1 00:00:00,960 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,680 --> 00:00:07,760 Speaker 1: every other episode of HBO's curbyw Enthusiasm, including the new 3 00:00:07,800 --> 00:00:10,720 Speaker 1: and final season, on Max. You can also watch the 4 00:00:10,840 --> 00:00:14,360 Speaker 1: video version of the History of Curby Enthusiasm podcast on 5 00:00:14,480 --> 00:00:18,360 Speaker 1: Max and YouTube as well. Links available in the episode description. 6 00:00:26,560 --> 00:00:28,800 Speaker 2: All Right, Hi Jeff, Hi Susie. 7 00:00:29,040 --> 00:00:33,720 Speaker 1: This is season five, episode nine, the Korean Bookie. Yes, 8 00:00:36,200 --> 00:00:39,320 Speaker 1: some good, some weird in this episode for me, how 9 00:00:39,360 --> 00:00:39,640 Speaker 1: about you? 10 00:00:39,720 --> 00:00:43,440 Speaker 2: Yeah? The next episode is some good, A lot of weird, 11 00:00:43,720 --> 00:00:46,800 Speaker 2: A lot of weird. Yeah. The last episode season this one. 12 00:00:47,120 --> 00:00:49,040 Speaker 2: I think there's a lot of really good stuff in there, 13 00:00:49,280 --> 00:00:50,959 Speaker 2: a lot of really good things. Most of it, by 14 00:00:51,000 --> 00:00:53,760 Speaker 2: the way, is when Bobby Lee is in the scene. 15 00:00:53,880 --> 00:00:56,080 Speaker 3: Hilarious. Bobby Lee, who plays Sung. 16 00:00:56,600 --> 00:01:00,240 Speaker 2: He plays this character so subtly and so beautifully, and 17 00:01:00,280 --> 00:01:03,840 Speaker 2: there's a consistency in the character's personality, and to me, 18 00:01:04,440 --> 00:01:07,520 Speaker 2: his exchanges with Larry beautiful. 19 00:01:07,240 --> 00:01:10,400 Speaker 1: Well, especially the exchanges with Larry when Larry is telling 20 00:01:10,480 --> 00:01:11,680 Speaker 1: him who he wants to bet on. 21 00:01:13,240 --> 00:01:16,320 Speaker 2: Sorry, they're all gems, every Bobby Lee, Larry or Gems. 22 00:01:16,480 --> 00:01:18,560 Speaker 3: We'll get to that. So we start off. 23 00:01:18,640 --> 00:01:21,440 Speaker 1: Cheryl comes in telling Larry's they're late for the barbecue. 24 00:01:21,520 --> 00:01:23,959 Speaker 1: Hurry up, and Larry wants to go get a jacket 25 00:01:24,000 --> 00:01:25,959 Speaker 1: because it's going to be a little chilly on the 26 00:01:26,000 --> 00:01:28,240 Speaker 1: beach at night. They're going to a barbecue at the beach, 27 00:01:28,760 --> 00:01:31,960 Speaker 1: and Cheryl thinks he's overdressed, and Larry feels like it's 28 00:01:32,040 --> 00:01:34,959 Speaker 1: the Three Little pigs. He's the pig that's prepared. He's 29 00:01:35,000 --> 00:01:37,400 Speaker 1: the one with the brick house. And Cheryl says to him, 30 00:01:37,440 --> 00:01:40,480 Speaker 1: you might want to think about apologizing to Mark the 31 00:01:40,560 --> 00:01:43,640 Speaker 1: Doctor about what happened at the Satyr, which we know 32 00:01:43,760 --> 00:01:46,400 Speaker 1: that he accused him of stealing his newspapers. 33 00:01:46,480 --> 00:01:48,360 Speaker 3: Just a reminder, our. 34 00:01:48,200 --> 00:01:52,240 Speaker 2: Show is very freud like in terms of a jacket. 35 00:01:52,840 --> 00:01:55,080 Speaker 2: Is it a just a jacket or is it more 36 00:01:55,120 --> 00:01:57,640 Speaker 2: than a jacket? And there are many things early on 37 00:01:57,720 --> 00:02:01,120 Speaker 2: where there's no connection, but clearly the jacket is one 38 00:02:01,120 --> 00:02:03,520 Speaker 2: of the centerpieces of the show. It is, but you 39 00:02:03,560 --> 00:02:04,160 Speaker 2: don't know that. 40 00:02:04,240 --> 00:02:07,400 Speaker 1: And Larry's still not convinced by the way that Mark 41 00:02:07,520 --> 00:02:09,200 Speaker 1: did not steal his newspapers. 42 00:02:09,200 --> 00:02:11,840 Speaker 3: He's still not convinced of that. So then we cut 43 00:02:11,919 --> 00:02:13,160 Speaker 3: to uh. 44 00:02:13,200 --> 00:02:15,079 Speaker 1: They're on the beach in front of a fire pit 45 00:02:15,120 --> 00:02:18,400 Speaker 1: and they're making s'mores, which is the most Unlarry David 46 00:02:18,440 --> 00:02:19,880 Speaker 1: thing to do that I think of. 47 00:02:20,480 --> 00:02:23,520 Speaker 2: It is. But by the way, as I've always getting 48 00:02:23,560 --> 00:02:25,680 Speaker 2: angry at this or that, I didn't get angry at that, 49 00:02:25,800 --> 00:02:29,480 Speaker 2: especially when he starts talking about s'mores and marshmallow roasting. 50 00:02:30,040 --> 00:02:31,959 Speaker 4: I don't know how you can eat this thing? Really? 51 00:02:32,880 --> 00:02:36,200 Speaker 5: Huh? Why don't you just burn everything into a cinder? 52 00:02:36,240 --> 00:02:42,440 Speaker 4: Why stop at the marshmallow? Oh, come on, it's a situation. 53 00:02:42,520 --> 00:02:43,959 Speaker 3: We're sitting around a camp for together. 54 00:02:44,000 --> 00:02:45,160 Speaker 2: That's why we're doing this fun. 55 00:02:45,720 --> 00:02:46,720 Speaker 4: I don't want to spoil your fun. 56 00:02:46,760 --> 00:02:49,399 Speaker 5: You're having a good time, you know. I'm just saying 57 00:02:49,440 --> 00:02:50,560 Speaker 5: it's idiotic what you're doing. 58 00:02:52,080 --> 00:02:52,919 Speaker 4: It doesn't taste good. 59 00:02:53,040 --> 00:02:55,280 Speaker 3: I don't thank you for your opinion there. Do you 60 00:02:55,400 --> 00:02:56,000 Speaker 3: like s'mores? 61 00:02:57,760 --> 00:03:03,600 Speaker 2: Well? By the way, as a compulvovariat or addict. Sure, 62 00:03:03,840 --> 00:03:07,200 Speaker 2: I've enjoyed my shriff s'mores, but guess what, they're not 63 00:03:07,280 --> 00:03:09,160 Speaker 2: even in my top fifty now. 64 00:03:09,400 --> 00:03:10,520 Speaker 3: I don't like a marshmallow. 65 00:03:10,560 --> 00:03:12,920 Speaker 2: It's too sweet. You know what the best pop tart is, 66 00:03:12,960 --> 00:03:14,800 Speaker 2: And I'll just say it right here if you don't 67 00:03:14,800 --> 00:03:15,680 Speaker 2: know s'mores. 68 00:03:15,760 --> 00:03:18,720 Speaker 1: All right, Well, Larry is feeling chilly and he wants 69 00:03:18,760 --> 00:03:20,440 Speaker 1: to go to the car and get his jacket. 70 00:03:20,560 --> 00:03:23,119 Speaker 2: Let's take a stop here. It can be eighty five 71 00:03:23,320 --> 00:03:28,480 Speaker 2: ninety outside, and Larry gets chilla. He is always chili sore, more. 72 00:03:28,360 --> 00:03:31,440 Speaker 3: So lately, you know, later on than he used to be. 73 00:03:31,560 --> 00:03:34,160 Speaker 1: But yeah, and he goes to the car to look 74 00:03:34,160 --> 00:03:37,680 Speaker 1: for his jacket that he planned ahead and put in there, 75 00:03:37,760 --> 00:03:40,640 Speaker 1: and it's gone. Jacket's gone. And then he tells Cheryl 76 00:03:40,720 --> 00:03:42,840 Speaker 1: the jacket's not in the car. And then he sees 77 00:03:43,000 --> 00:03:46,080 Speaker 1: Marla where the jacket. 78 00:03:45,960 --> 00:03:47,960 Speaker 2: Is named after Marla Garland. 79 00:03:48,120 --> 00:03:49,080 Speaker 3: Yes, your ex wife. 80 00:03:49,080 --> 00:03:49,680 Speaker 2: No, no, he is. 81 00:03:49,720 --> 00:03:52,440 Speaker 3: I don't like the X word, but whatever your feral 82 00:03:52,520 --> 00:03:53,240 Speaker 3: wife she. 83 00:03:53,160 --> 00:03:56,120 Speaker 2: Had, I'll ask her for next time we record. She 84 00:03:56,160 --> 00:03:58,320 Speaker 2: had a great name because we're close, so she had 85 00:03:58,360 --> 00:04:01,080 Speaker 2: a great name for our relations and I loved it. 86 00:04:01,280 --> 00:04:06,240 Speaker 2: But of course I can't wait. But Laura, what's her 87 00:04:06,280 --> 00:04:08,120 Speaker 2: last name? Who played Marla? 88 00:04:08,480 --> 00:04:09,280 Speaker 3: Lauren Katz? 89 00:04:09,560 --> 00:04:13,920 Speaker 2: Lauren Kats, who, by the way, is just as cool 90 00:04:14,280 --> 00:04:17,560 Speaker 2: as a human being could be. Big bowl of groovy 91 00:04:17,880 --> 00:04:20,320 Speaker 2: Lauren Kats. I hope she's well wherever she is. 92 00:04:20,920 --> 00:04:23,320 Speaker 1: So Larry tells Cheryl the jacket is not in the car, 93 00:04:23,360 --> 00:04:25,520 Speaker 1: and Cheryl's like, okay, let's not make a big deal 94 00:04:25,600 --> 00:04:30,279 Speaker 1: about it, you know, okay, And then right in the 95 00:04:30,279 --> 00:04:34,080 Speaker 1: middle of that, Mark makes an announcement that he and 96 00:04:34,160 --> 00:04:37,080 Speaker 1: Marla are planning on getting married, save the date. They're 97 00:04:37,080 --> 00:04:40,560 Speaker 1: going to get married right here on this beach, and everybody. 98 00:04:40,839 --> 00:04:44,400 Speaker 1: Larry goes over and hugs Marla, and everybody's hugging and 99 00:04:44,480 --> 00:04:47,800 Speaker 1: Larry hugs Marlin. He's like he's shivering, and he says 100 00:04:47,839 --> 00:04:49,720 Speaker 1: to her, where'd you get the jacket? Marla says, I 101 00:04:49,760 --> 00:04:51,840 Speaker 1: got it out of one of the cars, and then 102 00:04:51,880 --> 00:04:53,320 Speaker 1: he tells her it's his jacket. 