,960 Speaker 1: I saw Jennifer Lopez in person for the first time, 254 00:14:52,080 --> 00:14:56,680 Speaker 1: I was like whoa, Like it was weird, Like it 255 00:14:56,760 --> 00:15:02,160 Speaker 1: was like that's not right. It was almost like what 256 00:15:02,200 --> 00:15:05,240 Speaker 1: was the woe factor her face? It was almost like 257 00:15:05,280 --> 00:15:08,920 Speaker 1: she had like a light shining on her. It was 258 00:15:09,040 --> 00:15:11,520 Speaker 1: really weird, like you kind of do go like, oh wow, 259 00:15:11,520 --> 00:15:15,280 Speaker 1: there is something about a movie star because it was like, 260 00:15:15,440 --> 00:15:21,720 Speaker 1: oh my god, wow, like what's that she clows? Yeah, clows. 261 00:15:21,840 --> 00:15:24,400 Speaker 1: It's kind of the right. And it was like like 262 00:15:24,480 --> 00:15:27,280 Speaker 1: angels were singing when she sort of walked through, and 263 00:15:27,320 --> 00:15:31,080 Speaker 1: it was just like what I met. I met a 264 00:15:31,200 --> 00:15:34,080 Speaker 1: twenty two year old Cindy Crawford one night in New 265 00:15:34,160 --> 00:15:37,800 Speaker 1: York City on twelve Street outside of Peggy Seuss with 266 00:15:38,040 --> 00:15:39,720 Speaker 1: a group of girls. And I was with my guy 267 00:15:39,760 --> 00:15:41,520 Speaker 1: friends and they came up a what's up? And we 268 00:15:41,560 --> 00:15:44,040 Speaker 1: all kind of knew each other, but she nobody knew her, 269 00:15:45,000 --> 00:15:48,280 Speaker 1: and uh, you know, we just stood there like a gaga, 270 00:15:48,600 --> 00:15:53,600 Speaker 1: just like what and we were aware of who she was, um, 271 00:15:53,640 --> 00:15:56,360 Speaker 1: and she had just become a huge star. But my god, 272 00:15:56,600 --> 00:16:00,240 Speaker 1: yeah they're different. So Laurel, Yeah, there are certain people 273 00:16:00,280 --> 00:16:03,040 Speaker 1: where it's just like they take the air out of 274 00:16:03,040 --> 00:16:09,160 Speaker 1: the room. WHOA, yeah they do, yes, um and and yeah, 275 00:16:09,160 --> 00:16:12,840 Speaker 1: I guess Rachel was that. She was that just just 276 00:16:12,920 --> 00:16:18,240 Speaker 1: like can you imagine being Loreli going what like you're 277 00:16:18,280 --> 00:16:22,200 Speaker 1: telling me this girl was a supermodel? Well it definitely, 278 00:16:22,560 --> 00:16:27,359 Speaker 1: you know it really it really kind of um solidified 279 00:16:28,080 --> 00:16:33,440 Speaker 1: Luke's bona fides. I will say it gave you a 280 00:16:33,560 --> 00:16:39,080 Speaker 1: lot of credit. It did. Right. She's like you know 281 00:16:39,160 --> 00:16:43,720 Speaker 1: now she Loreali sitting back thinking, man, Luke's cooking with gas. 282 00:16:43,880 --> 00:16:49,160 Speaker 1: You know what I'm saying. Actually, that's so accurate. It 283 00:16:49,320 --> 00:16:53,040 Speaker 1: took your stock up, even though it probably terrified her, 284 00:16:53,040 --> 00:16:54,600 Speaker 1: and she's like, how do I compete with that? At 285 00:16:54,600 --> 00:16:57,440 Speaker 1: the same time, she's like, wait a minute, let's get 286 00:16:57,520 --> 00:17:00,160 Speaker 1: let's maybe get in the fight here. Let's let's it's 287 00:17:00,160 --> 00:17:06,040 Speaker 1: some potential this guy might have something going on behind 288 00:17:06,080 --> 00:17:10,720 Speaker 1: the curtain, you know, what's happening there? And that the 289 00:17:10,800 --> 00:17:14,560 Speaker 1: fact is, and another thing that really solidifies his bona 290 00:17:14,640 --> 00:17:19,280 Speaker 1: fides is he wouldn't move out of Stars Hollow. For 291 00:17:19,359 --> 00:17:23,879 Speaker 1: El McPherson, it's like he's still the grounded guy and 292 00:17:24,000 --> 00:17:28,399 Speaker 1: simple guy, practical guy. No doing his business. He wasn't. 293 00:17:28,440 --> 00:17:31,040 Speaker 1: He wasn't moving, So it's like that, you know, that's 294 00:17:31,119 --> 00:17:34,760 Speaker 1: that's the double whammy for Laurel. Jesus. He's here, he's available, 295 00:17:35,440 --> 00:17:42,840 Speaker 1: he told El McPherson, No, what's happening there? She's she's curious. Yeah, 296 00:17:42,960 --> 00:17:47,280 Speaker 1: And obviously we're gonna learn more about Rachel. This was 297 00:17:47,359 --> 00:17:50,040 Speaker 1: not the only time we're gonna learn about I had 298 00:17:50,119 --> 00:17:54,480 Speaker 1: forgotten about this completely. I had no idea about Rachel. 299 00:17:54,520 --> 00:18:00,520 Speaker 1: I I just didn't know. Um. Anyway, we are who 300 00:18:01,119 --> 00:18:04,440 Speaker 1: getting on? I think I need to go cool off, man. 301 00:18:05,000 --> 00:18:07,800 Speaker 1: Uh So let's take a little break. We will be 302 00:18:07,840 --> 00:18:10,480 Speaker 1: back after these messages I'm Scott Patterson. This is I 303 00:18:10,520 --> 00:18:12,960 Speaker 1: Am All In Podcast with my Heart Radio. Will be 304 00:18:13,000 --> 00:18:20,879 Speaker 1: back after these messages? Yeah, okay, everybody, We're back. I'm 305 00:18:20,920 --> 00:18:23,920 Speaker 1: Scott Patterson. This is the I Am All In Podcast 306 00:18:23,960 --> 00:18:27,600 Speaker 1: with our Heart Radio. We are talking concert and Eruptus 307 00:18:27,720 --> 00:18:29,600 Speaker 1: and I think we're gonna get into the Bengals. What's 308 00:18:29,680 --> 00:18:33,320 Speaker 1: what's going on with the Bengals concert? Uh Riley Dan yelled, 309 00:18:33,880 --> 00:18:36,920 Speaker 1: you know what's going on with that? What? What? How 310 00:18:36,920 --> 00:18:40,080 Speaker 1: did this come about? Did you know who the Bengals were? 311 00:18:40,280 --> 00:18:42,560 Speaker 1: I know them for Manic Monday and I know them 312 00:18:42,560 --> 00:18:47,080 Speaker 1: from Eternal Flame. Eternal Flame, so you knew them? Okay, Yeah, 313 00:18:47,119 --> 00:18:48,919 Speaker 1: I wouldn't. I wouldn't say it's in sync to me. 314 00:18:49,119 --> 00:18:53,120 Speaker 1: But they're they're pretty, they're pretty awesome. They Yeah, they 315 00:18:53,119 --> 00:18:56,439 Speaker 1: had a string of hits and they were unique and 316 00:18:56,480 --> 00:18:58,399 Speaker 1: that it was an all girl band when there weren't 317 00:18:58,480 --> 00:19:00,960 Speaker 1: very many all girl bands, but all girl bands were 318 00:19:00,960 --> 00:19:04,080 Speaker 1: starting to It was like the Bengals and the Go Goes. Yeah, 319 00:19:04,200 --> 00:19:08,119 Speaker 1: and there were some really great female acts that were 320 00:19:08,160 --> 00:19:10,639 Speaker 1: just great songwriting and Joan Jedi. It wasn't an all 321 00:19:10,680 --> 00:19:12,439 Speaker 1: female band, but there were you know, there was some 322 00:19:12,480 --> 00:19:15,800 Speaker 1: prominent women that were just rocking the rock scene man 323 00:19:16,160 --> 00:19:20,440 Speaker 1: at that time. So yeah, the Bengals were great Susannah Hoffs, 324 00:19:20,600 --> 00:19:24,439 Speaker 1: great songwriter, great singer, great songs, really great songs. And 325 00:19:24,480 --> 00:19:26,320 Speaker 1: that was cool. It was like cool that they went 326 00:19:26,359 --> 00:19:28,960 Speaker 1: to that concert. Y, yeah, I went to a concert. 