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Speaker 1: So I'm sort of spying from the side, you know,

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Speaker 1: and I'm kind of snuck into the slow I'm in

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Speaker 1: there with me. It's me, and it's Doug, Dug money

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Speaker 1: uh huh, and I and I managed to get over

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Speaker 1: the control board.

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Speaker 2: Yeah, and I pull the plugs on all their mics, okay,

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Speaker 2: and then I step out and Dug's behind me, and

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Speaker 2: I go, hey, everybody, and these kids are pissed.

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Speaker 3: I go in my day BTS stood for Built to

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Speaker 3: fucking Spill, and I launched right in to carry the zero,

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Speaker 3: which full disclosure, I can't really play what are you

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Speaker 3: you haven't.

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Speaker 1: I'm humming a lot of the I'm humming a lot

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Speaker 1: of the guitar noises, just trying to give the general impression.

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Speaker 4: And music. So you said you want to plug their

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Speaker 4: I unplucked their mics. Is there is the the music

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Speaker 4: is still playing.

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Speaker 1: The music, unfortunately, is playing, and I'm having a tough

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Speaker 1: time getting my humming volume up.

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Speaker 4: Especially because I'm you can't hum very loud.

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Speaker 1: I can't, and I'm not super sure of how it goes,

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Speaker 1: but I think the message remained, and I hope that

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Speaker 1: a lot of those kids. Obviously I didn't get to

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Speaker 1: stick around. I went to jail, but I didn't get

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Speaker 1: to see the aftermath. But I think a lot.

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Speaker 4: Had you been able to say, you might have heard

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Speaker 4: them say like.

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Speaker 1: Oh, check it out. Yeah, I'll check it out because

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Speaker 1: they are a very good band. Hey, welcome to handbook

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Speaker 1: and an insiders guy to kicking button and dropping names

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Speaker 1: in the red carpet line back hallways of this industry.

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Speaker 4: We can showbiz what so I guess this is the

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Speaker 4: first episode of tri Month? Is that Kevin's project? This

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Speaker 4: is a second one? Oh okay, all right, feel good?

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Speaker 4: Okay good? And we have maybe I'll do a thing

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Speaker 4: where I'll be like, oh, we have like a normal guest,

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Speaker 4: and then I'll like, yeah, so I'll do a thing

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Speaker 4: where but I'm and then I am like pretending to

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Speaker 4: discover you. So I'll say, and well, today's so it's

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Speaker 4: different from a regular tri Month where we have an

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Speaker 4: exciting guess and but now.

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Speaker 5: This time we just have just a normal guy. And

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Speaker 5: I look over here and oh.

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Speaker 4: Oh yeah it's me. So it's John Ham. Guys, John,

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Speaker 4: I mean, I am just normal, damn.

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Speaker 1: And he's normal to us.

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Speaker 4: He's normal, Yeah, I think to everybody I'm normal.

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Speaker 1: Yeah, and to and to us in particular.

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Speaker 4: Nothing extraordinary. Really, Come on, John, John, who am I

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Speaker 4: wearing a T shirt? I got a It's trill a

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Speaker 4: beat up hat on. Now, Yeah, I noticed your T

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Speaker 4: shirt says the not Fucking Around Crew.

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Speaker 5: Well, I like to wear that just to remind people

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Speaker 5: that I was in the town in two thousand and

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Speaker 5: nine and you coin that.

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Speaker 4: Yeah, that wasn't headlib that wasn't.

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Speaker 1: Why that was surprising.

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Speaker 4: Yeah, I don't know that.

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Speaker 5: In fact, the whole movie wasn't even meant to be

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Speaker 5: said in Boston. That was all ad libbed. Why you

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Speaker 5: improvised location and then we kind of built it from there.

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Speaker 4: A lot of people don't realize.

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Speaker 1: That's improv So that's beautiful what we can create with

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Speaker 1: our minds.

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Speaker 4: I mean.

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Speaker 5: And the weirdest thing was we took it from a

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Speaker 5: suggestion from the studio give us a city studio, I

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Speaker 5: don't know, Boston town, and we were like going, we

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Speaker 5: were kind of going with.

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Speaker 1: Him and starts rolling.

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Speaker 5: Like you know, he's the favorite son of Boston, so

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Speaker 5: he's like in his That was lucky, yes, and maybe

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Speaker 5: they would have known, like.

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Speaker 1: What did you have to start with? Just just a

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Speaker 1: meeting with the studio.

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Speaker 4: Essentially, we had a town which was like the town.

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Speaker 4: It's gotta be ye the town.

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Speaker 5: And then we and then we had a place and

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Speaker 5: they were like Boston and similar to a town. And

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Speaker 5: then we had four helicopters that we had to use

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Speaker 5: somehow in the and then they were would you end

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Speaker 5: up using those?

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Speaker 4: We used two.

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Speaker 1: But even so, I mean that's.

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Speaker 4: It's plenty of helicopters. It goes a long way, as

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Speaker 4: you find out when you're a helicopter. No.

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Speaker 3: No.

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Speaker 1: Four would have taken me out of it.

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Speaker 4: It's too much, too much, too much chopper.

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Speaker 1: Yeah, and so you did that.

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Speaker 4: I did that, and you did that and then it

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Speaker 4: uh and it kind of worked. Do you know what

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Speaker 4: it did?

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Speaker 1: It's working.

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Speaker 4: It was a It was a film that had a

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Speaker 4: beginning of the middle of an end. It had It

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Speaker 4: had some characters that people responded to. A couple of

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Speaker 4: chase scenes.

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Speaker 5: This is where the choppers come in, because you see

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Speaker 5: from the top, Boston looks like, you know, a rabbit warren.

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Speaker 4: They you know, you gotta know where you're what you're doing,

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Speaker 4: and where you're going. And everyone, just like in Jeremy

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Speaker 4: Rennie Renner discovered this. People hold their sweatpants band with

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Speaker 4: their hands when they're walking around, just in case, Oh yeah,

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Speaker 4: I want to nobody wants an.

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Speaker 1: Unfortunately pants Yeah not in yeah yeah pants happy town,

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Speaker 1: that's for sure. And pull and the locals where.

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Speaker 5: With no uh no, there's a lot of people that

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Speaker 5: people say like that, no funny business.

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Speaker 4: They're all funny business. Yes, and and well you can

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Speaker 4: talk about this, yes, you actually you come from a

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Speaker 4: tradition like a funny business. Well in that part of

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Speaker 4: the country.

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Speaker 1: Yes, I'm from you went to school, Yes, I went

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Speaker 1: to school obviously in Boston and the little castle where

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Speaker 1: me and my cronies, Ah, God, I hate it's going

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Speaker 1: to say it that way. Yeah, but it's my cronies

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Speaker 1: and I would just make each other laugh and just

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Speaker 1: see and who could spend the most money.

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Speaker 5: Of the high sausage the highest jinks, yes, exactly, no

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Speaker 5: height of jinks.

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Speaker 1: Yes, it was honestly a high jink contest. And I

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Speaker 1: hear that's gonna be the story in Tokyo.

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Speaker 5: They're going to have the high jink. If you can

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Speaker 5: get the highest jink, then good to gold Midal.

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Speaker 4: Yeah.

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Speaker 1: And it's actually that's not true. It's a joke we

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Speaker 1: made up.

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Speaker 4: But we are so excited.

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Speaker 1: To have you, and we do have a question to ask,

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Speaker 1: and it's.

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Speaker 4: What's next, what's next? After? I guess Scott is kind

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Speaker 4: of done with with you. Huh, Scott has done with me?

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Speaker 5: Scott Ackerman, Scott Ackerman is with me? If is there

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Speaker 5: something I haven't heard?

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Speaker 4: The only reason that you would be sitting next to

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Speaker 4: my candy ass? Oh is that good?

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Speaker 5: Because I've I've I've been traded. I've been traded from

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Speaker 5: a lot of Scott from B to H.

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Speaker 1: Scott choose him up and spits, he.

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Speaker 4: Uses people, he does, Yeah, tell me about it. And

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Speaker 4: so now you're just said, watted up tissue on side table.

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Speaker 1: And they're flung into our welcoming arms but by the way,

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Speaker 1: comfortable arms. Thank you. That's really nice of you to say.

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Speaker 4: You're welcome and thank you for having me.

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Speaker 1: Oh, and thank you so for the for the answer

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Speaker 1: to the question what's next?

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Speaker 4: Guys, you told me, well, thank you.

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Speaker 1: Okay, that's what we wanted to do. So our thought

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Speaker 1: is John could do it all.

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Speaker 4: I can do it most.

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Speaker 1: We've seen you do some, but we think you can

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Speaker 1: do it all. Okay, we've seen John act. He's been serious,

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Speaker 1: he's been funny, he's been in the town both sides.

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Speaker 1: He's been maybe kissing, and he's kissed.

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Speaker 4: I've kissed more than once.

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Speaker 1: Yeah, yeah, we don't need to.

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Speaker 4: Yeah.

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Speaker 1: Is that a contest, isn't it? Some of us have

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Speaker 1: kissed once and some of us kissed more. And who's

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Speaker 1: keeping count?

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Speaker 4: Right? And there is such a thing as too much

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Speaker 4: so to be like, if you do it, you're trying,

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Speaker 4: but it actually is desperate. That is fair.

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Speaker 5: If you do it right one time, that's all you

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Speaker 5: need and then you're done for your kiss. Yes, like

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Speaker 5: I believe you can see, uh, my kiss, that's all

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Speaker 5: you need.

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Speaker 1: It's on your list for there it is, yes, yes, yes,

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Speaker 1: and uh and it will suck my kiss.

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Speaker 4: I've seen that, Yes, But.

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Speaker 1: We'd like to see you produce direct at it.

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Speaker 4: What's your do you want to see me behind the cameras? Really?

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Speaker 4: What you're saying?

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Speaker 1: I want your master of none? Oh? What's John's master

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Speaker 1: of none?

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Speaker 5: I think it would be called master of one some one,

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Speaker 5: just one, just one.

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Speaker 4: I mean, how much do you really need to be

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Speaker 4: a master.

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Speaker 1: Of m that?

