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Speaker 1: If I'm out of the group, I'm actually walking right

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Speaker 1: out the door. And as a parting gift, I'm gonna

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Speaker 1: take all of these movie posters The Godfather. Have you

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Speaker 1: ever seen it? Rachaman, do you know who directed it? Vertigo?

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Speaker 1: Do you have it? These are not posters for you, Okay, taking.

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Speaker 2: It back to my.

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Speaker 1: In North Hollywood. Had to watch.

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Speaker 2: Yeah, and you're not allowed to be there.

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Speaker 3: The posters are drilled into the wall.

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Speaker 2: Damn.

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Speaker 3: He's an absolute fuck off.

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Speaker 1: If anybody needs me, don't come anywhere near me. Welcome

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Speaker 1: to get it to Dutch a screenwriter's podcast. I'm Mark

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Speaker 1: and that's it. Well, you just heard was a snippet

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Speaker 1: of a pitch meeting that we had about an hour

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Speaker 1: ago at Victory Pictures. And I'll tell you what, folks.

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Speaker 1: The Dream is dead. The curtain has been lifted. Hollywood

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Speaker 1: is dead. That means the Dream and Hollywood, both of

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Speaker 1: those are dead. But not me. I'm alive. The last

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Speaker 1: man in Hollywood, which actually that is a pretty good idea.

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Speaker 1: The last man in Hollywood, last man in Hollywood, he

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Speaker 1: wakes up, can make any movie he wants. That would

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Speaker 1: be he could go to all the prop houses he

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Speaker 1: could go, he'd have to know how to make sense

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Speaker 1: which would he could use existing sets or he could

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Speaker 1: go on location. Well, he'd have to get how does

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Speaker 1: he get into the prop houses. He'd have to find

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Speaker 1: a lock breaker thing, which he could find. You can

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Speaker 1: rent those at home depot. He could just take it

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Speaker 1: because no one would be there to rent it to him.

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Speaker 1: What makes him tick? He has twenty four hours to

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Speaker 1: make a movie. Yeah, that's a good idea. So why

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Speaker 1: twenty four hours? Why twenty four hours? It's a contest,

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Speaker 1: but there's no people. Did he make the contest? Why

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Speaker 1: would he create a contest? Why is it this guy? Ah?

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Speaker 1: I don't know. Another classic that never gets made? Not

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Speaker 1: here anyway, Maybe in Austin, Texas. I have a friend

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Speaker 1: down in Austin who says everybody's running around with iPhones

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Speaker 1: making great movies. So that's where I'm heading. And you

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Speaker 1: know who else is? Greg and Brendan are dead, not literally,

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Speaker 1: They're fine, but they fucking suck. And I guess when

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Speaker 1: they said they wanted to change the world, what they

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Speaker 1: meant was they wanted to latch onto the teet of

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Speaker 1: Hollywood mediocrey and diary escort their shit into the diaper

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Speaker 1: of commerce. As you may recall, we started this podcast

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Speaker 1: to document our screenwriter's journey. But now I've decided that

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Speaker 1: this podcast has an even bigger mission to expose the

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Speaker 1: rot at the core of this degenerate industry. And as

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Speaker 1: I teased it before, but here's my new business. I'm

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Speaker 1: moving to Austin and from here on out, I will

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Speaker 1: only be taking sponsorships from small, independently run businesses like

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Speaker 1: dan Cola. Dan Cola is run by my neighbor Dan,

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Speaker 1: and he doesn't ship it yet. But if you email

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Speaker 1: promo code or a boros to the show, I can

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Speaker 1: provide an address to get a free jar of dan

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Speaker 1: Cola and bring your own jar, folks. Because he doesn't

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Speaker 1: do cans, he doesn't do bottles. This is sota like

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Speaker 1: it ought to be, like it used to be, like

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Speaker 1: your grandfather used to have it in the container you

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Speaker 1: want out of a sink. The great thing about dan Cola,

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Speaker 1: Dan tells you exactly what's in it. And I'm looking

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Speaker 1: at the ingred and says corn syrup sprite, and well,

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Speaker 1: that's it. It looks like. But if you're looking for

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Speaker 1: a cola with that lemon lime zing and a little

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Speaker 1: corn syrup booster soup. Ladle yourself a mason jar of

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Speaker 1: dan Cola right out of his bathroom sink. Oh yow's

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Speaker 1: that is hi? That's sweet. Aye, that is uh. That's

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Speaker 1: a regular Grandma snake bite remedy right there.

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Speaker 2: That is a real.

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Speaker 1: Throws your coat is what it does. But you can

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Speaker 1: taste this thing hasn't been regulated.

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Speaker 2: It's kind of cool.

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Speaker 1: It's like soda soup. It is what it tastes like.

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Speaker 1: You don't want the FDA telling you how to drink soda.

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Speaker 1: I love it. I'm not gonna finish it. Wow, this

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Speaker 1: is a thick film on my tongue. You can be

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Speaker 1: put this on pancakes. Good god, Dann, what you were

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Speaker 1: about to hear is it's personally humiliating, but it is incendiary.

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Speaker 1: It's possibly illegal. I've got to look into that. And

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Speaker 1: if I was in this for me, I would never

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Speaker 1: play it. But this is bigger than me. This is

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Speaker 1: bigger than all of us, and it's like I said,

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Speaker 1: it's time to expose the rot, which may be the

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Speaker 1: new name of this podcast. Let me just google real quick,

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Speaker 1: expose the rot. Uh Yeah, now looks like that as

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Speaker 1: a German troll metal band. Oh yeah, they sing about

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Speaker 1: some controversial stuff. U Plus, I got about one hundred

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Speaker 1: and fifty T shirts. So for the time being, it's

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Speaker 1: still called Get It to the Dutch Let me reset.

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Speaker 1: It's day one. Welcome to a revolutionary new podcast, still

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Speaker 1: called Get It to Dutch Man. I wish I had

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Speaker 1: a new name, but you'll see the content is explosive

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Speaker 1: and we're stirring it up on this one. We're kicking

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Speaker 1: things off with a secret, behind the scenes recording of

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Speaker 1: my final act in Hollywood. It's a pitch meeting. I'm

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Speaker 1: not going to say anything else about it except that

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Speaker 1: it starts with the three of us in the lobby

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Speaker 1: and this is where the fuse is lit. It's kind

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Speaker 1: of a long fuse that explodes closer to the end.

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Speaker 1: But take a listen here it comes right now. Smash

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Speaker 1: like and subscribe. Wow, this is nice. Yeah, this is

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Speaker 1: this is this is very big. This is big. All right.

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Speaker 4: So let's tell everybody at home the difference between a

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Speaker 4: general meeting, which were on before, and what this is,

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Speaker 4: which is a pitch meeting.

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Speaker 5: It's a good idea, okay, So this is a pitch meeting.

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Speaker 5: It's very different from a general meeting.