327 00:19:28,960 --> 00:19:31,760 Speaker 1: They went to a rock concert. I guess, I guess, uh, 328 00:19:31,920 --> 00:19:35,840 Speaker 1: I guess the Amy is a fan of the Bengals 329 00:19:36,040 --> 00:19:38,879 Speaker 1: and one of them on the show. And maybe it 330 00:19:38,920 --> 00:19:46,480 Speaker 1: was a way to get the lower lower rates britty 331 00:19:46,560 --> 00:19:51,960 Speaker 1: smart you know. Um, yeah, that was fun stuff and 332 00:19:52,000 --> 00:19:54,240 Speaker 1: I thought they did you know, they had an appropriate 333 00:19:54,280 --> 00:19:57,040 Speaker 1: amount of extras and it looked like a real audience 334 00:19:57,080 --> 00:19:59,200 Speaker 1: and a real concert, and it was It was kind 335 00:19:59,200 --> 00:20:01,800 Speaker 1: of cool because those things are hard to pull off. 336 00:20:01,840 --> 00:20:04,679 Speaker 1: I mean, concert stuff is hard to do, and they 337 00:20:04,720 --> 00:20:07,040 Speaker 1: always look fake and it always looks you know, cheesy 338 00:20:07,080 --> 00:20:10,199 Speaker 1: and bad, but cheesy. I can look really cheesy and 339 00:20:10,200 --> 00:20:13,520 Speaker 1: they have just the right amount where like you knew 340 00:20:13,520 --> 00:20:15,320 Speaker 1: you were at the concert, you heard the songs, you 341 00:20:15,320 --> 00:20:18,879 Speaker 1: saw them performing, But then it didn't ruined like the 342 00:20:18,960 --> 00:20:21,639 Speaker 1: content of the episode, like you still were like, oh, 343 00:20:21,720 --> 00:20:24,520 Speaker 1: there's a lot going on during this concept and plus 344 00:20:24,800 --> 00:20:27,800 Speaker 1: even the dialogue going back and forth between the intimate, 345 00:20:27,840 --> 00:20:31,240 Speaker 1: little important dialogue going on between Rory and Paris. Towards 346 00:20:31,240 --> 00:20:34,600 Speaker 1: the end of that concert scene, uh, he's the music 347 00:20:34,680 --> 00:20:37,360 Speaker 1: was still kind of jamming, you know. It didn't get 348 00:20:37,359 --> 00:20:40,080 Speaker 1: you out of rhythm. It's like everything stayed in rhythm, 349 00:20:40,119 --> 00:20:43,120 Speaker 1: the music, with the dialogue, with the what's the emotional 350 00:20:43,160 --> 00:20:44,960 Speaker 1: life of the scene it was. It was really wonderful, 351 00:20:45,119 --> 00:20:47,040 Speaker 1: good stuff. Difficult to put together, but they did a 352 00:20:47,040 --> 00:20:50,760 Speaker 1: beautiful job, all right, I mean, what else? What do 353 00:20:50,840 --> 00:20:53,480 Speaker 1: we think from this whole episode? I would call this 354 00:20:53,640 --> 00:20:58,560 Speaker 1: Rory Rising. Mm hmmm. That's how I would not say 355 00:20:58,560 --> 00:21:02,040 Speaker 1: it's a concert interrupted. So I would say it's Rory Rise, 356 00:21:03,560 --> 00:21:06,000 Speaker 1: but in the in the right way, in an organic 357 00:21:06,520 --> 00:21:10,600 Speaker 1: positive like let we can be friends for life if 358 00:21:10,600 --> 00:21:14,120 Speaker 1: you come on my path and stop judging me from 359 00:21:14,119 --> 00:21:17,320 Speaker 1: my my tiny house and stars Hollow, it's half an 360 00:21:17,359 --> 00:21:20,960 Speaker 1: hour away from Hartford and rummage sale bags everywhere. Don't 361 00:21:21,040 --> 00:21:27,080 Speaker 1: judge me. We are quality people with big hearts and 362 00:21:27,119 --> 00:21:31,040 Speaker 1: we have big futures as a result. So Rory Rising 363 00:21:31,080 --> 00:21:35,359 Speaker 1: and Laurel I doing some nice heavy lifting. So I 364 00:21:35,400 --> 00:21:37,640 Speaker 1: know you said that this is like Rory Rising, But 365 00:21:38,119 --> 00:21:41,680 Speaker 1: for me, this episode was all about Paris for me, 366 00:21:42,000 --> 00:21:45,040 Speaker 1: like there was you learned so much about her. She's 367 00:21:45,080 --> 00:21:47,720 Speaker 1: like an onion. Once you think you know her, she 368 00:21:47,800 --> 00:21:51,640 Speaker 1: surprises you with something else. Um you know, you think 369 00:21:51,680 --> 00:21:54,640 Speaker 1: she's the mean girl from school, but then you really 370 00:21:54,640 --> 00:21:57,359 Speaker 1: get to see why she's so mean and what's like 371 00:21:57,520 --> 00:21:59,800 Speaker 1: missing from her life. And the one thing that I 372 00:22:00,200 --> 00:22:03,520 Speaker 1: was really interesting is Rory was like, why do you 373 00:22:03,600 --> 00:22:07,359 Speaker 1: like Tristan? He's so rude, and she was like, he's 374 00:22:07,400 --> 00:22:10,560 Speaker 1: been through some stuff, And you now see that that's 375 00:22:10,600 --> 00:22:13,359 Speaker 1: the correlation as to why she likes Tristan because he 376 00:22:13,440 --> 00:22:16,960 Speaker 1: has a troubled upbringing like she does, so she relates 377 00:22:17,000 --> 00:22:20,280 Speaker 1: to him and and likes that about him. So I'm 378 00:22:20,320 --> 00:22:24,240 Speaker 1: just seeing more layers to Paris that I really really enjoy. 379 00:22:24,640 --> 00:22:28,480 Speaker 1: So for me, this episode was all about her turning point. 380 00:22:28,560 --> 00:22:30,680 Speaker 1: I think it was a turning point for Rory and Paris. 381 00:22:32,920 --> 00:22:35,359 Speaker 1: I think it's the cracks before the breakthroughs on a 382 00:22:35,400 --> 00:22:37,760 Speaker 1: lot of things. I think it's the cracks for their breakthrough, 383 00:22:37,840 --> 00:22:40,520 Speaker 1: for their friendship for Rory and Paris. I think it's 384 00:22:40,520 --> 00:22:44,600 Speaker 1: the crack that Lorelei has that jealousy for Luke, so 385 00:22:44,680 --> 00:22:46,760 Speaker 1: maybe that will push her forward I think it's a 386 00:22:46,760 --> 00:22:52,639 Speaker 1: lot before the breakthrough. Interesting, Yes, correct, good observation. But 387 00:22:52,680 --> 00:22:55,480 Speaker 1: we also have to talk about loyalis cowboy hat, the 388 00:22:55,520 --> 00:23:00,600 Speaker 1: green cowboy and the sweater. They're like, that's sweater had 389 00:23:00,640 --> 00:23:04,439 Speaker 1: so much bedazzle gone on the one that Luke was 390 00:23:04,520 --> 00:23:06,920 Speaker 1: so upset about, and it really wasn't even that great 391 00:23:06,920 --> 00:23:10,520 Speaker 1: of a sweatshirt. But man, and you were mad? Is 392 00:23:10,560 --> 00:23:15,280 Speaker 1: that the maddest we've seen Luke? No, No, when I 393 00:23:15,280 --> 00:23:18,359 Speaker 1: I when when they were talking, when Suki was and 394 00:23:18,640 --> 00:23:21,000 Speaker 1: Laura I were at the counter talking about Max Medina, 395 00:23:21,040 --> 00:23:23,040 Speaker 1: No that he's still dreaming this kind of thing, and 396 00:23:23,119 --> 00:23:27,120 Speaker 1: she and the Suki came behind the counter. He flipped, 397 00:23:28,040 --> 00:23:29,919 Speaker 1: I don't think he's ever popped at anybody in the 398 00:23:29,960 --> 00:23:33,200 Speaker 1: show like that. Maybe maybe Taylor once in a while. 