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Speaker 1: Good morning show you love that in this room anywhere else,

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Speaker 1: so you're friendly on Fronda House top that day you

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Speaker 1: get the world frost stagers want to show the cameras mother.

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Speaker 1: I didn't agree. What sho is Listen City South RISDJ Hanry,

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Speaker 1: the captain of this se usually eat the only one

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Speaker 1: who can keep these guys in chat. Chalomagne, the god

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Speaker 1: love morn by. The breath was good morning usayo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo. Good morning age yea good morning d J.

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Speaker 1: Cholomagne the god peace to the planet. Here's r everybody's

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Speaker 1: voice right, Yeah, I was pretty good with the voices.

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Speaker 1: Good morning everybody. It's Friday now. Charlemagne was right behind me.

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Speaker 1: I think he was on the road right behind me.

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Speaker 1: I looked at the clock and I was like, we

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Speaker 1: both can't be late. So I just took off you

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Speaker 1: and I made it so he should be maybe five

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Speaker 1: steps ten steps behind me. But it is Friday, weekend

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Speaker 1: is here. I'm ready for the weekend too. I'm heading

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Speaker 1: to Toronto tonight and then Saturday, Dominican Republic. I'm doing

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Speaker 1: the show actually with Cardi being fabulous, so it should

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Speaker 1: be a lot of fun. Charlemagne just stepped in to

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Speaker 1: build him. Was that you behind me, Charlemagne? But the

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Speaker 1: road I don't know. I took off. I thought that

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Speaker 1: was you. I see just now driving in. You just

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Speaker 1: walked it. You just came in. Yeah, it's possible. I

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Speaker 1: thought that was you. I was like, I looked at

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Speaker 1: the clock. Iuse like, we both can't be late, so

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Speaker 1: I brought you just took off. See what the thing is, right,

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Speaker 1: Joe Boy might always tell y'all at the age I'm

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Speaker 1: an now, but I have sex after midnight. There's no

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Speaker 1: way that I'm getting up at for twenty in the

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Speaker 1: morning at the time that we have to get up

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Speaker 1: last night and sinks starting around a quarter to ten.

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Speaker 1: Oh that's your fault. Okay, should learned now. But that

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Speaker 1: was good though. Now he wasn't quarter to ten. Done

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Speaker 1: by about quarter to eleven. You know what I'm saying

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Speaker 1: about thirty five minutes of that is just fall play

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Speaker 1: for me. Okay, okay, but I'm just saying, I'm only here,

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Speaker 1: what a minute late, and you're still late to hold

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Speaker 1: to ten minutes. I'm just saying, you gotta start a

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Speaker 1: little early. You gotta start that truck up a little earlier,

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Speaker 1: you do, instead of quarter to ten to a quarter

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Speaker 1: to nine. You're right, because wasn't nothing on TV last night,

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Speaker 1: by the way, and drop on the clues bombs for scissor.

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Speaker 1: Uh damn it, wait at the bomb, drop on a

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Speaker 1: clues bombs. God damn it. I'm not working. Bomb is

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Speaker 1: not working this morning? All right, Well do it man Newly,

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Speaker 1: please just you know, right there, I need to say something.

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Speaker 1: I just want to, you know, say, drop on a

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Speaker 1: clue moms sciss because her control album is an amazing

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Speaker 1: album that has sex to all right, that's that is

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Speaker 1: a great soundtrack for sexual activity, Siss of Control. And

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Speaker 1: you know a lot of times albums come out and

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Speaker 1: it's been out for some months and you don't really

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Speaker 1: appreciate it. You know, things move so fast nowadays. So

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Speaker 1: I just want to salute Siss of Control album because

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Speaker 1: it's amazing. Okay, Well, messic Man will be joining us

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Speaker 1: this morning. Oh man, it's hard enough to be a

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Speaker 1: fan around me for man, at least for me anywhere,

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Speaker 1: Because I grew up a Woutang for that. Okay. I

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Speaker 1: absolutely think Woutang is the greatest hip hop group of

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Speaker 1: all time. Good Faith Killer is my favorite m see

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Speaker 1: of all time. I was even thinking yesterday, am I

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Speaker 1: too old for a Wu Tang clan tattoo? I'm not

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Speaker 1: gonna you think so, gonna put on your leg. We're

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Speaker 1: gonna play it because the tattoos I got now, I'm

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Speaker 1: getting done over. Like I got a wolverine with a

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Speaker 1: mic on his arm and I'm gonna get that done over.

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Speaker 1: You know what I'm saying that I thinking maybe I

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Speaker 1: can just get a little wou tanging bloom bugget. I

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Speaker 1: think I'm too over that. Yeah, you bugget. But all

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Speaker 1: the members of Woutang holding me still, they got tattoos

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Speaker 1: like they're not getting them now. You don't think. No,

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Speaker 1: you can't get no Dabtang Claan merchandise and target. I

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Speaker 1: know I've seen that they sell like everywhere. You can

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Speaker 1: get what you think. You cannot get a classic. We

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Speaker 1: can't get a Woutang logo. No, No, too over that.

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Speaker 1: You can't do that. And you can't get a Dallas

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Speaker 1: Cowboy logo either, like you daddy got one too my

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Speaker 1: daddy got a Dallas Cowboy tattoo and it says six

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Speaker 1: times super Bowl champion. He only got five. He's one

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Speaker 1: of thold. He's one of those guys. He's seeing the future.

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Speaker 1: He's one of those good it didn't happy. That's the nineties.

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Speaker 1: Oh my goodness. All right, Matthew matill be Jordan's to

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Speaker 1: get the show cracking front page news. We'll tell you

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Speaker 1: about Hurricane Nate. Also your President Donald Trump, Well he's

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Speaker 1: back at it. We'll give you all the updates, keeping

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Speaker 1: lock of his wild thoughts. It's the breakfast love, come morning,

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Speaker 1: another one, an, we're the best news. I don't know

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Speaker 1: if you can tag it. No, you want to see

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Speaker 1: me naked, naked naked. I want to be baby spending

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Speaker 1: as Zai came from May time. Oh man, morning, everybody

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Speaker 1: is DJ Envy Angela Ye, Charlomagne, the guy bro Man

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Speaker 1: to the morning Angelie. He's not here today and it's

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Speaker 1: a Friday. Now, let's get in some front page news.

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Speaker 1: I feel so bad for Tampa Bay's kickers. You still

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Speaker 1: watching football? I'm not watching for but I've seen on

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Speaker 1: the news this morning that he missed three field goals yesterday.

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Speaker 1: That's what happens when you don't take a knee. But

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Speaker 1: he missed two field goals last week. He should have

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Speaker 1: stood with cap. Oh my guys, and they lost. They

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Speaker 1: lost nineteen fourteen. So if he'd have made those two

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Speaker 1: or the three, they would have won. He is out

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Speaker 1: of here. He lost the job. I feel bad for

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Speaker 1: him this morning. He should have stood with a cap.

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Speaker 1: That's what happens when you don't boycott, and when you

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Speaker 1: don't stand for something and you're still out there on

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Speaker 1: that NFL field. Well, his name is folk, and last

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Speaker 1: night the Patriots BA Tampa Bay nineteen fourteen. I feel

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Speaker 1: bad for that kicking one and just let the record

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Speaker 1: show I'm only talking like that. This week of the

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Speaker 1: Dallas Cowboys, the two and two were coming hit three

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Speaker 1: and two one. Next week it might be singing a

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Speaker 1: different two. Well, we owned four, so I'm not I

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Speaker 1: don't know anything about NFL this season. Now, let's talk

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Speaker 1: about Tropical Storm Nate. It's a new tropical storm, killed

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Speaker 1: twenty people already in Central America, and it's heading towards

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Speaker 1: the US. It says it should expect to hit Louisiana

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Speaker 1: around Sunday evening tropical storms killing people. Now, yeah, tropical storm.

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Speaker 1: So let's have had a Category one of category two,

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Speaker 1: so it's a hurricane. There ain't no tropical storms. This

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Speaker 1: category one category too. Right, Well, let's say a category

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Speaker 1: one hurricane. I don't know it was a hurricane, they say.

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Speaker 1: If they're saying it's a category one, then it will

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Speaker 1: be a curricane by the time it reaches Louisiana. Storms

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Speaker 1: and HIV hurricane a hurricane, all right, if you look

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Speaker 1: at it like that. Now, Donald Trump, he's telling the press,

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Speaker 1: this is just the calm before the storm. He had

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Speaker 1: to did the last night. Boy, he don't need but

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Speaker 1: a couple of military people, and he says, this is

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Speaker 1: the come before the medio. Let's play thank you? What story?

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Speaker 1: You know? The thing I hate the most about this guy,

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Speaker 1: I mean it's I don't I don't hate anybody. That's

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Speaker 1: a strong word. The thing I disliked the most about

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Speaker 1: this guy is he's such a hypocrite. Like he same

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Speaker 1: guy who would say that Barack and all the president,

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Speaker 1: Barack Obama and all these other people would would would

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Speaker 1: tell the world what they're going to do, and he

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Speaker 1: does it all. He does it all the time. All

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Speaker 1: the time. Yeah, come on, I just don't understand. And also,

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Speaker 1: gun stores are selling out of the bump stocks. Now

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Speaker 1: the bump stock is what did he used to turn

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Speaker 1: that semi automatic rightful to an automatic rightful? I guess

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Speaker 1: as legal in some states, and people are buying the

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Speaker 1: iss out of them, so they're pretty much sold out,

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Speaker 1: so um and already is really they're trying to decide

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Speaker 1: if they should regulate it, if they should ban it,

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Speaker 1: but right now they are selling out like crazy. And

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Speaker 1: that's that little piece that can turn a semi automatic

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Speaker 1: weapon to an automatic weapon where he could just hold

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Speaker 1: a trigger and just let a clip out. Y'all need

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Speaker 1: to be invested in his bomb shelters. Okay, that's what

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Speaker 1: y'all need to do. Y'all need to be invested in

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Speaker 1: bomb shelters. And y'all need to have like natural disaster

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Speaker 1: kids all around your house, anything that got to do

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Speaker 1: with natural disasters, anything that can help you survive earthquakes, hurricanes, flooding.

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Speaker 1: That's what that's what you need right now. Okay, y'all

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Speaker 1: worried about the wrong things, all right, You need to

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Speaker 1: be worrying about bombs, bomb bomb shelters. And things that

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Speaker 1: can help you get through natural disasters. All right, well,

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Speaker 1: last front page news. Now get it off your chests.

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Speaker 1: Eight on drink five eight five one on five one.

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Speaker 1: If you're upset you need to vent, hit us up

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Speaker 1: right now, or if you need to spread a little positivity,

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Speaker 1: we all take your phone course as well. Eight hundred

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Speaker 1: five eight five one on five one, And don't forget

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Speaker 1: next hour method man of being a building, I ain't.

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Speaker 1: It's a breakfast club. Good morning. The breakfast club is

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Speaker 1: your time to get it off your chests, whether you're

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Speaker 1: man or blast, so we better have the same industry.

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Speaker 1: We want to hear from you on the breakfast club. Hello,

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Speaker 1: Oh hey, what's up? Man? Hey, how's it going? Get

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Speaker 1: it off your chests? Bro Hey man, I'm out of

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Speaker 1: charlotne man, okay, just continue to continue to see them.

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Speaker 1: What's been going on? But I'm out of Charlie charlemaie're there, yes, sir,

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Speaker 1: I'm right here all right. So I'm mad at you

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Speaker 1: because earlier this week he was going to empty for

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Speaker 1: changing his name when he was doing the color marketing

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Speaker 1: to a piece white people. Right, yes, but I read

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Speaker 1: your book. Opportunity comes to those who created great book.

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Speaker 1: By the way, you change the title of your book

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Speaker 1: from I don't give an in leaders should you to

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Speaker 1: appease your white people who said you shouldn't say in

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Speaker 1: the book that so it's your old age come out.

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Speaker 1: First of all, that is not true. And I want

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Speaker 1: you to really think about what you just said to me.

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Speaker 1: You said, I changed the name of my book to

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Speaker 1: appease the white people. But I changed the name of

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Speaker 1: my book to Black Privilege. But you still even in

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Speaker 1: your book you said your white publishers, you said that

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Speaker 1: that's not what I said. I want you to read

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Speaker 1: I want you to read it again. I said, I

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Speaker 1: thought that they were telling me I had to change

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Speaker 1: it because I was black. I just want to fun Friday.

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Speaker 1: But but you were going hard at envy because something

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Speaker 1: he did when he was like in his teens, and

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Speaker 1: you're coming at him with a perspective of a thirty

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Speaker 1: plus year old something. You should kind of chill back

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Speaker 1: on that. My brother. I think you don't know what

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Speaker 1: you're talking about right now. I think you need to

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Speaker 1: read that chapter again. And how no, no, no, no,

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Speaker 1: I know you're right, You're right. Listen, the name of

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Speaker 1: the book is black village opportunity come to those creative.

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Speaker 1: If you haven't got it, you should pick up the book.

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Speaker 1: In the book, I talk about how I wanted to

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Speaker 1: name my book that, and they told me that I

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Speaker 1: shouldn't name it that because they didn't think that it

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Speaker 1: was market a bold, had nothing to do it anything else.

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Speaker 1: And I said, I thought that they were doing that

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Speaker 1: to me because I was black. Because a white guy

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Speaker 1: named Mark Manson, Salute to Mark. That's my guy named

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Speaker 1: his book The Subtle Arty, not given an F and

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Speaker 1: he sold over a million copies. By the way, But

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Speaker 1: I thoroughly enjoyed my title Black Privilege, because I truly

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Speaker 1: believe it is a privilege and an honor to be

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Speaker 1: in this black skin. Thank you. I'm doing a meThe

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Speaker 1: Man mix next time. I just want to have fun.

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Speaker 1: I hate this Friday. Just make sure you play the

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Speaker 1: woutan claim. People say, the new record, get it off

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Speaker 1: your chests, eight hundred and five eight five one on

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Speaker 1: five one. It's the breakfast Club. Good morning, the breakfast Club.

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Speaker 1: Pick up the mother mother phone and down this is

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Speaker 1: you're trying to get it off your chat nother. You're man.

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Speaker 1: We want to hear from you on the breakfast club,

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Speaker 1: so we better have the same energy. Hello, who's this aport? Jamal? Jamal?

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Speaker 1: Get it off your chests, bro, Man, I'm man. I

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Speaker 1: gotta come to work in a damn Patriot jury. My

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Speaker 1: team goal. Your team sucks with field goals. I mean,

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Speaker 1: y'all should have lost last week when you're missing two

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Speaker 1: in the point after then y'all y'all missed doing who's

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Speaker 1: the team? Yeah? I made a mini field goals with

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Speaker 1: Nick folk Big yesterday. That's all I gotta say. You know,

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Speaker 1: all you gotta do to get out of a bed

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Speaker 1: is when you come to work be like, Look, man,

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Speaker 1: I've decided to stay with CAP. I've decided to boycott

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Speaker 1: the NFL. I'm not wearing no NFL merchandise. They're not

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Speaker 1: watching the games, so you know, I'm sorry. I can't

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Speaker 1: onto that bed to tell people you had a revelation.

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Speaker 1: But chit kicker sucks, Broy. Put me on the job.

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Speaker 1: Put you out there, all right? Bro? Hello, who's this Hi?

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Speaker 1: Good morning? This is miss Kitty from Cincinnati. Miss Kitty,

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Speaker 1: and get go if your chest Miss Kitty. Okay, I

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Speaker 1: live in Cincinnati, like I said, And this is an

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Speaker 1: incident that happened at my fun high school, Princeton High

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Speaker 1: School in Cincinnati, Okay. There was apparently some kind of

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Speaker 1: project where the teachers were trying to do something with

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Speaker 1: bungee jumping, and they use barbie dolls. One of the students,

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Speaker 1: after the project was finished, different class took rubber bands,

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Speaker 1: took the rubber bands, wrapped them around the black barbie

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Speaker 1: doll's neck, and then wrapped him around his backpack and

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Speaker 1: hung her off of his debts. Who did that? The student?

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Speaker 1: It was a white boy. What happened? Y'all ain't beat him? Well?

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Speaker 1: A girl. One of his peers asked him fully different

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Speaker 1: time to please put it away, to tad it's offensive,

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Speaker 1: it's wrong, blah blah blah. The boy d he said,

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Speaker 1: he's getting tear and so one of another peers sitting

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Speaker 1: behind him took a picture posted it on social media.

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Speaker 1: The superintendent wasn't going to do anything about it. He said,

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Speaker 1: this is a good kid. He didn't mean anything. It

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Speaker 1: was the school project, and he'd be the same loca

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Speaker 1: that shoot up a school full of black kids in

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Speaker 1: the future exactly. And now, so they had to suspend him.

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Speaker 1: They had to because of the backlash because it was

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Speaker 1: on social media. Well, now the boy has posted on

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Speaker 1: snapsat I hate black people and I hope you all

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Speaker 1: die exactly so. So so you expel them now, and

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Speaker 1: hopefully you take him somewhere and help him to get

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Speaker 1: the help that he needs. Sound like he's dealing with

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Speaker 1: some mental issues. Sound like he hates himself. It sound

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Speaker 1: like he's suffering from low self esteem and insecurity, and

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Speaker 1: he's acting out with anger. And I just wasn't like

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Speaker 1: because borrows a word from Charlemagne. I really feel like

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Speaker 1: I agree with you when you say that these white

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Speaker 1: people that feel like this, which is their right to

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Speaker 1: feel that way, but they are emboldened to do these

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Speaker 1: kinds of things now because our president. Actually yeah, absolutely,

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Speaker 1: all right, well thank you mama, good luck. But you

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Speaker 1: can nip it in the bud with kids early. If

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Speaker 1: you grabbed that little boy, you really gotta. I really

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Speaker 1: think racism is a mental issue. I really truly feel

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Speaker 1: that way. I feel like any type of prejudice is

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Speaker 1: a mental issue. You just hate somebody because of the

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Speaker 1: color of that skin, of that sexuality, of the agenda.

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Speaker 1: So I think that you got to take them and

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Speaker 1: put them in some kind of rehab of something. Sit

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Speaker 1: there as down, let them talk to the therapist's let's

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Speaker 1: work through this all right. Well, thank you mama for

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Speaker 1: your calling. Wonderful day. I was listening to the Open

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Speaker 1: one three seated the Soul podcast, one of my favorite

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Speaker 1: podcasts out there, and she talked this morning. She was

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Speaker 1: talking with a Marty Singer about the thorns that are

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Speaker 1: in you, and she was like, you gotta push those

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Speaker 1: thorns out of you. But sometimes people need help pushing

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Speaker 1: those thorns out of them. But I just think these

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Speaker 1: racist people and these prejudice people need to sit down

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Speaker 1: with the therapist and push those storms out. But you

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Speaker 1: know it's not even that. I think a lot of

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Speaker 1: times what they're taught absolutely, you know what I mean.

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Speaker 1: So they have no choice because their daddy's teaching them,

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Speaker 1: that their mama's teaching them, that their uncle's teaching the man,

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Speaker 1: and then their president is teaching them. And you can

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Speaker 1: unlearn that behavior absolute, all behavior, anything you learned can

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Speaker 1: be unlearned. Trust and believe. That's that's what life is about.

