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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 3: Either way, we want to be there.

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Speaker 4: Doesn't matter how.

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Speaker 3: Much baggage you claim. Give us time and a turmano

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Speaker 3: and gay.

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Speaker 1: We want to send you off in style.

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Speaker 4: We wanna welcome you back home. Tell us all about it.

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Speaker 4: We scared her?

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Speaker 2: Was it fine?

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Speaker 5: Now?

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Speaker 4: Porn? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 4: Do you need to ride? Do you need ride?

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Speaker 6: Right?

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Speaker 2: Do you need with Karen and Chris welcome to Do

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Speaker 2: you need a ride? I'm Chris Fairbanks unlocking the door

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Speaker 2: for my co host and guest Karen Killcare. Hello, Hello, Hello,

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Speaker 2: welcome to my l eight Honda an our podcast.

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Speaker 4: Oh my god, this air conditioning is delicious?

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Speaker 2: Isn't that nice?

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Speaker 4: It's from France.

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Speaker 2: My sister used delicious to describe one of my friends

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Speaker 2: once and basically, yeah, ever since it's not a good word. No, no,

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Speaker 2: I don't know why. Nothing against my sister. We're against

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Speaker 2: you right now.

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Speaker 4: Well, obviously that's not true.

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Speaker 2: It's everything against the word delicious being used when talking

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Speaker 2: about people.

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Speaker 4: You know. Uh. In my mind when I was saying it,

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Speaker 4: I was picturing Christine Baranski, that horrifying actress.

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Speaker 2: Oh, I'm not familiar with her work, but I'm sure

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Speaker 2: I should be.

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Speaker 4: I bet you would be if I should do a

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Speaker 4: picture of her. She's basically the old She's like Wendy Mallick,

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Speaker 4: where she's kind of like the old hot lady. Am

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Speaker 4: I too loud?

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Speaker 2: No, you're doing terrifically.

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Speaker 4: I haven't podcasted in so long. I don't know how

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Speaker 4: to do it. You're doing great, and you're driving and sounding.

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Speaker 2: I know, I know it's we both know that I'm

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Speaker 2: not great at both, but I thought it would be

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Speaker 2: good for me to do it now, even though I

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Speaker 2: know we're not. We don't have the added pressure of

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Speaker 2: picking someone up, so I should be able to handle it.

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Speaker 4: Yeah, you should.

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Speaker 2: Yeah. I totally got new air conditioning in Io eight

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Speaker 2: Honda Cord.

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Speaker 4: It honestly and literally feels like a brand new car.

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Speaker 2: It really does. That's because I had the fluids checked. Also,

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Speaker 2: That's what I'm feeling. Yeah. We had a full diagnostic,

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Speaker 2: then got a diagnosis from that, and then my prognosis

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Speaker 2: was to do the things they the only thing. I'm

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Speaker 2: just gonna let it go. I need new tires and brakes,

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Speaker 2: but I figure those aren't as important as wiper fluids.

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Speaker 4: Yeah, you get as many fluids as you can for

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Speaker 4: about forty nine.

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Speaker 2: Bucks, yep, otherwise you get dehydrated. What about Christian Duransky,

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Speaker 2: I'm sorry.

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Speaker 4: Oh oh no, that's when I said when I called

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Speaker 4: that delicious, this air conditioning, Yeah, that's who I was saying.

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Speaker 4: I was kind of being an old cougar.

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Speaker 2: I just I feel like, oh, we'll save that. I

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Speaker 2: feel like, oh, we can put it in just for

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Speaker 2: giggles and chits.

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Speaker 4: Well, I don't know how about those.

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Speaker 2: I'll eject the ween Country album. I honestly, I think

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Speaker 2: when you say it about the air conditioning, I think

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Speaker 2: of turning it on full blast and pieces of moistcake

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Speaker 2: shooting out of it into.

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Speaker 4: My mouth, gros mixed with fluid.

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Speaker 2: And then the word moist brings up things for people.

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Speaker 4: Uh, my sister cannot hear the word moist.

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Speaker 2: I don't get that because all I think is Betty

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Speaker 2: Crocker Fork going into a cake. I think of that logo.

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Speaker 4: She does not. I don't know what her problem is,

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Speaker 4: but she's one of those people. She's very sound sensitive. Yeah,

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Speaker 4: so like I couldn't eat cereal anywhere near her. She

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Speaker 4: acted like I was eating it like an animal, And

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Speaker 4: I swear to God, I got so self conscious about

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Speaker 4: it that I know for a fact I wasn't because

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Speaker 4: you'd be like, stop it, and you wouldn't be doing

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Speaker 4: anything like you couldn't. She also can't hear the word portion.

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Speaker 4: It drives her crazy.

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Speaker 2: Portion. What did she? What does she say in lou

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Speaker 2: of the word portion. I don't I'd have to go

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Speaker 2: to a thesaurus.

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Speaker 4: Well, I think a piece serving size helping, helping.

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Speaker 2: I don't like the word helping.

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Speaker 4: What about a ration?

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Speaker 2: It's a big pile. It's a side order of subtlely

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Speaker 2: racist helping is yeah, helping?

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Speaker 4: Oh, because The Help gave it to you?

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Speaker 2: Yeah, the movie The Help. Ever since The Help, I

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Speaker 2: can't hear the word the helping. Would you like a

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Speaker 2: helping of mashed potatoes? Get out of my house, you

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Speaker 2: hate monger.

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Speaker 4: You Southern Baptist.

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Speaker 2: Do you play right on a on a porch fanning

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Speaker 2: yourself while people work for little to no profit?

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Speaker 4: I guess Southern Baptist isn't really accurate. Those people usually

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Speaker 4: fight racism.

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Speaker 2: We uh oh really yeah, I guess. Oh that's the

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Speaker 2: church where they do somersaults and stuff.

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Speaker 4: No, uh.

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Speaker 2: Well, all right, right, well that is my church, honey,

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Speaker 2: a girl, I am in. I worship certain you know

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Speaker 2: that I love the circu Yeah.

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Speaker 4: Now you talk about it in abbreviated ways all the time.

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Speaker 2: Oh, it always comes up for me. But it is

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Speaker 2: abbreviated because I honestly have not ever seen cerch to

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Speaker 2: sile a. So otherwise maybe I could finish a sentence

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Speaker 2: about it. I feel fine driving and talking. What was

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Speaker 2: my hang up before casual?

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Speaker 4: Well you had not done it before.

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Speaker 2: Okay, I got one hand on the spooning wheel. I'm

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Speaker 2: not even like two and two or two and that

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Speaker 2: would be this. Two and two would be a horrible.

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Speaker 4: Actually, that was about seven and seven where you.

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Speaker 2: Were right right, I am. I've had so many seven

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Speaker 2: and sevens already. I got that was already. The jokes

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Speaker 2: you were making, well you were adding on by repeating it.

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Speaker 4: Well, that's what we do. It's a podcast.

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Speaker 2: Yeah, this is our podcast. Do you need a ride? Guys,

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Speaker 2: I haven't even said now he's upset.

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Speaker 4: Oh sorry, we're gonna get as a finale. It's been

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Speaker 4: so long. I'm very sad. I'm sorry, I've been away for.

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Speaker 2: Since I know, since I've been on the ones, and

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Speaker 2: you've been on the tubes I know.

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Speaker 4: But also but just even doing it, what.

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Speaker 2: Have you been doing this?

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Speaker 4: I'm sorry. I get these jobs that pay my bills

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Speaker 4: and that are my career and to do that.

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Speaker 2: Yeah, that all you know that, I, Karen, am independently

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Speaker 2: wealthy because of family oil money. Oh I am. I

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Speaker 2: do not require employment. My bills are not a worry.

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Speaker 2: And my estate which has a lot of helping, so

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Speaker 2: many helpings, yes, so many helpings.

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Speaker 4: Piles and piles they.

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Speaker 2: Live on the premises.

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Speaker 4: Wait did we talk about this already? Somebody told me

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Speaker 4: this factoid and I keep talking about it all the time.

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Speaker 4: On estates, they used to dig trenches so that when

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Speaker 4: the help walked from one part of the mansion to

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Speaker 4: the other, if they had to walk across the grounds,

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Speaker 4: they wouldn't be seen above ground.

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Speaker 2: That's a lot. I guess who built those. Guess who

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Speaker 2: had to dig those?

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Speaker 4: Probably the Irish.

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Speaker 2: The Irish. Isn't that funny because the the slaves were

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Speaker 2: the ones that had to walk in the trenches. But

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Speaker 2: they're like, well, let's not humiliate them and make them. Yeah,

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Speaker 2: the Irish were shipped in just a ditch us to

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Speaker 2: dick and.

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Speaker 4: Get spat on. It was the hardest for us, That's

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Speaker 4: what everybody says. My team had it worse.

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Speaker 2: They say, I love that Limerick.

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Speaker 4: Can we go to the Starbucks? Yes, and I can

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Speaker 4: get about.

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Speaker 2: There's one right here. We're at the corner Gower in Sunset.

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Speaker 4: I love this country and Western gulch that we're about

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Speaker 4: to drive into.

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Speaker 2: I just love this country, period, girl. I also enjoy

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Speaker 2: western gulches.

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Speaker 4: Western Denny's golt.

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Speaker 2: Oh, that is the most shot upon Denny's. There used

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Speaker 2: to be a nickname for it that made light of

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Speaker 2: all the murders. But this Denny's on the corner of

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Speaker 2: Sunset and Gower, like it was called very violent.

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Speaker 4: It had a nickname like death Death Denny's. That's that's

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Speaker 4: not my real pitch, but it's the first thing.

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Speaker 2: That came out. It's it's green lit.

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Speaker 4: No shits. This happens to me all the time.

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Speaker 2: You just say a joke and me doing and then

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Speaker 2: they're like, we love it.

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Speaker 4: And I'm like, no, I don't even like that. Created like,

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Speaker 4: too bad, we love it.

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Speaker 2: This is where they used to do the popular comedy

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Speaker 2: program Tiger Lily. That's right, the Hollywood Barn Grill no longer.

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Speaker 2: It looks like their windows or tape shut. They've moved

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Speaker 2: their operations.

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Speaker 4: So it says coming soon, noodle, and I'd say, noodle something.

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Speaker 2: I did something weird where I passed the h I

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Speaker 2: passed the Starbucks. You want me to go? Maybe? Because

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Speaker 2: I can't think of what it's called.

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Speaker 4: It's a well, it's called Starbucks.

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Speaker 2: And I like doing three point turns in handicap spots.

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Speaker 4: They're fun.

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Speaker 2: So in case someone's like, hey, wait a minute, sir,

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Speaker 2: I'm immediately backing up and you just.