399 00:23:33,240 --> 00:23:35,560 Speaker 1: But oh yeah, you do get pretty mad at Taylor. 400 00:23:35,840 --> 00:23:40,040 Speaker 1: But I thought that was just anyway. So Lucas two 401 00:23:40,080 --> 00:23:45,720 Speaker 1: taking points the sweater in Max Medina, Yeah, it's like 402 00:23:45,840 --> 00:23:51,879 Speaker 1: Luke can get pissed. Steve, how would you describe it? Like, 403 00:23:51,920 --> 00:23:54,480 Speaker 1: how do you describe sort of that reaction to the 404 00:23:54,520 --> 00:23:58,680 Speaker 1: sweatshirt just hurts and he's confused, he doesn't know why 405 00:23:58,720 --> 00:24:02,000 Speaker 1: she's wearing it. He thinks he probably thinks that she 406 00:24:02,080 --> 00:24:05,639 Speaker 1: knows about Rachel and she's just wearing it to provoke him, 407 00:24:05,680 --> 00:24:08,640 Speaker 1: and he can't understand why. He's not really thought it out, 408 00:24:08,640 --> 00:24:11,159 Speaker 1: but he's just reacting. You tried to get rid of it, 409 00:24:11,200 --> 00:24:13,320 Speaker 1: though you tried. You tried to get rid of it 410 00:24:13,320 --> 00:24:17,600 Speaker 1: because you put it in the rummage sales stuff, right, 411 00:24:18,560 --> 00:24:21,760 Speaker 1: But why is she wearing it? Right? Why did he 412 00:24:21,800 --> 00:24:24,639 Speaker 1: take it back? And don't understand why he took it 413 00:24:24,680 --> 00:24:27,840 Speaker 1: back because she offered it and she was being really 414 00:24:27,840 --> 00:24:30,480 Speaker 1: cool with him, and he wasn't ready to let it go. 415 00:24:30,560 --> 00:24:34,000 Speaker 1: He tried. This is my take that Luke tried to 416 00:24:34,119 --> 00:24:36,119 Speaker 1: sort of get rid of it, like we all do, 417 00:24:36,320 --> 00:24:39,199 Speaker 1: to sort of erase that memory of that person that 418 00:24:39,240 --> 00:24:41,920 Speaker 1: we love, and then it shows up in his face. 419 00:24:42,600 --> 00:24:45,600 Speaker 1: He's all hurt, which is a great way to describe it. 420 00:24:46,080 --> 00:24:48,119 Speaker 1: And then he's he realized is like, I'm just putting 421 00:24:48,119 --> 00:24:50,640 Speaker 1: this back in the closet. I'm not ready. So Laurel 422 00:24:50,680 --> 00:24:55,680 Speaker 1: I is in you know, in sync with him enough 423 00:24:55,760 --> 00:24:59,439 Speaker 1: to realize that he's not ready to move on and 424 00:24:59,520 --> 00:25:02,280 Speaker 1: that that's not going to help him move on, that 425 00:25:02,320 --> 00:25:05,600 Speaker 1: he should keep it because the only thing that's going 426 00:25:05,680 --> 00:25:09,800 Speaker 1: to help him move on is some lower lie. Right, 427 00:25:10,080 --> 00:25:16,480 Speaker 1: So that empowered her the same way that Rory empowers 428 00:25:16,520 --> 00:25:20,440 Speaker 1: Paris to get out of her thickets, her jungle, her 429 00:25:20,480 --> 00:25:26,360 Speaker 1: emotional prison, her dungeon. You know, interesting episode, really really 430 00:25:26,440 --> 00:25:30,320 Speaker 1: really interesting stuff. And a little fun fact before we 431 00:25:30,359 --> 00:25:32,960 Speaker 1: do all the pop culture. Did you know Prince wrote 432 00:25:33,160 --> 00:25:36,520 Speaker 1: Manic Monday? I heard that? Yes, now now that you 433 00:25:36,560 --> 00:25:38,840 Speaker 1: say that, I I did. Yeah. You know, I go 434 00:25:38,960 --> 00:25:41,119 Speaker 1: through the same process where I'll write a song and 435 00:25:41,160 --> 00:25:43,960 Speaker 1: I know it's not right for me, you know, to 436 00:25:44,119 --> 00:25:47,640 Speaker 1: to perform. It's just it's for somebody else. Um, I'm 437 00:25:47,640 --> 00:25:49,960 Speaker 1: going to dig around on the internet and find Prince 438 00:25:50,080 --> 00:25:53,840 Speaker 1: performing it somewhere. I think a lot a lot of 439 00:25:53,880 --> 00:25:55,959 Speaker 1: these a lot of these people break through with their 440 00:25:56,000 --> 00:26:00,240 Speaker 1: own careers after writing songs for other people for a 441 00:26:00,240 --> 00:26:02,840 Speaker 1: long time. You know, they're just good at it. They're 442 00:26:02,880 --> 00:26:05,440 Speaker 1: just great songwriters, and they're lucky enough to have other 443 00:26:05,520 --> 00:26:09,600 Speaker 1: artists do their stuff. What's your favorite Bengals song, Scott, 444 00:26:09,960 --> 00:26:14,439 Speaker 1: Oh god, Um, I'm not terribly well versed in Bengals. 445 00:26:14,720 --> 00:26:17,440 Speaker 1: Probably Walk like an Egyptian because it was their biggest hit, 446 00:26:17,480 --> 00:26:19,800 Speaker 1: and it's the thing I heard constantly on the radio. 447 00:26:20,920 --> 00:26:24,359 Speaker 1: I love Manic Monday and hate Walk Like an Egyptian, 448 00:26:24,680 --> 00:26:28,600 Speaker 1: But Walk Like an Egyptian was such a huge song 449 00:26:28,720 --> 00:26:31,640 Speaker 1: that people, I mean, even me, we were imitating that 450 00:26:31,800 --> 00:26:36,000 Speaker 1: sort of hieroglyphic Egyptian walk, which is so stupid, it's 451 00:26:36,040 --> 00:26:39,720 Speaker 1: so silly, but it made people do it. And every 452 00:26:39,760 --> 00:26:41,520 Speaker 1: when that song came on, people will get on the 453 00:26:41,720 --> 00:26:44,840 Speaker 1: freaking dance floor, you know what, the Ramada and or 454 00:26:44,880 --> 00:26:49,200 Speaker 1: the Marriott and they they start doing the hieroglyphic Egyptian 455 00:26:49,240 --> 00:26:56,720 Speaker 1: desities wedding. It's hysterical. I mean, imagine how I mean. 456 00:26:56,800 --> 00:26:59,879 Speaker 1: I I bet your Susannah Hoffs was just just laughing 457 00:27:00,200 --> 00:27:06,680 Speaker 1: butt off the reaction of this walk, like, oh my god. 458 00:27:07,720 --> 00:27:09,720 Speaker 1: I mean, I think I think Steve Martin used to 459 00:27:09,800 --> 00:27:18,520 Speaker 1: do a He did King Tut. And while you're all 460 00:27:19,000 --> 00:27:23,320 Speaker 1: googling jhon Ham egg Plant, I highly recommend googling King Tut. 461 00:27:24,200 --> 00:27:29,479 Speaker 1: Steve Martin King Tut was hysterical and every young person 462 00:27:29,640 --> 00:27:34,679 Speaker 1: is right now googling Steve Martin's King Tut video, or 463 00:27:34,680 --> 00:27:36,720 Speaker 1: at least I think I think you performed it on 464 00:27:36,720 --> 00:27:39,560 Speaker 1: Saturday Night Live. He did that, He took it on tour. 465 00:27:39,680 --> 00:27:41,400 Speaker 1: So when he did a stand up in the seventies, 466 00:27:41,440 --> 00:27:43,639 Speaker 1: did he really he took that on tour. He dressed 467 00:27:43,680 --> 00:27:47,199 Speaker 1: like the Pharaoh and came out there and part of 468 00:27:47,240 --> 00:27:52,119 Speaker 1: his act. How crazy do you have to be to 469 00:27:52,200 --> 00:27:55,000 Speaker 1: do that? I mean, what brilliant? You can download King 470 00:27:55,040 --> 00:27:57,520 Speaker 1: Tut on iTunes. I'm doing I'm doing it right there. 