103 00:04:53,360 --> 00:04:56,880 Speaker 2: And let's take a step back. If you're chilly and 104 00:04:56,920 --> 00:04:58,880 Speaker 2: there are cars on the beach, you don't know whose 105 00:04:58,880 --> 00:05:01,240 Speaker 2: they are, and you see it jacket in the car, 106 00:05:01,680 --> 00:05:04,039 Speaker 2: and by the way, I buy it. Don't get me wrong. 107 00:05:04,120 --> 00:05:06,520 Speaker 2: This is not one that bothers me. What are the 108 00:05:06,520 --> 00:05:08,960 Speaker 2: odds of you taking that jacket and putting it on? 109 00:05:09,520 --> 00:05:12,080 Speaker 1: Well, I thought about that, Jeff. I thought about that, 110 00:05:12,120 --> 00:05:16,440 Speaker 1: and I thought, it's nighttime. There's probably only their cars there, 111 00:05:17,000 --> 00:05:19,320 Speaker 1: the people who were at the party. It's not like 112 00:05:19,360 --> 00:05:20,880 Speaker 1: you're on the beach during the day and there's a 113 00:05:20,880 --> 00:05:21,680 Speaker 1: million cars. 114 00:05:21,920 --> 00:05:23,480 Speaker 2: Well, I understand the justification. 115 00:05:23,839 --> 00:05:25,040 Speaker 3: Yeah, that's my thought. 116 00:05:25,160 --> 00:05:27,479 Speaker 2: I'm asking you if you would ever do something like that. 117 00:05:27,640 --> 00:05:30,000 Speaker 3: Probably not, It depends on how cold I was. 118 00:05:30,760 --> 00:05:33,599 Speaker 2: I get that, and I of course would never. But 119 00:05:33,680 --> 00:05:36,040 Speaker 2: I would say, here's what I would do. I'd make 120 00:05:36,080 --> 00:05:39,320 Speaker 2: an announcement at the fire pit. I would go, Hey, everybody, 121 00:05:39,880 --> 00:05:40,400 Speaker 2: I am free. 122 00:05:40,440 --> 00:05:41,520 Speaker 3: Anybody have a jacket? 123 00:05:41,600 --> 00:05:43,960 Speaker 2: Yeah, I saw a jacket in one of the cars. 124 00:05:44,000 --> 00:05:48,159 Speaker 2: You know, it's my jacket. But that would really happened 125 00:05:48,160 --> 00:05:48,640 Speaker 2: with Larry. 126 00:05:48,880 --> 00:05:52,160 Speaker 1: But nonetheless, but Larry starts to go into more legit 127 00:05:52,279 --> 00:05:54,960 Speaker 1: that he had the foresight that she's cold. He's cold too, 128 00:05:55,120 --> 00:05:57,560 Speaker 1: But he had the foresight. He was the smart pig 129 00:05:57,839 --> 00:06:00,560 Speaker 1: that had the foresight taking the coat. 130 00:06:00,560 --> 00:06:02,760 Speaker 4: And Chirl was mocking me for wearing the coat. It's freezing. 131 00:06:02,880 --> 00:06:05,040 Speaker 4: You know, I'm not gonna take a coat. One of 132 00:06:05,080 --> 00:06:05,520 Speaker 4: my nuts. 133 00:06:07,080 --> 00:06:10,960 Speaker 5: I had the foresight to bring the coat, you know 134 00:06:11,000 --> 00:06:12,839 Speaker 5: what I mean, because I knew it's the beach. 135 00:06:13,279 --> 00:06:14,559 Speaker 4: It gets jilly on the beach. 136 00:06:15,240 --> 00:06:19,440 Speaker 5: You know, bring a jacket, Bring a jacket, right, you know, 137 00:06:20,160 --> 00:06:21,520 Speaker 5: So I brought the jacket. 138 00:06:22,720 --> 00:06:24,440 Speaker 4: I was smart, you know, to bring the jacket. 139 00:06:25,160 --> 00:06:28,039 Speaker 3: Larry, do you want the jacket back? And she gives 140 00:06:28,080 --> 00:06:31,080 Speaker 3: him the jacket back, and she's like, wow, by the 141 00:06:31,120 --> 00:06:32,000 Speaker 3: way she. 142 00:06:32,240 --> 00:06:36,280 Speaker 2: Underplays this though, which is beautiful. She's not playing it big, 143 00:06:36,360 --> 00:06:38,560 Speaker 2: she underplays its Yeah. 144 00:06:38,400 --> 00:06:39,520 Speaker 3: She can't believe. 145 00:06:39,560 --> 00:06:42,039 Speaker 2: It's like, well, I'm a big fan of people who 146 00:06:42,440 --> 00:06:45,560 Speaker 2: are more nuanced in their performance. You know, it's easy 147 00:06:45,600 --> 00:06:48,440 Speaker 2: to go fine, Larry, but you know the way she 148 00:06:48,520 --> 00:06:49,599 Speaker 2: did it, loved it. 149 00:06:49,600 --> 00:06:50,279 Speaker 3: It was terrific. 150 00:06:50,320 --> 00:06:53,560 Speaker 1: And then he notices that there's chocolate, there's a s'more 151 00:06:53,720 --> 00:06:54,560 Speaker 1: on the jacket. 152 00:06:54,720 --> 00:06:57,280 Speaker 2: Fucking fantastic, and she says. 153 00:06:57,040 --> 00:06:59,480 Speaker 1: She'll wash it out, and he can't stand some moores, 154 00:07:00,040 --> 00:07:02,160 Speaker 1: and Cheryl's like, let's not make a big deal if 155 00:07:02,160 --> 00:07:03,440 Speaker 1: somebody bore us your jacket. 156 00:07:03,560 --> 00:07:03,919 Speaker 3: Move on. 157 00:07:04,120 --> 00:07:06,599 Speaker 2: Well, by the way, this is a point in the 158 00:07:06,720 --> 00:07:11,480 Speaker 2: episode where people know at this point Us' more is 159 00:07:11,520 --> 00:07:14,119 Speaker 2: not just usmore correct. You know that there's more coming, 160 00:07:14,280 --> 00:07:16,760 Speaker 2: but early on you never know. He may have picked 161 00:07:16,840 --> 00:07:19,720 Speaker 2: up a ceramic turtle and has nothing to do with 162 00:07:19,800 --> 00:07:22,000 Speaker 2: anything and talk about it but you don't know. But 163 00:07:22,080 --> 00:07:25,600 Speaker 2: at this point you really do know, Okay, something. 164 00:07:25,080 --> 00:07:28,320 Speaker 3: And he and Cheryl are back home and you know, 165 00:07:28,360 --> 00:07:28,800 Speaker 3: she's like. 166 00:07:28,840 --> 00:07:30,560 Speaker 6: You know how you said that you were the smart 167 00:07:30,560 --> 00:07:34,560 Speaker 6: pig right that his house But the thing about the 168 00:07:34,560 --> 00:07:37,160 Speaker 6: smart pig that made his house of bricks, he protected 169 00:07:37,160 --> 00:07:40,280 Speaker 6: the other little pigs that came over. Okay, he watched 170 00:07:40,320 --> 00:07:44,320 Speaker 6: over them and helped them because he was a generous pig. 171 00:07:44,840 --> 00:07:48,760 Speaker 5: Yeah, the pig also didn't come home to find some 172 00:07:48,880 --> 00:07:52,360 Speaker 5: other fucking pig living in his house while he was 173 00:07:52,440 --> 00:07:52,920 Speaker 5: locked up. 174 00:07:53,360 --> 00:07:55,000 Speaker 3: Move on, and he's like, how could I sit there 175 00:07:55,000 --> 00:07:56,600 Speaker 3: freezing to death? And she's wearing my jag. 176 00:07:56,800 --> 00:08:00,840 Speaker 1: I anticipated I should be rewarded, U punished, and you 177 00:08:00,880 --> 00:08:04,040 Speaker 1: know they got engaged. It's not about you. When he's like, 178 00:08:04,080 --> 00:08:06,080 Speaker 1: I'm the smart pig, I should be protected from the 179 00:08:06,120 --> 00:08:08,520 Speaker 1: other pigs. I didn't come home to see another pig 180 00:08:08,560 --> 00:08:11,240 Speaker 1: in his home while he was locked out, and Etcetery. 181 00:08:11,360 --> 00:08:14,320 Speaker 2: No, guess that's because she makes a point. That's him. 182 00:08:14,360 --> 00:08:19,000 Speaker 2: In response, she makes a point of that pig let 183 00:08:19,040 --> 00:08:21,800 Speaker 2: all the other pigs in. And then he did the 184 00:08:21,880 --> 00:08:23,720 Speaker 2: lockout analogy, which is great. 185 00:08:24,000 --> 00:08:26,240 Speaker 1: And then he is with Sung, who is played by 186 00:08:26,240 --> 00:08:28,880 Speaker 1: Bobby Lee and by the way. 187 00:08:29,280 --> 00:08:33,920 Speaker 2: A wonderful stand up, a wonderful gentleman and very very 188 00:08:34,040 --> 00:08:36,640 Speaker 2: very funny. And by the way, I assume he's a 189 00:08:36,679 --> 00:08:38,840 Speaker 2: wonderful stand up. He will not let me watch him. 190 00:08:39,000 --> 00:08:42,920 Speaker 1: Okay, well, well I'm curious, so why. 191 00:08:43,320 --> 00:08:47,240 Speaker 2: Because he really if I'm in the room, he'll be 192 00:08:47,360 --> 00:08:50,400 Speaker 2: very self conscious and can't focus. And if I'm in the room. 193 00:08:50,640 --> 00:08:52,200 Speaker 2: And by the way, I asked him, do you do 194 00:08:52,280 --> 00:08:55,040 Speaker 2: that to other comics? He said, no, just you. And 195 00:08:55,120 --> 00:08:59,000 Speaker 2: so I've been friends with Bobby for twenty years, maybe 196 00:08:59,040 --> 00:09:02,720 Speaker 2: fifteen years, and I've never actually seen him do stand up. 197 00:09:03,000 --> 00:09:05,920 Speaker 2: That being said, I hear the laughs he gets, which 198 00:09:05,920 --> 00:09:10,079 Speaker 2: are great, and spending time with him, he's hilarious. And 199 00:09:10,120 --> 00:09:12,760 Speaker 2: so he's the only comedian I can say who I'm 200 00:09:12,760 --> 00:09:15,720 Speaker 2: that close with. And I've never seen their show. Now, 201 00:09:16,000 --> 00:09:19,800 Speaker 2: Richard Lewis who you and I different? Oh no, no, hold on, 202 00:09:19,880 --> 00:09:23,959 Speaker 2: we've toured together. Are the three of us? And Richard 203 00:09:24,000 --> 00:09:27,559 Speaker 2: would stay in whatever car he was, a town car, 204 00:09:27,640 --> 00:09:30,679 Speaker 2: whatever it is, he would stay in there to not 205 00:09:30,920 --> 00:09:33,720 Speaker 2: watch us. He has never seen