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Speaker 1: Reasonable. Listen to your shirt every single day.

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Speaker 2: Worklessol goddamny the breakfast club want to breakfast club, baby,

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Speaker 2: They can't say breakless club without things.

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Speaker 1: Work with clubs. You're like this rare air. She got

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Speaker 1: platforms and partners all over the place with us. Your

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Speaker 1: man is so high. People want to be in listened

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Speaker 1: with the breuck. I don't think white people know how

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Speaker 1: popular you guys are. Dj Enfiefess, hilarious, Charlemagne, the god.

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Speaker 1: You guys really are like the hip hop early morning

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Speaker 1: late night talk y. I know what y'all talking about.

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Speaker 3: Lady Yo, Good morning Usa yo yo yo yo yo

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Speaker 3: yo yo yo yo yo yo yo yo yo yo

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Speaker 3: yo yo yo yo yo yo yo yo.

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Speaker 4: Yo yo yo yo yo yo yo Jess Hilarios, Good morning, Charlamagne.

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Speaker 1: The guys to the planet is Thursday. It's Thursday. Yes,

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Speaker 1: it is. Candle is l Yes, everything is good. What's happening?

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Speaker 1: How y'all feel out there?

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Speaker 5: How y'all feel like Nanda? We don't smell like nothing.

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Speaker 6: I think that one, that fragrance might be gone. I

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Speaker 6: was about to like the other one.

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Speaker 5: I smelled this one though. This one smells really good.

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Speaker 1: You could smell this one.

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Speaker 6: Yeah, I got I got almond butter pound cake over here.

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Speaker 1: I think that's vanilla something.

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Speaker 3: Yeah, I don't know it smells good, but almond butter

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Speaker 3: poundcake sounds good.

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Speaker 1: It just don't smell like anything I know. Right, the

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Speaker 1: title is very deceiving. You see that.

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Speaker 6: You want to taste it, you want to smell it,

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Speaker 6: but then when you light it up, they don't really

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Speaker 6: smell like the almond butter all the pound cake.

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Speaker 1: How was y'all night last night? Y'all did anything? Yes?

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Speaker 3: I actually went to delt Friscos because somebody didn't want

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Speaker 3: to take any at dinner. So yeah, and that's somebody

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Speaker 3: was not Christy also shut up, but yeah, I went

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Speaker 3: to Del Frisco's.

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Speaker 5: Chris actually popped up on me. I thought that was cool.

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Speaker 3: My best friend popped up on me too, Shena. That's

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Speaker 3: my best friend from from Baltimore, y'all you already know her.

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Speaker 3: She didn't get to see me for my birthday because

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Speaker 3: she was in Houston, Hollen.

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Speaker 1: So yeah, that's all right, it's all right.

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Speaker 3: But she popped up on me yesterday at work and

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Speaker 3: I didn't know if she was standing next to me.

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Speaker 3: She was right in front of the office and Simon

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Speaker 3: and was throwing me off. Now I turned over and

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Speaker 3: I was like, oh my god, she always do this

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Speaker 3: every year. I never know when she's gonna pop up.

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Speaker 1: But she didn't.

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Speaker 5: She asked for you, but I told her he was

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Speaker 5: out sick.

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Speaker 1: No, that's right.

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Speaker 6: What if she had beef with you and she you

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Speaker 6: ain't know she was standing right by you.

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Speaker 1: Oh, she would have got me. You got you years ago.

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Speaker 6: I'm trying.

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Speaker 1: That messed up.

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Speaker 5: Y'all wouldn't even have protected me. Y'all let up and everything.

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Speaker 1: Well, yeah, that's that's kind of right. It was. Y'all said, Well,

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Speaker 1: we know she though, but you don't have that beef

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Speaker 1: or not. That is true. That is true. That is

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Speaker 1: true what you did last night, not Valentine, nothing. No.

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Speaker 6: Man, it's always hard when you married, right, because we

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Speaker 6: do things all the time. So when there's a day

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Speaker 6: where there's an expectation, yeah, you know, you're not really

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Speaker 6: thinking about it, you know what I mean. I mean,

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Speaker 6: I got I got a dozen rollers for each you know,

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Speaker 6: one of my my ladies, my wife, and my four daughters.

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Speaker 1: But you know, other than that, it was like.

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Speaker 5: No in the house yes, yeah, we don't.

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Speaker 1: We're actually working until about six o'clock.

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Speaker 2: Yeah, we don't go out for Valentine's usually because when

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Speaker 2: you go out Valentine's, the restaurants are the food is

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Speaker 2: not as good because they're doing it so fast. The

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Speaker 2: service is never good because they're trying to get as

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Speaker 2: many people as possible.

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Speaker 1: So we usually just chill at the crib with the fan.

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Speaker 6: And that's what happened last night, because you know, we

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Speaker 6: were gonna go to dinner because just I was gonna

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Speaker 6: take my justice to dinner, right, and it's like the

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Speaker 6: reservations like nine, nine thirty.

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Speaker 1: Actually, I'm like in the morning, I'm sorry.

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Speaker 3: When I was guest hosting, all that was nice and cool,

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Speaker 3: but I'm like, no, I got being nine, I got

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Speaker 3: being to be at seven.

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Speaker 1: That's what I'm saying. We go out to night though.

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Speaker 2: That's right, all right, that's right, all right. Well, Vince

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Speaker 2: Staples will be joining us this morning.

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Speaker 7: Yay.

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Speaker 6: Yes, Vince Stables has a new show on Netflix. You

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Speaker 6: can talk to Vince Staples show. It premieres today. Actually,

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Speaker 6: if it's on now or it comes on at midnight,

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Speaker 6: I don't know, Yeah, I don't know if it's Thursday

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Speaker 6: meaning twelve am, or Thursday meeting twelve a Friday meeting

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Speaker 6: twelve am. That's right, Yes, but the Vince Staples Show

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Speaker 6: on Netflix, Vince Stables will be here to talk about

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Speaker 6: that today.

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Speaker 1: Yes, And I just want to tell everybody be careful

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Speaker 1: out there.

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Speaker 2: So Saturday, I was telling you about my daughter's dance competition,

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Speaker 2: and my parents always come with my you know, my

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Speaker 2: daughter's a dancing all. My son is playing basketball, and

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Speaker 2: me and my my mother got sick and I didn't

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Speaker 2: know what it was.

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Speaker 4: I thought it was COVID. That's the first thing we think, right,

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Speaker 4: We forget about the cold anytime. We just think it's COVID.

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Speaker 4: I took a COVID test.

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Speaker 1: No COVID.

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Speaker 2: I'm like, maybe I'm just man. I just got a

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Speaker 2: little sick. But when we got tested, we at the flu.

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Speaker 5: And you're sitting right here in my face, just sitting there.

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Speaker 1: That was Saturday. It's gone.

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Speaker 2: I went yesterday, So you know it's gone. I went yesterday.

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Speaker 2: I just told you I went to the doctor yesterday.

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Speaker 6: When we came in here and just try to give

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Speaker 6: you a debut, was like, now, don't dabt me.

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Speaker 1: I got a little cold because I want to make

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Speaker 1: sure I'm good because she's pregnant. Well, stay home.

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Speaker 3: And then you were mentioning Atlanta around Chris Brown, Miss

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Speaker 3: the Elliott genuine.

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Speaker 1: But is this No, I didn't know at that time

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Speaker 1: he spreading the flu. That's disgusting. I didn't do it

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Speaker 1: on purpose. Stay home. But is your mother okay? My

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Speaker 1: mother is fine? Thank you for asking. Yes, I don't

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Speaker 1: know about you. I don't know. That's what he came

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Speaker 1: about himself. Is your mother fine? Yes?

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Speaker 6: What about what about that's pregnant? I gotta go home

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Speaker 6: the babies. Yes, talk the show man?

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Speaker 1: All right. I'm so mad and upset all the time,

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Speaker 1: grumpy man.

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Speaker 2: All right, when we come back, we got front page news,

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Speaker 2: testling figure out will be joining us, and.

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Speaker 1: Don't go anywhere.

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Speaker 6: It's the Breakfast Club, The Morning Whips and Shane, my

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Speaker 6: white rapper named Jack.

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Speaker 5: Because not the name of the song is loving on me.

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Speaker 1: Good guy them. We're just going name.

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Speaker 5: And whips and chains for the rest of Black History months.

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Speaker 1: It's called whipping on me.

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Speaker 2: No, it's loving on me man morning Everybody. We are

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Speaker 2: the Breakfast Club. DJ m V just hilarious. Charlemagne to God,

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Speaker 2: and let's get in some front page news.

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Speaker 3: Good Morning, Test, Good morning dj M, v Jess, hilarious,

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Speaker 3: Charlamagne to God, big Girl.

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Speaker 2: Now some quick sports. It seems like the Warriors tried

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Speaker 2: to make a bid for Lebron James.

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Speaker 1: They wanted to trade for Lebron to go to the Warriors.

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Speaker 8: Uh.

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Speaker 1: They're not saying who else would be involved in the trade,

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Speaker 1: but Lebron turned it down. I don't believe that for

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Speaker 1: some reason. The reason I don't believe that they said

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Speaker 1: it really happened.

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Speaker 6: What you mean they said they called it everything. The

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Speaker 6: reason I don't believe that it is because they didn't

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Speaker 6: give any details. What were they going to trade for

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Speaker 6: Lebron James like this? And this came from uh, I

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Speaker 6: think it was Ramona Shellbourne they said, they said Draymond

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Speaker 6: from somewhere. They said Draymond even texted Rich Paul said, Hey,

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Speaker 6: I just don't believe I believe it. I believe that

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Speaker 6: text might have happened, but I don't believe it was

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Speaker 6: ever serious between the organizations.

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Speaker 2: All right, well, let's jump right into the news. Let's

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Speaker 2: talk about the deadly shooting in Kansas City.

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Speaker 1: Yeah, this was so unfortunate.

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Speaker 3: Three days after winning the Super Bowl and the thrilling

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Speaker 3: overtime victory, players with the Kansas City Chief reacted with

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Speaker 3: sadness and thoughts for the victims after a shooting near

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Speaker 3: the victory celebration was left, which left twenty two shot,

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Speaker 3: including one person who died.

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Speaker 1: Take a listen to NBC for the report Tonight, what

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Speaker 1: was meant to be a day of celebration for Kansas

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Speaker 1: City Guard instead became a day of fear and panic.

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Speaker 9: We just heard a bunch of you know, pop pop,

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Speaker 9: and people started running and scattering.

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Speaker 10: This video obtained by TMZ Sports shows the moment shots

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Speaker 10: rang out.

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Speaker 11: The girl next to me, where my daughter was standing

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Speaker 11: with her husband, was shot in the mouth.

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Speaker 1: Our children witnessed it. She was on the ground bleeding

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Speaker 1: from her mouth all over her shoulder.

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Speaker 10: Police say at least one person was killed and at

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Speaker 10: least twenty two shots after shooting at a parade celebrating

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Speaker 10: the chief second straight Super Bowl win.

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Speaker 12: Immediately officers responded to the area, took two people into

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Speaker 12: costady and also immediately rendered life sustaining aid to those victims.

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Speaker 6: Story of all lives in America remember growing up, they

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Speaker 6: would always say as American as apple pie. Now in

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Speaker 6: this era, they should say as American as mass shootings.

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Speaker 6: There's nothing more American than mass shootings. Like, anytime there's

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Speaker 6: a large crowd, I don't want.

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Speaker 1: To be there. If there's no metal detectives.

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Speaker 3: That's crazy, because like going to parades was the thing

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Speaker 3: when I was younger, Like I've always wanted.

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Speaker 1: To do that.

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Speaker 2: Yeah, but there's no way to do metal detectives when

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Speaker 2: it comes to those parades, right, there's no possible way.

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Speaker 2: You can try to secure it as much as possible.

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Speaker 2: I know they have a lot of undercovers, but you

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Speaker 2: just just don't know. Do they know why or was

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Speaker 2: he was it a particular target or was he just

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Speaker 2: reckless to shooting at anybody?

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Speaker 1: Do we not test?

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Speaker 3: Yeah, a good question and be And just to make

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Speaker 3: your point about, you know, having additional security there to

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Speaker 3: make sure nothing happened, they actually had eight hundred police

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Speaker 3: officers that were there, so they certainly had what they

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Speaker 3: believed to have enough coverage somewhere on the building. They

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Speaker 3: even had people on rooftops nearby. They said there is

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Speaker 3: no motive at this time that they can determine. But again,

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Speaker 3: you know, the story will continue to develop. I'm sure

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Speaker 3: that a change. They said that terrorism. They don't believe

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Speaker 3: that's terrorism, but again they can't confirm the motive. Three

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Speaker 3: people are in custody at this time, so once they

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Speaker 3: continue to you know, get to do more investigation with

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Speaker 3: those three people, I'm sure we'll find out more and

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Speaker 3: the on unfortunate thing. Make sure people didn't just miss that.

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Speaker 3: You know, children were also you know, hurt in this

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Speaker 3: as a result of the chaos, and it's saying twenty

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Speaker 3: one others were shot, including children. So no, yeah, no

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Speaker 3: official update on you know, any of those children, aren't

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Speaker 3: you know, if there are any critical condition things like that.

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Speaker 3: There's been a couple of different reports that have come out,

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Speaker 3: so I don't want to mislead people as we continue

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Speaker 3: to develop this with certainly children were involved. Now, Kansas

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Speaker 3: City has long struggled with gun violence. In twenty twenty,

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Speaker 3: they were among non cities targeted by the US Department

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Speaker 3: of Justice in an effort to crack down on violent crime.

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Speaker 3: In two thousand and three, the city matched a record

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Speaker 3: with one hundred and eighty two homicide, most of which

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Speaker 3: involved guns.

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Speaker 6: Does the why even matter at this point when it

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Speaker 6: comes to mass shootings. And the reason I asked that

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Speaker 6: because it feels like sometimes we ask the why it

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Speaker 6: make us feel better, so we can know what it

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Speaker 6: is to see if we can attempt to avoid it.

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Speaker 6: But there's always so many variables, right, Like, you got

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Speaker 6: no proper gun legislation in this country, you got mental illness.

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Speaker 1: You might have somebody you know, on drugs or drunk.

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Speaker 1: You might just have people who are prejudiced. Who knows,

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Speaker 1: somebody trying to prove a point.

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Speaker 6: Somebody trying to prove a point on you know, somebody

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Speaker 6: just trying to make make it take a statement. Yeah,

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Speaker 6: they think they're making history by going out in an

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Speaker 6: infamous way.

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Speaker 1: Like there's always so many whys, you know.

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Speaker 2: You know, the reason I asked why is like yesterday

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Speaker 2: was in bed sack. But the reason I asked why

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Speaker 2: is because I heard about the shooting. But you know,

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Speaker 2: and this is just me, when you hear about shoots

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Speaker 2: like that, you would always feel like, I hope somebody

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Speaker 2: wouldn't just want.

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Speaker 1: To reckless just shoot at anybody.

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Speaker 2: You would not say hope, But I would rather be

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Speaker 2: a beef in me and you a beef and we

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Speaker 2: shooting at each other.

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Speaker 1: It wasn't I'm just spraying and random kids. That's why

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Speaker 1: you asked.

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Speaker 6: You want to know why because you want to know

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Speaker 6: if there's something you could potentially avoid, you want to

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Speaker 6: know what it is. Correct, So maybe I can attempt

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Speaker 6: to avoid that. But you know, there's always so many

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Speaker 6: whys in these situations.

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Speaker 2: Now, we did see a video tas of it looks

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Speaker 2: like the pedestrians catching somebody. Was that an actual person

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Speaker 2: or that was involved with it or was that you know,

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Speaker 2: because we did see that.

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Speaker 1: Yeah, they believe so, they said they did see a video.

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Speaker 3: They believe that those people were involved in the three

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Speaker 3: who were apprehended, but still unsure.

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Speaker 1: She did speak on that at the press converse.

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Speaker 3: It was a longer clip and she did confirm that,

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Speaker 3: you know that some folks got involved, which is good

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Speaker 3: that people kind of get involved and try to, you know, do.

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Speaker 1: Something to prevent it.

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Speaker 3: But still not confirming, you know, if it's exactly connected

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Speaker 3: to the people who are in custody or not.

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Speaker 1: But they did acknowledge that that was an actual video.

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Speaker 1: All right, Well that is front page news. Now what

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Speaker 1: are we talking? Next hour? Your next hour?

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Speaker 3: Democratic New York Representative Jamal Bowen Bowman, who we've had

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Speaker 3: on the show before. He is mixing hip hop and

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Speaker 3: politics and also New York City schools.

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Speaker 1: We know that there was a snow day the other day.

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Speaker 1: They went online but it did not go as expected.

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Speaker 1: So I'll tell you a little bit about that when

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Speaker 1: we come back at the south of the hour.

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Speaker 2: All right, we'll get into that next. Everybody else, get

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Speaker 2: it off your chest. Eight hundred five eight five one

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Speaker 2: o five one. If you need to vent, phone lines

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Speaker 2: wide open again. Eight hundred five eight five one oh

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Speaker 2: five one, call us up right now. It's the Breakfast Club.

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Speaker 2: Good morning, the Breakfast Club. This is your time to

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Speaker 2: get it off your chest. Eight hundred five eight five

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Speaker 2: one O five one. We want to hear from you

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Speaker 2: on the Breakfast Club.

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Speaker 1: Hello, who's this? What's up? Trap? I've seen your Valentine's

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Speaker 1: Day post with your boo.

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Speaker 13: You saw what you saw, my baby looking off you

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Speaker 13: and thick.

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Speaker 1: You saw who your boo is.

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Speaker 13: No, the base of all. Don't ever disrespect me. I

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Speaker 13: would never. I would never.

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Speaker 14: Yeah.

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Speaker 1: Sure.

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Speaker 13: If you go look on my Instagram page, you'll see

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Speaker 13: my bood I posted him for Valentine's Day.

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Speaker 1: What's his name.

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Speaker 13: I'm interested, Uh his name. His name is Leonardo. His

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Speaker 13: name is Leonardo.

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Speaker 1: Don't don't add old in my name. And that's that

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Speaker 1: you had older. My name.

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Speaker 13: Is hilarious, Jess got check him out here on my

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Speaker 13: page A K A N the Score twins. You can

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Speaker 13: go see my man, so make sure let me you

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Speaker 13: like your man.

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Speaker 15: Congratulations on your pregnancy. Okay, we having that baby. I

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Speaker 15: love little baby, and I'm glad that we got out

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Speaker 15: the situation figured out before you having a baby, so

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Speaker 15: that's a good thing.

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Speaker 6: I've been trying to have a baby for a while,

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Speaker 6: but for whatever reason, him and his partners can't ever

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Speaker 6: get pregnant.

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Speaker 13: Sorry, one more announcement that'll make this yearly announcement, because

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Speaker 13: every single time I call, he would be like, oh,

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Speaker 13: he gets through so much because he's sleeping with Charlomage.

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Speaker 13: Stop disrespecting me.

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Speaker 1: Nobody, nobody ever told you. I heard that. I heard that.

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Speaker 13: Soloma is always yes, it is. It is a conversation.

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Speaker 1: So unfortunately, what youndgment? Are you? Are you what are

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Speaker 1: you are you denying it? Are you saying it's true that.

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Speaker 13: They could never get this?

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Speaker 1: On his birthday, Charla Man don't want this. Okay, Why

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Speaker 1: are your homie he so bad?

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Speaker 8: It ain't me.

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Speaker 13: Sorry, I'm be defending. You're telling everybody you're not gay.

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Speaker 13: They don't believe me.

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Speaker 1: It's wishful thinking. They see these hips and they see

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Speaker 1: these there's nobody wishing on you.

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Speaker 6: They be like, damn, I wish you was gay. Thank

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Speaker 6: you by y'all, God, I wish I was gay. Can

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Speaker 6: you imagine?

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Speaker 2: I need to say, get it off your chest? Eight

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Speaker 2: hundred five and five, one oh five one. If you

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Speaker 2: need to vent, hit us up now. It's the Breakfast Club.

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Speaker 1: Good morning. The Breakfast Club is your time to get

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Speaker 1: it off your chest. Way, whether you're man or bless something,

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Speaker 1: to get up and get something. Call him now. Eight

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Speaker 1: hundred five. We want to hear from you on the

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Speaker 1: Breakfast Club. Hello. Who is this?

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Speaker 8: Mister Shirley from Connecticut.

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Speaker 1: Shirley from Connecticut, Good morning.

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Speaker 8: Good morning, jamb Hello Jess, hilarious, congratulations and.

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Speaker 1: Good morning, good morning girl.

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Speaker 8: Thank you Charlotte Magne of God. I just want to

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Speaker 8: get off my chest about these mass shootings. I've Connecticut

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Speaker 8: has been dealing with him since Sandy Hook and we've

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Speaker 8: been trying very hard to change the legislation. But until

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Speaker 8: the government gets their butt out of their heads, their

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Speaker 8: heads out of their butts rather and puts this together,

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Speaker 8: it's not gonna stop.

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Speaker 1: Nope.

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Speaker 8: My grandson actually went to a school down the street

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Speaker 8: for the Sandy Hook when that happened all the years ago.

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Speaker 8: He was in kindergarten at the time, and now he's

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Speaker 8: gonna be graduating high school next year. And that day

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Speaker 8: when they first said that there was a shooting in Newtown,

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Speaker 8: my heart drops. And I actually know some kids that

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Speaker 8: went to that school. One of my best friend's nephews

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Speaker 8: kids went there and they actually seen the shooting. So

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Speaker 8: it's really rough, and I know they're fighting for it,

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Speaker 8: but nothing's happened in all these years. It's been fourteen

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Speaker 8: years and nothing's happening.

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Speaker 6: You got too many senators that benefit from NRA money.

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Speaker 6: And that's just the truth to the matter. You know

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Speaker 6: what I'm saying. When you got the NRA exactly, that's it.

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Speaker 6: It's really, that's simple.

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Speaker 8: The government's getting money from them. That's what the problem is.

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Speaker 8: They're not gonna change it because they're getting money from

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Speaker 8: the government.

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Speaker 6: That's right and already benefits too many political campaigns and

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Speaker 6: senators who up pose you know, gun safety legislation.

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Speaker 8: So right, and until we get somebody there that's ready

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Speaker 8: to fight them, it's never gonna change, unfortunately, right, And

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Speaker 8: I wish it wasn't like that.

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Speaker 1: That's right. Sure, I'm sorry now, and I'm sorry for

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Speaker 1: everything that you had to deal with. That absolutely.

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Speaker 8: The any other thing is about six months ago, you

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Speaker 8: guys were supposed to send me a package and I

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Speaker 8: never received it. Supposed to send bumps in a shine

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Speaker 8: black effect tat from you guys, my grandson.

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Speaker 2: We'll get that to right, We'll get your address again.

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Speaker 2: We'll make sure promises.

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Speaker 1: Going out to day.

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Speaker 6: You guys have a bay and listen, man, anytime y'all

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Speaker 6: feel like y'all just need to vent, because I mean,

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Speaker 6: that's the only thing we can do in this country,

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Speaker 6: because you know, America doesn't know how to solve problems.

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Speaker 1: Breakfast club is always a platform for you. Hello, who's

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Speaker 1: this good morning?

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Speaker 14: This is a drena.

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Speaker 1: Get it off your chest, Mama.

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Speaker 14: I'm a little nervous, but I really want people to

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Speaker 14: reach out to your friends and family, check on them

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Speaker 14: to make sure that they're okay. It's been almost eight

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Speaker 14: months since he loost my soulmate to suicide, and when

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Speaker 14: he committed suicide, we was on a break, but we

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Speaker 14: were still very much in communication with each other. But

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Speaker 14: I knew something was wrong, and my gut told me

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Speaker 14: to go back, but my head said no, don't do it.

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Speaker 14: And had I listened to my gut, I would have

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Speaker 14: known something was wrong and could have been able to help. Also,

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Speaker 14: with women and their children, when you have a man

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Speaker 14: that wants to be in the lives of their kids,

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Speaker 14: you shouldn't use the child as a poem to get

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Speaker 14: back because no one never ever thought that he would

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Speaker 14: commit suicide because of what was happening with his children.

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Speaker 14: So I just want people to just be aware of

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Speaker 14: those things.

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Speaker 1: Absolutely, yes, ma'am. Well, definitely sending your healing energy, queen. Yes,

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Speaker 1: thank you, Absolutely all right, Mama, I have a blessed

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Speaker 1: that you guys do the same. He's very heavy this morning.

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Speaker 5: You got some money.

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Speaker 1: Look, but.

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Speaker 3: This is a lighter on a lighter note, right, So

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Speaker 3: growing up, right Valentine's Day, my mom and my dad

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Speaker 3: to make me their Valentine and they would take me

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Speaker 3: to friendlies like that was just a childhood memory that

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Speaker 3: I remember it actually made me cry. I said, that

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Speaker 3: was a little emotional because my parents they are not

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Speaker 3: together anymore, but they're still their friends.

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Speaker 1: They're good now.

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Speaker 3: But I was my older brother was always out, you know,

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Speaker 3: doing his thing, bumping the ground in the streets, and

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Speaker 3: they would take me to like Friendlies or I hop

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Speaker 3: every year for like six or seven years in my

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Speaker 3: life when I was a little girl, and they would

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Speaker 3: always tell me I was there Valentine. So that was

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Speaker 3: like a Valentine's Day memory that I had growing up. Like,

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Speaker 3: I really really loved and appreciated my parents. So you

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Speaker 3: went to friend yesterday and cried absolutely, not doubt Frisco's eight.

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Speaker 3: But growing up I went to Friendlies. You know.

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Speaker 1: It's it's it's so crazy that you said that.

443
00:18:42,280 --> 00:18:44,520
Speaker 2: You know, when we were kids, Friendlies and I Hop

444
00:18:44,640 --> 00:18:49,200
Speaker 2: was like the thing, that was the place chuck E cheese,

445
00:18:49,240 --> 00:18:49,520
Speaker 2: that was it?

446
00:18:49,640 --> 00:18:50,920
Speaker 1: What what you went to?

447
00:18:51,000 --> 00:18:51,879
Speaker 6: I it was like this.

448
00:18:52,200 --> 00:18:55,679
Speaker 1: It was just a special occasion growing downside. We went

449
00:18:55,680 --> 00:19:02,320
Speaker 1: to Ryan's. We went to Friendlies and baby sizzling r

450
00:19:02,960 --> 00:19:05,359
Speaker 1: ryse of the buffet. All you can eat? How was

451
00:19:05,400 --> 00:19:08,080
Speaker 1: your stomach after that? Amazing? Was great?

452
00:19:08,080 --> 00:19:09,840
Speaker 6: The only thing that is you had to learn not

453
00:19:09,960 --> 00:19:11,359
Speaker 6: to go there and eat the yeast rolls. You know

454
00:19:11,400 --> 00:19:13,280
Speaker 6: what I'm say, Because they give you these amazing yeast.

455
00:19:13,119 --> 00:19:15,360
Speaker 1: Rolls with his butter and they taste really good.

456
00:19:15,640 --> 00:19:17,160
Speaker 6: But you know, you eat them, you drink a little water,

457
00:19:17,160 --> 00:19:18,920
Speaker 6: it swallows up in your stomach and that way you

458
00:19:18,960 --> 00:19:21,679
Speaker 6: don't get the buffet the way you know, I mean,

459
00:19:21,880 --> 00:19:23,840
Speaker 6: there's a little tricks that you learn when you're growing up.

460
00:19:23,800 --> 00:19:26,680
Speaker 1: In the areas, you know what I mean. Yeah, yeah, yeah, yeah, yeah,

461
00:19:26,760 --> 00:19:31,360
Speaker 1: I don't eat the rolls. Get it off your chest.

462
00:19:31,440 --> 00:19:33,479
Speaker 2: Eight nun drink five eighty five, one oh five one.

463
00:19:33,560 --> 00:19:34,720
Speaker 2: Now we got just with the mess coming.

464
00:19:34,640 --> 00:19:35,320
Speaker 1: Up, Yes we do.

465
00:19:35,600 --> 00:19:41,520
Speaker 3: Eminem is co producing a documentary investigating celebrity fandom stands.

466
00:19:42,600 --> 00:19:44,160
Speaker 1: Okay, all right, we'll get into that next.

467
00:19:44,280 --> 00:19:44,600
Speaker 9: Don't move.

468
00:19:44,600 --> 00:19:51,560
Speaker 1: It's to breakfast Club in morning, the breakfast club. All right.