471 00:27:57,520 --> 00:28:00,399 Speaker 1: If we get off here, I gotta see because I 472 00:27:59,720 --> 00:28:01,880 Speaker 1: remember I think I saw it on Saturday Night Live, 473 00:28:01,920 --> 00:28:05,679 Speaker 1: and I'm like, this is just brilliantly funny. Riley Daniel, 474 00:28:05,720 --> 00:28:08,960 Speaker 1: do you have any idea we're talking about? I'm utterly confused. 475 00:28:10,640 --> 00:28:14,680 Speaker 1: Can you please please look up King Tut. Steve Martin 476 00:28:16,240 --> 00:28:18,520 Speaker 1: Is Steve Martin just the guy from Father of the 477 00:28:18,560 --> 00:28:23,639 Speaker 1: Bride to you? Yeah? He You know, he appeared on 478 00:28:23,720 --> 00:28:26,520 Speaker 1: Johnny Carson and cracked Johnny Carson up, and then he 479 00:28:26,560 --> 00:28:29,600 Speaker 1: started appearing on Saturday Night Live, hosting Saturday Night Live 480 00:28:29,640 --> 00:28:33,359 Speaker 1: because he became his stand up act was filling arenas, 481 00:28:34,320 --> 00:28:35,880 Speaker 1: you know, I mean, he was going around the world 482 00:28:35,960 --> 00:28:38,080 Speaker 1: filling arenas with his stand up act. He was he 483 00:28:38,160 --> 00:28:42,400 Speaker 1: was the most sought after comedian in the world. And 484 00:28:42,440 --> 00:28:44,960 Speaker 1: then he you know Parley that obviously into a film career, 485 00:28:45,000 --> 00:28:48,200 Speaker 1: and then and then Martin Martin did a film called 486 00:28:48,360 --> 00:28:51,160 Speaker 1: called The Jerk, which is it's the funniest thing you 487 00:28:51,200 --> 00:28:54,680 Speaker 1: will ever see with the Opti grab, the opti grab, 488 00:28:55,160 --> 00:28:57,480 Speaker 1: and the guy actually paid him his royal taste. It's like, 489 00:28:57,560 --> 00:29:04,920 Speaker 1: it's like such a fantasy. Yeah, Riley, this seems like 490 00:29:05,000 --> 00:29:07,800 Speaker 1: the perfect moment for you to do your thing. Yeah, 491 00:29:07,880 --> 00:29:11,800 Speaker 1: let's jump into pop culture. Let's do so. So the 492 00:29:11,800 --> 00:29:14,520 Speaker 1: first I have Luke brings over his rummage sale items 493 00:29:14,560 --> 00:29:18,800 Speaker 1: and Laurelia says here Grinch. The Grinch is based on 494 00:29:18,840 --> 00:29:21,800 Speaker 1: the book by Dr Seusan has been recreated many times. 495 00:29:22,280 --> 00:29:24,840 Speaker 1: The most notable version features Jim Carrey is the Grinch. 496 00:29:25,400 --> 00:29:27,920 Speaker 1: The first round of makeup for the Grinch took eight 497 00:29:27,960 --> 00:29:31,480 Speaker 1: and a half hours. The original Grinch was actually not green. 498 00:29:31,600 --> 00:29:34,680 Speaker 1: He was black and white and had pink eyes, and 499 00:29:34,840 --> 00:29:37,160 Speaker 1: the actra actors and extras who played the Who's in 500 00:29:37,160 --> 00:29:40,520 Speaker 1: Whoville had to go to who School. I don't think 501 00:29:40,600 --> 00:29:45,480 Speaker 1: Luke is grin chy. Grumpy maybe, but not grinchy. I've 502 00:29:45,480 --> 00:29:47,360 Speaker 1: liked to differ. He doesn't put up any of the 503 00:29:47,400 --> 00:29:52,200 Speaker 1: decorations for any of the holiday Daniel will watch your step. 504 00:29:52,240 --> 00:29:57,880 Speaker 1: There watch it, Watch it. He's a generous, bighearted guy 505 00:29:58,080 --> 00:30:01,320 Speaker 1: who goes out of his way for the people he loves. 506 00:30:02,400 --> 00:30:07,840 Speaker 1: Give me a small break, Santa Burger and Rory's Birthday 507 00:30:07,880 --> 00:30:10,520 Speaker 1: with the special coffee cake and the balloons. Come on, 508 00:30:10,680 --> 00:30:14,320 Speaker 1: He's not grin che grinchy, right, that is not what 509 00:30:14,400 --> 00:30:17,080 Speaker 1: word would you use? Cremudgey? No, I would just say 510 00:30:17,160 --> 00:30:21,400 Speaker 1: he's he's a little he's I'll give you the word, 511 00:30:21,400 --> 00:30:27,920 Speaker 1: he's a little intense at times, caustic. No, don't use 512 00:30:28,000 --> 00:30:33,200 Speaker 1: these words. These words have power. Give the word he's 513 00:30:33,240 --> 00:30:37,080 Speaker 1: a little intense at times. That's it. Let's just let's 514 00:30:37,280 --> 00:30:44,280 Speaker 1: stop with the moving. Heretofore, we will just say intense, No, 515 00:30:44,600 --> 00:30:50,840 Speaker 1: a little intense at times. That's it. There's no cremudgeny. 516 00:30:50,960 --> 00:30:55,480 Speaker 1: He's not grin chee, he's not caustic. All of these 517 00:30:55,600 --> 00:30:58,320 Speaker 1: these these words, these words that do do not apply 518 00:30:58,360 --> 00:31:02,720 Speaker 1: to him. A little time is what, you know. Maybe 519 00:31:03,080 --> 00:31:09,280 Speaker 1: sometimes it doesn't even sound like you you know, maybe 520 00:31:09,320 --> 00:31:15,800 Speaker 1: sometimes how do we describe Luke? A little intense at times? 521 00:31:17,080 --> 00:31:23,560 Speaker 1: Let's here again, you know, maybe sometimes we could. I 522 00:31:23,640 --> 00:31:28,480 Speaker 1: love it. It sounds like he's begging, he's scared. So 523 00:31:28,520 --> 00:31:32,320 Speaker 1: weird is. When you watch the scene, it's perfect. But 524 00:31:32,440 --> 00:31:36,320 Speaker 1: when you isolate just audio, you take it out of context, 525 00:31:36,400 --> 00:31:38,400 Speaker 1: it sounds like he's begging and he's not. It was 526 00:31:38,440 --> 00:31:41,800 Speaker 1: the perfect moment. He dropped it into perfect time. Listen, 527 00:31:41,800 --> 00:31:43,800 Speaker 1: if he if he can, if he can get a Rachel. 