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Speaker 1: Fly from the Mercedes Benz Interview Lounge.

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Speaker 2: Hello, oh my, wow, wow, sorry about that strike one.

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Speaker 3: I'm near Charlie.

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Speaker 2: Pooth is here everywhere everybody. Hi Charlie, Hi, take your

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Speaker 2: headphones off.

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Speaker 3: I know we were just talking about how your every

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Speaker 3: every guest your voice sounds different. Yeah.

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Speaker 2: If you have headphones on while you're speaking through the microphone,

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Speaker 2: it makes you sound differently to us.

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Speaker 3: Yeah, can change your voice. Does it look weird if

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Speaker 3: I just wear it? You know weird at all?

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Speaker 2: Just we can't take them off if you want, just

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Speaker 2: be mic aware, okay, because sometimes if they take them off,

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Speaker 2: they they sit like fifteen feet away. No one can

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Speaker 2: hear what they have to say. Right, welcome to my hell?

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Speaker 2: Why is this your hell? But look, we all have

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Speaker 2: occupational hazards. Mind is guests that cannot be heard through

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Speaker 2: the microphone?

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Speaker 3: What is yours? Charlie?

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Speaker 2: Really, what occupational hazard do you have in your occupation?

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Speaker 3: Maybe working with an artist that doesn't want to be there,

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Speaker 3: working with an artist that can't sing, working with that

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Speaker 3: wasn't shade. I mean, I don't have anyone in mind.

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Speaker 3: I love how you're casting blame on others and not yourself.

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Speaker 3: Well or no, I'm I'm pretty much happy to be

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Speaker 3: anywhere where there's music involved in this is technically iHeart here,

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Speaker 3: not technically it is.

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Speaker 2: There's a question for you, though, I mean, and I

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Speaker 2: don't want to bring up the perfect pitch thing and

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Speaker 2: you're so tired of talking about that. But in sickness,

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Speaker 2: in pandemic time, do you lose it for a minute

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Speaker 2: because your nasal passages?

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Speaker 3: I don't know, no, but I can. I can. I've

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Speaker 3: learned ways with meditation and other things to turn it off.

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Speaker 3: But sometimes it's hard to sleep at night because like

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Speaker 3: the music, we'll just like play over and over and

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Speaker 3: over again. What does it look like? Isn't we pretty

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Speaker 3: much haven't see that? Yeah?

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Speaker 2: No, but I mean, thank god it's warm out in

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Speaker 2: New York in your head? What does music look like?

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Speaker 3: Does that make sense? Oh?

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Speaker 4: Does it?

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Speaker 3: Does it have a form of shape? That's a good question.

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Speaker 3: It's kind of like this desk is what color is

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Speaker 3: this desk? Well, it's a to me, it's a shade

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Speaker 3: of white. It's it's white. That was yeah, it's it's white.

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Speaker 3: And and that's gray. And I guess the best way

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Speaker 3: for me to describe is that A C sharp is

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Speaker 3: a C sharp. It's like you, I hear the note

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Speaker 3: and it's very literal, like these headphones are black. I

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Speaker 3: just equate everything the color because if you were color blind,

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Speaker 3: then you can't see the color. But I'm you know,

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Speaker 3: most people are not color blind, but I actually don't

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Speaker 3: know if that's true.

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Speaker 5: I have My family's color blind, So.

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Speaker 3: Now I feel bad poking colored people. Yeah, so I

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Speaker 3: love how to you if you have a matte gold microphone?

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Speaker 3: Why does elves have a shiny gold It's an ego thing?

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Speaker 3: Is that like a promise of like this it's matt

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Speaker 3: right now, but one day you'll have a golden microphone.

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Speaker 5: I think that's what it is.

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Speaker 3: Okay, keep working.

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Speaker 2: Hard, you'll get there. To you, it's a sea sharp.

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Speaker 2: I think of it as a D flat. Isn't an

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Speaker 2: Is my glass half full?

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Speaker 3: In your half? Did you look that up for something?

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Speaker 3: Because the D flat is a C sharp. No, I

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Speaker 3: know that, I know, I know, I know.

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Speaker 2: The trouble Cleff, Cleff, you know. So, by the way,

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Speaker 2: when Charlie Pooth walked in, he says, he asked if

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Speaker 2: you had any sparkling water?

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Speaker 3: Said, and we usually do. I didn't. That makes me

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Speaker 3: sound so bougie. I was, you need something fizzy in

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Speaker 3: the morning, You're you know what? You you had nine

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Speaker 3: cans of Coca Cola in the dressing room. It's like, who,

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Speaker 3: yes that in the.

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Speaker 5: Morning, who's our last guest?

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Speaker 2: And I thought it was a little so surprising that you,

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Speaker 2: Charlie Pooth, wanted effrofestment water because you were you carry

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Speaker 2: effrofessens with you already. But we went down to Ernest

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Speaker 2: Klein and bought three San Pellegrinos at a total of

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Speaker 2: fourteen forty nine. If you would turn that into your people,

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Speaker 2: have them reimburse it.

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Speaker 6: That's pricey water, is Charlie poos?

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Speaker 3: That seems a little over priced everywhere you're in New

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Speaker 3: York City?

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Speaker 5: What are you talking about?

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Speaker 3: You're going to Dwayne Read or something? I like Ernest Climb.

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Speaker 3: But that's a lot of money the times we live in,

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Speaker 3: I know, can you imagine you actually want me to

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Speaker 3: pay this? You have your people pay it. Maybe the

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Speaker 3: label can pay that. They all just raise their hands

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Speaker 3: at once.

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Speaker 2: Let's talk about everything. Let's talk about all the above. Okay,

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Speaker 2: how's it being a big TV star?

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Speaker 4: Now?

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Speaker 3: I I don't know if I'm the big TV star,

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Speaker 3: but I'm happy to be. I'm happy to have a

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Speaker 3: TV show that is uh number one on Roku second

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Speaker 3: week in a row. I'm told, wow, I really had

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Speaker 3: no expectations going into it because I am a musician.

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Speaker 3: But I've always wanted to make a TV show, and

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Speaker 3: I got some of my friends and we just made

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Speaker 3: a TV show. It looks like a lot of fun.

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Speaker 3: It's really stupid, but.

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Speaker 5: That's promoting it there.

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Speaker 3: It's not stupid, No, it's it's it's good stupid. It's

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Speaker 3: like smart stupid. It has a good name, The Charlie

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Speaker 3: Pooth Show. Yeah, that's because we couldn't think of a

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Speaker 3: put your headphones. Okay, I love this which scene. That's

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Speaker 3: just my voice sped up. That's your your theme song. Yeah,

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Speaker 3: but I originally sang it like she was saying it

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Speaker 3: a little bit slower, and then we put it through

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Speaker 3: the tape machine and then speed it up like it

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Speaker 3: sounds like album the check Yeah, let me go.

