WEBVTT - It Wasn't a Meltdown (S4 E15 "Scene in a Mall”)

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<v Speaker 1>I am all in, kiss you, I am all in

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<v Speaker 1>with Scott Patterson and I Heart Radio Podcast. Hi Scott,

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<v Speaker 1>you can't see me. You can hear me, but you

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<v Speaker 1>can't see me because most people normally can, but normally

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<v Speaker 1>we can, but today we cannot see You can't see

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<v Speaker 1>me anyway. Hi, Everybody Podcast Want to Live Productions. I

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<v Speaker 1>Heart Radio. I am joined by the effervescent Danielle Romo.

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<v Speaker 1>Who's I'm telling you she's got a sneaker on today.

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<v Speaker 1>I mean, we're we're in for some hell fire and brimstone.

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<v Speaker 1>To look on her face. Everybody's like, fir up. Everybody's

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<v Speaker 1>fired up today for for for I mean, I'm pissed

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<v Speaker 1>about the old Gallagher divorce and I don't know what yours.

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<v Speaker 1>You want to hear? You can sideways cet. He's so

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<v Speaker 1>bent out of shape, but it's like, anyway, what's your

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<v Speaker 1>issue with daniel What do you What do you bent about?

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<v Speaker 1>There's there's one serious thing I bent about, but I'll

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<v Speaker 1>give you the fun one. My my husband won't let

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<v Speaker 1>me get a Costco membership. I'm so annoyed because it's

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<v Speaker 1>just the two of us. He's like, why are we

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<v Speaker 1>going to get like three loaves of bread when we

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<v Speaker 1>could just get one at Rob's like, why do we

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<v Speaker 1>need to go to Costco? Because the economy is about

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<v Speaker 1>to go into the tank. That's sometimes you might need

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<v Speaker 1>cheaper toilet paper, absolutely, but his whole thing is we

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<v Speaker 1>don't need bulk of anything, which I understand. But I'm like, well,

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<v Speaker 1>what if you we're having a Super Bowl party and

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<v Speaker 1>you needed like shircuty platter or like chicken wings or

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<v Speaker 1>like guacamole. You do not need to convinced me. Trust me.

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<v Speaker 1>I've give him. How much is a membership? It's nothing.

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<v Speaker 1>It's like a hundred dollars a year. And I'm literally

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<v Speaker 1>like that's nothing. Let me just do it. And he's like,

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<v Speaker 1>don't do it. Why do we need it? That's just

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<v Speaker 1>wasting money on something we don't need. And I'm like, listen,

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<v Speaker 1>there's so much more than like like we buy so

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<v Speaker 1>much of our electronics and stuff like TVs are like clothes. Yeah, Scott,

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<v Speaker 1>do you guys have a Costco membership? I believe that

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<v Speaker 1>we do. Yeah. I don't because that place makes me anxious.

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<v Speaker 1>But that's just me. I mean, I I we we

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<v Speaker 1>never go. I don't think I don't think she goes

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<v Speaker 1>because you know, we have a place right around here. Yeah. Wait,

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<v Speaker 1>but Danielle, if you want it and it's your dream,

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<v Speaker 1>I'm just gonna do it, do it. I'm going to

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<v Speaker 1>I just really wanted him to be on board with it.

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<v Speaker 1>And will you tell him or will it be like

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<v Speaker 1>I'll just tell him. I mean when I'm coming home

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<v Speaker 1>with thirty rolls of toilet papers and when he's you know,

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<v Speaker 1>when he's you know, out there a man without an

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<v Speaker 1>island on the toilet, honey, and then you come to

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<v Speaker 1>the rescue, You're gonna go see because I've been there.

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<v Speaker 1>I've been there when you're when when you're all alone,

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<v Speaker 1>nobody cares. I'm gonna come home with a chicken bake

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<v Speaker 1>and a piece of pizza and a hot dog and

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<v Speaker 1>be like you could have got this at Costco fifty

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<v Speaker 1>two pieces of chicken. I would really love for Costco

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<v Speaker 1>to sponsor this podcast. Look at first of all, I

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<v Speaker 1>don't think it's a big deal, like he should just

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<v Speaker 1>be like that's weird. But fine, Yah, right, you can

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<v Speaker 1>keep that separate, separate from you know, you do your thing.

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<v Speaker 1>Does he have something that that that he spends money

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<v Speaker 1>on or he wants to save money on that you

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<v Speaker 1>think is bizarre shoes. He's done so much money on

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<v Speaker 1>jump shoes really really, Yeah, so that's your that's your out, Like, hey,

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<v Speaker 1>I don't, I don't. I'm not up here. You know

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<v Speaker 1>what about your shoes? I'm gonna go to Costcow. Do

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<v Speaker 1>you take the knight to take those five dollar Nikes

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<v Speaker 1>back and all? And I won't go to Costco? How's that?

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<v Speaker 1>I think he just doesn't want the eighteen boxes of

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<v Speaker 1>Kleenex in his garage. Yeah, he's like I don't want

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<v Speaker 1>to look. I will say something that my uh my

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<v Speaker 1>dad does is he'll also buy it for like my grandma,

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<v Speaker 1>so like like he'll drop it off at her house.

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<v Speaker 1>I'm going to use the grandma angle. That is like good,

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<v Speaker 1>let's use the economy because we're going into the dumper hard.

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<v Speaker 1>You know, CPI numbers came in. It's bad. Everything's don't

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<v Speaker 1>that mean Scott, thank you, thank you? And the Godfather

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<v Speaker 1>don't register. But Amy, you need to tell us what

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<v Speaker 1>you're upset. Okay, I'm not upset. I'm actually apologetic because apparently,

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<v Speaker 1>allegedly I royally screwed up last week. Now let me

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<v Speaker 1>tell you. Jackie, our producer, and I had a one

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<v Speaker 1>hour conversation last night of me trying to understand where

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<v Speaker 1>I went a ride. Okay, So Jackie are you there?

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<v Speaker 1>Are you there? Yes, I'm here, okay. So Jackie, can

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<v Speaker 1>you play the controversial clip in question from Gilmore Girls

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<v Speaker 1>last week? Yes? Here. It is just to have lunch, sorry,

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<v Speaker 1>a luncheon the day after tomorrow you meet your father,

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<v Speaker 1>and apparently she wants to meet Jason. All we need

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<v Speaker 1>is that filthy eminem fellow to make it a perfect

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<v Speaker 1>a for me. Well, I'll try to check him down, mom,

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<v Speaker 1>but you know, he might be on tour or something.

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<v Speaker 1>Just be here and be on time and catch her haircut. Okay.

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<v Speaker 1>So when I was watching the show, I interpreted it

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<v Speaker 1>as Emily was saying to Laura Lae and apparently she

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<v Speaker 1>wants to meet Jason. So to me, that was like, okay,

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<v Speaker 1>she's telling Lauraa that so she said and apparently wants

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<v Speaker 1>to meet Jason. My interpretation of it was that that

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<v Speaker 1>meant Lorela was to bring Jason. But we did talk

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<v Speaker 1>about this in this in the last episode, and I

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<v Speaker 1>even pulled up the script and we went over this

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<v Speaker 1>and we had discussed. We had discussed that, you know,

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<v Speaker 1>based off of the words that Emily was not implying

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<v Speaker 1>to call Jason, but it still was you know, like

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<v Speaker 1>we could interpret it all differently, but we did. We

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<v Speaker 1>did address this. So I don't know why people are

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<v Speaker 1>so upset because there because you all got it right,

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<v Speaker 1>but Amy, And that's why on Instagram it mostly says Amy,

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<v Speaker 1>I did get it wrong. I so you're a human being.

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<v Speaker 1>You made a mistake. So what Yeah, no, it's like

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<v Speaker 1>I but it did take me twelve listens to that

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<v Speaker 1>kind of But what what kind of what kind of backlash?

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<v Speaker 1>Year you talking about? Here? Do we have to do?

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<v Speaker 1>We have to get you extra security or something happened?

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<v Speaker 1>For hundred comments on what it's like kid? You not

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<v Speaker 1>three seven comments really set people sideways and then they're like,

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<v Speaker 1>you call yourself a fan? Which, look, guys, I'm telling

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<v Speaker 1>you the honest to god truth. I've seen each of

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<v Speaker 1>these episodes. Many I've seen about three or four times.

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<v Speaker 1>Some I've seen more, Some I've seen less. I still

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<v Speaker 1>can't remember everything. Sometimes I watch one and I watch

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<v Speaker 1>it twenty minutes later, and I've forgotten things. What about me?

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<v Speaker 1>I think I'm talking about one episode. I'm talking about

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<v Speaker 1>another episode. Now, you guys got to smack me around

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<v Speaker 1>a little bit to bring me back to consciousness. This

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<v Speaker 1>show is very It's got a lot happening. Sometimes I'm

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<v Speaker 1>gonna fff it up. I just am, But I have

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<v Speaker 1>such good intentions in that. I really thought Emily was saying,

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<v Speaker 1>and your grandmother wants to meet Jason. So I was like,

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<v Speaker 1>oh my god, she's saying that to Lord. Like. I still,

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<v Speaker 1>even though I understand where I went wrong, I still

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<v Speaker 1>say it was a tad. I haven't. I have the

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<v Speaker 1>solution for this. We are going to set up a

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<v Speaker 1>kissing booth for you, and you can offer free kisses

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<v Speaker 1>to the fans as an apology. I don't think that's illegal.

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<v Speaker 1>I don't think that's legal anymore. I think that went

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<v Speaker 1>out with the Happy Days era. Do you not know

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<v Speaker 1>the Netflix movie the Kissing Booth? I think they just

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<v Speaker 1>need a hug maybe a hugging booth. You don't have

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<v Speaker 1>a hugo because I want to go around and hug everybody, right, Well,

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<v Speaker 1>we know you love kissing babies and hugging grandma. You

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<v Speaker 1>don't want these fans. I just I want to eat

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<v Speaker 1>them up. I think what they want is for me

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<v Speaker 1>to acknowledge I royally blew it, and I did. Okay, alright,

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<v Speaker 1>but I still stand by that it was slightly confusing.

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<v Speaker 1>You have that right to be confused. You are up

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<v Speaker 1>in northern California dealing with biblical torrential flooding, rain, snow, bears,

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<v Speaker 1>bears sniffing around your property. You have no idea how

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<v Speaker 1>happy people are here that the sun came out. The

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<v Speaker 1>sun's out today too. Yeah, we're all confused. My bathing

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<v Speaker 1>suit on. I ran outside the screen because it's still

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<v Speaker 1>forty degrees. You know, Okay, Scott, Other than you're what's

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<v Speaker 1>that band that you like? The Gallagher's band Oasis? Oasis?

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<v Speaker 1>O wasis crisis. How are you feeling about the episode?

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<v Speaker 1>I feel just in your life. First, in your life,

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<v Speaker 1>I feel great. I feel my little guy is testing

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<v Speaker 1>for his next belt and karates, Oh my god, doing fantastic.

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<v Speaker 1>His robotics are great. Everything's great. It's great. And then

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<v Speaker 1>how did how did you feel about seeing in them all?

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<v Speaker 1>Seeing in them all? I thought was you know? For me,

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<v Speaker 1>seeing in them all represents why fans love this show

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<v Speaker 1>so much and why they have it on in the

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<v Speaker 1>background so much because they can just enjoy the banter.

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<v Speaker 1>They love the banter. But Queen, these two wacky, wonderful,

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<v Speaker 1>beautiful kids. Right, Do you guys know what mall that was?

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<v Speaker 1>That was the Beverly Center. It was the Glendell No.

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<v Speaker 1>I thought it might be the Westfield, though, in which

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<v Speaker 1>one did you say it is it? Where is it?

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<v Speaker 1>Glendelle Galleria? Yeah, it's across from the Americana didn't exist

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<v Speaker 1>back then, but it's across now, so that makes sense.

