1 00:00:01,400 --> 00:00:05,080 Speaker 1: Dan danverbody come to the breakfast club. I call this 2 00:00:05,200 --> 00:00:12,039 Speaker 1: the high Sea lave you. I'm not even doing it. 3 00:00:12,440 --> 00:00:15,640 Speaker 1: Yo so petty yo are yo so petty, the world's 4 00:00:15,680 --> 00:00:19,520 Speaker 1: most dangerous morning shod j ny after this, bitch, Angela. 5 00:00:19,760 --> 00:00:22,120 Speaker 1: I stay in everybody's business, but in a good rad. Charlomagne, 6 00:00:22,200 --> 00:00:25,239 Speaker 1: the the ruler rubbers you the wrong way. The breakfast 7 00:00:25,280 --> 00:00:40,680 Speaker 1: clubs make for everybody. Good morning Usa yoo yo yo 8 00:00:40,720 --> 00:00:42,320 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:42,400 --> 00:00:44,199 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:44,320 --> 00:00:46,360 Speaker 1: yo yo yo yo yo yo yo yo yo yo. 11 00:00:46,760 --> 00:00:49,640 Speaker 1: Good morning Angela. Ye, good money. He's envy, Jolomagne, the 12 00:00:49,680 --> 00:00:55,280 Speaker 1: guy He's to the planet is Monday. Yes, it's Monday. 13 00:00:55,360 --> 00:00:57,040 Speaker 1: Back to the work week. Back to the work week, 14 00:00:57,080 --> 00:00:59,800 Speaker 1: back to the school week. Nobody really appreciates Mondays. I 15 00:01:00,040 --> 00:01:03,560 Speaker 1: have trouble sleeping on Sunday nights, every Sunday night. I 16 00:01:03,640 --> 00:01:06,080 Speaker 1: really not know why. Yes, it is hard for me 17 00:01:06,240 --> 00:01:08,840 Speaker 1: to go to sleep on Sunday nights. They say that 18 00:01:09,000 --> 00:01:11,440 Speaker 1: later than normal Friday and Saturday. No. Well, this Sunday 19 00:01:11,480 --> 00:01:13,080 Speaker 1: with Him show was a late night. Of course, you 20 00:01:13,120 --> 00:01:15,400 Speaker 1: watched the Grammys. I stayed up for the whole. I 21 00:01:15,440 --> 00:01:16,920 Speaker 1: watched the little bit, I watched some of the Grammys. 22 00:01:16,920 --> 00:01:19,160 Speaker 1: Then I turn and watched Girls. But between the Grammys 23 00:01:19,200 --> 00:01:22,480 Speaker 1: and Girls and Finding Bigfoot on Animal Planet because I 24 00:01:22,560 --> 00:01:25,800 Speaker 1: like that show. Okay, yeah, I love Bruno Mars doing 25 00:01:25,840 --> 00:01:27,560 Speaker 1: the Prince Tribie. I thought he did a great job. 26 00:01:28,800 --> 00:01:30,440 Speaker 1: His makeup could have been a little bit better. First 27 00:01:30,440 --> 00:01:34,240 Speaker 1: of all, you know I love Prince and so when 28 00:01:34,280 --> 00:01:36,039 Speaker 1: I watched it, I thought he did an excellent excellent 29 00:01:36,160 --> 00:01:38,480 Speaker 1: except for the makeup. Prince's makeup was way better than 30 00:01:38,520 --> 00:01:41,679 Speaker 1: Bruno Mars's makeup. Okay, he had the eyeliner on and everything. 31 00:01:42,040 --> 00:01:43,880 Speaker 1: I like it. Bruno Mars killed it. And shout the 32 00:01:43,920 --> 00:01:46,040 Speaker 1: Budams when when Bruda Mass first came out, he was 33 00:01:46,360 --> 00:01:47,840 Speaker 1: running around the strip clubs. When I used to d 34 00:01:48,000 --> 00:01:49,600 Speaker 1: shop clubs and come to the strip clubs in the hood. 35 00:01:49,840 --> 00:01:51,920 Speaker 1: Adam in Jersey Girls one day, so I was like, okay, 36 00:01:51,960 --> 00:01:55,000 Speaker 1: but shout also yeah dropping a clues box for Bruno's Mass. 37 00:01:55,000 --> 00:01:57,960 Speaker 1: He one of those gifted individuals. Absolutely like he's just 38 00:01:58,160 --> 00:02:00,920 Speaker 1: gifted is all the way around he is and shout 39 00:02:01,000 --> 00:02:02,760 Speaker 1: the chance to wrap A chance to rapper had an 40 00:02:02,760 --> 00:02:05,040 Speaker 1: amazing show. He performed and killed it. He picked up 41 00:02:05,040 --> 00:02:07,520 Speaker 1: how many Grammys? Two Grammys last ling. Yeah, it's interesting. 42 00:02:07,600 --> 00:02:10,560 Speaker 1: I had did this, uh, this special show with Entertainment 43 00:02:10,600 --> 00:02:13,360 Speaker 1: Weekly where we talked about the Grammys, and I did 44 00:02:13,560 --> 00:02:16,200 Speaker 1: all my predictions came to all of them, which never happened. 45 00:02:16,320 --> 00:02:19,480 Speaker 1: Dropping a clues ball for a Chance to Rapper. I 46 00:02:19,560 --> 00:02:21,720 Speaker 1: felt like Chance to Rapper would win those categories, and 47 00:02:21,840 --> 00:02:23,640 Speaker 1: he did. I like the fact that Chance to Rapper 48 00:02:23,720 --> 00:02:25,920 Speaker 1: is not afraid to testify. Chance to Rapper gives all 49 00:02:26,000 --> 00:02:27,760 Speaker 1: glory to God. That is not something you see a 50 00:02:27,800 --> 00:02:29,399 Speaker 1: lot of artists do. Like you might see a rapper 51 00:02:29,440 --> 00:02:30,560 Speaker 1: get up there and be like, I want to thank 52 00:02:30,600 --> 00:02:33,239 Speaker 1: God and then going to shouting out his you know 53 00:02:33,320 --> 00:02:37,600 Speaker 1: every all that. But Chance gave glory to God like 54 00:02:37,760 --> 00:02:42,200 Speaker 1: seven times during one acceptance speech. Absolutely, and then his 55 00:02:42,680 --> 00:02:44,959 Speaker 1: his his, his performance last night looked like David E. 56 00:02:45,000 --> 00:02:47,040 Speaker 1: Talbert put it together. That looked like a black gospel 57 00:02:47,080 --> 00:02:49,800 Speaker 1: stage play. He killed that performance last night. He did 58 00:02:49,880 --> 00:02:53,280 Speaker 1: so much energy. And also I've never seen somebody stop 59 00:02:53,400 --> 00:02:55,600 Speaker 1: in the middle of their performance and then started over. Start, 60 00:02:55,840 --> 00:02:57,519 Speaker 1: let's reset, let's reset. I want to do this so 61 00:02:57,560 --> 00:02:58,679 Speaker 1: I know it's love. I want to do this so 62 00:02:58,680 --> 00:03:00,200 Speaker 1: I was like, what, you can't do that this live? 63 00:03:00,280 --> 00:03:01,639 Speaker 1: But she did it. I'm gonna tell you something. You 64 00:03:01,760 --> 00:03:03,040 Speaker 1: are you're talking about it, Dell. I one of those 65 00:03:03,040 --> 00:03:04,919 Speaker 1: people that just don't appreciate it. Dell. I liked the 66 00:03:05,000 --> 00:03:07,720 Speaker 1: Dell twenty one album, but Adele on stage it's bor 67 00:03:07,880 --> 00:03:10,280 Speaker 1: ring to me. I mean when sheild wife was going in, 68 00:03:10,320 --> 00:03:12,720 Speaker 1: it's not even raining. Yeah, that's the tribute was kind 69 00:03:12,760 --> 00:03:15,000 Speaker 1: of just boring. She is a twitter egg with vocals 70 00:03:15,040 --> 00:03:16,720 Speaker 1: to me. I mean if you, I guess, if you 71 00:03:16,800 --> 00:03:18,880 Speaker 1: were a huge fan of adel and had her albums, 72 00:03:19,440 --> 00:03:21,200 Speaker 1: you would like to see her perform live. Because I 73 00:03:21,240 --> 00:03:23,480 Speaker 1: know people who are humongous a Del fans. Some of 74 00:03:23,520 --> 00:03:27,800 Speaker 1: them work here George Michael tribute, but I think about 75 00:03:27,800 --> 00:03:31,720 Speaker 1: her performing in general. Yeah, and I loved the twenty 76 00:03:31,720 --> 00:03:34,600 Speaker 1: one album and twenty five was cool. Wasn't better than Lamonade. 