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Speaker 1: I am all in, kiss you, I am all in

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Speaker 1: with Scott Patterson and I Heart Radio Podcast. Hi Scott,

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Speaker 1: you can't see me. You can hear me, but you

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Speaker 1: can't see me because most people normally can, but normally

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Speaker 1: we can, but today we cannot see You can't see

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Speaker 1: me anyway. Hi, Everybody Podcast Want to Live Productions. I

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Speaker 1: Heart Radio. I am joined by the effervescent Danielle Romo.

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Speaker 1: Who's I'm telling you she's got a sneaker on today.

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Speaker 1: I mean, we're we're in for some hell fire and brimstone.

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Speaker 1: To look on her face. Everybody's like, fir up. Everybody's

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Speaker 1: fired up today for for for I mean, I'm pissed

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Speaker 1: about the old Gallagher divorce and I don't know what yours.

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Speaker 1: You want to hear? You can sideways cet. He's so

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Speaker 1: bent out of shape, but it's like, anyway, what's your

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Speaker 1: issue with daniel What do you What do you bent about?

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Speaker 1: There's there's one serious thing I bent about, but I'll

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Speaker 1: give you the fun one. My my husband won't let

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Speaker 1: me get a Costco membership. I'm so annoyed because it's

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Speaker 1: just the two of us. He's like, why are we

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Speaker 1: going to get like three loaves of bread when we

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Speaker 1: could just get one at Rob's like, why do we

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Speaker 1: need to go to Costco? Because the economy is about

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Speaker 1: to go into the tank. That's sometimes you might need

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Speaker 1: cheaper toilet paper, absolutely, but his whole thing is we

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Speaker 1: don't need bulk of anything, which I understand. But I'm like, well,

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Speaker 1: what if you we're having a Super Bowl party and

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Speaker 1: you needed like shircuty platter or like chicken wings or

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Speaker 1: like guacamole. You do not need to convinced me. Trust me.

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Speaker 1: I've give him. How much is a membership? It's nothing.

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Speaker 1: It's like a hundred dollars a year. And I'm literally

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Speaker 1: like that's nothing. Let me just do it. And he's like,

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Speaker 1: don't do it. Why do we need it? That's just

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Speaker 1: wasting money on something we don't need. And I'm like, listen,

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Speaker 1: there's so much more than like like we buy so

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Speaker 1: much of our electronics and stuff like TVs are like clothes. Yeah, Scott,

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Speaker 1: do you guys have a Costco membership? I believe that

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Speaker 1: we do. Yeah. I don't because that place makes me anxious.

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Speaker 1: But that's just me. I mean, I I we we

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Speaker 1: never go. I don't think I don't think she goes

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Speaker 1: because you know, we have a place right around here. Yeah. Wait,

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Speaker 1: but Danielle, if you want it and it's your dream,

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Speaker 1: I'm just gonna do it, do it. I'm going to

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Speaker 1: I just really wanted him to be on board with it.

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Speaker 1: And will you tell him or will it be like

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Speaker 1: I'll just tell him. I mean when I'm coming home

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Speaker 1: with thirty rolls of toilet papers and when he's you know,

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Speaker 1: when he's you know, out there a man without an

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Speaker 1: island on the toilet, honey, and then you come to

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Speaker 1: the rescue, You're gonna go see because I've been there.

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Speaker 1: I've been there when you're when when you're all alone,

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Speaker 1: nobody cares. I'm gonna come home with a chicken bake

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Speaker 1: and a piece of pizza and a hot dog and

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Speaker 1: be like you could have got this at Costco fifty

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Speaker 1: two pieces of chicken. I would really love for Costco

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Speaker 1: to sponsor this podcast. Look at first of all, I

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Speaker 1: don't think it's a big deal, like he should just

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Speaker 1: be like that's weird. But fine, Yah, right, you can

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Speaker 1: keep that separate, separate from you know, you do your thing.

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Speaker 1: Does he have something that that that he spends money

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Speaker 1: on or he wants to save money on that you

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Speaker 1: think is bizarre shoes. He's done so much money on

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Speaker 1: jump shoes really really, Yeah, so that's your that's your out, Like, hey,

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Speaker 1: I don't, I don't. I'm not up here. You know

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Speaker 1: what about your shoes? I'm gonna go to Costcow. Do

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Speaker 1: you take the knight to take those five dollar Nikes

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Speaker 1: back and all? And I won't go to Costco? How's that?

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Speaker 1: I think he just doesn't want the eighteen boxes of

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Speaker 1: Kleenex in his garage. Yeah, he's like I don't want

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Speaker 1: to look. I will say something that my uh my

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Speaker 1: dad does is he'll also buy it for like my grandma,

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Speaker 1: so like like he'll drop it off at her house.

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Speaker 1: I'm going to use the grandma angle. That is like good,

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Speaker 1: let's use the economy because we're going into the dumper hard.

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Speaker 1: You know, CPI numbers came in. It's bad. Everything's don't

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Speaker 1: that mean Scott, thank you, thank you? And the Godfather

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Speaker 1: don't register. But Amy, you need to tell us what

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Speaker 1: you're upset. Okay, I'm not upset. I'm actually apologetic because apparently,

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Speaker 1: allegedly I royally screwed up last week. Now let me

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Speaker 1: tell you. Jackie, our producer, and I had a one

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Speaker 1: hour conversation last night of me trying to understand where

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Speaker 1: I went a ride. Okay, So Jackie are you there?

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Speaker 1: Are you there? Yes, I'm here, okay. So Jackie, can

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Speaker 1: you play the controversial clip in question from Gilmore Girls

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Speaker 1: last week? Yes? Here. It is just to have lunch, sorry,

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Speaker 1: a luncheon the day after tomorrow you meet your father,

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Speaker 1: and apparently she wants to meet Jason. All we need

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Speaker 1: is that filthy eminem fellow to make it a perfect

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Speaker 1: a for me. Well, I'll try to check him down, mom,

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Speaker 1: but you know, he might be on tour or something.

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Speaker 1: Just be here and be on time and catch her haircut. Okay.

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Speaker 1: So when I was watching the show, I interpreted it

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Speaker 1: as Emily was saying to Laura Lae and apparently she

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Speaker 1: wants to meet Jason. So to me, that was like, okay,

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Speaker 1: she's telling Lauraa that so she said and apparently wants

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Speaker 1: to meet Jason. My interpretation of it was that that

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Speaker 1: meant Lorela was to bring Jason. But we did talk

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Speaker 1: about this in this in the last episode, and I

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Speaker 1: even pulled up the script and we went over this

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Speaker 1: and we had discussed. We had discussed that, you know,

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Speaker 1: based off of the words that Emily was not implying

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Speaker 1: to call Jason, but it still was you know, like

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Speaker 1: we could interpret it all differently, but we did. We

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Speaker 1: did address this. So I don't know why people are

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Speaker 1: so upset because there because you all got it right,

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Speaker 1: but Amy, And that's why on Instagram it mostly says Amy,

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Speaker 1: I did get it wrong. I so you're a human being.

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Speaker 1: You made a mistake. So what Yeah, no, it's like

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Speaker 1: I but it did take me twelve listens to that

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Speaker 1: kind of But what what kind of what kind of backlash?

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Speaker 1: Year you talking about? Here? Do we have to do?

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Speaker 1: We have to get you extra security or something happened?

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Speaker 1: For hundred comments on what it's like kid? You not

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Speaker 1: three seven comments really set people sideways and then they're like,

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Speaker 1: you call yourself a fan? Which, look, guys, I'm telling

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Speaker 1: you the honest to god truth. I've seen each of

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Speaker 1: these episodes. Many I've seen about three or four times.

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Speaker 1: Some I've seen more, Some I've seen less. I still

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Speaker 1: can't remember everything. Sometimes I watch one and I watch

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Speaker 1: it twenty minutes later, and I've forgotten things. What about me?

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Speaker 1: I think I'm talking about one episode. I'm talking about

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Speaker 1: another episode. Now, you guys got to smack me around

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Speaker 1: a little bit to bring me back to consciousness. This

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Speaker 1: show is very It's got a lot happening. Sometimes I'm

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Speaker 1: gonna fff it up. I just am, But I have

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Speaker 1: such good intentions in that. I really thought Emily was saying,

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Speaker 1: and your grandmother wants to meet Jason. So I was like,

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Speaker 1: oh my god, she's saying that to Lord. Like. I still,

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Speaker 1: even though I understand where I went wrong, I still

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Speaker 1: say it was a tad. I haven't. I have the

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Speaker 1: solution for this. We are going to set up a

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Speaker 1: kissing booth for you, and you can offer free kisses

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Speaker 1: to the fans as an apology. I don't think that's illegal.

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Speaker 1: I don't think that's legal anymore. I think that went

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Speaker 1: out with the Happy Days era. Do you not know

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Speaker 1: the Netflix movie the Kissing Booth? I think they just

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Speaker 1: need a hug maybe a hugging booth. You don't have

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Speaker 1: a hugo because I want to go around and hug everybody, right, Well,

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Speaker 1: we know you love kissing babies and hugging grandma. You

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Speaker 1: don't want these fans. I just I want to eat

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Speaker 1: them up. I think what they want is for me

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Speaker 1: to acknowledge I royally blew it, and I did. Okay, alright,

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Speaker 1: but I still stand by that it was slightly confusing.

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Speaker 1: You have that right to be confused. You are up

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Speaker 1: in northern California dealing with biblical torrential flooding, rain, snow, bears,

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Speaker 1: bears sniffing around your property. You have no idea how

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Speaker 1: happy people are here that the sun came out. The

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Speaker 1: sun's out today too. Yeah, we're all confused. My bathing

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Speaker 1: suit on. I ran outside the screen because it's still

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Speaker 1: forty degrees. You know, Okay, Scott, Other than you're what's

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Speaker 1: that band that you like? The Gallagher's band Oasis? Oasis?

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Speaker 1: O wasis crisis. How are you feeling about the episode?

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Speaker 1: I feel just in your life. First, in your life,

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Speaker 1: I feel great. I feel my little guy is testing

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Speaker 1: for his next belt and karates, Oh my god, doing fantastic.

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Speaker 1: His robotics are great. Everything's great. It's great. And then

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Speaker 1: how did how did you feel about seeing in them all?

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Speaker 1: Seeing in them all? I thought was you know? For me,

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Speaker 1: seeing in them all represents why fans love this show

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Speaker 1: so much and why they have it on in the

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Speaker 1: background so much because they can just enjoy the banter.

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Speaker 1: They love the banter. But Queen, these two wacky, wonderful,

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Speaker 1: beautiful kids. Right, Do you guys know what mall that was?

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Speaker 1: That was the Beverly Center. It was the Glendell No.

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Speaker 1: I thought it might be the Westfield, though, in which

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Speaker 1: one did you say it is it? Where is it?

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Speaker 1: Glendelle Galleria? Yeah, it's across from the Americana didn't exist

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Speaker 1: back then, but it's across now, so that makes sense.

