WEBVTT -  The Complex and Thin Line Between Sound and Noise - Lab 104

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<v Speaker 1>TC.

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<v Speaker 2>You've been around, You've seen me live many places. Oh yes,

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<v Speaker 2>I move a lot, but nothing gets me up out

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<v Speaker 2>of there quicker than a noisy neighbor. I feel like

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<v Speaker 2>I'm so sensitive to it.

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<v Speaker 3>And you know, as soon as you tell me, you're like,

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<v Speaker 3>I can hear my neighbors. I'm like, oh, give her

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<v Speaker 3>three months, she's gonna be gone. She just needs to

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<v Speaker 3>find a place. She's gonna be out of there. My friend,

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<v Speaker 3>uh uh, those ears are sensitive. She don't want to

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<v Speaker 3>hear none of it. She's not gonna be like, oh,

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<v Speaker 3>you shouldn't be doing nothing. But she's like, if I

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<v Speaker 3>can find quiet her neighbor, I will opt for that.

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<v Speaker 2>I'm gonna opt for it. I know I have a

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<v Speaker 2>little sensitivity, but I also know I'm not alone. There's

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<v Speaker 2>plenty of memes, but people are like the moon walking upstairs,

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<v Speaker 2>or they're a town stomping or like next door. I'm like,

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<v Speaker 2>they have to be playing soccer, they must be preparing

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<v Speaker 2>for the World Cup.

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<v Speaker 4>What is it?

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<v Speaker 5>What's going on?

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<v Speaker 3>Oh my gosh, I'm TT and I'm Zakiyah And this

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<v Speaker 3>is Dope Labs. Welcome to Dope Labs, a weekly podcast

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<v Speaker 3>that mixes hardcore science with pop culture and a healthy

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<v Speaker 3>dose of friendship. All right, we know I'm not alone

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<v Speaker 3>when it comes to the noise and just sound in general.

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<v Speaker 1>M h.

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<v Speaker 3>You know, and I think that we also know that

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<v Speaker 3>not all noises created equal. There's some noise that you

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<v Speaker 3>can live with where it's like, Okay, my washing machine

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<v Speaker 3>is loud, but it's fine. But then there are other

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<v Speaker 3>noises where it's like, uh uh, I can't build this

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<v Speaker 3>at all, Like nails on a chalkboard.

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<v Speaker 2>My equivalent of nails on a chalkboard is people playing

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<v Speaker 2>YouTube videos and stuff on speakerphone, Like why does it

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<v Speaker 2>sound so different than if it were coming from real speakers.

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<v Speaker 3>I'm just like, why do you think all of us

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<v Speaker 3>want to hear what you're doing? Just like people have

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<v Speaker 3>physical space bubbles, I feel like we should also be

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<v Speaker 3>considering people's sound bubbles. Yes, I'll be trying to be quiet,

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<v Speaker 3>like I'm like, I don't want to be intruding on

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<v Speaker 3>people's ears.

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<v Speaker 4>I don't know.

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<v Speaker 2>Yes, I was also raised with parents that said shush.

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<v Speaker 2>It feels like nobody ever told some of y'all to

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<v Speaker 2>shush listen.

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<v Speaker 3>We used to be a country. We used to shush

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<v Speaker 3>people all the time. Now everybody's just running rampant. So

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<v Speaker 3>considering all of that, what do we want to know?

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<v Speaker 3>I want to know what makes a sound a noise?

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<v Speaker 4>Do you know what I mean?

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<v Speaker 3>Yeah, Like, it's not just sound anymore exactly, it's a

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<v Speaker 3>nuisance exactly. And it feels like there's a thin line

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<v Speaker 3>between what makes the difference between the two. So I

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<v Speaker 3>want to know where that line is.

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<v Speaker 2>I want to know more about not just how we

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<v Speaker 2>categorize the sounds, but like the intensity of it, So

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<v Speaker 2>more about volume, you know. I know Apple had that

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<v Speaker 2>thing on the phone that's like, yeah, you could set

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<v Speaker 2>up and it'll tell you or your Apple Watch it

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<v Speaker 2>will be like loud noise. I used to do it

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<v Speaker 2>in the shower, and so I'm like, when can a sound?

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<v Speaker 2>And I was like, is that just the sound of

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<v Speaker 2>the water that is that dangerous for me?

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<v Speaker 3>And mine would do it every time I laughed, which

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<v Speaker 3>I felt like was offensive or acuri.

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<v Speaker 5>I don't know, you could choose.

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<v Speaker 2>But what decibels do we need to be looking out

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<v Speaker 2>for or is it just decibels?

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<v Speaker 5>Is decibels what.

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<v Speaker 4>We should be checking?

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<v Speaker 3>You know? I feel like prolonged exposure to noise can

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<v Speaker 3>drive someone nuts like my friend, but is it deeper

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<v Speaker 3>than that, Like can a long exposure to noise have

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<v Speaker 3>other effects on us?

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<v Speaker 5>Let's jump into the dissection.

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<v Speaker 2>Okay, so today we're talking to someone who has brought

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<v Speaker 2>the conversation about noise front and center, and they've done

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<v Speaker 2>that in a way that challenges some long held assumptions.

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<v Speaker 2>We're joined by Chris Burdick, author of Clamor How the

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<v Speaker 2>Noise took Over the World and How We Can Take

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<v Speaker 2>It Back.

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<v Speaker 3>And this book really had a side eye everything. They're

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<v Speaker 3>doing construction two houses down for me, and we want

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<v Speaker 3>to figure out how our brains brace for sound. It's

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<v Speaker 3>part science, part history, and all real life implications.

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<v Speaker 4>Chris, Welcome to the lab.

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<v Speaker 1>Thank you guys so much for having me.

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<v Speaker 5>All Right, I'm excited to talk to you.

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<v Speaker 2>Okay, because you called noise a major public health threat,

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<v Speaker 2>and that's a strong claim, but I am in agreement

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<v Speaker 2>because I feel like I hear.

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<v Speaker 4>Noise that other people don't very sensitive and I'm like,

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<v Speaker 4>what is that?

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<v Speaker 5>What did you hear that?

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<v Speaker 4>Low hum?

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<v Speaker 2>And I think before we even get into the effects

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<v Speaker 2>of it, I want to say define for our audience

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<v Speaker 2>what counts as noise because it's not just as you

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<v Speaker 2>say in your book, is more than unwanted sound. Help

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<v Speaker 2>us understand what noise is.

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<v Speaker 1>It's very tricky to define it.