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Speaker 2: And like another thing I love about the show, the

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Speaker 2: transitional song that the transitional little music. For instance, we're

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Speaker 2: talking to Charlie about his new show. But now we're

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Speaker 2: gonna talk about something else. Let's talk about to be

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Speaker 2: saying those transitional things.

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Speaker 3: So it's interesting is I didn't make those transitional things.

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Speaker 3: I heard a rumor that those were the same transitional

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Speaker 3: music things used in Glee. I don't know if that

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Speaker 3: was just really I think it sounded like that, but

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Speaker 3: it sounds like they sound like here's another one. That's

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Speaker 3: me and junk cook. That's that's not Glee.

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Speaker 5: It does not like Glee.

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Speaker 3: I never watched Glee, but I saw that somewhere. Someone

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Speaker 3: said that, Wow, you blatantly ripped them off, but never

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Speaker 3: watched the show, you should support No, I've never I

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Speaker 3: really have never watched the show, but I'm familiar with

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Speaker 3: the concept. And someone said that and like it might.

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Speaker 3: I mean, it's stock music, and I guess the show

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Speaker 3: is made by the people who made Glee. So there

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Speaker 3: you go.

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Speaker 1: Can I say something, and I want you to take

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Speaker 1: this as an insult because I don't mean it that way,

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Speaker 1: but marriage looks really good on you. And here's why.

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Speaker 1: Your skin's glowing. You close the beautiful, You smell awesome,

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Speaker 1: your hair's gray.

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Speaker 2: I don't know.

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Speaker 1: I mean, I'm not saying you didn't look great before,

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Speaker 1: but I'm saying, you got this something about you.

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Speaker 4: Oh.

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Speaker 3: I think it's a little confidence confidence boost.

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Speaker 2: I have a very cool wife, and she's cool and

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Speaker 2: she's sleeping.

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Speaker 3: Is she sleeping? Because I want to bring something up here?

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Speaker 3: And I think it's bestially not hear this? Okay, yah,

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Speaker 3: won't that was supposed to be me marching down that

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Speaker 3: aisle was here, that was supposed to be me. I mean,

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Speaker 3: that was never going to be you, but I'm supposed

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Speaker 3: to be me. We've had We've had some really interesting times.

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Speaker 4: I know.

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Speaker 5: Sorry to tell you.

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Speaker 2: The aisle we ever walked down with Charlie Pooth was

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Speaker 2: in the middle of an airplane.

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Speaker 3: Elvis and I took a flight one time and it

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Speaker 3: was so bumpy. We just happened to be on the

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Speaker 3: same flight, wink, And it was so bumpy. It was

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Speaker 3: so bumpy that I really thought it was going to

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Speaker 3: be the end, Like it was really like what if

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Speaker 3: it was? And you're so unseerious when it comes to flying,

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Speaker 3: you're I'm like shaking and you're just like, isn't this

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Speaker 3: But I knew it'd be fine. Everywhere. Look at the

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Speaker 3: percentage of flights that make it. It's a high number.

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Speaker 4: We did.

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Speaker 3: Okay, we we were fine. We always are fine. But

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Speaker 3: in the in the moment it was it was put

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Speaker 3: me at ease. Oddly was the fact that he was

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Speaker 3: so calm.

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Speaker 6: Oh wow, what a headline that would have been.

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Speaker 2: No, he would have been the headline. I don't I

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Speaker 2: don't want to die on a plane with Charlie Pooth.

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Speaker 3: I know we weren't dying. We weren't dying.

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Speaker 5: Thank god. He wasn't there when the bird thing happened,

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Speaker 5: when the birds went in the end.

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Speaker 2: Almost died. Yeah, I think I told you that story

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Speaker 2: during this flight. It made you more nervous.

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Speaker 3: Oh nine, you were on that flight.

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Speaker 2: No, no, no, different, different, different flight. We were on

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Speaker 2: a flight from here to way for.

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Speaker 3: Everybody who's doing their morning commuting. Love, so listen to this.

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Speaker 3: We were flying on their way to JFK. Right now,

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Speaker 3: you're gonna be great. He We heard this bumpy, bumpy

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Speaker 3: sound and then the air and the plane smelled like

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Speaker 3: roasted chicken. Oh, that would make sense.

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Speaker 2: It was geese that flew into our engines and we

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Speaker 2: had to come back to Newark Airport and land safely, slowly.

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Speaker 2: But it smelled like Thanksgiving morning on the plane.

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Speaker 3: It was kind of great, Oh my god.

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Speaker 2: But what if we had Paris that day, if we

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Speaker 2: had what the parish, if we had passed away. We didn't,

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Speaker 2: so it doesn't matter. Would we go to heaven together?

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Speaker 2: Where would we be?

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Speaker 3: Where do you? But where would we go after that?

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Speaker 3: We wouldn't have made it to jingle Miami's Heart Radio

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Speaker 3: jingle in twenty twenty two. But would we still be

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Speaker 3: friends in the afterlife? I think so. After life's a

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Speaker 3: real thing.

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Speaker 2: I do believe that. Now do you believe in reincarnation? Absolutely,

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Speaker 2: welcome back. Thanks, I'm still here, you know, But no, absolutely,

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Speaker 2: I think we go into different things.

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Speaker 3: That's why. That's why like sometimes when I play a

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Speaker 3: certain chord on the piano, like the sun will kind

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Speaker 3: of like peek out, and maybe that's like someone trying

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Speaker 3: to like say hi, not to get all sad, and

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Speaker 3: that's actually happening. It's really like it's reminiscent, like they're

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Speaker 3: like that. That's why music affects people so viscerally, because

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Speaker 3: it's just tones and in shapes that like when they

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Speaker 3: penetrate us, that's not supposed to sound gross, but when

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Speaker 3: that when they go through us, that's not also supposed

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Speaker 3: to sound gross. They they they can. It drastically changes

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Speaker 3: like a mood, like music, like like one chorus of

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Speaker 3: something can just alter like any group of people's mood.

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Speaker 3: It's pretty amazing, you know.

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Speaker 2: Charlie and I get a little choked up when I

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Speaker 2: talk about this, and maybe we've talked about this in

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Speaker 2: the past. My mother had Alzheimer's. She was near the

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Speaker 2: end of her life and she just didn't really know

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Speaker 2: where she was. She was rarely loocid at all. But

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Speaker 2: when we turned on music from her past, she remembered it,

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Speaker 2: all of it right, you know. And it's and it's

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Speaker 2: just the easiest example.

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Speaker 3: Isn't that amazing?

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Speaker 4: Though?

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Speaker 3: Yeah, one part of your brain is always always, like,

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Speaker 3: no matter your situation, one part of your brain is

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Speaker 3: always working right. It's like, That's why I think it's

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Speaker 3: so important for any musician and any entertainer to put

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Speaker 3: their best foot forward because you never know, Like even

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Speaker 3: if there have been days where I've walked into the

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Speaker 3: studio and I've thought, I really just don't want to

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Speaker 3: be here right now, but I just still go forward

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Speaker 3: with it because you never know what you can you

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Speaker 3: never know how you're going to complete somebody's sentence that day.