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Speaker 1: I thought maybe it was the Sherman Oaks Westfield, but

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Speaker 1: it was makes second the second they showed the food court,

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Speaker 1: because I grew up in Glendale until I was like, hey,

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Speaker 1: the second they showed the food court, I was like,

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Speaker 1: oh my god, I used to go there. And also

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Speaker 1: that makes sense because you shot on the Warner Brothers lot,

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Speaker 1: so that's really the closest mall to lot. Maybe I

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Speaker 1: don't know, but I listen, it was. It was. It

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Speaker 1: was a fun It wasn't. It didn't get really sort

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Speaker 1: of scathing or deep until the end with the fractured

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Speaker 1: marriage or the whole the marriage with Emily and did

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Speaker 1: start getting intense, but it was a fun easy It

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Speaker 1: was just so easy to be around it. It was

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Speaker 1: so easy to be around these two, and it was

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Speaker 1: just so apparent to me why this is such a

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Speaker 1: beloved show. Not that I didn't realize it prior to this,

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Speaker 1: but it's like, this is the thing you have on

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Speaker 1: in the background and you walk in, and you walk

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Speaker 1: into the room and there's Laurel and Rory and the mall,

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Speaker 1: you know, going back and forth and being funny and

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Speaker 1: cute and all that stuff, and you just smile. We

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Speaker 1: also had a lot of great Luke and Laurel banter,

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Speaker 1: which I also love, and when we don't have it,

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Speaker 1: I don't love it as much. Like there was some funny,

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Speaker 1: funny scenes, just even with that Internet chord, right, yeah, exactly. Um,

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Speaker 1: before we start, though, could we have a brief Oh no,

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Speaker 1: what happened? Oh no, daniel what happened? No? Synopsiz, I

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Speaker 1: think it's the Bourbank Town Center. No, what about the

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Speaker 1: everything I'm reading? Well, I'm glad you said it. Now

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Speaker 1: before I get dragged while Danielle researches this, could we

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Speaker 1: have a brief moment of silence? R I p radio

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Speaker 1: shock because I did Radio Shack and I was like, oh,

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Speaker 1: we miss you, radio Shock. Let's just let's just give

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Speaker 1: him a twenty second second moment moment, ten seconds, ten

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Speaker 1: seconds for radio everybody ready, moment of science. But I'll

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Speaker 1: count at ten nine eight seven six three. You know,

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Speaker 1: I loved a trip with my dad to radio show.

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Speaker 1: We did it all the time. That was the best

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Speaker 1: buy before best BUYO was cool, you know what I mean?

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Speaker 1: Like everyone went to radio shack totally. You're like, hey,

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Speaker 1: my transistor radio won't work. Can you guys help me out?

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Speaker 1: They're like, yeah, we got you. I think the neighbor's

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Speaker 1: wife won't get out of bed. She's devastated by this.

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Speaker 1: She's so they're the gaps still going strong. I tried

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Speaker 1: so hard to spot the stores. But anyway, all right, Danielle,

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Speaker 1: all right, should I synopsis? God, it's so weird not

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Speaker 1: being able to see you. I know, I don't like it.

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Speaker 1: I don't like it. Gotta do it, gotta do it.

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Speaker 1: We got the show. The show must go on. Don't

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Speaker 1: you guys know that there must go on? Oh God, alright,

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Speaker 1: let me go for it. So this is season four,

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Speaker 1: episode fifteen, seen in a mall, air date February two,

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Speaker 1: thousand and four, there seems to be a crack in

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Speaker 1: Emily and Richard's marriage. Emily is wondering if she has

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Speaker 1: nothing going for herself now that Richard has Jason and

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Speaker 1: his new business. So Laura, Lie, and Rory take her

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Speaker 1: to the food court in a mall to cheer up

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Speaker 1: after having a freak out during a shopping spree. Lane

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Speaker 1: gets an apartment with her bandmates, and Dean is showing

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Speaker 1: signs that he's maybe getting sick of his in laws.

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Speaker 1: Always yeah, there's major, major things. Scott, Oh my god,

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Speaker 1: the apartment that was weird. And you also Luke has

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Speaker 1: knows the marriage is a little wonky. Dean and Lindsey, Yeah,

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Speaker 1: that her name? Why does why does Luke Lindsay always

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Speaker 1: see like whether it's Jess or Dean, he always sees

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Speaker 1: those moments where he like catches them looking at everybody,

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Speaker 1: do you guys? Yeah, like to give me something to

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Speaker 1: do to get me into the story. Only Luke had

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Speaker 1: his cell phone, he would be gossip girl like literally,

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Speaker 1: he would be like anyone notice, did anyone notice my

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Speaker 1: hat today? Phone? Look at that? You're going to get

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Speaker 1: it in a week and a half. And then we're

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Speaker 1: going to be all merched out. Cannot wait, cannot wait.

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Speaker 1: I get nothing, I get zero, I get no pillows,

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Speaker 1: I get no shirts. Scott, you lived in you are

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Speaker 1: you get to be the pillow on the rug. Sweep

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Speaker 1: it under me, as they say, in perpetuity, you are

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Speaker 1: Loup forever and ever. Wait, did you guys notice that

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Speaker 1: Rory slash Alexis got to do the previously on? M M. Yeah,

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Speaker 1: she said the previously on and then uh, they came

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Speaker 1: to me for that. I didn't want to wait. Yeah,

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Speaker 1: I wonder if you ever get to do it, they

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Speaker 1: asked me, and I said, no, I want to go

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Speaker 1: to lunch. You know what, I have a really fast

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Speaker 1: pution to before we get into it. So you know

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Speaker 1: how some of the sets are sound stages, right, yes,

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Speaker 1: but the diner isn't. Is that correct because you always

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Speaker 1: can see the outside, right, that's not on a stage. Yeah,

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Speaker 1: that's not so. The diner. The inside is where the

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Speaker 1: outside where we shot it in Canada, outside Toronto and Unionville. Uh.

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Speaker 1: They rebuilt Unionville on the back lot at Warner Brothers

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Speaker 1: as best they could to resemble you know the look

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Speaker 1: of the pilot because you shot it in a real

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Speaker 1: live town we did. We shot it in a real place,

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Speaker 1: in real street and real place, yes, real shop, the

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Speaker 1: whole deal. So they just took a bunch of photos

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Speaker 1: and recreated it in California. So when you go in,

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Speaker 1: so let's say you're shooting something outside of the diner

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Speaker 1: and then you go into the diner, it's not like

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Speaker 1: that's like all right there, yes, at loose yes everything. Yeah,

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Speaker 1: Luke's was dressed outside and it that's pretty cool. I

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Speaker 1: think that would be more fun watching the episode. I

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Speaker 1: could kind of see the layout of the town now

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Speaker 1: since we did that event for Christmas, like because I've

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Speaker 1: seen that area but not dressed up like Stars Hollow,

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Speaker 1: So to see like where Dozies was compared to like Luke,

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Speaker 1: it was just so funny to me now watching back.

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Speaker 1: But it's like to answer Danielle's comment about Luke being

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Speaker 1: the asp girl. But I mean, he's up right there

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Speaker 1: on the corner. He sees everything. He's right across street

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Speaker 1: from the high school. He's he's right across the gazebo

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Speaker 1: from Mrs Kim, He's right next to Taylor Dozie. He's

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Speaker 1: Dozies Market. So a lot of the activity that's going

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Speaker 1: on in that show. Outside his diner. He can see it.

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Speaker 1: He's got the big glass windows. He can see it

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Speaker 1: from behind his counter. So you know he's the he's

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Speaker 1: the lighthouse. Yeah, he's got it. That's he's the lighthouse.

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Speaker 1: Good one. Ye. Laulized got her hair on fire in

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Speaker 1: this episode. So after last week's hair catastrophe, she had

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Speaker 1: many different hairstyles, all all excellent astrophe yes last week. Yeah,

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Speaker 1: And you know what I like too, is in that

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Speaker 1: so after we see the scenes, right, so we see

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Speaker 1: sort of the previously on and we know we're going

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Speaker 1: to talk about Penel and we know there's going to

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Speaker 1: be kind of something with the phone tag that lower

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Speaker 1: Lye and Rory are having and a couple other things.

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Speaker 1: It's not like Luke just ignored the meltdown. He's like,

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Speaker 1: you're doing okay. And I really liked that. It was

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Speaker 1: like it feels more real, like because that's exactly what

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Speaker 1: would happen, even if it was a couple of days later. Hey,

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Speaker 1: you're doing okay. And then we see Dean do the

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Speaker 1: same thing. Right, there's there is a cringe e line

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Speaker 1: though we all know it, which which one whereum who

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Speaker 1: from who when it's very cringe. Go ahead, don't be shy,

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Speaker 1: well said Luke says to Kirk about the dog back

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Speaker 1: that would never happen. Now that was cringe. Yeah, that

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Speaker 1: was like, yeah, the bit was funny. All the dog

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Speaker 1: stuff I thought was super funny, right. I like, as

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Speaker 1: a dog walker, real dogs, Scott, you had to act

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Speaker 1: with all those real dogs. Yeah, those are not robots,

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Speaker 1: those are real. Those are not rubber dogs, not ubber

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Speaker 1: rubber dog babies. No. The two things they tell you

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Speaker 1: is never act with animals or children. Um. Yeah, and

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Speaker 1: they'll always upstage you, the dogs and the children will

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Speaker 1: always upstage you. But those dogs were very well behaved.

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Speaker 1: I remember that they didn't pee anywhere, they didn't do anything.

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Speaker 1: They were very well behaved, They were well trained, they

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Speaker 1: were loved, they were loving. They didn't Danielle's costco toilet babies.

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Speaker 1: And it was kind of fun working with them because

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Speaker 1: they're cute. So cute reminded me some of my old

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Speaker 1: gang back in New Jersey. I do like to have

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Speaker 1: Kirk convince that Lulu is on a girl's trip, and

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Speaker 1: he called the hotel to clarify, and then you're such

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Speaker 1: an ass you're like, um, these are names that could

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Speaker 1: also be girls and guys. It's so good you're all

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Speaker 1: or whatever. Yeah, Kirk was solid in this. We haven't

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Speaker 1: had sort of really like a great Kirk bit in

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Speaker 1: a minute. Yeah, he had some stuff to do, right,

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Speaker 1: he had he had a little puppy in his in

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Speaker 1: his in his bag in his and then he had

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Speaker 1: the random dog. That's like, I didn't get picked on,

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Speaker 1: And I thought the physical comedy, So I thought the

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Speaker 1: cord bit was also funny of the internet chord and

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Speaker 1: you're kind of limboing it under it and like you're

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Speaker 1: just like putting up with her. Yeah, but that he

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Speaker 1: does that, he'll do that for her. That's the only

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Speaker 1: person in the world that could get away with that name.

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Speaker 1: One other person that could do that, maybe Rory, maybe

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Speaker 1: Rory maybe, but that's never nobody else. Nobody could get

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Speaker 1: away with that ever, no way, but just her. Also,

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Speaker 1: I did crack up that Paris was liceoling everything because

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Speaker 1: it's like with like the even like the lighter that

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Speaker 1: she put like against the door knough fires, like we're

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Speaker 1: all like heating of and like I thought that was

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Speaker 1: funny too. So do we talk about the apartment. Then

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Speaker 1: we went to the scene where we realized, oh my god,

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Speaker 1: Lane's got the apartment. Yeah, Scott, what did you think.

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Speaker 1: I don't know that they're making enough of a narrative

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Speaker 1: about that. I think it's a really important storyline that

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Speaker 1: they're not feeding enough food too. I want to say.

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Speaker 1: It's like it's almost like they're glossing over it just

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Speaker 1: to sort of get it in because they know. And

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Speaker 1: I just want to see more of it, you know,

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Speaker 1: no one little scene of her with the girl who

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Speaker 1: won't stop talking and shut up, and just that and

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Speaker 1: then and then you know, the scene where they leave,

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Speaker 1: you know, I don't know, I just it was all

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Speaker 1: just so quick and abrupt, and then all of a

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Speaker 1: sudden there's, you know, half hour later, this scene with

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Speaker 1: two of her the shelf thing the whole day. I

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Speaker 1: don't know. It's like, it's like I want to see

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Speaker 1: more of that. I want to see it developed more. Yeah,

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Speaker 1: because it's very significant. Is it's a huge thing in

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Speaker 1: the show. I agree. I feel like we went from

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Speaker 1: uh Lane living with Rory to getting the apartment so quickly.