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<v Speaker 6>And one new definition that has come up that I

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<v Speaker 6>kind of like was put out by the American Public

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<v Speaker 6>Health Association in twenty twenty one, and they said noise

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<v Speaker 6>should be defined and as unwanted and or harmful sound.

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<v Speaker 6>And so they were saying what has been known but

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<v Speaker 6>has been overlooked, is that whether or not you love

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<v Speaker 6>the sound that you're listening to at ninety five decibels

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<v Speaker 6>in your AirPods, it's going to cause damage to your

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<v Speaker 6>inner ear. You know, you have interruptions of sleep that

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<v Speaker 6>you are not aware of from noise from roads and

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<v Speaker 6>airplanes and et cetera. And that does not require you

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<v Speaker 6>to not want the sound. It just happens. So there's

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<v Speaker 6>all sorts of ways that noise can affect us. It

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<v Speaker 6>is a subjective thing, but there are many many ways

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<v Speaker 6>that go beyond the sort of simplified way that we've

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<v Speaker 6>traditionally defined it.

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<v Speaker 2>So you mentioned ninety five decibels, and I want to

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<v Speaker 2>give some context for folks. So around ten decibels is

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<v Speaker 2>the level of like normal breathing. We go up from

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<v Speaker 2>their thirty decibels. That's a whisper, and both of those

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<v Speaker 2>are designated as like safe noise levels. On the other

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<v Speaker 2>end of that range is like a police siren and

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<v Speaker 2>that's around eighty decibels, and that is designated as loud.

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<v Speaker 2>Now ninety to one hundred and ten, that's considered very

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<v Speaker 2>loud and dangerous if you were exposed to it for

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<v Speaker 2>longer than thirty minutes. And so that's stuff like power tools, blenders,

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<v Speaker 2>anybody has a ninja creamy, I know you know what

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<v Speaker 2>I'm talking about. And like nightclubs, so you really only

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<v Speaker 2>need to be in the club for thirty minutes, get

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<v Speaker 2>you a couple dances, and get out there.

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<v Speaker 4>It was free before midnight.

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<v Speaker 2>Just go there thirty minutes, get out out, and then

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<v Speaker 2>one to one hundred and forty decibels that's dangerous noise

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<v Speaker 2>levels and that's painful. So that's concerts, fireworks, gunshots, jackhammers, ambulances.

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<v Speaker 2>This tracks for me because the last time I was

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<v Speaker 2>at a concert, I was like, oh, I need ear plugs,

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<v Speaker 2>I needed things. I need to open the ear things

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<v Speaker 2>they put on the babies for safety.

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<v Speaker 3>So also in Clamor, you challenge the classic definition and

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<v Speaker 3>you make the case that it's not always about volume,

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<v Speaker 3>it's about contacts and perception. And so just like the

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<v Speaker 3>cure saying, where I will be in her house and

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<v Speaker 3>she'd be like, do you hear that?

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<v Speaker 4>It's driving me nuts? And I'm like, is it me talking?

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<v Speaker 3>And she'd be like, no, my neighbors. Can't you hear them?

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<v Speaker 3>It sounds like they're they're moving something slim.

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<v Speaker 5>And cabinets, we're back is something.

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<v Speaker 3>I don't hear a thing, and so I don't feel

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<v Speaker 3>like I notice those types of frequencies. Can you break

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<v Speaker 3>down how quieter sounds can still cause harm or distraction?

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<v Speaker 3>And why do we underestimate noise as a population.

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<v Speaker 6>Our hearing is a defensive sensory system first and foremost.

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<v Speaker 6>If you think about when we go to sleep, we

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<v Speaker 6>shut down for the night, our eyes close, but your

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<v Speaker 6>ears stay awake. Your ears are still attuned. And then

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<v Speaker 6>what they're looking for are signals. They're looking for anything

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<v Speaker 6>that is a potential danger to you, and we have

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<v Speaker 6>no idea what the dangers might be, so we are

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<v Speaker 6>constantly kind of what the sleep research is called having

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<v Speaker 6>these awakenings, so periods of time when our resting heart

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<v Speaker 6>rate raises up, our blood pressure goes back up to normal.

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<v Speaker 6>These happen about twenty to twenty five times a night

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<v Speaker 6>in a normal night's sleep. The problem happens when sound

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<v Speaker 6>that the research says starts around forty five decibels. When

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<v Speaker 6>that kind of sound is in your bedroom, it can

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<v Speaker 6>start to increase the number of awakenings that you have.

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<v Speaker 6>This can lead to a chronic triggering of a stress

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<v Speaker 6>reaction has all of the same cascading impacts that kind

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<v Speaker 6>of a chronic stress has and lead to those sorts

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<v Speaker 6>of things. So that's one way when you're awake, the

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<v Speaker 6>same things happen with Say you're in an office space

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<v Speaker 6>and you're trying to get your work done and your

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<v Speaker 6>coworkers are chattering on their cell phones with their friends

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<v Speaker 6>about their weekends or something like that. This is something

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<v Speaker 6>that's not pticularly loud, but because you can understand them

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<v Speaker 6>and your brain is looking for those signals, and so

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<v Speaker 6>your focus has diverted, your ability to do your work

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<v Speaker 6>is stymied, and this causes again stress. People who have

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<v Speaker 6>done the lab work on this show how when people

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<v Speaker 6>are trying to do these cognitive tasks and they're being

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<v Speaker 6>interrupted by noise, then their cortisol levels go up and

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<v Speaker 6>their stress reactions go up.

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<v Speaker 5>That means my cortisol is through the roof.

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<v Speaker 4>Yes.

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<v Speaker 2>Now, when you gave that example, Chris, of being in

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<v Speaker 2>office and hearing other people chatter, I feel that way

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<v Speaker 2>about when people are playing like their phones or watching

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<v Speaker 2>videos on speaker and you can hear it because it's

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<v Speaker 2>like a high pitch. Do you know what I'm saying?

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<v Speaker 2>I read rather if it was like musaic or something

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<v Speaker 2>that I can't pick up every now and then I

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<v Speaker 2>hear the words and I'm like, what is it?

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<v Speaker 5>I hate it?

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<v Speaker 1>Well, that's the thing I wrote about restaurant noise.

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<v Speaker 6>So there's a there's one issue there where in the

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<v Speaker 6>nineteen nineties they that they wanted to get rid of

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<v Speaker 6>all the upholstery and all the carpets and got this

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<v Speaker 6>new modern industrial look with all kinds of hard surfaces everywhere,

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<v Speaker 6>which allowed every sound to reverberate and endlessly bounce. And

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<v Speaker 6>then you brought the kitchen in from where it was

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<v Speaker 6>and put it in the middle of everybody, and then

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<v Speaker 6>you had cranking up the music so this creates a

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<v Speaker 6>cacophony that people have a real hard time having conversations in.