77 00:03:34,600 --> 00:03:36,240 Speaker 1: But I know people who are superfans to go to 78 00:03:36,320 --> 00:03:38,560 Speaker 1: every Adele performance and can sit through it because they 79 00:03:38,800 --> 00:03:41,880 Speaker 1: love to see her perform the songs live that watch Beyonce. 80 00:03:42,040 --> 00:03:45,200 Speaker 1: Watch Beyonce performance in the Dell performance and come on, 81 00:03:45,720 --> 00:03:48,880 Speaker 1: it's not even close, bro. I don't think it anticipate 82 00:03:48,960 --> 00:03:51,320 Speaker 1: her to be exciting. But Beyonce ain't had no I 83 00:03:51,360 --> 00:03:54,760 Speaker 1: wasn't what was that a regular superflowers? Her? Shut up? 84 00:03:55,480 --> 00:03:57,720 Speaker 1: You back in that chair. That was all teller Canesius 85 00:03:57,800 --> 00:03:59,520 Speaker 1: bro shout up. Was wrong with you? It wasn't no 86 00:03:59,600 --> 00:04:03,960 Speaker 1: special effect when Beyonce performed, that's what that was her superpowers. Kid, 87 00:04:04,440 --> 00:04:07,080 Speaker 1: you need to grow up. I need to grow from about. 88 00:04:07,160 --> 00:04:10,119 Speaker 1: That's her superpowers. I can't believe you. Was Beyonce's going 89 00:04:10,160 --> 00:04:14,280 Speaker 1: around and yeah magic? That was it was shut up man, 90 00:04:14,480 --> 00:04:18,680 Speaker 1: beautiful personal effects. When she leaned back in that chair, 91 00:04:18,760 --> 00:04:21,520 Speaker 1: you thought that was a listen me back in that chair. 92 00:04:21,720 --> 00:04:24,240 Speaker 1: Me and Loria were like, whoa, whoa, Now, come on now, 93 00:04:25,440 --> 00:04:27,160 Speaker 1: gonna play those games. I was telling a Nieces. I 94 00:04:27,200 --> 00:04:29,000 Speaker 1: was like, she got this. And of course we got 95 00:04:29,080 --> 00:04:31,680 Speaker 1: to talk about Cameron. Over the weekend, Cameron did it 96 00:04:31,760 --> 00:04:35,240 Speaker 1: inst to live for three hours, drop camera dropping. It 97 00:04:35,360 --> 00:04:37,479 Speaker 1: was amazing. I was going bowling. I was like, all right, 98 00:04:37,520 --> 00:04:39,800 Speaker 1: I got I watched that. Be and I were doing 99 00:04:39,880 --> 00:04:42,279 Speaker 1: date night watching Cameroon. I see this on YouTube. Now 100 00:04:42,320 --> 00:04:44,240 Speaker 1: that was great. Cameroon started start trying to start a 101 00:04:44,279 --> 00:04:45,880 Speaker 1: trend of interviewing himself. Let me tell you all this 102 00:04:45,960 --> 00:04:47,480 Speaker 1: something that's not gonna work for that's not gonnhere. You 103 00:04:47,480 --> 00:04:49,000 Speaker 1: gotta stop right now. But they gotta put a hole 104 00:04:49,000 --> 00:04:50,600 Speaker 1: to that right now. That's not gonna work for you. 105 00:04:50,920 --> 00:04:53,120 Speaker 1: All right, Well, let's get the show cracking front page news. 106 00:04:53,160 --> 00:04:54,560 Speaker 1: What we're talking about. Well, of course we are going 107 00:04:54,600 --> 00:04:56,840 Speaker 1: to talk about the Grammys from last night, so you 108 00:04:56,880 --> 00:04:59,160 Speaker 1: can weigh in. Also tell us what you thought, and 109 00:04:59,480 --> 00:05:03,000 Speaker 1: Will took talk about California and the damn system and 110 00:05:03,200 --> 00:05:05,320 Speaker 1: why over one hundred and eighty thousand people had to 111 00:05:05,400 --> 00:05:07,800 Speaker 1: be evacuated. All right, Tyres is gonna be here this 112 00:05:08,200 --> 00:05:11,280 Speaker 1: Tyrese will be joining us next hour. Aree Gibson and also, 113 00:05:11,400 --> 00:05:14,400 Speaker 1: like ty, if you're blessed, you feel good, you want 114 00:05:14,440 --> 00:05:17,000 Speaker 1: to spread some blessings on blessings on blessings to the people. 115 00:05:17,040 --> 00:05:19,320 Speaker 1: You want to spread some positivity, call us right now. 116 00:05:19,400 --> 00:05:21,920 Speaker 1: Eight hundred five eighty five, one oh five one. And 117 00:05:23,080 --> 00:05:24,560 Speaker 1: I had to make sure I like that record. I 118 00:05:24,600 --> 00:05:26,320 Speaker 1: had to make sure. I had to make sure I 119 00:05:26,400 --> 00:05:27,960 Speaker 1: like it because it's actually a dope record, and not 120 00:05:28,080 --> 00:05:30,000 Speaker 1: because you know, I'm a kinky smith. One free Knows 121 00:05:30,040 --> 00:05:32,680 Speaker 1: called him. But that's a tough too, all right, Well, 122 00:05:32,720 --> 00:05:35,240 Speaker 1: let's get in some front page news, all right, Now, 123 00:05:35,320 --> 00:05:38,640 Speaker 1: let's talk a Grammy recap. Yes, well, then we're gonna 124 00:05:38,640 --> 00:05:40,400 Speaker 1: be talking Grammy recap all morning because a lot of 125 00:05:40,480 --> 00:05:42,960 Speaker 1: things did happen last night at the fifty ninth Annual 126 00:05:43,120 --> 00:05:47,080 Speaker 1: Grammy Awards. Now, Adele swept every category that she was 127 00:05:47,200 --> 00:05:50,640 Speaker 1: nominated for, including Album of the Year, the Song of 128 00:05:50,720 --> 00:05:53,800 Speaker 1: the Year, Record of the Year for Hello, and when 129 00:05:53,880 --> 00:05:56,880 Speaker 1: she won Album of the Year awards, she actually felt 130 00:05:56,960 --> 00:05:59,520 Speaker 1: like Beyonce deserved it for Lemonade. Here's what she said. 131 00:06:00,080 --> 00:06:03,320 Speaker 1: My artist of my life is beyonceing this album for me. 132 00:06:04,120 --> 00:06:08,840 Speaker 1: The Lemonade album was just so monumental, Fiance. It was 133 00:06:08,920 --> 00:06:13,120 Speaker 1: so monumental and so beautiful and soul bearing, and we 134 00:06:13,240 --> 00:06:14,960 Speaker 1: all got to see another side to you that you 135 00:06:15,040 --> 00:06:17,280 Speaker 1: don't always let us see. And we appreciate that, and 136 00:06:17,360 --> 00:06:21,360 Speaker 1: all us artists here at all you you are right. 137 00:06:23,080 --> 00:06:25,440 Speaker 1: And the way that you make me and my friend's feel, 138 00:06:25,480 --> 00:06:28,360 Speaker 1: the way you make my black friends feel is empowering, 139 00:06:28,520 --> 00:06:31,040 Speaker 1: and you make them stand up for themselves. And I 140 00:06:31,200 --> 00:06:34,600 Speaker 1: love you, I always have and I always will. Awkward 141 00:06:34,720 --> 00:06:37,160 Speaker 1: my black friend that didn't bother me. I feel like 142 00:06:37,200 --> 00:06:39,640 Speaker 1: Adele miss is that a little arkward. I feel like 143 00:06:39,680 --> 00:06:41,880 Speaker 1: she missed a moment to use her privilege to combat 144 00:06:41,960 --> 00:06:43,800 Speaker 1: prejudice thought, because I feel like she could have said, 145 00:06:43,839 --> 00:06:46,600 Speaker 1: Beyonce's music makes me want to stand up for my 146 00:06:46,760 --> 00:06:49,960 Speaker 1: black friends and other black people experiencing racial injustice in America. 