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Speaker 1: This is this is an.

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Speaker 5: Official at that where we get to tell the executive

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Speaker 5: in this case Lily Jackson soorbo about our idea from

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Speaker 5: start to finish, and she either gives us the money

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Speaker 5: to write it or tells us she's a big fan.

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Speaker 4: Okay, So we have run this pitch about six hundred times.

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Speaker 4: We have scripted everything right down to the small talk

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Speaker 4: at the top.

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Speaker 1: I think it was a great move. It's completely air tight.

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Speaker 4: Yeah, although I of course would have know because I

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Speaker 4: have never pitched before.

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Speaker 1: Well, it's relax.

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Speaker 5: Think of it like an elevator pitch, but you stretch

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Speaker 5: it out for like twenty minutes.

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Speaker 1: Why would you be in an elevator for twenty minutes? Well,

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Speaker 1: if another nine to eleven happens, oh boy. Okay, let's

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Speaker 1: bring the energy of a twenty minute elevator pitch during

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Speaker 1: nine to eleven.

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Speaker 4: Right, should we be freaking out during the night.

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Speaker 5: No, nobody should be freaking out. Nobody's in any danger.

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Speaker 4: Okay, you know, I'll reassure at the top that she's

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Speaker 4: not in any danger.

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Speaker 1: Yeah, No, we don't have to say it, don't Yeah,

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Speaker 1: don't do that. Just just just do it like we

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Speaker 1: rehearse it. Just relax, Sit down. Read one of the

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Speaker 1: trade magazines they have on the table here.

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Speaker 4: Whoa look at this cover a variety. Dolf Matti signs

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Speaker 4: a three picture deal with Tyson Studios.

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Speaker 1: What wow, those two are made for each other.

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Speaker 6: Wow.

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Speaker 4: Yeah, Now our two biggest problems are each other's biggest problems.

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Speaker 1: You know what, I actually think this is great. I'm serious.

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Speaker 1: I wish him well, yeah, he's where he's supposed to be.

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Speaker 1: And look it up, we are where we are supposed

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Speaker 1: to be. This is great. It's all good. We've got

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Speaker 1: a air tight pitch. We're pitching a movie we believe in. Guys,

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Speaker 1: we're gonna crush this.

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Speaker 3: Yes, how are you, Brendan?

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Speaker 1: You there? All right? Thanks so much for having us.

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Speaker 1: This is real excited to be here.

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Speaker 2: That was the chair. I didn't part.

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Speaker 7: It really was the chair.

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Speaker 3: Okay, thanks for coming in.

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Speaker 7: Guys.

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Speaker 3: You so duck told me a lot about one of you. So,

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Speaker 3: which one's grape?

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Speaker 1: Greg? Greg?

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Speaker 4: Hi?

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Speaker 8: Hi?

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Speaker 3: Greg? Where's grape?

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Speaker 7: Oh?

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Speaker 1: You know, I don't think it's grape. I'm Greg.

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Speaker 3: So is grape coming?

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Speaker 7: You know?

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Speaker 5: I think sometimes people mix up the name Greg for

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Speaker 5: Grape because there's there's actually no no grape, and I'm

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Speaker 5: Greg and it happens all the time.

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Speaker 1: It's probably auto Greg.

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Speaker 3: So hm hmm, sad.

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Speaker 9: I'm already disappointed. I wanted to meet someone named Grape today.

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Speaker 3: Who are you, guys?

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Speaker 1: I'm Mark, you could call me Grape.

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Speaker 4: I was was going to do the grape joke, but

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Speaker 4: you said it first. But you know something right off

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Speaker 4: the bat I want you to know is that you

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Speaker 4: are not in any danger.

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Speaker 3: Why would you say that.

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Speaker 2: I just wanted you to know that.

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Speaker 4: You know, we're not stuck in an elevator. This is

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Speaker 4: nine to eleven.

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Speaker 1: Yeah, that was just a stupid thing we are talking about.

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Speaker 1: He's nervous. It's his first pitch. He's never his.

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Speaker 2: First pitch too, and he's never pitched before.

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Speaker 7: You.

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Speaker 1: Actually, I have done some pitches. You guys can punch

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Speaker 1: me Grape.

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Speaker 9: Guys, can we just get into it. I'm doing this

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Speaker 9: as a favor for Duck, so let me just.

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Speaker 3: Hear the pitch.

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Speaker 1: Oh great, well, yes, love love Duc love you.

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Speaker 3: And I barely know you.

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Speaker 1: Mark. You wanted to go ahead and kick us off.

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Speaker 5: I think you know it's a it's funny in La

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Speaker 5: it's uh, there's always a lot of traffic, which is

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Speaker 5: something Mark can relate to this morning.

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Speaker 1: Yeah, I think I think we can all relate to

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Speaker 1: the traffic in southern California, and today it was nuts.

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Speaker 1: You know the thing about California.

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Speaker 9: Let's not do the small talk, all right, I'm doing

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Speaker 9: a favor, so let me just hear the idea.

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Speaker 1: Yeah, yeah, totally so. Uh and that's why you shouldn't

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Speaker 1: take ka during Russia.

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Speaker 4: That is great, Mark, But we're not here for small talk.

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Speaker 4: We're here to talk big, and we think you're gonna

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Speaker 4: love this big idea. It's called Adam Sandler's Ship for Brains.

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Speaker 9: Pass hard pass. Salmon's doing smart ass at gas Station TV.

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Speaker 9: It's the one where his butt's a genius. Oh so

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Speaker 9: what else you guys got? Let me hear some then else?

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Speaker 3: Come on, he.

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Speaker 1: Plays the butt, Yeah, he plays the butt.

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Speaker 3: But who's the guy the genius butt?

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Speaker 1: Who's the actor? Oh? Is this the one with Michael Fastbender?

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Speaker 3: Oh?

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Speaker 4: Assbender?

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Speaker 7: Is that a movie?

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Speaker 3: Do you guys have other pitches? You have other pitches?

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Speaker 1: Right? Yeah, yes, I mean we're trying to figure out

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Speaker 1: what's maybe the best one. To start with, we have

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Speaker 1: so many ideas.

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Speaker 4: We have one that's called The Winds of Bellinore. It's

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Speaker 4: a high fantasy.

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Speaker 1: That one's kind of like a kid's movie, which I

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Speaker 1: don't know if you're into the kids movies, but we do.

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Speaker 1: We have one that's like, yeah, not a lot of

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Speaker 1: folks are. But we have one called the Edge of Desire,

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Speaker 1: which is a.

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Speaker 5: Thrill, a kind of playing second fiddle if you think

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Speaker 5: to our best idea, Mark, which is called The Boy,

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Speaker 5: the Girl, and.

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Speaker 9: Guys, let me stop you right, there are any of

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Speaker 9: these ideas like Taken.

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Speaker 3: Our mandate is to make our version of Taken taken.

