1 00:00:03,320 --> 00:00:14,360 Speaker 1: What would you talk about on your on your podcast 2 00:00:14,480 --> 00:00:23,040 Speaker 1: morning show. Hey, everybody, welcome show. Hey. You know I 3 00:00:23,040 --> 00:00:25,759 Speaker 1: was reading something today. I don't know if you saw it, Gandhi, 4 00:00:25,800 --> 00:00:30,520 Speaker 1: but it said people that watch Mr Rogers Neighborhood actually 5 00:00:30,560 --> 00:00:35,800 Speaker 1: retain information better than people that watch Sesame Streets. Really, really, 6 00:00:36,280 --> 00:00:38,320 Speaker 1: what was the reasoning? Do we know? I I just 7 00:00:38,320 --> 00:00:43,559 Speaker 1: read the headline, but I mean, guy, is that like 8 00:00:43,680 --> 00:00:46,640 Speaker 1: all the screaming because you know, Mr Rogers is very 9 00:00:47,080 --> 00:00:49,840 Speaker 1: emphatic with what he did, and he made a point about, 10 00:00:50,560 --> 00:00:53,640 Speaker 1: you know, speaking clearly to the audience. And I feel 11 00:00:53,720 --> 00:00:54,880 Speaker 1: and I mean it's been a while since I've seen 12 00:00:54,920 --> 00:00:56,320 Speaker 1: Sesame Street, but I feel like they were all like, 13 00:00:57,240 --> 00:00:59,600 Speaker 1: hey listen, I'm a sesame kid, and I remember all 14 00:00:59,680 --> 00:01:08,400 Speaker 1: those jingles, like that was a jingle, counting was a jingle? Yes, 15 00:01:09,240 --> 00:01:20,360 Speaker 1: okay for those words history mcpheely feeling sorry. Maybe certain 16 00:01:20,440 --> 00:01:26,400 Speaker 1: people learn differently. So maybe maybe says to me, street 17 00:01:26,480 --> 00:01:28,880 Speaker 1: might be great for some people and Mr Rogers better 18 00:01:28,920 --> 00:01:31,120 Speaker 1: for others. I don't know. I know for me, what 19 00:01:31,319 --> 00:01:33,280 Speaker 1: is like different kinds of learners people? Some people have 20 00:01:33,319 --> 00:01:35,360 Speaker 1: to see it, some people have to hear it. I know, 21 00:01:35,440 --> 00:01:38,600 Speaker 1: for me, if I do it, I'm much more likely 22 00:01:38,640 --> 00:01:42,360 Speaker 1: to remember what it is. Yes, But yeah, if somebody's 23 00:01:42,400 --> 00:01:44,120 Speaker 1: like if Danielle, if you tell me something right now, 24 00:01:44,200 --> 00:01:48,160 Speaker 1: I'll forget what I'm like, could you write that down 25 00:01:48,240 --> 00:01:52,080 Speaker 1: or tech? That's me because anybody else when you meet 26 00:01:52,120 --> 00:01:53,800 Speaker 1: somebody new and they tell you their name, like eight 27 00:01:53,840 --> 00:01:57,400 Speaker 1: seconds later, you can't remember their name forget instantly. I 28 00:01:57,440 --> 00:02:01,960 Speaker 1: know my own name. It's ridiculous. It's horrible. I'm like, 29 00:02:02,040 --> 00:02:03,880 Speaker 1: we have people come into the studio all the time 30 00:02:03,880 --> 00:02:06,160 Speaker 1: and I do the terrible which I've learned not to 31 00:02:06,240 --> 00:02:08,080 Speaker 1: any more. Nice to meet you, and then they correct 32 00:02:08,080 --> 00:02:09,440 Speaker 1: you and tell you that they've met you a hundred 33 00:02:09,440 --> 00:02:12,840 Speaker 1: times before. I've just changed it to yep, nice to 34 00:02:12,880 --> 00:02:16,200 Speaker 1: see you, regardless, it's nice to see you. Know. It's 35 00:02:16,320 --> 00:02:19,600 Speaker 1: it's exhausting sometimes because, especially