1 00:00:05,240 --> 00:00:08,840 Speaker 1: The setup, Episode five, Find your Own Worth. 2 00:00:15,400 --> 00:00:17,880 Speaker 2: I'm said no calling, no texting. I mean, oh my god, 3 00:00:17,880 --> 00:00:19,000 Speaker 2: are we over officially? 4 00:00:19,200 --> 00:00:21,200 Speaker 3: Or am I just supposed to sit here and I 5 00:00:21,200 --> 00:00:23,560 Speaker 3: don't know, wait for him like a lovesake puppy. 6 00:00:23,600 --> 00:00:24,079 Speaker 4: I can't do that. 7 00:00:24,160 --> 00:00:26,920 Speaker 2: Okay, my nerves can't take it. It's barely been twenty 8 00:00:26,920 --> 00:00:29,120 Speaker 2: four hours and I am having complete and. 9 00:00:29,160 --> 00:00:31,520 Speaker 1: Utter Wand why didn't you sit down? 10 00:00:32,280 --> 00:00:34,080 Speaker 3: I can't sit in It feels like my heart is 11 00:00:34,120 --> 00:00:36,120 Speaker 3: about to burst through my chest, or like I might 12 00:00:36,120 --> 00:00:39,120 Speaker 3: pew or pass out or maybe both at the same time. 13 00:00:39,120 --> 00:00:40,519 Speaker 2: Oh my god, is that even possible? 14 00:00:40,880 --> 00:00:44,680 Speaker 3: That can't basically be possible, can it. Maybe I'm just 15 00:00:44,720 --> 00:00:47,440 Speaker 3: one of those people who's not meant to be happy one. 16 00:00:49,120 --> 00:00:52,159 Speaker 1: In my professional opinion, it sounds like you're basing your 17 00:00:52,200 --> 00:00:55,560 Speaker 1: self worth completely on Fernando. I would encourage you to 18 00:00:55,600 --> 00:00:58,080 Speaker 1: define your self worth for no one else. Fuck you, 19 00:00:59,040 --> 00:01:03,640 Speaker 1: But how take control? And if you truly want Fernando 20 00:01:03,680 --> 00:01:06,119 Speaker 1: to listen, then you need to show him how you feel. 21 00:01:06,440 --> 00:01:09,119 Speaker 2: But he specifically told me not to reach out. 22 00:01:09,319 --> 00:01:14,319 Speaker 1: I well, I may have underestimated the gravity of the situation. 23 00:01:14,480 --> 00:01:18,240 Speaker 1: Last we spoke a dent in Fernando's emotional armor may 24 00:01:18,280 --> 00:01:21,240 Speaker 1: be too small of a goal. It sounds like we 25 00:01:21,319 --> 00:01:26,600 Speaker 1: need a more aggressive approach. Did he perhaps mention where 26 00:01:26,600 --> 00:01:29,480 Speaker 1: he'd be Did he leave any clues? 27 00:01:29,800 --> 00:01:37,200 Speaker 5: No? Not really. Well he did mention joining our friend 28 00:01:37,240 --> 00:01:40,000 Speaker 5: Mike for a CrossFit class this morning, But that's about it, 29 00:01:40,040 --> 00:01:43,600 Speaker 5: sound of course. Of course, Rather. 30 00:01:44,000 --> 00:01:47,319 Speaker 1: That sounds like an excellent place to start. Go to 31 00:01:47,440 --> 00:01:50,400 Speaker 1: him one. Show him you can stand on your own 32 00:01:50,480 --> 00:01:52,760 Speaker 1: and that you're worth fighting for. You have value. 33 00:01:53,160 --> 00:01:59,600 Speaker 2: You're right, I am worth fighting for. Thank you. 34 00:02:00,360 --> 00:02:00,840 Speaker 5: I gotta go. 35 00:02:01,560 --> 00:02:04,720 Speaker 4: Best of luck, I have worst fighting buck. 36 00:02:09,240 --> 00:02:14,760 Speaker 2: Come on, no stopping three? 