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<v Speaker 1>I thought maybe it was the Sherman Oaks Westfield, but

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<v Speaker 1>it was makes second the second they showed the food court,

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<v Speaker 1>because I grew up in Glendale until I was like, hey,

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<v Speaker 1>the second they showed the food court, I was like,

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<v Speaker 1>oh my god, I used to go there. And also

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<v Speaker 1>that makes sense because you shot on the Warner Brothers lot,

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<v Speaker 1>so that's really the closest mall to lot. Maybe I

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<v Speaker 1>don't know, but I listen, it was. It was. It

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<v Speaker 1>was a fun It wasn't. It didn't get really sort

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<v Speaker 1>of scathing or deep until the end with the fractured

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<v Speaker 1>marriage or the whole the marriage with Emily and did

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<v Speaker 1>start getting intense, but it was a fun easy It

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<v Speaker 1>was just so easy to be around it. It was

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<v Speaker 1>so easy to be around these two, and it was

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<v Speaker 1>just so apparent to me why this is such a

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<v Speaker 1>beloved show. Not that I didn't realize it prior to this,

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<v Speaker 1>but it's like, this is the thing you have on

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<v Speaker 1>in the background and you walk in, and you walk

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<v Speaker 1>into the room and there's Laurel and Rory and the mall,

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<v Speaker 1>you know, going back and forth and being funny and

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<v Speaker 1>cute and all that stuff, and you just smile. We

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<v Speaker 1>also had a lot of great Luke and Laurel banter,

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<v Speaker 1>which I also love, and when we don't have it,

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<v Speaker 1>I don't love it as much. Like there was some funny,

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<v Speaker 1>funny scenes, just even with that Internet chord, right, yeah, exactly. Um,

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<v Speaker 1>before we start, though, could we have a brief Oh no,

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<v Speaker 1>what happened? Oh no, daniel what happened? No? Synopsiz, I

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<v Speaker 1>think it's the Bourbank Town Center. No, what about the

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<v Speaker 1>everything I'm reading? Well, I'm glad you said it. Now

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<v Speaker 1>before I get dragged while Danielle researches this, could we

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<v Speaker 1>have a brief moment of silence? R I p radio

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<v Speaker 1>shock because I did Radio Shack and I was like, oh,

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<v Speaker 1>we miss you, radio Shock. Let's just let's just give

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<v Speaker 1>him a twenty second second moment moment, ten seconds, ten

0:12:27.280 --> 0:12:30.920
<v Speaker 1>seconds for radio everybody ready, moment of science. But I'll

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<v Speaker 1>count at ten nine eight seven six three. You know,

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<v Speaker 1>I loved a trip with my dad to radio show.

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<v Speaker 1>We did it all the time. That was the best

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<v Speaker 1>buy before best BUYO was cool, you know what I mean?

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<v Speaker 1>Like everyone went to radio shack totally. You're like, hey,

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<v Speaker 1>my transistor radio won't work. Can you guys help me out?

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<v Speaker 1>They're like, yeah, we got you. I think the neighbor's

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<v Speaker 1>wife won't get out of bed. She's devastated by this.

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<v Speaker 1>She's so they're the gaps still going strong. I tried

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<v Speaker 1>so hard to spot the stores. But anyway, all right, Danielle,

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<v Speaker 1>all right, should I synopsis? God, it's so weird not

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<v Speaker 1>being able to see you. I know, I don't like it.

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<v Speaker 1>I don't like it. Gotta do it, gotta do it.

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<v Speaker 1>We got the show. The show must go on. Don't

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<v Speaker 1>you guys know that there must go on? Oh God, alright,

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<v Speaker 1>let me go for it. So this is season four,

0:13:24.160 --> 0:13:28.280
<v Speaker 1>episode fifteen, seen in a mall, air date February two,

0:13:28.320 --> 0:13:30.960
<v Speaker 1>thousand and four, there seems to be a crack in

0:13:31.000 --> 0:13:34.079
<v Speaker 1>Emily and Richard's marriage. Emily is wondering if she has

0:13:34.160 --> 0:13:36.880
<v Speaker 1>nothing going for herself now that Richard has Jason and

0:13:36.960 --> 0:13:40.320
<v Speaker 1>his new business. So Laura, Lie, and Rory take her

0:13:40.320 --> 0:13:42.000
<v Speaker 1>to the food court in a mall to cheer up

0:13:42.000 --> 0:13:45.079
<v Speaker 1>after having a freak out during a shopping spree. Lane

0:13:45.120 --> 0:13:49.320
<v Speaker 1>gets an apartment with her bandmates, and Dean is showing

0:13:49.360 --> 0:13:52.440
<v Speaker 1>signs that he's maybe getting sick of his in laws.

0:13:52.520 --> 0:13:58.320
<v Speaker 1>Always yeah, there's major, major things. Scott, Oh my god,

0:13:59.240 --> 0:14:04.719
<v Speaker 1>the apartment that was weird. And you also Luke has

0:14:05.040 --> 0:14:12.920
<v Speaker 1>knows the marriage is a little wonky. Dean and Lindsey, Yeah,

0:14:13.559 --> 0:14:17.480
<v Speaker 1>that her name? Why does why does Luke Lindsay always

0:14:17.559 --> 0:14:21.360
<v Speaker 1>see like whether it's Jess or Dean, he always sees

0:14:21.400 --> 0:14:25.240
<v Speaker 1>those moments where he like catches them looking at everybody,

0:14:25.480 --> 0:14:33.280
<v Speaker 1>do you guys? Yeah, like to give me something to

0:14:33.320 --> 0:14:36.240
<v Speaker 1>do to get me into the story. Only Luke had

0:14:36.280 --> 0:14:38.680
<v Speaker 1>his cell phone, he would be gossip girl like literally,

0:14:38.720 --> 0:14:42.840
<v Speaker 1>he would be like anyone notice, did anyone notice my

0:14:42.920 --> 0:14:49.720
<v Speaker 1>hat today? Phone? Look at that? You're going to get

0:14:49.720 --> 0:14:51.240
<v Speaker 1>it in a week and a half. And then we're

0:14:51.240 --> 0:14:53.760
<v Speaker 1>going to be all merched out. Cannot wait, cannot wait.

0:14:53.840 --> 0:14:56.680
<v Speaker 1>I get nothing, I get zero, I get no pillows,

0:14:56.720 --> 0:15:00.160
<v Speaker 1>I get no shirts. Scott, you lived in you are

0:15:00.880 --> 0:15:05.880
<v Speaker 1>you get to be the pillow on the rug. Sweep

0:15:05.920 --> 0:15:09.880
<v Speaker 1>it under me, as they say, in perpetuity, you are

0:15:10.000 --> 0:15:13.640
<v Speaker 1>Loup forever and ever. Wait, did you guys notice that

0:15:13.720 --> 0:15:19.240
<v Speaker 1>Rory slash Alexis got to do the previously on? M M. Yeah,

0:15:19.760 --> 0:15:23.360
<v Speaker 1>she said the previously on and then uh, they came

0:15:23.440 --> 0:15:25.360
<v Speaker 1>to me for that. I didn't want to wait. Yeah,

0:15:25.400 --> 0:15:27.160
<v Speaker 1>I wonder if you ever get to do it, they

0:15:27.200 --> 0:15:28.360
<v Speaker 1>asked me, and I said, no, I want to go

0:15:28.360 --> 0:15:33.320
<v Speaker 1>to lunch. You know what, I have a really fast

0:15:33.320 --> 0:15:36.120
<v Speaker 1>pution to before we get into it. So you know

0:15:36.160 --> 0:15:41.640
<v Speaker 1>how some of the sets are sound stages, right, yes,

0:15:42.360 --> 0:15:45.840
<v Speaker 1>but the diner isn't. Is that correct because you always

0:15:45.840 --> 0:15:50.080
<v Speaker 1>can see the outside, right, that's not on a stage. Yeah,

0:15:50.120 --> 0:15:53.640
<v Speaker 1>that's not so. The diner. The inside is where the

0:15:53.680 --> 0:15:59.000
<v Speaker 1>outside where we shot it in Canada, outside Toronto and Unionville. Uh.

0:15:59.040 --> 0:16:03.280
<v Speaker 1>They rebuilt Unionville on the back lot at Warner Brothers

0:16:03.280 --> 0:16:06.680
<v Speaker 1>as best they could to resemble you know the look

0:16:06.720 --> 0:16:09.480
<v Speaker 1>of the pilot because you shot it in a real

0:16:09.520 --> 0:16:12.240
<v Speaker 1>live town we did. We shot it in a real place,

0:16:12.320 --> 0:16:16.840
<v Speaker 1>in real street and real place, yes, real shop, the

0:16:16.880 --> 0:16:18.880
<v Speaker 1>whole deal. So they just took a bunch of photos

0:16:18.880 --> 0:16:22.680
<v Speaker 1>and recreated it in California. So when you go in,

0:16:22.840 --> 0:16:25.280
<v Speaker 1>so let's say you're shooting something outside of the diner

0:16:25.360 --> 0:16:27.560
<v Speaker 1>and then you go into the diner, it's not like

0:16:27.680 --> 0:16:31.920
<v Speaker 1>that's like all right there, yes, at loose yes everything. Yeah,

0:16:32.000 --> 0:16:36.600
<v Speaker 1>Luke's was dressed outside and it that's pretty cool. I

0:16:36.600 --> 0:16:39.280
<v Speaker 1>think that would be more fun watching the episode. I

0:16:39.280 --> 0:16:41.640
<v Speaker 1>could kind of see the layout of the town now

0:16:41.840 --> 0:16:45.360
<v Speaker 1>since we did that event for Christmas, like because I've

0:16:45.400 --> 0:16:47.960
<v Speaker 1>seen that area but not dressed up like Stars Hollow,

0:16:48.240 --> 0:16:51.040
<v Speaker 1>So to see like where Dozies was compared to like Luke,

0:16:51.080 --> 0:16:53.200
<v Speaker 1>it was just so funny to me now watching back.

0:16:53.480 --> 0:16:59.240
<v Speaker 1>But it's like to answer Danielle's comment about Luke being

0:16:59.720 --> 0:17:03.960
<v Speaker 1>the asp girl. But I mean, he's up right there

0:17:04.000 --> 0:17:06.240
<v Speaker 1>on the corner. He sees everything. He's right across street

0:17:06.240 --> 0:17:09.560
<v Speaker 1>from the high school. He's he's right across the gazebo

0:17:09.880 --> 0:17:13.280
<v Speaker 1>from Mrs Kim, He's right next to Taylor Dozie. He's

0:17:13.440 --> 0:17:15.960
<v Speaker 1>Dozies Market. So a lot of the activity that's going

0:17:16.000 --> 0:17:18.879
<v Speaker 1>on in that show. Outside his diner. He can see it.

0:17:19.080 --> 0:17:21.040
<v Speaker 1>He's got the big glass windows. He can see it

0:17:21.080 --> 0:17:25.280
<v Speaker 1>from behind his counter. So you know he's the he's

0:17:25.320 --> 0:17:31.160
<v Speaker 1>the lighthouse. Yeah, he's got it. That's he's the lighthouse.

0:17:31.200 --> 0:17:38.879
<v Speaker 1>Good one. Ye. Laulized got her hair on fire in

0:17:38.920 --> 0:17:44.240
<v Speaker 1>this episode. So after last week's hair catastrophe, she had

0:17:44.359 --> 0:17:49.919
<v Speaker 1>many different hairstyles, all all excellent astrophe yes last week. Yeah,

0:17:50.760 --> 0:17:53.680
<v Speaker 1>And you know what I like too, is in that

0:17:53.800 --> 0:17:56.240
<v Speaker 1>so after we see the scenes, right, so we see

0:17:56.240 --> 0:17:57.760
<v Speaker 1>sort of the previously on and we know we're going

0:17:57.800 --> 0:17:59.440
<v Speaker 1>to talk about Penel and we know there's going to

0:17:59.520 --> 0:18:02.960
<v Speaker 1>be kind of something with the phone tag that lower

0:18:03.040 --> 0:18:05.880
<v Speaker 1>Lye and Rory are having and a couple other things.

0:18:07.040 --> 0:18:11.960
<v Speaker 1>It's not like Luke just ignored the meltdown. He's like,

0:18:12.200 --> 0:18:16.280
<v Speaker 1>you're doing okay. And I really liked that. It was

0:18:16.320 --> 0:18:19.119
<v Speaker 1>like it feels more real, like because that's exactly what

0:18:19.200 --> 0:18:21.120
<v Speaker 1>would happen, even if it was a couple of days later. Hey,

0:18:21.240 --> 0:18:25.119
<v Speaker 1>you're doing okay. And then we see Dean do the

0:18:25.200 --> 0:18:29.119
<v Speaker 1>same thing. Right, there's there is a cringe e line

0:18:29.119 --> 0:18:32.719
<v Speaker 1>though we all know it, which which one whereum who

0:18:32.840 --> 0:18:39.040
<v Speaker 1>from who when it's very cringe. Go ahead, don't be shy,

0:18:39.359 --> 0:18:43.680
<v Speaker 1>well said Luke says to Kirk about the dog back

0:18:45.760 --> 0:18:51.840
<v Speaker 1>that would never happen. Now that was cringe. Yeah, that

0:18:52.119 --> 0:18:56.080
<v Speaker 1>was like, yeah, the bit was funny. All the dog

0:18:56.160 --> 0:19:01.320
<v Speaker 1>stuff I thought was super funny, right. I like, as

0:19:01.359 --> 0:19:06.440
<v Speaker 1>a dog walker, real dogs, Scott, you had to act

0:19:06.480 --> 0:19:08.720
<v Speaker 1>with all those real dogs. Yeah, those are not robots,

0:19:08.760 --> 0:19:11.720
<v Speaker 1>those are real. Those are not rubber dogs, not ubber

0:19:11.800 --> 0:19:16.600
<v Speaker 1>rubber dog babies. No. The two things they tell you

0:19:16.720 --> 0:19:22.400
<v Speaker 1>is never act with animals or children. Um. Yeah, and

0:19:22.480 --> 0:19:26.480
<v Speaker 1>they'll always upstage you, the dogs and the children will

0:19:26.520 --> 0:19:29.480
<v Speaker 1>always upstage you. But those dogs were very well behaved.