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Speaker 4: So that is I think that is going to make

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Speaker 4: people mad involved in the original show, it's very close

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Speaker 4: to right show not on anymore.

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Speaker 1: The whole point.

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Speaker 4: What's the master of Master of one? I'm not so.

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Speaker 4: This is not why I got into this business to

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Speaker 4: make people upset and to steal their content. And yet

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Speaker 4: and you actually done it so far. I do seem

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Speaker 4: to do that just kind of by accident. But in

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Speaker 4: this case, I like, there's plenty to go around. There's

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Speaker 4: plenty of titles. And also I think if we were

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Speaker 4: going to do a title that was close to the

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Speaker 4: original one, it would be called Hamster of None. But

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Speaker 4: in this case we can branch.

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Speaker 1: Out a little bit of the thought we had was, yes,

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Speaker 1: we're gonna steal from them. Make it so obvious.

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Speaker 5: Yeah, I think I think maybe you lean in the

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Speaker 5: other way and you make it totally obvious, and then

200
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Speaker 5: when you're called on.

201
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Speaker 4: It, you trumpet, You go like, what what I didn't

202
00:09:31,200 --> 00:09:34,920
Speaker 4: do any prove it? Prove it? I dare you? Double down?

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Speaker 5: And Master of two is season two, Master of three

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Speaker 5: is season three.

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Speaker 1: And we can keep going.

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Speaker 4: And now I'm just keep going.

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Speaker 1: I don't need to say, but everybody knows I know

208
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Speaker 1: what comes.

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Speaker 5: Now and my characters in the cooking. He's got a

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Speaker 5: funny friend.

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Speaker 4: It's not Eric, it's Tim and he did our last

212
00:09:53,720 --> 00:09:56,840
Speaker 4: tri month, so he he is someone who we could

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Speaker 4: probably get him. Let's get him of the show the show.

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Speaker 4: And I just want to say on the Trump stuff,

215
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Speaker 4: like you haven't heard like a ton of the show.

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Speaker 4: But we don't weigh in on that either way.

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Speaker 6: By the way, who would, Yes, it's no, it's not

218
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Speaker 6: people like place everyone's president or look, it's like everyone's

219
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Speaker 6: not is he or is he not?

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Speaker 1: Who knows? No place master of master?

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Speaker 4: Yeah, I don't know. I don't know. I don't know

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Speaker 4: how the law who cares either? Does he? Nobody?

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Speaker 1: No one knows.

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Speaker 4: And if it is, it's not our place to place

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Speaker 4: citizens in the United States. It's not our place to

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Speaker 4: talk about r Actually, that's one thing that we do.

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Speaker 1: Only only as it pertains to our own rights.

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Speaker 5: How does that work? By the way, if and when

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Speaker 5: you would get pulled over by say L A.

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Speaker 3: P D.

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Speaker 5: Do you have your sovereign citizen card and you can say, like, guys,

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Speaker 5: guess what this is not happening.

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Speaker 1: You hate between sovereign citizen cards right now? But I

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Speaker 1: am working on one. That's really cool.

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Speaker 4: Are you going to get your sovereign real ID? You

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Speaker 4: need to.

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Speaker 1: Travel right with the bear on it. Yes, I'm going

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Speaker 1: to do that, but there's just I gotta find room

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Speaker 1: for it in the design because I'm designing for.

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Speaker 5: A sovereign citizen. Is not the California brown bear. It's

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Speaker 5: like a it's like Yogi bears, like bear for.

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Speaker 1: A sovereign and the bear is standing up and he

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Speaker 1: is smoking a pipe and wearing a shirt lot home

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Speaker 1: sat less.

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Speaker 4: That's that's a perfect bear.

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Speaker 1: Yes, but it throws off my design a little bit.

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Speaker 4: Well, it's is. I think you're he's gonna be a

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Speaker 4: little bigger just if you want to see. Yeah, exactly

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Speaker 4: right now he's cut off. All the details are cut off. Yeah,

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Speaker 4: it's a work in progress. And listen, don't finalize, don't formalize.

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Speaker 4: Well you know what you want.

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Speaker 1: Well, thank you, John, Yeah, absolutely, it's your country. Yeah,

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Speaker 1: thank you for saying that, my definition your country.

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Speaker 4: Take it back.

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Speaker 1: Yeah, I think I will. And actually, to all the

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Speaker 1: stuff shirts who've been trying to make me finalize my

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Speaker 1: real ID, here's a message from me and John Ham

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Speaker 1: to you, fuck off.

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Speaker 5: Yeah, yeah, guys, forever your stuffed shirts.

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Speaker 1: God damn empty suits.

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Speaker 4: Empty suits and yet stuffed shirts.

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Speaker 1: Well that's yeah, what do you think there's I got.

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Speaker 4: To pick one, you know what, I mean a suit

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Speaker 4: like I think I think those shirts you still have? Rice? Peloff?

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Speaker 1: Yeah, well it like takes it takes up a lot of.

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Speaker 4: Space and it tastes like nothing.

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Speaker 1: It's nothing. It's filler and it makes you think like,

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Speaker 1: oh I'm getting great.

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Speaker 4: Look how much I got it goes twenty seven stuffed shirt? Yeah,

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Speaker 4: and it feel but it is, I mean compared to rice,

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Speaker 4: it is. It's more flavorful than regular, right is it? Though?

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Speaker 4: What is it? You know what?

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Speaker 5: You're right to find that. Somebody give me a working

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Speaker 5: definition of the word peloff. It has the big brown

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Speaker 5: ones in it.

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Speaker 4: No, no, no, I'm asked. I know what, I know

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Speaker 4: what the what it looks like. I'm just what. I

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Speaker 4: know what rice is? Yeah, but what is peel off?

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Speaker 4: Actually in the in the early twenty.

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Speaker 1: Peel off, But peel off in its purest form, it

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Speaker 1: does mean medium lump.

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Speaker 4: Oh yeah, so it has the little ones that has

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Speaker 4: a medium the medium lump Is it short for something?

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Speaker 5: Who is short for like pilaforte or pilophonagio.

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Speaker 1: Uh, peel Off M Jeans is actually the full and

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Speaker 1: it is. Yes, yeah, that makes sense.

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Speaker 4: I'm kind of coming around on rest peel Off. I

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Speaker 4: guess yeah.

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Speaker 1: It is actually sort of a beautiful night.

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Speaker 5: It is sort of It sends a message, John, did

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Speaker 5: you ever?

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Speaker 4: Did you direct? Ever? I did?

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Speaker 5: I directed two episodes of mad Men? Okay, in the sixth,

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Speaker 5: the fifth and sixth seasons. I knew a guy, Okay.

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Speaker 5: I made a couple of calls.

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Speaker 4: Did you you didn't go over and do do the office?

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Speaker 5: I never did an office, Okay, I never did. I

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Speaker 5: never did at the office. I wasn't asked. H That

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Speaker 5: show was off the air by the time Madman came

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Speaker 5: off the air too, so I never got the opportunes.

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Speaker 4: Okay. But Brian Cranston did go over and do one.

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Speaker 4: Of course he did. What doesn't he do? Fords? Yes?

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Speaker 5: Is that is that a Clanton's voice of Ford? Yeah,

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Speaker 5: it's an American voice. But you talk about car, I

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Speaker 5: do a very German brand. Mercedes Benz. I mean make

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Speaker 5: of that what you will.

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Speaker 4: I mean it's something of a Second World War two kind.

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Speaker 4: It is. It really is who won that. By the way,

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Speaker 4: I forget, you know, let's let this new what play

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Speaker 4: itself out. And again with all that stuff, it's not

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Speaker 4: for us to I get it to weigh recently, why

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Speaker 4: did it happen? How did it happen? When did it end?

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Speaker 4: I don't know. Nobody knows.

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Speaker 1: No, And it's foolish. You don't want to have egg

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Speaker 1: on your face jumping in and going like, oh won

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Speaker 1: World War two? And then it's like, well then tomorrow

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Speaker 1: and then trying to do.

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Speaker 4: Yeah, someone jumps out and is like ah, and then

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Speaker 4: it wasn't It.

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Speaker 5: Actually wasn't over yet. And as soon as you said

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Speaker 5: thought that.

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Speaker 1: You exactly when you are calm.

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Speaker 5: Gotcha exactly, and I look and then nobody wants to

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Speaker 5: be that guy.

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Speaker 1: And I'm still he wants to be that, least of

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Speaker 1: all me. Yeah, you're the last one.

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Speaker 4: Fighting World War two? Yeah? Well, a minute to win it?

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Speaker 4: Did you say a minute to win it? I'm in

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Speaker 4: it to win it?

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Speaker 1: Okay? Did you ever watch a minute to Win It?

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Speaker 4: John with kuy Fieri? No, oh, god, minute long cooking show?

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Speaker 4: I did not. What is it? What do you win?

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Speaker 2: He?

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Speaker 4: Oh? Fo? You know how they did the top Chef

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Speaker 4: one season of a bunch of different contestants that like,

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Speaker 4: stay on for each episode, chopped different contestants every year episode. Okay,

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Speaker 4: minute to win it thirty episodes in one half hour

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Speaker 4: block with different contestants for each one, and what you win.

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Speaker 1: Is actually not as important as the amount of time

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Speaker 1: you have in which to win it.

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Speaker 4: Just one minute.

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Speaker 1: Win it in a minute, and then you would go.

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Speaker 5: Now I'm familiar with you're gonna love it in an

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Speaker 5: instant the Carnation instant breakfast tagline.

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Speaker 4: Minute we're all learning.

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Speaker 5: Yeah, not only is it an instant breakfast, but you

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Speaker 5: will love it in one instant. That's how fast you

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Speaker 5: will come around. The good people of Carnation. I'm pretty

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Speaker 5: sure they don't lie. They make condensed milk and they

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Speaker 5: make instant breakfast.

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Speaker 4: That's weird. I thought that it was about how long

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Speaker 4: it took to make, but it's how long it will

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Speaker 4: take you to love it. It takes it's instant to

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Speaker 4: make it. It's an instant.

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Speaker 1: Breakfast as well.