37 00:02:15,560 --> 00:02:22,600 Speaker 3: Two ye kilded bam. 38 00:02:28,200 --> 00:02:30,440 Speaker 6: Hey dude, you got a spot for a post workout 39 00:02:30,480 --> 00:02:33,440 Speaker 6: shake nearby? Because that class put me into a caloric deficit. 40 00:02:33,760 --> 00:02:35,560 Speaker 7: Oh show, I gotta feed man. 41 00:02:36,440 --> 00:02:39,359 Speaker 4: Yeah, boss, I know a great spot on eighth Street. 42 00:02:40,080 --> 00:02:41,400 Speaker 4: The shakes are sick. 43 00:02:42,280 --> 00:02:45,160 Speaker 6: Ammando, bro your mic right. I was trying to catch 44 00:02:45,200 --> 00:02:46,240 Speaker 6: up with you on a leader board. 45 00:02:46,240 --> 00:02:47,079 Speaker 4: You're standing as hell. 46 00:02:47,160 --> 00:02:47,760 Speaker 7: Impressive. 47 00:02:48,400 --> 00:02:51,280 Speaker 4: Thanks dude, you always got it. Next time to catch up. 48 00:02:51,880 --> 00:02:55,079 Speaker 4: Let's it up EVAs on eighth Best movies in the City. 49 00:02:56,000 --> 00:02:56,560 Speaker 4: Let's do it. 50 00:03:02,720 --> 00:03:05,520 Speaker 2: Damn this peanut butter power punch is hitting the spot. 51 00:03:05,840 --> 00:03:07,760 Speaker 8: If you're looking a bulk, you should deafth be down 52 00:03:07,760 --> 00:03:10,080 Speaker 8: on minimum to a day, not to mention five day 53 00:03:10,160 --> 00:03:14,400 Speaker 8: grams of creatine fish oil and keeping your macros for sure. 54 00:03:14,560 --> 00:03:16,880 Speaker 6: Brother, yo, listen, you got a wag protein powder you like. 55 00:03:17,360 --> 00:03:19,520 Speaker 6: I'm crushing it with this new Daily Life protein. 56 00:03:19,639 --> 00:03:22,320 Speaker 4: Yeah, man, me too. I mean shit tastes nasty, but 57 00:03:22,400 --> 00:03:23,320 Speaker 4: it works. 58 00:03:23,080 --> 00:03:25,040 Speaker 8: The pump the pub. 59 00:03:25,760 --> 00:03:26,240 Speaker 2: Ah yo. 60 00:03:26,320 --> 00:03:28,440 Speaker 6: I finally beat my one rep Max on deadlift by 61 00:03:28,440 --> 00:03:29,440 Speaker 6: a hondo this week. 62 00:03:29,800 --> 00:03:32,480 Speaker 2: I swear to God is the power shit. 63 00:03:32,800 --> 00:03:35,520 Speaker 8: That's impressive. I gotta get back on my game though, 64 00:03:35,720 --> 00:03:37,680 Speaker 8: not gonna lie. I've been getting distracted by. 65 00:03:37,560 --> 00:03:38,440 Speaker 4: My side hustles. 66 00:03:38,600 --> 00:03:40,640 Speaker 7: Whoa whoa bro? What kind of side hustles. 67 00:03:40,680 --> 00:03:45,240 Speaker 8: I'm a self made artistic entrepreneur, creative director, photographer, our collector, 68 00:03:45,400 --> 00:03:46,480 Speaker 8: you name it, I do. 69 00:03:46,440 --> 00:03:48,520 Speaker 7: It shit you know, art collector? 70 00:03:48,600 --> 00:03:49,920 Speaker 4: Huh best believe. 71 00:03:49,840 --> 00:03:52,080 Speaker 8: Old paintings and shit are worth hell of money. Oh 72 00:03:52,080 --> 00:03:54,480 Speaker 8: that's right, my crazy ex got me into it. But 73 00:03:54,600 --> 00:03:58,120 Speaker 8: my main hustle's photography mostly portraits and editorial. 74 00:03:58,280 --> 00:04:00,320 Speaker 4: But being a creative in the city isn't easy. 75 00:04:00,720 --> 00:04:04,560 Speaker 2: Hausult never stops, so you you. 76 00:04:04,480 --> 00:04:05,800 Speaker 7: Work out of your apartment or something. 