WEBVTT - Colin Jost

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<v Speaker 1>Hey everyone, I'm Bruce Bosi. Thanks for pulling up a

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<v Speaker 1>chair today on Table for Two. We're back in my hometown,

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<v Speaker 1>New York City, and I could not be more excited

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<v Speaker 1>for our lunch at the Carlisle Hotel, a new location

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<v Speaker 1>for the show, but a classic city spot that's as

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<v Speaker 1>glamorous as they come.

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<v Speaker 2>Do you eat here a lot since you live in

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<v Speaker 2>the neighborhood?

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<v Speaker 3>I do. I hear a decent amount I hear this morning.

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<v Speaker 1>We're having lunch this afternoon with someone who might be

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<v Speaker 1>one of the sharpest people I know. It just so

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<v Speaker 1>happens that he's also incredibly funny. He's both the co

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<v Speaker 1>anchor of Weekend Update and the head writer for Saturday

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<v Speaker 1>Night Live. He's also married to arguably the biggest movie

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<v Speaker 1>story in the world.

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<v Speaker 2>You always need fries.

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<v Speaker 3>Need needs an interesting word.

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<v Speaker 2>You need I need fries.

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<v Speaker 3>Are the absolute most addictive one from you.

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<v Speaker 2>That's right, we're having lunch with mister Colin.

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<v Speaker 1>We're going to talk about growing up in Staten Island,

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<v Speaker 1>SNL and so much more so. Pull up a chair,

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<v Speaker 1>we grab a glass of rose and enjoy, because today's

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<v Speaker 1>lunch is going to be a lot of fun.

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<v Speaker 3>Did you say a Caesar salad with lobster.

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<v Speaker 2>Yeah, whoa.

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<v Speaker 1>I'm Bruce Bosi and this is my podcast Table for two.

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<v Speaker 1>We're sitting with an incredibly talented man, funny man, smart

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<v Speaker 1>man person. I have the luxury of calling friend mister

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<v Speaker 1>Colin Jost.

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<v Speaker 2>Welcome.

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<v Speaker 4>Thank you, Bruce, thanks for having me. Like I only

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<v Speaker 4>can't to hear that introduction now I'm waving. I just

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<v Speaker 4>needed an ego list.

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<v Speaker 2>You know, your wife was the first guest that's Table

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<v Speaker 2>for two at Via Krorota way back when, so this

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<v Speaker 2>sort of makes sense.

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<v Speaker 3>As long as they do better than her, I'm happy.

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<v Speaker 2>It's all about competition. She did good. Oh no, they

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<v Speaker 2>tell you they damn it in the room, damn it.

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<v Speaker 2>I have a feeling though.

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<v Speaker 3>Yeah, we're gonna meet. I'm gonna be I'm gonna be

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<v Speaker 3>friend everyone in this restaurant by the end.

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<v Speaker 2>Yeah. Yeah. So what I loved about with Scarlett and

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<v Speaker 2>I bonded is we're all New York kids. Yeah, different burroughs. Yeah,

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<v Speaker 2>growing up in Staten Island, what was that like?

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<v Speaker 1>I mean, you lived on a block with your whole family,

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<v Speaker 1>So family is very important to you.

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<v Speaker 2>And how did that mold you? To the man you

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<v Speaker 2>grew into.

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<v Speaker 4>Yeah, you know, and obviously you have similar with your family.

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<v Speaker 4>I mean it's and then when you when you have kids,

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<v Speaker 4>you realize the value of that on a whole other level.

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<v Speaker 4>You're like, oh my god, it's so nice the idea

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<v Speaker 4>that you could just let them go out of the

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<v Speaker 4>house and they would run to another house that your

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<v Speaker 4>family's and you know, like your grandparents or your cousins

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<v Speaker 4>are in. You know, that's so valuable and I kind

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<v Speaker 4>of miss it now. I mean, I love growing up

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<v Speaker 4>in sun Island. I had a great I found it

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<v Speaker 4>very idyllic as a kid. You had lots of sports,

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<v Speaker 4>you know, facilities, lots of parks. I was at a

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<v Speaker 4>swimming pool like that was in the Great Hills area

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<v Speaker 4>that I spent every single day of the summer there

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<v Speaker 4>from I would get dropped off at eight am and

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<v Speaker 4>I would leave at nine pm.

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<v Speaker 3>Wow.

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<v Speaker 4>And I had a lot of independence and autonomy. Like

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<v Speaker 4>my parents would be there sometimes, you know, in and out,

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<v Speaker 4>but you know, you were with a swim coach, or

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<v Speaker 4>you were with other friends, or some parents would rotate

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<v Speaker 4>keeping an eye on you. But you had a lot

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<v Speaker 4>of room to operate and everything was there basketball courts,

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<v Speaker 4>raquetball court I think you kind of ran around. And

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<v Speaker 4>now when I think about that, being in the city,

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<v Speaker 4>it's so hard to find that it's basically impossible, and

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<v Speaker 4>especially with space where you could get into kind of adventures,

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<v Speaker 4>so you could get into trouble, but not really bad trouble,

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<v Speaker 4>you know what I mean, like wandering the woods, but

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<v Speaker 4>hopefully nothing weird.

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<v Speaker 2>Now, yeah, it's a good balance.

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<v Speaker 4>And stan Alan had that, and you could walk around

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<v Speaker 4>your neighborhood and you'd see friends, and you'd see people

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<v Speaker 4>you you know, parents of friends you knew, and it

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<v Speaker 4>felt like a that's why my mom still lives there.

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<v Speaker 4>My mom's been there her whole life, Like we grew

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<v Speaker 4>up next to my grandparents. You just moved to the

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<v Speaker 4>house next door, which is amazing, amazing, insane. First of all,

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<v Speaker 4>it's like a sitcom setup. And also I keep thinking,

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<v Speaker 4>now my dad, because if you think it's like for

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<v Speaker 4>my mom, like, oh, how great for my dad, it's like,

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<v Speaker 4>it's so weird that your in law just like walks

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<v Speaker 4>into your house anytime of day. It's a full everybody

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<v Speaker 4>else right right right, And but it's you know, it's

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<v Speaker 4>a great I think it's a great way to grow

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<v Speaker 4>up and and I loved it. And then there's a

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<v Speaker 4>you know, it's also it's definitely an insular place. It's

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<v Speaker 4>literally an island, right, and a lot of people, you know,

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<v Speaker 4>some people commute into work, so they're all the I

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<v Speaker 4>commuted into high school, so I was naturally there all

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<v Speaker 4>the time, right, And then you just see other parts

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<v Speaker 4>of the city and you get kind of you have

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<v Speaker 4>an itch to go get into Manhattan and kind of

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<v Speaker 4>see other stuff.

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<v Speaker 1>The idea that you can sort of walk out your

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<v Speaker 1>door and have your adventures and spend your summers there

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<v Speaker 1>and have your buddies, but also have like your aunts

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<v Speaker 1>and your uncles and your grandparents to like how informs

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<v Speaker 1>you as a person.

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<v Speaker 4>Well, part of it is like my fam my mom's

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<v Speaker 4>side is mostly Irish, you know, it was there. A

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<v Speaker 4>lot of them were in the fire department, and I

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<v Speaker 4>think there's a the sense of humor that comes out

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<v Speaker 4>of that was really important because it was it's kind

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<v Speaker 4>of a dark you know, you kind of especially in

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<v Speaker 4>the fire department, like there's so much life and death

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<v Speaker 4>with it.

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<v Speaker 3>But the people who.

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<v Speaker 4>Work in the fire department are really warm and really

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<v Speaker 4>and I think have a great sense of humor in general,

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<v Speaker 4>you know, like I think, and I want to joke

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<v Speaker 4>around and love the community and the camaraderie, right, And

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<v Speaker 4>that's part of why they love their jobs, even though

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<v Speaker 4>they're obviously very dangerous. And I think, and maybe that's

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<v Speaker 4>the nature of dealing with a job that's really dangerous,

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<v Speaker 4>is that you kind of have to joke around about

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<v Speaker 4>it sometimes because otherwise you go crazy, you know. So

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<v Speaker 4>that's definitely the community I was raised in of people

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<v Speaker 4>wanting to wanting to have fun, and no one wanted

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<v Speaker 4>to be serious or anything.

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<v Speaker 1>So State Island sort of really became its own Burrow offshoot.

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<v Speaker 1>Not a lot of people were going to Staten Island,

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<v Speaker 1>and yet to me when I would go, I'd be like,

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<v Speaker 1>this is like country, this is beautiful.

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<v Speaker 4>I mean, it was literally real country until probably like

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<v Speaker 4>the fifties or you know, there were huge farms, there

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<v Speaker 4>were it's where people in Manhattan and Brooklyn had summer homes,

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<v Speaker 4>believe it or not.

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<v Speaker 3>Like there was a walk.

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<v Speaker 4>My grandpa was a lifeguard on the boardwalk, and it

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<v Speaker 4>was it was probably similar to really nice areas in

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<v Speaker 4>the Jersey Shore, yea. And it had this thriving beach.

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<v Speaker 4>There's still like beach bungalows in certain areas. And I mean, basically,

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<v Speaker 4>I guess the water just got so bad that it

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<v Speaker 4>was it became a lot less appealing that to go

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<v Speaker 4>in the water. But it used to be that and

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<v Speaker 4>now it's a lot more crowded. I mean, that's the

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<v Speaker 4>biggest complaint for as far as and there's not the

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<v Speaker 4>same you know, the population is now probably five to

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<v Speaker 4>six hundred thousand, and it was back then in the

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<v Speaker 4>fifties it might have been like fifty thousand or something like.

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<v Speaker 4>It might have been a ten times growth with and

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<v Speaker 4>it sounds the size of Manhattan basically the land area.

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<v Speaker 4>So it's not so much it's like a third of

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<v Speaker 4>the population, right, but still pretty that's still a lot

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<v Speaker 4>of people.

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<v Speaker 1>I mean, you love it so much that you bought

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<v Speaker 1>a ferry? I did you and Pete Davidson bought a ferry.

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<v Speaker 3>That's how much I invested in.

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<v Speaker 2>What is there going to be a party on that?

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<v Speaker 3>You're gonna be You're gonna be invited, don't worry.

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<v Speaker 1>Yeah, Okay, I feel like that's out a lot. When

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<v Speaker 1>I'm with Colin that I remind him like you do that,

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<v Speaker 1>you own that. And when are we gonna.