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Speaker 1: Constant learning and constant grow All right, now, you can

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Speaker 1: always give us a call. Get it off your chest.

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Speaker 1: Eight hundred five eight five one oh five one. Now

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Speaker 1: Angela Yee, you got rumor report coming up. My name

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Speaker 1: is not Angela Ye, but she is not here, so

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Speaker 1: we're gonna hold the rumors down. Cam Newton, he apologized.

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Speaker 1: Will tell you what he had to say and why

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Speaker 1: he apologized. DMX. He's forty pounds heavier. We'll tell you

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Speaker 1: all about it. Keep it. Lock this to Breakfast Club

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Speaker 1: God Morning, the Breakfast Club outing up morning. Everybody is

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Speaker 1: DJ Envy, Angela Ye, Sholomne the guy we are the

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Speaker 1: Breakfast Club now Ye is not here with holding down,

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Speaker 1: So let's get to the rumors. Let's talk Cam Newton.

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Speaker 1: Oh my gosh, rumor report with angel Breakfast club Now.

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Speaker 1: Cam Newton got into a lot of trouble yesterday for

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Speaker 1: saying these remarks at a press conference. Devin Bunchis seemed

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Speaker 1: to really embrace the physicality of his routes and making

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Speaker 1: getting those extra yards because that give you a little

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Speaker 1: bit of an enjoyment to see him kind of trust

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Speaker 1: sticking people out there. It's funny to hear female talk

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Speaker 1: about routes like it's funny but fun It's coming along, man,

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Speaker 1: We're gonna we're gonna this is a big game for him.

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Speaker 1: That was a waste of calories. Yeah. Now he's a

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Speaker 1: quarterback for the Carolina Panthers. And because of that, yesterday

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Speaker 1: he lost his sponsorship, his agreement, his sponsorship agreement with Dannon.

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Speaker 1: It seems like they cut ties yesterday. Dan and yogurt Yes,

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Speaker 1: dand in yogurt Yes. Listen, man, if Cam wanted to

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Speaker 1: piss people off, cause outrage and lose endorsements, he could

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Speaker 1: have just took a knee on behalf of his people

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Speaker 1: facing injustice in America and still with cat It would

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Speaker 1: have been way more honorable. But he did apologize after that,

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Speaker 1: and this is what he say. My word choice was

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Speaker 1: extremely degrading and disrespectful to a woman, and to be honest,

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Speaker 1: that was not my intentions. What I did was extremely unacceptable.

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Speaker 1: I'm a father to two beautiful daughters, and at their age,

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Speaker 1: I try to instill in them that they can do

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Speaker 1: and be anything that they want to be. During this

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Speaker 1: whole process, I've already lost sponsors and countless fans. I

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Speaker 1: realized that the joke is really on me. And to

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Speaker 1: the young people who see this, I hope that you

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Speaker 1: learned something from this. As well, don't be like me,

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Speaker 1: be better than me. Well, if you have stood with

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Speaker 1: Kavin took a knee on behalf of your people, then

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Speaker 1: you wouldn't have to apologize for that. The main problem

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Speaker 1: I have with Cam is he didn't explain what he meant.

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Speaker 1: You can't make half ass statements like that. If you go,

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Speaker 1: if you're gonna say it, explain it a little more.

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Speaker 1: I was confused to all better. Yet a reporter should

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Speaker 1: have followed up and asked him what he meant? What

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Speaker 1: does that mean? Funny? Exactly? What do you find funny

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Speaker 1: about the female talking about routes? But you he should

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Speaker 1: know better than that. You can't be, you know, the

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Speaker 1: quarter back of the Carolina Pants, the quarterback for any

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Speaker 1: NFL team and just make a half as statement like that.

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Speaker 1: I find it funny a female talking about rod. But

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Speaker 1: don't you no, no, no, you just don't throw that

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Speaker 1: one there, not at all now, I see, even if

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Speaker 1: it's I find it funny that like anybody that asked

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Speaker 1: me a question doesn't know about routes if you never

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Speaker 1: played football, but either it just sounded stupid. As the

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Speaker 1: conversation I was having with my homeboys yesterday, I was like, well, hell,

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Speaker 1: I don't know no Dan Rods either if you don't

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Speaker 1: play football, if he's not a coach, or you don't

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Speaker 1: play Madden religiously, you probably don't know what rods either.

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Speaker 1: I mean whatever, now because when I played Mad, I

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Speaker 1: just throw hell Mary's all the time. Now, let's talk

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Speaker 1: play Mad no more because it's too difficult. Let's talk iggy.

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Speaker 1: Azalia looks like she's in a little financial problem, little

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Speaker 1: financial trouble. American Express is actually suing her. They want her,

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Speaker 1: they want day money, three hundred and thousand, three hundred

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Speaker 1: thousand dollars. They say she owes two hundred and fifty

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Speaker 1: thousand dollars and she hasn't paid her two hundred and

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Speaker 1: fifty thousand dollars, or they want that plus interest. Is

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Speaker 1: there ever a reason to have a three hundred thousand

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Speaker 1: dollars plus at max bill? No, I would pass out

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Speaker 1: three hundred? What who did that? I throw on it? Amex? Right?

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Speaker 1: I know, won't I guess not? But usually on an amex,

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Speaker 1: you pay, you charge this month, you gotta pay next month.

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Speaker 1: Maybe she charged all that in one month, but she

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Speaker 1: shouldn't she know she gotta pay that next month. Maybe

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Speaker 1: she ain't got it. I'm gonna be honest with you.

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Speaker 1: You're charging that much on Ammex card, you probably ain't

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Speaker 1: got no money. I gonna be honest with your dad

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Speaker 1: asks if you talk. If you're charging three hundred thousand

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Speaker 1: plus dollars on an Amex card, you're thinking that a

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Speaker 1: big check coming next month, a big check coming in

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Speaker 1: the next week. Yeah, you're looking for a big check,

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Speaker 1: a big pay day to come in. There's no reason

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Speaker 1: to charge that much money on any credit card, three

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Speaker 1: hundred thousand plus dollars, but people do because you get

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Speaker 1: a lot of points, you get miles, you get a

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Speaker 1: lot of bonuses and things like that. There's nothing that

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Speaker 1: What are you buying in a month that cast three

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Speaker 1: hundred thousand plus dollars? I don't know. It ain't no

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Speaker 1: damn way in hell. But don't listen to me. I

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Speaker 1: still shop it talking right now, and by the way,

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Speaker 1: it'll talking T Shirt, the New Ones, the good Fellas

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Speaker 1: dropped on the clues bums for good Fellas better than.

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Speaker 1: I ain't saying better, I'm not I'm not saying better

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00:18:52,640 --> 00:18:55,239
Speaker 1: mostly Moo is classic. All I'm saying is I went

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00:18:55,359 --> 00:18:57,480
Speaker 1: and did a little experiment at talking and become me

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Speaker 1: a couple of good fella T shirts. Now I ain't.

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Speaker 1: He wasn't too disappoint And lastly, DMX looks like he's

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Speaker 1: doing a lot better. He's been out of rehab. He

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Speaker 1: had to go to court yesterday and he looked pretty good.

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Speaker 1: He gained about forty pounds and he looked way healthier,

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Speaker 1: way way health drop on the clues, bomp X shout

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Speaker 1: to daxin We want the best for dm Max. Absolutely,

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Speaker 1: Miss DMX been up in a while. Long time coming

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Speaker 1: home this Yeah, I reached out to X if he

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Speaker 1: get him up. He's been here, it's been a while.

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Speaker 1: You have to be don't come here on every year.

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Speaker 1: Mister white Man on the camera, Steve it Makes has

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Speaker 1: been in three times. He've been on the shows seven years.

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Speaker 1: So how did he come every year? Ye? All right,

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Speaker 1: all right, all right, all right, Well that's your rumor report.

422
00:19:39,000 --> 00:19:41,399
Speaker 1: When we come back, method man, will we join us.

423
00:19:41,560 --> 00:19:43,720
Speaker 1: We kicked him with methy Man yesterday after the show.

424
00:19:44,119 --> 00:19:46,359
Speaker 1: Angie Angela Ye was here, So we're gonna kick it

425
00:19:46,400 --> 00:19:47,760
Speaker 1: with meThe Man. He's on a new show called The

426
00:19:47,800 --> 00:19:50,240
Speaker 1: Douce that's on HBO. And we'll talk to him about everything.

427
00:19:50,280 --> 00:19:52,200
Speaker 1: So don't move. It's to Breakfast Club. Good morning. That

428
00:19:52,359 --> 00:19:56,480
Speaker 1: was Kendrick Lamar with Loyalty Morning. Everybody is DJ Envy,

429
00:19:56,680 --> 00:19:59,520
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

430
00:19:59,680 --> 00:20:04,800
Speaker 1: We special guests in the Buildings and Meta Judy this morning. Everybody,

431
00:20:04,920 --> 00:20:07,320
Speaker 1: this is DJ Envy and the Building. We got a

432
00:20:07,359 --> 00:20:16,960
Speaker 1: special guest this morning. You've never gotten Hollywood men ever, Like,

433
00:20:17,080 --> 00:20:20,320
Speaker 1: no matter what you were going to act in music, superstar,

434
00:20:20,520 --> 00:20:23,000
Speaker 1: you never was Hollywood. I still living start now and too.

435
00:20:23,200 --> 00:20:25,800
Speaker 1: So yeah, I mean I stayed grounded because you know,

436
00:20:26,240 --> 00:20:28,280
Speaker 1: I'm still around the people that I grew up around.

437
00:20:28,320 --> 00:20:31,719
Speaker 1: So yeah, but you're here promoting The Deuce, a new

438
00:20:31,800 --> 00:20:34,120
Speaker 1: show on HBO. It's interesting because I read La Times

439
00:20:34,240 --> 00:20:36,160
Speaker 1: article about you and it says that you are getting

440
00:20:36,240 --> 00:20:42,000
Speaker 1: serious about acting. Now. Remember you have to understand it's

441
00:20:42,040 --> 00:20:45,920
Speaker 1: hard to do music and try and do movies or

442
00:20:46,000 --> 00:20:49,560
Speaker 1: television at the same time because you can't. You can't,

443
00:20:49,800 --> 00:20:53,120
Speaker 1: I mean too many how how they say a jack

444
00:20:53,160 --> 00:20:55,560
Speaker 1: of all trades master m none true. So I mean

445
00:20:55,840 --> 00:20:58,760
Speaker 1: you have to focus on whatever craft it is that

446
00:20:58,840 --> 00:21:00,680
Speaker 1: you're trying to excel at at that time, so I

447
00:21:00,720 --> 00:21:02,920
Speaker 1: wouldn't actually take an acting serious. I still had a

448
00:21:02,960 --> 00:21:05,119
Speaker 1: rap career I had to maintain, you know, I had

449
00:21:05,160 --> 00:21:08,919
Speaker 1: Wu Tang obligations, Redman obligations as well as solo obligations.

450
00:21:09,359 --> 00:21:11,320
Speaker 1: So once I got all of that out of my

451
00:21:11,359 --> 00:21:13,639
Speaker 1: blood and I felt like, you know, I was doing

452
00:21:13,760 --> 00:21:15,560
Speaker 1: hip hop because I wanted to, not because I have to.

453
00:21:16,240 --> 00:21:17,919
Speaker 1: That's what I said, All right, let's do his acting thing.

454
00:21:18,000 --> 00:21:21,040
Speaker 1: Let's get off. That's interesting because you album coming out,

455
00:21:21,400 --> 00:21:23,879
Speaker 1: Oh yeah, yeah, shout out to a law Math. I

456
00:21:23,960 --> 00:21:27,760
Speaker 1: think that's coming out the fifteen, so that the records

457
00:21:27,800 --> 00:21:30,159
Speaker 1: from that album sound real different, Like they sound like

458
00:21:30,359 --> 00:21:33,640
Speaker 1: a rejuvenated Wu Tang clan, like the like people say,

459
00:21:33,680 --> 00:21:36,240
Speaker 1: it's like phenomenal, like you know what. I think Math

460
00:21:36,320 --> 00:21:38,800
Speaker 1: had those joints, well, not the beats, but you know,

461
00:21:38,920 --> 00:21:41,520
Speaker 1: some of those verses from cats around for a while,

462
00:21:41,760 --> 00:21:44,080
Speaker 1: and he always kept that flavor. He's my DJ too,

463
00:21:44,119 --> 00:21:45,320
Speaker 1: by the way. He's been on the role with me

464
00:21:45,440 --> 00:21:49,360
Speaker 1: for like ever. He created the logo. Yeah he actually, yeah,

465
00:21:49,400 --> 00:21:51,200
Speaker 1: he did. He created the Wu Tang logo. We say

466
00:21:51,240 --> 00:21:53,159
Speaker 1: that at every show. I take that for granted. Sometimes,

467
00:21:54,000 --> 00:21:56,720
Speaker 1: you know, seeing people walk around with tattoos and you know,

468
00:21:56,840 --> 00:22:00,840
Speaker 1: shirts with something that he invented basically. But um, yeah,

469
00:22:00,920 --> 00:22:02,680
Speaker 1: that album. He put a lot of work into that.

470
00:22:02,760 --> 00:22:06,919
Speaker 1: It's been years into making and hopefully, you know, it'll

471
00:22:07,160 --> 00:22:11,439
Speaker 1: re established our griminess takeaway, not trying to take anything

472
00:22:11,480 --> 00:22:13,520
Speaker 1: away from a better small that was. You know, whatever

473
00:22:13,640 --> 00:22:15,800
Speaker 1: vision that was. Rest wanted to go into the lights,

474
00:22:15,800 --> 00:22:17,440
Speaker 1: so be it. He was in the light. But you

475
00:22:17,520 --> 00:22:19,639
Speaker 1: know this, I think hopefully this will bring back that

476
00:22:20,000 --> 00:22:22,680
Speaker 1: that grimy feel that people know. Whutang for yeah, two

477
00:22:23,080 --> 00:22:25,360
Speaker 1: people saying it's another record. I heard that that Red

478
00:22:25,400 --> 00:22:29,280
Speaker 1: Man is on Doc. All old Doc is Whutang. You know,

479
00:22:29,400 --> 00:22:30,760
Speaker 1: he all over the place with it. You know what

480
00:22:30,840 --> 00:22:33,520
Speaker 1: I'm saying, plush. You know, he worked, worked, worked worked.

481
00:22:33,600 --> 00:22:36,480
Speaker 1: He never stops. I'm worried about to do sometimes. You know,

482
00:22:36,560 --> 00:22:39,399
Speaker 1: he needs to get some rest sometimes show now to

483
00:22:42,359 --> 00:22:45,879
Speaker 1: but see me, like, especially with the whole Hollywood thing,

484
00:22:46,040 --> 00:22:48,880
Speaker 1: Doc wants to be behind the camera more. And I've

485
00:22:48,920 --> 00:22:50,600
Speaker 1: always felt like he was a visionary if you look,

486
00:22:50,640 --> 00:22:53,600
Speaker 1: if you listen to his albums from skits to songs

487
00:22:53,680 --> 00:22:56,760
Speaker 1: and concepts and things like that. Absolutely I really believe

488
00:22:56,920 --> 00:22:59,479
Speaker 1: and Red Man, that Red Man could pull this off

489
00:22:59,520 --> 00:23:01,159
Speaker 1: as a direct. He got a good horror movie in

490
00:23:01,280 --> 00:23:04,359
Speaker 1: him somewhere. All comedy. Yeah, I mean whatever really is

491
00:23:04,680 --> 00:23:06,879
Speaker 1: because he's so visual, So you know, I don't put

492
00:23:06,920 --> 00:23:10,560
Speaker 1: anything past that dude. The whole album, yeah, he produced

493
00:23:10,600 --> 00:23:12,760
Speaker 1: the whole thing. You know. Rizza came in as exact

494
00:23:12,840 --> 00:23:15,600
Speaker 1: you know, because Rizza has like this whole machine behind him. Now,

495
00:23:15,680 --> 00:23:20,600
Speaker 1: so why wouldn't Math, you know, incorporate all the mechanisms

496
00:23:20,680 --> 00:23:23,200
Speaker 1: that Rizza has as this disposal to make this album

497
00:23:23,320 --> 00:23:25,200
Speaker 1: go further than what he could have did by himself.

498
00:23:25,359 --> 00:23:26,800
Speaker 1: I just read it. But I read the Once upon

499
00:23:26,880 --> 00:23:29,520
Speaker 1: a Time in Shalon book. That's that's how powerful the

500
00:23:29,560 --> 00:23:32,440
Speaker 1: WHU thing logo is, by the way, and I read

501
00:23:32,480 --> 00:23:33,879
Speaker 1: that book because the logo was on it. It's not

502
00:23:33,960 --> 00:23:36,640
Speaker 1: a great book, but like the whole thing about y'all

503
00:23:36,680 --> 00:23:38,920
Speaker 1: recorded the album that ended up selling it, the Martin

504
00:23:38,960 --> 00:23:41,080
Speaker 1: Screlly and he was very vocal against it. Yeah, I

505
00:23:41,119 --> 00:23:44,040
Speaker 1: didn't have because this was what happens when the lines

506
00:23:44,040 --> 00:23:47,399
Speaker 1: of communication are broken. All right, Um, I didn't know

507
00:23:47,480 --> 00:23:49,200
Speaker 1: anything about it. I just know that when I was

508
00:23:49,240 --> 00:23:53,440
Speaker 1: approached about doing a few songs for a project and

509
00:23:53,560 --> 00:23:56,240
Speaker 1: I was paid for him. Mind you by Silver Rings.

510
00:23:56,600 --> 00:23:59,040
Speaker 1: I did the songs not knowing exactly what he was

511
00:23:59,080 --> 00:24:00,560
Speaker 1: going to do with the Most of the time, dudes

512
00:24:00,600 --> 00:24:02,720
Speaker 1: do that. You get a fee, you throw the songs

513
00:24:02,760 --> 00:24:03,920
Speaker 1: out there. You don't know what they're gonna do with

514
00:24:03,960 --> 00:24:05,639
Speaker 1: the next thing. You know you got You're on a

515
00:24:05,720 --> 00:24:08,640
Speaker 1: song with Twupac Biggie and they ain't even alive anymore,

516
00:24:08,640 --> 00:24:12,440
Speaker 1: and all this extra stuff. Anyway, he put this album together,

517
00:24:12,600 --> 00:24:15,320
Speaker 1: and by the time I found out anything about an

518
00:24:15,359 --> 00:24:18,119
Speaker 1: auction or a piece of art or not letting the

519
00:24:18,200 --> 00:24:20,520
Speaker 1: fans listen to it, you know, I got it. And

520
00:24:20,640 --> 00:24:23,840
Speaker 1: it's uh kind of twisted the way the information was

521
00:24:23,880 --> 00:24:26,040
Speaker 1: given to me. And I reacted to that information being

522
00:24:26,080 --> 00:24:28,359
Speaker 1: that I'm utang. But I think my reaction was more

523
00:24:28,400 --> 00:24:31,520
Speaker 1: out of not knowing and not being in the loop. Yeah,

524
00:24:32,480 --> 00:24:36,040
Speaker 1: more than the album actually being sold the way it was.

