1 00:00:12,440 --> 00:00:15,360 Speaker 1: Oh, I saw Megan Fox who looked so beautiful on 2 00:00:16,560 --> 00:00:19,759 Speaker 1: Drew Barrymore and I guess it was a poem she 3 00:00:19,760 --> 00:00:23,160 Speaker 1: wrote or something she wrote. But basically, I've been on 4 00:00:23,200 --> 00:00:25,760 Speaker 1: like relationship talk and self help talk, and like I'm 5 00:00:25,760 --> 00:00:29,560 Speaker 1: seeing a lot of different things about dating and just 6 00:00:29,600 --> 00:00:31,560 Speaker 1: like things are coming through. Maybe because I have a 7 00:00:31,640 --> 00:00:33,519 Speaker 1: dating podcast or I do dating rants, I don't know 8 00:00:33,520 --> 00:00:35,840 Speaker 1: a lot it's coming through. But there was something where 9 00:00:36,120 --> 00:00:38,400 Speaker 1: Drew kind of asked her what her motivation was in 10 00:00:38,479 --> 00:00:41,239 Speaker 1: this piece she had written, and she was basically saying, 11 00:00:42,159 --> 00:00:44,240 Speaker 1: and it sounded like she was talking about her acts. 12 00:00:44,280 --> 00:00:46,160 Speaker 1: It doesn't matter. I'm not going to sign anything to her. 13 00:00:46,640 --> 00:00:53,479 Speaker 1: That she fell in love with someone's unrealized potential. Meaning 14 00:00:54,360 --> 00:00:57,280 Speaker 1: often we fall in love with someone's potential, and it's 15 00:00:57,320 --> 00:00:59,320 Speaker 1: not that we just are fixers and we think someone 16 00:00:59,320 --> 00:01:01,840 Speaker 1: can change. It's just like you could see the island 17 00:01:02,480 --> 00:01:05,600 Speaker 1: and you can't imagine not being able to swim to it, 18 00:01:05,880 --> 00:01:08,440 Speaker 1: and some people can't swim to it. So she was 19 00:01:08,520 --> 00:01:12,119 Speaker 1: talking about someone that she had been in a relationship 20 00:01:12,160 --> 00:01:14,319 Speaker 1: with and it just broke her heart that she could 21 00:01:14,360 --> 00:01:19,880 Speaker 1: just see what they could be but it wasn't possible. 22 00:01:20,080 --> 00:01:23,840 Speaker 1: That is a heartbreak. That's heartbreaking, you know, And there 23 00:01:23,880 --> 00:01:25,920 Speaker 1: was nothing negative about the way she said it. It 24 00:01:26,000 --> 00:01:29,840 Speaker 1: was just very relatable. You could fall in love with 25 00:01:29,920 --> 00:01:32,200 Speaker 1: someone and it's not like I said, it's not just 26 00:01:32,240 --> 00:01:34,600 Speaker 1: that you're a fixer. You could just it's just you 27 00:01:34,680 --> 00:01:38,640 Speaker 1: see potential. You know how someone can be, and that's 28 00:01:38,800 --> 00:01:41,400 Speaker 1: kind of like chasing the dragon. You're chasing the dragon. 29 00:01:41,480 --> 00:01:44,240 Speaker 1: You've seen them be a certain way, maybe in a moment, 30 00:01:44,319 --> 00:01:46,800 Speaker 1: maybe in their best light, maybe in the beginning, maybe 31 00:01:46,840 --> 00:01:49,800 Speaker 1: in the honeymoon phase, maybe in the infatuation stage and 32 00:01:49,840 --> 00:01:54,480 Speaker 1: the attraction stage and the sexual pheromones oxytocin stage, and 33 00:01:54,520 --> 00:01:57,040 Speaker 1: then it just like dissolves, and it really is like 34 00:01:57,120 --> 00:01:59,600 Speaker 1: chasing the dragon because you just know you've seen it. 35 00:01:59,600 --> 00:02:03,160 Speaker 1: It's not and you just think that someone's potential is 36 00:02:03,200 --> 00:02:05,360 Speaker 1: to be like that all the time, and people just 37 00:02:05,400 --> 00:02:07,440 Speaker 1: don't have the bandwidth, you know. And then there's the 38 00:02:07,440 --> 00:02:09,000 Speaker 1: whole question. I talk to a lot of people on 39 00:02:09,040 --> 00:02:11,400 Speaker 1: this podcast about a lot of experts about if people 40 00:02:11,440 --> 00:02:14,440 Speaker 1: can change, and they definitely can, but it takes such 41 00:02:15,200 --> 00:02:23,280 Speaker 1: effort and