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Speaker 1: Yeah, that's great.

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Speaker 2: No, when's the bills?

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Speaker 1: Wow, that's certainly not you know what.

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Speaker 5: Actually, we do have a story that's like Taken.

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Speaker 9: Better let me hear it, ye hold on, hold on, hello,

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Speaker 9: you gotta be fucking kidding me.

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Speaker 3: Yeah, okay, I'll be right there. Guys, I'm sorry, I

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Speaker 3: have to go.

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Speaker 9: I am doing this sitcom with Logan Paul and Bella

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Speaker 9: Hadid and they are it's basically just a very fun

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Speaker 9: like you guys know, family Guy. It's like the live

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Speaker 9: action version of that. It's fantastic, but they're not getting along.

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Speaker 9: Logan keeps trying to fight her. I don't know, I'm

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Speaker 9: gonna go. I'm just gonna go check on that. I'll

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Speaker 9: be right back.

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Speaker 3: Okay, Jake should have cast Jake.

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Speaker 1: So what the fuck man desire is clearly the most

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Speaker 1: like taken.

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Speaker 5: Image gets dark imag and literally gets taken by taking.

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Speaker 4: We spent hours working on this thing. I say, we

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Speaker 4: shove it down her throat. We pitch it for brains.

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Speaker 4: What do you say?

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Speaker 2: We know?

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Speaker 4: The pitch backwards and forwards's hard past on ship.

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Speaker 5: You don't go and pitch something as soon as somebody

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Speaker 5: passes on it. Guys, here's the hard truth. None of

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Speaker 5: our movies are like Taken.

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Speaker 1: Yeah, yeah, yeah, I think you're right, and we have

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Speaker 1: to come up with a brand new movie on the spot. Okay,

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Speaker 1: all right, yes, deep breath, Yeah, we.

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Speaker 2: Can do this. We can do this.

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Speaker 4: This is what we are.

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Speaker 2: Creative tights.

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Speaker 4: Huh, put the melting pot together, let a bubble be

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Speaker 4: all right?

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Speaker 1: Cool? All right, follow my lead. I gotta take an idea.

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Speaker 1: That's an absolute mind ben No, on this spot.

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Speaker 2: How about we follow my lead? Nobody ever follows.

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Speaker 1: You're never meant to lead.

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Speaker 2: Oh, my god. Oh I got it.

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Speaker 1: We're you about to take a shit. Guys.

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Speaker 4: I can do this. I don't know what this is,

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Speaker 4: but I have never been more sure of anything in

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Speaker 4: my whole life.

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Speaker 2: I can pitch this. We're gonna do this usual suspect style.

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Speaker 4: I'm gonna look around the room and just boom idea

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Speaker 4: boom character named Boom. I'm in the zone, baby, give

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Speaker 4: me the ball, let me run with it.

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Speaker 1: Wow wow uh okay, yeah, I've never heard you talk

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Speaker 1: like that.

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Speaker 7: Man.

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Speaker 1: How do you go? Man? Yes, I believe in you. Yeah,

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Speaker 1: the ball is yours.

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Speaker 3: I love you.

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Speaker 1: Guys, run like the wind. Yeah.

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Speaker 3: Crisis averted?

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Speaker 2: Where she is?

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Speaker 9: It turns out that Bella actually was beating up Logan,

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Speaker 9: which is fine because he wanted to train.

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Speaker 3: So it's all good. We're all fine. But where were we?

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Speaker 3: Let's get back to it. I want to hear this

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Speaker 3: taken idea. Okay, come on.

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Speaker 1: Great, I think who please? Brian.

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Speaker 3: Brian is played by Jonah Hill.

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Speaker 1: That makes sense.

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Speaker 3: I thought that that was very well, Cassie. So funny.

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Speaker 1: He's into like the suit, right, the dog?

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Speaker 9: You dress him up like a dog. Yeah, all right,

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Speaker 9: So let me hear the taken idea.

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Speaker 1: Yes, Brandon is gonna lead us off, and he's ready

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Speaker 1: for his clothes.

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Speaker 4: Okay, okay, cool, Now that I have here undevoted attention,

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Speaker 4: I want you to think of this.

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Speaker 1: We open on an office.

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Speaker 4: And there's all these cool movie posters on the wall,

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Speaker 4: and sitting behind a desk is an executive and I

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Speaker 4: look at her feet, her stinky little land hands five,

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Speaker 4: little Peggy.

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Speaker 3: Oh, hold on, all right, I got another call here.

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Speaker 3: What is it? Okay, Sorry, I've got to go. Jonah.

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Speaker 9: His therapist is there. He needs to talk to his therapist.

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Speaker 9: It's a big thing. So the therapist is saying he

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Speaker 9: shouldn't play dog. He thinks it's demeaning.

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Speaker 3: I don't know. I'm just gonna go.

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Speaker 9: I'm gonna go ahead and talk to them, but I

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Speaker 9: will be right back.

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Speaker 4: Hands, land hands, you know that's okay?

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Speaker 1: All right?

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Speaker 2: Listen to fetish community.

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Speaker 4: They're called landing.

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Speaker 1: Okay, fall in line, gentlemen. Let me take the lead

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Speaker 1: on this one. It is a movie that is a

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Speaker 1: Taken movie, and it's actually three movies at wal Mart.

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Speaker 1: And I am not gonna let you do this. She

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Speaker 1: wants a straight up Hollywood hit. Guys, this is my milia.

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Speaker 1: What I have a very particular set of skills. Just

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Speaker 1: follow me for the court changes. For God's sakes, boys,

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Speaker 1: try to keep up. That's fine, but it cannot just

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Speaker 1: be a rip off of Taken. It has to have

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Speaker 1: some unique twist to it. And it makes it it will.

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Speaker 3: You, guys?

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Speaker 9: Well, it turns out Jonah just needed to take a

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Speaker 9: bunch of pills and he's my goodness, Hollywood psychiatrist.

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Speaker 3: Let's get back to it. Go ahead, give me a thrill.

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Speaker 1: Okay.

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Speaker 5: So pictured, this ex Navy seal Dirk mulroney travels across

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Speaker 5: Europe and he relies on his old skills, his special

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Speaker 5: skills to save his daughter who's been kidnapped.

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Speaker 1: Which sounds exactly like Taken.

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Speaker 5: But there's a twist mark, yeah, because she was taken

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Speaker 5: from her own wedding. During the father daughter dance, how

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Speaker 5: a terrorist taps Dirk on the shoulder and says, do

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Speaker 5: you mind if I cut in? And that's what the

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Speaker 5: movie is called, do you mind if.

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Speaker 1: I cut in?

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Speaker 3: Wow, guys, that's actually a really good idea.