147 00:06:49,960 --> 00:06:52,160 Speaker 1: Of course, Beyonce's music makes her black friends want to 148 00:06:52,160 --> 00:06:53,760 Speaker 1: stand up for themselves, But does it make you want 149 00:06:53,760 --> 00:06:55,680 Speaker 1: to stand up? Maybe maybe she didn't feel that way. 150 00:06:55,880 --> 00:06:57,840 Speaker 1: I'm just saying to kind of messaging out. I think 151 00:06:57,839 --> 00:07:00,360 Speaker 1: it was upward that. I don't think she meant anything 152 00:07:00,680 --> 00:07:04,160 Speaker 1: wrong by it. I just think it's wrong. I didn't 153 00:07:04,160 --> 00:07:06,120 Speaker 1: I didn't say she meant anything wrong, But I say, 154 00:07:06,200 --> 00:07:09,200 Speaker 1: maybe she doesn't feel that way. I just maybe just 155 00:07:09,560 --> 00:07:11,760 Speaker 1: you know how she felt, you know, maybe like attention. 156 00:07:12,160 --> 00:07:14,560 Speaker 1: She wasn't saying anything in but I'm just saying, like 157 00:07:15,000 --> 00:07:18,360 Speaker 1: we know, Beyonce's music makes your black friends want to 158 00:07:18,360 --> 00:07:20,200 Speaker 1: stand up for themselves, But does it make you want 159 00:07:20,240 --> 00:07:22,320 Speaker 1: to stand up for them? Right? That's what I would 160 00:07:22,320 --> 00:07:25,600 Speaker 1: have went with if I was her, But you know whatever, Alright, well, 161 00:07:25,680 --> 00:07:28,840 Speaker 1: Beyonce one for Best Urban Contemporary Albums. She went for 162 00:07:28,920 --> 00:07:32,200 Speaker 1: Best Music Video, also for Formation and the album for 163 00:07:32,400 --> 00:07:35,000 Speaker 1: of course Lemonade in here is what her speech sounded like. 164 00:07:35,400 --> 00:07:39,280 Speaker 1: We all experience pain and loss, and often we become inaudible. 165 00:07:39,760 --> 00:07:42,040 Speaker 1: My intention for the film and album was to create 166 00:07:42,120 --> 00:07:43,640 Speaker 1: a body of work that would give a voice to 167 00:07:43,720 --> 00:07:47,440 Speaker 1: our pain, our struggles, our darkness, and our history to 168 00:07:47,600 --> 00:07:51,120 Speaker 1: confront issues that make us uncomfortable. It's important to me 169 00:07:51,200 --> 00:07:53,800 Speaker 1: to show images to my children that reflect their beauty 170 00:07:54,240 --> 00:07:56,320 Speaker 1: so they can grow up in the world or they 171 00:07:56,400 --> 00:07:58,960 Speaker 1: look in the mirror first to their own families and 172 00:07:59,120 --> 00:08:03,800 Speaker 1: see themselves and have no doubt if they're beautiful, intelligent, 173 00:08:03,960 --> 00:08:06,600 Speaker 1: and capable. This is something I want for every child 174 00:08:06,640 --> 00:08:08,400 Speaker 1: of every right. I don't want to be patty, but 175 00:08:08,480 --> 00:08:10,680 Speaker 1: why dell Audio sound all Crispy and Claire when we 176 00:08:10,720 --> 00:08:14,720 Speaker 1: played them? But beyond this, they probably got them two 177 00:08:14,720 --> 00:08:17,680 Speaker 1: different places. I'm the same show with a Grammy two 178 00:08:17,680 --> 00:08:19,560 Speaker 1: different places. I just want to name. I don't want 179 00:08:19,560 --> 00:08:21,280 Speaker 1: to be petty here, but I'm just saying, well, Blue 180 00:08:21,320 --> 00:08:25,320 Speaker 1: Ivylok looked like she had a great time last night. 181 00:08:25,400 --> 00:08:28,560 Speaker 1: Also absolutely well that's some front page news and I 182 00:08:28,640 --> 00:08:30,320 Speaker 1: just want to talk about California too. By the way, 183 00:08:30,320 --> 00:08:33,120 Speaker 1: there's over one hundred and eighty thousand people evacuated because 184 00:08:33,120 --> 00:08:35,320 Speaker 1: of the damn so a lot of people are concerned 185 00:08:35,360 --> 00:08:38,120 Speaker 1: about that. All right, tell them why you're man? Eight 186 00:08:38,200 --> 00:08:40,640 Speaker 1: hundred five eight five one oh five one. If you're upset, 187 00:08:40,679 --> 00:08:42,400 Speaker 1: you need to vent. Call us right now. Maybe had 188 00:08:42,400 --> 00:08:44,679 Speaker 1: a bad weekend. It was a little snow over the weekend. 189 00:08:44,720 --> 00:08:46,360 Speaker 1: Maybe a week it was after call us right now. 190 00:08:46,480 --> 00:08:48,880 Speaker 1: Eight hundred five eight five, one oh five one. It's 191 00:08:48,920 --> 00:08:56,600 Speaker 1: the breakfast club corning the breakfast club last night you're 192 00:08:56,640 --> 00:09:00,400 Speaker 1: getting what do you look like? That? Yeah? You know 193 00:09:00,480 --> 00:09:03,840 Speaker 1: I'm a real mad soul that y yeah, I'll get 194 00:09:03,960 --> 00:09:06,880 Speaker 1: real bad so matter of fact, yo, yo, tell me 195 00:09:06,960 --> 00:09:08,880 Speaker 1: why are you mad? On the breakfast But every real 196 00:09:10,320 --> 00:09:14,520 Speaker 1: slot coming on my nose? Cock cat dandy, real about it? Hello? 197 00:09:14,600 --> 00:09:18,080 Speaker 1: Who's this? Uh? This is Tracy? Hey, Tracy, tell them 198 00:09:18,120 --> 00:09:22,360 Speaker 1: why you Marance? Um? Hey, I am mad because I'm 199 00:09:22,360 --> 00:09:25,840 Speaker 1: not a best performer. I'm sorry. She is not a singer. 200 00:09:25,920 --> 00:09:28,840 Speaker 1: She's a performer. And if she's not in a compromising 201 00:09:28,960 --> 00:09:32,319 Speaker 1: position or crawling on the floor, she has nothing going on. 202 00:09:32,840 --> 00:09:35,439 Speaker 1: Any woman do with a shake, can crawl around, put 203 00:09:35,480 --> 00:09:39,920 Speaker 1: on something seductive and make it happen. Um. Oh no, 204 00:09:41,640 --> 00:09:44,480 Speaker 1: maybe you don't. You don't know you you've not experienced that, 205 00:09:44,880 --> 00:09:48,559 Speaker 1: but maybe it is true. Um, you know, yeah, you know, 206 00:09:49,080 --> 00:09:52,880 Speaker 1: a woman in a seductive, compromising position with something slinky 207 00:09:52,960 --> 00:09:56,760 Speaker 1: on is is really hot to a man. But it's 208 00:09:56,800 --> 00:10:02,120 Speaker 1: really it's really downgrading women. You hat Beyonce. There's nothing 209 00:10:02,240 --> 00:10:05,439 Speaker 1: downgrading about women to Beyonce. But let me ask you 210 00:10:05,520 --> 00:10:07,920 Speaker 1: that don't you think that Beyonce is a great dancer 211 00:10:08,040 --> 00:10:10,520 Speaker 1: and singer. That's let's say she's a performer. She's not 212 00:10:10,600 --> 00:10:13,400 Speaker 1: a singer, she's a performer. You don't think that's why 213 00:10:13,400 --> 00:10:17,640 Speaker 1: I wanted for for singing, not performing? Well, I don't appreciate. 