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Speaker 4: It happens like that. Okay, as soon as your spoon

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Speaker 4: touches it, you're in love. Oh, you don't even taste it.

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Speaker 4: You don't even taste. It's the fact that it only

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Speaker 4: took an instant to by theme.

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Speaker 1: You taste it, the affair is over.

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Speaker 4: Well, then you gotta That's how fickle was a minute

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Speaker 4: to win it back. But we this is Bratt.

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Speaker 1: Oh yeah, sorry, Hello, have.

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Speaker 4: You been sitting there this whole time? I have sorry

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Speaker 4: laying in the cut. Bratt's from Saint Louis too, that's

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Speaker 4: not that's I know everybody from Saint Louis and you're

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Speaker 4: not one.

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Speaker 1: I don't look familiar to you.

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Speaker 4: At all. Double down.

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Speaker 1: It's pretty different.

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Speaker 4: Say he's not from there. It might be like, if

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Speaker 4: you're from Saint Louis.

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Speaker 3: Shove him around, dude, like I didn't see you around.

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Speaker 4: Yeah, you didn't see me around because you're not from

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Speaker 4: your big back out back back. Would you like some raviolis?

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Speaker 6: What kind of.

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Speaker 4: Answer?

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00:17:59,240 --> 00:18:03,800
Speaker 5: There's only one answer to that, and that is toasted toasted?

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00:18:03,920 --> 00:18:07,639
Speaker 1: Yes, see toaster ovened or like you put them in.

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00:18:07,840 --> 00:18:13,119
Speaker 4: They're basically like a toaster. Yeah, you're gonna love it

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00:18:13,200 --> 00:18:16,040
Speaker 4: in an instant we have Yeah.

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Speaker 1: Let's do the show and we'll start and start recording.

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Speaker 4: Sorry, if you want to get your somebody, you get

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Speaker 4: your catchphrase clean.

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Speaker 1: What did you guys get me into?

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Speaker 4: Okay, yeah, okay.

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00:18:29,480 --> 00:18:31,720
Speaker 1: Now it's an episode and you can start recording now

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Speaker 1: on three.

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Speaker 4: So part of you.

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Speaker 1: Want to do it together.

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Speaker 4: And this is the directing. This is that's one.

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Speaker 1: Two, three, record and record it.

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Speaker 4: Okay here we are so uh sorry, so they can

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Speaker 4: think it. That's a slate.

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Speaker 1: I mean, you know, our initial sort of idea and

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Speaker 1: obviously our model on this.

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Speaker 4: Show is this is a good smell, Mike, I'm gonna.

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Speaker 1: And that's and that is a rare, rare commodity.

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00:19:08,200 --> 00:19:11,280
Speaker 4: That is, I will make the mic stinky for everyone

400
00:19:11,320 --> 00:19:13,640
Speaker 4: before the show, and it's so sad. I love when

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00:19:13,640 --> 00:19:15,240
Speaker 4: people come here and give it a big sniff. And

402
00:19:15,280 --> 00:19:18,840
Speaker 4: I am very scared that with coronavirus.

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00:19:18,240 --> 00:19:21,360
Speaker 1: They'll be less likely to community much that lifestyle.

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00:19:23,240 --> 00:19:28,520
Speaker 4: That's going away, I think, and I think the market

405
00:19:28,560 --> 00:19:29,600
Speaker 4: is responding to that.

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Speaker 1: Mm hmmm.

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00:19:30,880 --> 00:19:33,120
Speaker 4: See I think again. I think I think it goes.

408
00:19:33,200 --> 00:19:36,119
Speaker 5: I think people lean in because if you this is

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00:19:36,480 --> 00:19:39,199
Speaker 5: the diffuser on a microphone. Yeah, it picks up a

410
00:19:39,200 --> 00:19:43,800
Speaker 5: little corona here and there, but the diffuser itself, by

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00:19:44,160 --> 00:19:48,040
Speaker 5: literally by definition, diffuse uses the coronavirus. So you get

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00:19:48,119 --> 00:19:51,480
Speaker 5: just the taste of a hint. That's where your body builds.

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00:19:51,160 --> 00:19:53,360
Speaker 1: It up so many definitions.

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00:19:53,400 --> 00:19:56,359
Speaker 4: You're in a place like this, the coronavirus is honestly

415
00:19:56,440 --> 00:20:00,200
Speaker 4: laughing too our exactly if it's right, if it's it's

416
00:20:00,280 --> 00:20:01,240
Speaker 4: right there here the.

417
00:20:04,240 --> 00:20:06,880
Speaker 1: First exposure to the mic, and it's laughing too hard

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Speaker 1: to do anything. So anyway, the model on the show,

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Speaker 1: of course, is I like my idea, but I.

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Speaker 4: Love your idea, John.

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Speaker 1: And so we were going to sort of steal the

422
00:20:18,359 --> 00:20:20,919
Speaker 1: naming convention from Master of None, of just taking a

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Speaker 1: famous phrase, then taking the second half and then truly

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Speaker 1: it has to do almost nothing with the show itself,

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Speaker 1: or it could, But we just thought that would be

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Speaker 1: a good way to start.

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Speaker 4: Should have a sorry pasta? What about pasta? It should?

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Speaker 4: You were saying it should. It could have nothing to

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Speaker 4: do with the show, or it could. And I think

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Speaker 4: the one thing that it should have from Master None

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Speaker 4: is the past they make pasta.

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Speaker 1: And so I guess like I would start with, I

433
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Speaker 1: would say, like, okay, two in the bush. I see it,

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Speaker 1: I see a billboard.

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00:20:55,040 --> 00:20:55,600
Speaker 4: It's you.

436
00:20:56,320 --> 00:20:59,000
Speaker 1: It says two in the bush. And they've chopped the

437
00:20:59,040 --> 00:21:00,000
Speaker 1: first half off the stane.

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00:21:00,960 --> 00:21:03,680
Speaker 4: Well, it's me and George W. Bush. Thank you hanging out?

439
00:21:03,840 --> 00:21:05,840
Speaker 4: Uh huh? I mean talk about an odd couple.

440
00:21:06,119 --> 00:21:09,200
Speaker 1: Yeah, well, I'm immediately intrigued, and I'm setting my DV

441
00:21:09,320 --> 00:21:09,919
Speaker 1: on R function.

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00:21:10,119 --> 00:21:12,679
Speaker 5: We're both back to back, each of us pointing with

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Speaker 5: our thumbs at the other guy.

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Speaker 4: And that's this guy.

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Speaker 1: Yeah, and he's feeling the same way about you. It's

446
00:21:21,280 --> 00:21:22,400
Speaker 1: not lost on me, of course.

447
00:21:22,680 --> 00:21:24,600
Speaker 4: But there's got to be a Noel Wells in there now.

448
00:21:24,640 --> 00:21:30,280
Speaker 4: Who who's that gonna be? Probably Laura Bush? I was thinking.

449
00:21:30,960 --> 00:21:33,480
Speaker 4: I was thinking the Bush twins. Oh, and that's too.

450
00:21:36,080 --> 00:21:40,639
Speaker 1: And twins and twins. It's true. It's not lost on

451
00:21:40,720 --> 00:21:46,239
Speaker 1: me that Bush also is pubis hair. Yeah, I've heard that,

452
00:21:47,560 --> 00:21:52,120
Speaker 1: So then I'm going, Okay, it's Puba's hair. Okay. Two Tupac,

453
00:21:52,119 --> 00:21:55,960
Speaker 1: the Tupac hologram from Coachella? Is he somehow.

454
00:21:55,560 --> 00:21:57,719
Speaker 4: Trapped in yours or George W.

455
00:21:57,800 --> 00:22:00,240
Speaker 5: Bush's Bush the hologrammer to puc himself because we have

456
00:22:00,320 --> 00:22:01,760
Speaker 5: no one's seen him, and it's it's.

457
00:22:01,560 --> 00:22:05,560
Speaker 4: A no one site. Geisty.

458
00:22:05,760 --> 00:22:09,520
Speaker 5: When I think about what people are typing about, you

459
00:22:09,520 --> 00:22:12,480
Speaker 5: remember how you remember how Morgan Mindy ended with more

460
00:22:12,760 --> 00:22:14,920
Speaker 5: talking to orson in the black space.

461
00:22:19,240 --> 00:22:20,600
Speaker 4: This shows.

462
00:22:22,160 --> 00:22:27,479
Speaker 5: Every every episode ends with either myself or George W.

463
00:22:27,600 --> 00:22:31,720
Speaker 5: Bush talking to the hologram of Tupac, who appears in

464
00:22:31,320 --> 00:22:33,800
Speaker 5: our pubic hair.

465
00:22:33,800 --> 00:22:35,920
Speaker 4: I'm sorry, cubicular hair.

466
00:22:36,720 --> 00:22:42,040
Speaker 5: And he'll he'll he'll show up and you'll be like, hey, Tupac,

467
00:22:42,119 --> 00:22:45,520
Speaker 5: we had some crazy adventures this episode, and he would

468
00:22:45,600 --> 00:22:49,520
Speaker 5: spit some rhymes.

469
00:22:50,040 --> 00:22:51,720
Speaker 1: Yes, and you're learning.

470
00:22:51,359 --> 00:22:53,119
Speaker 5: And you and you would learn and you would go

471
00:22:53,200 --> 00:22:55,080
Speaker 5: at the end, you just go, thanks Tupac, and he's like,

472
00:22:55,160 --> 00:22:58,120
Speaker 5: peace out, and he would just disappear right into the pubist.

473
00:22:58,480 --> 00:23:02,680
Speaker 4: Yes, and Davis already eating our launch from the show Dave,

474
00:23:03,480 --> 00:23:06,080
Speaker 4: and you see he's coming out of the boxer parts

475
00:23:06,720 --> 00:23:09,640
Speaker 4: and he is a rapper? Is he a rapper? And

476
00:23:09,680 --> 00:23:14,760
Speaker 4: he's doing this exact we know who Dave is. I'm not,

477
00:23:15,080 --> 00:23:17,199
Speaker 4: but you've seen this guy. I've seen Dave coming out

478
00:23:17,240 --> 00:23:22,480
Speaker 4: of the he's gonna Yeah, it's an ex show. I

479
00:23:22,520 --> 00:23:28,199
Speaker 4: always give them a shot every single record. Everyone. I

480
00:23:28,280 --> 00:23:30,600
Speaker 4: have to say I was an early adopter of Terriers.