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Speaker 3: And that's happened to me a couple of times where

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Speaker 3: you just like push through and then I don't know

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Speaker 3: if your mom was a fan of my music, but

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Speaker 3: you'd play It's amazing that you would play her favorite music.

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Speaker 3: And absolutely that's that's really cool.

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Speaker 2: So you know, try to You're a genius at explaining

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Speaker 2: the science of music.

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Speaker 3: And explaining not at six what feels like six.

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Speaker 2: You're doing You're doing just fine, You're doing great. But

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Speaker 2: you're you're you're so so well spoken when it comes

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Speaker 2: to music and theory and this and that, and now

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Speaker 2: you're talking about how it affects other people.

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Speaker 3: What about you?

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Speaker 2: Like? How deep and slicing can you go into your

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Speaker 2: heart right now to talk about what music does for

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Speaker 2: you in your most personal sense?

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Speaker 3: I mean, I'm sure I could get there. I before

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Speaker 3: I got married to Brooke, before we got married, I

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Speaker 3: remember driving to this restaurant, the Great Lodging Connecticut Great.

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Speaker 3: I don't know if I'm messing the name up, but

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Speaker 3: it took an hour and a half to get there,

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Speaker 3: and I was dating Brooke and I played Jersey Girl,

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Speaker 3: the Bruce Springsteen version live in the Medolins, and Brooke

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Speaker 3: doesn't really listen to lyrics. She actually like she likes

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Speaker 3: two songs Latched by Sam Smith and like something by

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Speaker 3: Rufus Desoul. She doesn't know a whole lot of music.

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Speaker 3: That's great music right there. But it's a good dichotomy

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Speaker 3: because I almost like Will know too much sometimes, so

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Speaker 3: it's it's a good couple for that reason. But I

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Speaker 3: played her Jersey Girl and I was like, like, you

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Speaker 3: like those lyrics, Like he's saying I'm in love with

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Speaker 3: a Jersey girl and I'm thinking to myself, pick up

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Speaker 3: on the fact that that is you. And she was like,

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Speaker 3: what's this guy screaming about? But if I I'll cry

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Speaker 3: if I hear that song. I mean we got We

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Speaker 3: had Kanye's Sunday service choir UH singing I don't want

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Speaker 3: to miss a Thing by R Smith. We wrote the

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Speaker 3: UH arrangement for when she walked down the aisle UH

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Speaker 3: for just picture a choir singing that was Diane Warren

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Speaker 3: at your wedding. No, Diane Warren was not her song?

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Speaker 3: Was her song? Was? I told her that uh, that

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Speaker 3: that her song wasn't. Then she immediately followed it with, well,

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Speaker 3: I let let's write a new song. I'm like, Diane,

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Speaker 3: I'm not working on my wedding day a good songwriter.

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Speaker 3: I bet I bet you thought about I was. I

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Speaker 3: had a moment, momentary thought, and then I was like,

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Speaker 3: I should probably focus on getting married. But no, music

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Speaker 3: is such an important part of a wedding, such an

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Speaker 3: important part of like anyone's life. I agree.

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Speaker 2: Charlie Pooth is here, and no one speaks about music

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Speaker 2: like Charlie, and we probably don't give you enough credit

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Speaker 2: for that. But no, you know, my favorite interview you

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Speaker 2: ever did was Howard Stern. Oh yeah, yeah, because I

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Speaker 2: could see you.

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Speaker 3: Interview was somebody else I have.

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Speaker 2: I've told you this before. I have a difficult time

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Speaker 2: interviewing you because we're such good friends.

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Speaker 3: But we have things to talk. Yeah, we do.

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Speaker 2: But when you were sitting on Stern's show and you

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Speaker 2: had your keyboard in front of you, I could see that.

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Speaker 2: I could see in your I could see in your eyes.

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Speaker 2: You're like, holy crap, this is a guy I grew

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Speaker 2: listening to absolutely and idolizing, and now I'm on his

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Speaker 2: show and he's curious about how I feel about music.

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Speaker 3: He's want he wants me to talk about well. I

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Speaker 3: feel I feel that about most people. Like I got

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Speaker 3: a call from uh from Stevie Wonder one time, asking

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Speaker 3: to finish the lyrics to an idea that he had.

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Speaker 3: One thing. I'm I grew up listening to talking book

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Speaker 3: and songs in the Key of Life. And now he's

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Speaker 3: calling me on the phone asking me to finish an

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Speaker 3: idea that he might think is good. Of course it's good.

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Speaker 3: It's Stevie Wonder. The fact that I've worked with James Taylor,

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Speaker 3: the fact that like Elton John facetimed me the other

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Speaker 3: day asking how I was doing. I mean he said

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Speaker 3: you were crap one day. Yeah, but that was I

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Speaker 3: mean that was like six years ago, Okay, and that

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Speaker 3: might have been exaggerated, but he he. I don't do

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Speaker 3: this to like to be like a Flexosaurus rex. I

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Speaker 3: it's it's it's it's more just like I can't believe

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Speaker 3: that I get to be in contact with all these

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Speaker 3: these creatives who have kind of shaped me as a creator.

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Speaker 2: But they are in contact with you as well. Give

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Speaker 2: them a little credit for their excitement. I still get

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Speaker 2: I geek out that I get to be here with

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Speaker 2: all of you. I grew up listening to you too,

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Speaker 2: shoving a dunkin donut sesame big well and hot medium

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Speaker 2: hot chocolate coffee down my throat before high school. And

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Speaker 2: here I am here in this famous laugh by and.

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Speaker 3: Now you're now, you're now, you're all about Bougie.

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Speaker 2: Ef proves drinks a relax It's a Pellegrino from like

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Speaker 2: the what is it the Italian?

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Speaker 1: But they do ask you when you go to dinner

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Speaker 1: flat or bubbly all the time, so you know, anybody

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Speaker 1: can happen.

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Speaker 3: I get both.

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Speaker 6: I have so many questions. Okay, first of all, Stevie

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Speaker 6: Wonder called you. Have you ever met him in person?

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Speaker 3: Yeah, we've we've performed together at the American Music Awards.

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Speaker 6: Do you believe he's really blind?

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Speaker 3: He's definitely blind.

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Speaker 6: Okay, there's a conspiracy theory that he's not blind, and

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Speaker 6: it's just nacked.

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Speaker 3: And I'll tell you a story. He is definitely blind,

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Speaker 3: but it's because he is blind. His hearing is better

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Speaker 3: than mine. It's better than all of our hearing in

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Speaker 3: this room combined. But you have an incredible hearing. Oh,

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Speaker 3: he is way better. Maybe you're partially blind. His perfect

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Speaker 3: pitch is insane. Maybe I am partially blind. But I

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Speaker 3: was sitting down in a room like this, and they're like,

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Speaker 3: just sit here and Stevie will be He'll meet you

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Speaker 3: on stage. His handler said, He's gonna meet you on stage.