me, and I don't 206 00:09:33,760 --> 00:09:36,600 Speaker 2: know if he's ever seen you. He has never seen me. 207 00:09:36,920 --> 00:09:41,319 Speaker 1: Well, that's because he's very nervous beforehand. And some people 208 00:09:41,400 --> 00:09:44,720 Speaker 1: don't like to watch who's on. I like to watch 209 00:09:44,760 --> 00:09:47,040 Speaker 1: who's on beforehand because I'd like to know what they said. 210 00:09:47,080 --> 00:09:50,000 Speaker 1: So I'm not doing repeating anything I know, I'm not. 211 00:09:49,880 --> 00:09:51,960 Speaker 2: Going to repeat, and I don't care who I follow, 212 00:09:52,240 --> 00:09:55,280 Speaker 2: I'll follow anyone. No, that's not the reason, Susie. The 213 00:09:55,400 --> 00:09:59,040 Speaker 2: reason is, and this is, it's not he's nervous. He's 214 00:09:59,040 --> 00:10:01,280 Speaker 2: got his thing down because we've gone over it. And 215 00:10:01,320 --> 00:10:04,760 Speaker 2: the reason why he's got his notes he doesn't want 216 00:10:05,000 --> 00:10:09,000 Speaker 2: to steal a joke from us unknowingly, like he doesn't 217 00:10:09,040 --> 00:10:12,040 Speaker 2: want us to have any unconsciously because if you remember, 218 00:10:12,120 --> 00:10:16,000 Speaker 2: Robin Williams was known for that, but he wasn't, you know, 219 00:10:16,120 --> 00:10:18,559 Speaker 2: focusing on being a thief like oh, I'll take that. 220 00:10:18,920 --> 00:10:20,839 Speaker 2: It would just go in his head. So what he 221 00:10:20,880 --> 00:10:23,240 Speaker 2: would do is like there was a club in San Francisco, 222 00:10:23,320 --> 00:10:26,680 Speaker 2: the Holy City Zoo, he'd wait outside until he was 223 00:10:26,720 --> 00:10:27,600 Speaker 2: called to go up. 224 00:10:28,240 --> 00:10:31,680 Speaker 1: Well, Gilbert Gottfried had the best line about Robin, because 225 00:10:31,800 --> 00:10:33,560 Speaker 1: nobody used to want to go on in front of 226 00:10:33,640 --> 00:10:35,719 Speaker 1: Robin because then you'd see your material the. 227 00:10:35,679 --> 00:10:37,720 Speaker 3: Next night on Letterman or some such thing. 228 00:10:38,040 --> 00:10:41,000 Speaker 1: And Gilbert would say that he's not a thief, he's 229 00:10:41,080 --> 00:10:42,240 Speaker 1: just very absorbent. 230 00:10:43,040 --> 00:10:45,760 Speaker 2: That's what I would say about Richard Lewis and Robin Williams, 231 00:10:45,800 --> 00:10:49,080 Speaker 2: because we both know thieves we know people who out 232 00:10:49,120 --> 00:10:53,360 Speaker 2: and out steal jokes, even steal personas. But and when 233 00:10:53,360 --> 00:10:55,840 Speaker 2: you're a young comedian, I want to add this, it's 234 00:10:56,000 --> 00:11:01,080 Speaker 2: normal to cop a persona from one of your favorite 235 00:11:01,080 --> 00:11:04,320 Speaker 2: comedians and that doesn't last long, and then you developed 236 00:11:04,360 --> 00:11:07,559 Speaker 2: your own voice. But it's very common that someone goes 237 00:11:07,640 --> 00:11:10,240 Speaker 2: up like I remember going up, and I think it 238 00:11:10,280 --> 00:11:13,360 Speaker 2: was weird. I didn't go up the first time as 239 00:11:13,720 --> 00:11:16,360 Speaker 2: like Steve Martin was a hero of mine at that point. 240 00:11:16,640 --> 00:11:19,720 Speaker 2: Modern comedian of course, all George Kylin, Richard Pryor. But 241 00:11:19,840 --> 00:11:22,840 Speaker 2: I went up on stage stand up wise, in the 242 00:11:22,840 --> 00:11:26,640 Speaker 2: persona of Bill Murray, who was never a stand up. 243 00:11:26,960 --> 00:11:27,839 Speaker 2: That's the one I say. 244 00:11:27,880 --> 00:11:29,160 Speaker 3: I didn't know he did stand up. 245 00:11:29,240 --> 00:11:31,800 Speaker 2: No, he did not, but I sort of picked up 246 00:11:31,800 --> 00:11:33,520 Speaker 2: his vibes from all his characters. 247 00:11:33,840 --> 00:11:36,240 Speaker 3: He has a persona whether he does stand up or not. 248 00:11:37,000 --> 00:11:39,959 Speaker 2: But I also, in my first time, forget the jokes 249 00:11:40,000 --> 00:11:42,280 Speaker 2: that I did. They were dumb. I did, and it 250 00:11:42,320 --> 00:11:45,200 Speaker 2: was almost as I was like auditioning to be in 251 00:11:45,240 --> 00:11:49,079 Speaker 2: a play of Stripes. I did a scene from Stripes, 252 00:11:49,400 --> 00:11:52,960 Speaker 2: a monologue that he had in Stripes. I did that 253 00:11:53,000 --> 00:11:55,800 Speaker 2: when I first went on stage the very first time, yeah. 254 00:11:56,200 --> 00:11:59,040 Speaker 1: I remember Rosie O'Donnell told me that when she first 255 00:11:59,040 --> 00:12:01,440 Speaker 1: went on, she did all Jerry Seinfeldt's jokes. 256 00:12:01,720 --> 00:12:05,640 Speaker 2: But that is completely and utterly normal. 257 00:12:05,480 --> 00:12:09,800 Speaker 3: Because well, you don't know what you're doing. 258 00:12:08,720 --> 00:12:11,720 Speaker 2: But when you get on stage that is so overwhelming. 259 00:12:11,960 --> 00:12:15,079 Speaker 2: What comes out of your mouth really doesn't matter because 260 00:12:15,080 --> 00:12:17,719 Speaker 2: you just want to be up there, at least saying words. 261 00:12:17,800 --> 00:12:20,880 Speaker 3: And speaking of words. We'll be right back. Stay tuned. 262 00:12:21,160 --> 00:12:32,760 Speaker 7: Okay, we're back. 263 00:12:33,640 --> 00:12:36,920 Speaker 1: He's telling Song his bookie about the pig being the 264 00:12:36,960 --> 00:12:39,520 Speaker 1: good little pig and about her stealing the jacket, and 265 00:12:39,720 --> 00:12:41,559 Speaker 1: Song is just like, when. 266 00:12:41,360 --> 00:12:44,400 Speaker 3: Did this happen? I need to know it. And he's 267 00:12:44,400 --> 00:12:46,720 Speaker 3: gonna bet with Song, and he says the song who 268 00:12:46,760 --> 00:12:47,800 Speaker 3: do I love? What do I love? 269 00:12:48,000 --> 00:12:48,120 Speaker 4: Oh? 270 00:12:48,160 --> 00:12:50,480 Speaker 1: He owes Song three hundred dollars because he bet on 271 00:12:50,520 --> 00:12:52,560 Speaker 1: the Clippers and Song told him he was nuts to 272 00:12:52,559 --> 00:12:55,000 Speaker 1: bet on the Clippers, and Larry says, Tuesday, I like 273 00:12:55,080 --> 00:12:56,800 Speaker 1: the Knicks, And then he asked him if he could 274 00:12:56,800 --> 00:12:58,920 Speaker 1: write a check. He owes him three hundred bucks. He 275 00:12:58,920 --> 00:13:01,360 Speaker 1: doesn't have the money, he says, come in for a second. 276 00:13:01,400 --> 00:13:04,160 Speaker 1: As Son comes in the house, I come out with 277 00:13:04,280 --> 00:13:08,360 Speaker 1: Sheryl and Oscar and Larry mentions to Oscar that he's fat, 278 00:13:08,600 --> 00:13:11,559 Speaker 1: to which I take umbrage that he's gonna hurt his feelings. 279 00:13:11,600 --> 00:13:13,800 Speaker 1: And he says, you called Jeff a fat fuck, and 280 00:13:13,800 --> 00:13:15,960 Speaker 1: I said, well, Jeff is a fat fuck. Oscar is 281 00:13:16,040 --> 00:13:19,080 Speaker 1: just big boned. And then Song seems to be very 282 00:13:19,200 --> 00:13:20,120 Speaker 1: taken with Oscar. 283 00:13:20,280 --> 00:13:22,800 Speaker 7: He's not fat, he's lean, he's just right. 284 00:13:23,200 --> 00:13:26,440 Speaker 1: Thank you, he's a gorgeous What do you feed the 285 00:13:26,480 --> 00:13:27,560 Speaker 1: dog food? 286 00:13:27,600 --> 00:13:32,040 Speaker 3: You know, dog food? Where do you live around the neighborhood? 287 00:13:32,080 --> 00:13:32,800 Speaker 1: Neighbor Oh? 288 00:13:32,880 --> 00:13:35,640 Speaker 5: No, they live about two blocks up, big big gray 289 00:13:35,679 --> 00:13:38,439 Speaker 5: house with white columns, white column Yeah. 290 00:13:38,280 --> 00:13:38,880 Speaker 4: Can't miss it. 291 00:13:39,679 --> 00:13:42,440 Speaker 1: And then Larry and You are in the car and 292 00:13:42,480 --> 00:13:44,560 Speaker 1: you say, why are you telling her the dog is fat? 293 00:13:44,960 --> 00:13:46,280 Speaker 3: Tell me, don't tell her. 294 00:13:48,040 --> 00:13:50,880 Speaker 1: He should know better, And Larry says, he says you 295 00:13:51,000 --> 00:13:52,840 Speaker 1: or Larry who says having a dog is like having 296 00:13:52,880 --> 00:13:55,439 Speaker 1: a bum in your house? That's you. No, Larry says that. 297 00:13:55,960 --> 00:13:58,960 Speaker 1: And you say, when everybody hates me, my dog loves me, 298 00:13:59,280 --> 00:14:01,560 Speaker 1: which is true. No one's ever been happier to see 299 00:14:01,600 --> 00:14:04,040 Speaker 1: me walk through the door than my dog always. 