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Speaker 1: Yeah, Wow, such a good story. Yeah, it's it's such

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Speaker 1: a good millieu. You know, here's the thing. Greg has

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Speaker 1: all the answers to all of your questions, and I'm

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Speaker 1: sure you have a thousand because I do, and you

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Speaker 1: might be one of the questions you might be asking,

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Speaker 1: who was the guy who took the daughter?

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Speaker 4: Well, uh, not to speak for Greg, but I assumed

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Speaker 4: it was Russia.

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Speaker 1: It was a Russians. And did you assume that that

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Speaker 1: makes sense?

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Speaker 3: Yeah, Russians? Okay, usually like making them the villains.

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Speaker 1: Yeah, and so that makes sense, which we all love.

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Speaker 1: And I love another part of it, which is that

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Speaker 1: this guy, mulroney, he's ex Navy seal, and he didn't

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Speaker 1: pick up on the fact that the bad guy was

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Speaker 1: a terrorist.

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Speaker 5: Tell her why, Greg, Well, he didn't because the well,

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Speaker 5: we talked about it, yes, and and.

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Speaker 4: Well, it's interesting because when we were talking about it,

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Speaker 4: we decided that maybe this guy just looked like he

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Speaker 4: was Russian, but actually he was.

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Speaker 1: An intergalactic light being, an intergalactic light light being sort

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Speaker 1: of a holographic yeah, space alien.

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Speaker 5: Yeah, an intergalactic space alien that we can render using

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Speaker 5: AI and it can look exactly like a wedding guest.

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Speaker 3: Well, I love AI. We love AI.

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Speaker 9: Here here, you guys, everybody here, we've just been talking

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Speaker 9: about we love it, so it's.

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Speaker 4: So easy to an idea.

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Speaker 2: Hey, I don't have an idea.

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Speaker 3: I like you, you're fun. I like you, but guys,

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Speaker 3: don't leave me hanging. Give me the meat. That's the meat.

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Speaker 1: What's the meat?

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Speaker 7: Meat?

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Speaker 1: Such a good question, Greg, Yeah, tell her the meat,

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Speaker 1: give her the full story, like every specific detail that

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Speaker 1: we love.

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Speaker 5: I will mark totally because the whole story is pretty

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Speaker 5: much on the table ready to up. And the whole

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Speaker 5: story is like taken, but of course it's different and

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Speaker 5: better than taken, much better because it's exciting.

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Speaker 1: It is exciting. And I'm sorry, Greg, I.

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Speaker 3: Could what is going on with your face? What is that?

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Speaker 1: Oh yeah, there's a smile you have it or something

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Speaker 1: you might if I cut it.

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Speaker 4: And he made a joke, and now I think he's honest.

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Speaker 1: It doesn't get motions that looking at it was a joke,

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Speaker 1: but sometimes it doesn't.

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Speaker 3: You not like me or something that you're looking at

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Speaker 3: me is just making me feel like you don't I

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Speaker 3: feel attacked?

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Speaker 4: Yeah, no, sorry, I'm doing this with your face.

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Speaker 1: It's just how I look.

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Speaker 9: Sorry, it's not how people look or smile. Okay, you

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Speaker 9: look like you're transforming into a were wolf. You look

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Speaker 9: like when you're stuck between a human and a werewolf,

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Speaker 9: you know, were wolf like going through puberty or something

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Speaker 9: not fully developed.

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Speaker 3: It's it's like only halfway there. Okay, it's really like uncomfortable.

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Speaker 1: Okay, can I say a little more?

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Speaker 9: Yeah, you can talk, but I'm just going to look

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Speaker 9: at him instead, because it's kind of it's disturbing.

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Speaker 3: It's disturbing stuff.

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Speaker 4: I don't know what you're doing.

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Speaker 1: We cannot talk about.

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Speaker 3: Light highlight with ugly people.

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Speaker 4: Can I just reboot the system, restart.

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Speaker 3: The whole time. I can't. Somebody better talks soon, because okay,

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Speaker 3: so what.

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Speaker 1: We really wanted to have was a well rounded female character,

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Speaker 1: which we all are great at writing. That's one of

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Speaker 1: our main things that we like to do, except Greg

418
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Speaker 1: is a little bit anti, but I love writing any event.

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Speaker 1: When Dirk goes to Paris in search of his daughter,

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Speaker 1: the first person he meets is a well rounded female

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Speaker 1: character who's she's tough as nails, but she's also beautiful,

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Speaker 1: and she's a cabby named Lambeau. Not a name, It

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Speaker 1: is a name, and that's what her name is because

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Speaker 1: it's French and she's French. So it's perfect.

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Speaker 3: It's Lamboo Limbeau.

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Speaker 1: She gets it. It's Lambeau. It can change, it can,

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Speaker 1: but it won't because it's a perfect name. And just

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Speaker 1: one look at her and you know she's trouble. She's

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Speaker 1: the toughest and the best and the smartest, and she

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Speaker 1: doesn't need a man, but she could have one if

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Speaker 1: she wants, but she doesn't want one right now because

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Speaker 1: she's just finding herself. And she plays in the men's

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Speaker 1: soccer League for Paris Saint Germaine. She's the best team there.

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Speaker 9: So okay, I just want to make sure I have

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Speaker 9: this straight. So she's a cabby and she's also a

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Speaker 9: professional soccer player.

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Speaker 4: Well, she just practices with the guys so that they

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Speaker 4: can get better.

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Speaker 1: She plays with them. No, she doesn't know she does.

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Speaker 1: She's the best of all of them. How could that

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Speaker 1: possibly work? How could she be the best? How are

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Speaker 1: you questioning a female but being the best soccer player?

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Speaker 1: Are you asking me how soccer works? Because what you

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Speaker 1: had to do is you kick a ball into a

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Speaker 1: net and she's the best at Oh, I'm sorry, do

446
00:21:31,520 --> 00:21:33,360
Speaker 1: you mind if I cut in? I think he means football.

447
00:21:33,840 --> 00:21:35,879
Speaker 1: Nobody in Paris is going to be calling it soccer

448
00:21:37,680 --> 00:21:41,040
Speaker 1: it yeah, and American is her favorite. Oh, so she

449
00:21:41,080 --> 00:21:43,240
Speaker 1: calls it football. She calls them whatever the fuck she wants.

450
00:21:43,440 --> 00:21:48,080
Speaker 1: She speaks of them anyway, anyway, Anyway, this well rounded,

451
00:21:48,119 --> 00:21:51,800
Speaker 1: cabby soccer player genius is so sick of being in

452
00:21:51,880 --> 00:21:53,440
Speaker 1: movies where the helpless.

453
00:21:53,000 --> 00:21:55,280
Speaker 2: Little girl gets shaved by a man.

454
00:21:55,359 --> 00:21:58,160
Speaker 5: But of course she doesn't know she's in a movie, right, Mark,

455
00:21:58,200 --> 00:21:59,640
Speaker 5: Now that would be insane.

