1 00:00:00,120 --> 00:00:02,760 Speaker 1: Hello the Internet, and welcome to season thirteen, episode two 2 00:00:02,759 --> 00:00:06,760 Speaker 1: of Dos Daly's Eight Guys for January nine, two eighteen. 3 00:00:06,800 --> 00:00:10,560 Speaker 1: My name is Jack O'Brien, a K. Monty Python's Life O'Brien. 4 00:00:11,640 --> 00:00:16,560 Speaker 1: That's courtesy of at Master Smutch and I'm joined as 5 00:00:16,600 --> 00:00:19,720 Speaker 1: always buy my co host, Mr Miles Gray Boy my 6 00:00:19,880 --> 00:00:23,880 Speaker 1: Miles A. Grays Brunatomy. And thank you from Christopher Martin 7 00:00:24,160 --> 00:00:27,720 Speaker 1: of cold Play for that suggestion. Yes, that was the 8 00:00:27,760 --> 00:00:30,480 Speaker 1: little legit Christopher Martin from cold Play, not someone on Twitter. 9 00:00:30,560 --> 00:00:32,159 Speaker 1: I mean I knew it was a fan, but he 10 00:00:32,320 --> 00:00:34,600 Speaker 1: was good that he's contributed to the a K. A's 11 00:00:35,200 --> 00:00:37,720 Speaker 1: and we are thrilled to be joined in our third 12 00:00:37,760 --> 00:00:41,800 Speaker 1: seat for the first time. Uh the hilarious comedian and 13 00:00:41,920 --> 00:00:47,280 Speaker 1: co host of the Bechdale Cast with crowd favorite Jamie loftus. 14 00:00:47,840 --> 00:00:52,319 Speaker 1: Uh please welcome Caitlin TORONTEA. Hi, thank you having me, 15 00:00:52,560 --> 00:00:56,400 Speaker 1: Thanks for being here. What is something from your search 16 00:00:56,480 --> 00:01:00,440 Speaker 1: history that is revealing about who you are? You? Oh? Um, 17 00:01:00,480 --> 00:01:05,240 Speaker 1: I recently searched for porgy, which is a combination of 18 00:01:05,319 --> 00:01:07,600 Speaker 1: a porg and a corky, because I was like, oh, 19 00:01:07,760 --> 00:01:10,520 Speaker 1: did anyone come up with this idea yet? Because I'm 20 00:01:10,560 --> 00:01:14,240 Speaker 1: pretty sure I I made this up and then someone 21 00:01:14,240 --> 00:01:17,120 Speaker 1: had already Oh so you're doing that thing where it's like, 22 00:01:17,240 --> 00:01:19,920 Speaker 1: did I just come up with something exactly? And I 23 00:01:19,959 --> 00:01:21,280 Speaker 1: was like, I had to make sure I didn't steal it. 24 00:01:21,319 --> 00:01:25,280 Speaker 1: But parallel thinking someone had already, you know, photoshop the 25 00:01:25,280 --> 00:01:28,000 Speaker 1: face of a Yep, there it is the face of 26 00:01:28,000 --> 00:01:31,160 Speaker 1: a porg onto a cordy body. But I don't think 27 00:01:31,200 --> 00:01:34,560 Speaker 1: anyone has photoshopped the face of a corgy onto a 28 00:01:34,640 --> 00:01:37,720 Speaker 1: porg's body. So I would like to trademark that right 29 00:01:37,720 --> 00:01:42,040 Speaker 1: now so much. That is your intellectual property. Yes, um, 30 00:01:42,480 --> 00:01:43,960 Speaker 1: I thought it was. I thought you're gonna do something 31 00:01:43,920 --> 00:01:46,880 Speaker 1: about porgy and bess that's what That's where my mind goes. 32 00:01:48,640 --> 00:01:53,720 Speaker 1: Parallel thinking is an amazing phenomenon. Like, uh, people would 33 00:01:53,720 --> 00:01:57,080 Speaker 1: always pitch up stuff at cracked where we we had 34 00:01:57,120 --> 00:01:59,600 Speaker 1: already done it, or then we would do something like 35 00:01:59,640 --> 00:02:01,720 Speaker 1: at the exact same like on the same day that 36 00:02:01,760 --> 00:02:04,560 Speaker 1: they pitched it. Maybe what you stole it. It's like 37 00:02:04,600 --> 00:02:08,720 Speaker 1: we can't turn an article around in like two minutes. Um. 38 00:02:08,840 --> 00:02:10,799 Speaker 1: One thing. I was sinking along that line a long 39 00:02:10,800 --> 00:02:15,360 Speaker 1: time ago. I searched bi linguo because I thought of 40 00:02:15,400 --> 00:02:18,680 Speaker 1: a mashup of the actress Bi ling and the Linguo 41 00:02:18,760 --> 00:02:22,160 Speaker 1: the grammar robot from The Simpsons. Nobody thought that up 42 00:02:22,200 --> 00:02:24,720 Speaker 1: because it's not necessary. At least yours makes sense. And 43 00:02:24,720 --> 00:02:28,040 Speaker 1: I was not a millionaire. Look, bro, Bi Linguo, you 44 00:02:28,080 --> 00:02:31,920 Speaker 1: know Linguo is dead anyway. Um, that's where my mind is. 45 00:02:31,960 --> 00:02:36,320 Speaker 1: What's something you think is overrated? Would you allen? What's something? 46 00:02:38,280 --> 00:02:43,160 Speaker 1: What's something you think is underrated? The movie Paddington, Yeah, 47 00:02:43,280 --> 00:02:46,240 Speaker 1: okay about Paddington Bear. Yes, is that the new there's 48 00:02:46,280 --> 00:02:48,239 Speaker 1: a new there's a new one coming out this Friday, 49 00:02:48,320 --> 00:02:52,520 Speaker 1: I think. But the first movie I think came on 50 00:02:53,880 --> 00:02:57,360 Speaker 1: or right around somewhere recently. Uh. And it is a 51 00:02:57,360 --> 00:02:59,760 Speaker 1: great movie. I would say, better than Citizen Kane. Thank 52 00:02:59,760 --> 00:03:02,880 Speaker 1: you very much. That's a take away. What makes Paddington 53 00:03:03,040 --> 00:03:08,240 Speaker 1: so moving compelling? Oh man, I mean the first twenty minutes, 54 00:03:08,280 --> 00:03:10,760 Speaker 1: everyone's like, oh, the first twenty minutes of up, cry, 55 00:03:10,880 --> 00:03:14,840 Speaker 1: fast patting, it has nothing on Paddington. Paddington's first twenty minutes. 56 00:03:14,880 --> 00:03:17,520 Speaker 1: You'll cry, you'll laugh, you'll have a you know, you 57 00:03:17,600 --> 00:03:20,880 Speaker 1: just get very emotionally invested in this little bear. The 58 00:03:20,919 --> 00:03:25,000 Speaker 1: movie is an allegory for immigration, and it was all 59 00:03:25,000 --> 00:03:28,160 Speaker 1: these layers and it's just he's so sweet and endearing. 60 00:03:28,360 --> 00:03:30,960 Speaker 1: It's just like a teddy bear looking thing with a 61 00:03:31,000 --> 00:03:33,400 Speaker 1: big hat on, right, I mean not even he looks 62 00:03:33,440 --> 00:03:35,360 Speaker 1: like a real bear in the movie like in the 63 00:03:35,400 --> 00:03:39,160 Speaker 1: In the books, he looks more. I think, oh shit, 64 00:03:39,320 --> 00:03:42,240 Speaker 1: it's about Wait, he's a Peruvian bear who's displaced by 65 00:03:42,240 --> 00:03:45,880 Speaker 1: an earthquake. Yes, and I'm just reading the thing is like, 66 00:03:45,960 --> 00:03:48,560 Speaker 1: after the earthquake destroys home in the Peruvian rainforest, a 67 00:03:48,600 --> 00:03:50,520 Speaker 1: young bear makes his way to England in search of 68 00:03:50,560 --> 00:03:54,600 Speaker 1: a new home. Damn, that's like the story of Salvadorans, 69 00:03:55,120 --> 00:03:58,480 Speaker 1: I'm told is how you say it? Because they all 70 00:03:58,560 --> 00:04:04,280 Speaker 1: got that like uh, temporary protect temporary protected status from 71 00:04:04,320 --> 00:04:07,920 Speaker 1: because there were like two huge earthquakes. So that's very timely. 72 00:04:07,920 --> 00:04:11,800 Speaker 1: Paddington is ahead of the Zeitgeid, but a xenophobic orange 73 00:04:11,800 --> 00:04:14,640 Speaker 1: funck bag doesn't like rescind his ability to stay in 74 00:04:14,640 --> 00:04:17,520 Speaker 1: the country. Right, Paddington is free to stay in the UK, yes, 75 00:04:18,000 --> 00:04:21,400 Speaker 1: but um the family that sort of finds him and 76 00:04:21,400 --> 00:04:25,680 Speaker 1: takes him in, the father is very reluctant to help him. 77 00:04:25,760 --> 00:04:28,640 Speaker 1: And then you know the story infolds from there. But 78 00:04:29,360 --> 00:04:34,799 Speaker 1: you know there's definitely, some allegorical animals have an accent. Paddington, 79 00:04:35,640 --> 00:04:38,040 Speaker 1: Yeah he is. Well, okay, so he's he has a 80 00:04:38,080 --> 00:04:41,120 Speaker 1: British accent even though he's from Peru. But how do 81 00:04:41,160 --> 00:04:46,360 Speaker 1: you finesse that a British um explorer finds these this 82 00:04:46,520 --> 00:04:49,760 Speaker 1: beare family in darkest Peru and then he teaches them 83 00:04:49,760 --> 00:04:53,840 Speaker 1: English so they adopt his British accent. Yes, I remember 84 00:04:53,880 --> 00:04:57,600 Speaker 1: Paddington being and I would say English accent surprisingly from 85 00:04:57,600 --> 00:05:01,640 Speaker 1: my fans out there. Okay, I remember Paddington being surprisingly 86 00:05:01,839 --> 00:05:05,040 Speaker 1: well received by critics, like I think it was I'm 87 00:05:05,080 --> 00:05:11,440 Speaker 1: Rotten Tomatoes seventy seven on Metacritic. Uh, Paddington two Metacritic. 88 00:05:11,560 --> 00:05:16,080 Speaker 1: That like Oscar Picture Territory. I guess I'm gonna cry 89 00:05:16,080 --> 00:05:19,960 Speaker 1: to Paddington tonight. Yeah seriously, Um, all right, let's get 90 00:05:19,960 --> 00:05:21,680 Speaker 1: into format. We're trying to take a sample of the 91 00:05:21,720 --> 00:05:23,880 Speaker 1: ideas that are out there changing the world. We talked 92 00:05:23,880 --> 00:05:27,200 Speaker 1: about pop culture, the news, but yeah, we're just generally 93 00:05:27,240 --> 00:05:29,960 Speaker 1: trying to take the temperature of the global share consciousness. Miles. 94 00:05:29,960 --> 00:05:33,080 Speaker 1: Where are we at? You know, I think we're holding steady. 95 00:05:33,120 --> 00:05:36,520 Speaker 1: It's still hot. It's still hot. Yeah, there's still there's 96 00:05:36,520 --> 00:05:38,240 Speaker 1: still a lot going on. There's still a lot going on, 97 00:05:38,400 --> 00:05:41,400 Speaker 1: and we like to open by asking our guests what 98 00:05:41,640 --> 00:05:45,520 Speaker 1: is something that that global share consciousness thinks is true 99 00:05:45,760 --> 00:05:49,400 Speaker 1: that you know, to be a myth that men are 100 00:05:49,440 --> 00:05:53,600 Speaker 1: funnier than women or that women aren't funny. Those are 101 00:05:53,640 --> 00:05:57,240 Speaker 1: myths and I know this from my personal experience from 102 00:05:57,279 --> 00:06:02,919 Speaker 1: being very funny. Now. Um yeah, I mean it's I 103 00:06:02,920 --> 00:06:05,200 Speaker 1: don't know if this is a I think it is 104 00:06:05,240 --> 00:06:07,479 Speaker 1: a global thing. I don't know if it's super pressing 105 00:06:07,600 --> 00:06:13,680 Speaker 1: right now. I um, it might be irresponsible for me, 106 00:06:14,200 --> 00:06:17,920 Speaker 1: but I am not. I'm not super keeping up with 107 00:06:18,160 --> 00:06:23,200 Speaker 1: the latest news for mental health reasons. Um. I people 108 00:06:23,240 --> 00:06:25,520 Speaker 1: tell me what's happening, and then I'm like, oh, that's 109 00:06:25,600 --> 00:06:28,320 Speaker 1: the story I should know about. But I'm not reading 110 00:06:28,320 --> 00:06:31,359 Speaker 1: the news, so I might um, you might be you know, 111 00:06:31,480 --> 00:06:33,279 Speaker 1: saying things and I'm like, I have no idea what 112 00:06:33,360 --> 00:06:36,800 Speaker 1: you're talking about. We don't have any idea. We're on 113 00:06:36,839 --> 00:06:39,520 Speaker 1: the same pole. Great, wonderful, um. But yeah, so this 114 00:06:39,600 --> 00:06:43,719 Speaker 1: isn't like a hot news topic that people are going 115 00:06:43,720 --> 00:06:47,080 Speaker 1: around right now being like women aren't funny. Um, but 116 00:06:47,400 --> 00:06:51,440 Speaker 1: that is a myth that um, I wish to debunk 117 00:06:51,760 --> 00:06:54,400 Speaker 1: right here and right now. Yeah, is that something