469
00:19:54,080 --> 00:19:56,560
Speaker 1: Did you see the Rich Baby Daddy video. I saw

470
00:19:56,760 --> 00:20:00,200
Speaker 1: the snippet online. No, I actually thought it was. It

471
00:20:00,359 --> 00:20:02,760
Speaker 1: was the way Sissl ran up and steps. It ain't trip.

472
00:20:02,800 --> 00:20:04,600
Speaker 1: I was so proud of her. Was that real? They

473
00:20:04,640 --> 00:20:07,000
Speaker 1: said it was. They said it was real. Actually broke

474
00:20:07,119 --> 00:20:09,080
Speaker 1: during the video during the tape in the video, so they.

475
00:20:09,000 --> 00:20:10,720
Speaker 6: All happened to be together when Sexy Read went in

476
00:20:10,720 --> 00:20:11,959
Speaker 6: the label and went to the hospital with her.

477
00:20:11,960 --> 00:20:13,600
Speaker 5: And to be honest with you, you know, you can't

478
00:20:13,640 --> 00:20:14,720
Speaker 5: believe what you see on the internet.

479
00:20:14,720 --> 00:20:16,600
Speaker 3: And actually Sexy Real set in that seat and told

480
00:20:16,680 --> 00:20:18,280
Speaker 3: us that don't believe what you see, like cause I'll

481
00:20:18,320 --> 00:20:20,360
Speaker 3: be lying, so that it could have been like all

482
00:20:20,440 --> 00:20:23,159
Speaker 3: the propaganda, but like it was a nice video just

483
00:20:23,240 --> 00:20:23,600
Speaker 3: for you know.

484
00:20:23,680 --> 00:20:25,720
Speaker 1: It was like because it was like it looked like

485
00:20:25,800 --> 00:20:27,920
Speaker 1: it was real. As long as it looks real, it was.

486
00:20:28,080 --> 00:20:30,359
Speaker 1: It was good. Well, we are the Breakfast Club, good morning,

487
00:20:30,400 --> 00:20:31,439
Speaker 1: and let's get to jest with the mess.

488
00:20:32,600 --> 00:20:33,200
Speaker 12: It was just real.

489
00:20:34,920 --> 00:20:37,960
Speaker 1: Just the lords don't do just is gonna bring the

490
00:20:38,119 --> 00:20:41,320
Speaker 1: numbers on the Breakfast Club.

491
00:20:43,080 --> 00:20:43,439
Speaker 6: Stocks.

492
00:20:44,800 --> 00:20:46,920
Speaker 3: Loyd Wayne is hoping to be booked for Super Bowl

493
00:20:47,000 --> 00:20:52,000
Speaker 3: halftime shows. So Lloyd Wayne recently was on YG's podcast

494
00:20:52,119 --> 00:20:54,280
Speaker 3: four hundred and the super Bowl twenty twenty five is

495
00:20:54,280 --> 00:20:56,840
Speaker 3: scheduled to be in New Orleans, which I thought was great.

496
00:20:56,880 --> 00:20:59,639
Speaker 5: It's great, that's gonna be like even blacker than it

497
00:20:59,840 --> 00:21:00,520
Speaker 5: was this time.

498
00:21:00,600 --> 00:21:01,000
Speaker 1: It should be.

499
00:21:01,240 --> 00:21:03,720
Speaker 3: I love that, right, So Wayne is putting his self

500
00:21:03,760 --> 00:21:05,840
Speaker 3: in position to be someone that they call for the

501
00:21:05,920 --> 00:21:06,560
Speaker 3: halftime show.

502
00:21:06,720 --> 00:21:12,240
Speaker 1: We have audio just what he said, Dude, I.

503
00:21:12,320 --> 00:21:13,040
Speaker 15: Got to ask you.

504
00:21:13,320 --> 00:21:15,879
Speaker 1: I'm just asked a question. I don't know the answer,

505
00:21:16,000 --> 00:21:16,760
Speaker 1: but I gotta ask you.

506
00:21:17,080 --> 00:21:19,520
Speaker 16: Of course, the super Bowl is in New Orleans. I

507
00:21:19,600 --> 00:21:21,960
Speaker 16: think it's in twenty twenty five or something.

508
00:21:21,760 --> 00:21:24,960
Speaker 1: That he's doing it. I'm not sure. Not come on,

509
00:21:27,119 --> 00:21:30,040
Speaker 1: I don't know. I can. I will not lie to you.

510
00:21:30,160 --> 00:21:30,399
Speaker 3: I am.

511
00:21:30,600 --> 00:21:34,800
Speaker 16: I have not got a calling Jay, but we all praying.

512
00:21:35,160 --> 00:21:37,280
Speaker 16: You know, we're praying with keeping a fingers crossed. I'm

513
00:21:37,320 --> 00:21:39,639
Speaker 16: working hard and make sure this next album and everything

514
00:21:39,720 --> 00:21:41,960
Speaker 16: I do is killer. So I'm gonna make it very

515
00:21:42,080 --> 00:21:43,600
Speaker 16: hard for them to I want to just make it

516
00:21:43,680 --> 00:21:46,040
Speaker 16: hard for them not to let the boy.

517
00:21:46,400 --> 00:21:47,160
Speaker 1: Let the record show.

518
00:21:47,200 --> 00:21:49,720
Speaker 6: After last year's super Bowl with Rihanna right here on

519
00:21:49,880 --> 00:21:52,840
Speaker 6: Breakfast Club, he said the next two super Bowl should

520
00:21:52,840 --> 00:21:55,560
Speaker 6: be Usher in Vegas, right, And that happened, and we said,

521
00:21:55,640 --> 00:21:57,879
Speaker 6: Lil Wayne Drake and Friends in New Orleans.

522
00:21:59,359 --> 00:22:02,200
Speaker 1: That's because but do you do Lil Wayne Drake and Friends?

523
00:22:02,240 --> 00:22:02,280
Speaker 17: That?

524
00:22:02,320 --> 00:22:06,200
Speaker 6: Do you do New Orleans? No, you can't come on

525
00:22:06,240 --> 00:22:10,560
Speaker 6: stop because you gotta think about the NFL. Okay, think

526
00:22:10,560 --> 00:22:14,000
Speaker 6: about the NFL. First, Lil Wayne is that level of

527
00:22:14,160 --> 00:22:19,359
Speaker 6: artists you can headline halftime super Bowl Drake definitely Wayne Protege.

528
00:22:19,720 --> 00:22:21,359
Speaker 1: It can definitely do it. So it has to be

529
00:22:21,400 --> 00:22:22,679
Speaker 1: Lil Wayne Drake and friends.

530
00:22:22,920 --> 00:22:26,520
Speaker 6: The friends should be Nicki Minaj another superstar of that magnitude.

531
00:22:26,560 --> 00:22:29,119
Speaker 6: Correct juvenile come out, Dan do back that ass up.

532
00:22:29,160 --> 00:22:32,920
Speaker 6: That's a classic Cali come out Dan do We taking

533
00:22:32,960 --> 00:22:36,320
Speaker 6: over t Payne right from T Pain and Wayne got

534
00:22:36,320 --> 00:22:39,639
Speaker 6: some supid number one record and possibly Tiger.

535
00:22:40,160 --> 00:22:42,280
Speaker 3: But I just was saying, like, even before we go there,

536
00:22:42,359 --> 00:22:44,960
Speaker 3: let's do like original New Orleans. So like Manny Fresh

537
00:22:47,119 --> 00:22:50,160
Speaker 3: definitely come there, probably saying something yeah, but it gotta

538
00:22:50,280 --> 00:22:54,720
Speaker 3: be like come on, got body gras feeling yes, got

539
00:22:54,760 --> 00:22:56,560
Speaker 3: you gotta tie into that. I mean I'm all for

540
00:22:56,840 --> 00:22:58,320
Speaker 3: you know, Lil Wayne Drake and all of them, but

541
00:22:58,440 --> 00:23:02,199
Speaker 3: like original, absolute original New Orleans, cash money and all

542
00:23:02,240 --> 00:23:04,040
Speaker 3: of that. I think that that would be great. Of course,

543
00:23:04,160 --> 00:23:06,520
Speaker 3: like you said, I even I'm not mad at master

544
00:23:06,600 --> 00:23:08,879
Speaker 3: P because that is.

545
00:23:09,640 --> 00:23:13,240
Speaker 6: Even if it's a little bit of NFL guys about

546
00:23:13,400 --> 00:23:16,480
Speaker 6: main scream. I love Maths beating that, but you got

547
00:23:16,560 --> 00:23:19,120
Speaker 6: to think about they're gonna the NFL is gonna want

548
00:23:19,200 --> 00:23:21,439
Speaker 6: mainstream caliber artists on that.

549
00:23:22,160 --> 00:23:25,600
Speaker 3: A little free to pop out, Yeah, bringing out already

550
00:23:25,720 --> 00:23:28,800
Speaker 3: know he got a tie to end, not.

551
00:23:28,840 --> 00:23:32,520
Speaker 6: An HBCU classic. Okay, think about what we're talking about here.

552
00:23:33,000 --> 00:23:34,600
Speaker 6: I love all of those people you're talking about, but

553
00:23:34,720 --> 00:23:36,760
Speaker 6: you got to think about the stage that these people

554
00:23:36,760 --> 00:23:37,320
Speaker 6: are gonna be on.

555
00:23:37,520 --> 00:23:39,399
Speaker 1: You still got to sell it to the NFL. All right,

556
00:23:39,480 --> 00:23:42,800
Speaker 1: you're right, So hopefully Lil Wayne even gets to do it.

557
00:23:42,880 --> 00:23:45,400
Speaker 1: That's because that's that's gets part for the main part

558
00:23:45,520 --> 00:23:46,320
Speaker 1: that definitely should be.

559
00:23:46,600 --> 00:23:49,440
Speaker 3: Yeah, moving on, Donald Glove is hurt by claims that

560
00:23:49,560 --> 00:23:52,320
Speaker 3: he has ill will towards black women. So back in

561
00:23:52,400 --> 00:23:57,000
Speaker 3: twenty twenty two, Donald Glover interviewed himself for Interview magazine,

562
00:23:57,280 --> 00:23:59,639
Speaker 3: and I just think this was like not even really interesting,

563
00:23:59,680 --> 00:24:02,760
Speaker 3: but awkward because he asked himself, are you afraid of

564
00:24:02,800 --> 00:24:03,240
Speaker 3: black women?

565
00:24:03,440 --> 00:24:05,680
Speaker 1: And hisself said, why are you asking me that? You

566
00:24:05,720 --> 00:24:06,119
Speaker 1: know what I mean?

567
00:24:06,200 --> 00:24:08,440
Speaker 3: And then he also said, I feel like you're using

568
00:24:08,520 --> 00:24:11,160
Speaker 3: black women to question my blackness. Now, he just recently

569
00:24:11,920 --> 00:24:16,800
Speaker 3: did an interview with Hollywood Reporter and he said, it

570
00:24:16,880 --> 00:24:19,920
Speaker 3: feels like no it I felt like it was something

571
00:24:19,960 --> 00:24:21,920
Speaker 3: that people would say, but no one ever wanted really

572
00:24:22,040 --> 00:24:25,960
Speaker 3: ask me the question. Yeah, it is a better narrative,

573
00:24:26,680 --> 00:24:29,680
Speaker 3: but anybody who actually knows me knows how much that

574
00:24:29,800 --> 00:24:32,399
Speaker 3: that actually hurts me. But I also realized that it

575
00:24:32,440 --> 00:24:34,320
Speaker 3: doesn't matter. People are not going to read this and

576
00:24:34,480 --> 00:24:36,359
Speaker 3: be like, wow, I was wrong. They're just going to

577
00:24:36,440 --> 00:24:39,440
Speaker 3: keep assuming that I have ill will toward black women.

578
00:24:39,600 --> 00:24:43,560
Speaker 3: But you interviewed yourself, and yourself didn't even answer that question,

579
00:24:43,680 --> 00:24:45,040
Speaker 3: So you could have cleared all that up when you

580
00:24:45,600 --> 00:24:46,879
Speaker 3: asked yourself, right.

581
00:24:47,440 --> 00:24:50,000
Speaker 1: Yeah, very strange. Why even bring that up with yourself?

582
00:24:50,080 --> 00:24:51,240
Speaker 1: And then what are you talking about?

583
00:24:51,359 --> 00:24:51,520
Speaker 8: Right?

584
00:24:51,760 --> 00:24:53,040
Speaker 12: Like you know, it's just so.

585
00:24:53,840 --> 00:24:56,200
Speaker 3: He also continued to say that he stopped caring about

586
00:24:56,200 --> 00:24:58,520
Speaker 3: what people thought because people who actually know him, like

587
00:24:58,840 --> 00:25:01,840
Speaker 3: Quincon Brunson and some other black people that we don't know,

588
00:25:02,119 --> 00:25:02,920
Speaker 3: they know the truth.

589
00:25:03,200 --> 00:25:04,800
Speaker 6: But how can you say you don't care about what

590
00:25:04,880 --> 00:25:07,320
Speaker 6: people thought. But you the one who asked yourself that question.

591
00:25:07,359 --> 00:25:10,000
Speaker 1: You asked you. Nobody asked you that you ask yourself

592
00:25:10,080 --> 00:25:12,359
Speaker 1: that morrow of the story. Man, some niggas be clowns.

593
00:25:14,280 --> 00:25:17,040
Speaker 2: Let me ask a question, right, when you see people

594
00:25:17,400 --> 00:25:19,520
Speaker 2: for the cause, right, and they're so into you know,

595
00:25:19,640 --> 00:25:21,199
Speaker 2: pro black people, that I'm gonna do this and I'm

596
00:25:21,200 --> 00:25:23,080
Speaker 2: gonna do that and then they marry an other.

597
00:25:25,119 --> 00:25:26,919
Speaker 6: How does that make you feel? I don't know if

598
00:25:26,920 --> 00:25:28,680
Speaker 6: he married, but he had kids with a white woman.

599
00:25:28,800 --> 00:25:30,880
Speaker 2: Yeah, but like doctor Umar Johnson, right, if you looked

600
00:25:30,920 --> 00:25:33,760
Speaker 2: up in doctor would disagree with Donald. But now, doctor

601
00:25:33,800 --> 00:25:36,120
Speaker 2: Lumar Johnson, you looked up and he married a white woman,

602
00:25:36,119 --> 00:25:37,040
Speaker 2: would you lookt him the same?

603
00:25:37,720 --> 00:25:37,760
Speaker 8: What?

604
00:25:38,040 --> 00:25:38,080
Speaker 3: Not?

605
00:25:38,359 --> 00:25:38,639
Speaker 6: Umar?

606
00:25:39,040 --> 00:25:39,080
Speaker 8: Like?

607
00:25:39,680 --> 00:25:42,600
Speaker 6: But but but his wife all, I can't believe you

608
00:25:42,680 --> 00:25:44,760
Speaker 6: with disrespect doctor, would you look at him?

609
00:25:44,920 --> 00:25:45,800
Speaker 1: Totally against it?

610
00:25:49,720 --> 00:25:50,960
Speaker 2: But do you look at do you look at people

611
00:25:50,960 --> 00:25:53,760
Speaker 2: the same like they're for the cause if they're married

612
00:25:53,760 --> 00:25:56,479
Speaker 2: outside of their race? Did we just had this conversation

613
00:25:57,680 --> 00:25:59,840
Speaker 2: just I'm asking now because we having this conversation, because we're.

614
00:25:59,720 --> 00:26:01,880
Speaker 1: Talking, it makes you, It makes you wonder a little.

615
00:26:02,040 --> 00:26:07,040
Speaker 3: Definitely, can you be that pro black and then you

616
00:26:07,200 --> 00:26:10,640
Speaker 3: be like you know and married, Yeah, just marry other man.

617
00:26:10,760 --> 00:26:12,560
Speaker 1: It's a question. And I've heard that.

618
00:26:12,600 --> 00:26:14,600
Speaker 6: I mean Donald Glove has made jokes like he made jokes,

619
00:26:14,640 --> 00:26:16,920
Speaker 6: you know, like I remember one time he said I

620
00:26:16,960 --> 00:26:20,120
Speaker 6: think he said Filipinos are like the black girls of Agians.

621
00:26:20,680 --> 00:26:21,560
Speaker 1: I remember him saying that.

622
00:26:21,600 --> 00:26:23,080
Speaker 6: On a on a I don't know if it was

623
00:26:23,119 --> 00:26:27,639
Speaker 6: a stand up special's yo niggas. Yeah, he's made a

624
00:26:27,680 --> 00:26:30,640
Speaker 6: jokes before. He's always had a strange relationship with just race.

625
00:26:30,640 --> 00:26:32,040
Speaker 6: Remember when he came on with Breakfast Club back in

626
00:26:32,080 --> 00:26:33,800
Speaker 6: the day and he was like he wanted to be

627
00:26:33,880 --> 00:26:36,080
Speaker 6: big and white. And he kept saying that, like all

628
00:26:36,119 --> 00:26:38,840
Speaker 6: of these stars like the Will Smith to Beyonce something.

629
00:26:39,280 --> 00:26:41,480
Speaker 6: He's kind of basically saying like they've gotten so big

630
00:26:41,600 --> 00:26:43,880
Speaker 6: that they've like transcended race.

631
00:26:44,640 --> 00:26:45,680
Speaker 1: He was like, I want to be big and white.

632
00:26:45,720 --> 00:26:48,320
Speaker 1: Remember he wrote that poem for MTV saying he wanted

633
00:26:48,320 --> 00:26:50,160
Speaker 1: to be big and white. It's just it's just it's

634
00:26:50,240 --> 00:26:50,679
Speaker 1: just strange.

635
00:26:50,880 --> 00:26:51,080
Speaker 11: Yeah.

636
00:26:51,240 --> 00:26:53,000
Speaker 5: So that's why I just told that story because it

637
00:26:53,040 --> 00:26:54,679
Speaker 5: was awkward in this Black History Month.

638
00:26:54,560 --> 00:26:57,840
Speaker 1: Too, So I just wanted to. I think what just

639
00:26:57,960 --> 00:27:01,000
Speaker 1: keeps repeating is true. Yeah, well that is just with

640
00:27:01,040 --> 00:27:02,160
Speaker 1: the mess for the first hour.

641
00:27:02,520 --> 00:27:04,359
Speaker 2: All right, when we come back, we got front page

642
00:27:04,440 --> 00:27:06,119
Speaker 2: News and then Vince Staples will be joining us.

643
00:27:06,280 --> 00:27:07,400
Speaker 1: It's the Breakfast Club. Good morning.

644
00:27:07,520 --> 00:27:10,640
Speaker 6: Waitol, you're like to end to the Breakfast Club.

645
00:27:11,359 --> 00:27:15,320
Speaker 2: Warning everybody, it's DJ Envy Jess Hilarious, Charlamage the guy.

646
00:27:15,400 --> 00:27:17,600
Speaker 2: We are the Breakfast Club and let's getting some front

647
00:27:17,640 --> 00:27:18,520
Speaker 2: page news.

648
00:27:19,000 --> 00:27:22,359
Speaker 1: What up there is? Good morning dj MV Charleleane to

649
00:27:22,400 --> 00:27:25,159
Speaker 1: God Jess hilarious. Hey Dabe, Now let's talk about this

650
00:27:25,320 --> 00:27:26,639
Speaker 1: new hip Hop task Force.

651
00:27:27,040 --> 00:27:27,240
Speaker 6: Yeah.

652
00:27:27,320 --> 00:27:29,800
Speaker 3: Well, I'm always a fan of when hip hop and

653
00:27:29,880 --> 00:27:34,680
Speaker 3: politics is merged together. So the task Force is created

654
00:27:34,760 --> 00:27:38,399
Speaker 3: and led by Congressman Jamal Bowman. He said he'll be

655
00:27:38,480 --> 00:27:40,680
Speaker 3: using hip hop messaging as a way of building more

656
00:27:41,000 --> 00:27:44,159
Speaker 3: of an equitable society to help spearhead initiatives to address

657
00:27:44,280 --> 00:27:48,720
Speaker 3: economic equality, affordable housing, and racial justice. I reached out

658
00:27:48,760 --> 00:27:51,800
Speaker 3: to Congressman Bowman yesterday to ask him about this new

659
00:27:51,840 --> 00:27:53,360
Speaker 3: task force and this is what he had to say

660
00:27:53,400 --> 00:27:54,400
Speaker 3: to the Breakfast Club family.

661
00:27:54,600 --> 00:27:57,760
Speaker 1: What's up, Breakfast Club family. This is Congressman Jamal Bowman.

662
00:27:58,320 --> 00:28:00,800
Speaker 18: Yesterday, for the first time in his three we launched

663
00:28:00,840 --> 00:28:03,080
Speaker 18: a hip Hop task Force and the US House of

664
00:28:03,160 --> 00:28:07,040
Speaker 18: Representatives in Congress. We did this for one reason, to

665
00:28:07,280 --> 00:28:10,680
Speaker 18: build political power within the hip hop community and culture

666
00:28:11,000 --> 00:28:14,679
Speaker 18: so that we could transform federal, state and local legislation.

667
00:28:15,280 --> 00:28:18,520
Speaker 18: Hip Hop is a multi billion dollar industry with millions

668
00:28:18,560 --> 00:28:21,320
Speaker 18: of fans, and we make culture in America what it is.

669
00:28:21,720 --> 00:28:23,960
Speaker 18: But we have to use our voices in our power

670
00:28:24,080 --> 00:28:27,720
Speaker 18: to change policy. That's where you all come. So be

671
00:28:27,840 --> 00:28:31,000
Speaker 18: on the lookout for more information on social media and websites,

672
00:28:31,280 --> 00:28:33,960
Speaker 18: and I will definitely stay in tune and stay in touch,

673
00:28:34,280 --> 00:28:35,160
Speaker 18: peace and love y'all.

674
00:28:35,480 --> 00:28:35,920
Speaker 1: That's dope.

675
00:28:35,960 --> 00:28:38,600
Speaker 6: I mean, that's way better than the task forces there

676
00:28:38,600 --> 00:28:40,520
Speaker 6: if historically created in New York City.

677
00:28:40,360 --> 00:28:42,640
Speaker 1: To harass rappers. Usually the task forces.

678
00:28:42,840 --> 00:28:45,000
Speaker 6: Usually the task forces they create this want to investigate

679
00:28:45,080 --> 00:28:46,440
Speaker 6: horazz and lock rappers up, So.

680
00:28:48,840 --> 00:28:50,400
Speaker 1: That, yeah, I think this is a good thing.

681
00:28:50,920 --> 00:28:52,400
Speaker 3: One of the things I've always talked about is how

682
00:28:52,440 --> 00:28:55,240
Speaker 3: they use hip hop, you know, to help fundraise. Would

683
00:28:55,280 --> 00:28:57,280
Speaker 3: never have hip hop at the table to actually solve

684
00:28:57,320 --> 00:28:59,000
Speaker 3: the problems. I used to say, the days of using

685
00:28:59,080 --> 00:29:02,440
Speaker 3: hip hop as a police pitical fundraising gimmick without accountability

686
00:29:02,480 --> 00:29:04,320
Speaker 3: to heal the story the hip hop tells us over

687
00:29:04,480 --> 00:29:06,880
Speaker 3: and so he's actually doing that making sure. He even

688
00:29:06,960 --> 00:29:09,880
Speaker 3: said that hip hop has always been about stories about

689
00:29:09,920 --> 00:29:14,640
Speaker 3: poverty and you know, about crime and violence and all

690
00:29:14,640 --> 00:29:16,400
Speaker 3: of the good things, you know, and hip hop as well.

691
00:29:16,560 --> 00:29:18,400
Speaker 3: So I really look forward to seeing, you know, what

692
00:29:18,520 --> 00:29:20,880
Speaker 3: he does with this and really utilizing those voices that

693
00:29:20,920 --> 00:29:22,320
Speaker 3: are pretty much the voices of the street.

694
00:29:22,360 --> 00:29:24,320
Speaker 1: So I think that's a good thing. I will say

695
00:29:24,440 --> 00:29:27,080
Speaker 1: is that the task force that that created in New York.

696
00:29:27,160 --> 00:29:28,800
Speaker 1: I mean, I'm sure, like in any.

697
00:29:28,680 --> 00:29:31,480
Speaker 2: Task force, there's some good players and bad players, but

698
00:29:31,520 --> 00:29:33,480
Speaker 2: I would say that task force saved a lot of

699
00:29:33,680 --> 00:29:37,240
Speaker 2: hip hop artists from dying. Their job was to comb

700
00:29:37,320 --> 00:29:39,920
Speaker 2: social media to see who the beefs were, what the

701
00:29:39,960 --> 00:29:42,160
Speaker 2: beats were, and to be around to make sure that

702
00:29:42,240 --> 00:29:44,960
Speaker 2: those individuals didn't get shot and killed and to make

703
00:29:45,000 --> 00:29:49,440
Speaker 2: sure when not just artists, hip hop artists entourage DJ's

704
00:29:50,120 --> 00:29:52,040
Speaker 2: bartenders and all of them when they were leaving those

705
00:29:52,120 --> 00:29:53,640
Speaker 2: venues in clubs, that they didn't get robbed.

706
00:29:53,680 --> 00:29:55,200
Speaker 1: So some of that task force.

707
00:29:55,040 --> 00:29:56,720
Speaker 2: Actually did do good and saved a lot of people

708
00:29:56,760 --> 00:29:58,960
Speaker 2: out there, me and including myself that they saved me

709
00:29:59,000 --> 00:30:00,920
Speaker 2: on a couple occasion when I DJ heavy in the city.

710
00:30:01,000 --> 00:30:03,400
Speaker 1: So they're still around. Yeah, they definitely still.

711
00:30:03,520 --> 00:30:04,840
Speaker 6: I don't want to say their name because I don't

712
00:30:04,840 --> 00:30:07,880
Speaker 6: want to put them on blast, but they definitely still around.

713
00:30:08,320 --> 00:30:09,000
Speaker 1: They definitely.

714
00:30:09,640 --> 00:30:12,320
Speaker 6: They definitely told me I couldn't have somebody at my

715
00:30:12,440 --> 00:30:14,600
Speaker 6: Mental Health Act fort last year. I didn't know, you

716
00:30:14,680 --> 00:30:17,000
Speaker 6: know what I mean, person was scheduled to be there,

717
00:30:17,040 --> 00:30:19,400
Speaker 6: and they was like, uh no, this person is here.

718
00:30:19,440 --> 00:30:21,560
Speaker 6: You gotta have metal detectives and you got to have

719
00:30:21,640 --> 00:30:23,560
Speaker 6: at least four of us here. And I'm like, WHOA

720
00:30:23,920 --> 00:30:24,360
Speaker 6: ain't know all that.

721
00:30:24,440 --> 00:30:26,120
Speaker 1: Well, they wanted to protect you the people that you

722
00:30:26,200 --> 00:30:29,240
Speaker 1: had coming to your Yes, yes, and they called it

723
00:30:29,320 --> 00:30:30,600
Speaker 1: an actual task force.

724
00:30:31,840 --> 00:30:34,440
Speaker 2: Task force to hip hop police. But they have an

725
00:30:34,440 --> 00:30:36,080
Speaker 2: actual name. But yeah, I mean we call it the

726
00:30:36,120 --> 00:30:37,880
Speaker 2: hip hop police. But yeah, they have a task force

727
00:30:37,880 --> 00:30:39,800
Speaker 2: the name and that's what they do. Like Charlamage said,

728
00:30:39,840 --> 00:30:42,160
Speaker 2: they make sure when they see certain artists that are

729
00:30:42,200 --> 00:30:44,480
Speaker 2: gang related and especially that they're going through beef, they

730
00:30:44,560 --> 00:30:46,560
Speaker 2: try to make sure that they don't have any killings

731
00:30:46,600 --> 00:30:48,280
Speaker 2: on their turf and they try to make sure that

732
00:30:48,360 --> 00:30:48,960
Speaker 2: people are safe.

733
00:30:50,080 --> 00:30:50,240
Speaker 1: Good.

734
00:30:50,360 --> 00:30:52,160
Speaker 3: Well, hope it's some good policy will come out of this.

735
00:30:52,320 --> 00:30:54,240
Speaker 3: I love seeing when hip hop's at the table. So

736
00:30:54,600 --> 00:30:57,440
Speaker 3: thank you representative for reaching out and responding to my

737
00:30:57,560 --> 00:31:00,520
Speaker 3: call and actually giving a message directly to the breakfast

738
00:31:00,520 --> 00:31:02,000
Speaker 3: club listeners, which is hip.