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Speaker 4: Lay down some rubber here, handicapper, Yeah.

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Speaker 2: Which I bet you wish you could lay down rubber.

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Speaker 2: But you're all manual, aren't you. That's not very nice.

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Speaker 4: Now here's the Starbucks on our right.

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Speaker 2: Let's let this basis slash h. Yes, all right.

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Speaker 4: He's got dreadlocks and tattoos. That makes him a bass player.

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Speaker 4: If you don't know it, get out of the car.

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Speaker 2: He's got dreads and a thumb that goes strum. He's

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Speaker 2: a bass player. That's our chump.

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Speaker 4: Oh, I see a baby blanket on a parking are you.

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Speaker 2: Saying do you want to are you gonna run in

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Speaker 2: and get a we can pause. Let's just pause and

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Speaker 2: get ourselves some coffees.

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Speaker 4: Do you need a coffee too?

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Speaker 2: Do you need a ride? I'd do it if there

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Speaker 2: that man wasn't there. Okay, let's get coffee. Oh yeah, yeah,

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Speaker 2: I like that. Yeah, ooh, you know saxophone, it's a

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Speaker 2: it's a fickle, fickle instrument with me. I didn't. I

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Speaker 2: wish I would have known that would that was coming.

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Speaker 2: I thought I'd try some coffee break music, and uh,

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Speaker 2: we're back in the car the way, guys, we're back.

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Speaker 2: That was not some whimsical thing in your own head.

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Speaker 2: That was music that I was in charge of.

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Speaker 4: And wait was that from the CD I brought in here?

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Speaker 2: Yeah, that's the first track. You know, Chip Pope, who

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Speaker 2: I think made it for you, if I'm not mistaken.

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Speaker 2: He has his music tastes across the board.

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Speaker 4: They're everywhere, and I like that.

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Speaker 2: I like that about people.

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Speaker 4: He's a good DJ.

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Speaker 2: If you asked him about nineteen sixties country music, he'd

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Speaker 2: talk for about twenty five minutes.

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Speaker 4: I bet, as long as you wanted to listen, he

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Speaker 4: would talk to you about it.

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Speaker 2: But the only thing I won't listen to is his

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Speaker 2: talks about saxophone music. And it's funny because you hate

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Speaker 2: so our lengthy talks. I sat at one he was

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Speaker 2: going to do a ted talk about sex. I just

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Speaker 2: I don't know. It's funny because I really wanted to

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Speaker 2: play saxophone as a young person.

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Speaker 4: Only the lonely.

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Speaker 2: Because of that, only the lonely can I can't. I

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Speaker 2: can only do my trumpet. I always want another horn

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Speaker 2: to come out.

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Speaker 4: What is that, dun, what is that?

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Speaker 2: I think that's the price. That's right, that's just in

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Speaker 2: your head.

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Speaker 4: I totally thought it was like some Chuck Mangioni deep

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Speaker 4: cut that I remember the name of.

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Speaker 2: But oh, that's early Mangoni. That's deep deep mang Mangoni.

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Speaker 4: Before MANGIONI knew who Mangioni was.

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Speaker 2: Here's Mangoni.

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Speaker 4: Thanks for coming tonight, specials, mustaches and Gallagher hats. Now,

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Speaker 4: everybody get funky. This was the eighties. I don't know

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Speaker 4: what it was like to grow up exactly. It was

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Speaker 4: just like that.

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Speaker 2: I really wanted there to be music like that on

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Speaker 2: the cruise ship. Oh yeah, I wanted crewise like love Body.

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Speaker 2: I wanted. It was too modern and young.

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Speaker 4: Uh, you know, kids are ruining everything the way that

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Speaker 4: these people market to them.

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Speaker 2: The whole time the captain of the boat was texting.

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Speaker 4: No haven't they learned?

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Speaker 2: And he didn't go from table to table and say

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Speaker 2: I'm Captain Gus because I was his name. Oh, he

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Speaker 2: just he just stayed in his quarters the whole time,

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Speaker 2: browsing his log.

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Speaker 4: Didn't he fall in love on Alito deck and have

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Speaker 4: it affect the staff?

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Speaker 2: I hope not, because the boat was filled with podcast

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Speaker 2: fans and fifteen year old teenage girls. So let's keep

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Speaker 2: that feeling of love into next week.

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Speaker 4: Aren't fifteen year old girls the easiest to love?

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Speaker 2: Well, they're great. I am not gonna comment.

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Speaker 4: With their personalities and their tones of voice.

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Speaker 2: Oh I just I love them in groups. Yeah, I

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Speaker 2: love them in groups when they really get to gossiping

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Speaker 2: fifteen year old.

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Speaker 4: Girls, when they really get mean.

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Speaker 2: Just that layered six person shrill giggle that can only be.

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Speaker 4: That can only mean they're leaving one girl out.

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Speaker 2: Yeah. Oh, oh you know what. I know what that

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Speaker 2: was like. I didn't experience it, but I saw it

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Speaker 2: from a distance because the same thing was happening to

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Speaker 2: the boys. Oh yeah, and maybe I was that boy

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Speaker 2: that got left out Karen, Oh yeah, Maybe I wasn't

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Speaker 2: good at nerf tag football. Maybe I hadn't found what

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Speaker 2: I was good at yet, which.

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Speaker 4: Was mouth trumpet. It was smooth jazz.

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Speaker 2: You know what, I'm not even that good at.

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Speaker 4: It adult contemporary? Sure you are all? Thanks, Stay positive.

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Speaker 2: Right, I'm good.

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Speaker 4: It can't be denied.

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Speaker 2: What have you been you? Can you talk about what

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Speaker 2: you've been working on? Is it something you want to

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Speaker 2: talk about?

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Speaker 4: Well?

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Speaker 2: And part three? Will you if party and part be here?

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Speaker 4: Will you ever stopped talking about it?

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Speaker 2: No?

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Speaker 4: I just got a writing job. I don't think I

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Speaker 4: should talk about it that much except to say I

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Speaker 4: love it and it's very exciting and I'm very happy.

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Speaker 2: Are you working with people you already knew and like?

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Speaker 4: Just one person that I knew and liked, but everybody

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Speaker 4: else I immediately.

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Speaker 2: Like, I liked, and now you don't?

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Speaker 4: Past ten and no, and continue continue too?

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00:16:03,880 --> 00:16:05,720
Speaker 2: You liked and still like, still like?

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Speaker 4: Could start loving any moment.

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Speaker 2: I thought we were going to get into some delicious

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Speaker 2: moist gossip.

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Speaker 4: No, you'll have to keep that portion, dear, I.

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Speaker 2: Am ah we're good at this.

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Speaker 4: Huh. This has gotta feel good to you.

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Speaker 5: It's been coming out of my mouth, feels good going

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Speaker 5: in your sweet sweet ears.

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Speaker 4: Guys, I am well, First of all, I've been home

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Speaker 4: alone all day.

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Speaker 2: You can put your coffee in this little hole.

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Speaker 4: I'm afraid to It's.

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Speaker 2: Dark, yeah, but it goes right there, all right?

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Speaker 4: Oh yeah it does.

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Speaker 2: Are you afraid my iced coffee will will cool down

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00:16:42,840 --> 00:16:45,760
Speaker 2: your hot coffee? Well, I'm worried about your hot shit

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Speaker 2: making mine not cold, So get it the fuck out.

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Speaker 2: Wouldn't that be funny if that's how selfish I was?

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Speaker 4: Well, also, that's how you let me know. You've made

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Speaker 4: me put it in so I would take it out.

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Speaker 2: Oh yeah, that's a that's a that's a method of parenting.

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Speaker 2: I think.

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Speaker 4: Oh that's right. Yeah, get it in there, get it

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Speaker 4: out of there, I think is what it's called.

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Speaker 2: Get it in, get it out. Hut not a popular

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Speaker 2: form of parenting. Just because of what it's called.

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Speaker 4: People have really taken.

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Speaker 2: Yeah, the name of it, get it in, get it out,

329
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Speaker 2: is not it. It's not a peans giving mixed messages.

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Speaker 4: I'd also like to apologize from my insane smoker's rasp

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Speaker 4: because when.

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Speaker 2: I'm home by myself, you smoke.

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Speaker 4: I've been smoking lately, so I don't.

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Speaker 2: Eat now you roll your owns.

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Speaker 4: I do. But my problem is I just I'm compulsive

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Speaker 4: about every little thing I do. So I'm just smoking compulsively,

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Speaker 4: which I enjoy and feels great.

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Speaker 2: I like smoking myself. I haven't done it for I

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Speaker 2: guess ten months.

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Speaker 4: Good. It's terrible for you. It's definitely killing me. I

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Speaker 4: can feel it. I mean I can and I have

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Speaker 4: to sing, like my stupid act is singing songs, and

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Speaker 4: I'm smoking so much it's affecting.

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Speaker 2: Like I can't prove I do w You know, it's

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00:18:01,680 --> 00:18:04,600
Speaker 2: hard to tell because there's so many artists that I

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00:18:04,640 --> 00:18:09,760
Speaker 2: know sound the same. Gee, why are you? What do

347
00:18:09,800 --> 00:18:10,480
Speaker 2: you got a date?

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Speaker 4: Oh?

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Speaker 2: Now I'm going slow. How do you like that?

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00:18:13,359 --> 00:18:15,399
Speaker 4: Uh? Oh, that's like you started a fight with someone.

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00:18:15,520 --> 00:18:17,680
Speaker 2: Yeah. Well, there's a reason I have a police issue

352
00:18:17,720 --> 00:18:21,959
Speaker 2: baton under my seat. There's a lot of people that

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Speaker 2: that like smoke their whole life. And then you hear

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Speaker 2: I don't know Stephen Tyger. I can't think of someone

355
00:18:26,640 --> 00:18:29,440
Speaker 2: right now. Steven Tyler was a horrible example. But they

356
00:18:29,640 --> 00:18:31,560
Speaker 2: smoked their whole life and they still sound great.

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Speaker 4: Yeah, well you know maybe Rod Stewart. I bet they

358
00:18:34,640 --> 00:18:38,919
Speaker 4: all smoked all those Well, he sounded beautiful.

359
00:18:39,240 --> 00:18:41,960
Speaker 2: Well, it's funny of you here that I will talk

360
00:18:42,000 --> 00:18:44,679
Speaker 2: about Aerosmith. It's not one of my favorite bands. But

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00:18:44,760 --> 00:18:47,879
Speaker 2: I do notice that guy's voice has changed. If you

362
00:18:47,960 --> 00:18:51,080
Speaker 2: hear that. What's that first song they had that's about

363
00:18:51,119 --> 00:18:54,800
Speaker 2: an angel flying? I don't know, dream of it was

364
00:18:55,280 --> 00:19:05,399
Speaker 2: m M, that was rib I can't you're a better singer?