wherewithal to do so. So I did a 42 00:02:23,400 --> 00:02:28,600 Speaker 1: take on Megan Markel today because Apparently she has a 43 00:02:28,639 --> 00:02:32,200 Speaker 1: brand called as Ever that she's partnered with Netflix on 44 00:02:33,000 --> 00:02:36,399 Speaker 1: It was called American Riviera Orchard, which I guess they 45 00:02:36,440 --> 00:02:41,880 Speaker 1: call Santa Barbara or Montecito the American Riviera. And I 46 00:02:41,960 --> 00:02:44,080 Speaker 1: learned from someone on social media that she wasn't able 47 00:02:44,120 --> 00:02:46,560 Speaker 1: to get the intellectual property or the trademark for that 48 00:02:46,639 --> 00:02:51,440 Speaker 1: because it's it's something that is synonymous with that area, 49 00:02:51,600 --> 00:02:53,280 Speaker 1: so you can't own that as a brand. But I 50 00:02:53,320 --> 00:02:56,320 Speaker 1: guess she didn't realize that, and that happens a lot. 51 00:02:56,360 --> 00:02:58,639 Speaker 1: By the way, you guys have to dot your eyes 52 00:02:58,680 --> 00:03:03,200 Speaker 1: and cross your t's. I literally was dealing with HBO 53 00:03:03,360 --> 00:03:06,240 Speaker 1: Max and the show The Big Shot. They we were 54 00:03:06,280 --> 00:03:09,840 Speaker 1: about to launch it and release I think the art 55 00:03:10,000 --> 00:03:12,600 Speaker 1: or the name, and they hadn't secured the IP, but 56 00:03:12,720 --> 00:03:16,560 Speaker 1: I had because I very much think in that way. 57 00:03:16,760 --> 00:03:20,440 Speaker 1: So anyway, Megan Markle hadn't secured the IP. But when 58 00:03:20,480 --> 00:03:22,880 Speaker 1: she told the audience why she changed the name to 59 00:03:22,919 --> 00:03:26,520 Speaker 1: as Ever, it wasn't that story. It was another story, 60 00:03:26,680 --> 00:03:30,000 Speaker 1: just saying it's more aligned with who she is, et cetera. 61 00:03:30,480 --> 00:03:32,840 Speaker 1: And she was in a more no makeup, fresh out 62 00:03:32,880 --> 00:03:38,400 Speaker 1: of bed aesthetic as a reaction to the public thinking 63 00:03:38,480 --> 00:03:41,480 Speaker 1: that her trailer was too glossy and too perfect Alah 64 00:03:41,520 --> 00:03:45,640 Speaker 1: Martha Stewart or real simple. And I think the issue 65 00:03:46,040 --> 00:03:48,200 Speaker 1: I said in a TikTok that the issue is I 66 00:03:48,200 --> 00:03:51,000 Speaker 1: think that they're having an identity crisis because Harry and 67 00:03:51,040 --> 00:03:53,280 Speaker 1: Meghan don't know in a post royal world who they're 68 00:03:53,280 --> 00:03:55,280 Speaker 1: supposed to be to everybody, and they keep listening to 69 00:03:55,320 --> 00:03:58,120 Speaker 1: the audience to try to decide who they are, when 70 00:03:58,160 --> 00:04:00,560 Speaker 1: I think that's a mistake because it to be who 71 00:04:00,560 --> 00:04:06,120 Speaker 1: you intrinsically are. The problem is that the they they 72 00:04:06,400 --> 00:04:09,160 Speaker 1: sort of chee a pet their identity in the sense 73 00:04:09,240 --> 00:04:13,000 Speaker 1: that now they're you know, they they're philanthropists and they're 74 00:04:13,040 --> 00:04:16,880 Speaker 1: doing They did the whole podium tour when they were 75 00:04:16,880 --> 00:04:18,360 Speaker 1: doing their Netflix show and the books, and it was 76 00:04:18,800 --> 00:04:21,880 Speaker 1: a lot of a lot of them and that didn't land. 77 00:04:21,920 --> 00:04:25,159 Speaker 1: People didn't like them just going around and accepting awards 78 00:04:26,480 --> 00:04:30,880 Speaker 1: at podiums. And then what happened during the California fires 79 00:04:30,920 --> 00:04:34,520 Speaker 1: and also at another incident, was they showed up somewhere 80 00:04:35,160 --> 00:04:39,000 Speaker 1: to do charity, but it had the energy of showing 81 00:04:39,120 --> 00:04:43,320 Speaker 1: up as royals as like part of a royal duty, 82 00:04:43,480 --> 00:04:45,760 Speaker 1: like just it just had the energy of like Princess 83 00:04:45,760 --> 00:04:48,760 Speaker 1: Diana coming and showing up, but they're no longer royal. 