481
00:23:30,640 --> 00:23:32,800
Speaker 4: Did you ever watch that show tear everyone? It's like

482
00:23:33,840 --> 00:23:36,320
Speaker 4: Terriers could have used the second season. I think they

483
00:23:36,320 --> 00:23:37,320
Speaker 4: pulled the plug too early.

484
00:23:37,600 --> 00:23:40,440
Speaker 1: Yeah, that one is brilliant, but canceled.

485
00:23:40,320 --> 00:23:45,200
Speaker 5: Are like a like a legion. I'm an effects stand.

486
00:23:44,840 --> 00:23:46,600
Speaker 1: And that's what we're finding out.

487
00:23:47,000 --> 00:23:50,720
Speaker 4: Maybe we take this guy to take it in the bush,

488
00:23:50,760 --> 00:23:54,000
Speaker 4: we take the fex. It has that edge for sure.

489
00:23:54,760 --> 00:23:58,040
Speaker 5: I could see the poster again back to back would

490
00:23:58,040 --> 00:24:00,720
Speaker 5: be great, kind of shimmery in the in the deep

491
00:24:00,760 --> 00:24:07,280
Speaker 5: beg that feels like, Okay, this ship is a oh

492
00:24:07,320 --> 00:24:11,000
Speaker 5: and he like he's doing different stuff as you're driving.

493
00:24:11,160 --> 00:24:13,160
Speaker 4: He's like like as you drive by, it like.

494
00:24:14,560 --> 00:24:17,359
Speaker 1: Thing, yeah, oh that's so good.

495
00:24:18,280 --> 00:24:20,159
Speaker 4: Yeah, instead of thug life.

496
00:24:20,480 --> 00:24:23,320
Speaker 5: Like it's a different like, it's a different as you

497
00:24:23,359 --> 00:24:26,320
Speaker 5: go by, it's a different slogan, it's a different tattoo.

498
00:24:26,880 --> 00:24:31,800
Speaker 4: Right yeah, yeah, it would make a different one. It

499
00:24:31,840 --> 00:24:32,919
Speaker 4: would definitely be different.

500
00:24:33,560 --> 00:24:35,879
Speaker 1: Yeah. No, And and we'll just come up with it

501
00:24:35,920 --> 00:24:40,879
Speaker 1: on the spot instead I would say, like thug wife.

502
00:24:41,840 --> 00:24:45,639
Speaker 4: He's like pointing at Barbara, but just sorry Laura Book. Ye.

503
00:24:45,920 --> 00:24:48,080
Speaker 4: Then when he was pointing to the twins, it's.

504
00:24:48,040 --> 00:24:52,680
Speaker 1: Uh, never apologized for saying Barbara Book. I don't I apologized.

505
00:24:53,480 --> 00:24:57,200
Speaker 4: America's last favorite to first lady. I think, yeah, number

506
00:24:57,200 --> 00:25:00,679
Speaker 4: one for me. I can't say that weigh in on

507
00:25:00,760 --> 00:25:05,280
Speaker 4: this stuff. But this is one thing. Yeah, and that

508
00:25:05,320 --> 00:25:07,360
Speaker 4: person should not have done that. And that's the one

509
00:25:07,359 --> 00:25:11,639
Speaker 4: thing I will say we do wrong, we do.

510
00:25:11,800 --> 00:25:15,120
Speaker 1: Come down, sir, you shot Barbara Bush. If you're listening

511
00:25:15,359 --> 00:25:18,240
Speaker 1: or Adam, you shouldn't have done that.

512
00:25:20,440 --> 00:25:26,760
Speaker 4: Don't do it again. You better it. Stop shooting the

513
00:25:26,880 --> 00:25:27,480
Speaker 4: first lady.

514
00:25:27,560 --> 00:25:31,840
Speaker 1: Let her rest in peace by the way of easy target. Yeah,

515
00:25:32,000 --> 00:25:34,560
Speaker 1: no kidding you proud of yourself, real, proud of yourself.

516
00:25:34,600 --> 00:25:36,200
Speaker 1: You shooting dead Barbara Bush?

517
00:25:36,320 --> 00:25:38,919
Speaker 4: Oh the gun and point it down.

518
00:25:39,359 --> 00:25:43,200
Speaker 1: Oh god, so awesome, big tough man shooting or or

519
00:25:43,320 --> 00:25:46,520
Speaker 1: woman shooting Barbara Bush in the grave.

520
00:25:46,760 --> 00:25:49,440
Speaker 4: Give me that is one in the wrong bush. That's low.

521
00:25:49,640 --> 00:25:52,080
Speaker 1: Yeah, that's one in the wrong bush. Which I'm realizing

522
00:25:52,080 --> 00:25:54,600
Speaker 1: we are open to someone doing that to us the

523
00:25:54,640 --> 00:25:58,280
Speaker 1: same way a master have won them that they could.

524
00:25:58,119 --> 00:26:00,000
Speaker 4: Won in the wrong Bushy one in the wrong bush.

525
00:26:00,280 --> 00:26:02,879
Speaker 1: And now all of a sudden, our titles like a

526
00:26:02,920 --> 00:26:05,160
Speaker 1: boomerang whipped around changing.

527
00:26:06,240 --> 00:26:08,720
Speaker 4: Well, yes, or just keep changing the title, same show.

528
00:26:09,000 --> 00:26:11,159
Speaker 1: Well, there's other titles. Sure, we had other one.

529
00:26:11,160 --> 00:26:12,560
Speaker 4: What's another one? This is Kevin?

530
00:26:12,960 --> 00:26:15,200
Speaker 1: Yeah, what's a really good one?

531
00:26:15,280 --> 00:26:18,200
Speaker 4: Kevin? Kevin?

532
00:26:18,240 --> 00:26:20,200
Speaker 7: I know you're not from saying that, Hey guys, hold on,

533
00:26:20,480 --> 00:26:25,240
Speaker 7: Hey guys, Chef Kevin here, Hey guys, Saint Louis's own

534
00:26:25,359 --> 00:26:29,960
Speaker 7: Ravioli chef Kevin here, Holy ship, Kevin.

535
00:26:29,960 --> 00:26:33,800
Speaker 4: Where'd you go to high school? But John something archive?

536
00:26:35,200 --> 00:26:39,560
Speaker 4: Not not a school, Saint Louis. Nope, we already started wrong.

537
00:26:39,720 --> 00:26:44,800
Speaker 4: Cardinals Stadium, Yep, that's not a thing. What about grain

538
00:26:44,840 --> 00:26:49,240
Speaker 4: of salt for a name? That's not really the second

539
00:26:49,320 --> 00:26:52,320
Speaker 4: half of a free that's a grain of salt.

540
00:26:54,119 --> 00:26:57,240
Speaker 1: To me, that does not suggests those first one you

541
00:26:57,280 --> 00:27:00,320
Speaker 1: would you would name you would?

542
00:27:00,480 --> 00:27:03,240
Speaker 4: Uh, it does suggest that you would take that show.

543
00:27:03,840 --> 00:27:07,160
Speaker 4: You would watch that show? Hey watch this show? Well,

544
00:27:07,160 --> 00:27:08,879
Speaker 4: why am I going to do that? You take it?

545
00:27:08,960 --> 00:27:09,160
Speaker 6: Are?

546
00:27:11,240 --> 00:27:13,600
Speaker 4: Yeah? I don't know if that is an answer to

547
00:27:13,840 --> 00:27:15,720
Speaker 4: why I would watch it? Well, I mean it just

548
00:27:15,760 --> 00:27:16,520
Speaker 4: goes down easy.

549
00:27:16,600 --> 00:27:18,960
Speaker 1: Well, I think it would protect it That's what that means,

550
00:27:19,080 --> 00:27:20,680
Speaker 1: protect us from criticism a little.

551
00:27:21,040 --> 00:27:26,359
Speaker 4: This show is disgusting. One grain of sauce delicious, A

552
00:27:26,440 --> 00:27:30,040
Speaker 4: spoonful of sugar that's the companion piece of green of salt.

553
00:27:30,280 --> 00:27:34,240
Speaker 4: So that so that's an example. Though a show called

554
00:27:34,280 --> 00:27:37,160
Speaker 4: makes the Medicine Go Down or something?

555
00:27:39,040 --> 00:27:42,359
Speaker 1: Is that allowed? What do you mean because it's like a.

556
00:27:42,280 --> 00:27:46,080
Speaker 4: Song and it's from like, uh you know, a large yeah,

557
00:27:46,119 --> 00:27:50,679
Speaker 4: a large corporation. Oh yeah, yeah, yeah, I guess to

558
00:27:50,880 --> 00:27:53,280
Speaker 4: punch up on. There were kind of movie called Larry

559
00:27:53,280 --> 00:27:55,320
Speaker 4: Poppins and I was like, do you do you have

560
00:27:55,440 --> 00:28:01,360
Speaker 4: Mary Poppins? And they were like, we'll get it, get it.

561
00:28:01,400 --> 00:28:05,000
Speaker 4: How hard can it be? We know who to worried about? Yeah,

562
00:28:05,400 --> 00:28:14,560
Speaker 4: who to call? Had? So what's another one, Kevin? You

563
00:28:14,600 --> 00:28:17,479
Speaker 4: had so many You called me to say you had

564
00:28:17,520 --> 00:28:24,719
Speaker 4: so many ideas? Okay, okay, okay, now that's a better example. Thanks.

565
00:28:25,119 --> 00:28:27,280
Speaker 1: So, so I guess.

566
00:28:27,160 --> 00:28:29,640
Speaker 4: You're like lead characters Penny Marshall, Oh.

567
00:28:29,640 --> 00:28:31,600
Speaker 1: Yes, uh huh.

568
00:28:31,880 --> 00:28:34,879
Speaker 4: And job sucks ship takes place in the in the afterlife,

569
00:28:35,560 --> 00:28:36,000
Speaker 4: uh huh.