365
00:19:05,440 --> 00:19:09,719
Speaker 2: Did you know that? It's funny because I forget when

366
00:19:09,800 --> 00:19:11,600
Speaker 2: we're just hanging out in the car and we're both

367
00:19:11,880 --> 00:19:14,680
Speaker 2: riff singing, it's like, oh, we're the same. But then

368
00:19:14,960 --> 00:19:19,080
Speaker 2: when you're actually performing, your voice goes all pro fash

369
00:19:19,119 --> 00:19:19,760
Speaker 2: and uh.

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Speaker 4: You know, it's so crazy. Thank you for saying it.

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00:19:21,920 --> 00:19:24,240
Speaker 4: It does not sound that way to me. It sounds

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Speaker 4: quite the opposite.

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Speaker 2: It's funny though you do change. You you have your Hey,

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Speaker 2: I don't want to make anyone feel bad singing voice,

375
00:19:32,040 --> 00:19:34,600
Speaker 2: and I'm not going to use a real singing voice

376
00:19:34,640 --> 00:19:38,719
Speaker 2: when it's someone's birthday. I'll never forget. Another early memory

377
00:19:38,920 --> 00:19:41,520
Speaker 2: my sister having a birthday party and her one friend

378
00:19:42,760 --> 00:19:45,879
Speaker 2: was an actress and she was in the movie I

379
00:19:45,920 --> 00:19:49,439
Speaker 2: can't remember. It was about homesteading misters. I don't know.

380
00:19:49,520 --> 00:19:52,679
Speaker 2: Rip Torn was in it, and she I remember her

381
00:19:52,760 --> 00:19:55,639
Speaker 2: lie she was getting her home her hair combed, or

382
00:19:55,680 --> 00:19:58,280
Speaker 2: her homecare. She was getting home getting her care. Whether

383
00:19:58,520 --> 00:20:01,159
Speaker 2: a lot of people call it home school. Never mind that.

384
00:20:01,320 --> 00:20:04,800
Speaker 2: The point is at a birthday party my sister was having,

385
00:20:05,040 --> 00:20:13,919
Speaker 2: she was like happy she was in seventh grade. You

386
00:20:14,040 --> 00:20:17,800
Speaker 2: go ahead and singer and go but you wouldn't do that.

387
00:20:17,840 --> 00:20:20,920
Speaker 2: But then when you, like I said, when you're actually performing,

388
00:20:21,000 --> 00:20:22,760
Speaker 2: you you got quite the pipes.

389
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Speaker 4: Well, thank you. I used to In college, I lived

390
00:20:26,359 --> 00:20:29,120
Speaker 4: with two girls, Christy and Maleba, who both had voices

391
00:20:29,160 --> 00:20:32,840
Speaker 4: like that, and they had amazing singing voices. I always

392
00:20:32,840 --> 00:20:34,720
Speaker 4: felt like I didn't have a good singing voice because

393
00:20:34,720 --> 00:20:38,359
Speaker 4: of because of comparing myself to them, and they were

394
00:20:38,400 --> 00:20:40,520
Speaker 4: the type of people who would do that where literally

395
00:20:40,560 --> 00:20:44,520
Speaker 4: I cannot listen to Elvis Costello anymore because my roommate, Christy,

396
00:20:44,720 --> 00:20:50,680
Speaker 4: sang along with should be let him Dangle, Let him dangle.

397
00:20:50,880 --> 00:20:51,879
Speaker 2: Like literally how.

398
00:20:53,640 --> 00:20:55,200
Speaker 4: And that's not the most popular song.

399
00:20:58,119 --> 00:21:00,560
Speaker 2: That's what It's easier saying like that.

400
00:21:00,600 --> 00:21:03,080
Speaker 4: But she would bring the senior honor choir element, and

401
00:21:03,119 --> 00:21:07,639
Speaker 4: it just makes understanding.

402
00:21:10,320 --> 00:21:14,040
Speaker 2: I know, like, oh, that's like church youth group type.

403
00:21:13,840 --> 00:21:16,240
Speaker 4: Saying it's really not cool.

404
00:21:17,560 --> 00:21:19,640
Speaker 2: I'm gonna turn this way. I don't like what's going

405
00:21:19,680 --> 00:21:20,080
Speaker 2: on there.

406
00:21:20,160 --> 00:21:22,480
Speaker 4: There's a lot of traffic. We're kind of I like

407
00:21:22,520 --> 00:21:25,400
Speaker 4: this meander. I like when we drive through Highland Park. Well,

408
00:21:25,480 --> 00:21:27,520
Speaker 4: that's what that was right when we were over here.

409
00:21:27,640 --> 00:21:30,160
Speaker 2: Yeah, by large Mond is large Mont. Yeah.

410
00:21:30,320 --> 00:21:32,160
Speaker 4: I like those rich people's houses.

411
00:21:32,560 --> 00:21:33,240
Speaker 2: I do too.

412
00:21:33,880 --> 00:21:36,160
Speaker 4: Let's go look at some Yeah, let's kind of let's

413
00:21:36,160 --> 00:21:37,160
Speaker 4: go take a peaky poo.

414
00:21:39,119 --> 00:21:41,240
Speaker 2: You promised never just say that again.

415
00:21:42,560 --> 00:21:44,160
Speaker 4: I'm trying all my new words tonight.

416
00:21:45,400 --> 00:21:47,840
Speaker 2: How long have you been at your house? Have you

417
00:21:47,920 --> 00:21:51,600
Speaker 2: been out for days? Pa po trying to write Chris

418
00:21:51,720 --> 00:21:54,400
Speaker 2: Handa's delicious. Let me take a peaky poo.

419
00:21:56,040 --> 00:21:59,240
Speaker 4: I've turned into a big, crazy drag queen in my home.

420
00:22:00,440 --> 00:22:02,120
Speaker 4: It's the only way I can talk now.

421
00:22:02,359 --> 00:22:04,280
Speaker 2: Usually you have to go to the right neighborhood to

422
00:22:04,320 --> 00:22:07,520
Speaker 2: turn to a draggy Just do that walk, girl.

423
00:22:08,560 --> 00:22:09,919
Speaker 4: The only thing I can think of it. I love

424
00:22:10,000 --> 00:22:14,280
Speaker 4: ruaul so much. Do you listen to I mean, do

425
00:22:14,320 --> 00:22:15,159
Speaker 4: you call it RuPaul?

426
00:22:15,200 --> 00:22:15,240
Speaker 7: On?

427
00:22:15,280 --> 00:22:15,600
Speaker 4: Twitter.

428
00:22:15,760 --> 00:22:21,720
Speaker 2: I don't, Oh really, just funny. Maybe I should listen

429
00:22:21,720 --> 00:22:24,800
Speaker 2: to him. I certainly have always appreciated him.

430
00:22:25,040 --> 00:22:25,440
Speaker 4: Or is it?

431
00:22:25,920 --> 00:22:30,240
Speaker 2: Wait? So is rue Paul? Should we be calling RuPaul her?

432
00:22:31,840 --> 00:22:35,640
Speaker 4: But I don't think so because he's not tran No,

433
00:22:35,760 --> 00:22:39,040
Speaker 4: he's gendered or transsexual. He's a drag queen. Okay, so

434
00:22:39,080 --> 00:22:42,000
Speaker 4: he identifies I think, as a man, but he will

435
00:22:42,040 --> 00:22:44,919
Speaker 4: call himself probably she. That's the thing a lot of

436
00:22:44,920 --> 00:22:47,200
Speaker 4: gay guys do is call each other she just okay,

437
00:22:47,440 --> 00:22:49,160
Speaker 4: just to you know, have fun with it.

438
00:22:49,240 --> 00:22:51,200
Speaker 2: Are you trying to suggest that I don't hang out

439
00:22:51,240 --> 00:22:53,879
Speaker 2: with gay dudes? I can totally comfortable with it.

440
00:22:54,320 --> 00:22:55,400
Speaker 4: But do you.

441
00:22:55,280 --> 00:22:58,240
Speaker 2: Don't get on our podcasts that we both mutually and

442
00:22:58,320 --> 00:22:59,280
Speaker 2: call me a bigot?

443
00:23:00,640 --> 00:23:02,720
Speaker 4: Get that police baton out. I'm going to teach you

444
00:23:02,800 --> 00:23:03,400
Speaker 4: a lesson.

445
00:23:03,760 --> 00:23:06,240
Speaker 2: I really do have. My dad gave me this baton.

446
00:23:06,480 --> 00:23:09,680
Speaker 4: That's so hilarious. Yeah, because what the fuck? Oh look

447
00:23:09,680 --> 00:23:11,840
Speaker 4: look it's a parade for Jesus. Oh my god, this

448
00:23:11,920 --> 00:23:16,160
Speaker 4: is real. Oh Jesus loves you. Oh my god, there's

449
00:23:16,640 --> 00:23:17,439
Speaker 4: Jesus loves me.

450
00:23:17,640 --> 00:23:18,480
Speaker 2: Jesus loves me?

451
00:23:18,600 --> 00:23:19,280
Speaker 4: Do you mean me?

452
00:23:19,640 --> 00:23:20,360
Speaker 2: How about us?

453
00:23:20,520 --> 00:23:21,840
Speaker 4: H are you talking about.

454
00:23:23,880 --> 00:23:30,600
Speaker 2: And isn't it answers, I didn't hear anything discernible. Well,

455
00:23:30,720 --> 00:23:33,760
Speaker 2: I guess I'm doomed. It's funny how close we are

456
00:23:33,800 --> 00:23:36,879
Speaker 2: to where the biker or no, we aren't that biker

457
00:23:36,920 --> 00:23:38,520
Speaker 2: that scary.

458
00:23:38,280 --> 00:23:42,320
Speaker 4: That crazy night with Talk Talk Glass where the biker

459
00:23:42,440 --> 00:23:45,520
Speaker 4: and the fight that I'm just now like psych is

460
00:23:45,560 --> 00:23:49,639
Speaker 4: psychically wearing off on me. That was traumatic for you, guys,

461
00:23:49,640 --> 00:23:50,680
Speaker 4: fucking crazy.

462
00:23:50,920 --> 00:23:52,800
Speaker 2: I just wanted to get in there. I want to

463
00:23:52,840 --> 00:23:55,080
Speaker 2: get in there. You a little pop and tickle, feed

464
00:23:55,119 --> 00:24:00,200
Speaker 2: them the boots, you know what I mean. I can

465
00:24:00,200 --> 00:24:00,760
Speaker 2: hold my own.