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Speaker 1: I would have loved like something. For me, it was

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Speaker 1: more like the process of getting the apartment and like

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Speaker 1: all of that. It was like, I kind of feel

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Speaker 1: like we missed a beat the decision to live with

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Speaker 1: the boys, yeah, live with the boys, Yeah, and those

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Speaker 1: scenes with the boys, Like, hey, you guys, what do

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Speaker 1: you think you know, all that emotional stuff that could

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Speaker 1: have been played, we could have gone along for the rhyme. Yeah.

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Speaker 1: I think you're right. We missed a beat there. Yeah,

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Speaker 1: but I do love that. I love that they're in

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Speaker 1: the apartment. It's going to add for another sort of

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Speaker 1: storyline and layer of stuff. Okay, So then here comes

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Speaker 1: the big moment, the envelope with major major. Yeah, there's

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Speaker 1: one thing that specific, like specifically jumped out at me,

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Speaker 1: and I wonder if it was the same thing for

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Speaker 1: you guys. When Lorela is going back and forth with

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Speaker 1: all the terms and writing down on the napkin and

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Speaker 1: all that kind of stuff, and then she goes like

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Speaker 1: Nicole and he goes, you're not going to see Nicole.

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Speaker 1: Yeah he said it. He literally put it out there

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Speaker 1: like like Nicole is happening, right. Yeah, So Scott, what

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Speaker 1: do you think, being Scott, of Luke giving her the

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Speaker 1: money and what do you think of her accepting the money?

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Speaker 1: I think that is an acknowledgement that those two are

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Speaker 1: bound together on a much deeper level than they are

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Speaker 1: now currently acting out. Yes, yes, Well said, that's what

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Speaker 1: I think of that. That's he's that guy. She she's

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Speaker 1: the girl that accepts it because they're together kind of,

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Speaker 1: she will accept it, that's right, so Well said, she

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Speaker 1: accepts it from him, and she won't. Her parents have

393
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Speaker 1: way more money, and not only will she not ask them,

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Speaker 1: she wouldn't accept it from them, but she will. She

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Speaker 1: took it. But you know why, you know why that's

396
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Speaker 1: the case is because she feels with her parents she's

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Speaker 1: going to have to owe them back and she knows

398
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Speaker 1: that with Luke, if she just pays him back, it's

399
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Speaker 1: you know, it's a it's a friend of friend helping

400
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Speaker 1: somebody out. You know, she did, she do it for him,

401
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Speaker 1: you know, like he's not going to ask for more.

402
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Speaker 1: He's not going to hang it over her head. Yeah right,

403
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Speaker 1: He's not going to use her because of it. Even

404
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Speaker 1: if she doesn't pay him back. It's like, hey, you know,

405
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Speaker 1: I took my chances. No, no worries. It's not going

406
00:25:12,680 --> 00:25:15,680
Speaker 1: to affect their relationship. And do you okay, this is

407
00:25:15,720 --> 00:25:19,880
Speaker 1: a weird question. Do you think on some level he

408
00:25:19,960 --> 00:25:23,160
Speaker 1: likes that she needed the money, he likes that they

409
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Speaker 1: are connected forever and that he is he's her man. Well,

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Speaker 1: according to Jess, he did it because you know, he

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Speaker 1: wants to avoid paying thirty dollars for his own therapy.

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Speaker 1: You know, so he's actually really weak and delusional and

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Speaker 1: out of touch with his own problem. I love that

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Speaker 1: Scott's taking that so personally. That fight is like a

415
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Speaker 1: month ago and we're like, um, yeah, I mean I

416
00:25:51,320 --> 00:25:54,360
Speaker 1: think he was happy to do it. Yeah, I think, yeah,

417
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Speaker 1: that's his girl, his hand over. It's not like, yeah,

418
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Speaker 1: it's like to just and over thirty dollars like that,

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00:26:01,840 --> 00:26:06,679
Speaker 1: Like you have to really love trust and you know

420
00:26:08,080 --> 00:26:10,280
Speaker 1: that person. It's just they're gonna be around for a

421
00:26:10,280 --> 00:26:11,760
Speaker 1: while if they're paying you. But you know what I mean,

422
00:26:11,800 --> 00:26:13,480
Speaker 1: it's not like you're just handing the money and it's gone.

423
00:26:13,520 --> 00:26:15,600
Speaker 1: And I think dealing with family members is always so

424
00:26:15,680 --> 00:26:20,600
Speaker 1: much harder. So yeah, I mean friends, it's complicated with

425
00:26:20,640 --> 00:26:25,399
Speaker 1: friends too. It's very no, it is, but it changes everything.

426
00:26:25,440 --> 00:26:31,480
Speaker 1: But they're they're more than friends. Without repressing it totally totally,

427
00:26:31,520 --> 00:26:35,280
Speaker 1: they're like, yes, I agree, and I think he's not

428
00:26:35,320 --> 00:26:37,919
Speaker 1: worried about it, and I think neither she because she

429
00:26:38,040 --> 00:26:41,800
Speaker 1: accepted it. I think if she was concerned, knowing lore Lie,

430
00:26:41,840 --> 00:26:44,959
Speaker 1: she wouldn't have accepted it. Listen, he's a guy who

431
00:26:45,040 --> 00:26:47,679
Speaker 1: would love her and take care of her even if

432
00:26:47,720 --> 00:26:52,560
Speaker 1: he had nothing. Yeah, he doesn't care money, who cares.

433
00:26:52,640 --> 00:26:54,639
Speaker 1: He knows he's gonna make money. He knows he's going

434
00:26:54,680 --> 00:26:57,080
Speaker 1: to keep a roof over his head. It might not

435
00:26:57,240 --> 00:26:59,440
Speaker 1: be the Rits and they might not go to Central

436
00:26:59,480 --> 00:27:01,399
Speaker 1: Pe to hang out with the celebs, you know, but

437
00:27:01,440 --> 00:27:05,200
Speaker 1: it's like he loves her lock Stock and barrel, doesn't

438
00:27:05,280 --> 00:27:08,400
Speaker 1: matter the situation, his financial situation. Screw it, you need

439
00:27:08,440 --> 00:27:12,479
Speaker 1: it now. It's just money. There's more important things, you know.

440
00:27:13,280 --> 00:27:16,160
Speaker 1: And I mean this in the best possible way. Luke

441
00:27:16,320 --> 00:27:21,680
Speaker 1: is so not the rando diner owner. Like he's got

442
00:27:21,680 --> 00:27:23,720
Speaker 1: a lot more than thirty thousand dollars, do you know

443
00:27:23,720 --> 00:27:27,760
Speaker 1: what I mean? Like Luke is super successful and he's

444
00:27:27,840 --> 00:27:33,960
Speaker 1: like a real good guy. He's the backbone for sure. Yeah. Yeah,

445
00:27:34,080 --> 00:27:37,840
Speaker 1: well you gotta figure you know he inherits the diner,

446
00:27:37,920 --> 00:27:42,160
Speaker 1: Williams hardware from his dad. That's got to be worth

447
00:27:43,280 --> 00:27:45,160
Speaker 1: you know, in that town in that time, it's got

448
00:27:45,160 --> 00:27:47,160
Speaker 1: to be worth a couple of hundred thousand dollars, maybe

449
00:27:47,160 --> 00:27:49,600
Speaker 1: five hundred thousand dollars, wouldn't you say something like that?

450
00:27:50,280 --> 00:27:53,480
Speaker 1: You know? But and he's also making a profitable right,

451
00:27:53,840 --> 00:27:57,560
Speaker 1: he's earning money, he's doing well, he's got he's probably

452
00:27:57,520 --> 00:28:00,560
Speaker 1: didn't you buy up that building next door holding up

453
00:28:00,600 --> 00:28:08,240
Speaker 1: store Dosies ice cream? Shoppy shoppy. Yeah, Taylor pays me

454
00:28:08,320 --> 00:28:12,720
Speaker 1: rent right right? Yea, so great, I'm playing monopoly in

455
00:28:12,760 --> 00:28:15,479
Speaker 1: that town, you know. It's like yeah, Also like he

456
00:28:15,520 --> 00:28:18,440
Speaker 1: knows that she paid back Emily and Richard, like he

457
00:28:18,440 --> 00:28:20,399
Speaker 1: he also knows that she's not someone who's not going

458
00:28:20,400 --> 00:28:23,600
Speaker 1: to pay it, you know. So I think that helps too,

459
00:28:24,840 --> 00:28:28,560
Speaker 1: and it joins them. Yeah, he loves to be connected.

460
00:28:28,680 --> 00:28:32,760
Speaker 1: Even if you like right away, you're good, I think

461
00:28:32,800 --> 00:28:36,120
Speaker 1: of the most important person in your life. And romantically speaking,

462
00:28:36,119 --> 00:28:40,320
Speaker 1: when you give him thirty rent, they needed it, you

463
00:28:40,360 --> 00:28:45,480
Speaker 1: know I would. I almost just said something completeople just

464
00:28:45,560 --> 00:28:48,360
Speaker 1: please indulge me and let me just say something, Danielle.

465
00:28:48,360 --> 00:28:51,280
Speaker 1: Can you just take your head daniel take your headphones

466
00:28:51,320 --> 00:28:55,640
Speaker 1: off for secay, just think. And I'm sorry to do this,

467
00:28:55,680 --> 00:28:57,440
Speaker 1: but it's just I have to. Don't you think it's

468
00:28:57,480 --> 00:29:01,560
Speaker 1: such a bummer that, Luke nor Lyte, I've never had

469
00:29:01,640 --> 00:29:04,840
Speaker 1: children together. Yes, I think that's a bummer. That's a

470
00:29:04,920 --> 00:29:07,600
Speaker 1: really big bummer. But we'll get to that, I'm sure

471
00:29:07,640 --> 00:29:09,880
Speaker 1: as the years go on. But that just really hit

472
00:29:09,920 --> 00:29:12,080
Speaker 1: me there for a second when I was like, what

473
00:29:12,120 --> 00:29:15,360
Speaker 1: a bummer, Danielle. How do we tell her? Danielle, like,

474
00:29:15,440 --> 00:29:18,640
Speaker 1: how do you come back into the Netflix? Okay? Take

475
00:29:18,680 --> 00:29:21,880
Speaker 1: them off again again? Sorry? Sorry, sorry, we got to

476
00:29:21,960 --> 00:29:26,560
Speaker 1: hit that tig off the against you know, I was

477
00:29:26,600 --> 00:29:29,760
Speaker 1: hoping we'd come back into the Netflix episodes sixteen, They've

478
00:29:29,760 --> 00:29:33,720
Speaker 1: have some kids, you know, nine years went by. Yeah,

479
00:29:33,760 --> 00:29:35,320
Speaker 1: I kind of agree with you. I agree with you.

480
00:29:35,400 --> 00:29:38,200
Speaker 1: That would have been a really that and I know

481
00:29:38,280 --> 00:29:40,400
Speaker 1: we'll get to this, but like that maybe would have

482
00:29:40,400 --> 00:29:43,720
Speaker 1: improved the things I didn't like about the movies. But

483
00:29:43,960 --> 00:29:50,560
Speaker 1: we'll get to them. But anyway, Danielle, come on back. Welcome,

484
00:29:50,640 --> 00:29:54,720
Speaker 1: welcome back. Okay, so you guys, let's get to the

485
00:29:54,760 --> 00:30:02,560
Speaker 1: loin of it is great transition, ank of it? The

486
00:30:02,640 --> 00:30:07,959
Speaker 1: loin jokes, every one of them worked. Do we not agree?