77 00:04:06,000 --> 00:04:08,560 Speaker 8: Nah, bro, I find this little rundown studio just over 78 00:04:08,600 --> 00:04:12,000 Speaker 8: the bridge in Bushwick loft style exposed, big walls. 79 00:04:12,160 --> 00:04:13,720 Speaker 4: It's nothing crazy. 80 00:04:13,360 --> 00:04:15,720 Speaker 8: But it's got a character. 81 00:04:16,120 --> 00:04:16,320 Speaker 3: You know. 82 00:04:16,680 --> 00:04:19,160 Speaker 4: You should come by sometime, of course. 83 00:04:18,880 --> 00:04:20,920 Speaker 7: Dude, I've been meeting to snack some new headshots. 84 00:04:20,920 --> 00:04:23,320 Speaker 4: You know, yo, I totally got you. 85 00:04:23,320 --> 00:04:25,400 Speaker 2: You got time right now, right now, like right now, 86 00:04:25,440 --> 00:04:25,800 Speaker 2: right now. 87 00:04:26,120 --> 00:04:29,400 Speaker 4: Hell freaking yeah, I do. Sweet slam back your shake 88 00:04:29,440 --> 00:04:30,560 Speaker 4: and let's head out, bro. 89 00:04:30,880 --> 00:04:31,600 Speaker 2: That's what's up. 90 00:04:31,720 --> 00:04:32,400 Speaker 7: Let's freaking go. 91 00:04:34,120 --> 00:04:35,960 Speaker 4: What is up my bros? 92 00:04:36,040 --> 00:04:36,360 Speaker 8: Guys? 93 00:04:37,560 --> 00:04:39,960 Speaker 4: Uh hey, dude, yo, Nando. 94 00:04:40,240 --> 00:04:45,479 Speaker 8: You know this guy, name's Johnny Sup cool sub Johnny 95 00:04:45,480 --> 00:04:48,320 Speaker 8: Boy shop suck suck. 96 00:04:48,320 --> 00:04:51,640 Speaker 2: Yo, Johnny? What the hell are you doing here? 97 00:04:51,720 --> 00:04:51,880 Speaker 3: Man? 98 00:04:51,960 --> 00:04:53,400 Speaker 7: I thought we were meeting up later. 99 00:04:53,760 --> 00:04:55,120 Speaker 2: I was gonna text. 100 00:04:54,800 --> 00:04:58,760 Speaker 9: You, you know, just pumping some irons and getting my 101 00:04:59,240 --> 00:05:00,599 Speaker 9: sweat on here. 102 00:05:00,720 --> 00:05:04,440 Speaker 2: You guys know how it is. Jim Dan Laundry. Am 103 00:05:04,520 --> 00:05:05,039 Speaker 2: I right? 104 00:05:05,320 --> 00:05:10,440 Speaker 4: Boy? Right, all right, dude, I see you. 105 00:05:10,640 --> 00:05:13,560 Speaker 5: Yeah, yeah, that's right one outside right, Yeah. 106 00:05:13,880 --> 00:05:14,920 Speaker 4: No, I'm here to help. 107 00:05:15,120 --> 00:05:16,159 Speaker 2: I told you to let me. 108 00:05:16,279 --> 00:05:20,480 Speaker 4: Uh you two need a minute, man, Shit's tight. 109 00:05:21,240 --> 00:05:24,520 Speaker 2: Johnny Boy here was just leaving. Johnny Boy is not leaving. 110 00:05:24,720 --> 00:05:27,560 Speaker 2: Oh yeah, Johnny boy is no Johnny is it? 111 00:05:28,160 --> 00:05:28,600 Speaker 7: Okay? 112 00:05:29,040 --> 00:05:29,200 Speaker 4: Yo? 113 00:05:29,440 --> 00:05:32,599 Speaker 8: Maybe I should just head out totally sick to meet you. 114 00:05:32,720 --> 00:05:34,360 Speaker 8: Nando hit me up and we'll meet some. 115 00:05:34,360 --> 00:05:36,360 Speaker 4: Other day for those headshots or whatever. 116 00:05:36,520 --> 00:05:41,880 Speaker 2: No, what I had this? I'm trying to well, don't 117 00:05:42,000 --> 00:05:43,039 Speaker 2: we're partners. 118 00:05:43,080 --> 00:05:43,720 Speaker 4: Can't I have value? 