456
00:21:59,320 --> 00:22:02,000
Speaker 1: Right, She's a yes, of course, and it's not insane.

457
00:22:02,080 --> 00:22:04,560
Speaker 1: She hears Dirk's story when he gets in the cab

458
00:22:04,680 --> 00:22:08,680
Speaker 1: and so immediately bored. Here's the thing, why is she there?

459
00:22:08,880 --> 00:22:12,560
Speaker 1: Why is she there? To show that movies, Lily, can

460
00:22:12,600 --> 00:22:16,960
Speaker 1: be so much more than just generic action bullshit, That

461
00:22:17,119 --> 00:22:20,160
Speaker 1: movies aren't just mad libs where you take whatever's already

462
00:22:20,200 --> 00:22:24,560
Speaker 1: there and you just plug in your own pooping fart jokes.

463
00:22:24,680 --> 00:22:30,320
Speaker 3: Well that's interesting. Actually, just greenlit a mad libs movie that. Yeah,

464
00:22:30,400 --> 00:22:33,800
Speaker 3: I'm excited about it. Oh, it's so funny. You should

465
00:22:33,800 --> 00:22:34,520
Speaker 3: see the fart jokes.

466
00:22:34,560 --> 00:22:37,360
Speaker 1: I was. I'll do the Sunday New York Times mad

467
00:22:37,400 --> 00:22:38,240
Speaker 1: lib every sing.

468
00:22:38,240 --> 00:22:40,440
Speaker 4: My god, they really are the best challenging.

469
00:22:50,040 --> 00:22:51,560
Speaker 3: So what happens to the daughter.

470
00:22:52,680 --> 00:22:54,760
Speaker 1: Great questions, that's what I want to do. Great question

471
00:22:54,840 --> 00:22:55,800
Speaker 1: the movie and this.

472
00:22:55,920 --> 00:22:59,440
Speaker 4: One, guys, everybody shut it down. The daughter turns out

473
00:23:00,160 --> 00:23:01,000
Speaker 4: she was the bad guy.

474
00:23:01,080 --> 00:23:05,840
Speaker 9: All okay, So she kidnapped herself from her own wedding.

475
00:23:06,520 --> 00:23:10,800
Speaker 1: Yes, I think, yeah, I think that would be a

476
00:23:11,040 --> 00:23:11,600
Speaker 1: good thing.

477
00:23:11,800 --> 00:23:15,560
Speaker 9: Yeah, I wish someone had kidnapped me from my wedding instead.

478
00:23:15,560 --> 00:23:18,160
Speaker 9: I got married to Kevin Sorbo. It was either him

479
00:23:18,280 --> 00:23:22,880
Speaker 9: or Gene Simmons from Kiss. Yeah, those were my Hollywood suitors. Wow,

480
00:23:24,040 --> 00:23:26,679
Speaker 9: I can't wait forever for fucking Slater from Saved by

481
00:23:26,680 --> 00:23:26,960
Speaker 9: the Bell.

482
00:23:27,040 --> 00:23:29,399
Speaker 3: You know what I mean. So I've lipped a banana

483
00:23:29,480 --> 00:23:30,720
Speaker 3: nut muffin and it landed on.

484
00:23:32,280 --> 00:23:34,399
Speaker 1: That's fine, flipped a banana nut muffin.

485
00:23:35,080 --> 00:23:38,400
Speaker 3: I did. It landed on its side, So you know, sor.

486
00:23:41,280 --> 00:23:46,000
Speaker 1: Mark, she flipped aff just round everywhere.

487
00:23:46,280 --> 00:23:48,600
Speaker 3: Well, yeah, are you asking me how muffins work?

488
00:23:51,800 --> 00:23:52,720
Speaker 1: Earlier soccer?

489
00:23:55,119 --> 00:23:56,840
Speaker 2: That was a perfect call.

490
00:23:57,080 --> 00:24:01,960
Speaker 3: I prov class a few years ago with Sharna was

491
00:24:01,960 --> 00:24:02,520
Speaker 3: one on one.

492
00:24:02,480 --> 00:24:04,720
Speaker 1: Were really, I can tell you're so well around it

493
00:24:04,760 --> 00:24:07,320
Speaker 1: a lot. Yes, I'm saying there's there's more than two

494
00:24:07,359 --> 00:24:09,520
Speaker 1: sides of a muffin. No, there's none. There are. It's

495
00:24:09,520 --> 00:24:11,520
Speaker 1: just because if you look at it, there's no side

496
00:24:11,600 --> 00:24:12,159
Speaker 1: on a muffin.

497
00:24:12,240 --> 00:24:15,040
Speaker 9: Well it landed on side and I know so, so

498
00:24:15,119 --> 00:24:17,159
Speaker 9: I'm just gonna I'm gonna stop you right here, guys.

499
00:24:17,400 --> 00:24:20,920
Speaker 3: I am obsessed with this pitch. I love it.

500
00:24:22,080 --> 00:24:22,320
Speaker 7: Wow.

501
00:24:22,560 --> 00:24:24,639
Speaker 9: Obviously you know I have to share it with my boss,

502
00:24:25,840 --> 00:24:27,840
Speaker 9: but I can guarantee he's gonna love it.

503
00:24:28,280 --> 00:24:34,359
Speaker 3: So congrats, congratulations, amazing.

504
00:24:35,920 --> 00:24:38,520
Speaker 5: I don't know it, but I feel like we uh

505
00:24:38,640 --> 00:24:41,000
Speaker 5: we just are you kidding me?

506
00:24:41,200 --> 00:24:43,720
Speaker 2: Thank you, ma'am? Thank you, guys.

507
00:24:43,960 --> 00:24:46,359
Speaker 3: No drop the formalities. I am not ma'am.

508
00:24:46,560 --> 00:24:49,280
Speaker 9: Okay, And we're probably gonna be working together a lot

509
00:24:49,359 --> 00:24:51,960
Speaker 9: now on the ground, So let's just be buds, you know,

510
00:24:52,040 --> 00:24:52,880
Speaker 9: let's be chums.

511
00:24:53,359 --> 00:24:56,720
Speaker 5: Yes, yes, I love that. I love friend work relationships.

512
00:24:57,119 --> 00:24:58,920
Speaker 5: Is this business without good friends?

513
00:24:58,920 --> 00:25:02,760
Speaker 2: My mind? You know this is so exciting.

514
00:25:02,760 --> 00:25:04,760
Speaker 4: You know they say nine to eleven never forget, but

515
00:25:04,880 --> 00:25:07,880
Speaker 4: I've got that nine ten feeling all of me too.

516
00:25:08,240 --> 00:25:10,359
Speaker 3: Oh yeah, well, what do you guys say? Let's just

517
00:25:10,359 --> 00:25:13,000
Speaker 3: go grab some drinks, agin as a pot and celebrate.