214 00:10:17,760 --> 00:10:19,880 Speaker 1: What I don't appreciate is Carry Hilson having her fans 215 00:10:19,920 --> 00:10:22,320 Speaker 1: call of heater slam to Beyonce early in the morning. Well, honey, 216 00:10:22,360 --> 00:10:24,760 Speaker 1: I'm not a Carry Hillsome fan either. I mean, I 217 00:10:24,920 --> 00:10:28,880 Speaker 1: am me all by myself and like, who do you like? 218 00:10:29,200 --> 00:10:31,439 Speaker 1: Very much? A lady, I'm sorry, who do you like? 219 00:10:32,000 --> 00:10:35,960 Speaker 1: Who do I like? I like singers? You know, I'm 220 00:10:36,280 --> 00:10:39,200 Speaker 1: into like shell for real. You know people that can sing, 221 00:10:39,679 --> 00:10:43,199 Speaker 1: that can stand without a mic, without props, without all that, 222 00:10:43,360 --> 00:10:49,040 Speaker 1: and just standing flat footed and sing. You ain't I'm 223 00:10:49,400 --> 00:10:52,160 Speaker 1: and I do apologize for on your behalf as well, 224 00:10:52,600 --> 00:10:56,079 Speaker 1: but there there are singers out here to deserve a 225 00:10:56,160 --> 00:10:59,120 Speaker 1: lot more. I want you, I want, I want. I'm 226 00:10:59,160 --> 00:11:01,240 Speaker 1: sorry that you didn't look as good as Beyonce pregnant. 227 00:11:01,320 --> 00:11:03,160 Speaker 1: Oh baby, I don't have to look good as good 228 00:11:03,160 --> 00:11:06,200 Speaker 1: as Beyonce. I look better. That's why I'm not even 229 00:11:06,559 --> 00:11:09,040 Speaker 1: about you. Tell the mama, okay, mama, you can tell 230 00:11:09,080 --> 00:11:11,079 Speaker 1: she's a struggling singer. She used to be a singer. 231 00:11:11,160 --> 00:11:14,640 Speaker 1: She's sixty nine. Yeah, hello, who's this? Don Joan? How 232 00:11:14,640 --> 00:11:16,760 Speaker 1: are you doing here telling about you? Mad? I'm not 233 00:11:16,920 --> 00:11:19,920 Speaker 1: really mad. I'm just upsetted with Sharlotte Maney because Charlot 234 00:11:19,960 --> 00:11:23,959 Speaker 1: Mane is too intelligent and that interview y'all doing, Big 235 00:11:24,000 --> 00:11:26,599 Speaker 1: Sean that was so so nice. Chalomne is too e 236 00:11:26,679 --> 00:11:31,760 Speaker 1: chellengent to be. Yo yo, y'all so stupid. I can't 237 00:11:31,800 --> 00:11:34,880 Speaker 1: say yo yo yo yo yo yo man Shalo man, 238 00:11:35,040 --> 00:11:36,959 Speaker 1: you really need to stop. You're a challenging brother. You 239 00:11:37,000 --> 00:11:39,040 Speaker 1: got a book out, you got this going on, you 240 00:11:39,120 --> 00:11:41,040 Speaker 1: got by the way. By the way, the book's not 241 00:11:41,120 --> 00:11:43,599 Speaker 1: out yet, but it's available for pre order at seabook 242 00:11:43,640 --> 00:11:45,960 Speaker 1: dot com. It will be out April eighteen for okay, stupid. 243 00:11:45,960 --> 00:11:47,480 Speaker 1: You shouldn't be saying yo yo yo yo. Say it 244 00:11:47,520 --> 00:11:49,839 Speaker 1: in a different way. I don't claim I know I'm 245 00:11:49,840 --> 00:11:52,680 Speaker 1: an idiot. You don't believe I'm an idiot. I don't 246 00:11:52,679 --> 00:11:55,319 Speaker 1: know what's wrong with you. Hello, who's doing nothing? Hello? Hey? 247 00:11:55,440 --> 00:12:00,920 Speaker 1: Tell them why you mad? I'm very wow, has Betimes. 248 00:12:00,920 --> 00:12:04,080 Speaker 1: I work for a pis and Anthem company. They started 249 00:12:04,160 --> 00:12:07,600 Speaker 1: upon New York, and I'm upset because they're playing back 250 00:12:07,880 --> 00:12:11,520 Speaker 1: workers more than they right now. Yeah, I think that's 251 00:12:11,640 --> 00:12:15,160 Speaker 1: very disrespectful. I feel like all public service workers need 252 00:12:15,200 --> 00:12:17,199 Speaker 1: to be rich. I really feel that way. Thank you 253 00:12:17,240 --> 00:12:21,480 Speaker 1: for the police officer, firefighter, e MS, doctor, teacher, like 254 00:12:21,600 --> 00:12:24,640 Speaker 1: they should be bawling. Eight hundred five eight five one 255 00:12:24,720 --> 00:12:26,400 Speaker 1: oh five one. Tell them why you're mad. But now 256 00:12:26,480 --> 00:12:29,120 Speaker 1: let's clear the lines. And now it's blessings upon blessings 257 00:12:29,240 --> 00:12:31,480 Speaker 1: upon blessings. If you feel blessed this morning, call us up. 258 00:12:31,520 --> 00:12:33,360 Speaker 1: We'll put your live on the air. It's the Breakfast 259 00:12:33,360 --> 00:12:42,320 Speaker 1: Cloual morning, the breakfast Club. Are you blessing? Highly favored? 260 00:12:42,440 --> 00:12:45,079 Speaker 1: I feel blessed? Tell the congregation at eight hundred and 261 00:12:45,080 --> 00:12:50,520 Speaker 1: five eight five one five one. It's the breakfast club. Hello, 262 00:12:50,600 --> 00:13:01,720 Speaker 1: who's this Adriana? Hey, mama, you feel blessed? Okay, what's 263 00:13:01,840 --> 00:13:06,360 Speaker 1: up baby? Why do you feel so blessed? I'm blessed 264 00:13:06,400 --> 00:13:08,360 Speaker 1: the time. I got a proof from my apartment this weekend, 265 00:13:08,440 --> 00:13:10,640 Speaker 1: so I'm moving up out of my daddy house. There. 266 00:13:12,679 --> 00:13:16,880 Speaker 1: I'm twenty two. Watch you out now. Congratulations, mama. Thanks, 267 00:13:17,120 --> 00:13:20,120 Speaker 1: I have a good day. Still. Hello, who's this? Are 268 00:13:20,120 --> 00:13:21,719 Speaker 1: you doing? This? Was one old man called out a 269 00:13:21,760 --> 00:13:25,040 Speaker 1: normal Virginia. Well, you're feeling blessed this morning? Yes, sir, man, 270 00:13:25,120 --> 00:13:27,600 Speaker 1: I just I got a good wife man, awesome kids, 271 00:13:27,760 --> 00:13:29,319 Speaker 1: making a good income. You know what I mean. I 272 00:13:29,440 --> 00:13:31,319 Speaker 1: really can't complain this morning. I thank y'all for the 273 00:13:31,360 --> 00:13:33,880 Speaker 1: opportunity to thank you. Man, bless segment man to be 274 00:13:33,920 --> 00:13:35,640 Speaker 1: able to share it with the people. Man, that's all, 275 00:13:36,120 --> 00:13:38,400 Speaker 1: be thankful what you have, you get blessed from more. Hello? 