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Speaker 1: Wake that ass up in the morning. Breakfast Club Morning,

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Speaker 1: everybody is t j n V.

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Speaker 2: Just hilarious, charlamage. The god we are the breakfast Club.

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Speaker 3: Law on the Ros is here as well, and.

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Speaker 2: We got a special guest in the building, the legendary Welcome.

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Speaker 1: Come here in a minute. There, I'm over there, Okay.

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Speaker 1: I was like, yeah. I was like, they've replaced me

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Speaker 1: right there.

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Speaker 4: Right, that's what's going on, man, I gotta ask you.

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Speaker 3: A question before we start the interview.

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Speaker 2: Right, my daughters have dads, and uh, this weekend I

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Speaker 2: had to drive three albums. So when they sleeping, everybody

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Speaker 2: sleep in the back, that's when I listened to my music.

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Speaker 3: So I turned on on the Firm album, right.

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Speaker 2: And being on the Firm and then your record comes on,

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Speaker 2: I'm leaving man, right, and I'm like, how the hell

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Speaker 2: did Nori get a record on the Firm album by himself?

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Speaker 3: Make it make sense? I was like, I never asked

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Speaker 3: Norri that.

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Speaker 1: Well. A lot of people don't know.

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Speaker 4: Naves was on off War Report the first album, and

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Speaker 4: he was on a record call of music, make this

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Speaker 4: dogs calm down. For whatever reason, Uh, we we couldn't

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Speaker 4: clear it. You know what I'm saying, you know, we

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Speaker 4: didn't have money back then.

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Speaker 1: You know what I'm saying.

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Speaker 3: Yeah, the album, you know.

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Speaker 1: What I'm saying.

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Speaker 4: So so now I's wanted to pay me back. And

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Speaker 4: you know, I was in that like a little purgatory

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Speaker 4: like and hip hop at the time, and uh uh

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Speaker 4: I was like, Yo, I want to put you on

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Speaker 4: the firm album. This is before like they kind of

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Speaker 4: even announced it. So he was like, Yo, I'm going

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Speaker 4: to Miami and I gonna meet you in my you meet

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Speaker 4: us in Miami and whatever Instagram was back then, the

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Speaker 4: niggas was in Miami.

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Speaker 1: Didn't bring me and I was like oh.

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Speaker 4: And then a month later he uh called me. I

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Speaker 4: was like, Yo, meet me in l A. And we

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Speaker 4: went to l A and I recorded I'm Leaving. I'm

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Speaker 4: Leaving was originally on Compona Noriega's War Report album and

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Speaker 4: shut it down tragic like that that's whack is That

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Speaker 4: was a single, I'm leaving, That's my man, That's my man.

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Speaker 4: But he thought it was whack and so we never

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Speaker 4: used it. And when I got to the studio, I

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Speaker 4: believe Dre. Doctor Dre was the engineer, and he was like,

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Speaker 4: you got something and that's why to this day, I

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Speaker 4: always you know, show Nature Love is because that was

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Speaker 4: Nature's session. That wasn't my session when I recorded I'm leaving.

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Speaker 4: So I went in and Doctor Dre was like I

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Speaker 4: said that to Doctor Dre recently and he was like,

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Speaker 4: you got something because he called me Nigga rock.

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Speaker 1: Rose, Doctor Dre.

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Speaker 4: You know what I'm saying, Like I'm coming up from

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Speaker 4: Left Frack City, I'm in La so I'm like, yo,

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Speaker 4: I didn't correct him. So that's why if you notice

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Speaker 4: I started the verse.

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Speaker 1: Off, no know this that you remember my name?

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Speaker 4: Yeah, you're gonna remember my name dra and he laughed

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Speaker 4: at that recently interviewed him in Vegas.

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Speaker 1: But yeah, that's how that happened.

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Speaker 4: So like NAS and that record and Big Pun record

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Speaker 4: really set off my solo career. You know, I used

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Speaker 4: to run in Envy's basement, you know what I'm saying.

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Speaker 4: But I still wasn't a solo artist. I was a

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Speaker 4: componing no Rijega, you know, even though I was going

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Speaker 4: there solo. But that's what set off my career. So

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Speaker 4: why wasn't it a single?

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Speaker 3: Because that is it was I.

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Speaker 4: Was hating man, come on, not just playing you know

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Speaker 4: what's crazy. Like me and I spoke about this recently.

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Speaker 4: That was one of the hottest street records there was, like,

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Speaker 4: and I just, I just I wasn't smart enough to

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Speaker 4: like go out there and do my own video. I wasn't,

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Speaker 4: but I did, you know, I did take the accolades,

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Speaker 4: the accolades that came with it. It changed my life,

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Speaker 4: you know what I'm saying, Like being on a firm

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Speaker 4: project that was Nas Foxy Asy and I caught Mega

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Speaker 4: or Nature, whichever one you want to pick at the time,

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Speaker 4: but that was the hottest group in the world. For

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Speaker 4: me to have a record on that album, it set

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Speaker 4: off my whole career. I got on more questions. I

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Speaker 4: was riding a lot of questions.

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Speaker 2: So then I turned it off and then I turned

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Speaker 2: on your first album right now I'm rocking and band

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Speaker 2: from TV comes on right yes, and I'm like the

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Speaker 2: original version that had Cormega on it, Nah, it never

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Speaker 2: had no O Mega. So why was Cormega not on it?

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Speaker 2: In Nature on it? Because at the first Cormegas was with.

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Speaker 1: Well, me and Mega.

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Speaker 4: Me and Mega has always been cool, and Me and

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Speaker 4: Mega are still cool to this day. But what happened

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Speaker 4: was like I told you I invaded Nature session because

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Speaker 4: this is back then.

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Speaker 1: You know.

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Speaker 4: I know you guys probably do the coupon deals now,

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Speaker 4: like with the flights, but back in the days, I

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Speaker 4: flew out on a Tuesday.

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Speaker 1: I had to be there on a Friday, but Tuesday

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Speaker 1: was cheaper. Tuesday was cheaper.

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Speaker 4: I flew out that Tuesday, and I had recorded that Wednesday,

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Speaker 4: but that was Nature's session, so I wanted to repay

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Speaker 4: him back, so I told him to come to an

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Speaker 4: electric lady, and Nature took about ten hours picking beats.

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Speaker 4: He was like very very very very particular, and he

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Speaker 4: was actually getting on my nerves. Sorry Nature, but he

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Speaker 4: was actually getting my nerves. And then Swiss changed the

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Speaker 4: beat to one beat and Nature just he wrote the

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Speaker 4: whole rhyme right there and there, and I felt like

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Speaker 4: it was my payback. And then Pun came and you know,

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Speaker 4: you know that Joe says he's a gizzy king. Paul

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Speaker 4: Pun was a glizzy I don't even know.

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Speaker 1: The king. They got to say hot dog. No, no, no,

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Speaker 1: we're gonna say glizzy.

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Speaker 3: Hot dog.

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Speaker 4: So he went to Grace for Piet because I don't

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Speaker 4: know if you have a remember Electric Lady. It was

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Speaker 4: the studio Jimmy Hendrick studio, and he got a cat

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Speaker 4: in there.

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Speaker 1: So Big Pun saw my car.

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Speaker 4: You know, I was the only one with the gs,

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Speaker 4: you know, for for thirty you know, brand new.

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Speaker 1: You know I had two of them.

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Speaker 4: You know what I'm saying, come on, Envy notes that

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Speaker 4: you queens get the money for you and uh so, yeah,

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Speaker 4: Pun see my car out and then he was like, yo,

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Speaker 4: you have you had an Electric Lady And he went

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Speaker 4: in and he just laid the verse. I never asked

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Speaker 4: Pun to get on the record. I actually told the

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Speaker 4: engineer to erase it in front of Punk's face.

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Speaker 1: I was like, it was my friend and he just

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Speaker 1: jumped on my.

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Speaker 4: Record and I was just like like, you're not supposed

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Speaker 4: to do that.

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Speaker 1: He's supposed to ask permission.

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Speaker 4: And then uh Cam, then Cam called me, and Cam

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Speaker 4: happened to be in the city and Cam came so

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Speaker 4: that all all banned from TV happened in real life.

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Speaker 4: This is not like, this is not sending the record.

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Speaker 4: You know, if you could pay attention to how people

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Speaker 4: make music now, they send the records so you don't

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Speaker 4: feel I don't get to smell your izzy Miaki. I

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Speaker 4: don't get this to see what watch you got on.

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Speaker 4: I don't get to feel the feeling that you was

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Speaker 4: in when I'm making my uphoria to collab with that.

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Speaker 4: That's why our records were better in the nineties. We

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Speaker 4: had to be in the studio with Buster Rhymes, you

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Speaker 4: had to be in the studio with Fat Joe, you

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Speaker 4: had to be in the studio with Jada Kiss. So

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Speaker 4: that's how Badroom TV happened. It happened in real time.

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Speaker 4: Only people that we didn't get that day was the Locks.

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Speaker 4: And I remember my first time meeting styles p and

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Speaker 4: Jada Kiss. I hated styles peak.

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Speaker 3: Wow.

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Speaker 1: He took my weed and didn't share it with me.

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Speaker 1: He asked me for weed. I was like, yeah, but.

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Speaker 4: It was naturally back then. Pup pup fast. By the way,

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Speaker 4: I'll give styles people keys to my house right now.

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Speaker 1: So just don't know.

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Speaker 4: But that's how he was back in the days. He

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Speaker 4: was just very like aggressive. His words, just veganis saved

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Speaker 4: his life. I can see the different like I can

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Speaker 4: see that like the person, but he was yeah, so

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Speaker 4: uh that session was legendary too, like.

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Speaker 1: You know what I mean, meeting them and uh.

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Speaker 5: It was never supposed to be a POSSI cut.

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Speaker 1: I didn't know what it was supposed to be.

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Speaker 4: To tell you the truth, it was really meant to

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Speaker 4: to to to.

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Speaker 1: Show nature love.

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Speaker 4: You know what I'm saying, because Nature had just did

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Speaker 4: that for me and I wanted to do that. And

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Speaker 4: and at the time, I know this sounds funny right now,

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Speaker 4: but no one knew who the.

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Speaker 1: Guy who made the beat. He was called D's nephew.

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Speaker 4: Yeah, you know who he is, Swiss, Like I was

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Speaker 4: the first one to work with Swiss beats outside of

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Speaker 4: rough products.

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Speaker 1: This is this is facts, you know what I mean?

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Speaker 1: You could look at you can look at.

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Speaker 4: When when I when I I spoke to l L

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Speaker 4: the other day, l L said to me that I

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Speaker 4: brung him for real and he just couldn't get it.

