WEBVTT - We Deserve Good Lives

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<v Speaker 1>Good morning, peeps, and welcome to wok app Daily with

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<v Speaker 1>Meet your Girl Danielle Moody, recording from the Long Island Bunker. Folks,

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<v Speaker 1>this has been an extraordinary year for workers' rights, for

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<v Speaker 1>labor organizing, for recognizing that the people right then ninety

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<v Speaker 1>nine percent are not being paid their just dues, are

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<v Speaker 1>not essentially being reimbursed for their labor, energy, work, all

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<v Speaker 1>of these things, and in recognizing this right it began

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<v Speaker 1>this kind of movement over the last year began with

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<v Speaker 1>the strike in Hollywood, with the actors and the writers

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<v Speaker 1>uniting and deciding to hold over one hundred and eighteen

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<v Speaker 1>days in terms of the Actors' union to strike. Right

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<v Speaker 1>as we are seeing AI being developed to replace human

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<v Speaker 1>creativity and talent, as we are seeing just how greedy

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<v Speaker 1>the heads of these networks and streaming services are, that

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<v Speaker 1>people have been cut out. The people have just been

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<v Speaker 1>cut out of their opportunity to be able to earn

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<v Speaker 1>not just a decent living. Because I think, folks, that

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<v Speaker 1>it's important for us to recognize that language is important.

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<v Speaker 1>We don't want just a decent living, a decent life,

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<v Speaker 1>We want a good life and a good living, one

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<v Speaker 1>that we see value and dignity right in the work

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<v Speaker 1>that we do, and we receive the respect and dignity

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<v Speaker 1>and compensation for the work that we are doing. That

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<v Speaker 1>it isn't you know what we've seen and what we've

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<v Speaker 1>had the opportunity to really unpack over the last couple

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<v Speaker 1>of years, those of us that were privileged to be

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<v Speaker 1>inside during the height of the COVID nineteen pandemic and

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<v Speaker 1>recognize that the ways that we have been socialized to

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<v Speaker 1>work right don't make sense. But living hand to mouth

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<v Speaker 1>and paycheck to paycheck has just been the way. And

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<v Speaker 1>what these strikes have informed for us is that greed

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<v Speaker 1>has no bounds, has no bottoms, and left unchecked, will

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<v Speaker 1>just eat us all alive. So in today's conversation, I

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<v Speaker 1>was so happy to be able to get the multi

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<v Speaker 1>hyphen it talented writer, director, comedian, author Francesca Ramsey to

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<v Speaker 1>join Woke af again, and as we were preparing for

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<v Speaker 1>this interview, it seemed and now we know for certain

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<v Speaker 1>that the deal was struck with the Actors' Union to

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<v Speaker 1>be able to after one hundred and eighteen days, get

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<v Speaker 1>back to work and doing so with a thriving wage

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<v Speaker 1>right and a deal that makes sense for the next

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<v Speaker 1>three years. That also builds in right ideas about the

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<v Speaker 1>future and the future use of AI in Hollywood. And

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<v Speaker 1>this conversation was just so rich in terms of really understanding,

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<v Speaker 1>and I think that a lot of us recognize that

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<v Speaker 1>what we see in terms of the glitz and the

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<v Speaker 1>glam and the red carpets and the uber wealth that

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<v Speaker 1>surrounds some actors and writers in Hollywood is not the

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<v Speaker 1>fucking norm. That most people, the majority that actually help

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<v Speaker 1>this machine known as Hollywood run, make very little money,

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<v Speaker 1>hold down multiple jobs in order to be able to

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<v Speaker 1>put food on the table and pursue their passions. That

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<v Speaker 1>just because you enjoy what it is that you do

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<v Speaker 1>doesn't make it not work and doesn't mean that you

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<v Speaker 1>shouldn't be compensated for it. But I think that a

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<v Speaker 1>lot of us came to really understand what it means

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<v Speaker 1>to work in this industry that, let us be very clear,

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<v Speaker 1>probably wouldn't have been able to get through the pandemic

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<v Speaker 1>without the ability to, you know, lose ourselves in content

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<v Speaker 1>creation of other peoples, lose ourself in imaginary worlds, to

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<v Speaker 1>be able to deal with what was happening outside of

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<v Speaker 1>our doors. Without those streaming giants, right, but recognizing that

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<v Speaker 1>the people that created that content weren't being compensated while

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<v Speaker 1>we were streaming, you know, millions of hours. So I

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<v Speaker 1>really love this conversation with Francesca Ramsey because it puts

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<v Speaker 1>into context a lot of what we don't know and

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<v Speaker 1>a lot of the reasons why things are left to