487
00:30:09,360 --> 00:30:12,880
Speaker 1: I thought I was looking hilarious. She boin She burned

488
00:30:12,880 --> 00:30:17,000
Speaker 1: the loin or your loin. And I actually loved that

489
00:30:17,120 --> 00:30:21,160
Speaker 1: dress on lor Lai. Yeah, Emily, yeah, that dress. Was

490
00:30:21,200 --> 00:30:24,160
Speaker 1: amazed that she worn it before and I just never

491
00:30:24,200 --> 00:30:27,120
Speaker 1: realized it. But I like that dress. And I don't know,

492
00:30:27,200 --> 00:30:30,280
Speaker 1: but if I looked like Lauren Graham, guess what, I'd

493
00:30:30,280 --> 00:30:36,960
Speaker 1: be stoked that. But Emily made that comment that she

494
00:30:37,200 --> 00:30:39,120
Speaker 1: keeps wearing it, like do you have anything else in

495
00:30:39,160 --> 00:30:43,360
Speaker 1: your closet? You know? Oh my god? And I loved

496
00:30:43,360 --> 00:30:46,680
Speaker 1: the whole bit that first of all, good, good, good,

497
00:30:46,720 --> 00:30:50,520
Speaker 1: little sort of subliminal thing that Emily knows Rory's sick. Yeah,

498
00:30:50,920 --> 00:30:53,240
Speaker 1: I doesn't, And I just love her, like be ready

499
00:30:53,240 --> 00:30:55,800
Speaker 1: to order, I'm having the Sea Bass think on it, like,

500
00:30:56,920 --> 00:30:59,239
Speaker 1: and we see that she doesn't like that mustache. We're

501
00:30:59,280 --> 00:31:01,320
Speaker 1: sort of getting like a real good set up here

502
00:31:01,560 --> 00:31:06,240
Speaker 1: and that mustache. I think she sees that Richard's changing,

503
00:31:07,520 --> 00:31:12,280
Speaker 1: and I don't think she can deal with change so well. Um,

504
00:31:12,360 --> 00:31:15,800
Speaker 1: but I think she with with Richard having his mustache

505
00:31:15,840 --> 00:31:19,120
Speaker 1: and the business and Digger and all the things, like

506
00:31:19,200 --> 00:31:22,320
Speaker 1: she sees like a new new side to him and

507
00:31:22,480 --> 00:31:25,520
Speaker 1: she doesn't have that. So I think that's where the

508
00:31:25,560 --> 00:31:28,520
Speaker 1: insecurities are coming from. She's the same old Emily, you know,

509
00:31:28,960 --> 00:31:33,480
Speaker 1: and but he's Yeah, but Richard is is d aging.

510
00:31:33,640 --> 00:31:39,000
Speaker 1: He's acting younger, hustle now right exactly like the beginning

511
00:31:39,040 --> 00:31:41,400
Speaker 1: when they were first married and he was hustling to

512
00:31:41,480 --> 00:31:43,280
Speaker 1: get ahead, and now he's doing this, he's going to

513
00:31:43,320 --> 00:31:49,320
Speaker 1: Atlantic City and he's yeah, he's revitalized or whatever the

514
00:31:49,360 --> 00:31:54,040
Speaker 1: word is, reinvigorated. Yeah, when you're with the partner, like

515
00:31:54,160 --> 00:31:56,920
Speaker 1: and they you know, like they all of a sudden

516
00:31:57,040 --> 00:31:59,680
Speaker 1: are like, let's just say they haven't worked out, and

517
00:31:59,680 --> 00:32:02,120
Speaker 1: now they're working out, they look amazing. There's always that

518
00:32:02,160 --> 00:32:06,000
Speaker 1: little like, wait, like I need to catch up. I

519
00:32:06,040 --> 00:32:08,600
Speaker 1: need to catch up, you know, And it's Emily is

520
00:32:08,640 --> 00:32:10,880
Speaker 1: doing that right now. The wind would be if Emily

521
00:32:11,040 --> 00:32:13,920
Speaker 1: was just so happy for him and a bit more

522
00:32:14,040 --> 00:32:18,080
Speaker 1: confident in herself. But that's why this episode is so

523
00:32:18,240 --> 00:32:23,640
Speaker 1: important because you realize, oh, she does admire lore Lie

524
00:32:23,640 --> 00:32:28,480
Speaker 1: and loyalize life. Yeah, because she got to do something,

525
00:32:28,600 --> 00:32:31,400
Speaker 1: she had to make something of her life. And when

526
00:32:31,440 --> 00:32:33,880
Speaker 1: they when they're in the food court and she says

527
00:32:33,960 --> 00:32:36,680
Speaker 1: that that was but I think that's the first episode

528
00:32:36,680 --> 00:32:40,480
Speaker 1: she does this where she liked, she gives lore like

529
00:32:40,720 --> 00:32:44,360
Speaker 1: kudos and I think her going through this with Richard

530
00:32:44,680 --> 00:32:47,560
Speaker 1: is showing her that, oh no, it is really cool

531
00:32:47,600 --> 00:32:50,160
Speaker 1: to be independent, It is really cool to have your thing.

532
00:32:50,520 --> 00:32:52,800
Speaker 1: And she's finally saying, oh no, maybe my daughter does

533
00:32:52,840 --> 00:32:56,200
Speaker 1: have it, like like she makes those business calls like you,

534
00:32:56,640 --> 00:33:00,440
Speaker 1: and she's fulfilled and Emily isn't. Emily has all the

535
00:33:00,480 --> 00:33:03,560
Speaker 1: money in the world and is not. I do I

536
00:33:03,640 --> 00:33:06,760
Speaker 1: yell at servants and fire people. That's not working, that's

537
00:33:06,760 --> 00:33:17,080
Speaker 1: not creating anything, you know. Yeah, important scene. Yeah, Okay.

538
00:33:17,160 --> 00:33:20,479
Speaker 1: Two little shoutouts that I loved so much in the

539
00:33:20,520 --> 00:33:23,120
Speaker 1: scene where they're on the phone talking and realized they

540
00:33:23,160 --> 00:33:27,840
Speaker 1: have this email relationship. Shout out to the prop master.

541
00:33:28,400 --> 00:33:31,920
Speaker 1: I don't know, Scott, you tell me Rory's t was

542
00:33:32,000 --> 00:33:37,000
Speaker 1: steaming and I thought, you know what, that's just I

543
00:33:37,040 --> 00:33:39,320
Speaker 1: loved it because it's like, it's not just a cup

544
00:33:39,480 --> 00:33:43,280
Speaker 1: of fake cup. It actually was steaming. You know. They

545
00:33:43,320 --> 00:33:45,240
Speaker 1: put a you know what they put in the in

546
00:33:45,280 --> 00:33:49,280
Speaker 1: the in the cup? Is what? Right? Ice some it's

547
00:33:49,320 --> 00:33:54,400
Speaker 1: something like that. Yeah, it's because they can't. I may

548
00:33:54,440 --> 00:33:57,200
Speaker 1: be mistaken on this, but I do. I think I

549
00:33:57,320 --> 00:34:01,320
Speaker 1: remember them putting something in the cup and it was

550
00:34:01,600 --> 00:34:04,440
Speaker 1: always steaming and it made its steaming, which makes it legit.

551
00:34:05,840 --> 00:34:10,160
Speaker 1: And how do I say this? What year is it

552
00:34:10,239 --> 00:34:18,239
Speaker 1: right now? Two thousand four? Like they they almost gave

553
00:34:18,280 --> 00:34:21,520
Speaker 1: a shout out to emojis before emojis, because they were

554
00:34:21,520 --> 00:34:25,000
Speaker 1: giving a mention of like yes dot with a parentheses.

555
00:34:25,400 --> 00:34:28,480
Speaker 1: But it was like it was like the typing way

556
00:34:28,520 --> 00:34:33,680
Speaker 1: of like yeah, it's get ready for it. Gilmore's the Gilmore's.

557
00:34:33,680 --> 00:34:36,920
Speaker 1: Don't you think they would have loved emojis? Oh yeah, betweet.

558
00:34:36,960 --> 00:34:39,600
Speaker 1: I want to see lor La lor L and Rory

559
00:34:39,640 --> 00:34:43,560
Speaker 1: are only communicating in emoji probably I think a voice

560
00:34:43,840 --> 00:34:53,120
Speaker 1: their voice memo girls, Oh my god? Um okay, well

561
00:34:53,120 --> 00:34:56,359
Speaker 1: then I think basically soon we're going to the mall.

562
00:34:56,440 --> 00:34:57,960
Speaker 1: First we get the scene that we kind of talked

563
00:34:58,000 --> 00:35:00,000
Speaker 1: about with all the dogs, with Kirk and all the dogs.

564
00:35:00,120 --> 00:35:02,799
Speaker 1: The only thing I will say, Scott is I'm not

565
00:35:02,840 --> 00:35:08,120
Speaker 1: sure Luke carries his groceries bags. I've seen you do

566
00:35:08,160 --> 00:35:13,920
Speaker 1: it before. It's not the most natural grocery bag holding

567
00:35:13,920 --> 00:35:17,200
Speaker 1: I've ever seen. Really, So you're so, what what did

568
00:35:17,239 --> 00:35:23,400
Speaker 1: you observe that you found to be off? Am I

569
00:35:23,560 --> 00:35:28,800
Speaker 1: the only one? It's so I feel like hand do

570
00:35:30,680 --> 00:35:32,759
Speaker 1: ye no handles? What is he gonna do. Yeah, they

571
00:35:32,760 --> 00:35:34,480
Speaker 1: don't have any handles on the bags. What do you

572
00:35:34,520 --> 00:35:36,400
Speaker 1: want me to do? Put them on my head? I

573
00:35:36,440 --> 00:35:38,360
Speaker 1: feel like I also feel like he's so strong that

574
00:35:38,400 --> 00:35:40,640
Speaker 1: he maybe would just I don't know. It just doesn't

575
00:35:40,680 --> 00:35:44,560
Speaker 1: feel like the way I get what you're saying, like

576
00:35:46,800 --> 00:35:49,360
Speaker 1: them with what I did. Yeah, we're gonna have to

577
00:35:49,360 --> 00:35:51,279
Speaker 1: get a photo of this, so I have them out

578
00:35:51,320 --> 00:35:54,040
Speaker 1: in front of me. Yeah, Jackie, I don't know if

579
00:35:54,040 --> 00:35:56,840
Speaker 1: there's any chance I want to see. Oh my god,

580
00:35:57,160 --> 00:35:59,279
Speaker 1: she's done it. I don't know. He does hold it

581
00:35:59,320 --> 00:36:01,719
Speaker 1: the cool way. Yeah he did, But can you back

582
00:36:01,719 --> 00:36:03,880
Speaker 1: it up to when he comes out of the store?

583
00:36:05,160 --> 00:36:11,839
Speaker 1: That was maybe more? Look at this? Back up up,

584
00:36:13,600 --> 00:36:16,080
Speaker 1: backing up, Jackie. Okay, yeah, there we go. There we go.