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<v Speaker 6>But on the flip side, have you ever eaten in

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<v Speaker 6>a restaurant that's too quiet where you hear everybody's slurping

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<v Speaker 6>their soup next to you and you can hear everybody's

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<v Speaker 6>you know, everyone has to like whisper and they're kind

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<v Speaker 6>of afraid to talk. It's excruciating. And so there's a

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<v Speaker 6>level at which having sound as a background, when you

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<v Speaker 6>can't distinguish and it's not intelligible, is a benefit to

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<v Speaker 6>your ability to focus and have conversations or do your work.

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<v Speaker 2>Now, I think we're talking about sound and noise as

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<v Speaker 2>a nuisance, but in your book you talk about noise

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<v Speaker 2>being weaponized, and I'm curious about, like, what's one of

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<v Speaker 2>the wildest examples you came across while researching this.

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<v Speaker 6>So well, the wildest one was a French I think

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<v Speaker 6>it might have been Russian originally, that he was living

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<v Speaker 6>in Marseille and he was a rogue scientist at this

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<v Speaker 6>lab where he was trying to use infrasound, which is

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<v Speaker 6>sound that's below our ability to hear. It's really low frequency,

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<v Speaker 6>and he was trying to use that to essentially kill people.

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<v Speaker 1>I mean, oh, what like.

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<v Speaker 3>The ear did kind of Okay, So let's talk about

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<v Speaker 3>frequency before we get into this death sound. So sound

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<v Speaker 3>is all about vibrations, and they're invisible waves that travel

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<v Speaker 3>through the air, water, and solids. And frequency is how

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<v Speaker 3>many of those vibrations happen in a given amount of time,

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<v Speaker 3>and that's measured and hurts. And the faster the vibrations,

0:12:01.840 --> 0:12:04.440
<v Speaker 3>the higher the frequency. And that's when we hear a

0:12:04.520 --> 0:12:07.360
<v Speaker 3>high pitch sound like a whistle. And on the other

0:12:07.400 --> 0:12:11.040
<v Speaker 3>side of that, when vibrations are slower, like the deep

0:12:11.400 --> 0:12:15.200
<v Speaker 3>banging of a drum, we hear a lower pitch. So,

0:12:15.360 --> 0:12:18.360
<v Speaker 3>in essence, frequency and pitch are two sides of the

0:12:18.360 --> 0:12:22.520
<v Speaker 3>same coin. Fast vibrations create a high pitch and slow

0:12:22.720 --> 0:12:27.240
<v Speaker 3>vibrations create low pitch. Okay, So Chris, let's continue with

0:12:27.280 --> 0:12:29.600
<v Speaker 3>the death sound machine that they were trying to make.

0:12:29.840 --> 0:12:34.560
<v Speaker 6>He created this giant whistle essentially that blasted out in

0:12:34.679 --> 0:12:38.120
<v Speaker 6>for sound at t one hundred and sixty decibels or

0:12:38.160 --> 0:12:42.280
<v Speaker 6>something like that, so very intense but very low frequency.

0:12:43.000 --> 0:12:47.200
<v Speaker 6>The problem was he just he didn't kill anybody. The

0:12:47.320 --> 0:12:49.160
<v Speaker 6>body is too compost the problem.

0:12:52.160 --> 0:12:53.839
<v Speaker 4>Okay, this is getting a little dark.

0:12:55.800 --> 0:12:58.200
<v Speaker 1>The problem for his theory.

0:12:57.040 --> 0:12:58.960
<v Speaker 4>Okay, with you, I'm with you.

0:13:01.920 --> 0:13:05.720
<v Speaker 3>And with such a low frequency, that sound wave is

0:13:05.840 --> 0:13:09.480
<v Speaker 3>like really big, you know, and it would be really

0:13:09.520 --> 0:13:12.199
<v Speaker 3>hard to actually hit a person with a sound wave

0:13:12.240 --> 0:13:15.480
<v Speaker 3>that is that big. It's like trying to hit a

0:13:15.480 --> 0:13:19.120
<v Speaker 3>fly with a jump rope, you know, Like if you're

0:13:19.160 --> 0:13:22.760
<v Speaker 3>like flinging that jump rope up and down to create waves,

0:13:22.840 --> 0:13:26.600
<v Speaker 3>like the chances of you hitting the fly is yeah,

0:13:26.760 --> 0:13:27.760
<v Speaker 3>slim to none.

0:13:28.160 --> 0:13:30.600
<v Speaker 6>So the idea being, if you're going to try to

0:13:30.600 --> 0:13:34.280
<v Speaker 6>harness that much power to hurt somebody, there's a lot

0:13:34.320 --> 0:13:37.720
<v Speaker 6>easier ways than trying to aim some kind of infrasound

0:13:37.800 --> 0:13:42.959
<v Speaker 6>gun at them. In general, the sound weapons that are

0:13:43.000 --> 0:13:46.520
<v Speaker 6>actually working and are out there are based on loudness.

0:13:46.920 --> 0:13:50.839
<v Speaker 6>They're based on just blowing your ears out, which has

0:13:50.880 --> 0:13:56.679
<v Speaker 6>some serious long term irreversible damage. These things were developed

0:13:56.679 --> 0:13:58.920
<v Speaker 6>by the Navy. They're called the l RAD, which is

0:13:58.960 --> 0:14:03.280
<v Speaker 6>the long Range Acoustic Device, and they have subsequently been

0:14:03.400 --> 0:14:08.640
<v Speaker 6>used by law enforcement, and that's been very controversial because,

0:14:08.720 --> 0:14:11.319
<v Speaker 6>like I said, when you get hit by a sound

0:14:11.320 --> 0:14:14.480
<v Speaker 6>that loud and it damages your inner ear, you don't

0:14:14.480 --> 0:14:17.560
<v Speaker 6>get that back. So it's as a crowd control measure.

0:14:17.600 --> 0:14:21.720
<v Speaker 6>It's controversial depending on how it's used. How powerful.

0:14:21.840 --> 0:14:24.240
<v Speaker 3>Yeah, Oh my goodness, I don't think I knew that.

0:14:24.480 --> 0:14:27.640
<v Speaker 3>I did not know that that's still in use today.