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<v Speaker 1>be murky, and the clarification and the strategies that were

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<v Speaker 1>used in order to get these actors and the writers

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<v Speaker 1>the deals that they deserve. So that conversation with Francesca

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<v Speaker 1>Ramsey is coming up next, folks. I am so very

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<v Speaker 1>excited to welcome to WOKF Daily Francesco Ramsey, who is

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<v Speaker 1>a comedian, a writer, a content creator, an activist, YouTube star,

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<v Speaker 1>and author of the book Well That Escalated Quickly Memoirs

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<v Speaker 1>and Mistakes of an Accidental activist to come to WOKAF

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<v Speaker 1>I am just like beyond one. But also I have

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<v Speaker 1>been following your social media since the strike began.

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<v Speaker 2>I know, and now here we are, and here we

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<v Speaker 2>are eighteen days of the actor's strike, which is pretty wild.

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<v Speaker 1>And this is historic in the length. It is historic

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<v Speaker 1>in the unification between the writers and the actors' unions.

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<v Speaker 1>To come together. Just give us. You know, I feel

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<v Speaker 1>like what I learned, and I want you to be

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<v Speaker 1>able to explain it to the listeners what I learned

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<v Speaker 1>during this time. It kind of broke open this bubble

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<v Speaker 1>concept of what it means to work in Hollywood, right,

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<v Speaker 1>and this assumption that everybody is making a brain and

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<v Speaker 1>everybody has you know, bookoo dollars and all is good

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<v Speaker 1>over there. So why do we care about these folks

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<v Speaker 1>not getting their fair shape when they get seemingly everything

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<v Speaker 1>red carpets, the glitz, the glam. So just talk to

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<v Speaker 1>us about these one hundred plus days and the reason

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<v Speaker 1>to enter into this strike, and why folks stood strong,

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<v Speaker 1>why you stood strong for so long.

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<v Speaker 2>Well, thank you for that incredible introduction. You know, I

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<v Speaker 2>will call myself out and say that I also naively

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<v Speaker 2>thought I would be making bookou dollars. Otherwise I would

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<v Speaker 2>have been using my graphic design degree. I could have

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<v Speaker 2>a corporate job with regular health insurance there. But you know,

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<v Speaker 2>I wanted to chase my dreams. And I think a

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<v Speaker 2>lot of us, whether you are a writer or you

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<v Speaker 2>are an actor, we got into this industry for the

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<v Speaker 2>love of it. Of course, having money is a benefit

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<v Speaker 2>to any career that you're in. But the reality is

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<v Speaker 2>we have created an industry that over time has become unsustainable,

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<v Speaker 2>largely due to streaming. The model that was created with

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<v Speaker 2>network television and residuals, which are essentially like commission payments,

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<v Speaker 2>where if you appear in a program or you've written

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<v Speaker 2>an episode of television, you share in the profits when

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<v Speaker 2>that show is successful because of advertising. But the streaming model,

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<v Speaker 2>because you don't have ads on streaming, has really changed

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<v Speaker 2>the game for writers and actors. And we knew that

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<v Speaker 2>a potential strike was eminent. Our contract with the studios

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<v Speaker 2>comes up for renegotiation every three years, and the last

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<v Speaker 2>time that we would have been negotiating with twenty twenty

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<v Speaker 2>and as we remember, the pandemic, which is still here,

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<v Speaker 2>it hasn't gone away, was new, and everything shut down

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<v Speaker 2>in order to keep folks safe, and so we did

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<v Speaker 2>not have the leverage that we needed in order to strike.

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<v Speaker 2>So then cut to twenty twenty three, and ahead of

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<v Speaker 2>the writer's contract ending in May and the actors contract

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<v Speaker 2>ending in June, we were hoping that we could come

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<v Speaker 2>to an agreement with the studios. Nobody wanted to strike.

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<v Speaker 2>I would have loved to have worked all year. I

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<v Speaker 2>didn't work most of the year, So there were just

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<v Speaker 2>so many things on the table that we knew that

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<v Speaker 2>needed to be solidified in order to secure the future

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<v Speaker 2>of our industry, especially regarding residuals and protections with AI.

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<v Speaker 2>And while we don't have all the details of the

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<v Speaker 2>actors agreement, I'm really confident because we held out for

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<v Speaker 2>one hundred and eighteen days not to settle for a

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<v Speaker 2>piss poor deal. So shout out to our negotiating committee.