you 118 00:06:54,600 --> 00:06:57,040 Speaker 1: encounter a lot as a stand up Like do you 119 00:06:57,120 --> 00:07:03,640 Speaker 1: hear that? I mean, still guy, not from my peers 120 00:07:03,680 --> 00:07:05,520 Speaker 1: as and like the people that I choose to surround 121 00:07:05,600 --> 00:07:08,800 Speaker 1: myself with the other communities who I call friends. Um, 122 00:07:08,920 --> 00:07:12,000 Speaker 1: but you know I do. I host an open mic, 123 00:07:12,360 --> 00:07:17,360 Speaker 1: so I see open mic comics who aren't. Not to 124 00:07:17,360 --> 00:07:18,920 Speaker 1: say that all of them are like this, but there's 125 00:07:19,040 --> 00:07:20,880 Speaker 1: plenty who are, like, you know, they go up there 126 00:07:20,880 --> 00:07:24,480 Speaker 1: and they say very sexist material, racist stuff, homophobic stuff, 127 00:07:24,520 --> 00:07:27,040 Speaker 1: mediocre white man who I feel a lot of self 128 00:07:27,080 --> 00:07:38,720 Speaker 1: confidence weird. Um. Yeah, I've like people non comedy, people 129 00:07:38,840 --> 00:07:42,560 Speaker 1: who I encounter like uncles who are like in their fifties, 130 00:07:42,680 --> 00:07:47,080 Speaker 1: and you know, they'll say stuff like yeah, even though 131 00:07:47,120 --> 00:07:49,600 Speaker 1: she's like a woman, I really like her stand up 132 00:07:49,640 --> 00:07:51,800 Speaker 1: And I'm like, that's not a separate genre that is 133 00:07:53,280 --> 00:07:59,680 Speaker 1: heard about this woman. Yeah, yeah, it's really It's persistent, um. 134 00:07:59,720 --> 00:08:02,840 Speaker 1: And I mean women have been the funniest thing on 135 00:08:03,960 --> 00:08:07,680 Speaker 1: TV for a long time. So I feel like anybody 136 00:08:07,720 --> 00:08:12,040 Speaker 1: who still believes that myth is uh hasn't been paying 137 00:08:12,040 --> 00:08:15,520 Speaker 1: attention for like the past fifteen years, I think. But 138 00:08:15,600 --> 00:08:19,040 Speaker 1: they're watching, like naked night anyway, right right, um, all right, 139 00:08:19,280 --> 00:08:21,400 Speaker 1: that's a that's a good one. Let's get into the 140 00:08:21,440 --> 00:08:26,840 Speaker 1: stories of the day. Um. H and M are Itch 141 00:08:26,880 --> 00:08:30,560 Speaker 1: and M the sort of knockoff fashion brand where you 142 00:08:30,600 --> 00:08:34,520 Speaker 1: can get all the hottest looks from last year's fashion 143 00:08:34,520 --> 00:08:39,320 Speaker 1: week for like five to fifteen dollars um. They just 144 00:08:39,520 --> 00:08:43,160 Speaker 1: released a I guess it was a catalog or an 145 00:08:43,160 --> 00:08:49,520 Speaker 1: advertisement with a black boy wearing a T shirt that 146 00:08:49,600 --> 00:08:54,160 Speaker 1: said the Coolest Monkey in the Jungle, and Twitter had 147 00:08:54,200 --> 00:08:58,800 Speaker 1: a fit. I mean, I don't get everybody. Everybody. I mean, 148 00:08:58,880 --> 00:09:01,640 Speaker 1: it's a fucking crazy easy Okay. I don't know how 149 00:09:01,679 --> 00:09:05,200 Speaker 1: the fuck H and M lets something like this see 150 00:09:05,240 --> 00:09:07,040 Speaker 1: the light of day, right, Okay, let's if you go 151 00:09:07,120 --> 00:09:11,880 Speaker 1: through it. Either they're intentionally racist or they'll say we're 152 00:09:11,920 --> 00:09:13,720 Speaker 1: so sorry, we don't know how this happened. And if 153 00:09:13,760 --> 00:09:16,240 Speaker 1: it's ignorance, that means they're not enough people of color 154 00:09:16,760 --> 00:09:19,319 Speaker 1: along the chain of command for this ad to get 155 00:09:19,400 --> 00:09:22,120 Speaker 1: to for them say fuck out of here, fire whoever 156 00:09:22,160 --> 00:09:23,920 Speaker 1: the funk thought this is a good idea, we can't 157 00:09:23,960 --> 00:09:27,800 Speaker 1: have this, which brings us to the point. You see 158 00:09:27,800 --> 00:09:29,679 Speaker 1: this kind of ship with like Zara, they had a 159 00:09:29,679 --> 00:09:32,600 Speaker 1: shirt that looked like a concentration camp uniform. Urban offitters 160 00:09:32,760 --> 00:09:35,160 Speaker 1: fucking up constantly with their controversial ship. They like a 161 00:09:35,200 --> 00:09:39,080 Speaker 1: ganesh like throw blanket, or they had a the Kent 162 00:09:39,200 --> 00:09:43,640 Speaker 1: State bloody sweatshirt. It makes you think, is this on purpose? Now? 163 00:09:43,880 --> 00:09:45,760 Speaker 1: Are like the brands is fucking doing this ship? So 164 00:09:45,840 --> 00:09:48,720 Speaker 1: we talk about them because look, H and M has succeeded, 165 00:09:48,760 --> 00:09:51,920 Speaker 1: They got lebron everybody is on like, everybody's talking about 166 00:09:52,000 --> 00:09:53,800 Speaker 1: HTM right now, and you can look at their website 167 00:09:54,559 --> 00:09:58,200 Speaker 1: off sale, right, So this is how they decided to 168 00:09:58,240 --> 00:10:01,280 Speaker 1: like get a little spike of interest. Yeah, it's I 169 00:10:01,320 --> 00:10:03,080 Speaker 1: don't know, you's got to be better ways than to 170 00:10:03,120 --> 00:10:07,000 Speaker 1: be horrifically racist, though, like well they aren't. They take 171 00:10:07,520 --> 00:10:10,040 Speaker 1: just doing other things. I don't know, maybe they just 172 00:10:10,320 --> 00:10:13,080 Speaker 1: they just see like a raw data. The amount of 173 00:10:13,200 --> 00:10:15,720 Speaker 1: impressions or the amount of mentions or at the like 174 00:10:15,840 --> 00:10:18,080 Speaker 1: just their name the amount of name checks that happened 175 00:10:18,400 --> 00:10:20,760 Speaker 1: as a result of this stuff is probably you know, 176 00:10:20,840 --> 00:10:23,360 Speaker 1: any publicity is good publicity, right if it's if you're 177 00:10:23,480 --> 00:10:26,439 Speaker 1: if you have that kind of like ancient mentality. I 178 00:10:26,480 --> 00:10:28,760 Speaker 1: mean it's interesting because H and M stock has been 179 00:10:28,840 --> 00:10:31,800 Speaker 1: like like not in a good place, to say the least, 180 00:10:31,840 --> 00:10:34,760 Speaker 1: and like analysts, analysts like recommend you sell their stock 181 00:10:34,880 --> 00:10:37,560 Speaker 1: that was even before this, so they're not in a 182 00:10:37,600 --> 00:10:39,839 Speaker 1: good place. So maybe this is like a hail Mary thing, 183 00:10:39,880 --> 00:10:43,199 Speaker 1: like where they're like urban outfitters, like people like Dove, 184 00:10:43,440 --> 00:10:45,319 Speaker 1: Like you know, there there are many brands who you 185 00:10:45,360 --> 00:10:48,400 Speaker 1: think should know better. And happens too frequently that it's like, 186 00:10:49,200 --> 00:10:52,800 Speaker 1: what's what's going right? They're counting on this like making 187 00:10:52,800 --> 00:10:56,240 Speaker 1: a splash on the internet, but like not really causing 188 00:10:56,240 --> 00:11:00,839 Speaker 1: any lasting damage. It seems like, and we should make 189 00:11:00,840 --> 00:11:04,560 Speaker 1: sure it does cause cause lasting damage and boycott H 190 00:11:04,600 --> 00:11:07,400 Speaker 1: and M. It's a shitty company. It's just so hard 191 00:11:07,440 --> 00:11:09,440 Speaker 1: to get people like like, I don't know that there's 192 00:11:10,240 --> 00:11:11,839 Speaker 1: I feel like people need to figure out how to 193 00:11:11,880 --> 00:11:14,680 Speaker 1: effectively start boycotting products because like that's really the only 194 00:11:14,679 --> 00:11:18,160 Speaker 1: way that that really companies listen because they're you know, 195 00:11:18,360 --> 00:11:21,559 Speaker 1: they're all they're worried about our their profit margins. So 196 00:11:22,640 --> 00:11:25,000 Speaker 1: now when I when I tell people to boycott, like 197 00:11:25,000 --> 00:11:28,040 Speaker 1: the whole country just boycotts. That's true, And you're missing 198 00:11:28,160 --> 00:11:30,079 Speaker 1: in your power, my man, I told you yesterday you 199 00:11:30,120 --> 00:11:33,040 Speaker 1: used tell Twet tweeted out that you're no longer wearing 200 00:11:33,160 --> 00:11:35,480 Speaker 1: H and M. The hard thing about boycotting something, though, 201 00:11:35,559 --> 00:11:39,439 Speaker 1: is that if you were to boycott all the problematic companies, 202 00:11:39,880 --> 00:11:44,160 Speaker 1: there's really almost nothing left to buy except for homespun clothing. 203 00:11:44,520 --> 00:11:46,880 Speaker 1: Oh yeah, yeah, well wait with that, I mean like 204 00:11:47,000 --> 00:11:51,520 Speaker 1: literally homespun like you would like on a loom, not 205 00:11:51,640 --> 00:11:54,040 Speaker 1: a company, just making your own take it into your 206 00:11:54,080 --> 00:11:56,880 Speaker 1: own hands. But that does sound like a brand home 207 00:11:57,160 --> 00:11:59,960 Speaker 1: homespun clothing brought to you by Miles. Yes, I don't know, 208 00:12:00,160 --> 00:12:03,120 Speaker 1: it's again. It's one of those things too, because it's 209 00:12:03,120 --> 00:12:05,080 Speaker 1: been written up a few times, especially with urban outfitters, 210 00:12:05,080 --> 00:12:07,360 Speaker 1: because they do it so frequently that people in the 211 00:12:07,360 --> 00:12:10,240 Speaker 1: PR world say, there's no way you can funk up 212 00:12:10,240 --> 00:12:14,439 Speaker 1: that frequently and it not be on purpose. Yeah, unless 213 00:12:14,480 --> 00:12:18,199 Speaker 1: you just the worst hiring like process aff and you're like, yeah, sure, 214 00:12:18,440 --> 00:12:20,600 Speaker 1: that's what they say about urban outfitters, right, because they 215 00:12:20,640 --> 00:12:23,439 Speaker 1: like have one of these every six months because every 216 00:12:23,720 --> 00:12:27,960 Speaker 1: they just like feed us diet of really controversial offense 217 00:12:28,240 --> 00:12:32,720 Speaker 1: Chinese man costume and the ghetto ghetto wappoli like Monopoly 218 00:12:32,760 --> 00:12:35,320 Speaker 1: board game. Everybody loves a jewelish girl with the dollar 219 00:12:35,400 --> 00:12:38,960 Speaker 1: science t shirt. Uh, New Mexico cleaner than regular Mexico 220 00:12:39,040 --> 00:12:43,720 Speaker 1: T shirt. Uh Navajo hipster panties. Uh the holic they 221 00:12:43,720 --> 00:12:45,960 Speaker 1: did a Holicos shirt. It's like, do they think they're 222 00:12:45,960 --> 00:12:48,960 Speaker 1: being edgy? Like what that's what we think? Like? Is that? Yeah? 223 00:12:49,080 --> 00:12:53,080 Speaker 1: Maybe right there? Like I I can guarantee that during 224 00:12:53,320 --> 00:12:56,040 Speaker 1: one of those meetings they were like the sex pistols, 225 00:12:56,080 --> 00:12:58,480 Speaker 1: you know, they had like Swastika's we want this T 226 00:12:58,600 --> 00:13:02,800 Speaker 1: shirt to be like our set pistol swastika. Um, it's 227 00:13:02,840 --> 00:13:08,160 Speaker 1: how I envision going swastica again, right um h? And 228 00:13:08,280 --> 00:13:14,320 Speaker 1: m is Swedish? So is there maybe something where because 229 00:13:14,720 --> 00:13:18,000 Speaker 1: not only is their boardroom exclusively white, but their entire 230 00:13:18,080 --> 00:13:22,880 Speaker 1: country is like all of just white people that. Um. 231 00:13:22,960 --> 00:13:29,520 Speaker 1: I also know that European countries like will yell monkey 232 00:13:29,559 --> 00:13:32,960 Speaker 1: and ship during uh soccer games. Yeah, they can't feign 233 00:13:33,000 --> 00:13:36,240 Speaker 1: ignorance on that. Like the the equating black people to 234 00:13:36,480 --> 00:13:40,240 Speaker 1: monkeys and apes thing is global, so you can't you 235 00:13:40,280 --> 00:13:44,040 Speaker 1: can't play the we need new card on this one. 236 00:13:44,520 --> 00:13:47,440 Speaker 1: But European countries seem to be like quicker with that 237 00:13:47,880 --> 00:13:53,680 Speaker 1: like reference than I imagine Americans are. So maybe that's it. 238 00:13:53,679 --> 00:13:58,600 Speaker 1: It's like part of some sort of European naive racism 239 00:13:58,679 --> 00:14:00,920 Speaker 1: or something. I mean, I just don't I don't know 240 00:14:00,920 --> 00:14:04,720 Speaker 1: if that's everybody excuses anything. I'm just saying in terms 241 00:14:04,760 --> 00:14:08,320 Speaker 1: of whether it was intentional or not, like whether whether 242 00:14:08,400 --> 00:14:11,400 Speaker 1: this could have because you know, it's a it's an 243 00:14:11,440 --> 00:14:14,800 Speaker 1: ad for a major company that's traded on the stock market. 