525
00:24:36,119 --> 00:24:39,240
Speaker 1: You shouldn't be finding that with everybody else. Yeah, did

526
00:24:39,240 --> 00:24:40,959
Speaker 1: you get the whole album? No, I haven't heard yet.

527
00:24:41,480 --> 00:24:42,960
Speaker 1: I only know the songs that I'm on. I could

528
00:24:42,960 --> 00:24:46,199
Speaker 1: play them if y'all want, I'll play them right now,

529
00:24:47,520 --> 00:24:49,480
Speaker 1: trying to resell them. Yeah, but you know when I

530
00:24:49,560 --> 00:24:51,720
Speaker 1: heard that that start going too well. You know, I

531
00:24:51,760 --> 00:24:54,720
Speaker 1: don't wish any bad on anybody, especially jail, because jail

532
00:24:54,880 --> 00:24:57,359
Speaker 1: is never a place to be for anyone. There's some

533
00:24:57,520 --> 00:24:59,080
Speaker 1: dudes that need to be there though they deserve to

534
00:24:59,119 --> 00:25:01,720
Speaker 1: be there, they should be in. But um, you know,

535
00:25:02,359 --> 00:25:05,720
Speaker 1: under the circumstances that he's in. Hopefully, you know, somebody

536
00:25:05,800 --> 00:25:08,720
Speaker 1: had picked the album up by it and you guys

537
00:25:08,760 --> 00:25:11,760
Speaker 1: would be able to hear it. I ain't really pressed, Honestly,

538
00:25:12,680 --> 00:25:15,160
Speaker 1: I hated the whole Shenanigans tonight, so I didn't even

539
00:25:15,200 --> 00:25:18,000
Speaker 1: press the right anything right. When you go on auditions,

540
00:25:18,119 --> 00:25:20,800
Speaker 1: is it difficult for you being method man because people

541
00:25:20,920 --> 00:25:23,359
Speaker 1: look at you as that. It's hard, you know, you

542
00:25:23,440 --> 00:25:25,880
Speaker 1: walk in the room and that's what they see. It's

543
00:25:25,920 --> 00:25:28,439
Speaker 1: hard to you know, shed those layers of method man.

544
00:25:28,520 --> 00:25:30,440
Speaker 1: Even when you actually get the job and you're in

545
00:25:30,520 --> 00:25:33,640
Speaker 1: front of the camera, people still see method man. But hopefully,

546
00:25:34,080 --> 00:25:36,480
Speaker 1: you know, they'll see my dedication to the art. They'll

547
00:25:36,520 --> 00:25:39,320
Speaker 1: see that, you know, I'm stepping outside of my comfort

548
00:25:39,440 --> 00:25:41,960
Speaker 1: zone and some of these roles and I'm ready to play.

549
00:25:42,320 --> 00:25:44,600
Speaker 1: But I feel like as method man, it also helps

550
00:25:44,720 --> 00:25:47,879
Speaker 1: as far as marketing, because when it comes to casting

551
00:25:47,960 --> 00:25:50,399
Speaker 1: somebody in a role, they're also like, well we can

552
00:25:50,480 --> 00:25:52,560
Speaker 1: also say method man's in the movie or a method

553
00:25:52,560 --> 00:25:55,320
Speaker 1: man's on the show. I mean that would have held

554
00:25:55,359 --> 00:25:59,920
Speaker 1: a little bit more waight years ago. Yeah, that was

555
00:26:00,040 --> 00:26:03,320
Speaker 1: dope though, but you know that that that's easy, especially

556
00:26:03,400 --> 00:26:06,359
Speaker 1: being a father, so you know, and m mac is

557
00:26:06,440 --> 00:26:09,560
Speaker 1: just what can I say? The boy? The boy is

558
00:26:09,680 --> 00:26:13,360
Speaker 1: for ness at his fineness. He's a he's a he's

559
00:26:13,400 --> 00:26:16,640
Speaker 1: a great kid. Well man, now you know I known

560
00:26:16,720 --> 00:26:18,680
Speaker 1: him as a kid. He's doing this thing and I

561
00:26:18,800 --> 00:26:22,320
Speaker 1: applaud him. Another w for stat and Allen even Tariq, Yeah, um,

562
00:26:22,960 --> 00:26:25,760
Speaker 1: power play yeah power. Yeah. It's interesting because you run

563
00:26:26,080 --> 00:26:27,800
Speaker 1: run across kids all time. They have no idea you

564
00:26:27,840 --> 00:26:30,840
Speaker 1: would you were ever a rival. Yeah, that's true. A

565
00:26:30,880 --> 00:26:33,919
Speaker 1: lot of people run up for They definitely run up

566
00:26:33,960 --> 00:26:35,520
Speaker 1: on me because of But don't get a twist and

567
00:26:35,600 --> 00:26:37,120
Speaker 1: run up on me on the wrong day. Boy, You're

568
00:26:37,160 --> 00:26:41,520
Speaker 1: I don't get the fire. All right. We got more

569
00:26:41,560 --> 00:26:43,320
Speaker 1: with met the Man when we come back. Don't move.

570
00:26:43,359 --> 00:26:49,800
Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club Morning.

571
00:26:49,840 --> 00:26:53,440
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy. We

572
00:26:53,520 --> 00:26:55,840
Speaker 1: are the Breakfast Club. We have met the Man. In

573
00:26:55,960 --> 00:26:58,320
Speaker 1: the building. He's on a new series called The Deuce

574
00:26:58,440 --> 00:27:01,639
Speaker 1: on HBO. Now on to Douce. You're a pip. Yeah, Now,

575
00:27:01,880 --> 00:27:03,679
Speaker 1: did you have to practice for this role or prepare

576
00:27:03,720 --> 00:27:06,680
Speaker 1: for this role? Yeah? Any role? Yeah, yeah, yeah, you

577
00:27:06,720 --> 00:27:10,359
Speaker 1: gotta have that. I had to watch like, um, I

578
00:27:10,440 --> 00:27:13,919
Speaker 1: watched some pimp documentaries. I ain't gonna lie macum actually

579
00:27:14,000 --> 00:27:18,680
Speaker 1: a pimp called Snooki and um Sun has him. He

580
00:27:18,720 --> 00:27:21,400
Speaker 1: has some nice colloquialisms. Is that is that a good

581
00:27:22,200 --> 00:27:23,639
Speaker 1: that's a good word. You explain that for me? Bro

582
00:27:23,960 --> 00:27:27,960
Speaker 1: on something like he says something like, you know, uh, myself,

583
00:27:29,160 --> 00:27:36,959
Speaker 1: everything I own smell like that's dope. You don't even

584
00:27:37,000 --> 00:27:40,000
Speaker 1: gotta say nothing else off that. But I didn't want

585
00:27:40,040 --> 00:27:43,000
Speaker 1: to do a caricature of a pair, especially in the audition,

586
00:27:43,000 --> 00:27:46,879
Speaker 1: because I would have blew it um and um seeing

587
00:27:47,000 --> 00:27:50,720
Speaker 1: how you know, especially knowing someone like don Bishop magic

588
00:27:50,800 --> 00:27:53,160
Speaker 1: one and how he moved and everything. You don't want

589
00:27:53,200 --> 00:27:56,480
Speaker 1: to put it in a bad light, even though I

590
00:27:56,520 --> 00:27:58,880
Speaker 1: mean that that's that's ludicrous in itself to even say

591
00:27:58,920 --> 00:28:00,879
Speaker 1: something like that, putting been in a bad light. But

592
00:28:01,240 --> 00:28:03,520
Speaker 1: the guys, for the guys that live that lifestyle, you

593
00:28:03,560 --> 00:28:05,959
Speaker 1: don't you want some kind of authenticity that they can

594
00:28:06,040 --> 00:28:08,360
Speaker 1: look at it and be like you, I'm gonna ride

595
00:28:08,359 --> 00:28:10,200
Speaker 1: with that when I'm gonna coach on that. You know,

596
00:28:10,480 --> 00:28:12,119
Speaker 1: it's interesting you say that because you are like a

597
00:28:12,240 --> 00:28:15,360
Speaker 1: nice pimp on the Duce. I was watching it, right, Yes,

598
00:28:15,480 --> 00:28:18,760
Speaker 1: he's like a nice you know he is. But that's

599
00:28:18,800 --> 00:28:21,200
Speaker 1: part of the hook. Even before I saw the show,

600
00:28:21,200 --> 00:28:22,840
Speaker 1: because when I was reading about it that it was

601
00:28:22,920 --> 00:28:25,160
Speaker 1: coming out, I think people have this idea in their

602
00:28:25,200 --> 00:28:27,359
Speaker 1: heads like, oh my god, this is going to be exploiting.

603
00:28:27,400 --> 00:28:29,680
Speaker 1: Wo man, you have pimps, you have prostitutes, because the

604
00:28:29,760 --> 00:28:32,320
Speaker 1: show is about how you know, it's in New York

605
00:28:32,440 --> 00:28:34,600
Speaker 1: and the pimps and the procetutes and how that turned

606
00:28:34,640 --> 00:28:37,320
Speaker 1: into the porn industry, right right. But then you see

607
00:28:37,359 --> 00:28:39,920
Speaker 1: it and you understand more. Like there's one scene that

608
00:28:40,000 --> 00:28:43,320
Speaker 1: I thought was really good where um, she was getting

609
00:28:43,360 --> 00:28:44,920
Speaker 1: in the car with somebody who she thought was a cop.

610
00:28:44,960 --> 00:28:47,280
Speaker 1: She thought she was under arrest, right, and her pimp

611
00:28:47,320 --> 00:28:49,720
Speaker 1: actually comes and saves her, and anything could have happened

612
00:28:49,760 --> 00:28:52,520
Speaker 1: to her if her pimp wasn't there because he understood

613
00:28:52,520 --> 00:28:56,000
Speaker 1: the game of what was going on absolutely. But that's

614
00:28:56,080 --> 00:28:58,200
Speaker 1: that's that's all part of it right there. I mean,

615
00:28:59,160 --> 00:29:01,880
Speaker 1: the best thing could have as a chick below selfisting

616
00:29:03,040 --> 00:29:05,520
Speaker 1: and no ambition. What you gotta have some ambition ors

617
00:29:05,560 --> 00:29:09,840
Speaker 1: she can't use now as far as the dudes goes,

618
00:29:10,280 --> 00:29:14,480
Speaker 1: I mean, yes, on the outer layer, it's pimps, holes,

619
00:29:14,640 --> 00:29:17,560
Speaker 1: pawn industry. But when you start peeling those layers apart

620
00:29:17,600 --> 00:29:20,400
Speaker 1: and start getting into characters. That's why I take my

621
00:29:20,480 --> 00:29:24,000
Speaker 1: hat off to Maggie gillen Hall because she's like anchoring

622
00:29:24,120 --> 00:29:26,240
Speaker 1: this show right there. We then she doesn't get an

623
00:29:26,280 --> 00:29:30,000
Speaker 1: Emmy nod Emmy's es fake news. Yeah, she's great. She

624
00:29:30,160 --> 00:29:33,360
Speaker 1: actually doesn't have a pimp on the show. All men

625
00:29:33,440 --> 00:29:35,160
Speaker 1: got a little pimping in him though, Like, even if

626
00:29:35,160 --> 00:29:37,480
Speaker 1: you're not an official pimp, I guess so we all

627
00:29:37,520 --> 00:29:39,640
Speaker 1: aspire to have some type Yeah, you're right, some type

628
00:29:39,680 --> 00:29:42,360
Speaker 1: of pim bones. And then you are absolutely right, especially

629
00:29:42,400 --> 00:29:44,520
Speaker 1: when approach your women. Every guy wants to be seen

630
00:29:44,600 --> 00:29:46,640
Speaker 1: as some kind of ladies man, where as on the

631
00:29:46,840 --> 00:29:50,000
Speaker 1: opposite spectrum, the women want to be seen as hard

632
00:29:50,080 --> 00:29:53,960
Speaker 1: to get and non approachable at time. Is this based

633
00:29:53,960 --> 00:29:56,040
Speaker 1: on a true story, because I remember forty second straight

634
00:29:56,160 --> 00:29:58,240
Speaker 1: used to be in the seventies and eighties in New York.

635
00:29:59,520 --> 00:30:02,440
Speaker 1: It the story about how that whole industry turned into

636
00:30:02,480 --> 00:30:04,280
Speaker 1: the point industry, and women kind of led the way

637
00:30:04,320 --> 00:30:07,320
Speaker 1: with that. Yeah, those twins that James Franco portrays on

638
00:30:07,440 --> 00:30:11,840
Speaker 1: the show their act two actual guys that got into

639
00:30:11,880 --> 00:30:13,880
Speaker 1: the point industry. Don't ask me how I didn't look

640
00:30:13,960 --> 00:30:15,760
Speaker 1: up the history. I didn't want to, you know what

641
00:30:15,800 --> 00:30:18,000
Speaker 1: I'm saying. But yeah, yeah, do you think these period

642
00:30:18,040 --> 00:30:21,480
Speaker 1: pieces are necessary or why do you think they're necessary? Well,

643
00:30:21,520 --> 00:30:24,360
Speaker 1: for for one, you know, in the in the society

644
00:30:24,360 --> 00:30:26,800
Speaker 1: we're living now here we go. Society we're living now,

645
00:30:26,920 --> 00:30:29,080
Speaker 1: especially in the two thousands, since two thousand started, and

646
00:30:29,640 --> 00:30:33,120
Speaker 1: you know, we we've got all this information at our fingertips.

647
00:30:33,160 --> 00:30:35,240
Speaker 1: It's nice for the young uns to be able to

648
00:30:35,320 --> 00:30:37,960
Speaker 1: look back and see where their grandparents came from, where

649
00:30:38,000 --> 00:30:41,680
Speaker 1: their parents came from, and how you know, we always

650
00:30:41,760 --> 00:30:43,560
Speaker 1: tell them this was a struggle them, we had to

651
00:30:43,640 --> 00:30:45,160
Speaker 1: do this that in the third and they can't picture

652
00:30:45,160 --> 00:30:47,680
Speaker 1: it because they didn't live that struggle whatever, whatever. But

653
00:30:47,880 --> 00:30:50,240
Speaker 1: this gives them some type of light and perspective on

654
00:30:51,240 --> 00:30:53,479
Speaker 1: part partly of what it was back then, because all

655
00:30:53,520 --> 00:30:55,680
Speaker 1: those days weren't bad. When I ain't don't even lie.

656
00:30:56,040 --> 00:30:58,600
Speaker 1: You know, I grew up in some very broke neighborhoods,

657
00:30:59,080 --> 00:31:03,280
Speaker 1: very poor, but me as a child being in these environments,

658
00:31:03,840 --> 00:31:06,240
Speaker 1: I knew we were poor, but we didn't feel poor

659
00:31:06,440 --> 00:31:09,360
Speaker 1: because everybody around us was in the same situation. We

660
00:31:09,680 --> 00:31:13,840
Speaker 1: always love in those communities. That's what people fail to understand.

661
00:31:13,920 --> 00:31:17,000
Speaker 1: You know, Yes, we are living in deplorable conditions at times,

662
00:31:17,320 --> 00:31:20,360
Speaker 1: and yes, sometimes a parent maybe on drugs or a

663
00:31:20,440 --> 00:31:24,000
Speaker 1: father incarcerated. But when that family unit is strong and

664
00:31:24,120 --> 00:31:26,560
Speaker 1: that village comes in to help raise those kids, that

665
00:31:26,920 --> 00:31:29,480
Speaker 1: is unstoppable. And that's a crazy part about social media

666
00:31:29,480 --> 00:31:31,160
Speaker 1: because I know some of these kids are still living

667
00:31:31,200 --> 00:31:33,560
Speaker 1: in those conditions, but you don't ever see that reflective

668
00:31:33,600 --> 00:31:40,600
Speaker 1: via Instagram or snaps. Everybody could rich. Yes, Cribs and

669
00:31:40,720 --> 00:31:42,200
Speaker 1: he had him in his house and it was all

670
00:31:42,360 --> 00:31:47,200
Speaker 1: you know, everybody has to be magnificent, but it was

671
00:31:47,280 --> 00:31:49,719
Speaker 1: all everybody else has to be all glamorous on Cribs

672
00:31:49,760 --> 00:31:51,400
Speaker 1: and then red Man brings him in his house. Has

673
00:31:51,440 --> 00:31:54,120
Speaker 1: always been Doc. That's why people love Doc. Doctor is

674
00:31:54,200 --> 00:31:57,440
Speaker 1: the anti to the pro You know what I'm saying

675
00:31:57,560 --> 00:31:59,680
Speaker 1: is if you go on left, Doc gonna go right.

676
00:32:00,080 --> 00:32:02,200
Speaker 1: Just who he is. But you've been there. You've always

677
00:32:02,200 --> 00:32:04,160
Speaker 1: been that way too, especially with the industgram fish. I

678
00:32:04,200 --> 00:32:06,160
Speaker 1: think that's why y'all meshed. Yeah, I mean, that's why

679
00:32:06,240 --> 00:32:08,440
Speaker 1: we clicked so well, because we we mesh on a

680
00:32:08,480 --> 00:32:11,000
Speaker 1: lot of different levels, you know, especially at shows. If

681
00:32:11,040 --> 00:32:12,680
Speaker 1: you haven't seen a Red Man and Method Man show,

682
00:32:12,800 --> 00:32:15,280
Speaker 1: make it on your bucket list. Come see us. We

683
00:32:15,400 --> 00:32:17,880
Speaker 1: throw it down. Even back in the day, used to

684
00:32:17,920 --> 00:32:20,480
Speaker 1: rebel against the whole sex symbol status. Well you know

685
00:32:20,600 --> 00:32:23,800
Speaker 1: what that was because I didn't see any um uh.

686
00:32:24,040 --> 00:32:26,120
Speaker 1: All I seen was the bottom to that, you know.