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<v Speaker 2>I think a lot of people don't realize that those

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<v Speaker 2>are unpaid positions, our actors who are dedicating their time,

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<v Speaker 2>who are coming out from you know, maybe they don't

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<v Speaker 2>live in LA A lot of actors don't live here

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<v Speaker 2>year round, being away from their family, working on the weekends,

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<v Speaker 2>being on the picket lines every single day for hours,

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<v Speaker 2>in order to secure a fair contract for us and

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<v Speaker 2>make sure that the work that we put in day

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<v Speaker 2>in and day out is valued. And we know it's

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<v Speaker 2>valuable because it's making the studios billions of dollars and

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<v Speaker 2>we're just asking for a portion of the profits.

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<v Speaker 1>I think that that was probably one of the most

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<v Speaker 1>unsettling things, like First of all, when we go back

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<v Speaker 1>to thinking about twenty twenty, twenty twenty one, for those

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<v Speaker 1>of us that were privileged to be inside of our homes,

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<v Speaker 1>what were we doing. We were streaming content right like

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<v Speaker 1>we were sitting and trying to escape the reality that

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<v Speaker 1>we were in and being able to fall into series

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<v Speaker 1>and shows and movies and what have the And the

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<v Speaker 1>entire time that I was sitting on Mike couch behind me,

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<v Speaker 1>I'm thinking, great for these people that are making what

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<v Speaker 1>I thought were the royalties of these shows. Because I'm

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<v Speaker 1>functioning in my twentieth century mindset of you are on

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<v Speaker 1>a hit show or you make a hit thing, and

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<v Speaker 1>then you know you're making money into puts to do it.

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<v Speaker 2>Everyone was thinking, and you're so right that we kind

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<v Speaker 2>of lifted the curtain in this moment because there were

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<v Speaker 2>tons of actors from hit shows across all different streaming

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<v Speaker 2>platforms that were showing their residual checks, and sometimes there

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<v Speaker 2>were thirty five cents. Sometimes they were negative because supposedly

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<v Speaker 2>if the studio quote unquote overpaid you one time, they'd say, okay,

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<v Speaker 2>well actually we overpaid you two dollars, so now this

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<v Speaker 2>check is for negative two dollars just just mind blowing,

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<v Speaker 2>especially when these are shows that are getting huge a

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<v Speaker 2>war and we're getting tons of people, you know, seeing

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<v Speaker 2>themselves in these stories. And I think ultimately that is

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<v Speaker 2>the thing that was really disheartening, was the fact that

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<v Speaker 2>people were putting so much of themselves into this work

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<v Speaker 2>and not being compensated fairly when the reality is, like

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<v Speaker 2>you were saying, people are watching these shows and connecting

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<v Speaker 2>with these characters and feeling affirmed and seen and comforted

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<v Speaker 2>and are laughing and are crying and are you know,

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<v Speaker 2>having their minds expanded in these incredible ways. And unfortunately

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<v Speaker 2>the studios were like, eh, but you know whatever, this

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<v Speaker 2>is not a big of a deal. You don't deserve

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<v Speaker 2>more than what you're getting. And I think it's a

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<v Speaker 2>symptomatic of a consistent devaluing of the arts, not just

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<v Speaker 2>for actors and writers, but musicians and visual artists and dancers.

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<v Speaker 2>See a lot of people saying, well, you know, it's

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<v Speaker 2>you're lucky to be able to do that for a living,

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<v Speaker 2>And the reality is work is work.

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<v Speaker 1>It doesn't matter if you enjoy it right or you

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<v Speaker 1>happen to be, you know, brilliant at it, it's still work.

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<v Speaker 2>Yes, yes, I think that.

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<v Speaker 1>You know, Also, what I learned during this time is

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<v Speaker 1>that how these deals are kind of structured. So I

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<v Speaker 1>want to give you an opportunity to kind of speak

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<v Speaker 1>to that, not the deal that was reached, but how

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<v Speaker 1>these streaming entities are able to make billions upon billions

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<v Speaker 1>of dollars. Where it is they're creating licensing deals with

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<v Speaker 1>the with you know, network television, You as a content creator,

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<v Speaker 1>you as an actor, are making a deal with let's

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<v Speaker 1>say it is NBC Universal, right, and at the end

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<v Speaker 1>of the day, NBC Universal is then tapped by let's

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<v Speaker 1>say a Netflix we would like to buy said show.

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<v Speaker 1>It is a licensing deal that they are making, which

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<v Speaker 1>is outside of the all of the royalties, outside of

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<v Speaker 1>these things. And so if you don't, what I hope

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<v Speaker 1>for all of you as we get into and understand

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<v Speaker 1>what was signed and is what is going to be given,

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<v Speaker 1>is that it was all of these carve outs in

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<v Speaker 1>all of these ways to separate people from their ability

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<v Speaker 1>to make profit off of their work.