300 00:14:04,120 --> 00:14:07,079 Speaker 2: And by the way, who's a huge dog person, Larry 301 00:14:07,160 --> 00:14:08,320 Speaker 2: David Well. 302 00:14:08,080 --> 00:14:09,959 Speaker 3: He loves his Doggies. Yeah, well so do I. 303 00:14:10,679 --> 00:14:12,560 Speaker 2: But he loves he loves Sage, you know when he 304 00:14:12,720 --> 00:14:14,520 Speaker 2: saw us like he loves dogs. 305 00:14:14,880 --> 00:14:15,840 Speaker 3: Yes he does. 306 00:14:15,880 --> 00:14:18,640 Speaker 1: And Oscar was actually named after a dog he had 307 00:14:18,760 --> 00:14:21,440 Speaker 1: named Oscar. And then Larry says, stop the car, stop 308 00:14:21,520 --> 00:14:25,520 Speaker 1: the car. They see Heineman's Cadillac, and they see the 309 00:14:25,680 --> 00:14:28,200 Speaker 1: dent in the back in the rear tail light, that 310 00:14:28,240 --> 00:14:31,240 Speaker 1: it was never fixed, and he gave him a check 311 00:14:31,280 --> 00:14:34,640 Speaker 1: for fifteen hundred dollars. And Hyeman will not talk to 312 00:14:34,720 --> 00:14:38,000 Speaker 1: Larry since his daughter Rachel jumped off the ski chair lift. 313 00:14:38,320 --> 00:14:41,120 Speaker 1: Next Heyneman is it izz he's eating a sandwich, and 314 00:14:41,240 --> 00:14:42,440 Speaker 1: Larry walks in blown. 315 00:14:43,600 --> 00:14:46,880 Speaker 5: Finally, I was driving by the restaurant and I couldn't help. 316 00:14:46,920 --> 00:14:50,520 Speaker 5: But notice you having to fix the dent on the car. 317 00:14:50,960 --> 00:14:51,800 Speaker 2: Not in't fix the dent. 318 00:14:52,600 --> 00:14:55,560 Speaker 5: I ask why, considering it's not your business, I better 319 00:14:55,640 --> 00:14:57,920 Speaker 5: use for the money, such as if you must know, 320 00:14:58,440 --> 00:14:59,880 Speaker 5: I give you the money to my daughter. 321 00:15:00,280 --> 00:15:02,360 Speaker 2: For something far more important than fixing a car. 322 00:15:02,560 --> 00:15:03,440 Speaker 4: What does he need the money for. 323 00:15:03,480 --> 00:15:05,120 Speaker 2: It's really none of your business. 324 00:15:05,360 --> 00:15:08,080 Speaker 5: It's a little unethical, by the ways, nothing to do 325 00:15:08,120 --> 00:15:08,760 Speaker 5: with fix the car. 326 00:15:08,840 --> 00:15:10,320 Speaker 3: There's nothing to do with ethics. 327 00:15:10,360 --> 00:15:10,720 Speaker 4: My money. 328 00:15:10,760 --> 00:15:11,520 Speaker 2: You gave me my money. 329 00:15:11,520 --> 00:15:13,480 Speaker 4: I can do with that money what I please. 330 00:15:14,160 --> 00:15:20,560 Speaker 5: All these pickles, all right, man, take it easy, Good day, 331 00:15:20,640 --> 00:15:21,280 Speaker 5: mister David. 332 00:15:21,400 --> 00:15:24,720 Speaker 3: And here's what I found interesting. He's kind of doing 333 00:15:24,760 --> 00:15:26,920 Speaker 3: the accent, but not completely doing it. 334 00:15:28,320 --> 00:15:30,760 Speaker 2: Starts with the accent and then it goes out the 335 00:15:30,800 --> 00:15:31,640 Speaker 2: window as they. 336 00:15:31,600 --> 00:15:34,640 Speaker 1: Discuss, and he says, I gave you the money, and 337 00:15:34,720 --> 00:15:36,960 Speaker 1: Heinemann says, that's right, you gave me the money. I 338 00:15:37,000 --> 00:15:39,160 Speaker 1: could do whatever I want with the money. My daughter 339 00:15:39,240 --> 00:15:42,640 Speaker 1: needed it for something more important. Larry says it's unethical, 340 00:15:43,160 --> 00:15:45,200 Speaker 1: and Ben says it's nothing to do with ethics. And 341 00:15:45,240 --> 00:15:47,720 Speaker 1: I actually agree with Ben on this. He gave him 342 00:15:47,720 --> 00:15:49,240 Speaker 1: the money. He doesn't have to fix the car. He 343 00:15:49,240 --> 00:15:51,720 Speaker 1: could do whatever he wants. Larry goes for a pickle. 344 00:15:51,920 --> 00:15:56,600 Speaker 1: Ben slaps his hand. Their relationship has completely deteriorated. So 345 00:15:56,680 --> 00:15:58,960 Speaker 1: he tells you about this. You say, it's a big. 346 00:15:58,800 --> 00:15:59,480 Speaker 3: Bowl of wrong. 347 00:15:59,840 --> 00:16:02,440 Speaker 1: And then the phone rings and he says, ask about 348 00:16:02,440 --> 00:16:04,760 Speaker 1: it's me. He says, ask her about the NIXT. Now 349 00:16:04,760 --> 00:16:07,600 Speaker 1: this was also interesting because now all he would have 350 00:16:07,640 --> 00:16:09,320 Speaker 1: to do would look at his phone and see the 351 00:16:09,360 --> 00:16:12,840 Speaker 1: next score. So nowadays he would not need to ask 352 00:16:12,880 --> 00:16:13,800 Speaker 1: about the next score. 353 00:16:13,840 --> 00:16:15,120 Speaker 3: He would just look on his phone. 354 00:16:15,280 --> 00:16:17,200 Speaker 2: Oh right, right, right right, right, right right right. But 355 00:16:17,320 --> 00:16:20,400 Speaker 2: also if I may, that's key to the story. And 356 00:16:20,480 --> 00:16:23,000 Speaker 2: even if he had a phone, let's say, in the 357 00:16:23,040 --> 00:16:25,280 Speaker 2: next scene or whatever it is, when he's in when 358 00:16:25,400 --> 00:16:28,320 Speaker 2: oscars at the vet for eating s'mores, I don't remember 359 00:16:28,320 --> 00:16:28,800 Speaker 2: what he ate? 360 00:16:29,200 --> 00:16:31,280 Speaker 3: No oreos oreos. 361 00:16:30,840 --> 00:16:33,480 Speaker 2: Right, similar, he couldn't look at his phone and be 362 00:16:33,720 --> 00:16:37,440 Speaker 2: just as upset. So it would work now with the phone. 363 00:16:37,880 --> 00:16:40,080 Speaker 3: It would work with the phone. I just know what need. 364 00:16:40,280 --> 00:16:43,080 Speaker 2: By the way, the guy who talks to him is 365 00:16:43,640 --> 00:16:46,920 Speaker 2: John Farley, Chris Farley's brother is in that scene. That's 366 00:16:46,960 --> 00:16:47,400 Speaker 2: who that is. 367 00:16:47,400 --> 00:16:49,920 Speaker 1: But wait, at the phone rings, it's me. I tell you, 368 00:16:50,000 --> 00:16:53,040 Speaker 1: oscar ate three buckses of oreos. He's at the vet. Yeah, 369 00:16:53,120 --> 00:16:55,360 Speaker 1: he says, ask her the next tour. Next thing we know, 370 00:16:55,800 --> 00:16:58,280 Speaker 1: you guys walk into the vet and you tell him 371 00:16:58,280 --> 00:17:01,160 Speaker 1: you're going in the examining room. Larry is waiting outside 372 00:17:01,160 --> 00:17:04,520 Speaker 1: on the bench and Chris Farley's brother, John Farley, comes in, 373 00:17:04,720 --> 00:17:06,640 Speaker 1: looks like he's got a little cat in this thing, 374 00:17:07,000 --> 00:17:09,920 Speaker 1: and Larry asks about the nick game to him, and 375 00:17:10,000 --> 00:17:12,240 Speaker 1: he tells him what was a great game. They went 376 00:17:12,280 --> 00:17:15,960 Speaker 1: into overtime, they lost by four, and Larry is distressed 377 00:17:16,000 --> 00:17:18,360 Speaker 1: by this and he puts his head in his hands. 378 00:17:18,560 --> 00:17:21,959 Speaker 2: I remember so clearly filming that day at that place. 379 00:17:22,040 --> 00:17:25,800 Speaker 2: I don't know why, Like really, I remember every nuance 380 00:17:25,840 --> 00:17:26,320 Speaker 2: about it. 381 00:17:26,480 --> 00:17:27,399 Speaker 3: I don't remember that. 382 00:17:27,600 --> 00:17:30,840 Speaker 1: I remember filming at the vet when Oscar died, but 383 00:17:30,880 --> 00:17:32,320 Speaker 1: that was a two seasons later. 384 00:17:32,400 --> 00:17:33,800 Speaker 3: I believe that was season eight. 385 00:17:33,880 --> 00:17:35,520 Speaker 2: I think I don't even remember that scene. 386 00:17:35,800 --> 00:17:39,560 Speaker 1: Let's keep going and Larry's moaning and his head in 387 00:17:39,600 --> 00:17:49,560 Speaker 1: his hands. Larry, Hi, Oscar's going to be okay, he said, dated, 388 00:17:49,600 --> 00:17:50,440 Speaker 1: He's gonna be fine. 389 00:17:50,480 --> 00:17:51,480 Speaker 4: We're gonna take him home. 390 00:17:52,520 --> 00:17:53,520 Speaker 7: I love that dog. 391 00:17:54,119 --> 00:17:59,199 Speaker 3: Oh, Larry, so sweet. And we all come out in 392 00:17:59,280 --> 00:18:01,920 Speaker 3: Cheryl's with with us, and we all come. 393 00:18:01,760 --> 00:18:08,320 Speaker 1: Out and Cheryl confronts him and starts comforting him, and Oscarry. 394 00:18:07,320 --> 00:18:08,359 Speaker 2: You're right next to her. 395 00:18:08,600 --> 00:18:11,720 Speaker 1: I really say, that's so sweet. They say that's so sweet. 396 00:18:12,000 --> 00:18:13,959 Speaker 1: It's one of the only times I've ever said that 397 00:18:14,040 --> 00:18:17,520 Speaker 1: to Larry in all of this time. And then their 398 00:18:17,560 --> 00:18:20,920 Speaker 1: home and Marla sent a letter and it turns out 399 00:18:21,119 --> 00:18:23,280 Speaker 1: it's a check for one hundred and fifty dollars and 400 00:18:23,320 --> 00:18:26,159 Speaker 1: it says sorry about the jacket, Go buy a new jacket, 401 00:18:26,200 --> 00:18:29,120 Speaker 1: and Larry's impressed with this. This is a gesture that 402 00:18:29,200 --> 00:18:32,879 Speaker 1: she doesn't see very often. And first he was going 403 00:18:32,960 --> 00:18:35,360 Speaker 1: to give it. Oh, Cheryl tells him to give it back, 404 00:18:35,359 --> 00:18:37,680 Speaker 1: and he goes into this whole thing about you screw 405 00:18:37,800 --> 00:18:39,560 Speaker 1: up the books when you give it back, you screw 406 00:18:39,640 --> 00:18:40,199 Speaker 1: up the books. 