518
00:25:13,680 --> 00:25:18,400
Speaker 1: I want cocktail, Thank you very much. Pull the car around, let's.

519
00:25:18,160 --> 00:25:21,480
Speaker 9: Go now, let's uber because I'm gonna get absolutely bombed.

520
00:25:21,520 --> 00:25:25,919
Speaker 1: I mean, sorry, and this is I'm glad we're all

521
00:25:25,960 --> 00:25:28,040
Speaker 1: having fun, but yeah, I mean we don't even have

522
00:25:28,200 --> 00:25:30,919
Speaker 1: really a full idea this. I mean right, there's like

523
00:25:31,200 --> 00:25:32,880
Speaker 1: we have to if we're going to actually make it.

524
00:25:32,960 --> 00:25:35,520
Speaker 1: I wouldn't wanted to feel like I don't know an

525
00:25:35,640 --> 00:25:38,719
Speaker 1: idea that we just came up with on the spot

526
00:25:38,840 --> 00:25:41,679
Speaker 1: two minutes ago. Mark, I'm just saying we should go

527
00:25:41,800 --> 00:25:44,600
Speaker 1: around and maybe rate the thing to see if we

528
00:25:44,760 --> 00:25:46,959
Speaker 1: like it, Because if we go around and rate it,

529
00:25:47,200 --> 00:25:49,640
Speaker 1: we would actually see it's not a good movie.

530
00:25:49,800 --> 00:25:53,680
Speaker 9: Guys, this is gold. I'm obsessed with this. Everybody here

531
00:25:53,760 --> 00:25:57,520
Speaker 9: is talking about it already. I'm absolutely floored by it. Obviously,

532
00:25:57,560 --> 00:25:59,480
Speaker 9: we're going to cut the whole weird soccer player lady

533
00:25:59,600 --> 00:26:01,880
Speaker 9: and everthing that Mark said. Maybe we're going to add

534
00:26:01,920 --> 00:26:03,199
Speaker 9: back in that stuff that you were talking about him

535
00:26:03,200 --> 00:26:05,720
Speaker 9: on my sexy little feet, you know, and then you

536
00:26:05,720 --> 00:26:06,920
Speaker 9: know it's a go picture.

537
00:26:07,320 --> 00:26:10,520
Speaker 1: Oh hold on, hold little let's just put the brakes on.

538
00:26:10,920 --> 00:26:13,119
Speaker 1: Why are you cutting the stuff that I'm a part of.

539
00:26:13,160 --> 00:26:16,000
Speaker 1: We're not doing a bullshit movie, you guys?

540
00:26:16,720 --> 00:26:18,160
Speaker 3: All right? What is going on? Guys?

541
00:26:19,080 --> 00:26:22,119
Speaker 9: Literally I'm so confused. Everybody here is on board, and

542
00:26:22,160 --> 00:26:24,400
Speaker 9: all of a sudden, I'm picking up all these mixed messages.

543
00:26:24,400 --> 00:26:25,720
Speaker 9: It doesn't feel like we're on the same page.

544
00:26:25,880 --> 00:26:28,719
Speaker 1: We're not. We're not.

545
00:26:28,840 --> 00:26:30,840
Speaker 5: We know we are, and I have got to do

546
00:26:30,920 --> 00:26:33,080
Speaker 5: something that I should have done a long time ago. Mark,

547
00:26:33,960 --> 00:26:36,960
Speaker 5: you're ahead of the group, man, what probably for the best?

548
00:26:37,040 --> 00:26:39,560
Speaker 1: You can't kick me out of the group. I am

549
00:26:39,640 --> 00:26:41,560
Speaker 1: the group. You are staying on my.

550
00:26:41,600 --> 00:26:44,719
Speaker 5: Cout not a couch. Okay, stop calling it a couch.

551
00:26:44,960 --> 00:26:48,960
Speaker 5: It's a love seat, Okay, sciatica, screw you.

552
00:26:48,760 --> 00:26:51,880
Speaker 2: Greg, you fucking wow?

553
00:26:52,680 --> 00:26:55,320
Speaker 3: Okay, Hey, different brides. That was my Nobel Prize for

554
00:26:55,359 --> 00:26:56,439
Speaker 3: Best Animated Shorts.

555
00:26:56,560 --> 00:26:57,359
Speaker 2: Oh, we'll fix it.

556
00:26:57,600 --> 00:27:01,800
Speaker 1: What are you talking about. That is not a fucking thing.

557
00:27:02,000 --> 00:27:03,320
Speaker 1: Did you get it at the UN?

558
00:27:03,720 --> 00:27:03,960
Speaker 9: Yeah?

559
00:27:04,080 --> 00:27:04,560
Speaker 2: I did.

560
00:27:04,920 --> 00:27:07,280
Speaker 1: They flew you to the UN to give you an

561
00:27:07,280 --> 00:27:09,240
Speaker 1: award for Best Animated Short.

562
00:27:11,119 --> 00:27:16,680
Speaker 9: Wait, oh my god, there's chocolate in there. Oh god,

563
00:27:17,359 --> 00:27:19,120
Speaker 9: it was an April fool's joke.

564
00:27:20,400 --> 00:27:27,800
Speaker 1: I believe they flew you all of the group. If

565
00:27:27,840 --> 00:27:30,360
Speaker 1: I'm out of the group, I'm actually walking right out

566
00:27:30,359 --> 00:27:32,520
Speaker 1: the door. And as a parting gift, I'm gonna take

567
00:27:32,720 --> 00:27:35,159
Speaker 1: all of these movie posters that are on your wall.

568
00:27:35,560 --> 00:27:38,480
Speaker 1: The Godfather? Have you ever seen it? Rachaman? Do you

569
00:27:38,520 --> 00:27:41,680
Speaker 1: know who directed it? Vertigo? Do you have it? These

570
00:27:41,720 --> 00:27:43,400
Speaker 1: are not posters for you.

571
00:27:43,680 --> 00:27:46,359
Speaker 3: Okay, he's doing that thing where men ask women if

572
00:27:46,359 --> 00:27:47,080
Speaker 3: they've seen movies.

573
00:27:48,760 --> 00:27:49,480
Speaker 2: I'm taking that.

574
00:27:50,040 --> 00:27:54,560
Speaker 1: I'm taking it back to my watch.

575
00:27:54,720 --> 00:27:56,600
Speaker 2: Yeah, you're not allowed to be there.

576
00:27:56,760 --> 00:27:59,879
Speaker 3: The posters are drilled into the wall. He's an absolute commass.

577
00:28:00,240 --> 00:28:02,919
Speaker 1: Keep them, but don't look at them. If anybody wants me,

578
00:28:02,960 --> 00:28:06,639
Speaker 1: I'll be making real films in my new creative home

579
00:28:06,720 --> 00:28:08,639
Speaker 1: base of Austin, Texas.

580
00:28:08,760 --> 00:28:10,800
Speaker 4: I know we want you.