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<v Speaker 2>Yeah, and just not fair. Yeah. No. The thing is

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<v Speaker 2>I had a lot of people say, well, like, why

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<v Speaker 2>weren't these things in the contract before? And the reality

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<v Speaker 2>is there were certain things that we couldn't account for, right,

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<v Speaker 2>So when we negotiated certain things, including residuals in the

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<v Speaker 2>two thousand and seven strike, that was one of our

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<v Speaker 2>big things. One of the one of the cornerstones of

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<v Speaker 2>that strike was online media. Okay, this was early days

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<v Speaker 2>of internet. YouTube was pretty new at that time, and

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<v Speaker 2>we had sent to st videos. I was not a

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<v Speaker 2>member of the union yet, I was still in college,

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<v Speaker 2>but at that time we said to the studios, we

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<v Speaker 2>want to make sure that if our work is on

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<v Speaker 2>the Internet that we receive compensation. And the studios were like,

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<v Speaker 2>don't worry about it. Is that a big deal. So

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<v Speaker 2>not that we didn't account for it. We fought for

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<v Speaker 2>those residuals, but we could have never anticipated where we

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<v Speaker 2>would be with streaming content fifteen years later. Right. And

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<v Speaker 2>so similarly, when it comes to AI protections. While AI

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<v Speaker 2>is very powerful right now and it has its limitations,

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<v Speaker 2>in three to five years AI is going to be

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<v Speaker 2>very different. So even in twenty twenty, if we had

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<v Speaker 2>been able to negotiate our deal, there's no telling what

0:15:46.040 --> 0:15:48.920
<v Speaker 2>we would have been asking for. Because the technology, I mean,

0:15:48.960 --> 0:15:51.960
<v Speaker 2>you've watched it get faster every day, it was like,

0:15:52.280 --> 0:15:54.880
<v Speaker 2>AI can't do hands, and then a month later you're like, well,

0:15:54.880 --> 0:15:58.640
<v Speaker 2>it's getting better hands now. So we were putting certain

0:15:58.680 --> 0:16:03.600
<v Speaker 2>things in the contract based on the landscape and what

0:16:03.640 --> 0:16:06.800
<v Speaker 2>we project could could be down the pipeline for us.

0:16:07.480 --> 0:16:11.800
<v Speaker 2>And the reality is when corporations want to take advantage

0:16:11.840 --> 0:16:14.520
<v Speaker 2>of their employees, they're going to figure out ways to

0:16:14.640 --> 0:16:17.200
<v Speaker 2>do it. And it's not our job to think of

0:16:17.280 --> 0:16:19.920
<v Speaker 2>all the ways that you could screw us over. And

0:16:19.960 --> 0:16:22.520
<v Speaker 2>so unfortunately, there were certain things that we had just

0:16:22.720 --> 0:16:29.320
<v Speaker 2>not anticipated. For example, taking a series regular actors and

0:16:30.720 --> 0:16:33.960
<v Speaker 2>demoting them down to guest stars. That's something that we

0:16:34.000 --> 0:16:36.600
<v Speaker 2>hadn't seen happen before, where someone would think, well, I

0:16:36.640 --> 0:16:38.600
<v Speaker 2>am a series regular on the show. This means I'm

0:16:38.640 --> 0:16:41.720
<v Speaker 2>going to be able to pay my health insurance, make

0:16:41.840 --> 0:16:44.440
<v Speaker 2>enough money to you know, maybe buy a house or

0:16:44.600 --> 0:16:47.640
<v Speaker 2>take care of my rent. And then the network just decides,

0:16:47.760 --> 0:16:49.760
<v Speaker 2>you know what, We're actually going to demote you. You're

0:16:49.760 --> 0:16:51.880
<v Speaker 2>in the same amount of episodes, you're in the same

0:16:51.920 --> 0:16:55.440
<v Speaker 2>amount of scenes, You're just going to get paid less. Well,

0:16:55.440 --> 0:16:59.120
<v Speaker 2>that's not something that we anticipated was going to happen, right,

0:17:00.440 --> 0:17:04.359
<v Speaker 2>So again, thank goodness that we have negotiating committees for

0:17:04.440 --> 0:17:09.960
<v Speaker 2>both unions that include members who are not just representing

0:17:10.040 --> 0:17:13.760
<v Speaker 2>us as leadership, but they are doing the work. They

0:17:13.800 --> 0:17:17.160
<v Speaker 2>are actors on your favorite shows. They are writers, they

0:17:17.160 --> 0:17:21.320
<v Speaker 2>are showrunners. They know the realities of how many writers