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<v Speaker 4>When is the party? Yeah, it's a great question. It's

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<v Speaker 4>definitely going to start with a party. That's the one

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<v Speaker 4>thing we know right. Everything in between is what we're

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<v Speaker 4>figuring out. I'm very excited about the project. It's such

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<v Speaker 4>a giant project that it's going to take time, but

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<v Speaker 4>there's there's really good I think it's a great opportunity.

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<v Speaker 4>There's a lot of good ideas that are already behind it.

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<v Speaker 1>So and I love the fact that you guys made

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<v Speaker 1>this choice, you both Staten Island guys, to preserve this.

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<v Speaker 2>Part of history. It's like, you know, these things go away,

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<v Speaker 2>you think.

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<v Speaker 4>Yeah, it would have been sad if it was just scrapped. Yeah,

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<v Speaker 4>maybe it might have been more financially viable to just

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<v Speaker 4>use the stealing would and sell it, you know. But no,

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<v Speaker 4>it was cool and it was the it was the

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<v Speaker 4>actual boat that the ferry that I took every morning

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<v Speaker 4>to school.

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<v Speaker 2>What did your room look like? Did you have posters

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<v Speaker 2>in your room? Like? What college?

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<v Speaker 4>My room still looks exactly the same as it did.

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<v Speaker 4>My parents have They just like maybe changed the bed

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<v Speaker 4>from a twin bed to because it's like, who's going

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<v Speaker 4>to ever go and see this twin creepy twin bed.

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<v Speaker 3>That's all there.

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<v Speaker 4>But it was, and it stick. It still is. But

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<v Speaker 4>since I was probably a baby, it was baby blue wallpaper,

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<v Speaker 4>I mean not wallpaper painted painted baby blue, which it

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<v Speaker 4>was throughout my entire high school college. When I came home,

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<v Speaker 4>it had animated looking poster of a penguin with sunglasses

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<v Speaker 4>that said chillin' that I that I won selling magazine

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<v Speaker 4>subscriptions that went up. There was a photo of me,

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<v Speaker 4>like a caricature of me that was painted in Paris

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<v Speaker 4>when I went with a friend in high school. And

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<v Speaker 4>then it was just bookshelves with all these books of

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<v Speaker 4>Russian history, economics, old English literature, poems, romantic poetry, Michael

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<v Speaker 4>Crichton novels, Wow, and and a desk that I would

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<v Speaker 4>work at in the closet with.

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<v Speaker 3>Some clothes and that was it.

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<v Speaker 2>That was it. I know.

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<v Speaker 4>I didn't put up I never had a phase where

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<v Speaker 4>I put up posters of things I liked. I never

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<v Speaker 4>had a phase where I had like real stuff, Like

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<v Speaker 4>I didn't build things and put them up, or do

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<v Speaker 4>art or put it up, or just didn't do anything

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<v Speaker 4>in my room like, I just like, I'm here to sleep.

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<v Speaker 4>Then I go and I live my life and go

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<v Speaker 4>to a school and everything.

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<v Speaker 3>And I've never really thought about it.

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<v Speaker 2>It's it's I just needed to like picture it.

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<v Speaker 3>Because I didn't make a space. I just whatever was there.

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<v Speaker 3>I just used for what I need. You know, I

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<v Speaker 3>would read, I would write, I would sleep, and then

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<v Speaker 3>I would leave.

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<v Speaker 2>And it still exist and it's just probably the same.

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<v Speaker 3>I mean, it's almost like about that, Yeah, should.

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<v Speaker 1>You really because before one day someone your mom's like,

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<v Speaker 1>you know what we're changing and maybe.

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<v Speaker 3>Blow torch it's right, would it would be very very flammable.

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<v Speaker 3>I'm sure. I basically have never eaten lunch in like

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<v Speaker 3>twenty years.

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<v Speaker 2>Really, I never eat lunch.

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<v Speaker 3>I never I never go to it.

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<v Speaker 4>Like, never sit and have a lunch unless it's a

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<v Speaker 4>meeting or you know, something, very which is pretty rare.

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<v Speaker 4>I don't have lunch. I don't sit and have lunch.

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<v Speaker 4>I'll have I actually just don't even I usually know breakfast.

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<v Speaker 4>I'd usually kind of wait, get to you know, with

0:10:45.360 --> 0:10:48.160
<v Speaker 4>kids and everything, and then I maybe can get out

0:10:48.160 --> 0:10:49.960
<v Speaker 4>of the house by nine or ten.

0:10:50.480 --> 0:10:51.120
<v Speaker 3>I'll work out.

0:10:51.720 --> 0:10:54.240
<v Speaker 2>Then I'll have a juice like a green juice or

0:10:54.320 --> 0:10:55.960
<v Speaker 2>a coffee.

0:10:55.679 --> 0:10:58.000
<v Speaker 4>And then I'll have an Usually I'll just have like

0:10:58.000 --> 0:11:01.160
<v Speaker 4>an egg white omelet when I finish, after I finish exercising,

0:11:01.920 --> 0:11:04.680
<v Speaker 4>and then i'm you know, I'm kind of good till dinner,

0:11:05.320 --> 0:11:07.760
<v Speaker 4>but you know, of something on a go or I

0:11:07.880 --> 0:11:11.040
<v Speaker 4>work in between, but you know, otherwise that's my next

0:11:11.040 --> 0:11:11.400
<v Speaker 4>main meal.

0:11:11.440 --> 0:11:11.720
<v Speaker 2>Okay.

0:11:11.760 --> 0:11:14.320
<v Speaker 1>I mean you talk a lot about growing up and

0:11:14.360 --> 0:11:16.480
<v Speaker 1>being overweight, Yeah, which I don't.

0:11:16.840 --> 0:11:18.520
<v Speaker 2>It was hard for me to believe.

0:11:19.480 --> 0:11:22.520
<v Speaker 1>Plus you're always so active on bicycles and then doing

0:11:22.600 --> 0:11:24.280
<v Speaker 1>crew at college, I don't understand.

0:11:24.440 --> 0:11:27.360
<v Speaker 4>Yeah, it was a very It was like a paradox

0:11:27.400 --> 0:11:31.400
<v Speaker 4>where I was. So I was playing five sports and

0:11:31.760 --> 0:11:34.600
<v Speaker 4>I was gaining weight, and I think it was like,

0:11:34.679 --> 0:11:38.439
<v Speaker 4>honestly a testament to how insanely caloric fast.

0:11:38.200 --> 0:11:39.280
<v Speaker 3>Food was in the nineties.

0:11:39.360 --> 0:11:41.800
<v Speaker 4>Yes, that I was able to maintain and even add

0:11:41.840 --> 0:11:46.199
<v Speaker 4>weight despite constant activity, and my brother and I both were,

0:11:46.200 --> 0:11:48.480
<v Speaker 4>like my brother was even heavier than I was, really

0:11:48.600 --> 0:11:52.360
<v Speaker 4>and we were constantly eating like processed.

0:11:52.960 --> 0:11:54.160
<v Speaker 3>Yeah, there was a lot of.

0:11:54.160 --> 0:11:56.880
<v Speaker 4>McDonald We would go to McDonald's. We would each get

0:11:56.880 --> 0:12:00.800
<v Speaker 4>a full adult meal. Then my brother and my dad

0:12:00.800 --> 0:12:03.280
<v Speaker 4>and I would like split a twenty piece nuggets for

0:12:03.320 --> 0:12:06.880
<v Speaker 4>the table, and like you often would get like one

0:12:06.920 --> 0:12:09.240
<v Speaker 4>other thing like a triple cheeseburger.

0:12:08.679 --> 0:12:11.440
<v Speaker 3>To split out. And that's crazy, that's a lot. That's

0:12:11.480 --> 0:12:14.600
<v Speaker 3>like each having probably three to four thousand calories.

0:12:14.200 --> 0:12:15.880
<v Speaker 2>For completely casual one.

0:12:16.120 --> 0:12:19.000
<v Speaker 3>Yeah, and we probably ate it all in about ten minutes.

0:12:19.080 --> 0:12:21.720
<v Speaker 2>Nothing tastes better. And then you'd have dinner later that night.

0:12:21.800 --> 0:12:24.839
<v Speaker 4>Oh yeah, of course we weren't missing meals. I'm like, no,

0:12:24.920 --> 0:12:27.560
<v Speaker 4>I should back off on dinner. They made a lot

0:12:27.600 --> 0:12:29.079
<v Speaker 4>of dinner, you know, my parents did cook a lot

0:12:29.120 --> 0:12:31.560
<v Speaker 4>at home, and then we had probably all the things

0:12:31.559 --> 0:12:33.600
<v Speaker 4>that you now realize are the worst breakfasts, you know,

0:12:33.720 --> 0:12:36.720
<v Speaker 4>like a bowl of cyrus, like bowl of sugary cereal

0:12:37.720 --> 0:12:40.640
<v Speaker 4>with nothing else to wigger it in any way, or

0:12:40.720 --> 0:12:43.640
<v Speaker 4>like a doughnut or a bagel, or all the things.

0:12:43.440 --> 0:12:46.199
<v Speaker 2>That right now you realize it right exactly like.

0:12:46.160 --> 0:12:48.600
<v Speaker 4>The But you know, of course, I think also at

0:12:48.600 --> 0:12:50.640
<v Speaker 4>that time, no one was really thinking, certainly, no one

0:12:50.679 --> 0:12:55.240
<v Speaker 4>in my orbit was thinking about nutrition or no.

0:12:55.240 --> 0:12:56.920
<v Speaker 2>No, no, no, that didn't come until later.

0:12:57.160 --> 0:13:11.240
<v Speaker 4>No, I got to I talked to Share the other day, okay,

0:13:13.280 --> 0:13:16.160
<v Speaker 4>like three days ago. Why because she was maybe gonna

0:13:16.160 --> 0:13:17.920
<v Speaker 4>come on and do something on the show.

0:13:18.360 --> 0:13:20.200
<v Speaker 3>She basically was like I wanted to. You know, she

0:13:20.280 --> 0:13:21.160
<v Speaker 3>was extremely nice.

0:13:23.240 --> 0:13:25.240
<v Speaker 4>Last like last show because she was doing she was

0:13:25.280 --> 0:13:27.199
<v Speaker 4>doing a show in Madison Square Garden and she was

0:13:27.240 --> 0:13:30.560
<v Speaker 4>doing a probably jingle ballingall and we were kind of

0:13:30.600 --> 0:13:33.679
<v Speaker 4>talking about Originally we were talking about having her come on,

0:13:34.720 --> 0:13:36.439
<v Speaker 4>like introducing her as updated.