407 00:18:40,240 --> 00:18:43,359 Speaker 2: But by the way, when we filmed that, what we 408 00:18:43,520 --> 00:18:46,480 Speaker 2: didn't use was a lot more pushback from Cheryl that 409 00:18:46,520 --> 00:18:49,400 Speaker 2: got cut of her saying you got to give it back, and. 410 00:18:49,320 --> 00:18:50,280 Speaker 3: You got to give it back. 411 00:18:50,320 --> 00:18:53,240 Speaker 2: And by the way, the books may have been from 412 00:18:53,320 --> 00:18:55,920 Speaker 2: that take, you know what I mean, Like it's different takes. 413 00:18:56,160 --> 00:18:59,000 Speaker 2: You know, we mix up. We may shoe something a 414 00:18:59,040 --> 00:19:01,960 Speaker 2: half a dozen times, and we take the best pieces 415 00:19:02,080 --> 00:19:05,399 Speaker 2: out of all of it. And that reaction about the 416 00:19:05,400 --> 00:19:08,480 Speaker 2: books was probably in reaction to her really pushing him 417 00:19:08,520 --> 00:19:10,840 Speaker 2: to give it back. But I remember distinctly that was 418 00:19:10,880 --> 00:19:14,800 Speaker 2: a much harder pushback because I in the show I 419 00:19:14,920 --> 00:19:18,200 Speaker 2: actually thought it needed a little more pushback. Eh. 420 00:19:18,200 --> 00:19:20,879 Speaker 3: Well, then he goes into his whole thing about he 421 00:19:20,920 --> 00:19:22,200 Speaker 3: apologizes all the time. 422 00:19:22,280 --> 00:19:24,920 Speaker 5: You know, I'm apologizing all the time, telling people I'm sorry. 423 00:19:25,000 --> 00:19:26,800 Speaker 5: I know when I've done something wrong, I'm not afraid 424 00:19:26,840 --> 00:19:29,080 Speaker 5: to apologize. Most people, I have to say, And my 425 00:19:29,080 --> 00:19:31,960 Speaker 5: mother always used to tell me this. Most people aren't. 426 00:19:31,720 --> 00:19:35,600 Speaker 4: Like you, Larry. Most people are not like you. You're special. 427 00:19:35,880 --> 00:19:37,600 Speaker 3: You know when he imitates his mother, I love it. 428 00:19:37,680 --> 00:19:38,840 Speaker 2: She may have said that. 429 00:19:38,720 --> 00:19:39,080 Speaker 4: She may have. 430 00:19:39,320 --> 00:19:42,120 Speaker 1: I recognize when I do something wrong, and I apologize 431 00:19:42,119 --> 00:19:42,640 Speaker 1: all the time. 432 00:19:42,760 --> 00:19:43,800 Speaker 3: Is this is his point? 433 00:19:44,080 --> 00:19:46,920 Speaker 1: And Cheryl says it'll be more comfortable at the wedding, 434 00:19:47,000 --> 00:19:49,160 Speaker 1: and she's glad that this whole thing has resolved. 435 00:19:49,200 --> 00:19:51,480 Speaker 3: And then she says to him, it's so touching how 436 00:19:51,480 --> 00:19:53,200 Speaker 3: you were so upset about Oscar. 437 00:19:53,760 --> 00:19:56,480 Speaker 1: And Larry says, well, you'd be in human not to 438 00:19:56,560 --> 00:19:57,240 Speaker 1: feel something. 439 00:19:58,240 --> 00:20:00,840 Speaker 3: The poor dog fighting for life. That is as I 440 00:20:00,880 --> 00:20:01,560 Speaker 3: love that song. 441 00:20:01,760 --> 00:20:04,240 Speaker 2: Whether it's his wife, it doesn't matter who it is. 442 00:20:04,800 --> 00:20:08,919 Speaker 2: If he's getting anything nice that he doesn't believe in, 443 00:20:09,440 --> 00:20:12,400 Speaker 2: he just goes, yes, why wouldn't I? And it can 444 00:20:12,440 --> 00:20:15,400 Speaker 2: be a myriad of subjects, but if he'd. 445 00:20:15,160 --> 00:20:17,720 Speaker 1: Be crazy not to yes, I've heard. 446 00:20:17,560 --> 00:20:20,639 Speaker 2: Him say that. I've always enjoyed that. Yeah. 447 00:20:20,640 --> 00:20:23,199 Speaker 1: And then Cheryl, you know, she kisses him, and you 448 00:20:23,200 --> 00:20:25,600 Speaker 1: know it's going to lead to some daytime sex. So 449 00:20:26,160 --> 00:20:29,280 Speaker 1: the Oscar ploy worked very well in Larry's flavor. 450 00:20:29,440 --> 00:20:29,800 Speaker 3: All right. 451 00:20:29,880 --> 00:20:32,600 Speaker 1: Next Larry's coming into our house and he hears me 452 00:20:32,720 --> 00:20:33,960 Speaker 1: screaming for Oscar. 453 00:20:34,040 --> 00:20:34,919 Speaker 3: Oscar's missing. 454 00:20:35,200 --> 00:20:37,639 Speaker 1: He was sedated after coming back from the vet, and 455 00:20:37,680 --> 00:20:41,359 Speaker 1: he was sitting in the backyard, and Larry starts to 456 00:20:41,359 --> 00:20:42,439 Speaker 1: tell you he saw Oscar. 457 00:20:42,480 --> 00:20:44,280 Speaker 4: They was kind of drooling over him a little bit. 458 00:20:44,760 --> 00:20:46,680 Speaker 2: So he likes my dog. 459 00:20:47,560 --> 00:20:49,280 Speaker 4: Well, you know it's not a myth. 460 00:20:49,640 --> 00:20:51,160 Speaker 7: They do eat dogs. 461 00:20:51,520 --> 00:20:52,400 Speaker 2: They eat dogs. 462 00:20:52,840 --> 00:20:56,960 Speaker 4: Yeah, some Koreans eat dogs. Well, you know what what, 463 00:20:57,520 --> 00:20:58,240 Speaker 4: I gotta go over there. 464 00:20:58,280 --> 00:20:59,720 Speaker 5: And now he's got a flower shop. I gotta pay 465 00:20:59,720 --> 00:21:02,440 Speaker 5: off mynd nick loss. I'll loss it up, I'll feel 466 00:21:02,480 --> 00:21:05,080 Speaker 5: it out. I'm sure to need your dog. I shouldn't 467 00:21:05,080 --> 00:21:06,400 Speaker 5: even brought it up, crazy. 468 00:21:06,119 --> 00:21:08,000 Speaker 2: You shouldn't have brought it up, though, made me a litle. 469 00:21:07,760 --> 00:21:09,480 Speaker 4: No, no, don't don't it non't forget. 470 00:21:09,280 --> 00:21:10,800 Speaker 2: It all right, forgotten. 471 00:21:11,200 --> 00:21:12,640 Speaker 4: He didn't kidnap and eat your dog. 472 00:21:12,760 --> 00:21:15,480 Speaker 1: Okay, He's gonna go explore this and he goes into 473 00:21:15,520 --> 00:21:16,240 Speaker 1: the flower shop. 474 00:21:16,400 --> 00:21:18,480 Speaker 3: This song also is not just a bookie. He also 475 00:21:18,520 --> 00:21:19,359 Speaker 3: has a flower shop. 476 00:21:19,400 --> 00:21:22,360 Speaker 2: And by the way, I love the hat with the mohawk. 477 00:21:22,720 --> 00:21:23,440 Speaker 3: Uh, huh. 478 00:21:23,480 --> 00:21:26,760 Speaker 1: And Song is on the phone doing flowers and he's 479 00:21:26,760 --> 00:21:30,160 Speaker 1: gonna do the flowers for Mark and Marla's wedding, and 480 00:21:30,280 --> 00:21:32,639 Speaker 1: Larry's like, I'm gonna be there, okay. So he's gonna 481 00:21:32,640 --> 00:21:35,240 Speaker 1: be doing the flowers, and Larry doesn't have cash, and 482 00:21:35,240 --> 00:21:36,400 Speaker 1: he gives him the check. 483 00:21:36,480 --> 00:21:38,000 Speaker 3: He owes him one hundred and fifty dollars. 484 00:21:38,200 --> 00:21:41,080 Speaker 1: He gives him the check from Marla for one hundred 485 00:21:41,080 --> 00:21:43,320 Speaker 1: and fifty dollars. Now that never pays off for some reason, 486 00:21:43,359 --> 00:21:45,320 Speaker 1: I wonder if there was a payoff on that later. 487 00:21:45,600 --> 00:21:49,399 Speaker 2: No, No, there is no there is a payoff later 488 00:21:49,680 --> 00:21:52,520 Speaker 2: because she finds out that he didn't use the money 489 00:21:53,000 --> 00:21:56,240 Speaker 2: because he signed the back of the check. It's gone and. 490 00:21:56,440 --> 00:21:58,840 Speaker 1: Sung, yes, but there's no payoff that he gives it 491 00:21:58,880 --> 00:21:59,960 Speaker 1: to Sung he could have. 492 00:22:00,080 --> 00:22:03,119 Speaker 2: No, No, but there is nothing. There is nothing bad 493 00:22:03,160 --> 00:22:05,160 Speaker 2: about that, I mean, you know what I mean. It's 494 00:22:05,240 --> 00:22:07,560 Speaker 2: just he gave it to him. It was convenient. And 495 00:22:07,600 --> 00:22:10,720 Speaker 2: then of course consciously he doesn't have the money to 496 00:22:10,760 --> 00:22:13,920 Speaker 2: buy a new jacket at this point. That's the thought process. 497 00:22:14,240 --> 00:22:17,520 Speaker 2: That's why when she accuses him of that, it makes 498 00:22:17,560 --> 00:22:18,320 Speaker 2: total sense. 499 00:22:18,600 --> 00:22:21,240 Speaker 1: Yeah, well, I still think that that could happened. Whether 500 00:22:21,280 --> 00:22:22,800 Speaker 1: he gave Song the check or not. 501 00:22:22,880 --> 00:22:26,200 Speaker 2: I thought, yeah, but this scene it doesn't matter. 502 00:22:26,080 --> 00:22:26,480 Speaker 3: I guess. 503 00:22:26,480 --> 00:22:29,080 Speaker 1: So so Larry's like Larry said, they go into this 504 00:22:29,119 --> 00:22:31,560 Speaker 1: thing now, which is an exchange that they've had before, 505 00:22:31,560 --> 00:22:34,040 Speaker 1: which I like, you know, who I'm liking and songs 506 00:22:34,080 --> 00:22:37,760 Speaker 1: I have a feeling and not liking loving the Celtics 507 00:22:37,760 --> 00:22:38,560 Speaker 1: and you're gonna win. 508 00:22:38,680 --> 00:22:39,680 Speaker 3: I feel the same thing. 509 00:22:40,000 --> 00:22:42,560 Speaker 2: Go and st It's a I forget what they call 510 00:22:42,640 --> 00:22:45,439 Speaker 2: it when it's equal. So in other words, there's like 511 00:22:45,480 --> 00:22:50,600 Speaker 2: a minus three, you know something four bread. So this 512 00:22:50,720 --> 00:22:53,959 Speaker 2: spread is a win or lose thing. That's why Larry 513 00:22:54,160 --> 00:22:55,040 Speaker 2: is like, you know. 514 00:22:55,280 --> 00:22:58,080 Speaker 1: And then Sung takes a bite into a sandwich and 515 00:22:58,119 --> 00:23:00,560 Speaker 1: he's eating very like shit is coming out of his 516 00:23:00,640 --> 00:23:02,800 Speaker 1: mouth and he it's delectable. 