528 00:31:44,640 --> 00:31:47,200 Speaker 1: You know, he's got a couple of moves, He's got 529 00:31:47,240 --> 00:31:52,640 Speaker 1: some He's a little intense at times, but all right, Riley, 530 00:31:52,800 --> 00:31:56,200 Speaker 1: sorry we got sidetracked. It was the perfect sidetrack. And 531 00:31:56,200 --> 00:32:00,480 Speaker 1: I have to say, Luke's heart grows two sizes bigger 532 00:32:00,520 --> 00:32:05,520 Speaker 1: every time Louise says, so, how good of a kisser 533 00:32:05,600 --> 00:32:07,960 Speaker 1: is Paul Bunyon anyway? And this is in reference to 534 00:32:07,960 --> 00:32:12,160 Speaker 1: how tall Dean is. Paul Bunyon is a giant lumberjack 535 00:32:12,200 --> 00:32:15,560 Speaker 1: and folk hero in American and Canadian folklore. When he 536 00:32:15,600 --> 00:32:18,200 Speaker 1: was a baby, he was so big it took five 537 00:32:18,240 --> 00:32:20,720 Speaker 1: storks to carry him to his home, and the Grand 538 00:32:20,720 --> 00:32:23,239 Speaker 1: Canyon was formed when Paul dug his axe behind him 539 00:32:23,280 --> 00:32:29,160 Speaker 1: while walking. According to all the folklore, Paris says, so, 540 00:32:29,240 --> 00:32:31,640 Speaker 1: unless you want to sit on no furniture while watching 541 00:32:31,680 --> 00:32:35,200 Speaker 1: three Harvey Firestein impersonators, rip up the carpet and paint 542 00:32:35,240 --> 00:32:38,000 Speaker 1: everything a ridiculous shade of white and call it angels kiss. 543 00:32:38,160 --> 00:32:39,920 Speaker 1: Then we're going to have to find somewhere at somebody 544 00:32:39,960 --> 00:32:42,680 Speaker 1: else's house to go to. I didn't quite get that 545 00:32:43,920 --> 00:32:47,320 Speaker 1: carpet installers that are like Harvey Firestein. What what what? 546 00:32:47,320 --> 00:32:50,080 Speaker 1: What the heck was that supposed to me? Harvey Firestein 547 00:32:50,160 --> 00:32:54,600 Speaker 1: is the furthest thing away from a carpet installer. So explain. 548 00:32:54,720 --> 00:32:58,800 Speaker 1: Just sorry, I'm I'm struggling with this one, so please 549 00:32:58,840 --> 00:33:02,480 Speaker 1: explain this. Let's you're the line again, Paris says, So 550 00:33:02,600 --> 00:33:05,000 Speaker 1: unless you want to sit on no furniture while watching 551 00:33:05,120 --> 00:33:08,480 Speaker 1: three Harvey Firestein impersonators rip up the carpet and paint 552 00:33:08,520 --> 00:33:11,680 Speaker 1: everything a ridiculous shade of white and call it Angel's kiss, 553 00:33:11,720 --> 00:33:13,400 Speaker 1: and we're going to find I have to find somebody 554 00:33:13,440 --> 00:33:17,960 Speaker 1: else's house to go to, So I'm going with. Paris's 555 00:33:18,000 --> 00:33:21,120 Speaker 1: parents are getting divorced, so the mom is getting rid 556 00:33:21,160 --> 00:33:28,400 Speaker 1: of everything and redecorating, and they're flamboyant designers. They're not, 557 00:33:28,480 --> 00:33:32,760 Speaker 1: but they're not ripping up the they're ordering the workers 558 00:33:32,800 --> 00:33:35,240 Speaker 1: to rip up the carp got you, So, so the 559 00:33:35,280 --> 00:33:41,920 Speaker 1: mother is surrounded by fabulous artistic Harvey Firestein types giving orders. 560 00:33:42,800 --> 00:33:45,480 Speaker 1: Two workers, got it. That's what I think. Okay, no, 561 00:33:45,680 --> 00:33:47,920 Speaker 1: that makes sense. That's the image of it. One more time, Riley, 562 00:33:47,920 --> 00:33:50,240 Speaker 1: Just for everybody listening. So unless you want to sit 563 00:33:50,280 --> 00:33:53,800 Speaker 1: on no furniture while watching three Harvey Firestein impersonators rip 564 00:33:53,840 --> 00:33:56,200 Speaker 1: up the carpet and paint everything a ridiculous shade of 565 00:33:56,240 --> 00:33:58,160 Speaker 1: white and call it angels kiss, then we're going to 566 00:33:58,240 --> 00:34:00,960 Speaker 1: have to find somebody else's house to go to the designers. 567 00:34:00,960 --> 00:34:04,440 Speaker 1: She's got three designers in the house, So just add 568 00:34:04,800 --> 00:34:09,200 Speaker 1: add some dialogue there, make it more specific. Three Harvey 569 00:34:09,239 --> 00:34:14,440 Speaker 1: fire Stein impersonators ordering their underlings to rip up the carpet. 570 00:34:14,520 --> 00:34:16,120 Speaker 1: Then then I wouldn't have had a question. I would 571 00:34:16,120 --> 00:34:18,200 Speaker 1: have been I still don't think so. I think it's 572 00:34:18,280 --> 00:34:22,520 Speaker 1: three designers are tearing up the whole house. We're gonna 573 00:34:22,560 --> 00:34:25,959 Speaker 1: have to take this to the social media to find 574 00:34:25,960 --> 00:34:32,520 Speaker 1: out I can lodge an official complaint just because you're 575 00:34:32,520 --> 00:34:38,879 Speaker 1: a little intense sometimes don't so a little bit about 576 00:34:39,000 --> 00:34:41,480 Speaker 1: Harvey fire Scene. He is best known for his theater 577 00:34:41,520 --> 00:34:44,240 Speaker 1: work in Torch Song Trilogy and Hair Spray, and movie 578 00:34:44,320 --> 00:34:47,600 Speaker 1: roles in his hits such as Mrs Doubtfire Independence Day, 579 00:34:47,880 --> 00:34:50,840 Speaker 1: Harvey voice the character of Yeao and Muan, and he 580 00:34:50,920 --> 00:34:52,720 Speaker 1: is said to have one of the most iconic voices 581 00:34:52,719 --> 00:34:57,200 Speaker 1: in Hollywood due to its raspiness. Rory says double double 582 00:34:57,239 --> 00:35:00,200 Speaker 1: toil and trouble when she's walking up with Lane up 583 00:35:00,200 --> 00:35:04,520 Speaker 1: to Mrs Kim's and this quote is reference to Shakespeare's Macbeth, 584 00:35:04,760 --> 00:35:09,840 Speaker 1: but can also be recognized as the TV Halloween film 585 00:35:09,880 --> 00:35:13,680 Speaker 1: featuring Mary Kate and Ashley Olsen. The witches reciting this 586 00:35:13,760 --> 00:35:16,400 Speaker 1: are saying that twice, meaning double the amount of trouble 587 00:35:16,480 --> 00:35:20,120 Speaker 1: will now be brought upon McMath. By the time this 588 00:35:20,160 --> 00:35:23,600 Speaker 1: movie came out, Mary Kane Ashley had been acting since 589 00:35:23,600 --> 00:35:25,839 Speaker 1: they were eight months old. Wait, how do you take 590 00:35:25,920 --> 00:35:30,040 Speaker 1: direction from a director at eight months old? You're not 591 00:35:30,120 --> 00:35:33,759 Speaker 1: aware that you're acting. So babies don't act. They just 592 00:35:33,960 --> 00:35:37,600 Speaker 1: all Olsen twins nailed it on Full House. But it's 593 00:35:37,640 --> 00:35:39,920 Speaker 1: like they weren't nailing it. They were just like being 594 00:35:40,080 --> 00:35:42,680 Speaker 1: babies and the camera was on them. They weren't aware 595 00:35:42,800 --> 00:35:48,640 Speaker 1: that they were embodying a character. Well, then whoever captured 596 00:35:48,680 --> 00:35:52,760 Speaker 1: those moments deserves the credit. You can't. You can't take 597 00:35:52,800 --> 00:35:57,160 Speaker 1: credit from a baby. And you wrote this brilliant role 598 00:35:57,200 --> 00:36:04,719 Speaker 1: for a baby. Babies don't memorize dialogue. They don't, you 599 00:36:04,760 --> 00:36:11,120 Speaker 1: know anyway, go ahead, Sorry, I just another official complaint. 