466
00:24:00,840 --> 00:24:01,040
Speaker 4: Sure.

467
00:24:01,840 --> 00:24:03,840
Speaker 2: I know I look small and that my arms are

468
00:24:03,840 --> 00:24:10,040
Speaker 2: shrinking day by day, but uh, I'm not afraid tussle.

469
00:24:09,840 --> 00:24:13,040
Speaker 4: Even more so you would be in there like fighting

470
00:24:13,080 --> 00:24:16,400
Speaker 4: with your soul spine, Yeah, because you have some to prove.

471
00:24:16,640 --> 00:24:17,240
Speaker 2: Yeah, exactly.

472
00:24:17,240 --> 00:24:19,320
Speaker 4: And they're like Wally short arms this year, who gives

473
00:24:19,320 --> 00:24:21,159
Speaker 4: a ship. I'm not scared of him. And you're in

474
00:24:21,200 --> 00:24:22,800
Speaker 4: there like, get ready.

475
00:24:22,560 --> 00:24:25,560
Speaker 2: To think I should come up with a more intimidating

476
00:24:25,720 --> 00:24:26,800
Speaker 2: fight name than Wally.

477
00:24:27,720 --> 00:24:30,480
Speaker 4: I think that says it all. Yeah, and it makes

478
00:24:30,520 --> 00:24:32,800
Speaker 4: you sounds you know, fun.

479
00:24:32,600 --> 00:24:36,040
Speaker 7: Guys, guys, I'd be careful this Wally shorts.

480
00:24:36,119 --> 00:24:39,760
Speaker 2: Is you hey, Wally, how's it going? You better have

481
00:24:39,840 --> 00:24:41,760
Speaker 2: my money? You don't want me to pull a t

482
00:24:41,960 --> 00:24:46,520
Speaker 2: rex on you. We'll pay you next week. Wally and

483
00:24:47,280 --> 00:25:00,040
Speaker 2: Skit Handing coming up next. Check Manioni's grandson with a

484
00:25:00,040 --> 00:25:03,600
Speaker 2: little piece. He'd like, Oh, it's a weird name for

485
00:25:03,680 --> 00:25:05,000
Speaker 2: a song, but here it is.

486
00:25:06,000 --> 00:25:08,359
Speaker 4: Yeah.

487
00:25:08,680 --> 00:25:10,800
Speaker 2: Oh I kind of like that one.

488
00:25:11,359 --> 00:25:12,360
Speaker 4: Let's let this play through.

489
00:25:12,920 --> 00:25:15,000
Speaker 2: Yeah, let's thank you Chip.

490
00:25:15,960 --> 00:25:17,120
Speaker 4: See he's not so bad.

491
00:25:18,240 --> 00:25:21,120
Speaker 2: There's nothing bad about hip hope.

492
00:25:22,560 --> 00:25:24,200
Speaker 4: I have to just think of something to say about

493
00:25:24,200 --> 00:25:27,040
Speaker 4: Guy Bronham. I'm introducing him tonight as his album recording,

494
00:25:27,160 --> 00:25:29,120
Speaker 4: of course, and I'm going to do a set beforehand.

495
00:25:29,119 --> 00:25:30,679
Speaker 4: But I'm also introducing him, which.

496
00:25:30,560 --> 00:25:32,560
Speaker 2: I believe at the Meltdown Theater.

497
00:25:32,880 --> 00:25:35,520
Speaker 4: The Meltdown Theater, he.

498
00:25:35,280 --> 00:25:37,280
Speaker 2: Opened up for you and said nice things, and you

499
00:25:37,440 --> 00:25:39,680
Speaker 2: know you thought, Wow, I'm gonna have to return the

500
00:25:39,760 --> 00:25:42,440
Speaker 2: favor when he does his album recording.

501
00:25:42,480 --> 00:25:45,159
Speaker 4: That's right. I should just tell the exact same story,

502
00:25:45,200 --> 00:25:46,640
Speaker 4: but from my point of view.

503
00:25:46,520 --> 00:25:48,520
Speaker 2: And isn't tonight his album recording?

504
00:25:48,600 --> 00:25:49,399
Speaker 4: It is tonight.

505
00:25:49,600 --> 00:25:52,360
Speaker 2: Do you notice how I'm saying album I am I'm

506
00:25:52,359 --> 00:25:53,639
Speaker 2: trying to get that off the ground.

507
00:25:54,400 --> 00:25:56,160
Speaker 4: I don't think it's gonna work so good.

508
00:25:56,240 --> 00:25:59,560
Speaker 2: Oh okay, Well I kind of liked it. Oh that's okay.

509
00:26:00,440 --> 00:26:02,879
Speaker 4: Uh oh, I heard about this in improv class.

510
00:26:02,960 --> 00:26:05,600
Speaker 2: Let's take a left here on Lemon Grove. I just think,

511
00:26:05,800 --> 00:26:09,040
Speaker 2: did you Oh, that's okay? You can no and me,

512
00:26:10,320 --> 00:26:11,080
Speaker 2: I don't care.

513
00:26:11,240 --> 00:26:13,800
Speaker 4: No, but I look to know. But here's what I

514
00:26:13,840 --> 00:26:14,320
Speaker 4: have to say.

515
00:26:15,240 --> 00:26:20,440
Speaker 2: That's usually my That wasn't mentioned in Sharna Halburn's book.

516
00:26:20,800 --> 00:26:26,920
Speaker 7: I was close with Doubt, close, and he always said, never,

517
00:26:28,480 --> 00:26:32,439
Speaker 7: never say no. Never act like a kid, Never act drunk,

518
00:26:32,760 --> 00:26:38,960
Speaker 7: never say no. Next week we're gonna do body exercises

519
00:26:39,160 --> 00:26:41,280
Speaker 7: blooming flowers and I'm a raisin.

520
00:26:44,480 --> 00:26:49,879
Speaker 2: Yeah, acting it's so silly, I'm I did. I was

521
00:26:49,920 --> 00:26:52,879
Speaker 2: a peanut the other day. Speaking of acting gigs, I

522
00:26:52,920 --> 00:26:53,920
Speaker 2: thought you'd never ask.

523
00:26:54,040 --> 00:26:54,720
Speaker 4: Oh, that's right.

524
00:26:54,800 --> 00:26:59,520
Speaker 2: It was a voice commercial. Yes, I will be animated

525
00:26:59,720 --> 00:27:01,400
Speaker 2: as any number of peanuts.

526
00:27:02,320 --> 00:27:02,840
Speaker 4: That's great.

527
00:27:03,000 --> 00:27:05,280
Speaker 2: Yeah, it was a bunch of different peanut characters. Hopefully

528
00:27:05,320 --> 00:27:07,160
Speaker 2: it'll be a whole series.

529
00:27:07,520 --> 00:27:08,760
Speaker 4: You got to do all the characters.

530
00:27:09,040 --> 00:27:11,440
Speaker 2: I got to do like five of them, and we'll

531
00:27:11,480 --> 00:27:13,040
Speaker 2: see which ones they use.

532
00:27:13,560 --> 00:27:14,960
Speaker 4: Is it just a bowl of peanuts talking?

533
00:27:15,320 --> 00:27:20,960
Speaker 2: It's peanuts being well, yeah, it's just peanuts talking. Yeah,

534
00:27:21,000 --> 00:27:24,320
Speaker 2: it's for a peanut butter company, okay, and peanuts in

535
00:27:24,359 --> 00:27:27,760
Speaker 2: a factory, whether or not they get selected based on

536
00:27:27,800 --> 00:27:29,400
Speaker 2: their attitude.

537
00:27:28,880 --> 00:27:31,560
Speaker 4: The age old situation for peanuts.

538
00:27:31,720 --> 00:27:33,960
Speaker 2: Yeah, I mean you want to get in the butter.

539
00:27:34,240 --> 00:27:36,880
Speaker 2: You want to be murdered and turned into a spread

540
00:27:37,080 --> 00:27:39,879
Speaker 2: for the use of people. Yeah, that's all you strive

541
00:27:40,000 --> 00:27:41,879
Speaker 2: for as a young peanut. You either work at the

542
00:27:41,920 --> 00:27:45,239
Speaker 2: circus and so people get paid, right, or you end

543
00:27:45,320 --> 00:27:46,840
Speaker 2: up as a spreadable butter.

544
00:27:47,119 --> 00:27:49,879
Speaker 4: Which is just a sacrifice we're all expected to make

545
00:27:49,920 --> 00:27:50,600
Speaker 4: for our families.

546
00:27:50,720 --> 00:27:54,359
Speaker 2: Yeah, it really is, peanut person, we all just want

547
00:27:54,400 --> 00:27:55,840
Speaker 2: to die and be put on bread.

548
00:27:56,119 --> 00:27:57,800
Speaker 4: Yep, that doesn't make sense.

549
00:27:57,920 --> 00:28:03,560
Speaker 2: Well, well, you get selected based on your.

550
00:28:03,480 --> 00:28:06,440
Speaker 4: Attitude, So you had a real good one or were

551
00:28:06,480 --> 00:28:08,720
Speaker 4: you like a lot of different peanuts with a whole

552
00:28:08,840 --> 00:28:09,800
Speaker 4: array of attitudes.

553
00:28:10,359 --> 00:28:13,360
Speaker 2: Yes, yes, I was negative peanut was a happy pain.

554
00:28:13,440 --> 00:28:17,960
Speaker 2: I was comedian peanut. I was a pessimistic peanut. And then, of.

555
00:28:17,880 --> 00:28:20,000
Speaker 4: Course does all sound like comedian peanuts.

556
00:28:20,040 --> 00:28:25,160
Speaker 2: Oh, they they were all comedic. Let's hope, but short

557
00:28:25,280 --> 00:28:29,240
Speaker 2: arms there. Hey, you guys, I'm the one that's going

558
00:28:29,320 --> 00:28:32,480
Speaker 2: to get selected. I think he's pointing at himself. Let's

559
00:28:32,520 --> 00:28:34,560
Speaker 2: just pretend we know, God, his arms are short.

560
00:28:34,640 --> 00:28:36,199
Speaker 4: Well, what are you doing with you?

561
00:28:36,240 --> 00:28:38,120
Speaker 2: What do you mean? What am I doing with my arm?

562
00:28:38,440 --> 00:28:43,520
Speaker 2: Get it, kay, bitch. That was the one part.

563
00:28:43,320 --> 00:28:45,160
Speaker 4: Of the hen get picked.