with the number of people 36 00:02:19,639 --> 00:02:23,079 Speaker 1: that we used to encounter pre pandemic, I would have 37 00:02:23,200 --> 00:02:26,200 Speaker 1: no idea and I'm I can't I'll remember a face, 38 00:02:26,600 --> 00:02:29,880 Speaker 1: but I will not remember that person's name. Yeah. I 39 00:02:29,919 --> 00:02:32,400 Speaker 1: always feel bad because like an entourage will come in 40 00:02:32,440 --> 00:02:34,519 Speaker 1: with an artist and then there'll be an a E 41 00:02:34,760 --> 00:02:37,760 Speaker 1: or somebody from downstairs and you go around high Hi, Hi, 42 00:02:38,320 --> 00:02:40,880 Speaker 1: nice to meet you in the Hi. I work downstairs. 43 00:02:41,160 --> 00:02:45,440 Speaker 1: I've worked at iHeart with you, I know, because there's 44 00:02:45,560 --> 00:02:47,960 Speaker 1: any new people that I don't you know, And it's 45 00:02:48,000 --> 00:02:50,680 Speaker 1: total embowishment because then the then the artist or whoever 46 00:02:50,840 --> 00:02:54,840 Speaker 1: is like, don't you know your own co workers? Like 47 00:02:54,000 --> 00:02:58,320 Speaker 1: you know? Sorry? So awkward? Um, anyway, what were we 48 00:02:58,360 --> 00:03:02,120 Speaker 1: going to talk about? Our favorite Christmas songs? Wants to 49 00:03:02,160 --> 00:03:05,720 Speaker 1: start look at him? Well let's start with you then, Scotty, 50 00:03:05,919 --> 00:03:07,800 Speaker 1: because we've been giving you the shaft all week, so 51 00:03:07,880 --> 00:03:10,600 Speaker 1: let's uh, well, there's one and scary. Maybe you could 52 00:03:10,600 --> 00:03:12,079 Speaker 1: pull it up on YouTube for me because I can't 53 00:03:12,080 --> 00:03:13,800 Speaker 1: play it from here and it's not in the system 54 00:03:13,840 --> 00:03:15,880 Speaker 1: because it's super dirty. I don't know if you can 55 00:03:15,919 --> 00:03:23,840 Speaker 1: do it or not, but phone, what's it called. It's 56 00:03:23,840 --> 00:03:27,360 Speaker 1: called Happy Holidays, you bastard. It's a hidden track on 57 00:03:27,400 --> 00:03:30,640 Speaker 1: Blink one two's album from like fifteen years ago. You 58 00:03:30,639 --> 00:03:32,840 Speaker 1: don't know what's there until you keep playing and the 59 00:03:32,919 --> 00:03:34,920 Speaker 1: last song ends, and then it comes on like thirty 60 00:03:34,920 --> 00:03:38,080 Speaker 1: seconds later. No one knows it's there, and it's so filthy, 61 00:03:38,120 --> 00:03:43,520 Speaker 1: it's quick. It's like, I don't know, YouTube, go YouTube, Scott, 62 00:03:43,760 --> 00:03:47,760 Speaker 1: this on your your original iPod. It is on my iPod, yes, 63 00:03:49,480 --> 00:03:53,920 Speaker 1: every yeah, I still have that. But it's it's what 64 00:03:53,960 --> 00:03:57,360 Speaker 1: how does it go? Sing it for us? Um? It's 65 00:03:57,440 --> 00:04:00,400 Speaker 1: Christmas Eve and I'm not getting any fucking president Christmas 66 00:04:00,440 --> 00:04:03,200 Speaker 1: Eve and I'm not got any fucking christ moves. Yea, 67 00:04:04,800 --> 00:04:07,720 Speaker 1: oh were you in the air? Yeah, no, you weren't 68 00:04:07,760 --> 00:04:10,360 Speaker 1: hot an guy? No, I didn't say that on the air. Okay, 69 00:04:10,400 --> 00:04:12,640 Speaker 1: there we go. Let's see if this works. Maybe an 70 00:04:12,640 --> 00:04:15,520 Speaker 1: ad hold on all there's an AD quick, Sorry it's 71 00:04:15,640 --> 00:04:19,200 Speaker 1: ten seconds. We're not giving them. I love how there's 72 00:04:19,240 --> 00:04:25,480 Speaker 1: like a nice sweet apple pie ad right before Christmas. 