0:19:29.480 --> 0:19:33.199
<v Speaker 1>I remember that they didn't pee anywhere, they didn't do anything.

0:19:33.280 --> 0:19:36.399
<v Speaker 1>They were very well behaved, They were well trained, they

0:19:36.440 --> 0:19:41.119
<v Speaker 1>were loved, they were loving. They didn't Danielle's costco toilet babies.

0:19:44.560 --> 0:19:46.880
<v Speaker 1>And it was kind of fun working with them because

0:19:47.440 --> 0:19:52.000
<v Speaker 1>they're cute. So cute reminded me some of my old

0:19:52.080 --> 0:19:57.600
<v Speaker 1>gang back in New Jersey. I do like to have

0:19:57.760 --> 0:20:00.720
<v Speaker 1>Kirk convince that Lulu is on a girl's trip, and

0:20:00.760 --> 0:20:03.000
<v Speaker 1>he called the hotel to clarify, and then you're such

0:20:03.040 --> 0:20:05.080
<v Speaker 1>an ass you're like, um, these are names that could

0:20:05.080 --> 0:20:09.200
<v Speaker 1>also be girls and guys. It's so good you're all

0:20:09.840 --> 0:20:15.119
<v Speaker 1>or whatever. Yeah, Kirk was solid in this. We haven't

0:20:15.119 --> 0:20:19.320
<v Speaker 1>had sort of really like a great Kirk bit in

0:20:19.440 --> 0:20:22.400
<v Speaker 1>a minute. Yeah, he had some stuff to do, right,

0:20:22.480 --> 0:20:25.720
<v Speaker 1>he had he had a little puppy in his in

0:20:25.760 --> 0:20:29.919
<v Speaker 1>his in his bag in his and then he had

0:20:29.920 --> 0:20:32.639
<v Speaker 1>the random dog. That's like, I didn't get picked on,

0:20:35.520 --> 0:20:37.800
<v Speaker 1>And I thought the physical comedy, So I thought the

0:20:37.920 --> 0:20:42.280
<v Speaker 1>cord bit was also funny of the internet chord and

0:20:42.359 --> 0:20:44.800
<v Speaker 1>you're kind of limboing it under it and like you're

0:20:44.800 --> 0:20:48.080
<v Speaker 1>just like putting up with her. Yeah, but that he

0:20:48.160 --> 0:20:50.639
<v Speaker 1>does that, he'll do that for her. That's the only

0:20:50.680 --> 0:20:53.040
<v Speaker 1>person in the world that could get away with that name.

0:20:53.119 --> 0:20:55.879
<v Speaker 1>One other person that could do that, maybe Rory, maybe

0:20:55.960 --> 0:21:00.200
<v Speaker 1>Rory maybe, but that's never nobody else. Nobody could get

0:21:00.200 --> 0:21:05.919
<v Speaker 1>away with that ever, no way, but just her. Also,

0:21:06.040 --> 0:21:10.080
<v Speaker 1>I did crack up that Paris was liceoling everything because

0:21:11.440 --> 0:21:15.879
<v Speaker 1>it's like with like the even like the lighter that

0:21:15.960 --> 0:21:19.720
<v Speaker 1>she put like against the door knough fires, like we're

0:21:19.760 --> 0:21:22.199
<v Speaker 1>all like heating of and like I thought that was

0:21:22.359 --> 0:21:29.640
<v Speaker 1>funny too. So do we talk about the apartment. Then

0:21:29.640 --> 0:21:32.160
<v Speaker 1>we went to the scene where we realized, oh my god,

0:21:32.320 --> 0:21:37.120
<v Speaker 1>Lane's got the apartment. Yeah, Scott, what did you think.

0:21:38.840 --> 0:21:42.680
<v Speaker 1>I don't know that they're making enough of a narrative

0:21:43.920 --> 0:21:47.000
<v Speaker 1>about that. I think it's a really important storyline that

0:21:47.040 --> 0:21:51.760
<v Speaker 1>they're not feeding enough food too. I want to say.

0:21:53.080 --> 0:21:55.800
<v Speaker 1>It's like it's almost like they're glossing over it just

0:21:55.840 --> 0:21:57.600
<v Speaker 1>to sort of get it in because they know. And

0:21:57.640 --> 0:21:59.919
<v Speaker 1>I just want to see more of it, you know,

0:22:00.240 --> 0:22:02.680
<v Speaker 1>no one little scene of her with the girl who

0:22:02.680 --> 0:22:08.000
<v Speaker 1>won't stop talking and shut up, and just that and

0:22:08.040 --> 0:22:10.640
<v Speaker 1>then and then you know, the scene where they leave,

0:22:10.960 --> 0:22:12.720
<v Speaker 1>you know, I don't know, I just it was all

0:22:12.760 --> 0:22:14.320
<v Speaker 1>just so quick and abrupt, and then all of a

0:22:14.359 --> 0:22:18.400
<v Speaker 1>sudden there's, you know, half hour later, this scene with

0:22:18.560 --> 0:22:23.520
<v Speaker 1>two of her the shelf thing the whole day. I

0:22:23.520 --> 0:22:26.880
<v Speaker 1>don't know. It's like, it's like I want to see

0:22:26.920 --> 0:22:29.640
<v Speaker 1>more of that. I want to see it developed more. Yeah,

0:22:29.680 --> 0:22:33.000
<v Speaker 1>because it's very significant. Is it's a huge thing in

0:22:33.000 --> 0:22:35.840
<v Speaker 1>the show. I agree. I feel like we went from

0:22:36.520 --> 0:22:40.520
<v Speaker 1>uh Lane living with Rory to getting the apartment so quickly.

0:22:40.560 --> 0:22:43.080
<v Speaker 1>I would have loved like something. For me, it was

0:22:43.119 --> 0:22:46.359
<v Speaker 1>more like the process of getting the apartment and like

0:22:46.400 --> 0:22:48.040
<v Speaker 1>all of that. It was like, I kind of feel

0:22:48.080 --> 0:22:50.359
<v Speaker 1>like we missed a beat the decision to live with

0:22:50.400 --> 0:22:53.640
<v Speaker 1>the boys, yeah, live with the boys, Yeah, and those

0:22:53.680 --> 0:22:55.840
<v Speaker 1>scenes with the boys, Like, hey, you guys, what do

0:22:55.840 --> 0:22:59.160
<v Speaker 1>you think you know, all that emotional stuff that could

0:22:59.160 --> 0:23:01.960
<v Speaker 1>have been played, we could have gone along for the rhyme. Yeah.

0:23:02.000 --> 0:23:04.840
<v Speaker 1>I think you're right. We missed a beat there. Yeah,

0:23:04.880 --> 0:23:07.240
<v Speaker 1>but I do love that. I love that they're in

0:23:07.280 --> 0:23:09.719
<v Speaker 1>the apartment. It's going to add for another sort of

0:23:10.400 --> 0:23:15.679
<v Speaker 1>storyline and layer of stuff. Okay, So then here comes

0:23:15.680 --> 0:23:27.160
<v Speaker 1>the big moment, the envelope with major major. Yeah, there's

0:23:28.040 --> 0:23:32.399
<v Speaker 1>one thing that specific, like specifically jumped out at me,

0:23:32.760 --> 0:23:34.119
<v Speaker 1>and I wonder if it was the same thing for

0:23:34.160 --> 0:23:37.359
<v Speaker 1>you guys. When Lorela is going back and forth with

0:23:37.400 --> 0:23:39.639
<v Speaker 1>all the terms and writing down on the napkin and

0:23:39.680 --> 0:23:42.520
<v Speaker 1>all that kind of stuff, and then she goes like

0:23:42.640 --> 0:23:45.159
<v Speaker 1>Nicole and he goes, you're not going to see Nicole.

0:23:45.560 --> 0:23:50.960
<v Speaker 1>Yeah he said it. He literally put it out there

0:23:51.040 --> 0:23:58.000
<v Speaker 1>like like Nicole is happening, right. Yeah, So Scott, what

0:23:58.080 --> 0:24:03.359
<v Speaker 1>do you think, being Scott, of Luke giving her the

0:24:03.480 --> 0:24:07.720
<v Speaker 1>money and what do you think of her accepting the money?

0:24:08.600 --> 0:24:11.240
<v Speaker 1>I think that is an acknowledgement that those two are

0:24:11.320 --> 0:24:16.160
<v Speaker 1>bound together on a much deeper level than they are

0:24:16.240 --> 0:24:22.480
<v Speaker 1>now currently acting out. Yes, yes, Well said, that's what

0:24:22.640 --> 0:24:25.720
<v Speaker 1>I think of that. That's he's that guy. She she's

0:24:25.760 --> 0:24:28.199
<v Speaker 1>the girl that accepts it because they're together kind of,

0:24:28.760 --> 0:24:33.240
<v Speaker 1>she will accept it, that's right, so Well said, she

0:24:33.280 --> 0:24:36.960
<v Speaker 1>accepts it from him, and she won't. Her parents have

0:24:37.040 --> 0:24:39.600
<v Speaker 1>way more money, and not only will she not ask them,

0:24:39.640 --> 0:24:42.520
<v Speaker 1>she wouldn't accept it from them, but she will. She

0:24:42.600 --> 0:24:46.000
<v Speaker 1>took it. But you know why, you know why that's

0:24:46.000 --> 0:24:48.600
<v Speaker 1>the case is because she feels with her parents she's

0:24:48.600 --> 0:24:50.960
<v Speaker 1>going to have to owe them back and she knows

0:24:51.000 --> 0:24:53.320
<v Speaker 1>that with Luke, if she just pays him back, it's

0:24:53.359 --> 0:24:56.119
<v Speaker 1>you know, it's a it's a friend of friend helping

0:24:56.280 --> 0:24:59.639
<v Speaker 1>somebody out. You know, she did, she do it for him,

0:24:59.680 --> 0:25:01.440
<v Speaker 1>you know, like he's not going to ask for more.

0:25:01.600 --> 0:25:04.200
<v Speaker 1>He's not going to hang it over her head. Yeah right,

0:25:04.520 --> 0:25:08.280
<v Speaker 1>He's not going to use her because of it. Even

0:25:08.320 --> 0:25:10.359
<v Speaker 1>if she doesn't pay him back. It's like, hey, you know,

0:25:10.480 --> 0:25:12.679
<v Speaker 1>I took my chances. No, no worries. It's not going

0:25:12.680 --> 0:25:15.680
<v Speaker 1>to affect their relationship. And do you okay, this is

0:25:15.720 --> 0:25:19.880
<v Speaker 1>a weird question. Do you think on some level he

0:25:19.960 --> 0:25:23.160
<v Speaker 1>likes that she needed the money, he likes that they

0:25:23.160 --> 0:25:27.680
<v Speaker 1>are connected forever and that he is he's her man. Well,

0:25:27.720 --> 0:25:30.800
<v Speaker 1>according to Jess, he did it because you know, he

0:25:30.840 --> 0:25:34.120
<v Speaker 1>wants to avoid paying thirty dollars for his own therapy.

0:25:34.240 --> 0:25:38.919
<v Speaker 1>You know, so he's actually really weak and delusional and

0:25:38.920 --> 0:25:41.639
<v Speaker 1>out of touch with his own problem. I love that

0:25:41.760 --> 0:25:45.399
<v Speaker 1>Scott's taking that so personally. That fight is like a

0:25:45.440 --> 0:25:51.280
<v Speaker 1>month ago and we're like, um, yeah, I mean I

0:25:51.320 --> 0:25:54.360
<v Speaker 1>think he was happy to do it. Yeah, I think, yeah,

0:25:55.560 --> 0:25:59.120
<v Speaker 1>that's his girl, his hand over. It's not like, yeah,

0:25:59.119 --> 0:26:01.760
<v Speaker 1>it's like to just and over thirty dollars like that,

0:26:01.840 --> 0:26:06.679
<v Speaker 1>Like you have to really love trust and you know

0:26:08.080 --> 0:26:10.280
<v Speaker 1>that person. It's just they're gonna be around for a

0:26:10.280 --> 0:26:11.760
<v Speaker 1>while if they're paying you. But you know what I mean,

0:26:11.800 --> 0:26:13.480
<v Speaker 1>it's not like you're just handing the money and it's gone.

0:26:13.520 --> 0:26:15.600
<v Speaker 1>And I think dealing with family members is always so

0:26:15.680 --> 0:26:20.600
<v Speaker 1>much harder. So yeah, I mean friends, it's complicated with

0:26:20.640 --> 0:26:25.399
<v Speaker 1>friends too. It's very no, it is, but it changes everything.