276 00:13:38,480 --> 00:13:41,960 Speaker 1: Who's this? Hi? This is Rachel from New Haven, Connecticut. Hey, Rachel, 277 00:13:41,960 --> 00:13:45,240 Speaker 1: you feeling blessed this morning? I'm feeling absolutely blessed when 278 00:13:45,280 --> 00:13:48,719 Speaker 1: my father moved from New York to Connecticut because me 279 00:13:48,800 --> 00:13:51,400 Speaker 1: and my sister live here and he's been helping me. 280 00:13:51,800 --> 00:13:54,480 Speaker 1: He's been amazing with my kids. He's been helping me 281 00:13:54,960 --> 00:13:57,360 Speaker 1: today they have a two hour delay, and he was 282 00:13:57,720 --> 00:14:00,560 Speaker 1: he was. He didn't hesitate to say, all I'll take them. 283 00:14:00,640 --> 00:14:02,800 Speaker 1: He has to take a cab, but so he had 284 00:14:02,840 --> 00:14:05,559 Speaker 1: no hesitation saying he'll do it. What you're trying to say, 285 00:14:05,600 --> 00:14:07,439 Speaker 1: is you happy you don't gotta pay for babysitters and 286 00:14:07,520 --> 00:14:10,439 Speaker 1: uber's no more for your little kids. No, no, I no. 287 00:14:10,679 --> 00:14:13,199 Speaker 1: I was good in the first place, but my dad 288 00:14:13,360 --> 00:14:15,599 Speaker 1: is just my grandmother passed away in August, so he 289 00:14:15,760 --> 00:14:17,240 Speaker 1: moved out here. He was like, oh, there's nothing much 290 00:14:17,280 --> 00:14:18,720 Speaker 1: for me in New York, so he came out here 291 00:14:18,760 --> 00:14:21,320 Speaker 1: with us. Yes, cut us to your dad for helping 292 00:14:21,360 --> 00:14:23,320 Speaker 1: you out. And it's nice to have, actually your father 293 00:14:23,520 --> 00:14:26,400 Speaker 1: be the one to watch your kids after someone that 294 00:14:26,440 --> 00:14:28,200 Speaker 1: I trust more than anybody in the world. You know, 295 00:14:28,480 --> 00:14:31,840 Speaker 1: I'm like having a grand babysitter. Stop it now, that's blessings. 296 00:14:31,880 --> 00:14:34,160 Speaker 1: If you feel blessed, you want to spread some positive vibe, 297 00:14:34,200 --> 00:14:35,920 Speaker 1: you can always call us eight hundred and five A 298 00:14:36,040 --> 00:14:37,720 Speaker 1: five one oh five one. Now you've got rumors on 299 00:14:37,760 --> 00:14:40,000 Speaker 1: the way, Yes, we're gonna stand. I'm talking about the Grammys, 300 00:14:40,000 --> 00:14:42,560 Speaker 1: of course some more and then Cameron who went live 301 00:14:42,720 --> 00:14:46,160 Speaker 1: on Instagram on Saturday night. Let'll tell you some highlights 302 00:14:46,480 --> 00:14:48,520 Speaker 1: of what he had to say. Okay, we'll get into 303 00:14:48,560 --> 00:14:50,120 Speaker 1: all that when we come back. Keeping lock this to 304 00:14:50,120 --> 00:14:55,800 Speaker 1: Breakfast Club, Good Morning, the Breakfast Club and dud the 305 00:14:55,920 --> 00:14:58,720 Speaker 1: Graham Girl. I had to find you say so which 306 00:14:59,400 --> 00:15:02,960 Speaker 1: morning everybody, Audius, DJ MVY, Angela Yee, Charlomagne and God 307 00:15:03,000 --> 00:15:04,880 Speaker 1: we all the Breakfast Club. Let's get to some rumors. 308 00:15:04,920 --> 00:15:15,800 Speaker 1: Let's talk camera. It's about Angela Yee was on the 309 00:15:15,880 --> 00:15:20,560 Speaker 1: Breakfast Club. But Saturday night, Cameron was on Instagram Live. 310 00:15:20,600 --> 00:15:22,520 Speaker 1: And that is all to respond to an interview that 311 00:15:22,720 --> 00:15:25,560 Speaker 1: Jim Jones recently did. I was on my way into 312 00:15:25,600 --> 00:15:28,000 Speaker 1: the bowling Alley when this Instagram lives started. I was 313 00:15:28,080 --> 00:15:29,760 Speaker 1: watching it the whole way there. But then we were 314 00:15:29,800 --> 00:15:31,560 Speaker 1: sitting in the car outside the bowling Alley and I 315 00:15:31,680 --> 00:15:34,000 Speaker 1: was like, all right, we gotta go bowl now. How 316 00:15:34,120 --> 00:15:37,040 Speaker 1: was at home? There was nothing else on television anyway, 317 00:15:37,080 --> 00:15:40,640 Speaker 1: so I was right there watching camera. Yea. Now, Cameron 318 00:15:40,760 --> 00:15:43,400 Speaker 1: was giving the whole history between him and Jim Jones 319 00:15:43,480 --> 00:15:46,440 Speaker 1: and basically what went down to lead to their falling out. 320 00:15:46,480 --> 00:15:49,440 Speaker 1: He says that they never had any paperwork together. He 321 00:15:49,480 --> 00:15:52,240 Speaker 1: said he never had any paperwork with Jim Jones, and 322 00:15:52,360 --> 00:15:55,160 Speaker 1: he also says that Jim Jones mismanaged his artists. He 323 00:15:55,240 --> 00:16:00,320 Speaker 1: also talked about Max b He talks about Stack bundles Man. 324 00:16:00,400 --> 00:16:04,600 Speaker 1: DC actually called also during this interview, and here's some 325 00:16:04,720 --> 00:16:08,160 Speaker 1: more of what Cameron had to say about Jim Jones. 326 00:16:08,600 --> 00:16:12,320 Speaker 1: He like, yo, Jim, let's all, let's act like me 327 00:16:12,440 --> 00:16:16,840 Speaker 1: goat beef and I'm like, whit we gotta beef? I said, 328 00:16:16,880 --> 00:16:20,080 Speaker 1: We're gonna do is confuse the fans and make them 329 00:16:20,160 --> 00:16:22,880 Speaker 1: pick sides. They don't even make no sense. While the 330 00:16:22,920 --> 00:16:25,160 Speaker 1: fool we act like we got beef. I don't even say, 331 00:16:25,360 --> 00:16:28,480 Speaker 1: you're like yeah, yeah, right right. Like he was disappointed 332 00:16:28,560 --> 00:16:31,120 Speaker 1: that I wasn't with the ship. That's why today even 333 00:16:31,200 --> 00:16:33,880 Speaker 1: to this day, and made me mad because this was 334 00:16:33,960 --> 00:16:37,040 Speaker 1: his plan fifteen years ago that act like we got 335 00:16:37,080 --> 00:16:40,080 Speaker 1: a problem that we don't have now. They did actually 336 00:16:40,160 --> 00:16:42,720 Speaker 1: end up having a real problem. According to Cameron, he 337 00:16:42,760 --> 00:16:45,560 Speaker 1: said things that are going downhill. That's when Jim Jones 338 00:16:45,600 --> 00:16:48,280 Speaker 1: started dating Chrissy, who, of course we all know he's 339 00:16:48,280 --> 00:16:50,320 Speaker 1: still with Chrissy to this day. He didn't know how 340 00:16:50,400 --> 00:16:52,200 Speaker 1: serious they would get and he was making fun of 341 00:16:52,280 --> 00:16:55,160 Speaker 1: Jim Jones from buying Chrissy all these presents early on 342 00:16:55,240 --> 00:16:57,560 Speaker 1: in their relationship. He said she was he was buying 343 00:16:57,600 --> 00:17:00,160 Speaker 1: her bag shoes the first two or three weeks after 344 00:17:00,240 --> 00:17:02,800 Speaker 1: he met her. So Cameron had some T shirts made 345 00:17:03,160 --> 00:17:05,879 Speaker 1: Tricky Ricky aka Jim Jones is a trick and he 346 00:17:06,000 --> 00:17:08,800 Speaker 1: made everybody wear them in the studio. He was thinking 347 00:17:08,840 --> 00:17:11,960 Speaker 1: it was fun, playful, But that's when Jim Jones took 348 00:17:11,960 --> 00:17:13,560 Speaker 1: it seriously and he said, to this day, he said, 349 00:17:13,560 --> 00:17:16,200 Speaker 1: I'll be man enough, I'll apologize about that. It was 350 00:17:16,240 --> 00:17:18,000 Speaker 1: a joke and he took it seriously. He said, that's 351 00:17:18,040 --> 00:17:21,680 Speaker 1: when it fell out, after I made those shirts. So 352 00:17:21,800 --> 00:17:25,080 Speaker 1: it's a long like over two hour life, three hours, 353 00:17:25,200 --> 00:17:27,760 Speaker 1: three hours. I've listened to both povs, and I'm sure 354 00:17:27,800 --> 00:17:29,879 Speaker 1: the true fly somewhere in the middle, but neither one 355 00:17:29,920 --> 00:17:31,840 Speaker 1: of them seemed like they have real issues with each other. 