244 00:14:14,840 --> 00:14:18,120 Speaker 1: This is like hitting there, like their stock is turning 245 00:14:18,280 --> 00:14:20,800 Speaker 1: down a little bit, not as much as when they 246 00:14:21,000 --> 00:14:25,600 Speaker 1: released their sales figures, but it's turning down slightly. And 247 00:14:25,680 --> 00:14:30,000 Speaker 1: so I'm just wondering, like, you know, twenty people looked 248 00:14:30,000 --> 00:14:33,320 Speaker 1: at this add and we're like, you know this this 249 00:14:33,360 --> 00:14:36,800 Speaker 1: photograph was picked out of probably a thousand photographs that 250 00:14:36,880 --> 00:14:38,680 Speaker 1: were taking that day. Well, I'm sure if you think 251 00:14:38,680 --> 00:14:41,480 Speaker 1: about it, like the way that set worked, unless they're 252 00:14:41,520 --> 00:14:44,240 Speaker 1: like photoshopping the designs on the models after the fact, 253 00:14:44,520 --> 00:14:47,280 Speaker 1: someone on on that set was like, Okay, and put 254 00:14:47,280 --> 00:14:49,680 Speaker 1: this child in the coolest monkey in the jungle hoodie 255 00:14:49,920 --> 00:14:52,720 Speaker 1: and take a picture. I don't know if there's anybody 256 00:14:52,760 --> 00:14:54,640 Speaker 1: of color on that set to be like, hey, I 257 00:14:54,640 --> 00:14:56,240 Speaker 1: don't know if you won't really do that, or if 258 00:14:56,280 --> 00:15:02,040 Speaker 1: maybe it's not their places. Yeah that's yeah, it's really 259 00:15:02,120 --> 00:15:03,880 Speaker 1: you Okay, so it's not like the kid yet. I 260 00:15:03,880 --> 00:15:06,120 Speaker 1: was gonna say, because I'm always curious about ads like 261 00:15:06,160 --> 00:15:11,680 Speaker 1: that that are extremely offensive. The model I mean has 262 00:15:11,720 --> 00:15:15,720 Speaker 1: to I guess, agree to wearing whatever or doing whatever. Um, 263 00:15:15,760 --> 00:15:19,360 Speaker 1: if it's a kid, probably wouldn't, you know, be inclined 264 00:15:19,400 --> 00:15:21,760 Speaker 1: to speak up. But who knows if their parent was 265 00:15:21,800 --> 00:15:24,600 Speaker 1: there and they'd be like, don't dress my child. Yeah, 266 00:15:24,600 --> 00:15:27,200 Speaker 1: there's got to be um. But you see plenty of 267 00:15:27,280 --> 00:15:29,880 Speaker 1: ads like that where there's like an adult person of 268 00:15:29,920 --> 00:15:33,320 Speaker 1: color featured, and you have to wonder like do they 269 00:15:33,360 --> 00:15:35,960 Speaker 1: put up any sort of protest or for them it's 270 00:15:35,960 --> 00:15:38,880 Speaker 1: a paycheck. They probably can't. Really don't feel like they're 271 00:15:38,920 --> 00:15:42,760 Speaker 1: in a position to contest whatever it is because they're like, well, 272 00:15:42,760 --> 00:15:44,400 Speaker 1: I'll get fired and then I won't get the money 273 00:15:44,400 --> 00:15:45,920 Speaker 1: that I thought I was going to do this job. 274 00:15:45,960 --> 00:15:48,840 Speaker 1: So I think I think one thing they've just consider, 275 00:15:48,920 --> 00:15:51,920 Speaker 1: even if they're right, it's everybody who works there or 276 00:15:52,000 --> 00:15:55,440 Speaker 1: in the decision making seats is white. Their global brand, 277 00:15:55,560 --> 00:15:58,000 Speaker 1: So you have a global responsibility. You have you have 278 00:15:58,280 --> 00:16:00,520 Speaker 1: stores in Africa, you have store in the Middle East, 279 00:16:00,480 --> 00:16:02,840 Speaker 1: you have stores in Asia, So then you need to 280 00:16:02,880 --> 00:16:06,320 Speaker 1: refine your process to make sure you're not just fucking 281 00:16:06,520 --> 00:16:10,440 Speaker 1: offending everybody because it's just I don't know, I'm got smacked. 282 00:16:11,640 --> 00:16:17,240 Speaker 1: Um yeah, so fuck h and M that's that's insane. Um. 283 00:16:17,800 --> 00:16:22,640 Speaker 1: We also, so the college football playoff was last night, 284 00:16:23,160 --> 00:16:28,600 Speaker 1: Uh and Alabama one. As I predicted, it was a 285 00:16:28,640 --> 00:16:34,400 Speaker 1: pretty good game. Uh. President Trump was in attendance, and uh, 286 00:16:34,560 --> 00:16:37,800 Speaker 1: the there are cameras focused on him during the national anthem, 287 00:16:37,920 --> 00:16:39,880 Speaker 1: as it would be if he's the president United and 288 00:16:40,000 --> 00:16:43,320 Speaker 1: somebody for whom the national anthem is incredibly important. And 289 00:16:43,400 --> 00:16:46,840 Speaker 1: it has caused him to, you know, alienate half the 290 00:16:46,920 --> 00:16:51,680 Speaker 1: nation by and you know, get people to rise up 291 00:16:51,720 --> 00:16:55,280 Speaker 1: against these spoiled athletes who are disrespecting the national anthem 292 00:16:55,320 --> 00:16:58,720 Speaker 1: by kneeling during it. And uh, he didn't seem like 293 00:16:58,760 --> 00:17:01,280 Speaker 1: he knew the words, so the nationally But are you surprised. 294 00:17:01,360 --> 00:17:04,440 Speaker 1: Is anyone's surprised? Yeah? You are. How do you get 295 00:17:04,480 --> 00:17:06,720 Speaker 1: to be president of the United States and not know 296 00:17:06,760 --> 00:17:08,919 Speaker 1: the words of the national anthem? Like, I mean, I 297 00:17:08,960 --> 00:17:11,439 Speaker 1: think we're past that being a reason, Like how do 298 00:17:11,440 --> 00:17:13,080 Speaker 1: you get the president you don't know the nation? It's like, 299 00:17:13,080 --> 00:17:14,639 Speaker 1: how do you get the president and you're a sex offender? 300 00:17:14,680 --> 00:17:18,199 Speaker 1: How do you the president because you're the national anthem, 301 00:17:18,240 --> 00:17:20,879 Speaker 1: like constantly as the president of the United States, aren't 302 00:17:20,880 --> 00:17:23,240 Speaker 1: people like play that ship when you walk into the room? 303 00:17:23,560 --> 00:17:25,280 Speaker 1: I think it's hailed to the chief when you want. 304 00:17:26,440 --> 00:17:30,879 Speaker 1: Even so he's how old he's had seventy years to 305 00:17:30,960 --> 00:17:34,640 Speaker 1: hear it and absorbed the lyrics, I don't really care. 306 00:17:34,760 --> 00:17:37,119 Speaker 1: I mean, like he's this is the least offensive thing 307 00:17:37,160 --> 00:17:41,000 Speaker 1: to me that an old guy who probably has diminished 308 00:17:41,040 --> 00:17:43,920 Speaker 1: mental capacity doesn't remember a song that even people who 309 00:17:44,000 --> 00:17:50,640 Speaker 1: sing it publicly funk up on. Uh. So like, yeah, 310 00:17:50,760 --> 00:17:52,520 Speaker 1: this is the this is the least of our works 311 00:17:52,680 --> 00:17:55,600 Speaker 1: right now. But it's interesting because the way he does 312 00:17:55,640 --> 00:17:58,080 Speaker 1: it too, is like he starts off being like, oh, say, 313 00:17:58,160 --> 00:18:00,399 Speaker 1: can you see and then he gets like maybe a 314 00:18:00,400 --> 00:18:02,600 Speaker 1: couple of standars. Even at the beginning, he's a little 315 00:18:02,640 --> 00:18:06,399 Speaker 1: behind the singer, like he's letting them like say the 316 00:18:06,440 --> 00:18:10,840 Speaker 1: word before he goes in. But yeah, then this is 317 00:18:10,880 --> 00:18:13,160 Speaker 1: like one of the most identifiable things I've seen him 318 00:18:13,280 --> 00:18:16,720 Speaker 1: do because it's like when you're like singing in church 319 00:18:16,960 --> 00:18:19,080 Speaker 1: or you know, trying to act like you know the 320 00:18:19,080 --> 00:18:22,639 Speaker 1: words to a song. Uh, and he's like, you know, 321 00:18:22,720 --> 00:18:26,640 Speaker 1: acting like he was singing that word already, maybe mumbling 322 00:18:26,680 --> 00:18:28,280 Speaker 1: over the lyrics. But then he also does this thing 323 00:18:28,320 --> 00:18:31,160 Speaker 1: where like he totally just full on pulls the ejector 324 00:18:31,240 --> 00:18:34,360 Speaker 1: button ejection lever and just doesn't sing for certain price 325 00:18:34,359 --> 00:18:37,119 Speaker 1: because he know. He's like, I can't even fake mouth lyrics. 326 00:18:37,680 --> 00:18:40,280 Speaker 1: And it reminds me of like man growing up. You 327 00:18:40,280 --> 00:18:42,000 Speaker 1: know I love hip hop? You love hip hop? Yes, 328 00:18:42,560 --> 00:18:45,320 Speaker 1: one of I I can identify with this because there 329 00:18:45,359 --> 00:18:47,480 Speaker 1: are times I try and sing along to a rap 330 00:18:47,520 --> 00:18:50,320 Speaker 1: song and like us, start off mad, confident, and then 331 00:18:50,359 --> 00:18:52,080 Speaker 1: part way through, I realized, oh wait, I don't know 332 00:18:52,119 --> 00:18:55,200 Speaker 1: all the words of this part case some point Woutang 333 00:18:55,280 --> 00:18:59,640 Speaker 1: Clan's song Triumph off the album Wu Tang Forever Um. 334 00:18:59,680 --> 00:19:01,880 Speaker 1: You know, maybe I can illustrate this better. Nick, please 335 00:19:01,960 --> 00:19:05,119 Speaker 1: drop the beating. Okay, So you know he's like, what 336 00:19:05,200 --> 00:19:08,439 Speaker 1: y'all thought you wasn't gonna see me? I'm the trump 337 00:19:08,480 --> 00:19:16,320 Speaker 1: of this ship, this team, all right, my Zeke Yang 338 00:19:16,320 --> 00:19:18,720 Speaker 1: and my zeke gang of rats. Let's do it like this. 339 00:19:19,040 --> 00:19:21,240 Speaker 1: I'm gonna rub your grass to the moon shine. Let's 340 00:19:21,280 --> 00:19:23,480 Speaker 1: say get back to seventy nine and then would go 341 00:19:23,600 --> 00:19:28,160 Speaker 1: up amatomically Socrates Philosophies like disease can't define out, I'll 342 00:19:28,200 --> 00:19:33,520 Speaker 1: be dropping these bacoies lyrically robbery flee with the lottery 343 00:19:33,560 --> 00:19:37,919 Speaker 1: slid me. So listen the thing at the end. It's 344 00:19:37,920 --> 00:19:39,840 Speaker 1: it's hard. Yeah, Jack, you you kind of you could. 