0:14:27.560 --> 0:14:32.080
<v Speaker 6>Or protests in New York of it was a police

0:14:32.120 --> 0:14:35.440
<v Speaker 6>brutality case that was that people were protesting and they

0:14:35.480 --> 0:14:38.720
<v Speaker 6>came out with this l rad device and they blasted

0:14:38.720 --> 0:14:41.280
<v Speaker 6>at people. They were holding it right at them. There

0:14:41.320 --> 0:14:44.680
<v Speaker 6>was a lawsuit where the defense was saying that the

0:14:45.280 --> 0:14:48.360
<v Speaker 6>police department was saying sound noise is not a use

0:14:48.360 --> 0:14:51.240
<v Speaker 6>of force, but of course it is.

0:14:51.360 --> 0:14:51.720
<v Speaker 4>It is.

0:14:52.200 --> 0:14:56.480
<v Speaker 6>It is okay, So the ruling came down that they

0:14:56.520 --> 0:15:00.640
<v Speaker 6>settled it. Basically, they're allowed to use this advice now

0:15:01.080 --> 0:15:05.440
<v Speaker 6>to sort of broadcast that please disperse commands, but they're

0:15:05.440 --> 0:15:08.720
<v Speaker 6>not allowed to use what's called the deterrent tone, which

0:15:08.760 --> 0:15:13.880
<v Speaker 6>is the super high intensity pain causing decibel tone. That's

0:15:13.880 --> 0:15:16.480
<v Speaker 6>where things stand. They're still in the arsenal right.

0:15:16.800 --> 0:15:35.040
<v Speaker 3>Wow, I think this is a great transition into the biology.

0:15:35.360 --> 0:15:39.200
<v Speaker 3>You just talked about the extreme effects of really really

0:15:39.240 --> 0:15:42.960
<v Speaker 3>loud sound, But how does chronic noise affect our bodies

0:15:43.320 --> 0:15:45.560
<v Speaker 3>like sleep, heart, and stress?

0:15:45.960 --> 0:15:49.000
<v Speaker 6>The stress response in an acute way is a potential

0:15:49.040 --> 0:15:52.400
<v Speaker 6>benefit to us. This is something that when you have

0:15:52.600 --> 0:15:56.080
<v Speaker 6>a response, you have this inflammatory response where you know,

0:15:56.120 --> 0:16:00.560
<v Speaker 6>white blood cells and other disease fighting cells come rushing out.

0:16:00.600 --> 0:16:04.240
<v Speaker 6>When you have this stress response, just in case you

0:16:04.240 --> 0:16:07.440
<v Speaker 6>know you're about to get bit by a sabertooth tiger

0:16:07.520 --> 0:16:10.160
<v Speaker 6>or something like that, you need to have that wound

0:16:10.400 --> 0:16:15.880
<v Speaker 6>healing quickly. But like any stress response, when it becomes chronic,

0:16:15.880 --> 0:16:19.080
<v Speaker 6>when you have so much inflammation coming all the time,

0:16:19.880 --> 0:16:24.840
<v Speaker 6>your arteries get clogged, you have a dysregulation in terms

0:16:24.880 --> 0:16:28.280
<v Speaker 6>of hormones. Your stress hormones are all out of whack. Basically,

0:16:28.560 --> 0:16:31.720
<v Speaker 6>stress in a chronic way, no matter what the source,

0:16:31.840 --> 0:16:33.400
<v Speaker 6>is a toxic thing.

0:16:34.040 --> 0:16:34.560
<v Speaker 1>There was a.

0:16:34.480 --> 0:16:39.840
<v Speaker 6>Study out of mass General Hospital that was doing pet scans,

0:16:39.880 --> 0:16:43.480
<v Speaker 6>full body pet scans of people who had cancer and

0:16:43.520 --> 0:16:46.560
<v Speaker 6>so they were coming back periodically to have to be

0:16:46.680 --> 0:16:49.560
<v Speaker 6>checked to see, you know, if they still had you know,

0:16:49.640 --> 0:16:53.320
<v Speaker 6>we're still in remission. And so they did these pet scans,

0:16:53.360 --> 0:16:57.320
<v Speaker 6>and so these cardiologists looked at the data of seven

0:16:57.440 --> 0:17:00.560
<v Speaker 6>or ten years of these pet scans, and they looked

0:17:00.560 --> 0:17:03.920
<v Speaker 6>at where these folks lived, and they decided they sort

0:17:03.920 --> 0:17:08.080
<v Speaker 6>of categorized them as being in they were stressed exposed

0:17:08.160 --> 0:17:10.679
<v Speaker 6>or not stress exposed. If they lived in an area

0:17:10.760 --> 0:17:15.080
<v Speaker 6>that was high noise exposure based on the modeling of

0:17:15.520 --> 0:17:19.680
<v Speaker 6>nearby roads or overflights and transportation noise, they were stress exposed.

0:17:20.440 --> 0:17:23.359
<v Speaker 6>It's part of the kind of stress soup. And I

0:17:23.400 --> 0:17:26.280
<v Speaker 6>often think about a lot of the non auditory noise

0:17:26.320 --> 0:17:29.560
<v Speaker 6>that we have to deal with now that's also stressing

0:17:29.640 --> 0:17:33.439
<v Speaker 6>us out. All of the overstuffed email in boxes, and

0:17:33.520 --> 0:17:35.760
<v Speaker 6>we can't get away from the pings and dings of

0:17:35.800 --> 0:17:38.520
<v Speaker 6>our phones because people are constantly trying to reach us,

0:17:39.080 --> 0:17:42.479
<v Speaker 6>and then we are scrolling through our social media and

0:17:43.320 --> 0:17:46.359
<v Speaker 6>that's stressing people out. I think it's of a piece

0:17:46.800 --> 0:17:50.960
<v Speaker 6>that is weighing on our cognition and on our focus

0:17:51.080 --> 0:17:54.399
<v Speaker 6>and on our I don't know, peace of mind, for

0:17:54.480 --> 0:17:56.720
<v Speaker 6>lack of a better term.

0:17:57.280 --> 0:18:00.720
<v Speaker 2>We've talked about this a little bit. T T and

0:18:00.760 --> 0:18:04.080
<v Speaker 2>I did this kind of web campaign that was about

0:18:04.160 --> 0:18:06.920
<v Speaker 2>looking up from your phone. Just because we get tied

0:18:06.960 --> 0:18:11.000
<v Speaker 2>in this loop of scrolling and seeing notifications. I have

0:18:11.119 --> 0:18:13.280
<v Speaker 2>moved to like putting my phone and focus mode where

0:18:13.280 --> 0:18:15.040
<v Speaker 2>I don't even see the badges that show up on

0:18:15.040 --> 0:18:17.560
<v Speaker 2>the apps. I don't even want to see them anymore,

0:18:17.840 --> 0:18:20.000
<v Speaker 2>you know, because I think those kind of things just

0:18:20.080 --> 0:18:22.199
<v Speaker 2>build up a little bit of stress and every now then,

0:18:22.400 --> 0:18:24.359
<v Speaker 2>like especially when you start your morning with that kind

0:18:24.440 --> 0:18:27.720
<v Speaker 2>of activity, it sets the tone for the entire day.