585
00:36:16,160 --> 00:36:18,200
Speaker 1: How did Jackie? How did you just do this? I

586
00:36:18,200 --> 00:36:21,240
Speaker 1: don't even know how to chack second front and back there. Okay,

587
00:36:21,280 --> 00:36:26,279
Speaker 1: here we go. He's coming out of doses. That's one hand.

588
00:36:26,520 --> 00:36:32,520
Speaker 1: Yeah he's cool. But maybe I'm wrong. Maybe I'm wrong, dog.

589
00:36:33,000 --> 00:36:35,399
Speaker 1: Once again. Look, I can be wrong. I can call

590
00:36:35,480 --> 00:36:38,000
Speaker 1: things out and be wrong. You're right, all right, you

591
00:36:38,040 --> 00:36:40,920
Speaker 1: hold groceries like a real stud. I just I just

592
00:36:40,960 --> 00:36:43,360
Speaker 1: realized I think this whole scene. I watched the dogs

593
00:36:43,400 --> 00:36:47,200
Speaker 1: more than they because I never even noticed that backing up.

594
00:36:47,200 --> 00:36:50,239
Speaker 1: I never noticed that background guy before. Literally when I

595
00:36:50,280 --> 00:36:52,839
Speaker 1: watched it, look at this guy. Look at that guy

596
00:36:52,880 --> 00:36:57,400
Speaker 1: folding boxes. I never noticed him before. And look at

597
00:36:57,400 --> 00:37:00,200
Speaker 1: there's actually go back again. Watch this, you guys, to

598
00:37:00,200 --> 00:37:04,360
Speaker 1: carrying the newspaper in the dress shop. There's a lady.

599
00:37:04,880 --> 00:37:06,799
Speaker 1: Look at look at look at Here goes Kirk with

600
00:37:06,840 --> 00:37:08,759
Speaker 1: the dogs. With the dogs. There he goes. There he

601
00:37:08,800 --> 00:37:13,440
Speaker 1: goes guy folding boxes, lady in the dress shop, missing

602
00:37:13,880 --> 00:37:17,440
Speaker 1: the mannequin at Nat Nancy's cottage. No problem with everybody's

603
00:37:17,440 --> 00:37:19,600
Speaker 1: doing it beautifully, but then you got to take issue

604
00:37:19,640 --> 00:37:24,040
Speaker 1: with that. I definitely only looked at these dogs. Yeah,

605
00:37:24,520 --> 00:37:31,399
Speaker 1: look at the Oh my god, you guys, I love

606
00:37:31,480 --> 00:37:36,120
Speaker 1: watching it with no sound. I'm calling flag on the

607
00:37:36,160 --> 00:37:38,879
Speaker 1: play with with the dog running across the street though,

608
00:37:39,040 --> 00:37:42,440
Speaker 1: like like everybody would have, you need to like figure

609
00:37:42,440 --> 00:37:44,440
Speaker 1: it out and teach the dogs how did not go

610
00:37:44,560 --> 00:37:47,919
Speaker 1: through a street? Oh my gosh, that was good, good

611
00:37:47,960 --> 00:37:52,040
Speaker 1: stuff there. I love when he says celebrate and looks

612
00:37:52,040 --> 00:37:53,880
Speaker 1: like I'll have a beard tonight. So I got a

613
00:37:53,920 --> 00:37:59,600
Speaker 1: pass on the on the congrats to the background. In fact,

614
00:37:59,600 --> 00:38:01,400
Speaker 1: a lot of any come up to me and commented

615
00:38:01,480 --> 00:38:06,200
Speaker 1: on how how great I carry groceries. That's the one

616
00:38:06,239 --> 00:38:10,880
Speaker 1: that's their favorite part of my acting. Um oh, before

617
00:38:10,920 --> 00:38:13,440
Speaker 1: we go to the mall, one little tidbit. First of all,

618
00:38:13,520 --> 00:38:15,080
Speaker 1: very funny when they're wearing the flowers, and this is

619
00:38:15,080 --> 00:38:19,440
Speaker 1: where we learn about Lindsay bringing the hot lunch every day.

620
00:38:19,520 --> 00:38:24,720
Speaker 1: Poor just just Lindsay and her mom. Do you guys

621
00:38:24,760 --> 00:38:27,760
Speaker 1: have a problem with this scene? I had a problem

622
00:38:27,760 --> 00:38:29,920
Speaker 1: that they called him Dino. That's what I had a problem.

623
00:38:30,239 --> 00:38:33,680
Speaker 1: Did you have a problem with this? If I'm I'm sorry,

624
00:38:33,719 --> 00:38:41,960
Speaker 1: if I'm Lindsay and Dino. If he called Dino, he's

625
00:38:41,960 --> 00:38:44,040
Speaker 1: gotta have a cigarette and a highball in his hand,

626
00:38:44,080 --> 00:38:46,959
Speaker 1: you know what I mean, and a tuxedo. They're gonna

627
00:38:46,960 --> 00:38:53,080
Speaker 1: be in Vegas like doing a show. Sinatra and Sammy Davis, Dino. Um,

628
00:38:53,160 --> 00:38:58,040
Speaker 1: I don't know. They It's like if I'm seeing my

629
00:38:58,120 --> 00:39:02,160
Speaker 1: wife with her ex having an old chuckle by the

630
00:39:02,239 --> 00:39:05,879
Speaker 1: stairs and you know, you know, hammering away and they

631
00:39:05,920 --> 00:39:08,239
Speaker 1: just walk in and she had this Lindsey just had

632
00:39:08,320 --> 00:39:10,440
Speaker 1: this smile on her face like, oh no, I don't

633
00:39:10,480 --> 00:39:12,919
Speaker 1: see anything here, nothing going on. Let's go have lunch.

634
00:39:12,960 --> 00:39:15,840
Speaker 1: You know, Well I have the reason why it didn't

635
00:39:15,880 --> 00:39:18,400
Speaker 1: bother me, Scott is I actually and I could be

636
00:39:18,480 --> 00:39:22,399
Speaker 1: totally wrong, but I saw this as a parallel between

637
00:39:22,480 --> 00:39:25,680
Speaker 1: Richard and Emily that what could like it was kind

638
00:39:25,680 --> 00:39:30,239
Speaker 1: of like this would be Emily and Richard's past, like

639
00:39:30,480 --> 00:39:34,640
Speaker 1: Lindsay coming and giving Dean food. That's how I thought

640
00:39:34,640 --> 00:39:39,120
Speaker 1: of it, Emily and Richards past, like Emily was always

641
00:39:39,160 --> 00:39:41,520
Speaker 1: the one who she even says like this is kind

642
00:39:41,520 --> 00:39:44,120
Speaker 1: of going it's an episode as a whole, but like,

643
00:39:44,320 --> 00:39:46,920
Speaker 1: if you think about it, Emily is saying the parallel,

644
00:39:47,239 --> 00:39:50,960
Speaker 1: the parallel of let Dean and Lindsay are like the

645
00:39:51,040 --> 00:39:54,200
Speaker 1: younger version of Emily and Richard, because Emily is like,

646
00:39:54,239 --> 00:39:56,680
Speaker 1: I don't do anything except by stuff and feed him

647
00:39:57,040 --> 00:40:00,279
Speaker 1: and like you know, tell people what to do. And

648
00:40:00,320 --> 00:40:02,959
Speaker 1: this is kind of like the beginning of that with

649
00:40:03,040 --> 00:40:05,560
Speaker 1: Because so even though that's interesting, I'm going to call

650
00:40:05,560 --> 00:40:07,479
Speaker 1: that a bit of a stress. Well no, I'm saying

651
00:40:07,480 --> 00:40:09,399
Speaker 1: it could be total stretch. But that's how I saw,

652
00:40:09,480 --> 00:40:12,560
Speaker 1: Like that's interesting because it was such a bizarre scene.

653
00:40:12,600 --> 00:40:14,719
Speaker 1: It was just like this is so weird. It is

654
00:40:14,800 --> 00:40:17,799
Speaker 1: kind of yeah, and everybody. Everybody has their own interpretation,

655
00:40:17,840 --> 00:40:20,239
Speaker 1: which is so wonderful about the show, you know. But

656
00:40:20,239 --> 00:40:23,799
Speaker 1: but but the thing is is, I don't know, are

657
00:40:23,840 --> 00:40:26,719
Speaker 1: you feeling maybe we're supposed to feel uncomfortable at this

658
00:40:26,760 --> 00:40:30,399
Speaker 1: sort of like the smighty almost kissy face between Dean

659
00:40:30,440 --> 00:40:34,319
Speaker 1: and Warrior. It's like it's getting too into, it's too

660
00:40:34,360 --> 00:40:39,840
Speaker 1: it's inappropriate. Is it inappropriate? Yes? Hello? Uh, Scott and Danielle,

661
00:40:39,840 --> 00:40:44,359
Speaker 1: could you remove your headphones for just five seconds? Yeah?

662
00:40:44,360 --> 00:40:47,799
Speaker 1: Oh yeah, yeah yeah, remove your head for Tara. Yeah right,

663
00:40:47,840 --> 00:40:49,560
Speaker 1: like okay, put them back on, put them back. Yeah.

664
00:40:49,840 --> 00:40:58,760
Speaker 1: So Danielle, Danielle, you would not know, you don't flying Scott,

665
00:40:58,760 --> 00:41:04,920
Speaker 1: are you back? Can I bring them back? One? Okay? Alright,

666
00:41:04,960 --> 00:41:08,879
Speaker 1: So okay for both of you, what do you think

667
00:41:08,880 --> 00:41:15,319
Speaker 1: of Dean and Lindsay? You go first, Well, obviously there's

668
00:41:15,360 --> 00:41:21,040
Speaker 1: still feelings for Rory, and Rory's feelings for Dino have awakened,

669
00:41:22,360 --> 00:41:25,600
Speaker 1: and you know, this is uh, you know, a thing

670
00:41:25,719 --> 00:41:29,799
Speaker 1: now and uh, it's awkward, it's kind of uncomfortable, and

671
00:41:29,840 --> 00:41:34,680
Speaker 1: I think they don't really develop Lindsay because they're gonna

672
00:41:34,880 --> 00:41:38,040
Speaker 1: discard her pretty soon. The writings and writings on the

673
00:41:38,040 --> 00:41:41,120
Speaker 1: wall because she's not really participating in very many episodes

674
00:41:41,160 --> 00:41:44,680
Speaker 1: and there's not much that she does actually except you know,

675
00:41:44,760 --> 00:41:48,160
Speaker 1: she's the trusting, smiley, pretty wife and she comes and

676
00:41:48,239 --> 00:41:51,520
Speaker 1: she's you know, dutiful wife and and helping out her man,

677
00:41:51,600 --> 00:41:56,120
Speaker 1: and there's no apparently no flaws with her, right, but

678
00:41:56,160 --> 00:41:58,160
Speaker 1: they don't. We don't spend any time whether we're not

679
00:41:58,200 --> 00:42:02,960
Speaker 1: getting to know her, and uh, we're spending a lot

680
00:42:03,000 --> 00:42:06,040
Speaker 1: of time with these two while he's married. So it's

681
00:42:06,080 --> 00:42:11,160
Speaker 1: it's the beginnings of well, it might be the beginning

682
00:42:11,200 --> 00:42:13,719
Speaker 1: of the end of his marriage, so maybe that's what

683
00:42:13,800 --> 00:42:17,880
Speaker 1: we're witnessing here. And it's a little Yeah. I think

684
00:42:18,640 --> 00:42:22,120
Speaker 1: Dean wants to make it work in the sense of,

685
00:42:22,160 --> 00:42:25,719
Speaker 1: like he likes the picture of it, having the beautiful

686
00:42:25,760 --> 00:42:29,239
Speaker 1: wife at home who's making him food while he's working

687
00:42:29,280 --> 00:42:32,960
Speaker 1: and working hard and living quote unquote the American dream.