739
00:31:01,880 --> 00:31:03,920
Speaker 1: Hop all right, Well that is front page you news

740
00:31:03,920 --> 00:31:05,760
Speaker 1: s take it. Tis absolutely to.

741
00:31:05,840 --> 00:31:08,719
Speaker 6: Make sure you subscribe to at Teslin Figureo's podcast.

742
00:31:08,760 --> 00:31:09,280
Speaker 1: It's great shot.

743
00:31:09,360 --> 00:31:11,360
Speaker 6: No chase of podcasts on the black back iHeart Radio

744
00:31:11,400 --> 00:31:13,920
Speaker 6: podcast network and follow at teslin figure on on all

745
00:31:13,960 --> 00:31:15,040
Speaker 6: social media platforms.

746
00:31:15,120 --> 00:31:17,800
Speaker 2: All right, now, when we come back, Vince Staples will

747
00:31:17,800 --> 00:31:20,280
Speaker 2: be joining us. His new show, The Vince Staples Show

748
00:31:20,360 --> 00:31:21,920
Speaker 2: is out today and we're gonna kick.

749
00:31:21,760 --> 00:31:23,040
Speaker 1: It with him when we come back. So don't move.

750
00:31:23,080 --> 00:31:28,640
Speaker 1: It's to Breakfast Club in Morning, The Breakfast Club Morning.

751
00:31:28,720 --> 00:31:32,280
Speaker 2: Everybody is t J N V Jesse Larious, Charlamane the guy.

752
00:31:32,360 --> 00:31:34,360
Speaker 2: We are the Breakfast Club. You got a special guest

753
00:31:34,440 --> 00:31:34,959
Speaker 2: in the building.

754
00:31:35,120 --> 00:31:36,840
Speaker 6: Man, He's got a new show coming out on Netflix

755
00:31:36,920 --> 00:31:38,000
Speaker 6: called The Vince Staples Show.

756
00:31:38,240 --> 00:31:39,280
Speaker 1: Vince Staples is hell.

757
00:31:39,680 --> 00:31:41,400
Speaker 4: I'm doing I'm going good at how y'all doing that?

758
00:31:42,080 --> 00:31:44,840
Speaker 4: I'm good, bro, I'm greateful, I'm blessed.

759
00:31:44,960 --> 00:31:47,120
Speaker 1: I'm good. So what is The Vince Staples Show about? Man?

760
00:31:47,520 --> 00:31:49,000
Speaker 4: I mean pretty much as you know, day to day

761
00:31:49,000 --> 00:31:50,800
Speaker 4: life and our human experience. I feel like a lot

762
00:31:50,840 --> 00:31:52,480
Speaker 4: of the times, it's a lot of nuance and a

763
00:31:52,520 --> 00:31:54,440
Speaker 4: lot of people's lives that we might kind of ignore.

764
00:31:54,440 --> 00:31:56,040
Speaker 4: You know, we all have those days that we tell people,

765
00:31:56,040 --> 00:31:57,720
Speaker 4: you know, you won't believe it that happened even today.

766
00:31:57,800 --> 00:32:00,360
Speaker 4: So just trying to find ways to you the lie

767
00:32:00,400 --> 00:32:03,520
Speaker 4: that and that format, so to say, and kind of

768
00:32:03,680 --> 00:32:07,960
Speaker 4: attack deeper issues as far as you know, classism, socialism, violence,

769
00:32:08,000 --> 00:32:10,440
Speaker 4: our relationships with those things, our relationships with fame, money,

770
00:32:10,520 --> 00:32:12,400
Speaker 4: things of that nature, and kind of taking a light

771
00:32:12,440 --> 00:32:14,000
Speaker 4: of approach to kind of the stuff that we deal

772
00:32:14,040 --> 00:32:16,560
Speaker 4: with day to day that people wouldn't believe because especially

773
00:32:16,600 --> 00:32:18,400
Speaker 4: when you scape the black community, right, you can tell

774
00:32:18,440 --> 00:32:20,520
Speaker 4: people the stuff that you see that you might deem

775
00:32:20,560 --> 00:32:22,680
Speaker 4: as normal, and when you get these other rooms, they

776
00:32:22,720 --> 00:32:25,040
Speaker 4: don't see it as normal necessarily. So just trying to

777
00:32:25,040 --> 00:32:26,960
Speaker 4: find a way to shed light on it while keeping

778
00:32:26,960 --> 00:32:27,520
Speaker 4: it lighthearted.

779
00:32:27,760 --> 00:32:29,280
Speaker 6: Yeah, ask that question because we were watching it, and

780
00:32:29,320 --> 00:32:30,880
Speaker 6: that's with just what is the show about?

781
00:32:31,240 --> 00:32:34,280
Speaker 3: Yeah, I'm saying, like what what? Because you know, it's

782
00:32:34,360 --> 00:32:36,200
Speaker 3: not like your typical show, you know what I'm saying.

783
00:32:36,240 --> 00:32:38,880
Speaker 3: It's like, like you said, day to day, and which

784
00:32:38,960 --> 00:32:41,640
Speaker 3: can one day it could be crazy and then the

785
00:32:41,680 --> 00:32:44,160
Speaker 3: next day it can be just chill. Like I didn't

786
00:32:44,240 --> 00:32:47,640
Speaker 3: expect a Homi to die like and then I know

787
00:32:47,680 --> 00:32:52,800
Speaker 3: I'm kind of oh the second one, but that was

788
00:32:52,880 --> 00:32:55,960
Speaker 3: like I go from laugh and something like damn, that's.

789
00:32:56,000 --> 00:32:58,040
Speaker 1: That's just how it going to be. Yeah, But that's

790
00:32:58,160 --> 00:32:58,880
Speaker 1: that's life.

791
00:32:59,000 --> 00:33:02,760
Speaker 4: Like you got to think about so that episode since

792
00:33:02,800 --> 00:33:04,440
Speaker 4: we're talking about that, right, you know, we've all had

793
00:33:04,480 --> 00:33:06,800
Speaker 4: different levels of financial gain, and when you have these

794
00:33:06,880 --> 00:33:08,880
Speaker 4: levels of financial gain, you're getting these other rooms where

795
00:33:08,880 --> 00:33:10,320
Speaker 4: you realize you don't really got what you.

796
00:33:10,360 --> 00:33:10,960
Speaker 13: Think that you have.

797
00:33:11,560 --> 00:33:14,240
Speaker 4: And a lot of the times us kind of having

798
00:33:14,280 --> 00:33:15,920
Speaker 4: the door closed in our face. So, you know, black

799
00:33:15,920 --> 00:33:18,320
Speaker 4: people are entertainers, people that come from a different world.

800
00:33:18,680 --> 00:33:21,080
Speaker 4: We find solace in the things that we understand no

801
00:33:21,120 --> 00:33:23,720
Speaker 4: matter where they come from. So, you know, your friends

802
00:33:23,840 --> 00:33:26,160
Speaker 4: robbing the bank, which is a negative situation, but you

803
00:33:26,200 --> 00:33:28,880
Speaker 4: feel comfortable to be in that environment. That could be alcoholism,

804
00:33:28,960 --> 00:33:30,600
Speaker 4: that can be drugs, that can be streached, that can

805
00:33:30,640 --> 00:33:32,440
Speaker 4: be the violence, anything that we can kind of connect

806
00:33:32,480 --> 00:33:34,560
Speaker 4: to when another door is closed. So that kind of

807
00:33:34,640 --> 00:33:39,840
Speaker 4: represents the bigger statement of that. And also just die sometimes. Yeah, yeah,

808
00:33:39,920 --> 00:33:41,440
Speaker 4: so you know, you might, you might, you might be

809
00:33:41,520 --> 00:33:43,240
Speaker 4: this close to opportunity. You might be this close to

810
00:33:43,320 --> 00:33:45,160
Speaker 4: a situation which will be kind of receiving that loan

811
00:33:45,240 --> 00:33:47,600
Speaker 4: and starting that business. And it's some traumatic happens and

812
00:33:47,640 --> 00:33:49,880
Speaker 4: a response to it is how our responses is when

813
00:33:49,920 --> 00:33:51,800
Speaker 4: anybody get killed by the police, you know, you put

814
00:33:51,800 --> 00:33:54,280
Speaker 4: your hands up and you stand still. So it's a

815
00:33:54,360 --> 00:33:56,040
Speaker 4: lot of deeper meaning and a lot of the things

816
00:33:56,080 --> 00:33:57,400
Speaker 4: we just wanted to show nuanced with it.

817
00:33:57,520 --> 00:33:59,760
Speaker 6: Even before that though, because I won't give too much away,

818
00:34:00,160 --> 00:34:03,080
Speaker 6: I normally do what I want to. Yes, But but you,

819
00:34:03,480 --> 00:34:06,760
Speaker 6: when you had the opportunity to leave, you realized, even

820
00:34:06,800 --> 00:34:10,120
Speaker 6: though you was innocent and didn't do nothing, stepping outside

821
00:34:10,160 --> 00:34:11,960
Speaker 6: that door with the police might have led to you

822
00:34:12,040 --> 00:34:12,560
Speaker 6: getting killed.

823
00:34:12,640 --> 00:34:13,920
Speaker 1: Yeah, I mean exactly.

824
00:34:13,920 --> 00:34:15,840
Speaker 4: And it's like a lot of the stuff that brings

825
00:34:15,920 --> 00:34:17,640
Speaker 4: us trauma and a lot of the stuff that kind

826
00:34:17,680 --> 00:34:21,359
Speaker 4: of forces uncomfortable conversations for us. Other people honestly don't

827
00:34:21,400 --> 00:34:23,719
Speaker 4: even know about. I didn't have my manager for a

828
00:34:23,800 --> 00:34:25,319
Speaker 4: long time, and he was I would just tell him

829
00:34:25,360 --> 00:34:28,319
Speaker 4: certain stuff, like I remember we was on we had

830
00:34:28,360 --> 00:34:30,400
Speaker 4: a call and I was like, oh yeah, man, like

831
00:34:30,560 --> 00:34:33,239
Speaker 4: hold on, I gotta go, Like the baby shower got raided.

832
00:34:33,480 --> 00:34:35,960
Speaker 1: And he was like what and then call me back.

833
00:34:36,000 --> 00:34:37,080
Speaker 4: He was like what your mother, I was at the

834
00:34:37,120 --> 00:34:39,680
Speaker 4: homisun baby shower and got raided, Like dude, they kicked

835
00:34:39,719 --> 00:34:41,680
Speaker 4: the door in and he was like they not supposed

836
00:34:41,680 --> 00:34:43,879
Speaker 4: to do like that, or like we got a meet

837
00:34:43,880 --> 00:34:46,400
Speaker 4: and then man, you gotta build me out real quick. Like,

838
00:34:46,960 --> 00:34:48,600
Speaker 4: I didn't really look at it like it was that

839
00:34:48,719 --> 00:34:51,440
Speaker 4: crazy until I got older and you realize your circumstances

840
00:34:51,480 --> 00:34:53,800
Speaker 4: are within a bubble. So I really kind of wanted

841
00:34:53,840 --> 00:34:57,160
Speaker 4: to think about the thought process of that bubble and

842
00:34:57,320 --> 00:35:00,399
Speaker 4: how when you're in it, you don't notice what's going

843
00:35:00,440 --> 00:35:02,279
Speaker 4: on until you leave. So you got subtle nuanced in

844
00:35:02,320 --> 00:35:05,080
Speaker 4: every episode where it's situation that we deal with peifically

845
00:35:05,080 --> 00:35:07,440
Speaker 4: in the black community, pacifically kind of a urban background.

846
00:35:07,520 --> 00:35:10,480
Speaker 4: But when you escape that, that makes zero sense. Bro,

847
00:35:10,640 --> 00:35:12,279
Speaker 4: And now that we kind of further moved and we're

848
00:35:12,320 --> 00:35:15,200
Speaker 4: able to put it on screen, it does feel awkward.

849
00:35:15,320 --> 00:35:18,720
Speaker 4: It feels uncomfortable a little bit because we don't expect

850
00:35:18,760 --> 00:35:20,160
Speaker 4: to see these things in these environments.

851
00:35:20,360 --> 00:35:23,520
Speaker 3: Yeah, what you know, I'm a comedian. So the funniest

852
00:35:23,600 --> 00:35:29,320
Speaker 3: part to me was Homie in jail singing, right, that

853
00:35:29,520 --> 00:35:31,680
Speaker 3: is so funny. I wanted to know, though, did you

854
00:35:31,760 --> 00:35:34,440
Speaker 3: write that or did you let him not do this thing?

855
00:35:34,640 --> 00:35:36,319
Speaker 1: Yea, I wrote it. I wrote it, but you wrote

856
00:35:36,360 --> 00:35:37,719
Speaker 1: that it's hilarious.

857
00:35:37,880 --> 00:35:41,080
Speaker 4: Its timing is amazing, like his his kiss context to

858
00:35:41,160 --> 00:35:43,000
Speaker 4: kind of know where the joke is, it is amazing.

859
00:35:43,080 --> 00:35:45,960
Speaker 4: And as you know, on comedy, like with film, and

860
00:35:46,280 --> 00:35:49,640
Speaker 4: I feel like within stand up specifically, it's so much

861
00:35:49,680 --> 00:35:52,680
Speaker 4: more freedom. It's so much more I guess execution is

862
00:35:52,719 --> 00:35:54,399
Speaker 4: a lot more important because it ain't that it ain't

863
00:35:54,400 --> 00:35:58,520
Speaker 4: no cutting and you gotta yeah, exactly. So within I

864
00:35:58,600 --> 00:36:01,279
Speaker 4: think film and television, a lot of people might not

865
00:36:01,440 --> 00:36:03,520
Speaker 4: know where the joke is at, and it's harder to

866
00:36:03,600 --> 00:36:06,879
Speaker 4: tell the story or convey kind of the emotionally trying

867
00:36:06,920 --> 00:36:08,840
Speaker 4: to convey versus being in a stand up. So it

868
00:36:09,000 --> 00:36:11,120
Speaker 4: was hard at certain moments to try to figure out

869
00:36:11,120 --> 00:36:13,320
Speaker 4: how to hit this correctly, how to make sure that

870
00:36:13,440 --> 00:36:15,279
Speaker 4: it didn't fall flat, but also how to make sure

871
00:36:15,600 --> 00:36:17,200
Speaker 4: it didn't look like he was kind of cooling.

872
00:36:17,719 --> 00:36:18,879
Speaker 1: Yeah, you know what I mean.

873
00:36:19,239 --> 00:36:19,480
Speaker 3: It was.

874
00:36:19,640 --> 00:36:21,240
Speaker 1: It was perfect. It was funny.

875
00:36:21,840 --> 00:36:25,120
Speaker 6: Yeah, And I'm glad dude just wanted to square up

876
00:36:26,640 --> 00:36:28,360
Speaker 6: because nowadays you gotta have a little bit of that.

877
00:36:28,400 --> 00:36:31,160
Speaker 6: I seem like in every program, it ain't gonna pitch

878
00:36:31,160 --> 00:36:35,960
Speaker 6: Booty off, it ain't gonna pitch Boosy off.

879
00:36:36,040 --> 00:36:38,440
Speaker 4: Yeah, man, Boosy can watch this man with the whole family.

880
00:36:38,520 --> 00:36:42,080
Speaker 4: It's gonna be good. All the kids can watch bulls

881
00:36:42,200 --> 00:36:44,000
Speaker 4: watch this with the kids. Man, it's not it's not

882
00:36:44,160 --> 00:36:44,759
Speaker 4: you know what I mean?

883
00:36:45,120 --> 00:36:46,560
Speaker 1: If you was locked, U, would you really act like

884
00:36:46,600 --> 00:36:47,200
Speaker 1: that with other in me?

885
00:36:47,400 --> 00:36:47,520
Speaker 17: Bro?

886
00:36:47,719 --> 00:36:50,960
Speaker 4: So that that episode we had a meaning about that episode. No,

887
00:36:51,080 --> 00:36:53,560
Speaker 4: we had a meeting and I had we had a meaning.

888
00:36:53,600 --> 00:36:55,880
Speaker 4: I had a mishap traffic ticket. So I had a

889
00:36:55,920 --> 00:36:58,919
Speaker 4: traffic ticket in jail. Yeah, and it was this dude.

890
00:36:59,080 --> 00:37:00,920
Speaker 4: It was an important meaning. So I can't remember who was.

891
00:37:00,960 --> 00:37:03,520
Speaker 4: It was somebody important and the dude next to me,

892
00:37:03,840 --> 00:37:08,920
Speaker 4: he just kept singing, Bro like he wouldn't stop. And

893
00:37:09,000 --> 00:37:10,680
Speaker 4: you know, you're in the tank sound like a or whatever.

894
00:37:11,160 --> 00:37:12,759
Speaker 4: We could get a two MANU sholdever because I'm like,

895
00:37:13,640 --> 00:37:15,040
Speaker 4: they take me too long, So we's sleep.

896
00:37:15,280 --> 00:37:18,040
Speaker 1: I'm like, Bro, I'm like, hey, Bro, you got not

897
00:37:18,200 --> 00:37:20,000
Speaker 1: like that. But I was like, Bro, like you get

898
00:37:20,040 --> 00:37:20,319
Speaker 1: the top.

899
00:37:20,760 --> 00:37:22,840
Speaker 4: Like he's like, oh no, I'm not tripping, Bro, Like,

900
00:37:23,280 --> 00:37:25,480
Speaker 4: ain't nothing, like you know, he was cool something already cool.

901
00:37:25,480 --> 00:37:27,399
Speaker 4: I'm thinking, you know, sometimes he's trying to be tough

902
00:37:27,440 --> 00:37:29,960
Speaker 4: and stuff. So I'm sleep, Bro, Bro just start humming

903
00:37:30,040 --> 00:37:32,880
Speaker 4: and and like I'm like, Bro, Mike, he got no

904
00:37:33,000 --> 00:37:34,520
Speaker 4: idea who I am? And ain't like because I ain't

905
00:37:34,560 --> 00:37:36,160
Speaker 4: like super popping like that. So he just like he

906
00:37:36,239 --> 00:37:37,560
Speaker 4: just he would have done it no matter who was

907
00:37:37,600 --> 00:37:40,000
Speaker 4: in the cell, which make it worse. And then Bro

908
00:37:40,239 --> 00:37:42,400
Speaker 4: just like his arm like fall under the thing. He

909
00:37:42,480 --> 00:37:45,120
Speaker 4: just starts snapping, like while he's singing. It's like two

910
00:37:45,160 --> 00:37:47,239
Speaker 4: o'clock in the morning. He would not stop. Broke and

911
00:37:47,320 --> 00:37:48,080
Speaker 4: then Bro leaned.

912
00:37:48,400 --> 00:37:49,000
Speaker 1: I was so mad.

913
00:37:49,040 --> 00:37:51,080
Speaker 4: He just leaned over the bunk. He was like, that's

914
00:37:51,120 --> 00:37:54,480
Speaker 4: all right. I was like, yeah, Bro, that's good, that's good.

915
00:37:54,520 --> 00:37:56,680
Speaker 4: You remember what it was, Yeah, I'll tell you later.

916
00:37:56,840 --> 00:38:02,120
Speaker 1: It was crazy, it was raise and I'm just like, Bro,

917
00:38:02,520 --> 00:38:04,759
Speaker 1: like it's two o'clock in the morning. I had a show.

918
00:38:04,800 --> 00:38:05,680
Speaker 1: I had a lot of palooza.

919
00:38:05,920 --> 00:38:07,479
Speaker 4: Yeah, so I was like, I got all this stuff

920
00:38:07,480 --> 00:38:08,719
Speaker 4: and my mom trying to build like a lot of

921
00:38:08,800 --> 00:38:10,359
Speaker 4: clues I got. I had a meeting that I missed.

922
00:38:10,360 --> 00:38:11,960
Speaker 4: I'm a little crazy that I missed. I don't even

923
00:38:11,960 --> 00:38:14,000
Speaker 4: think it came to fruition because of that, But that's

924
00:38:14,080 --> 00:38:15,600
Speaker 4: kind of when I was still doing a lot at

925
00:38:15,640 --> 00:38:17,960
Speaker 4: the same time. And I don't know how he had

926
00:38:18,040 --> 00:38:20,040
Speaker 4: explained him or whatever. I don't I know he didn't

927
00:38:20,040 --> 00:38:23,160
Speaker 4: tell them what really happened, but he can't know what

928
00:38:23,200 --> 00:38:26,920
Speaker 4: he's doing, but just like, oh man, what happened? Like, yeah, bro,

929
00:38:27,120 --> 00:38:28,719
Speaker 4: like my bad, I missed a meeting, like I had

930
00:38:28,880 --> 00:38:31,400
Speaker 4: had an engagement. Oh man, what happened? Telling the hommies

931
00:38:31,400 --> 00:38:32,960
Speaker 4: I was supposed to be to the studio, I was like, yeah, bro,

932
00:38:33,080 --> 00:38:35,279
Speaker 4: I got I got locked up. And then this dude

933
00:38:35,360 --> 00:38:36,880
Speaker 4: kept singing to me about the casino.

934
00:38:37,280 --> 00:38:37,759
Speaker 1: He was like what.

935
00:38:38,040 --> 00:38:40,560
Speaker 4: I'm like, He's like, you're lying. That's what my engineer

936
00:38:40,640 --> 00:38:42,239
Speaker 4: was like, you lying. He's like, bro, He's like, bro,

937
00:38:42,360 --> 00:38:44,239
Speaker 4: just tell me what happened. I'm like, I promise you.

938
00:38:44,360 --> 00:38:46,080
Speaker 4: My sister was at working subway. I had to go

939
00:38:46,239 --> 00:38:48,319
Speaker 4: figure up with my mam bad to go get my car.

940
00:38:48,440 --> 00:38:50,239
Speaker 4: It's like, I'm not supposed to be still living like

941
00:38:50,320 --> 00:38:52,840
Speaker 4: this at that moment. But it was a very important

942
00:38:52,840 --> 00:38:54,759
Speaker 4: turning point in my life. And it's kind of a

943
00:38:54,840 --> 00:38:57,000
Speaker 4: life lesson. So I try to kind of recreate some

944
00:38:57,080 --> 00:38:59,439
Speaker 4: of these life lessons that were honestly like a little

945
00:38:59,480 --> 00:39:02,319
Speaker 4: traumatic and be able to kind of poke fun at

946
00:39:02,400 --> 00:39:03,839
Speaker 4: yourself based on the decisions you make.

947
00:39:03,880 --> 00:39:05,719
Speaker 2: So to say, all right, we got more with Vince

948
00:39:05,719 --> 00:39:08,160
Speaker 2: Staples when we come back, don't move. It's the Breakfast Club,

949
00:39:08,200 --> 00:39:12,960
Speaker 2: Good Morning Morning, everybody is DJ Envy Jesse hilarious, Charlamine

950
00:39:12,960 --> 00:39:13,200
Speaker 2: the guy.

951
00:39:13,239 --> 00:39:14,719
Speaker 1: We're still kicking it with Vince Staples.

952
00:39:15,000 --> 00:39:17,960
Speaker 5: Yes, so your mom is played by Vanessa. About Callowie,

953
00:39:17,960 --> 00:39:18,759
Speaker 5: I wasn't working with her.

954
00:39:18,840 --> 00:39:20,359
Speaker 1: I love her. She's great, man.

955
00:39:20,440 --> 00:39:24,600
Speaker 4: She's when you usually work with somebody of that magnitude,

956
00:39:24,960 --> 00:39:27,839
Speaker 4: you don't expect any extras, you get what I'm saying.

957
00:39:28,239 --> 00:39:30,880
Speaker 4: But she auditioned for the role because she wanted to,

958
00:39:31,000 --> 00:39:31,680
Speaker 4: which was crazy.

959
00:39:31,840 --> 00:39:33,000
Speaker 1: I've seen that. I was like with her.

960
00:39:33,640 --> 00:39:36,640
Speaker 4: Yeah, her auditioning for the role was like just unheard

961
00:39:36,680 --> 00:39:39,800
Speaker 4: of for a show of my caliber, somebody with my

962
00:39:39,920 --> 00:39:41,600
Speaker 4: reputation as far as never doing this before.

963
00:39:41,719 --> 00:39:42,960
Speaker 1: So I was assumedly grateful of that.

964
00:39:43,400 --> 00:39:45,640
Speaker 4: I was grateful that she worked with us on every

965
00:39:45,719 --> 00:39:47,759
Speaker 4: fast as far as you know, hair and makeup, all

966
00:39:47,800 --> 00:39:51,040
Speaker 4: those things is very very intricate, and she kind of

967
00:39:51,160 --> 00:39:52,560
Speaker 4: led us in a way that she wanted to be

968
00:39:52,560 --> 00:39:54,120
Speaker 4: able to do how she wanted to be able to

969
00:39:54,200 --> 00:39:57,239
Speaker 4: do it, the research that she applied, siting with me

970
00:39:57,640 --> 00:40:00,640
Speaker 4: asking questions about you know, my mother did position in

971
00:40:00,719 --> 00:40:02,919
Speaker 4: her thought process and how I will want to play

972
00:40:03,040 --> 00:40:03,840
Speaker 4: what's important to me.

973
00:40:03,880 --> 00:40:04,560
Speaker 1: I don't want to do this.

974
00:40:04,719 --> 00:40:06,320
Speaker 4: I don't know if this is true, if this is

975
00:40:06,400 --> 00:40:08,840
Speaker 4: true as far like to the character itself, and just

976
00:40:09,080 --> 00:40:11,560
Speaker 4: over and over and over again, just giving me insight

977
00:40:11,719 --> 00:40:13,680
Speaker 4: on how this thing worked. And she's been doing it

978
00:40:13,719 --> 00:40:16,080
Speaker 4: for an extremely long time. So I was extremely grateful

979
00:40:16,120 --> 00:40:18,879
Speaker 4: for her. But the opportunity to have her in my show,

980
00:40:18,960 --> 00:40:20,880
Speaker 4: and just even to this day, like she always hit

981
00:40:20,920 --> 00:40:22,880
Speaker 4: me up, give me vice, jars, make sure I know

982
00:40:22,960 --> 00:40:25,200
Speaker 4: what's going on. I really really appreciate that.

983
00:40:25,320 --> 00:40:27,360
Speaker 1: Yeah, it's like a mother figure for real. Yeah, and

984
00:40:27,560 --> 00:40:29,920
Speaker 1: especially like she don't got to do none of that.

985
00:40:30,040 --> 00:40:32,520
Speaker 4: She can go to work and go home, and she

986
00:40:32,760 --> 00:40:34,840
Speaker 4: made sure to kind of make sure I know what

987
00:40:34,880 --> 00:40:36,440
Speaker 4: I was doing, especially being the first time I had

988
00:40:36,480 --> 00:40:39,480
Speaker 4: never acted, ever written, never produced, never done nothing before.

989
00:40:39,800 --> 00:40:42,680
Speaker 4: So just having her kind of teach me how you

990
00:40:42,719 --> 00:40:45,319
Speaker 4: should be treated and what you should demand, Like her

991
00:40:45,400 --> 00:40:48,440
Speaker 4: and Kenya were extremely important and kind of giving the information.

992
00:40:48,880 --> 00:40:51,080
Speaker 4: And Kenya is different because it's her it's his job.

993
00:40:51,160 --> 00:40:52,239
Speaker 4: Excuse me, it's not her.

994
00:40:52,280 --> 00:40:54,200
Speaker 1: Job to do that at all. So I really really

995
00:40:54,239 --> 00:40:54,719
Speaker 1: appreciate it.

996
00:40:54,719 --> 00:40:56,600
Speaker 4: And just seeing how good she is, like of course

997
00:40:56,640 --> 00:40:59,520
Speaker 4: you know she's good, but on set, her being able to,

998
00:40:59,600 --> 00:41:02,320
Speaker 4: like chack I guess her direction and also kind of

999
00:41:02,360 --> 00:41:04,520
Speaker 4: helping direct our camera department, helping her because we had

1000
00:41:04,560 --> 00:41:06,960
Speaker 4: a really really really small team, so kind of her

1001
00:41:07,040 --> 00:41:08,560
Speaker 4: feeling in the void when she didn't have to it, Like,

1002
00:41:08,640 --> 00:41:09,400
Speaker 4: I really appreciate it.

1003
00:41:09,800 --> 00:41:11,719
Speaker 1: How close is she to your mom in real life?