0:18:28.320 --> 0:18:31.280
<v Speaker 2>And you know, I was going to ask you to

0:18:31.320 --> 0:18:36.880
<v Speaker 2>help me understand how anticipating noise, you know, could affect us.

0:18:37.320 --> 0:18:41.080
<v Speaker 2>But once you define noise as unwanted signal, then it

0:18:41.160 --> 0:18:45.080
<v Speaker 2>became very clear. Because I was thinking, I can anticipate, Oh,

0:18:45.080 --> 0:18:47.080
<v Speaker 2>there's gonna be so many emails, or oh I I

0:18:47.119 --> 0:18:49.240
<v Speaker 2>have this project, have so much stuff to do, they're

0:18:49.240 --> 0:18:52.200
<v Speaker 2>gonna message me. Yes, you ever wake up a few

0:18:52.240 --> 0:18:53.119
<v Speaker 2>minutes before.

0:18:55.000 --> 0:18:59.199
<v Speaker 3>Or when somebody's ring tone is your alarm sound the

0:18:59.359 --> 0:19:02.080
<v Speaker 3>amount of stressed or even like, oh you have a

0:19:02.119 --> 0:19:05.800
<v Speaker 3>meeting coming in fifteen minutes, that sound, Oh my gosh.

0:19:05.920 --> 0:19:08.400
<v Speaker 4>It stresses me out every.

0:19:08.200 --> 0:19:11.640
<v Speaker 6>Time I put my phone on silent, and I get

0:19:11.640 --> 0:19:14.119
<v Speaker 6>in trouble for it because I miss all the calls

0:19:14.119 --> 0:19:15.879
<v Speaker 6>from my wife and my kids are like trying to

0:19:15.880 --> 0:19:16.199
<v Speaker 6>get me.

0:19:18.600 --> 0:19:19.440
<v Speaker 1>But it's worth it.

0:19:20.400 --> 0:19:22.399
<v Speaker 4>You're not stressed out. They are because they can't get

0:19:22.480 --> 0:19:23.040
<v Speaker 4>in touch me.

0:19:23.280 --> 0:19:23.720
<v Speaker 1>That's right.

0:19:24.520 --> 0:19:27.760
<v Speaker 5>My court is all is low.

0:19:28.640 --> 0:19:30.199
<v Speaker 4>I love that that's so funny.

0:19:31.040 --> 0:19:35.640
<v Speaker 2>I think we're talking about silencing our devices, getting rid

0:19:35.720 --> 0:19:38.280
<v Speaker 2>of some of the noise. This also makes me think

0:19:38.320 --> 0:19:41.560
<v Speaker 2>about this concept. There's this book about like your address

0:19:41.640 --> 0:19:44.800
<v Speaker 2>or zip code, and it talks about how almost it's

0:19:44.840 --> 0:19:47.840
<v Speaker 2>almost like destiny of sorts, where you live in your

0:19:47.920 --> 0:19:51.600
<v Speaker 2>exposure to yes, chemical and ear pollutants, but sound as well,

0:19:51.640 --> 0:19:55.040
<v Speaker 2>like you're talking about. And I think it makes me

0:19:55.320 --> 0:19:59.280
<v Speaker 2>think about is silence always the goal or are there

0:19:59.359 --> 0:20:01.240
<v Speaker 2>other types of sounds that are good for us? Because

0:20:01.280 --> 0:20:04.320
<v Speaker 2>we had a listener Linda who sent me a message

0:20:04.480 --> 0:20:08.119
<v Speaker 2>asked about sound baths and healing and so can sound

0:20:08.160 --> 0:20:09.760
<v Speaker 2>be restorative in a way?

0:20:10.119 --> 0:20:13.600
<v Speaker 6>Yes, And I'm glad you asked that because another thing

0:20:13.720 --> 0:20:17.119
<v Speaker 6>that when I started writing this book, when the pandemic

0:20:17.200 --> 0:20:19.879
<v Speaker 6>really came down on us, I had to cancel all

0:20:19.920 --> 0:20:21.800
<v Speaker 6>the reporting I had planned, and everything had to be

0:20:21.840 --> 0:20:24.720
<v Speaker 6>stopped for a while. But beyond that, I was kind

0:20:24.760 --> 0:20:27.919
<v Speaker 6>of struck by all of a sudden, the cities were

0:20:27.960 --> 0:20:30.800
<v Speaker 6>emptying out, and businesses were shutting down, and people weren't

0:20:30.840 --> 0:20:33.760
<v Speaker 6>going to school and nobody was getting together. And when

0:20:33.920 --> 0:20:37.800
<v Speaker 6>people measured this different cities, they found a four to

0:20:37.880 --> 0:20:42.800
<v Speaker 6>six decibel drop during the height of the COVID, and

0:20:43.320 --> 0:20:46.679
<v Speaker 6>people had a lot of I had mixed feelings about it,

0:20:46.720 --> 0:20:48.400
<v Speaker 6>of course, it was sort of like, yeah, I love

0:20:48.440 --> 0:20:49.320
<v Speaker 6>hearing the birds.

0:20:49.359 --> 0:20:50.160
<v Speaker 1>That's great.

0:20:50.720 --> 0:20:54.120
<v Speaker 6>I do find some solace in that amidst all this insanity.

0:20:55.320 --> 0:21:00.560
<v Speaker 6>But you can't escape the context that this quiet world

0:21:01.240 --> 0:21:05.399
<v Speaker 6>stems from people losing their livelihoods, people losing their lives, people,

0:21:05.560 --> 0:21:09.199
<v Speaker 6>you know, over trauma, a huge amount of trauma. And

0:21:09.240 --> 0:21:12.720
<v Speaker 6>so I started thinking about what do we really want

0:21:13.040 --> 0:21:17.280
<v Speaker 6>when we're fighting noise? What is the kind of goal here?