0:13:36.480 --> 0:13:37.200
<v Speaker 3>She wanted to do something.

0:13:37.160 --> 0:13:40.240
<v Speaker 4>Update, like saying, here to talk about the NBA's first

0:13:40.280 --> 0:13:45.400
<v Speaker 4>ever in season basketball share, come on, just give really

0:13:45.440 --> 0:13:47.480
<v Speaker 4>good basketball analysis of what's happening.

0:13:47.520 --> 0:13:47.920
<v Speaker 2>Come on.

0:13:50.440 --> 0:13:50.800
<v Speaker 3>I would have.

0:13:50.960 --> 0:13:52.600
<v Speaker 4>And when I talk to her, She's like, I don't

0:13:52.640 --> 0:13:54.840
<v Speaker 4>know basketball. I'm looking at these names. I don't know

0:13:54.880 --> 0:13:55.920
<v Speaker 4>anyone that's in this thing.

0:13:55.960 --> 0:13:59.160
<v Speaker 2>You're like, right, yeah, And then she would have made

0:13:59.200 --> 0:13:59.760
<v Speaker 2>it funnier.

0:14:00.000 --> 0:14:01.400
<v Speaker 3>It would have been, but I think it would have been.

0:14:01.400 --> 0:14:03.640
<v Speaker 4>But also I'm sure she maybe it would have also

0:14:03.679 --> 0:14:06.120
<v Speaker 4>been deeply unsatisfying for any fan of Shares. I don't

0:14:06.440 --> 0:14:10.200
<v Speaker 4>it would have basically eliminated both those fans. But she

0:14:10.360 --> 0:14:12.840
<v Speaker 4>was she was so I mean, I was so excited

0:14:12.840 --> 0:14:15.520
<v Speaker 4>to talk to her, like, oh was she like was

0:14:15.520 --> 0:14:19.480
<v Speaker 4>she like really very nice? And and and you know,

0:14:19.560 --> 0:14:21.440
<v Speaker 4>I really wanted to figure something out.

0:14:21.720 --> 0:14:22.480
<v Speaker 3>But it was hard.

0:14:23.000 --> 0:14:25.280
<v Speaker 4>I think the part of it being alive is so hard,

0:14:25.320 --> 0:14:27.600
<v Speaker 4>and so it's also such a scary thing, you know,

0:14:29.040 --> 0:14:30.920
<v Speaker 4>but hopefully we will at some point. But she was

0:14:31.040 --> 0:14:32.760
<v Speaker 4>she was really cool to talk to. I mean, it's

0:14:32.760 --> 0:14:35.160
<v Speaker 4>one of those people you're like, oh, that's that's really

0:14:35.240 --> 0:14:35.680
<v Speaker 4>she is.

0:14:54.240 --> 0:14:55.920
<v Speaker 2>Thanks for joining us on Table for two.

0:14:56.320 --> 0:14:59.400
<v Speaker 1>Colin Joe's graduated from Harvard, where he served as president

0:14:59.480 --> 0:15:03.640
<v Speaker 1>of the le gender humor publication the Harvard Lampoon. How

0:15:03.680 --> 0:15:07.280
<v Speaker 1>did working at the Lampoon prepare him for Saturday Night Live?

0:15:08.760 --> 0:15:11.560
<v Speaker 1>When you go to Harvard and you are, you know,

0:15:11.560 --> 0:15:14.000
<v Speaker 1>writing for the Lampoon, which you know, they don't make

0:15:14.040 --> 0:15:16.120
<v Speaker 1>it easier to get on that. It's you know, to

0:15:16.280 --> 0:15:18.480
<v Speaker 1>become a writer, and it's kind of great that they

0:15:18.560 --> 0:15:18.840
<v Speaker 1>kept a.

0:15:19.600 --> 0:15:21.520
<v Speaker 3>Yeah, it's a hard process and a kind of a

0:15:21.560 --> 0:15:25.720
<v Speaker 3>mysterious process, and and you don't know.

0:15:26.760 --> 0:15:28.200
<v Speaker 4>There's a lot of things that kind of fuck with

0:15:28.240 --> 0:15:30.280
<v Speaker 4>your head about it, and you don't know whether you're

0:15:30.480 --> 0:15:32.760
<v Speaker 4>blowing it or you're doing okay. Like you know, there's

0:15:32.800 --> 0:15:37.280
<v Speaker 4>no there's very little support or structure to what the

0:15:37.400 --> 0:15:40.640
<v Speaker 4>advice is and stuff there. So and you realize you're

0:15:40.680 --> 0:15:42.960
<v Speaker 4>just dealing with kids who are a year older than

0:15:43.000 --> 0:15:45.640
<v Speaker 4>you maybe and maybe they're drinking during the day and

0:15:45.680 --> 0:15:47.840
<v Speaker 4>maybe they're not totally in a great position to be

0:15:47.880 --> 0:15:50.320
<v Speaker 4>giving advice also, right, So you're trying to go through

0:15:50.360 --> 0:15:52.880
<v Speaker 4>this process. But it is a really you know, it's

0:15:52.880 --> 0:15:55.680
<v Speaker 4>a great meritocratic writing process.

0:15:55.720 --> 0:15:57.520
<v Speaker 3>You know, you're simmoning sketches.

0:15:57.920 --> 0:16:01.240
<v Speaker 4>People are voting on sketches not knowing who wrote them,

0:16:01.640 --> 0:16:03.120
<v Speaker 4>you know, which I think is kind of a cool thing,

0:16:03.600 --> 0:16:07.360
<v Speaker 4>and theoretically just trying to find who is the funniest person,

0:16:07.400 --> 0:16:09.760
<v Speaker 4>which is still subjective, but that's at least what their

0:16:09.800 --> 0:16:12.040
<v Speaker 4>goal is. And it's you know, you have to write

0:16:12.040 --> 0:16:13.680
<v Speaker 4>a lot to get in and when you're on you're

0:16:13.680 --> 0:16:14.560
<v Speaker 4>expected to write a lot.

0:16:14.600 --> 0:16:16.400
<v Speaker 2>So it's you know, that's wild.

0:16:16.400 --> 0:16:18.440
<v Speaker 1>So do you feel and you also, you know, by

0:16:18.480 --> 0:16:21.000
<v Speaker 1>the time you left you are at the top of

0:16:21.080 --> 0:16:24.080
<v Speaker 1>the chain in that you know you're top dog there. Yeah,

0:16:24.160 --> 0:16:26.600
<v Speaker 1>and also now being you know, head writer and you've

0:16:26.600 --> 0:16:29.360
<v Speaker 1>been head writer, and what is it about you that

0:16:29.520 --> 0:16:32.520
<v Speaker 1>you feel gets you to that place? Are you highly

0:16:32.560 --> 0:16:35.160
<v Speaker 1>ambitious that way? Do you?

0:16:35.400 --> 0:16:35.840
<v Speaker 3>Definitely?

0:16:35.880 --> 0:16:38.680
<v Speaker 4>I mean, I'm definitely ambitious. I think the head writer

0:16:38.840 --> 0:16:41.200
<v Speaker 4>part was a combination of things. Like part of it

0:16:41.240 --> 0:16:44.280
<v Speaker 4>was just getting better as a writer. It's not a

0:16:44.360 --> 0:16:47.680
<v Speaker 4>job anyone does. Like Michael Ja I loved him as

0:16:47.680 --> 0:16:51.680
<v Speaker 4>a comedian and recommended him as a writer, but he

0:16:51.680 --> 0:16:53.840
<v Speaker 4>came in like he had never written a sketch before

0:16:53.840 --> 0:16:56.160
<v Speaker 4>in his life, you never written a single sketch. He

0:16:56.200 --> 0:16:58.920
<v Speaker 4>was a great stand up and he but he'd never

0:16:58.960 --> 0:16:59.520
<v Speaker 4>in a sketch.

0:16:59.560 --> 0:17:03.160
<v Speaker 3>And then he just figured it out, like quickly.

0:17:03.520 --> 0:17:06.240
<v Speaker 4>He figured it out and wrote and has written. Some

0:17:06.320 --> 0:17:08.400
<v Speaker 4>of the best sketches that have been on the show

0:17:08.440 --> 0:17:12.080
<v Speaker 4>are right, And so that's just like that, Yeah, I mean,

0:17:12.359 --> 0:17:16.879
<v Speaker 4>obviously it's talent. And then also someone you know, I

0:17:16.880 --> 0:17:18.920
<v Speaker 4>don't know what it is like willing themselves to figure

0:17:18.920 --> 0:17:22.080
<v Speaker 4>it out or just being savvy enough to figure it out,

0:17:22.400 --> 0:17:25.199
<v Speaker 4>you know, and which is kind of a miracle that

0:17:25.280 --> 0:17:28.040
<v Speaker 4>someone can just do can come in and just figure

0:17:28.080 --> 0:17:30.560
<v Speaker 4>it out totally. Like I didn't have any experience writing

0:17:31.280 --> 0:17:34.760
<v Speaker 4>sketches really, but I would do, like in the Lampoon,

0:17:34.800 --> 0:17:38.760
<v Speaker 4>you're writing stuff that's not always so dissimilar. And then

0:17:38.920 --> 0:17:42.119
<v Speaker 4>I definitely performed some things with friends around the city

0:17:42.200 --> 0:17:45.080
<v Speaker 4>that were kind of more in a sketch world. So

0:17:45.200 --> 0:17:47.720
<v Speaker 4>it wasn't like totally and I wrote a packet, like

0:17:47.760 --> 0:17:50.919
<v Speaker 4>I wrote a couple packets to try to apply and submit,

0:17:51.400 --> 0:17:54.440
<v Speaker 4>which he didn't do. So it's he really went from

0:17:54.440 --> 0:17:57.400
<v Speaker 4>like zero to one hundred successfully, whereas at.

0:17:57.359 --> 0:18:00.240
<v Speaker 3>Least I had that, like I had gone to it

0:18:00.280 --> 0:18:00.800
<v Speaker 3>a little bit.

0:18:01.200 --> 0:18:04.200
<v Speaker 4>And then certainly it's ambition, like that was after I first,

0:18:04.240 --> 0:18:05.919
<v Speaker 4>your first goal is to not get fired, right, You

0:18:05.960 --> 0:18:07.919
<v Speaker 4>just want to be about have a chance to do

0:18:08.000 --> 0:18:11.280
<v Speaker 4>it and enjoy the job and write things you think

0:18:11.320 --> 0:18:13.760
<v Speaker 4>are funny and hope that they get on the air.