1004
00:41:12,400 --> 00:41:12,799
Speaker 3: My mom?

1005
00:41:13,120 --> 00:41:16,480
Speaker 4: My mom a little bit more turned up camera. Yeah,

1006
00:41:16,480 --> 00:41:18,200
Speaker 4: but mom she cool, though, my mom cool? But my

1007
00:41:18,320 --> 00:41:19,960
Speaker 4: mom is my MoMA interested.

1008
00:41:20,080 --> 00:41:21,759
Speaker 1: Man, does your mom really like jail?

1009
00:41:22,040 --> 00:41:24,919
Speaker 4: No, but my mom has said that before. My MoMA

1010
00:41:24,960 --> 00:41:26,759
Speaker 4: ain't nothing wrong with it, that's my mama said. But

1011
00:41:26,840 --> 00:41:29,080
Speaker 4: mama's one of the people right where you have your circumstances.

1012
00:41:29,200 --> 00:41:31,480
Speaker 4: Like we talk about our triggers in our kind of

1013
00:41:32,080 --> 00:41:34,359
Speaker 4: our environment and how it changes us. So my mom

1014
00:41:34,480 --> 00:41:36,960
Speaker 4: the type of person that, no matter what, everybody that

1015
00:41:37,120 --> 00:41:39,319
Speaker 4: came with us, they right until we get to the house. Right.

1016
00:41:39,440 --> 00:41:43,040
Speaker 4: So my mom has an understanding point of view on everything.

1017
00:41:43,160 --> 00:41:45,680
Speaker 4: But she also holds you accountable for the things that

1018
00:41:45,840 --> 00:41:48,279
Speaker 4: you do. We was kids, She's like, I ain't picking

1019
00:41:48,280 --> 00:41:50,239
Speaker 4: you all up second time, Like you get one free

1020
00:41:50,239 --> 00:41:51,680
Speaker 4: we you get a free one. I'm gonna get you

1021
00:41:51,960 --> 00:41:52,279
Speaker 4: after that.

1022
00:41:52,640 --> 00:41:53,160
Speaker 1: It's on you.

1023
00:41:54,600 --> 00:41:56,560
Speaker 4: This happened that my mom my mom done walked in

1024
00:41:56,600 --> 00:41:58,680
Speaker 4: the room before all my mommies in living room and

1025
00:41:58,760 --> 00:41:59,799
Speaker 4: then somebody's telling joke.

1026
00:42:00,040 --> 00:42:02,279
Speaker 1: I started laughing. My mama just say he gonna tell

1027
00:42:02,880 --> 00:42:03,920
Speaker 1: dangne of that.

1028
00:42:04,160 --> 00:42:07,720
Speaker 4: And he told too that it was a little crazy

1029
00:42:07,800 --> 00:42:10,959
Speaker 4: that a liar he was told. Man, But my mom,

1030
00:42:11,360 --> 00:42:14,120
Speaker 4: her experience is kind of mirror ours. And it's weird

1031
00:42:14,200 --> 00:42:16,560
Speaker 4: growing up with a mother who understands like kind of

1032
00:42:16,640 --> 00:42:19,319
Speaker 4: the nuance of the situation when you're younger, but as

1033
00:42:19,360 --> 00:42:21,080
Speaker 4: you get older, you go to appreciate it. And I

1034
00:42:21,120 --> 00:42:23,600
Speaker 4: think it's a lot of the times we have a

1035
00:42:23,680 --> 00:42:25,840
Speaker 4: point of view. I guess the women in these communities,

1036
00:42:25,880 --> 00:42:27,839
Speaker 4: especially when think about film and just art that takes

1037
00:42:27,880 --> 00:42:30,880
Speaker 4: place in southern California, Like it's always the mom crying

1038
00:42:30,960 --> 00:42:33,040
Speaker 4: over the dead body and no, baby, don't do this.

1039
00:42:33,239 --> 00:42:35,759
Speaker 4: That's not how any of my homies mothers are. Because

1040
00:42:35,760 --> 00:42:37,160
Speaker 4: you got to think about the black community. I was

1041
00:42:37,200 --> 00:42:38,840
Speaker 4: born in ninety niney three, so just kind of the

1042
00:42:38,920 --> 00:42:40,960
Speaker 4: state that California was in at that point in time

1043
00:42:41,000 --> 00:42:42,279
Speaker 4: to state that the streets was in the states for

1044
00:42:42,320 --> 00:42:46,920
Speaker 4: our community, drugs, alcoholism, I guess, homelessness, lack of jobs, lack.

1045
00:42:46,760 --> 00:42:49,240
Speaker 1: Of resources, they couldn't be soft exactly.

1046
00:42:49,800 --> 00:42:52,040
Speaker 4: And I think kind of having a mother figure in

1047
00:42:52,080 --> 00:42:55,680
Speaker 4: the show that help the characters responsible was extremely important

1048
00:42:55,680 --> 00:42:58,279
Speaker 4: because my mom, she's not giving you no passes, but

1049
00:42:58,480 --> 00:43:00,480
Speaker 4: she's not gonna shy away from loving you.

1050
00:43:00,600 --> 00:43:01,760
Speaker 1: But you don't get those pasts.

1051
00:43:02,000 --> 00:43:03,920
Speaker 6: And I read you used to send scripts and run

1052
00:43:04,000 --> 00:43:05,440
Speaker 6: show ideas by Quentinn Brunson.

1053
00:43:06,120 --> 00:43:10,480
Speaker 4: I sent Quinja in one of the scripts. She was like, yeah,

1054
00:43:10,520 --> 00:43:12,720
Speaker 4: I'm gonna lie be nervous. You know, you send the scripts.

1055
00:43:12,920 --> 00:43:15,319
Speaker 4: But she kind of cause, like I said, I've never

1056
00:43:15,360 --> 00:43:17,040
Speaker 4: done it before. Yeah, so you know, you kind of

1057
00:43:17,160 --> 00:43:19,920
Speaker 4: get to be around these people. I was lucky enough

1058
00:43:19,960 --> 00:43:21,480
Speaker 4: to be a part of her show, and then we

1059
00:43:21,560 --> 00:43:23,200
Speaker 4: kind of afforded your relationship. We had done the show

1060
00:43:23,239 --> 00:43:26,480
Speaker 4: previously with those animations, so we didn't really communicate that much.

1061
00:43:26,960 --> 00:43:29,960
Speaker 4: But she been a really really big help. Her talent

1062
00:43:30,040 --> 00:43:33,200
Speaker 4: and her professionalism and just the way that she runs

1063
00:43:33,280 --> 00:43:37,000
Speaker 4: that operation, you know, for that big company. It's understated,

1064
00:43:37,080 --> 00:43:38,920
Speaker 4: like she does an amazing job. I don't know if

1065
00:43:38,920 --> 00:43:40,960
Speaker 4: I ran across somebody who does it as good as

1066
00:43:41,000 --> 00:43:43,080
Speaker 4: she does in the manner that she does it. So

1067
00:43:43,280 --> 00:43:45,160
Speaker 4: I was just really grateful that she was able to

1068
00:43:45,200 --> 00:43:47,600
Speaker 4: even look at it and also let you know that, like,

1069
00:43:47,680 --> 00:43:50,320
Speaker 4: you know what you're doing because especially not having information,

1070
00:43:50,520 --> 00:43:52,600
Speaker 4: not having access a certain thing. You know, these people

1071
00:43:52,640 --> 00:43:54,160
Speaker 4: that done went to college for this stuff, like, I

1072
00:43:54,280 --> 00:43:57,360
Speaker 4: value their opinion, and Yeah, it was a good opportunity

1073
00:43:57,440 --> 00:43:58,279
Speaker 4: to be able to share with her.

1074
00:43:58,600 --> 00:44:00,680
Speaker 6: Yeah, I'm gonna ask you a question as they random,

1075
00:44:00,800 --> 00:44:02,319
Speaker 6: was They're gonna be random to the people who haven't

1076
00:44:02,320 --> 00:44:03,719
Speaker 6: seen the show yet, but they're not gonna be random

1077
00:44:03,760 --> 00:44:03,840
Speaker 6: to you.

1078
00:44:03,960 --> 00:44:04,320
Speaker 4: I got you.

1079
00:44:04,480 --> 00:44:06,000
Speaker 1: What did the music do to Michael Jackson?

1080
00:44:06,320 --> 00:44:10,279
Speaker 4: Man, look at it everything, bro take his childhood that case.

1081
00:44:11,000 --> 00:44:14,279
Speaker 4: It's music. Music can be tumultuous, bro like, and I

1082
00:44:14,360 --> 00:44:16,520
Speaker 4: think that a lot of the time, we're so busy

1083
00:44:16,960 --> 00:44:19,680
Speaker 4: focusing on the music and what it gives to us,

1084
00:44:19,760 --> 00:44:21,600
Speaker 4: we don't ever look at the like, look at the

1085
00:44:21,680 --> 00:44:23,879
Speaker 4: bro look at bro. Like when I was a kid

1086
00:44:24,040 --> 00:44:27,000
Speaker 4: and I seen Michael Jackson, I didn't know of Michael Jackson.

1087
00:44:27,200 --> 00:44:29,160
Speaker 4: I'm only thirty, so my whole life I was like,

1088
00:44:29,239 --> 00:44:29,960
Speaker 4: this is crazy.

1089
00:44:31,800 --> 00:44:34,040
Speaker 1: My whole life. It's like, I never looked at Michael Jackson,

1090
00:44:34,239 --> 00:44:35,959
Speaker 1: was like, oh man, that's a cool flight.

1091
00:44:36,920 --> 00:44:40,879
Speaker 4: Michael and then you get older and then you see

1092
00:44:41,320 --> 00:44:43,279
Speaker 4: I remember my first time seeing it was like the

1093
00:44:43,600 --> 00:44:45,600
Speaker 4: movie that the made for TV movie they had with

1094
00:44:45,680 --> 00:44:50,759
Speaker 4: you at the rat and un American Jackson American Family, the.

1095
00:44:50,760 --> 00:44:53,560
Speaker 1: One Jason Weaver played. Wait, I was gonna say, flex Washington, No,

1096
00:44:53,680 --> 00:44:56,480
Speaker 1: that was that was crazy. That was crazy too. Now

1097
00:44:56,520 --> 00:45:00,520
Speaker 1: that yeah Jackson. I was like, this ain't cool, like this,

1098
00:45:00,680 --> 00:45:02,800
Speaker 1: what happened is this? That's what happened? Bro y'all like,

1099
00:45:02,880 --> 00:45:06,320
Speaker 1: y'all let this happen like everybody like, oh, that's Mike, Like, no,

1100
00:45:06,400 --> 00:45:07,200
Speaker 1: that's terrible.

1101
00:45:07,360 --> 00:45:09,040
Speaker 6: You know the interesting thing about Mike, you know how

1102
00:45:09,080 --> 00:45:10,879
Speaker 6: they say the whole you know, Bill Cobby was trying

1103
00:45:10,920 --> 00:45:11,879
Speaker 6: to buy a NBC thing.

1104
00:45:12,480 --> 00:45:15,120
Speaker 1: Mike really owned half of the music industries published.

1105
00:45:15,600 --> 00:45:17,320
Speaker 6: No black man is supposed to have that kind of

1106
00:45:17,360 --> 00:45:19,800
Speaker 6: power in the music injurty, but nobody ever said it

1107
00:45:19,880 --> 00:45:21,680
Speaker 6: was a conspiracy to bring Michael Jackson.

1108
00:45:21,480 --> 00:45:24,279
Speaker 4: That look, man, that's all I'm saying. I'm saying it

1109
00:45:24,480 --> 00:45:25,960
Speaker 4: looked like he was in a so freaking.

1110
00:45:25,880 --> 00:45:28,200
Speaker 1: Man, we talked about that. Oh man, Mike was innocent. Man,

1111
00:45:28,320 --> 00:45:29,319
Speaker 1: I'm not saying he wasn't.

1112
00:45:29,360 --> 00:45:31,600
Speaker 4: I'm not saying he was I'm saying that if he

1113
00:45:31,880 --> 00:45:34,400
Speaker 4: had anything going on, I wouldn't be surprised.

1114
00:45:34,560 --> 00:45:36,520
Speaker 1: All I'm saying is in life looked a little rough.

1115
00:45:36,600 --> 00:45:39,200
Speaker 1: He got investigated by the FBI was seventeen years.

1116
00:45:38,960 --> 00:45:41,000
Speaker 4: I'm not even talking about that. I'm talking about that

1117
00:45:41,160 --> 00:45:44,880
Speaker 4: wig Bro. You talking about these kids. I'm saying, regardless,

1118
00:45:45,200 --> 00:45:47,120
Speaker 4: see how you see how you see how we're trying

1119
00:45:47,160 --> 00:45:50,080
Speaker 4: to kind of trying to sidetrack it with the accomplishments

1120
00:45:50,120 --> 00:45:52,239
Speaker 4: instead of being like, hey, this is your life up.

1121
00:45:52,400 --> 00:45:54,640
Speaker 4: What I'm saying is, no matter what happened, look at

1122
00:45:54,680 --> 00:45:56,640
Speaker 4: that well that the music, got the money and the fame.

1123
00:45:56,840 --> 00:45:58,960
Speaker 6: He was the most famous man on earth, probably the

1124
00:45:59,000 --> 00:46:02,320
Speaker 6: most famous person ever that walked the face through the show.

1125
00:46:02,440 --> 00:46:07,320
Speaker 1: And look at you. Damn it's not true, he said, trauma. No,

1126
00:46:07,520 --> 00:46:08,160
Speaker 1: it's not true.

1127
00:46:08,760 --> 00:46:12,680
Speaker 4: Man, that weave with that nosey Mike up.

1128
00:46:12,760 --> 00:46:14,279
Speaker 1: Man, they need to we need to say we need

1129
00:46:14,360 --> 00:46:18,080
Speaker 1: a sorry Mike Day, like my bad Micael.

1130
00:46:19,880 --> 00:46:22,080
Speaker 6: I like that, my bad MJ. We're gonna do that

1131
00:46:22,200 --> 00:46:25,000
Speaker 6: on his birthday. Man, you started doing this show on

1132
00:46:25,120 --> 00:46:27,319
Speaker 6: YouTube right about five years ago. Man.

1133
00:46:27,719 --> 00:46:30,239
Speaker 4: So originally, when I first started doing music, I never

1134
00:46:30,239 --> 00:46:31,719
Speaker 4: been like the biggest artist. So when started doing music,

1135
00:46:31,760 --> 00:46:33,440
Speaker 4: people will kind of gravitate to our certain things. We

1136
00:46:33,520 --> 00:46:35,200
Speaker 4: like your music videos, we like this, we like that.

1137
00:46:35,520 --> 00:46:37,760
Speaker 4: And I never been like ignorant of the world around

1138
00:46:37,800 --> 00:46:37,920
Speaker 4: you me.

1139
00:46:38,000 --> 00:46:38,520
Speaker 1: You know what I mean.

1140
00:46:38,560 --> 00:46:39,960
Speaker 4: I know what I'm good at, I know what I'm

1141
00:46:40,000 --> 00:46:41,960
Speaker 4: not good at. So I always thought, Okay, what's the

1142
00:46:42,040 --> 00:46:44,520
Speaker 4: limits that we can push probably visual medium, same thing

1143
00:46:44,560 --> 00:46:46,960
Speaker 4: with interviews and stuff of that nature. So we had

1144
00:46:46,960 --> 00:46:49,000
Speaker 4: a bunch of meanings had to be like seven, eight,

1145
00:46:49,120 --> 00:46:51,520
Speaker 4: nine years ago, and I'm going to everybody, we want

1146
00:46:51,560 --> 00:46:54,040
Speaker 4: to do a show, and it was nah, maybe later

1147
00:46:54,280 --> 00:46:55,920
Speaker 4: were working on this, you got some music for that,

1148
00:46:56,120 --> 00:46:57,560
Speaker 4: it wasn't paning out, So I just kind of did

1149
00:46:57,640 --> 00:47:00,120
Speaker 4: more work out of a bunch of voiceover stuff. I

1150
00:47:00,200 --> 00:47:03,440
Speaker 4: did some smaller roles on other films though, being one

1151
00:47:03,480 --> 00:47:05,359
Speaker 4: of the first, and then we did the YouTube thing

1152
00:47:05,880 --> 00:47:08,120
Speaker 4: for a couple episodes, and that's kind of how we

1153
00:47:08,400 --> 00:47:10,040
Speaker 4: got the chops up and kind of learn how to

1154
00:47:10,120 --> 00:47:11,759
Speaker 4: do it. Then I think a year or two after

1155
00:47:11,840 --> 00:47:13,960
Speaker 4: that is when we got the opportunity to kind of

1156
00:47:14,040 --> 00:47:14,920
Speaker 4: go through Netflix.

1157
00:47:15,239 --> 00:47:16,120
Speaker 1: We'll go with Kenya.

1158
00:47:16,320 --> 00:47:18,520
Speaker 4: We got Kenya and a couple other people Kenya to me.

1159
00:47:18,920 --> 00:47:20,839
Speaker 4: It was the most honest, and he was the most

1160
00:47:21,480 --> 00:47:23,880
Speaker 4: understanding that I was trying to make something and it

1161
00:47:24,080 --> 00:47:26,400
Speaker 4: wasn't I need you to make this for me type situation.

1162
00:47:26,960 --> 00:47:28,880
Speaker 4: And so we got the situation with him and Netflix

1163
00:47:28,960 --> 00:47:30,640
Speaker 4: and COVID hit. So we had to sit that out

1164
00:47:30,680 --> 00:47:32,920
Speaker 4: and then when COVID happened, they picked it back up thankfully.

1165
00:47:33,400 --> 00:47:34,200
Speaker 4: Now we're here, all right.

1166
00:47:34,200 --> 00:47:36,400
Speaker 2: We got more with Vince Staples when we come back. Now,

1167
00:47:36,480 --> 00:47:38,640
Speaker 2: Vince said he never fell in love with hip hop.

1168
00:47:38,680 --> 00:47:40,120
Speaker 2: You gotta ask him about it when we come back,

1169
00:47:40,120 --> 00:47:41,680
Speaker 2: So don't move. It's to Breakfast Club in the morning.

1170
00:47:41,760 --> 00:47:43,480
Speaker 1: But we're still kicking it with Vince Staples.

1171
00:47:43,520 --> 00:47:46,399
Speaker 2: Do you all to Breakfast Club? DJ MV Jesse, Larry

1172
00:47:46,440 --> 00:47:47,480
Speaker 2: is Charlomage to God.

1173
00:47:48,239 --> 00:47:51,839
Speaker 6: Is the challenging to take your natural humor and wit

1174
00:47:52,320 --> 00:47:54,720
Speaker 6: and put it into a scripted, fictional format.

1175
00:47:55,200 --> 00:47:57,480
Speaker 1: Nah, brocause I don't even be jogging like that, Bro,

1176
00:47:57,640 --> 00:47:59,000
Speaker 1: Like I I'll be chilling, you know.

1177
00:48:00,120 --> 00:48:02,359
Speaker 5: Telly, He's so serious. So I'm like, why you're gonna

1178
00:48:02,360 --> 00:48:03,280
Speaker 5: bring up what I said.

1179
00:48:07,200 --> 00:48:09,279
Speaker 1: Even the way, Like what's up?

1180
00:48:09,360 --> 00:48:09,440
Speaker 9: Bro?

1181
00:48:09,600 --> 00:48:14,760
Speaker 1: I'm like, Nah, don't tell them nothing, not saying people.

1182
00:48:15,640 --> 00:48:18,520
Speaker 4: I'll be triping the writing is the easy part, bro,

1183
00:48:18,680 --> 00:48:21,040
Speaker 4: like that that's not I think that's probably the part

1184
00:48:21,080 --> 00:48:24,120
Speaker 4: I gravitated to the most. And I think the thing

1185
00:48:24,160 --> 00:48:26,120
Speaker 4: about making the show, especially when you have some sort

1186
00:48:26,120 --> 00:48:28,680
Speaker 4: of notoriety, is that the perception can be off right.

1187
00:48:28,719 --> 00:48:30,440
Speaker 1: People was thinking of auster Vin Staples show.

1188
00:48:30,480 --> 00:48:32,160
Speaker 4: So like when you kind of doing the scripts, it's like,

1189
00:48:32,360 --> 00:48:35,200
Speaker 4: I'm not necessarily the main character in any of these episodes.

1190
00:48:35,239 --> 00:48:36,839
Speaker 4: The environment is the main character, but it's the show

1191
00:48:36,920 --> 00:48:39,399
Speaker 4: because like it's my perspective on hobby of the world

1192
00:48:39,480 --> 00:48:41,239
Speaker 4: and how I feel black people interact with each other.

1193
00:48:41,280 --> 00:48:43,640
Speaker 4: It's not really ever about me in the show at all.

1194
00:48:43,960 --> 00:48:46,200
Speaker 4: That's why the writing is really important because when you

1195
00:48:46,239 --> 00:48:48,680
Speaker 4: think about the Bank episode, right, the Bank episode to

1196
00:48:48,760 --> 00:48:51,000
Speaker 4: me is tackling a lot of things like, all right,

1197
00:48:51,280 --> 00:48:52,080
Speaker 4: you just seen.

1198
00:48:52,200 --> 00:48:53,240
Speaker 1: Today JP Morgan.

1199
00:48:53,280 --> 00:48:55,680
Speaker 4: I've seen a clip of the JP Morgan do apologizing

1200
00:48:55,760 --> 00:48:59,120
Speaker 4: for being institutional slavery, but that's part of the episode

1201
00:48:59,320 --> 00:49:00,440
Speaker 4: that we have, know what I mean.

1202
00:49:00,480 --> 00:49:01,920
Speaker 1: So it's like being able to tackle.

1203
00:49:01,680 --> 00:49:04,040
Speaker 4: Those things are important because I be in place and

1204
00:49:04,120 --> 00:49:05,879
Speaker 4: I'd be like, y'all just gonna let these white folks

1205
00:49:06,000 --> 00:49:08,520
Speaker 4: like like dud this in our face, like and we

1206
00:49:08,600 --> 00:49:09,960
Speaker 4: all love him so much and not just like you

1207
00:49:10,200 --> 00:49:11,719
Speaker 4: know white people, like I know, I got like I

1208
00:49:11,760 --> 00:49:13,840
Speaker 4: got like I got like one white friend like probably wanted.

1209
00:49:13,680 --> 00:49:15,560
Speaker 1: A half, so it's like one and a half.

1210
00:49:15,719 --> 00:49:20,120
Speaker 4: Yeah, well he like six far six eight, you know

1211
00:49:20,160 --> 00:49:21,719
Speaker 4: what I mean, I got it. I probably say three.

1212
00:49:21,760 --> 00:49:23,960
Speaker 4: I got another six foot white boy that he my engineer,

1213
00:49:24,040 --> 00:49:26,240
Speaker 4: so he kind I guess but shout.

1214
00:49:26,040 --> 00:49:26,719
Speaker 1: Out tired of what's up?

1215
00:49:26,719 --> 00:49:26,839
Speaker 13: Bro?

1216
00:49:27,160 --> 00:49:28,560
Speaker 1: But uh we we brought.

1217
00:49:28,640 --> 00:49:30,799
Speaker 4: The writing of it is important because it's so much

1218
00:49:30,880 --> 00:49:33,200
Speaker 4: that I think kind of goes on said, So I

1219
00:49:33,400 --> 00:49:36,600
Speaker 4: like translating it into writing it is easier because if

1220
00:49:36,680 --> 00:49:39,520
Speaker 4: I just start saying somebody feeling, then I'm gonna look crazy.

1221
00:49:39,640 --> 00:49:43,080
Speaker 1: No, trust me, you got some of that in here.

1222
00:49:43,719 --> 00:49:46,279
Speaker 6: Yeah, like when the dude walks away from the at

1223
00:49:46,320 --> 00:49:47,879
Speaker 6: the f and he's like, why are we black?

1224
00:49:48,960 --> 00:49:50,880
Speaker 1: But all right, so that's a true story.

1225
00:49:52,080 --> 00:49:53,839
Speaker 4: I got an uncle name went for shout I'm going

1226
00:49:54,280 --> 00:49:56,360
Speaker 4: cold man, and he got drunk whe and he was

1227
00:49:56,400 --> 00:49:57,080
Speaker 4: asking that question.

1228
00:49:57,200 --> 00:49:58,759
Speaker 1: My mom was like, shut up, But I felt bro,

1229
00:49:58,880 --> 00:50:00,680
Speaker 1: because I'm like, what are that even mean? Like if

1230
00:50:00,719 --> 00:50:02,440
Speaker 1: we really like get in deep.

1231
00:50:02,239 --> 00:50:04,200
Speaker 6: I don't think you're black if you've never asked that question,

1232
00:50:04,480 --> 00:50:06,359
Speaker 6: not saying that you don't want to be black. Yeah,

1233
00:50:06,520 --> 00:50:08,600
Speaker 6: when you think about all the things black people have

1234
00:50:08,680 --> 00:50:10,880
Speaker 6: had to deal with in this country.

1235
00:50:11,000 --> 00:50:13,920
Speaker 1: Why are we black? But why are we going through?

1236
00:50:13,960 --> 00:50:16,440
Speaker 1: That's what I think he was trying to say. Yeah,

1237
00:50:17,600 --> 00:50:20,360
Speaker 1: because it's willis like my family is helography.

1238
00:50:20,440 --> 00:50:22,680
Speaker 4: So we had like a family type thing and it's

1239
00:50:22,800 --> 00:50:25,480
Speaker 4: like you know sometimes black people like infect churchie. Yeah,

1240
00:50:25,640 --> 00:50:27,799
Speaker 4: so my family, everybody in my family had a fake

1241
00:50:27,920 --> 00:50:29,880
Speaker 4: like come to Jesus moment, and it always get way

1242
00:50:29,920 --> 00:50:31,279
Speaker 4: worse when it was done. So this was the end

1243
00:50:31,320 --> 00:50:35,520
Speaker 4: of somebody like save your moment. So my uncle Whifford argue,

1244
00:50:35,719 --> 00:50:37,880
Speaker 4: I just got a question. He's I just don't understand

1245
00:50:38,160 --> 00:50:41,359
Speaker 4: why is we black? Dan, And everybody was like shut

1246
00:50:41,400 --> 00:50:43,879
Speaker 4: the fick up, like drunk, But his feelings was really

1247
00:50:43,960 --> 00:50:46,040
Speaker 4: hurt because like you're arguing in my house, I don't

1248
00:50:46,080 --> 00:50:48,840
Speaker 4: understand what's going on. It's like if you just say that,

1249
00:50:48,880 --> 00:50:50,719
Speaker 4: if I just walked up here and said that, I'm

1250
00:50:50,719 --> 00:50:52,520
Speaker 4: a little crazy on the internet. So being able to

1251
00:50:52,560 --> 00:50:54,839
Speaker 4: write it and give it context and show the things

1252
00:50:54,880 --> 00:50:56,479
Speaker 4: that happened kind of make it a little bit easier.

1253
00:50:56,520 --> 00:50:57,120
Speaker 1: But he was drunk.

1254
00:50:57,160 --> 00:50:59,600
Speaker 3: He was thinking he was your uncle probably been through

1255
00:50:59,719 --> 00:51:02,399
Speaker 3: so much and just seeing so much, and it's like, man,

1256
00:51:02,480 --> 00:51:03,560
Speaker 3: why we gotta and.

1257
00:51:03,600 --> 00:51:05,880
Speaker 4: I be feeling bad for people from that generation. That's

1258
00:51:05,880 --> 00:51:07,840
Speaker 4: my grandy sister has, My grandy sister just died. My

1259
00:51:07,840 --> 00:51:09,719
Speaker 4: granny and my grandsister just died. They was getting old

1260
00:51:09,800 --> 00:51:12,239
Speaker 4: or whatnot. So I'm we at the funeral and I'm like,

1261
00:51:12,280 --> 00:51:14,040
Speaker 4: what's up I gonna with for you good? He's like, yeah,

1262
00:51:14,080 --> 00:51:18,040
Speaker 4: you know, Vergie did, so you know I'm gonna just

1263
00:51:18,120 --> 00:51:20,799
Speaker 4: be at the house, like come on down. It's like, damn,

1264
00:51:20,840 --> 00:51:22,320
Speaker 4: You're like, you don't think that sounds crazy.

1265
00:51:22,680 --> 00:51:23,560
Speaker 1: He's like, what you mean.