345 00:19:39,920 --> 00:19:41,720 Speaker 1: You could hype man the song, but I had to 346 00:19:41,760 --> 00:19:45,280 Speaker 1: inspect that. I had to be the inspected. Yeah, exactly, 347 00:19:45,480 --> 00:19:50,920 Speaker 1: lobotomy phlebotomus um. So yes, that's why I, for once 348 00:19:50,960 --> 00:19:53,439 Speaker 1: in my life, I identified with the struggle to recall 349 00:19:53,560 --> 00:19:57,080 Speaker 1: the lyrics. But also, I mean, look, this is the 350 00:19:57,160 --> 00:20:00,359 Speaker 1: least of our problems with this man. Yeah. Think it's 351 00:20:00,359 --> 00:20:02,200 Speaker 1: funny that, Yeah, it was. It's fun to watch. I 352 00:20:02,240 --> 00:20:06,240 Speaker 1: just think it's interesting, as Superproducer and Hosniad say, in 353 00:20:06,280 --> 00:20:08,800 Speaker 1: this climate, all right, we're gonna take quick break. We'll 354 00:20:08,840 --> 00:20:23,480 Speaker 1: be right back, and we're back. So we wanted to talk. Apparently, 355 00:20:24,240 --> 00:20:29,440 Speaker 1: Ivanka Trump tweeted, uh, you know, eldest daughter and adviser 356 00:20:29,680 --> 00:20:33,119 Speaker 1: to President of the United States Donald Trump. We just 357 00:20:33,160 --> 00:20:38,800 Speaker 1: mentioned him before the break ard of him. Uh. She 358 00:20:39,080 --> 00:20:44,879 Speaker 1: praised the speech given by Oprah Winfrey about you know, 359 00:20:44,960 --> 00:20:47,520 Speaker 1: that's parked the rumors that she might run for president, 360 00:20:48,119 --> 00:20:51,840 Speaker 1: which is kind of crazy because she's talking about like, 361 00:20:52,160 --> 00:20:55,960 Speaker 1: you know, how empowering and inspiring it was. And I 362 00:20:56,000 --> 00:21:01,200 Speaker 1: think she closed it out with time's up exclamation point. UM. Yeah, 363 00:21:01,520 --> 00:21:05,560 Speaker 1: it's almost like she hasn't heard of her father or something. Um. 364 00:21:05,760 --> 00:21:08,600 Speaker 1: So we wanted to take this opportunity to just go 365 00:21:08,720 --> 00:21:12,480 Speaker 1: through we We've covered a couple of people who have 366 00:21:12,640 --> 00:21:15,000 Speaker 1: accused him of sexual assault in the past. We're gonna 367 00:21:15,359 --> 00:21:18,920 Speaker 1: try and take you through like all of it and 368 00:21:19,000 --> 00:21:22,400 Speaker 1: just uh kind of give you an idea of where 369 00:21:22,400 --> 00:21:25,240 Speaker 1: we're at with this guy and his accusers, because you 370 00:21:25,280 --> 00:21:27,639 Speaker 1: start to notice a lot of like similarities between the 371 00:21:27,680 --> 00:21:32,960 Speaker 1: accusations and uh, you also can pick up on trends 372 00:21:33,080 --> 00:21:38,200 Speaker 1: based on what he said on that Hollywood Access Hollywood 373 00:21:38,240 --> 00:21:43,040 Speaker 1: tape and what what these women allege. Here's here's my 374 00:21:43,119 --> 00:21:46,320 Speaker 1: questions off top, because she was getting dragged on Twitter 375 00:21:46,400 --> 00:21:49,520 Speaker 1: clearly because of all of the things her father did. 376 00:21:49,920 --> 00:21:55,200 Speaker 1: But what's the line with holding someone holding her accountable 377 00:21:55,240 --> 00:21:58,200 Speaker 1: for this other man's actions, right, because I understand that 378 00:21:58,440 --> 00:22:02,639 Speaker 1: she's not the one, uh perpetrating these actions. But I 379 00:22:02,680 --> 00:22:05,600 Speaker 1: guess it's because it's the complicity. Because you know that 380 00:22:05,680 --> 00:22:07,800 Speaker 1: the people use the same logic with Hillary and Bill 381 00:22:08,400 --> 00:22:10,200 Speaker 1: of like, you know, look at look at your husband 382 00:22:10,200 --> 00:22:11,840 Speaker 1: did blah blah blah. I don't think it's fair just 383 00:22:11,920 --> 00:22:14,840 Speaker 1: to hold her accountable for this man's actions. But I 384 00:22:15,440 --> 00:22:18,800 Speaker 1: can see how tone deaf the tweet is. Or then, 385 00:22:18,840 --> 00:22:20,639 Speaker 1: and I just want to raise a question. Do you 386 00:22:20,680 --> 00:22:24,239 Speaker 1: think Ivanka knows what she's doing and that she is 387 00:22:24,320 --> 00:22:26,439 Speaker 1: trying to like subtly take a job at her father? 388 00:22:26,920 --> 00:22:29,800 Speaker 1: Is it that she lives in a vacuum where she's 389 00:22:30,240 --> 00:22:32,640 Speaker 1: such an enabler to her father that she doesn't even 390 00:22:32,720 --> 00:22:36,080 Speaker 1: believe what's being said about him, or I don't know. 391 00:22:36,160 --> 00:22:38,760 Speaker 1: I'm just curious to know what people's thoughts are on 392 00:22:38,840 --> 00:22:41,440 Speaker 1: that part of like what the motivation is, because it's weird. 393 00:22:41,480 --> 00:22:43,439 Speaker 1: She always tries to walk this very fine line of 394 00:22:43,480 --> 00:22:47,520 Speaker 1: like half sleep half wokeness thing that it's like, it's 395 00:22:47,560 --> 00:22:50,520 Speaker 1: really weird. Yeah, it's almost a line that's so fine 396 00:22:50,560 --> 00:22:54,080 Speaker 1: it doesn't exist because it's like in two separate places 397 00:22:54,119 --> 00:22:57,600 Speaker 1: at the same time, which you can't be in completely 398 00:22:57,880 --> 00:23:00,720 Speaker 1: different places at the same time. Does she have history 399 00:23:00,720 --> 00:23:05,359 Speaker 1: it possibly like making subtle jabs at her father, or 400 00:23:05,800 --> 00:23:07,760 Speaker 1: does she seem to be mostly supportive. Well, it's not 401 00:23:07,800 --> 00:23:11,160 Speaker 1: the first time she's advocated for something that's like diametrically 402 00:23:11,160 --> 00:23:14,359 Speaker 1: opposed to her father's philosophy, or she does it in 403 00:23:14,359 --> 00:23:17,840 Speaker 1: a very positive, confident way, like at the r n 404 00:23:17,960 --> 00:23:20,679 Speaker 1: C she talked about how this was going to be 405 00:23:20,760 --> 00:23:26,639 Speaker 1: like the most feminist progressive administration, and you, like to 406 00:23:26,680 --> 00:23:28,760 Speaker 1: the point that you like believed it, or at least 407 00:23:28,760 --> 00:23:32,160 Speaker 1: you believed that she believed it, and then that has 408 00:23:32,200 --> 00:23:38,800 Speaker 1: not been the case. So I think she's she is 409 00:23:38,880 --> 00:23:41,000 Speaker 1: just high on her own supply. She just like is 410 00:23:41,040 --> 00:23:44,399 Speaker 1: able to. Uh that's my new favorite phrase. She's just 411 00:23:44,480 --> 00:23:48,560 Speaker 1: able to like I don't know, it's cognitive dissonance, it's 412 00:23:49,000 --> 00:23:52,800 Speaker 1: her mind is able to just makes sense of two 413 00:23:53,240 --> 00:23:58,400 Speaker 1: completely contradictory realities. Uh. And when she can't make those 414 00:23:58,400 --> 00:24:00,679 Speaker 1: two things work together, she takes us sleeping pill like 415 00:24:00,720 --> 00:24:03,800 Speaker 1: we learned in Fire and Furious, just like, all right, 416 00:24:03,960 --> 00:24:06,880 Speaker 1: I'm going to sleep, Guys, dad's committing crimes. I'm gonna 417 00:24:06,960 --> 00:24:11,000 Speaker 1: chemically Homer Simpson on out of the room. Uh. So, 418 00:24:11,320 --> 00:24:13,960 Speaker 1: speaking of planes, let's kick things off in the nineteen 419 00:24:13,960 --> 00:24:18,200 Speaker 1: eighties with Jessica Leads. Uh, she was on an airplane. 420 00:24:18,520 --> 00:24:22,400 Speaker 1: The guy sitting next to her started, uh groping her 421 00:24:22,760 --> 00:24:27,840 Speaker 1: and reaching up her skirt. Uh and uh, later on 422 00:24:28,080 --> 00:24:30,520 Speaker 1: she would recognize him. This was kind of before Trump 423 00:24:30,600 --> 00:24:34,800 Speaker 1: was nationally famous. She eventually recognized him as the guy 424 00:24:34,880 --> 00:24:38,879 Speaker 1: who Donald Trump and like the Trump family became like 425 00:24:38,920 --> 00:24:42,399 Speaker 1: kind of more famous in her town. And she saw 426 00:24:42,520 --> 00:24:45,080 Speaker 1: him at some sort of like charity dinner and he 427 00:24:45,160 --> 00:24:47,159 Speaker 1: walked up and said, I remember you. You were the 428 00:24:47,240 --> 00:24:50,720 Speaker 1: cunt woman from the airplane. So that's how we kicked 429 00:24:50,720 --> 00:24:55,200 Speaker 1: things off. There is Kristin Johnson in the early nineties 430 00:24:55,400 --> 00:24:58,800 Speaker 1: again put his hand up this woman's skirt before it 431 00:24:58,840 --> 00:25:02,240 Speaker 1: seems like he even said a word to her. Uh 432 00:25:02,320 --> 00:25:04,879 Speaker 1: so pretty much the thing he bragged about on the 433 00:25:04,880 --> 00:25:08,760 Speaker 1: Access Hollywood tape. But yeah, she again she just describes 434 00:25:08,800 --> 00:25:11,040 Speaker 1: like looking over and this guy's reaching up her skirt 435 00:25:11,200 --> 00:25:18,000 Speaker 1: and it's Donald Trump. Yeah that one. Um. Next up, 436 00:25:19,200 --> 00:25:23,679 Speaker 1: Jill Hearth had a business deal with Trump. Uh and 437 00:25:23,960 --> 00:25:27,080 Speaker 1: you know, she was super excited. He was funding her 438 00:25:27,119 --> 00:25:32,240 Speaker 1: and her boyfriend, you know, Life Partners project that they've 439 00:25:32,240 --> 00:25:34,920 Speaker 1: always wanted to do, and he invited them down to 440 00:25:35,080 --> 00:25:38,600 Speaker 1: mar Lago to uh, you know, closed the deal. And 441 00:25:38,600 --> 00:25:41,439 Speaker 1: while she and her husband were on a tour, he 442 00:25:41,560 --> 00:25:44,760 Speaker 1: pulled her into one of his children's bedrooms and you know, 443 00:25:44,840 --> 00:25:48,399 Speaker 1: attempted to rape her. This is in mar Lago. In 444 00:25:48,480 --> 00:25:54,920 Speaker 1: mar Lago. Yeah, Jane doeh. This is the thirteen year 445 00:25:54,960 --> 00:25:56,640 Speaker 1: old girl you heard a lot about in the run 446 00:25:56,720 --> 00:26:02,800 Speaker 1: up to the election. She claims that Trump and billionaire 447 00:26:02,880 --> 00:26:06,320 Speaker 1: Jeffrey Epstein raped her when she was thirteen at a 448 00:26:06,359 --> 00:26:12,040 Speaker 1: series of parties, and then Jeffrey Epstein later played guilty too, 449 00:26:12,119 --> 00:26:16,639 Speaker 1: so listing young women. Uh and uh. There's also a 450 00:26:16,720 --> 00:26:20,320 Speaker 1: report that Jeffrey Epstein used to use marl Lago as 451 00:26:20,359 --> 00:26:25,359 Speaker 1: a way to like recruit underage women. Um, and Trump 452 00:26:25,440 --> 00:26:27,840 Speaker 1: isn't involved in that. But that's like a civil suit 453 00:26:27,920 --> 00:26:31,200 Speaker 1: that was brought. And it's just crazy to realize that 454 00:26:32,000 --> 00:26:36,800 Speaker 1: the news is so fucking bonkers that like a lawsuit 455 00:26:36,880 --> 00:26:39,880 Speaker 1: alleging that one of the president's properties was a hotbed 456 00:26:39,920 --> 00:26:43,399 Speaker 1: for recruiting underage sex workers and like it was barely 457 00:26:43,480 --> 00:26:50,359 Speaker 1: noticed by anyone. I it's uh, yeah, just put in 458 00:26:50,400 --> 00:26:55,040 Speaker 1: my gas of disbelief. It's just crazy again, right any 459 00:26:55,200 --> 00:26:59,480 Speaker 1: other person. Typically the media will hold their feet to 460 00:26:59,480 --> 00:27:02,360 Speaker 1: the fire. I think the media is really fucking up too, 461 00:27:02,440 --> 00:27:05,000 Speaker 1: because it's easy to just talk about whatever is the 462 00:27:05,720 --> 00:27:09,360 Speaker 1: story to Jore for Trump when these are like really 463 00:27:09,960 --> 00:27:13,480 Speaker 1: really really fucking troubling things, and this dude is on 464 00:27:13,560 --> 00:27:17,760 Speaker 1: fucking wax saying I grabbed women by the pussy or like, 465 00:27:18,040 --> 00:27:22,199 Speaker 1: you know, he someone is accusing uh him and Jeffrey 466 00:27:22,200 --> 00:27:24,880 Speaker 1: Epstein of this kind of behavior, and then Jeffrey Epstein 467 00:27:25,280 --> 00:27:29,200 Speaker 1: is actually pleading out to courting women as young as fourteen, 468 00:27:30,040 --> 00:27:32,320 Speaker 1: and then these assholes are talking about Trump forgetting the 469 00:27:32,359 --> 00:27:34,159 Speaker 1: words to the National Land, and then you got us 470 00:27:34,200 --> 00:27:38,600 Speaker 1: being like doing triumph covers. But like, I just still 471 00:27:38,880 --> 00:27:40,600 Speaker 1: I don't know, Like I just want to bring this 472 00:27:40,680 --> 00:27:42,159 Speaker 1: up in the middle of it. I don't mean to 473 00:27:42,200 --> 00:27:45,679 Speaker 1: derail it, but like what, I don't know, at what 474 00:27:45,760 --> 00:27:48,720 Speaker 1: point does the media also have to take this seriously too, 475 00:27:49,320 --> 00:27:52,000 Speaker 1: because man, this should this should have already kept this 476 00:27:52,040 --> 00:27:56,159 Speaker 1: man out of even running, you know. Yeah, but that 477 00:27:56,160 --> 00:28:00,040 Speaker 1: wouldn't stop with someone like Donald Trumps. He's entitled what 478 00:28:00,119 --> 00:28:02,320 Speaker 1: he thinks he has. He has the money and the 479 00:28:02,400 --> 00:28:05,760 Speaker 1: influence to be like, oh, I can squash these He 480 00:28:05,840 --> 00:28:08,120 Speaker 1: probably doesn't even think what he was doing was assault. 