570
00:28:36,040 --> 00:28:37,360
Speaker 1: And screwge boss.

571
00:28:38,080 --> 00:28:41,000
Speaker 4: So you're playing but you're the star played by Gary Marshall.

572
00:28:41,600 --> 00:28:45,560
Speaker 1: Okay, and this now is getting metal, but I love it.

573
00:28:45,640 --> 00:28:50,080
Speaker 4: I mean it's called the working title is We Are Marshall? Okay?

574
00:28:50,240 --> 00:28:51,080
Speaker 1: And a Penny Earned?

575
00:28:52,080 --> 00:28:56,400
Speaker 5: No, no, it's it's it's uh no, it's in parentheses, right, Yes,

576
00:28:56,600 --> 00:28:58,160
Speaker 5: you are Marshall Penny Earned.

577
00:28:59,200 --> 00:29:03,080
Speaker 4: I like the fan fabulous summancipation of one Harley Harley

578
00:29:03,120 --> 00:29:08,120
Speaker 4: Quinn that now now you you're starring, so you can

579
00:29:08,120 --> 00:29:09,160
Speaker 4: play Penny Marshall.

580
00:29:09,840 --> 00:29:12,240
Speaker 5: I can't play. I play the voiceover. I play the

581
00:29:12,320 --> 00:29:17,320
Speaker 5: voice of God talking to the Marshals. Okay, in and

582
00:29:17,360 --> 00:29:19,080
Speaker 5: he's scared to play Listen Marshall.

583
00:29:19,160 --> 00:29:23,240
Speaker 4: They hired me. I can't. At the core of this fear,

584
00:29:23,400 --> 00:29:23,880
Speaker 4: I don't.

585
00:29:23,680 --> 00:29:25,800
Speaker 5: Think it's as scared so much as I think I'm

586
00:29:25,840 --> 00:29:28,560
Speaker 5: not allowed to play a lady, because there's ladies that are.

587
00:29:28,720 --> 00:29:34,680
Speaker 4: Melissa will do it perfect, ye perfect. Then that's the chameleon.

588
00:29:35,400 --> 00:29:36,400
Speaker 4: You can do anything. M hm.

589
00:29:36,840 --> 00:29:40,560
Speaker 1: So it's Melissa, it's you your god right.

590
00:29:41,920 --> 00:29:47,960
Speaker 4: Well, I'm I'm the you know, yeah, named DEDI filling

591
00:29:48,000 --> 00:29:50,480
Speaker 4: the I'm d D. Myers.

592
00:29:50,480 --> 00:29:53,000
Speaker 5: I play DD Myers in President Clinton's former chiefs of

593
00:29:53,600 --> 00:30:00,000
Speaker 5: uh the press secretary and uh yeah and also god.

594
00:30:01,360 --> 00:30:06,520
Speaker 1: Now everyone has a political It's like George Bush, it's

595
00:30:06,560 --> 00:30:09,640
Speaker 1: like the freaking marsh whatever.

596
00:30:09,800 --> 00:30:11,880
Speaker 4: And it's nipo so political.

597
00:30:12,120 --> 00:30:14,520
Speaker 1: Yeah, and it's making me think, like this guy's got

598
00:30:14,560 --> 00:30:15,360
Speaker 1: a lot to say.

599
00:30:15,560 --> 00:30:18,600
Speaker 4: Maybe we maybe we redo veep.

600
00:30:19,000 --> 00:30:22,120
Speaker 1: Okay, and we're in business.

601
00:30:22,240 --> 00:30:31,160
Speaker 4: But hold on, it's called beep. Hold on. Everybody, everybody

602
00:30:31,200 --> 00:30:31,959
Speaker 4: in cars.

603
00:30:32,120 --> 00:30:34,560
Speaker 1: I'm getting mixed messages. Because when a car says deep,

604
00:30:34,640 --> 00:30:35,600
Speaker 1: I don't hold on, I.

605
00:30:35,560 --> 00:30:37,960
Speaker 4: Go, oh, well, that means you hold on. That means

606
00:30:38,000 --> 00:30:41,320
Speaker 4: you have to the thing at the on the top

607
00:30:41,600 --> 00:30:43,920
Speaker 4: of the window that will hold in the car, the handle.

608
00:30:47,880 --> 00:30:54,080
Speaker 1: I so, if you're going to do veep beep called,

609
00:30:54,760 --> 00:30:59,080
Speaker 1: I do need to see a particular acting technique from you.

610
00:30:59,720 --> 00:31:02,560
Speaker 1: And so I'm just gonna give you. I'm not gonna

611
00:31:02,880 --> 00:31:05,360
Speaker 1: give you a read on it, but basically we will

612
00:31:05,400 --> 00:31:12,200
Speaker 1: have an exchange. The exchange will end with like you'll go,

613
00:31:12,440 --> 00:31:17,000
Speaker 1: uh like looking look like like okay, but you'll say

614
00:31:17,040 --> 00:31:22,760
Speaker 1: something like uh looking forward to seeing you again. And

615
00:31:22,760 --> 00:31:26,960
Speaker 1: then as you turn away, you go like fall in

616
00:31:27,000 --> 00:31:29,880
Speaker 1: the garbage, like you always it's always like to call

617
00:31:29,960 --> 00:31:33,280
Speaker 1: you like a nasty Oh yes, so you'll go like

618
00:31:33,320 --> 00:31:34,520
Speaker 1: an insult on the way out.

619
00:31:34,880 --> 00:31:37,400
Speaker 4: Yes, like it's like in the world of beep, we

620
00:31:37,440 --> 00:31:38,920
Speaker 4: call those exhaust notes.

621
00:31:39,320 --> 00:31:44,200
Speaker 1: Oh yes, so it is. It is a little muffler discharge.

622
00:31:44,360 --> 00:31:46,400
Speaker 1: As you as you're pulling away, do you want to

623
00:31:46,400 --> 00:31:46,960
Speaker 1: get those.

624
00:31:46,800 --> 00:31:50,760
Speaker 4: Clicks out, Brett, just all the clicking, but yeah, just

625
00:31:50,760 --> 00:31:52,320
Speaker 4: if you have any more clicks to do. I just

626
00:31:52,360 --> 00:31:54,640
Speaker 4: don't wanted to interrupt the scene. I've been hearing some

627
00:31:54,880 --> 00:31:59,840
Speaker 4: very loud mouse clicks. It sounds like he's been doing

628
00:32:00,040 --> 00:32:03,160
Speaker 4: on a double Do you want to get those done?

629
00:32:03,960 --> 00:32:06,600
Speaker 4: Let's just get a few pre click. Yeah, a couple.

630
00:32:07,640 --> 00:32:10,320
Speaker 4: Let's just get a few, save them old for the clicks.

631
00:32:10,840 --> 00:32:14,120
Speaker 4: Let's just get open a file. Can't click put put

632
00:32:14,160 --> 00:32:16,320
Speaker 4: him in the click file, and then when you need him,

633
00:32:16,360 --> 00:32:19,360
Speaker 4: just just open the file. How do you open a file?

634
00:32:19,440 --> 00:32:23,080
Speaker 4: Double click? So you're done, all right, So so go back.

635
00:32:23,000 --> 00:32:27,120
Speaker 1: And so what we'll do a little scene. We're talking

636
00:32:27,200 --> 00:32:30,240
Speaker 1: and it's very cordial, sure, and you're going like, oh yeah,

637
00:32:30,360 --> 00:32:31,800
Speaker 1: like yeah, you're you're like a.

638
00:32:31,800 --> 00:32:32,840
Speaker 4: Couple of cars talking.

639
00:32:32,920 --> 00:32:36,440
Speaker 1: Yeah, just a couple of cars talk exactly.

640
00:32:36,120 --> 00:32:38,720
Speaker 4: A claque should not have shot.

641
00:32:41,360 --> 00:32:41,920
Speaker 1: And then.

642
00:32:43,360 --> 00:32:44,040
Speaker 4: Click, get shot.

643
00:32:44,240 --> 00:32:47,760
Speaker 1: That was really sad to me. That was really sad

644
00:32:47,960 --> 00:32:52,080
Speaker 1: when Clack got shot. And and I would say to you,

645
00:32:52,120 --> 00:32:56,120
Speaker 1: sir or madam, who did it? You should be ashamed.

646
00:32:56,440 --> 00:32:57,400
Speaker 4: For sure, stop it.

647
00:32:58,000 --> 00:33:02,880
Speaker 5: You can't take Clack without click. Yes, you're gonna shoot one,

648
00:33:02,920 --> 00:33:03,880
Speaker 5: shoot them both.

649
00:33:03,720 --> 00:33:06,040
Speaker 1: So they can be together in paradise.

650
00:33:05,800 --> 00:33:10,960
Speaker 5: In car, paradise as we are paradise beep, Los Angeles, California.

651
00:33:11,000 --> 00:33:12,320
Speaker 1: Car. It's true.

652
00:33:12,480 --> 00:33:15,080
Speaker 4: The greatest place to drive. You have to shoot Beep

653
00:33:15,280 --> 00:33:17,320
Speaker 4: in l A on location.

654
00:33:19,000 --> 00:33:21,600
Speaker 1: Yes, yes, yes, Angels plays itself.

655
00:33:21,680 --> 00:33:23,920
Speaker 4: It really is like a character in the film. Yes.

656
00:33:24,480 --> 00:33:26,920
Speaker 1: No, the city of l A is a big character

657
00:33:27,000 --> 00:33:29,240
Speaker 1: in Beep, the film that we're making show.

658
00:33:29,360 --> 00:33:31,760
Speaker 5: So we're a couple of cars, we're talking. Maybe we're

659
00:33:31,800 --> 00:33:34,400
Speaker 5: talking about something, but I don't know. Maybe a parking place,

660
00:33:34,600 --> 00:33:36,320
Speaker 5: a valet guy that did us wrong.

661
00:33:36,560 --> 00:33:41,360
Speaker 1: Yes, yes, okay, perfect is that he's a little different things.

662
00:33:41,440 --> 00:33:44,760
Speaker 4: I don't know. It could be. It could be a starting.