0:17:21.359 --> 0:17:24.320
<v Speaker 2>we need in a room, what it looks like to

0:17:24.359 --> 0:17:29.399
<v Speaker 2>have equity for makeup and hairstylist. Right. You know what

0:17:29.440 --> 0:17:31.080
<v Speaker 2>it's like to show up to set and they don't

0:17:31.119 --> 0:17:34.320
<v Speaker 2>have your makeup shape, Oh gosh. They know what it's

0:17:34.480 --> 0:17:38.080
<v Speaker 2>like to get an audition at the eleventh hour and

0:17:38.119 --> 0:17:42.000
<v Speaker 2>it's ten scenes and you got to do it by tomorrow. Right.

0:17:42.040 --> 0:17:46.680
<v Speaker 2>So these are things that we asked for, were significant

0:17:46.720 --> 0:17:50.040
<v Speaker 2>asks that our membership said, this is what we need.

0:17:51.080 --> 0:17:54.440
<v Speaker 2>And so again I'm so thankful that we held out

0:17:54.520 --> 0:17:56.320
<v Speaker 2>for a deal that's going to reflect the needs of

0:17:56.359 --> 0:18:00.600
<v Speaker 2>our membership and most importantly, secure the future of new

0:18:00.640 --> 0:18:04.399
<v Speaker 2>writers and new actors who want to join this industry

0:18:04.760 --> 0:18:07.520
<v Speaker 2>and don't have, you know, a mom and dad that

0:18:07.600 --> 0:18:10.520
<v Speaker 2>can fund their dreams. We want to make sure that

0:18:10.560 --> 0:18:13.840
<v Speaker 2>if you get that opportunity of a lifetime, that doors

0:18:13.840 --> 0:18:15.280
<v Speaker 2>are going to open for you and you're going to

0:18:15.320 --> 0:18:19.000
<v Speaker 2>be able to live the life that you've earned. In

0:18:19.080 --> 0:18:20.240
<v Speaker 2>this incredible industry.

0:18:21.160 --> 0:18:25.200
<v Speaker 1>You know, I just I wonder too your thoughts about,

0:18:25.400 --> 0:18:29.439
<v Speaker 1>you know, how powerful unions actually are. You know, I

0:18:29.480 --> 0:18:34.520
<v Speaker 1>think that there was a time when unions were really huge, right,

0:18:34.760 --> 0:18:39.680
<v Speaker 1>and then eighties nineties they were diminished. They were made

0:18:39.760 --> 0:18:43.080
<v Speaker 1>to be, you know, the devil. Oh we're going to stop,

0:18:43.359 --> 0:18:46.840
<v Speaker 1>you know, productivity and people need to work, and unions are,

0:18:47.000 --> 0:18:49.920
<v Speaker 1>you know, are the problem. We're seeing a resurgence now

0:18:50.040 --> 0:18:55.879
<v Speaker 1>across industries of workers really understanding their rights and understanding

0:18:55.920 --> 0:18:59.840
<v Speaker 1>their power. How do you think that this will continue

0:18:59.880 --> 0:19:04.800
<v Speaker 1>to create momentum and also expand opportunities, like you were saying,

0:19:05.119 --> 0:19:07.520
<v Speaker 1>for people to be able to choose the different types

0:19:07.560 --> 0:19:09.280
<v Speaker 1>of industries that they want to be a part of,

0:19:09.480 --> 0:19:11.000
<v Speaker 1>but know that they'll be protected.

0:19:11.960 --> 0:19:14.640
<v Speaker 2>Yeah, I'm so glad to hear you say that, because

0:19:14.680 --> 0:19:17.840
<v Speaker 2>it does feel like there's been a genormous cultural shift

0:19:17.920 --> 0:19:22.199
<v Speaker 2>in the understanding of collective bargaining. And I made so

0:19:22.320 --> 0:19:25.800
<v Speaker 2>much content explaining how the union protects us as writers

0:19:25.800 --> 0:19:27.800
<v Speaker 2>and actors and how they advocate for us, and I

0:19:27.840 --> 0:19:30.720
<v Speaker 2>got so many comments from people that would say, man,

0:19:30.920 --> 0:19:34.680
<v Speaker 2>everything I've thought about unions is wrong, and I would

0:19:34.680 --> 0:19:38.919
<v Speaker 2>always counter with, well, who told you those things. Whose

0:19:38.960 --> 0:19:42.280
<v Speaker 2>best interest is it to make you believe that unionizing

0:19:42.440 --> 0:19:45.679
<v Speaker 2>is not in your best interests? Who benefits when you

0:19:45.680 --> 0:19:49.040
<v Speaker 2>don't know how much your coworker is making. Who benefits

0:19:49.840 --> 0:19:55.120
<v Speaker 2>the billionaire CEOs, That's who's benefiting. And so I did

0:19:55.160 --> 0:19:58.720
<v Speaker 2>see unfortunately, you know that crabs and a barrel mentality.