481 00:28:08,240 --> 00:28:11,359 Speaker 1: He like he just feels so entitled to women's bodies 482 00:28:11,400 --> 00:28:14,000 Speaker 1: that he's like, yeah, I can touch a woman wherever, 483 00:28:15,000 --> 00:28:19,920 Speaker 1: and that's my right, like he is, he's such a god, 484 00:28:20,000 --> 00:28:21,959 Speaker 1: but that's his belief system, right. But then don't we 485 00:28:22,040 --> 00:28:24,600 Speaker 1: as society have the responsibility to correct people, like to 486 00:28:24,680 --> 00:28:26,680 Speaker 1: pop people's bubbles. And I just feel like we haven't 487 00:28:26,680 --> 00:28:28,600 Speaker 1: really done a good job of popping this dude's bubble, 488 00:28:29,080 --> 00:28:31,880 Speaker 1: being like I'm sorry, we don't live there, Like this 489 00:28:31,960 --> 00:28:33,880 Speaker 1: is this is not how, this is not how human 490 00:28:33,920 --> 00:28:38,520 Speaker 1: beings are supposed to pay well. I mean there's when you, uh, 491 00:28:38,720 --> 00:28:41,959 Speaker 1: present allegations towards someone like Donald Trump with a lot 492 00:28:42,000 --> 00:28:45,440 Speaker 1: of money and power and influence, a lot of people 493 00:28:45,640 --> 00:28:49,000 Speaker 1: would assume that these women are just coming out because 494 00:28:49,000 --> 00:28:51,400 Speaker 1: they want, right, they was some of that money. Um 495 00:28:52,400 --> 00:28:55,600 Speaker 1: that almost never happens, if not never had, Like it 496 00:28:55,640 --> 00:28:59,160 Speaker 1: never happens that way. There's no reason not to believe 497 00:28:59,200 --> 00:29:02,600 Speaker 1: these women, Like yeah, but you're gonna have so many 498 00:29:02,680 --> 00:29:05,360 Speaker 1: shitty people being like, oh, they're just this is just 499 00:29:05,400 --> 00:29:10,040 Speaker 1: a money grab. That's why, uh, these women are coming forward. 500 00:29:10,160 --> 00:29:14,640 Speaker 1: And that's such a dangerous message to keep perpetuating, right 501 00:29:14,760 --> 00:29:18,240 Speaker 1: especially now too, Like we're I think you know, we're 502 00:29:18,280 --> 00:29:21,200 Speaker 1: trying to move past this era of of women being 503 00:29:21,200 --> 00:29:24,240 Speaker 1: afraid to come out into the open and hold men 504 00:29:24,240 --> 00:29:28,040 Speaker 1: accountable for the for this kind of ship. And yeah, 505 00:29:28,320 --> 00:29:30,120 Speaker 1: when you think about this woman to the Jane Don 506 00:29:30,320 --> 00:29:32,680 Speaker 1: and like she pulled her suit because she's getting like 507 00:29:32,680 --> 00:29:35,800 Speaker 1: death threats and all these other things, and like it's 508 00:29:35,800 --> 00:29:39,680 Speaker 1: easy to believe because that was the pre Weinstein era 509 00:29:40,240 --> 00:29:42,360 Speaker 1: of how women were treated who are coming forth with 510 00:29:42,440 --> 00:29:46,240 Speaker 1: accusations and I'm just I feel like we this this 511 00:29:46,320 --> 00:29:49,960 Speaker 1: has to be revisited, you know, like especially because now 512 00:29:50,400 --> 00:29:52,960 Speaker 1: there's an openness and there's an understanding, there's empathy that 513 00:29:53,040 --> 00:29:56,160 Speaker 1: people are willing to take this ship seriously. And I 514 00:29:56,160 --> 00:29:58,360 Speaker 1: feel like we're sucking up on this too because we've 515 00:29:58,360 --> 00:30:02,400 Speaker 1: got the biggest a alleged uh you know sex cram 516 00:30:02,440 --> 00:30:05,680 Speaker 1: like running point for the country. And it's crazy that, 517 00:30:06,480 --> 00:30:09,920 Speaker 1: like it shouldn't have to be this way, but that's 518 00:30:10,000 --> 00:30:13,360 Speaker 1: just how her society works. Where it's like timing is everything. 519 00:30:14,200 --> 00:30:18,719 Speaker 1: Where since like the post Harvey Wine scene, news breaking 520 00:30:18,880 --> 00:30:22,040 Speaker 1: like that has prompted a lot of other people to 521 00:30:22,120 --> 00:30:24,680 Speaker 1: come forward in a way that they are now more 522 00:30:25,280 --> 00:30:29,400 Speaker 1: believed than they probably wouldn't because remember James Franco and 523 00:30:29,400 --> 00:30:32,280 Speaker 1: how a few years ago everyone's like, oh you uh 524 00:30:32,480 --> 00:30:36,120 Speaker 1: were praying on an underage woman, but no one's really 525 00:30:36,120 --> 00:30:39,560 Speaker 1: talking about that anymore. And he just won a Golden 526 00:30:39,560 --> 00:30:43,000 Speaker 1: Globe because it didn't It didn't happen at the right time. 527 00:30:43,040 --> 00:30:46,320 Speaker 1: It didn't happen in this post Harvey Wine scene era 528 00:30:46,560 --> 00:30:52,560 Speaker 1: of holding men accountable for their abuse and harassment. So yeah, 529 00:30:52,720 --> 00:30:56,760 Speaker 1: I get like the time is now for Donald Trump too, 530 00:30:56,800 --> 00:30:59,640 Speaker 1: but like it just sucks that it has to happen 531 00:30:59,680 --> 00:31:03,040 Speaker 1: in this like narrow window of time where people will 532 00:31:03,040 --> 00:31:05,680 Speaker 1: be like, oh, well, yeah, that this these stories are 533 00:31:05,720 --> 00:31:10,000 Speaker 1: probably true. It's just very infuriating. Women should be able 534 00:31:10,040 --> 00:31:13,400 Speaker 1: to come forward at any point and and be believed 535 00:31:14,680 --> 00:31:17,000 Speaker 1: receipts are receipts, you know what I mean. There's no 536 00:31:17,080 --> 00:31:20,400 Speaker 1: there's no anyway. We might as well address the James 537 00:31:20,440 --> 00:31:23,480 Speaker 1: Franco thing. But because we kind of talked around it yesterday, 538 00:31:23,520 --> 00:31:26,040 Speaker 1: but I mean, I've read the actual transcripts of his 539 00:31:26,120 --> 00:31:28,680 Speaker 1: conversations with the seventeen year old girl. I've also seen 540 00:31:28,680 --> 00:31:31,600 Speaker 1: people on Twitter defending him and being like, well, he 541 00:31:31,640 --> 00:31:33,959 Speaker 1: didn't do anything, like nothing came of it, so like 542 00:31:34,200 --> 00:31:37,640 Speaker 1: let's focus on the real problems. But he was still 543 00:31:37,840 --> 00:31:41,040 Speaker 1: trying to lure a seventeen year old girl when he 544 00:31:41,120 --> 00:31:43,160 Speaker 1: knew she was a seventeen year old girl to his 545 00:31:43,280 --> 00:31:47,200 Speaker 1: room like to have sex with him. And then you know, 546 00:31:47,560 --> 00:31:52,120 Speaker 1: eventually when she made it difficult for him and she 547 00:31:52,240 --> 00:31:54,680 Speaker 1: was like yeah maybe all like or said she told 548 00:31:54,720 --> 00:31:57,680 Speaker 1: one of her friends. He was like, by uh so 549 00:31:57,840 --> 00:32:01,360 Speaker 1: it wasn't the fact that she was an underaged child 550 00:32:01,640 --> 00:32:06,360 Speaker 1: that dissuaded him. So anyway, sorry, we can, we can 551 00:32:06,400 --> 00:32:08,000 Speaker 1: move on. I just felt like we had to kind 552 00:32:08,000 --> 00:32:13,400 Speaker 1: of yeah, no, no, no, absolutely, you talk about like 553 00:32:13,480 --> 00:32:18,360 Speaker 1: a double standard. If someone was sexually assaulted at a 554 00:32:18,800 --> 00:32:22,440 Speaker 1: y m c A that Obama had worked out at once, 555 00:32:22,800 --> 00:32:26,000 Speaker 1: like the right wing media would it would be called 556 00:32:26,080 --> 00:32:30,120 Speaker 1: like y m c A Gate and they would be NonStop, 557 00:32:30,160 --> 00:32:32,680 Speaker 1: like trying to get nailed on his fucking head, right 558 00:32:32,960 --> 00:32:35,600 Speaker 1: that that would be like what the first thing they 559 00:32:35,640 --> 00:32:39,000 Speaker 1: brought up? And this is just the fucking laundryless, Like 560 00:32:39,040 --> 00:32:45,360 Speaker 1: this is so extensive and detailed, and there is trends 561 00:32:46,120 --> 00:32:48,840 Speaker 1: and there's a lot of peripheral information that would corroborate it. 562 00:32:48,840 --> 00:32:53,480 Speaker 1: It's just and people who are predators usually make a 563 00:32:53,560 --> 00:32:55,920 Speaker 1: habit out of that type of behavior, Like it's usually 564 00:32:56,360 --> 00:32:59,520 Speaker 1: not a one time thing, like it's a pattern of behavior, 565 00:33:00,080 --> 00:33:03,200 Speaker 1: and I mean you can say that he doesn't necessarily 566 00:33:04,000 --> 00:33:06,880 Speaker 1: at different points think it's assault, But I mean some 567 00:33:06,960 --> 00:33:10,440 Speaker 1: of this stuff is just so much like you know, 568 00:33:10,800 --> 00:33:14,440 Speaker 1: we we've talked about other people, you know, being like, 569 00:33:14,720 --> 00:33:17,440 Speaker 1: you know, rape is not always guy like pulls you 570 00:33:17,520 --> 00:33:21,880 Speaker 1: into a like stairwell or something like. That's actually what 571 00:33:21,920 --> 00:33:23,960 Speaker 1: he's doing in a lot of these cases, He's like 572 00:33:24,120 --> 00:33:27,920 Speaker 1: pulling women against their will into like rooms. Just because 573 00:33:27,920 --> 00:33:31,160 Speaker 1: he like owns the stairwell doesn't make it any less 574 00:33:31,320 --> 00:33:35,840 Speaker 1: of like him being a cartoon rapist. So there's a 575 00:33:35,840 --> 00:33:42,800 Speaker 1: whole genre of these where he just barges into uh 576 00:33:43,040 --> 00:33:48,640 Speaker 1: Miss teen USA contestants and without like knocking, and everybody 577 00:33:48,880 --> 00:33:51,240 Speaker 1: like scatters and it's like why is he doing this? 578 00:33:51,640 --> 00:33:53,680 Speaker 1: And he just kind of walks around, and I was like, yeah, 579 00:33:53,720 --> 00:33:56,840 Speaker 1: it's great. You get to look at women half naked. 