0:26:25.440 --> 0:26:31.480
<v Speaker 1>But they're they're more than friends. Without repressing it totally totally,

0:26:31.520 --> 0:26:35.280
<v Speaker 1>they're like, yes, I agree, and I think he's not

0:26:35.320 --> 0:26:37.919
<v Speaker 1>worried about it, and I think neither she because she

0:26:38.040 --> 0:26:41.800
<v Speaker 1>accepted it. I think if she was concerned, knowing lore Lie,

0:26:41.840 --> 0:26:44.959
<v Speaker 1>she wouldn't have accepted it. Listen, he's a guy who

0:26:45.040 --> 0:26:47.679
<v Speaker 1>would love her and take care of her even if

0:26:47.720 --> 0:26:52.560
<v Speaker 1>he had nothing. Yeah, he doesn't care money, who cares.

0:26:52.640 --> 0:26:54.639
<v Speaker 1>He knows he's gonna make money. He knows he's going

0:26:54.680 --> 0:26:57.080
<v Speaker 1>to keep a roof over his head. It might not

0:26:57.240 --> 0:26:59.440
<v Speaker 1>be the Rits and they might not go to Central

0:26:59.480 --> 0:27:01.399
<v Speaker 1>Pe to hang out with the celebs, you know, but

0:27:01.440 --> 0:27:05.200
<v Speaker 1>it's like he loves her lock Stock and barrel, doesn't

0:27:05.280 --> 0:27:08.400
<v Speaker 1>matter the situation, his financial situation. Screw it, you need

0:27:08.440 --> 0:27:12.479
<v Speaker 1>it now. It's just money. There's more important things, you know.

0:27:13.280 --> 0:27:16.160
<v Speaker 1>And I mean this in the best possible way. Luke

0:27:16.320 --> 0:27:21.680
<v Speaker 1>is so not the rando diner owner. Like he's got

0:27:21.680 --> 0:27:23.720
<v Speaker 1>a lot more than thirty thousand dollars, do you know

0:27:23.720 --> 0:27:27.760
<v Speaker 1>what I mean? Like Luke is super successful and he's

0:27:27.840 --> 0:27:33.960
<v Speaker 1>like a real good guy. He's the backbone for sure. Yeah. Yeah,

0:27:34.080 --> 0:27:37.840
<v Speaker 1>well you gotta figure you know he inherits the diner,

0:27:37.920 --> 0:27:42.160
<v Speaker 1>Williams hardware from his dad. That's got to be worth

0:27:43.280 --> 0:27:45.160
<v Speaker 1>you know, in that town in that time, it's got

0:27:45.160 --> 0:27:47.160
<v Speaker 1>to be worth a couple of hundred thousand dollars, maybe

0:27:47.160 --> 0:27:49.600
<v Speaker 1>five hundred thousand dollars, wouldn't you say something like that?

0:27:50.280 --> 0:27:53.480
<v Speaker 1>You know? But and he's also making a profitable right,

0:27:53.840 --> 0:27:57.560
<v Speaker 1>he's earning money, he's doing well, he's got he's probably

0:27:57.520 --> 0:28:00.560
<v Speaker 1>didn't you buy up that building next door holding up

0:28:00.600 --> 0:28:08.240
<v Speaker 1>store Dosies ice cream? Shoppy shoppy. Yeah, Taylor pays me

0:28:08.320 --> 0:28:12.720
<v Speaker 1>rent right right? Yea, so great, I'm playing monopoly in

0:28:12.760 --> 0:28:15.479
<v Speaker 1>that town, you know. It's like yeah, Also like he

0:28:15.520 --> 0:28:18.440
<v Speaker 1>knows that she paid back Emily and Richard, like he

0:28:18.440 --> 0:28:20.399
<v Speaker 1>he also knows that she's not someone who's not going

0:28:20.400 --> 0:28:23.600
<v Speaker 1>to pay it, you know. So I think that helps too,

0:28:24.840 --> 0:28:28.560
<v Speaker 1>and it joins them. Yeah, he loves to be connected.

0:28:28.680 --> 0:28:32.760
<v Speaker 1>Even if you like right away, you're good, I think

0:28:32.800 --> 0:28:36.120
<v Speaker 1>of the most important person in your life. And romantically speaking,

0:28:36.119 --> 0:28:40.320
<v Speaker 1>when you give him thirty rent, they needed it, you

0:28:40.360 --> 0:28:45.480
<v Speaker 1>know I would. I almost just said something completeople just

0:28:45.560 --> 0:28:48.360
<v Speaker 1>please indulge me and let me just say something, Danielle.

0:28:48.360 --> 0:28:51.280
<v Speaker 1>Can you just take your head daniel take your headphones

0:28:51.320 --> 0:28:55.640
<v Speaker 1>off for secay, just think. And I'm sorry to do this,

0:28:55.680 --> 0:28:57.440
<v Speaker 1>but it's just I have to. Don't you think it's

0:28:57.480 --> 0:29:01.560
<v Speaker 1>such a bummer that, Luke nor Lyte, I've never had

0:29:01.640 --> 0:29:04.840
<v Speaker 1>children together. Yes, I think that's a bummer. That's a

0:29:04.920 --> 0:29:07.600
<v Speaker 1>really big bummer. But we'll get to that, I'm sure

0:29:07.640 --> 0:29:09.880
<v Speaker 1>as the years go on. But that just really hit

0:29:09.920 --> 0:29:12.080
<v Speaker 1>me there for a second when I was like, what

0:29:12.120 --> 0:29:15.360
<v Speaker 1>a bummer, Danielle. How do we tell her? Danielle, like,

0:29:15.440 --> 0:29:18.640
<v Speaker 1>how do you come back into the Netflix? Okay? Take

0:29:18.680 --> 0:29:21.880
<v Speaker 1>them off again again? Sorry? Sorry, sorry, we got to

0:29:21.960 --> 0:29:26.560
<v Speaker 1>hit that tig off the against you know, I was

0:29:26.600 --> 0:29:29.760
<v Speaker 1>hoping we'd come back into the Netflix episodes sixteen, They've

0:29:29.760 --> 0:29:33.720
<v Speaker 1>have some kids, you know, nine years went by. Yeah,

0:29:33.760 --> 0:29:35.320
<v Speaker 1>I kind of agree with you. I agree with you.

0:29:35.400 --> 0:29:38.200
<v Speaker 1>That would have been a really that and I know

0:29:38.280 --> 0:29:40.400
<v Speaker 1>we'll get to this, but like that maybe would have

0:29:40.400 --> 0:29:43.720
<v Speaker 1>improved the things I didn't like about the movies. But

0:29:43.960 --> 0:29:50.560
<v Speaker 1>we'll get to them. But anyway, Danielle, come on back. Welcome,

0:29:50.640 --> 0:29:54.720
<v Speaker 1>welcome back. Okay, so you guys, let's get to the

0:29:54.760 --> 0:30:02.560
<v Speaker 1>loin of it is great transition, ank of it? The

0:30:02.640 --> 0:30:07.959
<v Speaker 1>loin jokes, every one of them worked. Do we not agree?

0:30:09.360 --> 0:30:12.880
<v Speaker 1>I thought I was looking hilarious. She boin She burned

0:30:12.880 --> 0:30:17.000
<v Speaker 1>the loin or your loin. And I actually loved that

0:30:17.120 --> 0:30:21.160
<v Speaker 1>dress on lor Lai. Yeah, Emily, yeah, that dress. Was

0:30:21.200 --> 0:30:24.160
<v Speaker 1>amazed that she worn it before and I just never

0:30:24.200 --> 0:30:27.120
<v Speaker 1>realized it. But I like that dress. And I don't know,

0:30:27.200 --> 0:30:30.280
<v Speaker 1>but if I looked like Lauren Graham, guess what, I'd

0:30:30.280 --> 0:30:36.960
<v Speaker 1>be stoked that. But Emily made that comment that she

0:30:37.200 --> 0:30:39.120
<v Speaker 1>keeps wearing it, like do you have anything else in

0:30:39.160 --> 0:30:43.360
<v Speaker 1>your closet? You know? Oh my god? And I loved

0:30:43.360 --> 0:30:46.680
<v Speaker 1>the whole bit that first of all, good, good, good,

0:30:46.720 --> 0:30:50.520
<v Speaker 1>little sort of subliminal thing that Emily knows Rory's sick. Yeah,

0:30:50.920 --> 0:30:53.240
<v Speaker 1>I doesn't, And I just love her, like be ready

0:30:53.240 --> 0:30:55.800
<v Speaker 1>to order, I'm having the Sea Bass think on it, like,

0:30:56.920 --> 0:30:59.239
<v Speaker 1>and we see that she doesn't like that mustache. We're

0:30:59.280 --> 0:31:01.320
<v Speaker 1>sort of getting like a real good set up here

0:31:01.560 --> 0:31:06.240
<v Speaker 1>and that mustache. I think she sees that Richard's changing,

0:31:07.520 --> 0:31:12.280
<v Speaker 1>and I don't think she can deal with change so well. Um,

0:31:12.360 --> 0:31:15.800
<v Speaker 1>but I think she with with Richard having his mustache

0:31:15.840 --> 0:31:19.120
<v Speaker 1>and the business and Digger and all the things, like

0:31:19.200 --> 0:31:22.320
<v Speaker 1>she sees like a new new side to him and

0:31:22.480 --> 0:31:25.520
<v Speaker 1>she doesn't have that. So I think that's where the

0:31:25.560 --> 0:31:28.520
<v Speaker 1>insecurities are coming from. She's the same old Emily, you know,

0:31:28.960 --> 0:31:33.480
<v Speaker 1>and but he's Yeah, but Richard is is d aging.

0:31:33.640 --> 0:31:39.000
<v Speaker 1>He's acting younger, hustle now right exactly like the beginning

0:31:39.040 --> 0:31:41.400
<v Speaker 1>when they were first married and he was hustling to

0:31:41.480 --> 0:31:43.280
<v Speaker 1>get ahead, and now he's doing this, he's going to

0:31:43.320 --> 0:31:49.320
<v Speaker 1>Atlantic City and he's yeah, he's revitalized or whatever the

0:31:49.360 --> 0:31:54.040
<v Speaker 1>word is, reinvigorated. Yeah, when you're with the partner, like

0:31:54.160 --> 0:31:56.920
<v Speaker 1>and they you know, like they all of a sudden

0:31:57.040 --> 0:31:59.680
<v Speaker 1>are like, let's just say they haven't worked out, and

0:31:59.680 --> 0:32:02.120
<v Speaker 1>now they're working out, they look amazing. There's always that

0:32:02.160 --> 0:32:06.000
<v Speaker 1>little like, wait, like I need to catch up. I

0:32:06.040 --> 0:32:08.600
<v Speaker 1>need to catch up, you know, And it's Emily is

0:32:08.640 --> 0:32:10.880
<v Speaker 1>doing that right now. The wind would be if Emily

0:32:11.040 --> 0:32:13.920
<v Speaker 1>was just so happy for him and a bit more

0:32:14.040 --> 0:32:18.080
<v Speaker 1>confident in herself. But that's why this episode is so

0:32:18.240 --> 0:32:23.640
<v Speaker 1>important because you realize, oh, she does admire lore Lie

0:32:23.640 --> 0:32:28.480
<v Speaker 1>and loyalize life. Yeah, because she got to do something,

0:32:28.600 --> 0:32:31.400
<v Speaker 1>she had to make something of her life. And when

0:32:31.440 --> 0:32:33.880
<v Speaker 1>they when they're in the food court and she says

0:32:33.960 --> 0:32:36.680
<v Speaker 1>that that was but I think that's the first episode

0:32:36.680 --> 0:32:40.480
<v Speaker 1>she does this where she liked, she gives lore like

0:32:40.720 --> 0:32:44.360
<v Speaker 1>kudos and I think her going through this with Richard

0:32:44.680 --> 0:32:47.560
<v Speaker 1>is showing her that, oh no, it is really cool

0:32:47.600 --> 0:32:50.160
<v Speaker 1>to be independent, It is really cool to have your thing.

0:32:50.520 --> 0:32:52.800
<v Speaker 1>And she's finally saying, oh no, maybe my daughter does

0:32:52.840 --> 0:32:56.200
<v Speaker 1>have it, like like she makes those business calls like you,

0:32:56.640 --> 0:33:00.440
<v Speaker 1>and she's fulfilled and Emily isn't. Emily has all the

0:33:00.480 --> 0:33:03.560
<v Speaker 1>money in the world and is not. I do I

0:33:03.640 --> 0:33:06.760
<v Speaker 1>yell at servants and fire people. That's not working, that's

0:33:06.760 --> 0:33:17.080
<v Speaker 1>not creating anything, you know. Yeah, important scene. Yeah, Okay.