687
00:32:26,360 --> 00:32:30,160
Speaker 1: And and I mean not taking anything away from Christopher Williams,

688
00:32:30,440 --> 00:32:35,120
Speaker 1: you know, brother, I'm just saying no, And I seen

689
00:32:35,200 --> 00:32:43,120
Speaker 1: the pictures and yeah, y'all clown you aging pretty good,

690
00:32:43,840 --> 00:32:48,120
Speaker 1: you know what I mean. You know that whole sex

691
00:32:48,200 --> 00:32:50,720
Speaker 1: symbol thing. It's like that clock is ticking on, you

692
00:32:50,840 --> 00:32:53,680
Speaker 1: know when you're gonna just start looking more fed up

693
00:32:53,760 --> 00:32:56,840
Speaker 1: every day. Man, just fat. And I didn't want to

694
00:32:56,840 --> 00:32:58,920
Speaker 1: be in that realm. I just want to be judged

695
00:32:58,960 --> 00:33:01,040
Speaker 1: on for my skill. That's as the bottom. No, that's

696
00:33:01,120 --> 00:33:03,320
Speaker 1: real because I say that with women all the time,

697
00:33:03,360 --> 00:33:05,000
Speaker 1: to all these women that are getting paid off their

698
00:33:05,080 --> 00:33:07,600
Speaker 1: looks and their bodies, like you're going to age. It's

699
00:33:07,640 --> 00:33:09,960
Speaker 1: not gonna stay that way, right, But I mean some

700
00:33:10,160 --> 00:33:13,000
Speaker 1: women are aging gracefully. There's a few of them truth

701
00:33:13,600 --> 00:33:16,920
Speaker 1: checking the giants, and they're in the gym taking care

702
00:33:16,920 --> 00:33:19,040
Speaker 1: of the bodies. And yeah, you look at people like

703
00:33:19,080 --> 00:33:25,040
Speaker 1: angels everybody. That's good because I think that that makes

704
00:33:25,080 --> 00:33:26,800
Speaker 1: her go even harder in the gym, and I need

705
00:33:26,880 --> 00:33:29,800
Speaker 1: some of that now. I want to ask the three

706
00:33:29,840 --> 00:33:32,880
Speaker 1: of you a question. After watching The Duce, there's one

707
00:33:32,920 --> 00:33:36,120
Speaker 1: scene where a kid loses his virginity to a prostitute.

708
00:33:36,440 --> 00:33:38,680
Speaker 1: How common is something like that? It's funny you brought

709
00:33:38,720 --> 00:33:41,880
Speaker 1: that up, you know what. I love the ship. No,

710
00:33:42,000 --> 00:33:43,360
Speaker 1: I didn't lose it to a scripple. I lost my

711
00:33:43,440 --> 00:33:45,760
Speaker 1: virginity to a young lady. But I used to go

712
00:33:45,840 --> 00:33:48,400
Speaker 1: to her house every day after school. So it was

713
00:33:48,400 --> 00:33:51,400
Speaker 1: around like three o'clock, two thirty and metha man, bring

714
00:33:51,480 --> 00:33:57,320
Speaker 1: the paved. They're used to always being serious serious. That's

715
00:33:57,520 --> 00:34:01,600
Speaker 1: romantic song. To lose me and my wife, our wedding

716
00:34:01,640 --> 00:34:04,400
Speaker 1: song was all I needed to remix nice that's a fact.

717
00:34:04,440 --> 00:34:08,120
Speaker 1: That's first only Union and Dwayne Wade played it at

718
00:34:08,120 --> 00:34:09,719
Speaker 1: their wedding too. I don't know if it was their

719
00:34:09,800 --> 00:34:11,680
Speaker 1: dance song, but she told me they played it there.

720
00:34:11,760 --> 00:34:15,359
Speaker 1: That's good, classic number, hip hop, R and B love song.

721
00:34:16,120 --> 00:34:18,160
Speaker 1: All right, but let's get into a method man mini mix.

722
00:34:18,440 --> 00:34:20,720
Speaker 1: Keep it locked as the breakfast clok the morning morning.

723
00:34:20,760 --> 00:34:24,279
Speaker 1: Everybody is DJ N v Angela, Yee Sholomagne the guy.

724
00:34:24,360 --> 00:34:27,239
Speaker 1: We are the breakfast club. Method Man's in the building. Now,

725
00:34:27,280 --> 00:34:31,239
Speaker 1: have you ever been with a process who No, he's

726
00:34:31,280 --> 00:34:34,520
Speaker 1: just sexing, but he never had some you're so crack door, right, Yeah,

727
00:34:34,640 --> 00:34:36,120
Speaker 1: so he slept with a fee for money. You let

728
00:34:36,160 --> 00:34:40,120
Speaker 1: a fee give you something that, yeah, sound different. Yeah,

729
00:34:40,120 --> 00:34:46,879
Speaker 1: it's funny because but I got a crack story telling,

730
00:34:48,520 --> 00:34:51,320
Speaker 1: all right, crack story check it out. Okay, So around

731
00:34:51,400 --> 00:34:53,239
Speaker 1: my way, it was a little area where we used

732
00:34:53,239 --> 00:34:56,320
Speaker 1: to hustle that and um cars will come through. Anybody

733
00:34:56,360 --> 00:34:58,120
Speaker 1: used to run into the cars. And you know, if

734
00:34:58,120 --> 00:35:00,279
Speaker 1: you got fifteen people hustling in the same spot, first

735
00:35:00,280 --> 00:35:03,120
Speaker 1: one nigget to sale, and you gotta literally put your

736
00:35:03,160 --> 00:35:05,279
Speaker 1: head in the window, you know, get to sail. So

737
00:35:05,360 --> 00:35:07,319
Speaker 1: I'm out there by myself this night. I know this thing.

738
00:35:07,400 --> 00:35:10,440
Speaker 1: He pulls up. How many of you want, I put

739
00:35:10,520 --> 00:35:13,160
Speaker 1: my head inside, drop my hand like this, what's good?

740
00:35:13,200 --> 00:35:14,880
Speaker 1: How many of you want? All up? And smacks my

741
00:35:14,960 --> 00:35:17,879
Speaker 1: hand up? Whoa takes off of the car with all

742
00:35:19,080 --> 00:35:22,279
Speaker 1: all my stuff? Yeah, yeah, yeah, but you know it

743
00:35:22,400 --> 00:35:24,319
Speaker 1: was a lesson to learn that will never happen again.

744
00:35:24,719 --> 00:35:27,920
Speaker 1: Well you don't have to tell, but yeah, But it's

745
00:35:27,960 --> 00:35:29,880
Speaker 1: funny because we were still even when we did the

746
00:35:29,920 --> 00:35:33,200
Speaker 1: source pitches where we got the Columbia raining suits on,

747
00:35:33,600 --> 00:35:35,799
Speaker 1: we still saw a crack. So at what point did

748
00:35:35,880 --> 00:35:39,280
Speaker 1: y'all really start making money? Like, well, the cal album

749
00:35:39,360 --> 00:35:41,200
Speaker 1: came out, you know, it was still a little tough,

750
00:35:41,840 --> 00:35:44,680
Speaker 1: still learning after all albums to tours, and I was

751
00:35:44,719 --> 00:35:46,680
Speaker 1: getting solo money then, so I don't know what the

752
00:35:46,760 --> 00:35:49,480
Speaker 1: rest of the dudes was doing. I was getting solo money,

753
00:35:49,520 --> 00:35:51,600
Speaker 1: and it was like I was getting twenty five the

754
00:35:51,600 --> 00:35:54,200
Speaker 1: show when All I Need came out. I was getting

755
00:35:54,239 --> 00:35:55,920
Speaker 1: all these freaking shows back to back to back to

756
00:35:55,960 --> 00:35:57,880
Speaker 1: back to back back, And I told Muke, raised the

757
00:35:58,000 --> 00:36:01,680
Speaker 1: peffin thrice man, because I'm getting too many shows. If

758
00:36:01,719 --> 00:36:03,680
Speaker 1: I'm getting that many shows, it's because they know on

759
00:36:03,800 --> 00:36:07,080
Speaker 1: bagging basement right now, raise the price. So it's all

760
00:36:07,200 --> 00:36:10,800
Speaker 1: learning experience yeah, so we might achieved ourselves out of

761
00:36:10,880 --> 00:36:14,480
Speaker 1: some money occasionally hearing there from lack of knowledge of

762
00:36:14,560 --> 00:36:16,160
Speaker 1: the business. Do you think being broke makes you make

763
00:36:16,239 --> 00:36:18,600
Speaker 1: better music? I don't know. You have more time to

764
00:36:18,680 --> 00:36:20,600
Speaker 1: focus on more things, because if you broke, you ain't

765
00:36:20,600 --> 00:36:25,640
Speaker 1: got no job and you gotta find other things to

766
00:36:25,719 --> 00:36:27,520
Speaker 1: wrap about. Like this area is all a lot of

767
00:36:27,560 --> 00:36:30,680
Speaker 1: it is all money, material stuff. I mean it's It's

768
00:36:30,719 --> 00:36:32,719
Speaker 1: always been like that, and that's always been a great

769
00:36:32,760 --> 00:36:35,239
Speaker 1: element to have in hip hop, the same way it

770
00:36:35,400 --> 00:36:37,400
Speaker 1: is in boxing. You can't have everybody just be a

771
00:36:37,520 --> 00:36:39,800
Speaker 1: brawler and go up there and give whack interviews. You

772
00:36:39,880 --> 00:36:42,160
Speaker 1: gotta have a Floyd made whatever the spice things up.

773
00:36:42,239 --> 00:36:44,960
Speaker 1: You know what I'm saying. We can't have a wouchang

774
00:36:45,080 --> 00:36:48,680
Speaker 1: without a Biggie or jay Z showing that that luxurious

775
00:36:48,760 --> 00:36:50,719
Speaker 1: life because that's what we all aspire to and I

776
00:36:50,880 --> 00:36:53,960
Speaker 1: love seeing brothers like that. You do remember back when

777
00:36:54,120 --> 00:36:56,799
Speaker 1: a lot of the underground artists didn't like the biggies though,

778
00:36:57,040 --> 00:36:59,120
Speaker 1: all the jay Z's I remember Jerru the damage of

779
00:36:59,160 --> 00:37:01,800
Speaker 1: Boo Can Click. They they weren't feeling and that was

780
00:37:01,880 --> 00:37:04,560
Speaker 1: part of that fashionable trending Again now Boot Camp. On

781
00:37:04,640 --> 00:37:08,279
Speaker 1: the other hand, they had their own reasons whatever that was.

782
00:37:08,360 --> 00:37:10,160
Speaker 1: I don't know. I don't get into all that because

783
00:37:10,200 --> 00:37:12,799
Speaker 1: I was cool with both sides. But that's just going

784
00:37:12,880 --> 00:37:15,560
Speaker 1: against the norm. It's like saying, you know, knowing that

785
00:37:15,760 --> 00:37:18,560
Speaker 1: Jay been putting it down for years. If you're sitting

786
00:37:18,600 --> 00:37:20,799
Speaker 1: in a room full of people and you know, they're

787
00:37:20,800 --> 00:37:22,719
Speaker 1: like who the best, and you say, jay Z is

788
00:37:22,760 --> 00:37:25,360
Speaker 1: such an obvious answer that everybody gonna hate on it.

789
00:37:26,080 --> 00:37:28,759
Speaker 1: You know. It's just it's just cool to go against,

790
00:37:29,520 --> 00:37:32,919
Speaker 1: you know. And I mean I get it, but I'm

791
00:37:32,960 --> 00:37:36,319
Speaker 1: not for it. I don't mind applauding excellence at all.

792
00:37:36,480 --> 00:37:38,800
Speaker 1: What do you think of music now? Some of the

793
00:37:38,880 --> 00:37:40,879
Speaker 1: young kids that come out now, I think they're doing

794
00:37:40,920 --> 00:37:43,000
Speaker 1: that thing. Let them have what they're doing. We have

795
00:37:43,160 --> 00:37:45,000
Speaker 1: fun when we did it. Let them have fun. I mean,

796
00:37:45,040 --> 00:37:48,600
Speaker 1: it's different. And as it goes on and on, them

797
00:37:48,680 --> 00:37:50,640
Speaker 1: learning more and more about where they're at with it,

798
00:37:50,880 --> 00:37:54,200
Speaker 1: it's a different different any what meaning they're they're making,

799
00:37:54,480 --> 00:37:57,879
Speaker 1: like boot Tank for instance, not taking nothing away from

800
00:37:57,880 --> 00:38:01,880
Speaker 1: my catalog, but the song, you know, could be about anything,

801
00:38:01,920 --> 00:38:04,640
Speaker 1: and one name is something like Dakare's on a Snowfall

802
00:38:05,239 --> 00:38:07,680
Speaker 1: has nothing to do with that. These kids are making

803
00:38:07,760 --> 00:38:10,239
Speaker 1: these I mean the sounds like songs man, and then

804
00:38:10,360 --> 00:38:12,200
Speaker 1: I mean Auto two and there not. They're singing and

805
00:38:12,280 --> 00:38:17,000
Speaker 1: they're actually sitting down writing and creating songs, and the

806
00:38:17,160 --> 00:38:19,640
Speaker 1: youth are reacting to it. Who are we to say

807
00:38:19,680 --> 00:38:21,759
Speaker 1: that that movement ain't the movement? Right now? You know,

808
00:38:21,960 --> 00:38:24,080
Speaker 1: we've had our time. What do you think about writing

809
00:38:24,080 --> 00:38:25,960
Speaker 1: your own music? Because you guys have always written all

810
00:38:26,000 --> 00:38:30,440
Speaker 1: your own lyrics. You had people in our era that

811
00:38:30,480 --> 00:38:32,480
Speaker 1: didn't write their own lyrics. You know what I'm saying, Dre,

812
00:38:32,600 --> 00:38:35,000
Speaker 1: I don't think Dre wrote any Oh yeah, but you

813
00:38:36,680 --> 00:38:38,520
Speaker 1: guys that will consider them seese. We never looked at

814
00:38:38,640 --> 00:38:45,759
Speaker 1: Dregs and them. See. Oh man, this Drake thing. I like, Drake,

815
00:38:46,160 --> 00:38:47,880
Speaker 1: I'm thinking about you, Like, what do you think about

816
00:38:48,160 --> 00:38:50,319
Speaker 1: Can you be considered a great lyricist if you don't

817
00:38:50,320 --> 00:38:52,640
Speaker 1: write your own lyrics? No? No, I mean that's been

818
00:38:52,640 --> 00:38:54,520
Speaker 1: answered already a many times. No, there's no way. How

819
00:38:54,520 --> 00:38:56,360
Speaker 1: could you be a great lyricist if you're not writing it.

820
00:38:56,640 --> 00:38:59,000
Speaker 1: It's the person behind you that's writing that. They must

821
00:38:59,040 --> 00:39:01,399
Speaker 1: be great. Do you look get artists different? If you're like, okay,

822
00:39:01,440 --> 00:39:05,080
Speaker 1: they didn't write that no as a hip hop artist, No,

823
00:39:05,760 --> 00:39:07,960
Speaker 1: I like good music since hip hop has come to

824
00:39:08,040 --> 00:39:10,279
Speaker 1: the forefront, and you can't look at the charts that

825
00:39:10,400 --> 00:39:13,319
Speaker 1: without seeing a hip hop record on their rap record

826
00:39:13,360 --> 00:39:18,600
Speaker 1: on there. It's paw for the course, it's called elevating,

827
00:39:18,640 --> 00:39:21,279
Speaker 1: it's called growth. Jazz was big at a time and

828
00:39:21,400 --> 00:39:23,719
Speaker 1: Miles Davis, nobody could tell me wasn't the baddest man

829
00:39:23,760 --> 00:39:26,560
Speaker 1: on the planet, even when as many people weren't listening

830
00:39:26,920 --> 00:39:30,279
Speaker 1: to jazz anymore, But there was always that crowd that

831
00:39:30,360 --> 00:39:33,160
Speaker 1: would show up for those venues. Me and Red Man

832
00:39:33,280 --> 00:39:35,320
Speaker 1: have that now. I like to equate it to that

833
00:39:35,400 --> 00:39:38,120
Speaker 1: because when we go on the road, it's a lot

834
00:39:38,160 --> 00:39:41,200
Speaker 1: of kids there, but a lot of older people from

835
00:39:41,280 --> 00:39:44,200
Speaker 1: our era are there also, and it's great to transcend

836
00:39:44,239 --> 00:39:49,239
Speaker 1: between each generation. And because when you do that, it's

837
00:39:49,320 --> 00:39:53,840
Speaker 1: like you're giving them another look at what hip hop was,

838
00:39:54,120 --> 00:39:56,279
Speaker 1: and they're giving them a look at what hip hop

839
00:39:56,360 --> 00:39:58,840
Speaker 1: could be, which is great. Is it ever intimidating for

840
00:39:58,920 --> 00:40:00,719
Speaker 1: other artists that have to be shows with you in

841
00:40:00,880 --> 00:40:02,920
Speaker 1: Red Man, because you guys have a lot of energy

842
00:40:03,200 --> 00:40:06,680
Speaker 1: would without any special effects or anything. So imagine, you know,

843
00:40:06,719 --> 00:40:08,040
Speaker 1: you see a lot of hip hop. Artists that go

844
00:40:08,080 --> 00:40:10,280
Speaker 1: out there, they just kind of walked back have some effects.

845
00:40:10,280 --> 00:40:13,000
Speaker 1: I've seen them fly across the stage room different though.

846
00:40:13,040 --> 00:40:14,799
Speaker 1: We had to keep up with those gouls. They were

847
00:40:15,000 --> 00:40:16,799
Speaker 1: you know what I'm saying, So they was definitely flying

848
00:40:16,840 --> 00:40:19,600
Speaker 1: through that. I wouldn't be intimidated, especially if the show

849
00:40:19,680 --> 00:40:22,279
Speaker 1: that I've been doing is a good show and it's

850
00:40:22,320 --> 00:40:24,560
Speaker 1: and it's going across with the crowd. Only people that

851
00:40:24,600 --> 00:40:26,759
Speaker 1: would be intimidated by that as people that already put

852
00:40:26,800 --> 00:40:29,920
Speaker 1: on bad ships. You know, there's some headliners out there

853
00:40:30,040 --> 00:40:33,000
Speaker 1: that they don't look like they do well. Their videos

854
00:40:33,040 --> 00:40:35,319
Speaker 1: aren't that interesting, so imagine what their shows are gonna

855
00:40:35,360 --> 00:40:37,520
Speaker 1: look like. You know. And I'm not taking anything away

856
00:40:37,560 --> 00:40:40,000
Speaker 1: from anybody, but in the same sense, taking everything away

857
00:40:40,040 --> 00:40:43,319
Speaker 1: from everybody. You know, most artists don't want to open up,

858
00:40:43,320 --> 00:40:45,080
Speaker 1: but y'all opened up that tour. Y'all didn't have a

859
00:40:45,120 --> 00:40:47,040
Speaker 1: problem opening up that toil Most people the other want

860
00:40:47,040 --> 00:40:48,320
Speaker 1: to open up. I'm not open up the show, but

861
00:40:48,360 --> 00:40:53,080
Speaker 1: you guys didn't had no problems. I didn't say it

862
00:40:53,200 --> 00:40:55,400
Speaker 1: was ice. We went on where the lights were still on,

863
00:40:56,280 --> 00:40:58,759
Speaker 1: you know, DJ Clue was still up there. You know,

864
00:40:58,880 --> 00:41:01,239
Speaker 1: people were still trying to get to their seats type

865
00:41:01,239 --> 00:41:04,680
Speaker 1: of thing at the concession stand, but no Line and

866
00:41:04,960 --> 00:41:08,040
Speaker 1: Jay could attest to this. By the end of our set,

867
00:41:08,480 --> 00:41:13,719
Speaker 1: it was bad and they were enjoying themselves. So I say, yeah,

868
00:41:14,320 --> 00:41:18,160
Speaker 1: put on a dope, open and act whatever the hell

869
00:41:18,239 --> 00:41:19,839
Speaker 1: it is. If we're gonna go out here, we're gonna

870
00:41:19,880 --> 00:41:21,919
Speaker 1: rocket to make sure that these dudes got the best

871
00:41:22,000 --> 00:41:24,359
Speaker 1: crowd when they come out here. We ain't gonna kill

872
00:41:24,440 --> 00:41:27,000
Speaker 1: the height. But I think worry got out that y'all

873
00:41:27,080 --> 00:41:30,719
Speaker 1: was the first people up, so people started getting there. Yeah,

874
00:41:31,280 --> 00:41:32,799
Speaker 1: because they heard we were flying. They wanted to see

875
00:41:32,800 --> 00:41:35,280
Speaker 1: how do you do flying? They how they how they flying?