580 00:33:57,400 --> 00:33:59,479 Speaker 1: That's also I think a thing that's referenced in the 581 00:33:59,680 --> 00:34:03,600 Speaker 1: Acts of Hollywood tape. And these are underage girls too, 582 00:34:06,520 --> 00:34:10,120 Speaker 1: which is another theme too, Is he likes younger women. Yeah, 583 00:34:10,160 --> 00:34:13,080 Speaker 1: it's it's a I mean, he was already talking about 584 00:34:13,120 --> 00:34:16,920 Speaker 1: how fuckable his daughter was when she was like fourteen 585 00:34:17,040 --> 00:34:21,440 Speaker 1: years old. There's a former Miss Teen USA contestant who 586 00:34:21,719 --> 00:34:27,080 Speaker 1: alleges that he hugged her inappropriately and would walk into 587 00:34:27,080 --> 00:34:31,280 Speaker 1: the dressing room. Uh. Yeah, there's just a whole string 588 00:34:31,320 --> 00:34:34,400 Speaker 1: of these Trump barging into changing rooms. So yeah, he 589 00:34:34,480 --> 00:34:38,759 Speaker 1: clearly had a tactic that he wanted to use. The 590 00:34:38,840 --> 00:34:42,239 Speaker 1: next one is Rachel Crooks, who we've already kind of 591 00:34:42,280 --> 00:34:46,160 Speaker 1: gone into detail. But he invited a Trump tower and 592 00:34:46,200 --> 00:34:49,879 Speaker 1: then you know, forcibly kissed her. Uh. Two thousand five, 593 00:34:50,000 --> 00:34:55,240 Speaker 1: This one's incredible. A People magazine journalist named Natasha Stoynof 594 00:34:56,280 --> 00:35:00,520 Speaker 1: was writing an article about Donald Trump and Melania's Trump's 595 00:35:00,560 --> 00:35:05,200 Speaker 1: first wedding anniversary. Uh. And she says, we walked into 596 00:35:05,239 --> 00:35:07,799 Speaker 1: that room alone and Trump shut the door behind us. 597 00:35:07,800 --> 00:35:09,680 Speaker 1: I turned around, and within seconds he was pushing me 598 00:35:09,760 --> 00:35:11,920 Speaker 1: up against the wall and forcing his tongue down my throat. 599 00:35:13,040 --> 00:35:16,920 Speaker 1: Two thousand six. Jessica Drake, he forcibly kissed and grabbed 600 00:35:16,960 --> 00:35:20,320 Speaker 1: her and two friends inappropriately. She was an adult film performer. 601 00:35:20,920 --> 00:35:23,399 Speaker 1: And he also like always says the same thing. He's like, oh, 602 00:35:23,440 --> 00:35:27,400 Speaker 1: come on, which I guess isn't that original, but it 603 00:35:27,600 --> 00:35:30,600 Speaker 1: just does seem like something you could Yeah, that's what 604 00:35:30,640 --> 00:35:33,120 Speaker 1: a spoiled fucking child, says, who guess, whatever the funk 605 00:35:33,160 --> 00:35:34,600 Speaker 1: they want, you know what I mean, It's just like, 606 00:35:35,239 --> 00:35:37,320 Speaker 1: come on, I'm not used to get anyone. Come on, 607 00:35:37,560 --> 00:35:39,799 Speaker 1: come on, come on, you'll come on to you come 608 00:35:39,840 --> 00:35:44,480 Speaker 1: the title to these women's bodies. Another former Miss USA 609 00:35:44,640 --> 00:35:49,200 Speaker 1: contestant says Trump personally inspected each woman prior to the contest, 610 00:35:49,760 --> 00:35:52,920 Speaker 1: to the point where she says it was the dirtiest 611 00:35:52,960 --> 00:35:58,200 Speaker 1: I felt in my entire life. Inspect Yeah, I don't 612 00:35:58,239 --> 00:36:01,960 Speaker 1: know what. In two thousands, he was on Letterman and 613 00:36:02,360 --> 00:36:07,080 Speaker 1: backstage he grouped Ninny Lasen. But she's former Miss Finland. 614 00:36:07,480 --> 00:36:11,520 Speaker 1: Uh so, yeah, it's type then sum Reserve os uh 615 00:36:11,640 --> 00:36:15,440 Speaker 1: we we've talked about her before. But she's an Apprentice 616 00:36:15,520 --> 00:36:20,960 Speaker 1: winner who he invited, who he invited to a bungalow 617 00:36:21,040 --> 00:36:24,080 Speaker 1: at the Beverly Hills Hotel and did creepy Ship too, 618 00:36:24,800 --> 00:36:28,080 Speaker 1: and super producer Nick just like wanted to bring the 619 00:36:28,080 --> 00:36:30,160 Speaker 1: attention to He also says in that tape, right, they 620 00:36:30,239 --> 00:36:32,560 Speaker 1: let you do it right like in that in the 621 00:36:32,560 --> 00:36:36,600 Speaker 1: Access Hollywood tape just further underlines the mentality is that 622 00:36:36,760 --> 00:36:41,040 Speaker 1: he can't even he's either willfully not processing or has 623 00:36:41,080 --> 00:36:43,920 Speaker 1: the inability to process the fact that he's violating these 624 00:36:43,960 --> 00:36:45,640 Speaker 1: people because he's like, oh, they let you do it. 625 00:36:45,960 --> 00:36:48,399 Speaker 1: It's like why because they didn't like plot a gun 626 00:36:48,400 --> 00:36:50,279 Speaker 1: and shoots you point blank? They let you do it. 627 00:36:50,719 --> 00:36:53,320 Speaker 1: I don't know. Interesting and interesting look into this man's 628 00:36:53,480 --> 00:36:58,120 Speaker 1: entitled The Deviant Mind. Well, um, like there's the fight 629 00:36:58,200 --> 00:37:00,520 Speaker 1: or flight response, but there's also like free eason, like, 630 00:37:00,560 --> 00:37:06,880 Speaker 1: oh I'm being assaulted. Some people just concutive reaction is 631 00:37:06,920 --> 00:37:08,719 Speaker 1: to just be like shut down. That's what I do. 632 00:37:08,920 --> 00:37:11,680 Speaker 1: Like when I'm like threatened or like in a like 633 00:37:12,239 --> 00:37:16,400 Speaker 1: scarier nervous situation, my brain just stops working. Like I 634 00:37:16,400 --> 00:37:19,880 Speaker 1: have never won a single argument with my wife, because 635 00:37:20,080 --> 00:37:22,640 Speaker 1: like my fight or flight is just brain shuts down. 636 00:37:22,760 --> 00:37:27,000 Speaker 1: And then I'm just like, yeah, so he's probably just interpreting. 637 00:37:27,040 --> 00:37:31,000 Speaker 1: He might he's interpreting that is, oh, this is consent. 638 00:37:32,400 --> 00:37:36,400 Speaker 1: He doesn't even understand the concept. That's intense fear that 639 00:37:36,520 --> 00:37:40,200 Speaker 1: has paralyzed someone. Yeah. Um. And then the most recent 640 00:37:40,239 --> 00:37:46,120 Speaker 1: one is Cassandra Searles, miss USA contestant, who surprised Trump 641 00:37:46,160 --> 00:37:49,440 Speaker 1: groped her and inviter back to his hotel room, as 642 00:37:49,440 --> 00:37:51,200 Speaker 1: she said, he probably doesn't want me telling the story 643 00:37:51,239 --> 00:37:53,720 Speaker 1: about that time he continually grabbed my ass and invited 644 00:37:53,760 --> 00:37:56,799 Speaker 1: me to his hotel room. Uh so that was just 645 00:37:57,080 --> 00:38:00,600 Speaker 1: five years ago. Yeah, so let's Yeah, the purpose of 646 00:38:00,640 --> 00:38:03,279 Speaker 1: this was not just like from everyone out, but like 647 00:38:03,719 --> 00:38:07,160 Speaker 1: it bears repeating, right, Ivanka, this is a long list, 648 00:38:07,760 --> 00:38:09,960 Speaker 1: and who knows this is an incomplete list. I'm sure 649 00:38:10,520 --> 00:38:13,920 Speaker 1: you know what I mean. So, uh, you know that's cool. 650 00:38:14,160 --> 00:38:17,480 Speaker 1: Uh shouts to Oprah because the speech was great. But Ivanka, 651 00:38:17,560 --> 00:38:20,120 Speaker 1: you need to remember where you are in the context 652 00:38:20,120 --> 00:38:22,800 Speaker 1: of all of this. Either you are the greatest enabler 653 00:38:22,800 --> 00:38:26,200 Speaker 1: of your father, you are horribly complicit, You're I don't know, 654 00:38:26,320 --> 00:38:28,719 Speaker 1: but we we saw the tweet and we're like, wow, 655 00:38:28,880 --> 00:38:31,480 Speaker 1: I think people just need to be reminded just how 656 00:38:31,719 --> 00:38:35,160 Speaker 1: just how vile. We've also seen her. We've also seen 657 00:38:35,239 --> 00:38:38,359 Speaker 1: him grab her s like on national TV, and you've 658 00:38:38,400 --> 00:38:42,520 Speaker 1: seen her like you to like you can you know, 659 00:38:42,760 --> 00:38:45,840 Speaker 1: help a lot of people out? Yeah, she has the platform, 660 00:38:45,880 --> 00:38:49,520 Speaker 1: like if she is a true feminist and ally and everything, 661 00:38:49,560 --> 00:38:53,040 Speaker 1: like she has to like tell her father to fuck off, 662 00:38:53,080 --> 00:38:55,760 Speaker 1: like like I'm not a part of this family anymore. 663 00:38:55,840 --> 00:38:57,719 Speaker 1: If those rumors are true that she wanted to run 664 00:38:57,760 --> 00:39:00,799 Speaker 1: for president. That's she could push her boat out on that, 665 00:39:01,040 --> 00:39:03,920 Speaker 1: like being like I literally I'm disowning my father. This 666 00:39:04,000 --> 00:39:07,040 Speaker 1: is your chance to go down in history, like on 667 00:39:07,080 --> 00:39:09,920 Speaker 1: the right side of history, as opposed to going down 668 00:39:09,960 --> 00:39:12,879 Speaker 1: as like uh, someone in the bunker with Hitler. Yeah, 669 00:39:12,920 --> 00:39:16,840 Speaker 1: but that is state tax is I gotta stay in 670 00:39:16,880 --> 00:39:19,839 Speaker 1: that will Um? All right, We're gonna take a quick break. 671 00:39:19,840 --> 00:39:30,920 Speaker 1: We'll be right back. And we're back and we have 672 00:39:31,040 --> 00:39:35,719 Speaker 1: superproducer annajsnie A here and we're talking about the upcoming 673 00:39:35,880 --> 00:39:40,080 Speaker 1: live action remake of Aladdin. Uh. Aladdin was a big 674 00:39:40,120 --> 00:39:44,279 Speaker 1: movie for you guys. It seems like sorry. So I 675 00:39:44,320 --> 00:39:46,279 Speaker 1: was talking to Caitlin and Miles because they were like 676 00:39:46,360 --> 00:39:49,120 Speaker 1: singing the songs to it, not not to your people. 677 00:39:49,280 --> 00:39:53,839 Speaker 1: And during the break, Miles and Miles and Caitlin were 678 00:39:54,640 --> 00:39:57,160 Speaker 1: singing a song and saying they know a lot of 679 00:39:57,160 --> 00:39:59,160 Speaker 1: words to it. So is it is this something that 680 00:39:59,400 --> 00:40:05,680 Speaker 1: was on your it? Are sorry? Sorry that the live 681 00:40:05,719 --> 00:40:09,760 Speaker 1: action remakers? Yes, I heard about it because everyone was like, wow, 682 00:40:09,800 --> 00:40:13,279 Speaker 1: they hired a person of color to actually be an Aladdin, right, 683 00:40:13,440 --> 00:40:15,959 Speaker 1: But I know that created some controversy too. It's because 684 00:40:16,000 --> 00:40:18,600 Speaker 1: Jake killen Hall was busy, right is that? Sure they 685 00:40:18,600 --> 00:40:27,000 Speaker 1: wanted to mister out there and video game fans um, 686 00:40:27,040 --> 00:40:31,319 Speaker 1: but they are now getting some blowback because apparently they are, 687 00:40:32,000 --> 00:40:35,600 Speaker 1: you know, for their background actors. They are just taking 688 00:40:35,640 --> 00:40:38,399 Speaker 1: white people and you know, giving them a spray tan 689 00:40:38,560 --> 00:40:43,359 Speaker 1: essentially like darkening their skin with makeup and then uh yeah, 690 00:40:43,520 --> 00:40:46,920 Speaker 1: just throwing them out there. And you know, Guy Richie's like, no, 691 00:40:47,080 --> 00:40:50,360 Speaker 1: it's only the guy Richie is the filmmaker. They have 692 00:40:50,520 --> 00:40:54,400 Speaker 1: decided to give this movie too. Yeah, why Guy Richie, 693 00:40:54,520 --> 00:40:58,440 Speaker 1: of all fucking directors, I don't know. He just fucked 694 00:40:58,520 --> 00:41:03,120 Speaker 1: up the Sword in the Stone story of the King Arthur, 695 00:41:03,320 --> 00:41:07,719 Speaker 1: and now they're like, here, let's give you another huge franchise. 