0:33:17.160 --> 0:33:20.479
<v Speaker 1>Two little shoutouts that I loved so much in the

0:33:20.520 --> 0:33:23.120
<v Speaker 1>scene where they're on the phone talking and realized they

0:33:23.160 --> 0:33:27.840
<v Speaker 1>have this email relationship. Shout out to the prop master.

0:33:28.400 --> 0:33:31.920
<v Speaker 1>I don't know, Scott, you tell me Rory's t was

0:33:32.000 --> 0:33:37.000
<v Speaker 1>steaming and I thought, you know what, that's just I

0:33:37.040 --> 0:33:39.320
<v Speaker 1>loved it because it's like, it's not just a cup

0:33:39.480 --> 0:33:43.280
<v Speaker 1>of fake cup. It actually was steaming. You know. They

0:33:43.320 --> 0:33:45.240
<v Speaker 1>put a you know what they put in the in

0:33:45.280 --> 0:33:49.280
<v Speaker 1>the in the cup? Is what? Right? Ice some it's

0:33:49.320 --> 0:33:54.400
<v Speaker 1>something like that. Yeah, it's because they can't. I may

0:33:54.440 --> 0:33:57.200
<v Speaker 1>be mistaken on this, but I do. I think I

0:33:57.320 --> 0:34:01.320
<v Speaker 1>remember them putting something in the cup and it was

0:34:01.600 --> 0:34:04.440
<v Speaker 1>always steaming and it made its steaming, which makes it legit.

0:34:05.840 --> 0:34:10.160
<v Speaker 1>And how do I say this? What year is it

0:34:10.239 --> 0:34:18.239
<v Speaker 1>right now? Two thousand four? Like they they almost gave

0:34:18.280 --> 0:34:21.520
<v Speaker 1>a shout out to emojis before emojis, because they were

0:34:21.520 --> 0:34:25.000
<v Speaker 1>giving a mention of like yes dot with a parentheses.

0:34:25.400 --> 0:34:28.480
<v Speaker 1>But it was like it was like the typing way

0:34:28.520 --> 0:34:33.680
<v Speaker 1>of like yeah, it's get ready for it. Gilmore's the Gilmore's.

0:34:33.680 --> 0:34:36.920
<v Speaker 1>Don't you think they would have loved emojis? Oh yeah, betweet.

0:34:36.960 --> 0:34:39.600
<v Speaker 1>I want to see lor La lor L and Rory

0:34:39.640 --> 0:34:43.560
<v Speaker 1>are only communicating in emoji probably I think a voice

0:34:43.840 --> 0:34:53.120
<v Speaker 1>their voice memo girls, Oh my god? Um okay, well

0:34:53.120 --> 0:34:56.359
<v Speaker 1>then I think basically soon we're going to the mall.

0:34:56.440 --> 0:34:57.960
<v Speaker 1>First we get the scene that we kind of talked

0:34:58.000 --> 0:35:00.000
<v Speaker 1>about with all the dogs, with Kirk and all the dogs.

0:35:00.120 --> 0:35:02.799
<v Speaker 1>The only thing I will say, Scott is I'm not

0:35:02.840 --> 0:35:08.120
<v Speaker 1>sure Luke carries his groceries bags. I've seen you do

0:35:08.160 --> 0:35:13.920
<v Speaker 1>it before. It's not the most natural grocery bag holding

0:35:13.920 --> 0:35:17.200
<v Speaker 1>I've ever seen. Really, So you're so, what what did

0:35:17.239 --> 0:35:23.400
<v Speaker 1>you observe that you found to be off? Am I

0:35:23.560 --> 0:35:28.800
<v Speaker 1>the only one? It's so I feel like hand do

0:35:30.680 --> 0:35:32.759
<v Speaker 1>ye no handles? What is he gonna do. Yeah, they

0:35:32.760 --> 0:35:34.480
<v Speaker 1>don't have any handles on the bags. What do you

0:35:34.520 --> 0:35:36.400
<v Speaker 1>want me to do? Put them on my head? I

0:35:36.440 --> 0:35:38.360
<v Speaker 1>feel like I also feel like he's so strong that

0:35:38.400 --> 0:35:40.640
<v Speaker 1>he maybe would just I don't know. It just doesn't

0:35:40.680 --> 0:35:44.560
<v Speaker 1>feel like the way I get what you're saying, like

0:35:46.800 --> 0:35:49.360
<v Speaker 1>them with what I did. Yeah, we're gonna have to

0:35:49.360 --> 0:35:51.279
<v Speaker 1>get a photo of this, so I have them out

0:35:51.320 --> 0:35:54.040
<v Speaker 1>in front of me. Yeah, Jackie, I don't know if

0:35:54.040 --> 0:35:56.840
<v Speaker 1>there's any chance I want to see. Oh my god,

0:35:57.160 --> 0:35:59.279
<v Speaker 1>she's done it. I don't know. He does hold it

0:35:59.320 --> 0:36:01.719
<v Speaker 1>the cool way. Yeah he did, But can you back

0:36:01.719 --> 0:36:03.880
<v Speaker 1>it up to when he comes out of the store?

0:36:05.160 --> 0:36:11.839
<v Speaker 1>That was maybe more? Look at this? Back up up,

0:36:13.600 --> 0:36:16.080
<v Speaker 1>backing up, Jackie. Okay, yeah, there we go. There we go.

0:36:16.160 --> 0:36:18.200
<v Speaker 1>How did Jackie? How did you just do this? I

0:36:18.200 --> 0:36:21.240
<v Speaker 1>don't even know how to chack second front and back there. Okay,

0:36:21.280 --> 0:36:26.279
<v Speaker 1>here we go. He's coming out of doses. That's one hand.

0:36:26.520 --> 0:36:32.520
<v Speaker 1>Yeah he's cool. But maybe I'm wrong. Maybe I'm wrong, dog.

0:36:33.000 --> 0:36:35.399
<v Speaker 1>Once again. Look, I can be wrong. I can call

0:36:35.480 --> 0:36:38.000
<v Speaker 1>things out and be wrong. You're right, all right, you

0:36:38.040 --> 0:36:40.920
<v Speaker 1>hold groceries like a real stud. I just I just

0:36:40.960 --> 0:36:43.360
<v Speaker 1>realized I think this whole scene. I watched the dogs

0:36:43.400 --> 0:36:47.200
<v Speaker 1>more than they because I never even noticed that backing up.

0:36:47.200 --> 0:36:50.239
<v Speaker 1>I never noticed that background guy before. Literally when I

0:36:50.280 --> 0:36:52.839
<v Speaker 1>watched it, look at this guy. Look at that guy

0:36:52.880 --> 0:36:57.400
<v Speaker 1>folding boxes. I never noticed him before. And look at

0:36:57.400 --> 0:37:00.200
<v Speaker 1>there's actually go back again. Watch this, you guys, to

0:37:00.200 --> 0:37:04.360
<v Speaker 1>carrying the newspaper in the dress shop. There's a lady.

0:37:04.880 --> 0:37:06.799
<v Speaker 1>Look at look at look at Here goes Kirk with

0:37:06.840 --> 0:37:08.759
<v Speaker 1>the dogs. With the dogs. There he goes. There he

0:37:08.800 --> 0:37:13.440
<v Speaker 1>goes guy folding boxes, lady in the dress shop, missing

0:37:13.880 --> 0:37:17.440
<v Speaker 1>the mannequin at Nat Nancy's cottage. No problem with everybody's

0:37:17.440 --> 0:37:19.600
<v Speaker 1>doing it beautifully, but then you got to take issue

0:37:19.640 --> 0:37:24.040
<v Speaker 1>with that. I definitely only looked at these dogs. Yeah,

0:37:24.520 --> 0:37:31.399
<v Speaker 1>look at the Oh my god, you guys, I love

0:37:31.480 --> 0:37:36.120
<v Speaker 1>watching it with no sound. I'm calling flag on the

0:37:36.160 --> 0:37:38.879
<v Speaker 1>play with with the dog running across the street though,

0:37:39.040 --> 0:37:42.440
<v Speaker 1>like like everybody would have, you need to like figure

0:37:42.440 --> 0:37:44.440
<v Speaker 1>it out and teach the dogs how did not go

0:37:44.560 --> 0:37:47.919
<v Speaker 1>through a street? Oh my gosh, that was good, good

0:37:47.960 --> 0:37:52.040
<v Speaker 1>stuff there. I love when he says celebrate and looks

0:37:52.040 --> 0:37:53.880
<v Speaker 1>like I'll have a beard tonight. So I got a

0:37:53.920 --> 0:37:59.600
<v Speaker 1>pass on the on the congrats to the background. In fact,

0:37:59.600 --> 0:38:01.400
<v Speaker 1>a lot of any come up to me and commented

0:38:01.480 --> 0:38:06.200
<v Speaker 1>on how how great I carry groceries. That's the one

0:38:06.239 --> 0:38:10.880
<v Speaker 1>that's their favorite part of my acting. Um oh, before

0:38:10.920 --> 0:38:13.440
<v Speaker 1>we go to the mall, one little tidbit. First of all,

0:38:13.520 --> 0:38:15.080
<v Speaker 1>very funny when they're wearing the flowers, and this is

0:38:15.080 --> 0:38:19.440
<v Speaker 1>where we learn about Lindsay bringing the hot lunch every day.

0:38:19.520 --> 0:38:24.720
<v Speaker 1>Poor just just Lindsay and her mom. Do you guys

0:38:24.760 --> 0:38:27.760
<v Speaker 1>have a problem with this scene? I had a problem

0:38:27.760 --> 0:38:29.920
<v Speaker 1>that they called him Dino. That's what I had a problem.

0:38:30.239 --> 0:38:33.680
<v Speaker 1>Did you have a problem with this? If I'm I'm sorry,

0:38:33.719 --> 0:38:41.960
<v Speaker 1>if I'm Lindsay and Dino. If he called Dino, he's

0:38:41.960 --> 0:38:44.040
<v Speaker 1>gotta have a cigarette and a highball in his hand,

0:38:44.080 --> 0:38:46.959
<v Speaker 1>you know what I mean, and a tuxedo. They're gonna

0:38:46.960 --> 0:38:53.080
<v Speaker 1>be in Vegas like doing a show. Sinatra and Sammy Davis, Dino. Um,

0:38:53.160 --> 0:38:58.040
<v Speaker 1>I don't know. They It's like if I'm seeing my

0:38:58.120 --> 0:39:02.160
<v Speaker 1>wife with her ex having an old chuckle by the

0:39:02.239 --> 0:39:05.879
<v Speaker 1>stairs and you know, you know, hammering away and they

0:39:05.920 --> 0:39:08.239
<v Speaker 1>just walk in and she had this Lindsey just had

0:39:08.320 --> 0:39:10.440
<v Speaker 1>this smile on her face like, oh no, I don't

0:39:10.480 --> 0:39:12.919
<v Speaker 1>see anything here, nothing going on. Let's go have lunch.

0:39:12.960 --> 0:39:15.840
<v Speaker 1>You know, Well I have the reason why it didn't

0:39:15.880 --> 0:39:18.400
<v Speaker 1>bother me, Scott is I actually and I could be

0:39:18.480 --> 0:39:22.399
<v Speaker 1>totally wrong, but I saw this as a parallel between

0:39:22.480 --> 0:39:25.680
<v Speaker 1>Richard and Emily that what could like it was kind

0:39:25.680 --> 0:39:30.239
<v Speaker 1>of like this would be Emily and Richard's past, like

0:39:30.480 --> 0:39:34.640
<v Speaker 1>Lindsay coming and giving Dean food. That's how I thought

0:39:34.640 --> 0:39:39.120
<v Speaker 1>of it, Emily and Richards past, like Emily was always

0:39:39.160 --> 0:39:41.520
<v Speaker 1>the one who she even says like this is kind

0:39:41.520 --> 0:39:44.120
<v Speaker 1>of going it's an episode as a whole, but like,

0:39:44.320 --> 0:39:46.920
<v Speaker 1>if you think about it, Emily is saying the parallel,

0:39:47.239 --> 0:39:50.960
<v Speaker 1>the parallel of let Dean and Lindsay are like the

0:39:51.040 --> 0:39:54.200
<v Speaker 1>younger version of Emily and Richard, because Emily is like,

0:39:54.239 --> 0:39:56.680
<v Speaker 1>I don't do anything except by stuff and feed him

0:39:57.040 --> 0:40:00.279
<v Speaker 1>and like you know, tell people what to do. And

0:40:00.320 --> 0:40:02.959
<v Speaker 1>this is kind of like the beginning of that with

0:40:03.040 --> 0:40:05.560
<v Speaker 1>Because so even though that's interesting, I'm going to call

0:40:05.560 --> 0:40:07.479
<v Speaker 1>that a bit of a stress. Well no, I'm saying

0:40:07.480 --> 0:40:09.399
<v Speaker 1>it could be total stretch. But that's how I saw,

0:40:09.480 --> 0:40:12.560
<v Speaker 1>Like that's interesting because it was such a bizarre scene.