0:18:13.800 --> 0:18:15.560
<v Speaker 4>And I was lucky that some things that I broke

0:18:15.600 --> 0:18:18.480
<v Speaker 4>out on the air. And then the second year I

0:18:18.560 --> 0:18:21.639
<v Speaker 4>came back and I had sort of an expectation of myself,

0:18:22.000 --> 0:18:23.320
<v Speaker 4>like I should be able to write a lot of

0:18:23.359 --> 0:18:25.639
<v Speaker 4>stuff because I wrote some stuff last year, and the

0:18:25.680 --> 0:18:28.200
<v Speaker 4>second year, like I want to even set up the

0:18:28.240 --> 0:18:30.560
<v Speaker 4>first five or six shows, like I didn't have anything

0:18:30.560 --> 0:18:32.879
<v Speaker 4>in the show my second year, and I was like,

0:18:32.880 --> 0:18:34.600
<v Speaker 4>oh no, like am I regressing?

0:18:34.720 --> 0:18:38.480
<v Speaker 3>Am I bad at this now? Or like did I submit?

0:18:38.600 --> 0:18:41.240
<v Speaker 3>And it just wasn't yeah, like yeah, you're in SNL.

0:18:41.280 --> 0:18:44.680
<v Speaker 4>And and then at some point the second year it

0:18:44.760 --> 0:18:47.520
<v Speaker 4>started clicking again. And I started getting stuff on and

0:18:47.560 --> 0:18:50.760
<v Speaker 4>then after that it was like a build like years three,

0:18:50.840 --> 0:18:53.920
<v Speaker 4>four five, where I started getting like something on every show.

0:18:54.240 --> 0:18:56.240
<v Speaker 4>Then I started getting like two things on a lot

0:18:56.280 --> 0:18:58.480
<v Speaker 4>of shows. Then I started getting like two things on

0:18:58.560 --> 0:19:00.880
<v Speaker 4>every show, you know, on average at least.

0:19:00.760 --> 0:19:03.480
<v Speaker 2>Just because did you figure out sort of the rhythm

0:19:03.520 --> 0:19:03.760
<v Speaker 2>of it?

0:19:03.880 --> 0:19:06.399
<v Speaker 3>I can. I got better. I mean, it's just getting reps.

0:19:06.480 --> 0:19:08.960
<v Speaker 4>And you know, like I wrote, was writing hundreds of

0:19:09.000 --> 0:19:14.320
<v Speaker 4>sketches a year, so you get better at it hopefully, Yeah,

0:19:14.320 --> 0:19:16.080
<v Speaker 4>and then you and and then also there's lots of things,

0:19:16.119 --> 0:19:19.040
<v Speaker 4>right like if you if you start getting sketches on

0:19:19.119 --> 0:19:21.919
<v Speaker 4>the show, then probably cast members want to write with

0:19:21.960 --> 0:19:25.040
<v Speaker 4>you more, or if you're helpful to cast members who

0:19:25.040 --> 0:19:28.000
<v Speaker 4>are funny, that probably helps you also. And I was

0:19:28.080 --> 0:19:29.640
<v Speaker 4>very lucky to work with people who are really fun

0:19:29.720 --> 0:19:30.040
<v Speaker 4>to cast.

0:19:30.160 --> 0:19:30.280
<v Speaker 3>You know.

0:19:30.320 --> 0:19:35.120
<v Speaker 4>If I started with Sadai, kis Andy and Kristen and Bill,

0:19:35.840 --> 0:19:39.280
<v Speaker 4>which is essentially the best four, and that was the

0:19:39.320 --> 0:19:43.000
<v Speaker 4>whole class. So I think that's pretty much like per

0:19:43.080 --> 0:19:46.080
<v Speaker 4>capita of the best incoming class ever. I think, so

0:19:46.680 --> 0:19:50.280
<v Speaker 4>with the exception maybe of the first ever ever, you know,

0:19:50.600 --> 0:19:54.399
<v Speaker 4>but that's a pretty pretty incredible group and so I

0:19:54.440 --> 0:19:56.280
<v Speaker 4>think I was lucky in that way, and I think,

0:19:56.359 --> 0:19:58.399
<v Speaker 4>you know, I was. Then then once you once it's

0:19:58.440 --> 0:20:00.800
<v Speaker 4>like years three to five or something, I think then

0:20:00.840 --> 0:20:04.080
<v Speaker 4>I got promoted to like supervising writing position, which was

0:20:04.080 --> 0:20:05.960
<v Speaker 4>was really just like you're getting a bunch of stuff

0:20:06.000 --> 0:20:08.840
<v Speaker 4>on and we need to give you some title. But

0:20:09.119 --> 0:20:11.399
<v Speaker 4>you're not a head writer, nor are you're ready to be,

0:20:11.520 --> 0:20:13.760
<v Speaker 4>so you know, but you're somewhere in that you're in

0:20:13.800 --> 0:20:15.760
<v Speaker 4>the mix of a new generation.

0:20:15.880 --> 0:20:16.520
<v Speaker 3>Yeah whatever.

0:20:16.800 --> 0:20:19.119
<v Speaker 4>Then you're just like more, you get into more the

0:20:19.160 --> 0:20:22.160
<v Speaker 4>producesorial world of it. More, you're in more meetings with

0:20:22.640 --> 0:20:25.800
<v Speaker 4>the producers, You're in more meetings with Lorne. You're getting

0:20:25.880 --> 0:20:28.199
<v Speaker 4>the comfort of being around Lorn in a way too,

0:20:28.240 --> 0:20:30.800
<v Speaker 4>because that's you know, because he goes from goes from

0:20:30.800 --> 0:20:34.240
<v Speaker 4>being a guy you see in the hallway every so

0:20:34.359 --> 0:20:37.560
<v Speaker 4>often I are scared to say hi to to he's

0:20:37.600 --> 0:20:40.080
<v Speaker 4>asking your opinion on something, which is that's a big change.

0:20:40.119 --> 0:20:42.600
<v Speaker 4>And then you're getting and then over time it's like

0:20:42.640 --> 0:20:45.280
<v Speaker 4>you're growing. There's a friendship growing with the person that

0:20:45.280 --> 0:20:49.480
<v Speaker 4>you really like, you care about. So it's that was

0:20:49.480 --> 0:20:51.600
<v Speaker 4>the build, but certainly there was ambition like that was

0:20:51.760 --> 0:20:54.199
<v Speaker 4>once I got over the hump of being afraid of

0:20:54.240 --> 0:20:57.159
<v Speaker 4>being fired like that was definitely a goal in my

0:20:57.240 --> 0:21:00.240
<v Speaker 4>mind at some point was I wanted to be head

0:21:00.240 --> 0:21:01.080
<v Speaker 4>writer because that was a.

0:21:01.080 --> 0:21:02.159
<v Speaker 3>Lot of people that I looked up to.

0:21:02.320 --> 0:21:05.919
<v Speaker 4>We were head writers like Jim Downey and Seth and

0:21:06.080 --> 0:21:08.840
<v Speaker 4>Tina and Paulapel, and there were a lot of people

0:21:08.840 --> 0:21:11.640
<v Speaker 4>that were like in that Michael o'donaghy back in the day,

0:21:11.720 --> 0:21:13.360
<v Speaker 4>you know, people that were you adopted.

0:21:23.400 --> 0:21:26.840
<v Speaker 1>It feels on Weekend Update when you and Michael sort

0:21:26.880 --> 0:21:30.439
<v Speaker 1>of go back and forth. It feels like you write

0:21:30.920 --> 0:21:32.760
<v Speaker 1>what he's going to say, Like when you do the

0:21:32.880 --> 0:21:35.080
<v Speaker 1>and like he's never seen it, like you know, you'll

0:21:35.119 --> 0:21:37.880
<v Speaker 1>see it pop up on the screen and then you

0:21:37.920 --> 0:21:39.880
<v Speaker 1>shake your head and you smile like, Okay, I can't

0:21:39.880 --> 0:21:42.080
<v Speaker 1>believe I have to say this? Is that how it

0:21:42.119 --> 0:21:42.720
<v Speaker 1>goes down?

0:21:42.960 --> 0:21:52.040
<v Speaker 4>Yes, Yeah, it's yeah, it's really it's it's it's both

0:21:52.119 --> 0:21:55.840
<v Speaker 4>terrifying and exhilarating. Like it's kind of crazy. There's just

0:21:55.920 --> 0:21:58.120
<v Speaker 4>not a lot of live television in the world anymore.

0:21:58.160 --> 0:22:00.480
<v Speaker 4>So the idea that you're on live television and you

0:22:00.520 --> 0:22:02.160
<v Speaker 4>have to say something you don't know what it is,

0:22:02.640 --> 0:22:03.439
<v Speaker 4>that's pretty crazy.

0:22:03.600 --> 0:22:05.800
<v Speaker 3>And it's not it's not usually gentle.

0:22:06.400 --> 0:22:06.760
<v Speaker 2>No.

0:22:06.840 --> 0:22:10.240
<v Speaker 4>So it's a very strange. Uh, it's a very strange

0:22:10.280 --> 0:22:13.040
<v Speaker 4>thing and a but a crazy experience to go through.

0:22:13.119 --> 0:22:17.680
<v Speaker 4>And and it's really fun. Like I'm someone who can

0:22:17.680 --> 0:22:19.440
<v Speaker 4>also be really in my head a lot of times,

0:22:19.560 --> 0:22:21.000
<v Speaker 4>you know, it's in a right ely way. I could

0:22:21.000 --> 0:22:22.920
<v Speaker 4>be in my head and it definitely gets you out

0:22:22.920 --> 0:22:26.439
<v Speaker 4>of your head. And there's times where things and I

0:22:26.480 --> 0:22:28.640
<v Speaker 4>really like that when when there's when there's times where

0:22:28.640 --> 0:22:31.520
<v Speaker 4>you just have to react, I'm probably better at that

0:22:31.560 --> 0:22:35.040
<v Speaker 4>than when I'm thinking it through. But then you're like,

0:22:35.080 --> 0:22:37.520
<v Speaker 4>I don't know how, why can't I get that normally right?

0:22:37.680 --> 0:22:40.680
<v Speaker 1>Like I like, if you were anticipating it because you

0:22:40.760 --> 0:22:41.400
<v Speaker 1>knew it.

0:22:41.440 --> 0:22:42.440
<v Speaker 3>Then it wouldn't be the same.