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Speaker 1: Like I brung I. I had the foresight to see ship.

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Speaker 4: Like when I did podcast, people were like, Yo, this

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Speaker 4: guy must be broke.

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Speaker 1: Now everybody got a podcast.

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Speaker 4: Hold on now because Memphis Bleak said he was the

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Speaker 4: first person out of d m X in J.

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Speaker 1: Say that on the new episode this week. You can

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Speaker 1: say whatever he wants, but I heard him say that

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Speaker 1: he was the first to work with swits outside of

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Speaker 1: d m X and jay Z No.

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Speaker 4: I mean God blessed, God blessed Bleak, but monsters facts

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Speaker 4: my brother, that's my brother.

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Speaker 1: That's what bro. I mean.

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Speaker 4: This is documented. Bathroom TV is documented. Is the first

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Speaker 4: hit outside of of Rough Riders. I'm now he might

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Speaker 4: have he might have did work with him, but I'm

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Speaker 4: not sure if it's a certified hit. You know what

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Speaker 4: I'm saying. Bathroom TV is a certified hit. Like I

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Speaker 4: know people who who who I grilled me in the

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Speaker 4: club when bathfrom TV is on, they don't even know

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Speaker 4: it's me record.

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Speaker 1: Okay, yeah, yeah, yeah, yeah, yeah yeah.

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Speaker 4: That's the same time though, at the same time, I

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Speaker 4: give it to bleek or and bigger to Bleak.

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Speaker 1: We know it was on that. Yeah, I got that.

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Speaker 1: I got a lot of FLA, I got a lot

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Speaker 1: of flax. Yes, yes, Bleak, we got Bleak.

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Speaker 4: We got drink Champs Network through Black Effect, I heeart

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Speaker 4: dope thing. We got Angela Simmons. Also, we're just wrapping

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Speaker 4: hers up. We got run Chaps, uh something. I'm very

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Speaker 4: passionate about everybody that's here. They might look like hudims,

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Speaker 4: they're not, you.

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Speaker 1: Know what I mean.

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Speaker 4: These are people that I run with. We are passionate.

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Speaker 4: They wake up in the morning with me four thirty

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Speaker 4: in the morning.

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Speaker 1: Uh.

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Speaker 4: You know, I've seen DJ Collin and like, and you know,

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Speaker 4: I see how happy he was playing golf. Colin came

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Speaker 4: up to me and said, Yo, your inspiration to me.

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Speaker 4: And I was just like, how the fuck can I

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Speaker 4: be an inspiration to you? I'm sorry, that's why, that's

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Speaker 4: why you don't give me live.

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Speaker 3: That's that's the reason why.

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Speaker 4: Yeah, I understand. So and I realized, you know, I

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Speaker 4: wanted I needed a hobby. Like you know what I'm saying, Like,

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Speaker 4: I've actually and this is my hobby now. Like, so

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Speaker 4: I go places. I've been to Hawaii to run. I've

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Speaker 4: been to Puerto Rico to run. I've been I'm going

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Speaker 4: all over the place and I'm now I'm officially joining

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Speaker 4: the NYC Marathon. Yes, yes, that's what twenty six twenty

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Speaker 4: six point two miles, not kilomitives were Americas. We're gonna

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Speaker 4: get rid of the kilometers. I don't like the five k's,

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Speaker 4: the six k's, the ten k. We are not in dudes, Udorf.

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Speaker 1: We are in America.

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Speaker 4: We're gonna churnk this milesy okay, so with twenty six

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Speaker 4: point two miles, Yes, do am I scared to death?

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Speaker 5: Yes?

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Speaker 4: How do you?

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Speaker 6: I always wonder this when I watch you episodes? How

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Speaker 6: do you drink the full episode, all these episodes back

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Speaker 6: to back, and then you do things like you running

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Speaker 6: and all that too.

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Speaker 3: You still drink?

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Speaker 4: Of course I do. Yeah, I mean I'm drinking. Say

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Speaker 4: we just water right now. But what you said, the

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Speaker 4: question is how do I do it? I believe it's

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Speaker 4: all mental. I believe like all this shit and right now,

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Speaker 4: like I'm more conscious, like you know, my my, A

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Speaker 4: person that I look up to is Riza and Rizza

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Speaker 4: you know he drinks saki, right, he drinks a certain

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Speaker 4: type of saki that that gets you up. So that's

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Speaker 4: where I switched to. I switch to saki. It gives

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Speaker 4: you no hangover and wake up in the morning. And

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Speaker 4: I could go out because right now it's like, know,

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Speaker 4: I've lived this life where you know, uh uh, it's

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Speaker 4: a different type of lifestyle.

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Speaker 1: But now I fell in love with this.

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Speaker 4: I fell in love with something that don't pay me,

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Speaker 4: you know what I'm saying, And like, you know, everything

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Speaker 4: in life is about money.

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Speaker 1: And then when you find that one thing.

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Speaker 4: So uh the New York City Marathon is probably my

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Speaker 4: biggest uh gold.

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Speaker 1: And I'm ever like you and and and nothing could

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Speaker 1: make me better but me.

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Speaker 4: I can never remember a time you don't be running

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Speaker 4: like that's your thing, Like.

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Speaker 1: For long time up in the morning and he jogging.

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Speaker 7: Are you supposed to videos on your Instagram?

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Speaker 1: I'm listening to y'all. You know what I'm saying, Like

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Speaker 1: text us was the Puffcase, Like I ain't gonna.

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Speaker 7: Lie, I'm supposed to be on my way.

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Speaker 1: What did I tell you?

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Speaker 4: I said, I can have my information from you. Like

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Speaker 4: everything I know about the Puffcakes, I get it from you.

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Speaker 6: Everything I know about a lot of the hip hop stories,

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Speaker 6: I get it from you.

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Speaker 1: The things you.

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Speaker 2: Norri sent me a record the other day. Yes, I

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Speaker 2: don't listened to it yet because I was like, and

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Speaker 2: it was the first thing he said, almost in your record.

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Speaker 2: I said, you're back rapping.

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Speaker 1: You know what I'm rapping on my time? You know

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Speaker 1: what I'm saying.

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Speaker 4: One of the one of the one of the worst

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Speaker 4: feelings I ever got I ever did, was you know,

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Speaker 4: getting a whole bunch of money from Melvin Flint. The

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Speaker 4: Hustler album and then having to make it after you know,

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Speaker 4: Pun passed away and my father passed away. My mind

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Speaker 4: wasn't dead, but I got all this money, right, so

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Speaker 4: I had to like deliver. So I always regretted that.

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Speaker 4: So there's people who love the Melvin Flint Apple album

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Speaker 4: that people like. Every day I'm going through the airport

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Speaker 4: and somebody's.

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Speaker 1: Like, why would you say that about Melvin Flint?

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Speaker 4: And you know, whatever I want now, I want to

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Speaker 4: make music on my time. Like I got to see

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Speaker 4: me the other day, not in person, but on the internet,

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Speaker 4: and he was like, I finally own one hundred percent

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Speaker 4: of of my catalog and a lot of people don't understand,

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Speaker 4: like he.

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Speaker 1: Was crying out like he was. He was he was venting, and.

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Speaker 4: I now own one hundred percent of everything I do.

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Speaker 4: You know what I'm saying. But at certain points, like

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Speaker 4: like so I want to I know this is gonna

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Speaker 4: sound crazy, especially you had Dame Dash up here speaking

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Speaker 4: the opposite.

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Speaker 1: But sometimes I want to work for somebody. Being a

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Speaker 1: boss is.

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Speaker 3: Hard, bro, But it ain't nothing wrong with that. That's

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Speaker 3: what we were saying.

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Speaker 2: You could have multiple jobs and multiple things that wrong.

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Speaker 1: I love I love, working for love and hip hop.

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Speaker 4: I just didn't give them the throwing a candle and

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Speaker 4: you know, you know, throwing drinks in the figure. I

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Speaker 4: ain't giving no drama, so they we hire me. But

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Speaker 4: I love that If I don't show up for work,

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Speaker 4: then sometimes work don't happen.

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Speaker 7: Right.

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Speaker 4: You know what I'm saying. I don't like being the

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Speaker 4: picture and the ketchup album? Or is it just release

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Speaker 4: singles when you want.

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Speaker 1: I'm gonna pay attention to the algorithms.

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Speaker 4: You understand I'm saying, like right now, we like, right now,

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Speaker 4: I can I could an artists could come to drink Champs, right.

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Speaker 1: I suppose lu Wayne came and a drink.

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Speaker 4: Chance, I could actually see his algorithms and I could

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Speaker 4: tell him where he could go on tour. I could

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Speaker 4: be like, stop going to Milwaukee, bro, you got two

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Speaker 4: fans of Milwaukee, why are you even there?

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Speaker 1: Go to Seattle, Go to Utah, go to Phoenix.

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Speaker 4: Like I can look at the algorithms, I can see

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Speaker 4: exactly like this. This is the time where we should

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Speaker 4: take advantage of having this information. You know what I'm saying.

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Speaker 4: Now we know now, remember remember back in the days

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Speaker 4: used to go on tour. I'm sorry to sound like

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Speaker 4: the old guy, but you know when back of the

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Speaker 4: days you go on tour, you used to go to Delaware.

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Speaker 4: When when your fans are in Philly, big up to Delaware.

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Speaker 4: You know what I'm saying, Big up a Delaware. But yeah,

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Speaker 4: actually used to go to Delaware. Okay, okay, but that

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Speaker 4: was my preference. That's my that was my preference, you

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Speaker 4: know what I'm saying. But sometimes during the algorithms, just say, Okay, yeah,

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Speaker 4: you know what, after Delaware, you gotta go to Baltimore,

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Speaker 4: skip Virginia or or you know what I mean. But

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Speaker 4: right now you can actually see the algorithms. And I

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Speaker 4: think this is the cheat code. I think it's the

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Speaker 4: che for everybody because I did it for artists recent

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Speaker 4: lead and I was just like, yo, I don't think

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00:15:05,800 --> 00:15:08,440
Speaker 4: you should go here here, here, you don't have you

356
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Speaker 4: don't have no movement there, And I think that I

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Speaker 4: think that artist should take advantage of that. I think

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Speaker 4: a few years ago you had a hit record that

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Speaker 4: joint with Pharrell.

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Speaker 1: Oh you know, it's crazy.

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Speaker 4: I just I just I just I'm going to see

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Speaker 4: Pharrell in Paris. I don't even know, like I don't

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Speaker 4: even know what me and me and Farrel have nothing

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Speaker 4: in common but music.

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Speaker 1: And that sunds how dope music is?

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Speaker 6: Right?