0:21:17.400 --> 0:21:20.560
<v Speaker 6>Is it just quiet? Because we had quiet? And I

0:21:20.920 --> 0:21:23.680
<v Speaker 6>don't know if that's really what we wanted. There are

0:21:23.680 --> 0:21:28.160
<v Speaker 6>so many ways that sound can be our ally, and

0:21:29.320 --> 0:21:32.440
<v Speaker 6>when we think about it, especially when we think about

0:21:32.440 --> 0:21:37.160
<v Speaker 6>it proactively, and we're not just what I call whack

0:21:37.200 --> 0:21:41.880
<v Speaker 6>a molling decibels. Quiet is not the only worthwhile sonic goal,

0:21:42.280 --> 0:21:43.639
<v Speaker 6>and silence certainly is not.

0:21:44.600 --> 0:21:47.479
<v Speaker 3>Are there long term of differences and people who grow

0:21:47.520 --> 0:21:49.800
<v Speaker 3>up around a lot of noise versus people who don't.

0:21:50.359 --> 0:21:52.160
<v Speaker 3>But then when I think of that question, I think

0:21:52.200 --> 0:21:56.080
<v Speaker 3>of the demographics of people who are most likely going

0:21:56.160 --> 0:21:59.800
<v Speaker 3>to be in louder environments. There was someone who wrote

0:21:59.840 --> 0:22:05.600
<v Speaker 3>that the sound of gentrification is silence. So wealthier people

0:22:05.720 --> 0:22:10.359
<v Speaker 3>weaponize noise ordinances to turn down vibrant cultures, particularly in

0:22:10.440 --> 0:22:12.400
<v Speaker 3>areas undergoing rapid gentrification.

0:22:13.160 --> 0:22:14.040
<v Speaker 4>Can you talk.

0:22:13.840 --> 0:22:18.840
<v Speaker 3>About how silence is weaponized and then the effects of

0:22:19.119 --> 0:22:22.040
<v Speaker 3>silence versus noise on different populations.

0:22:22.520 --> 0:22:26.639
<v Speaker 6>First of all, I think two things can be true.

0:22:27.000 --> 0:22:32.879
<v Speaker 6>I think our interpretation of sound and what we designate

0:22:33.080 --> 0:22:41.000
<v Speaker 6>noise versus sound is absolutely impacted by our personal histories,

0:22:41.200 --> 0:22:44.560
<v Speaker 6>our cultural backgrounds, our mood, what have you.

0:22:44.960 --> 0:22:46.359
<v Speaker 1>That matters a lot.

0:22:46.440 --> 0:22:48.439
<v Speaker 6>I don't know that everybody who grew up in a

0:22:48.480 --> 0:22:51.560
<v Speaker 6>city feels the same way about sound, or I would

0:22:51.600 --> 0:22:54.640
<v Speaker 6>certainly not say that everybody belonging to any particular ethnic

0:22:54.680 --> 0:22:57.919
<v Speaker 6>groups thinks the same way about sound. But those things

0:22:57.960 --> 0:23:02.440
<v Speaker 6>do matter a lot, and it's true in the same

0:23:02.560 --> 0:23:08.359
<v Speaker 6>vein that noise ordinances and anti noise campaigns throughout history

0:23:08.480 --> 0:23:14.440
<v Speaker 6>have been used to target the particular noise makers, not

0:23:14.520 --> 0:23:17.760
<v Speaker 6>just the sounds themselves, just to people that if you

0:23:17.800 --> 0:23:21.000
<v Speaker 6>were in Victorian England, you have all these immigrants coming

0:23:21.040 --> 0:23:24.040
<v Speaker 6>from southern Europe working in the factories there, and then

0:23:24.160 --> 0:23:27.400
<v Speaker 6>they were the targets of the anti noise or ordinances

0:23:27.640 --> 0:23:31.800
<v Speaker 6>and when you have gentrification, noise complaints go up and

0:23:31.960 --> 0:23:34.760
<v Speaker 6>they correlate with that change in.

0:23:34.720 --> 0:23:38.000
<v Speaker 1>The neighborhood as well. And I know that there is

0:23:38.400 --> 0:23:38.879
<v Speaker 1>I think there were.

0:23:38.920 --> 0:23:42.680
<v Speaker 6>In the eighties, there was an anti noise campaign. There

0:23:42.720 --> 0:23:47.560
<v Speaker 6>was ostensibly just about amplified music in public, but it

0:23:47.640 --> 0:23:51.800
<v Speaker 6>basically used to target black youth with boomboxes.

0:24:05.560 --> 0:24:06.040
<v Speaker 5>It's the key.

0:24:06.040 --> 0:24:08.320
<v Speaker 3>I don't know if you remember, but I talked to

0:24:08.359 --> 0:24:10.520
<v Speaker 3>you about this because I used to live in DC

0:24:10.720 --> 0:24:15.360
<v Speaker 3>proper in Shaw and there was a store that had

0:24:15.400 --> 0:24:17.760
<v Speaker 3>a speaker outside of it that played Go Go music

0:24:18.320 --> 0:24:20.720
<v Speaker 3>and every day it was blast and it was loud,

0:24:20.760 --> 0:24:23.439
<v Speaker 3>but it was like the sounds of DC Go Go

0:24:23.600 --> 0:24:25.200
<v Speaker 3>music exactly.

0:24:25.240 --> 0:24:28.159
<v Speaker 4>It's like a lot of percussion, and no one had

0:24:28.160 --> 0:24:30.040
<v Speaker 4>a problem. We would always just you know, walk past it.

0:24:30.280 --> 0:24:35.000
<v Speaker 3>But then there was this luxury apartment that was built

0:24:35.240 --> 0:24:37.000
<v Speaker 3>like kind of right across the street from that, and

0:24:37.080 --> 0:24:40.920
<v Speaker 3>someone started calling the police and complaining, and so that

0:24:41.000 --> 0:24:44.560
<v Speaker 3>store had to move their speaker away. But that was

0:24:44.640 --> 0:24:48.760
<v Speaker 3>like a staple in the neighborhood, and so it caused

0:24:48.760 --> 0:24:51.680
<v Speaker 3>like a huge backlash where it started the whole Don't

0:24:51.760 --> 0:24:56.000
<v Speaker 3>Mute DC movement and sooner or later that speaker was

0:24:56.080 --> 0:24:58.600
<v Speaker 3>right back out there playing Go Go because we read that.

0:24:59.240 --> 0:25:02.520
<v Speaker 6>I think the other thing that I think is true

0:25:02.840 --> 0:25:06.159
<v Speaker 6>is that there is so much that we share as

0:25:06.240 --> 0:25:09.359
<v Speaker 6>humans in our reactions to sound.

0:25:09.400 --> 0:25:10.960
<v Speaker 1>We share the same.