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Speaker 3: Stevie walked in with his chromatic harmonica. I think it's CHROMATICA.

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Speaker 3: That's a Lady Gaga album. It's a walked in with

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Speaker 3: his chromatic chromatic harmonica and just started playing Isn't She Lovely?

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Speaker 3: I bleep you not, it's he just started playing Isn't

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Speaker 3: She Lovely? It's more of a trumpet, sounds like a

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Speaker 3: trombone in a way. But I was just I just

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Speaker 3: was bawling, crying, And he knew I was there the

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Speaker 3: entire time, but he made it seem like he thought

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Speaker 3: he was alone this Charlie, do you read all these celebrities?

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Speaker 2: He had more questions on the way, but wait your turn,

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Speaker 2: but follow up with Stevie Wonder. Do the Stevie Wonders

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Speaker 2: of the world understand how impactful they have been and

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Speaker 2: continue to be or do they not take it as

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Speaker 2: seriously as we would hope they would think they do.

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Speaker 3: No, they know he might he must know.

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Speaker 2: Do you know, do you know what what what deep

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Speaker 2: footprint you're leaving on the music world. Do you understand

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Speaker 2: it yet or is it too right? I mean, I

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Speaker 2: mean no, but you're blushing. You're blushing.

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Speaker 3: Yes, yes, in a way on a much much smaller,

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Speaker 3: uh scale. I'd hope to reach that status one day

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Speaker 3: where I can know that I had a big impact.

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Speaker 3: But I feel like I'm just starting to in a way,

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Speaker 3: in the most humbly way that I can say that.

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Speaker 3: But I also feel like it's a it's a being

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Speaker 3: in the music industry as a never end in case

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Speaker 3: to just learn things. So I feel like I've learned

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Speaker 3: a lot more things since the I can only equate

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Speaker 3: to our first interview when I was like, just sign

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Speaker 3: my deal and they're like, you're going on the Elvis

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Speaker 3: Duran Morning Show. And I think in ten years, I've

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Speaker 3: learned a lot since that time, and so much more

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Speaker 3: to learn, so much more to give yourself a lot

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Speaker 3: of credit though.

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Speaker 2: Anyway, Okay, another question, now you can continue conspiracy theories.

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Speaker 3: Can you know this is not.

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Speaker 6: A conspiracy theory? But can you play the transition music

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Speaker 6: because it's totally off key or off topic.

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Speaker 5: Do you have it still?

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Speaker 3: And now.

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Speaker 5: New topic, new topic.

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Speaker 6: So you we talked about how you have perfect pitch,

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Speaker 6: which is like a gift and a curse because everybody

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Speaker 6: wants to talk to you about it all the time.

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Speaker 6: I was in a yoga class yesterday and I thought

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Speaker 6: of you, because everybody.

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Speaker 3: That's where we get you were in a yoga class

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Speaker 3: and a lot of me okay because I'm hanging in there.

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Speaker 3: Go ahead.

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Speaker 6: Everybody did the home at the same time, and everyone

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Speaker 6: came in on a different note, and I thought, oh

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Speaker 6: my god, that would probably make Charlie poos butthole poker.

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Speaker 3: That would be tair horrible. And then I think it

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Speaker 3: was like a dream.

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Speaker 5: Wow, you just said full circle.

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00:20:10,480 --> 00:20:12,639
Speaker 3: Is the shape of a butthole. Then I think the

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Speaker 3: birthday that's going to be. That's the sound bite we're

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Speaker 3: talking about all this great stuff here right there what

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Speaker 3: I just said. Say it and there's no problem, I know.

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Speaker 6: But back to you, No but stuff with that or

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Speaker 6: the birthday song. When you are present with a bunch

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Speaker 6: of amateurs just singing, does that make you so uncomfortable or.

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Speaker 3: You just like know because people sing in the key

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Speaker 3: of which they're comfortable, and that's why that's why in

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Speaker 3: your yoga, hot yoga. No, it was the yoga.

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Speaker 5: Oh it was great.

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Speaker 3: Excuse me, zen yoga. Everybody will sing usually the U

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Speaker 3: is an A because the A is one of the

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Speaker 3: most centering, like four forty one hurts. It's one of

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Speaker 3: the If you go on TikTok and scroll for a

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Speaker 3: little bit, someone will be like, why is this? Why

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Speaker 3: is this sound?

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Speaker 4: So?

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Speaker 3: Why why do I feel or relaxed when I hear?

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00:21:02,359 --> 00:21:05,760
Speaker 3: The reason is because it's an A and when you

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Speaker 3: it's very grounding. That's why when you get a massage

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Speaker 3: sometimes or something something therapeutic like that, they'll loud, they'll

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Speaker 3: ring the bell and it'll vibrate of an A. I'm

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Speaker 3: not really speaking of it like in the correct way,

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Speaker 3: but I am, and I'm just not like being like

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Speaker 3: super scientific with it. Yes, it's early and I don't

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Speaker 3: have all the words of my brain yet, but it's

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Speaker 3: it's grounding. But for people will sing the first note

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Speaker 3: that comes to mind that feels grounding to them, which

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Speaker 3: is why you get a bunch of different notes. But

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Speaker 3: on a Devil's Advocate, when you have fifty people singing

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Speaker 3: the wrong note at once, it starts to sound good.

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Speaker 3: What yeah, like when you bet you hear chords in

437
00:21:50,240 --> 00:21:54,119
Speaker 3: that yeah, you could hear. I kind of approach it

438
00:21:54,119 --> 00:21:56,600
Speaker 3: from like what makes the human feel the best, what

439
00:21:56,680 --> 00:22:00,000
Speaker 3: makes the person feel the best, Like if a hundred

440
00:22:00,119 --> 00:22:02,760
Speaker 3: people sing off key, it suddenly starts to sound good,

441
00:22:03,119 --> 00:22:06,560
Speaker 3: which is why they used to before auto tune. And

442
00:22:06,840 --> 00:22:10,960
Speaker 3: we can really rewind it in the early nineties, if

443
00:22:11,000 --> 00:22:14,399
Speaker 3: there was a singer with like a really great look

444
00:22:14,600 --> 00:22:16,919
Speaker 3: but didn't have like the best voice, they would just

445
00:22:17,000 --> 00:22:20,640
Speaker 3: double his or her voice and stack it and then

446
00:22:20,640 --> 00:22:22,720
Speaker 3: it would sound like a group of people rather than

447
00:22:22,920 --> 00:22:25,840
Speaker 3: one singer, and it would just So some of your

448
00:22:25,880 --> 00:22:30,040
Speaker 3: favorite singers have done that, including myself because I sing

449
00:22:30,080 --> 00:22:33,240
Speaker 3: off key all the time, little did you know. But

450
00:22:33,520 --> 00:22:37,119
Speaker 3: it's it's a tactic that if like multiple out of

451
00:22:37,160 --> 00:22:40,760
Speaker 3: tune frequencies are together, they'll start to sound in tune.