517 00:23:02,840 --> 00:23:06,119 Speaker 3: It's fresh meat and it's delectable. And Larry says, what 518 00:23:06,240 --> 00:23:06,720 Speaker 3: kind of meat? 519 00:23:06,760 --> 00:23:09,359 Speaker 1: Because he's trying to, you know, feel him out about Oscar, 520 00:23:09,400 --> 00:23:10,639 Speaker 1: and Song's like the best kind. 521 00:23:11,040 --> 00:23:13,840 Speaker 3: And then Larry says Oscar is missing. 522 00:23:13,880 --> 00:23:17,200 Speaker 1: And Song says, good, I love what if this is 523 00:23:17,240 --> 00:23:17,840 Speaker 1: such a gents? 524 00:23:18,040 --> 00:23:21,960 Speaker 2: Oh too bad. But here's what I want to say 525 00:23:22,000 --> 00:23:28,359 Speaker 2: is that's a very difficult performance. To not say what 526 00:23:28,400 --> 00:23:32,720 Speaker 2: the meat is and pull off. It's the best, it's great, 527 00:23:32,800 --> 00:23:35,760 Speaker 2: and he does and I'm watching it. At no point 528 00:23:35,800 --> 00:23:38,960 Speaker 2: I think it's Oscar, but nonetheless. 529 00:23:38,359 --> 00:23:41,800 Speaker 3: Well, I mean it's a stretch and no, by. 530 00:23:41,640 --> 00:23:46,080 Speaker 2: The way, is that even a real thing about. 531 00:23:44,840 --> 00:23:46,399 Speaker 3: I've heard that, but I don't know. 532 00:23:46,800 --> 00:23:49,280 Speaker 2: But that could also be just a bunch of bullshit. 533 00:23:49,359 --> 00:23:52,080 Speaker 3: Could it could be? Yeah, And then they get into 534 00:23:52,119 --> 00:23:53,360 Speaker 3: a stare down, you know. 535 00:23:53,400 --> 00:23:56,960 Speaker 2: And by the way, great staredown, Great staredown, because Bobby 536 00:23:57,040 --> 00:24:01,000 Speaker 2: Lee is part confused and part participate painting, and. 537 00:24:00,920 --> 00:24:03,959 Speaker 1: It was really Bobby Lee doesn't know Song, doesn't know 538 00:24:04,040 --> 00:24:05,840 Speaker 1: that Larry thinks he ate the dog. 539 00:24:06,160 --> 00:24:06,399 Speaker 3: I know. 540 00:24:06,440 --> 00:24:08,640 Speaker 2: That's why he's rather curious than he's in a stereauff, 541 00:24:08,840 --> 00:24:10,320 Speaker 2: which makes it really special. 542 00:24:11,160 --> 00:24:24,600 Speaker 3: We'll be right back, stay tuned, and we're back. 543 00:24:25,720 --> 00:24:28,879 Speaker 1: And then we are on the beach and it's the 544 00:24:28,920 --> 00:24:32,159 Speaker 1: wedding and you say that you saw Heinemann's car in 545 00:24:32,200 --> 00:24:36,280 Speaker 1: the parking lot, the gold Cadillac, and Larry's wearing a 546 00:24:36,320 --> 00:24:39,480 Speaker 1: straw hat, which you telling me looks like he's driving 547 00:24:39,480 --> 00:24:41,000 Speaker 1: a rickshaw, which, by the. 548 00:24:40,920 --> 00:24:44,560 Speaker 2: Way, those hats are very common now. And back then 549 00:24:44,640 --> 00:24:48,040 Speaker 2: you rarely because getting cancer, what have you? Y. You 550 00:24:48,080 --> 00:24:50,760 Speaker 2: didn't see him that much then, but now you know, 551 00:24:50,800 --> 00:24:52,480 Speaker 2: I would go and die. Have a surf shop near 552 00:24:52,520 --> 00:24:56,560 Speaker 2: me called Valve Surf, Valley Surf, and they have those 553 00:24:56,640 --> 00:25:00,280 Speaker 2: hats and different companies. It says Valvesurf on them. I 554 00:25:00,320 --> 00:25:02,240 Speaker 2: mean a lot of people wear those now, So the 555 00:25:02,320 --> 00:25:04,600 Speaker 2: Rigshaw joke would not work into. 556 00:25:04,720 --> 00:25:08,600 Speaker 1: Larry was a trendsetter. And he says, I'm married, I 557 00:25:08,640 --> 00:25:11,160 Speaker 1: could wear whatever I want. And then you go into 558 00:25:11,200 --> 00:25:11,600 Speaker 1: a hole. 559 00:25:11,680 --> 00:25:16,280 Speaker 2: Hold on, is that not a brilliant line. I'm married 560 00:25:16,400 --> 00:25:18,200 Speaker 2: and I can wear whatever I want. 561 00:25:18,440 --> 00:25:20,560 Speaker 1: So you look around and for you, it's just a 562 00:25:20,600 --> 00:25:23,640 Speaker 1: titty fest. There's big bosoms everywhere. 563 00:25:23,880 --> 00:25:26,600 Speaker 2: It's not for me, it's a titty fest. I expressed that. 564 00:25:26,680 --> 00:25:32,240 Speaker 1: It's you express that bosoms everywhere, And Larry remarks that Mark, 565 00:25:32,280 --> 00:25:36,199 Speaker 1: who's a cosmetic surgeon, probably invited all his clients, so 566 00:25:36,240 --> 00:25:37,359 Speaker 1: that's why there's all these. 567 00:25:37,240 --> 00:25:38,960 Speaker 3: Women running around with huge breasts. 568 00:25:38,960 --> 00:25:41,560 Speaker 1: And then and then he sees Sung and you ask 569 00:25:41,600 --> 00:25:43,960 Speaker 1: what happened with Oscar and you say nothing, and then 570 00:25:44,040 --> 00:25:49,600 Speaker 1: you both see then you both see Rachel who Rachel 571 00:25:49,640 --> 00:25:52,600 Speaker 1: Heinemann was in the Ski Lift episode the one who 572 00:25:52,720 --> 00:25:53,399 Speaker 1: jumped off the. 573 00:25:54,359 --> 00:26:00,400 Speaker 3: Chair as bar and she clearly has had a boot job. 574 00:26:00,920 --> 00:26:02,560 Speaker 3: I'm sticking straight out. 575 00:26:02,680 --> 00:26:05,880 Speaker 2: All I'm gonna say is wardrobe did a great job 576 00:26:05,920 --> 00:26:06,159 Speaker 2: with that. 577 00:26:06,320 --> 00:26:06,480 Speaker 5: Well. 578 00:26:06,520 --> 00:26:09,280 Speaker 1: I remember that day because I was with her and 579 00:26:09,320 --> 00:26:11,360 Speaker 1: she felt like they weren't big enough when we kept 580 00:26:11,400 --> 00:26:13,200 Speaker 1: on putting more and more stuff in them. 581 00:26:13,840 --> 00:26:15,120 Speaker 3: I remember that we were back. 582 00:26:15,359 --> 00:26:17,840 Speaker 1: We're in some kind of dressing mbor trailer or whatever, 583 00:26:17,880 --> 00:26:20,600 Speaker 1: and we kept making it bigger and bigger and bigger. 584 00:26:20,880 --> 00:26:22,360 Speaker 3: So they got big enough. 585 00:26:23,600 --> 00:26:25,960 Speaker 2: It can't be too big, because then it's a joke 586 00:26:26,040 --> 00:26:26,680 Speaker 2: on itself. 587 00:26:26,960 --> 00:26:29,560 Speaker 1: No, they were correct, but they were sticking straight out. 588 00:26:29,840 --> 00:26:32,879 Speaker 1: And Larry says, I paid for those things. And he 589 00:26:32,920 --> 00:26:35,200 Speaker 1: approaches Rachel and he says. 590 00:26:35,000 --> 00:26:41,240 Speaker 3: To her, Oh, hello, hello, how are you. I'm fine? 591 00:26:41,359 --> 00:26:43,000 Speaker 3: Thank you. 592 00:26:43,000 --> 00:26:46,000 Speaker 5: You've undergone quite a transformation since the last time I 593 00:26:46,040 --> 00:26:46,359 Speaker 5: saw you. 594 00:26:46,880 --> 00:26:49,199 Speaker 2: Yes, my father thought it would bring more joy to 595 00:26:49,240 --> 00:26:50,400 Speaker 2: my social interactions. 596 00:26:50,640 --> 00:26:53,600 Speaker 5: Really, is that what he thought? Yes, let me just 597 00:26:53,600 --> 00:26:56,560 Speaker 5: say this. Okay, less is more. I think you went 598 00:26:56,640 --> 00:26:59,560 Speaker 5: a little too big on it. This is my opinion. 599 00:27:00,119 --> 00:27:01,480 Speaker 3: Well, thank you for your opinion. 600 00:27:02,000 --> 00:27:03,600 Speaker 1: But we thought they would be festive if they were 601 00:27:03,640 --> 00:27:04,680 Speaker 1: appropriately sized. 602 00:27:05,119 --> 00:27:07,640 Speaker 5: That festive man, that's that's a festival if I ever 603 00:27:07,720 --> 00:27:09,680 Speaker 5: saw one. I don't know what kind of guy you're 604 00:27:09,720 --> 00:27:11,639 Speaker 5: going after with those things, but you're not going to 605 00:27:11,680 --> 00:27:12,399 Speaker 5: get somebody like me. 606 00:27:12,440 --> 00:27:13,080 Speaker 4: I can tell you that. 607 00:27:13,200 --> 00:27:17,280 Speaker 3: Oh well, oh god, she thought festive. It was festive 608 00:27:17,359 --> 00:27:18,520 Speaker 3: to have a little bit more. 609 00:27:19,040 --> 00:27:23,280 Speaker 1: And Mark walks by and Larry says, is this your hands? 610 00:27:23,359 --> 00:27:26,640 Speaker 2: You were agree that there's nothing to make a party 611 00:27:26,680 --> 00:27:31,800 Speaker 2: more festive than a lot of a large No. No, fake, fake, 612 00:27:31,960 --> 00:27:35,000 Speaker 2: that's hilarious. Then, by the way, I look at them 613 00:27:35,040 --> 00:27:38,159 Speaker 2: as decorations, like the lamps like. I don't look at 614 00:27:38,240 --> 00:27:41,200 Speaker 2: them as like that's hot to me. It's just another 615 00:27:41,280 --> 00:27:43,600 Speaker 2: thing that makes the party festive. And if they wear 616 00:27:43,640 --> 00:27:46,280 Speaker 2: colorful clothes with their breasts, all the better. 