0:40:12.600 --> 0:40:14.719
<v Speaker 1>It was just like this is so weird. It is

0:40:14.800 --> 0:40:17.799
<v Speaker 1>kind of yeah, and everybody. Everybody has their own interpretation,

0:40:17.840 --> 0:40:20.239
<v Speaker 1>which is so wonderful about the show, you know. But

0:40:20.239 --> 0:40:23.799
<v Speaker 1>but but the thing is is, I don't know, are

0:40:23.840 --> 0:40:26.719
<v Speaker 1>you feeling maybe we're supposed to feel uncomfortable at this

0:40:26.760 --> 0:40:30.399
<v Speaker 1>sort of like the smighty almost kissy face between Dean

0:40:30.440 --> 0:40:34.319
<v Speaker 1>and Warrior. It's like it's getting too into, it's too

0:40:34.360 --> 0:40:39.840
<v Speaker 1>it's inappropriate. Is it inappropriate? Yes? Hello? Uh, Scott and Danielle,

0:40:39.840 --> 0:40:44.359
<v Speaker 1>could you remove your headphones for just five seconds? Yeah?

0:40:44.360 --> 0:40:47.799
<v Speaker 1>Oh yeah, yeah yeah, remove your head for Tara. Yeah right,

0:40:47.840 --> 0:40:49.560
<v Speaker 1>like okay, put them back on, put them back. Yeah.

0:40:49.840 --> 0:40:58.760
<v Speaker 1>So Danielle, Danielle, you would not know, you don't flying Scott,

0:40:58.760 --> 0:41:04.920
<v Speaker 1>are you back? Can I bring them back? One? Okay? Alright,

0:41:04.960 --> 0:41:08.879
<v Speaker 1>So okay for both of you, what do you think

0:41:08.880 --> 0:41:15.319
<v Speaker 1>of Dean and Lindsay? You go first, Well, obviously there's

0:41:15.360 --> 0:41:21.040
<v Speaker 1>still feelings for Rory, and Rory's feelings for Dino have awakened,

0:41:22.360 --> 0:41:25.600
<v Speaker 1>and you know, this is uh, you know, a thing

0:41:25.719 --> 0:41:29.799
<v Speaker 1>now and uh, it's awkward, it's kind of uncomfortable, and

0:41:29.840 --> 0:41:34.680
<v Speaker 1>I think they don't really develop Lindsay because they're gonna

0:41:34.880 --> 0:41:38.040
<v Speaker 1>discard her pretty soon. The writings and writings on the

0:41:38.040 --> 0:41:41.120
<v Speaker 1>wall because she's not really participating in very many episodes

0:41:41.160 --> 0:41:44.680
<v Speaker 1>and there's not much that she does actually except you know,

0:41:44.760 --> 0:41:48.160
<v Speaker 1>she's the trusting, smiley, pretty wife and she comes and

0:41:48.239 --> 0:41:51.520
<v Speaker 1>she's you know, dutiful wife and and helping out her man,

0:41:51.600 --> 0:41:56.120
<v Speaker 1>and there's no apparently no flaws with her, right, but

0:41:56.160 --> 0:41:58.160
<v Speaker 1>they don't. We don't spend any time whether we're not

0:41:58.200 --> 0:42:02.960
<v Speaker 1>getting to know her, and uh, we're spending a lot

0:42:03.000 --> 0:42:06.040
<v Speaker 1>of time with these two while he's married. So it's

0:42:06.080 --> 0:42:11.160
<v Speaker 1>it's the beginnings of well, it might be the beginning

0:42:11.200 --> 0:42:13.719
<v Speaker 1>of the end of his marriage, so maybe that's what

0:42:13.800 --> 0:42:17.880
<v Speaker 1>we're witnessing here. And it's a little Yeah. I think

0:42:18.640 --> 0:42:22.120
<v Speaker 1>Dean wants to make it work in the sense of,

0:42:22.160 --> 0:42:25.719
<v Speaker 1>like he likes the picture of it, having the beautiful

0:42:25.760 --> 0:42:29.239
<v Speaker 1>wife at home who's making him food while he's working

0:42:29.280 --> 0:42:32.960
<v Speaker 1>and working hard and living quote unquote the American dream.

0:42:33.080 --> 0:42:35.560
<v Speaker 1>Like I think he thinks this is the right thing

0:42:35.600 --> 0:42:38.560
<v Speaker 1>to do. But I think he also knows that his

0:42:38.680 --> 0:42:43.239
<v Speaker 1>heart's with Rory, and so I'm kind of like in

0:42:43.320 --> 0:42:46.040
<v Speaker 1>between the two, Like I think Rory is who makes

0:42:46.120 --> 0:42:48.920
<v Speaker 1>him super happy and makes him challenged or like you know,

0:42:49.239 --> 0:42:52.160
<v Speaker 1>challenges him. But I think with Lindsay, He's kind of like, well,

0:42:52.239 --> 0:42:55.560
<v Speaker 1>she's amazing, she does you know she all she wants

0:42:55.600 --> 0:42:57.280
<v Speaker 1>to do is make me food and bring me food

0:42:57.360 --> 0:42:59.840
<v Speaker 1>and how can I complain about that? And I'm working

0:43:00.000 --> 0:43:02.920
<v Speaker 1>hard and and trying to start a family and you

0:43:02.920 --> 0:43:05.520
<v Speaker 1>know I want all those things. So like this is

0:43:06.440 --> 0:43:08.960
<v Speaker 1>this is good too. But I don't think he's in

0:43:09.040 --> 0:43:13.560
<v Speaker 1>love with her. Yeah, it's like he's living the dream,

0:43:13.600 --> 0:43:17.200
<v Speaker 1>but it's a dream like he's listening what he thinks

0:43:17.200 --> 0:43:20.680
<v Speaker 1>he has to be doing, like he's supposed to be exactly. Yeah,

0:43:22.440 --> 0:43:27.719
<v Speaker 1>they're just so helpful. They're over all the time. So

0:43:27.920 --> 0:43:31.359
<v Speaker 1>bring food to my workplace. And you don't have that's

0:43:31.400 --> 0:43:33.400
<v Speaker 1>the thing you marry your in laws, you know you

0:43:33.400 --> 0:43:35.440
<v Speaker 1>don't just you don't have a good marriage if you

0:43:35.480 --> 0:43:38.560
<v Speaker 1>play video games all night. That's too. We need to

0:43:38.560 --> 0:43:42.120
<v Speaker 1>talk about that scene. I'm like, what is happening? Not

0:43:42.160 --> 0:43:44.440
<v Speaker 1>even at the house. He's like to it, now, talk

0:43:44.480 --> 0:43:46.640
<v Speaker 1>about it. We'll go out of order just talking about

0:43:46.640 --> 0:43:50.040
<v Speaker 1>it now. It was just like kind of obsessive and

0:43:50.840 --> 0:43:52.799
<v Speaker 1>I don't know if I'm going to get dragged for this,

0:43:53.040 --> 0:43:55.759
<v Speaker 1>but I felt like this is how old is Dean

0:43:55.840 --> 0:44:01.040
<v Speaker 1>right now? Nineteen, like if he was twenty one, he

0:44:01.080 --> 0:44:03.960
<v Speaker 1>would be at the bar. Wait, wait, why are the

0:44:04.000 --> 0:44:06.720
<v Speaker 1>in laws over so much anyway, they don't have a baby.

0:44:07.960 --> 0:44:10.319
<v Speaker 1>Maybe because they're just the mother daughter obviously sort of

0:44:10.320 --> 0:44:14.319
<v Speaker 1>a obsessed with each other team. I mean they bring

0:44:14.680 --> 0:44:17.640
<v Speaker 1>the mother and the daughter bring lunch to the workplace

0:44:17.719 --> 0:44:21.919
<v Speaker 1>every day with a hot lunch for Dino and like

0:44:21.960 --> 0:44:24.520
<v Speaker 1>a snack for everybody else. Think our mother has to

0:44:24.560 --> 0:44:28.040
<v Speaker 1>step off and let these two probably coming over every

0:44:28.120 --> 0:44:30.600
<v Speaker 1>night to prep them food for the next day totally

0:44:31.920 --> 0:44:34.319
<v Speaker 1>and putting together the nursery where there's not even a

0:44:34.360 --> 0:44:37.560
<v Speaker 1>kid in the picture yet. And Danielle, I don't think

0:44:37.560 --> 0:44:41.839
<v Speaker 1>you'll get dragged because I think you're right, Like right,

0:44:42.040 --> 0:44:44.120
<v Speaker 1>he would be at the bar if he was twenty one,

0:44:44.120 --> 0:44:46.200
<v Speaker 1>and said he's at the like pac Man. But he

0:44:46.239 --> 0:44:48.959
<v Speaker 1>even looked like disheveled, like while he was like playing

0:44:49.000 --> 0:44:51.200
<v Speaker 1>pac Man, he was like kind of sweaty and like

0:44:51.600 --> 0:44:54.400
<v Speaker 1>just I don't know, not like the cool dean we know,

0:44:54.560 --> 0:45:02.879
<v Speaker 1>like he's Yeah, did anyone knows that? Places? Old? Fair game? Now? Luke,

0:45:03.600 --> 0:45:09.400
<v Speaker 1>what did Luke need all those ones for? Scott? What

0:45:09.440 --> 0:45:13.000
<v Speaker 1>did you need all those ones for? It's a good point.

0:45:14.760 --> 0:45:17.000
<v Speaker 1>It was just an excuse to get him in in there.

0:45:20.000 --> 0:45:22.439
<v Speaker 1>Wait are we missing something? I don't know. I think

0:45:22.440 --> 0:45:24.200
<v Speaker 1>he must just take a twenty in there and get

0:45:24.239 --> 0:45:28.520
<v Speaker 1>ones so that he's got changed or something. I don't

0:45:28.520 --> 0:45:31.360
<v Speaker 1>think he's going to like hit the strip club. Imagine

0:45:31.400 --> 0:45:42.120
<v Speaker 1>next episode Luke and Dino at the at the Crazy Horse. Okay, wait,

0:45:42.160 --> 0:45:44.160
<v Speaker 1>so before we go to the mall because I want

0:45:44.200 --> 0:45:48.279
<v Speaker 1>to like save that so good, but uh, we do

0:45:48.360 --> 0:45:51.040
<v Speaker 1>have the scene with Lane and her cousin packing up

0:45:51.080 --> 0:45:55.240
<v Speaker 1>and the cousin pretend she's all this and but okay,

0:45:55.320 --> 0:45:58.560
<v Speaker 1>so the scene is what it is. But it still

0:45:58.600 --> 0:46:01.640
<v Speaker 1>makes me sad that this is Kim. It's just sort

0:46:01.680 --> 0:46:04.319
<v Speaker 1>of sad. The whole thing is not a great situation.

0:46:04.880 --> 0:46:07.600
<v Speaker 1>It's too quick. It's all too quick. And that's what

0:46:07.640 --> 0:46:11.040
<v Speaker 1>I'm saying. This is significant. You know, this is a

0:46:11.120 --> 0:46:15.000
<v Speaker 1>significant break. It's a significant beat in both their lives,

0:46:15.040 --> 0:46:18.759
<v Speaker 1>and they're not giving it. It's just do And that's

0:46:18.800 --> 0:46:21.960
<v Speaker 1>why I don't know. I just I didn't really remember it.

0:46:22.080 --> 0:46:24.719
<v Speaker 1>And when the apartment scene came on with the two

0:46:24.800 --> 0:46:30.080
<v Speaker 1>band members, I was like, you know, she realizes they

0:46:30.120 --> 0:46:32.879
<v Speaker 1>have no towels, they have no forks. They have three stereos,

0:46:32.880 --> 0:46:35.319
<v Speaker 1>but they don't have curtains. And then I love when

0:46:35.320 --> 0:46:37.040
<v Speaker 1>she's all doesn't even have a paper, a pen or

0:46:37.080 --> 0:46:41.560
<v Speaker 1>any money, like, yeah, that was that was they got

0:46:41.560 --> 0:46:45.160
<v Speaker 1>the apartment. Another broke like, yeah, there's something I like

0:46:45.320 --> 0:46:48.440
<v Speaker 1>about the apartment, and then I feel like it's setting

0:46:48.480 --> 0:46:50.719
<v Speaker 1>us up for some good times. I think they just

0:46:51.080 --> 0:46:53.479
<v Speaker 1>I think, like, how we're lost. They also didn't think

0:46:53.520 --> 0:46:56.319
<v Speaker 1>this through because, like you know, they jumped into it.