84 00:04:48,880 --> 00:04:53,440 Speaker 1: So it's just not landing because there is a there 85 00:04:53,480 --> 00:04:57,720 Speaker 1: is a suspension of reality and there's a word I'm 86 00:04:57,720 --> 00:05:01,520 Speaker 1: looking for, a term I'm looking for, But the audience 87 00:05:01,839 --> 00:05:04,880 Speaker 1: is not so like let's say it's like someone from 88 00:05:04,920 --> 00:05:07,839 Speaker 1: Jersey Shore or Housewives, or even someone on TikTok who's 89 00:05:07,839 --> 00:05:11,799 Speaker 1: like you've watched become very successful. It could be Alex Cooper, 90 00:05:11,800 --> 00:05:13,400 Speaker 1: could be Alex or Oh, it could be anyone. You're 91 00:05:13,480 --> 00:05:16,320 Speaker 1: kind of watched the trajectory michaelaw the beauty influencer. You 92 00:05:16,400 --> 00:05:19,840 Speaker 1: understand how it happened, like you've watched what's gone on 93 00:05:19,880 --> 00:05:22,000 Speaker 1: in their journey and so you know how they landed here, 94 00:05:22,040 --> 00:05:39,480 Speaker 1: and it feels authentic. I think the problem that people 95 00:05:39,600 --> 00:05:43,600 Speaker 1: have with the Meghan and Harry fame and its identity 96 00:05:44,560 --> 00:05:48,760 Speaker 1: is they haven't really watched any sort of trajectory, Like 97 00:05:49,160 --> 00:05:53,000 Speaker 1: you saw that Meghan was a successful actress on a show, 98 00:05:53,240 --> 00:05:54,839 Speaker 1: or an actress that was on a show on a 99 00:05:54,880 --> 00:05:59,520 Speaker 1: successful show, and I guess she had a website and 100 00:06:00,920 --> 00:06:03,760 Speaker 1: was like a cute young girl. Then you saw her 101 00:06:04,160 --> 00:06:07,120 Speaker 1: as a royal and that made sense. It was like 102 00:06:07,160 --> 00:06:10,760 Speaker 1: a girl that came from you know, that life and 103 00:06:11,080 --> 00:06:15,760 Speaker 1: was really a fairy princess, like whisked into this life 104 00:06:16,000 --> 00:06:20,440 Speaker 1: so amazing, so interesting, and that track. Then them leaving 105 00:06:20,839 --> 00:06:24,240 Speaker 1: was just jarring for everyone, and it was abrupt, and 106 00:06:25,200 --> 00:06:29,200 Speaker 1: it didn't it didn't necessarily flow, and so you would 107 00:06:29,279 --> 00:06:31,719 Speaker 1: think they left that because they wanted some privacy, and 108 00:06:31,760 --> 00:06:34,520 Speaker 1: they didn't. And if they had just gone away and 109 00:06:34,560 --> 00:06:37,800 Speaker 1: been private for a while and re emerged with something new, 110 00:06:37,920 --> 00:06:39,680 Speaker 1: it would have made sense. But what happened was they 111 00:06:39,760 --> 00:06:41,840 Speaker 1: left and did a lot of press about it, and 112 00:06:41,880 --> 00:06:43,800 Speaker 1: we're talking about it. So it was like you're staying 113 00:06:44,800 --> 00:06:50,080 Speaker 1: in the fame lane, but like not with any actual merit, respectfully, 114 00:06:50,120 --> 00:06:57,400 Speaker 1: Like they weren't doing anything in that time to connect 115 00:06:57,720 --> 00:07:00,200 Speaker 1: the audience with the level of fame. It was like 116 00:07:00,800 --> 00:07:03,200 Speaker 1: you are famous because you are a royal, but now 117 00:07:03,200 --> 00:07:05,400 Speaker 1: you're over here in a different category, and no one 118 00:07:05,720 --> 00:07:08,839 Speaker 1: understands or trusts you in that category, respectfully. When I 119 00:07:08,839 --> 00:07:11,440 Speaker 1: started relief work, it took me a really long time 120 00:07:11,480 --> 00:07:13,720 Speaker 1: to get trust in that category because that wasn't where 121 00:07:13,760 --> 00:07:16,000 Speaker 1: I came from. And even a Jim Carrey when I 122 00:07:16,080 --> 00:07:20,640 Speaker 1: used to go from comedy to a serious role. People 