876
00:41:35,440 --> 00:41:36,600
Speaker 1: You know what? They said? They were trying to make

877
00:41:36,600 --> 00:41:40,239
Speaker 1: it to the shows, which is good too. I don't know,

878
00:41:40,360 --> 00:41:42,600
Speaker 1: but I won't be there. You're not gonna be there now,

879
00:41:43,800 --> 00:41:46,360
Speaker 1: right math Oh, I got other obligations. I got the

880
00:41:46,440 --> 00:41:48,200
Speaker 1: TV shows and things I have to do now, you

881
00:41:48,280 --> 00:41:51,120
Speaker 1: know working on that producer credit. Well, at this point

882
00:41:51,120 --> 00:41:53,200
Speaker 1: in your life, what do you enjoying more acting or rapping?

883
00:41:53,239 --> 00:41:56,640
Speaker 1: I guess clearly acting acting acting. I ain't gonna lie.

884
00:41:56,680 --> 00:42:00,319
Speaker 1: I mean hip hop is what is term? Then? Too?

885
00:42:00,360 --> 00:42:02,520
Speaker 1: I mean just the whole entertainment business on the whole

886
00:42:02,560 --> 00:42:04,880
Speaker 1: what has turned into y'all. Y'all are guilty of it too.

887
00:42:05,320 --> 00:42:08,560
Speaker 1: You know. It's like, um, I don't know what it

888
00:42:08,680 --> 00:42:12,960
Speaker 1: is anymore. It's like the whole voyeuristic society. Like everybody's

889
00:42:12,960 --> 00:42:15,600
Speaker 1: in anybody's business. That's why I tend to just stick

890
00:42:15,680 --> 00:42:17,960
Speaker 1: to my own and my my own damn business man.

891
00:42:19,239 --> 00:42:23,200
Speaker 1: Now you're right, you're absolutely right. Now everything's more tabloid

892
00:42:23,239 --> 00:42:25,800
Speaker 1: than reputable. Lose. Yeah, I mean some of yourself is reputable,

893
00:42:26,640 --> 00:42:29,200
Speaker 1: thank you. No, I'm gonna keep it on hunting. Like

894
00:42:29,239 --> 00:42:31,560
Speaker 1: I said, I applaud excellence, and some of you are

895
00:42:31,680 --> 00:42:34,759
Speaker 1: darky of the days. You put those words together, really good, brother.

896
00:42:36,160 --> 00:42:43,320
Speaker 1: A lot of colloquial, you know, But I mean, especially

897
00:42:43,400 --> 00:42:45,759
Speaker 1: when it's on um, you know, especially when it comes

898
00:42:45,800 --> 00:42:51,920
Speaker 1: to our culture and you're speaking on people that attack

899
00:42:51,960 --> 00:42:54,400
Speaker 1: our culture from our culture, you know, I feel like

900
00:42:54,520 --> 00:42:57,200
Speaker 1: that's needed. We need voices like that. I don't like

901
00:42:57,280 --> 00:43:00,239
Speaker 1: being asked political questions. I would rather someone like you know,

902
00:43:00,680 --> 00:43:03,560
Speaker 1: brother Cornell West speak for me on those matters because

903
00:43:03,600 --> 00:43:07,080
Speaker 1: he could be more eloquent than I can. Because for me,

904
00:43:07,320 --> 00:43:09,799
Speaker 1: it's it's just raw emotion. For him, it's more thought

905
00:43:09,840 --> 00:43:12,920
Speaker 1: out and you know his history. As far as our

906
00:43:13,000 --> 00:43:16,040
Speaker 1: culture goes, he's on it, man, and and our applaud

907
00:43:16,080 --> 00:43:18,000
Speaker 1: brothers like that. Man. I would rather they come into

908
00:43:18,040 --> 00:43:20,800
Speaker 1: the forefront and speak for us rather than them asking

909
00:43:20,840 --> 00:43:22,719
Speaker 1: a rapper what do they think of Donald Trump? Or

910
00:43:22,760 --> 00:43:25,560
Speaker 1: what do they think of immigration and stuff like that,

911
00:43:25,719 --> 00:43:31,920
Speaker 1: because our our emotions are going to be raw, raw

912
00:43:32,000 --> 00:43:35,560
Speaker 1: emotion more Yeah, but it makes it more accessible for

913
00:43:35,600 --> 00:43:38,239
Speaker 1: people to feel like, Okay, metha man is talking about it.

914
00:43:38,280 --> 00:43:41,920
Speaker 1: And sometimes best it can be distuted, it can be

915
00:43:42,000 --> 00:43:44,960
Speaker 1: disputed because when it comes down to facts, people love

916
00:43:45,080 --> 00:43:47,880
Speaker 1: facts and they're right at your fingertips. Now. I like

917
00:43:48,080 --> 00:43:54,040
Speaker 1: someone that can just give you the truth and it's undisputable,

918
00:43:54,520 --> 00:44:03,360
Speaker 1: not that hard all. Ye gotta m be down passed Sunday,

919
00:44:03,400 --> 00:44:06,640
Speaker 1: Monday Night, Sunday Night nine, Sunday Nights at nine. The dudes,

920
00:44:07,120 --> 00:44:09,920
Speaker 1: not the man. It's the breakfast Club. Good morning, the

921
00:44:10,200 --> 00:44:16,879
Speaker 1: Breakfast Club DJ M V Angela Yee, Charlomagne, the guy.

922
00:44:16,960 --> 00:44:20,080
Speaker 1: We are the Breakfast Club. Let's get to the rumors.

923
00:44:20,120 --> 00:44:24,280
Speaker 1: We gotta talk creative rap names. This is the rumor

924
00:44:24,320 --> 00:44:34,600
Speaker 1: Report with Angela Ye Breakfast Clubs Now. Comedian Michael Blackson

925
00:44:34,640 --> 00:44:37,040
Speaker 1: said he might start to rap and he needed some

926
00:44:37,200 --> 00:44:39,040
Speaker 1: rap names. I've heard of the Michael blacks and Guy

927
00:44:39,320 --> 00:44:42,600
Speaker 1: my Guy. Now. He asked his social media crowd to say, hey,

928
00:44:42,880 --> 00:44:44,800
Speaker 1: can you give me some advice on some blacks, on

929
00:44:45,360 --> 00:44:48,080
Speaker 1: some rap names. And these are the names that they said.

930
00:44:48,400 --> 00:44:50,440
Speaker 1: I ask my fellow was for some rackfast names, and

931
00:44:50,520 --> 00:44:52,799
Speaker 1: these are the names that gave me. MC night Night,

932
00:44:52,920 --> 00:44:55,759
Speaker 1: Joe Limoton two, Big and Black, just black, Black is

933
00:44:56,200 --> 00:44:59,600
Speaker 1: Black in the Black Basement, Black Pitch, black Burn, Crispy

934
00:45:00,000 --> 00:45:03,040
Speaker 1: a fun Year Raising, MC night Night eleven fifty nine,

935
00:45:03,120 --> 00:45:07,200
Speaker 1: twelve one, twelve three, twelve four, There's as Dark Knight,

936
00:45:07,280 --> 00:45:10,040
Speaker 1: Gunner's Nightmare, straight out of the Matter, Got Scout, Faith

937
00:45:10,120 --> 00:45:14,480
Speaker 1: to Black, Little Darky, Little Black, Ammtle uzy Burn twenty one,

938
00:45:14,800 --> 00:45:18,960
Speaker 1: Darkness twenty one, Shadow, Coot that Blacker, it set Burn,

939
00:45:19,520 --> 00:45:23,000
Speaker 1: I love twenty one Shadow, I love little Ouzy Burnt.

940
00:45:23,080 --> 00:45:25,120
Speaker 1: I like Faith to Black. Somebody should have called him

941
00:45:25,120 --> 00:45:28,040
Speaker 1: a little dukey vert, little dukey vert, and I can't

942
00:45:28,040 --> 00:45:33,160
Speaker 1: believe nobody didn't say Jay Charcoal, Jay charcoal baby dukey

943
00:45:33,239 --> 00:45:35,800
Speaker 1: black too. All right, Well, good luck to him in

944
00:45:35,840 --> 00:45:39,360
Speaker 1: his rap career now, young FuG was online yesterday and

945
00:45:39,480 --> 00:45:43,520
Speaker 1: he was bagging for his baby back. Let's hear the audio. Man,

946
00:45:44,000 --> 00:45:45,960
Speaker 1: give me a chance, I promes on women's on no more.

947
00:45:46,040 --> 00:45:48,640
Speaker 1: Everybody tell her to give me one chance. Try to

948
00:45:48,680 --> 00:45:51,000
Speaker 1: give me one more chance, and I promesone women so

949
00:45:51,200 --> 00:45:54,640
Speaker 1: ever again, Then weren't even my fault? Man like six

950
00:45:55,120 --> 00:45:56,840
Speaker 1: be using that phone. Man, see why you had to

951
00:45:56,840 --> 00:46:01,799
Speaker 1: say it was bombs for young Doug. Every man has

952
00:46:01,880 --> 00:46:04,400
Speaker 1: told the woman they love at least three times in

953
00:46:04,520 --> 00:46:07,719
Speaker 1: their life. Ladies, you know, hey, you know I messed up.

954
00:46:07,760 --> 00:46:10,560
Speaker 1: I'll never do it again. All right, y'all know we retarded.

955
00:46:10,600 --> 00:46:12,640
Speaker 1: We learned from all mistakes after a few thought, a

956
00:46:12,719 --> 00:46:15,239
Speaker 1: few times, young thug learning. But I'm gonna tell you

957
00:46:15,320 --> 00:46:17,640
Speaker 1: something that if you just said it's true. Man, after

958
00:46:17,840 --> 00:46:21,120
Speaker 1: you say y'all never do it again, don't come with

959
00:46:21,200 --> 00:46:24,279
Speaker 1: the other lie. Yeah, I'm going to lie. That wasn't

960
00:46:24,320 --> 00:46:28,359
Speaker 1: your phone. Just take the as take it right. You're

961
00:46:28,400 --> 00:46:31,360
Speaker 1: contradicting yourself anyway. You just said I'll never do it again,

962
00:46:31,800 --> 00:46:33,640
Speaker 1: But then you turn around and say it wasn't my phone.

963
00:46:33,680 --> 00:46:35,440
Speaker 1: You know, mad people'll be using that phone either. You

964
00:46:35,560 --> 00:46:37,920
Speaker 1: lead with the lie and stick with the lie all.

965
00:46:37,960 --> 00:46:39,719
Speaker 1: You just come clean and say, look, baby, y'all, never

966
00:46:39,800 --> 00:46:42,359
Speaker 1: do it again. All right, you'll be fine. Man, get

967
00:46:42,400 --> 00:46:45,680
Speaker 1: that man another chance, men learn from the mistakes. She'll

968
00:46:45,719 --> 00:46:48,800
Speaker 1: give him another chance, and she should. All right now. Lastly,

969
00:46:49,000 --> 00:46:51,719
Speaker 1: tyre Reese, it seems like he's mad at the Rock

970
00:46:51,760 --> 00:46:54,719
Speaker 1: and it's all coming together now, all right now, the Rock.

971
00:46:54,840 --> 00:46:56,799
Speaker 1: I guess they asked him to do with the Hobbes movie,

972
00:46:56,840 --> 00:47:00,080
Speaker 1: which is a solo movie from Fast and Furious, and

973
00:47:00,239 --> 00:47:03,200
Speaker 1: he agreed to do it. In Tyrese is pissed. He's saying, hey,

974
00:47:03,280 --> 00:47:05,719
Speaker 1: you don't break up the crew because he's doing the

975
00:47:05,760 --> 00:47:08,320
Speaker 1: Hobbs movie. It seems like everybody else's career when it

976
00:47:08,400 --> 00:47:10,919
Speaker 1: comes to Fast and Furious is put on hold into

977
00:47:11,000 --> 00:47:13,680
Speaker 1: the Hobbs movie comes out, and he is pissed off. Yeah,

978
00:47:13,680 --> 00:47:16,600
Speaker 1: because I mean, you know, Tyrese, Ludacrius vends where they

979
00:47:16,680 --> 00:47:18,600
Speaker 1: all get paid off that Fast and Furious movie. They're

980
00:47:18,600 --> 00:47:20,320
Speaker 1: not going to make another one until two dollars and

981
00:47:20,400 --> 00:47:22,440
Speaker 1: twenty if they do the Hobbing movie. So that's a

982
00:47:22,480 --> 00:47:24,480
Speaker 1: couple of years where they ain't getting any Fast and

983
00:47:24,600 --> 00:47:27,040
Speaker 1: Furious check. But I'm gonna tell you something what's that, Tyrese.

984
00:47:27,080 --> 00:47:28,680
Speaker 1: She's gonna keep balking up that rock tree, and that

985
00:47:28,800 --> 00:47:30,600
Speaker 1: rock Tree gonna fall on you. Now when Rock Tree

986
00:47:30,719 --> 00:47:32,600
Speaker 1: challenge you, When the Rock challenge you to a duel

987
00:47:32,640 --> 00:47:36,400
Speaker 1: at WrestleMania, you better had that same the same manage.

988
00:47:37,239 --> 00:47:39,400
Speaker 1: You better had that same manage when the Rock challenges

989
00:47:39,480 --> 00:47:42,160
Speaker 1: you to a duel at SummerSlam. What's the next w

990
00:47:42,360 --> 00:47:45,000
Speaker 1: W event? I don't know, or the Royal Rumble, whatever

991
00:47:45,120 --> 00:47:47,640
Speaker 1: it is the Rock, I mean, Tyrese better had that

992
00:47:47,719 --> 00:47:50,120
Speaker 1: same and you when the Rock challenges him to a duel.

993
00:47:50,280 --> 00:47:53,120
Speaker 1: All right, Okay, that's your rumor report. Angelis out wire

994
00:47:53,120 --> 00:47:54,680
Speaker 1: holding it down. But you got don't get a day

995
00:47:54,680 --> 00:47:56,400
Speaker 1: coming up? Yes, man, don't get it? Did is going

996
00:47:56,440 --> 00:47:58,640
Speaker 1: to my guy? Kenyan Martin. Kenyan Martin is our guy.

997
00:47:58,880 --> 00:48:01,239
Speaker 1: We what do you do that sit man? Donkey to

998
00:48:01,280 --> 00:48:03,080
Speaker 1: day does not discriminate. We need Kenyan to come to

999
00:48:03,120 --> 00:48:04,560
Speaker 1: the front of the congregation where you like to have

1000
00:48:04,600 --> 00:48:06,760
Speaker 1: a word with him. Now, you know, Kenyan a little cuckoo.

1001
00:48:07,320 --> 00:48:09,799
Speaker 1: I'm a little Google too, Okay, but ken you don't

1002
00:48:09,840 --> 00:48:11,800
Speaker 1: understand this one. I'm sure he's looking at him his

1003
00:48:11,960 --> 00:48:13,960
Speaker 1: arms just wanted to say, now, why did I say that. Okay,

1004
00:48:14,040 --> 00:48:15,799
Speaker 1: we'll talk about it when we come back. Keep it locked.

1005
00:48:15,840 --> 00:48:19,919
Speaker 1: It's a breakfast club. Good morning, Charlemaine, say the gang.

1006
00:48:20,040 --> 00:48:27,600
Speaker 1: Don't get the shape man you are, don't you? Donkey

1007
00:48:27,680 --> 00:48:30,200
Speaker 1: Today does not discriminate. I might not have the song

1008
00:48:30,239 --> 00:48:32,080
Speaker 1: of today, but I got the donkey that gay. So

1009
00:48:32,200 --> 00:48:34,000
Speaker 1: if you ever feel I need to be a Donkey man,

1010
00:48:34,239 --> 00:48:38,359
Speaker 1: hit it with the breakfast club bitch. I just don't

1011
00:48:38,440 --> 00:48:43,520
Speaker 1: kive Today Today. Wow at Sharon Dunkey Today for Friday,

1012
00:48:43,560 --> 00:48:46,560
Speaker 1: October six goes to former NBA star Kenyan Martin. Drop

1013
00:48:46,680 --> 00:48:50,000
Speaker 1: on the clues bombs for Kenyan Martin, great guy, He's

1014
00:48:50,040 --> 00:48:52,040
Speaker 1: been here to the breakfast club before. But Donkey to

1015
00:48:52,080 --> 00:48:54,560
Speaker 1: day does not discriminate. Now. I'm not sure exactly when

1016
00:48:54,680 --> 00:48:57,920
Speaker 1: this happened. I just heard about it this morning. I'll

1017
00:48:57,960 --> 00:49:00,480
Speaker 1: be disconnected from social media. I don't have so media

1018
00:49:00,520 --> 00:49:02,520
Speaker 1: on my phone and step Instagram, so I miss a

1019
00:49:02,560 --> 00:49:04,879
Speaker 1: lot and I'm not mad at missing it at all. Now.

1020
00:49:05,200 --> 00:49:08,040
Speaker 1: Kenyon Martin had some things to say about Jeremy Lynn's hair.

1021
00:49:08,440 --> 00:49:10,200
Speaker 1: If you don't know who Jeremy Lynn is, He's a

1022
00:49:10,280 --> 00:49:12,400
Speaker 1: guard for the Brooklyn Nets who happens to be Asian

1023
00:49:12,400 --> 00:49:15,480
Speaker 1: American and Jeremy Lynn has been sporting a new hairstyle,

1024
00:49:15,560 --> 00:49:18,760
Speaker 1: and that hairstyle is dreadlocks. So of course an Asian

1025
00:49:18,800 --> 00:49:21,200
Speaker 1: American with dreadlocks is gonna cause someone to call him

1026
00:49:21,200 --> 00:49:24,560
Speaker 1: out for cultural appropriation. And one of those persons happened

1027
00:49:24,600 --> 00:49:26,920
Speaker 1: to be Kenyon Martin. Let's hear what Kenyan had to say. Police,

1028
00:49:27,160 --> 00:49:29,440
Speaker 1: Do I need to remind this damn boy to his

1029
00:49:29,640 --> 00:49:32,960
Speaker 1: last name Lynn? Come on, man, let's stop this man.

1030
00:49:34,800 --> 00:49:36,880
Speaker 1: There's no way possible. Man, he would have made it

1031
00:49:36,920 --> 00:49:39,320
Speaker 1: on one our teams man with that boy going on

1032
00:49:39,480 --> 00:49:42,319
Speaker 1: on his head, man, like, somebody really need to tell him.