600 00:36:11,200 --> 00:36:14,960 Speaker 1: I am lodging with just a little intense sometimes just 601 00:36:15,040 --> 00:36:18,960 Speaker 1: a little intense sometimes. No, they appeared in film and 602 00:36:19,000 --> 00:36:22,560 Speaker 1: television since they were eight. You could say that I, 603 00:36:23,600 --> 00:36:27,880 Speaker 1: you know, I I started out doing voice commercial voice 604 00:36:27,920 --> 00:36:30,279 Speaker 1: over work when I was five years old. Because that's 605 00:36:30,280 --> 00:36:34,680 Speaker 1: the truth. With Habrset Sausage and Scrapple in the Philadelphia, 606 00:36:36,840 --> 00:36:40,359 Speaker 1: please please tell us what the sausage commercial was. Oh, 607 00:36:40,400 --> 00:36:43,120 Speaker 1: I we just you know, my sister and I we 608 00:36:43,160 --> 00:36:46,440 Speaker 1: were you know it on a VHS. My dad was 609 00:36:46,480 --> 00:36:49,640 Speaker 1: an advertising guy and his buddy that lived in the 610 00:36:50,239 --> 00:36:54,240 Speaker 1: down the street had the Havebrset Sausage and Scrapple account 611 00:36:55,360 --> 00:36:59,319 Speaker 1: and he asked my dad if if my sister and 612 00:36:59,360 --> 00:37:04,040 Speaker 1: myself would please because I guess we had cute little voices, 613 00:37:04,120 --> 00:37:08,160 Speaker 1: and at five and she was six, and and we 614 00:37:08,160 --> 00:37:10,160 Speaker 1: we did it in his basement. Did you get a 615 00:37:10,200 --> 00:37:13,680 Speaker 1: couple of bucks for that sausage or so? I certainly didn't. 616 00:37:13,719 --> 00:37:16,920 Speaker 1: I think my dad probably banked it and you know, 617 00:37:17,000 --> 00:37:19,120 Speaker 1: bought himself a new pair of golf clubs or something. 618 00:37:19,200 --> 00:37:22,240 Speaker 1: I don't know I never saw start of your career. Yes, 619 00:37:23,080 --> 00:37:26,200 Speaker 1: Rory says the one on your head. Annie Oakley commenting 620 00:37:26,200 --> 00:37:29,920 Speaker 1: on lauralized leopard, I'm not sure if purchased had from 621 00:37:29,960 --> 00:37:34,040 Speaker 1: the rummage tale. Annie Oakley was an American sharpshooter who 622 00:37:34,040 --> 00:37:37,480 Speaker 1: started in Buffalo Bill's Wild Wist Show. Oakley developed hunting 623 00:37:37,520 --> 00:37:39,799 Speaker 1: skills as a child to provide for her family in 624 00:37:39,840 --> 00:37:44,840 Speaker 1: western Ohio. She actually outgunned professional sharpshooter Frank Butler and 625 00:37:44,880 --> 00:37:51,160 Speaker 1: then married him. And she outgunned Frank. Really, come on, 626 00:37:51,239 --> 00:37:55,600 Speaker 1: I don't believe that. My god, I love the leopard. 627 00:37:55,640 --> 00:37:58,040 Speaker 1: There's a lot of animal printing Gilmore Girls, and I 628 00:37:58,080 --> 00:38:03,279 Speaker 1: am here for it. H Rory says this stuff is 629 00:38:03,320 --> 00:38:05,719 Speaker 1: like Triples when she's trying to pull Suki out of 630 00:38:05,760 --> 00:38:09,440 Speaker 1: the rummage sale items. Triples are a fictional alien species 631 00:38:09,480 --> 00:38:12,520 Speaker 1: and the Stars Star Trek universe. We first see the 632 00:38:12,560 --> 00:38:16,000 Speaker 1: Triples in the episode The Trouble with Triples. These small 633 00:38:16,160 --> 00:38:20,120 Speaker 1: plush alien beings were merely sewn up pouches of synthetic 634 00:38:20,200 --> 00:38:24,600 Speaker 1: for stuffed with foam rubber. There were so many Triples 635 00:38:24,640 --> 00:38:26,920 Speaker 1: on set it took about two weeks to get all 636 00:38:26,920 --> 00:38:30,920 Speaker 1: the triples off the set. I love that episode. Also 637 00:38:31,040 --> 00:38:36,239 Speaker 1: worth going onto the YouTube and watching. Louise says, are 638 00:38:36,280 --> 00:38:39,879 Speaker 1: you too still Joonie loves Chachi when asking about Dean, 639 00:38:41,040 --> 00:38:46,479 Speaker 1: didn't watch it Happy Days? No Happy Days? Everybody watched 640 00:38:46,480 --> 00:38:51,640 Speaker 1: Happy Days, but then they gave that girl her own show, right, yes, Ves, 641 00:38:52,320 --> 00:38:56,279 Speaker 1: and then they hire Scott Bayo, right exactly, I know 642 00:38:56,440 --> 00:38:59,719 Speaker 1: that much, but I never watched it. No one did. 643 00:38:59,760 --> 00:39:03,760 Speaker 1: That's I got canceled after like five episodes. But Tony 644 00:39:03,880 --> 00:39:08,279 Speaker 1: Loves Choccy really started on Happy Days because choc was 645 00:39:08,360 --> 00:39:11,000 Speaker 1: like the young cousin of the Fawns, and he always 646 00:39:11,000 --> 00:39:13,719 Speaker 1: had the crush on Joanie and she was just like no, no, no, kid. 647 00:39:13,800 --> 00:39:16,320 Speaker 1: And then all of a sudden, Scott Bayo turned hot 648 00:39:16,400 --> 00:39:19,640 Speaker 1: and Janie was into it. So he was like the 649 00:39:20,680 --> 00:39:24,440 Speaker 1: he was like the Jess. He was a little Jess. Like. 650 00:39:24,640 --> 00:39:28,160 Speaker 1: That's actually not a terrible comparison, except that because Luke 651 00:39:28,280 --> 00:39:31,359 Speaker 1: is kind of like the Fawns, like Choccy was sort 652 00:39:31,400 --> 00:39:34,640 Speaker 1: of the young he was. He was too young at 653 00:39:34,680 --> 00:39:37,480 Speaker 1: first for her. So I'm playing pro ball at that time. 654 00:39:37,600 --> 00:39:40,520 Speaker 1: Can you imagine like on the Team bus. Guys, did 655 00:39:40,520 --> 00:39:43,840 Speaker 1: you see the latest latest episode of Jon Lo it 656 00:39:43,880 --> 00:39:47,959 Speaker 1: was amazing. Next pop culture, Paris says, and before it's dark, 657 00:39:48,080 --> 00:39:52,160 Speaker 1: they'll have every picnic basket that's in Jellystone Park. This 658 00:39:52,200 --> 00:39:55,560 Speaker 1: is a lyric to the ninety TV series theme song 659 00:39:55,600 --> 00:39:59,480 Speaker 1: for Yogi Bear. Since his creation NFT eight, Yogi has 660 00:39:59,520 --> 00:40:03,080 Speaker 1: appeared in over twenty TV shows and movies. So the 661 00:40:03,200 --> 00:40:06,160 Speaker 1: full lyric is he will sleep to till noon, and 662 00:40:06,200 --> 00:40:08,680 Speaker 1: before it's dark, they'll have every picnic basket that's in 663 00:40:08,760 --> 00:40:13,200 Speaker 1: jelly Stone Park. So this is Paris making a reference 664 00:40:13,360 --> 00:40:15,480 Speaker 1: to say that Louise and Madeline will have will get 665 00:40:15,480 --> 00:40:18,120 Speaker 1: the boys behind them at the concert before the concerts over, 666 00:40:18,800 --> 00:40:22,480 Speaker 1: the boys were the picnic baskets. What was that? What 667 00:40:22,600 --> 00:40:25,080 Speaker 1: was that cartoon from? Was that the jelly Stone Park? 668 00:40:25,120 --> 00:40:29,320 Speaker 1: What was that? Yeah? Yogi Bear was you know, the 669 00:40:29,440 --> 00:40:32,799 Speaker 1: probably the first cartoon I ever saw besides uh, you 670 00:40:32,840 --> 00:40:35,759 Speaker 1: know the Looney Tunes stuff. You know, back then it 671 00:40:35,840 --> 00:40:38,640 Speaker 1: was all the Jetsons, it was, it was it was 672 00:40:38,840 --> 00:40:42,760 Speaker 1: Yogi Bear. Yeah. Laura Lee, so she was wonder Woman. 