119 00:05:43,760 --> 00:05:44,240 Speaker 2: I can help? 120 00:05:44,360 --> 00:05:48,760 Speaker 4: Uh? Dudes, Yeah, I'm still here. And also it's a 121 00:05:48,800 --> 00:05:49,520 Speaker 4: small shot. 122 00:05:49,720 --> 00:05:51,760 Speaker 2: I told you I needed to do this alone. 123 00:05:51,839 --> 00:05:56,480 Speaker 8: Oh shit, okay, guys, I see what's going on. Let 124 00:05:56,520 --> 00:05:58,960 Speaker 8: me save you the trouble. Y'all are good looking dudes, 125 00:05:59,000 --> 00:06:00,919 Speaker 8: but I am not into threesome. 126 00:06:01,640 --> 00:06:05,600 Speaker 4: Yo, chill, don't sweat it. I'm totally an ally yo. 127 00:06:05,640 --> 00:06:08,280 Speaker 4: Hold up, I just got a killer idea. 128 00:06:08,520 --> 00:06:11,240 Speaker 8: How about you both rolled through the studio two Jim 129 00:06:11,279 --> 00:06:12,240 Speaker 8: bros mad in love. 130 00:06:12,520 --> 00:06:13,719 Speaker 4: It's totally subversive. 131 00:06:14,040 --> 00:06:17,840 Speaker 8: Just well my portfolio needs Yeah that's a sick idea, bro, 132 00:06:18,800 --> 00:06:23,360 Speaker 8: So word, come on, love birds, let's blows ship up. 133 00:06:45,080 --> 00:06:47,560 Speaker 4: And this is my bros. Is where the magic happens. 134 00:06:48,120 --> 00:06:51,800 Speaker 6: Wow, I love I thought you said this was a 135 00:06:51,839 --> 00:06:53,039 Speaker 6: little rundown studio. 136 00:06:53,120 --> 00:06:53,280 Speaker 7: Bro. 137 00:06:54,600 --> 00:06:55,000 Speaker 4: It is. 138 00:06:55,120 --> 00:06:57,400 Speaker 8: It's only like seven K a month, but you know, 139 00:06:57,640 --> 00:07:01,679 Speaker 8: making no word blessing photography. It's the equipment that really matters. 140 00:07:01,839 --> 00:07:03,520 Speaker 8: Max out like three credit cards. 141 00:07:05,000 --> 00:07:06,080 Speaker 5: Is this guy really? 142 00:07:07,480 --> 00:07:07,800 Speaker 4: Yeah? 143 00:07:07,839 --> 00:07:10,960 Speaker 6: So so Mike, you mentioned you're like an art collector, right, bro, 144 00:07:11,400 --> 00:07:15,080 Speaker 6: I'm al curious check out your pieces like art pieces. 145 00:07:15,640 --> 00:07:18,960 Speaker 4: Oh, they're in the back office. I'm still organizing everything, 146 00:07:19,080 --> 00:07:20,200 Speaker 4: so it's not ready. 147 00:07:19,920 --> 00:07:22,720 Speaker 8: For the public, but I'll deaf invite you when to 148 00:07:22,760 --> 00:07:23,920 Speaker 8: have my first gallery opening. 149 00:07:25,120 --> 00:07:27,520 Speaker 4: All right, let's have you both stand over here on 150 00:07:27,560 --> 00:07:30,160 Speaker 4: the backdrop. Don't be shy. This is a safe space. 151 00:07:30,280 --> 00:07:30,440 Speaker 7: Yo. 152 00:07:31,120 --> 00:07:34,720 Speaker 4: Oh dang, hold on, I'm gonna get you some levels. 153 00:07:36,040 --> 00:07:38,360 Speaker 8: Johnny Boy, I'm gonna have you having just over the 154 00:07:38,400 --> 00:07:41,280 Speaker 8: stool while Nando sits down on it, legs spread out 155 00:07:41,320 --> 00:07:41,960 Speaker 8: and nice. 156 00:07:41,760 --> 00:07:45,680 Speaker 5: And wik Okay, yeah, Johnny Boy, Johnny Oh right, Johnny Boy. 157 00:07:45,720 --> 00:07:46,320 Speaker 5: That's me. 158 00:07:46,560 --> 00:07:51,800 Speaker 4: Yeah yeah, baller. Now really lean on one another, dude. 159 00:07:52,000 --> 00:07:55,400 Speaker 4: Don't be afraid to touch. Just breathe and relax. 