0:46:56.400 --> 0:46:58.600
<v Speaker 1>We're like, why did they get an apartment? Even they're like,

0:46:58.880 --> 0:47:01.120
<v Speaker 1>we don't have towels, like, we don't have a pen

0:47:01.200 --> 0:47:03.560
<v Speaker 1>and paper, like even their loss, and we don't know

0:47:03.719 --> 0:47:07.080
<v Speaker 1>anything about those band members, their lives, where they were

0:47:07.160 --> 0:47:09.719
<v Speaker 1>before this, and you know, now suddenly they're getting an

0:47:09.760 --> 0:47:13.160
<v Speaker 1>apartment with her. I guess they had separate apartments, so

0:47:13.239 --> 0:47:15.520
<v Speaker 1>they were living together, those two guys. I sort of

0:47:15.560 --> 0:47:17.759
<v Speaker 1>assumed they were living with their families too. I thought,

0:47:18.239 --> 0:47:20.480
<v Speaker 1>who knows, right, it's all just a mystery. So it's

0:47:20.520 --> 0:47:25.960
<v Speaker 1>just right, it's a mystery. The bunk beds were funny. Yeah, okay,

0:47:26.280 --> 0:47:29.400
<v Speaker 1>so to them all we go. Scott, you go first,

0:47:29.440 --> 0:47:34.160
<v Speaker 1>what do you think of Emily's just shopping crazy extravagance

0:47:34.200 --> 0:47:39.040
<v Speaker 1>of meltdown scene in the mall. I think she's the

0:47:39.080 --> 0:47:45.080
<v Speaker 1>best character lately in this series. She's so good and

0:47:45.160 --> 0:47:48.840
<v Speaker 1>she has such a great command of everything that she's doing,

0:47:49.000 --> 0:47:52.640
<v Speaker 1>and she really relishes in it. And you can tell

0:47:52.719 --> 0:47:55.480
<v Speaker 1>that Kelly the actress is having such a good time

0:47:55.680 --> 0:47:59.200
<v Speaker 1>doing this and she's so good at it, and it's

0:47:59.280 --> 0:48:04.560
<v Speaker 1>just also right. She's so good. She's so good. I

0:48:04.600 --> 0:48:11.040
<v Speaker 1>just can't imagine anyone else to commands of her instrument.

0:48:11.480 --> 0:48:13.480
<v Speaker 1>You know, God, it makes me think of Dirty Dancing

0:48:13.640 --> 0:48:20.640
<v Speaker 1>because she's not dissimilar in Dirty Dancing to Emily Gilmore.

0:48:21.800 --> 0:48:26.880
<v Speaker 1>And when the important moment happened in Dirty Dancing, she

0:48:27.040 --> 0:48:31.640
<v Speaker 1>stands up for herself, stands up to her husband, and

0:48:31.719 --> 0:48:35.560
<v Speaker 1>stands up for baby. And that is how I feel here,

0:48:36.200 --> 0:48:40.280
<v Speaker 1>Like when push comes to shove. Emily is a strong,

0:48:40.520 --> 0:48:46.760
<v Speaker 1>tough cookie. Yeah, yeah, she's she's something, she said, Sherman

0:48:46.800 --> 0:48:57.040
<v Speaker 1>tank Man. Very classy, Sherman tank Yeah. I know I

0:48:57.120 --> 0:48:59.400
<v Speaker 1>always bring up butt heads, but you guys, you guys

0:48:59.400 --> 0:49:01.879
<v Speaker 1>would love bunheads. I'm telling you, when Gilmore Girls ends

0:49:01.880 --> 0:49:04.360
<v Speaker 1>and all the horror movies, we must do bun heads

0:49:04.440 --> 0:49:09.520
<v Speaker 1>before we must do button heads. You guys will love bunheads, honestly,

0:49:09.600 --> 0:49:11.719
<v Speaker 1>Like it was only one season, right, it shouldn't have

0:49:11.719 --> 0:49:13.479
<v Speaker 1>been Yeah, it should have Or maybe it was two,

0:49:13.520 --> 0:49:16.640
<v Speaker 1>but it should have been ten. Yeah. But you know,

0:49:17.480 --> 0:49:19.680
<v Speaker 1>this is what we've been waiting for with Emily. We've

0:49:19.680 --> 0:49:24.279
<v Speaker 1>been waiting for her to pop a little bit with

0:49:24.400 --> 0:49:26.720
<v Speaker 1>the Penel and Lot stuff, and we're kind of waiting

0:49:26.960 --> 0:49:29.640
<v Speaker 1>what's going on? And now this is sort of this

0:49:29.680 --> 0:49:36.000
<v Speaker 1>accumulation of grievances. Ye mustache. She's going away for the

0:49:36.160 --> 0:49:38.719
<v Speaker 1>night to try Becca. You know this kind of Do

0:49:38.800 --> 0:49:43.480
<v Speaker 1>you think it tracks that she buried the penel and

0:49:43.560 --> 0:49:46.360
<v Speaker 1>Lot stuff and it's obviously not addressed it. Or do

0:49:46.400 --> 0:49:49.000
<v Speaker 1>you think Emily, the Emily that exists that we know,

0:49:49.560 --> 0:49:52.360
<v Speaker 1>would have immediately gone home that night and addressed the penalty.

0:49:52.360 --> 0:49:57.120
<v Speaker 1>I don't know. I think that's very difficult to I mean,

0:49:57.120 --> 0:50:00.479
<v Speaker 1>that's a huge thing to address. I mean, to bring

0:50:00.560 --> 0:50:05.839
<v Speaker 1>that up with Richard, you know, it might cause an

0:50:05.960 --> 0:50:09.279
<v Speaker 1>end to that marriage. I mean that is just total

0:50:09.360 --> 0:50:13.120
<v Speaker 1>total breakdown of trust. I mean, imagine being Emily and

0:50:13.160 --> 0:50:16.359
<v Speaker 1>finding out that information. That would be devastating. That's that's

0:50:16.400 --> 0:50:22.279
<v Speaker 1>having an emotional affair with somebody else with a former lover, right,

0:50:22.480 --> 0:50:27.000
<v Speaker 1>I mean he said it, he said, um, you know,

0:50:27.080 --> 0:50:29.520
<v Speaker 1>he said it himself. I've been doing this once a

0:50:29.600 --> 0:50:33.600
<v Speaker 1>year for for many years. Yeah, that was the painful part.

0:50:33.640 --> 0:50:36.399
<v Speaker 1>It wasn't like a one offer many years. I've been

0:50:36.400 --> 0:50:39.759
<v Speaker 1>deceiving you about this, right, we get together every year.

0:50:41.920 --> 0:50:44.840
<v Speaker 1>So it's tough. That's tough. And if Emily brings that

0:50:44.920 --> 0:50:48.000
<v Speaker 1>up and really confronts him about it right away, then

0:50:48.080 --> 0:50:51.640
<v Speaker 1>we're talking. You know, things are going to get well,

0:50:51.719 --> 0:50:54.920
<v Speaker 1>the fur will fly, you know with Emily, especially Richard.

0:50:55.040 --> 0:50:59.239
<v Speaker 1>So yeah, maybe she just it's too oh, it's too

0:50:59.360 --> 0:51:02.239
<v Speaker 1>much for her. She's buried it and doesn't want to

0:51:02.239 --> 0:51:03.920
<v Speaker 1>deal with it right now. Well, she and she is

0:51:03.960 --> 0:51:08.000
<v Speaker 1>the dutiful wife. She she that is her role of

0:51:08.880 --> 0:51:11.800
<v Speaker 1>you know, she runs the house, she runs the family,

0:51:12.200 --> 0:51:16.680
<v Speaker 1>she runs the meal, she runs Richard's life outside of work.

0:51:16.920 --> 0:51:20.160
<v Speaker 1>And if she would have addressed penel and it really

0:51:20.239 --> 0:51:22.920
<v Speaker 1>what could have disrupted. So with him, yes, she she

0:51:22.960 --> 0:51:26.120
<v Speaker 1>could be seen to be subservient. But on her own

0:51:26.120 --> 0:51:29.640
<v Speaker 1>with Laurela and in her world she is a queen

0:51:29.800 --> 0:51:33.240
<v Speaker 1>rights she is dominant, but with him, it's a different

0:51:34.120 --> 0:51:37.480
<v Speaker 1>right almost like she is the Queen by playing the

0:51:37.600 --> 0:51:43.400
<v Speaker 1>part of this perfect wife and mother. So there's a

0:51:43.440 --> 0:51:46.640
<v Speaker 1>few funny lines like when she's like, you need a watch,

0:51:46.680 --> 0:51:49.080
<v Speaker 1>you need a diamond watch. I'm buying you a damn watch.

0:51:49.680 --> 0:51:54.560
<v Speaker 1>And then Laurel can I return the Giffer seats with

0:51:54.680 --> 0:51:59.560
<v Speaker 1>everything clean? Seriously, that was so messy. All that all

0:51:59.560 --> 0:52:02.040
<v Speaker 1>that buy made me uncomfortable. Even though I know they

0:52:02.040 --> 0:52:04.680
<v Speaker 1>have millions and millions, it's still made me. I was like, oh,

0:52:04.760 --> 0:52:07.640
<v Speaker 1>this is too much. And what an amazing contrast it

0:52:07.920 --> 0:52:11.000
<v Speaker 1>was to see Rory and Laurel I shopping and having

0:52:11.040 --> 0:52:15.160
<v Speaker 1>just a good old time, and they're on the same level, right,

0:52:15.280 --> 0:52:17.399
<v Speaker 1>not judging each other, but loving each other and having

0:52:17.440 --> 0:52:19.440
<v Speaker 1>a great time just window shopping. Then they go in

0:52:19.480 --> 0:52:21.479
<v Speaker 1>and go Now that was a bad idea. We don't

0:52:21.520 --> 0:52:25.080
<v Speaker 1>have any money. So that was about somebody who had

0:52:25.239 --> 0:52:29.080
<v Speaker 1>a horrible life and too much money and and and

0:52:29.120 --> 0:52:31.279
<v Speaker 1>a husband that wasn't honest with her, and this is

0:52:31.320 --> 0:52:33.960
<v Speaker 1>what she's doing about it, whereas laurelized world is looking

0:52:34.000 --> 0:52:39.520
<v Speaker 1>a heck of a lot healthier, more joyful, and more fulfilling. Well,

0:52:39.560 --> 0:52:41.440
<v Speaker 1>they do say it was like the worst shot, like

0:52:41.480 --> 0:52:43.239
<v Speaker 1>the worst day or what did they say, like it

0:52:43.320 --> 0:52:46.000
<v Speaker 1>was like the worst shopping The window shopping sucks, but

0:52:46.080 --> 0:52:50.040
<v Speaker 1>what Emily was doing wasn't fun either. That But even

0:52:50.040 --> 0:52:53.319
<v Speaker 1>if window shopping sucks, they're still together as mother and

0:52:53.440 --> 0:52:56.359
<v Speaker 1>daughter doesn't love each other, and they're having a good time.

0:52:56.760 --> 0:52:58.520
<v Speaker 1>And remember that they're going to think back, remember that

0:52:58.560 --> 0:53:00.480
<v Speaker 1>time when window shopping and it sucks, then they're gonna

0:53:00.520 --> 0:53:03.920
<v Speaker 1>have a good memory about it. That's right, because they

0:53:04.560 --> 0:53:08.400
<v Speaker 1>were connecting and together. Emily said it herself. She was

0:53:08.440 --> 0:53:11.239
<v Speaker 1>saying that she was like Richard, this Richard that, so

0:53:11.400 --> 0:53:13.520
<v Speaker 1>I'm gonna do what I do best and spend Richard's money,

0:53:13.680 --> 0:53:15.799
<v Speaker 1>you know, like she was getting back at him like

0:53:15.880 --> 0:53:18.600
<v Speaker 1>she had a like an m O. And that was it.

0:53:20.520 --> 0:53:25.719
<v Speaker 1>Peels back the curtains on the eek, the yikes. Yeah,

0:53:26.239 --> 0:53:29.320
<v Speaker 1>you're like, oh no, how about all those personal shoppers

0:53:29.320 --> 0:53:34.480
<v Speaker 1>though knowing exactly what, Yeah, could anyone tell that was?