356 00:17:31,880 --> 00:17:33,960 Speaker 1: It just sounds to me like two people who simply 357 00:17:34,040 --> 00:17:35,840 Speaker 1: allgree with each other. Yeah, that's it. And then the 358 00:17:35,920 --> 00:17:37,960 Speaker 1: words were not all the thug changes, love changes, and 359 00:17:38,040 --> 00:17:40,959 Speaker 1: best friends becomes crages. It happened sometimes. But for the bread, 360 00:17:41,680 --> 00:17:43,160 Speaker 1: they need to get back together. I mean, I would 361 00:17:43,200 --> 00:17:44,920 Speaker 1: love to see a dip set tool. And he talked 362 00:17:44,920 --> 00:17:48,280 Speaker 1: a lot about burg Gag also and how Jim Jones 363 00:17:48,320 --> 00:17:50,639 Speaker 1: started kind of branching out and doing the burg Game thing, 364 00:17:50,680 --> 00:17:53,600 Speaker 1: and he did say that he also trademarked burg Game. 365 00:17:53,840 --> 00:17:55,800 Speaker 1: I didn't understand that part, Like he got a copyright. 366 00:17:55,840 --> 00:17:58,399 Speaker 1: I don't understand why that was fine. You can't go 367 00:17:58,600 --> 00:18:02,880 Speaker 1: copyright my man's goal. Something said that, Like, I didn't 368 00:18:02,960 --> 00:18:06,479 Speaker 1: understand that, right, so weird. I don't know. All right, Well, 369 00:18:06,560 --> 00:18:08,359 Speaker 1: let's get back into Grammy talk. I said, we're going 370 00:18:08,440 --> 00:18:10,840 Speaker 1: to be doing that all morning, right, and we gave 371 00:18:10,880 --> 00:18:12,560 Speaker 1: you some updates on what's going on. We talked about 372 00:18:12,600 --> 00:18:15,480 Speaker 1: Adele sweeping all of her categories, all five of Robin 373 00:18:15,560 --> 00:18:18,160 Speaker 1: Beyonce for the Album of the Year. Yes, we discussed 374 00:18:18,200 --> 00:18:22,119 Speaker 1: that as well. Beyonce did win two. She did win 375 00:18:22,160 --> 00:18:24,879 Speaker 1: two Grammys, though this year. I was upset there Rihanna 376 00:18:25,040 --> 00:18:27,159 Speaker 1: didn't get anything because I thought she that was my 377 00:18:27,240 --> 00:18:30,120 Speaker 1: album right there too, But a chance the rapper did 378 00:18:30,200 --> 00:18:32,960 Speaker 1: also win two Grammy's. Check him out when he won 379 00:18:34,119 --> 00:18:36,840 Speaker 1: his award for Best Rap Album. I didn't think that 380 00:18:37,400 --> 00:18:39,200 Speaker 1: we were gonna get this one, so I don't have 381 00:18:39,480 --> 00:18:42,960 Speaker 1: cool stuff to say the time. I just once again, 382 00:18:43,359 --> 00:18:47,159 Speaker 1: I want to thank God for everything that he's that 383 00:18:47,320 --> 00:18:49,960 Speaker 1: he's accomplished for me, everything that he's went through with me. 384 00:18:50,000 --> 00:18:51,840 Speaker 1: I want to think of for my mother, from my father, 385 00:18:52,000 --> 00:18:54,240 Speaker 1: from my brother Tayla Bennett. And this is for every 386 00:18:54,280 --> 00:18:57,920 Speaker 1: indie artist, everybody who's been doing this mixtape stuff for 387 00:18:58,000 --> 00:19:01,200 Speaker 1: a long time. Shut up the DJ Drama for doing 388 00:19:01,240 --> 00:19:04,200 Speaker 1: it first. He put in that time. Shouts out to 389 00:19:04,280 --> 00:19:06,920 Speaker 1: every independent artist out there. Shouts out to sound Cloud 390 00:19:07,800 --> 00:19:11,680 Speaker 1: for holding me down. It's another one was a little offer, 391 00:19:12,119 --> 00:19:16,520 Speaker 1: relaxed old DJs, use this opportunity, teaching that use this 392 00:19:16,600 --> 00:19:19,399 Speaker 1: opportunity to teach envy go. Drama wasn't the first, but 393 00:19:19,800 --> 00:19:22,199 Speaker 1: Chances Young God who was before Drama Envy? I mean 394 00:19:22,200 --> 00:19:26,560 Speaker 1: there's many DJ before Drama, DJ clue Um, DJ Dirty, 395 00:19:26,640 --> 00:19:33,280 Speaker 1: Harry Ron ron G. But this is Tony Touch was amazing. 396 00:19:33,520 --> 00:19:35,560 Speaker 1: I used to like DJ lazy K with the mix tapes. 397 00:19:35,560 --> 00:19:38,440 Speaker 1: Remember her? All right, Well, let's talk about who was 398 00:19:38,480 --> 00:19:41,119 Speaker 1: in that category for best Rap album besides Chance the Rapper. 399 00:19:41,200 --> 00:19:43,680 Speaker 1: It was in the Anonymous Nobody Day last so major 400 00:19:43,800 --> 00:19:47,640 Speaker 1: key DJ Kaled. Views from Drake Blank faced LP, Schoolboy 401 00:19:47,680 --> 00:19:50,440 Speaker 1: Q and the Life of Pablo Kanye West. I still 402 00:19:50,520 --> 00:19:52,719 Speaker 1: think you would have predicted that. I still think Life 403 00:19:52,760 --> 00:19:54,640 Speaker 1: of Pablo a boy Kanye should have won for Best 404 00:19:54,760 --> 00:19:57,880 Speaker 1: Rap Album for the Year. But I'm not mad at Chance. 405 00:19:58,040 --> 00:20:00,679 Speaker 1: I like Chances album better. He's albums though he counts 406 00:20:00,800 --> 00:20:03,040 Speaker 1: album and his performance last night was amazing. Yeah, his 407 00:20:03,119 --> 00:20:07,200 Speaker 1: performance was incredible, DAVIDI Tabber directed that. Congratulations again to 408 00:20:07,760 --> 00:20:10,560 Speaker 1: Chance the rapper, and congratulations to Salon. She won for 409 00:20:10,640 --> 00:20:13,240 Speaker 1: Cranes in the Sky for Best R and B Performance. 410 00:20:13,320 --> 00:20:15,120 Speaker 1: By the way, I didn't even put that on TV. 411 00:20:15,400 --> 00:20:18,080 Speaker 1: I was saying before, man, I really hope that Salons 412 00:20:18,080 --> 00:20:20,800 Speaker 1: win something. How many awards do they actually televised. I 413 00:20:20,840 --> 00:20:22,639 Speaker 1: think it's only like seven or eight or something like 414 00:20:22,720 --> 00:20:26,200 Speaker 1: that right throughout the entire grat be more than that. 415 00:20:26,760 --> 00:20:28,800 Speaker 1: I think the performance he's telling me in a three 416 00:20:28,840 --> 00:20:33,960 Speaker 1: hours show, they only televised eight. I'm gonna tell you 417 00:20:34,080 --> 00:20:36,400 Speaker 1: exactly how many it is. But they really don't show 418 00:20:36,440 --> 00:20:39,320 Speaker 1: a lot of awards on TV. Fat Joe Ramymond and Win. 419 00:20:39,760 --> 00:20:42,600 Speaker 1: I don't think so many know they didn't win, all right, 420 00:20:42,640 --> 00:20:44,840 Speaker 1: I'm angela ye, And that's your rumor report. All right, 421 00:20:44,880 --> 00:20:47,360 Speaker 1: thank you, miss Yee. Then when we come back, brother 422 00:20:47,480 --> 00:20:49,240 Speaker 1: Reese will be joining us. Tire Reeese will be in 423 00:20:49,280 --> 00:20:52,160 Speaker 1: the building. He has a what's it's called stark Star, 424 00:20:52,400 --> 00:20:54,119 Speaker 1: It's called Stars who will kicking with him about that 425 00:20:54,200 --> 00:20:56,360 Speaker 1: fast and furist and everything that's going on in Tiree's life. 426 00:20:56,640 --> 00:20:58,560 Speaker 1: So don't go anywhere. It's the Breakfast Club. Come on, 427 00:21:00,080 --> 00:21:03,840 Speaker 1: dret was DJ Kelly jay Z. Beyonce was shining his 428 00:21:03,960 --> 00:21:06,440 Speaker 1: new joint he released last night after the Grammy's Morning. 