1033
00:49:42,719 --> 00:49:45,160
Speaker 1: All right, all right, bro, we get it, We get it,

1034
00:49:45,239 --> 00:49:46,960
Speaker 1: like you want to be black, like, we get it.

1035
00:49:47,400 --> 00:49:50,680
Speaker 1: But the last name is Dan. But that's Kenyan's opinion.

1036
00:49:50,840 --> 00:49:53,000
Speaker 1: He's entitled at me personally, I don't give a damn

1037
00:49:53,040 --> 00:49:54,920
Speaker 1: what Jeremy Lynn does his hair. The only thing I

1038
00:49:55,040 --> 00:49:57,279
Speaker 1: care about is that Jeremy Lynn pays homage to the

1039
00:49:57,320 --> 00:50:01,120
Speaker 1: culture that dreadlocks derived from. That's it form of appropriation.

1040
00:50:01,200 --> 00:50:03,080
Speaker 1: That's all I care about. I hate when hairstyles and

1041
00:50:03,120 --> 00:50:05,480
Speaker 1: trends that have been happening in our culture for years

1042
00:50:05,520 --> 00:50:09,000
Speaker 1: get accredited to other coaches simply because the people appropriating

1043
00:50:09,200 --> 00:50:11,840
Speaker 1: don't pay homage. But the reason Kenyon Martin is getting

1044
00:50:11,880 --> 00:50:14,279
Speaker 1: donkey the days because Jeremy Lynn left a comment on

1045
00:50:14,440 --> 00:50:18,239
Speaker 1: Kenyan Martin's Instagram and I'm gonna read this comment verbatim, okay,

1046
00:50:18,280 --> 00:50:21,560
Speaker 1: because it's a bar hit in this comment that should

1047
00:50:21,560 --> 00:50:24,440
Speaker 1: actually make Kenyon Martin shut the f up fever on

1048
00:50:24,520 --> 00:50:28,960
Speaker 1: this situation. Okay, Jeremy Lynn wrote, Hey man, it's all good.

1049
00:50:29,320 --> 00:50:31,520
Speaker 1: You definitely don't have to like my hair and are

1050
00:50:31,560 --> 00:50:35,200
Speaker 1: definitely entitled to year opinion. Actually, I am legit grateful

1051
00:50:35,239 --> 00:50:37,200
Speaker 1: for you sharing it. To be honest, at the end

1052
00:50:37,239 --> 00:50:40,000
Speaker 1: of the day, I appreciate that I have dreads and

1053
00:50:40,239 --> 00:50:46,880
Speaker 1: you have Chinese tattoos. I repeat, Jeremy Lynn, repeat. Jeremy

1054
00:50:47,000 --> 00:50:50,280
Speaker 1: Lynn told Kenyan Martin, I appreciate that I have dreads

1055
00:50:50,480 --> 00:50:53,680
Speaker 1: and you have Chinese tattoos. Okay, I think we gotta

1056
00:50:53,719 --> 00:50:56,760
Speaker 1: win their ladies and gets all right, let me finish,

1057
00:50:57,040 --> 00:51:00,319
Speaker 1: Let me finish Jeremy Lynne's statement. He continues, I think

1058
00:51:00,360 --> 00:51:02,839
Speaker 1: it's a sign of respect, and I think it's minorities.

1059
00:51:02,840 --> 00:51:05,319
Speaker 1: The more that we appreciate each other's cultures, the more

1060
00:51:05,360 --> 00:51:08,239
Speaker 1: we influence mainstream society. Thanks for everything you did for

1061
00:51:08,320 --> 00:51:10,560
Speaker 1: the nets and hoops had you posted up on my

1062
00:51:10,680 --> 00:51:13,800
Speaker 1: wall growing up end quote trapping the clues bombs for

1063
00:51:13,880 --> 00:51:17,920
Speaker 1: Jeremy Lynn. Okay, that is what you call sophisticated shade.

1064
00:51:18,440 --> 00:51:20,680
Speaker 1: That is a prime example. That was going. That is

1065
00:51:20,719 --> 00:51:23,279
Speaker 1: a prime example of learning to destroy your enemies by

1066
00:51:23,360 --> 00:51:26,319
Speaker 1: opening holes in their reputations. Then stand aside and let

1067
00:51:26,400 --> 00:51:29,399
Speaker 1: public opinion hang them. Kenyon, you didn't think this one through.

1068
00:51:29,760 --> 00:51:33,120
Speaker 1: You can't call out an Asian American like Jeremy Lynn

1069
00:51:33,160 --> 00:51:35,200
Speaker 1: for rock and dreadlocks, saying he can't do that because

1070
00:51:35,239 --> 00:51:37,200
Speaker 1: he's not black. But then you, as a black man,

1071
00:51:37,480 --> 00:51:39,919
Speaker 1: have a sleeve full of Chinese words on your arms.

1072
00:51:40,080 --> 00:51:43,080
Speaker 1: You can't criticize someone for a so called fault you

1073
00:51:43,239 --> 00:51:47,000
Speaker 1: also possessed by your logic, Kenyon. If Jeremy Lynn can

1074
00:51:47,160 --> 00:51:49,960
Speaker 1: rock dredge, you can't rock Chinese letters. This is a

1075
00:51:50,040 --> 00:51:52,560
Speaker 1: prime example of the pot calling the kettle black, and

1076
00:51:52,640 --> 00:51:55,080
Speaker 1: in this case, it's a prime example of the paper

1077
00:51:55,120 --> 00:51:58,319
Speaker 1: plate at the barbeque calling the fine china white. Please

1078
00:51:58,360 --> 00:52:03,719
Speaker 1: give Kenyan Martin the biggest he hard play. That's that's

1079
00:52:03,800 --> 00:52:06,160
Speaker 1: that's that was easy. I was light working with Jeremy Lincoln.

1080
00:52:06,320 --> 00:52:11,279
Speaker 1: He got him. Come on, that was light work. You

1081
00:52:11,320 --> 00:52:13,320
Speaker 1: didn't think that went through at all? All right, not

1082
00:52:13,400 --> 00:52:16,600
Speaker 1: even a little bit. Thank you for that dunk today. Now, wait,

1083
00:52:16,880 --> 00:52:19,400
Speaker 1: where do you want to go today? Because it's Friday?

1084
00:52:19,719 --> 00:52:21,480
Speaker 1: So you know what that means. Wait? Wait, wait, wait

1085
00:52:21,480 --> 00:52:23,880
Speaker 1: wait wait wait, we gotta wait, we gotta pull it up.

1086
00:52:24,200 --> 00:52:26,840
Speaker 1: Wait what a second, we don't have a freaky Friday?

1087
00:52:26,880 --> 00:52:29,160
Speaker 1: Time talks amongst yourselves for a second. We don't have

1088
00:52:29,239 --> 00:52:31,720
Speaker 1: a top here we do. You're gonna tell us the story?

1089
00:52:31,960 --> 00:52:33,799
Speaker 1: What story? Wait? Wait? Soon as we get this beat?

1090
00:52:34,360 --> 00:52:36,359
Speaker 1: Hell are you talking about? Hold on, man, we gotta

1091
00:52:36,360 --> 00:52:39,320
Speaker 1: wait this beat, it's coming, is coming? You got it.

1092
00:52:39,440 --> 00:52:41,040
Speaker 1: I'll come in and tell you I had sexistist or

1093
00:52:41,080 --> 00:52:42,680
Speaker 1: last night? Now you wanted to tell stories? A Right?

1094
00:52:42,719 --> 00:52:44,239
Speaker 1: Here we go. It's Friday, so here. You know what

1095
00:52:44,360 --> 00:52:51,800
Speaker 1: that means. It's freaky, freaky freaky Friday. Now, um, last Friday?

1096
00:52:52,880 --> 00:52:55,480
Speaker 1: You went out last Friday? Didn't you last Friday? What

1097
00:52:55,600 --> 00:52:57,520
Speaker 1: was last Friday? Last Friday? Would you go you went

1098
00:52:57,520 --> 00:52:59,200
Speaker 1: to a concert? Did you go to concert last Friday?

1099
00:52:59,239 --> 00:53:01,279
Speaker 1: What was last Friday? At last Friday? Oh? Yeah, I

1100
00:53:01,280 --> 00:53:03,520
Speaker 1: went to Sharon of the Buckley. Shout to Ed, Shearon,

1101
00:53:03,560 --> 00:53:05,960
Speaker 1: Now you went to go see Ed Sharon before? How

1102
00:53:06,080 --> 00:53:07,800
Speaker 1: was the concert? I said it was great. That is

1103
00:53:07,800 --> 00:53:09,920
Speaker 1: an amazing performance if you've never seen that perform and

1104
00:53:10,080 --> 00:53:12,200
Speaker 1: comes out there with his guitar. He pleads to beat

1105
00:53:12,280 --> 00:53:14,600
Speaker 1: himself and then to beat loops back and he does

1106
00:53:14,680 --> 00:53:17,200
Speaker 1: his own background vocals in the background vocals, loop backle.

1107
00:53:17,320 --> 00:53:18,960
Speaker 1: He's a one man band, dropped on a clue's bomb.

1108
00:53:19,000 --> 00:53:21,480
Speaker 1: F sharing, great guy. Shout to Ed, shear, my, dude,

1109
00:53:21,600 --> 00:53:23,080
Speaker 1: I don't care about the concert. I want to know

1110
00:53:23,160 --> 00:53:25,160
Speaker 1: what you did after the concert. What are you talking about?

1111
00:53:25,200 --> 00:53:26,799
Speaker 1: What you do after the concert? I seen the picture

1112
00:53:26,840 --> 00:53:29,320
Speaker 1: that you took with that Sharon. We were playing pool, okay,

1113
00:53:30,000 --> 00:53:32,120
Speaker 1: And what happened at that pool place that you guys

1114
00:53:32,200 --> 00:53:34,840
Speaker 1: were playing pool? What you mean what happened? We ate pizza,

1115
00:53:35,000 --> 00:53:38,120
Speaker 1: ain't pizza? Um, Ed bought out the ball you drank,

1116
00:53:38,320 --> 00:53:40,520
Speaker 1: Ed bought out the bar. Yeah, my wife had a

1117
00:53:40,560 --> 00:53:43,480
Speaker 1: good time. Ed said it was his friend's birthday, so

1118
00:53:43,560 --> 00:53:46,319
Speaker 1: he wanted to do something. All of this stuff. Wax

1119
00:53:46,520 --> 00:53:49,440
Speaker 1: was there with you, man, Wax was there with you.

1120
00:53:49,520 --> 00:53:50,960
Speaker 1: So I want to see how honest you're gonna be.

1121
00:53:51,880 --> 00:53:55,440
Speaker 1: Let's see how she's gonna be. All right, now, go ahead, now,

1122
00:53:55,680 --> 00:53:57,839
Speaker 1: now it was Ed Sharon's friend's birthday, so he bought

1123
00:53:57,840 --> 00:53:59,879
Speaker 1: out the ball. All right, listen, it was Ed shar

1124
00:54:00,239 --> 00:54:03,520
Speaker 1: It was Ed Sharon's mates birthday. Is one of his

1125
00:54:03,600 --> 00:54:06,239
Speaker 1: best friends from where he's from in the UK. His

1126
00:54:06,360 --> 00:54:08,880
Speaker 1: friend had never been to America. Okay, his friend's girlfriend

1127
00:54:09,000 --> 00:54:11,399
Speaker 1: was there and um Ed told me. Ed was like, look,

1128
00:54:12,200 --> 00:54:14,680
Speaker 1: things are gonna get crazy tonight. You know, my mate

1129
00:54:14,719 --> 00:54:16,759
Speaker 1: has never been to America. And you know, Ed was

1130
00:54:16,800 --> 00:54:18,960
Speaker 1: playing a joke on his mate. So Ed said, look,

1131
00:54:18,960 --> 00:54:21,880
Speaker 1: I'm gonna have you know, some scrippers come and dance

1132
00:54:21,960 --> 00:54:23,480
Speaker 1: on him. All right, So you had some strippers there,

1133
00:54:23,800 --> 00:54:25,479
Speaker 1: now you you went your wife for you by yourself

1134
00:54:25,560 --> 00:54:27,920
Speaker 1: and my wife, my wife in waxing page. And I'm like,

1135
00:54:27,920 --> 00:54:29,719
Speaker 1: all right, cool, it's all good. He goes, but here's

1136
00:54:29,760 --> 00:54:32,600
Speaker 1: the kicker. All right, stop the music. The script was

1137
00:54:32,640 --> 00:54:34,920
Speaker 1: a male because it was a joke. It was a gag.

1138
00:54:35,080 --> 00:54:36,880
Speaker 1: You know what I'm saying. I'm sure something with gagging

1139
00:54:36,920 --> 00:54:39,160
Speaker 1: in there. All right. He had he had three male

1140
00:54:39,280 --> 00:54:42,759
Speaker 1: scrippers coming head. His friend had no idea. His friend

1141
00:54:42,880 --> 00:54:44,839
Speaker 1: was a good sport. You know, his friend was turning red,

1142
00:54:44,920 --> 00:54:47,759
Speaker 1: but he went along with it. It was I think

1143
00:54:47,800 --> 00:54:49,640
Speaker 1: it was two white scrippers and one black script and

1144
00:54:49,760 --> 00:54:51,680
Speaker 1: one black scripper saw me and was like, oh my god,

1145
00:54:51,760 --> 00:54:53,840
Speaker 1: this Charlomagne. Oh boy, he didn't he didn't expect to

1146
00:54:53,840 --> 00:54:56,040
Speaker 1: see me in there, all right, okay, And you know

1147
00:54:56,160 --> 00:54:57,560
Speaker 1: he was just like, yo, let's take it. He was like,

1148
00:54:57,560 --> 00:54:58,799
Speaker 1: I want to take a picture more though I got

1149
00:54:58,840 --> 00:55:01,000
Speaker 1: my clothes on. He's trying. I'm trying to little extra said, brother,

1150
00:55:01,080 --> 00:55:03,799
Speaker 1: do your thing. Okay, okay. So you left? Oh why

1151
00:55:03,840 --> 00:55:07,840
Speaker 1: would I leave? Oh you stay? Yeah, okay, laughed, watched it,

1152
00:55:08,080 --> 00:55:11,000
Speaker 1: enjoyed it. I did enjoy it. About doing it through

1153
00:55:11,040 --> 00:55:13,560
Speaker 1: one of my people's right, Okay, I think that's a

1154
00:55:13,680 --> 00:55:15,399
Speaker 1: nice little gag to pull on one of your people.

1155
00:55:15,440 --> 00:55:17,320
Speaker 1: So it didn't bother it one bit. You was comfortable

1156
00:55:17,360 --> 00:55:19,320
Speaker 1: in your skin, and you wanted to watch male strippers,

1157
00:55:19,320 --> 00:55:22,319
Speaker 1: so you watch male strippers. Why would male scrippers make

1158
00:55:22,400 --> 00:55:26,920
Speaker 1: me uncomfortable? My wife was right there with me make

1159
00:55:26,960 --> 00:55:29,040
Speaker 1: me uncomfortable. By the way, I noticed that a lot

1160
00:55:29,120 --> 00:55:31,160
Speaker 1: of women don't care for male scrippers. By the way, No,

1161
00:55:31,480 --> 00:55:33,600
Speaker 1: I mean, a lot of women don't care for male scrippers,

1162
00:55:33,760 --> 00:55:36,160
Speaker 1: and male scrippers do make some men uncomfortable. But I mean,

1163
00:55:36,239 --> 00:55:39,000
Speaker 1: if it's if you're at a party right full of

1164
00:55:39,120 --> 00:55:41,800
Speaker 1: men and women, and somebody brings some male scrippers in,

1165
00:55:42,160 --> 00:55:44,560
Speaker 1: like like like ed Shearon did the dance on his

1166
00:55:44,680 --> 00:55:47,840
Speaker 1: friend as a joke. It what's the problem? I shouldn't

1167
00:55:47,840 --> 00:55:49,839
Speaker 1: make you uncomfortable. I'm not gonna lie. When I heard

1168
00:55:49,880 --> 00:55:51,359
Speaker 1: the story, I said, yeah, I would be a little

1169
00:55:51,440 --> 00:55:54,239
Speaker 1: uncomfortable because I'm gonna tell you why. A part of

1170
00:55:54,320 --> 00:55:56,239
Speaker 1: the stories that you're leaving out is that these male

1171
00:55:56,320 --> 00:55:59,640
Speaker 1: strippers would throw in their schlung on the man's face.

1172
00:55:59,800 --> 00:56:04,000
Speaker 1: Male scrippers were doing what they would do to anybody

1173
00:56:04,080 --> 00:56:06,240
Speaker 1: they was dancing for. So yeah, they was getting crazy.

1174
00:56:06,360 --> 00:56:08,640
Speaker 1: One time they picked the guy, poor guy up and

1175
00:56:08,680 --> 00:56:10,600
Speaker 1: they was like sixty nine and in the air without

1176
00:56:10,640 --> 00:56:14,560
Speaker 1: actually sixty nine. But they had to put a position downpack.

1177
00:56:14,880 --> 00:56:17,920
Speaker 1: But things happened, don't happen, So is it true they

1178
00:56:17,920 --> 00:56:19,719
Speaker 1: were throwing the meeting the man face, say what they

1179
00:56:19,760 --> 00:56:22,919
Speaker 1: would meet in a man's face, And they were doing

1180
00:56:23,000 --> 00:56:25,439
Speaker 1: the same thing they would be doing to a woman.

1181
00:56:25,480 --> 00:56:28,160
Speaker 1: It was a joke. Okay, that's how white people play.

1182
00:56:29,960 --> 00:56:31,880
Speaker 1: Is that how they played? Okay, even white people from

1183
00:56:31,880 --> 00:56:33,680
Speaker 1: the UK, that's how they played. I don't think it

1184
00:56:34,400 --> 00:56:37,480
Speaker 1: didn't make me feel uncomfortable. Okay, it was funny. Let's

1185
00:56:37,520 --> 00:56:39,879
Speaker 1: open up the phone lines. Eight hundred five eight five

1186
00:56:39,960 --> 00:56:43,960
Speaker 1: one oh five one. Then if there were male strippers

1187
00:56:44,000 --> 00:56:49,080
Speaker 1: around dancing, throwing their schlogs and other men's faces, maybe

1188
00:56:49,120 --> 00:56:51,160
Speaker 1: your face, no no, no, no no no, now you're

1189
00:56:51,160 --> 00:56:53,480
Speaker 1: swaying the jury. No no no no no no no

1190
00:56:53,600 --> 00:56:56,680
Speaker 1: no no no men was slinging songs in anybody's face.

1191
00:56:56,840 --> 00:56:59,160
Speaker 1: They were on the specific guy. It was a joke.

1192
00:56:59,520 --> 00:57:02,399
Speaker 1: It was as Sharing's friends born day. He was playing

1193
00:57:02,440 --> 00:57:04,239
Speaker 1: a joke on his friends, and his friend was a

1194
00:57:04,280 --> 00:57:06,920
Speaker 1: great sport. All right, where'd you feel comfortable? Eight hundred

1195
00:57:07,080 --> 00:57:09,279
Speaker 1: five eight five one oh five one? And ladies, if

1196
00:57:09,360 --> 00:57:12,440
Speaker 1: your man feels comfortable around that, is that okay with you?