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Speaker 4: Just think about it like you we like if I

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Speaker 4: think of all Pharell rap friends though immediate, they don't

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Speaker 4: have nothing in common with the clips outside of Virginia. No,

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Speaker 4: they got a chick in common. They dressed, they were

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Speaker 4: bell bottoms together. You know what I'm saying, Like, yeah,

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Speaker 4: they You know what I'm saying, like, yeah, they they

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Speaker 4: they Comedie, Me and Pharrell have a beautiful like when

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Speaker 4: we get together, we talk straight music and I love that.

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Speaker 4: I first I thought it was awkward, but the elder

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Speaker 4: I get, I was like, Yo, you know what that is?

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Speaker 1: That is? That is dope. You know what I'm saying, Like,

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00:16:01,400 --> 00:16:01,840
Speaker 1: that's dope.

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Speaker 4: And like I don't get none of this lotuis guitar

380
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Speaker 4: and ship for free man, Like you know what I'm saying,

381
00:16:06,280 --> 00:16:08,120
Speaker 4: Like I'm trying to work my anger. I want to

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Speaker 4: meet Bernard although you know what I'm saying, I want

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Speaker 4: to do that, but I'm gonna go out there with

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Speaker 4: him in Paris.

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Speaker 1: Uh.

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Speaker 4: He got a whole different sound and when he makes

387
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Speaker 4: a different sound, I usually go out there and I'm

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Speaker 4: a part of that new wave of.

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Speaker 7: Sounds record and did some more music.

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Speaker 5: Yeah.

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Speaker 1: I like Paris anyway. I like, let's say it's like

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Speaker 1: the manhat fancy saying manhattanough Paris. Let's do.

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Speaker 5: Let's do a Q and A like you do on Dream.

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Speaker 1: Let's go. I'm in quick time right now to Jim Jones.

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Speaker 1: I mean that's that. I mean, let me tell you something,

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Speaker 1: and I'm gonna say this accurately.

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Speaker 4: I see where Jim Jones is coming from, like I

398
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Speaker 4: can see him because if you're looking at the algorithms, now,

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Speaker 4: I can see where he's coming from. But you can't

400
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Speaker 4: take the legendary status that with Ill Madic has done

401
00:16:56,120 --> 00:17:00,320
Speaker 4: just Ill Maadic ill Matic itself has birthed My Deep,

402
00:17:01,080 --> 00:17:06,400
Speaker 4: has birthed Component Noriega has birthed Uh so many other

403
00:17:06,760 --> 00:17:09,720
Speaker 4: people like just that album, and you can't. And that

404
00:17:09,960 --> 00:17:13,439
Speaker 4: time was the tougher time for you to be noticed.

405
00:17:13,680 --> 00:17:16,240
Speaker 4: So that's the reason why. But I understand where Jim

406
00:17:16,359 --> 00:17:18,639
Speaker 4: is coming from. I understand his stass. Do you understand

407
00:17:18,960 --> 00:17:21,480
Speaker 4: that that the kids know him? Now, I'm gonna tell you.

408
00:17:21,560 --> 00:17:23,520
Speaker 4: I'm gonna tell you them. I looked up there I

409
00:17:23,600 --> 00:17:25,639
Speaker 4: looked it up, like I did. I looked it up

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00:17:25,680 --> 00:17:28,760
Speaker 4: to see, like, who gets searched more In two tenty

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Speaker 4: twenty five, it's still NOTS. I can't even Numbleus right now,

412
00:17:33,400 --> 00:17:34,800
Speaker 4: and this is based off Google.

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Speaker 1: Hold on, I was just.

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00:17:35,560 --> 00:17:37,600
Speaker 5: Looking at this shit the other day and it's still

415
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Speaker 5: NABS by a long shot.

416
00:17:39,200 --> 00:17:41,800
Speaker 4: It's hard to beat NAS, okay, Streaming wise, NAS has

417
00:17:41,800 --> 00:17:45,120
Speaker 4: about nine point one million monthly Spotify listeners, while Jim

418
00:17:45,240 --> 00:17:47,600
Speaker 4: Jones clocks in around eight hundred and seventy five thousand.

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Speaker 1: And I fuck with Jim music, but that don't forget.

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00:17:50,040 --> 00:17:53,480
Speaker 1: This is the Google search. This is the Google based searches.

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00:17:53,960 --> 00:17:56,920
Speaker 4: NAS gets between two hundred and three hundred thousand searches

422
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Speaker 4: a month globally.

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Speaker 1: Jim Jones gets.

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Speaker 5: Forty seventy thousand searches.

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Speaker 4: I'm gonna be honest with you, all right, we all

426
00:18:03,840 --> 00:18:06,480
Speaker 4: know that that NAHS wins. But listen the fact that

427
00:18:06,640 --> 00:18:09,480
Speaker 4: we're even having this conversation. That's a win for Jim Jones,

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00:18:09,480 --> 00:18:10,240
Speaker 4: and that's what I was saying.

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Speaker 1: That's a win. Let me just tell you something.

430
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Speaker 4: I'm a Floyd Mayweather fan, right I talked about I

431
00:18:15,840 --> 00:18:18,040
Speaker 4: think he's better than Muhammad Ali. Right, this is me, Right,

432
00:18:18,400 --> 00:18:22,920
Speaker 4: I get argued people, but whenever Floyd fights somebody that night,

433
00:18:23,320 --> 00:18:26,520
Speaker 4: they're on the same level as Floyd. So that's the

434
00:18:26,560 --> 00:18:29,879
Speaker 4: reason why I hate when Floyd taking these exhibition fights.

435
00:18:29,720 --> 00:18:31,120
Speaker 1: Because I'm sitting there as a fan.

436
00:18:31,800 --> 00:18:34,160
Speaker 4: I don't want Jake Paul to touch my favorite fighter,

437
00:18:34,280 --> 00:18:35,800
Speaker 4: like I don't want I don't want him to have

438
00:18:35,880 --> 00:18:36,520
Speaker 4: a lucky shot.

439
00:18:36,600 --> 00:18:38,760
Speaker 3: But you don't know, Floyd Mayweb, how do you turn

440
00:18:38,840 --> 00:18:39,879
Speaker 3: down thirty forty million?

441
00:18:40,119 --> 00:18:42,800
Speaker 4: Yeah, exhibition to turn down thirty forty million, but I

442
00:18:42,920 --> 00:18:45,520
Speaker 4: know to turn But so what my point of trying

443
00:18:45,560 --> 00:18:48,159
Speaker 4: to say is by us even comparing it, that's a

444
00:18:48,280 --> 00:18:50,200
Speaker 4: that's a win for Jim Jones. Like I've seen Jim

445
00:18:50,320 --> 00:18:52,560
Speaker 4: Jones in the beginning, Like I got footage of Jim

446
00:18:52,640 --> 00:18:57,840
Speaker 4: Jones and Cameron. I was filming a pre to Drink Champs.

447
00:18:58,960 --> 00:19:00,919
Speaker 4: I have a documentary call well, I still have all

448
00:19:00,960 --> 00:19:01,879
Speaker 4: the footage.

449
00:19:01,680 --> 00:19:04,800
Speaker 1: And Jim Jones was out. It's on the internet. You

450
00:19:05,040 --> 00:19:07,080
Speaker 1: could google this. It's it's called what What trailer?

451
00:19:07,440 --> 00:19:11,720
Speaker 4: And Jim Jones is out and Cam and you're sitting

452
00:19:11,800 --> 00:19:13,680
Speaker 4: there and Kim Jones like, I don't I don't even

453
00:19:13,680 --> 00:19:14,560
Speaker 4: spend money on weed.

454
00:19:14,880 --> 00:19:15,399
Speaker 3: You know what I mean?

455
00:19:16,040 --> 00:19:18,600
Speaker 4: I bout five Nichols with a twenty dollars and you

456
00:19:18,720 --> 00:19:21,239
Speaker 4: look at that person to the person that he is now,

457
00:19:21,480 --> 00:19:24,760
Speaker 4: this man won man, just one like that, and I'm

458
00:19:24,760 --> 00:19:27,080
Speaker 4: talking about you got to take him serious like he

459
00:19:27,240 --> 00:19:29,480
Speaker 4: was a hype man, a hype man, a person that

460
00:19:29,640 --> 00:19:32,520
Speaker 4: was back in to where he is now. I think

461
00:19:32,560 --> 00:19:34,359
Speaker 4: that's an accomplishment. I think that's what we should we

462
00:19:34,400 --> 00:19:36,879
Speaker 4: should be celebrating. I hate in our culture that we

463
00:19:36,960 --> 00:19:40,040
Speaker 4: have to compare like me personally, I don't do that

464
00:19:40,119 --> 00:19:41,840
Speaker 4: on Quick Time with Slime no more. But I was

465
00:19:41,960 --> 00:19:45,560
Speaker 4: forced to take out uh, Nicki Minaj and Cardi B

466
00:19:46,080 --> 00:19:49,119
Speaker 4: because people I'm talking about the fans were complaining not

467
00:19:49,720 --> 00:19:50,280
Speaker 4: their camps.

468
00:19:50,359 --> 00:19:53,840
Speaker 1: Their camps were too, but the fans were like, yo,

469
00:19:54,280 --> 00:19:57,720
Speaker 1: it's it's like both of them. Yeah, and tell truth.

470
00:19:57,840 --> 00:20:00,840
Speaker 1: I like both of them. Like I am a Kendrick

471
00:20:00,920 --> 00:20:01,399
Speaker 1: Lamar fan.

472
00:20:01,440 --> 00:20:02,600
Speaker 5: Even if you like both of them, you can have

473
00:20:02,600 --> 00:20:03,120
Speaker 5: a preference.

474
00:20:04,000 --> 00:20:07,320
Speaker 3: Yeah, right now you.

475
00:20:07,400 --> 00:20:09,440
Speaker 1: Feel like if you play Kendrick Lamar, you gotta throw

476
00:20:09,440 --> 00:20:11,560
Speaker 1: away your Drake CD. That's messed up.

477
00:20:11,680 --> 00:20:13,000
Speaker 5: I've never been a Drake fan.

478
00:20:13,119 --> 00:20:15,120
Speaker 1: Like, even though y'all got a funny relationship.

479
00:20:18,000 --> 00:20:20,080
Speaker 2: Right, Like when I'm in the club, I listen to Drake,

480
00:20:20,560 --> 00:20:22,440
Speaker 2: but if I'm in the car, I could listen to Kendrick.

481
00:20:22,480 --> 00:20:25,479
Speaker 1: That doesn't mean I listen to Drake in the car

482
00:20:25,600 --> 00:20:26,880
Speaker 1: and I like Kendrick in the club.