429 00:21:06,480 --> 00:21:10,040 Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the God. We 430 00:21:10,119 --> 00:21:13,200 Speaker 1: are the Breakfast Club. We got a brother, my brother 431 00:21:13,280 --> 00:21:15,800 Speaker 1: in the building. Brother definitely family. Love when love when 432 00:21:15,920 --> 00:21:20,960 Speaker 1: this guy comes through, good morning, I love you. Jewelry 433 00:21:21,080 --> 00:21:23,320 Speaker 1: that looks really nice together, Thank you said that. I 434 00:21:23,400 --> 00:21:25,280 Speaker 1: like thank you. I'm trying to do a little something, 435 00:21:25,400 --> 00:21:27,800 Speaker 1: trying to be like Envy. He told me what he 436 00:21:27,960 --> 00:21:29,840 Speaker 1: was doing today and I said, I'll do the same. 437 00:21:30,480 --> 00:21:33,399 Speaker 1: That's Tyres present fum was did the Tyres challenge upset you? No? 438 00:21:33,680 --> 00:21:36,320 Speaker 1: I loved it. I can't tell if he when he's serious, 439 00:21:38,520 --> 00:21:42,280 Speaker 1: because are you going to tyre face to what he's doing? 440 00:21:42,720 --> 00:21:46,040 Speaker 1: That on some island somewhere. I just had breakfast on 441 00:21:46,080 --> 00:21:49,639 Speaker 1: the balcony. I loved it. It ain't never happened to 442 00:21:49,720 --> 00:21:54,200 Speaker 1: me ever in history. I loved it. I listen, true, true, 443 00:21:54,280 --> 00:21:58,119 Speaker 1: be truth be told. Uh. Kevin Hart put up the 444 00:21:58,200 --> 00:22:01,159 Speaker 1: Tyres Challenge and and he texts me about it, like 445 00:22:01,320 --> 00:22:03,400 Speaker 1: you might want to get to my timeline right now. 446 00:22:03,880 --> 00:22:05,320 Speaker 1: And then I said, I just want to give you 447 00:22:05,400 --> 00:22:07,800 Speaker 1: the heads up. Then I'm gonna talk some underneath your 448 00:22:07,840 --> 00:22:09,960 Speaker 1: comments like I'm mad about it, but I really love it. 449 00:22:10,040 --> 00:22:12,119 Speaker 1: I was like, yo, y'all going too far, but I 450 00:22:12,280 --> 00:22:14,160 Speaker 1: was loving it. It was great. You take ever gonna 451 00:22:14,200 --> 00:22:17,120 Speaker 1: fight man, y'all seem like y'all go fight man Tank. 452 00:22:17,240 --> 00:22:19,440 Speaker 1: I would never fight Tank. He's got too many muscles, 453 00:22:19,480 --> 00:22:22,680 Speaker 1: for one. My muscles have been interacted for many years. Okay, 454 00:22:22,960 --> 00:22:25,880 Speaker 1: and he is, he is working out every day. Yeah, 455 00:22:25,960 --> 00:22:28,320 Speaker 1: it's ridiculous. Now he's still getting a lot of checks, 456 00:22:28,359 --> 00:22:30,960 Speaker 1: a lot going on. It's a lot happening. That's the 457 00:22:31,040 --> 00:22:34,879 Speaker 1: Furious what eight, Yes, Fate of the Furious is coming. Okay, 458 00:22:35,280 --> 00:22:40,840 Speaker 1: and the Star Stars Star Star Stared Star Star on 459 00:22:40,960 --> 00:22:44,520 Speaker 1: Fire past on that show. I'm a pastor. That makes sense. 460 00:22:44,920 --> 00:22:46,640 Speaker 1: And I heard this week. The gay community is gonna 461 00:22:46,640 --> 00:22:48,800 Speaker 1: be very upset at the show. Why is this because 462 00:22:48,800 --> 00:22:52,399 Speaker 1: you're doing he's trying to make first of all. First 463 00:22:52,400 --> 00:22:55,760 Speaker 1: of all, First of all, Charlemagne, you are not going 464 00:22:55,800 --> 00:22:58,800 Speaker 1: to set me up to have the LGBT community to 465 00:22:58,880 --> 00:23:00,639 Speaker 1: come out to me. I wouldn't ever do that. I 466 00:23:00,800 --> 00:23:02,880 Speaker 1: hear you. Man, You just do that. Live out there 467 00:23:03,000 --> 00:23:08,000 Speaker 1: like I ain't here. I'm sitting right here. First of all, 468 00:23:08,200 --> 00:23:13,639 Speaker 1: I just want to clarify things. I want to make 469 00:23:13,720 --> 00:23:16,320 Speaker 1: sure I clarify a couple of things, all right, because 470 00:23:16,359 --> 00:23:18,879 Speaker 1: I just you listen, I'm a man of God, and 471 00:23:19,000 --> 00:23:21,680 Speaker 1: I just want to make sure I clarify whatever you're 472 00:23:21,720 --> 00:23:24,680 Speaker 1: doing with your life. As long as you're happy you 473 00:23:24,840 --> 00:23:27,520 Speaker 1: live your life. I don't judge. It's not my job. 474 00:23:27,960 --> 00:23:30,280 Speaker 1: I'm not here to judge. I am here to tell 475 00:23:30,400 --> 00:23:33,320 Speaker 1: y'all about some uncomfortable that went down on this show. 476 00:23:33,480 --> 00:23:37,280 Speaker 1: Oh boy. Okay, it was uncomfortable. So it was uncomfortable 477 00:23:37,320 --> 00:23:39,560 Speaker 1: to shoot, and it's gonna be uncomfortable for people to 478 00:23:39,600 --> 00:23:43,360 Speaker 1: watch the character and it's coming on this Wednesday, this Wednesday, 479 00:23:44,280 --> 00:23:46,440 Speaker 1: nine pm on Fox. Now, what are you doing with 480 00:23:46,480 --> 00:23:54,120 Speaker 1: this transgender conversion shock? Okay? Well, let's let's okay. So um, 481 00:23:54,760 --> 00:23:58,280 Speaker 1: little backstory on the characters. My character's name is Pastor Harris. 482 00:23:58,359 --> 00:24:03,080 Speaker 1: I'm a street dudex con rededicated my life to Christ 483 00:24:03,160 --> 00:24:06,119 Speaker 1: and I became a pastor and now I'm the senior 484 00:24:06,200 --> 00:24:09,240 Speaker 1: pastor of my own church, very small church, nothing big. 485 00:24:12,000 --> 00:24:16,200 Speaker 1: Recently divorced with three kids. I started dating a woman 486 00:24:16,240 --> 00:24:20,840 Speaker 1: in my congregation named Carlotta, played by Queen Latifa. I'm 487 00:24:20,880 --> 00:24:23,120 Speaker 1: in love with her. She's in love with me. I'm 488 00:24:23,240 --> 00:24:26,760 Speaker 1: very transparent. She's met my kids, she's been to my house. 489 00:24:27,119 --> 00:24:28,800 Speaker 1: I keep asking her, when am I going to come 490 00:24:28,840 --> 00:24:30,159 Speaker 1: to your house? When am I going to come to 491 00:24:30,240 --> 00:24:32,520 Speaker 1: your salon? When am I gonna get to know more 492 00:24:32,560 --> 00:24:35,320 Speaker 1: about your world? And I just started noticing that she's 493 00:24:35,320 --> 00:24:39,280 Speaker 1: putting up all these blocks. She says, my daughter, my daughter, 494 00:24:39,440 --> 00:24:42,200 Speaker 1: my daughter. She keeps talking about her daughter, and I'm like, 495 00:24:42,280 --> 00:24:44,320 Speaker 1: I can't wait to meet her. Get to the house. 