452
00:22:40,800 --> 00:22:42,439
Speaker 1: Wait, have you ever worked with someone who is so

453
00:22:42,600 --> 00:22:44,600
Speaker 1: off key that you were like, how the hell did

454
00:22:44,640 --> 00:22:45,480
Speaker 1: this person make it?

455
00:22:46,240 --> 00:22:49,600
Speaker 3: I won't say who, but yes, now tell us you

456
00:22:49,680 --> 00:22:53,560
Speaker 3: knew the answer. But it's sometimes it's not about being

457
00:22:53,600 --> 00:22:56,000
Speaker 3: an artist. It's not just I mean it is about singing,

458
00:22:56,040 --> 00:22:59,480
Speaker 3: but like it's they have something different to come to

459
00:22:59,560 --> 00:23:01,399
Speaker 3: the table. With something different to offer.

460
00:23:01,880 --> 00:23:04,399
Speaker 2: Some of times these artists are on stage performing and

461
00:23:04,480 --> 00:23:08,640
Speaker 2: if they can't hear, if they can't hear the notes

462
00:23:08,640 --> 00:23:12,240
Speaker 2: coming out of the instruments, that's gonna be a frightening thing.

463
00:23:12,240 --> 00:23:14,399
Speaker 2: When you know, you know you're out on stage, you're

464
00:23:14,400 --> 00:23:16,080
Speaker 2: about to sing, and you have what they call your

465
00:23:16,080 --> 00:23:20,000
Speaker 2: ears right, you have the thing. If they go out,

466
00:23:20,520 --> 00:23:24,879
Speaker 2: you're f't Sometimes you can't hear the music right, and well,

467
00:23:25,040 --> 00:23:26,080
Speaker 2: have you ever been in that situation?

468
00:23:26,160 --> 00:23:28,600
Speaker 3: You're like, oh, dear God, well I'm lucky where that

469
00:23:28,720 --> 00:23:31,920
Speaker 3: I'm I'm not in a bad situation if that happens

470
00:23:31,920 --> 00:23:35,120
Speaker 3: to me, because I can still kind of hear it

471
00:23:35,200 --> 00:23:38,440
Speaker 3: in my head. You can find it okay, but it's annoying.

472
00:23:39,080 --> 00:23:41,960
Speaker 3: That's why you have to make sure you have a good,

473
00:23:42,720 --> 00:23:48,760
Speaker 3: good team with you. I have a good team with you.

474
00:23:48,840 --> 00:23:52,320
Speaker 3: Do have a good team. Charlie Pooth is here. What

475
00:23:52,359 --> 00:23:58,439
Speaker 3: are you dressing up as for Halloween? Oh? I'm dressing

476
00:23:58,480 --> 00:24:02,680
Speaker 3: up as somebody recording their their album by their self.

477
00:24:04,119 --> 00:24:05,919
Speaker 3: I was talking about that. I won't. I won't be

478
00:24:06,000 --> 00:24:07,480
Speaker 3: going out for all of Wait, this.

479
00:24:07,480 --> 00:24:09,840
Speaker 5: Next album is going to be happy, Charlie. Not Charlie.

480
00:24:09,920 --> 00:24:12,440
Speaker 5: The Last one when I had to beat somebody up, Charlie.

481
00:24:12,160 --> 00:24:16,320
Speaker 3: It's kind of it's good, Damn it's Yeah. Looking back

482
00:24:16,359 --> 00:24:19,240
Speaker 3: on the last album, it was a very like Daniel

483
00:24:19,320 --> 00:24:21,760
Speaker 3: might have to beat someone up kind of thing. But

484
00:24:22,680 --> 00:24:25,000
Speaker 3: it is kind of a mixture of It's like half

485
00:24:25,000 --> 00:24:27,760
Speaker 3: and half now, which is nice, sounds a lot better.

486
00:24:27,800 --> 00:24:29,800
Speaker 3: I think I think I've gotten better. Everything you do

487
00:24:29,920 --> 00:24:32,120
Speaker 3: is great, it's from the heart and it sounds great.

488
00:24:32,240 --> 00:24:35,520
Speaker 3: But I think this one I've gotten I really I'm biased,

489
00:24:35,560 --> 00:24:37,760
Speaker 3: but I really think it's better. I don't I don't

490
00:24:37,800 --> 00:24:39,760
Speaker 3: know why, but I was listening to it on the

491
00:24:39,960 --> 00:24:42,280
Speaker 3: little demos on the plane right over here. I'm like, Wow,

492
00:24:42,320 --> 00:24:44,720
Speaker 3: this is like so much better. Or maybe I'm just

493
00:24:44,720 --> 00:24:48,520
Speaker 3: like critical myself. I remember one time we were I

494
00:24:48,520 --> 00:24:50,160
Speaker 3: think flying somewhere. I don't know.

495
00:24:52,119 --> 00:24:55,560
Speaker 2: Together, I don't think so. I think we're flying right now. Baby,

496
00:24:56,600 --> 00:24:59,880
Speaker 2: you play you played a demo that you had done.

497
00:25:01,240 --> 00:25:05,800
Speaker 3: Dan and Shay Dan and Shay Yeah, and Sabrina had

498
00:25:05,880 --> 00:25:08,359
Speaker 3: the carpenter had done a version of the song too.

499
00:25:08,600 --> 00:25:11,520
Speaker 3: That's so crazy. The years just fly by. Yeah, that

500
00:25:11,640 --> 00:25:13,679
Speaker 3: was like a couple of years ago, right, and the

501
00:25:13,720 --> 00:25:15,720
Speaker 3: older you believe me, the oldest guy in the room.

502
00:25:15,720 --> 00:25:17,840
Speaker 3: The older you get, the faster he goes, Charlie, So

503
00:25:18,040 --> 00:25:22,159
Speaker 3: savor every mind. Oh I'm starting to feel like weeks

504
00:25:22,200 --> 00:25:26,760
Speaker 3: move a lot quicker. Well, just you wait, lightning speed. Yeah. Certain.

505
00:25:26,800 --> 00:25:29,760
Speaker 2: In fact, you walked in and I hugged you hello

506
00:25:30,720 --> 00:25:32,679
Speaker 2: less than one second ago. That's how fast it is.

507
00:25:32,680 --> 00:25:33,080
Speaker 5: Going for me.

508
00:25:33,400 --> 00:25:35,800
Speaker 3: No, I'm serious though, Like life is very precious. It's

509
00:25:35,880 --> 00:25:40,919
Speaker 3: like it's incredible, like how fast things can like change.

510
00:25:41,320 --> 00:25:43,560
Speaker 3: Do you slow down ever? Because you seem like you're

511
00:25:43,560 --> 00:25:47,000
Speaker 3: always thinking. I'm always thinking, but I always watch interviews

512
00:25:47,040 --> 00:25:49,199
Speaker 3: back in my eyes are always going like everyone's like.