73 00:04:23,960 --> 00:04:34,039 Speaker 1: Spirit holiday. It's Christmas Eve about to persons Christmas. Prest 74 00:04:34,080 --> 00:04:43,440 Speaker 1: And said, I K talk to you, talk to you, 75 00:04:43,560 --> 00:04:48,520 Speaker 1: talk to talk to you on that, just because being 76 00:04:48,520 --> 00:04:51,080 Speaker 1: the spirit grandma to say seven funking hot dogs lap 77 00:04:51,080 --> 00:04:57,000 Speaker 1: were day, doesn't it sound just like Scotty be a 78 00:04:57,000 --> 00:05:09,719 Speaker 1: little bit? That's my boy? Said? Off? Did he say 79 00:05:09,760 --> 00:05:13,240 Speaker 1: ejaculate into a sock to a sock? Yeah? Why did 80 00:05:13,279 --> 00:05:15,400 Speaker 1: he hold on? I got questions? Why does he want 81 00:05:15,480 --> 00:05:17,520 Speaker 1: the dad to come off of the mom and jerky? 82 00:05:17,920 --> 00:05:22,320 Speaker 1: I think it would you really need to ask that question. 83 00:05:22,600 --> 00:05:26,840 Speaker 1: I was just thinking it's sorry, Oh my god, Well 84 00:05:26,880 --> 00:05:29,760 Speaker 1: we can't play that on the big show. But wait 85 00:05:29,800 --> 00:05:32,240 Speaker 1: a minute, Scotty, when we said, what were you going 86 00:05:32,320 --> 00:05:37,919 Speaker 1: to ask us to blame Christmas? That one they have? Okay, 87 00:05:37,960 --> 00:05:40,760 Speaker 1: because you said I will be home for Christmas. We 88 00:05:40,800 --> 00:05:42,760 Speaker 1: have that in our system. We can play that. Maybe 89 00:05:42,760 --> 00:05:44,800 Speaker 1: we'll play it Monday. I can't imagine why we don't 90 00:05:44,839 --> 00:05:48,960 Speaker 1: have the other one Monday, Scotty here, Yeah, well yeah, 91 00:05:48,960 --> 00:05:50,560 Speaker 1: that's why we'll play it Monday because no one's here. 92 00:05:52,600 --> 00:05:56,680 Speaker 1: But play your song eventually. Um, all right, Garrett. You 93 00:05:56,680 --> 00:05:58,600 Speaker 1: weren't with us, no, were you when we were talking 94 00:05:58,600 --> 00:06:01,719 Speaker 1: about Christmas music? Yeah, we're talking about Christmas m yeah 95 00:06:01,760 --> 00:06:05,159 Speaker 1: today or less today? Yeah? No, I mean it's a 96 00:06:05,200 --> 00:06:07,800 Speaker 1: classic for me. It's it's you know, not Froggy singing it, 97 00:06:07,839 --> 00:06:11,200 Speaker 1: but it's in sings Merry Christmas, Happy Holidays. Okay, you 98 00:06:11,360 --> 00:06:14,960 Speaker 1: like like my version is not way better, but okay, 99 00:06:15,200 --> 00:06:17,960 Speaker 1: it's close. It is close, but but it gives that 100 00:06:18,040 --> 00:06:20,480 Speaker 1: same feeling of like you know, you hear it, and 101 00:06:20,520 --> 00:06:22,760 Speaker 1: it's just like an upbeat, like tempo, like puts a 102 00:06:22,800 --> 00:06:25,719 Speaker 1: smile on your face. I don't see anybody disgruntled after 103 00:06:25,760 --> 00:06:28,680 Speaker 1: they hear it through. I dare say that's one of 104 00:06:28,720 --> 00:06:31,760 Speaker 1: like half a dozen Christmas songs I don't mind from 105 00:06:31,760 --> 00:06:35,320 Speaker 1: the current era because I don't know. For me, like 106 00:06:35,400 --> 00:06:40,680 Speaker 1: Christmas songs stopped right