1266
00:51:23,840 --> 00:51:26,000
Speaker 4: I'm like, your whole life is just been sorrow like

1267
00:51:26,200 --> 00:51:27,920
Speaker 4: talk like a sharecropper from Arkansas.

1268
00:51:29,400 --> 00:51:31,840
Speaker 1: Like it's like he still see horses every day. You

1269
00:51:31,920 --> 00:51:33,840
Speaker 1: probably don't see no no translation.

1270
00:51:34,160 --> 00:51:36,560
Speaker 4: Yeah, So the stuff that we deal with as people

1271
00:51:36,840 --> 00:51:39,719
Speaker 4: is real interesting, man, and you just gotta kind of

1272
00:51:39,800 --> 00:51:42,040
Speaker 4: tread on it lightly, just to be I don't even

1273
00:51:42,239 --> 00:51:44,239
Speaker 4: trade lightly, because when you were making stuff us, we

1274
00:51:44,400 --> 00:51:47,160
Speaker 4: understand it, but you want to be I guess sensitive

1275
00:51:47,200 --> 00:51:48,719
Speaker 4: to the stuff that we deal with every day and

1276
00:51:48,760 --> 00:51:51,120
Speaker 4: now make it seem like you poking fun at ourselves,

1277
00:51:51,160 --> 00:51:52,520
Speaker 4: cause what we don't want to do is we don't

1278
00:51:52,560 --> 00:51:54,600
Speaker 4: want to kind of go to these people's platforms and

1279
00:51:55,200 --> 00:51:59,520
Speaker 4: poke fun at ourselves and kind of be slapstickish almost,

1280
00:51:59,520 --> 00:52:01,440
Speaker 4: you know what I'm sing because with my thing like,

1281
00:52:01,480 --> 00:52:03,239
Speaker 4: oh man, it's just it's just dry. This is that

1282
00:52:03,400 --> 00:52:05,160
Speaker 4: r But it worked for Wilfred, it worked for Louis.

1283
00:52:05,160 --> 00:52:06,919
Speaker 4: You work for Curve, to work for all these other people,

1284
00:52:06,960 --> 00:52:08,480
Speaker 4: So I can do a show like this, Well, we

1285
00:52:08,560 --> 00:52:10,719
Speaker 4: can't start the show like this if the perspective is

1286
00:52:10,719 --> 00:52:12,560
Speaker 4: gonna be all. But if we utilize this lens and

1287
00:52:12,600 --> 00:52:14,480
Speaker 4: then we do a slow panel, then we can still

1288
00:52:14,480 --> 00:52:17,000
Speaker 4: showcase the environment while showing emotion of the characters and

1289
00:52:17,120 --> 00:52:18,960
Speaker 4: we start talking like that, then they gotta just let

1290
00:52:19,000 --> 00:52:20,520
Speaker 4: you do what you want to do, which why the

1291
00:52:20,600 --> 00:52:23,080
Speaker 4: information is important in the writing is important just making

1292
00:52:23,080 --> 00:52:25,160
Speaker 4: sure that you are able to articulate to someone who

1293
00:52:25,239 --> 00:52:27,960
Speaker 4: don't understand because they looking at it it's math because

1294
00:52:28,040 --> 00:52:29,799
Speaker 4: with them, they got the world, so they don't got

1295
00:52:29,880 --> 00:52:31,440
Speaker 4: to worry about the stuff that they say, the stuff

1296
00:52:31,440 --> 00:52:33,440
Speaker 4: that they do because and I'm not saying this in

1297
00:52:33,800 --> 00:52:35,960
Speaker 4: a demeaning way, but just like all right, hostitially. It's

1298
00:52:36,000 --> 00:52:38,440
Speaker 4: the same stuff that we kind of champions you carry for,

1299
00:52:38,880 --> 00:52:41,439
Speaker 4: we don't try to perry for. Yeah, but it's based

1300
00:52:41,440 --> 00:52:43,360
Speaker 4: on the way of the circumstances in the community. And

1301
00:52:43,480 --> 00:52:45,239
Speaker 4: you know how people view these things, you call them

1302
00:52:45,560 --> 00:52:47,200
Speaker 4: if you were black, you know what I'm saying.

1303
00:52:47,600 --> 00:52:49,520
Speaker 1: So it's like you gotta be mindful of the fact

1304
00:52:49,520 --> 00:52:51,319
Speaker 1: that people do feel that way when you create these

1305
00:52:51,360 --> 00:52:54,439
Speaker 1: things and they have mass representation exactly. Yeah, yeah, yeah,

1306
00:52:54,600 --> 00:52:56,759
Speaker 1: So why aren't we black because we're lucky, you know

1307
00:52:56,800 --> 00:52:58,000
Speaker 1: what I'm saying. That's what I look at it. You

1308
00:52:58,040 --> 00:52:59,680
Speaker 1: know what I mean, I like it. I wouldn't want

1309
00:52:59,719 --> 00:53:02,799
Speaker 1: to be the mother thing, know what the other things? Yeah,

1310
00:53:02,840 --> 00:53:08,359
Speaker 1: I like says being black is dangerous, but it's cool. Yeah, man, Like, yeah,

1311
00:53:08,560 --> 00:53:09,960
Speaker 1: where your seatbelt, man, you'll be out.

1312
00:53:10,160 --> 00:53:12,759
Speaker 6: I love We're gonna get out of here, man, because

1313
00:53:12,760 --> 00:53:13,920
Speaker 6: you know, when just start to get quiet like this,

1314
00:53:14,000 --> 00:53:14,680
Speaker 6: that means you ready to.

1315
00:53:14,680 --> 00:53:17,520
Speaker 1: Go first of all, But why you get off her head?

1316
00:53:17,600 --> 00:53:21,120
Speaker 5: It's like, you know why, I don't understand that I

1317
00:53:22,200 --> 00:53:23,359
Speaker 5: only been up here in two weeks.

1318
00:53:23,400 --> 00:53:24,799
Speaker 1: I want to go. I want to leave, all right.

1319
00:53:24,880 --> 00:53:26,759
Speaker 1: I want to put into you need a vacation this

1320
00:53:26,960 --> 00:53:33,719
Speaker 1: I do. Thank you many Lord? Have you really never

1321
00:53:33,800 --> 00:53:34,799
Speaker 1: fell in love with hip hop?

1322
00:53:35,080 --> 00:53:37,560
Speaker 4: What I meant by that was like, what's that moment?

1323
00:53:37,760 --> 00:53:39,799
Speaker 4: Like if when do you fall in love with your mama?

1324
00:53:40,000 --> 00:53:41,480
Speaker 4: You feel me when you fall in love with your father?

1325
00:53:41,680 --> 00:53:44,839
Speaker 4: Like people not black, they got different experiences. Where when

1326
00:53:44,920 --> 00:53:47,040
Speaker 4: do you discover hip hop? If you were born in

1327
00:53:47,120 --> 00:53:50,040
Speaker 4: nineteen ninety three in the ghetto, when do you walk

1328
00:53:50,080 --> 00:53:52,040
Speaker 4: into a place and they're like, hey, this is hip hop?

1329
00:53:52,400 --> 00:53:54,000
Speaker 4: Like what do we be talking about?

1330
00:53:54,160 --> 00:53:56,200
Speaker 1: Like that's that's to ask me?

1331
00:53:56,239 --> 00:53:57,920
Speaker 4: When I fell in love with like char Cooterie or

1332
00:53:57,960 --> 00:54:00,640
Speaker 4: like some stupid white people like hip is a part

1333
00:54:00,680 --> 00:54:01,239
Speaker 4: of I'm black.

1334
00:54:01,440 --> 00:54:03,800
Speaker 1: It's just there. It's always been there, Like I don't know,

1335
00:54:04,040 --> 00:54:06,600
Speaker 1: Like that's a that's crazy to think about. Bro, It's

1336
00:54:06,600 --> 00:54:10,880
Speaker 1: like when they made Jesus Like what I'm black? We

1337
00:54:11,080 --> 00:54:11,400
Speaker 1: just do it.

1338
00:54:12,000 --> 00:54:13,840
Speaker 6: My last question, me and glass Along was having a

1339
00:54:13,880 --> 00:54:17,120
Speaker 6: conversation right and Glasses was saying, how if you're not

1340
00:54:17,320 --> 00:54:19,759
Speaker 6: from like like hip hop in order to be hip

1341
00:54:19,760 --> 00:54:22,160
Speaker 6: hop has to be from the hood and have a

1342
00:54:22,239 --> 00:54:25,960
Speaker 6: street aesthetic and beyond. I always say you wanted to

1343
00:54:26,000 --> 00:54:27,759
Speaker 6: be on some games? He says, no, that's not what

1344
00:54:27,840 --> 00:54:30,719
Speaker 6: he's saying to me, you hip hop, Kendrick is hip hop,

1345
00:54:30,800 --> 00:54:32,440
Speaker 6: Cole is hip hop. Y'all don't have to do no

1346
00:54:32,560 --> 00:54:34,920
Speaker 6: criminal to be considered hip hop. Do you think you

1347
00:54:35,040 --> 00:54:36,399
Speaker 6: have to do? Because you said that earlier. You talk

1348
00:54:36,400 --> 00:54:40,200
Speaker 6: about can show my my environment? Right, I think great

1349
00:54:40,239 --> 00:54:40,719
Speaker 6: better music.

1350
00:54:41,040 --> 00:54:42,839
Speaker 4: Then Glasses be saying half of what he's trying to say,

1351
00:54:42,840 --> 00:54:44,880
Speaker 4: that's my dog, So I know he be bushing. I

1352
00:54:44,920 --> 00:54:47,880
Speaker 4: feel like the important sentence is for it to be

1353
00:54:48,040 --> 00:54:51,040
Speaker 4: accepted fully because the way that we viewed certain things,

1354
00:54:51,160 --> 00:54:52,680
Speaker 4: that's a very big part of hip hop. That's a

1355
00:54:52,719 --> 00:54:54,440
Speaker 4: very big part of black culture, very big part of

1356
00:54:54,520 --> 00:54:56,200
Speaker 4: being a black male, to be honest, that's a big

1357
00:54:56,200 --> 00:54:57,880
Speaker 4: part of manhood in general, especially for a black man.

1358
00:54:58,480 --> 00:55:01,640
Speaker 4: So if you you're making hip hop and you're saying

1359
00:55:01,719 --> 00:55:04,040
Speaker 4: you come from all these things, but it feels different.

1360
00:55:04,080 --> 00:55:07,000
Speaker 4: It feels like it's not how they view us. Because

1361
00:55:07,480 --> 00:55:10,120
Speaker 4: let's be real, bro, we thirteen forty percent of this population.

1362
00:55:10,360 --> 00:55:12,160
Speaker 4: We got to sell things to people that's not us.

1363
00:55:12,560 --> 00:55:14,960
Speaker 4: So for it to translate, oh, I know what that is.

1364
00:55:15,360 --> 00:55:17,640
Speaker 4: You know what I'm saying, sports, god, jerseys, bro, just

1365
00:55:17,800 --> 00:55:20,560
Speaker 4: is what it is. So I feel like for to

1366
00:55:20,600 --> 00:55:22,840
Speaker 4: fully translate and kind of re certain heights based on

1367
00:55:22,960 --> 00:55:23,840
Speaker 4: how people perceive it.

1368
00:55:24,560 --> 00:55:26,040
Speaker 1: Most of the time, it does have to be that,

1369
00:55:26,440 --> 00:55:27,359
Speaker 1: but that don't make it right.

1370
00:55:27,680 --> 00:55:27,919
Speaker 9: Damn.

1371
00:55:28,200 --> 00:55:29,720
Speaker 1: Do you think you got to have the street elements

1372
00:55:29,760 --> 00:55:30,520
Speaker 1: and the hood elements?

1373
00:55:30,719 --> 00:55:34,440
Speaker 4: I think for their understanding and digestion of it. But

1374
00:55:34,600 --> 00:55:36,640
Speaker 4: what is the street element of it? And what is

1375
00:55:36,680 --> 00:55:37,280
Speaker 4: the hood element?

1376
00:55:37,480 --> 00:55:38,040
Speaker 1: It struggle?

1377
00:55:38,120 --> 00:55:41,600
Speaker 4: It's poverty, it's lack of resources, is lack of family,

1378
00:55:41,680 --> 00:55:42,799
Speaker 4: it's lack of all these things.

1379
00:55:42,960 --> 00:55:44,960
Speaker 1: And that's just the Black experience based on how the

1380
00:55:45,000 --> 00:55:47,120
Speaker 1: world sees it. So it's not just violence.

1381
00:55:47,200 --> 00:55:49,520
Speaker 4: Violence is just the biggest part of it as far

1382
00:55:49,560 --> 00:55:51,800
Speaker 4: as how we speak about it think about I know

1383
00:55:51,920 --> 00:55:55,080
Speaker 4: they exist, but it's way more mother records than it

1384
00:55:55,200 --> 00:55:58,560
Speaker 4: is father records. You get what I'm saying. It's just

1385
00:55:58,640 --> 00:56:02,080
Speaker 4: how our community looks and how kind of we view it,

1386
00:56:02,160 --> 00:56:03,840
Speaker 4: you know what I mean. So I feel like, like

1387
00:56:03,960 --> 00:56:06,320
Speaker 4: I get older and I'm like I feel bad, like

1388
00:56:06,400 --> 00:56:07,920
Speaker 4: kind of for my father, like the relationship that we

1389
00:56:08,000 --> 00:56:10,200
Speaker 4: have for it's like, all right, you got incarceration issue,

1390
00:56:10,200 --> 00:56:12,239
Speaker 4: you got substance issues, Like it ain't like you were

1391
00:56:12,280 --> 00:56:15,000
Speaker 4: just like, yeah, I ain't coming home kids, But based

1392
00:56:15,040 --> 00:56:17,399
Speaker 4: on the perception of how we were talk to, view

1393
00:56:17,440 --> 00:56:19,440
Speaker 4: ourselves and beat the world around us. Everybody said we

1394
00:56:19,440 --> 00:56:22,560
Speaker 4: ain't got no dady, instead of understanding the circumstances, you

1395
00:56:22,600 --> 00:56:23,880
Speaker 4: know what I mean. So I feel like it's kind

1396
00:56:23,880 --> 00:56:26,000
Speaker 4: of that with hip hop, but just understanding the circumstances

1397
00:56:26,040 --> 00:56:26,640
Speaker 4: a little bit better.

1398
00:56:27,080 --> 00:56:29,960
Speaker 1: Vince Stables Show is out now on Netflix. Thank you

1399
00:56:30,040 --> 00:56:32,200
Speaker 1: for coming, Vince. I appreciate you. Appreciate you. Brother. The

1400
00:56:32,239 --> 00:56:34,600
Speaker 1: Breakfast Club, Good morning morning everybody.

1401
00:56:34,640 --> 00:56:37,440
Speaker 4: It's DJ n V Jess Hilairischalla mean the guy we

1402
00:56:37,520 --> 00:56:38,560
Speaker 4: are the Breakfast Club.

1403
00:56:38,960 --> 00:56:46,040
Speaker 1: Let's get to Jess with the message real just is

1404
00:56:46,040 --> 00:56:49,680
Speaker 1: gonna bring you numbers on the Breakfast Club.

1405
00:56:51,200 --> 00:56:51,960
Speaker 6: You could have started.

1406
00:56:52,200 --> 00:56:58,000
Speaker 3: Stan size Eminem co producing documentary that investigates stands now

1407
00:56:58,200 --> 00:56:59,000
Speaker 3: that those are.

1408
00:56:59,320 --> 00:57:02,080
Speaker 5: People that are obsessed with celebrities.

1409
00:57:02,320 --> 00:57:05,400
Speaker 3: A variety reported that Shady Films Company is assisting and

1410
00:57:05,520 --> 00:57:08,840
Speaker 3: creating a documentary that will focus on the rise and

1411
00:57:09,080 --> 00:57:10,560
Speaker 3: intense fandom.

1412
00:57:11,640 --> 00:57:12,760
Speaker 1: When it comes to music.

1413
00:57:13,200 --> 00:57:16,840
Speaker 3: A recent example is like basically like remember the recent

1414
00:57:17,000 --> 00:57:20,120
Speaker 3: Nikki and Megan beef, Like the cemetery had to call

1415
00:57:20,200 --> 00:57:22,479
Speaker 3: for extra security of Meg the stewing his mother's grave

1416
00:57:22,840 --> 00:57:25,320
Speaker 3: during her beef with Nikki like something like that, or

1417
00:57:25,360 --> 00:57:28,400
Speaker 3: how like when oh my god, this is bad. But

1418
00:57:28,520 --> 00:57:31,919
Speaker 3: like remember when Michael Jackson he died, it was people

1419
00:57:31,960 --> 00:57:34,320
Speaker 3: committing suicide. It was like just all and then even

1420
00:57:34,360 --> 00:57:36,640
Speaker 3: before he died, like people would pass out and all

1421
00:57:36,680 --> 00:57:38,800
Speaker 3: that seeing him, you know, so how they standing.

1422
00:57:38,960 --> 00:57:40,600
Speaker 1: So it's a documentary surrounding that.

1423
00:57:40,880 --> 00:57:42,480
Speaker 2: Oh you can Taylor Swift, like remember I think you

1424
00:57:42,560 --> 00:57:44,880
Speaker 2: reported a week ago that Tailor Swift fan was outside

1425
00:57:44,920 --> 00:57:46,960
Speaker 2: his her house out in New York and they wrestling

1426
00:57:47,080 --> 00:57:47,640
Speaker 2: like eight times.

1427
00:57:47,800 --> 00:57:51,040
Speaker 1: Yeah, everyone name got hives, like you named the Barbs,

1428
00:57:51,120 --> 00:57:58,680
Speaker 1: you name the Swiss, and no I know he was

1429
00:57:58,720 --> 00:58:03,960
Speaker 1: called he. I wonder how certain communities feel about that.

1430
00:58:05,840 --> 00:58:10,000
Speaker 3: Anyway, for those who don't remember, if the song set

1431
00:58:10,160 --> 00:58:13,040
Speaker 3: stand Eminem is the.

1432
00:58:13,240 --> 00:58:17,640
Speaker 5: Creator of that song, and let's read, let's play the song.

1433
00:58:17,800 --> 00:58:20,240
Speaker 1: Yea, I love the sas we could have been together.

1434
00:58:20,560 --> 00:58:21,160
Speaker 1: Think about it.

1435
00:58:21,360 --> 00:58:22,160
Speaker 13: You're ruined it now.

1436
00:58:22,240 --> 00:58:24,200
Speaker 1: I hope you can't sleep and you dream about it.

1437
00:58:24,480 --> 00:58:26,240
Speaker 1: And when you dream, I hope you can't sleep and

1438
00:58:26,320 --> 00:58:28,600
Speaker 1: you scream about it. I'm just God to speak to

1439
00:58:28,720 --> 00:58:30,160
Speaker 1: you when you can't read without me.

1440
00:58:30,680 --> 00:58:33,400
Speaker 3: So basically, it was a song about a crazed fan

1441
00:58:33,560 --> 00:58:36,760
Speaker 3: of Eminem. He was obsessed and like he killed his girlfriend,

1442
00:58:36,960 --> 00:58:40,040
Speaker 3: the baby, and himself. So basically, now that I'm old,

1443
00:58:40,080 --> 00:58:42,720
Speaker 3: I'm thinking, like Eminem Pride did this kind of stuff.

1444
00:58:43,160 --> 00:58:43,320
Speaker 12: You know.

1445
00:58:43,520 --> 00:58:46,080
Speaker 3: Oh no, okay, okay, all right, Well he's a great

1446
00:58:46,120 --> 00:58:49,200
Speaker 3: storyteller because now me as an adult, actually believes that

1447
00:58:50,080 --> 00:58:52,480
Speaker 3: great idea for a show, great idea for a show,

1448
00:58:52,520 --> 00:58:57,840
Speaker 3: which was also actually it doesn't have it here. No,

1449
00:58:57,960 --> 00:58:59,720
Speaker 3: I don't know who's doing it, but it's actually in

1450
00:58:59,840 --> 00:59:02,120
Speaker 3: a fact, and it's it's gonna drop a couple of

1451
00:59:02,160 --> 00:59:05,880
Speaker 3: shows like this was pitched though before. Yeah, actually, Charlemagne

1452
00:59:05,880 --> 00:59:08,000
Speaker 3: actually pitched this show, a show like this ten years

1453
00:59:08,000 --> 00:59:11,120
Speaker 3: ago on December tenth, actually was the actual date.

1454
00:59:12,120 --> 00:59:14,360
Speaker 1: And they didn't they didn't pick it up. I didn't

1455
00:59:14,360 --> 00:59:14,720
Speaker 1: pick it up.

1456
00:59:14,880 --> 00:59:17,640
Speaker 3: But to the fact of that, that just means that

1457
00:59:17,800 --> 00:59:20,720
Speaker 3: you saw this way before, because social media then wasn't

1458
00:59:20,920 --> 00:59:21,560
Speaker 3: what it is now.

1459
00:59:21,760 --> 00:59:21,960
Speaker 1: Yeah.

1460
00:59:22,280 --> 00:59:24,640
Speaker 3: So yeah, and I know you probably pissed that now

1461
00:59:24,880 --> 00:59:27,640
Speaker 3: Eminem is doing it. Man, I just was, Yeah, she

1462
00:59:28,080 --> 00:59:30,160
Speaker 3: only know that because I wasn't a little mad when

1463
00:59:30,160 --> 00:59:31,800
Speaker 3: I saw it. He just showed her that I had

1464
00:59:31,840 --> 00:59:32,160
Speaker 3: pitched it.

1465
00:59:32,320 --> 00:59:35,560
Speaker 2: You know, That's what that's what tell people about this

1466
00:59:35,640 --> 00:59:38,000
Speaker 2: Rovie Charlamagne show her say you ain't got to say no,

1467
00:59:38,920 --> 00:59:40,640
Speaker 2: don't say nothing, just said.

1468
00:59:40,480 --> 00:59:42,120
Speaker 1: I and she said she hit me back. And I

1469
00:59:42,160 --> 00:59:43,040
Speaker 1: did that to her the other day with.

1470
00:59:45,000 --> 00:59:49,160
Speaker 2: Text me like wow, oh my god, this is not

1471
00:59:49,240 --> 00:59:51,400
Speaker 2: the place you wanted to share anything because it's going

1472
00:59:51,440 --> 00:59:51,760
Speaker 2: on there.

1473
00:59:51,880 --> 00:59:54,840
Speaker 1: Charlam i'mnayow no, I don't even say nothing. Else got

1474
00:59:54,920 --> 00:59:57,520
Speaker 1: to do? You know how he is. No, I'm not

1475
00:59:57,600 --> 00:59:59,560
Speaker 1: saying nothing, so don't show me nothing.

1476
01:00:00,400 --> 01:00:04,240
Speaker 3: So bow I was lean addiction led to issues in

1477
01:00:04,400 --> 01:00:06,960
Speaker 3: career in personal life. So we sat down with the

1478
01:00:07,080 --> 01:00:10,080
Speaker 3: Art of Dialogue and Sean was He spoke candidly about

1479
01:00:10,120 --> 01:00:12,960
Speaker 3: how sipping lean led to drama in his personal life.

1480
01:00:13,040 --> 01:00:14,040
Speaker 1: We have the audio for it.

1481
01:00:14,680 --> 01:00:17,480
Speaker 17: I was on Lean and I was sipping so much

1482
01:00:17,520 --> 01:00:19,960
Speaker 17: so up and I said this too, like right after,

1483
01:00:20,240 --> 01:00:22,880
Speaker 17: right after mc millan had died, I spoke on that

1484
01:00:23,320 --> 01:00:26,360
Speaker 17: I was drinking thatsh like crazy, like I'm telling you

1485
01:00:26,480 --> 01:00:27,920
Speaker 17: like it was times where I used to put up

1486
01:00:27,960 --> 01:00:29,280
Speaker 17: on Wayne, like the pop.

1487
01:00:29,120 --> 01:00:30,960
Speaker 19: Bottles video in New Orleans. I think we was doing

1488
01:00:31,000 --> 01:00:32,680
Speaker 19: something with shooting. I put up on Wayne. Wayne hit

1489
01:00:32,720 --> 01:00:35,160
Speaker 19: me up with what a little baby bottle of my own.

1490
01:00:35,280 --> 01:00:37,920
Speaker 19: I take this, go ahead, take this, bitch. Joe were

1491
01:00:37,920 --> 01:00:41,200
Speaker 19: pulling up foes deuces. I was losing my mind. I

1492
01:00:41,320 --> 01:00:44,200
Speaker 19: put that shit down back then, so never forget me

1493
01:00:44,240 --> 01:00:47,360
Speaker 19: and Crystals. On our tour, I was co headlined with Brown.

1494
01:00:47,600 --> 01:00:49,760
Speaker 19: The open night was in Cincinnati. When I got off

1495
01:00:49,800 --> 01:00:52,240
Speaker 19: the stage, I collapsed and I was like, what the fuck?

1496
01:00:52,360 --> 01:00:55,520
Speaker 19: And I wasn't straighting the Cincinnati University Hospital. I'm talking

1497
01:00:55,520 --> 01:00:58,520
Speaker 19: about My stomach was so I ended up going back

1498
01:00:58,560 --> 01:01:00,240
Speaker 19: home that Len after the first show.

1499
01:01:00,400 --> 01:01:02,080
Speaker 1: You know, it's crazy. It was crazy.

1500
01:01:02,120 --> 01:01:04,040
Speaker 6: You could see when he was going through that because

1501
01:01:04,120 --> 01:01:06,560
Speaker 6: Lean makes you like puffy like it gives you, it

1502
01:01:06,640 --> 01:01:07,480
Speaker 6: makes you blowing.

1503
01:01:07,600 --> 01:01:09,760
Speaker 1: Yeah, he definitely was real thick. There was a moment

1504
01:01:09,800 --> 01:01:12,200
Speaker 1: when he was looking like bow wow. Yeah wow. Absolutely.

1505
01:01:12,280 --> 01:01:14,480
Speaker 1: I didn't believe. I didn't believe.

1506
01:01:14,520 --> 01:01:17,440
Speaker 3: I mean I believe that. I never not believed that

1507
01:01:17,480 --> 01:01:18,560
Speaker 3: he was going through it. There's a lot of things

1508
01:01:18,600 --> 01:01:21,800
Speaker 3: I don't believe about bow Wow. But it is, you know,

1509
01:01:21,880 --> 01:01:25,560
Speaker 3: because he was lying a lot. But I did all

1510
01:01:25,800 --> 01:01:27,360
Speaker 3: always believe that he was on Lean. I mean then

1511
01:01:27,400 --> 01:01:28,560
Speaker 3: the way he just came out and said it, I

1512
01:01:28,640 --> 01:01:29,400
Speaker 3: was on Lean, man.

1513
01:01:29,520 --> 01:01:31,840
Speaker 1: But to the point of you know, like I said.

1514
01:01:31,680 --> 01:01:34,880
Speaker 3: After Magmalan died, After mag Millan died, you know, you

1515
01:01:34,880 --> 01:01:37,960
Speaker 3: would think when you see somebody overdose something like that,

1516
01:01:39,080 --> 01:01:41,680
Speaker 3: off of something like that, you would be like, oh man,

1517
01:01:41,720 --> 01:01:43,280
Speaker 3: I'm so messed up off that. Let me go do

1518
01:01:43,400 --> 01:01:44,920
Speaker 3: the same thing, or let me go try it, or

1519
01:01:45,000 --> 01:01:47,760
Speaker 3: let me go you know, it's other outlets in other ways.

1520
01:01:47,880 --> 01:01:49,960
Speaker 3: You know, you don't want to end up like that person.

1521
01:01:50,040 --> 01:01:53,240
Speaker 3: Then we lost that person too, you know, to that thing.

1522
01:01:53,320 --> 01:01:55,080
Speaker 2: So and I was gonna say that, that's that's one

1523
01:01:55,200 --> 01:01:58,320
Speaker 2: question I have, Like when you see somebody getting beat

1524
01:01:58,400 --> 01:02:01,000
Speaker 2: up or dying on these drug what makes you want

1525
01:02:01,040 --> 01:02:02,720
Speaker 2: to try it? Like you know, mac Milla, you know,

1526
01:02:03,240 --> 01:02:05,720
Speaker 2: died and a lot of people died for using drugs.