564
00:28:46,800 --> 00:28:49,400
Speaker 2: I don't like the B word, and I said it

565
00:28:49,400 --> 00:28:53,480
Speaker 2: in as a peanut. I tried to think that, get

566
00:28:53,520 --> 00:28:58,040
Speaker 2: in the kaya, dumb broad that's what I wanted to say. Oh,

567
00:28:58,840 --> 00:29:01,920
Speaker 2: that to me is a I apologize for using the

568
00:29:02,280 --> 00:29:03,360
Speaker 2: saying bits like that.

569
00:29:03,480 --> 00:29:04,280
Speaker 4: Oh that's okay.

570
00:29:05,160 --> 00:29:06,720
Speaker 2: I was in care. It was deep character.

571
00:29:06,960 --> 00:29:09,760
Speaker 4: You're a deep character. This is what acting's about. Yeah,

572
00:29:09,840 --> 00:29:12,880
Speaker 4: I'm used to rock and roll acting. I'm used to

573
00:29:12,960 --> 00:29:18,000
Speaker 4: people going there and then going past there and then leaving. Uh,

574
00:29:18,200 --> 00:29:18,920
Speaker 4: it's very common.

575
00:29:18,960 --> 00:29:20,480
Speaker 2: I didn't even know I was going to go there.

576
00:29:20,560 --> 00:29:22,640
Speaker 2: That's the funny thing about when I'm in a character.

577
00:29:22,960 --> 00:29:24,840
Speaker 4: I feel like, now that you have air conditioning, this

578
00:29:24,920 --> 00:29:26,680
Speaker 4: car is such a safe space for us.

579
00:29:26,840 --> 00:29:27,520
Speaker 2: It really is.

580
00:29:27,600 --> 00:29:29,800
Speaker 4: We can do whatever the fuck it used to be.

581
00:29:29,920 --> 00:29:32,720
Speaker 2: Yeah, it had that that bickram yoga feel and we

582
00:29:32,880 --> 00:29:37,080
Speaker 2: get sweaty and start questioning our existence. Yeah.

583
00:29:37,160 --> 00:29:38,560
Speaker 4: Yeah, I didn't like it.

584
00:29:38,720 --> 00:29:40,440
Speaker 2: I didn't like it. Either. I'm so glad that I

585
00:29:40,520 --> 00:29:42,640
Speaker 2: paid the mere four hundred dollars to have it.

586
00:29:43,440 --> 00:29:46,440
Speaker 4: Jesus, come on, everything costs four hundred dollars.

587
00:29:46,560 --> 00:29:51,000
Speaker 2: Yeah, I expected it too. And they threw in the fluids.

588
00:29:52,000 --> 00:29:53,840
Speaker 2: They didn't throw in a car wash. I wouldn't like that.

589
00:29:54,520 --> 00:29:55,880
Speaker 4: Well, you can't have it all.

590
00:29:56,640 --> 00:30:00,920
Speaker 2: Doesn't that storm make you excited about chandeliers? God, I

591
00:30:01,040 --> 00:30:07,120
Speaker 2: just want a diamond encrusted hanger just above a table.

592
00:30:07,200 --> 00:30:12,840
Speaker 4: Just a huge crystal bizarre, some Southern gothic thing to

593
00:30:12,880 --> 00:30:14,000
Speaker 4: hang over the dinner table.

594
00:30:14,120 --> 00:30:17,800
Speaker 2: Yeah, LIBERI like sphere to.

595
00:30:17,760 --> 00:30:20,280
Speaker 4: Say, hey, neighbor, come rob.

596
00:30:20,120 --> 00:30:24,440
Speaker 2: Me exactly, let's put this in our most obvious window.

597
00:30:25,080 --> 00:30:29,080
Speaker 4: We're investing in lighting that makes no sense, so you'll

598
00:30:29,080 --> 00:30:35,120
Speaker 4: know to rob us chandeliers. Oh there's cathe gratitude, not must.

599
00:30:35,000 --> 00:30:38,160
Speaker 2: Day, not must go.

600
00:30:39,240 --> 00:30:46,640
Speaker 4: So I'm gonna I want to talk about for Guy

601
00:30:46,640 --> 00:30:47,520
Speaker 4: Bronham's introduction.

602
00:30:47,760 --> 00:30:51,200
Speaker 2: Oh right, yes, Like here's here's my mistake. Okay.

603
00:30:51,840 --> 00:30:54,800
Speaker 6: I'm such a narcissist and so self involved that my

604
00:30:54,880 --> 00:30:57,360
Speaker 6: first thought of going like, oh, I know what I'll say,

605
00:30:57,920 --> 00:31:00,360
Speaker 6: I was realizing it's just a story about me, Like,

606
00:31:00,400 --> 00:31:01,920
Speaker 6: that's not what you do for people.

607
00:31:02,080 --> 00:31:05,400
Speaker 4: All right, you're supposed to do for people, not for yourself.

608
00:31:05,480 --> 00:31:07,480
Speaker 2: I went to a wedding where people kept doing that

609
00:31:07,640 --> 00:31:09,920
Speaker 2: yet and it bothered me. All the stories had to

610
00:31:09,920 --> 00:31:10,520
Speaker 2: be about them.

611
00:31:10,640 --> 00:31:13,960
Speaker 4: Yeah, I think it's kind of it's kind of society today.

612
00:31:13,960 --> 00:31:15,640
Speaker 4: But I know I'm a real expert in it. I've

613
00:31:15,680 --> 00:31:17,840
Speaker 4: been doing it for years because I just think that

614
00:31:18,040 --> 00:31:20,960
Speaker 4: my story is the most interesting story.

615
00:31:20,320 --> 00:31:23,760
Speaker 2: Right, But actually it makes the most sense to tell

616
00:31:23,800 --> 00:31:26,440
Speaker 2: a story about you and guy. But you don't want

617
00:31:26,480 --> 00:31:29,640
Speaker 2: to sacrifice a better story that's about him as a

618
00:31:29,680 --> 00:31:33,920
Speaker 2: person or him as a comedian, just because you're in

619
00:31:34,080 --> 00:31:36,920
Speaker 2: another story that isn't it? It's good right for sure

620
00:31:37,080 --> 00:31:38,880
Speaker 2: that I'm going to take a rite.

621
00:31:38,680 --> 00:31:41,560
Speaker 4: Here because well, I just think because I think we're

622
00:31:41,560 --> 00:31:42,560
Speaker 4: getting close to showtime.

623
00:31:42,640 --> 00:31:44,440
Speaker 2: Oh yeah, we are getting close to show. Wait.

624
00:31:46,200 --> 00:31:48,320
Speaker 4: Yes, I think you're exactly right about that story. Well,

625
00:31:48,320 --> 00:31:49,760
Speaker 4: I think I just it doesn't need to be a

626
00:31:49,760 --> 00:31:53,440
Speaker 4: long thing, but I think I want to just say.

627
00:31:52,200 --> 00:31:57,360
Speaker 2: So, yeah, and so have you been knocking anything around

628
00:31:57,440 --> 00:32:05,040
Speaker 2: up there in your noodle housing notable balancing, so so dumb,

629
00:32:05,360 --> 00:32:07,000
Speaker 2: so skeletal.

630
00:32:08,120 --> 00:32:12,760
Speaker 4: So delicious gross? No, I haven't. Well, I have a

631
00:32:12,800 --> 00:32:15,320
Speaker 4: couple of stories, and I just realized they're not. It's

632
00:32:15,360 --> 00:32:18,160
Speaker 4: only interesting to me, I think, so I have to

633
00:32:18,160 --> 00:32:20,080
Speaker 4: I'm trying to figure out a way to Like, here's

634
00:32:20,080 --> 00:32:22,400
Speaker 4: my thing. I love guy brom because he and I

635
00:32:22,440 --> 00:32:24,880
Speaker 4: will get together and talk and we can talk about

636
00:32:24,960 --> 00:32:29,120
Speaker 4: every aspect of our lives, which is comedy, writing, working

637
00:32:29,160 --> 00:32:34,240
Speaker 4: in TV and boys, and we are very like honest

638
00:32:34,360 --> 00:32:36,600
Speaker 4: and we really try to workshop things with each other.

639
00:32:36,600 --> 00:32:39,360
Speaker 4: Of like, am I an idiot for this reason? Here's

640
00:32:39,400 --> 00:32:42,360
Speaker 4: what I feel bad for feeling right now. And it's

641
00:32:42,400 --> 00:32:45,160
Speaker 4: the most fun thing because it's just complete understanding.

642
00:32:45,400 --> 00:32:48,680
Speaker 2: Yeah, And I got a little bit of that with him.

643
00:32:49,000 --> 00:32:52,320
Speaker 2: I mean I might be able to add to your anecdotes. Okay,

644
00:32:53,680 --> 00:32:57,160
Speaker 2: because I was bunked with him on the on your

645
00:32:57,200 --> 00:33:00,680
Speaker 2: cruise ship on the Atlantic Ocean Common Cruise.

646
00:33:00,400 --> 00:33:01,960
Speaker 4: Ship, which I didn't get to go to.

647
00:33:02,400 --> 00:33:04,080
Speaker 2: You were supposed to go and we were gonna have

648
00:33:04,120 --> 00:33:07,760
Speaker 2: so much fun and I promised so many podcasts, but

649
00:33:07,840 --> 00:33:12,120
Speaker 2: it's okay, you had to work and life aggressive.

650
00:33:13,080 --> 00:33:14,600
Speaker 4: There's it's all we can do right now.

651
00:33:15,920 --> 00:33:19,000
Speaker 2: But he was very, very fun to talk to and

652
00:33:19,800 --> 00:33:22,400
Speaker 2: was willing to talk. I did notice that I could

653
00:33:22,560 --> 00:33:25,760
Speaker 2: probably talk to him about anything. In that time. So

654
00:33:26,040 --> 00:33:29,120
Speaker 2: that's something you could say. You could say that, I say,

655
00:33:29,320 --> 00:33:32,280
Speaker 2: can you please mention me in your speech before him? Uh,

656
00:33:32,320 --> 00:33:33,640
Speaker 2: there we go. That's what people do.

657
00:33:33,960 --> 00:33:36,440
Speaker 4: It's so hard not to, don't We all want to

658
00:33:36,440 --> 00:33:39,440
Speaker 4: be the person that gets mentioned on stage randomly for

659
00:33:39,480 --> 00:33:39,960
Speaker 4: no reason.

660
00:33:40,280 --> 00:33:42,520
Speaker 2: Then well that's what it's talking about. That John Roderick

661
00:33:42,600 --> 00:33:45,280
Speaker 2: guy that he's amazing with the incision that I had

662
00:33:45,320 --> 00:33:48,200
Speaker 2: never seen before I met before, and he mentioned my

663
00:33:48,520 --> 00:33:51,840
Speaker 2: comment or my act or my act, my act that

664
00:33:52,000 --> 00:33:57,640
Speaker 2: I take to the luxe of casino, my routine.