around like nineteen seven, and I 107 00:06:40,720 --> 00:06:44,320 Speaker 1: just hear like somebody do a cover and I'm like, no, sorry, 108 00:06:44,320 --> 00:06:49,200 Speaker 1: that's really like. I think Michael Boublay did a really 109 00:06:49,200 --> 00:06:51,359 Speaker 1: good job of All I Want for Christmas, as you. 110 00:06:51,920 --> 00:06:54,040 Speaker 1: I think his version is totally different than Marias, but 111 00:06:54,120 --> 00:06:57,320 Speaker 1: it's really good. I like it and he and he 112 00:06:57,400 --> 00:06:59,640 Speaker 1: does a really great Santa Baby and he asks for 113 00:06:59,720 --> 00:07:01,680 Speaker 1: like a Rolex. He asked for all things that dude 114 00:07:01,720 --> 00:07:05,719 Speaker 1: would ask for. It's actually really cool. Yeah, his album, 115 00:07:05,760 --> 00:07:08,680 Speaker 1: his Christmas album, is awesome. It is really really good. 116 00:07:08,880 --> 00:07:16,440 Speaker 1: So good. Yeah, we do have it. By the way, 117 00:07:16,520 --> 00:07:18,560 Speaker 1: can I call scary at Did you ever notice when 118 00:07:18,560 --> 00:07:20,920 Speaker 1: he doesn't want to play something he's up? Yeah, I'm 119 00:07:21,000 --> 00:07:27,080 Speaker 1: not seeing it in the computer. I'm bus you do that. No, 120 00:07:27,520 --> 00:07:30,600 Speaker 1: I never ever fake it. I will always pull it up, 121 00:07:30,640 --> 00:07:32,640 Speaker 1: but I will be grudgingly pull it up like this, 122 00:07:35,560 --> 00:07:43,240 Speaker 1: so nice cast a keyboard. I don't want love Christmas. 123 00:07:44,040 --> 00:07:52,640 Speaker 1: That's just one thing I don't care about Christmas. True 124 00:07:53,720 --> 00:08:00,080 Speaker 1: that just wants you more than you could ever know. 125 00:08:00,800 --> 00:08:12,720 Speaker 1: Make my risk countrue? You know that for Christmas? That Um, okay, 126 00:08:12,720 --> 00:08:14,920 Speaker 1: no one is going to have the balls in this 127 00:08:15,000 --> 00:08:18,200 Speaker 1: room to say it, but I'm gonna say it. I 128 00:08:18,280 --> 00:08:25,720 Speaker 1: fucking hate all I want for Christmas? You like Robbie 129 00:08:25,760 --> 00:08:30,000 Speaker 1: Williams Angel. I just so let's put it out there. 130 00:08:30,040 --> 00:08:32,920 Speaker 1: Scary Jones is social media is at Scary Jones for 131 00:08:32,920 --> 00:08:35,000 Speaker 1: all those that are watching and want to send hate 132 00:08:35,160 --> 00:08:40,199 Speaker 1: towards that way. So at Scary Jones. That's almost be 133 00:08:40,360 --> 00:08:45,720 Speaker 1: popular in the early nineties, right Mariah Carey, Um, she 134 00:08:45,760 --> 00:08:49,199 Speaker 1: wrote the song, she sings the song. In those first 135 00:08:49,400 --> 00:08:52,800 Speaker 1: couple of years, I thought it was okay, um, I've 136 00:08:53,160 --> 00:08:55,600 Speaker 1: but now it is the absolute worst. Is the most 137 00:08:55,600 --> 00:08:58,440 Speaker 1: overplayed Christmas song. I understand why because it's also the 138 00:08:58,480 --> 00:09:01,800 Speaker 1: most loved by so many people. I am not one 139 00:09:01,840 --> 00:09:03,640 Speaker 1: of them. I'm not a fan, I'm not on the bandwagon. 140 00:09:03,640 --> 00:09:06,439 Speaker 1: I'm not sugarcoating and I'm sorry I hate it. And 141 00:09:06,640 --> 00:09:10,840 Speaker 1: Scotty you talked about Robbie Williams Angel. Yeah, that's a 142 00:09:10,920 --> 00:09:13,840 Speaker 1: huge one in the UK and apparently at at you 143 00:09:13,840 --> 00:09:16,560 Speaker 1: know how you know, at some parties in the stage. 