617 00:27:46,359 --> 00:27:48,040 Speaker 3: Can you always tell well, you don't know. If you 618 00:27:48,080 --> 00:27:50,280 Speaker 3: could always tell me, no, here's what it is. 619 00:27:50,960 --> 00:27:55,000 Speaker 2: You you can tell nine out of ten times, and 620 00:27:55,040 --> 00:27:58,240 Speaker 2: that tenth one, oh so confusing. And you want to 621 00:27:58,240 --> 00:28:01,840 Speaker 2: ask before I was dying nose with my bipolar Yes, 622 00:28:01,920 --> 00:28:02,720 Speaker 2: I asked. 623 00:28:02,640 --> 00:28:03,879 Speaker 3: And were you told yes or no? 624 00:28:04,200 --> 00:28:06,960 Speaker 2: Well, they're gonna lie either way. They're not gonna go yes, 625 00:28:07,040 --> 00:28:09,239 Speaker 2: these are fake, they're gonna go No, they're real. Why 626 00:28:09,280 --> 00:28:12,760 Speaker 2: would they tell me they're not. But I'm confused. 627 00:28:12,960 --> 00:28:15,600 Speaker 1: You're not talking about naked with somebody, then you could 628 00:28:15,640 --> 00:28:18,679 Speaker 1: tell hold on, you're talking about just somebody that you 629 00:28:18,720 --> 00:28:20,040 Speaker 1: see in the kind of. 630 00:28:20,320 --> 00:28:23,240 Speaker 2: Fake bosom party am I having in my backyard that 631 00:28:23,440 --> 00:28:25,960 Speaker 2: I don't know if you'd hold on hold on that 632 00:28:26,119 --> 00:28:28,480 Speaker 2: I have. It's me and a bunch of naked women 633 00:28:28,560 --> 00:28:31,080 Speaker 2: with fake breast, No naked. 634 00:28:31,160 --> 00:28:34,440 Speaker 3: Have you ever been naked with somebody with fake breasts? 635 00:28:34,560 --> 00:28:36,760 Speaker 2: Can I be really serious right now? 636 00:28:37,000 --> 00:28:37,320 Speaker 3: Yeah? 637 00:28:37,600 --> 00:28:41,320 Speaker 2: No, I have never been with a woman with fake breast, 638 00:28:41,400 --> 00:28:44,760 Speaker 2: which I find and by the way, that wouldn't stop 639 00:28:44,840 --> 00:28:48,080 Speaker 2: me at least, you know, during my single period. But no, 640 00:28:48,160 --> 00:28:53,600 Speaker 2: I never have ever. Oh not true one. Okay. 641 00:28:54,880 --> 00:28:57,520 Speaker 1: Anyway, Mark walks by and Larry says to him, this 642 00:28:57,560 --> 00:28:58,360 Speaker 1: is your handiwork. 643 00:28:58,360 --> 00:29:00,920 Speaker 3: And he says, she's one of my best patience. And 644 00:29:01,000 --> 00:29:03,320 Speaker 3: he says, you went a little big. Were you drunk? 645 00:29:03,600 --> 00:29:07,320 Speaker 3: And you know natural is what he says, natural? 646 00:29:07,640 --> 00:29:10,160 Speaker 1: Natural is a freak show, okay, And Larry says I 647 00:29:10,240 --> 00:29:12,000 Speaker 1: paid for them, by the way, I gave your father 648 00:29:12,040 --> 00:29:14,280 Speaker 1: a check. And Rachel's like, yeah, you paid for the 649 00:29:14,320 --> 00:29:16,960 Speaker 1: bottom half of the left breast like that. 650 00:29:16,960 --> 00:29:19,400 Speaker 2: By the way, I get that exchange with the that 651 00:29:19,480 --> 00:29:23,040 Speaker 2: with the plastic surgeon and her and him defending what 652 00:29:23,080 --> 00:29:26,520 Speaker 2: they've done and how they're both proud of what's going on. 653 00:29:27,760 --> 00:29:28,480 Speaker 2: I just love that. 654 00:29:28,720 --> 00:29:30,520 Speaker 1: And there is such a thing as tightening of the 655 00:29:30,600 --> 00:29:32,320 Speaker 1: vagina as well as a matter of fact. 656 00:29:32,280 --> 00:29:35,640 Speaker 3: We did that in The Godfather. This scene did that 657 00:29:35,680 --> 00:29:36,400 Speaker 3: in The Godfather. 658 00:29:37,920 --> 00:29:39,760 Speaker 2: Your character does it later on. 659 00:29:40,000 --> 00:29:43,600 Speaker 3: It's a big storyline that's right in season eleven. Yes, 660 00:29:43,680 --> 00:29:46,560 Speaker 3: vaginal vaginal rejuvenation surger. 661 00:29:46,960 --> 00:29:50,120 Speaker 2: And by the way, we'll get it. But you, you 662 00:29:50,360 --> 00:29:54,920 Speaker 2: and Tracy Tracy Allman in that scene. I watched that 663 00:29:55,120 --> 00:29:58,680 Speaker 2: scene from about i'd say, six feet away, you know, 664 00:29:58,840 --> 00:30:00,720 Speaker 2: and then made sure is by any ham or whatever, 665 00:30:01,200 --> 00:30:04,320 Speaker 2: and I couldn't believe what I was saying. With the 666 00:30:04,360 --> 00:30:04,680 Speaker 2: two of you. 667 00:30:04,840 --> 00:30:05,960 Speaker 3: It was we had fun. 668 00:30:06,080 --> 00:30:08,200 Speaker 2: It was sublime. It was amazing to watch. 669 00:30:08,360 --> 00:30:10,040 Speaker 1: Well, she was a lot of fun to work, right, Oh, 670 00:30:10,120 --> 00:30:13,000 Speaker 1: of course, je t Allman and then Larry ask the 671 00:30:13,040 --> 00:30:15,680 Speaker 1: guy the Celtics scored. The guy sells them Celtics lost 672 00:30:15,680 --> 00:30:19,560 Speaker 1: by three, and he's again with the head in his hand, upset, 673 00:30:19,840 --> 00:30:23,240 Speaker 1: and just then Cheryl and I walk over and Cheryl's like, 674 00:30:23,280 --> 00:30:25,680 Speaker 1: what's the matter, and the guy who told him the 675 00:30:25,680 --> 00:30:28,120 Speaker 1: score says, I just told him the Celtics lost, and 676 00:30:28,160 --> 00:30:30,160 Speaker 1: you just see my face in Cheryl's face, and we 677 00:30:30,240 --> 00:30:32,920 Speaker 1: get it. We're onto him. He's such a fucking faker. 678 00:30:33,320 --> 00:30:35,360 Speaker 1: And then Larry says, I think I'll get my coat. 679 00:30:35,400 --> 00:30:37,320 Speaker 1: I'm a little chilly, and he goes to the car, 680 00:30:37,360 --> 00:30:39,000 Speaker 1: gets his coat and he comes back and they're doing 681 00:30:39,000 --> 00:30:42,200 Speaker 1: the ceremony on the beach and Mark says, I do, 682 00:30:42,400 --> 00:30:44,440 Speaker 1: and then Marla is about to say I do, and 683 00:30:44,520 --> 00:30:48,479 Speaker 1: she turns and she sees Larry wearing the jacket with 684 00:30:48,560 --> 00:30:51,920 Speaker 1: the small stain on it, and she's just like, you've 685 00:30:52,000 --> 00:30:54,320 Speaker 1: got to be kidding me, where's the new jacket? 686 00:30:54,400 --> 00:30:54,760 Speaker 3: Larry? 687 00:30:55,160 --> 00:30:58,800 Speaker 2: I completely believe that? And she got angrier and angrier, 688 00:30:59,320 --> 00:31:02,640 Speaker 2: and then at that point the people who knew the 689 00:31:02,720 --> 00:31:06,760 Speaker 2: story next to Larry got angry. But these people were 690 00:31:06,760 --> 00:31:10,400 Speaker 2: directed to where every person from the person in the 691 00:31:10,480 --> 00:31:14,320 Speaker 2: back got angry at Larry. And how the fuck do 692 00:31:14,440 --> 00:31:16,400 Speaker 2: they know? It's like I told you, when the sex 693 00:31:16,480 --> 00:31:20,160 Speaker 2: offender walks in and you have characters who have no 694 00:31:20,280 --> 00:31:23,400 Speaker 2: idea who he is, they've never seen a poster, and 695 00:31:23,440 --> 00:31:26,120 Speaker 2: they're angry. I just this is one of the things 696 00:31:26,120 --> 00:31:29,720 Speaker 2: that makes me just I don't know, and I fought it, 697 00:31:29,800 --> 00:31:31,920 Speaker 2: of course, and what are you gonna do? By the way, 698 00:31:32,120 --> 00:31:35,560 Speaker 2: I think our listeners are learning when I fight something, 699 00:31:35,960 --> 00:31:41,760 Speaker 2: I don't get my way because everything that I fight about. 700 00:31:41,200 --> 00:31:43,280 Speaker 1: The other days to the show, not the sat or 701 00:31:43,320 --> 00:31:45,560 Speaker 1: scene so much because that was contained. But a scene 702 00:31:45,640 --> 00:31:49,160 Speaker 1: like this, where you've got a whole shipload of extras, 703 00:31:49,520 --> 00:31:50,440 Speaker 1: it's it's. 704 00:31:50,240 --> 00:31:54,760 Speaker 3: Very hard to you know, uh, change a direction. 705 00:31:55,360 --> 00:31:56,200 Speaker 1: You know what I mean? 706 00:31:56,200 --> 00:31:58,640 Speaker 2: Are you smoking? It's easy. You have the ad go 707 00:31:58,800 --> 00:32:03,040 Speaker 2: up and go everybody, don't react and react with curiosity. 708 00:32:04,280 --> 00:32:04,960 Speaker 3: I don't mean that. 709 00:32:05,080 --> 00:32:08,360 Speaker 1: I mean that there's there's more chaos going on on 710 00:32:08,480 --> 00:32:11,040 Speaker 1: set in general, and so you might. 711 00:32:10,920 --> 00:32:13,840 Speaker 2: Have, certainly this particular day, a lot of. 712 00:32:13,840 --> 00:32:18,520 Speaker 1: Chaos organized and you might have something that you want 713 00:32:18,560 --> 00:32:20,560 Speaker 1: to fight for, but there's too much going on for 714 00:32:20,640 --> 00:32:21,600 Speaker 1: anybody who listens. 715 00:32:21,880 --> 00:32:25,520 Speaker 2: So here's what I want to say. Okay, in all 716 00:32:25,600 --> 00:32:30,080 Speaker 2: sincerity about this Number one, you want to give background 717 00:32:30,120 --> 00:32:34,560 Speaker 2: as little as possible to do because I watching this 718 00:32:35,000 --> 00:32:38,480 Speaker 2: as I was on the set, completely distracted by their 719 00:32:38,720 --> 00:32:42,040 Speaker 2: yelling at them and performances. Yes, from a logic standpoint, 720 00:32:42,320 --> 00:32:46,920 Speaker 2: but also WHOA, so I in that situation, because truly, 721 00:32:46,960 --> 00:32:50,960 Speaker 2: that's my specialty on their show is large backgrounds. Larry 722 00:32:50,960 --> 00:32:53,880 Speaker 2: relies on me, and I said to him, it's just 723 00:32:54,680 --> 00:32:58,120 Speaker 2: it's no good. It's no good. It really feels false. 