0:22:42.560 --> 0:22:45.320
<v Speaker 2>It's it's a brilliant as a viewer, it's a.

0:22:45.200 --> 0:22:49.480
<v Speaker 1>Brilliant moment like that your weekend update together is when

0:22:49.640 --> 0:22:53.520
<v Speaker 1>when when it goes there it's hysterical.

0:22:52.920 --> 0:22:57.040
<v Speaker 4>It really just came out of I'm just kind of

0:22:57.080 --> 0:22:59.959
<v Speaker 4>trying something and it was not Again, we didn't really

0:23:00.160 --> 0:23:01.879
<v Speaker 4>have an idea for it, and then we just kind

0:23:01.920 --> 0:23:05.840
<v Speaker 4>of tried it and it became that and you know,

0:23:06.560 --> 0:23:10.760
<v Speaker 4>we'll see but it's always there's definitely a reminder to

0:23:10.800 --> 0:23:13.399
<v Speaker 4>not be afraid of trying things, Like it's hard at

0:23:13.400 --> 0:23:15.479
<v Speaker 4>our show because you really only get one shot to

0:23:15.520 --> 0:23:17.919
<v Speaker 4>try something because it's at dress rehearsal. Like if it

0:23:17.920 --> 0:23:20.960
<v Speaker 4>doesn't go well address rehearsal, it's pretty rare that it's

0:23:20.960 --> 0:23:22.639
<v Speaker 4>going to still be on the air, right, you know,

0:23:22.760 --> 0:23:24.480
<v Speaker 4>so it can go the other way. It doesn't well

0:23:24.480 --> 0:23:26.840
<v Speaker 4>addressed and the not well at air, but it doesn't

0:23:26.880 --> 0:23:37.320
<v Speaker 4>really go the other way.

0:23:37.640 --> 0:23:42.560
<v Speaker 1>Who were the comics that you were heavily influenced?

0:23:42.920 --> 0:23:44.119
<v Speaker 2>I was thinking about you.

0:23:44.240 --> 0:23:47.880
<v Speaker 1>So when I was a young man in nineteen eighty nine,

0:23:48.040 --> 0:23:53.200
<v Speaker 1>I was a page at NBC and that was a

0:23:53.280 --> 0:23:54.240
<v Speaker 1>hell of a great job.

0:23:54.480 --> 0:23:57.800
<v Speaker 2>So every weekend we worked SNL. We did tours during.

0:23:57.560 --> 0:23:59.960
<v Speaker 1>The day and then you know, you had your break

0:24:00.040 --> 0:24:01.679
<v Speaker 1>and then it was like boom. And I always with

0:24:01.800 --> 0:24:05.359
<v Speaker 1>Stephanie Phillips, we had big curly hairs, very you know,

0:24:05.520 --> 0:24:08.560
<v Speaker 1>late eighties or late nineties, and we would work the

0:24:08.600 --> 0:24:11.199
<v Speaker 1>door at Studio H and it was it was like

0:24:11.200 --> 0:24:14.879
<v Speaker 1>the power job. And my cast then the caste was

0:24:15.320 --> 0:24:20.400
<v Speaker 1>Dana Carvey, Nora Dunn, Phil Hartman, Jan Hooks, Victoria Jackson,

0:24:20.480 --> 0:24:23.680
<v Speaker 1>who I just love John Lovetts, Dennis Miller, Mike Myers,

0:24:24.000 --> 0:24:25.160
<v Speaker 1>Kevin Neelan and.

0:24:25.160 --> 0:24:26.040
<v Speaker 2>A Whitney Brown.

0:24:26.240 --> 0:24:29.000
<v Speaker 3>Wow, that's great. It was a good that's a great guest.

0:24:29.200 --> 0:24:31.200
<v Speaker 2>Yeah, it was a great. Yeah, it was a great

0:24:31.240 --> 0:24:31.679
<v Speaker 2>I remember that.

0:24:31.760 --> 0:24:34.200
<v Speaker 4>I know that writing staff was great too at that time. Really,

0:24:34.240 --> 0:24:35.480
<v Speaker 4>so many great writers from that era.

0:24:35.680 --> 0:24:37.719
<v Speaker 1>I mean it was a hell of a year and

0:24:37.720 --> 0:24:39.520
<v Speaker 1>a half to be part of that and to be

0:24:39.560 --> 0:24:42.240
<v Speaker 1>in those shows. And yeah, that was the year too

0:24:43.040 --> 0:24:46.560
<v Speaker 1>that Gilda Radnadat and so like that was a whole.

0:24:46.520 --> 0:24:47.280
<v Speaker 2>Thing in a moment.

0:24:47.480 --> 0:24:49.600
<v Speaker 1>Who were the people that really influenced you from a

0:24:49.640 --> 0:24:55.000
<v Speaker 1>comic standpoint? And were you always interested in finding yourself

0:24:55.960 --> 0:24:58.080
<v Speaker 1>on the road and pursuing that.

0:24:58.320 --> 0:25:00.320
<v Speaker 2>I mean, you also are a Russian literature ma, you're

0:25:00.400 --> 0:25:02.320
<v Speaker 2>you know, you're also a writer.

0:25:02.880 --> 0:25:08.080
<v Speaker 4>How did SNL SNL wise that that was what you're describing?

0:25:08.119 --> 0:25:10.760
<v Speaker 3>That cast is the first cast that I have memories of.

0:25:11.000 --> 0:25:15.040
<v Speaker 4>Oh wow, And you know, obviously loved Dana and Mike

0:25:15.119 --> 0:25:18.119
<v Speaker 4>Myers and Jan Hooks, and I mean Phil Hartman was

0:25:18.840 --> 0:25:22.600
<v Speaker 4>incredible and also from you know, like so I marry

0:25:22.600 --> 0:25:25.360
<v Speaker 4>an axe murderer. I loved Phil Hartman's great in that too,

0:25:25.440 --> 0:25:27.760
<v Speaker 4>and his work on The Simpsons, like I kind of

0:25:27.840 --> 0:25:29.760
<v Speaker 4>was aware of that, you know, it's just his voice

0:25:29.760 --> 0:25:31.919
<v Speaker 4>acting that was so funny. And when you know the

0:25:31.920 --> 0:25:34.680
<v Speaker 4>Waynes World movies with Mike and Dana were. Those were

0:25:34.680 --> 0:25:37.480
<v Speaker 4>like the early SNL people that I really loved then

0:25:37.600 --> 0:25:41.439
<v Speaker 4>really big were really in my sweet spot in high school,

0:25:41.480 --> 0:25:44.840
<v Speaker 4>I guess were which is usually when people's SNL casts are.

0:25:44.960 --> 0:25:51.280
<v Speaker 4>It's like were Sandler and Farley, rock Spade, that whole crew.

0:25:52.119 --> 0:25:54.520
<v Speaker 4>Those were like the sketches that I would re enact

0:25:54.800 --> 0:25:57.840
<v Speaker 4>at school and stuff with my friends, Like even formally

0:25:57.880 --> 0:25:59.879
<v Speaker 4>we would go do like assemblies and we would re

0:26:00.119 --> 0:26:00.920
<v Speaker 4>create those.

0:26:01.400 --> 0:26:03.840
<v Speaker 2>That listener about that because that's really funny.

0:26:04.000 --> 0:26:06.720
<v Speaker 3>We did, Yeah, we did, like you know I did.

0:26:06.800 --> 0:26:10.639
<v Speaker 4>I basically hosted a show in our class, which again

0:26:10.920 --> 0:26:13.119
<v Speaker 4>now you realize teachers will do anything to not teach.

0:26:13.280 --> 0:26:15.160
<v Speaker 4>They're like, yeah, you should do this, So I would

0:26:15.200 --> 0:26:18.760
<v Speaker 4>host a show as Letterman. Letterman was a huge influence

0:26:18.800 --> 0:26:21.280
<v Speaker 4>for me, and I would pretend to be David Letterman

0:26:21.720 --> 0:26:24.359
<v Speaker 4>and I would read like his actual top ten lists

0:26:24.560 --> 0:26:26.480
<v Speaker 4>that he was doing, Like I had books and books

0:26:26.480 --> 0:26:28.720
<v Speaker 4>of top ten lists that I would read and pick

0:26:28.760 --> 0:26:30.439
<v Speaker 4>out the ones I thought were the funniest, and then

0:26:30.440 --> 0:26:33.480
<v Speaker 4>I would read them to my class, just fully steal

0:26:33.520 --> 0:26:38.720
<v Speaker 4>his material, and then I would introduce it's kind of not.

0:26:38.680 --> 0:26:40.120
<v Speaker 3>A bad hybrid format for a show.

0:26:40.200 --> 0:26:42.960
<v Speaker 4>I would host it as Letterman, and then I would

0:26:43.000 --> 0:26:46.119
<v Speaker 4>introduce sketches from SNL that we would also steal and do.

0:26:46.520 --> 0:26:48.119
<v Speaker 4>So my friends and I, like a group of us

0:26:48.160 --> 0:26:51.959
<v Speaker 4>Lenny and Mike Calcagny and Mike Bodner and Frank Berlin

0:26:52.160 --> 0:26:55.879
<v Speaker 4>and Steve Paul mecI, we would go. We would reenact

0:26:55.920 --> 0:26:58.440
<v Speaker 4>them in front of the whole in front of first

0:26:58.480 --> 0:27:00.679
<v Speaker 4>it was just in front of our whatever seventh grade class,

0:27:01.560 --> 0:27:03.760
<v Speaker 4>and then I guess we were good enough that we

0:27:03.760 --> 0:27:06.359
<v Speaker 4>got moved to full assembly, so then we would do

0:27:06.440 --> 0:27:08.480
<v Speaker 4>it for the whole school, which was kind of kind

0:27:08.480 --> 0:27:10.720
<v Speaker 4>of cool. So that was that was like the first

0:27:11.040 --> 0:27:13.639
<v Speaker 4>idea of performing or putting a show together in a

0:27:13.680 --> 0:27:17.080
<v Speaker 4>comedy way, right, So that was like one track of things.