663
00:33:45,600 --> 00:33:50,600
Speaker 1: I can pick that up, all right, I've got the chops. Yeah,

664
00:33:51,120 --> 00:33:53,640
Speaker 1: at the parking place valet did me?

665
00:33:55,200 --> 00:33:57,680
Speaker 4: Is it started? That was the beginning.

666
00:33:57,760 --> 00:33:59,440
Speaker 1: That's the line one's line one.

667
00:34:00,080 --> 00:34:05,040
Speaker 4: And I would say, oh, that's my response. Oh oh,

668
00:34:05,200 --> 00:34:07,520
Speaker 4: and I go yeah, no, yeah.

669
00:34:07,680 --> 00:34:09,040
Speaker 1: I was pretty disappointed.

670
00:34:09,840 --> 00:34:12,640
Speaker 4: You're like, la huh yeah, l a son of a

671
00:34:12,680 --> 00:34:14,879
Speaker 4: bitch man. Well, I'm gonna go.

672
00:34:17,760 --> 00:34:19,360
Speaker 1: And that is Beep.

673
00:34:20,200 --> 00:34:24,040
Speaker 4: Okay, And that's the thing happened that you weren't describing. Yeah,

674
00:34:24,040 --> 00:34:28,440
Speaker 4: but FX, that's on FX too. We might have to

675
00:34:29,040 --> 00:34:32,799
Speaker 4: x okay, might have to be a little NASTI er well,

676
00:34:32,880 --> 00:34:35,480
Speaker 4: and that's room to go nasty. Yeah, I agree.

677
00:34:35,560 --> 00:34:37,920
Speaker 5: I mean the whole thing sets itself up to be censored.

678
00:34:38,920 --> 00:34:41,719
Speaker 5: You walk around and beep and someone's like, hey, listen you.

679
00:34:43,719 --> 00:34:49,880
Speaker 4: That was a little late. Yeah, that was a really

680
00:34:50,000 --> 00:34:51,320
Speaker 4: great opportunity.

681
00:34:51,600 --> 00:34:54,480
Speaker 1: Listen here you Bret.

682
00:34:55,400 --> 00:34:58,359
Speaker 4: I literally gave so late.

683
00:34:58,560 --> 00:35:00,640
Speaker 1: Why don't you take your even later?

684
00:35:01,080 --> 00:35:05,040
Speaker 4: Take it takes so long? Yeah, that was good. That

685
00:35:05,160 --> 00:35:07,839
Speaker 4: was the same time as he was saying the first part,

686
00:35:07,880 --> 00:35:12,319
Speaker 4: the fourth time is a charm. I think listen, hear

687
00:35:12,320 --> 00:35:19,120
Speaker 4: you listens to work out.

688
00:35:19,320 --> 00:35:21,600
Speaker 1: No, it's true, and you never get it right on

689
00:35:21,640 --> 00:35:23,480
Speaker 1: the first day. That's why we have rehearsal.

690
00:35:23,520 --> 00:35:26,719
Speaker 5: That's why we have rehearsal. That's why we have season two. Honestly, like,

691
00:35:26,880 --> 00:35:28,839
Speaker 5: figure out what we did wrong in season one.

692
00:35:28,960 --> 00:35:31,960
Speaker 1: No, it's right. Yeah, you just watched season one. Season one.

693
00:35:32,000 --> 00:35:33,719
Speaker 1: I'm just making for me to watch and sort of

694
00:35:33,719 --> 00:35:34,960
Speaker 1: figure out what I want to get out.

695
00:35:35,080 --> 00:35:37,040
Speaker 4: Send it out, put it out there, put it on YouTube,

696
00:35:37,080 --> 00:35:38,520
Speaker 4: put it on Vimeo.

697
00:35:38,440 --> 00:35:44,120
Speaker 1: Get beep out there. Oh yeah, it majorly did keeps

698
00:35:44,120 --> 00:35:45,000
Speaker 1: the doctor away.

699
00:35:45,960 --> 00:35:49,480
Speaker 4: Okay, and that's what they say about Apple.

700
00:35:49,440 --> 00:35:52,239
Speaker 5: But I think see the great thing about that as

701
00:35:52,280 --> 00:35:54,759
Speaker 5: a show that will develop is that you know they

702
00:35:54,760 --> 00:35:59,880
Speaker 5: always say, that's like the shows. There are about three things. Cops, lawyers, doctors.

703
00:36:00,160 --> 00:36:05,920
Speaker 4: That's that. This one is about we get rid of

704
00:36:07,160 --> 00:36:10,319
Speaker 4: away from doctors, keep them away, keep them away, you

705
00:36:10,360 --> 00:36:11,640
Speaker 4: know why, more harm than good.

706
00:36:12,239 --> 00:36:15,040
Speaker 1: Yeah, so we're gonna have to have comps and lawyers

707
00:36:15,080 --> 00:36:18,399
Speaker 1: in here, right, yes, somehow keeping the doctors away from

708
00:36:18,440 --> 00:36:19,240
Speaker 1: the people who.

709
00:36:19,040 --> 00:36:22,120
Speaker 5: Were hurt or and hear me out, just a bunch

710
00:36:22,120 --> 00:36:26,320
Speaker 5: of firemen training their hoses on doctors. Keep them away, wow,

711
00:36:26,640 --> 00:36:29,440
Speaker 5: keep them away, because then you've got Chicago Fire keeping

712
00:36:29,480 --> 00:36:30,560
Speaker 5: away Chicago med.

713
00:36:30,680 --> 00:36:35,680
Speaker 4: We should put Chicago Fire in the show. The MLS team.

714
00:36:35,960 --> 00:36:40,640
Speaker 4: So that's interesting, is that what you were referring to? Okay,

715
00:36:41,040 --> 00:36:46,360
Speaker 4: and then I was too, and I'll third it. Yes,

716
00:36:46,440 --> 00:36:49,759
Speaker 4: and and and they're playing keep away. They're kicking the

717
00:36:49,800 --> 00:36:50,600
Speaker 4: ball around. Yeah.

718
00:36:50,680 --> 00:36:53,080
Speaker 5: Sure, imagine how the doctor that they're keeping it away

719
00:36:53,080 --> 00:36:57,200
Speaker 5: from the doctors. Keep the doctors away. Doctors notoriously terrible

720
00:36:57,200 --> 00:36:59,839
Speaker 5: with their feet, with their hands too, with their feet. Yeah,

721
00:37:00,280 --> 00:37:03,200
Speaker 5: not good soccer players, most doctors. And by soccer, I

722
00:37:03,239 --> 00:37:04,480
Speaker 5: mean of course football.

723
00:37:04,719 --> 00:37:08,280
Speaker 4: Yes, for your I know you have a big European

724
00:37:08,360 --> 00:37:09,800
Speaker 4: following on the on the podcast.

725
00:37:09,840 --> 00:37:12,120
Speaker 1: Absolutely, yeah. Do you find any.

726
00:37:12,000 --> 00:37:15,520
Speaker 5: Do you find when you're European fans come to Hollywood,

727
00:37:15,920 --> 00:37:19,000
Speaker 5: they use this as the official handbook, like they follow

728
00:37:19,040 --> 00:37:20,759
Speaker 5: what they've heard, they learn from this, and.

729
00:37:20,719 --> 00:37:22,839
Speaker 1: They some of the way these guys are acting, they

730
00:37:22,920 --> 00:37:24,680
Speaker 1: must be taking their queue from us.

731
00:37:24,840 --> 00:37:28,960
Speaker 4: We give and we also give one uh like direction,

732
00:37:29,160 --> 00:37:31,960
Speaker 4: like one piece of a map in every episode, like

733
00:37:32,000 --> 00:37:34,440
Speaker 4: one page from the Thomas Guide. Yeah, pretty much. We

734
00:37:34,520 --> 00:37:38,680
Speaker 4: describe just one part of the city and and there.

735
00:37:38,520 --> 00:37:43,200
Speaker 5: You go and your new town European fan, Yeah, you

736
00:37:43,239 --> 00:37:45,440
Speaker 5: take all your people from your country you live on

737
00:37:45,480 --> 00:37:46,200
Speaker 5: this page.

738
00:37:46,800 --> 00:37:48,560
Speaker 4: Yeah. Do we want to do the one part of

739
00:37:48,600 --> 00:37:51,320
Speaker 4: the map section right now? I don't know.

740
00:37:51,680 --> 00:37:54,440
Speaker 5: So one of the borders we're looking at if I'm

741
00:37:54,440 --> 00:37:56,520
Speaker 5: looking at it correctly and I'm looking at upside down,

742
00:37:56,520 --> 00:37:59,720
Speaker 5: but I think it looks like Sataquoy Avenue is one border.

743
00:38:00,160 --> 00:38:03,240
Speaker 4: Yes, that to me is where my l a ends.

744
00:38:03,760 --> 00:38:05,759
Speaker 5: So that's that's kind of what is that? That's sort

745
00:38:05,760 --> 00:38:07,640
Speaker 5: of no North Hollywood ish.

746
00:38:07,719 --> 00:38:11,160
Speaker 1: Yeah, the no ho Art then that if you.

747
00:38:11,080 --> 00:38:12,719
Speaker 4: Go one way you get to Burbank. You go the

748
00:38:12,719 --> 00:38:16,040
Speaker 4: other way you get into a studio city. Maybe. Yeah,

749
00:38:16,120 --> 00:38:19,239
Speaker 4: that's prime real estate, the No Arts district. Yes, you

750
00:38:19,320 --> 00:38:23,160
Speaker 4: land out a great episode where Satkoy almost gets to

751
00:38:23,239 --> 00:38:26,040
Speaker 4: the NoHo Arts. It kind of peters out right before

752
00:38:26,080 --> 00:38:27,200
Speaker 4: No Ho Arts.

753
00:38:27,080 --> 00:38:29,680
Speaker 1: That's not in the Artists district itself, but just you

754
00:38:29,719 --> 00:38:36,360
Speaker 1: can probably see the art district adjacent. Yes, yes, it's east.

755
00:38:37,120 --> 00:38:39,280
Speaker 4: Now. When I first moved to la there was no

756
00:38:39,280 --> 00:38:42,920
Speaker 4: No Ho Arts district. There was no Ho but there

757
00:38:43,000 --> 00:38:44,920
Speaker 4: was no No Ho Arts district.