0:25:11.840 --> 0:25:16.879
<v Speaker 6>Delicate inner ear anatomy and connections to our brain. We

0:25:17.560 --> 0:25:22.040
<v Speaker 6>share the same hair trigger connections between hearing and our

0:25:22.160 --> 0:25:26.880
<v Speaker 6>fight or flight response and stress. We share certain limitations

0:25:26.880 --> 0:25:29.800
<v Speaker 6>and our ability to focus. We all need to sleep.

0:25:30.280 --> 0:25:34.560
<v Speaker 6>I talk to so many people from Washington Heights and

0:25:34.640 --> 0:25:38.840
<v Speaker 6>in southwest Detroit and areas that have so many other

0:25:38.960 --> 0:25:42.959
<v Speaker 6>kind of environmental insults aimed at them, and they care

0:25:43.000 --> 0:25:46.000
<v Speaker 6>about noise. They care about noise as part of a

0:25:46.160 --> 0:25:48.680
<v Speaker 6>sort of caring about having a healthy place to live.

0:25:49.400 --> 0:25:51.880
<v Speaker 6>Sometimes we get caught up in one or the other.

0:25:51.920 --> 0:25:53.960
<v Speaker 6>We get caught up in noise as just a straight

0:25:54.040 --> 0:25:57.240
<v Speaker 6>up health threat that is this next second half smoke

0:25:57.280 --> 0:25:58.800
<v Speaker 6>and we need to stop it, or we get caught

0:25:58.840 --> 0:26:02.200
<v Speaker 6>up in talking about this is another just another piece

0:26:02.200 --> 0:26:06.280
<v Speaker 6>of gentrification. I think that these two things exist side

0:26:06.280 --> 0:26:06.919
<v Speaker 6>by side.

0:26:07.160 --> 0:26:10.760
<v Speaker 2>Yeah, as you've been sharing this, I've been thinking about

0:26:11.400 --> 0:26:15.080
<v Speaker 2>structurally some things we know. I've been thinking about even

0:26:15.160 --> 0:26:19.360
<v Speaker 2>just accit like even just trees in neighborhoods to absorb sounds,

0:26:19.760 --> 0:26:22.000
<v Speaker 2>to keep in place, especially I'm in the South, to

0:26:22.080 --> 0:26:25.399
<v Speaker 2>keep neighborhoods cooler where they have historically been trees and

0:26:25.440 --> 0:26:29.159
<v Speaker 2>they're able to give great tree cover and to absorb sound.

0:26:29.480 --> 0:26:31.920
<v Speaker 2>I think about it in the context of, yes, it

0:26:31.960 --> 0:26:34.399
<v Speaker 2>would be great, you know, the neighbor thing I'm used to.

0:26:34.760 --> 0:26:36.920
<v Speaker 2>I have been in a townholl I don't want to

0:26:36.920 --> 0:26:39.160
<v Speaker 2>say I'm used to I deal with I've been in

0:26:39.200 --> 0:26:44.040
<v Speaker 2>a townhome or an apartment, but I think that everybody

0:26:44.040 --> 0:26:46.840
<v Speaker 2>can't be in a single family home. The best solutions

0:26:47.160 --> 0:26:49.359
<v Speaker 2>are some kind of trade off of yes, hearing noise,

0:26:49.400 --> 0:26:52.200
<v Speaker 2>but also being close to work, and being close to

0:26:52.680 --> 0:26:55.320
<v Speaker 2>not just work, but like parks, and being close to

0:26:55.880 --> 0:26:59.680
<v Speaker 2>healthy food. Right, and when we have mixed use developments

0:26:59.760 --> 0:27:04.199
<v Speaker 2>or we have multifamily units and structures that allow that,

0:27:04.240 --> 0:27:08.120
<v Speaker 2>there may be some noise trade off that comes with that.

0:27:08.520 --> 0:27:09.320
<v Speaker 5>TT and I think a.

0:27:09.320 --> 0:27:13.199
<v Speaker 2>Lot about soundscapes as creators of audio. She came to

0:27:13.280 --> 0:27:16.320
<v Speaker 2>visit me at my parents' house a couple of weeks ago,

0:27:16.760 --> 0:27:19.760
<v Speaker 2>and I was thinking about when I first got there

0:27:20.240 --> 0:27:21.720
<v Speaker 2>and you were like, oh, we're in the country, and

0:27:21.760 --> 0:27:23.520
<v Speaker 2>I'm like yes, And I had to just stop and

0:27:23.520 --> 0:27:23.960
<v Speaker 2>be like.

0:27:24.160 --> 0:27:26.560
<v Speaker 5>What do I hear? What birds? Do I hear? What

0:27:26.960 --> 0:27:28.520
<v Speaker 5>insects trilling? Do I hear?

0:27:28.600 --> 0:27:28.760
<v Speaker 1>That?

0:27:28.800 --> 0:27:31.400
<v Speaker 2>Feel like home to me? That's part of my soundscape.

0:27:31.400 --> 0:27:35.480
<v Speaker 2>That would probably be a nuisance to someone else that didn't.

0:27:36.040 --> 0:27:37.439
<v Speaker 5>Like what is that? I'm like, that's a frog?

0:27:37.520 --> 0:27:39.560
<v Speaker 4>Don't you know that? I don't that near me?

0:27:40.280 --> 0:27:42.439
<v Speaker 2>Told us about things you've seen that are creative or

0:27:42.480 --> 0:27:47.160
<v Speaker 2>maybe even counterintuitive approaches to creating soundscapes that fight noise

0:27:47.160 --> 0:27:49.879
<v Speaker 2>pollution also allow vibrant living.

0:27:50.760 --> 0:27:56.200
<v Speaker 6>Yeah, So I'll tell you about a researcher who she's

0:27:56.240 --> 0:28:00.639
<v Speaker 6>an urbanist. Her name is Antonella Riddicki, and she created

0:28:00.680 --> 0:28:04.639
<v Speaker 6>an app called Hush City. Antonella was looking at some

0:28:04.680 --> 0:28:06.800
<v Speaker 6>of the big cities that have quiet areas, and what

0:28:06.880 --> 0:28:10.159
<v Speaker 6>she saw was many of them tend to be in

0:28:10.200 --> 0:28:13.760
<v Speaker 6>the middle of some giant park, or on the outskirts

0:28:13.840 --> 0:28:17.160
<v Speaker 6>of the city, or somewhere that people have a really

0:28:17.200 --> 0:28:19.919
<v Speaker 6>hard time getting to them. And so the question is

0:28:20.040 --> 0:28:24.000
<v Speaker 6>what's the purpose here. The widest number of people access

0:28:24.040 --> 0:28:27.159
<v Speaker 6>to a respite from city noise and a place to

0:28:27.560 --> 0:28:31.840
<v Speaker 6>feel rejuvenated, we should have what she called everyday quiet areas.