483
00:20:26,920 --> 00:20:29,119
Speaker 3: But you can listen to whatever you want, but you

484
00:20:29,119 --> 00:20:30,000
Speaker 3: can still like both of them.

485
00:20:30,200 --> 00:20:32,159
Speaker 4: I like both of them, like I don't like you

486
00:20:32,280 --> 00:20:34,439
Speaker 4: got purposes and.

487
00:20:35,080 --> 00:20:37,240
Speaker 5: If I give you two people, it's somebody you probably

488
00:20:37,359 --> 00:20:37,639
Speaker 5: like more.

489
00:20:37,760 --> 00:20:40,880
Speaker 4: Yes, of course, of course, But but I do like both,

490
00:20:41,040 --> 00:20:42,879
Speaker 4: like you know what I'm saying, Like, yes, I like

491
00:20:43,600 --> 00:20:46,480
Speaker 4: I like pistachio more than I like vanilla exactly. But

492
00:20:46,600 --> 00:20:48,480
Speaker 4: guess what if you give me up another ice cream

493
00:20:48,520 --> 00:20:50,000
Speaker 4: and nobody look at I'm gonna eat that.

494
00:20:50,560 --> 00:20:52,360
Speaker 1: You know what I'm saying, I'm not gonna get playing.

495
00:20:52,200 --> 00:20:53,800
Speaker 3: But let me ask you that the quick. Let's go

496
00:20:54,080 --> 00:20:55,240
Speaker 3: diddy guilty and not guilty.

497
00:20:55,520 --> 00:20:58,479
Speaker 1: God damn, you know what I'm gonna I'm gonna leave

498
00:20:58,520 --> 00:21:00,919
Speaker 1: that in the You know what I mean. I can

499
00:21:01,000 --> 00:21:01,359
Speaker 1: tell you this.

500
00:21:02,200 --> 00:21:04,520
Speaker 4: I got to tell you from my experience, right, you know,

501
00:21:05,119 --> 00:21:06,960
Speaker 4: you know me and you know each other twenty twenty

502
00:21:07,080 --> 00:21:09,360
Speaker 4: seven years. There's people who could say, man, I don't.

503
00:21:09,359 --> 00:21:11,240
Speaker 4: I don't fuck with Envy, right, I can't say that

504
00:21:11,359 --> 00:21:12,639
Speaker 4: to them, you know what I'm saying. Me and Vy

505
00:21:12,680 --> 00:21:15,640
Speaker 4: have a separate relationship. All I can say is when

506
00:21:15,640 --> 00:21:18,440
Speaker 4: I've ever been around and I've been around Christe some time.

507
00:21:19,240 --> 00:21:21,359
Speaker 4: You know, I got my I'm married. I've been married

508
00:21:21,400 --> 00:21:24,800
Speaker 4: sixteen years, so maybe I was never really around that.

509
00:21:25,000 --> 00:21:27,400
Speaker 4: But I've never saw it, you know, I've never saw

510
00:21:27,480 --> 00:21:31,280
Speaker 4: this monster that they describe. When I hear the testimony,

511
00:21:31,320 --> 00:21:33,600
Speaker 4: because I got ears and I got Q tips, so.

512
00:21:35,359 --> 00:21:37,720
Speaker 1: I hear it. Some of the ship I'll be like whoa,

513
00:21:38,400 --> 00:21:40,960
Speaker 1: And then some of it I'm like nah, But I don't.

514
00:21:40,800 --> 00:21:43,760
Speaker 5: Know you seeing the freaky first I've never seen.

515
00:21:44,040 --> 00:21:48,680
Speaker 1: I really just like you. Every day you go viral

516
00:21:48,880 --> 00:21:49,680
Speaker 1: every day.

517
00:21:52,440 --> 00:21:53,240
Speaker 7: When you look back at that.

518
00:21:54,600 --> 00:21:59,760
Speaker 1: We saw it, freaking get ready ready for this. I've

519
00:21:59,760 --> 00:22:00,920
Speaker 1: been waiting to say this story.

520
00:22:01,119 --> 00:22:06,240
Speaker 3: Okay, let's party party, Yeah, yeah, okay, you want.

521
00:22:06,160 --> 00:22:06,520
Speaker 1: Us to play it?

522
00:22:06,560 --> 00:22:09,040
Speaker 5: The refreshment very refreshing.

523
00:22:09,560 --> 00:22:10,959
Speaker 1: I'll see it every time he goes by.

524
00:22:12,359 --> 00:22:13,840
Speaker 4: Yes, I look at it too, and I watched the

525
00:22:13,880 --> 00:22:17,760
Speaker 4: whole ship too. So all right, here's what happened, Fab

526
00:22:17,960 --> 00:22:23,440
Speaker 4: and Jada. Fab's first freestyle you ever heard Fab is

527
00:22:23,480 --> 00:22:26,000
Speaker 4: with me, Like, so I basically put Fab on like

528
00:22:26,040 --> 00:22:26,520
Speaker 4: in a good way.

529
00:22:26,520 --> 00:22:28,040
Speaker 1: I'm playing around. I always say that to him.

530
00:22:28,119 --> 00:22:30,680
Speaker 4: It's a joke, but it's not actually Like, if I

531
00:22:30,840 --> 00:22:32,800
Speaker 4: could have I was the hottest dude in New York

532
00:22:32,840 --> 00:22:33,320
Speaker 4: at that time.

533
00:22:33,560 --> 00:22:36,399
Speaker 1: Clue asked me, can I have my dude Sport come up?

534
00:22:36,520 --> 00:22:38,720
Speaker 4: And I was like sport. He was like Sport and

535
00:22:38,760 --> 00:22:41,760
Speaker 4: I was like, that's a dope name, Sport. His name

536
00:22:41,840 --> 00:22:44,520
Speaker 4: is fabulous Sport in my line, So we did. So

537
00:22:44,640 --> 00:22:47,960
Speaker 4: what I'm saying is me and Fabs have a great relationship.

538
00:22:48,160 --> 00:22:50,680
Speaker 4: Me and Jada has a great relationship. Drink chants. We're

539
00:22:50,720 --> 00:22:52,520
Speaker 4: hot at the time. You got a budget to fly around.

540
00:22:52,720 --> 00:22:55,680
Speaker 4: We're using the revote budget. Be up to revolt everybody there.

541
00:22:55,720 --> 00:22:58,200
Speaker 4: Thank you for holding us down. So they're in La.

542
00:22:58,359 --> 00:22:59,159
Speaker 1: We fly to l A.

543
00:23:00,280 --> 00:23:03,280
Speaker 4: Yeah, La, it was in LA. That wasn't our studio.

544
00:23:04,119 --> 00:23:06,719
Speaker 4: If N misses his flight off, I forget what happens.

545
00:23:07,359 --> 00:23:11,639
Speaker 4: Boom Jada kissing them are on their promo run. I

546
00:23:12,760 --> 00:23:15,080
Speaker 4: like the creative person that I thought I was being.

547
00:23:16,440 --> 00:23:18,399
Speaker 4: I messed up, but I tried. I thought I was

548
00:23:18,480 --> 00:23:19,080
Speaker 4: being creative.

549
00:23:19,680 --> 00:23:21,880
Speaker 1: I hip hop, and I was like, Yo, they're doing

550
00:23:22,840 --> 00:23:25,119
Speaker 1: a whole press run. That was for the Fab being

551
00:23:26,160 --> 00:23:28,280
Speaker 1: kiss out. They're doing the whole press one. What could

552
00:23:28,400 --> 00:23:33,840
Speaker 1: our what can make ours different? You come to the show.

553
00:23:34,200 --> 00:23:36,280
Speaker 4: So he's like, all right, cool, it's Gooomy Loo birthday.

554
00:23:36,400 --> 00:23:40,320
Speaker 4: We're gonna go celebrate with y'allo. Now that part you forget.

555
00:23:40,760 --> 00:23:43,719
Speaker 4: That's why the candles was there. It was Boody Loo birthday.

556
00:23:43,720 --> 00:23:47,520
Speaker 4: Who is a Rastafarian, the furthest thing from anything like

557
00:23:51,400 --> 00:23:54,760
Speaker 4: fab Jada Kiss and Diddy arrived at the same time.

558
00:23:54,880 --> 00:23:59,920
Speaker 4: Remember Diddy's a surprise. So my friend mister Lee, who's

559
00:24:00,119 --> 00:24:02,760
Speaker 4: who is Dominican? What's his slang?

560
00:24:03,000 --> 00:24:05,880
Speaker 1: Dotty yol dotty, you old dotty. That's how he talking

561
00:24:05,920 --> 00:24:07,879
Speaker 1: Dominicans because they didn't they don't want to say poppy.

562
00:24:08,080 --> 00:24:10,160
Speaker 1: Poppy is a Puerto Rican thing, you understand I'm saying.

563
00:24:10,600 --> 00:24:13,760
Speaker 4: So he sees Diddy say, oo, Dotty, you gotta put

564
00:24:13,800 --> 00:24:16,000
Speaker 4: you over here, dotty because we got, we got and

565
00:24:16,200 --> 00:24:19,120
Speaker 4: we don't want them to see it. So Diddy got

566
00:24:19,160 --> 00:24:21,920
Speaker 4: that in his head. Now Doddy, Now he's just kidding dotty, Doddy.

567
00:24:22,000 --> 00:24:23,680
Speaker 4: He thinks that's what we're saying. No what it's not

568
00:24:23,720 --> 00:24:25,520
Speaker 4: what we're saying. Is this what mister Lee is saying.

569
00:24:25,680 --> 00:24:29,480
Speaker 1: That's it. That's it. So so we walk over and

570
00:24:29,560 --> 00:24:32,240
Speaker 1: he goes, yo, what's up? Doddy fucks the interview up immediately.

571
00:24:32,320 --> 00:24:35,440
Speaker 4: Yes, it does all right, cool, But here's what y'all

572
00:24:35,440 --> 00:24:39,000
Speaker 4: don't know. When he's saying to Fabulous, yo, why didn't

573
00:24:39,000 --> 00:24:40,560
Speaker 4: you party with me no more? Look at us in

574
00:24:40,600 --> 00:24:44,760
Speaker 4: front of Fabulous. That's not a rock Fabulous had a

575
00:24:44,800 --> 00:24:49,760
Speaker 4: whole coco loso what but Diddy. So when I'm inviting Diddy.

576
00:24:51,119 --> 00:24:52,679
Speaker 1: To co host, he.

577
00:24:52,840 --> 00:24:55,760
Speaker 4: Has a whole nother thing. He's coming that fab why

578
00:24:55,800 --> 00:24:58,520
Speaker 4: you're not drinking no more? That's what he's saying, why

579
00:24:58,600 --> 00:24:59,480
Speaker 4: we don't party no more?