513
00:25:49,600 --> 00:25:51,840
Speaker 2: It's okay, there's nothing wrong with the robot. There's nothing

514
00:25:51,880 --> 00:25:54,080
Speaker 2: wrong with that energy, nothing at all. And that energy

515
00:25:54,119 --> 00:25:57,520
Speaker 2: is why you're here right now. But when's the last

516
00:25:57,520 --> 00:26:01,360
Speaker 2: time you actually said, Wow, I'm not thinking of one

517
00:26:01,400 --> 00:26:02,200
Speaker 2: thing right now.

518
00:26:03,400 --> 00:26:07,480
Speaker 3: I can't recall. Honestly, it's not a cool answer. I

519
00:26:07,760 --> 00:26:11,879
Speaker 3: just I honestly curious. Even on my honeymoon, I was

520
00:26:11,920 --> 00:26:15,320
Speaker 3: thinking of music, okay, that like I was still like

521
00:26:15,320 --> 00:26:18,440
Speaker 3: like basking in like my love of brook and being there,

522
00:26:18,480 --> 00:26:20,240
Speaker 3: but I was still writing songs. Good.

523
00:26:20,400 --> 00:26:24,720
Speaker 2: You know what the universe of God some entity gave

524
00:26:24,800 --> 00:26:28,679
Speaker 2: us the gift of you and so unfortunately, unfortunately, with

525
00:26:28,760 --> 00:26:29,520
Speaker 2: that gift come.

526
00:26:31,359 --> 00:26:34,120
Speaker 3: Sacrifice, and we appreciate you doing that for us. Yeah.

527
00:26:34,200 --> 00:26:37,199
Speaker 2: Sure, my we have a big party to host later on.

528
00:26:37,320 --> 00:26:38,840
Speaker 2: As a matter of fact, I'm gonna invite someone to

529
00:26:38,840 --> 00:26:41,160
Speaker 2: come to this part of me. I just bring Elena.

530
00:26:41,200 --> 00:26:43,400
Speaker 2: You've been on hold for so long. Are you still there?

531
00:26:44,280 --> 00:26:45,160
Speaker 4: Yes, I'm here.

532
00:26:45,840 --> 00:26:47,280
Speaker 3: Have you heard of Charlie Pooth?

533
00:26:48,640 --> 00:26:53,120
Speaker 4: Of course I've heard of Charlie. Hello, Elena, Hi Charlie,

534
00:26:53,240 --> 00:26:53,880
Speaker 4: good morning.

535
00:26:54,320 --> 00:26:55,800
Speaker 3: Where are you calling from, Elena?

536
00:26:56,520 --> 00:26:59,840
Speaker 4: I'm calling from Mount Cisco. I'm parked outside the gym

537
00:27:00,200 --> 00:27:04,640
Speaker 4: and just happened to call in. I call every day.

538
00:27:05,119 --> 00:27:09,040
Speaker 4: My son makes fun of me. And I heard Elvis

539
00:27:09,080 --> 00:27:13,000
Speaker 4: say that you were having a concert tonight, and I

540
00:27:13,040 --> 00:27:15,000
Speaker 4: called probably about twenty five times.

541
00:27:15,200 --> 00:27:18,760
Speaker 3: Oh my goodness. Well it's not like a big concert,

542
00:27:18,920 --> 00:27:21,160
Speaker 3: I hope you know. It's just gathering around the piano

543
00:27:21,240 --> 00:27:23,760
Speaker 3: and he sing a couple of songs. Yeah, it's not

544
00:27:23,840 --> 00:27:25,960
Speaker 3: like for ten thousand people. It was like this low

545
00:27:26,080 --> 00:27:28,840
Speaker 3: key kind of thing that we're brought to budget out

546
00:27:28,880 --> 00:27:33,480
Speaker 3: to millions of people. Low budget. Well, thanks to our.

547
00:27:33,359 --> 00:27:35,160
Speaker 4: Friends, I've already been to a concert.

548
00:27:35,200 --> 00:27:37,080
Speaker 3: So which one did you go to?

549
00:27:37,920 --> 00:27:42,160
Speaker 4: I went to the Radio City. I think it was June. Yeah,

550
00:27:42,240 --> 00:27:43,240
Speaker 4: last year, me too.

551
00:27:43,800 --> 00:27:44,480
Speaker 5: That was a great one.

552
00:27:44,480 --> 00:27:46,640
Speaker 3: That was a good one. I'm very very talented.

553
00:27:47,440 --> 00:27:49,960
Speaker 2: Yes, you are nailed it.

554
00:27:50,240 --> 00:27:50,640
Speaker 5: Wow.

555
00:27:51,040 --> 00:27:53,720
Speaker 2: Well listen closely here, Lena. Thanks to our friends at

556
00:27:53,760 --> 00:27:57,399
Speaker 2: BICK and I'll explain. Let Charlie explain what they're up

557
00:27:57,440 --> 00:28:00,920
Speaker 2: to as far as music goes and education. We're having

558
00:28:00,920 --> 00:28:04,840
Speaker 2: this party here at iHeartRadio's world headquarters.

559
00:28:05,119 --> 00:28:07,359
Speaker 3: This afternoon and tonight. Are you able to bring a

560
00:28:07,359 --> 00:28:08,520
Speaker 3: friend and join us?

561
00:28:09,200 --> 00:28:10,800
Speaker 4: Absolutely? I can't wait.

562
00:28:11,240 --> 00:28:15,080
Speaker 3: Yay, it's gonna be good. It won't suck because again

563
00:28:15,119 --> 00:28:18,320
Speaker 3: it's me awesome.

564
00:28:18,880 --> 00:28:19,880
Speaker 4: I'm so excited.

565
00:28:20,119 --> 00:28:21,520
Speaker 3: Well, it's gonna be an honor to have you here.

566
00:28:21,560 --> 00:28:24,919
Speaker 3: Makes to be the best workout ever. Now. Yeah, waiting

567
00:28:24,920 --> 00:28:26,920
Speaker 3: outside the gym for an hour, she's like, I'm going,

568
00:28:26,960 --> 00:28:29,359
Speaker 3: I'm leaving. Where'd you say we were coming from Mount

569
00:28:29,440 --> 00:28:30,639
Speaker 3: Vernon Kisco.

570
00:28:30,600 --> 00:28:35,600
Speaker 2: Mount Kisco, west Chester County, west Chester. Oh my god,

571
00:28:37,640 --> 00:28:41,240
Speaker 2: it's iHeart better send the iHeart van or something very

572
00:28:41,480 --> 00:28:45,880
Speaker 2: damn We had to sell that right. We'll see you tonight, Atlana.

573
00:28:45,920 --> 00:28:48,000
Speaker 2: Thank you so much for being our I'll see you tonight, Elena,

574
00:28:48,120 --> 00:28:49,520
Speaker 2: Thank you tonight.

575
00:28:49,720 --> 00:28:50,400
Speaker 3: It's gonna be great.

576
00:28:50,400 --> 00:28:53,160
Speaker 2: We're talking about life, music and of course your partnership

577
00:28:53,160 --> 00:28:54,520
Speaker 2: with Big and celebration.