1527
01:02:05,760 --> 01:02:07,360
Speaker 2: What makes you say, you know what, they died, but

1528
01:02:07,440 --> 01:02:09,040
Speaker 2: let me try see if they're not any better?

1529
01:02:09,120 --> 01:02:10,760
Speaker 1: Like I don't know what you're saying.

1530
01:02:10,760 --> 01:02:14,360
Speaker 6: There shouldn't be any new Yeah, absolutely, you see no

1531
01:02:14,520 --> 01:02:16,080
Speaker 6: new crackheads, right, heroin?

1532
01:02:16,880 --> 01:02:19,120
Speaker 1: Heroin right, you see what it does to people. So

1533
01:02:19,200 --> 01:02:21,320
Speaker 1: what makes you say that they died but I could

1534
01:02:21,320 --> 01:02:24,640
Speaker 1: beat it? Yeah, you know. And also with this, uh

1535
01:02:25,360 --> 01:02:26,200
Speaker 1: does his interview?

1536
01:02:26,320 --> 01:02:30,040
Speaker 3: Does is hope Wayne is not under any investigation because

1537
01:02:30,080 --> 01:02:32,000
Speaker 3: he said Wayne gave him a baby bottle of lane

1538
01:02:32,080 --> 01:02:37,560
Speaker 3: to soothe him. And then also Chris Brown, he spoke

1539
01:02:37,560 --> 01:02:39,960
Speaker 3: about how he collapsed open the night and it's like, Yo,

1540
01:02:40,280 --> 01:02:41,320
Speaker 3: don't drop nobody.

1541
01:02:42,440 --> 01:02:43,400
Speaker 1: This is not how you do it.

1542
01:02:43,520 --> 01:02:44,000
Speaker 13: Bow Wow.

1543
01:02:44,360 --> 01:02:46,520
Speaker 1: When I read it, I was like, wow, bow Wow.

1544
01:02:47,680 --> 01:02:49,560
Speaker 6: Maybe you need to drop their names. If they know,

1545
01:02:49,920 --> 01:02:52,480
Speaker 6: then they might look in the mirror. If they're still

1546
01:02:52,560 --> 01:02:53,200
Speaker 6: doing that, I don't know.

1547
01:02:53,280 --> 01:02:55,280
Speaker 3: Wayne been probably looking at the mirror for a long time,

1548
01:02:55,480 --> 01:02:58,840
Speaker 3: like nah, nah, just no, don't don't do it, yo.

1549
01:02:59,480 --> 01:03:02,000
Speaker 3: But I I just never been able to take boww

1550
01:03:02,200 --> 01:03:05,240
Speaker 3: serious and stories like this, But I can't. I do

1551
01:03:06,320 --> 01:03:09,000
Speaker 3: remember actually noticing something was wrong with him or whatever

1552
01:03:09,120 --> 01:03:13,320
Speaker 3: that ain't challenge r no real stuff. But remember when

1553
01:03:13,400 --> 01:03:15,959
Speaker 3: he had said that he had he was gonna commit

1554
01:03:16,040 --> 01:03:18,400
Speaker 3: suicide and that he jumped or he was like I'm

1555
01:03:18,400 --> 01:03:20,600
Speaker 3: gonna jump and he was saying he was gonna jump

1556
01:03:20,640 --> 01:03:22,000
Speaker 3: off the second story of his house.

1557
01:03:22,320 --> 01:03:22,680
Speaker 1: Remember that.

1558
01:03:22,760 --> 01:03:23,680
Speaker 5: And then you remember that.

1559
01:03:25,160 --> 01:03:28,440
Speaker 3: The internet please do y'all y'all job and find it. Remember,

1560
01:03:28,480 --> 01:03:29,800
Speaker 3: and they showed how high it was.

1561
01:03:30,200 --> 01:03:32,000
Speaker 1: I was like, yo, he was just gonna break your ankle.

1562
01:03:32,120 --> 01:03:34,680
Speaker 1: He wasn't gonna die. This is when he was starving

1563
01:03:34,760 --> 01:03:36,680
Speaker 1: for attention, y'all. But I always had like.

1564
01:03:36,720 --> 01:03:39,760
Speaker 3: A love hate relationship with be like why would you

1565
01:03:39,880 --> 01:03:41,920
Speaker 3: do that? Why would you go and say that? But

1566
01:03:42,040 --> 01:03:46,919
Speaker 3: like he's always been attention craven. But a lot of times, yeah,

1567
01:03:46,960 --> 01:03:48,840
Speaker 3: he ain't never really like beef with me, beef with me,

1568
01:03:48,920 --> 01:03:51,160
Speaker 3: but he always just sighed on me, like, yo, come on.

1569
01:03:52,440 --> 01:03:53,760
Speaker 1: Be for me, like you were saying, bounce with me,

1570
01:03:53,800 --> 01:03:59,160
Speaker 1: bounce with I don't know, I don't know.

1571
01:03:59,400 --> 01:04:01,960
Speaker 4: That's just the mess for the second hour, all right,

1572
01:04:02,120 --> 01:04:04,000
Speaker 4: thank you, Jess. I just want to send a birthday

1573
01:04:04,040 --> 01:04:06,440
Speaker 4: shout out to Chloe. She's a long time listener. She's

1574
01:04:06,480 --> 01:04:08,960
Speaker 4: thirteen years old. Her dad is in the car, so

1575
01:04:09,040 --> 01:04:09,680
Speaker 4: happy birthday.

1576
01:04:09,840 --> 01:04:13,400
Speaker 1: I'm borne ye. All right now, Charloane, you go. Donkey

1577
01:04:13,520 --> 01:04:14,080
Speaker 1: day coming out? Yes.

1578
01:04:14,160 --> 01:04:16,320
Speaker 6: For after the hour, a woman from Florida named Jaquila

1579
01:04:16,360 --> 01:04:18,560
Speaker 6: Mobley needs to come to the front of the congregation.

1580
01:04:18,720 --> 01:04:18,880
Speaker 8: Man.

1581
01:04:19,200 --> 01:04:21,240
Speaker 6: She has disrespected her mother in the worst way and

1582
01:04:21,320 --> 01:04:22,000
Speaker 6: we will discuss.

1583
01:04:22,160 --> 01:04:24,120
Speaker 1: Okay, we'll get to that next. It's the Breakfast Club.

1584
01:04:24,160 --> 01:04:28,680
Speaker 1: Good morning, you're checking out the Breakfast Club. Your execute

1585
01:04:28,960 --> 01:04:30,400
Speaker 1: on the Donkey of the Day. Is something to the

1586
01:04:30,480 --> 01:04:33,880
Speaker 1: old for you to read. He gave me donkey other

1587
01:04:33,960 --> 01:04:36,040
Speaker 1: day and I deserve that. You need to know. You

1588
01:04:36,120 --> 01:04:39,360
Speaker 1: need to tell them you have the boy. Tell them

1589
01:04:41,040 --> 01:04:42,600
Speaker 1: it's time for Donkey of the day.

1590
01:04:42,760 --> 01:04:43,280
Speaker 8: It's a read.

1591
01:04:43,800 --> 01:04:46,520
Speaker 1: But you're so good at charlamagne.

1592
01:04:46,520 --> 01:04:47,640
Speaker 18: He wants charlamade.

1593
01:04:50,000 --> 01:04:52,200
Speaker 5: Damn Solomame who gives a dunky other day too?

1594
01:04:52,320 --> 01:04:54,200
Speaker 1: Now? Wow, donkey today.

1595
01:04:54,480 --> 01:04:56,960
Speaker 6: Sexy Red for Thursday, February fifteenth goes to a woman

1596
01:04:57,040 --> 01:05:00,000
Speaker 6: named Jaquila Mobley. Jaquielle is from Florida, Ladies and ghettlem

1597
01:05:00,080 --> 01:05:02,880
Speaker 6: And what does your uncle Shawla always say about the

1598
01:05:02,960 --> 01:05:05,520
Speaker 6: great state of Florida. The craziest people in America come

1599
01:05:05,520 --> 01:05:08,120
Speaker 6: from the Bronxon all of Florida, and today is no exception. Now,

1600
01:05:08,240 --> 01:05:12,520
Speaker 6: Jequila has been arrested for battery, a misdemeanor, and booked

1601
01:05:12,560 --> 01:05:15,040
Speaker 6: into the Marion County Jail, where she is being held

1602
01:05:15,120 --> 01:05:17,760
Speaker 6: on twenty five hundred dollars bond. Okay, she is a

1603
01:05:17,800 --> 01:05:19,920
Speaker 6: woman who has multiple battery arrests but does not have

1604
01:05:20,000 --> 01:05:22,400
Speaker 6: any convictions. I actually have a lot of empathy for

1605
01:05:22,520 --> 01:05:25,960
Speaker 6: this woman because she told police she's been sleeping on

1606
01:05:26,040 --> 01:05:28,840
Speaker 6: the streets and the victim of her crime, which we

1607
01:05:28,920 --> 01:05:31,600
Speaker 6: will get too shortly, is a woman who happens to

1608
01:05:31,720 --> 01:05:32,640
Speaker 6: be her mother.

1609
01:05:33,200 --> 01:05:35,800
Speaker 1: Yes, Jequila's own mother is the victim. She's sixty four

1610
01:05:35,880 --> 01:05:37,280
Speaker 1: years old. Jequila is twenty eight.

1611
01:05:37,480 --> 01:05:41,160
Speaker 6: Her mother's name is Isla Johnson, and Isla said Jaquila

1612
01:05:41,240 --> 01:05:43,920
Speaker 6: has been drinking and using drugs and that when she

1613
01:05:44,160 --> 01:05:47,400
Speaker 6: does this, she becomes aggressive towards her. So her mother

1614
01:05:47,840 --> 01:05:50,200
Speaker 6: knows her better than anyone on this planet. And her

1615
01:05:50,280 --> 01:05:52,640
Speaker 6: mother is clearly saying she has a drug and alcohol problem.

1616
01:05:52,720 --> 01:05:54,240
Speaker 6: So there is a part of me that has a

1617
01:05:54,280 --> 01:05:57,600
Speaker 6: lot of empathy with Jequila. Jequilah, Okay, sleeping on the streets,

1618
01:05:57,800 --> 01:06:00,480
Speaker 6: dealing with drugs and alcohol with those reasons are the

1619
01:06:00,600 --> 01:06:03,520
Speaker 6: reason why she's getting donkey of to day. Number one,

1620
01:06:03,960 --> 01:06:06,720
Speaker 6: there is never a reason to do what she has

1621
01:06:06,880 --> 01:06:10,120
Speaker 6: done to her mother, okay. And number two is because

1622
01:06:10,160 --> 01:06:12,040
Speaker 6: of a word from the Bible, and that word is

1623
01:06:12,080 --> 01:06:14,680
Speaker 6: waste not, want not. And the thing that was wasted

1624
01:06:14,720 --> 01:06:17,760
Speaker 6: here was food. See, if you're sleeping on the street

1625
01:06:17,920 --> 01:06:19,760
Speaker 6: and you got a drug and alcohol addiction, the one

1626
01:06:19,760 --> 01:06:21,800
Speaker 6: thing you shouldn't waste is food. Food is one of

1627
01:06:21,840 --> 01:06:25,760
Speaker 6: the basic necessities for survival, along with clothing and shelter. Okay,

1628
01:06:25,840 --> 01:06:29,800
Speaker 6: those are signifying factors in determining a sustainable, healthy community.

1629
01:06:29,880 --> 01:06:31,480
Speaker 6: And if you're sleeping on the street and have a

1630
01:06:31,560 --> 01:06:34,520
Speaker 6: drug and alcohol addiction problem, you shouldn't be wasting food.

1631
01:06:34,640 --> 01:06:38,360
Speaker 1: Now, how did you kill them? Mobly waste food? She

1632
01:06:38,480 --> 01:06:41,240
Speaker 1: wasted food by doing to her mother what many a

1633
01:06:41,320 --> 01:06:43,240
Speaker 1: scorned woman has done to a man.

1634
01:06:43,480 --> 01:06:45,640
Speaker 6: Oh, we all have a story in our family of

1635
01:06:45,720 --> 01:06:48,760
Speaker 6: a woman who decided the weaponize some Quaker instant, some

1636
01:06:48,920 --> 01:06:52,080
Speaker 6: pearl milling, some Bob's Red mills, some palmetal farms from

1637
01:06:52,160 --> 01:06:53,600
Speaker 6: Charleston favorite stone ground.

1638
01:06:53,760 --> 01:06:57,040
Speaker 1: When I'm talking about ladies and gentlemen, it's grits, all right.

1639
01:06:57,000 --> 01:06:59,480
Speaker 6: The number one breakfast food in the history of America,

1640
01:07:00,080 --> 01:07:02,400
Speaker 6: South Carolina, the Low Country eight four to three. Argue

1641
01:07:02,440 --> 01:07:04,200
Speaker 6: with your mother, but don't argue with her the way

1642
01:07:04,240 --> 01:07:06,480
Speaker 6: Jaquilla did, and end up throwing hot grits on her

1643
01:07:06,600 --> 01:07:10,080
Speaker 6: the way Lisa did Carlos, simply because Medea told her too. Jess,

1644
01:07:10,080 --> 01:07:12,120
Speaker 6: have you ever heard of anybody getting hot grits thrown

1645
01:07:12,160 --> 01:07:13,080
Speaker 6: on him in real life?

1646
01:07:13,400 --> 01:07:13,440
Speaker 3: No?

1647
01:07:13,600 --> 01:07:14,280
Speaker 1: Not in real life?

1648
01:07:14,360 --> 01:07:14,400
Speaker 3: No?

1649
01:07:14,800 --> 01:07:15,959
Speaker 1: I have you envy?

1650
01:07:16,120 --> 01:07:16,160
Speaker 7: No?

1651
01:07:16,400 --> 01:07:20,000
Speaker 6: Okay, I definitely have. This is agregious. Okay, hot grits

1652
01:07:20,040 --> 01:07:22,520
Speaker 6: on your skin is torture, all right. I understand why

1653
01:07:22,840 --> 01:07:26,560
Speaker 6: women do it. The men they get mad, sat there, emotional.

1654
01:07:26,640 --> 01:07:29,120
Speaker 6: They might even be defending themselves in certain situations. But

1655
01:07:29,160 --> 01:07:32,560
Speaker 6: there's never a reason to put hot grits on your mother. Okay,

1656
01:07:32,640 --> 01:07:35,560
Speaker 6: grits goes with a lot of things, shrimp, trampled eggs,

1657
01:07:35,640 --> 01:07:38,440
Speaker 6: fried fish, but not your mother's skin. Now we have

1658
01:07:38,600 --> 01:07:41,520
Speaker 6: the President of the Fat Lives Matter Committee. Where's he at?

1659
01:07:42,080 --> 01:07:45,680
Speaker 1: He's walking in time? Boom boom boom boom.

1660
01:07:45,920 --> 01:07:49,680
Speaker 6: Big Mac, Big Mac iss here, Big Mac, Big macs here,

1661
01:07:49,760 --> 01:07:51,160
Speaker 6: Ronald applot for big Mac man.

1662
01:07:51,760 --> 01:07:52,960
Speaker 1: Jiggle jiggiggle jigger.

1663
01:07:56,560 --> 01:07:58,600
Speaker 6: If the President of the Fat Lives Matter Committee he

1664
01:07:58,640 --> 01:08:01,760
Speaker 6: finds this despicable mac, the floor is yours.

1665
01:08:02,000 --> 01:08:04,720
Speaker 7: First off, shout out to all the people that sound

1666
01:08:04,800 --> 01:08:06,840
Speaker 7: like they're breathing heavy but they really sleep and snoring.

1667
01:08:07,880 --> 01:08:08,920
Speaker 1: Yeah, this is upsetting to me.

1668
01:08:10,080 --> 01:08:13,480
Speaker 7: First off, we all know that our parents told us

1669
01:08:13,600 --> 01:08:15,240
Speaker 7: number one thing, don't play in my kitchen.

1670
01:08:15,880 --> 01:08:18,160
Speaker 1: You know what I mean. Food is a love language.

1671
01:08:18,640 --> 01:08:19,519
Speaker 1: It brings people together.

1672
01:08:20,120 --> 01:08:22,639
Speaker 7: If you beefing with your girl or whatever, the first

1673
01:08:22,680 --> 01:08:25,679
Speaker 7: thing you texted is you hungry, you want something to eat,

1674
01:08:26,520 --> 01:08:27,639
Speaker 7: and that fixes all the problem.

1675
01:08:27,720 --> 01:08:30,920
Speaker 1: That is true, get you into a better place.

1676
01:08:31,000 --> 01:08:32,519
Speaker 7: Yeah, you know what I'm saying. So how can you

1677
01:08:32,560 --> 01:08:34,280
Speaker 7: be in the kitchen and this food cooking and you

1678
01:08:34,439 --> 01:08:36,640
Speaker 7: mad and you upset? I don't care what type of

1679
01:08:36,720 --> 01:08:39,599
Speaker 7: drugs or alcohol is being taken place. I know when

1680
01:08:39,600 --> 01:08:41,599
Speaker 7: I take drugs, that's when I'm the most hungry want

1681
01:08:41,600 --> 01:08:41,760
Speaker 7: to eat.

1682
01:08:42,080 --> 01:08:44,080
Speaker 1: So how could I be mad when this is going on?

1683
01:08:44,280 --> 01:08:47,040
Speaker 1: If I'm high and drunk, I'm waiting for that food.

1684
01:08:47,640 --> 01:08:49,240
Speaker 7: You know how upset I would be if I was

1685
01:08:49,320 --> 01:08:54,280
Speaker 7: in bedroom and I smell grits, bacon, eggs, and I

1686
01:08:54,360 --> 01:08:54,720
Speaker 7: come down.

1687
01:08:55,080 --> 01:08:59,439
Speaker 1: Might need to shut well. Listen, I was told bacon

1688
01:08:59,520 --> 01:09:03,000
Speaker 1: and all that was to far whole.

1689
01:09:03,400 --> 01:09:05,519
Speaker 7: But it's impossible to smell all that and then be

1690
01:09:05,840 --> 01:09:08,320
Speaker 7: in that in the same room, knowing you are minutes

1691
01:09:08,320 --> 01:09:10,479
Speaker 7: away from that, and then get into a fight. Yeah,

1692
01:09:10,880 --> 01:09:13,040
Speaker 7: and now you're not even just smelling like grits, because

1693
01:09:13,040 --> 01:09:15,120
Speaker 7: if they throwing on you, you know it got the butter,

1694
01:09:15,200 --> 01:09:17,080
Speaker 7: the salt, the pepper on it because and a little

1695
01:09:17,080 --> 01:09:18,560
Speaker 7: bit of cheese depending on where you are. But you

1696
01:09:18,600 --> 01:09:20,800
Speaker 7: wipe it off and lick it up I mean, first off, again,

1697
01:09:21,000 --> 01:09:24,439
Speaker 7: waste not one nice. Yes, I'm gonna lick it like Jesus.

1698
01:09:24,920 --> 01:09:27,240
Speaker 1: You're gonna probably look some of your skin off too. Well,

1699
01:09:27,280 --> 01:09:29,920
Speaker 1: you know what I mean. It's it's the body of Christ.

1700
01:09:30,200 --> 01:09:30,920
Speaker 1: You know what I'm saying.

1701
01:09:31,920 --> 01:09:33,720
Speaker 7: You know it's okay for you to look at little skin.

1702
01:09:33,800 --> 01:09:36,400
Speaker 7: Pause everybody did on Valentine's Day yesterday. You do not

1703
01:09:36,479 --> 01:09:39,320
Speaker 7: have a body of Christ. I have multiple bodies of prices.

1704
01:09:39,360 --> 01:09:43,000
Speaker 7: They say he embodies multiple people? Are multiple? Are the

1705
01:09:43,040 --> 01:09:43,599
Speaker 7: Holy Trinity?

1706
01:09:43,880 --> 01:09:45,120
Speaker 1: Amen? Amen?

1707
01:09:45,920 --> 01:09:47,880
Speaker 7: And this is Florida too, so you know that's like

1708
01:09:47,960 --> 01:09:49,400
Speaker 7: you said, you're from the South. So them grits, I

1709
01:09:49,520 --> 01:09:51,519
Speaker 7: know they were seasoned, right, that's right.

1710
01:09:51,720 --> 01:09:54,160
Speaker 1: So please give your quila movie the sweet Sounds of

1711
01:09:54,160 --> 01:10:04,840
Speaker 1: the Hamiltons. Oh no, you are day all the doggie

1712
01:10:06,360 --> 01:10:13,280
Speaker 1: all the day. Gee, maybe tequila in her season? Her

1713
01:10:13,320 --> 01:10:14,920
Speaker 1: grits wasn't that good? Oh you want to play a

1714
01:10:14,960 --> 01:10:17,000
Speaker 1: game playing game? Up kill?

1715
01:10:17,120 --> 01:10:24,000
Speaker 6: Guess what? Racing killing? Mobley of Florida threw hot grits

1716
01:10:24,040 --> 01:10:24,839
Speaker 6: on her mother.

1717
01:10:24,720 --> 01:10:29,160
Speaker 1: Because she was upset. Jaslaris, guess what? Racious?

1718
01:10:30,120 --> 01:10:31,840
Speaker 5: According to Celebry, she's black.

1719
01:10:35,760 --> 01:10:39,360
Speaker 6: Okay, okay, dj vy Toquilla Mobley got mad at her

1720
01:10:39,400 --> 01:10:40,680
Speaker 6: mother and threw hot grits on her.

1721
01:10:40,800 --> 01:10:49,560
Speaker 1: And she's from Florida. Guess what racio is? Black calm damn.

1722
01:10:51,680 --> 01:10:54,559
Speaker 6: Big map to kill the Mobley from Florida got mad

1723
01:10:54,600 --> 01:10:56,080
Speaker 6: at her mother and threw hot grits on her.

1724
01:10:56,240 --> 01:11:00,519
Speaker 1: Guess what racious? See what the name of tequila? I'm

1725
01:11:00,560 --> 01:11:04,800
Speaker 1: sure she's just you. She's thinking about food and drinks. Max.

1726
01:11:04,960 --> 01:11:07,160
Speaker 1: I'm sure with a name like that, she's half blast,

1727
01:11:07,240 --> 01:11:09,639
Speaker 1: half Negro knees. Damn.

1728
01:11:12,040 --> 01:11:14,920
Speaker 6: It's just a clean sweep of blackness, y'all. Just I

1729
01:11:15,120 --> 01:11:18,639
Speaker 6: just think you quilla mobiley black hunh, all of y'all around.

1730
01:11:19,400 --> 01:11:20,920
Speaker 6: My god, you don't believe you showed me a picture

1731
01:11:21,160 --> 01:11:25,080
Speaker 6: Quia picture quila. There's no there's no white quila. There's

1732
01:11:25,120 --> 01:11:29,400
Speaker 6: no in jequila. There's no Latin ja quila. Okay, there's no, there's.

1733
01:11:29,280 --> 01:11:32,560
Speaker 13: Not no no. What is that?

1734
01:11:32,680 --> 01:11:37,439
Speaker 1: What was that guy? That is nig There's a difference,

1735
01:11:37,560 --> 01:11:46,639
Speaker 1: y'all know this brother handsome black. They stopped playing, Definitely.

1736
01:11:51,920 --> 01:11:52,439
Speaker 1: Jess was right.

1737
01:11:52,479 --> 01:11:54,280
Speaker 6: When you hear somebody get grit throwing on them, that

1738
01:11:54,400 --> 01:11:56,479
Speaker 6: is the top. Verry Tyler, parent, That's one of the

1739
01:11:56,520 --> 01:11:57,400
Speaker 6: blackest things you can do.

1740
01:11:58,120 --> 01:12:00,719
Speaker 1: Okay it is, but the whole.

1741
01:12:00,680 --> 01:12:03,240
Speaker 3: Review of like all of this, all this, all these

1742
01:12:03,320 --> 01:12:06,759
Speaker 3: fat comments. I really really do feel bad for Lize

1743
01:12:07,240 --> 01:12:10,400
Speaker 3: because for everything you just said. I just because everything

1744
01:12:10,479 --> 01:12:12,960
Speaker 3: you just said. This girl is in court for uh huh,

1745
01:12:13,400 --> 01:12:15,679
Speaker 3: and you came in here. Some shout out old people

1746
01:12:15,720 --> 01:12:18,800
Speaker 3: that breathe heavy, but you just sleep like and this.

1747
01:12:18,920 --> 01:12:21,920
Speaker 1: Girl is this hot. Career is on the line for

1748
01:12:22,040 --> 01:12:22,600
Speaker 1: things like.

1749
01:12:22,720 --> 01:12:26,280
Speaker 7: This because it's people like the man tell the right

1750
01:12:26,360 --> 01:12:27,559
Speaker 7: of me who body shame us.

1751
01:12:27,800 --> 01:12:30,360
Speaker 1: I don't shame nobody every time. I just make up

1752
01:12:30,400 --> 01:12:32,160
Speaker 1: to ves want.

1753
01:12:36,520 --> 01:12:36,760
Speaker 6: People.

1754
01:12:37,280 --> 01:12:42,599
Speaker 1: I'm not gonna make you make noise. That's game hyping

1755
01:12:42,680 --> 01:12:45,640
Speaker 1: him up. They said he wanted that. Somebody was here

1756
01:12:45,680 --> 01:12:47,720
Speaker 1: as we said I want, I need, not killing kill

1757
01:12:48,840 --> 01:12:52,439
Speaker 1: because he part of the fellows matter to of us

1758
01:12:52,479 --> 01:12:54,040
Speaker 1: looked down. We don't know what she was wearing. That

1759
01:12:54,160 --> 01:12:57,479
Speaker 1: is not true. You know. Mike did stand up and

1760
01:12:57,479 --> 01:12:58,680
Speaker 1: say I put on the wrong sh.

1761
01:13:02,520 --> 01:13:02,560
Speaker 8: No.

1762
01:13:05,080 --> 01:13:06,960
Speaker 2: Hey, j'all all right, thank you for that. Donk in

1763
01:13:07,040 --> 01:13:09,720
Speaker 2: to day when we come back. It's time for just

1764
01:13:10,000 --> 01:13:13,000
Speaker 2: fix my mess. If you have a relationship problems or

1765
01:13:13,120 --> 01:13:15,599
Speaker 2: any type of a problem, you can call Jess right now.

1766
01:13:15,720 --> 01:13:17,920
Speaker 2: Eight hundred and five eight five, one oh five to one.

1767
01:13:18,000 --> 01:13:21,520
Speaker 2: Once again, just fix my mess. It's all about relationship

1768
01:13:21,520 --> 01:13:23,840
Speaker 2: problems and issues. If you're having problems, well Jess is

1769
01:13:23,880 --> 01:13:24,479
Speaker 2: gonna fix it for you.

1770
01:13:24,560 --> 01:13:26,000
Speaker 1: To call it now. It's the Breakfast Club. Good morning,

1771
01:13:26,600 --> 01:13:32,840
Speaker 1: the Breakfast Club. About me for relationship problems, at about me.

1772
01:13:32,880 --> 01:13:35,560
Speaker 3: If you need to beat your coworker's ass, at about me,

1773
01:13:35,680 --> 01:13:37,360
Speaker 3: for your coworker need to be your ass.

1774
01:13:37,400 --> 01:13:40,360
Speaker 1: Call it up. Thank doctor Jess, and I'm here to

1775
01:13:40,400 --> 01:13:41,920
Speaker 1: fix your mess. Fix your mess.

1776
01:13:42,360 --> 01:13:43,439
Speaker 5: It's giving very much messy.

1777
01:13:43,520 --> 01:13:44,920
Speaker 1: Let me fix that morning.

1778
01:13:45,000 --> 01:13:49,120
Speaker 2: Everybody's dj Envy, Jess, Hilariy, Charlamagne the guy. We are

1779
01:13:49,160 --> 01:13:51,360
Speaker 2: the Breakfast Club. It's time for just fix my mess.

1780
01:13:51,439 --> 01:13:53,519
Speaker 2: We got Samantha on the line. Samantha, good morning.

1781
01:13:53,479 --> 01:13:53,960
Speaker 11: Good morning.

1782
01:13:54,400 --> 01:13:56,679
Speaker 8: Are you feeling I'm feeling okay.

1783
01:13:57,080 --> 01:13:59,080
Speaker 1: What's your question? Jagulation?

1784
01:13:59,640 --> 01:13:59,960
Speaker 5: Thanks you.