160 00:07:56,120 --> 00:07:57,320 Speaker 7: Just wow. 161 00:07:57,640 --> 00:08:01,680 Speaker 4: Yeah, that's your elbows you too? All right, I'm great, bro, 162 00:08:02,560 --> 00:08:03,080 Speaker 4: that's great. 163 00:08:03,600 --> 00:08:09,320 Speaker 3: Yeah. Superman, yeah, not like Superman, like just super. 164 00:08:08,800 --> 00:08:12,200 Speaker 5: And then and I added the Man. 165 00:08:13,640 --> 00:08:14,920 Speaker 4: You both seem kind of tense. 166 00:08:15,240 --> 00:08:21,000 Speaker 8: Oh ship, let me throw on some tunes them this 167 00:08:21,280 --> 00:08:24,240 Speaker 8: them the lights sit the mood we're going for like 168 00:08:24,400 --> 00:08:28,920 Speaker 8: classy editorial ballso like strong and saxiate for ship. 169 00:08:31,800 --> 00:08:34,640 Speaker 4: Now just act like I'm not even here. Go up 170 00:08:34,720 --> 00:08:37,560 Speaker 4: the flow and be in the moment. Lose yourself in 171 00:08:37,600 --> 00:08:39,200 Speaker 4: the right. 172 00:08:40,679 --> 00:08:40,760 Speaker 8: This. 173 00:08:41,000 --> 00:08:43,679 Speaker 5: Uh my, tub I was. 174 00:08:43,640 --> 00:08:45,000 Speaker 7: Like YouTube close to me. 175 00:08:45,200 --> 00:08:46,800 Speaker 2: She was like really close. 176 00:08:47,440 --> 00:09:06,240 Speaker 7: No, No, it's fine. 177 00:09:10,559 --> 00:09:12,360 Speaker 5: How much longer do we have to do this? I 178 00:09:12,360 --> 00:09:13,720 Speaker 5: feel like I'm hovering over the toilet. 179 00:09:13,800 --> 00:09:14,520 Speaker 7: You wanted to help. 180 00:09:14,720 --> 00:09:16,480 Speaker 5: This isn't exactly getting us anywhere. 181 00:09:16,480 --> 00:09:18,840 Speaker 2: We're gaining Mike's trump so we can confirm the Delano 182 00:09:19,000 --> 00:09:19,320 Speaker 2: is here? 183 00:09:19,440 --> 00:09:21,200 Speaker 5: What if it's not here it is? How do you know? 184 00:09:21,320 --> 00:09:24,559 Speaker 4: I just do yo? Stop stop, stop, stop stopping, dude. 185 00:09:24,960 --> 00:09:32,200 Speaker 4: I'm just not feeling this. Something's wrong. Where's that fire 186 00:09:32,400 --> 00:09:36,080 Speaker 4: I saw in the smoothie spot, Bros? That passion? I 187 00:09:36,080 --> 00:09:39,320 Speaker 4: want to feel that big gay love relaxing. 188 00:09:40,400 --> 00:09:41,040 Speaker 7: I'm relaxing. 189 00:09:41,080 --> 00:09:44,800 Speaker 5: Yeah, me too, I'm hondo percent relaxed. 190 00:09:44,920 --> 00:09:48,400 Speaker 8: Dude, Johnny boy, why don't you sit on Nando's left? 191 00:09:48,400 --> 00:09:51,920 Speaker 4: What come on, dude, it's not that scandalous. You're dating. 192 00:09:52,320 --> 00:09:53,720 Speaker 4: Sit on your man's left. 193 00:09:54,600 --> 00:09:59,520 Speaker 5: Okay, yeah, okay, I can totally do that. 194 00:10:00,320 --> 00:10:06,160 Speaker 9: Okay, here go, oh wrap my eyes over you and 195 00:10:06,280 --> 00:10:11,920 Speaker 9: now going down on my man's lap. 196 00:10:12,160 --> 00:10:15,120 Speaker 5: Right, that's and we're fine. 197 00:10:15,320 --> 00:10:22,160 Speaker 7: This is this is fine. Hi, Hey, so. 198 00:10:22,120 --> 00:10:24,680 Speaker 5: How did your lunch go? I made it seemed like 199 00:10:24,720 --> 00:10:26,920 Speaker 5: it was my first death situation. 