578
00:28:54,120 --> 00:28:56,200
Speaker 3: Of the Where's my favorite? I grew up with this,

579
00:28:56,360 --> 00:28:58,920
Speaker 3: the Big four color pan. They haven't changed the design

580
00:28:59,000 --> 00:29:03,440
Speaker 3: the four colors. Go damn, putting me a red, orange, yellow, green.

581
00:29:05,480 --> 00:29:07,600
Speaker 1: They actually do have different versions of them now, they

582
00:29:07,680 --> 00:29:08,760
Speaker 1: do different colors.

583
00:29:08,760 --> 00:29:09,560
Speaker 5: Oh yeah, yeah, yeah.

584
00:29:09,600 --> 00:29:11,480
Speaker 3: They feel like I use that exact same pen and

585
00:29:11,560 --> 00:29:12,200
Speaker 3: like fourth grade.

586
00:29:12,400 --> 00:29:13,520
Speaker 5: Yeah, but they do have other ones.

587
00:29:13,840 --> 00:29:15,960
Speaker 6: I think the green gets under used, does it. Peop

588
00:29:15,960 --> 00:29:17,160
Speaker 6: won't use green nearly enough.

589
00:29:17,200 --> 00:29:18,200
Speaker 3: It's my favorite color.

590
00:29:18,680 --> 00:29:20,640
Speaker 6: There you go, he's the one, But it's.

591
00:29:20,520 --> 00:29:24,000
Speaker 3: It's it's nice partnering with like a company that supports

592
00:29:24,080 --> 00:29:27,160
Speaker 3: music education. Talk about that, well, I mean it's music

593
00:29:27,280 --> 00:29:29,680
Speaker 3: education in the United States, for some reason, is always

594
00:29:29,720 --> 00:29:32,680
Speaker 3: the last thing to be funded. Well, I guess not

595
00:29:32,760 --> 00:29:36,840
Speaker 3: for some reason. Maybe people just don't see the take.

596
00:29:36,920 --> 00:29:38,760
Speaker 3: See I'm taking the headphones off of this because I'm

597
00:29:38,760 --> 00:29:43,240
Speaker 3: hearing my voice. They don't see the point of it sometimes,

598
00:29:43,280 --> 00:29:45,880
Speaker 3: but it really can like make every other aspect of

599
00:29:45,920 --> 00:29:47,920
Speaker 3: your life so much better if you start your day

600
00:29:47,920 --> 00:29:51,960
Speaker 3: with music and the arts are just like criminally underfunded.

601
00:29:54,000 --> 00:29:57,320
Speaker 3: So it's just nice being with Bick, who is shining

602
00:29:57,320 --> 00:29:59,960
Speaker 3: a light on that. And we did this music workshi

603
00:30:00,120 --> 00:30:05,560
Speaker 3: up class with kids from New Jersey. They all made

604
00:30:05,600 --> 00:30:08,440
Speaker 3: their they all made their own song in front of me,

605
00:30:08,560 --> 00:30:11,480
Speaker 3: they made the artwork for it. It was really really

606
00:30:11,520 --> 00:30:13,920
Speaker 3: incredible to be and it was and talk about time

607
00:30:14,000 --> 00:30:16,120
Speaker 3: moving fast. They did it in an hour. You must

608
00:30:16,160 --> 00:30:19,160
Speaker 3: have loved being there for that. Yeah. Yeah, I love

609
00:30:19,200 --> 00:30:21,560
Speaker 3: that because I got to hear four songs made in

610
00:30:21,600 --> 00:30:25,000
Speaker 3: front of me. I wish more people saw that. That

611
00:30:25,120 --> 00:30:27,360
Speaker 3: was really it was like a private thing, but it

612
00:30:27,400 --> 00:30:29,800
Speaker 3: was really really wonderful. Well, look, you know, we all

613
00:30:29,840 --> 00:30:31,840
Speaker 3: grew up with Bick in our lives, going to school,

614
00:30:32,320 --> 00:30:34,320
Speaker 3: and I think of school, I think of big But

615
00:30:34,440 --> 00:30:36,640
Speaker 3: you know, I'm from the day we used hieroglyphics on

616
00:30:36,800 --> 00:30:40,760
Speaker 3: cave walls, I mean, and then came in with hatching stone.

617
00:30:40,920 --> 00:30:45,920
Speaker 3: Oh yeah, it looked as buffalo papyrus. Look.

618
00:30:46,360 --> 00:30:50,120
Speaker 2: So thanks to Bick, we're celebrating all things music and

619
00:30:50,920 --> 00:30:51,880
Speaker 2: the arts and schools.

620
00:30:51,960 --> 00:30:53,640
Speaker 3: Yeah, and thanks for being a part of that. Yeah.

621
00:30:53,680 --> 00:30:55,800
Speaker 2: And so they will be here tonight too. So let's

622
00:30:55,880 --> 00:30:59,440
Speaker 2: let's wear something nice. Yeah, one of the four colors.

623
00:31:00,480 --> 00:31:02,040
Speaker 3: Well, but now she says eighteen colors.

624
00:31:02,360 --> 00:31:03,280
Speaker 5: They have other colors.

625
00:31:03,360 --> 00:31:05,560
Speaker 3: I do know that they have other colors. But yeah,

626
00:31:05,680 --> 00:31:10,200
Speaker 3: if if only, uh, most most companies could be like this.

627
00:31:10,840 --> 00:31:13,440
Speaker 3: They care so much about music education. So it's my

628
00:31:13,560 --> 00:31:17,760
Speaker 3: pleasure and I will sing in tune tonight for big

629
00:31:18,120 --> 00:31:22,920
Speaker 3: don't start that now? So green is your favorite color? Yes,

630
00:31:23,400 --> 00:31:27,120
Speaker 3: it's uh. In my apartment, that's still not done. That's

631
00:31:27,200 --> 00:31:29,560
Speaker 3: what most of the walls are right going to be

632
00:31:29,840 --> 00:31:32,520
Speaker 3: still not done because it's New York. Apartments are never

633
00:31:32,560 --> 00:31:33,280
Speaker 3: done in New York.

634
00:31:33,400 --> 00:31:35,520
Speaker 2: My dad used to when he would visit. He would go,

635
00:31:35,560 --> 00:31:37,400
Speaker 2: I love New York. I can't wait till they finish it.

636
00:31:38,800 --> 00:31:39,720
Speaker 2: Never will that happen?

637
00:31:39,880 --> 00:31:42,600
Speaker 3: Where did she say she was coming from Mount Kisky?

638
00:31:43,120 --> 00:31:44,360
Speaker 3: Is that near like Katona?

639
00:31:44,920 --> 00:31:45,080
Speaker 2: Yes?

640
00:31:45,160 --> 00:31:47,760
Speaker 3: Yes? How did I just pull that out of my ask?

641
00:31:47,960 --> 00:31:52,440
Speaker 3: You just did? Wow? What else came out? Clean up?