1785
01:14:00,800 --> 01:14:03,120
Speaker 20: So my question is this, like I just kind of

1786
01:14:03,160 --> 01:14:04,920
Speaker 20: wanted some insight, you know, when you kind of got

1787
01:14:05,200 --> 01:14:07,120
Speaker 20: your own stuff figured out, but you seld me like

1788
01:14:07,520 --> 01:14:08,759
Speaker 20: to make sure you're not bugging.

1789
01:14:09,720 --> 01:14:13,280
Speaker 11: Yes, So I've been not for ten years now, ever

1790
01:14:13,400 --> 01:14:16,320
Speaker 11: for fourteen I'll be thirty four in a few months,

1791
01:14:16,439 --> 01:14:19,040
Speaker 11: and I'm just feeling really I'm fulfilled in my marriage,

1792
01:14:19,120 --> 01:14:23,439
Speaker 11: like I feel myself going, I feel my relationship remaining stagnant,

1793
01:14:23,720 --> 01:14:26,320
Speaker 11: but I had to be kids, So I'm just like,

1794
01:14:26,400 --> 01:14:28,599
Speaker 11: should I stick it out for a little longer until

1795
01:14:28,640 --> 01:14:30,880
Speaker 11: my daughter's eighteen? I got six more years since you

1796
01:14:30,960 --> 01:14:34,160
Speaker 11: turn eighteen or and mind you, I forgot to add

1797
01:14:34,200 --> 01:14:35,200
Speaker 11: that leave a little craig face.

1798
01:14:35,240 --> 01:14:37,320
Speaker 20: So it's not that easy to leave anyways, like I

1799
01:14:37,439 --> 01:14:38,040
Speaker 20: tried before.

1800
01:14:39,320 --> 01:14:43,479
Speaker 3: So so so you're saying Jesus, So you're saying you're

1801
01:14:43,880 --> 01:14:46,320
Speaker 3: you're you feel stagnant in your marriage, You're thirty four,

1802
01:14:46,680 --> 01:14:50,400
Speaker 3: You've you said you're waiting for your brother to turn eighteen?

1803
01:14:50,840 --> 01:14:53,960
Speaker 11: No my daughter, So I'm like, should I just stick

1804
01:14:54,040 --> 01:14:56,960
Speaker 11: it out like six more years and remain unhappy?

1805
01:14:57,120 --> 01:15:01,640
Speaker 3: But it's like you're really yeah, because you're waiting for

1806
01:15:01,760 --> 01:15:03,920
Speaker 3: your baby to turn eighteen, because.

1807
01:15:03,640 --> 01:15:04,720
Speaker 8: I'm like, you don't have that.

1808
01:15:04,840 --> 01:15:06,680
Speaker 15: I feel like I want to raise my kids go

1809
01:15:06,800 --> 01:15:07,599
Speaker 15: over him.

1810
01:15:07,479 --> 01:15:09,760
Speaker 11: And stuff, So I'd rather be unhappy just so they

1811
01:15:09,800 --> 01:15:12,679
Speaker 11: could still happy. But like when I say I'm happy,

1812
01:15:12,920 --> 01:15:17,519
Speaker 11: like literally i'm fun as the aspect, Like I'm literally

1813
01:15:17,640 --> 01:15:20,160
Speaker 11: telling I'll be like okay done.

1814
01:15:21,000 --> 01:15:23,639
Speaker 3: So if you if you got six more years until

1815
01:15:23,640 --> 01:15:25,880
Speaker 3: your baby turns eighteen, so that that means your baby

1816
01:15:26,120 --> 01:15:27,200
Speaker 3: is twelve right now.

1817
01:15:27,360 --> 01:15:28,080
Speaker 1: Your your daughter.

1818
01:15:28,760 --> 01:15:31,000
Speaker 3: So what you do is you you don't teach her

1819
01:15:31,120 --> 01:15:34,200
Speaker 3: to be unhappy at anyone's expense, even her children.

1820
01:15:34,600 --> 01:15:35,800
Speaker 1: If it comes to love.

1821
01:15:36,000 --> 01:15:38,400
Speaker 3: You get what I'm saying. You sit her down and

1822
01:15:38,479 --> 01:15:40,880
Speaker 3: you you explain certain things to her. You know, is

1823
01:15:40,960 --> 01:15:44,400
Speaker 3: he he's a great father. I'm assuming correct me if

1824
01:15:44,400 --> 01:15:44,760
Speaker 3: I'm wrong.

1825
01:15:45,880 --> 01:15:49,320
Speaker 20: Yeah, then actually my husband, he don't think he's doing

1826
01:15:49,400 --> 01:15:49,880
Speaker 20: nothing wrong.

1827
01:15:50,000 --> 01:15:52,479
Speaker 1: Like, okay, well that's just differences.

1828
01:15:52,560 --> 01:15:55,320
Speaker 3: You get what I'm saying that, but you can't remain

1829
01:15:55,680 --> 01:16:02,440
Speaker 3: unhappy and miserable that that actually that causes like unhealthy

1830
01:16:02,840 --> 01:16:06,640
Speaker 3: mental like in your mental you're disrupting your peace, like

1831
01:16:06,760 --> 01:16:07,960
Speaker 3: you and that's what you need.

1832
01:16:08,120 --> 01:16:10,240
Speaker 1: You need that to even raise your kids. You get

1833
01:16:10,280 --> 01:16:10,880
Speaker 1: what I'm saying, And.

1834
01:16:11,960 --> 01:16:14,120
Speaker 20: I feel like it's not my life, like I'm living

1835
01:16:14,240 --> 01:16:15,519
Speaker 20: my life to everybody else.

1836
01:16:15,920 --> 01:16:18,160
Speaker 3: But that's where you go wrong because that's the same

1837
01:16:18,360 --> 01:16:22,519
Speaker 3: mistake that my mom made and has admitted.

1838
01:16:22,720 --> 01:16:25,679
Speaker 1: You know, you don't live your life for everyone else.

1839
01:16:25,760 --> 01:16:26,080
Speaker 6: You have to.

1840
01:16:26,680 --> 01:16:29,760
Speaker 3: And I know what kind of sounds crazy to say this,

1841
01:16:29,880 --> 01:16:32,080
Speaker 3: but you've been selfless for so long, it's okay to

1842
01:16:32,200 --> 01:16:35,560
Speaker 3: be a little selfish because you need to protect you.

1843
01:16:35,960 --> 01:16:37,760
Speaker 3: You get what I'm saying, Like, no, it's a way

1844
01:16:37,840 --> 01:16:40,080
Speaker 3: to do everything. If you do it the right way,

1845
01:16:40,520 --> 01:16:45,160
Speaker 3: which is just communication, then that will be better. You know,

1846
01:16:45,280 --> 01:16:47,599
Speaker 3: you need to sit your kids down first, down first,

1847
01:16:47,640 --> 01:16:50,160
Speaker 3: sit down with your husband, tell them how unhappy you are,

1848
01:16:50,360 --> 01:16:51,640
Speaker 3: and you'll have to figure out a way to move

1849
01:16:51,680 --> 01:16:55,080
Speaker 3: amicably that may not be like in his best interest

1850
01:16:55,120 --> 01:16:58,720
Speaker 3: in a divorce counseling. Do you feel like counseling could

1851
01:16:58,840 --> 01:16:59,439
Speaker 3: have you know?

1852
01:16:59,520 --> 01:17:00,479
Speaker 1: Or do you just want to leave it?

1853
01:17:00,920 --> 01:17:03,000
Speaker 20: I tried a lie. I tried to leave though, and

1854
01:17:03,080 --> 01:17:05,960
Speaker 20: he actually followed me to New York, like literally found

1855
01:17:06,040 --> 01:17:09,000
Speaker 20: me how to stick. He stole my car, like tried

1856
01:17:09,040 --> 01:17:10,880
Speaker 20: to get every topic to get me to come back.

1857
01:17:10,920 --> 01:17:13,560
Speaker 20: I came back and still no changes. Like, so I

1858
01:17:13,680 --> 01:17:15,679
Speaker 20: have tried and put in the effort.

1859
01:17:16,200 --> 01:17:23,920
Speaker 1: Okay, So this is the he stole your car, Yes, Jesus.

1860
01:17:23,680 --> 01:17:25,479
Speaker 20: It's not even such an easy pass.

1861
01:17:25,800 --> 01:17:28,479
Speaker 14: So that's the kids start.

1862
01:17:28,520 --> 01:17:29,479
Speaker 13: But he is so.

1863
01:17:32,160 --> 01:17:34,160
Speaker 1: So now that's a bigger problem.

1864
01:17:34,360 --> 01:17:37,439
Speaker 3: You're doing things like so now you're saying he has

1865
01:17:37,560 --> 01:17:40,360
Speaker 3: attachment issues, obviously, I mean he won't even let you rea.

1866
01:17:40,479 --> 01:17:42,479
Speaker 1: He followed you to New York. I understand loving somebody,

1867
01:17:42,560 --> 01:17:45,000
Speaker 1: but he followed you to New York, he stole your car.

1868
01:17:45,479 --> 01:17:49,040
Speaker 3: All that, that's that's all an invasion. That's an invasion

1869
01:17:49,080 --> 01:17:51,840
Speaker 3: of prophecy. I understand, like I said, being in love

1870
01:17:51,920 --> 01:17:54,560
Speaker 3: with all of that, but that's like dangerous and and

1871
01:17:54,720 --> 01:17:56,439
Speaker 3: that's you're not protecting your peace.

1872
01:17:56,479 --> 01:18:00,439
Speaker 1: You actually like like kind of sort of danger of that.

1873
01:18:00,640 --> 01:18:04,439
Speaker 3: So yeah, you definitely honestly should sit down with your

1874
01:18:04,520 --> 01:18:06,080
Speaker 3: kids and have a conversation with them and just let

1875
01:18:06,120 --> 01:18:10,360
Speaker 3: them know. Sometimes it won't work. People won't stay together forever.

1876
01:18:10,560 --> 01:18:14,800
Speaker 3: Sometimes it does happen, but sometimes you don't. And don't

1877
01:18:14,880 --> 01:18:17,400
Speaker 3: wait six more years, you know what I'm saying, Like.

1878
01:18:17,479 --> 01:18:18,000
Speaker 1: Don't do that.

1879
01:18:18,520 --> 01:18:20,240
Speaker 3: Just explain to get you to keep an open line

1880
01:18:20,280 --> 01:18:23,160
Speaker 3: of communication with them, and that's it. But but you

1881
01:18:23,320 --> 01:18:25,439
Speaker 3: need but to effectively leave him, You're gonna have to

1882
01:18:25,439 --> 01:18:26,880
Speaker 3: get some type of law involved with that.

1883
01:18:27,040 --> 01:18:31,120
Speaker 1: And I'm sorry to tell you that that's just what that.

1884
01:18:33,200 --> 01:18:38,320
Speaker 20: Yeah, So I'm just so happy that I actually my

1885
01:18:38,400 --> 01:18:40,120
Speaker 20: call got insto, like, wow, you're.

1886
01:18:41,600 --> 01:18:45,280
Speaker 3: No, absolutely, but I really really want you to be

1887
01:18:45,479 --> 01:18:47,679
Speaker 3: serious about that though. I want you to be serious

1888
01:18:47,720 --> 01:18:51,320
Speaker 3: about that. Put you first. Definitely, your kids, like you

1889
01:18:51,400 --> 01:18:53,040
Speaker 3: know what I'm saying. They're very important, but you have

1890
01:18:53,120 --> 01:18:54,360
Speaker 3: to be in the right state of mind to even

1891
01:18:54,479 --> 01:18:56,840
Speaker 3: raise them right and to show them what a healthy

1892
01:18:56,920 --> 01:19:01,639
Speaker 3: woman is outside of the healthy uh family, healthy tradition,

1893
01:19:01,840 --> 01:19:03,800
Speaker 3: know what it is, No, a healthy woman. My mom

1894
01:19:03,920 --> 01:19:06,160
Speaker 3: was a healthy woman, and that's why we are the

1895
01:19:06,200 --> 01:19:06,600
Speaker 3: way we are.

1896
01:19:06,680 --> 01:19:09,200
Speaker 1: You get what I'm saying. I see those type of things.

1897
01:19:09,520 --> 01:19:12,759
Speaker 11: Yeah, because it's like even if you're a because clearly

1898
01:19:12,880 --> 01:19:15,840
Speaker 11: see the unhappiness, even if everything will go together, we.

1899
01:19:15,880 --> 01:19:18,160
Speaker 20: All together in the household, if I'm not happy, they

1900
01:19:18,240 --> 01:19:18,960
Speaker 20: definite they said that.

1901
01:19:19,880 --> 01:19:22,960
Speaker 3: Yeah, yeah, so you need a crisis hotline, and I

1902
01:19:23,000 --> 01:19:25,840
Speaker 3: would like for you to like do that. Nah for

1903
01:19:25,960 --> 01:19:29,200
Speaker 3: Realna stole your car. You're like, no, You're never gonna

1904
01:19:29,280 --> 01:19:31,360
Speaker 3: leave me. If it sounds like it's on the verge

1905
01:19:31,400 --> 01:19:33,479
Speaker 3: of if I can't have you, nobody will. So you

1906
01:19:33,560 --> 01:19:36,000
Speaker 3: need to get and like get some help, get somebody

1907
01:19:36,040 --> 01:19:36,720
Speaker 3: else involved with that.

1908
01:19:36,960 --> 01:19:40,160
Speaker 6: Crime stoppers still got a noble Okay, yeah, hundred crimestoppers

1909
01:19:40,360 --> 01:19:42,160
Speaker 6: one hundred crime stoppers.

1910
01:19:42,640 --> 01:19:43,960
Speaker 20: Yeah, I tried that in New York.

1911
01:19:44,200 --> 01:19:47,320
Speaker 12: Okay, you're married, so you know it's okay to sell

1912
01:19:47,400 --> 01:19:48,080
Speaker 12: my car, right.

1913
01:19:48,240 --> 01:19:51,679
Speaker 3: Yeah, yeah, nine eighty Crisis Hotline all that you Yeah,

1914
01:19:51,760 --> 01:19:53,560
Speaker 3: you sound pretty much in danger, so do that?

1915
01:19:53,880 --> 01:19:54,200
Speaker 8: All right?

1916
01:19:54,280 --> 01:19:55,320
Speaker 20: Well y'all have a great thing.

1917
01:19:55,439 --> 01:19:58,599
Speaker 1: Thank you money you too? All right? Just fix my mess.

1918
01:19:58,680 --> 01:20:00,519
Speaker 2: Eight hundred and five eighty five I won on five

1919
01:20:00,600 --> 01:20:03,839
Speaker 2: one caller. Now it's the Breakfast Club. Good morning, by

1920
01:20:04,360 --> 01:20:05,120
Speaker 2: it's a real deal.

1921
01:20:05,400 --> 01:20:09,400
Speaker 3: Got me, Oh my god, I'm all up in your mask.

1922
01:20:09,400 --> 01:20:12,760
Speaker 3: I'm gonna fix it, fix it, fix it, fix it.

1923
01:20:13,040 --> 01:20:15,200
Speaker 1: Just gonna fix your mask because my advice is real.

1924
01:20:15,880 --> 01:20:19,599
Speaker 2: Warning everybody at CEJ n V, Jess, Hilarry, Charlamagne, the Guy.

1925
01:20:19,640 --> 01:20:22,679
Speaker 1: We are the Breakfast Club. We got Brooklyn on the line. Brooklyn,

1926
01:20:22,720 --> 01:20:23,599
Speaker 1: good morning, good morning.

1927
01:20:23,920 --> 01:20:24,880
Speaker 15: Hey, how you doing?

1928
01:20:25,120 --> 01:20:27,840
Speaker 1: Oh you sounds so damn? What's wrong? What's your question?

1929
01:20:28,439 --> 01:20:29,439
Speaker 8: Just ho need help?

1930
01:20:29,880 --> 01:20:30,519
Speaker 20: I need help?

1931
01:20:30,840 --> 01:20:31,280
Speaker 1: What's wrong?

1932
01:20:31,320 --> 01:20:31,640
Speaker 14: All right?

1933
01:20:32,080 --> 01:20:35,800
Speaker 12: So pretty much I've been dating my I've been in

1934
01:20:35,920 --> 01:20:38,760
Speaker 12: this girl for thirteen years pretty much, well on thirteen years.

1935
01:20:38,760 --> 01:20:42,360
Speaker 20: She was my side, right and like I finally decided

1936
01:20:42,360 --> 01:20:43,840
Speaker 20: to become my mania.

1937
01:20:43,720 --> 01:20:46,680
Speaker 12: And for like six months we've been girlfriends and put

1938
01:20:46,680 --> 01:20:50,400
Speaker 12: a title on it, and like literally last week she

1939
01:20:50,439 --> 01:20:52,560
Speaker 12: broke over me. The reason why she broke over me

1940
01:20:52,720 --> 01:20:55,479
Speaker 12: was because she said the closer that she's drawing to Jesus,

1941
01:20:56,400 --> 01:20:59,040
Speaker 12: you know how she don't want to live this lifestyle anymore,

1942
01:20:59,400 --> 01:21:03,080
Speaker 12: and doing about to cry she won't have this lifestyle anymore,

1943
01:21:03,360 --> 01:21:06,280
Speaker 12: and she uh the closer she get to God.

1944
01:21:06,720 --> 01:21:09,160
Speaker 3: She just feel like, you know, she want to be

1945
01:21:09,200 --> 01:21:11,439
Speaker 3: straight pretty much man, and she don't want to be

1946
01:21:12,600 --> 01:21:14,720
Speaker 3: what you call the aside because she don't want to

1947
01:21:14,760 --> 01:21:16,960
Speaker 3: be a siding to go all main no more.

1948
01:21:17,120 --> 01:21:19,640
Speaker 1: She wants to be right, a woman of God. But

1949
01:21:19,840 --> 01:21:20,360
Speaker 1: she was good.

1950
01:21:20,479 --> 01:21:22,439
Speaker 12: She was very, very good at being a siding because

1951
01:21:22,479 --> 01:21:24,560
Speaker 12: a relationship that was then she was always there. You know,

1952
01:21:24,600 --> 01:21:26,720
Speaker 12: I'm saying she was always there. She was perfect, you know.

1953
01:21:26,840 --> 01:21:28,560
Speaker 12: But then she was like, you know, since you're not

1954
01:21:28,680 --> 01:21:30,800
Speaker 12: digging other people no more, or let's just go ahead

1955
01:21:30,800 --> 01:21:31,400
Speaker 12: and make it a thing.

1956
01:21:31,840 --> 01:21:33,519
Speaker 20: I'm like, I don't know, you know.

1957
01:21:33,960 --> 01:21:35,200
Speaker 12: It was really good at sided people.

1958
01:21:35,200 --> 01:21:36,400
Speaker 15: But then I was like, all right, you know, I

1959
01:21:36,479 --> 01:21:36,880
Speaker 15: do love you.

1960
01:21:37,160 --> 01:21:38,679
Speaker 12: I thought I got to them say whatever, so let's

1961
01:21:38,680 --> 01:21:40,400
Speaker 12: go ahead and put the title on it. As soon

1962
01:21:40,439 --> 01:21:42,360
Speaker 12: as we do that. You want to sit up here

1963
01:21:42,400 --> 01:21:42,960
Speaker 12: talking about the.

1964
01:21:42,960 --> 01:21:45,040
Speaker 4: Cootes you draw to Jesus, you want to go straight.

1965
01:21:45,439 --> 01:21:49,000
Speaker 12: But yesterday, you know I said lonely. You know I

1966
01:21:49,080 --> 01:21:51,400
Speaker 12: got the donkey other day for being the toxics. You

1967
01:21:51,439 --> 01:21:52,559
Speaker 12: know what I'm saying yesterday?

1968
01:21:52,880 --> 01:21:53,519
Speaker 8: Oh man?

1969
01:21:54,280 --> 01:22:01,040
Speaker 3: Yeah right, So okay, so you know it's money about this. Actually,

1970
01:22:01,160 --> 01:22:03,679
Speaker 3: nothing's funny about this because you're actually about the cry.

1971
01:22:03,800 --> 01:22:07,360
Speaker 3: But what's interesting about this is that we have people

1972
01:22:07,880 --> 01:22:10,640
Speaker 3: like that will criticize you for saying, like.

1973
01:22:11,240 --> 01:22:14,559
Speaker 1: Straight people turning gay, But it's the problem.

1974
01:22:14,640 --> 01:22:16,680
Speaker 3: You're seeming like you're making it a problem that she

1975
01:22:16,840 --> 01:22:20,080
Speaker 3: wants to go from gay to being straight. It's okay

1976
01:22:20,160 --> 01:22:21,880
Speaker 3: to turn back, you know what I mean. I mean

1977
01:22:22,080 --> 01:22:24,439
Speaker 3: just because you're still over there gay, don't mean that

1978
01:22:24,760 --> 01:22:25,000
Speaker 3: you know.

1979
01:22:25,680 --> 01:22:30,080
Speaker 12: She's I don't judge her for she's coming. You know

1980
01:22:31,560 --> 01:22:34,360
Speaker 12: I'm behind her. My thing is why you had to

1981
01:22:34,400 --> 01:22:37,719
Speaker 12: wait till you become mainstream with me to go ahead

1982
01:22:37,760 --> 01:22:38,800
Speaker 12: and want to go back.

1983
01:22:38,960 --> 01:22:42,599
Speaker 3: But listen, to be honest with you, you do sound

1984
01:22:42,640 --> 01:22:44,720
Speaker 3: a bit selfish. You This girl was playing aside for

1985
01:22:44,800 --> 01:22:47,760
Speaker 3: a minute. You said, not only for one situation, for

1986
01:22:47,840 --> 01:22:48,800
Speaker 3: a bunch of situations.

1987
01:22:49,760 --> 01:22:50,519
Speaker 8: Yeah, for a bunch of them.

1988
01:22:50,520 --> 01:22:51,400
Speaker 2: But that's what she wanted to do.

1989
01:22:51,560 --> 01:22:52,519
Speaker 12: She was comfortable there.

1990
01:22:56,240 --> 01:22:58,320
Speaker 5: No, listen, you don't know what she wanted to do.

1991
01:22:58,560 --> 01:23:00,280
Speaker 5: She always wanted to be I do.

1992
01:23:00,520 --> 01:23:01,040
Speaker 7: I do know what.

1993
01:23:03,560 --> 01:23:06,560
Speaker 1: She always wanted to be.

1994
01:23:06,640 --> 01:23:09,000
Speaker 3: Amazed she has waited her turn until she got to

1995
01:23:09,120 --> 01:23:11,280
Speaker 3: be your main. So if I got to play the side,

1996
01:23:11,600 --> 01:23:14,000
Speaker 3: But however many situations I'm gonna do that. You know

1997
01:23:14,080 --> 01:23:15,599
Speaker 3: that happens not even only in gay relations.

1998
01:23:16,880 --> 01:23:19,040
Speaker 12: So for like three of them, you know, I was

1999
01:23:19,080 --> 01:23:19,920
Speaker 12: playing inside too.

2000
01:23:20,160 --> 01:23:21,160
Speaker 6: I was even a cousin.

2001
01:23:21,479 --> 01:23:22,080
Speaker 15: You know what I'm saying.

2002
01:23:22,160 --> 01:23:23,840
Speaker 12: I was even a cousin to I came in when

2003
01:23:23,840 --> 01:23:25,840
Speaker 12: I came to see her, I was her cousin, and

2004
01:23:26,000 --> 01:23:28,479
Speaker 12: you know I slept in against room like yeah.

2005
01:23:29,320 --> 01:23:32,320
Speaker 3: Yeah, So y'all both playing play have played a lot

2006
01:23:32,400 --> 01:23:34,200
Speaker 3: of games to end up with each other. And what

2007
01:23:34,400 --> 01:23:38,599
Speaker 3: you see is that don't lead up to anything that lasts.

2008
01:23:38,640 --> 01:23:40,280
Speaker 3: You get what I'm saying. Now she's on her way

2009
01:23:40,320 --> 01:23:43,559
Speaker 3: to God. You're still back here trying to figure it out,

2010
01:23:43,640 --> 01:23:45,640
Speaker 3: you know what I mean, trying to understand why what

2011
01:23:45,840 --> 01:23:48,679
Speaker 3: happened yesterday, dounky to day was it was a deeper

2012
01:23:48,880 --> 01:23:51,559
Speaker 3: meaning to it though, it was you, what accountability are

2013
01:23:51,600 --> 01:23:52,760
Speaker 3: you taking for this?

2014
01:23:53,320 --> 01:23:55,160
Speaker 12: That's what I felt that he was sucking my whole

2015
01:23:55,600 --> 01:23:56,160
Speaker 12: like I felt it.

2016
01:23:56,280 --> 01:24:00,840
Speaker 3: Like, So, now you work on you, don't worry about her.

2017
01:24:00,920 --> 01:24:03,840
Speaker 3: See she already started obviously working on her. You get

2018
01:24:03,840 --> 01:24:04,240
Speaker 3: what I'm saying.

2019
01:24:04,920 --> 01:24:07,200
Speaker 12: Your last man asks me, I'm okay, but I asked

2020
01:24:07,320 --> 01:24:08,920
Speaker 12: for my iPad and she didn't even take me that.

2021
01:24:09,040 --> 01:24:09,839
Speaker 15: She left me already.

2022
01:24:10,000 --> 01:24:14,519
Speaker 1: Well, she uses she probably need it right now, but

2023
01:24:15,160 --> 01:24:17,280
Speaker 1: she asked you. Are you okay? Because she's a good

2024
01:24:17,320 --> 01:24:20,160
Speaker 1: person and she actually care about you. She's she don't

2025
01:24:20,720 --> 01:24:21,479
Speaker 1: she care about you?

2026
01:24:21,760 --> 01:24:25,160
Speaker 3: You need to You need to do some work on yourself. Honestly,

2027
01:24:25,439 --> 01:24:27,599
Speaker 3: I do. You're right, and I love that you are

2028
01:24:27,840 --> 01:24:29,760
Speaker 3: receiving that. You know what I mean, because you you

2029
01:24:29,880 --> 01:24:32,200
Speaker 3: still hurt, and it's okay. It's okay to be hurt.

2030
01:24:32,240 --> 01:24:33,720
Speaker 3: You don't got to act unbothered. You don't got to

2031
01:24:33,760 --> 01:24:36,599
Speaker 3: act like you're not. But you gotta do work on yourself,

2032
01:24:36,680 --> 01:24:39,160
Speaker 3: bull That's that's all. And that whether that puts you

2033
01:24:39,320 --> 01:24:43,360
Speaker 3: in a better position to date later like that or not,

2034
01:24:43,640 --> 01:24:46,200
Speaker 3: or don't date for a long time, whether you turn

2035
01:24:46,280 --> 01:24:48,160
Speaker 3: to God, whether you whatever it is for you, you

2036
01:24:48,240 --> 01:24:50,720
Speaker 3: need to figure out what feeds you love on yourself.

2037
01:24:50,880 --> 01:24:56,040
Speaker 1: And yeah, yeah, but that's all.

2038
01:24:56,240 --> 01:24:58,519
Speaker 3: Just just just be alone for a little bit. And

2039
01:24:58,880 --> 01:25:01,680
Speaker 3: and being alone does not I mean your lonely. Just

2040
01:25:01,840 --> 01:25:04,080
Speaker 3: be alone for a little bit. You get what I'm saying.

2041
01:25:04,520 --> 01:25:05,920
Speaker 1: I appreciate you, no problem.

2042
01:25:05,960 --> 01:25:08,120
Speaker 6: I have a go on Brooklyn as a community. We

2043
01:25:08,160 --> 01:25:11,280
Speaker 6: don't talk enough about these savage ass studs. Man like, like,

2044
01:25:11,439 --> 01:25:14,200
Speaker 6: toxic studliness is a real thing, don't you think so?

2045
01:25:15,080 --> 01:25:17,520
Speaker 6: They want to have all these common things about toxic masculinity.

2046
01:25:17,720 --> 01:25:21,799
Speaker 6: Toxic studliness is a real thing. Yeah, she mad because

2047
01:25:21,880 --> 01:25:24,160
Speaker 6: that woman because God told that woman she got to

2048
01:25:24,240 --> 01:25:24,920
Speaker 6: change her diet.

2049
01:25:25,360 --> 01:25:28,519
Speaker 1: If she don't want to take that, she don't want

2050
01:25:28,560 --> 01:25:30,560
Speaker 1: to eat poom poom no more. She don't want to

2051
01:25:30,560 --> 01:25:32,439
Speaker 1: eat poom poom no more. Let her go.