0:27:17.119 --> 0:27:21.000
<v Speaker 4>And then it was really actors that I love, like

0:27:21.119 --> 0:27:25.520
<v Speaker 4>Jim Carrey was huge, Robin Williams you know a little before,

0:27:25.720 --> 0:27:29.639
<v Speaker 4>was big, and then Will Ferrell was was you know

0:27:29.680 --> 0:27:33.520
<v Speaker 4>in both ways both SML and movies. Was big, and

0:27:33.560 --> 0:27:36.440
<v Speaker 4>like when he came back to host when I was

0:27:36.480 --> 0:27:38.399
<v Speaker 4>a writer, that was like one of the coolest things

0:27:38.520 --> 0:27:41.160
<v Speaker 4>because he was a guy I you know at SNL,

0:27:41.200 --> 0:27:44.160
<v Speaker 4>Like so many of his sketches were classics to me

0:27:44.240 --> 0:27:46.719
<v Speaker 4>as a comedy nerd. And then you know, in Tina

0:27:46.760 --> 0:27:50.359
<v Speaker 4>and Amy also like in an update way, those were big.

0:27:50.400 --> 0:27:53.080
<v Speaker 4>I mean, Norm too and Tina Amy were you know,

0:27:53.080 --> 0:27:57.119
<v Speaker 4>and Tina on the both writing and update side was

0:27:57.160 --> 0:28:01.160
<v Speaker 4>really inspiring, like seeing how she did that and she's

0:28:01.200 --> 0:28:03.360
<v Speaker 4>still like I think of her a lot when I'm

0:28:03.359 --> 0:28:07.040
<v Speaker 4>writing sketches because a lot of the sketches she wrote

0:28:07.040 --> 0:28:10.480
<v Speaker 4>were like really joke dense and they had a funny premise.

0:28:10.480 --> 0:28:12.359
<v Speaker 4>They had got you know, good performance things, but they

0:28:12.359 --> 0:28:14.439
<v Speaker 4>had a lot of like every line it feels like

0:28:14.440 --> 0:28:17.000
<v Speaker 4>it was a joke and it's like a aiming for

0:28:17.040 --> 0:28:19.320
<v Speaker 4>that I think is such a great thing, like to

0:28:19.440 --> 0:28:22.159
<v Speaker 4>just remind yourself it's always better if there's more jokes

0:28:22.200 --> 0:28:24.480
<v Speaker 4>and it's more everything is an opportunity for a joke.

0:28:25.720 --> 0:28:29.360
<v Speaker 2>Is after something that you're born with or is that no.

0:28:29.200 --> 0:28:32.560
<v Speaker 4>No, no, I mean I think some people are born

0:28:32.640 --> 0:28:37.840
<v Speaker 4>probably with some inclination to joke around or some innate.

0:28:38.080 --> 0:28:41.440
<v Speaker 4>Some people are obviously naturally really funny, and you know

0:28:41.440 --> 0:28:44.360
<v Speaker 4>they're they're like even if they don't do comedy, they're

0:28:44.400 --> 0:28:47.080
<v Speaker 4>naturally funny. Like some of my friends are lawyers who

0:28:47.120 --> 0:28:49.480
<v Speaker 4>are really funny, or doctors who are really funny, and

0:28:49.480 --> 0:28:50.800
<v Speaker 4>they don't even really think of it. I mean, I

0:28:50.800 --> 0:28:52.480
<v Speaker 4>never knew it was a business. I never knew it

0:28:52.520 --> 0:28:54.560
<v Speaker 4>was a job to go do comedy. Growing up, No

0:28:54.600 --> 0:28:57.280
<v Speaker 4>one I ever met worked in any related anything to

0:28:57.320 --> 0:29:02.200
<v Speaker 4>show business, you know, So I think beyond that, it's

0:29:02.640 --> 0:29:05.480
<v Speaker 4>mostly learned. You know, you're if you're doing and what

0:29:05.520 --> 0:29:07.680
<v Speaker 4>you're drawn to. So all I did, again, I didn't

0:29:07.680 --> 0:29:09.480
<v Speaker 4>know it was a job. But all I cared about

0:29:10.240 --> 0:29:13.120
<v Speaker 4>and really memorized and got into as a kid was comedy.

0:29:13.480 --> 0:29:16.640
<v Speaker 4>You know, Sandler's albums I would listen to and memorize,

0:29:16.680 --> 0:29:20.120
<v Speaker 4>like word for word, knowing every line from every movie

0:29:20.160 --> 0:29:22.600
<v Speaker 4>that he did, that Jim Carrey did.

0:29:23.440 --> 0:29:24.960
<v Speaker 3>That's just setting you down a path.

0:29:25.040 --> 0:29:26.920
<v Speaker 4>Now you might you might be that path and never

0:29:27.280 --> 0:29:30.400
<v Speaker 4>find the opportunity to be involved in making it. But

0:29:30.480 --> 0:29:33.120
<v Speaker 4>I then I did, and that was then I was like, oh, yeah,

0:29:33.160 --> 0:29:34.200
<v Speaker 4>this is a great way to do it.

0:29:34.200 --> 0:29:35.520
<v Speaker 3>Because I used to love it and now I could

0:29:35.680 --> 0:29:36.360
<v Speaker 3>keep doing it.

0:29:55.440 --> 0:29:56.800
<v Speaker 2>Welcome back to Table for two.

0:29:57.240 --> 0:30:00.800
<v Speaker 1>A typical week at Saturday Night Live is incredible stressful.

0:30:01.040 --> 0:30:04.680
<v Speaker 1>There are new sketches to write and rehearse, costumes to design,

0:30:04.840 --> 0:30:08.200
<v Speaker 1>and sets that need to be built. I'm particularly curious

0:30:08.360 --> 0:30:10.720
<v Speaker 1>what's it like for Colin and the staff to work

0:30:10.760 --> 0:30:13.880
<v Speaker 1>with a new host each week. Has there ever been

0:30:14.320 --> 0:30:16.080
<v Speaker 1>you know, the host come and you see them and

0:30:16.080 --> 0:30:18.280
<v Speaker 1>you're like, you know who they are, and then you're like, oh, okay,

0:30:18.360 --> 0:30:20.680
<v Speaker 1>like you get like I'm sure very surprised, like this

0:30:20.720 --> 0:30:23.400
<v Speaker 1>push is actually really good, Like they actually get it.

0:30:23.440 --> 0:30:26.760
<v Speaker 1>You know, when it goes either way, when it goes like, oh,

0:30:26.840 --> 0:30:29.040
<v Speaker 1>this is just you know, not this is going to.

0:30:29.040 --> 0:30:30.120
<v Speaker 2>Be really an uphill battle.

0:30:30.120 --> 0:30:32.800
<v Speaker 4>This person it just doesn't have that, and it happens.

0:30:32.680 --> 0:30:34.960
<v Speaker 4>It can happen different ways throughout the week. Like you

0:30:35.000 --> 0:30:38.560
<v Speaker 4>can have a host who's not that good at the

0:30:38.640 --> 0:30:40.880
<v Speaker 4>read through table, right like even maybe they're not a

0:30:40.880 --> 0:30:44.760
<v Speaker 4>great cold reader. Maybe they're you know, their their process

0:30:44.840 --> 0:30:48.920
<v Speaker 4>is more they're kind of reading it more straight, and

0:30:48.960 --> 0:30:51.280
<v Speaker 4>they're just they're they're going through the character in their

0:30:51.280 --> 0:30:54.240
<v Speaker 4>head because they know it's not the real time, you know,

0:30:54.280 --> 0:30:56.680
<v Speaker 4>they're like more, they're more seeing the character in their

0:30:56.720 --> 0:30:59.640
<v Speaker 4>head instead of performing it. Then yeah, like even or

0:30:59.680 --> 0:31:02.000
<v Speaker 4>there's things like Melissa McCarthy when she hosted, she had

0:31:02.040 --> 0:31:06.280
<v Speaker 4>pieces that she worked on, she wrote, and they were

0:31:06.320 --> 0:31:08.760
<v Speaker 4>fully formed in her head, but she was kind of

0:31:08.760 --> 0:31:11.400
<v Speaker 4>clocking in a different way at the table read, and

0:31:11.440 --> 0:31:14.560
<v Speaker 4>you kind of have to trust, you know that, oh,

0:31:14.560 --> 0:31:15.440
<v Speaker 4>that's going to be folk.

0:31:15.520 --> 0:31:16.600
<v Speaker 3>She knows what she's doing.

0:31:16.680 --> 0:31:18.280
<v Speaker 4>I mean, obviously she knows we're doing, but like in

0:31:18.280 --> 0:31:20.800
<v Speaker 4>this particular sketch, she's got this all mapped out and

0:31:22.400 --> 0:31:25.000
<v Speaker 4>yeah or sure or yeah or it's like, you know,

0:31:25.000 --> 0:31:27.200
<v Speaker 4>whatever it is, there could be an element visually that's

0:31:27.240 --> 0:31:30.280
<v Speaker 4>not really in the piece, but she knows in her

0:31:30.320 --> 0:31:32.600
<v Speaker 4>head when she's performing it, or she knows she could

0:31:32.640 --> 0:31:34.560
<v Speaker 4>figure it out. And those have been some of those

0:31:34.560 --> 0:31:37.320
<v Speaker 4>sketches that killed the most and were classics for her.

0:31:37.680 --> 0:31:40.040
<v Speaker 4>So it's it's it's that kind of thing. Or there's

0:31:40.080 --> 0:31:41.880
<v Speaker 4>an actor that has their own process, like you know,

0:31:41.960 --> 0:31:44.400
<v Speaker 4>you can be and finding it a little bit in

0:31:44.400 --> 0:31:47.320
<v Speaker 4>a moment or trying to differentiate because you're reading, you're

0:31:47.360 --> 0:31:48.400
<v Speaker 4>reading forty.

0:31:48.080 --> 0:31:50.400
<v Speaker 3>Sketches right at the table read, so to.

0:31:50.360 --> 0:31:53.160
<v Speaker 4>Be able to make a choice in all of those

0:31:53.560 --> 0:31:56.320
<v Speaker 4>and that's something like actually, Adam Driver's especially good at

0:31:56.360 --> 0:31:58.880
<v Speaker 4>at the table read, like he'll he makes a choice

0:31:58.880 --> 0:32:00.360
<v Speaker 4>for all those pieces.

0:32:00.320 --> 0:32:02.080
<v Speaker 3>And an interesting choice, and.

0:32:02.040 --> 0:32:04.040
<v Speaker 4>The same way Will Ferrell does in a but you know,

0:32:04.160 --> 0:32:06.400
<v Speaker 4>obviously he knows it in a whole other way, but

0:32:07.120 --> 0:32:10.120
<v Speaker 4>he will, We'll find a new move for all of them.