0:28:32.400 --> 0:28:35.520
<v Speaker 6>So the purpose of this Hush City app was the

0:28:35.560 --> 0:28:39.880
<v Speaker 6>crowdsource what everyday quiet areas would be in your city

0:28:40.560 --> 0:28:43.680
<v Speaker 6>and what she was doing it as part of a

0:28:43.720 --> 0:28:45.840
<v Speaker 6>public service, but part of a research project. So the

0:28:45.920 --> 0:28:49.160
<v Speaker 6>question is, like, what were people identifying as quiet? What

0:28:49.200 --> 0:28:53.080
<v Speaker 6>did people like? And it wasn't the lowest decibel places.

0:28:53.680 --> 0:28:56.680
<v Speaker 6>They liked places that had a different kind of an

0:28:56.680 --> 0:29:01.480
<v Speaker 6>acoustic feel to your busy, crazy streetscape. Maybe it was

0:29:01.520 --> 0:29:05.040
<v Speaker 6>a pocket park, maybe it was just a quieter side street.

0:29:05.120 --> 0:29:10.280
<v Speaker 6>They really liked when they could hear people, not tons

0:29:10.280 --> 0:29:13.280
<v Speaker 6>of people, like they like places that were conducive to socializing.

0:29:14.120 --> 0:29:17.440
<v Speaker 6>Antonella said is people are not looking for silence, they

0:29:17.480 --> 0:29:21.120
<v Speaker 6>want places of high sonic quality. And this approach is

0:29:21.240 --> 0:29:24.120
<v Speaker 6>kind of, I think, gaining ground at least where people

0:29:24.160 --> 0:29:28.200
<v Speaker 6>think about sound already. They're starting to think about soundscapes,

0:29:28.240 --> 0:29:31.960
<v Speaker 6>They're starting to think about high sonic quality and how

0:29:32.000 --> 0:29:34.880
<v Speaker 6>to achieve that and what that means. The larger point

0:29:35.040 --> 0:29:39.600
<v Speaker 6>I think is that sound connects us to our world,

0:29:39.600 --> 0:29:42.479
<v Speaker 6>it connects us to our neighborhood, it connects us to

0:29:43.040 --> 0:29:48.320
<v Speaker 6>each other. And when I think about noise, noise gets

0:29:48.320 --> 0:29:51.360
<v Speaker 6>in the way of that noise is something that interrupts

0:29:51.400 --> 0:29:52.080
<v Speaker 6>our connections.

0:29:52.200 --> 0:29:55.640
<v Speaker 3>I feel like I've learned so much about sound from

0:29:55.680 --> 0:29:58.520
<v Speaker 3>reading your book and talking to you today, Like it's

0:29:58.880 --> 0:30:03.720
<v Speaker 3>really just revolutionizing how I'm just moving through the world

0:30:03.760 --> 0:30:05.520
<v Speaker 3>and the things that I'm paying attention to.

0:30:05.760 --> 0:30:08.080
<v Speaker 2>All Right, can you let folks know where they can

0:30:08.080 --> 0:30:08.760
<v Speaker 2>find your book.

0:30:09.080 --> 0:30:11.520
<v Speaker 6>The book is called clamor How Noise took Over the

0:30:11.520 --> 0:30:13.680
<v Speaker 6>World and How We Can Take It Back. It is

0:30:13.800 --> 0:30:17.840
<v Speaker 6>out now and available everywhere books are sold. I'll direct

0:30:17.840 --> 0:30:20.880
<v Speaker 6>people to my web page, which is TRIPLEW dot Chris

0:30:21.080 --> 0:30:25.640
<v Speaker 6>Burdick dot com, and that will link you to the

0:30:25.680 --> 0:30:29.200
<v Speaker 6>book and some other writing that I have done. Anything

0:30:29.200 --> 0:30:30.880
<v Speaker 6>you want to know and be able to contact me

0:30:30.920 --> 0:30:31.640
<v Speaker 6>through it as well.

0:30:31.760 --> 0:30:33.200
<v Speaker 4>That sounds great, amazing.

0:30:33.360 --> 0:30:35.600
<v Speaker 5>This is really helping me. I just had some neighbors moving.

0:30:35.760 --> 0:30:39.320
<v Speaker 2>I was just complaining to ts she was and so

0:30:39.400 --> 0:30:41.480
<v Speaker 2>I was like, Okay, this is.

0:30:41.440 --> 0:30:43.240
<v Speaker 5>Just part of living. This is important and I'm getting

0:30:43.320 --> 0:30:44.360
<v Speaker 5>used to it. I'm getting better.

0:31:02.080 --> 0:31:04.960
<v Speaker 3>You can find us on X and Instagram at Dope

0:31:05.040 --> 0:31:06.880
<v Speaker 3>Labs podcast, tt.

0:31:06.880 --> 0:31:10.720
<v Speaker 5>Is on X and Instagram at d R Underscore t Shoe.

0:31:10.400 --> 0:31:13.000
<v Speaker 3>And you can find Takiya at z said so.

0:31:13.400 --> 0:31:15.640
<v Speaker 5>Dope Labs is a production of Lamanada Media.

0:31:15.920 --> 0:31:20.520
<v Speaker 3>Our senior supervising producer is Kristin Lapour and our associate

0:31:20.560 --> 0:31:22.640
<v Speaker 3>producer is Issara Savez.

0:31:23.360 --> 0:31:27.080
<v Speaker 2>Dope Labs is sound design, edited and mixed by James Farber.

0:31:27.760 --> 0:31:31.960
<v Speaker 2>Lamanada Media's Vice President of Partnerships and Production is Jackie Danziger.

0:31:32.640 --> 0:31:35.719
<v Speaker 2>Executive producer from iHeart Podcast is Katrina Norvil.

0:31:36.120 --> 0:31:37.840
<v Speaker 5>Marketing lead is Alison Kanter.

0:31:38.560 --> 0:31:42.840
<v Speaker 3>Original music composed and produced by Taka Yatsuzawa and Alex

0:31:42.880 --> 0:31:47.840
<v Speaker 3>sudi Ura, with additional music by Elijah Harvey. Dope Lab

0:31:47.960 --> 0:31:51.360
<v Speaker 3>is executive produced by us T T Show Dia and

0:31:51.640 --> 0:31:52.280
<v Speaker 3>Kia Wattley.