673 00:40:42,920 --> 00:40:45,239 Speaker 1: When we're talking about Rachel So we've we've covered this 674 00:40:45,280 --> 00:40:48,480 Speaker 1: a little bit, but we've talked about wonder Woman. We 675 00:40:48,520 --> 00:40:51,440 Speaker 1: need to talk about Wonder woman a little bit more so. 676 00:40:52,080 --> 00:40:55,880 Speaker 1: In the seventies version, Lyle Wagner starred as Steve Trevor 677 00:40:56,120 --> 00:40:57,920 Speaker 1: and is also known to be the creator of the 678 00:40:58,000 --> 00:41:01,360 Speaker 1: star wagon. The trailer is that the little studio lots 679 00:41:01,360 --> 00:41:04,280 Speaker 1: and sets for actors and actresses to do their makeup, 680 00:41:04,320 --> 00:41:08,040 Speaker 1: wardrobe and more. Scott, did you have a star wagon? Yeah, 681 00:41:08,080 --> 00:41:12,480 Speaker 1: everybody does. That's what everybody uses. Scott, tell us about 682 00:41:13,480 --> 00:41:16,839 Speaker 1: your trailer on Gilmore, girls like, just tell us about it. 683 00:41:16,920 --> 00:41:19,200 Speaker 1: That would be something I'd like to know. So okay, 684 00:41:19,200 --> 00:41:21,719 Speaker 1: So there's different sizes of trailers, and that kind of 685 00:41:21,760 --> 00:41:24,200 Speaker 1: lets you know where you are in the business on 686 00:41:24,360 --> 00:41:26,399 Speaker 1: any particular show. So I started off with a half 687 00:41:26,400 --> 00:41:30,160 Speaker 1: a trailer they called a double banger. So there's two 688 00:41:30,320 --> 00:41:34,960 Speaker 1: and they're nice, uh and they have sinks and they 689 00:41:35,000 --> 00:41:40,319 Speaker 1: have TVs and they've got a couch and but they're 690 00:41:40,440 --> 00:41:43,080 Speaker 1: you know, they're tight for you know, I'm I'm you know, 691 00:41:43,160 --> 00:41:46,279 Speaker 1: most actors are are kind of small, and I'm you know, 692 00:41:46,320 --> 00:41:48,640 Speaker 1: I'm six one, and you know, I need a little 693 00:41:48,640 --> 00:41:51,399 Speaker 1: more space. So after season three, I wanted to get 694 00:41:51,400 --> 00:41:53,760 Speaker 1: a bigger trailer, so I negotiated for a bigger trailer. 695 00:41:53,840 --> 00:41:55,799 Speaker 1: So I got a whole full trailer. So they have 696 00:41:56,480 --> 00:41:58,319 Speaker 1: it's not like they have bedrooms in them, but they 697 00:41:58,360 --> 00:42:01,200 Speaker 1: have you know, have couches and you can, I think 698 00:42:01,200 --> 00:42:02,680 Speaker 1: you can pull out the couch and sleep on it. 699 00:42:02,760 --> 00:42:04,360 Speaker 1: But I would just sleep on the couch because the 700 00:42:04,400 --> 00:42:07,640 Speaker 1: couch is really comfortable. Um. And they have little kitchens 701 00:42:07,680 --> 00:42:11,120 Speaker 1: and they have little oh well, sure they have showers too. 702 00:42:13,280 --> 00:42:17,759 Speaker 1: They have a shower. Who's your trailer next to? Um, god, 703 00:42:17,800 --> 00:42:23,400 Speaker 1: who is it next to? Well, okay, so I my 704 00:42:23,560 --> 00:42:27,239 Speaker 1: trailer was right across from Laurens and alexis Is. I 705 00:42:27,280 --> 00:42:30,000 Speaker 1: mean I could open my door and say, how do neighbor, 706 00:42:30,120 --> 00:42:32,279 Speaker 1: what's up? You know, and their their door was right there. 707 00:42:32,320 --> 00:42:35,040 Speaker 1: So our doors when I opened my door up, they 708 00:42:35,080 --> 00:42:38,440 Speaker 1: almost hit. So when we come when we'd all come 709 00:42:38,440 --> 00:42:40,479 Speaker 1: out at the same time, we'd almost like fall down 710 00:42:40,480 --> 00:42:44,400 Speaker 1: the stairs together of our trailers because our doors hit. 711 00:42:46,000 --> 00:42:48,960 Speaker 1: You know, the real estate over there is very coveted, 712 00:42:49,120 --> 00:42:53,200 Speaker 1: so there's not a lot of space for trailers and um, 713 00:42:53,360 --> 00:42:54,960 Speaker 1: so they want to try to keep the trailers as 714 00:42:54,960 --> 00:42:57,359 Speaker 1: small as possible. But you know when you see these 715 00:42:57,400 --> 00:43:01,080 Speaker 1: like humongous trailers that are not and star wagons, they're 716 00:43:01,080 --> 00:43:04,680 Speaker 1: like they look like they're from Europe and they're huge. 717 00:43:05,120 --> 00:43:07,680 Speaker 1: I mean, would you know that there are movie stars 718 00:43:07,719 --> 00:43:12,560 Speaker 1: like like on the set like when Oceans eleven Yes, yes, 719 00:43:12,719 --> 00:43:16,360 Speaker 1: So those levels of trailers, that's a whole different experience. 720 00:43:16,400 --> 00:43:20,759 Speaker 1: Those are like small homes, have a dressing room, like 721 00:43:20,840 --> 00:43:25,120 Speaker 1: what we would call a dressing room, like in the inside. 722 00:43:25,560 --> 00:43:28,279 Speaker 1: Everybody has a trailer. No, I think it sitcoms. They 723 00:43:28,400 --> 00:43:31,040 Speaker 1: do that because then they have the dressing rooms on 724 00:43:31,080 --> 00:43:33,640 Speaker 1: the sound stage and that's kind of how they do it. 725 00:43:34,360 --> 00:43:36,960 Speaker 1: But I think they're going I mean, some have trailers. 726 00:43:36,960 --> 00:43:39,600 Speaker 1: But I'll tell you when they were doing Ocean Oceans 727 00:43:39,600 --> 00:43:42,600 Speaker 1: elevens and they were setting up Clooney and Pacino and 728 00:43:42,600 --> 00:43:45,480 Speaker 1: and and Brad Pitt's trailers right across the street from 729 00:43:45,480 --> 00:43:49,680 Speaker 1: my trailer. Those trailers were at least double the size 730 00:43:49,719 --> 00:43:52,440 Speaker 1: of mine, and they were a different color and they 731 00:43:52,480 --> 00:43:55,520 Speaker 1: had better quality glass, and it was just like what 732 00:43:56,200 --> 00:44:00,359 Speaker 1: it's those guys and those guys have bedrooms in those things. 733 00:44:00,440 --> 00:44:03,359 Speaker 1: Those are those are huge. But having a full star 734 00:44:03,400 --> 00:44:05,600 Speaker 1: wagon is a good thing. It means you're a series regular. 