696 00:41:07,760 --> 00:41:10,319 Speaker 1: Did you like Sherlock Holmes. I thought it was fun. 697 00:41:10,600 --> 00:41:12,080 Speaker 1: I thought it was fun, But I don't think he's 698 00:41:12,120 --> 00:41:14,640 Speaker 1: made a good movie since Snatch. I'm sorry, was a 699 00:41:14,680 --> 00:41:17,600 Speaker 1: Man from Uncle by Guy Richie. Yes, I like that one. 700 00:41:18,560 --> 00:41:20,960 Speaker 1: It was family friendly. I mean I just feel like 701 00:41:21,280 --> 00:41:23,840 Speaker 1: based on his like, you know, locks, there's lockstock, you know, 702 00:41:24,040 --> 00:41:27,000 Speaker 1: like in Snatch, like he had had a very unique 703 00:41:27,000 --> 00:41:29,640 Speaker 1: aesthetic that I thought was really cool. But I guess 704 00:41:29,640 --> 00:41:31,200 Speaker 1: you can evolve over time, not to say that you 705 00:41:31,239 --> 00:41:33,880 Speaker 1: have to stay in. But it's like he's evolving to 706 00:41:34,400 --> 00:41:38,359 Speaker 1: not making as good of movies. Yeah, the trend seems downward, right, 707 00:41:38,400 --> 00:41:41,440 Speaker 1: well ever since Madonna left. Yeah, see that's what happens. 708 00:41:41,920 --> 00:41:46,000 Speaker 1: So where is Aladdin set? Is there a specific animated 709 00:41:46,840 --> 00:41:49,359 Speaker 1: which is made up? Right? So, but that's just it's 710 00:41:49,400 --> 00:41:52,560 Speaker 1: like an It's like an Arab Persian reach And technically 711 00:41:53,360 --> 00:41:57,360 Speaker 1: I want to assume Agribba is probably like Afghanistan ish area, 712 00:41:57,400 --> 00:42:00,439 Speaker 1: but of course I do not know, do not because 713 00:42:00,440 --> 00:42:03,560 Speaker 1: it's made up. Yes, it's completely made up. Yeah, but 714 00:42:03,680 --> 00:42:06,520 Speaker 1: the whole where's the actual story come from? Though? Is 715 00:42:06,560 --> 00:42:11,239 Speaker 1: that a foreign creation or is that actually like the floor? Um, 716 00:42:11,280 --> 00:42:14,560 Speaker 1: it comes from the stories of the one thousand and 717 00:42:14,600 --> 00:42:19,200 Speaker 1: one Nights, which was a story about from Shahrazad and 718 00:42:19,480 --> 00:42:25,480 Speaker 1: but based off our me and superproducer next research this morning. Um. 719 00:42:25,520 --> 00:42:29,680 Speaker 1: It was written in in like the eighteen hundreds by 720 00:42:30,360 --> 00:42:35,080 Speaker 1: a European um like translator. He added to it and 721 00:42:35,160 --> 00:42:37,919 Speaker 1: originally I guess it was based in China. So it's 722 00:42:37,920 --> 00:42:41,120 Speaker 1: like this really weird story that they took and I 723 00:42:41,160 --> 00:42:47,080 Speaker 1: guess redid for Disney. But yeah, so some European translator 724 00:42:47,120 --> 00:42:49,840 Speaker 1: side just added in because it's I guess came up 725 00:42:49,880 --> 00:42:51,480 Speaker 1: with the story and decided it was now part of 726 00:42:51,520 --> 00:42:56,120 Speaker 1: one thousand and one Nights. Is the is like a 727 00:42:56,280 --> 00:42:59,800 Speaker 1: fictional character, or she's that she's a she's a character 728 00:43:00,040 --> 00:43:04,480 Speaker 1: in the one thousand one Nights, which is Arabian Nights. 729 00:43:04,680 --> 00:43:08,640 Speaker 1: She's the queen of this kingdom in Arabian Nights, and 730 00:43:08,719 --> 00:43:13,480 Speaker 1: she tells these stories. Yes, kind of one of these 731 00:43:13,520 --> 00:43:17,319 Speaker 1: interwoven within them. Yeah, Aladdin was added later. It's not 732 00:43:17,400 --> 00:43:21,880 Speaker 1: part of the original set of stories. So Europeans, you know, 733 00:43:23,600 --> 00:43:26,600 Speaker 1: why are they what's even the explanation for why you 734 00:43:26,600 --> 00:43:29,600 Speaker 1: couldn't just hire people who don't need makeup for their 735 00:43:29,640 --> 00:43:33,200 Speaker 1: skin to appear darker people color, Like, what is there? 736 00:43:33,239 --> 00:43:36,799 Speaker 1: I think maybe that they don't have the the extras 737 00:43:36,840 --> 00:43:41,160 Speaker 1: for it. I mean, it's a it's a shitty it's 738 00:43:41,160 --> 00:43:43,600 Speaker 1: a shitty reason. But I'm sure that's probably what they think, 739 00:43:43,600 --> 00:43:45,439 Speaker 1: that it's easier to just get all these white people 740 00:43:45,440 --> 00:43:47,440 Speaker 1: who want to be in a movie who they can 741 00:43:47,480 --> 00:43:51,880 Speaker 1: just spray tan in. But they are not right about 742 00:43:51,920 --> 00:43:54,359 Speaker 1: that there, So I'm sure they could go to these 743 00:43:54,400 --> 00:43:59,080 Speaker 1: countries and pull actual people as extras. As another director 744 00:43:59,120 --> 00:44:02,160 Speaker 1: and he was like, talent exists and as it's accessible, 745 00:44:02,200 --> 00:44:04,440 Speaker 1: and there's no way that Asian extras couldnot have been 746 00:44:04,520 --> 00:44:07,120 Speaker 1: hired to meet the needs of the film. Failing to 747 00:44:07,200 --> 00:44:10,400 Speaker 1: hire on screen talent of the radar ethnic identity to 748 00:44:10,440 --> 00:44:13,440 Speaker 1: meet the clear needs of this production is just plain wrong. 749 00:44:13,560 --> 00:44:17,200 Speaker 1: We expect better from all filmmakers, right, Yeah, you know what, 750 00:44:17,280 --> 00:44:20,520 Speaker 1: who wouldn't have done that? Like an Arabic director? Why 751 00:44:20,560 --> 00:44:23,680 Speaker 1: did they hire guy Regie? Like it's gonna be very 752 00:44:23,719 --> 00:44:26,520 Speaker 1: fast talking, a lot of quick, quicker edits, you know, 753 00:44:27,480 --> 00:44:30,400 Speaker 1: something like fat Boys. You have to watch the subtitles. 754 00:44:30,400 --> 00:44:35,160 Speaker 1: Actually a heists, like a big heist thing. Yeah, the 755 00:44:35,239 --> 00:44:42,080 Speaker 1: genies British there for the genie is dead mouse. It's 756 00:44:42,080 --> 00:44:44,200 Speaker 1: gonna be cool. Well I guess that there. So the 757 00:44:44,320 --> 00:44:46,640 Speaker 1: quote is from Disney. There's a great care was taken 758 00:44:46,640 --> 00:44:48,399 Speaker 1: to put together one of the largest most diverse casts 759 00:44:48,440 --> 00:44:52,279 Speaker 1: ever seen on screen. Uh, diversity of our cast and 760 00:44:52,320 --> 00:44:55,080 Speaker 1: background performers was a requirement, and only in a handful 761 00:44:55,120 --> 00:44:57,960 Speaker 1: of instances when it was a matter of specialty skills, 762 00:44:58,040 --> 00:45:01,160 Speaker 1: safety and control were crewe made up to blend in. 763 00:45:02,200 --> 00:45:05,800 Speaker 1: I don't buy that because Disney has a lot of money. 764 00:45:06,400 --> 00:45:10,160 Speaker 1: That is a weirdly somewhat racist statement due to safety 765 00:45:10,200 --> 00:45:12,560 Speaker 1: and control, Like what would happen if you put some Arabs. 766 00:45:12,880 --> 00:45:14,640 Speaker 1: I think they're trying to say, like stunt people, like 767 00:45:14,680 --> 00:45:19,000 Speaker 1: they didn't have enough Asian stunt people. The people like 768 00:45:19,480 --> 00:45:25,240 Speaker 1: handling horses, if you care, you can find somebody. Are 769 00:45:25,320 --> 00:45:27,360 Speaker 1: you a person of color who knows how to handle horses? 770 00:45:27,760 --> 00:45:29,800 Speaker 1: Hit us up and we'll fly you out here or whatever, 771 00:45:30,000 --> 00:45:32,319 Speaker 1: or like the other directors saying, just go to a 772 00:45:32,400 --> 00:45:36,360 Speaker 1: country where that is probably accessible. I'd imagine there are 773 00:45:36,360 --> 00:45:38,399 Speaker 1: people who know how to handle horses all around world, 774 00:45:38,960 --> 00:45:41,120 Speaker 1: but it's being made by Disney and they don't have 775 00:45:41,239 --> 00:45:44,480 Speaker 1: much of a budget, so yeah, it's tough for them. 776 00:45:44,480 --> 00:45:46,920 Speaker 1: They're already the cheapest motherfucker's well. Another thing that was 777 00:45:46,960 --> 00:45:49,839 Speaker 1: making people very angry is that they for Jasmine, they 778 00:45:49,920 --> 00:45:53,160 Speaker 1: cast Naomi Scott I believe her name is, who is 779 00:45:53,200 --> 00:45:56,879 Speaker 1: an Indian American actress, and that really upset people who 780 00:45:56,880 --> 00:45:59,120 Speaker 1: were like, no, it should have been an Arab actress. 781 00:45:59,280 --> 00:46:01,879 Speaker 1: And I understand and that it does feel like that 782 00:46:01,960 --> 00:46:05,040 Speaker 1: it is like an Arab cultured film, and that they 783 00:46:05,040 --> 00:46:06,640 Speaker 1: should have went out of their way to find one 784 00:46:06,680 --> 00:46:09,879 Speaker 1: of these like Arab actresses who gets basically no time 785 00:46:09,920 --> 00:46:12,239 Speaker 1: because she's a brown woman and only white women are 786 00:46:12,280 --> 00:46:15,640 Speaker 1: cast these days. But at the same time, like, this 787 00:46:15,680 --> 00:46:18,360 Speaker 1: is a discussion I had on my podcast Ethnically Ambiguous 788 00:46:18,440 --> 00:46:21,920 Speaker 1: with my co host Shrine over is it okay that 789 00:46:21,960 --> 00:46:25,040 Speaker 1: they cast an Indian woman because technically she has a 790 00:46:25,040 --> 00:46:27,799 Speaker 1: brown woman or should they have gone for Arab And 791 00:46:27,800 --> 00:46:30,120 Speaker 1: while I understand that they should have gone and cast 792 00:46:30,160 --> 00:46:33,440 Speaker 1: an Arab woman in this role, I also feel like 793 00:46:33,480 --> 00:46:37,480 Speaker 1: it's not okay to like shut out Indian people and say, sorry, 794 00:46:38,000 --> 00:46:40,359 Speaker 1: you're Indian, you can't have this, which is it's not 795 00:46:40,400 --> 00:46:43,400 Speaker 1: fair because these are also brown people who had only 796 00:46:43,440 --> 00:46:47,160 Speaker 1: one brown princess growing up. It Jasmine was every brown 797 00:46:47,200 --> 00:46:49,319 Speaker 1: girl's princess. And even if you're Indian, if you're Arab, 798 00:46:49,360 --> 00:46:51,960 Speaker 1: if you're a Persian, I'm black and Japanese is the 799 00:46:52,000 --> 00:46:58,600 Speaker 1: only like I'm Addin. Yeah, like two different types of 800 00:46:58,640 --> 00:47:01,640 Speaker 1: brown people shouldn't have to fight over a single role 801 00:47:02,080 --> 00:47:04,759 Speaker 1: because we're fighting over literal scraps, you know what I mean. 802 00:47:05,040 --> 00:47:08,000 Speaker 1: And yeah, I feel like it was what it is 803 00:47:08,040 --> 00:47:12,360 Speaker 1: the first time for people who are millennials, older eighties, 804 00:47:12,400 --> 00:47:15,800 Speaker 1: third eighties kids, whatever, that you saw a brown Disney 805 00:47:15,880 --> 00:47:19,560 Speaker 1: character and that that kind of just became everybody's you know, 806 00:47:19,640 --> 00:47:22,399 Speaker 1: like like, oh, ship, there it is. For the first time, 807 00:47:23,000 --> 00:47:25,640 Speaker 1: it feels negligent to put brown people against each other 808 00:47:25,680 --> 00:47:27,560 Speaker 1: and be like, well, what how brown are you when 809 00:47:27,560 --> 00:47:30,759 Speaker 1: it's like we were all brown and we all looked 810 00:47:30,800 --> 00:47:33,560 Speaker 1: up at this one princess and said there's me. That's 811 00:47:33,600 --> 00:47:37,040 Speaker 1: the princess that represents me. So I do agree. You know, 812 00:47:37,280 --> 00:47:38,920 Speaker 1: it would have been nice for them to go and 813 00:47:38,960 --> 00:47:41,239 Speaker 1: actually find an Arab actress who you haven't heard of 814 00:47:41,280 --> 00:47:43,320 Speaker 1: and bring her into the light and show that these 815 00:47:43,400 --> 00:47:46,640 Speaker 1: you know, we're out here right, us brown women are 816 00:47:46,680 --> 00:47:49,120 Speaker 1: out here at the same time. It's not like, oh great, 817 00:47:49,200 --> 00:47:54,319 Speaker 1: another Indians, right, they don't supposed to be real. Before that, 818 