123 00:07:20,800 --> 00:07:24,040 Speaker 1: don't buy it. They don't see you there. You have 124 00:07:24,120 --> 00:07:28,240 Speaker 1: to walk with them and then trust that process. And 125 00:07:28,320 --> 00:07:31,680 Speaker 1: so I feel like it took me a lot of 126 00:07:31,760 --> 00:07:36,400 Speaker 1: begging and working and establishing trust slowly to enter into 127 00:07:36,440 --> 00:07:40,800 Speaker 1: the philanthropic space to be a philanthropist that's credible and 128 00:07:40,840 --> 00:07:46,240 Speaker 1: build that brand. And people just don't trust Megan Markel 129 00:07:46,600 --> 00:07:49,520 Speaker 1: in this brand because we haven't seen what it took 130 00:07:49,520 --> 00:07:52,240 Speaker 1: to get there. So one day people just see a 131 00:07:52,280 --> 00:07:56,720 Speaker 1: glossy kitchen that looks perfect as if she's put in 132 00:07:56,760 --> 00:07:59,000 Speaker 1: the blood, sweat and tears that a Martha Stewart has, 133 00:07:59,760 --> 00:08:02,000 Speaker 1: or even to this point, I guess at Gwyneth Paltrow, 134 00:08:02,000 --> 00:08:04,559 Speaker 1: but we haven't seen her do that. So people resent 135 00:08:04,600 --> 00:08:06,200 Speaker 1: the fact that it's called you were just in the 136 00:08:06,280 --> 00:08:09,240 Speaker 1: royal family, and you were you know, you had fairy 137 00:08:09,320 --> 00:08:11,480 Speaker 1: dust sprinkled all over you to be famous. So you 138 00:08:11,520 --> 00:08:13,920 Speaker 1: get to come in here and decide that you want 139 00:08:13,960 --> 00:08:16,640 Speaker 1: to be the glossed over Martha Stewart. So people weren't 140 00:08:16,680 --> 00:08:21,440 Speaker 1: having it, and then she pivoted because people weren't having 141 00:08:21,480 --> 00:08:24,400 Speaker 1: it to be I'm real and I'm just in the 142 00:08:24,440 --> 00:08:27,600 Speaker 1: backyard with my chickens making jam, and I decided as 143 00:08:27,640 --> 00:08:29,640 Speaker 1: ever is the brand name because that's more authentic to 144 00:08:29,680 --> 00:08:32,960 Speaker 1: me versus I didn't get the intel the ip like 145 00:08:33,320 --> 00:08:36,520 Speaker 1: it just never really fully tracks for many people because 146 00:08:37,720 --> 00:08:40,000 Speaker 1: people weren't involved in the process and they didn't see 147 00:08:40,000 --> 00:08:43,240 Speaker 1: how it went down, and so there's a suspension of 148 00:08:43,320 --> 00:08:46,000 Speaker 1: reality because people just don't buy it. And it's not 149 00:08:46,120 --> 00:08:48,880 Speaker 1: shade or hate, it's just people want to see you 150 00:08:48,960 --> 00:08:53,000 Speaker 1: get somewhere by putting one foot in front of the 151 00:08:53,040 --> 00:08:57,760 Speaker 1: other to arrive at that destination. And it's like Maggie Markle, 152 00:08:57,800 --> 00:09:00,679 Speaker 1: It's like Candyland. You basically got that card and went 153 00:09:00,720 --> 00:09:03,200 Speaker 1: from the very beginning to the end, and that's that 154 00:09:03,240 --> 00:09:06,960 Speaker 1: does happen. But the people resent not seeing steps, so 155 00:09:07,000 --> 00:09:09,280 Speaker 1: they don't buy her at the end of the game, 156 00:09:09,840 --> 00:09:11,959 Speaker 1: and that's she's gonna have to go back and stitch 157 00:09:12,040 --> 00:09:17,280 Speaker 1: that together. And I've gotten into trouble for saying things 158 00:09:17,880 --> 00:09:23,960 Speaker 1: about her at the wrong time. And I said crime 159 00:09:24,040 --> 00:09:26,680 Speaker 1: a River right before the Oprah interview when she talked 160 00:09:26,679 --> 00:09:31,520 Speaker 1: about racism and contemplating suicide, and it certainly didn't land 161 00:09:31,520 --> 00:09:34,640 Speaker 1: because it seemed like I was not compassionate about her 162 00:09:34,679 --> 00:09:36,520 Speaker 1: plight or I didn't believe her or anything like that. 163 00:09:36,840 --> 00:09:40,480 