581
00:28:11,040 --> 00:28:13,280
Speaker 3: We can look at whatever pretty commercial these days?

582
00:28:13,920 --> 00:28:15,239
Speaker 1: Isn't the scene in Marfa? Now?

583
00:28:15,400 --> 00:28:19,720
Speaker 8: For If anybody needs me, don't come anywhere near me.

584
00:28:22,680 --> 00:28:25,480
Speaker 1: So there you have it. I said forever this was

585
00:28:25,520 --> 00:28:29,560
Speaker 1: a team podcast, but it's not. It's my podcast. So

586
00:28:29,680 --> 00:28:32,760
Speaker 1: from here on out, it's about my mission to make

587
00:28:32,840 --> 00:28:41,000
Speaker 1: our boros. I'm cinema forward. I will never compromise my art. Well, well, well,

588
00:28:42,720 --> 00:28:45,480
Speaker 1: can can we come in? Oh you're already in. Don't

589
00:28:45,480 --> 00:28:48,560
Speaker 1: bother knocking. Just waltz right in. And we just wanted

590
00:28:48,560 --> 00:28:49,480
Speaker 1: to make a peace offering.

591
00:28:49,600 --> 00:28:51,800
Speaker 4: Oh yeah, here it's a bag of cashews.

592
00:28:52,840 --> 00:28:55,480
Speaker 1: It's already open. Is this my bag of cashews? We

593
00:28:55,800 --> 00:28:57,160
Speaker 1: took it in the car ride for snaxt.

594
00:28:57,600 --> 00:29:00,640
Speaker 4: The bigger point is is that we don't want this

595
00:29:00,680 --> 00:29:02,200
Speaker 4: town to tear our friendship apart.

596
00:29:02,600 --> 00:29:04,880
Speaker 1: No, you don't need me as your friend. You got

597
00:29:04,920 --> 00:29:07,600
Speaker 1: your new friend, Lily Jackson Sorbo from the.

598
00:29:07,600 --> 00:29:10,320
Speaker 4: Pitch that all fill apart after you left.

599
00:29:10,600 --> 00:29:12,560
Speaker 5: Yeah, when you were there, it was like we all

600
00:29:12,560 --> 00:29:14,800
Speaker 5: had a common enemy. But after she turned on.

601
00:29:14,800 --> 00:29:15,680
Speaker 1: Us pretty fast.

602
00:29:16,040 --> 00:29:17,200
Speaker 4: She's a pretty mean drunk.

603
00:29:17,960 --> 00:29:20,240
Speaker 5: Maybe it's for the best. I mean, you were right, Mark,

604
00:29:20,680 --> 00:29:22,360
Speaker 5: it was a pretty half baked.

605
00:29:22,120 --> 00:29:25,480
Speaker 1: Idea, I guess. Well, thank you for saying that, But

606
00:29:26,280 --> 00:29:28,959
Speaker 1: I don't think it was the idea. I think I was.

607
00:29:29,840 --> 00:29:32,120
Speaker 1: I was mad that Greg was getting all the attention,

608
00:29:32,360 --> 00:29:35,640
Speaker 1: I will admit it. When I imagined us finally getting our

609
00:29:35,640 --> 00:29:38,680
Speaker 1: big break, I imagined that it would be because of me,

610
00:29:38,960 --> 00:29:41,480
Speaker 1: you know, And so it was a petty, petty thing

611
00:29:41,520 --> 00:29:45,000
Speaker 1: I was doing. Yeah, well, I imagine the same thing me too.

612
00:29:46,040 --> 00:29:48,880
Speaker 1: You guys all imagine that I got us there, No,

613
00:29:49,080 --> 00:29:52,360
Speaker 1: that I got us me. I get us there, or

614
00:29:52,400 --> 00:29:56,040
Speaker 1: at least fine. Yeah, here's my bigger point. At the

615
00:29:56,160 --> 00:30:00,200
Speaker 1: end of the day. We don't need this town. No,

616
00:30:00,600 --> 00:30:03,840
Speaker 1: we don't. We don't don't. We could miss town needs anywhere,

617
00:30:03,880 --> 00:30:08,120
Speaker 1: any town like Austin. Yes, that sounds Vancouver.

618
00:30:08,480 --> 00:30:10,960
Speaker 4: Yes, this is too cold and too hot. Somewhere right

619
00:30:11,000 --> 00:30:11,480
Speaker 4: in the middle.

620
00:30:11,840 --> 00:30:16,360
Speaker 1: San Diego, San Diego. Oh, San Diego is like a

621
00:30:16,360 --> 00:30:19,360
Speaker 1: filmmaking town, San Diego. I have a summer place there,

622
00:30:19,680 --> 00:30:22,240
Speaker 1: Not San Diego. You have a summer place in San

623
00:30:22,240 --> 00:30:25,120
Speaker 1: Diego when it's the hottest. Hold on, I'm getting a

624
00:30:25,120 --> 00:30:26,760
Speaker 1: phone call. It's Al calling.

625
00:30:27,080 --> 00:30:29,920
Speaker 7: Okay, hey, al, hey, guys.

626
00:30:30,400 --> 00:30:34,320
Speaker 6: Okay, how do you tell when spaghetti is done?

627
00:30:34,760 --> 00:30:35,480
Speaker 1: Uh?

628
00:30:35,800 --> 00:30:36,240
Speaker 7: I don't know.

629
00:30:36,520 --> 00:30:38,120
Speaker 1: Well, how do you tell?

630
00:30:38,480 --> 00:30:40,360
Speaker 7: No, that's that's not a joke. I'm actually asking.

631
00:30:40,440 --> 00:30:42,080
Speaker 2: Oh, throw it against the fridge.

632
00:30:42,760 --> 00:30:45,520
Speaker 6: Ah, there's water noodles everywhere.

633
00:30:46,400 --> 00:30:48,960
Speaker 8: That was a stupid suggestion I've ever heard.

634
00:30:49,040 --> 00:30:51,360
Speaker 2: You're only supposed to throw one noodle.

635
00:30:51,680 --> 00:30:56,960
Speaker 6: Oh, well, it's done, guys. I have great news. Remember

636
00:30:57,000 --> 00:30:58,800
Speaker 6: my idea for Chopper cop.

637
00:30:59,160 --> 00:31:02,080
Speaker 7: I just saw the gas station TV.

638
00:31:03,640 --> 00:31:07,760
Speaker 6: They want to split it into two thousand, thirty second installments.

639
00:31:07,800 --> 00:31:08,680
Speaker 1: Are you kidding me?

640
00:31:09,480 --> 00:31:12,440
Speaker 7: It's a high seven figure deal.

641
00:31:12,760 --> 00:31:14,880
Speaker 4: That is a reasonable amount of money.

642
00:31:15,240 --> 00:31:17,520
Speaker 6: Well, if you count the Commas on the dollar sign,

643
00:31:17,600 --> 00:31:18,640
Speaker 6: which I always do.