0:32:10.960 --> 0:32:13.240
<v Speaker 4>And it's really a kind of a miracle or maya

0:32:13.320 --> 0:32:14.520
<v Speaker 4>you know, like my real will come back and to

0:32:14.720 --> 0:32:17.960
<v Speaker 4>like have a different character wherever. It's like, it's really

0:32:18.200 --> 0:32:21.200
<v Speaker 4>they're very yeah, they really are, and you know, so

0:32:21.240 --> 0:32:24.080
<v Speaker 4>that and then there's hosts that are great at the

0:32:24.120 --> 0:32:27.760
<v Speaker 4>table read because they're great readers. You know, if it

0:32:27.760 --> 0:32:30.040
<v Speaker 4>was an audio series it would be great. But they

0:32:30.040 --> 0:32:33.640
<v Speaker 4>are less performers in space, you know, so you're that

0:32:33.720 --> 0:32:36.520
<v Speaker 4>other part doesn't add in as much as you thought.

0:32:36.960 --> 0:32:39.560
<v Speaker 4>Some people have never done theater. Some people have never

0:32:39.640 --> 0:32:42.840
<v Speaker 4>done live anything live, which is scary, yeah, you know,

0:32:43.680 --> 0:32:47.560
<v Speaker 4>and then some people are it's it's also you're reading

0:32:47.600 --> 0:32:51.280
<v Speaker 4>off Q cards mostly, which is a very hard thing.

0:32:51.360 --> 0:32:52.200
<v Speaker 3>If you don't know that.

0:32:52.360 --> 0:32:54.640
<v Speaker 4>It's you know, when I started an update, I was like,

0:32:55.200 --> 0:32:57.840
<v Speaker 4>I'm very good at reading. I'm really very good at reading,

0:32:57.840 --> 0:33:00.120
<v Speaker 4>and somehow I couldn't do it well at all. And

0:33:00.160 --> 0:33:01.720
<v Speaker 4>I was like in my head, like, why.

0:33:01.520 --> 0:33:02.120
<v Speaker 3>Is this so hard?

0:33:02.160 --> 0:33:06.120
<v Speaker 4>You're like overly concentrating on reading, you know, and you're like,

0:33:06.400 --> 0:33:07.960
<v Speaker 4>just let go of it, don't Why are you worried

0:33:07.960 --> 0:33:10.240
<v Speaker 4>about being able to read in this situation. You're able

0:33:10.280 --> 0:33:13.200
<v Speaker 4>to read signs on the street and just go just read,

0:33:13.600 --> 0:33:15.880
<v Speaker 4>but it's intimidating when you're not used to that and

0:33:16.160 --> 0:33:19.680
<v Speaker 4>let alone changes on the fly. Like Christopher Walking, who's

0:33:19.680 --> 0:33:22.520
<v Speaker 4>obviously one of the best hosts ever. He when he

0:33:22.760 --> 0:33:25.360
<v Speaker 4>posted you and you have things at the table read

0:33:25.400 --> 0:33:28.040
<v Speaker 4>and and you always make changes between the table read

0:33:28.080 --> 0:33:30.120
<v Speaker 4>and dress rehearsal because you're trying to make it better

0:33:30.200 --> 0:33:31.040
<v Speaker 4>or tighter or whatever.

0:33:31.200 --> 0:33:32.640
<v Speaker 3>A joke didn't work, you fix it.

0:33:33.480 --> 0:33:35.600
<v Speaker 4>Christam Walker wun always be like no, leave it and

0:33:35.600 --> 0:33:37.160
<v Speaker 4>you're like, well, no, we didn't got to fix this part.

0:33:37.160 --> 0:33:39.560
<v Speaker 4>He's like, no, leave it, and you're like why He's

0:33:39.560 --> 0:33:41.720
<v Speaker 4>like it's fine. He's like, it's fine. I'd rather I

0:33:41.720 --> 0:33:44.720
<v Speaker 4>don't want it to changes. I'd rather find it figure

0:33:44.760 --> 0:33:48.360
<v Speaker 4>it out as an actor, know the rhythm, have the

0:33:48.440 --> 0:33:52.440
<v Speaker 4>comfort with material, not have all these changes and you know,

0:33:52.440 --> 0:33:55.000
<v Speaker 4>that's another approach that I think really works for him

0:33:55.280 --> 0:33:57.240
<v Speaker 4>and maybe would work more if we did that. But

0:33:57.720 --> 0:34:00.840
<v Speaker 4>you know, the sometimes we get into it's easier now

0:34:00.880 --> 0:34:03.560
<v Speaker 4>to make changes because technology has gotten better, you know,

0:34:03.680 --> 0:34:05.360
<v Speaker 4>like you can type in things fast, but you can

0:34:05.400 --> 0:34:07.800
<v Speaker 4>make it. But maybe that's bad in a way because

0:34:08.080 --> 0:34:10.920
<v Speaker 4>the sometimes the actors are less familiar with the material

0:34:11.320 --> 0:34:13.960
<v Speaker 4>and if they saw a joke the same twice, maybe

0:34:14.000 --> 0:34:16.239
<v Speaker 4>it's not as good a joke, but they'd be able

0:34:16.320 --> 0:34:18.400
<v Speaker 4>to find something in the delivery that would make it

0:34:18.440 --> 0:34:19.239
<v Speaker 4>better than a new.

0:34:19.200 --> 0:34:20.200
<v Speaker 3>Joke, right. You know.

0:34:30.000 --> 0:34:32.840
<v Speaker 1>During the show itself, the live show, is it daunting

0:34:32.880 --> 0:34:34.839
<v Speaker 1>to look over at Lauren and see his face at

0:34:34.840 --> 0:34:37.479
<v Speaker 1>this point? Can you see in his face when because

0:34:37.520 --> 0:34:39.239
<v Speaker 1>when I've gone to the show and I look at

0:34:39.280 --> 0:34:41.319
<v Speaker 1>him and I swear, I'm like, I have nothing to

0:34:41.360 --> 0:34:44.759
<v Speaker 1>do with the show'rving, I'm like, oh my god, did

0:34:44.760 --> 0:34:45.120
<v Speaker 1>he like that?

0:34:45.239 --> 0:34:45.680
<v Speaker 2>Did he not?

0:34:46.360 --> 0:34:49.200
<v Speaker 3>It's a yes, it is still daunting.

0:34:49.280 --> 0:34:51.440
<v Speaker 4>Or like when he even kind of shows up at

0:34:51.480 --> 0:34:53.480
<v Speaker 4>a when you're rehearsing or something and he kind of

0:34:53.560 --> 0:34:55.440
<v Speaker 4>drifts into the back of the room, you're just a

0:34:55.520 --> 0:34:58.120
<v Speaker 4>little bit more on edge and you're you're second guessing

0:34:58.160 --> 0:35:01.000
<v Speaker 4>the like joke about pooping pants that you have in

0:35:01.040 --> 0:35:02.719
<v Speaker 4>and you're like, why did I do this? I wish

0:35:02.800 --> 0:35:04.640
<v Speaker 4>I didn't have to do that for the first time

0:35:04.680 --> 0:35:06.640
<v Speaker 4>in front of Lauren whatever it is. You know, like

0:35:07.239 --> 0:35:11.080
<v Speaker 4>there's that kind of feeling. But you know, I've got

0:35:11.120 --> 0:35:12.920
<v Speaker 4>you get over that to some extent because he just

0:35:12.960 --> 0:35:16.080
<v Speaker 4>realize like he's seen a lot of bad stuff, so

0:35:17.880 --> 0:35:19.759
<v Speaker 4>you know he's not and he's seen a lot of

0:35:19.760 --> 0:35:21.920
<v Speaker 4>bad stuff get better, and he's seen a lot of you.

0:35:21.840 --> 0:35:24.879
<v Speaker 1>Know, does he throw things out like if he sees

0:35:24.920 --> 0:35:27.600
<v Speaker 1>it just maybe like like one of those passion by

0:35:27.840 --> 0:35:31.719
<v Speaker 1>comments that oh yeah, oh okay, yes, yeah he does.

0:35:31.760 --> 0:35:35.680
<v Speaker 4>He does, and he's judicious about it because he's part

0:35:35.680 --> 0:35:38.200
<v Speaker 4>of it. Is at least for us with update, I

0:35:38.200 --> 0:35:42.000
<v Speaker 4>think now at this point he probably knows that we're

0:35:42.000 --> 0:35:44.279
<v Speaker 4>anticipating some of the things he might say in a

0:35:44.280 --> 0:35:47.040
<v Speaker 4>good way, not like we're worried about what he's gonna say,

0:35:47.080 --> 0:35:50.400
<v Speaker 4>but more like he's taught us some instincts that we

0:35:50.480 --> 0:35:53.440
<v Speaker 4>probably sure so we're like, oh, yeah that if it's

0:35:53.480 --> 0:35:57.400
<v Speaker 4>a joke that he's there rehearsal for and sees it

0:35:57.480 --> 0:36:00.279
<v Speaker 4>bomb where he is pretty confident we're going to fix

0:36:00.360 --> 0:36:03.879
<v Speaker 4>it with or or cut it, probably without him having

0:36:03.920 --> 0:36:07.400
<v Speaker 4>to specifically say cut that horrible joke. So that but

0:36:07.480 --> 0:36:09.279
<v Speaker 4>he's but he'll give like a you know, he'll just

0:36:09.320 --> 0:36:11.640
<v Speaker 4>give like a small but important note about how you're

0:36:11.640 --> 0:36:16.000
<v Speaker 4>playing a certain thing, or the tone or the aftertaste

0:36:16.040 --> 0:36:18.399
<v Speaker 4>of a joke, like is that do you really want

0:36:18.480 --> 0:36:23.360
<v Speaker 4>to have that the perception of this joke after the fact,

0:36:23.480 --> 0:36:26.160
<v Speaker 4>or something you know, like if especially if it's about someone,

0:36:26.320 --> 0:36:30.200
<v Speaker 4>like is it mean to that person? And I'm I'm

0:36:30.320 --> 0:36:32.279
<v Speaker 4>very sensitive about that. In general, I'm not a person

0:36:32.280 --> 0:36:35.600
<v Speaker 4>who likes doing things that are mean to people. I

0:36:36.200 --> 0:36:38.759
<v Speaker 4>prefer to do it based on what things they do,

0:36:38.920 --> 0:36:40.839
<v Speaker 4>like what a are actions, rather than about I don't

0:36:40.880 --> 0:36:43.880
<v Speaker 4>like making fun of people's personal lives that it really

0:36:44.239 --> 0:36:48.279
<v Speaker 4>does not maybe not like that, but but sometimes, like

0:36:48.480 --> 0:36:50.680
<v Speaker 4>you know, I'll have a occasionally I'll have a joke

0:36:50.719 --> 0:36:52.880
<v Speaker 4>where I'm like, I think even that person would not

0:36:52.880 --> 0:36:55.440
<v Speaker 4>be offended by this joke, but maybe they would be.