665
00:33:58,080 --> 00:34:01,320
Speaker 4: What do you get? Your twenties? Solid minutes and jokes.

666
00:34:02,080 --> 00:34:03,800
Speaker 4: The last per minutes are very high.

667
00:34:03,880 --> 00:34:06,360
Speaker 2: Then the girls come out, You get off stage, You

668
00:34:06,440 --> 00:34:09,000
Speaker 2: wait in the wing, you do then the dance, got it,

669
00:34:09,800 --> 00:34:11,000
Speaker 2: and then you're back on steak.

670
00:34:12,160 --> 00:34:14,960
Speaker 4: You do your think five minutes, seven minutes if they

671
00:34:15,080 --> 00:34:20,120
Speaker 4: like it, and then the dogs come out. You get

672
00:34:20,160 --> 00:34:20,840
Speaker 4: off stage.

673
00:34:21,480 --> 00:34:26,480
Speaker 2: I can't do this, that's you got it. Wean yourself up,

674
00:34:26,520 --> 00:34:29,520
Speaker 2: maybe roll a few SIGs and then get on the

675
00:34:29,920 --> 00:34:31,160
Speaker 2: East SIGs. That's how I quit.

676
00:34:31,800 --> 00:34:32,840
Speaker 4: I just need to stop it.

677
00:34:33,000 --> 00:34:35,480
Speaker 2: You don't kneels bad. It's hard to do the cold turkey.

678
00:34:35,600 --> 00:34:39,440
Speaker 2: No one's that strong. It's more addictive than heroin. People

679
00:34:39,480 --> 00:34:42,279
Speaker 2: say that because we've all done heroin, and it's good

680
00:34:42,280 --> 00:34:44,840
Speaker 2: to compare it to something that we can all relate to.

681
00:34:45,000 --> 00:34:48,440
Speaker 2: We really know the cigarettes. They say, more more addictive

682
00:34:48,480 --> 00:34:50,400
Speaker 2: than heroin, and then we all go back to that

683
00:34:50,480 --> 00:34:53,680
Speaker 2: time we were in an empty house with writing on

684
00:34:53,719 --> 00:34:57,799
Speaker 2: the wall. Yeah, and then yeah, some guy just you know,

685
00:34:58,040 --> 00:35:02,880
Speaker 2: some bald guy with a ratty teacher just blowing you. Yep. Yeah, sorry,

686
00:35:03,120 --> 00:35:05,480
Speaker 2: Oh you know, I'm just saying that a lot of

687
00:35:05,560 --> 00:35:07,359
Speaker 2: that happens to be I've never done and I've never

688
00:35:07,400 --> 00:35:09,560
Speaker 2: personally done heroin. So what it's like.

689
00:35:10,800 --> 00:35:13,560
Speaker 4: I think it's like sleeping, but like great.

690
00:35:13,680 --> 00:35:15,080
Speaker 2: Yeah, like a deep sleep.

691
00:35:16,200 --> 00:35:18,840
Speaker 4: Ever in the nineties people really started doing it. There'd

692
00:35:18,880 --> 00:35:20,440
Speaker 4: be like a girl at a party that was just

693
00:35:20,440 --> 00:35:22,280
Speaker 4: totally on heroin, sitting on the couch.

694
00:35:22,560 --> 00:35:26,239
Speaker 2: No. I grew up in Montana and no one did.

695
00:35:26,040 --> 00:35:28,160
Speaker 2: I think that was on the other side of town,

696
00:35:28,440 --> 00:35:31,160
Speaker 2: the math and all. But it was more breaking, baddie

697
00:35:31,200 --> 00:35:34,960
Speaker 2: type type straight the heroine. But I left in a

698
00:35:35,040 --> 00:35:38,480
Speaker 2: nice area behind the dairy queen. Oh nice, Yeah, no

699
00:35:38,600 --> 00:35:40,120
Speaker 2: drugs on my street.

700
00:35:40,280 --> 00:35:43,760
Speaker 4: Nancy Reagan's reach got very far into Montana.

701
00:35:43,960 --> 00:35:46,480
Speaker 2: Yeah, wait, what do you say about Nancy Reagan and

702
00:35:46,520 --> 00:35:48,080
Speaker 2: dairy queen? She part of owner?

703
00:35:48,239 --> 00:35:49,960
Speaker 4: Yeah? Really owner operator?

704
00:35:50,600 --> 00:35:51,120
Speaker 2: You're kidding.

705
00:35:51,280 --> 00:35:53,680
Speaker 4: She would go around to every dairy queen in Montana.

706
00:35:54,800 --> 00:35:57,080
Speaker 4: She put on white gloves, is wipe the counter with

707
00:35:57,080 --> 00:35:57,480
Speaker 4: her fingers?

708
00:35:57,520 --> 00:36:00,600
Speaker 2: Are you going off on some strokey tangent or not

709
00:36:00,719 --> 00:36:03,680
Speaker 2: that you do that? But or does Nancy Reagan own

710
00:36:04,160 --> 00:36:04,920
Speaker 2: fairy queens?

711
00:36:05,080 --> 00:36:09,600
Speaker 4: I'm saying war on drugs? At the war on drugs?

712
00:36:11,480 --> 00:36:12,120
Speaker 2: I forget.

713
00:36:12,480 --> 00:36:14,719
Speaker 4: You're such a kid of the nineties. Can we only

714
00:36:14,719 --> 00:36:17,160
Speaker 4: talk about fraggle rock or could you please get with

715
00:36:17,239 --> 00:36:18,200
Speaker 4: what I want.

716
00:36:18,000 --> 00:36:21,360
Speaker 2: To talk about for once? Well, that was one drug,

717
00:36:21,480 --> 00:36:23,360
Speaker 2: and that one drug I did do in Montana. I

718
00:36:23,440 --> 00:36:29,680
Speaker 2: smoked a lot of fragle rock. I was not afraid. Oh,

719
00:36:29,800 --> 00:36:35,120
Speaker 2: two gozers. That's the dozers whatever green cute little green.

720
00:36:34,920 --> 00:36:38,400
Speaker 4: Guys from ghosts.

721
00:36:38,640 --> 00:36:41,279
Speaker 2: Yeah. Yeah, that dozers were the little green guys that

722
00:36:41,320 --> 00:36:42,560
Speaker 2: were building something.

723
00:36:43,120 --> 00:36:46,520
Speaker 4: Oh and then Goser was the demon that was in

724
00:36:46,600 --> 00:36:47,840
Speaker 4: charge of taking over the apartment.

725
00:36:48,120 --> 00:36:51,520
Speaker 2: Yes, yes, later later into the body.

726
00:36:51,760 --> 00:36:56,160
Speaker 4: Yes, marianas that kind of beast thing. Yes, but also

727
00:36:56,280 --> 00:36:59,719
Speaker 4: took Sigourney Weaver. One of my first experiences with BC

728
00:37:00,040 --> 00:37:01,080
Speaker 4: that he was seeing that movie.

729
00:37:01,320 --> 00:37:03,719
Speaker 2: Yes, because that thing did her.

730
00:37:03,960 --> 00:37:04,560
Speaker 4: Am I wrong?

731
00:37:06,000 --> 00:37:06,160
Speaker 2: Right?

732
00:37:06,320 --> 00:37:09,120
Speaker 4: There's that really actually the appeal. Look he's vaping as

733
00:37:09,160 --> 00:37:12,319
Speaker 4: he walks. God damn it, America.

734
00:37:13,080 --> 00:37:13,360
Speaker 2: He was.

735
00:37:13,600 --> 00:37:15,719
Speaker 8: What I love about LA is it's filled with these

736
00:37:15,760 --> 00:37:17,759
Speaker 8: guys that look like they should be frat boys but

737
00:37:17,760 --> 00:37:20,840
Speaker 8: they're too old. No, And they walk around in groups

738
00:37:20,920 --> 00:37:23,960
Speaker 8: and they vape and it is fucking magical.

739
00:37:24,480 --> 00:37:26,799
Speaker 2: They all are members of sag.

740
00:37:28,239 --> 00:37:28,879
Speaker 4: SAGAFT.

741
00:37:29,880 --> 00:37:32,520
Speaker 2: Yeah. Sat Now I have to pay my dues because

742
00:37:32,520 --> 00:37:33,360
Speaker 2: of those peanuts.

743
00:37:33,600 --> 00:37:36,080
Speaker 4: That's right. Those peanuts will get you, but then you're

744
00:37:36,120 --> 00:37:38,920
Speaker 4: in good and then you get another peanut job, and

745
00:37:38,960 --> 00:37:40,919
Speaker 4: then maybe you're a banana next time.

746
00:37:41,080 --> 00:37:43,400
Speaker 2: I literally am working for peanuts.

747
00:37:43,680 --> 00:37:45,960
Speaker 4: I have to stop talking, like Wally, it's killing me.

748
00:37:48,239 --> 00:37:53,680
Speaker 8: Christ Oh, well, this has been great.

749
00:37:53,840 --> 00:37:57,399
Speaker 4: I really missed podcasting. I love talking it really is.

750
00:37:57,520 --> 00:37:58,880
Speaker 2: It is really fun to do this.

751
00:37:59,040 --> 00:37:59,839
Speaker 4: Yeah, we're good.

752
00:37:59,880 --> 00:38:03,760
Speaker 2: I'm glad that I'm glad that you're back on board.

753
00:38:04,160 --> 00:38:07,920
Speaker 4: Yeah, not that you were off board, guys, let's be honest.

754
00:38:08,000 --> 00:38:11,800
Speaker 4: I decided to change my mind. I got off board

755
00:38:11,840 --> 00:38:12,920
Speaker 4: about podcasting.

756
00:38:13,320 --> 00:38:16,359
Speaker 2: She was she wouldn't answer the phone. I was calling.

757
00:38:16,440 --> 00:38:19,279
Speaker 2: I'm like, we have to make episodes every Friday, and

758
00:38:19,360 --> 00:38:19,640
Speaker 2: I was.

759
00:38:19,719 --> 00:38:21,600
Speaker 4: Like, no, I need to put this behind me. I

760
00:38:21,640 --> 00:38:24,440
Speaker 4: need to start knitting. And I'm like, I do crap.

761
00:38:24,640 --> 00:38:25,839
Speaker 2: Enjoy your needlework.

762
00:38:26,040 --> 00:38:28,560
Speaker 4: Yeah, fucking selfish asshole.