644
00:31:19,280 --> 00:31:20,560
Speaker 7: But it's gravy.

645
00:31:20,840 --> 00:31:24,320
Speaker 8: Baby, it's still not a good catchphrase. Out on me

646
00:31:24,520 --> 00:31:27,040
Speaker 8: too late. It's already on my bus bench.

647
00:31:27,120 --> 00:31:29,840
Speaker 7: Ad. Okay, guys, what can I do you for?

648
00:31:30,200 --> 00:31:31,320
Speaker 1: You called us out?

649
00:31:32,120 --> 00:31:33,800
Speaker 7: Yeah, here's your news.

650
00:31:34,600 --> 00:31:38,240
Speaker 8: Victory Pictures wants to buy your pitch.

651
00:31:38,520 --> 00:31:45,360
Speaker 5: W that's good, baby, god By, No, dude, you're on

652
00:31:45,400 --> 00:31:46,280
Speaker 5: your right Austin, I.

653
00:31:46,240 --> 00:31:49,320
Speaker 1: Thought, wait, put your brakes on. If Hollywood's calling, then

654
00:31:49,480 --> 00:31:51,440
Speaker 1: I got a answer, right, and let's go make Do

655
00:31:51,480 --> 00:31:53,440
Speaker 1: you mind if I cut it away?

656
00:31:53,880 --> 00:31:53,920
Speaker 7: No?

657
00:31:54,040 --> 00:31:55,960
Speaker 2: No, no no no no no guys.

658
00:31:55,760 --> 00:31:57,720
Speaker 7: No no, no no. They want to buy or boros

659
00:31:58,280 --> 00:31:59,040
Speaker 7: or boros.

660
00:31:59,360 --> 00:32:03,360
Speaker 1: We didn't pitch you. Uh yeah, well we'll talk about it.

661
00:32:03,800 --> 00:32:04,120
Speaker 2: Thanks.

662
00:32:04,560 --> 00:32:06,640
Speaker 1: Wait wait wait, how do they know about roboros?

663
00:32:07,080 --> 00:32:08,320
Speaker 7: Oh? Nuts?

664
00:32:08,600 --> 00:32:11,400
Speaker 6: A bunch of feral cats came through my dead dog's

665
00:32:11,520 --> 00:32:12,200
Speaker 6: doggy door.

666
00:32:12,840 --> 00:32:15,160
Speaker 7: Bet you one hundred bucks. They want the noodles.

667
00:32:17,000 --> 00:32:22,520
Speaker 8: Yep, sure enough, there goes daddy's lunch. Hey, you guys,

668
00:32:22,560 --> 00:32:25,000
Speaker 8: owe me one hundred bucks. We didn't take the bet,

669
00:32:25,080 --> 00:32:28,880
Speaker 8: I said, bet you that's legally binding in California.

670
00:32:29,400 --> 00:32:34,719
Speaker 6: You don't like it, take it up with a Gavinatory.

671
00:32:33,400 --> 00:32:34,920
Speaker 1: We don't know the Gavinator.

672
00:32:34,960 --> 00:32:36,200
Speaker 2: We don't have a hundred bucks.

673
00:32:36,400 --> 00:32:43,320
Speaker 1: Ah, what the hell? You guys pitched oraboros? We we

674
00:32:43,400 --> 00:32:46,040
Speaker 1: let it slip during drink loved it.

675
00:32:46,480 --> 00:32:50,760
Speaker 4: That's my movie that legally you weren't there for the pitch,

676
00:32:50,840 --> 00:32:51,960
Speaker 4: so you don't get any credits.

677
00:32:52,000 --> 00:32:54,840
Speaker 1: Oh my god, I'm fucking suing you guys.

678
00:32:55,360 --> 00:32:57,640
Speaker 5: Can we just celebrate for a second before we get

679
00:32:57,680 --> 00:33:00,000
Speaker 5: into another legal battle? I mean, I promise we're gonna

680
00:33:00,120 --> 00:33:01,760
Speaker 5: to take you along for the ride somehow.

681
00:33:01,920 --> 00:33:04,080
Speaker 1: Oh thanks, you'll let me in on the movie that

682
00:33:04,160 --> 00:33:06,040
Speaker 1: I wrote and you stole. We're going to give you

683
00:33:06,080 --> 00:33:07,280
Speaker 1: story by credit.

684
00:33:07,240 --> 00:33:09,040
Speaker 4: Or maybe we make it an extra or something.

685
00:33:09,360 --> 00:33:11,280
Speaker 2: Greg's directing, what easy?

686
00:33:11,720 --> 00:33:12,200
Speaker 1: Yuck?

687
00:33:12,280 --> 00:33:14,840
Speaker 5: Don't yell at me. I'm the director. Your extra work

688
00:33:14,880 --> 00:33:16,400
Speaker 5: is hanging in this balance. Do you want to piss

689
00:33:16,400 --> 00:33:16,720
Speaker 5: me off?

690
00:33:17,040 --> 00:33:21,760
Speaker 4: I cannot believe this, So I guess the podcast can continue.

691
00:33:21,840 --> 00:33:22,680
Speaker 7: Huh.

692
00:33:23,280 --> 00:33:25,480
Speaker 1: I guess it's all I got at this point.

693
00:33:26,040 --> 00:33:27,800
Speaker 5: We'll see you next season when we're on set.

694
00:33:28,800 --> 00:33:32,800
Speaker 1: Until then, it's lights camera action. But for writing, yeah, directing,

695
00:33:32,960 --> 00:33:35,120
Speaker 1: I wish I was the last man in Hollywood. That's

696
00:33:35,120 --> 00:33:36,960
Speaker 1: a good it's a really good idea. It's a good idea.

697
00:33:37,080 --> 00:33:39,600
Speaker 1: I just came up with it, The Last Man in Hollywood.

698
00:33:39,600 --> 00:33:41,880
Speaker 1: He's got twenty four hours to make a movie. Why

699
00:33:42,040 --> 00:33:44,560
Speaker 1: they have twenty four hours because it's a contest. I

700
00:33:44,640 --> 00:33:46,520
Speaker 1: know somebody who would buy a movie like this. Do

701
00:33:46,560 --> 00:33:48,160
Speaker 1: you think Lily would be interested in them?

702
00:33:48,240 --> 00:33:48,360
Speaker 7: No?

703
00:33:48,480 --> 00:33:50,080
Speaker 1: Well, now that I've heard more, I don't think anybody

704
00:33:50,120 --> 00:33:52,320
Speaker 1: would buy this. Oh well, what's your fucking idea? Well,

705
00:33:52,360 --> 00:34:01,440
Speaker 1: it's called The Last Man in Hollywood. In the sas

706
00:34:01,720 --> 00:34:04,160
Speaker 1: still at the Sandston