724 00:32:58,280 --> 00:33:00,800 Speaker 2: And by the way, I know, we shot a couple 725 00:33:01,200 --> 00:33:04,040 Speaker 2: where they didn't and I guess energy wiser for whatever 726 00:33:04,080 --> 00:33:07,560 Speaker 2: reason in editing. Yeah, yeah, maybe then editing the director 727 00:33:07,600 --> 00:33:09,520 Speaker 2: fought for it. I don't know, because I don't go 728 00:33:09,560 --> 00:33:10,640 Speaker 2: to editing stop. 729 00:33:10,720 --> 00:33:12,280 Speaker 1: But I well, i'll get to it when we go. 730 00:33:12,320 --> 00:33:14,520 Speaker 1: I'm almost there, so I'll get to that. But he says, 731 00:33:14,600 --> 00:33:16,640 Speaker 1: it's my money. I could do what I want. You know, 732 00:33:16,720 --> 00:33:18,440 Speaker 1: she said, did you read the memo? And he just 733 00:33:18,520 --> 00:33:21,520 Speaker 1: ignores her. And then you and Larry are eating and 734 00:33:21,560 --> 00:33:23,840 Speaker 1: you're just carrying on about how delicious it is and 735 00:33:23,880 --> 00:33:27,640 Speaker 1: it's bulgoki and a woman passes by and he asked 736 00:33:27,680 --> 00:33:30,080 Speaker 1: her about it, and she says the Korean Floris bought it, 737 00:33:30,320 --> 00:33:33,880 Speaker 1: and then Larry then assumes that it's Oscar, so he 738 00:33:34,000 --> 00:33:37,560 Speaker 1: starts spitting it out and screaming, it's Oscar. You're eating dog, 739 00:33:37,680 --> 00:33:41,960 Speaker 1: and everyone starts wretching. Now I remember doing that scene 740 00:33:42,160 --> 00:33:46,520 Speaker 1: and wretching for fucking we must have done twenty five takes. 741 00:33:46,440 --> 00:33:49,440 Speaker 2: No well over an hour, and I just looked at 742 00:33:49,520 --> 00:33:51,520 Speaker 2: Larry and he agreed, I go, we're done. 743 00:33:51,680 --> 00:33:54,640 Speaker 3: I mean, I just did not understand the purpose of it. 744 00:33:54,720 --> 00:33:58,080 Speaker 2: Well, there was no purpose. You know, it's hosing down 745 00:33:58,120 --> 00:34:00,960 Speaker 2: a scene. That's the term for it, where you just 746 00:34:01,080 --> 00:34:04,200 Speaker 2: shoot and shoot and shoot. So there's a million choices 747 00:34:04,200 --> 00:34:07,840 Speaker 2: in editing and then you do it. Whereas I learned 748 00:34:07,840 --> 00:34:11,239 Speaker 2: from reading about the great directors, and the great directors 749 00:34:11,640 --> 00:34:15,000 Speaker 2: all know what they want in their head. They've edited 750 00:34:15,040 --> 00:34:15,680 Speaker 2: it and. 751 00:34:15,600 --> 00:34:17,920 Speaker 3: They know where the god. 752 00:34:18,520 --> 00:34:22,279 Speaker 2: But also Hitchcock knew this is what I need and 753 00:34:22,320 --> 00:34:24,480 Speaker 2: there's no storyboards and there's no prep. 754 00:34:24,920 --> 00:34:27,840 Speaker 1: I just remember that day thinking how many other ways 755 00:34:27,880 --> 00:34:30,920 Speaker 1: can I vomit? It was like it was Ahoul do 756 00:34:31,000 --> 00:34:33,960 Speaker 1: it over, and. 757 00:34:32,840 --> 00:34:36,040 Speaker 2: I think would have been funnier. Look, Larry doesn't like 758 00:34:36,120 --> 00:34:39,120 Speaker 2: this type of humor, but I really thought some people, 759 00:34:39,239 --> 00:34:42,359 Speaker 2: if not everyone, should be really vomiting, because I think 760 00:34:42,680 --> 00:34:46,680 Speaker 2: I think vomiting is really funny. Larry doesn't like that 761 00:34:46,800 --> 00:34:50,400 Speaker 2: kind of humor, like it really bothers him, and so 762 00:34:50,600 --> 00:34:54,400 Speaker 2: that's why you know, there's no it's just gagging. 763 00:34:54,080 --> 00:34:56,399 Speaker 3: Well, I remember gagging for hours. 764 00:34:56,600 --> 00:34:58,799 Speaker 2: But I want to point something out to you. I 765 00:34:58,840 --> 00:35:02,200 Speaker 2: don't think your care. I think you should be gagging, 766 00:35:02,600 --> 00:35:04,319 Speaker 2: but I think you should be making a move for 767 00:35:04,440 --> 00:35:07,640 Speaker 2: Larry and start screaming at him. You've lost your dog. 768 00:35:07,719 --> 00:35:10,440 Speaker 2: Your dog is now a meal. And I thought you 769 00:35:10,680 --> 00:35:14,520 Speaker 2: spitting it out like everybody else. I didn't buy because 770 00:35:14,719 --> 00:35:17,960 Speaker 2: everyone else is shocked and browsed down. But you have 771 00:35:18,040 --> 00:35:24,160 Speaker 2: a year from your belly up. You should be exploding 772 00:35:24,640 --> 00:35:28,279 Speaker 2: and then going to Larry and screaming at him. While 773 00:35:28,920 --> 00:35:31,320 Speaker 2: it would have been a great scene for you because 774 00:35:31,320 --> 00:35:35,680 Speaker 2: you would be going in between screaming and gets yes 775 00:35:36,040 --> 00:35:38,480 Speaker 2: and going back and forth. And I thought, what a 776 00:35:38,520 --> 00:35:41,160 Speaker 2: missed opportunity. And when I saw you in this scene, 777 00:35:41,440 --> 00:35:45,120 Speaker 2: forget even that part. I just thought, it's weird that 778 00:35:45,160 --> 00:35:49,000 Speaker 2: she's just gagging like everybody else when her heart is broken. 779 00:35:49,200 --> 00:35:51,319 Speaker 1: That and I'll tell you another thing that's weird is 780 00:35:51,360 --> 00:35:53,960 Speaker 1: what happens in the next scene, which Larry and Cheryl 781 00:35:54,040 --> 00:35:56,040 Speaker 1: get in the car and all of a sudden they 782 00:35:56,040 --> 00:35:57,160 Speaker 1: see oscar run by. 783 00:35:57,400 --> 00:35:59,640 Speaker 3: Where did oscar come from? If they're at the beach, 784 00:36:00,080 --> 00:36:01,320 Speaker 3: you're our house, well. 785 00:36:01,160 --> 00:36:03,799 Speaker 2: By the way, In all sincerity, we don't know how 786 00:36:03,800 --> 00:36:06,400 Speaker 2: far we live from the beach. And actually our character's 787 00:36:06,440 --> 00:36:08,799 Speaker 2: house is in the palisade, so it's not far. 788 00:36:09,040 --> 00:36:09,600 Speaker 3: That's true. 789 00:36:09,719 --> 00:36:13,319 Speaker 2: Okay, so I know it's convenient, but it didn't bother me. 790 00:36:13,360 --> 00:36:14,120 Speaker 2: It's too easy. 791 00:36:14,280 --> 00:36:17,640 Speaker 1: Yes, oscar runs by and Larry is distracted by Oscar, 792 00:36:17,719 --> 00:36:21,440 Speaker 1: and he slams into the gold Cadillac and hits the 793 00:36:21,560 --> 00:36:25,120 Speaker 1: other tail light. So I guess now his daughter will 794 00:36:25,160 --> 00:36:29,120 Speaker 1: be getting a vaginal rejuvenation after her boob job. 795 00:36:29,200 --> 00:36:32,280 Speaker 3: But he puts the note on the windshields, and the windshields. 796 00:36:32,000 --> 00:36:34,640 Speaker 2: He's walking towards it. But I want to say, when 797 00:36:34,680 --> 00:36:37,400 Speaker 2: I was watching, I forgot that he did that, and 798 00:36:37,480 --> 00:36:39,719 Speaker 2: I thought he would get in the car and drive 799 00:36:39,760 --> 00:36:41,960 Speaker 2: away fast because he didn't want to give this fucker 800 00:36:42,040 --> 00:36:42,800 Speaker 2: another penny. 801 00:36:43,080 --> 00:36:46,359 Speaker 1: Yeah, and actually the first time he put the note 802 00:36:46,360 --> 00:36:48,120 Speaker 1: on is because he needed Ben Heineman. 803 00:36:48,400 --> 00:36:52,279 Speaker 3: Right this time, there's no relationship whatsoever. 804 00:36:52,080 --> 00:36:53,640 Speaker 2: Right, so I thought he would run away. 805 00:36:53,880 --> 00:36:55,880 Speaker 3: Yeah, but he's a man of integrity. 806 00:36:56,000 --> 00:36:59,120 Speaker 2: Hold on, though you think Larry didn't think about that 807 00:36:59,160 --> 00:37:02,120 Speaker 2: when he's writing, You know, I could stay and run 808 00:37:02,160 --> 00:37:04,640 Speaker 2: off with Cheryl Or And as it played out in 809 00:37:04,680 --> 00:37:07,960 Speaker 2: his head, he decided which was funnier. And I don't 810 00:37:08,000 --> 00:37:10,880 Speaker 2: remember us shooting him driving away. I think it was 811 00:37:10,920 --> 00:37:14,799 Speaker 2: always this but in Larry, we trust you know so yeah. 812 00:37:14,840 --> 00:37:16,000 Speaker 2: Oh that's the end of the episode. 813 00:37:16,160 --> 00:37:18,640 Speaker 3: Yeah, we're the end of the episode. Yeah, and we 814 00:37:18,680 --> 00:37:21,399 Speaker 3: will see you next time for the end. 815 00:37:29,440 --> 00:37:32,720 Speaker 1: The History of carby Your Enthusiasm is a production of iHeartRadio. 816 00:37:32,880 --> 00:37:36,640 Speaker 3: For more podcasts from iHeartRadio, visit the iHeartRadio 817 00:37:36,760 --> 00:37:39,960 Speaker 1: App, Apple Podcasts, or wherever you listen to your favorite shows.