1197
00:57:12,680 --> 00:57:15,000
Speaker 1: We had a ball, okay, I bet you did a

1198
00:57:15,320 --> 00:57:21,360
Speaker 1: ball everywhere? Five five bombs at Sharing again, that's my guy.

1199
00:57:21,560 --> 00:57:25,800
Speaker 1: One oh five on is freaky, freaky, freaky Friday morning.

1200
00:57:25,840 --> 00:57:29,680
Speaker 1: Everybody is DJ Envy Angela Ye, Charlomagne, the guy. We

1201
00:57:29,760 --> 00:57:31,560
Speaker 1: are the breakfast club is Friday. So you know what

1202
00:57:31,680 --> 00:57:35,760
Speaker 1: that means. It's freaky, freaky freaky Friday. And the freaky

1203
00:57:35,800 --> 00:57:38,840
Speaker 1: freaky Friday question comes from Charlomagne. This is actually a

1204
00:57:38,880 --> 00:57:41,360
Speaker 1: great conversation, to be honest with you. I didn't even

1205
00:57:41,400 --> 00:57:43,400
Speaker 1: think about it, you know. Yeah, last Friday, I was

1206
00:57:43,440 --> 00:57:44,880
Speaker 1: hanging out with my guy, yes sharing. I went to

1207
00:57:44,920 --> 00:57:46,480
Speaker 1: go see that sharing at the ball Cliff Center and

1208
00:57:47,040 --> 00:57:48,600
Speaker 1: went to a little dive ball. You know, a little

1209
00:57:48,640 --> 00:57:50,919
Speaker 1: dive ball in Brooklyn might have been like forty fifty

1210
00:57:50,920 --> 00:57:52,720
Speaker 1: people there, maybe a little more, okay, And you know,

1211
00:57:53,520 --> 00:57:55,560
Speaker 1: he was drinking and he was eating pizza, and it

1212
00:57:55,720 --> 00:57:59,840
Speaker 1: was edged friend's birthday right at. Trent had never been

1213
00:58:00,000 --> 00:58:01,840
Speaker 1: to America. Okay, you know what I'm saying. So Ed's

1214
00:58:01,880 --> 00:58:04,480
Speaker 1: friend was in America. He was dead with his girlfriend. Okay,

1215
00:58:04,520 --> 00:58:06,760
Speaker 1: So I got some scrippers coming that that are gonna

1216
00:58:06,800 --> 00:58:09,120
Speaker 1: surprise him and dance on him. But the kicker is

1217
00:58:09,400 --> 00:58:12,080
Speaker 1: they're male scrippers. Okay, that's that's the joke. That was

1218
00:58:12,160 --> 00:58:15,400
Speaker 1: the gag. And I was like, okay, that should be funny,

1219
00:58:15,720 --> 00:58:17,160
Speaker 1: you know what I mean. So we sat and then

1220
00:58:17,560 --> 00:58:20,360
Speaker 1: the male scrippers came in. They grinded all over the dude.

1221
00:58:20,400 --> 00:58:22,240
Speaker 1: They danced, the dude tossed him up in the air.

1222
00:58:22,320 --> 00:58:24,200
Speaker 1: The dude was turning red, but he was a good sport.

1223
00:58:24,240 --> 00:58:26,040
Speaker 1: He was laughing with it. Everybody was laughing. It was

1224
00:58:26,080 --> 00:58:29,720
Speaker 1: actually funny. Okay, So I'm having this conversation with you

1225
00:58:29,840 --> 00:58:31,800
Speaker 1: know y'all, and y'all are like that would have made

1226
00:58:31,840 --> 00:58:35,240
Speaker 1: y'all uncomfortable. I don't know why would have made you

1227
00:58:35,360 --> 00:58:37,120
Speaker 1: uncomfortable with the guys were dancing on you, or just

1228
00:58:37,200 --> 00:58:38,960
Speaker 1: to sit there and watch. No, no, I mean to

1229
00:58:39,000 --> 00:58:41,560
Speaker 1: sit there and watch is funny. But let's say he says,

1230
00:58:41,640 --> 00:58:43,320
Speaker 1: you know, you're laughing, and then he wants to be like, oh,

1231
00:58:43,360 --> 00:58:45,680
Speaker 1: you think it's funny, and then he starts coming on you. Well, no,

1232
00:58:45,840 --> 00:58:49,440
Speaker 1: that's not what happened. The two it was three male scrippers. Uh.

1233
00:58:49,680 --> 00:58:51,200
Speaker 1: I think two of them are white. Maybe one might

1234
00:58:51,240 --> 00:58:52,720
Speaker 1: have been a Latino, but one was definitely black and

1235
00:58:52,760 --> 00:58:54,920
Speaker 1: the black one, the black one wasn't expecting to see

1236
00:58:54,920 --> 00:58:57,160
Speaker 1: no black people. That's what it was. That's what it was.

1237
00:58:57,240 --> 00:58:59,360
Speaker 1: The black people person wasn't expecting this. The black male

1238
00:58:59,400 --> 00:59:01,120
Speaker 1: scriple was this and to see no other black people there,

1239
00:59:01,280 --> 00:59:02,640
Speaker 1: right so when he saw black people and the wonder

1240
00:59:02,640 --> 00:59:04,520
Speaker 1: black people had was me, he was like, oh man,

1241
00:59:04,560 --> 00:59:06,280
Speaker 1: that's Arlomagne. So that he came with him like I'm

1242
00:59:06,360 --> 00:59:09,080
Speaker 1: trying to make as he was like, he was like,

1243
00:59:09,200 --> 00:59:10,640
Speaker 1: can we take a picture after him? Have my clothes?

1244
00:59:10,680 --> 00:59:12,720
Speaker 1: I'm like, yo, brother, it's all good. Go do your thing,

1245
00:59:12,920 --> 00:59:15,920
Speaker 1: have fun. So I personally, it didn't make me uncomfortable.

1246
00:59:15,960 --> 00:59:18,880
Speaker 1: In fact, at sharing that taught me a new trick

1247
00:59:19,000 --> 00:59:21,320
Speaker 1: that I planned to use over the holidays. The one

1248
00:59:21,360 --> 00:59:23,800
Speaker 1: of my cousins who ain't been acting right, all right,

1249
00:59:24,120 --> 00:59:25,920
Speaker 1: I got a gag for him. I think that is

1250
00:59:25,960 --> 00:59:28,400
Speaker 1: a great gag. All right, I'm gonna set mine up

1251
00:59:28,400 --> 00:59:30,120
Speaker 1: a little different tho. I'm gonna have the female scrippers

1252
00:59:30,240 --> 00:59:32,360
Speaker 1: dance on him, handcuffed him, then leave the room and

1253
00:59:32,400 --> 00:59:35,240
Speaker 1: have the male scrippers walk in here. Dirty. That's that's dirty. See,

1254
00:59:35,280 --> 00:59:37,640
Speaker 1: I don't play He'm gonna play those games. Hello, Hey,

1255
00:59:37,720 --> 00:59:39,840
Speaker 1: what's going on? Fellas? What's your name? Bro? My name

1256
00:59:39,960 --> 00:59:42,600
Speaker 1: is Adrian? Ain't Adrian? Now with that? Would you be

1257
00:59:42,680 --> 00:59:45,120
Speaker 1: comfortable with that? Man? Hey, listen, if it was something

1258
00:59:45,160 --> 00:59:47,560
Speaker 1: I did not expect, that's to be uncomfortable. So stripper

1259
00:59:47,640 --> 00:59:49,480
Speaker 1: just bust out the room shaking. They need all over

1260
00:59:49,560 --> 00:59:52,560
Speaker 1: the play see that. It's just a little weird. But

1261
00:59:52,880 --> 00:59:57,120
Speaker 1: that's why Ed told me beforehand. Ed told right beforehand

1262
00:59:57,360 --> 00:59:59,600
Speaker 1: because he didn't know how I was gonna react to it.

1263
00:59:59,800 --> 01:00:01,280
Speaker 1: I'm people was gonna react to us, So he just

1264
01:00:01,400 --> 01:00:02,720
Speaker 1: let me know. And I was like, Bro, I don't

1265
01:00:03,120 --> 01:00:04,960
Speaker 1: I know. That's how white folks play like. I know

1266
01:00:05,000 --> 01:00:06,800
Speaker 1: that's time. My wife, my white boys they played the

1267
01:00:06,840 --> 01:00:09,160
Speaker 1: same way. So man, my man, my wife would have

1268
01:00:09,240 --> 01:00:10,800
Speaker 1: we would have just slotted on exit. We would have

1269
01:00:10,960 --> 01:00:15,560
Speaker 1: exited the smooth. I got you, b I'm not no problem.

1270
01:00:15,640 --> 01:00:18,440
Speaker 1: I thought it was funny. Hello, who's this? Hey? This

1271
01:00:18,640 --> 01:00:21,960
Speaker 1: deal from Detroit? Many? What's up? Bro? Now you had

1272
01:00:22,000 --> 01:00:24,440
Speaker 1: a ball a male strip of pops out and starts

1273
01:00:24,480 --> 01:00:26,200
Speaker 1: dancing on the dude. And then do you leave or

1274
01:00:26,600 --> 01:00:29,320
Speaker 1: or you comfortable or uncomfortable? If he's dancing right next

1275
01:00:29,320 --> 01:00:31,160
Speaker 1: to me? I gotta go. I ain't gonna lie. I'm

1276
01:00:31,240 --> 01:00:34,040
Speaker 1: jump playing around like that. I don't know y'all playing

1277
01:00:34,080 --> 01:00:36,280
Speaker 1: too much. And the man was trying to hide it

1278
01:00:36,360 --> 01:00:38,000
Speaker 1: like you wasn't trying to come off with it. And

1279
01:00:38,040 --> 01:00:40,000
Speaker 1: then you just kind of fishy bro, like you if

1280
01:00:40,000 --> 01:00:41,720
Speaker 1: you're thinking your time, he would ask you about it

1281
01:00:41,760 --> 01:00:43,360
Speaker 1: you took your time and answer no. I really had

1282
01:00:43,400 --> 01:00:45,560
Speaker 1: to remember that to remember, be honest with you, I

1283
01:00:46,160 --> 01:00:48,520
Speaker 1: wasn't thinking about eight hundred and five eight five, one

1284
01:00:48,600 --> 01:00:50,160
Speaker 1: oh five one. I might have slid out there too,

1285
01:00:50,240 --> 01:00:52,560
Speaker 1: because the way I'm thinking is if he's gonna dance

1286
01:00:52,600 --> 01:00:54,800
Speaker 1: with the white boy, he gonna come at me next.

1287
01:00:55,080 --> 01:00:57,640
Speaker 1: Why because it's funny. He's not getting paid to dance

1288
01:00:57,720 --> 01:00:59,680
Speaker 1: on you, because it's funny. He got paid the dance

1289
01:00:59,720 --> 01:01:02,320
Speaker 1: on the Ed Sharon's friend. And that's what they did.

1290
01:01:02,360 --> 01:01:03,800
Speaker 1: Because if I was there with you, I tell the

1291
01:01:03,840 --> 01:01:05,560
Speaker 1: black ship I'm black. Look, I gave the extra huney

1292
01:01:05,560 --> 01:01:07,400
Speaker 1: go dance on Charlottage. That's what I would have did,

1293
01:01:07,520 --> 01:01:09,240
Speaker 1: no doubt. And I would have gave him five hundred

1294
01:01:09,240 --> 01:01:11,920
Speaker 1: and said, you put that meat in Envy's face, all right,

1295
01:01:12,120 --> 01:01:14,320
Speaker 1: and that's but that's fun. But then tell me all

1296
01:01:14,400 --> 01:01:17,120
Speaker 1: jokes aside. Is that not fun? And that's what in

1297
01:01:17,200 --> 01:01:19,400
Speaker 1: my face is not fun? But back, you know, but

1298
01:01:19,520 --> 01:01:22,080
Speaker 1: that's what Ed was doing. This homeboy, that's fun. That's funny.

1299
01:01:22,240 --> 01:01:24,840
Speaker 1: Trust me. Holidays is right around the corner. I got

1300
01:01:24,960 --> 01:01:27,640
Speaker 1: plans for one of my cousin and he has no idea.

1301
01:01:28,080 --> 01:01:30,280
Speaker 1: I got the mail scrippers on deck, all right, I'm

1302
01:01:30,280 --> 01:01:33,200
Speaker 1: gonna have the female scrippers coming the room, dance with him,

1303
01:01:33,240 --> 01:01:35,560
Speaker 1: handcuff him, and then have the mail scrippers coming there

1304
01:01:35,800 --> 01:01:37,880
Speaker 1: and grind to him to pretty ricky, I'm gonna lock

1305
01:01:37,920 --> 01:01:41,200
Speaker 1: here because that's kidnapping. That's you. Damn you locked me

1306
01:01:41,280 --> 01:01:43,400
Speaker 1: up and kidnap me. Eight hundred and five eight five

1307
01:01:43,480 --> 01:01:45,720
Speaker 1: one oh five one. It's the Breakfast Club. Goodmorn now

1308
01:01:45,800 --> 01:01:48,080
Speaker 1: if he just joined us with taking your calls. It's Friday,

1309
01:01:48,160 --> 01:01:50,880
Speaker 1: so you know what that means. Freaky freaky, freaky Friday.

1310
01:01:51,680 --> 01:01:54,920
Speaker 1: And it comes from Charlomagne and his uh what it

1311
01:01:55,000 --> 01:01:58,680
Speaker 1: out tracking weekend? I mean, it wasn't excribing it. Man.

1312
01:01:58,720 --> 01:02:00,760
Speaker 1: This was last Friday, me and my guy at Sharon

1313
01:02:01,080 --> 01:02:03,280
Speaker 1: After that Sharon's concert. We was hanging out, you know,

1314
01:02:03,720 --> 01:02:06,040
Speaker 1: a playing pool to a dive. Boy was at Sharon's

1315
01:02:06,640 --> 01:02:08,840
Speaker 1: best friend from the UK's birthday. He's never been to

1316
01:02:08,880 --> 01:02:10,880
Speaker 1: America and he wanted to play a gag on him.

1317
01:02:10,880 --> 01:02:12,280
Speaker 1: He wanted to play a joke on you guys. Ran

1318
01:02:12,320 --> 01:02:15,000
Speaker 1: out of poolstick, so he decided to stop it. The

1319
01:02:15,080 --> 01:02:17,760
Speaker 1: joke was that he was gonna have some male scrippers

1320
01:02:17,840 --> 01:02:20,880
Speaker 1: come in and dance on his homeboard, and that's what happened.

1321
01:02:20,880 --> 01:02:23,240
Speaker 1: And you know, I thought it was funny. But I'm

1322
01:02:23,280 --> 01:02:27,640
Speaker 1: having conversations with my conglomerate right here right envying my gang,

1323
01:02:28,000 --> 01:02:29,800
Speaker 1: and they like that would have made me uncomfortable. I'm like,

1324
01:02:29,880 --> 01:02:32,160
Speaker 1: you what, let's just sit there and watch some male

1325
01:02:32,240 --> 01:02:35,959
Speaker 1: scrippers dance on the dude. It was funny. The curve

1326
01:02:36,000 --> 01:02:37,640
Speaker 1: penis would have pointed at me might have came at

1327
01:02:37,680 --> 01:02:39,480
Speaker 1: me right after out of pass, And I realized that

1328
01:02:39,560 --> 01:02:42,200
Speaker 1: ladies don't really like male scrippers, not too man. So

1329
01:02:42,240 --> 01:02:43,720
Speaker 1: I don't know what male I don't know what male

1330
01:02:43,760 --> 01:02:47,440
Speaker 1: scrippas with their places in the equal system game in

1331
01:02:48,000 --> 01:02:50,600
Speaker 1: at Sharon's homeboy in game, I don't know. Hello, who's

1332
01:02:50,640 --> 01:02:55,320
Speaker 1: this from? Chris Man? Would you feel comfortable, uh, with

1333
01:02:55,400 --> 01:02:59,040
Speaker 1: a bunch of chipps dancing around you? Brother? I literally,

1334
01:02:59,240 --> 01:03:02,640
Speaker 1: y'all all the time, think Charlemagne, it's hilarious. But you

1335
01:03:02,760 --> 01:03:05,560
Speaker 1: know what, Charlomagne be given to that donkey or to day,

1336
01:03:05,600 --> 01:03:07,480
Speaker 1: but you won't bring up the topic that you was

1337
01:03:07,520 --> 01:03:09,840
Speaker 1: getting donkey of to night man how you had men

1338
01:03:09,920 --> 01:03:13,000
Speaker 1: to ship you upside down and you stay and sharing

1339
01:03:13,320 --> 01:03:15,520
Speaker 1: I'm in love with the shape for you and you

1340
01:03:15,640 --> 01:03:21,320
Speaker 1: got This is how black people in Turkey things. I

1341
01:03:21,640 --> 01:03:24,880
Speaker 1: never said it was me, I specifically saying it was

1342
01:03:25,200 --> 01:03:29,800
Speaker 1: Ed Shearing's homeboy's birthday. His homeboys from the UK never

1343
01:03:29,880 --> 01:03:32,560
Speaker 1: been to America. Ed had the male scrippers come in

1344
01:03:32,600 --> 01:03:36,200
Speaker 1: and dance on his homeboy. Charlemagne was not involved in that.

1345
01:03:36,480 --> 01:03:39,400
Speaker 1: I did not get turned upside down. Nobody was looking

1346
01:03:39,400 --> 01:03:41,120
Speaker 1: at me singing I'm in love with the shape for you.

1347
01:03:41,480 --> 01:03:44,800
Speaker 1: How did we turn? It been ten minutes? How did

1348
01:03:44,840 --> 01:03:47,680
Speaker 1: that story flip that fast? I like his story better? Hello?

1349
01:03:47,720 --> 01:03:51,240
Speaker 1: Who's this spring Shaw day game showing? Now we're talking

1350
01:03:51,280 --> 01:03:54,160
Speaker 1: about male strippers? Would that make you feel comfortable or uncomfortable?

1351
01:03:54,160 --> 01:03:56,080
Speaker 1: If they were dancing in the vicinity? If you're around

1352
01:03:56,160 --> 01:03:58,240
Speaker 1: where you were? That would make me want to fight

1353
01:03:58,360 --> 01:04:01,160
Speaker 1: whoever had to do with it. Why now you want

1354
01:04:01,200 --> 01:04:02,840
Speaker 1: to fight? No? No, no, you mean you would want

1355
01:04:02,880 --> 01:04:05,640
Speaker 1: to fight if it was happening to you. Yeah, of course, Okay,

1356
01:04:05,760 --> 01:04:07,600
Speaker 1: yeah no, Because I was telling I was telling Wax.

1357
01:04:07,680 --> 01:04:09,160
Speaker 1: I was like, I'm gonna do this to such and

1358
01:04:09,240 --> 01:04:11,840
Speaker 1: such over the holidays, and he was like that boy

1359
01:04:11,920 --> 01:04:18,200
Speaker 1: gonna shoot man. My question to yours, how was it do?