763
00:38:29,200 --> 00:38:31,279
Speaker 2: That was what I did. Notice you called me that?

764
00:38:31,800 --> 00:38:33,640
Speaker 2: Oh no, wait, that was wee No, that was you

765
00:38:33,760 --> 00:38:36,279
Speaker 2: being me? When you're being me, can you do an

766
00:38:36,280 --> 00:38:38,080
Speaker 2: impression of me so I know you're not being you?

767
00:38:38,120 --> 00:38:40,759
Speaker 2: And all vice versa. Just when we're telling stories about

768
00:38:40,800 --> 00:38:42,359
Speaker 2: us having conversations.

769
00:38:41,920 --> 00:38:45,200
Speaker 4: Idea, Okay, oftentimes I do a character, but I don't

770
00:38:45,280 --> 00:38:47,360
Speaker 4: change my voice, and then people think I'm just talking,

771
00:38:47,560 --> 00:38:49,799
Speaker 4: which I actually am. But in my head, I know

772
00:38:49,880 --> 00:38:51,919
Speaker 4: exactly what I'm doing, which is playing a part.

773
00:38:52,280 --> 00:38:52,480
Speaker 2: Right.

774
00:38:53,000 --> 00:38:55,239
Speaker 4: That's happened to me for years, and for a long

775
00:38:55,239 --> 00:38:57,840
Speaker 4: time it baffled me, is why people didn't love my

776
00:38:57,880 --> 00:38:59,600
Speaker 4: comedy that much? And then I realized I just thought

777
00:38:59,640 --> 00:39:02,400
Speaker 4: I was talking to them very rudely. Then I just

778
00:39:02,440 --> 00:39:05,600
Speaker 4: decided to go with it. It's too late. Now I'm just

779
00:39:05,640 --> 00:39:08,040
Speaker 4: gonna be a big crazy bitch all the time. And

780
00:39:08,080 --> 00:39:09,040
Speaker 4: it's worked out great.

781
00:39:09,200 --> 00:39:12,160
Speaker 2: It is working out great. Wow, come on, you're not

782
00:39:12,520 --> 00:39:15,000
Speaker 2: You're not a crazy bitch. Well, I mean, there's that

783
00:39:15,080 --> 00:39:16,799
Speaker 2: well said that word three times, and.

784
00:39:17,040 --> 00:39:19,040
Speaker 4: I tricked you. This was a trap. It was a

785
00:39:19,040 --> 00:39:20,880
Speaker 4: feminist trap to say the word bitch again.

786
00:39:21,080 --> 00:39:24,960
Speaker 2: I not like that word. Isn't that funny. I'll say

787
00:39:24,960 --> 00:39:27,520
Speaker 2: fuck all day. I'll even say the S word.

788
00:39:27,920 --> 00:39:30,440
Speaker 4: Well, you know what's weird? I bet you. I remember

789
00:39:30,440 --> 00:39:34,280
Speaker 4: when bitch started getting popular and I remember telling whoever

790
00:39:34,560 --> 00:39:36,160
Speaker 4: I was going on with someone at the time where

791
00:39:36,200 --> 00:39:37,920
Speaker 4: they said it, and I was like, don't say that

792
00:39:37,960 --> 00:39:39,239
Speaker 4: around me, and I.

793
00:39:39,200 --> 00:39:41,120
Speaker 2: Didn't eat it towards you.

794
00:39:41,800 --> 00:39:43,759
Speaker 4: Yeah, I think they were calling another girl a bitch,

795
00:39:43,760 --> 00:39:45,319
Speaker 4: but they were doing it like in that casual way

796
00:39:45,320 --> 00:39:47,239
Speaker 4: of like some bitch just blah blah blah. And I

797
00:39:47,280 --> 00:39:50,120
Speaker 4: was like, don't, don't do that, and he was like

798
00:39:50,360 --> 00:39:52,120
Speaker 4: that kind of defensive, and I was like, I don't

799
00:39:52,160 --> 00:39:55,640
Speaker 4: know why people think that's okay, but like it's not okay.

800
00:39:55,800 --> 00:39:59,600
Speaker 4: It's so it's so passive, aggressive and so pussy and

801
00:39:59,680 --> 00:40:02,640
Speaker 4: so meaning on purpose, but then like like you're a

802
00:40:02,680 --> 00:40:06,879
Speaker 4: badass because you're just that always across the board, that disrespectful.

803
00:40:06,960 --> 00:40:08,040
Speaker 4: It's just stupid. Yeah.

804
00:40:08,080 --> 00:40:10,640
Speaker 2: I don't like it at all. And I'm a man,

805
00:40:11,320 --> 00:40:13,520
Speaker 2: that's right. I'm a man who grew up with two women.

806
00:40:14,000 --> 00:40:17,200
Speaker 2: Oh yeah, yes, Kate Nally, Oh no, god, it was

807
00:40:17,239 --> 00:40:19,440
Speaker 2: so funny on the crew. We were getting on the crew,

808
00:40:19,520 --> 00:40:21,319
Speaker 2: I keep bringing up this boat, but I'm still in

809
00:40:21,480 --> 00:40:25,799
Speaker 2: c I still got my sea legs. And they they

810
00:40:25,840 --> 00:40:31,360
Speaker 2: were playing some song that sounded so like eighties, like

811
00:40:31,920 --> 00:40:33,960
Speaker 2: Hill Street Blues or cop music.

812
00:40:34,080 --> 00:40:34,680
Speaker 4: Oh yeah.

813
00:40:34,719 --> 00:40:41,520
Speaker 2: And we were buying our daily free beverage passes me

814
00:40:41,640 --> 00:40:46,120
Speaker 2: and Calcanane and Wronger and the it was like we

815
00:40:46,160 --> 00:40:48,360
Speaker 2: paid like fifty bucks so you can just all you

816
00:40:48,360 --> 00:40:51,239
Speaker 2: can drink. And it almost killed us. But while the

817
00:40:51,280 --> 00:40:54,719
Speaker 2: guy that was there like signing people in, I go, oh,

818
00:40:54,800 --> 00:40:57,440
Speaker 2: that sounds like this song from Cagne and Lacy, and

819
00:40:57,480 --> 00:41:01,759
Speaker 2: then he go he says Cognian Lacey, and I just

820
00:41:01,800 --> 00:41:04,279
Speaker 2: realized that was the best thing you could ever hear. Yes,

821
00:41:06,480 --> 00:41:08,600
Speaker 2: did I say I had an Irish accent?

822
00:41:08,680 --> 00:41:09,680
Speaker 4: Did he No?

823
00:41:09,680 --> 00:41:13,360
Speaker 2: No, he was a Jamaican guy, Cognian Lacey.

824
00:41:14,040 --> 00:41:15,800
Speaker 4: You sounded exactly like my grandmother.

825
00:41:16,160 --> 00:41:19,160
Speaker 2: Those are my girls, Cognian Lacey.

826
00:41:19,239 --> 00:41:21,839
Speaker 4: I haven't heard that Jesus Cagney at.

827
00:41:21,800 --> 00:41:25,279
Speaker 2: Least Cognian YaCy. Oh yeah, you're ready to. I think

828
00:41:25,320 --> 00:41:28,080
Speaker 2: it's similar for a reason, here's my impression of a

829
00:41:28,160 --> 00:41:31,120
Speaker 2: Jamaican Irish guy, Cognian Lacey.

830
00:41:31,920 --> 00:41:33,880
Speaker 4: Yes, you fucking nailed that.

831
00:41:36,560 --> 00:41:44,640
Speaker 5: Shot up, Monsion EMANSI picture Selph and wear a little

832
00:41:44,719 --> 00:41:52,840
Speaker 5: green high Li salacie with a side of O'Shaughnessy taters.

833
00:41:54,719 --> 00:41:56,719
Speaker 2: What is that? Is there something in the back of

834
00:41:56,719 --> 00:41:59,919
Speaker 2: the car. Oh, it's my leg hitting a bag.

835
00:42:00,200 --> 00:42:03,439
Speaker 4: Oh my god, Oh my god.

836
00:42:03,440 --> 00:42:05,600
Speaker 2: I almost died one time. I was in the ocean,

837
00:42:05,800 --> 00:42:08,040
Speaker 2: plastic bag wrapped around my leg, and I thought it

838
00:42:08,080 --> 00:42:09,239
Speaker 2: was a jellyfish, and I.

839
00:42:09,239 --> 00:42:11,520
Speaker 4: Screamed, How high did you scream?

840
00:42:11,600 --> 00:42:14,440
Speaker 2: I really high, like a And I was around all

841
00:42:14,480 --> 00:42:17,040
Speaker 2: these tough surfers, and then it was embarrassed.

842
00:42:17,160 --> 00:42:18,600
Speaker 4: Did they try to punch at you?

843
00:42:18,880 --> 00:42:19,120
Speaker 1: No?

844
00:42:19,120 --> 00:42:21,360
Speaker 2: No, no, they weren't the punchy kind.

845
00:42:21,440 --> 00:42:22,560
Speaker 4: Did you have a baton?

846
00:42:23,320 --> 00:42:25,880
Speaker 2: Oh? I always carry it with me in my shorts.

847
00:42:25,880 --> 00:42:30,480
Speaker 2: It gives a lot of mixed messages. No it is.

848
00:42:32,000 --> 00:42:34,160
Speaker 2: I'm just happy to not see you. And then I

849
00:42:34,239 --> 00:42:39,960
Speaker 2: pull out the baton and yeah, bitch, yeah, it's usually

850
00:42:40,000 --> 00:42:46,960
Speaker 2: a chick. Oh goodness, I am gonna turn left on

851
00:42:47,040 --> 00:42:50,400
Speaker 2: Fairfax and take you to melt Down. Guys, you're probably

852
00:42:50,480 --> 00:42:53,719
Speaker 2: you have to go up first, right, no, do I have?

853
00:42:53,800 --> 00:42:54,839
Speaker 2: I made you late? Oh?

854
00:42:55,000 --> 00:42:58,000
Speaker 4: Fuck, let me hit Let me text him.

855
00:42:57,840 --> 00:42:59,560
Speaker 2: Just in case you're I bet you're fine.

856
00:42:59,600 --> 00:43:04,479
Speaker 4: I'm sure they always hold it, don't they. Yeah? How

857
00:43:04,520 --> 00:43:07,160
Speaker 4: many texts will I have? How many texts will I have?

858
00:43:07,320 --> 00:43:09,960
Speaker 4: There's three? Oh, that's one from you.

859
00:43:11,000 --> 00:43:13,000
Speaker 2: That's one for me telling you where I was.

860
00:43:14,560 --> 00:43:17,840
Speaker 4: God damn it. Will people please stop posting pictures of me?