735 00:44:06,320 --> 00:44:09,920 Speaker 1: And Chris Pine plays Lyle Wagner's character Steve Trevor in 736 00:44:09,960 --> 00:44:14,280 Speaker 1: them of wonder Woman, and we have a pop culture 737 00:44:14,280 --> 00:44:20,399 Speaker 1: reference for Star Trek as well, which Chris Pine also started. Wow, Riley, 738 00:44:20,400 --> 00:44:26,200 Speaker 1: Wow bringing it today? Look at you and Riley? What's 739 00:44:26,200 --> 00:44:29,480 Speaker 1: your favorite line? My favorite line is from Mrs Kim 740 00:44:29,560 --> 00:44:35,560 Speaker 1: She says, not new, nothing's new. Whole store is old, Danielle, 741 00:44:36,840 --> 00:44:39,919 Speaker 1: My favorite is Okay, let's go make our noses bleed 742 00:44:40,320 --> 00:44:47,000 Speaker 1: at the concert? Minds a bit long? Hey, was Rachel pretty? What? 743 00:44:48,080 --> 00:44:52,040 Speaker 1: I'm just curious? Was she pretty? She was pretty? Like? 744 00:44:52,160 --> 00:44:54,480 Speaker 1: What kind of pretty? What do you mean? What kind 745 00:44:54,480 --> 00:44:56,759 Speaker 1: of pretty? I mean like, was she at Katherine's said 746 00:44:56,760 --> 00:44:59,680 Speaker 1: to Jones kind of pretty? Or Michelle Fifery pretty? Or 747 00:45:00,640 --> 00:45:04,520 Speaker 1: she was an elm Pherson kind of pretty? Really? Yep, 748 00:45:05,480 --> 00:45:08,959 Speaker 1: that's an intense kind of pretty. Amy. Have you heard 749 00:45:08,960 --> 00:45:13,239 Speaker 1: the expression brevity is the soul of wit? Have you 750 00:45:13,280 --> 00:45:16,080 Speaker 1: heard that one? I also liked when Paris and I'm 751 00:45:16,080 --> 00:45:20,600 Speaker 1: paraphrasing when Paris said, is the best night of my life? 752 00:45:21,320 --> 00:45:24,160 Speaker 1: All right? Can we can we stop screwing around here 753 00:45:24,200 --> 00:45:26,680 Speaker 1: and get to the actual best line of the episode, 754 00:45:26,680 --> 00:45:29,600 Speaker 1: which I am about too. And let me let me 755 00:45:29,640 --> 00:45:31,239 Speaker 1: see if I can get this right? Is she what 756 00:45:31,280 --> 00:45:34,600 Speaker 1: did she say? Okay? So when Laurel. I was and 757 00:45:34,840 --> 00:45:37,959 Speaker 1: and Suki were hunting the New York apartment building around 758 00:45:38,000 --> 00:45:41,480 Speaker 1: the corner from the concert hall. And then we're knocking 759 00:45:41,520 --> 00:45:43,120 Speaker 1: on doors. There was a there was a woman who 760 00:45:43,160 --> 00:45:46,120 Speaker 1: opened the door who said what did she see? At 761 00:45:46,160 --> 00:45:50,800 Speaker 1: two lines? And it just was the funniest thing. She says, Uh, 762 00:45:50,920 --> 00:45:57,840 Speaker 1: I don't talk to anyone. People annoy me slam. That 763 00:45:56,520 --> 00:46:00,960 Speaker 1: was That was gold for me. Thank you. The required 764 00:46:00,960 --> 00:46:04,440 Speaker 1: reading for this show. We have Macbeth Act four, scene one, 765 00:46:04,800 --> 00:46:07,280 Speaker 1: and this is when Rory quotes the double double toil 766 00:46:07,280 --> 00:46:10,080 Speaker 1: in trouble. And then we have something wicked this way 767 00:46:10,160 --> 00:46:13,920 Speaker 1: comes by Ray Bradbury. What's next week? What are we watching? 768 00:46:14,160 --> 00:46:24,360 Speaker 1: What is next week? You know? Maybe sometime good. It's 769 00:46:24,400 --> 00:46:27,240 Speaker 1: like me trying to find the accent for the character. 770 00:46:27,840 --> 00:46:35,279 Speaker 1: Maybe sometime like stick did it? What's episode fourteen? The 771 00:46:35,400 --> 00:46:41,640 Speaker 1: damn Donna Reid? Oh yeah, big meaning for you because 772 00:46:41,680 --> 00:46:46,080 Speaker 1: I know I know something that's coming very soon and 773 00:46:46,239 --> 00:46:53,680 Speaker 1: I um excited. You're not gonna tell or excited? No, no, 774 00:46:53,800 --> 00:46:55,960 Speaker 1: because you need to watch because you I don't want 775 00:46:55,960 --> 00:46:58,640 Speaker 1: to ruin ruin it. I want to hear your honest reaction. 776 00:46:59,360 --> 00:47:03,160 Speaker 1: If anybody listening, right now. And everybody listening doesn't think 777 00:47:03,200 --> 00:47:06,160 Speaker 1: that this is like totally legit. You're wrong because they 778 00:47:06,200 --> 00:47:08,799 Speaker 1: don't tell me anything. Man, I gotta watch. I gotta 779 00:47:08,880 --> 00:47:11,640 Speaker 1: earn the knowledge by watching the episodes. And I haven't 780 00:47:11,640 --> 00:47:15,080 Speaker 1: seen the episodes. Yeah, I will admit I snuck ahead 781 00:47:15,120 --> 00:47:20,680 Speaker 1: the next two because of something major coming. And uh, 782 00:47:20,920 --> 00:47:28,839 Speaker 1: I will tell you soon if you are worthy, if 783 00:47:28,880 --> 00:47:35,719 Speaker 1: you do your prescribed work. Man, just a little intense sometimes, 784 00:47:35,760 --> 00:47:39,840 Speaker 1: just sometimes just he's a little intense at times, not 785 00:47:40,120 --> 00:47:48,080 Speaker 1: sometimes at times times. Pardon me, he's a little intense infrequently. 786 00:47:48,719 --> 00:47:53,040 Speaker 1: Once in a blue moon, Yeah, once in a blue moon. Yeah. 787 00:47:53,640 --> 00:47:58,520 Speaker 1: All right, guys, that was fun. Concert interrupt us. Wow, wow, Wow, 788 00:47:59,120 --> 00:48:03,400 Speaker 1: this was of This was telling in so many ways, 789 00:48:03,440 --> 00:48:06,040 Speaker 1: and this really pushes the story forward. And they stored 790 00:48:06,120 --> 00:48:09,800 Speaker 1: these narratives and these storylines forward and in really really interesting, 791 00:48:09,920 --> 00:48:15,640 Speaker 1: entertaining and humorous ways. Um. What a show. What a show. Um, anyway, 792 00:48:15,719 --> 00:48:19,920 Speaker 1: that's it. Uh, thanks for downloading, everybody, the best fans 793 00:48:20,040 --> 00:48:23,399 Speaker 1: on planet Earth and maybe even beyond, because y'all are 794 00:48:23,480 --> 00:48:26,120 Speaker 1: out of this world. Thank you very much. I am 795 00:48:26,160 --> 00:48:28,880 Speaker 1: Scott Patterson and this is the I Am All In 796 00:48:29,040 --> 00:48:31,839 Speaker 1: podcast with My Heart Radio We'll see you next time. 797 00:48:59,920 --> 00:49:04,480 Speaker 1: M Hey everybody, and don't forget Follow us on Instagram 798 00:49:04,520 --> 00:49:08,360 Speaker 1: at I Am all In podcast and email us at 799 00:49:08,440 --> 00:49:12,520 Speaker 1: Gilmore at I heart radio dot com. Oh you gil 800 00:49:12,600 --> 00:49:14,160 Speaker 1: More fans. If you're looking for the best cup of 801 00:49:14,200 --> 00:49:17,440 Speaker 1: coffee in the world, go to my website for my company, 802 00:49:17,760 --> 00:49:20,120 Speaker 1: scott EP dot com, s C O T. T y 803 00:49:20,239 --> 00:49:32,280 Speaker 1: P dot com, scott ep dot com Grade one Specialty Coffee. Yeah.