0:19:58.720 --> 0:20:01.360
<v Speaker 2>It was not just exclusive to our strikes. You saw

0:20:01.400 --> 0:20:04.480
<v Speaker 2>it when UPS was potentially going on strike. People were

0:20:04.480 --> 0:20:08.520
<v Speaker 2>saying they don't deserve an hourly wage, a higher bump.

0:20:08.600 --> 0:20:12.639
<v Speaker 2>They just deliver packages. The people at Amazon they don't deserve.

0:20:12.880 --> 0:20:15.920
<v Speaker 2>I mean this idea of well, if that person's getting more,

0:20:16.119 --> 0:20:19.040
<v Speaker 2>what does it mean about me? I should be getting more,

0:20:19.200 --> 0:20:22.760
<v Speaker 2>which I remind people you're correct, yeah, right, Also you

0:20:22.840 --> 0:20:25.960
<v Speaker 2>should also be getting more. Right, A lot of people

0:20:26.040 --> 0:20:30.280
<v Speaker 2>will teachers aren't getting enough, and nurses, I agree, all

0:20:30.359 --> 0:20:33.440
<v Speaker 2>of those people should get more. And so to your

0:20:33.640 --> 0:20:38.919
<v Speaker 2>question about collective bargaining and unionization, I really hope that

0:20:38.960 --> 0:20:42.040
<v Speaker 2>what people take away from this moment, despite all of

0:20:42.040 --> 0:20:45.080
<v Speaker 2>the challenges, despite the length of this strike, it's that

0:20:45.160 --> 0:20:49.280
<v Speaker 2>when we work together, we can win. And the reality

0:20:49.520 --> 0:20:54.040
<v Speaker 2>is things like AI are not going to just impact

0:20:54.400 --> 0:20:58.920
<v Speaker 2>film and TV I can't go to the frequently asked

0:20:58.960 --> 0:21:00.760
<v Speaker 2>questions on a website. I need to talk to a

0:21:00.800 --> 0:21:04.480
<v Speaker 2>customer service person. It's AI is I can't even talk

0:21:04.520 --> 0:21:09.520
<v Speaker 2>to a regular representative. Right. When you need a secretary,

0:21:10.520 --> 0:21:12.880
<v Speaker 2>you call and you need to make an appointment. They're

0:21:13.040 --> 0:21:17.720
<v Speaker 2>using AI secretaries, right. So the reality is if you

0:21:17.800 --> 0:21:20.920
<v Speaker 2>were looking at this strike and thinking, oh God, these

0:21:20.960 --> 0:21:23.240
<v Speaker 2>people make so much money and they don't need anything,

0:21:23.320 --> 0:21:26.399
<v Speaker 2>and I'm struggling to make ends meet, I counter her

0:21:26.480 --> 0:21:30.119
<v Speaker 2>and say, you should also be able to afford to

0:21:30.240 --> 0:21:33.000
<v Speaker 2>live in the city that you work in. You should

0:21:33.000 --> 0:21:38.479
<v Speaker 2>also have healthcare. You should not have to work seven

0:21:38.560 --> 0:21:42.200
<v Speaker 2>days a week all times. You shouldn't have to have five,

0:21:42.760 --> 0:21:48.159
<v Speaker 2>you know, multiple jobs, drive an uber, you know, doing uh,

0:21:48.960 --> 0:21:50.960
<v Speaker 2>all these different like little task.

0:21:50.680 --> 0:21:52.080
<v Speaker 1>Grant it you shouldn't have to do.

0:21:52.760 --> 0:21:55.880
<v Speaker 2>You shouldn't have to do dozens of gigs in order

0:21:55.920 --> 0:22:01.400
<v Speaker 2>to make ends meet. You shouldn't. And unfortunately the industry

0:22:01.560 --> 0:22:04.240
<v Speaker 2>was trending that way for film and TV that it

0:22:04.280 --> 0:22:08.240
<v Speaker 2>was turning our jobs into gig type jobs and it's

0:22:08.320 --> 0:22:12.520
<v Speaker 2>just not fair. So my hope is that this is

0:22:12.680 --> 0:22:16.960
<v Speaker 2>in inspiring people to talk to their coworkers, to talk

0:22:17.000 --> 0:22:22.160
<v Speaker 2>to their friends and family about the realities of making

0:22:22.240 --> 0:22:24.439
<v Speaker 2>an honest living and being able to take care of

0:22:24.480 --> 0:22:27.880
<v Speaker 2>your family and buy groceries and put gas in your car.