0:36:55.480 --> 0:36:56.600
<v Speaker 3>I don't know, who knows.

0:36:56.640 --> 0:36:57.040
<v Speaker 2>You never know.

0:37:04.200 --> 0:37:06.920
<v Speaker 1>I've had a wonderful lunch with Colin today. I know

0:37:06.960 --> 0:37:09.640
<v Speaker 1>that family plays a huge role in both Colin and

0:37:09.760 --> 0:37:13.719
<v Speaker 1>Scarlet's lives and as our time together winds down, I'm

0:37:13.760 --> 0:37:16.480
<v Speaker 1>interested to know what Colin hopes to share with his

0:37:16.640 --> 0:37:20.440
<v Speaker 1>son as he gets older and you talk about family,

0:37:20.480 --> 0:37:22.480
<v Speaker 1>and family is very important to you, It's very important

0:37:22.480 --> 0:37:26.080
<v Speaker 1>to Scarlet. I've talked to Scarlet about her family when

0:37:26.080 --> 0:37:29.319
<v Speaker 1>we had lunch, and they're wonderful and as are yours

0:37:29.400 --> 0:37:31.840
<v Speaker 1>down to earth. Is there something that you want to

0:37:31.880 --> 0:37:34.560
<v Speaker 1>show your son You want to make sure he sees

0:37:35.000 --> 0:37:36.480
<v Speaker 1>there's so much humor in your family.

0:37:36.480 --> 0:37:38.920
<v Speaker 2>I mean, there's so much wit and so much intelligence.

0:37:39.280 --> 0:37:41.080
<v Speaker 1>Is there anything that when you think of because when

0:37:41.080 --> 0:37:44.160
<v Speaker 1>you become a parent, it's just everything changes.

0:37:43.840 --> 0:37:44.439
<v Speaker 2>It just does.

0:37:44.880 --> 0:37:47.040
<v Speaker 1>Is there anything that you I want to do this

0:37:47.080 --> 0:37:48.640
<v Speaker 1>with Cosmo. I want to show him this.

0:37:49.480 --> 0:37:52.480
<v Speaker 4>You know. One thing that's really important to with him

0:37:52.800 --> 0:37:56.160
<v Speaker 4>is I take him swimming a lot whenever I can,

0:37:56.800 --> 0:37:58.280
<v Speaker 4>you know, like pool or ocean.

0:37:58.360 --> 0:38:00.799
<v Speaker 3>And he's he's only two, and he's he's a pretty.

0:38:00.520 --> 0:38:03.279
<v Speaker 4>Good swimmer, actually, like he's almost independent swimming, which is

0:38:03.360 --> 0:38:06.080
<v Speaker 4>kind of crazy. He's a smart he's a smart guy too,

0:38:06.080 --> 0:38:08.200
<v Speaker 4>but he's a great such a bunch hit.

0:38:08.160 --> 0:38:10.600
<v Speaker 3>But he I like that. I mean, the water is

0:38:10.640 --> 0:38:11.560
<v Speaker 3>really important to me.

0:38:12.880 --> 0:38:16.440
<v Speaker 4>And yeah, and it's always been something I just you know,

0:38:16.480 --> 0:38:18.799
<v Speaker 4>I didn't love always the competitive part of swimming, but

0:38:18.840 --> 0:38:21.439
<v Speaker 4>I did love being in a pool, and I'm very

0:38:21.440 --> 0:38:25.680
<v Speaker 4>happy around water all the time. And that's something I'd

0:38:25.680 --> 0:38:28.120
<v Speaker 4>like to share with him in different ways, you know.

0:38:28.200 --> 0:38:30.000
<v Speaker 4>The first thing that came to mind was my grandpa.

0:38:30.200 --> 0:38:34.120
<v Speaker 4>My grandpa just passed away, and he was he was

0:38:34.160 --> 0:38:37.440
<v Speaker 4>a firefighter, His dad was a firefighter. And he's the one,

0:38:37.560 --> 0:38:39.520
<v Speaker 4>my grandpa who lived next door, and he really helped

0:38:39.520 --> 0:38:42.160
<v Speaker 4>to raise me a lot. And I'm really happy he

0:38:42.200 --> 0:38:45.720
<v Speaker 4>got two years with Cosmo. In the years to come,

0:38:46.120 --> 0:38:50.080
<v Speaker 4>even though Cosmo I'm sure won't remember that time, I'm

0:38:50.120 --> 0:38:54.759
<v Speaker 4>excited to kind of impart elements of my grandpa in him.

0:38:54.840 --> 0:38:58.680
<v Speaker 4>His middle name is my grandpa's name, and the spirit

0:38:58.840 --> 0:39:00.880
<v Speaker 4>of a lot of the great things my grandpa. A

0:39:01.000 --> 0:39:04.520
<v Speaker 4>curiosity that my grandpa really had, a friendly and outgoing

0:39:04.560 --> 0:39:07.200
<v Speaker 4>of friendliness and ability to go talk to anyone and

0:39:07.480 --> 0:39:11.319
<v Speaker 4>engage and really be curious about them, and a real

0:39:11.480 --> 0:39:15.680
<v Speaker 4>joy and appreciation for life, like a deep gratitude feeling

0:39:15.760 --> 0:39:17.919
<v Speaker 4>like you know what you would say late in life

0:39:17.960 --> 0:39:20.359
<v Speaker 4>he would constantly say, like if I go tomorrow, I'm

0:39:20.400 --> 0:39:22.920
<v Speaker 4>so happy, you know, like I don't you know, I'm

0:39:23.280 --> 0:39:26.840
<v Speaker 4>not wouldn't be sad. It's all good, you know. And

0:39:26.840 --> 0:39:29.480
<v Speaker 4>and that's like one of the one of the last things,

0:39:29.520 --> 0:39:32.640
<v Speaker 4>like on his deathbed that he said to me was like,

0:39:32.719 --> 0:39:36.439
<v Speaker 4>don't worry, I'm okay, and he literally said bye bye,

0:39:36.600 --> 0:39:39.200
<v Speaker 4>like kind of funny in a joking way. Yeah, And

0:39:39.239 --> 0:39:41.680
<v Speaker 4>that's the last thing. That's the last words that he

0:39:41.760 --> 0:39:44.200
<v Speaker 4>said to me. And he died that like later that day.

0:39:44.280 --> 0:39:47.800
<v Speaker 4>And you know, I think that's what I will hopefully

0:39:49.600 --> 0:39:51.360
<v Speaker 4>in part and Cosmo, I don't know how much of

0:39:51.440 --> 0:39:56.560
<v Speaker 4>it's taught versus in you, but you know, a gratitude

0:39:56.560 --> 0:39:58.960
<v Speaker 4>in it, some kind of grace I think with with

0:39:59.080 --> 0:40:00.680
<v Speaker 4>people is is a great thing.

0:40:00.800 --> 0:40:03.759
<v Speaker 1>Well, that's a beautiful story and I think that, uh,

0:40:04.000 --> 0:40:05.560
<v Speaker 1>I think it's a beautiful way to sort of wrap

0:40:05.600 --> 0:40:08.680
<v Speaker 1>our beautiful lunch. And Colin, thank you, thank you for

0:40:08.760 --> 0:40:12.120
<v Speaker 1>coming your mind. My family loves you. I love you.

0:40:12.400 --> 0:40:16.440
<v Speaker 1>I love your family. And you know you're just an

0:40:16.440 --> 0:40:21.319
<v Speaker 1>incredibly talented gift to the world. What you how you

0:40:21.360 --> 0:40:23.560
<v Speaker 1>see the world and did you have this platform turn

0:40:23.800 --> 0:40:25.480
<v Speaker 1>presented and you make people happy?

0:40:26.400 --> 0:40:28.000
<v Speaker 3>Thank you very much. It's a pleasure.

0:40:28.080 --> 0:40:32.040
<v Speaker 4>It's a pleasure in any capacity, but especially with this

0:40:32.120 --> 0:40:35.480
<v Speaker 4>lobster caesar salad and the second lobster that I ordered

0:40:35.520 --> 0:40:35.799
<v Speaker 4>to go.

0:40:36.719 --> 0:40:37.560
<v Speaker 3>Very generous of you.

0:40:37.760 --> 0:40:39.080
<v Speaker 2>My pleasure.

0:40:40.800 --> 0:40:43.600
<v Speaker 3>Ready that I'm going to have shipped exactly.

0:40:43.840 --> 0:40:46.400
<v Speaker 1>Anyway, Thanks for everyone for pulling up a chair today

0:40:46.800 --> 0:40:49.800
<v Speaker 1>on Table for two with Bruce Bosi and mister Colin

0:40:49.880 --> 0:40:51.800
<v Speaker 1>Joys and We'll.

0:40:51.640 --> 0:40:52.319
<v Speaker 2>See you real soon.

0:41:01.320 --> 0:41:04.240
<v Speaker 1>Table for two with Bruce Bosi is produced by iHeartRadio

0:41:04.400 --> 0:41:08.520
<v Speaker 1>seven three seven Park and Airmail. Our executive producers are

0:41:08.560 --> 0:41:12.680
<v Speaker 1>Bruce Bosi and Nathan King. Our supervising producer and editor

0:41:12.840 --> 0:41:16.720
<v Speaker 1>is Dylan Fagan. Table for two is researched and written

0:41:16.920 --> 0:41:21.640
<v Speaker 1>by Jack Sullivan. Our sound engineers are Jess Krainich, Evan Taylor,

0:41:21.840 --> 0:41:26.040
<v Speaker 1>and Jesse Funk. Our music supervisor is Randall Poster. Our

0:41:26.040 --> 0:41:29.200
<v Speaker 1>talent booking is done by Jane Sarkin. Table for two's

0:41:29.239 --> 0:41:33.600
<v Speaker 1>social media manager is Gracie Wiener. Special thanks to Amy Sugarman,

0:41:34.000 --> 0:41:39.319
<v Speaker 1>Uni Scherer, Kevin Yuvane, Bobby Bauer, Alison Kanter Graber. For

0:41:39.440 --> 0:41:44.560
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:41:45.040 --> 0:41:55.000
<v Speaker 1>or wherever you listen to your favorite shows.