861
00:43:18,840 --> 00:43:22,719
Speaker 2: Oh you don't, Well what I don't like it either.

862
00:43:22,840 --> 00:43:25,239
Speaker 2: I'd like for it to be approved, but I don't.

863
00:43:25,280 --> 00:43:27,600
Speaker 2: You have your setting where you're gonna you have to approve.

864
00:43:28,200 --> 00:43:28,960
Speaker 2: That's what I do.

865
00:43:29,200 --> 00:43:32,879
Speaker 4: No on Twitter, Oh, I got you. Twitter, people can

866
00:43:32,960 --> 00:43:36,319
Speaker 4: just do whatever they want. And I don't like any

867
00:43:36,320 --> 00:43:40,480
Speaker 4: pictures of myself. I'm a middle aged lady, h heading

868
00:43:40,520 --> 00:43:44,360
Speaker 4: off towards the sunset, a lot of back fat and

869
00:43:44,440 --> 00:43:46,680
Speaker 4: I just don't. I literally half the time don't open

870
00:43:46,719 --> 00:43:47,920
Speaker 4: them because I can't handle it.

871
00:43:48,120 --> 00:43:51,040
Speaker 2: Oh, that's I don't. I don't. I don't like hearing that.

872
00:43:51,239 --> 00:43:52,479
Speaker 2: I'm sorry, that's quite.

873
00:43:52,920 --> 00:43:56,239
Speaker 4: I won't bring that into your car. Get that out

874
00:43:56,280 --> 00:44:00,879
Speaker 4: of you out here. Well, it's gonna be nothing.

875
00:44:00,560 --> 00:44:04,480
Speaker 5: But positive vibes in man.

876
00:44:05,280 --> 00:44:06,600
Speaker 2: Oh, I can't do accent.

877
00:44:06,800 --> 00:44:11,120
Speaker 4: Just change all of all the vowels to other vowels.

878
00:44:12,400 --> 00:44:13,719
Speaker 2: That's how you do accents.

879
00:44:14,360 --> 00:44:17,520
Speaker 4: Nine oh six. I'm gonna text him and say, guests, there,

880
00:44:17,640 --> 00:44:19,400
Speaker 4: we are almost there, moments away.

881
00:44:19,520 --> 00:44:23,040
Speaker 2: It's going to be a great and he's recording an album.

882
00:44:22,680 --> 00:44:24,279
Speaker 4: An album for special thing.

883
00:44:24,560 --> 00:44:26,520
Speaker 2: We gotta have guy legitimately on.

884
00:44:26,719 --> 00:44:27,960
Speaker 4: He was, Yes, for sure.

885
00:44:28,080 --> 00:44:31,920
Speaker 2: He appeared in the live portion of the John dor podcast.

886
00:44:32,000 --> 00:44:33,839
Speaker 4: Yeah that's right, little great guest.

887
00:44:34,120 --> 00:44:35,960
Speaker 2: That that worked out very well. I don't know if

888
00:44:35,960 --> 00:44:38,200
Speaker 2: you listen to it. I don't listen. I don't listen

889
00:44:38,239 --> 00:44:41,080
Speaker 2: to it. Oh good little samples.

890
00:44:41,560 --> 00:44:42,960
Speaker 4: Yes, yeah, yeah, that sounded great.

891
00:44:43,080 --> 00:44:44,719
Speaker 2: Yeah yeah, I like how that works. Yeah.

892
00:44:45,400 --> 00:44:47,160
Speaker 4: You do all the ending for us, don't you?

893
00:44:47,600 --> 00:44:50,120
Speaker 2: Well? I do? I mean I pay per edit. I

894
00:44:50,239 --> 00:44:50,920
Speaker 2: pay per edit.

895
00:44:51,000 --> 00:44:52,560
Speaker 4: Yes, just as good.

896
00:44:52,840 --> 00:44:55,839
Speaker 2: I need to learn to do it all.

897
00:44:55,960 --> 00:44:58,080
Speaker 4: And our man Mike Flynn does the physical edit.

898
00:44:58,239 --> 00:45:00,960
Speaker 2: Yes, yes, Mike Flynn is us you, Mike Flynn. We

899
00:45:01,000 --> 00:45:02,880
Speaker 2: love you, We love you. Michael Flynn.

900
00:45:03,000 --> 00:45:07,800
Speaker 4: Michael got Mike Flynn is from Kingston, Jamaica.

901
00:45:08,040 --> 00:45:14,160
Speaker 2: Is that right, Michael Finn? I could use a Shepherds bye.

902
00:45:16,719 --> 00:45:19,040
Speaker 2: I don't know when I'll ever be able to bring

903
00:45:20,200 --> 00:45:25,160
Speaker 2: Jamaican Irish man into my routine if you will. Here's

904
00:45:25,160 --> 00:45:26,480
Speaker 2: how circuit.

905
00:45:26,560 --> 00:45:29,839
Speaker 4: Okay, uh after the dogs leave the stage, I can't

906
00:45:29,840 --> 00:45:34,479
Speaker 4: talk like that. You just do it, uh huh right,

907
00:45:34,640 --> 00:45:35,759
Speaker 4: So you do it the way you do it, where

908
00:45:35,760 --> 00:45:37,640
Speaker 4: you start in one and you slide into the other,

909
00:45:38,040 --> 00:45:40,040
Speaker 4: and then after that you make up a name and

910
00:45:40,080 --> 00:45:41,600
Speaker 4: then you go the Yeah.

911
00:45:41,640 --> 00:45:45,600
Speaker 2: I act the Irish Jamaican. So I do I make

912
00:45:45,640 --> 00:45:49,600
Speaker 2: a mistake on purpose, which I do all the time. No, no,

913
00:45:49,880 --> 00:45:50,880
Speaker 2: So don't set it up.

914
00:45:51,360 --> 00:45:53,319
Speaker 4: Yeah, just surprise him with it. It'll be like a

915
00:45:53,360 --> 00:45:54,600
Speaker 4: non sequitur.

916
00:45:54,320 --> 00:45:55,880
Speaker 2: Okay, and it will look.

917
00:45:55,719 --> 00:45:58,680
Speaker 4: Like you're about to start doing a really embarrassing Jamaican

918
00:45:59,360 --> 00:46:01,520
Speaker 4: like a white eyed it's doing a black scent, which

919
00:46:01,560 --> 00:46:02,280
Speaker 4: everybody hates.

920
00:46:02,480 --> 00:46:05,719
Speaker 2: Yeah, I guess so. But what about reggae? A guy

921
00:46:05,800 --> 00:46:08,520
Speaker 2: doing what if I'm making fun of the performer.

922
00:46:08,200 --> 00:46:10,960
Speaker 4: Snow, I don't know that. Who is it visiting?

923
00:46:11,040 --> 00:46:12,240
Speaker 2: Waane Farmer.

924
00:46:14,120 --> 00:46:14,880
Speaker 4: Was white.

925
00:46:16,480 --> 00:46:20,319
Speaker 2: The Dickens, but he spent he spent a summer. There

926
00:46:20,360 --> 00:46:24,759
Speaker 2: was some story that had no backing because I think

927
00:46:24,760 --> 00:46:28,479
Speaker 2: I looked it up and he's from Michigan or something. Yeah,

928
00:46:28,520 --> 00:46:32,440
Speaker 2: but the Jamaican part of Michigan. Okay, Karen, you're gonna

929
00:46:32,440 --> 00:46:35,600
Speaker 2: go do your show. I have a show too, but really.

930
00:46:35,480 --> 00:46:38,000
Speaker 4: Quick, can I just say yes, what if that impression?

931
00:46:38,120 --> 00:46:41,040
Speaker 4: What if you do the accent then come out of

932
00:46:41,040 --> 00:46:45,480
Speaker 4: it and go snowly and then people will just be

933
00:46:45,520 --> 00:46:47,680
Speaker 4: like what and they won't know what if you mean

934
00:46:47,840 --> 00:46:49,920
Speaker 4: the weather or if you mean the performer?

935
00:46:50,239 --> 00:46:53,600
Speaker 2: Well, Snow did that. He knew that his god given

936
00:46:53,719 --> 00:46:59,520
Speaker 2: name Snow Johnson would be confusing because his album actually

937
00:46:59,520 --> 00:47:02,360
Speaker 2: called it. It's called twelve Inches of Snow. It is

938
00:47:02,560 --> 00:47:05,839
Speaker 2: so yeah, he's talking about his big long white dick. No,

939
00:47:06,520 --> 00:47:06,919
Speaker 2: no one.

940
00:47:06,920 --> 00:47:08,000
Speaker 4: Wants to hear about that.

941
00:47:08,200 --> 00:47:12,239
Speaker 2: They don't say that methodically. I let him down, Take

942
00:47:12,320 --> 00:47:15,080
Speaker 2: them out and say say I shot somebody down the whale.

943
00:47:15,480 --> 00:47:20,279
Speaker 2: I let him down. Wildlies. Why boy, what.

944
00:47:20,320 --> 00:47:22,319
Speaker 4: You gonna do? Come for you?

945
00:47:22,400 --> 00:47:26,200
Speaker 2: Bad boys? Bad boy?

946
00:47:26,239 --> 00:47:28,760
Speaker 4: And then they come by.

947
00:47:31,520 --> 00:47:35,400
Speaker 2: You've been listening to d y end A r.

948
00:47:38,480 --> 00:47:38,960
Speaker 7: I E.

949
00:47:39,920 --> 00:47:45,440
Speaker 3: You wanna way back either, you want to be there,

950
00:47:46,560 --> 00:47:50,480
Speaker 3: doesn't matter how much baggage you clean like us time

951
00:47:50,680 --> 00:47:53,360
Speaker 3: and turning on engaye.

952
00:47:54,760 --> 00:47:59,320
Speaker 2: We want to send you up in start. You wanna

953
00:47:59,440 --> 00:48:01,000
Speaker 2: welcome you back home?

954
00:48:02,840 --> 00:48:09,120
Speaker 4: Tell us all about it. We scared her Was it fine? Malcorn?

955
00:48:24,640 --> 00:48:26,040
Speaker 4: Do you need to ride?

956
00:48:26,680 --> 00:48:29,960
Speaker 1: Do you need to ride? Do you need to ride?

957
00:48:30,600 --> 00:48:33,960
Speaker 1: Do you need to ride? Do you need to ride?

958
00:48:34,520 --> 00:48:36,359
Speaker 4: Do you need ride?

959
00:48:36,600 --> 00:48:46,240
Speaker 2: Do you need to ride? Do you need with Karen

960
00:48:46,280 --> 00:48:46,640
Speaker 2: and Chris