642
00:31:52,480 --> 00:31:54,960
Speaker 3: On all four? You want to know? So? Can you?

643
00:31:55,440 --> 00:31:59,600
Speaker 3: Does green? Does does green have a sound? Does green?

644
00:31:59,720 --> 00:32:04,360
Speaker 3: Can you seeing green? Told me that he's synesthetic. I'm

645
00:32:04,360 --> 00:32:07,520
Speaker 3: not synesthetic, So I was trying to have him explain

646
00:32:07,600 --> 00:32:09,920
Speaker 3: that to me one time, but I didn't really it

647
00:32:10,040 --> 00:32:12,920
Speaker 3: kind of went over my head. But apparently when Pharrell

648
00:32:13,000 --> 00:32:15,440
Speaker 3: makes a beat, he sees like the color green in

649
00:32:15,480 --> 00:32:19,960
Speaker 3: color purple. I don't see any colors when I make music.

650
00:32:20,000 --> 00:32:24,240
Speaker 3: I'm more like, can like feel how people are gonna feel.

651
00:32:24,360 --> 00:32:26,640
Speaker 3: It's it's it's really it's you know I have ever seen

652
00:32:26,640 --> 00:32:29,720
Speaker 3: those you know, the Long Island Medium. Oh yeah, absolutely.

653
00:32:29,760 --> 00:32:32,840
Speaker 3: I can't communicate with people who are no longer living,

654
00:32:32,920 --> 00:32:35,560
Speaker 3: But like I feel like if I, like when I

655
00:32:35,600 --> 00:32:39,360
Speaker 3: made See You Again, I just could feel something like

656
00:32:39,400 --> 00:32:40,840
Speaker 3: it's gonna affect a lot of people.

657
00:32:40,920 --> 00:32:42,600
Speaker 2: You know, you may be tapping into something and you're

658
00:32:42,600 --> 00:32:44,560
Speaker 2: not aware of it. You may be talking to the dead,

659
00:32:44,760 --> 00:32:46,400
Speaker 2: you may be talking to spirits you don't know.

660
00:32:46,680 --> 00:32:50,680
Speaker 3: Maybe I I I like to think that I'm what

661
00:32:50,760 --> 00:32:53,880
Speaker 3: I'm doing is not like anything super serious, but like

662
00:32:53,920 --> 00:32:57,080
Speaker 3: I just love doing it and I love people love it.

663
00:32:57,200 --> 00:33:00,320
Speaker 3: Did you have another conspiracy question before I have to

664
00:33:00,360 --> 00:33:04,120
Speaker 3: be off the air? Okay? Yeah, god, oh god. So

665
00:33:04,160 --> 00:33:06,240
Speaker 3: we'll see you here. I know a lot. I've been

666
00:33:06,240 --> 00:33:09,680
Speaker 3: in the industry for ten whole years. Wow, I've seen

667
00:33:09,720 --> 00:33:14,480
Speaker 3: a lot. Yeah you have, I have, especially on this show.

668
00:33:15,040 --> 00:33:16,520
Speaker 5: No, yes, you definitely have.

669
00:33:16,680 --> 00:33:18,640
Speaker 2: We don't have to talk about any of that. Okay,

670
00:33:18,640 --> 00:33:20,800
Speaker 2: so you're working on this album, when is there a

671
00:33:21,440 --> 00:33:23,920
Speaker 2: how tons of change? Just a thought, there's a thought

672
00:33:23,920 --> 00:33:25,320
Speaker 2: about when some music's coming out.

673
00:33:25,400 --> 00:33:28,560
Speaker 3: I would love next year.

674
00:33:29,160 --> 00:33:32,320
Speaker 2: I would love to go on a nice little well

675
00:33:32,320 --> 00:33:35,960
Speaker 2: we're going to we're touring Asia.

676
00:33:35,640 --> 00:33:39,200
Speaker 3: At the end of this year. But that's not obviously

677
00:33:39,280 --> 00:33:42,400
Speaker 3: of like the new music. That's just because we love

678
00:33:43,040 --> 00:33:46,160
Speaker 3: our Asian fans so much and we're going to go

679
00:33:46,200 --> 00:33:49,240
Speaker 3: back there and we get off on December twenty second,

680
00:33:49,520 --> 00:33:53,840
Speaker 3: So that's that's good. It's a nice long time in Asia,

681
00:33:54,160 --> 00:33:59,000
Speaker 3: and I think I'm like halfway done with this record

682
00:33:59,120 --> 00:34:00,640
Speaker 3: right now. When I make a I don't have a

683
00:34:00,640 --> 00:34:03,400
Speaker 3: team of people with me, so it's just me mixing

684
00:34:03,440 --> 00:34:07,600
Speaker 3: and and well Manny too, and I got a little team,

685
00:34:07,640 --> 00:34:09,759
Speaker 3: but it's not like fifteen people in the room at

686
00:34:09,800 --> 00:34:12,920
Speaker 3: once on these songs being made. You have fifteen people

687
00:34:12,920 --> 00:34:16,400
Speaker 3: in your head. I actually do, so it takes me

688
00:34:16,440 --> 00:34:18,600
Speaker 3: a little bit longer, but I promise it will be

689
00:34:18,680 --> 00:34:21,920
Speaker 3: done early next year. Charnie, thank you for coming in today.

690
00:34:22,000 --> 00:34:24,359
Speaker 2: My pleasure, and you know what, see the bill this

691
00:34:25,080 --> 00:34:28,160
Speaker 2: and voice for the the fifteen dollars water I bought

692
00:34:28,160 --> 00:34:28,600
Speaker 2: you watch this.

693
00:34:29,440 --> 00:34:33,080
Speaker 3: Oh you're not even going to write that off. Who's

694
00:34:33,080 --> 00:34:36,400
Speaker 3: your daddy? Not no, not at all. That is on me.

695
00:34:37,680 --> 00:34:43,120
Speaker 2: Okay, then daddy, thank you. It's that department store. Thank you,

696
00:34:43,239 --> 00:34:46,000
Speaker 2: Juanne Reid, We thank you everywhere you go.

697
00:34:46,560 --> 00:34:48,400
Speaker 3: It's all about Charlie Poof and you know it's not

698
00:34:48,440 --> 00:34:51,960
Speaker 3: a sponsor you. Thank you expensive.

699
00:34:52,320 --> 00:34:54,440
Speaker 2: Thank you for talking about your your partnership with Vick

700
00:34:54,440 --> 00:34:56,960
Speaker 2: because I think that's very important. Absolutely, and we'll see

701
00:34:56,960 --> 00:34:58,800
Speaker 2: you later at iHeartRadio headquarters.

702
00:34:58,840 --> 00:35:00,560
Speaker 3: I'll see you later. I'm going to sleep, now.

703
00:35:00,719 --> 00:35:01,919
Speaker 5: Go to sleep from sleep.

704
00:35:02,000 --> 00:35:03,920
Speaker 3: He's sleeping down the hallway. All right, we're gonna take it.