688
00:42:33,080 --> 00:42:35,560
Speaker 1: Like I think he thinks this is the right thing

689
00:42:35,600 --> 00:42:38,560
Speaker 1: to do. But I think he also knows that his

690
00:42:38,680 --> 00:42:43,239
Speaker 1: heart's with Rory, and so I'm kind of like in

691
00:42:43,320 --> 00:42:46,040
Speaker 1: between the two, Like I think Rory is who makes

692
00:42:46,120 --> 00:42:48,920
Speaker 1: him super happy and makes him challenged or like you know,

693
00:42:49,239 --> 00:42:52,160
Speaker 1: challenges him. But I think with Lindsay, He's kind of like, well,

694
00:42:52,239 --> 00:42:55,560
Speaker 1: she's amazing, she does you know she all she wants

695
00:42:55,600 --> 00:42:57,280
Speaker 1: to do is make me food and bring me food

696
00:42:57,360 --> 00:42:59,840
Speaker 1: and how can I complain about that? And I'm working

697
00:43:00,000 --> 00:43:02,920
Speaker 1: hard and and trying to start a family and you

698
00:43:02,920 --> 00:43:05,520
Speaker 1: know I want all those things. So like this is

699
00:43:06,440 --> 00:43:08,960
Speaker 1: this is good too. But I don't think he's in

700
00:43:09,040 --> 00:43:13,560
Speaker 1: love with her. Yeah, it's like he's living the dream,

701
00:43:13,600 --> 00:43:17,200
Speaker 1: but it's a dream like he's listening what he thinks

702
00:43:17,200 --> 00:43:20,680
Speaker 1: he has to be doing, like he's supposed to be exactly. Yeah,

703
00:43:22,440 --> 00:43:27,719
Speaker 1: they're just so helpful. They're over all the time. So

704
00:43:27,920 --> 00:43:31,359
Speaker 1: bring food to my workplace. And you don't have that's

705
00:43:31,400 --> 00:43:33,400
Speaker 1: the thing you marry your in laws, you know you

706
00:43:33,400 --> 00:43:35,440
Speaker 1: don't just you don't have a good marriage if you

707
00:43:35,480 --> 00:43:38,560
Speaker 1: play video games all night. That's too. We need to

708
00:43:38,560 --> 00:43:42,120
Speaker 1: talk about that scene. I'm like, what is happening? Not

709
00:43:42,160 --> 00:43:44,440
Speaker 1: even at the house. He's like to it, now, talk

710
00:43:44,480 --> 00:43:46,640
Speaker 1: about it. We'll go out of order just talking about

711
00:43:46,640 --> 00:43:50,040
Speaker 1: it now. It was just like kind of obsessive and

712
00:43:50,840 --> 00:43:52,799
Speaker 1: I don't know if I'm going to get dragged for this,

713
00:43:53,040 --> 00:43:55,759
Speaker 1: but I felt like this is how old is Dean

714
00:43:55,840 --> 00:44:01,040
Speaker 1: right now? Nineteen, like if he was twenty one, he

715
00:44:01,080 --> 00:44:03,960
Speaker 1: would be at the bar. Wait, wait, why are the

716
00:44:04,000 --> 00:44:06,720
Speaker 1: in laws over so much anyway, they don't have a baby.

717
00:44:07,960 --> 00:44:10,319
Speaker 1: Maybe because they're just the mother daughter obviously sort of

718
00:44:10,320 --> 00:44:14,319
Speaker 1: a obsessed with each other team. I mean they bring

719
00:44:14,680 --> 00:44:17,640
Speaker 1: the mother and the daughter bring lunch to the workplace

720
00:44:17,719 --> 00:44:21,919
Speaker 1: every day with a hot lunch for Dino and like

721
00:44:21,960 --> 00:44:24,520
Speaker 1: a snack for everybody else. Think our mother has to

722
00:44:24,560 --> 00:44:28,040
Speaker 1: step off and let these two probably coming over every

723
00:44:28,120 --> 00:44:30,600
Speaker 1: night to prep them food for the next day totally

724
00:44:31,920 --> 00:44:34,319
Speaker 1: and putting together the nursery where there's not even a

725
00:44:34,360 --> 00:44:37,560
Speaker 1: kid in the picture yet. And Danielle, I don't think

726
00:44:37,560 --> 00:44:41,839
Speaker 1: you'll get dragged because I think you're right, Like right,

727
00:44:42,040 --> 00:44:44,120
Speaker 1: he would be at the bar if he was twenty one,

728
00:44:44,120 --> 00:44:46,200
Speaker 1: and said he's at the like pac Man. But he

729
00:44:46,239 --> 00:44:48,959
Speaker 1: even looked like disheveled, like while he was like playing

730
00:44:49,000 --> 00:44:51,200
Speaker 1: pac Man, he was like kind of sweaty and like

731
00:44:51,600 --> 00:44:54,400
Speaker 1: just I don't know, not like the cool dean we know,

732
00:44:54,560 --> 00:45:02,879
Speaker 1: like he's Yeah, did anyone knows that? Places? Old? Fair game? Now? Luke,

733
00:45:03,600 --> 00:45:09,400
Speaker 1: what did Luke need all those ones for? Scott? What

734
00:45:09,440 --> 00:45:13,000
Speaker 1: did you need all those ones for? It's a good point.

735
00:45:14,760 --> 00:45:17,000
Speaker 1: It was just an excuse to get him in in there.

736
00:45:20,000 --> 00:45:22,439
Speaker 1: Wait are we missing something? I don't know. I think

737
00:45:22,440 --> 00:45:24,200
Speaker 1: he must just take a twenty in there and get

738
00:45:24,239 --> 00:45:28,520
Speaker 1: ones so that he's got changed or something. I don't

739
00:45:28,520 --> 00:45:31,360
Speaker 1: think he's going to like hit the strip club. Imagine

740
00:45:31,400 --> 00:45:42,120
Speaker 1: next episode Luke and Dino at the at the Crazy Horse. Okay, wait,

741
00:45:42,160 --> 00:45:44,160
Speaker 1: so before we go to the mall because I want

742
00:45:44,200 --> 00:45:48,279
Speaker 1: to like save that so good, but uh, we do

743
00:45:48,360 --> 00:45:51,040
Speaker 1: have the scene with Lane and her cousin packing up

744
00:45:51,080 --> 00:45:55,240
Speaker 1: and the cousin pretend she's all this and but okay,

745
00:45:55,320 --> 00:45:58,560
Speaker 1: so the scene is what it is. But it still

746
00:45:58,600 --> 00:46:01,640
Speaker 1: makes me sad that this is Kim. It's just sort

747
00:46:01,680 --> 00:46:04,319
Speaker 1: of sad. The whole thing is not a great situation.

748
00:46:04,880 --> 00:46:07,600
Speaker 1: It's too quick. It's all too quick. And that's what

749
00:46:07,640 --> 00:46:11,040
Speaker 1: I'm saying. This is significant. You know, this is a

750
00:46:11,120 --> 00:46:15,000
Speaker 1: significant break. It's a significant beat in both their lives,

751
00:46:15,040 --> 00:46:18,759
Speaker 1: and they're not giving it. It's just do And that's

752
00:46:18,800 --> 00:46:21,960
Speaker 1: why I don't know. I just I didn't really remember it.

753
00:46:22,080 --> 00:46:24,719
Speaker 1: And when the apartment scene came on with the two

754
00:46:24,800 --> 00:46:30,080
Speaker 1: band members, I was like, you know, she realizes they

755
00:46:30,120 --> 00:46:32,879
Speaker 1: have no towels, they have no forks. They have three stereos,

756
00:46:32,880 --> 00:46:35,319
Speaker 1: but they don't have curtains. And then I love when

757
00:46:35,320 --> 00:46:37,040
Speaker 1: she's all doesn't even have a paper, a pen or

758
00:46:37,080 --> 00:46:41,560
Speaker 1: any money, like, yeah, that was that was they got

759
00:46:41,560 --> 00:46:45,160
Speaker 1: the apartment. Another broke like, yeah, there's something I like

760
00:46:45,320 --> 00:46:48,440
Speaker 1: about the apartment, and then I feel like it's setting

761
00:46:48,480 --> 00:46:50,719
Speaker 1: us up for some good times. I think they just

762
00:46:51,080 --> 00:46:53,479
Speaker 1: I think, like, how we're lost. They also didn't think

763
00:46:53,520 --> 00:46:56,319
Speaker 1: this through because, like you know, they jumped into it.

764
00:46:56,400 --> 00:46:58,600
Speaker 1: We're like, why did they get an apartment? Even they're like,

765
00:46:58,880 --> 00:47:01,120
Speaker 1: we don't have towels, like, we don't have a pen

766
00:47:01,200 --> 00:47:03,560
Speaker 1: and paper, like even their loss, and we don't know

767
00:47:03,719 --> 00:47:07,080
Speaker 1: anything about those band members, their lives, where they were

768
00:47:07,160 --> 00:47:09,719
Speaker 1: before this, and you know, now suddenly they're getting an

769
00:47:09,760 --> 00:47:13,160
Speaker 1: apartment with her. I guess they had separate apartments, so

770
00:47:13,239 --> 00:47:15,520
Speaker 1: they were living together, those two guys. I sort of

771
00:47:15,560 --> 00:47:17,759
Speaker 1: assumed they were living with their families too. I thought,

772
00:47:18,239 --> 00:47:20,480
Speaker 1: who knows, right, it's all just a mystery. So it's

773
00:47:20,520 --> 00:47:25,960
Speaker 1: just right, it's a mystery. The bunk beds were funny. Yeah, okay,

774
00:47:26,280 --> 00:47:29,400
Speaker 1: so to them all we go. Scott, you go first,

775
00:47:29,440 --> 00:47:34,160
Speaker 1: what do you think of Emily's just shopping crazy extravagance

776
00:47:34,200 --> 00:47:39,040
Speaker 1: of meltdown scene in the mall. I think she's the

777
00:47:39,080 --> 00:47:45,080
Speaker 1: best character lately in this series. She's so good and

778
00:47:45,160 --> 00:47:48,840
Speaker 1: she has such a great command of everything that she's doing,

779
00:47:49,000 --> 00:47:52,640
Speaker 1: and she really relishes in it. And you can tell

780
00:47:52,719 --> 00:47:55,480
Speaker 1: that Kelly the actress is having such a good time

781
00:47:55,680 --> 00:47:59,200
Speaker 1: doing this and she's so good at it, and it's

782
00:47:59,280 --> 00:48:04,560
Speaker 1: just also right. She's so good. She's so good. I

783
00:48:04,600 --> 00:48:11,040
Speaker 1: just can't imagine anyone else to commands of her instrument.

784
00:48:11,480 --> 00:48:13,480
Speaker 1: You know, God, it makes me think of Dirty Dancing

785
00:48:13,640 --> 00:48:20,640
Speaker 1: because she's not dissimilar in Dirty Dancing to Emily Gilmore.