200 00:10:27,160 --> 00:10:30,240 Speaker 7: You know. I managed okay in the end, and my 201 00:10:30,320 --> 00:10:34,880 Speaker 7: father was he was my father. It got kind of 202 00:10:34,880 --> 00:10:36,040 Speaker 7: heated towards the end. 203 00:10:36,400 --> 00:10:41,880 Speaker 5: Mm hmm. I'm sorry, but it's not over until the 204 00:10:41,920 --> 00:10:45,120 Speaker 5: pain's in the client's hands, right, I mean, you said 205 00:10:45,120 --> 00:10:45,640 Speaker 5: it yourself. 206 00:10:47,960 --> 00:10:49,480 Speaker 7: I just want to get the job done so we can. 207 00:10:49,920 --> 00:10:53,040 Speaker 5: We can do this without all of the without all 208 00:10:53,040 --> 00:10:53,640 Speaker 5: of this, you. 209 00:10:53,600 --> 00:10:56,000 Speaker 7: Know, do what is that whatever you have in mine? 210 00:10:57,320 --> 00:11:02,560 Speaker 6: Oh my god, what is that? No shit, that's my 211 00:11:02,679 --> 00:11:05,040 Speaker 6: next camel arms, my paintings. 212 00:11:11,920 --> 00:11:16,040 Speaker 8: No no, no, no, no, fuck no fuck fuck no. 213 00:11:17,320 --> 00:11:20,560 Speaker 3: So I'm guessing you don't normally organize all your poorcrats 214 00:11:20,600 --> 00:11:21,920 Speaker 3: by throwing them across the floor. 215 00:11:22,280 --> 00:11:24,719 Speaker 4: No freaking way, dude. Somebody broke in. 216 00:11:26,280 --> 00:11:29,520 Speaker 10: Oh damn uh no offense, Mike, But doesn't look like 217 00:11:29,640 --> 00:11:30,240 Speaker 10: they took much. 218 00:11:31,600 --> 00:11:33,640 Speaker 4: Yeah, because my portraits aren't worth shit. 219 00:11:33,880 --> 00:11:36,120 Speaker 8: If I just scored this crazy old painting off my 220 00:11:36,200 --> 00:11:38,560 Speaker 8: axe and I was gonna sell it for hell of money. 221 00:11:38,840 --> 00:11:39,120 Speaker 4: Wait? 222 00:11:39,520 --> 00:11:41,839 Speaker 2: Wait, what kind of crazy old painting? 223 00:11:42,240 --> 00:11:45,120 Speaker 8: The painting man I don't know the name had like 224 00:11:45,240 --> 00:11:48,000 Speaker 8: waves in the beach and shit, I can believe somebody 225 00:11:48,080 --> 00:11:50,720 Speaker 8: fucking robbed me and Bushwick uh. 226 00:11:52,920 --> 00:11:54,000 Speaker 5: And his wings out here? 227 00:11:54,280 --> 00:11:55,320 Speaker 4: Now about wait. 228 00:11:55,200 --> 00:11:58,400 Speaker 2: Wait your next camp bro. The video. We have to 229 00:11:58,440 --> 00:11:59,520 Speaker 2: watch the video. 230 00:11:59,720 --> 00:12:00,720 Speaker 7: Yeah, the video? 231 00:12:07,360 --> 00:12:11,520 Speaker 6: Scroll back again, Mike, Ah Yo, dude, We've watched this 232 00:12:11,679 --> 00:12:13,080 Speaker 6: tape like ten times now. 233 00:12:13,240 --> 00:12:15,720 Speaker 8: One second the room's on point, and then the next 234 00:12:15,720 --> 00:12:17,520 Speaker 8: it's like a fucking hurricane. 235 00:12:17,200 --> 00:12:21,880 Speaker 4: Rolled through there. What you scroll back two more seconds? 236 00:12:21,920 --> 00:12:22,079 Speaker 3: Right? 