580
00:24:59,680 --> 00:25:00,879
Speaker 1: And look he's pointing at it.

581
00:25:01,160 --> 00:25:03,679
Speaker 4: He's like, and Bab, if you look, Bab is almost

582
00:25:03,720 --> 00:25:07,520
Speaker 4: trying to throw the VOK away because he's like, and

583
00:25:07,680 --> 00:25:09,600
Speaker 4: you know, he had a deal. So that's really what

584
00:25:09,760 --> 00:25:12,360
Speaker 4: that was about. Like, that's what And the daddy part

585
00:25:12,440 --> 00:25:16,840
Speaker 4: came from mister Lee, and you know, hold on, there

586
00:25:16,920 --> 00:25:21,800
Speaker 4: was more to that. He said, I like it when

587
00:25:23,000 --> 00:25:23,919
Speaker 4: you scrambling and.

588
00:25:28,400 --> 00:25:29,840
Speaker 5: Scrambling in that part.

589
00:25:29,920 --> 00:25:33,480
Speaker 1: I can't, I can't. I don't know I was, I was,

590
00:25:33,720 --> 00:25:35,520
Speaker 1: I was throwing off to. I was throwing off to

591
00:25:35,640 --> 00:25:38,520
Speaker 1: And you know what's the crazy thing about it. You know,

592
00:25:38,640 --> 00:25:39,960
Speaker 1: I was sitting on the editing floor.

593
00:25:40,960 --> 00:25:42,000
Speaker 7: He was like, keep all that in.

594
00:25:42,280 --> 00:25:43,040
Speaker 1: I was like, fuck it.

595
00:25:44,440 --> 00:25:48,240
Speaker 4: I was like, you know what, Well, I really wish

596
00:25:48,280 --> 00:25:51,399
Speaker 4: I would have edited it was the Kanye now that

597
00:25:51,720 --> 00:25:54,480
Speaker 4: you know, we didn't edit nothing until then. Until then,

598
00:25:54,960 --> 00:25:59,480
Speaker 4: But Kanye's was very weird, like because I had never

599
00:25:59,600 --> 00:26:04,240
Speaker 4: got what is it, second grade secondhand second hand hate?

600
00:26:04,880 --> 00:26:08,280
Speaker 1: I got second I got secondhand hate or so yeah,

601
00:26:08,320 --> 00:26:10,440
Speaker 1: but that that's that's that's that's the story.

602
00:26:10,840 --> 00:26:13,200
Speaker 4: I mean, the Dinny thing is interesting, like I don't

603
00:26:13,280 --> 00:26:15,639
Speaker 4: I don't know whether he's guilty or not, but that

604
00:26:15,800 --> 00:26:18,600
Speaker 4: interview was classic before that classic any of this ship.

605
00:26:19,640 --> 00:26:22,399
Speaker 1: I played it for him when he was Yeah, I

606
00:26:22,440 --> 00:26:24,840
Speaker 1: saw that, Yes, I saw that.

607
00:26:25,440 --> 00:26:27,919
Speaker 4: I mean, you know, that's that's been a that's been

608
00:26:27,960 --> 00:26:30,560
Speaker 4: a dope thing about drink Champs. It's like I get

609
00:26:30,640 --> 00:26:34,359
Speaker 4: to to make mistakes in front the fans live like

610
00:26:34,440 --> 00:26:36,840
Speaker 4: in real time, and they robbing me, like you know

611
00:26:36,880 --> 00:26:38,000
Speaker 4: what I mean, don't get it twisted.

612
00:26:38,119 --> 00:26:39,199
Speaker 1: I love the hate though too.

613
00:26:39,800 --> 00:26:44,359
Speaker 4: I love ballance because I've lived my whole career where

614
00:26:44,960 --> 00:26:48,440
Speaker 4: you know, you know, people have my back and you know,

615
00:26:48,680 --> 00:26:51,840
Speaker 4: just to see like it's a balance to this, you

616
00:26:51,880 --> 00:26:54,720
Speaker 4: know what I mean, Like I'm with it because but

617
00:26:54,920 --> 00:26:57,480
Speaker 4: that's why I love I enjoy doing what we're doing

618
00:26:57,520 --> 00:26:58,200
Speaker 4: with run Champs.

619
00:26:58,240 --> 00:26:59,520
Speaker 1: It's like it's all positivity.

620
00:26:59,600 --> 00:27:01,080
Speaker 4: Like this is the only time I could post something,

621
00:27:02,200 --> 00:27:06,440
Speaker 4: somebody would always say something you run it slow. Kanye

622
00:27:06,520 --> 00:27:09,520
Speaker 4: shit was interesting too though, because it's like you're not

623
00:27:09,720 --> 00:27:12,160
Speaker 4: responsible for what comes out of Kanye's mouth.

624
00:27:13,240 --> 00:27:14,879
Speaker 5: You're a platform, you're a host.

625
00:27:15,000 --> 00:27:17,320
Speaker 1: Yeah, but I felt responsible, you know why.

626
00:27:20,000 --> 00:27:23,480
Speaker 4: When when I found out that George Floyd people's didn't

627
00:27:23,560 --> 00:27:28,680
Speaker 4: like it, I felt responsible because and by the way,

628
00:27:29,040 --> 00:27:33,720
Speaker 4: God bless me. I've never said this before, but this

629
00:27:33,920 --> 00:27:36,600
Speaker 4: parts that we edited it, Like there is actually parts

630
00:27:36,640 --> 00:27:41,240
Speaker 4: that we did edit, Like he compared I said, he

631
00:27:41,320 --> 00:27:45,720
Speaker 4: compared George Floyd to Martin Luther King hmm and and

632
00:27:46,920 --> 00:27:47,359
Speaker 4: and he was.

633
00:27:47,400 --> 00:27:49,879
Speaker 1: Like, what's the difference between George Floyd and Martin Luther King?

634
00:27:50,359 --> 00:27:53,000
Speaker 4: And we were all like we've been at that time,

635
00:27:53,040 --> 00:27:55,720
Speaker 4: so we were thrown off, like what And he was

636
00:27:55,800 --> 00:27:58,040
Speaker 4: like Martin Luther King had bitches and.

637
00:27:58,080 --> 00:28:00,520
Speaker 1: We were like, oh shit, we knew that had to

638
00:28:00,560 --> 00:28:02,920
Speaker 1: be edited right there, like we were like, oh no,

639
00:28:03,680 --> 00:28:06,720
Speaker 1: and so we were paying attention to the parts that

640
00:28:08,760 --> 00:28:09,960
Speaker 1: we weren't paying attention.

641
00:28:09,680 --> 00:28:11,440
Speaker 4: To everything, like you know what I mean. So and

642
00:28:12,040 --> 00:28:13,960
Speaker 4: and he had got me, he had he had called me.

643
00:28:15,280 --> 00:28:18,040
Speaker 4: I don't want to like like blame it all on him,

644
00:28:18,080 --> 00:28:20,480
Speaker 4: because that's you know, it was. It was a collective.

645
00:28:20,760 --> 00:28:22,760
Speaker 4: It just didn't I just didn't know what I didn't

646
00:28:22,760 --> 00:28:23,640
Speaker 4: know how to edit at that time.

647
00:28:25,480 --> 00:28:27,280
Speaker 1: We spoke. We spoke.

648
00:28:27,880 --> 00:28:32,240
Speaker 4: We since then we spoke like five six times. Then

649
00:28:32,520 --> 00:28:35,760
Speaker 4: it disappeared, and so did he have not spoken to him.

650
00:28:35,800 --> 00:28:38,120
Speaker 4: So I'm gonna do a documentary my two years with Kanye,

651
00:28:38,280 --> 00:28:40,600
Speaker 4: because I had two years. I just like I thought

652
00:28:40,640 --> 00:28:42,360
Speaker 4: he I thought he was listening to me at one point.

653
00:28:42,600 --> 00:28:46,040
Speaker 4: He's actually married to advice, and I was I felt obligated.

654
00:28:46,040 --> 00:28:47,360
Speaker 4: I was like I was going downstairs.

655
00:28:47,400 --> 00:28:48,320
Speaker 1: I was going I was.

656
00:28:48,440 --> 00:28:50,200
Speaker 4: Walking away from my wife because I didn't even want

657
00:28:50,240 --> 00:28:53,600
Speaker 4: my hunter know that I was giving wife advice and

658
00:28:53,680 --> 00:28:55,640
Speaker 4: married to advice. And then he would listen to me

659
00:28:55,680 --> 00:28:57,640
Speaker 4: and then he'd just tweet away right after, and I

660
00:28:57,720 --> 00:29:00,800
Speaker 4: was like you too a little bit, you know, he

661
00:29:00,800 --> 00:29:01,680
Speaker 4: ain't sugar me, I don't.

662
00:29:01,680 --> 00:29:02,440
Speaker 1: I never took it like that.

663
00:29:02,760 --> 00:29:03,920
Speaker 5: After you apologize, he.

664
00:29:04,480 --> 00:29:06,080
Speaker 4: Said, no, he's a good guy. He said, no, he's

665
00:29:06,080 --> 00:29:08,480
Speaker 4: a good guy. That I didn't because I have to

666
00:29:08,520 --> 00:29:11,080
Speaker 4: tell you the truth. I understood media, but I only

667
00:29:11,200 --> 00:29:13,600
Speaker 4: understood the good side of media at that time. Like

668
00:29:13,960 --> 00:29:15,720
Speaker 4: when I come to the breakfast club and I go

669
00:29:15,800 --> 00:29:18,000
Speaker 4: to Canada, people will be like your breakfast club, like

670
00:29:18,120 --> 00:29:20,520
Speaker 4: it's positive, you know what I'm saying. So this was

671
00:29:20,560 --> 00:29:24,080
Speaker 4: my this is my this is my turn of saying,

672
00:29:24,120 --> 00:29:26,520
Speaker 4: you know what, it ain't all guts and glary, like

673
00:29:26,960 --> 00:29:29,440
Speaker 4: sometimes you gotta go outside and take the gum under

674
00:29:29,480 --> 00:29:31,320
Speaker 4: the table and then put put the gum under the

675
00:29:31,360 --> 00:29:33,000
Speaker 4: table in your mouth and motherfucker.

676
00:29:33,400 --> 00:29:40,280
Speaker 1: Maybe that was maybe, but you know what I'm saying.

677
00:29:41,240 --> 00:29:42,120
Speaker 1: Sometimes you gotta stuff.

678
00:29:42,240 --> 00:29:45,200
Speaker 4: Sometimes you gotta scuff your timsisis you know what I'm saying.

679
00:29:45,400 --> 00:29:46,720
Speaker 1: And that's that's that's that's that's.