758
00:38:45,280 --> 00:38:51,239
Speaker 5: Woden, where did you.

759
00:38:50,440 --> 00:38:53,680
Speaker 1: That scene talk about being the energy in the city.

760
00:38:53,719 --> 00:38:56,160
Speaker 4: With that scene was American guys wouldn't believe it.

761
00:38:56,640 --> 00:39:02,320
Speaker 5: There was God, there was independent theater, acting classes.

762
00:39:02,360 --> 00:39:07,160
Speaker 4: They were heads they were head shot pavilions. They would

763
00:39:07,160 --> 00:39:09,239
Speaker 4: have a pavilion just headshot so you could get your

764
00:39:09,239 --> 00:39:10,080
Speaker 4: head shot taken.

765
00:39:11,000 --> 00:39:11,360
Speaker 1: Uh.

766
00:39:11,440 --> 00:39:15,960
Speaker 4: There was street parking, there were payphones. It was it was.

767
00:39:16,400 --> 00:39:18,759
Speaker 5: It was kind of the glory days of No Ho

768
00:39:19,520 --> 00:39:21,960
Speaker 5: And now you know, Disney moved in. They made it

769
00:39:22,000 --> 00:39:29,279
Speaker 5: the nortialized. They kind of got rid of the James Giuliani,

770
00:39:29,400 --> 00:39:31,120
Speaker 5: who was the former mayor of No Ho.

771
00:39:32,800 --> 00:39:35,400
Speaker 4: Store. They got rid of a lot of that stuff,

772
00:39:35,920 --> 00:39:37,000
Speaker 4: which is a real shame.

773
00:39:37,080 --> 00:39:38,719
Speaker 5: It took away a lot of the character and I

774
00:39:38,719 --> 00:39:41,480
Speaker 5: guess it, you know, hey, it made it safer, but did.

775
00:39:41,320 --> 00:39:43,319
Speaker 4: It make it better? Disagreat.

776
00:39:44,000 --> 00:39:46,360
Speaker 1: It's a tough conversation because the art coming out of

777
00:39:46,360 --> 00:39:47,440
Speaker 1: there at the time.

778
00:39:47,360 --> 00:39:51,200
Speaker 4: Was, Man, you know, it was very horny.

779
00:39:51,440 --> 00:39:53,040
Speaker 1: It was it was really horny.

780
00:39:53,160 --> 00:39:54,759
Speaker 4: Yeah.

781
00:39:55,040 --> 00:39:58,800
Speaker 5: Yeah, I'm just thinking about it. It feels it felt different.

782
00:40:00,600 --> 00:40:02,880
Speaker 5: I'm not going to say it better, but better.

783
00:40:03,080 --> 00:40:05,520
Speaker 1: Hey, you can't go back, you know, you can never.

784
00:40:05,360 --> 00:40:07,640
Speaker 4: Go home again. That's what they say, and I.

785
00:40:07,480 --> 00:40:10,840
Speaker 1: And I feel like it's easy to mourn obviously the

786
00:40:10,880 --> 00:40:13,560
Speaker 1: Nohole Arts District and its heyday. But at the same time,

787
00:40:13,680 --> 00:40:16,000
Speaker 1: something like that is emerging all the time.

788
00:40:16,800 --> 00:40:21,920
Speaker 4: Time, yeah, moves forward. It's a flat circle, but it

789
00:40:22,000 --> 00:40:25,080
Speaker 4: moves forward. Talk about well we we you know.

790
00:40:25,040 --> 00:40:27,840
Speaker 5: You saw true detective, which, by the way, we should

791
00:40:27,840 --> 00:40:32,959
Speaker 5: come up with a new true detective. Okay, where time

792
00:40:33,000 --> 00:40:34,560
Speaker 5: doesn't move in a flat circle.

793
00:40:34,320 --> 00:40:38,719
Speaker 8: Fake detective, fake true, true true or false detective. You pick,

794
00:40:39,280 --> 00:40:41,080
Speaker 8: it's a branch and you get to pick it's a

795
00:40:41,360 --> 00:40:51,680
Speaker 8: freaking true false detective. Time is a flat circle true false.

796
00:40:51,840 --> 00:40:54,279
Speaker 8: You go left, you go right, Who knows, Maybe you're

797
00:40:54,320 --> 00:40:58,400
Speaker 8: run into Matthew McConaughey. Maybe you run into Alexandra de Dario.

798
00:40:58,560 --> 00:41:02,400
Speaker 8: Maybe you run into maybe we run into Benicio del Toro.

799
00:41:02,600 --> 00:41:05,799
Speaker 8: Maybe you walk into the NoHo Arts District in nineteen ninety.

800
00:41:05,520 --> 00:41:08,959
Speaker 5: Four and it blows your mind. This is the true

801
00:41:09,000 --> 00:41:09,720
Speaker 5: false detective.

802
00:41:09,880 --> 00:41:12,520
Speaker 1: Yeah in sentence, pep omits.

803
00:41:14,680 --> 00:41:17,600
Speaker 5: Oh shit, man, I mean is your mind blown? Yes,

804
00:41:18,480 --> 00:41:21,680
Speaker 5: come up with four solid television shows. We've come up

805
00:41:21,680 --> 00:41:22,200
Speaker 5: with a slate.

806
00:41:23,040 --> 00:41:24,360
Speaker 4: Yeah, this is a rock block.

807
00:41:24,920 --> 00:41:27,880
Speaker 1: Oh yeah, we've got our entire Thursday night.

808
00:41:27,960 --> 00:41:33,919
Speaker 4: It's for Thursday. This is animation nomination. Well, listen, guys,

809
00:41:33,960 --> 00:41:35,920
Speaker 4: it is uh it is? Are you aman?

810
00:41:36,080 --> 00:41:36,200
Speaker 2: No?

811
00:41:36,200 --> 00:41:38,840
Speaker 4: No, no, I'm not. I'm coming up. I'm coming up on.

812
00:41:39,920 --> 00:41:41,080
Speaker 4: I'm coming up on a second.

813
00:41:41,400 --> 00:41:43,759
Speaker 1: No no, no, yeah, yeah no, yeah, me too. Yeah,

814
00:41:44,280 --> 00:41:50,719
Speaker 1: And I've got ideas and I'm watching beat Beep, feel

815
00:41:50,760 --> 00:41:51,960
Speaker 1: like I'm watching beat.

816
00:41:56,760 --> 00:42:02,280
Speaker 4: Hampock Hamdock Kevin, what time is it in the show

817
00:42:03,400 --> 00:42:04,920
Speaker 4: forty ish?

818
00:42:04,960 --> 00:42:08,840
Speaker 1: Maybe we should do one more, yes, the Horse's Mouth,

819
00:42:09,200 --> 00:42:11,000
Speaker 1: just in case one of our pilots doesn't go.

820
00:42:11,200 --> 00:42:13,319
Speaker 4: Yeah, Well, I think if you want you get five,

821
00:42:13,480 --> 00:42:16,080
Speaker 4: there's five. There's five on a hand. So you want five,

822
00:42:16,440 --> 00:42:19,160
Speaker 4: five solid ideas to walk in any any networks to pitch?

823
00:42:19,239 --> 00:42:22,120
Speaker 4: You want five? When the studio had when you walk in,

824
00:42:22,239 --> 00:42:23,719
Speaker 4: he holds up that head.

825
00:42:23,800 --> 00:42:26,160
Speaker 1: And you better be able to peel down every.

826
00:42:25,960 --> 00:42:28,880
Speaker 4: Single Jordan peel He's got five on it.

827
00:42:29,400 --> 00:42:31,600
Speaker 1: Jordan peel Off, Jordan peel Off.

828
00:42:31,719 --> 00:42:35,399
Speaker 4: Jordan. Maybe that's it. Maybe that's our new.

829
00:42:35,280 --> 00:42:37,879
Speaker 1: One and maybe and I know Kevin said horse's mouth.

830
00:42:37,960 --> 00:42:39,080
Speaker 1: But Jordan peel.

831
00:42:38,800 --> 00:42:42,040
Speaker 4: Off, it's a cooking show that Jordan Peele participates in.

832
00:42:42,520 --> 00:42:43,040
Speaker 4: Uh huh.

833
00:42:43,080 --> 00:42:47,080
Speaker 5: Different different recipes with Rice peel Off, with Jordan Peelong,

834
00:42:47,320 --> 00:42:49,520
Speaker 5: and each one of them has a horrible twist where

835
00:42:49,560 --> 00:42:50,120
Speaker 5: somebody dies.

836
00:42:50,280 --> 00:42:52,480
Speaker 1: I was gonna say, if I know Jordan, it's not

837
00:42:52,600 --> 00:42:53,600
Speaker 1: just a cooking show.

838
00:42:53,520 --> 00:42:57,600
Speaker 4: Right he unleashed the candy Man into my feed? Oh yeah, yeah, he.

839
00:42:57,640 --> 00:42:58,880
Speaker 1: Did that today.

840
00:42:59,360 --> 00:43:02,799
Speaker 4: Jammy Davis, this is actually I didn't know that there

841
00:43:03,000 --> 00:43:05,560
Speaker 4: was one of those. But you never heard the song

842
00:43:06,120 --> 00:43:08,880
Speaker 4: Candy Man, I, Sammy Davis, J No, I have.

843
00:43:09,040 --> 00:43:12,759
Speaker 1: I was kidding, Okay, Jesus Hayes has never heard it.

844
00:43:14,360 --> 00:43:17,480
Speaker 4: I just said I had. Your ignorance is showing. I

845
00:43:17,560 --> 00:43:19,799
Speaker 4: just said that I had heard it and literally just

846
00:43:19,800 --> 00:43:20,879
Speaker 4: said that one second ago.

847
00:43:21,080 --> 00:43:22,840
Speaker 1: Yeah, he has no idea what it is.

848
00:43:22,960 --> 00:43:25,080
Speaker 5: I said, I was joking, and I actually thought that

849
00:43:25,120 --> 00:43:26,160
Speaker 5: was what we were supposed.