144 00:09:16,880 --> 00:09:19,559 Speaker 1: At certain parts of songs, you scream out the lyrics. 145 00:09:19,600 --> 00:09:22,160 Speaker 1: Everybody has to do it that song. In the UK, 146 00:09:22,320 --> 00:09:24,480 Speaker 1: it's like a rite of passage for everybody to know 147 00:09:24,520 --> 00:09:26,880 Speaker 1: all the lyrics and screaming at the top of their 148 00:09:26,960 --> 00:09:32,920 Speaker 1: lungs in the UK. But we're not in the UK 149 00:09:34,600 --> 00:09:37,400 Speaker 1: about other countries. It's a great fucking song, so shove 150 00:09:37,440 --> 00:09:46,480 Speaker 1: it up. Christmas, play that money? Do you guys? Like 151 00:09:46,600 --> 00:10:01,920 Speaker 1: Christmas Love from Justin Bieber? It's so good. See for me, 152 00:10:02,120 --> 00:10:04,320 Speaker 1: Michael to is where it's at. That's a good one, 153 00:10:05,000 --> 00:10:08,240 Speaker 1: is good. But Christmas Love when my when Preston was 154 00:10:08,280 --> 00:10:10,000 Speaker 1: in his car seat and he would get to a 155 00:10:10,040 --> 00:10:11,520 Speaker 1: certain point of the song and I would say, I 156 00:10:11,559 --> 00:10:13,360 Speaker 1: don't need anything but you for Christmas, like you're my 157 00:10:13,480 --> 00:10:15,760 Speaker 1: Christmas Love. I'd always look back at the car seat 158 00:10:15,840 --> 00:10:17,800 Speaker 1: and see my little guy sitting there and not smile. 159 00:10:19,679 --> 00:10:22,480 Speaker 1: How about how the Christmas from the New Kids on 160 00:10:22,520 --> 00:10:28,480 Speaker 1: the Block. Yeah, that's a good one. So you hate 161 00:10:28,520 --> 00:10:30,880 Speaker 1: you hate, yeah, scary you hate the biggest Christmas song 162 00:10:30,920 --> 00:10:32,960 Speaker 1: of all time, But you love New Kids on the Block. 163 00:10:33,760 --> 00:10:36,000 Speaker 1: I mean, Christians, you don't hear it very often. When 164 00:10:36,000 --> 00:10:38,400 Speaker 1: when that one and this one's for the children from 165 00:10:38,600 --> 00:10:44,360 Speaker 1: New Kids, the children I can get listen the Twelve 166 00:10:44,400 --> 00:10:49,280 Speaker 1: Pains of Christmas. Elvis hates that song, one of my favorites. 167 00:10:49,720 --> 00:10:52,199 Speaker 1: The first thing that Christmas. That's such a painted me 168 00:10:52,840 --> 00:10:56,800 Speaker 1: ragging up the lights and finding a Christmas tree. You 169 00:10:56,840 --> 00:11:01,320 Speaker 1: know what, I think. We're out of time. But you 170 00:11:01,320 --> 00:11:04,360 Speaker 1: guys didn't even vote for your ship. We're out of time. Sorry, 171 00:11:04,400 --> 00:11:08,040 Speaker 1: Scary said the second the last chorus, um. But it 172 00:11:08,120 --> 00:11:10,840 Speaker 1: was a pleasure doing the fifteen Minute Morning Really done, Yeah, 173 00:11:10,880 --> 00:11:13,960 Speaker 1: we're done. Nobody gave their vote. You make me put 174 00:11:13,960 --> 00:11:16,439 Speaker 1: myself out there with Mariah Calarine. Now you're shutting the 175 00:11:16,480 --> 00:11:22,400 Speaker 1: ship down. This at Scary Jones for your complaints. Yeah, Mariah, 176 00:11:22,880 --> 00:11:29,800 Speaker 1: we love Mariah. It's scary. The Fifteen Minute Morning Show