237 00:12:22,720 --> 00:12:23,560 Speaker 5: Do you guys see that? 238 00:12:24,120 --> 00:12:26,840 Speaker 4: What the fuck is that? It's like the entire frame 239 00:12:27,160 --> 00:12:29,520 Speaker 4: just turned red? 240 00:12:29,920 --> 00:12:32,760 Speaker 1: Tip tip. 241 00:12:37,240 --> 00:12:37,480 Speaker 7: Gee? 242 00:12:37,520 --> 00:12:37,760 Speaker 3: Gee? 243 00:12:45,800 --> 00:12:48,040 Speaker 2: Wait wait, wait hey right on the wait, where are. 244 00:12:47,920 --> 00:12:48,319 Speaker 7: You going to? 245 00:12:48,840 --> 00:12:49,079 Speaker 4: What for? 246 00:12:49,480 --> 00:12:50,520 Speaker 2: To stop stop talking? 247 00:12:50,640 --> 00:12:51,079 Speaker 5: Just talk to me. 248 00:12:51,160 --> 00:12:58,120 Speaker 2: I said, it's over us, No, the con it's it's over. 249 00:12:58,280 --> 00:12:59,800 Speaker 7: She must have been tailing us, that's the only way. 250 00:13:01,400 --> 00:13:06,480 Speaker 2: Who's telling us, my cousin, she must have been. She 251 00:13:06,559 --> 00:13:08,240 Speaker 2: must have been following us. She's been trying to throw 252 00:13:08,280 --> 00:13:11,640 Speaker 2: me off. She's been trying to throw me off my. 253 00:13:11,640 --> 00:13:12,440 Speaker 7: Game all week. 254 00:13:13,600 --> 00:13:16,280 Speaker 2: God, I can't believe I didn't put it together. I'm confused. 255 00:13:16,320 --> 00:13:18,320 Speaker 3: Okay, why would your own cousin want to get in 256 00:13:18,360 --> 00:13:19,160 Speaker 3: the way of your deal. 257 00:13:19,640 --> 00:13:22,160 Speaker 6: Gig's wanted to take the family business from me for 258 00:13:22,280 --> 00:13:22,800 Speaker 6: years now. 259 00:13:23,480 --> 00:13:24,480 Speaker 2: She's finally done it. 260 00:13:24,520 --> 00:13:29,800 Speaker 7: Good, she won one. 261 00:13:29,880 --> 00:13:32,120 Speaker 5: I think, I just I think I just need to 262 00:13:32,120 --> 00:13:32,840 Speaker 5: be alone for a seconing. 263 00:13:32,840 --> 00:13:35,560 Speaker 2: You know what, screw what are you talking about? 264 00:13:35,520 --> 00:13:38,000 Speaker 4: And screw your dad? Nando, you said it. 265 00:13:38,120 --> 00:13:40,480 Speaker 5: This job isn't over until the Delano is in the 266 00:13:40,520 --> 00:13:43,960 Speaker 5: client's hands, so let's get it back. 267 00:13:44,000 --> 00:13:47,040 Speaker 2: But we have no idea where Gigi is. She she 268 00:13:47,360 --> 00:13:50,400 Speaker 2: could be anywhere, so we'll find her. I don't know one, I. 269 00:13:50,400 --> 00:13:53,559 Speaker 10: Don't I don't think I know anything anymore. 270 00:13:54,840 --> 00:13:57,000 Speaker 5: Well, then it's a good thing you have me now, 271 00:13:57,920 --> 00:13:59,520 Speaker 5: and I'm not going anywhere. 272 00:14:02,080 --> 00:14:07,120 Speaker 7: On my family is it's complicated. 273 00:14:07,160 --> 00:14:07,960 Speaker 4: Whose isn't. 274 00:14:08,559 --> 00:14:11,920 Speaker 5: But this thing between us doesn't have to be. But 275 00:14:12,040 --> 00:14:14,960 Speaker 5: don though I care about you, and there is nothing 276 00:14:15,240 --> 00:14:28,200 Speaker 5: complicated about that. You know what You're right on? 277 00:14:28,640 --> 00:14:31,640 Speaker 2: Forget Gigi, forget the con my dad. 278 00:14:31,680 --> 00:14:38,080 Speaker 7: I just I just beat you. What's wrong? Are those 279 00:14:39,400 --> 00:14:45,160 Speaker 7: are those rose petals? Oh? My champagne price? You did? 280 00:14:45,480 --> 00:14:46,360 Speaker 7: You made me dinner? 