786
00:48:21,800 --> 00:48:26,880
Speaker 1: And when the important moment happened in Dirty Dancing, she

787
00:48:27,040 --> 00:48:31,640
Speaker 1: stands up for herself, stands up to her husband, and

788
00:48:31,719 --> 00:48:35,560
Speaker 1: stands up for baby. And that is how I feel here,

789
00:48:36,200 --> 00:48:40,280
Speaker 1: Like when push comes to shove. Emily is a strong,

790
00:48:40,520 --> 00:48:46,760
Speaker 1: tough cookie. Yeah, yeah, she's she's something, she said, Sherman

791
00:48:46,800 --> 00:48:57,040
Speaker 1: tank Man. Very classy, Sherman tank Yeah. I know I

792
00:48:57,120 --> 00:48:59,400
Speaker 1: always bring up butt heads, but you guys, you guys

793
00:48:59,400 --> 00:49:01,879
Speaker 1: would love bunheads. I'm telling you, when Gilmore Girls ends

794
00:49:01,880 --> 00:49:04,360
Speaker 1: and all the horror movies, we must do bun heads

795
00:49:04,440 --> 00:49:09,520
Speaker 1: before we must do button heads. You guys will love bunheads, honestly,

796
00:49:09,600 --> 00:49:11,719
Speaker 1: Like it was only one season, right, it shouldn't have

797
00:49:11,719 --> 00:49:13,479
Speaker 1: been Yeah, it should have Or maybe it was two,

798
00:49:13,520 --> 00:49:16,640
Speaker 1: but it should have been ten. Yeah. But you know,

799
00:49:17,480 --> 00:49:19,680
Speaker 1: this is what we've been waiting for with Emily. We've

800
00:49:19,680 --> 00:49:24,279
Speaker 1: been waiting for her to pop a little bit with

801
00:49:24,400 --> 00:49:26,720
Speaker 1: the Penel and Lot stuff, and we're kind of waiting

802
00:49:26,960 --> 00:49:29,640
Speaker 1: what's going on? And now this is sort of this

803
00:49:29,680 --> 00:49:36,000
Speaker 1: accumulation of grievances. Ye mustache. She's going away for the

804
00:49:36,160 --> 00:49:38,719
Speaker 1: night to try Becca. You know this kind of Do

805
00:49:38,800 --> 00:49:43,480
Speaker 1: you think it tracks that she buried the penel and

806
00:49:43,560 --> 00:49:46,360
Speaker 1: Lot stuff and it's obviously not addressed it. Or do

807
00:49:46,400 --> 00:49:49,000
Speaker 1: you think Emily, the Emily that exists that we know,

808
00:49:49,560 --> 00:49:52,360
Speaker 1: would have immediately gone home that night and addressed the penalty.

809
00:49:52,360 --> 00:49:57,120
Speaker 1: I don't know. I think that's very difficult to I mean,

810
00:49:57,120 --> 00:50:00,479
Speaker 1: that's a huge thing to address. I mean, to bring

811
00:50:00,560 --> 00:50:05,839
Speaker 1: that up with Richard, you know, it might cause an

812
00:50:05,960 --> 00:50:09,279
Speaker 1: end to that marriage. I mean that is just total

813
00:50:09,360 --> 00:50:13,120
Speaker 1: total breakdown of trust. I mean, imagine being Emily and

814
00:50:13,160 --> 00:50:16,359
Speaker 1: finding out that information. That would be devastating. That's that's

815
00:50:16,400 --> 00:50:22,279
Speaker 1: having an emotional affair with somebody else with a former lover, right,

816
00:50:22,480 --> 00:50:27,000
Speaker 1: I mean he said it, he said, um, you know,

817
00:50:27,080 --> 00:50:29,520
Speaker 1: he said it himself. I've been doing this once a

818
00:50:29,600 --> 00:50:33,600
Speaker 1: year for for many years. Yeah, that was the painful part.

819
00:50:33,640 --> 00:50:36,399
Speaker 1: It wasn't like a one offer many years. I've been

820
00:50:36,400 --> 00:50:39,759
Speaker 1: deceiving you about this, right, we get together every year.

821
00:50:41,920 --> 00:50:44,840
Speaker 1: So it's tough. That's tough. And if Emily brings that

822
00:50:44,920 --> 00:50:48,000
Speaker 1: up and really confronts him about it right away, then

823
00:50:48,080 --> 00:50:51,640
Speaker 1: we're talking. You know, things are going to get well,

824
00:50:51,719 --> 00:50:54,920
Speaker 1: the fur will fly, you know with Emily, especially Richard.

825
00:50:55,040 --> 00:50:59,239
Speaker 1: So yeah, maybe she just it's too oh, it's too

826
00:50:59,360 --> 00:51:02,239
Speaker 1: much for her. She's buried it and doesn't want to

827
00:51:02,239 --> 00:51:03,920
Speaker 1: deal with it right now. Well, she and she is

828
00:51:03,960 --> 00:51:08,000
Speaker 1: the dutiful wife. She she that is her role of

829
00:51:08,880 --> 00:51:11,800
Speaker 1: you know, she runs the house, she runs the family,

830
00:51:12,200 --> 00:51:16,680
Speaker 1: she runs the meal, she runs Richard's life outside of work.

831
00:51:16,920 --> 00:51:20,160
Speaker 1: And if she would have addressed penel and it really

832
00:51:20,239 --> 00:51:22,920
Speaker 1: what could have disrupted. So with him, yes, she she

833
00:51:22,960 --> 00:51:26,120
Speaker 1: could be seen to be subservient. But on her own

834
00:51:26,120 --> 00:51:29,640
Speaker 1: with Laurela and in her world she is a queen

835
00:51:29,800 --> 00:51:33,240
Speaker 1: rights she is dominant, but with him, it's a different

836
00:51:34,120 --> 00:51:37,480
Speaker 1: right almost like she is the Queen by playing the

837
00:51:37,600 --> 00:51:43,400
Speaker 1: part of this perfect wife and mother. So there's a

838
00:51:43,440 --> 00:51:46,640
Speaker 1: few funny lines like when she's like, you need a watch,

839
00:51:46,680 --> 00:51:49,080
Speaker 1: you need a diamond watch. I'm buying you a damn watch.

840
00:51:49,680 --> 00:51:54,560
Speaker 1: And then Laurel can I return the Giffer seats with

841
00:51:54,680 --> 00:51:59,560
Speaker 1: everything clean? Seriously, that was so messy. All that all

842
00:51:59,560 --> 00:52:02,040
Speaker 1: that buy made me uncomfortable. Even though I know they

843
00:52:02,040 --> 00:52:04,680
Speaker 1: have millions and millions, it's still made me. I was like, oh,

844
00:52:04,760 --> 00:52:07,640
Speaker 1: this is too much. And what an amazing contrast it

845
00:52:07,920 --> 00:52:11,000
Speaker 1: was to see Rory and Laurel I shopping and having

846
00:52:11,040 --> 00:52:15,160
Speaker 1: just a good old time, and they're on the same level, right,

847
00:52:15,280 --> 00:52:17,399
Speaker 1: not judging each other, but loving each other and having

848
00:52:17,440 --> 00:52:19,440
Speaker 1: a great time just window shopping. Then they go in

849
00:52:19,480 --> 00:52:21,479
Speaker 1: and go Now that was a bad idea. We don't

850
00:52:21,520 --> 00:52:25,080
Speaker 1: have any money. So that was about somebody who had

851
00:52:25,239 --> 00:52:29,080
Speaker 1: a horrible life and too much money and and and

852
00:52:29,120 --> 00:52:31,279
Speaker 1: a husband that wasn't honest with her, and this is

853
00:52:31,320 --> 00:52:33,960
Speaker 1: what she's doing about it, whereas laurelized world is looking

854
00:52:34,000 --> 00:52:39,520
Speaker 1: a heck of a lot healthier, more joyful, and more fulfilling. Well,

855
00:52:39,560 --> 00:52:41,440
Speaker 1: they do say it was like the worst shot, like

856
00:52:41,480 --> 00:52:43,239
Speaker 1: the worst day or what did they say, like it

857
00:52:43,320 --> 00:52:46,000
Speaker 1: was like the worst shopping The window shopping sucks, but

858
00:52:46,080 --> 00:52:50,040
Speaker 1: what Emily was doing wasn't fun either. That But even

859
00:52:50,040 --> 00:52:53,319
Speaker 1: if window shopping sucks, they're still together as mother and

860
00:52:53,440 --> 00:52:56,359
Speaker 1: daughter doesn't love each other, and they're having a good time.

861
00:52:56,760 --> 00:52:58,520
Speaker 1: And remember that they're going to think back, remember that

862
00:52:58,560 --> 00:53:00,480
Speaker 1: time when window shopping and it sucks, then they're gonna

863
00:53:00,520 --> 00:53:03,920
Speaker 1: have a good memory about it. That's right, because they

864
00:53:04,560 --> 00:53:08,400
Speaker 1: were connecting and together. Emily said it herself. She was

865
00:53:08,440 --> 00:53:11,239
Speaker 1: saying that she was like Richard, this Richard that, so

866
00:53:11,400 --> 00:53:13,520
Speaker 1: I'm gonna do what I do best and spend Richard's money,

867
00:53:13,680 --> 00:53:15,799
Speaker 1: you know, like she was getting back at him like

868
00:53:15,880 --> 00:53:18,600
Speaker 1: she had a like an m O. And that was it.

869
00:53:20,520 --> 00:53:25,719
Speaker 1: Peels back the curtains on the eek, the yikes. Yeah,

870
00:53:26,239 --> 00:53:29,320
Speaker 1: you're like, oh no, how about all those personal shoppers

871
00:53:29,320 --> 00:53:34,480
Speaker 1: though knowing exactly what, Yeah, could anyone tell that was?

872
00:53:34,480 --> 00:53:37,880
Speaker 1: Was that Macy's? I think it was. It was like

873
00:53:37,920 --> 00:53:41,520
Speaker 1: the brown Yeah, yeah, and they could they probably want

874
00:53:41,520 --> 00:53:45,200
Speaker 1: to like commission dude. They were like, yeah, you can

875
00:53:45,200 --> 00:53:48,440
Speaker 1: buy this weird globe. I thought the food court scene

876
00:53:48,480 --> 00:53:52,160
Speaker 1: was quite enjoyable. I did too. I like that she

877
00:53:52,239 --> 00:53:55,200
Speaker 1: did it back on any Like Emily didn't pushed back

878
00:53:55,239 --> 00:53:58,239
Speaker 1: on anything. She was like, yeah, sure, I think my

879
00:53:58,360 --> 00:54:01,160
Speaker 1: Emily needs to connect with Bold because she's not connecting

880
00:54:01,200 --> 00:54:04,000
Speaker 1: with Richard, she's not connecting with any of the servants

881
00:54:04,000 --> 00:54:06,719
Speaker 1: at her house. Like she needs somebody to connect to

882
00:54:06,920 --> 00:54:12,719
Speaker 1: and that's Rory and lower Lye and yeah, and that's

883
00:54:13,280 --> 00:54:16,920
Speaker 1: the that's the that's the catch here is that she

884
00:54:17,080 --> 00:54:20,560
Speaker 1: thought she was connected to her husband and now she

885
00:54:20,640 --> 00:54:23,880
Speaker 1: knows she's not. Maybe it's not the connection she thought

886
00:54:23,880 --> 00:54:27,360
Speaker 1: it was because he's going behind her back. And man,

887
00:54:28,800 --> 00:54:33,120
Speaker 1: she poured all her eggs literally in figuratively in one

888
00:54:33,200 --> 00:54:36,800
Speaker 1: basket and that was Richard. So true, Yeah, that's so true.

889
00:54:37,080 --> 00:54:40,080
Speaker 1: And she has this realization by hearing lore Lee on

890
00:54:40,120 --> 00:54:43,760
Speaker 1: that call and then she says like, man, I admire you.