2052
01:25:33,000 --> 01:25:33,200
Speaker 14: You know.

2053
01:25:33,720 --> 01:25:36,080
Speaker 3: It's just funny, like somebody be like, oh, you can't

2054
01:25:36,080 --> 01:25:38,240
Speaker 3: tell that person out to be gay, but now you're

2055
01:25:38,280 --> 01:25:40,560
Speaker 3: telling her she can't be straight, Like you got not

2056
01:25:40,600 --> 01:25:42,559
Speaker 3: telling she can't, but now she wants to sit up

2057
01:25:42,600 --> 01:25:45,160
Speaker 3: there and she want to be straight. It can't go

2058
01:25:45,240 --> 01:25:47,880
Speaker 3: both ways, that's right. It can't happen the other way around,

2059
01:25:47,960 --> 01:25:49,880
Speaker 3: you know. So, but I think she got it. You know,

2060
01:25:50,040 --> 01:25:52,080
Speaker 3: she definitely sounds like she needs to because she's more

2061
01:25:52,120 --> 01:25:54,599
Speaker 3: defensive than anything because she hurt, so she just gotta

2062
01:25:55,120 --> 01:25:55,519
Speaker 3: work hard.

2063
01:25:55,600 --> 01:25:58,040
Speaker 4: So all right, eight hundred and five eighty five, one

2064
01:25:58,080 --> 01:25:59,559
Speaker 4: oh five one. Now we got Ess with the mess

2065
01:25:59,600 --> 01:26:01,920
Speaker 4: coming up with talking about Lord, I'm gonna be honest

2066
01:26:01,960 --> 01:26:04,400
Speaker 4: with you. I don't know right now, Okay, I got

2067
01:26:04,520 --> 01:26:05,240
Speaker 4: that that those.

2068
01:26:05,120 --> 01:26:08,120
Speaker 1: Stories was heavy. The toxic studg will throw you off the.

2069
01:26:10,040 --> 01:26:13,840
Speaker 6: Toxic studden man, y'all all, y'all, toxic stud go do

2070
01:26:13,920 --> 01:26:14,799
Speaker 6: some work on yourself.

2071
01:26:15,080 --> 01:26:20,479
Speaker 1: Well, let's get to Jess with the mess now. The

2072
01:26:20,520 --> 01:26:23,840
Speaker 1: lids gonna do is gonna bring the numbers.

2073
01:26:26,000 --> 01:26:26,200
Speaker 3: Club.

2074
01:26:28,680 --> 01:26:29,559
Speaker 1: You know what you want to talk about?

2075
01:26:29,600 --> 01:26:29,720
Speaker 13: Now?

2076
01:26:29,880 --> 01:26:31,640
Speaker 3: I do before we get the Rachel, I think this

2077
01:26:31,920 --> 01:26:36,439
Speaker 3: needs immediate attention. So Vory threatens to kill girlfriend. Vory

2078
01:26:36,680 --> 01:26:40,160
Speaker 3: is an artist who was a dream chaser before this

2079
01:26:40,600 --> 01:26:43,879
Speaker 3: actually came out. His girlfriend alleged that he is abusive

2080
01:26:43,920 --> 01:26:45,760
Speaker 3: and released footage of him threatening to killer.

2081
01:26:46,320 --> 01:26:49,200
Speaker 1: Well, Ludia came from that move your phone, from that

2082
01:26:49,800 --> 01:26:57,439
Speaker 1: howard lyterally that you're killed feel real? So she said, yeah.

2083
01:26:57,600 --> 01:26:59,720
Speaker 3: So she said he tries to paint her as a

2084
01:26:59,800 --> 01:27:03,000
Speaker 3: whole and a bad person when he's really the bad person.

2085
01:27:03,080 --> 01:27:04,639
Speaker 1: She also revealed that she has more footage.

2086
01:27:04,640 --> 01:27:06,559
Speaker 3: She says, stop playing in my face before I posted videos,

2087
01:27:06,560 --> 01:27:08,479
Speaker 3: So you punching me in my face, spitting on me,

2088
01:27:08,560 --> 01:27:10,599
Speaker 3: threatening to kill me while I'm pregnant. I have all

2089
01:27:10,640 --> 01:27:12,680
Speaker 3: those videos show people who you really are. This man

2090
01:27:12,760 --> 01:27:15,800
Speaker 3: is a professional liar and the manipulator and a narcissist.

2091
01:27:16,760 --> 01:27:19,560
Speaker 3: And this is not even something though the footage was

2092
01:27:19,600 --> 01:27:21,640
Speaker 3: recorded by her, but this is from home cameras, so

2093
01:27:21,680 --> 01:27:23,800
Speaker 3: you can literally see, Yo, why would you do this?

2094
01:27:24,160 --> 01:27:26,360
Speaker 5: And you have home cameras in your house. She's not recording.

2095
01:27:26,920 --> 01:27:29,200
Speaker 5: She's like, these are cameras in their homes, so that's

2096
01:27:29,280 --> 01:27:29,840
Speaker 5: kind of crazy.

2097
01:27:30,040 --> 01:27:32,439
Speaker 3: When Meek mil came across the allegations, he announced that

2098
01:27:32,520 --> 01:27:35,240
Speaker 3: he is distancing himself from Vori, and he said, this

2099
01:27:35,360 --> 01:27:37,559
Speaker 3: guy is not a dream chaser. He has mental problems.

2100
01:27:37,760 --> 01:27:40,160
Speaker 3: We cut size. We don't care about how your music sound.

2101
01:27:40,560 --> 01:27:42,479
Speaker 3: He'd been ducking my calls for months, telling people I'm

2102
01:27:42,479 --> 01:27:44,880
Speaker 3: threatening him. I stopped a lot of people. Dude, he

2103
01:27:44,960 --> 01:27:49,160
Speaker 3: is not a dream chaser. So that relationship is done.

2104
01:27:49,680 --> 01:27:51,920
Speaker 6: Yeah, And I'm sure that situation isn't just gonna go

2105
01:27:51,960 --> 01:27:53,520
Speaker 6: to social media. It's gonna go to authoritists.

2106
01:27:53,560 --> 01:27:56,200
Speaker 2: Absolutely, and for people that don't know who Vori is

2107
01:27:56,240 --> 01:27:58,360
Speaker 2: because he's not a popular artist for his own music,

2108
01:27:58,439 --> 01:28:02,200
Speaker 2: he's known to He wrote for Meek Mill, of course,

2109
01:28:02,320 --> 01:28:03,360
Speaker 2: and when I mean wrote for me.

2110
01:28:03,400 --> 01:28:05,360
Speaker 1: He could date Hooks, Kanye.

2111
01:28:05,160 --> 01:28:09,280
Speaker 4: West, Drake, Dirk Right, The Little Baby, Post Malone, Mariah Carry,

2112
01:28:09,320 --> 01:28:09,880
Speaker 4: and host others.

2113
01:28:09,920 --> 01:28:13,920
Speaker 3: So yep, Rachel dolaz are fired after people find her

2114
01:28:14,000 --> 01:28:14,719
Speaker 3: only fans.

2115
01:28:14,800 --> 01:28:17,479
Speaker 1: So Rachel Dolazol is not Rachel doleaz On.

2116
01:28:17,520 --> 01:28:21,120
Speaker 3: The more she changed her name to Encatchi Diallo imagine allegedly,

2117
01:28:21,320 --> 01:28:21,800
Speaker 3: Yeah that's no.

2118
01:28:21,960 --> 01:28:23,880
Speaker 1: I said legend. Oh I thought you said a legend.

2119
01:28:24,560 --> 01:28:27,799
Speaker 1: H yeah yeah, legend. Yes, yes, just a little backstory.

2120
01:28:27,840 --> 01:28:32,600
Speaker 3: She's the NAACP Washington chapter president who got fired. She

2121
01:28:33,200 --> 01:28:33,479
Speaker 3: she was.

2122
01:28:33,880 --> 01:28:35,320
Speaker 1: She got fired for pretending to be black.

2123
01:28:35,400 --> 01:28:39,000
Speaker 3: She's transracial, yes, transracial, yeah, absolutely.

2124
01:28:39,400 --> 01:28:41,639
Speaker 1: She was an after school instructor.

2125
01:28:41,760 --> 01:28:44,439
Speaker 3: She got paid nineteen dollars an hour and she works

2126
01:28:44,439 --> 01:28:47,040
Speaker 3: with students from kindergarten up to fifth grade. She was

2127
01:28:47,160 --> 01:28:49,160
Speaker 3: hired and this is crazy because her contract she was

2128
01:28:49,240 --> 01:28:51,760
Speaker 3: hired last year in August, and the contract was only

2129
01:28:51,800 --> 01:28:56,000
Speaker 3: supposed to go up to May twenty twenty four. But

2130
01:28:56,240 --> 01:28:58,720
Speaker 3: she she goes by different names, so people wouldn't know

2131
01:28:58,720 --> 01:29:00,880
Speaker 3: who she was. Obviously she ain't making enough and that's

2132
01:29:00,920 --> 01:29:04,439
Speaker 3: why she got the only fans yeah yeah, and Rachel.

2133
01:29:04,640 --> 01:29:04,840
Speaker 1: Yeah.

2134
01:29:04,920 --> 01:29:09,960
Speaker 3: She teaches in Arizona, and the media reached out to

2135
01:29:10,040 --> 01:29:13,800
Speaker 3: the school to say, hey, this is Rachel doles All.

2136
01:29:14,800 --> 01:29:15,880
Speaker 1: Yeah, snitched on her man.

2137
01:29:15,960 --> 01:29:18,599
Speaker 3: And then when they showed the school the footage, they

2138
01:29:18,720 --> 01:29:20,320
Speaker 3: they said, oh, yeah, we she an't work here no more.

2139
01:29:20,640 --> 01:29:22,080
Speaker 1: So now you know what I mean.

2140
01:29:22,200 --> 01:29:25,200
Speaker 5: This is now she's fired from there, but she can't

2141
01:29:25,200 --> 01:29:26,160
Speaker 5: get fired from only fans.

2142
01:29:26,240 --> 01:29:27,439
Speaker 1: So and catchy, keep.

2143
01:29:27,320 --> 01:29:29,799
Speaker 6: Doing your thing, pay the teachers more, and Rachel wouldn't

2144
01:29:29,800 --> 01:29:31,640
Speaker 6: have to do things like this. And every time I

2145
01:29:31,680 --> 01:29:34,599
Speaker 6: hear stories about Rachel Doja, she's doing something of real service,

2146
01:29:34,920 --> 01:29:38,200
Speaker 6: whether it's work at the NAACP, whether it's being a teacher,

2147
01:29:38,560 --> 01:29:41,320
Speaker 6: whether it's reasonable prices to see the cheeks on OnlyFans

2148
01:29:42,160 --> 01:29:44,080
Speaker 6: a month. I was looking at it in the paper

2149
01:29:44,160 --> 01:29:47,599
Speaker 6: this morning, ninety nine a month. Rachel was always being

2150
01:29:47,640 --> 01:29:50,439
Speaker 6: the service. But it it's kind of crazy. Yeah, it's

2151
01:29:50,520 --> 01:29:51,000
Speaker 6: kind of crazy.

2152
01:29:51,040 --> 01:29:51,960
Speaker 1: It is kind of crazy.

2153
01:29:52,200 --> 01:29:54,200
Speaker 3: It's being reported that the school just learned about her

2154
01:29:54,240 --> 01:29:57,160
Speaker 3: only fans accounting she's no longer employed there. I'm so

2155
01:29:57,320 --> 01:29:59,760
Speaker 3: mad about that though, because like you said, if they

2156
01:29:59,800 --> 01:30:01,720
Speaker 3: pay up more than that would be yeah.

2157
01:30:01,720 --> 01:30:03,479
Speaker 1: And then also another thing I was thinking about.

2158
01:30:04,160 --> 01:30:07,920
Speaker 3: It's elementary school, those kids and listen, whatever if it

2159
01:30:08,000 --> 01:30:10,599
Speaker 3: was high school, Okay, I get it, because they're very

2160
01:30:10,640 --> 01:30:14,240
Speaker 3: aware of what a student would have probably found it

2161
01:30:14,400 --> 01:30:16,639
Speaker 3: for the media contact of the school. But these are children,

2162
01:30:16,880 --> 01:30:18,680
Speaker 3: so it's their parents that's looking at and this is

2163
01:30:18,720 --> 01:30:21,679
Speaker 3: Miss dolas A, not Miss Diallo, you know what I'm saying.

2164
01:30:21,880 --> 01:30:24,640
Speaker 1: And just people hating on her that are mad at

2165
01:30:24,680 --> 01:30:30,080
Speaker 1: her because she's trans now trans she's transracial. That translation

2166
01:30:31,439 --> 01:30:33,400
Speaker 1: is trans do things that she does not have to do.

2167
01:30:33,720 --> 01:30:35,840
Speaker 1: It's no thing. There's no such thing as transracial, but

2168
01:30:35,880 --> 01:30:39,920
Speaker 1: it's such thing as transgiend that is, you know what

2169
01:30:39,960 --> 01:30:47,000
Speaker 1: I'm saying. How can it be enough? Let people that's right.

2170
01:30:48,439 --> 01:30:48,679
Speaker 13: Saying.

2171
01:30:48,920 --> 01:30:50,680
Speaker 1: Let that be what she want to be. If you

2172
01:30:50,760 --> 01:30:52,960
Speaker 1: want to identify black, she can identify. You can't pick

2173
01:30:52,960 --> 01:30:54,720
Speaker 1: and choose when you want to be black, man, Why

2174
01:30:54,880 --> 01:30:55,640
Speaker 1: can't you let her be?

2175
01:30:55,760 --> 01:31:06,760
Speaker 3: Okay, better, let's so that her name allegedly boy, all right,

2176
01:31:06,840 --> 01:31:08,680
Speaker 3: let's get out of here. People's chase mixed up next

2177
01:31:08,720 --> 01:31:10,120
Speaker 3: to breakfast slogan morning.

2178
01:31:10,479 --> 01:31:12,120
Speaker 1: You're checking out the Breakfast Club.

2179
01:31:12,560 --> 01:31:16,280
Speaker 2: More everybody is DJ V Jesse, Larrie Schallomina Die we

2180
01:31:16,360 --> 01:31:17,360
Speaker 2: are the Breakfast Club?

2181
01:31:17,479 --> 01:31:18,360
Speaker 1: Is Black History Month?

2182
01:31:18,439 --> 01:31:18,840
Speaker 13: What we doing?

2183
01:31:19,040 --> 01:31:19,240
Speaker 1: Listen?

2184
01:31:19,320 --> 01:31:21,320
Speaker 6: Man, I gotta be dot every day during a Black

2185
01:31:21,400 --> 01:31:23,360
Speaker 6: History Month. He puts you out a podcast called that

2186
01:31:23,479 --> 01:31:26,880
Speaker 6: I Didn't Know Maybe you didn't either? Podcast, And today

2187
01:31:26,960 --> 01:31:30,400
Speaker 6: he's introducing you to one of history's unsung heroes, mister

2188
01:31:30,520 --> 01:31:31,240
Speaker 6: Robert Smalls.

2189
01:31:31,760 --> 01:31:34,760
Speaker 9: On today's episode, if I didn't know, maybe you didn't either,

2190
01:31:35,080 --> 01:31:38,320
Speaker 9: I introduce you to one of my favorite characters in history.

2191
01:31:38,760 --> 01:31:42,600
Speaker 9: His name is Robert Small's or is I like to

2192
01:31:42,720 --> 01:31:45,920
Speaker 9: call him Robie Small's. So when it came to freedom,

2193
01:31:46,240 --> 01:31:48,599
Speaker 9: my boy was ready to die. Like so many other

2194
01:31:48,720 --> 01:31:52,040
Speaker 9: enslaved people, Robert Small's too, was haunted with the idea

2195
01:31:52,120 --> 01:31:55,080
Speaker 9: that his family, his wife Hannah, their four year old

2196
01:31:55,200 --> 01:31:58,240
Speaker 9: daughter Elizabeth, and their infant son, Robert Jr.

2197
01:31:58,439 --> 01:31:59,639
Speaker 1: Would one day be sold.

2198
01:32:00,120 --> 01:32:03,719
Speaker 9: Families, once sold and separated, usually never found their ways

2199
01:32:03,800 --> 01:32:06,160
Speaker 9: back to one another. The only way that Robert Smalls

2200
01:32:06,200 --> 01:32:09,040
Speaker 9: could ensure that his family stayed together was escape. But

2201
01:32:09,200 --> 01:32:12,320
Speaker 9: trying to escape by yourself was difficult at the task

2202
01:32:12,439 --> 01:32:15,800
Speaker 9: of a family and an infant damn near impossible. So

2203
01:32:15,920 --> 01:32:19,480
Speaker 9: as darkness fell over the city of Charleston, South Carolina,

2204
01:32:19,720 --> 01:32:23,519
Speaker 9: in the early hours of May thirteenth, eighteen fifty two,

2205
01:32:23,920 --> 01:32:28,000
Speaker 9: where doctor stood the Planter, a Confederate steamer. But Robbie

2206
01:32:28,000 --> 01:32:30,760
Speaker 9: Smalls knew that in a few hours his family would

2207
01:32:30,760 --> 01:32:34,080
Speaker 9: be free from slavery or they would certainly see death.

2208
01:32:34,640 --> 01:32:38,599
Speaker 9: Their future depended solely on his plan, and his plan

2209
01:32:38,760 --> 01:32:41,360
Speaker 9: was simple. While the captain and his men were on land,

2210
01:32:41,640 --> 01:32:44,719
Speaker 9: sharing the beds with their wives, he would imitate the captain,

2211
01:32:45,000 --> 01:32:47,280
Speaker 9: jack the Planner and link up with the fleet of

2212
01:32:47,439 --> 01:32:50,479
Speaker 9: unionships that was anchored right outside the Charleston Harbor. It

2213
01:32:50,600 --> 01:32:53,120
Speaker 9: was just ten miles south. Boy, that's the simplest getting

2214
01:32:53,160 --> 01:32:55,439
Speaker 9: young thug out of jail. So in the early hours

2215
01:32:55,479 --> 01:32:59,519
Speaker 9: of the morning May thirteenth, eighteen sixty two, Robbie Smalls

2216
01:32:59,880 --> 01:33:01,080
Speaker 9: or ordered the steamer to leave.

2217
01:33:01,360 --> 01:33:02,759
Speaker 1: The crew raised two flags.

2218
01:33:03,000 --> 01:33:06,160
Speaker 9: The first was the official Confederate flag known as the

2219
01:33:06,240 --> 01:33:10,120
Speaker 9: Stars and Bars, the other South Carolina's blue and white flag.

2220
01:33:10,439 --> 01:33:12,760
Speaker 9: Both helped them maintain the cover that this was a

2221
01:33:12,800 --> 01:33:16,759
Speaker 9: Confederate ship. It was a Confederate guard fifty yards away.

2222
01:33:17,000 --> 01:33:19,400
Speaker 9: He just assumed that the officers were in command like

2223
01:33:19,560 --> 01:33:22,920
Speaker 9: usual and let him roll. Next stop, North Atlantic Wharf.

2224
01:33:23,160 --> 01:33:25,080
Speaker 9: Had to go pick up the family. Remember, they got

2225
01:33:25,120 --> 01:33:28,000
Speaker 9: a backtrack. No trouble approaching the pier there. Now we

2226
01:33:28,080 --> 01:33:30,920
Speaker 9: got to double back and get past Fort Sumter. Fort

2227
01:33:30,960 --> 01:33:34,560
Speaker 9: Sumter was super intimidating. This joint had fifty foot.

2228
01:33:34,400 --> 01:33:35,559
Speaker 1: Walls above the water.

2229
01:33:36,120 --> 01:33:39,960
Speaker 9: They approached Fort Sumter around four point fifteen am, terrifying.

2230
01:33:40,600 --> 01:33:44,599
Speaker 9: The women and kids are crying, praying. Robbie Small's hat

2231
01:33:44,640 --> 01:33:47,400
Speaker 9: on Captain Rayaz's straw hat, and he pulled the whistle

2232
01:33:47,479 --> 01:33:51,400
Speaker 9: cord two long blows and a short one. That was

2233
01:33:51,439 --> 01:33:54,560
Speaker 9: the Confederate signal, and it was required to pass. The

2234
01:33:54,640 --> 01:33:58,200
Speaker 9: Confederate soldier yelled out to the planner, blow them Yankees

2235
01:33:58,280 --> 01:34:01,559
Speaker 9: the hell, or bring one on me, and Robbie Smalls

2236
01:34:01,640 --> 01:34:05,200
Speaker 9: just stayed in character and replied, ay, ay, and he

2237
01:34:05,320 --> 01:34:07,479
Speaker 9: was allowed to pass. Now the crew gotta rush and

2238
01:34:07,520 --> 01:34:10,439
Speaker 9: take these stupid Confederate flags down so the Union soldiers

2239
01:34:10,439 --> 01:34:12,280
Speaker 9: don't blow us out the waters. You did what I'm saying,

2240
01:34:12,400 --> 01:34:14,120
Speaker 9: And now we got to raise his white blanket so

2241
01:34:14,200 --> 01:34:17,439
Speaker 9: we can say were surrendering. Man the joy when Robert

2242
01:34:17,520 --> 01:34:21,280
Speaker 9: Small's and his family and friends feet touched the floorboards

2243
01:34:21,680 --> 01:34:24,720
Speaker 9: of the Onward. The Onward was the Unionship, and they

2244
01:34:24,760 --> 01:34:29,519
Speaker 9: had realized in that moment they were free. Robert Smalls

2245
01:34:29,640 --> 01:34:31,920
Speaker 9: just stood in front of his family and friends and

2246
01:34:32,080 --> 01:34:36,200
Speaker 9: spoke triumphantly to the captain of the Onward, Good morning, sir,

2247
01:34:36,439 --> 01:34:39,320
Speaker 9: I's brought you some of the old United States guns, Sir.

2248
01:34:39,600 --> 01:34:42,519
Speaker 9: They was for force something to sir Robbie, Robbie, Robbie,

2249
01:34:42,720 --> 01:34:46,400
Speaker 9: can't you see how this story just hypnotized me and

2250
01:34:46,520 --> 01:34:48,400
Speaker 9: I just love your confident and demeanor.

2251
01:34:48,960 --> 01:34:52,160
Speaker 1: I didn't know. Maybe you didn't either. I didn't know.

2252
01:34:52,800 --> 01:34:54,760
Speaker 1: I absolute to be that that's right, and make sure

2253
01:34:54,800 --> 01:34:56,840
Speaker 1: you subscribed. I didn't know. Maybe you didn't either.

2254
01:34:57,040 --> 01:35:00,320
Speaker 6: On the Black Effect, iHeartRadio Podcast Network, available every where

2255
01:35:00,320 --> 01:35:04,799
Speaker 6: you listen to podcasts and subscribe to just hilarious, carefully reckless.

2256
01:35:05,320 --> 01:35:08,839
Speaker 6: On the Black Effect, iHeart Radio Podcast Network.

2257
01:35:09,080 --> 01:35:11,200
Speaker 3: Don't be balling enough paper while you giving me a

2258
01:35:11,240 --> 01:35:15,160
Speaker 3: shout out. Don't do that because everything goes into the mic.

2259
01:35:15,240 --> 01:35:21,120
Speaker 3: Don't be saying oh, and subscribe to please that nobody else?

2260
01:35:21,800 --> 01:35:22,200
Speaker 1: All right?

2261
01:35:22,400 --> 01:35:24,559
Speaker 2: When we come back positive Notice the Breakfast Club, good

2262
01:35:24,560 --> 01:35:25,719
Speaker 2: morning Warning, everybody.

2263
01:35:25,800 --> 01:35:27,040
Speaker 1: It's j n V.

2264
01:35:27,360 --> 01:35:30,200
Speaker 2: Justs hilarious, charlamage and the guy. We are the Breakfast

2265
01:35:30,360 --> 01:35:34,120
Speaker 2: Club now you see. People Magazine just released in a

2266
01:35:34,200 --> 01:35:37,439
Speaker 2: statement saying that Usher said he proposed to Chili back

2267
01:35:37,479 --> 01:35:41,080
Speaker 2: in the day, that Chili told him no, and he

2268
01:35:41,120 --> 01:35:42,559
Speaker 2: said that the split broke his heart.

2269
01:35:43,640 --> 01:35:47,680
Speaker 3: Maybe that's who Ruin is about. Ruin the song on

2270
01:35:47,760 --> 01:35:50,439
Speaker 3: a new album, the one that I love. Maybe because

2271
01:35:50,520 --> 01:35:52,439
Speaker 3: you ruined me for everybody.

2272
01:35:53,960 --> 01:35:57,639
Speaker 1: That's what he's saying. Maybe she saying that, yeah, wow, yeah,

2273
01:35:58,120 --> 01:35:58,479
Speaker 1: oh wow.

2274
01:35:58,520 --> 01:35:59,880
Speaker 5: I didn't know that she said no.

2275
01:36:00,000 --> 01:36:01,599
Speaker 1: Oh, oh my god.

2276
01:36:01,720 --> 01:36:01,760
Speaker 3: No.

2277
01:36:03,000 --> 01:36:05,280
Speaker 1: I'm sure she'll be releasing a statement about that. All right,

2278
01:36:05,320 --> 01:36:06,040
Speaker 1: real quick, y'all.

2279
01:36:06,120 --> 01:36:08,840
Speaker 3: So y'all know I turned thirty two and I had

2280
01:36:08,840 --> 01:36:11,960
Speaker 3: a birthday party last year. I'm pregnant, but that don't

2281
01:36:11,960 --> 01:36:14,519
Speaker 3: mean I can't party. So see I Double A Takeover

2282
01:36:14,720 --> 01:36:17,920
Speaker 3: is in Baltimore. Shout out to my city. I'm gonna

2283
01:36:17,960 --> 01:36:20,840
Speaker 3: do my big birthday bash there and it will be

2284
01:36:21,000 --> 01:36:24,280
Speaker 3: Mark second. It's gonna be during the pisty season, So

2285
01:36:24,400 --> 01:36:24,920
Speaker 3: we're doing that.

2286
01:36:24,960 --> 01:36:26,759
Speaker 1: We're doing that. The party is from eight to twelve.

2287
01:36:27,680 --> 01:36:28,320
Speaker 1: The tickets.

2288
01:36:28,479 --> 01:36:29,920
Speaker 3: For you to get tickets, the link will be in

2289
01:36:30,000 --> 01:36:32,839
Speaker 3: my bio today. It's gonna be hosted by Dave Kowser

2290
01:36:33,080 --> 01:36:35,360
Speaker 3: and it's gonna be at the Baltimore Peninsula, y'all. That's

2291
01:36:35,360 --> 01:36:37,519
Speaker 3: twenty four to fifty five House Street. So we on

2292
01:36:37,720 --> 01:36:41,240
Speaker 3: some on some classy, some classy stuff, all right. I

2293
01:36:41,320 --> 01:36:44,400
Speaker 3: can't be having no fights and no, no no crazy

2294
01:36:44,439 --> 01:36:47,600
Speaker 3: stuff around this belly from Baltimore. No, that's not what

2295
01:36:47,680 --> 01:36:52,080
Speaker 3: I said. That's not what I said. So Crown the

2296
01:36:52,160 --> 01:36:55,840
Speaker 3: Queen Party. That's the theme. Crown the Queen that's Saturday, right,

2297
01:36:56,000 --> 01:36:58,920
Speaker 3: that is yep, Saturday, March second, from eight to twelve.

2298
01:36:59,120 --> 01:37:00,840
Speaker 3: Get your early birth ticket, it's in my bio.

2299
01:37:01,120 --> 01:37:03,439
Speaker 1: Yeah. All right, well it's time for the positive note.

2300
01:37:03,439 --> 01:37:04,760
Speaker 1: You got a positive note, I do, man.

2301
01:37:04,840 --> 01:37:09,560
Speaker 6: The positive note is simply this. Nothing that's for you

2302
01:37:10,080 --> 01:37:12,920
Speaker 6: will require you to act out of character to get it.

2303
01:37:13,240 --> 01:37:15,040
Speaker 6: Always remember that absolutely nothing.

2304
01:37:15,360 --> 01:37:18,240
Speaker 1: Have a great day, breakfast club bitches. You y'all finished

2305
01:37:18,320 --> 01:37:18,840
Speaker 1: or y'all done