0:22:29.119 --> 0:22:31.200
<v Speaker 2>The reality is the cost of living has gone up

0:22:31.560 --> 0:22:34.640
<v Speaker 2>and wages have not, and they should be reflecting that.

0:22:34.760 --> 0:22:36.800
<v Speaker 2>And the way that we get there is by working

0:22:36.840 --> 0:22:44.720
<v Speaker 2>together and demanding better. You know.

0:22:44.840 --> 0:22:48.720
<v Speaker 1>Last question for you, Francesca, and I'm just so grateful

0:22:48.800 --> 0:22:54.120
<v Speaker 1>for your time, is you know, we listen to some

0:22:54.200 --> 0:22:59.119
<v Speaker 1>of these CEOs of these studios and these networks, it

0:22:59.240 --> 0:23:03.240
<v Speaker 1>sounded sometimes like we were listening to a bond villain. Right,

0:23:03.640 --> 0:23:07.080
<v Speaker 1>let them go bankrupt, let them eat cake, let them

0:23:07.160 --> 0:23:11.320
<v Speaker 1>lose their homes. What do you think you know that

0:23:11.440 --> 0:23:15.919
<v Speaker 1>the energy, you know, will be when everybody is now

0:23:16.960 --> 0:23:19.720
<v Speaker 1>hopefully returning in the next you know, in the in

0:23:19.760 --> 0:23:22.400
<v Speaker 1>the next week, in the next you know, couple of weeks.

0:23:22.760 --> 0:23:27.520
<v Speaker 1>When when you really did hear in interviews these multi

0:23:27.760 --> 0:23:31.280
<v Speaker 1>i mean billionaires, millionaires saying some of the most vile

0:23:31.440 --> 0:23:35.840
<v Speaker 1>things about people who make less than you know six

0:23:36.160 --> 0:23:38.600
<v Speaker 1>I think I heard that the average writer again just

0:23:38.600 --> 0:23:41.520
<v Speaker 1>to burst the bubble, is making like less than sixty

0:23:41.560 --> 0:23:44.920
<v Speaker 1>thousand dollars a year. Right, doesn't have health insurance doesn't

0:23:44.960 --> 0:23:47.560
<v Speaker 1>have these things. What is that going to experience you

0:23:47.560 --> 0:23:50.000
<v Speaker 1>think going to be like, Well, the.

0:23:50.040 --> 0:23:53.960
<v Speaker 2>Reality is there are so many people that make up

0:23:54.000 --> 0:23:57.000
<v Speaker 2>these companies. You know, you've got those CEOs up at

0:23:57.040 --> 0:23:59.000
<v Speaker 2>the top, but you also have a lot of network

0:23:59.119 --> 0:24:02.280
<v Speaker 2>executives who people that I've worked with, people that I'm

0:24:02.320 --> 0:24:05.119
<v Speaker 2>friends with, people that I went to college with, people

0:24:05.119 --> 0:24:08.359
<v Speaker 2>that I grew up with, that are also creative folks

0:24:08.400 --> 0:24:11.439
<v Speaker 2>that work on the corporate side, and those people wanted

0:24:11.440 --> 0:24:13.280
<v Speaker 2>to get back to work. Those are the people that

0:24:13.320 --> 0:24:16.240
<v Speaker 2>are like, I think you should be paid more. Unfortunately,

0:24:16.280 --> 0:24:19.119
<v Speaker 2>I don't have a direct line to Bob Iiger. I

0:24:19.200 --> 0:24:22.959
<v Speaker 2>can't decide what's going on. And so while it is

0:24:23.040 --> 0:24:27.960
<v Speaker 2>going to be a tumultuous road back to work, because

0:24:28.280 --> 0:24:31.359
<v Speaker 2>it's not happening tomorrow, we're at the end of twenty

0:24:31.400 --> 0:24:35.119
<v Speaker 2>twenty three. The year is already winding down. I am

0:24:35.200 --> 0:24:39.639
<v Speaker 2>optimistic that when we do get back to work, the

0:24:39.680 --> 0:24:42.360
<v Speaker 2>people that work on the corporate side, the executives, are

0:24:42.359 --> 0:24:44.680
<v Speaker 2>going to be excited and ready to support us because

0:24:44.720 --> 0:24:47.160
<v Speaker 2>they haven't been able to work either. They've been sitting