Speaker 1: I think I just was like wow, to be thrust 164 00:09:40,480 --> 00:09:43,040 Speaker 1: into the Royal family and to just like eject so 165 00:09:43,200 --> 00:09:46,839 Speaker 1: quickly in that way. It was never the action, it's 166 00:09:46,880 --> 00:09:50,480 Speaker 1: like anything else. It was never the content, It was 167 00:09:50,520 --> 00:09:53,000 Speaker 1: the delivery. It was never you can want to leave 168 00:09:53,040 --> 00:09:55,280 Speaker 1: the Royal family. It was but how. It was never 169 00:09:55,760 --> 00:09:58,440 Speaker 1: you can do philanthropy or go up on a podium, 170 00:09:58,559 --> 00:10:01,360 Speaker 1: or launch a Netflix show or a book, or tell 171 00:10:01,360 --> 00:10:04,320 Speaker 1: the story. But how. The how is a b The 172 00:10:04,400 --> 00:10:06,839 Speaker 1: how is as important in any story as the why. 173 00:10:07,400 --> 00:10:10,720 Speaker 1: And I think that we understand why Meghan and Harry 174 00:10:10,760 --> 00:10:13,680 Speaker 1: are making the choices they're making. I think that I've 175 00:10:13,720 --> 00:10:17,280 Speaker 1: always questioned the how. I don't I think the people 176 00:10:17,360 --> 00:10:19,880 Speaker 1: in twenty twenty five are ill advised because it's a 177 00:10:19,920 --> 00:10:22,640 Speaker 1: new world order. And I think I've said this so 178 00:10:22,679 --> 00:10:25,920 Speaker 1: many times. J Lo has been ill advised because she 179 00:10:26,000 --> 00:10:31,640 Speaker 1: has representation from a former era. They don't work in 180 00:10:31,679 --> 00:10:35,160 Speaker 1: twenty twenty five. Not everybody is a crossover artist, and 181 00:10:35,200 --> 00:10:37,600 Speaker 1: Blake Lively found out the hard way, and so did 182 00:10:37,679 --> 00:10:40,840 Speaker 1: Ryan Reynolds, that traditional celebrity doesn't land and play the 183 00:10:40,880 --> 00:10:43,800 Speaker 1: same way in twenty twenty five, and the same representatives 184 00:10:43,800 --> 00:10:46,920 Speaker 1: giving the same advice doesn't land. You have to understand 185 00:10:46,960 --> 00:10:51,160 Speaker 1: what goes on now. And Meghan and Harry, she's a 186 00:10:51,160 --> 00:10:54,880 Speaker 1: traditional actress that went into a traditional royal family and 187 00:10:54,920 --> 00:10:58,600 Speaker 1: they're trying to now make that institutional knowledge work in 188 00:10:58,640 --> 00:11:02,200 Speaker 1: a non traditional twenty twenty and it really doesn't land 189 00:11:02,320 --> 00:11:06,080 Speaker 1: because they don't because they're ill advised. That's the truth. 190 00:11:06,640 --> 00:11:10,560 Speaker 1: I would love to advise all of these people. And 191 00:11:10,600 --> 00:11:13,839 Speaker 1: the reason I know that I would be good at 192 00:11:13,880 --> 00:11:19,840 Speaker 1: it is because representatives from all the teams that I've mentioned, 193 00:11:20,760 --> 00:11:25,079 Speaker 1: not Megan's, but have reached out to me because they 194 00:11:25,120 --> 00:11:29,040 Speaker 1: are nervous about my take end or they know that 195 00:11:29,080 --> 00:11:31,400 Speaker 1: I'm spot on and have asked people in common with me, 196 00:11:31,480 --> 00:11:33,680 Speaker 1: like what does she think we should do? Or why 197 00:11:33,720 --> 00:11:37,760 Speaker 1: is she saying this? Like I know that I'm onto 198 00:11:37,880 --> 00:11:42,600 Speaker 1: something with the way that I view these people's choices 199 00:11:43,160 --> 00:11:47,600 Speaker 1: in this new world. Even trumpa Milania are acting very different. 200 00:11:47,679 --> 00:11:51,760 Speaker 1: Even Jeff Bezos, Mark Zuckerberg, Elon Musk, They're all acting different. 201 00:11:51,840 --> 00:11:54,200 Speaker 1: It's twenty twenty five. It's very different. We are in 202 00:11:54,280 --> 00:12:14,640 Speaker 1: the upside down to the coster, to the conster, to 203 00:12:14,760 --> 00:12:15,600 Speaker 1: the Conster