1360
01:04:18,440 --> 01:04:21,000
Speaker 1: Was he just sitting there giggling about it? It was funny.

1361
01:04:21,040 --> 01:04:24,000
Speaker 1: He was read, it's a joke, that's how it's I mean, listen, man,

1362
01:04:24,080 --> 01:04:27,280
Speaker 1: that they played different than we play, y'all might have

1363
01:04:27,360 --> 01:04:30,120
Speaker 1: pulled down some information out of him that he ain't

1364
01:04:30,240 --> 01:04:32,680
Speaker 1: wasn't really ready to release it yet. All right, thank you.

1365
01:04:32,800 --> 01:04:34,880
Speaker 1: Now let's go to one more. Caller asked me, good morning,

1366
01:04:35,040 --> 01:04:37,400
Speaker 1: good morning, how you going? Asked me? If you and

1367
01:04:37,520 --> 01:04:39,520
Speaker 1: your man was there right and the stripper was dancing

1368
01:04:39,560 --> 01:04:42,240
Speaker 1: on another man, male scripper, male stripper, how how would

1369
01:04:42,240 --> 01:04:48,240
Speaker 1: you feel? I don't feel completely uncomfortable? Why? And because? No,

1370
01:04:48,560 --> 01:04:51,520
Speaker 1: if you see two men grinding on each other, he

1371
01:04:51,600 --> 01:04:57,960
Speaker 1: asked a question his sexuality completely joke. No, it's okay

1372
01:04:58,040 --> 01:05:00,840
Speaker 1: for two women, but two men not at all. That

1373
01:05:01,000 --> 01:05:03,920
Speaker 1: was completely gay. Well now I know why. Now I

1374
01:05:04,080 --> 01:05:06,840
Speaker 1: know why, Ed Sharon told me beforehand, because you probably

1375
01:05:06,840 --> 01:05:09,000
Speaker 1: thought I was gonna feel like every single one of

1376
01:05:09,080 --> 01:05:12,240
Speaker 1: our callers that called in here this morning. I hate

1377
01:05:12,320 --> 01:05:15,720
Speaker 1: this term, but I can cut to toxic masculinity in

1378
01:05:15,840 --> 01:05:20,240
Speaker 1: this room with a knife, right, now, Jesus Christ, I

1379
01:05:20,320 --> 01:05:22,560
Speaker 1: just know if they are there to do that, I

1380
01:05:22,720 --> 01:05:26,760
Speaker 1: might be next. It was a specific joke. It was

1381
01:05:27,040 --> 01:05:31,400
Speaker 1: Ed Sharon's friend's birthday. The guy's girl was dead with him.

1382
01:05:31,640 --> 01:05:34,560
Speaker 1: He had the male Scrippers come out dance on his

1383
01:05:35,040 --> 01:05:37,440
Speaker 1: best friend. I thought it was funny. I thought it

1384
01:05:37,520 --> 01:05:40,080
Speaker 1: was hilarious. And the holidays are right around the corner,

1385
01:05:40,240 --> 01:05:41,960
Speaker 1: and I can't wait to do the same thing to

1386
01:05:42,080 --> 01:05:44,240
Speaker 1: one of my cousins in Mon's Corner, South Carolina. Oh,

1387
01:05:44,240 --> 01:05:46,120
Speaker 1: already got it all played out. I'm gonna have the

1388
01:05:46,200 --> 01:05:49,320
Speaker 1: female Scripples danced with him handcuff and make him feel

1389
01:05:49,360 --> 01:05:51,840
Speaker 1: real comfortable. They have the male Scripples come in and

1390
01:05:52,080 --> 01:05:54,680
Speaker 1: grind all over his ass. And I'm gonna be playing

1391
01:05:54,720 --> 01:05:57,040
Speaker 1: b two k bump bump bump. I'm gonna play pretty

1392
01:05:57,120 --> 01:06:00,520
Speaker 1: Ricky grind with me. I'm gonna play all Kelly bump grind,

1393
01:06:01,000 --> 01:06:03,120
Speaker 1: all right, I mean, I mean, I would definitely call

1394
01:06:03,160 --> 01:06:04,919
Speaker 1: the police and said you kidnap me, but you would

1395
01:06:04,920 --> 01:06:06,720
Speaker 1: have to put a mask of horn first. Now you

1396
01:06:06,760 --> 01:06:09,000
Speaker 1: gotta put a mask on and then bring him in,

1397
01:06:09,240 --> 01:06:11,560
Speaker 1: let him grind, and then take the mask off. Okay, see,

1398
01:06:11,560 --> 01:06:13,400
Speaker 1: now you're thinking about it. Now, you see the humor

1399
01:06:13,480 --> 01:06:15,320
Speaker 1: in this. All right, he's gonna fight you boy. The

1400
01:06:15,440 --> 01:06:17,080
Speaker 1: mother of the story is dropped on the clue's bombs

1401
01:06:17,080 --> 01:06:19,120
Speaker 1: for edge shearing. That's my guy. All right. Had a

1402
01:06:19,200 --> 01:06:21,680
Speaker 1: great time last Friday, me and my wife and my

1403
01:06:21,840 --> 01:06:24,120
Speaker 1: my conglomerate. We had a great time. All right. Now

1404
01:06:24,200 --> 01:06:25,840
Speaker 1: when we come back, we got rumors on the way,

1405
01:06:25,880 --> 01:06:28,920
Speaker 1: we'll tell you about Iggy Azea. She owes three hundred

1406
01:06:29,040 --> 01:06:31,640
Speaker 1: thousand dollars. I'll tell you to who and how they're

1407
01:06:31,640 --> 01:06:33,000
Speaker 1: trying to get their money back. So don't move. It's

1408
01:06:33,000 --> 01:06:36,000
Speaker 1: to breakfast club the morning putting. Everybody is DJ Envy,

1409
01:06:36,200 --> 01:06:38,960
Speaker 1: Angela Yee, Charlemagne, the guy we are the breakfast club.

1410
01:06:39,080 --> 01:06:42,040
Speaker 1: Let's get to the rumors. Iggy Azaia is being sued

1411
01:06:42,080 --> 01:06:50,360
Speaker 1: for three hundred thousand dollars. It's about is the rumor

1412
01:06:50,400 --> 01:06:57,720
Speaker 1: report Angela Yee on the breakfast club Now. According to

1413
01:06:57,800 --> 01:07:02,160
Speaker 1: American Express, Iggy Azelia is being sued for three hundred

1414
01:07:02,400 --> 01:07:06,040
Speaker 1: thousand dollars. Now they're saying that she spent two hundred

1415
01:07:06,040 --> 01:07:08,280
Speaker 1: and fifty thousand dollars and they won three hundred thousand,

1416
01:07:08,280 --> 01:07:11,840
Speaker 1: which includes legal fees and some interest could you imagine

1417
01:07:11,880 --> 01:07:13,520
Speaker 1: what she spent for te yard of thousand. Well, first

1418
01:07:13,520 --> 01:07:15,480
Speaker 1: of all, you know, I don't know it gets his

1419
01:07:15,600 --> 01:07:18,000
Speaker 1: financial situation. But if you put three hundred thousand dollars

1420
01:07:18,040 --> 01:07:21,720
Speaker 1: on an AMAX card, you're probably not doing too good financially.

1421
01:07:21,800 --> 01:07:23,440
Speaker 1: She probably thought a big check was coming in in

1422
01:07:23,480 --> 01:07:25,120
Speaker 1: a couple of weeks, saw a big check was coming

1423
01:07:25,120 --> 01:07:27,440
Speaker 1: in in the next thirty days. So let me go

1424
01:07:27,480 --> 01:07:29,280
Speaker 1: ahead and just charge up this stuff and I'll take

1425
01:07:29,320 --> 01:07:31,600
Speaker 1: care of it next month. But it don't look too

1426
01:07:31,680 --> 01:07:33,480
Speaker 1: good man, when you ain't had it hit in a minute,

1427
01:07:33,560 --> 01:07:35,640
Speaker 1: and you know, you really can't get nothing popping and

1428
01:07:35,720 --> 01:07:37,560
Speaker 1: the label like, you know, def jam thing. They're not

1429
01:07:37,600 --> 01:07:39,480
Speaker 1: spending no more money on you, and they ain't looking

1430
01:07:39,520 --> 01:07:41,360
Speaker 1: too good for a year. Yeah, but you know, the

1431
01:07:41,440 --> 01:07:43,040
Speaker 1: only thing is, you know, people use their points in

1432
01:07:43,040 --> 01:07:45,520
Speaker 1: the American Expressed to buy other things sometimes. So I

1433
01:07:45,560 --> 01:07:47,600
Speaker 1: don't need three hundred thousand dollars Weber points bro not

1434
01:07:47,720 --> 01:07:50,480
Speaker 1: a month. I ain't putting three hundred thosand dollars in

1435
01:07:50,560 --> 01:07:53,280
Speaker 1: a year on my AMAX card. Yeah. I guess you're right,

1436
01:07:53,360 --> 01:07:55,280
Speaker 1: but don't listen to me. I'll still shop at Target,

1437
01:07:55,360 --> 01:07:57,440
Speaker 1: all right, I'll buy T shirts from Target. Slut to

1438
01:07:57,520 --> 01:07:59,840
Speaker 1: good Fellas. They had a new T shirt line in there,

1439
01:08:00,120 --> 01:08:03,480
Speaker 1: not must. I'm not saying better, but I ain't mad

1440
01:08:03,520 --> 01:08:06,360
Speaker 1: at him. Okay, all right, now, Cam Newton, Now he

1441
01:08:06,520 --> 01:08:08,840
Speaker 1: was in the news for saying this to a female reporter.

1442
01:08:09,000 --> 01:08:13,120
Speaker 1: Devin Funis seemed to really embrace the physicality of his

1443
01:08:13,320 --> 01:08:16,720
Speaker 1: routes and making getting those extra yards because I give

1444
01:08:16,800 --> 01:08:18,760
Speaker 1: you a little bit of an enjoyment to see him

1445
01:08:18,800 --> 01:08:21,080
Speaker 1: kind of trust sticking people out there. It's funny to

1446
01:08:21,240 --> 01:08:26,000
Speaker 1: hear female talk about routes like it's funny. Well, now,

1447
01:08:26,120 --> 01:08:28,280
Speaker 1: Kim would have liked to apologize, of course, it seems

1448
01:08:28,320 --> 01:08:31,120
Speaker 1: like he lost an endorsement Dan and Yogurt, And now

1449
01:08:31,240 --> 01:08:33,600
Speaker 1: he's very very sorry for making these comments. And this

1450
01:08:33,760 --> 01:08:36,480
Speaker 1: is what he said. Now. My word choice was extremely

1451
01:08:36,800 --> 01:08:40,880
Speaker 1: degrading and disrespectful to a woman, and to be honest,

1452
01:08:40,960 --> 01:08:45,680
Speaker 1: that was not my intentions. What I did was extremely unacceptable.

1453
01:08:45,920 --> 01:08:49,320
Speaker 1: I'm a father to two beautiful daughters, and at their age,

1454
01:08:49,360 --> 01:08:51,360
Speaker 1: I try to instill in them that they can do

1455
01:08:51,479 --> 01:08:54,560
Speaker 1: and be anything that they want to be. During this

1456
01:08:54,680 --> 01:08:58,760
Speaker 1: whole process, I've already lost sponsors and countless fans, I

1457
01:08:58,920 --> 01:09:01,200
Speaker 1: realized that the joke is really on me, and to

1458
01:09:02,000 --> 01:09:05,120
Speaker 1: the young people who see this, I hope that you

1459
01:09:05,320 --> 01:09:07,960
Speaker 1: learned something from this as well. Don't be like me,

1460
01:09:08,560 --> 01:09:11,040
Speaker 1: be better than me. Oh here's the thing, man, I

1461
01:09:11,200 --> 01:09:15,080
Speaker 1: feel like if cam Newton wanted to cause outrage and

1462
01:09:15,200 --> 01:09:18,519
Speaker 1: if he wanted to lose endorsements, he should have just

1463
01:09:18,640 --> 01:09:20,800
Speaker 1: took a knee. He should have just took a knee

1464
01:09:20,800 --> 01:09:23,519
Speaker 1: on behalf of his people that are facing injustices in America.

1465
01:09:23,640 --> 01:09:25,519
Speaker 1: And he should have just stood with Kaepernick. That would

1466
01:09:25,520 --> 01:09:27,720
Speaker 1: have been more honorable than this. Correct. This is just

1467
01:09:27,800 --> 01:09:29,519
Speaker 1: a waste of calories right here. I'm gonna be honest

1468
01:09:29,560 --> 01:09:32,040
Speaker 1: with Yeah, I really don't know where he was going

1469
01:09:32,080 --> 01:09:34,000
Speaker 1: with it, Like I don't understand, and I'm mad. No

1470
01:09:34,120 --> 01:09:36,519
Speaker 1: reporter followed up. A reporter should have followed up and said,

1471
01:09:36,840 --> 01:09:40,640
Speaker 1: what do you find funny about females discussing routes? Like

1472
01:09:40,760 --> 01:09:42,640
Speaker 1: you can't just you can't just make a statement like

1473
01:09:42,760 --> 01:09:44,840
Speaker 1: that and leave it hanging in the air. Even if

1474
01:09:44,880 --> 01:09:46,960
Speaker 1: he said, I find it funny that all you reporters

1475
01:09:47,000 --> 01:09:49,439
Speaker 1: that don't play football asked me about routes. But the

1476
01:09:49,479 --> 01:09:51,120
Speaker 1: way he said that it was nothing was funny about.

1477
01:09:51,120 --> 01:09:53,040
Speaker 1: And it was also incredible to me because Cam Newton

1478
01:09:53,080 --> 01:09:54,800
Speaker 1: has been playing football his whole life. You never had

1479
01:09:54,800 --> 01:09:56,880
Speaker 1: a sports journalist ask you a question that was a woman.

1480
01:09:57,120 --> 01:09:59,240
Speaker 1: You've never had a woman reporter talk to you your

1481
01:09:59,320 --> 01:10:01,640
Speaker 1: whole life playing football. Now, well would have been what

1482
01:10:01,720 --> 01:10:04,160
Speaker 1: would have surprised us all if this woman would have

1483
01:10:04,200 --> 01:10:06,040
Speaker 1: said she actually ran routes right, all right? If she

1484
01:10:06,040 --> 01:10:08,599
Speaker 1: actually said she ran route out there with the guys

1485
01:10:08,960 --> 01:10:11,679
Speaker 1: and she called the football in that'thing like why because

1486
01:10:11,800 --> 01:10:14,160
Speaker 1: if she was young, may remember young and may played football.

1487
01:10:14,439 --> 01:10:17,479
Speaker 1: Here you go as a little one, Well, that's expected anyway.

1488
01:10:17,760 --> 01:10:21,200
Speaker 1: And lastly, ll cool J is the only rapper to

1489
01:10:21,320 --> 01:10:25,519
Speaker 1: get twenty eighteen Rock and Roll nomination, So congratulations to him.

1490
01:10:25,560 --> 01:10:27,519
Speaker 1: He's nominated for twenty eighteen the Rock and Roll Hall

1491
01:10:27,560 --> 01:10:30,960
Speaker 1: of Fame. Thank this, nineteen other candidates rage against the machine,

1492
01:10:31,080 --> 01:10:34,519
Speaker 1: Kate Bush, radio Head, Nina Simone, and ll cool I

1493
01:10:34,600 --> 01:10:36,600
Speaker 1: never celebrate that. And the reason I don't celebrate that

1494
01:10:36,760 --> 01:10:38,479
Speaker 1: is because ll COOLJ is not rock and roll. Ll

1495
01:10:38,560 --> 01:10:41,000
Speaker 1: cool jas hip hop. Hip hop is the biggest genre

1496
01:10:41,080 --> 01:10:43,639
Speaker 1: of music you know in the country right now. It's

1497
01:10:43,680 --> 01:10:47,160
Speaker 1: the most influential genre of music ever, and ll Coolja

1498
01:10:47,280 --> 01:10:49,000
Speaker 1: is one of the pioneers and the founders of that.

1499
01:10:49,240 --> 01:10:51,320
Speaker 1: So you know, I'm not celebrating the fact that the

1500
01:10:51,479 --> 01:10:53,479
Speaker 1: Rock and Roll Hall of Fame wants LL COOLJ. Of

1501
01:10:53,520 --> 01:10:55,640
Speaker 1: course they want ll COOLJ. What we need is a

1502
01:10:55,760 --> 01:10:58,439
Speaker 1: hip hop Hall of Fame, all right, that's what we need.

1503
01:10:58,760 --> 01:11:00,720
Speaker 1: I thought they have it. Maybe they don't, but we'll

1504
01:11:00,720 --> 01:11:02,240
Speaker 1: see what it be. A hip hop you need, like

1505
01:11:02,320 --> 01:11:04,640
Speaker 1: a here's the thing, because it's hip hop. There's R

1506
01:11:04,680 --> 01:11:06,040
Speaker 1: and B, Like yeah, I guess hip hop is all

1507
01:11:06,080 --> 01:11:07,640
Speaker 1: that hipop culture. And then what they said, and they

1508
01:11:07,680 --> 01:11:11,040
Speaker 1: said Llo is nominated, Yeah, nominated. Nina Simone is nominated.

1509
01:11:11,160 --> 01:11:14,680
Speaker 1: Like both of them are legends. They shouldn't be nominated

1510
01:11:14,840 --> 01:11:19,160
Speaker 1: for anything. They should be automatic inductions, right, first ballot,

1511
01:11:19,439 --> 01:11:24,160
Speaker 1: Hall of Famers, and whatever musical genre category you want

1512
01:11:24,160 --> 01:11:26,040
Speaker 1: to put them in. But rock and roll, nah, man,

1513
01:11:26,120 --> 01:11:29,120
Speaker 1: that's like, nah, it ain't us hip hop? Baby with you?

1514
01:11:29,320 --> 01:11:32,120
Speaker 1: All right? Well that is your rumor report. Angela Yee

1515
01:11:32,320 --> 01:11:35,360
Speaker 1: is out. But the mixes up next eight hundred five

1516
01:11:35,439 --> 01:11:36,880
Speaker 1: A five one on five one. Let me know what

1517
01:11:36,920 --> 01:11:38,280
Speaker 1: you want to hear in the mix. Shout to all

1518
01:11:38,360 --> 01:11:40,920
Speaker 1: my HBCUs. I let me know what college you went to,

1519
01:11:41,080 --> 01:11:43,920
Speaker 1: and I will shout your college out this morning, right now,

1520
01:11:44,160 --> 01:11:47,040
Speaker 1: shout to revote. We'll see you guys on Monday. Everybody

1521
01:11:47,080 --> 01:11:49,720
Speaker 1: else to People's Choice mixes up next at dj NBA

1522
01:11:49,760 --> 01:11:51,519
Speaker 1: eight hundred five A five one or five one is

1523
01:11:51,520 --> 01:11:52,479
Speaker 1: the Breakfast Club. Good morning,