891
00:54:43,760 --> 00:54:48,239
Speaker 1: You handle that so well. You were just perfect, forceful,

892
00:54:48,520 --> 00:54:51,920
Speaker 1: just forceful, very good. And then Lorrea Lee says, I

893
00:54:52,000 --> 00:54:55,080
Speaker 1: learned from the best, and Emily doesn't realize that that's

894
00:54:55,120 --> 00:54:58,000
Speaker 1: her at first, that Loria Lie saying I learned from

895
00:54:58,000 --> 00:55:02,240
Speaker 1: the best you. And then what I thought was so

896
00:55:02,400 --> 00:55:06,400
Speaker 1: cool was she has that moment with Lorelei. But then

897
00:55:06,440 --> 00:55:09,480
Speaker 1: when Rory sits down and she says, I'm admiring your

898
00:55:09,520 --> 00:55:16,520
Speaker 1: mother's life. That was really and yes significant, and Rory

899
00:55:16,680 --> 00:55:18,680
Speaker 1: was like, yeah, I've done that all this whole time

900
00:55:18,800 --> 00:55:23,120
Speaker 1: or whatever her exact line was. But and you see

901
00:55:23,480 --> 00:55:29,080
Speaker 1: it give lorea lie a real good feeling or the

902
00:55:29,080 --> 00:55:31,480
Speaker 1: confidence that Laura Lee needed. And it was also very

903
00:55:31,560 --> 00:55:35,839
Speaker 1: heartbreaking to watch this, uh, to watch Emily you know,

904
00:55:36,120 --> 00:55:41,120
Speaker 1: realized that her life was maybe not as well served

905
00:55:41,120 --> 00:55:43,279
Speaker 1: as she thought it was, and that all of her

906
00:55:43,560 --> 00:55:48,840
Speaker 1: her her loyalty and her hard work, um and her love,

907
00:55:50,040 --> 00:55:54,200
Speaker 1: it wasn't enough to keep that man away from I mean,

908
00:55:54,280 --> 00:55:58,480
Speaker 1: that's that's and you see that with the apples too,

909
00:56:00,120 --> 00:56:04,359
Speaker 1: right right right heartbreaking, absolutely heartbreaking. She went to the mall,

910
00:56:04,480 --> 00:56:07,960
Speaker 1: she picked out the you know, extensive apples that are

911
00:56:07,960 --> 00:56:12,319
Speaker 1: going to make that dining table everything, and she goes,

912
00:56:12,760 --> 00:56:15,600
Speaker 1: do you like the apples? Oh yeah, yeah, I've always

913
00:56:15,640 --> 00:56:20,760
Speaker 1: liked those, and you're just like boom, I just wrote,

914
00:56:21,320 --> 00:56:28,239
Speaker 1: oh oh not good. Yeah. All the guys in this

915
00:56:28,320 --> 00:56:33,680
Speaker 1: show are stinker Rose, aren't they do know? Richard? Now, no,

916
00:56:34,080 --> 00:56:38,960
Speaker 1: not Luke. Luke's not a stinker Row. No he's not.

917
00:56:39,480 --> 00:56:44,640
Speaker 1: He's handing out thirty K checks he's buying his loyalty

918
00:56:44,680 --> 00:56:51,920
Speaker 1: here you give Danielle, what do you think the future

919
00:56:51,960 --> 00:56:58,759
Speaker 1: holds for Richard and Emily. They'll figure it out, they will, um, Like,

920
00:56:58,760 --> 00:57:02,759
Speaker 1: I don't think they're getting divorced or anything. Um, but

921
00:57:04,239 --> 00:57:06,399
Speaker 1: I think Emily is going to have a massive mouth

922
00:57:06,440 --> 00:57:11,280
Speaker 1: down and I'm I'm waiting for it, I mean starting, Yeah,

923
00:57:11,360 --> 00:57:14,920
Speaker 1: but like, I mean like break down. Do you ever

924
00:57:14,960 --> 00:57:17,240
Speaker 1: get the feelings that this could have been two three

925
00:57:17,280 --> 00:57:23,720
Speaker 1: different shows and one I mean those four and it

926
00:57:23,760 --> 00:57:28,800
Speaker 1: would have been um compelling to watch, and also could

927
00:57:28,800 --> 00:57:30,400
Speaker 1: have just been the Diner and it would have been

928
00:57:30,400 --> 00:57:32,600
Speaker 1: compelling to watch. And it also could have been just

929
00:57:32,680 --> 00:57:34,880
Speaker 1: the kids and it would have been compelling to watch.

930
00:57:36,000 --> 00:57:39,200
Speaker 1: They mashed it up all together. That's why it's a

931
00:57:39,240 --> 00:57:41,640
Speaker 1: ten out of ten to me because I need it.

932
00:57:41,720 --> 00:57:44,000
Speaker 1: I need it all. Even though you're right they could

933
00:57:44,000 --> 00:57:47,320
Speaker 1: have it could have been less and still been good.

934
00:57:47,520 --> 00:57:52,200
Speaker 1: But I think it's great because it's everything. Amazing show,

935
00:57:52,800 --> 00:57:58,040
Speaker 1: really amazingly well balanced show. Yeah. Anyone have a favorite

936
00:57:58,080 --> 00:58:01,040
Speaker 1: line minds from Lane when she when they move in

937
00:58:01,080 --> 00:58:03,480
Speaker 1: and she goes, if you're going to get into classic rock, no,

938
00:58:03,680 --> 00:58:08,600
Speaker 1: it don't blow it, Huh, Okay, all right, Amy, I

939
00:58:08,640 --> 00:58:11,240
Speaker 1: mean I said it. I think I did. There's so many,

940
00:58:11,280 --> 00:58:13,640
Speaker 1: but I think I'm buying you a damn watch. Could

941
00:58:13,640 --> 00:58:17,640
Speaker 1: I return the damn watch? That. Yeah, there's a few others,

942
00:58:17,640 --> 00:58:20,640
Speaker 1: but I you know, there's some zingers in here to.

943
00:58:20,920 --> 00:58:27,240
Speaker 1: I liked Emily telling the salesman, honey, everything's for sale.

944
00:58:27,440 --> 00:58:30,040
Speaker 1: Oh yeah. You know. What I also liked that we

945
00:58:30,080 --> 00:58:36,000
Speaker 1: didn't talk about was Lorela doing the monologue bit as

946
00:58:36,120 --> 00:58:40,800
Speaker 1: Charles Dickens. That was a funny bit, and she's doing

947
00:58:40,880 --> 00:58:44,000
Speaker 1: that whole thing, and I couldn't recreate it a million dollars,

948
00:58:44,040 --> 00:58:46,840
Speaker 1: but that was I kind of try, try, try, What

949
00:58:46,880 --> 00:58:48,720
Speaker 1: do you remember of it? Let's see it. No, no,

950
00:58:48,760 --> 00:58:52,120
Speaker 1: we're gonna about to see a command performance here. No no, no, no,

951
00:58:53,160 --> 00:58:55,400
Speaker 1: no no. The grocery back thing. You obviously know what

952
00:58:55,400 --> 00:58:58,400
Speaker 1: you're talking about. Let's let's let's let's see what. I

953
00:58:58,440 --> 00:59:01,480
Speaker 1: actually can't remember one line of it other than just

954
00:59:01,720 --> 00:59:03,680
Speaker 1: how funny it was. And then I also think that

955
00:59:03,880 --> 00:59:06,000
Speaker 1: Kirk said to the dog, do you have to tinkle?

956
00:59:09,280 --> 00:59:13,400
Speaker 1: All right? How do you rate it? How many? Uh, Scott,

957
00:59:13,400 --> 00:59:16,720
Speaker 1: what should we do? How many video games? How many?

958
00:59:16,800 --> 00:59:18,360
Speaker 1: That was the name of the what drink did they

959
00:59:18,360 --> 00:59:22,680
Speaker 1: have at the end with the mall orange Julius orange? Yea?

960
00:59:23,120 --> 00:59:30,760
Speaker 1: Or how many? How many Faberge apples? Yeah, I mean

961
00:59:30,760 --> 00:59:34,520
Speaker 1: how many orange Julius is and how many apples? Maybe you? Yeah,

962
00:59:34,840 --> 00:59:37,320
Speaker 1: what do you want to do? Apples? Whatever you want

963
00:59:37,320 --> 00:59:41,840
Speaker 1: to do what I'll leave it to you, Tara, you decide.

964
00:59:42,680 --> 00:59:46,480
Speaker 1: I'll pick orange Julius as I said it, I'll give it.

965
00:59:46,680 --> 00:59:51,200
Speaker 1: I'll give it seven mm hmm. I was gonna say

966
00:59:51,280 --> 00:59:56,640
Speaker 1: seven point seven five, close to eight, but not you're

967
00:59:56,680 --> 00:59:59,520
Speaker 1: not drinking all eight cups just seven and three quarters

968
00:59:59,680 --> 01:00:01,880
Speaker 1: seven in for me, but almost a seven and a half.

969
01:00:02,440 --> 01:00:07,800
Speaker 1: You guys are tough. You're tough. Oh man, I was

970
01:00:07,880 --> 01:00:12,160
Speaker 1: I'm going up to like high eights. Man, I'm thinking

971
01:00:12,280 --> 01:00:16,960
Speaker 1: high eights or nine because just listen. The thing that

972
01:00:17,560 --> 01:00:22,400
Speaker 1: that I take away from an episode like this is

973
01:00:22,400 --> 01:00:27,120
Speaker 1: is Emily's performance. Yeah, and when you get something like that,

974
01:00:27,240 --> 01:00:29,920
Speaker 1: when you get an explosion like that, when you get

975
01:00:30,040 --> 01:00:33,600
Speaker 1: entertained like that, to me, that it's got to be

976
01:00:33,680 --> 01:00:37,560
Speaker 1: a nine. If you get something like that in an episode, right,

977
01:00:38,200 --> 01:00:42,680
Speaker 1: is that so rare? It's so good. So I'm saying nine, kids,

978
01:00:42,920 --> 01:00:46,240
Speaker 1: that's it. Nine kids, all right, so no, no, hey,

979
01:00:46,440 --> 01:00:51,040
Speaker 1: right back at you. Ah, thanks everybody. The next episode

980
01:00:51,080 --> 01:00:54,400
Speaker 1: is gonna be uh Season four, episode sixteen, The raining

981
01:00:54,840 --> 01:00:59,200
Speaker 1: laurela r e. I not the raining like how it's

982
01:00:59,200 --> 01:01:01,920
Speaker 1: been raining so much, not like it's raining men in

983
01:01:02,040 --> 01:01:08,800
Speaker 1: calimporn Um. Anyway, we'll see you next time. Thank you,

984
01:01:09,120 --> 01:01:12,560
Speaker 1: so very very much much love to all. Stay safe

985
01:01:12,560 --> 01:01:44,760
Speaker 1: out there, hey everybody, and don't forget follow us on

986
01:01:44,800 --> 01:01:49,560
Speaker 1: Instagram at I Am all In podcast and emailis at

987
01:01:49,680 --> 01:01:54,120
Speaker 1: Gilmore at I heart radio dot com. Oh you're Gilmore fans.

988
01:01:54,160 --> 01:01:55,880
Speaker 1: If you're looking for the best cup of coffee in

989
01:01:55,880 --> 01:01:59,320
Speaker 1: the world, go to my website for my company scott

990
01:01:59,360 --> 01:02:01,520
Speaker 1: ep dot com, s c O T t y P

991
01:02:01,720 --> 01:02:13,400
Speaker 1: dot com, scotty p dot com Grade one Specialty Coffee. Yeah.