680
00:29:46,600 --> 00:29:50,800
Speaker 6: Pretty much what's your edit process like now after that,

681
00:29:50,840 --> 00:29:52,920
Speaker 6: because it was lawsuits and everything his way after that

682
00:29:54,240 --> 00:29:54,760
Speaker 6: whole ship.

683
00:29:54,960 --> 00:29:57,640
Speaker 1: Yeah, indeed it's still done after that. You know, it

684
00:29:57,720 --> 00:29:58,160
Speaker 1: was crazy.

685
00:29:58,440 --> 00:30:01,360
Speaker 4: I want to big up to to unlikely people who

686
00:30:01,440 --> 00:30:04,680
Speaker 4: called me during that time, like Shaq called me, and

687
00:30:04,800 --> 00:30:06,960
Speaker 4: you know, Shaq, he's mad calm when he talks you,

688
00:30:08,320 --> 00:30:08,680
Speaker 4: all right.

689
00:30:09,440 --> 00:30:11,880
Speaker 1: I was like, yeah, he's like I got you.

690
00:30:12,240 --> 00:30:14,640
Speaker 4: And I was like, damn, you know, even if he

691
00:30:14,760 --> 00:30:16,400
Speaker 4: was even if he was front and that ship made

692
00:30:16,400 --> 00:30:19,280
Speaker 4: me feel good for real called me. And then then

693
00:30:19,360 --> 00:30:20,920
Speaker 4: yay he called me and I was like, yo, y

694
00:30:20,960 --> 00:30:23,240
Speaker 4: hey man, I feel like I'm about to lose everything.

695
00:30:23,320 --> 00:30:28,560
Speaker 4: And he was like interesting, that's what he said, said bro,

696
00:30:29,200 --> 00:30:30,560
Speaker 4: And that's.

697
00:30:30,440 --> 00:30:32,280
Speaker 1: Pretty much it. So we had to shake it off.

698
00:30:33,760 --> 00:30:37,200
Speaker 1: And another part of that was my Jewish friends.

699
00:30:38,160 --> 00:30:40,959
Speaker 4: You know. I had Rabbi's coming at me like hey man,

700
00:30:41,160 --> 00:30:43,040
Speaker 4: I want to come on the show, and I was

701
00:30:43,120 --> 00:30:45,240
Speaker 4: just like, I don't know if I go that far.

702
00:30:45,400 --> 00:30:47,400
Speaker 1: But it was just crazy. It was just crazy.

703
00:30:47,480 --> 00:30:52,320
Speaker 4: And then he doubled down on it, like attention is

704
00:30:52,440 --> 00:30:55,280
Speaker 4: attention is is crazy. So he doubled down on it,

705
00:30:55,360 --> 00:30:57,800
Speaker 4: and I don't know, I don't know what if he

706
00:30:57,960 --> 00:31:01,040
Speaker 4: called back. I think I think I accept on Drink

707
00:31:01,080 --> 00:31:03,200
Speaker 4: Champs again. I'll just be more responsible and I won't

708
00:31:03,240 --> 00:31:03,880
Speaker 4: drink a bigie.

709
00:31:04,640 --> 00:31:08,960
Speaker 6: Yeah what business wise for Drink Chaps because you got

710
00:31:09,000 --> 00:31:11,400
Speaker 6: the network now, Yeah, I remember it was an early

711
00:31:11,480 --> 00:31:13,720
Speaker 6: episode where you were talking about how you learned that

712
00:31:13,880 --> 00:31:15,720
Speaker 6: the audio in the video could be sold separately.

713
00:31:15,800 --> 00:31:18,000
Speaker 7: Right now with the network, you're doing that for other people.

714
00:31:18,080 --> 00:31:20,560
Speaker 6: So business wise, like where does norristen as a businessman

715
00:31:20,640 --> 00:31:22,440
Speaker 6: giving people advice on things like that?

716
00:31:22,680 --> 00:31:22,800
Speaker 1: Well?

717
00:31:22,840 --> 00:31:26,760
Speaker 4: Absolutely that that was something that that I noticed immediately.

718
00:31:27,520 --> 00:31:32,800
Speaker 4: You know, Gods, God bless the dead, colmbat Jack Combat Jack.

719
00:31:33,000 --> 00:31:35,000
Speaker 4: I was noticing when I when I when I first

720
00:31:35,240 --> 00:31:37,120
Speaker 4: because they were doing podcasts, but I don't think they

721
00:31:37,160 --> 00:31:40,840
Speaker 4: were calling it podcast right, podcast? Okay, so a lot

722
00:31:40,880 --> 00:31:44,960
Speaker 4: of people give a Sipher Stiles in Rosenberg and they

723
00:31:45,000 --> 00:31:49,280
Speaker 4: were they were official I believe hip hop's first podcast.

724
00:31:51,120 --> 00:31:53,520
Speaker 4: But I was noticing when I was looking at certain people,

725
00:31:53,880 --> 00:31:56,200
Speaker 4: like they would throw our episodes and the episodes.

726
00:31:55,840 --> 00:31:58,120
Speaker 1: Would be on what was that, what was that network?

727
00:31:58,440 --> 00:31:59,320
Speaker 1: SoundCloud or whatever.

728
00:31:59,560 --> 00:32:03,120
Speaker 4: The audio it will be there, but then the YouTube

729
00:32:03,120 --> 00:32:06,920
Speaker 4: would be a kid that ripped the audio and just

730
00:32:06,960 --> 00:32:09,200
Speaker 4: put it up there. But it would be the kids YouTube,

731
00:32:10,040 --> 00:32:11,880
Speaker 4: but it's their episode. So I would sit back and

732
00:32:11,920 --> 00:32:13,920
Speaker 4: I would be like, why are they allowing that to

733
00:32:14,000 --> 00:32:14,160
Speaker 4: do it?

734
00:32:14,280 --> 00:32:15,600
Speaker 3: That's happened to the Breakfast Love for years.

735
00:32:15,800 --> 00:32:17,280
Speaker 1: I didn't know that. I didn't know that. I know

736
00:32:17,360 --> 00:32:20,080
Speaker 1: that happened to us for two weeks and I shut

737
00:32:20,120 --> 00:32:24,560
Speaker 1: that ship down. How oh well, it.

738
00:32:24,680 --> 00:32:26,720
Speaker 4: Was different because we used to put we was always

739
00:32:26,760 --> 00:32:29,040
Speaker 4: putting video up right, but they would rip the video

740
00:32:29,120 --> 00:32:31,560
Speaker 4: and like it would go. You know, I didn't mind

741
00:32:31,560 --> 00:32:34,320
Speaker 4: because it was like promo. Yeah, but they would definitely

742
00:32:34,320 --> 00:32:36,200
Speaker 4: do that on YouTube. There was somebody making a bunch

743
00:32:36,200 --> 00:32:38,000
Speaker 4: of money years a couple of years.

744
00:32:38,360 --> 00:32:39,880
Speaker 1: Yeah, so I noticed that.

745
00:32:40,040 --> 00:32:44,040
Speaker 4: I noticed that, and then it was like anything subscription based,

746
00:32:44,560 --> 00:32:47,840
Speaker 4: you know, I got a resource from but anything subscription

747
00:32:48,040 --> 00:32:52,080
Speaker 4: base is not in competition with leanyard, it's not in

748
00:32:52,120 --> 00:32:55,600
Speaker 4: competition with television, and it's not in competition with YouTube.

749
00:32:55,840 --> 00:32:57,720
Speaker 1: So I made a genius deal a couple of years ago.

750
00:32:57,760 --> 00:32:58,760
Speaker 1: A lot of people didn't like it.

751
00:32:59,040 --> 00:33:03,400
Speaker 4: But I had Massive, which is nas label handling the audio.

752
00:33:04,240 --> 00:33:08,840
Speaker 4: I had Title, which is jay Z's on a subscription level,

753
00:33:09,280 --> 00:33:12,040
Speaker 4: and then I had Revolt on a television level, and

754
00:33:12,160 --> 00:33:16,400
Speaker 4: everyone thought I was doing some funny ship. This was legit,

755
00:33:17,120 --> 00:33:20,560
Speaker 4: this was I mean, they didn't want to share with

756
00:33:20,640 --> 00:33:25,680
Speaker 4: each other. I made made them black excellence. No no, no, no,

757
00:33:26,680 --> 00:33:29,239
Speaker 4: you say black excellence. We're gonna let it ship out

758
00:33:30,160 --> 00:33:31,080
Speaker 4: and we did it.

759
00:33:31,160 --> 00:33:32,720
Speaker 1: We had, we had. It was a it was a

760
00:33:32,760 --> 00:33:36,600
Speaker 1: great time, you know what I mean. Yeah, So I

761
00:33:36,680 --> 00:33:39,120
Speaker 1: feel like, you know, still.

762
00:33:38,960 --> 00:33:39,480
Speaker 5: Doing it now?

763
00:33:39,800 --> 00:33:46,040
Speaker 4: Yeah, I mean yes, the video was with yeah, yeah,

764
00:33:46,280 --> 00:33:49,680
Speaker 4: pick up everybody at the vault. Man uh revolt took

765
00:33:49,680 --> 00:33:52,360
Speaker 4: a hit, you know when did he step down? And

766
00:33:53,000 --> 00:33:55,320
Speaker 4: they didn't miss a beat man. They stepped up, you know,

767
00:33:55,480 --> 00:33:58,760
Speaker 4: all of the people. They stepped up. I see they

768
00:33:58,800 --> 00:34:01,000
Speaker 4: got a deal with AM picked that up. I've been

769
00:34:01,000 --> 00:34:03,920
Speaker 4: telling Cam to come over here for a minute. And

770
00:34:04,080 --> 00:34:07,040
Speaker 4: so I'm glad, like and they got Brandon Marshall a

771
00:34:07,120 --> 00:34:11,440
Speaker 4: sports show. They they're they're really trying to compete with

772
00:34:11,880 --> 00:34:14,560
Speaker 4: the Elite network. So I'm I got their back, you

773
00:34:14,560 --> 00:34:14,920
Speaker 4: know what I mean.

774
00:34:15,160 --> 00:34:17,040
Speaker 1: And so I'm it.

775
00:34:17,160 --> 00:34:18,839
Speaker 5: Why did a woman get mad at you for ordering

776
00:34:18,880 --> 00:34:19,759
Speaker 5: the whole bottle of wine?

777
00:34:20,200 --> 00:34:22,440
Speaker 1: Oh you want to talk about that? You know?