850
00:43:25,880 --> 00:43:28,959
Speaker 4: To be doing. On this show. But who can who

851
00:43:29,000 --> 00:43:31,560
Speaker 4: can make the sun rise and sprinkle it with dew?

852
00:43:32,880 --> 00:43:37,880
Speaker 1: Probably God character the candy Man exactly.

853
00:43:39,000 --> 00:43:43,840
Speaker 4: Yes, I know that's from can. It's the song mixes

854
00:43:43,880 --> 00:43:46,839
Speaker 4: it with love and makes the world taste new. That's

855
00:43:46,880 --> 00:43:50,200
Speaker 4: neither here nor there. The horse's mouth, yea, the horse's mouth.

856
00:43:50,360 --> 00:43:53,239
Speaker 4: What is that? The the second phraise? Don't look a

857
00:43:53,280 --> 00:43:55,040
Speaker 4: gift horse in the horse's mouth.

858
00:43:55,080 --> 00:43:58,200
Speaker 1: Don't look a gift horse in the horse's mouth. Don't

859
00:43:58,239 --> 00:43:59,880
Speaker 1: look a gift horses.

860
00:44:00,160 --> 00:44:02,080
Speaker 4: Not how it goes, but let's say it does go

861
00:44:02,239 --> 00:44:04,000
Speaker 4: that way. No regional.

862
00:44:04,480 --> 00:44:09,920
Speaker 5: Yeah, it's like an upstate New York Utica, which I'm pretty.

863
00:44:09,600 --> 00:44:13,160
Speaker 4: Sure you're from. Saint Louis. Saint Louis, Nope, Nope again

864
00:44:13,400 --> 00:44:17,200
Speaker 4: clod Brothers not Nope. Listen, you've there's two of those,

865
00:44:17,840 --> 00:44:20,480
Speaker 4: and they never are out each other. He's one of

866
00:44:20,600 --> 00:44:24,120
Speaker 4: the There is Kevin exactly, his clo brother Kevin. From

867
00:44:24,120 --> 00:44:27,080
Speaker 4: now on, we will need you to be a clar brother.

868
00:44:27,160 --> 00:44:27,600
Speaker 4: Other show.

869
00:44:27,640 --> 00:44:30,359
Speaker 5: Okay, uh so I think this one is a spin

870
00:44:30,400 --> 00:44:32,560
Speaker 5: off of It's obvious bo Jack Corse.

871
00:44:33,520 --> 00:44:36,160
Speaker 4: Mouth, BoJack Horse's mouth.

872
00:44:36,280 --> 00:44:39,239
Speaker 5: It's time and it's just it's an art it's an

873
00:44:39,320 --> 00:44:40,440
Speaker 5: art film.

874
00:44:40,800 --> 00:44:41,600
Speaker 4: Yes, it's just.

875
00:44:41,600 --> 00:44:45,799
Speaker 5: A close up of BoJack horsemen eating rice pea off

876
00:44:46,120 --> 00:44:52,960
Speaker 5: in slow motion with cross fades like nuclear explosions, silent, silent,

877
00:44:54,480 --> 00:44:59,359
Speaker 5: thirty minutes of silence show. They would they would not

878
00:44:59,480 --> 00:45:02,000
Speaker 5: using this facetiously. They would eat it up.

879
00:45:02,120 --> 00:45:02,799
Speaker 4: They would not.

880
00:45:06,360 --> 00:45:08,640
Speaker 5: Just chewing. It's an A S M R kind of thing.

881
00:45:08,680 --> 00:45:12,719
Speaker 5: They're chewing. Bo Jack's chewing. The sound of mine. It's

882
00:45:12,760 --> 00:45:16,319
Speaker 5: the sound. But but maybe you bring you just you

883
00:45:16,360 --> 00:45:17,560
Speaker 5: just bring your own sound to it.

884
00:45:17,640 --> 00:45:18,480
Speaker 1: And that's what happened.

885
00:45:20,400 --> 00:45:23,520
Speaker 5: It's again, it's a it's an adventure kind of choose

886
00:45:23,560 --> 00:45:24,240
Speaker 5: your own sound.

887
00:45:24,280 --> 00:45:27,560
Speaker 4: No one's done this. You gouts such Yeah, do you

888
00:45:27,600 --> 00:45:32,000
Speaker 4: ever do a voice on that? Bo Jack? What happened there?

889
00:45:33,160 --> 00:45:34,960
Speaker 4: Doesn't we learn to do all the horses, isn't it?

890
00:45:35,840 --> 00:45:36,480
Speaker 2: He does?

891
00:45:38,680 --> 00:45:40,720
Speaker 4: What was that? That's a hog?

892
00:45:43,239 --> 00:45:46,960
Speaker 3: It was supposed to be a horse eating a carrot.

893
00:45:47,920 --> 00:45:49,759
Speaker 5: I don't need to hear it unless the horse was

894
00:45:49,800 --> 00:45:54,120
Speaker 5: being fed back, because it was yes, feedback.

895
00:45:53,760 --> 00:45:57,399
Speaker 4: Yeah, yeah, horse's mouth.

896
00:45:57,719 --> 00:45:59,720
Speaker 1: Give me that I get. I'll lose my ship. That's funny.

897
00:45:59,760 --> 00:46:05,320
Speaker 1: I I just missed them. No, come on, we'll take that.

898
00:46:07,160 --> 00:46:11,040
Speaker 4: Give me that ship. You get one shot at it.

899
00:46:12,080 --> 00:46:13,560
Speaker 4: You better lose yourself with the music.

900
00:46:14,600 --> 00:46:19,239
Speaker 1: One shot right, yes, from the Oscars. I love that

901
00:46:19,320 --> 00:46:20,439
Speaker 1: Academy Awards song.

902
00:46:21,200 --> 00:46:24,799
Speaker 5: It is the officially the theme song of the Oscars now,

903
00:46:25,239 --> 00:46:26,759
Speaker 5: which I thought was a bold.

904
00:46:26,600 --> 00:46:30,560
Speaker 4: Choice because you kind of do get other chances.

905
00:46:31,000 --> 00:46:34,319
Speaker 5: Yeah, a lot of these people the point of the Oscars. Yeah,

906
00:46:35,120 --> 00:46:39,360
Speaker 5: within the same show, like Bong June hoe four chances.

907
00:46:39,400 --> 00:46:42,080
Speaker 4: He was four for four. Yeah, and so every you

908
00:46:42,200 --> 00:46:44,399
Speaker 4: only get four shots. I hope you win all four

909
00:46:44,480 --> 00:46:48,439
Speaker 4: of hoe Bong and hoe rhymes with a lot of things.

910
00:46:49,160 --> 00:46:51,200
Speaker 1: Sure, Yeah, we don't have to go and everything at

911
00:46:51,280 --> 00:46:56,080
Speaker 1: ryme no at home. Yeah, you can figure.

912
00:46:55,880 --> 00:47:03,640
Speaker 4: Out go yo. That's just and I gotta come by

913
00:47:03,640 --> 00:47:05,399
Speaker 4: the way. I think that is all of them.

914
00:47:05,440 --> 00:47:08,600
Speaker 5: Tip of the Iceberg will be coming to on on

915
00:47:08,640 --> 00:47:09,920
Speaker 5: Wednesday nights on FX.

916
00:47:11,200 --> 00:47:13,400
Speaker 4: And it's the second half of the phrase. That's just

917
00:47:13,440 --> 00:47:14,000
Speaker 4: the tip of the air.

918
00:47:14,120 --> 00:47:15,880
Speaker 5: That's just is the beginning of the phrase, and then

919
00:47:15,960 --> 00:47:17,920
Speaker 5: the tip of the Iceberg is the second half of it.

920
00:47:18,239 --> 00:47:19,840
Speaker 1: And that's just will be its leading.

921
00:47:20,120 --> 00:47:23,640
Speaker 4: That's just we'll start the hour seven to seven thirty.

922
00:47:23,800 --> 00:47:27,359
Speaker 1: That's a judge, it's just that's just that is.

923
00:47:27,440 --> 00:47:29,640
Speaker 5: Perfectly fine, it's just a bunch of things that are

924
00:47:29,680 --> 00:47:32,560
Speaker 5: perfectly fine. And then the host of the show, which

925
00:47:32,600 --> 00:47:36,120
Speaker 5: is Micro from Dirty Jobs, he will say, well, that's just.

926
00:47:38,520 --> 00:47:41,759
Speaker 4: Thank you for saying micro from Dirty Jobs because like

927
00:47:42,840 --> 00:47:46,799
Speaker 4: all the things that he's done that rhymes micro micro bunk.

928
00:47:47,160 --> 00:47:47,920
Speaker 4: That's another one.

929
00:47:48,400 --> 00:47:54,279
Speaker 1: Okay, I've been I've been confused for micro on more

930
00:47:54,320 --> 00:47:55,799
Speaker 1: than four occasions.

931
00:47:56,400 --> 00:47:56,760
Speaker 4: Wow.

932
00:47:58,239 --> 00:48:00,239
Speaker 5: And I and I had that experience once where where

933
00:48:00,280 --> 00:48:01,600
Speaker 5: somebody came up to me and was like, you're the

934
00:48:01,600 --> 00:48:02,439
Speaker 5: guy from Dirty Jobs.

935
00:48:02,440 --> 00:48:06,600
Speaker 4: No I'm not, but you are. And they said, yes,

936
00:48:06,680 --> 00:48:12,960
Speaker 4: you are right, okay you play. I was, Yeah, I

937
00:48:13,000 --> 00:48:18,120
Speaker 4: was crawling out of a toilet like the goolies. Oh boy, well,

938
00:48:18,680 --> 00:48:21,600
Speaker 4: here we are another episode record scratch.

939
00:48:23,280 --> 00:48:26,200
Speaker 5: I guess you wonder how I got here. I'm Mike

940
00:48:26,280 --> 00:48:29,799
Speaker 5: Rove from Dirty Jobs crawling out of a toilet at

941
00:48:29,800 --> 00:48:30,799
Speaker 5: the Rose Bowl.

942
00:48:33,480 --> 00:48:39,240
Speaker 4: By Well, let's take it back. Goodbye.