0:24:47.200 --> 0:24:49.640
<v Speaker 2>on their hands waiting for the strict to end. Also,

0:24:50.200 --> 0:24:53.280
<v Speaker 2>it's really those people at the top who are unfortunately

0:24:53.720 --> 0:24:56.800
<v Speaker 2>very disconnected from the realities of what it means to

0:24:56.840 --> 0:25:01.680
<v Speaker 2>be a working actor and a working writer. All Angelina

0:25:01.760 --> 0:25:04.199
<v Speaker 2>Jolie's status and shout out to her because she was

0:25:04.240 --> 0:25:08.440
<v Speaker 2>still supporting us. Right, It's like, I do very well

0:25:08.440 --> 0:25:10.960
<v Speaker 2>for myself, and I still believe that those at the

0:25:11.480 --> 0:25:14.840
<v Speaker 2>you know, the under the line actors who are under that,

0:25:14.960 --> 0:25:17.000
<v Speaker 2>you know, the top people on the call sheet, they

0:25:17.040 --> 0:25:20.720
<v Speaker 2>deserve to make an honest and sustainable living as well.

0:25:21.240 --> 0:25:24.800
<v Speaker 2>So you know, I still have a side eye for

0:25:24.880 --> 0:25:28.359
<v Speaker 2>those major CEOs, but thankfully I won't be working with them.

0:25:29.040 --> 0:25:31.919
<v Speaker 2>I've had some really incredible execs over the course of

0:25:31.960 --> 0:25:36.440
<v Speaker 2>my career who are champions for us. You know, they're saying, look,

0:25:36.880 --> 0:25:38.600
<v Speaker 2>I want the show to go. I have to go

0:25:38.680 --> 0:25:40.359
<v Speaker 2>take this up to my boss and they have to

0:25:40.440 --> 0:25:44.000
<v Speaker 2>make the decision. So my hope is that after this

0:25:44.560 --> 0:25:48.320
<v Speaker 2>lengthy time, our appetites will be ready to get back

0:25:48.320 --> 0:25:53.679
<v Speaker 2>to work, and thankfully we will have two incredible contracts

0:25:53.680 --> 0:25:55.760
<v Speaker 2>that not only help us get back to work, but

0:25:55.840 --> 0:25:59.400
<v Speaker 2>make sure that our work is well compensated and protected.

0:26:00.320 --> 0:26:03.880
<v Speaker 1>France Atska, thank you so much. Thank you for using

0:26:03.920 --> 0:26:08.399
<v Speaker 1>your platform to continue to like not only entertain, but inform,

0:26:08.600 --> 0:26:12.359
<v Speaker 1>inform and form people so that they can be in

0:26:12.440 --> 0:26:16.480
<v Speaker 1>solidarity and find ways to be in solidarity because we

0:26:16.600 --> 0:26:20.280
<v Speaker 1>benefit so much from entertainment. I couldn't I couldn't think

0:26:20.359 --> 0:26:22.600
<v Speaker 1>about what it would have been like to go through

0:26:22.920 --> 0:26:25.600
<v Speaker 1>the kind of trauma of the last three years without

0:26:25.640 --> 0:26:28.760
<v Speaker 1>being able, you know, to have the privilege to zone

0:26:28.800 --> 0:26:32.639
<v Speaker 1>out on creative work, on beauty, on finding joy, on

0:26:32.720 --> 0:26:35.160
<v Speaker 1>all of these things. So really appreciate it.

0:26:35.080 --> 0:26:38.040
<v Speaker 2>So much, and I reflect that back to you as well,

0:26:38.080 --> 0:26:40.679
<v Speaker 2>like you use your platform in such an incredible way

0:26:40.760 --> 0:26:44.600
<v Speaker 2>to educate and uplift people. And I'm so glad that I,

0:26:45.119 --> 0:26:47.280
<v Speaker 2>you know, can be a little family member of the

0:26:47.320 --> 0:26:49.240
<v Speaker 2>show and be able to come back a second time,

0:26:49.280 --> 0:26:52.680
<v Speaker 2>which is very delightful. So thank you so much. I

0:26:52.960 --> 0:26:56.919
<v Speaker 2>really appreciate you sharing space with me and supporting the

0:26:56.920 --> 0:26:59.320
<v Speaker 2>strike and supporting our efforts. It really means a lot.

0:27:04.440 --> 0:27:07.320
<v Speaker 1>That is it for me today, Dear friends on Woke

0:27:07.359 --> 0:27:10.600
<v Speaker 1>a f as always, Power to the people and to

0:27:10.880 --> 0:27:15.120
<v Speaker 1>all the people. Power, get woke and stay woke as fuck.