0:53:34.480 --> 0:53:37.880
<v Speaker 1>Was that Macy's? I think it was. It was like

0:53:37.920 --> 0:53:41.520
<v Speaker 1>the brown Yeah, yeah, and they could they probably want

0:53:41.520 --> 0:53:45.200
<v Speaker 1>to like commission dude. They were like, yeah, you can

0:53:45.200 --> 0:53:48.440
<v Speaker 1>buy this weird globe. I thought the food court scene

0:53:48.480 --> 0:53:52.160
<v Speaker 1>was quite enjoyable. I did too. I like that she

0:53:52.239 --> 0:53:55.200
<v Speaker 1>did it back on any Like Emily didn't pushed back

0:53:55.239 --> 0:53:58.239
<v Speaker 1>on anything. She was like, yeah, sure, I think my

0:53:58.360 --> 0:54:01.160
<v Speaker 1>Emily needs to connect with Bold because she's not connecting

0:54:01.200 --> 0:54:04.000
<v Speaker 1>with Richard, she's not connecting with any of the servants

0:54:04.000 --> 0:54:06.719
<v Speaker 1>at her house. Like she needs somebody to connect to

0:54:06.920 --> 0:54:12.719
<v Speaker 1>and that's Rory and lower Lye and yeah, and that's

0:54:13.280 --> 0:54:16.920
<v Speaker 1>the that's the that's the catch here is that she

0:54:17.080 --> 0:54:20.560
<v Speaker 1>thought she was connected to her husband and now she

0:54:20.640 --> 0:54:23.880
<v Speaker 1>knows she's not. Maybe it's not the connection she thought

0:54:23.880 --> 0:54:27.360
<v Speaker 1>it was because he's going behind her back. And man,

0:54:28.800 --> 0:54:33.120
<v Speaker 1>she poured all her eggs literally in figuratively in one

0:54:33.200 --> 0:54:36.800
<v Speaker 1>basket and that was Richard. So true, Yeah, that's so true.

0:54:37.080 --> 0:54:40.080
<v Speaker 1>And she has this realization by hearing lore Lee on

0:54:40.120 --> 0:54:43.760
<v Speaker 1>that call and then she says like, man, I admire you.

0:54:43.760 --> 0:54:48.239
<v Speaker 1>You handle that so well. You were just perfect, forceful,

0:54:48.520 --> 0:54:51.920
<v Speaker 1>just forceful, very good. And then Lorrea Lee says, I

0:54:52.000 --> 0:54:55.080
<v Speaker 1>learned from the best, and Emily doesn't realize that that's

0:54:55.120 --> 0:54:58.000
<v Speaker 1>her at first, that Loria Lie saying I learned from

0:54:58.000 --> 0:55:02.240
<v Speaker 1>the best you. And then what I thought was so

0:55:02.400 --> 0:55:06.400
<v Speaker 1>cool was she has that moment with Lorelei. But then

0:55:06.440 --> 0:55:09.480
<v Speaker 1>when Rory sits down and she says, I'm admiring your

0:55:09.520 --> 0:55:16.520
<v Speaker 1>mother's life. That was really and yes significant, and Rory

0:55:16.680 --> 0:55:18.680
<v Speaker 1>was like, yeah, I've done that all this whole time

0:55:18.800 --> 0:55:23.120
<v Speaker 1>or whatever her exact line was. But and you see

0:55:23.480 --> 0:55:29.080
<v Speaker 1>it give lorea lie a real good feeling or the

0:55:29.080 --> 0:55:31.480
<v Speaker 1>confidence that Laura Lee needed. And it was also very

0:55:31.560 --> 0:55:35.839
<v Speaker 1>heartbreaking to watch this, uh, to watch Emily you know,

0:55:36.120 --> 0:55:41.120
<v Speaker 1>realized that her life was maybe not as well served

0:55:41.120 --> 0:55:43.279
<v Speaker 1>as she thought it was, and that all of her

0:55:43.560 --> 0:55:48.840
<v Speaker 1>her her loyalty and her hard work, um and her love,

0:55:50.040 --> 0:55:54.200
<v Speaker 1>it wasn't enough to keep that man away from I mean,

0:55:54.280 --> 0:55:58.480
<v Speaker 1>that's that's and you see that with the apples too,

0:56:00.120 --> 0:56:04.359
<v Speaker 1>right right right heartbreaking, absolutely heartbreaking. She went to the mall,

0:56:04.480 --> 0:56:07.960
<v Speaker 1>she picked out the you know, extensive apples that are

0:56:07.960 --> 0:56:12.319
<v Speaker 1>going to make that dining table everything, and she goes,

0:56:12.760 --> 0:56:15.600
<v Speaker 1>do you like the apples? Oh yeah, yeah, I've always

0:56:15.640 --> 0:56:20.760
<v Speaker 1>liked those, and you're just like boom, I just wrote,

0:56:21.320 --> 0:56:28.239
<v Speaker 1>oh oh not good. Yeah. All the guys in this

0:56:28.320 --> 0:56:33.680
<v Speaker 1>show are stinker Rose, aren't they do know? Richard? Now, no,

0:56:34.080 --> 0:56:38.960
<v Speaker 1>not Luke. Luke's not a stinker Row. No he's not.

0:56:39.480 --> 0:56:44.640
<v Speaker 1>He's handing out thirty K checks he's buying his loyalty

0:56:44.680 --> 0:56:51.920
<v Speaker 1>here you give Danielle, what do you think the future

0:56:51.960 --> 0:56:58.759
<v Speaker 1>holds for Richard and Emily. They'll figure it out, they will, um, Like,

0:56:58.760 --> 0:57:02.759
<v Speaker 1>I don't think they're getting divorced or anything. Um, but

0:57:04.239 --> 0:57:06.399
<v Speaker 1>I think Emily is going to have a massive mouth

0:57:06.440 --> 0:57:11.280
<v Speaker 1>down and I'm I'm waiting for it, I mean starting, Yeah,

0:57:11.360 --> 0:57:14.920
<v Speaker 1>but like, I mean like break down. Do you ever

0:57:14.960 --> 0:57:17.240
<v Speaker 1>get the feelings that this could have been two three

0:57:17.280 --> 0:57:23.720
<v Speaker 1>different shows and one I mean those four and it

0:57:23.760 --> 0:57:28.800
<v Speaker 1>would have been um compelling to watch, and also could

0:57:28.800 --> 0:57:30.400
<v Speaker 1>have just been the Diner and it would have been

0:57:30.400 --> 0:57:32.600
<v Speaker 1>compelling to watch. And it also could have been just

0:57:32.680 --> 0:57:34.880
<v Speaker 1>the kids and it would have been compelling to watch.

0:57:36.000 --> 0:57:39.200
<v Speaker 1>They mashed it up all together. That's why it's a

0:57:39.240 --> 0:57:41.640
<v Speaker 1>ten out of ten to me because I need it.

0:57:41.720 --> 0:57:44.000
<v Speaker 1>I need it all. Even though you're right they could

0:57:44.000 --> 0:57:47.320
<v Speaker 1>have it could have been less and still been good.

0:57:47.520 --> 0:57:52.200
<v Speaker 1>But I think it's great because it's everything. Amazing show,

0:57:52.800 --> 0:57:58.040
<v Speaker 1>really amazingly well balanced show. Yeah. Anyone have a favorite

0:57:58.080 --> 0:58:01.040
<v Speaker 1>line minds from Lane when she when they move in

0:58:01.080 --> 0:58:03.480
<v Speaker 1>and she goes, if you're going to get into classic rock, no,

0:58:03.680 --> 0:58:08.600
<v Speaker 1>it don't blow it, Huh, Okay, all right, Amy, I

0:58:08.640 --> 0:58:11.240
<v Speaker 1>mean I said it. I think I did. There's so many,

0:58:11.280 --> 0:58:13.640
<v Speaker 1>but I think I'm buying you a damn watch. Could

0:58:13.640 --> 0:58:17.640
<v Speaker 1>I return the damn watch? That. Yeah, there's a few others,

0:58:17.640 --> 0:58:20.640
<v Speaker 1>but I you know, there's some zingers in here to.

0:58:20.920 --> 0:58:27.240
<v Speaker 1>I liked Emily telling the salesman, honey, everything's for sale.

0:58:27.440 --> 0:58:30.040
<v Speaker 1>Oh yeah. You know. What I also liked that we

0:58:30.080 --> 0:58:36.000
<v Speaker 1>didn't talk about was Lorela doing the monologue bit as

0:58:36.120 --> 0:58:40.800
<v Speaker 1>Charles Dickens. That was a funny bit, and she's doing

0:58:40.880 --> 0:58:44.000
<v Speaker 1>that whole thing, and I couldn't recreate it a million dollars,

0:58:44.040 --> 0:58:46.840
<v Speaker 1>but that was I kind of try, try, try, What

0:58:46.880 --> 0:58:48.720
<v Speaker 1>do you remember of it? Let's see it. No, no,

0:58:48.760 --> 0:58:52.120
<v Speaker 1>we're gonna about to see a command performance here. No no, no, no,

0:58:53.160 --> 0:58:55.400
<v Speaker 1>no no. The grocery back thing. You obviously know what

0:58:55.400 --> 0:58:58.400
<v Speaker 1>you're talking about. Let's let's let's let's see what. I

0:58:58.440 --> 0:59:01.480
<v Speaker 1>actually can't remember one line of it other than just

0:59:01.720 --> 0:59:03.680
<v Speaker 1>how funny it was. And then I also think that

0:59:03.880 --> 0:59:06.000
<v Speaker 1>Kirk said to the dog, do you have to tinkle?

0:59:09.280 --> 0:59:13.400
<v Speaker 1>All right? How do you rate it? How many? Uh, Scott,

0:59:13.400 --> 0:59:16.720
<v Speaker 1>what should we do? How many video games? How many?

0:59:16.800 --> 0:59:18.360
<v Speaker 1>That was the name of the what drink did they

0:59:18.360 --> 0:59:22.680
<v Speaker 1>have at the end with the mall orange Julius orange? Yea?

0:59:23.120 --> 0:59:30.760
<v Speaker 1>Or how many? How many Faberge apples? Yeah, I mean

0:59:30.760 --> 0:59:34.520
<v Speaker 1>how many orange Julius is and how many apples? Maybe you? Yeah,

0:59:34.840 --> 0:59:37.320
<v Speaker 1>what do you want to do? Apples? Whatever you want

0:59:37.320 --> 0:59:41.840
<v Speaker 1>to do what I'll leave it to you, Tara, you decide.

0:59:42.680 --> 0:59:46.480
<v Speaker 1>I'll pick orange Julius as I said it, I'll give it.

0:59:46.680 --> 0:59:51.200
<v Speaker 1>I'll give it seven mm hmm. I was gonna say

0:59:51.280 --> 0:59:56.640
<v Speaker 1>seven point seven five, close to eight, but not you're

0:59:56.680 --> 0:59:59.520
<v Speaker 1>not drinking all eight cups just seven and three quarters

0:59:59.680 --> 1:00:01.880
<v Speaker 1>seven in for me, but almost a seven and a half.

1:00:02.440 --> 1:00:07.800
<v Speaker 1>You guys are tough. You're tough. Oh man, I was

1:00:07.880 --> 1:00:12.160
<v Speaker 1>I'm going up to like high eights. Man, I'm thinking

1:00:12.280 --> 1:00:16.960
<v Speaker 1>high eights or nine because just listen. The thing that

1:00:17.560 --> 1:00:22.400
<v Speaker 1>that I take away from an episode like this is

1:00:22.400 --> 1:00:27.120
<v Speaker 1>is Emily's performance. Yeah, and when you get something like that,

1:00:27.240 --> 1:00:29.920
<v Speaker 1>when you get an explosion like that, when you get

1:00:30.040 --> 1:00:33.600
<v Speaker 1>entertained like that, to me, that it's got to be

1:00:33.680 --> 1:00:37.560
<v Speaker 1>a nine. If you get something like that in an episode, right,

1:00:38.200 --> 1:00:42.680
<v Speaker 1>is that so rare? It's so good. So I'm saying nine, kids,

1:00:42.920 --> 1:00:46.240
<v Speaker 1>that's it. Nine kids, all right, so no, no, hey,

1:00:46.440 --> 1:00:51.040
<v Speaker 1>right back at you. Ah, thanks everybody. The next episode

1:00:51.080 --> 1:00:54.400
<v Speaker 1>is gonna be uh Season four, episode sixteen, The raining

1:00:54.840 --> 1:00:59.200
<v Speaker 1>laurela r e. I not the raining like how it's

1:00:59.200 --> 1:01:01.920
<v Speaker 1>been raining so much, not like it's raining men in

1:01:02.040 --> 1:01:08.800
<v Speaker 1>calimporn Um. Anyway, we'll see you next time. Thank you,

1:01:09.120 --> 1:01:12.560
<v Speaker 1>so very very much much love to all. Stay safe

1:01:12.560 --> 1:01:44.760
<v Speaker 1>out there, hey everybody, and don't forget follow us on

1:01:44.800 --> 1:01:49.560
<v Speaker 1>Instagram at I Am all In podcast and emailis at

1:01:49.680 --> 1:01:54.120
<v Speaker 1>Gilmore at I heart radio dot com. Oh you're Gilmore fans.

1:01:54.160 --> 1:01:55.880
<v Speaker 1>If you're looking for the best cup of coffee in

1:01:55.880 --> 1:01:59.320
<v Speaker 1>the world, go to my website for my company scott

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1:02:01.720 --> 1:02:13.400
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