778
00:34:22,560 --> 00:34:25,239
Speaker 4: No, no, no, no, Well I got the nine one

779
00:34:25,280 --> 00:34:27,880
Speaker 4: one call. I should play this ship, right, I got

780
00:34:28,040 --> 00:34:31,040
Speaker 4: she called she called the police on me. But we

781
00:34:31,120 --> 00:34:34,719
Speaker 4: were we were sitting in Houston's in Miami, right in Miami, and.

782
00:34:36,200 --> 00:34:36,800
Speaker 1: It got busy.

783
00:34:37,600 --> 00:34:40,320
Speaker 4: You know, I've never had these since I had the braids,

784
00:34:40,360 --> 00:34:42,000
Speaker 4: I know, MV hating because he can't grow here.

785
00:34:42,080 --> 00:34:43,560
Speaker 3: I definitely could grow hate that man.

786
00:34:44,680 --> 00:34:46,439
Speaker 1: I couldn't just my brain would be in the middle

787
00:34:46,440 --> 00:34:48,120
Speaker 1: of my back.

788
00:34:48,520 --> 00:34:51,600
Speaker 4: Well, so I believe she was trying to flip the table,

789
00:34:52,160 --> 00:34:54,959
Speaker 4: and you know, I go to Houston's flip the table,

790
00:34:55,000 --> 00:34:57,360
Speaker 4: flip the table, you know, like you know, get to

791
00:34:57,480 --> 00:35:00,800
Speaker 4: somebody else, because we were finished eating and it was

792
00:35:00,880 --> 00:35:03,480
Speaker 4: just another bottle of one and then they were like, uh,

793
00:35:04,640 --> 00:35:06,160
Speaker 4: you know they placeally trying to flip the tape our

794
00:35:06,160 --> 00:35:09,160
Speaker 4: own two juice bars, so I know, when it gets crowded.

795
00:35:08,920 --> 00:35:10,319
Speaker 3: Table for people that don't know, we try to get

796
00:35:10,320 --> 00:35:11,640
Speaker 3: you out to get another customer.

797
00:35:11,320 --> 00:35:15,600
Speaker 4: To get another customer on there. We finished our meal

798
00:35:15,719 --> 00:35:17,640
Speaker 4: enough to finish our meal, so we just had an extra.

799
00:35:17,880 --> 00:35:21,000
Speaker 4: So the lady was like, we're not going to Audero

800
00:35:21,800 --> 00:35:24,080
Speaker 4: another bottle. So we was like all right, cool boom

801
00:35:24,320 --> 00:35:25,040
Speaker 4: and we stood there.

802
00:35:25,160 --> 00:35:26,399
Speaker 3: So you tried to buy another bottle?

803
00:35:26,480 --> 00:35:27,359
Speaker 1: She said, yo, yeah.

804
00:35:27,600 --> 00:35:31,880
Speaker 4: So they went and got the manager and the manager

805
00:35:31,960 --> 00:35:34,239
Speaker 4: took the actual bottle that was there and was like, yo,

806
00:35:35,440 --> 00:35:36,000
Speaker 4: I comped it.

807
00:35:36,160 --> 00:35:37,439
Speaker 1: I was like, I don't need you to comp nothing

808
00:35:37,480 --> 00:35:39,640
Speaker 1: for me, you know what I mean, And she took

809
00:35:39,719 --> 00:35:40,080
Speaker 1: it away.

810
00:35:40,920 --> 00:35:43,480
Speaker 4: And this was the most racist thing I've ever so

811
00:35:44,080 --> 00:35:48,560
Speaker 4: now that that's being racist in itself, right, But I

812
00:35:48,719 --> 00:35:50,920
Speaker 4: was privileged to call for the nine on one call

813
00:35:51,000 --> 00:35:53,680
Speaker 4: because she said, I'm calling the police, and I paid taxes. Bro,

814
00:35:54,080 --> 00:35:57,200
Speaker 4: I'm legit, I'm legit for twenty seven years. This here

815
00:35:57,719 --> 00:35:59,600
Speaker 4: fooled you, ma'am. You know what I'm saying.

816
00:35:59,719 --> 00:36:04,160
Speaker 1: So she called the police. I stood there like a

817
00:36:04,360 --> 00:36:05,000
Speaker 1: man that I am.

818
00:36:05,920 --> 00:36:09,719
Speaker 4: The police came and the police one of the officers said,

819
00:36:10,640 --> 00:36:11,600
Speaker 4: this is two bottles?

820
00:36:12,360 --> 00:36:13,480
Speaker 1: Is this something else going on?

821
00:36:13,680 --> 00:36:15,920
Speaker 4: Like he must have thought that this was a secret,

822
00:36:16,640 --> 00:36:18,560
Speaker 4: like something that like like maybe I was messing with

823
00:36:18,600 --> 00:36:20,239
Speaker 4: her or something on the side, cause he's like, people

824
00:36:20,280 --> 00:36:22,040
Speaker 4: don't do this, they don't call the police. He's like,

825
00:36:22,360 --> 00:36:24,440
Speaker 4: in fact, the party don't even start to three bottles.

826
00:36:24,600 --> 00:36:25,879
Speaker 4: And I'm like, I didn't even get to the three.

827
00:36:26,200 --> 00:36:29,640
Speaker 4: This is the police officer. So if I was beligately

828
00:36:29,719 --> 00:36:32,640
Speaker 4: enough anything, do you know what happens when you call

829
00:36:32,719 --> 00:36:35,160
Speaker 4: a police officer on a black man in America?

830
00:36:35,680 --> 00:36:39,239
Speaker 1: That woman tried to get me killed. She said, I'm

831
00:36:39,280 --> 00:36:43,160
Speaker 1: in fear of my life, that's what she said.

832
00:36:43,719 --> 00:36:46,759
Speaker 4: Damn. Like I went to therapy, like I'm going to

833
00:36:46,800 --> 00:36:48,439
Speaker 4: therapy right now for this, you know what I'm saying,

834
00:36:48,520 --> 00:36:54,040
Speaker 4: like like traumatized, yo, Like what if what if these

835
00:36:54,160 --> 00:36:57,440
Speaker 4: officers had a bad day and they came and they

836
00:36:57,600 --> 00:37:00,760
Speaker 4: just just I was I was. I spoke very calm,

837
00:37:01,640 --> 00:37:06,560
Speaker 4: I stood my ground, but I'm still like I'm traumatized

838
00:37:06,600 --> 00:37:08,719
Speaker 4: from this, like like I got called the police on

839
00:37:09,960 --> 00:37:11,919
Speaker 4: guns out, she said.

840
00:37:12,000 --> 00:37:13,840
Speaker 1: She She said on a nine one one call that

841
00:37:13,960 --> 00:37:16,920
Speaker 1: she felt threatened for her life because I ordered a bottle.

842
00:37:18,280 --> 00:37:20,840
Speaker 4: Like I wasn't partying, I wasn't on the table, I

843
00:37:20,960 --> 00:37:23,320
Speaker 4: wasn't really I wasn't doing none of that. Like I

844
00:37:23,400 --> 00:37:25,520
Speaker 4: was actually celebrating, like you know, I was just chilling,

845
00:37:25,600 --> 00:37:28,879
Speaker 4: like that's how I celebrate. And I'm traumatized. I don't

846
00:37:29,040 --> 00:37:30,560
Speaker 4: want to go in that area. I don't want to

847
00:37:30,560 --> 00:37:32,840
Speaker 4: go in that area. Like I'll go all around and

848
00:37:33,080 --> 00:37:34,759
Speaker 4: and like to tell you the truth, like I said,

849
00:37:35,239 --> 00:37:37,160
Speaker 4: one of the one of the black cops. It was

850
00:37:37,200 --> 00:37:39,120
Speaker 4: two black cops that was there. So as I was

851
00:37:39,160 --> 00:37:41,759
Speaker 4: describing it, the two black cops to the side, they

852
00:37:41,960 --> 00:37:44,560
Speaker 4: one the head guy was a white guy and the

853
00:37:45,160 --> 00:37:47,800
Speaker 4: guy under him was a Spanish guy. But you just

854
00:37:47,840 --> 00:37:50,239
Speaker 4: seen the two black brothers as I was like saying it.

855
00:37:50,480 --> 00:37:53,000
Speaker 4: You just see their head down, like damn, you still

856
00:37:53,040 --> 00:37:54,320
Speaker 4: got to go through it. You could make it to

857
00:37:54,400 --> 00:37:56,960
Speaker 4: a level in life, and you still got to go

858
00:37:57,000 --> 00:37:59,960
Speaker 4: through regular, regular, regular stuff, you know what I'm saying.

859
00:38:00,160 --> 00:38:02,800
Speaker 4: So that it really really really really really hurt me.

860
00:38:02,880 --> 00:38:04,600
Speaker 4: It really put me in there, and I just got

861
00:38:04,640 --> 00:38:08,840
Speaker 4: back to it again. I think, you know, me running, me,

862
00:38:09,000 --> 00:38:11,200
Speaker 4: running to get my mind over that, you know what

863
00:38:11,239 --> 00:38:13,320
Speaker 4: I'm saying. And now you know, we just ran with

864
00:38:13,400 --> 00:38:16,400
Speaker 4: Angela Simmons and we didn't have a permit and the

865
00:38:16,440 --> 00:38:18,480
Speaker 4: police pulled over and I was like, god, damn, there Ran.

866
00:38:19,200 --> 00:38:22,160
Speaker 4: I was like, holy shit, I forget, like hoh, because

867
00:38:22,520 --> 00:38:26,200
Speaker 4: it's just it's just no, I mean the film, the film,

868
00:38:26,280 --> 00:38:28,520
Speaker 4: Yeah yeah, yeah, yeah, so yeah, but that was a

869
00:38:28,560 --> 00:38:32,120
Speaker 4: horrible situation. You know, You've had success in two erarors, right,

870
00:38:32,520 --> 00:38:36,520
Speaker 4: had the success in music classic nineties in the podcast

871
00:38:36,640 --> 00:38:40,279
Speaker 4: game which Hustle taught you more about survival the music

872
00:38:40,320 --> 00:38:41,480
Speaker 4: industry of the media world.

873
00:38:41,760 --> 00:38:43,120
Speaker 1: Now, Reggae Throne taught me more.