281 00:14:47,240 --> 00:14:49,000 Speaker 5: It's too much, as I said, Oh god, this is 282 00:14:49,000 --> 00:14:49,600 Speaker 5: so embarrassing. 283 00:14:49,920 --> 00:14:51,440 Speaker 2: Oh you hate it. You hate it, don't you. 284 00:14:51,480 --> 00:14:51,600 Speaker 3: Oh? 285 00:14:51,880 --> 00:14:53,000 Speaker 4: I know the roads were too much. 286 00:14:53,040 --> 00:14:55,400 Speaker 2: No, no, it us aren't even sexy. They're not even sexy. 287 00:14:55,400 --> 00:14:55,600 Speaker 1: Food. 288 00:14:55,640 --> 00:14:57,720 Speaker 2: Oh my god, Oh my god. There are too many cantos. 289 00:14:57,800 --> 00:14:58,000 Speaker 1: Yeah. 290 00:14:58,080 --> 00:15:01,320 Speaker 5: Maybe maybe it's just turned the sto Well, this is. 291 00:15:03,080 --> 00:15:05,280 Speaker 2: This is the nicest thing anyone's ever done for me. 292 00:15:07,600 --> 00:15:11,760 Speaker 10: Wait, please blow those candles actually talk finishing this con 293 00:15:11,840 --> 00:15:20,440 Speaker 10: isn't the only thing that's a long overdue Okay. 294 00:15:26,160 --> 00:15:29,640 Speaker 3: The Setup was produced by SO in partnership with Iheart's 295 00:15:29,680 --> 00:15:31,360 Speaker 3: Michael Tura podcast Network. 296 00:15:32,280 --> 00:15:37,320 Speaker 1: Created and written by Ivy Marie and Philippe Baujan, directed 297 00:15:37,320 --> 00:15:43,240 Speaker 1: by Bettina Lopez, Produced by Luis Luardo Castillo, developed by 298 00:15:43,280 --> 00:15:49,440 Speaker 1: Bettina Lopez, story editing by Nick Milanz. Executive produced by 299 00:15:49,440 --> 00:15:51,240 Speaker 1: Harvey Gian and Christian Navarro. 300 00:15:51,960 --> 00:15:56,000 Speaker 3: Connel Byrne and Giselle Banss for iHeart and Camilla Victoriano 301 00:15:56,040 --> 00:15:58,080 Speaker 3: and Joshua Weinstein for Soro. 302 00:15:59,360 --> 00:16:06,800 Speaker 1: Performances in this episode by Harpigigin, Christian Navarro, Daniela Alonso, 303 00:16:07,560 --> 00:16:13,840 Speaker 1: Natalie Law, and Kareem Galeb. Our production and supervising managers 304 00:16:13,880 --> 00:16:16,240 Speaker 1: are gustav Woa, Rila and Get in Sachadis. 305 00:16:17,320 --> 00:16:21,680 Speaker 9: Recording engineering and sound designed by Edwin Irigoying, Juan Dias 306 00:16:21,760 --> 00:16:22,840 Speaker 9: and Andres Bayena. 307 00:16:24,120 --> 00:16:27,800 Speaker 1: Casting and coordination by Ansley Martinez and Alex Gonzialez. 308 00:16:29,120 --> 00:16:32,520 Speaker 2: Voices recorded at the Invisible Studios in Los Angeles, The 309 00:16:32,600 --> 00:16:35,800 Speaker 2: Relic Room in New York, and Cabby Sound Studios in. 310 00:16:35,800 --> 00:16:40,760 Speaker 1: Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin, 311 00:16:41,000 --> 00:16:42,400 Speaker 1: and Colin Hunkerlier. 312 00:16:44,320 --> 00:16:47,320 Speaker 3: If you're enjoying the setup, please subscribe, rate, and review 313 00:16:47,320 --> 00:16:49,040 Speaker 3: our show wherever you're listening