00:47:54,360 --> 00:47:57,080 Speaker 1: I could only look up to uh, a Jamaican crab 819 00:47:57,280 --> 00:48:00,640 Speaker 1: named Sebastian or whatever then his name was. It's just 820 00:48:00,680 --> 00:48:03,960 Speaker 1: like relax, yeah, And I was like, oh ship kiss together, 821 00:48:04,200 --> 00:48:06,279 Speaker 1: and I'm like, yeah, I think that's got to be 822 00:48:06,280 --> 00:48:09,279 Speaker 1: a black man doing that voice. And that's all the 823 00:48:09,280 --> 00:48:11,399 Speaker 1: fun we had was like cool, that's the closer ship. 824 00:48:12,440 --> 00:48:16,880 Speaker 1: We talked about that on Yesterday's or talked about Little 825 00:48:16,880 --> 00:48:20,800 Speaker 1: Mermaid on yesterday's Bechdel Cast that I recorded with you guys, 826 00:48:20,840 --> 00:48:24,160 Speaker 1: and that I should have mentioned that song because that's 827 00:48:24,160 --> 00:48:27,400 Speaker 1: a song that's like force yourself on the girl. Just 828 00:48:27,520 --> 00:48:33,080 Speaker 1: kiss her. It doesn't matter if she's ready or not. Um, yeah, 829 00:48:33,080 --> 00:48:40,400 Speaker 1: a little mermaid's problematic. Yeah, she's all right. That's all 830 00:48:40,440 --> 00:48:44,000 Speaker 1: the time we have, Caitlin, it's been a goddamn pleasure 831 00:48:44,040 --> 00:48:47,080 Speaker 1: having you. Thank you so much for having me time 832 00:48:47,120 --> 00:48:50,560 Speaker 1: here today. Where where can people find you? You can 833 00:48:50,600 --> 00:48:52,960 Speaker 1: follow me on Twitter at Caitlin Dronte and you can 834 00:48:53,040 --> 00:48:55,520 Speaker 1: check out my podcast, The Bechdel Cast, where we talk 835 00:48:55,600 --> 00:48:57,879 Speaker 1: about the portrayal of women in movies and how it's 836 00:48:58,239 --> 00:49:01,640 Speaker 1: usually surprised not very good, and you can follow that 837 00:49:01,800 --> 00:49:04,719 Speaker 1: on at Bechtel Cast on Twitter. It's such a good 838 00:49:05,000 --> 00:49:08,120 Speaker 1: it's a great podcast. Thank you already said that. No, 839 00:49:08,320 --> 00:49:12,480 Speaker 1: I'm a bigger fan, Miles. Would you care to comment 840 00:49:12,520 --> 00:49:15,080 Speaker 1: on the podcast? Oh, I love I'm just not saying 841 00:49:15,160 --> 00:49:16,919 Speaker 1: thing because you haven't invited me to come on yet. 842 00:49:16,920 --> 00:49:19,960 Speaker 1: So we're right up there at the top of the 843 00:49:20,200 --> 00:49:22,080 Speaker 1: And I would like to do No Escape with Rayiota. 844 00:49:22,560 --> 00:49:26,279 Speaker 1: There are no women in that movie. You guys will 845 00:49:26,280 --> 00:49:30,160 Speaker 1: recommend Dunker well, there's at least there's a physical form 846 00:49:30,200 --> 00:49:32,239 Speaker 1: of a woman in it. I'm pretty sure no Escape 847 00:49:32,280 --> 00:49:34,319 Speaker 1: doesn't have even a fucking there's not even one woman 848 00:49:34,320 --> 00:49:36,520 Speaker 1: who appeared like sneak By in the middle because it's 849 00:49:36,520 --> 00:49:39,319 Speaker 1: about a fucking weird, crazy island where convicts are killing 850 00:49:39,320 --> 00:49:42,080 Speaker 1: each other. Anyway, that's Miles working. People follow you. You 851 00:49:42,080 --> 00:49:44,480 Speaker 1: can follow me on Twitter and Instagram at Miles up 852 00:49:44,520 --> 00:49:47,560 Speaker 1: Great Anna Work. You can follow me on Twitter at 853 00:49:47,600 --> 00:49:50,160 Speaker 1: Anna hosting a and you can listen to my podcast 854 00:49:50,239 --> 00:49:55,319 Speaker 1: Ethically m Biguous on iTunes and wherever you find podcasts, 855 00:49:55,320 --> 00:49:58,040 Speaker 1: and it will soon be on Housetiff Works, so you 856 00:49:58,080 --> 00:50:01,640 Speaker 1: cannot a big eas coming. That's what we call it 857 00:50:01,719 --> 00:50:07,279 Speaker 1: here behind the scene epic eye roll from Anna, and 858 00:50:07,400 --> 00:50:09,279 Speaker 1: you can follow me at Jack Underscore Brian. You can 859 00:50:09,280 --> 00:50:12,759 Speaker 1: follow us at Daily Zeitgeist on Twitter at the Daily 860 00:50:12,880 --> 00:50:15,880 Speaker 1: ze Guist on Instagram, we have Facebook fan page. Just 861 00:50:15,920 --> 00:50:19,440 Speaker 1: search daily Zeitgeist and you'll find that. And we have 862 00:50:19,680 --> 00:50:23,000 Speaker 1: a website Hess dot com where we post our episodes 863 00:50:23,000 --> 00:50:25,799 Speaker 1: in our foot where we link off to all the 864 00:50:25,880 --> 00:50:29,399 Speaker 1: articles we used us sources for each episode. And that's 865 00:50:29,400 --> 00:50:32,400 Speaker 1: gonna do it for today. Uh, Miles any songs to 866 00:50:32,440 --> 00:50:39,040 Speaker 1: throw to. Uh can I can I request Scary hours 867 00:50:39,480 --> 00:50:43,640 Speaker 1: um cash still rules off of Wu Tang Forever. Yeah, 868 00:50:43,680 --> 00:50:46,200 Speaker 1: my favorite song with like a super deep cut. For 869 00:50:46,239 --> 00:50:49,359 Speaker 1: all you guys who were ever questioning uh Jack's Wu 870 00:50:49,440 --> 00:50:52,279 Speaker 1: Tang credentials, let him know that he's listening to what 871 00:50:52,360 --> 00:50:54,400 Speaker 1: track four off disc one on Wu Tang Forever one 872 00:50:54,400 --> 00:50:58,520 Speaker 1: of the forgotten tracks. Yeah it's it's forgotten, wildly underrated. 873 00:50:59,520 --> 00:51:02,200 Speaker 1: Check it out up and that's gonna do it for today. 874 00:51:02,400 --> 00:51:04,800 Speaker 1: We will be back tomorrow because it is a daily podcast. 875 00:51:04,840 --> 00:51:09,560 Speaker 1: Touch them shake the niggas, scare me can slow money 876 00:51:09,600 --> 00:51:12,800 Speaker 1: y out smashed a getting stout, play the outfield, blue sales, 877 00:51:12,800 --> 00:51:15,640 Speaker 1: switched cracks on shells, sho's a rich freen sackle fighte 878 00:51:15,680 --> 00:51:18,520 Speaker 1: some fanship the niggas the Queen's guess ge She charged 879 00:51:18,560 --> 00:51:21,560 Speaker 1: thirty five beans. Take the cell phone regulate with well 880 00:51:21,640 --> 00:51:24,720 Speaker 1: known zone while he can't bet. Also slam the stripe 881 00:51:24,760 --> 00:51:28,000 Speaker 1: position with up Kleon smoked the bone zone phone me 882 00:51:28,200 --> 00:51:30,640 Speaker 1: with up. He trying to sling the addressed with chrome 883 00:51:30,680 --> 00:51:34,000 Speaker 1: mo only Brady with the great bit transporting form Rocket 884 00:51:34,080 --> 00:51:37,560 Speaker 1: Night yet Blosstafari and berg flight Wing. That's switching bencis 885 00:51:37,680 --> 00:51:40,319 Speaker 1: take care of nigga with gold lenzes fronting like he's 886 00:51:40,320 --> 00:51:42,640 Speaker 1: sitting on the lump. He's sitting on jump. Do you 887 00:51:42,719 --> 00:51:45,360 Speaker 1: want to pull the highest chore guns and robberies? Do 888 00:51:45,400 --> 00:51:47,919 Speaker 1: you wanna rock rep step with yellow while of these 889 00:51:48,000 --> 00:51:51,600 Speaker 1: names arranged the century Fox blttle blocks the niggas with 890 00:51:51,719 --> 00:51:55,640 Speaker 1: stocks willing and blocks rich lifestyle spot like an ordinary 891 00:51:55,719 --> 00:51:58,799 Speaker 1: white shop. Right now son is still shine shut light, 892 00:51:58,840 --> 00:52:01,640 Speaker 1: Now break down lick where they got fucking crack the 893 00:52:01,719 --> 00:52:05,359 Speaker 1: niken place specify higher sension when we mentioned trial he's 894 00:52:05,400 --> 00:52:08,520 Speaker 1: a slave cop, but hey popa suici base stopping blow 895 00:52:08,600 --> 00:52:11,800 Speaker 1: that chat at the waist member sticking things at the 896 00:52:11,960 --> 00:52:15,359 Speaker 1: one six soup when we were starting ducking babo picking them, 897 00:52:15,440 --> 00:52:17,759 Speaker 1: dude comes this heart and the flung from from they 898 00:52:17,840 --> 00:52:20,800 Speaker 1: got as far and we're warming then case darting, ripping 899 00:52:20,840 --> 00:52:24,239 Speaker 1: and broad and got the knock shabbertaging, flipping cracks and 900 00:52:24,320 --> 00:52:27,600 Speaker 1: your camouflaging. Now you snitching on the squad. That's something 901 00:52:27,680 --> 00:52:30,600 Speaker 1: niggas can't brought, say the yoba run by young gun 902 00:52:30,680 --> 00:52:33,440 Speaker 1: with bad intention and we wear garment, so why you 903 00:52:33,440 --> 00:52:35,680 Speaker 1: don't need to mention the boat can see up a 904 00:52:35,760 --> 00:52:38,719 Speaker 1: sting from a your love beat, kicking the battery out 905 00:52:38,760 --> 00:52:41,080 Speaker 1: the back of the wash cracks they start there for 906 00:52:41,200 --> 00:52:43,759 Speaker 1: your kid, Hi, you hire jack. These from these guys, 907 00:52:43,800 --> 00:52:46,160 Speaker 1: they from you, Hay, from me your mind. This the 908 00:52:46,320 --> 00:52:48,719 Speaker 1: year of up the ground me nigga rack time he 909 00:52:48,880 --> 00:52:51,279 Speaker 1: these niggas on the run. He my clan and block 910 00:52:51,520 --> 00:52:53,279 Speaker 1: Hi and long. Ain't got to tell you where it's 911 00:52:53,320 --> 00:52:57,040 Speaker 1: coming from, coming catching swimming with these sharks down you 912 00:52:57,239 --> 00:52:59,600 Speaker 1: rap fellings. We feel the same way you feel it 913 00:53:00,000 --> 00:53:02,719 Speaker 1: if you know what the blood clotching, naked daling and 914 00:53:02,840 --> 00:53:06,160 Speaker 1: crashed dummy cats, Ruth Field on nothing move what the morning, 915 00:53:06,200 --> 00:53:08,920 Speaker 1: and y'all strung on that chick right there with Wavy here, 916 00:53:09,120 --> 00:53:12,239 Speaker 1: Billy Johnson's snacks, the matters, whipping time, Square took his 917 00:53:12,320 --> 00:53:15,560 Speaker 1: pull Miss name played due plus wait some eight eight 918 00:53:15,680 --> 00:53:19,160 Speaker 1: started a fight. He can't wait at Dorothy sat kid 919 00:53:19,239 --> 00:53:22,480 Speaker 1: pushing up in massy placing that sad rossy up in 920 00:53:22,560 --> 00:53:25,399 Speaker 1: the ball case. He lost like a hunted aunces Jake 921 00:53:25,520 --> 00:53:28,080 Speaker 1: Russ his houses had him on the porch, asked no 922 00:53:28,280 --> 00:53:32,160 Speaker 1: trousers to suit up, individual stuff to do stuff safe, 923 00:53:32,280 --> 00:53:35,120 Speaker 1: Kake crying on the stand with Judge cupnor kiss, then 924 00:53:35,200 --> 00:53:38,120 Speaker 1: what art numbers free the nonstaff. Before he left, he 925 00:53:38,200 --> 00:53:41,319 Speaker 1: flashing his face like Denzel Richard Dale took his fever 926 00:53:41,760 --> 00:53:44,160 Speaker 1: under a poll in his whip. Once he dropped and 927 00:53:44,160 --> 00:53:46,560 Speaker 1: split his wick with the heat up and safe was 928 00:53:46,680 --> 00:53:49,279 Speaker 1: so fucked up as he had me laughing. God, you 929 00:53:49,360 --> 00:53:51,520 Speaker 1: see how he was laid out in the grass with 930 00:53:51,640 --> 00:53:53,520 Speaker 1: dirt and his mouth slim bo come up talking me 931 00:53:53,600 --> 00:53:56,120 Speaker 1: wild out, blood licking from his teeth. He smelled like 932 00:53:56,239 --> 00:53:59,160 Speaker 1: he dumped out big bolo stacking the shit financed the 933 00:53:59,239 --> 00:54:03,440 Speaker 1: vovo opposite from a small coffee shopping. Soho, he's still pussy. 934 00:54:03,600 --> 00:54:06,000 Speaker 1: He sells dust up on the lower East, pulsing like 935 00:54:06,120 --> 00:54:06,400 Speaker 1: the rap