874
00:38:43,800 --> 00:38:46,760
Speaker 4: Reggae Throne was at the time when I entered Reggae Throne,

875
00:38:49,200 --> 00:38:51,400
Speaker 4: I was asking artists for their publishing, like you know,

876
00:38:51,480 --> 00:38:53,960
Speaker 4: to like doing records with them and giving them publishing

877
00:38:54,200 --> 00:38:56,239
Speaker 4: and they didn't. They didn't know what publishing was at

878
00:38:56,320 --> 00:38:58,520
Speaker 4: that time. Now they they're very smart, they're very up

879
00:38:58,600 --> 00:39:01,880
Speaker 4: to date now. But back then I felt I felt horrible,

880
00:39:01,960 --> 00:39:05,320
Speaker 4: like seeing how they were conducting business and seeing like

881
00:39:05,800 --> 00:39:08,239
Speaker 4: like like like like like. For instance, like Fabulous doesn't

882
00:39:08,239 --> 00:39:10,520
Speaker 4: have to get along with styles P, right, but if

883
00:39:10,520 --> 00:39:13,759
Speaker 4: Fabulous and styles P does a tour, Fabulous and styles

884
00:39:13,800 --> 00:39:16,120
Speaker 4: people show up every single day, styles would be on

885
00:39:16,200 --> 00:39:16,920
Speaker 4: his side of the thing.

886
00:39:17,480 --> 00:39:18,560
Speaker 1: I didn't see that in Reggae Thro.

887
00:39:18,640 --> 00:39:20,319
Speaker 4: I'm not I'm not saying that they don't do that now,

888
00:39:20,560 --> 00:39:23,319
Speaker 4: but back then, Donald Marr would not do a show

889
00:39:23,360 --> 00:39:25,840
Speaker 4: with Daddy Yankee. Daddy Yankee wouldn't do a show with

890
00:39:26,280 --> 00:39:28,520
Speaker 4: what I'm gonna give you an example. I'm not saying

891
00:39:28,560 --> 00:39:30,480
Speaker 4: the exact thing, but he wouldn't do a show with

892
00:39:31,160 --> 00:39:32,759
Speaker 4: Winston and yan Dale. I'm talking about back then, and

893
00:39:32,960 --> 00:39:34,560
Speaker 4: I'm not saying this is the case. I'll just give

894
00:39:34,600 --> 00:39:36,839
Speaker 4: you a example of names. And when I was seeing

895
00:39:36,840 --> 00:39:38,360
Speaker 4: that with Reggae thro and it made me step up

896
00:39:38,400 --> 00:39:40,640
Speaker 4: my hustle. It made me say that, damn, like these

897
00:39:40,680 --> 00:39:43,600
Speaker 4: guys are certain people are ahead and certain people are

898
00:39:43,640 --> 00:39:46,719
Speaker 4: light years away. Like I remember bringing Daddy Yankee to

899
00:39:47,520 --> 00:39:50,360
Speaker 4: to to to Dame Dash and saying, Yo, this is

900
00:39:50,400 --> 00:39:52,960
Speaker 4: the next dude. And Daddy Yankee wanted like two million

901
00:39:53,000 --> 00:39:55,360
Speaker 4: at the time, and Dame Dash said, give them Rockaware

902
00:39:56,120 --> 00:39:58,279
Speaker 4: it hurt me, It hurt me, and this this, this

903
00:39:58,400 --> 00:40:01,520
Speaker 4: man became to be the most lucrative person on the planet.

904
00:40:01,600 --> 00:40:04,279
Speaker 4: And then that genre of music turned into the most

905
00:40:04,360 --> 00:40:06,600
Speaker 4: one of the most lucrative things. And then that helped

906
00:40:06,719 --> 00:40:09,160
Speaker 4: afrobeats and look at looks, so on and so forth.

907
00:40:09,239 --> 00:40:11,320
Speaker 4: Like I got the chance to see reggae Throne, I

908
00:40:11,360 --> 00:40:15,200
Speaker 4: got a chance to come to America, uh and say, yo,

909
00:40:15,280 --> 00:40:17,080
Speaker 4: this is the next genre of music, and people say

910
00:40:17,120 --> 00:40:20,200
Speaker 4: you're crazy. Nor So when you asked me what the

911
00:40:20,520 --> 00:40:23,160
Speaker 4: most hustle I did, the most hustle I've ever got

912
00:40:23,400 --> 00:40:25,200
Speaker 4: was from Reggae Throng because I had to start all over.

913
00:40:25,239 --> 00:40:27,320
Speaker 4: I had to start from the bottom of that to

914
00:40:27,440 --> 00:40:31,080
Speaker 4: make it to a king which you want to talk

915
00:40:31,080 --> 00:40:36,320
Speaker 4: you more about survival. You gotta realize Fat Joe is

916
00:40:36,360 --> 00:40:39,400
Speaker 4: one of my closest friends. Fat Joe's had an intervention

917
00:40:39,600 --> 00:40:39,800
Speaker 4: with me.

918
00:40:41,360 --> 00:40:43,680
Speaker 1: Oh what they wanted me not to do? Reggae Thong.

919
00:40:43,960 --> 00:40:46,600
Speaker 1: They were like, reggae Thon is whack, biggest record, Yes,

920
00:40:46,719 --> 00:40:47,040
Speaker 1: he's like.

921
00:40:48,520 --> 00:40:51,959
Speaker 4: EFN had an intervention with me, told me reggae thne

922
00:40:52,040 --> 00:40:55,280
Speaker 4: is whack. But now and there were in their respects.

923
00:40:55,400 --> 00:40:57,360
Speaker 4: Both of them has recently came up to me and

924
00:40:57,480 --> 00:40:59,439
Speaker 4: was like, I'm sorry were they were wrong?

925
00:40:59,560 --> 00:41:01,000
Speaker 1: And but that's cool.

926
00:41:01,040 --> 00:41:03,200
Speaker 4: Like when you first to do something, you're always gonna

927
00:41:03,200 --> 00:41:04,560
Speaker 4: look a little stupid, you know what I'm saying.

928
00:41:04,640 --> 00:41:06,640
Speaker 2: So but also they're your brother, so they wanted to

929
00:41:06,719 --> 00:41:09,719
Speaker 2: they want to were trying to protect It's.

930
00:41:09,160 --> 00:41:10,719
Speaker 6: Not happening at the time, Like where what was the

931
00:41:10,800 --> 00:41:12,600
Speaker 6: forward thought? They even make you want to be first

932
00:41:12,680 --> 00:41:13,640
Speaker 6: in some of these arenas.

933
00:41:15,120 --> 00:41:16,680
Speaker 1: I liked, I liked, I liked it.

934
00:41:16,960 --> 00:41:19,359
Speaker 4: I liked I like going in my lane because there's

935
00:41:19,360 --> 00:41:22,520
Speaker 4: no traffic in my lane, right, Like I always knew that.

936
00:41:22,600 --> 00:41:24,120
Speaker 1: I like I said this on the show before.

937
00:41:24,160 --> 00:41:26,560
Speaker 4: I always knew I ain't have the best work, but

938
00:41:26,680 --> 00:41:29,040
Speaker 4: I know that I'm gonna stay out longer than anybody.

939
00:41:28,719 --> 00:41:30,600
Speaker 1: Right, So what I want to do is I want

940
00:41:30,640 --> 00:41:33,640
Speaker 1: to go to a section where it's just my section. Right.

941
00:41:34,000 --> 00:41:37,839
Speaker 4: So when when when mob deep was was the thing

942
00:41:37,920 --> 00:41:40,600
Speaker 4: and and and everyone was you know, it was cracked

943
00:41:40,640 --> 00:41:42,840
Speaker 4: lines out the door to get a Havoc beat. You know,

944
00:41:43,400 --> 00:41:46,440
Speaker 4: I wanted to work with a kid from Virginia that

945
00:41:46,520 --> 00:41:50,440
Speaker 4: had a tight shirt on and a choker, and he

946
00:41:50,520 --> 00:41:51,520
Speaker 4: winds up being a legend.

947
00:41:51,560 --> 00:41:52,120
Speaker 1: Ain't for real.

948
00:41:52,560 --> 00:41:54,640
Speaker 4: But when I worked messed with phar Real, people were like,

949
00:41:55,400 --> 00:41:58,480
Speaker 4: why is his shirt so tight? People were telling me,

950
00:41:59,280 --> 00:41:59,960
Speaker 4: is that I line?

951
00:42:00,120 --> 00:42:00,160
Speaker 5: Know?

952
00:42:00,239 --> 00:42:02,239
Speaker 4: He got on and I'm like, wow, y'all looking at

953
00:42:02,280 --> 00:42:04,960
Speaker 4: this man's features and all this other stuff. The man

954
00:42:05,120 --> 00:42:08,600
Speaker 4: is making beats him and chat is knocking it down.

955
00:42:08,719 --> 00:42:10,440
Speaker 4: You know, I'm the Nettunes. I'm not just for real,

956
00:42:10,520 --> 00:42:13,719
Speaker 4: I'm the Neptunes. So people laughed at me when I

957
00:42:13,800 --> 00:42:15,640
Speaker 4: did that. I like being the first, but I know

958
00:42:15,800 --> 00:42:17,920
Speaker 4: that when I get there first, people will. I had

959
00:42:17,920 --> 00:42:21,080
Speaker 4: the two way first. It's online two way.

960
00:42:21,920 --> 00:42:25,160
Speaker 5: Yeah, putting little Wayne on your putting little money, putting you.

961
00:42:25,520 --> 00:42:27,600
Speaker 1: He's still he's still he's still taking my music right

962
00:42:27,640 --> 00:42:28,080
Speaker 1: to this day.

963
00:42:28,120 --> 00:42:33,480
Speaker 3: Guy, Let's get into a record. Let's get into this record.

964
00:42:34,000 --> 00:42:35,480
Speaker 3: Let me pull it up. I get the name of it, well,

965
00:42:35,480 --> 00:42:36,120
Speaker 3: you tell us the name of it.

966
00:42:36,200 --> 00:42:38,200
Speaker 4: No, it's called Win Again, because that's what we're gonna

967
00:42:38,239 --> 00:42:41,200
Speaker 4: do we're gonna win again, and there's two features on there.

968
00:42:41,440 --> 00:42:42,520
Speaker 1: I guess we'll figure it out.

969
00:42:42,600 --> 00:42:44,839
Speaker 4: And make sure you keep subscribing to Drink champses, make

970
00:42:44,880 --> 00:42:47,839
Speaker 4: sure you support the Drink Champs network. A mid bleak show,

971
00:42:48,239 --> 00:42:51,880
Speaker 4: Angela Simmons Show comes soon, you know, and run Champs

972
00:42:51,960 --> 00:42:55,279
Speaker 4: right well, Healthy High, it's called Healthy High, Healthy all right, Well,

973
00:42:55,360 --> 00:42:56,279
Speaker 4: it's the Breakfast Club.

974
00:42:56,320 --> 00:42:56,759
Speaker 5: It's Nori.

975
00:42:56,920 --> 00:43:00,520
Speaker 1: Let's go wake that ass up in the morning. Breakfast

976
00:43:00,600 --> 00:43:00,839
Speaker 1: Club