496 00:24:44,359 --> 00:24:48,159 Speaker 1: We're sitting around the dinner table, low and behold, her 497 00:24:48,240 --> 00:24:51,520 Speaker 1: daughter is actually her son, and she kept it away 498 00:24:51,560 --> 00:24:57,840 Speaker 1: from it. Her daughter, her son becomes a woman transgender. So, 499 00:24:58,880 --> 00:25:02,000 Speaker 1: in this particular, the reason why I was uncomfortable to 500 00:25:02,080 --> 00:25:05,280 Speaker 1: shoot and it's going to be uncomfortable to watch. It's 501 00:25:05,320 --> 00:25:09,280 Speaker 1: because she invites me over to the house and she 502 00:25:09,440 --> 00:25:14,760 Speaker 1: basically says, help pray my son out of gay, pretty gay, 503 00:25:15,119 --> 00:25:18,680 Speaker 1: pray the gay away and some capacity. Now, his was interesting. 504 00:25:19,000 --> 00:25:21,359 Speaker 1: There's been a lot of parents, and there's been a 505 00:25:21,440 --> 00:25:24,879 Speaker 1: lot of family members, husbands and wives and people that 506 00:25:25,000 --> 00:25:27,440 Speaker 1: have tried to do the same thing. While everybody's focused 507 00:25:27,440 --> 00:25:30,080 Speaker 1: on Bruce Jenner and the outcome of his choice that 508 00:25:30,200 --> 00:25:33,760 Speaker 1: made him happy. Ultimately, how many people tried to step 509 00:25:33,880 --> 00:25:35,879 Speaker 1: in and say, Daddy, this is gonna be bad for 510 00:25:35,960 --> 00:25:38,680 Speaker 1: the family, and try to get pastors and therapists and 511 00:25:38,760 --> 00:25:41,600 Speaker 1: counselors to get in there and see if ultimately this 512 00:25:41,760 --> 00:25:44,240 Speaker 1: is a decision that he wanted to make because everyone 513 00:25:44,400 --> 00:25:46,800 Speaker 1: was going to be affected by it. Now, again, do 514 00:25:46,920 --> 00:25:50,040 Speaker 1: what makes you happy. But sometimes people be doing things 515 00:25:50,440 --> 00:25:52,960 Speaker 1: not necessarily thinking about the effects that it's going to 516 00:25:53,040 --> 00:25:55,000 Speaker 1: have on others. So rather you gay or making a 517 00:25:55,119 --> 00:25:58,080 Speaker 1: bad or good business decision, whatever the case may be, 518 00:25:58,240 --> 00:26:01,440 Speaker 1: that's what happens. So I don't want the LGBT community 519 00:26:01,480 --> 00:26:04,000 Speaker 1: to come after me. I'm just talking about that real 520 00:26:04,320 --> 00:26:08,560 Speaker 1: and I'm saying everything about this show. First of all, 521 00:26:08,680 --> 00:26:12,720 Speaker 1: Lee Daniels is openly gay. Everyone knows if you got 522 00:26:12,760 --> 00:26:14,840 Speaker 1: a complexion for the protection. I didn't write this movie. 523 00:26:15,640 --> 00:26:18,600 Speaker 1: I didn't write this show. I'm doing my job. I 524 00:26:18,680 --> 00:26:22,200 Speaker 1: knew exactly what I was signing up for, and I 525 00:26:22,359 --> 00:26:24,879 Speaker 1: just said, you know what. The reason I'm gonna do 526 00:26:25,000 --> 00:26:28,680 Speaker 1: this scene that I'm uncomfortable with doing is because it 527 00:26:28,920 --> 00:26:35,880 Speaker 1: is unrealistic in two seventeen to think or believe that homosexuality, 528 00:26:36,000 --> 00:26:38,480 Speaker 1: gay or transgender is never going to come into your house. 529 00:26:38,680 --> 00:26:41,120 Speaker 1: That's real. You may have a son or a daughter. 530 00:26:41,480 --> 00:26:44,360 Speaker 1: You may be raising them as a good, wholesome Christian, 531 00:26:44,960 --> 00:26:47,960 Speaker 1: whatever the case may be, and your daughter may decide 532 00:26:48,040 --> 00:26:50,680 Speaker 1: that I love a woman, and if your daughter is happy, 533 00:26:50,800 --> 00:26:53,440 Speaker 1: your daughter should live her life. And I'm sure somebody 534 00:26:53,440 --> 00:26:55,080 Speaker 1: in that community or watch that and be like, wow, 535 00:26:55,160 --> 00:26:57,159 Speaker 1: that's They've I've probably been through that, you know what 536 00:26:57,160 --> 00:26:59,280 Speaker 1: I'm saying. Of course, So what did you have to do? 537 00:26:59,359 --> 00:27:01,440 Speaker 1: How did you have to learned that part? Well, I 538 00:27:01,520 --> 00:27:03,760 Speaker 1: can't give away the whole scene, but I can just 539 00:27:03,920 --> 00:27:07,439 Speaker 1: tell you that after we shot it, real tears was flying. 540 00:27:07,760 --> 00:27:11,840 Speaker 1: We were all hugging, praying together because it was uncomfortable, 541 00:27:11,920 --> 00:27:15,840 Speaker 1: and you know, uh, the the woman. I have to 542 00:27:15,880 --> 00:27:18,399 Speaker 1: say woman because she's living as a woman. It's just 543 00:27:18,480 --> 00:27:20,400 Speaker 1: not an actor. Oh, she's nothing that because she's really 544 00:27:20,400 --> 00:27:23,560 Speaker 1: a transgender. She's really a transgender. She lives it being 545 00:27:23,600 --> 00:27:26,400 Speaker 1: a transgender. So it's not like they did some casting 546 00:27:26,480 --> 00:27:28,840 Speaker 1: with a man and said, hey, you could look good 547 00:27:28,880 --> 00:27:30,720 Speaker 1: as a woman and then put him in the show. 548 00:27:30,800 --> 00:27:41,720 Speaker 1: It's really a transgender huh. Of course, Charlamagne, I see 549 00:27:41,800 --> 00:27:45,560 Speaker 1: what's going on in life. That's what he asks. So 550 00:27:45,720 --> 00:27:48,359 Speaker 1: you might want to get into comments and answer his questions. 551 00:27:53,080 --> 00:27:56,560 Speaker 1: So here's my direct invite for everybody to tune in 552 00:27:56,680 --> 00:27:59,879 Speaker 1: this Wednesday, nine pm on Fox. There's a lot of 553 00:28:00,080 --> 00:28:03,240 Speaker 1: TV shows out there. I've never done TV in my life, 554 00:28:03,920 --> 00:28:05,879 Speaker 1: and I just want your to give us a shot. Now. 555 00:28:05,960 --> 00:28:11,360 Speaker 1: You got Lenny Kravitz, Naomi Campbell, Queen Latifa, Lee Daniels, 556 00:28:11,520 --> 00:28:15,520 Speaker 1: y'all know he's behind precious. You got Paris Jackson about 557 00:28:15,560 --> 00:28:19,800 Speaker 1: to come do an appearance. The show is a very 558 00:28:20,119 --> 00:28:25,680 Speaker 1: it's touching on molestation, sexual assault, it's touching on people 559 00:28:25,720 --> 00:28:28,520 Speaker 1: that's willing to do pretty much anything it takes to 560 00:28:28,600 --> 00:28:31,760 Speaker 1: get on and stay on in the music industry. It's 561 00:28:31,880 --> 00:28:35,440 Speaker 1: it's a real crazy. So Benjamin Brad is killing every scene. 562 00:28:35,560 --> 00:28:39,400 Speaker 1: Queen Latifa is like, got all of us on our shoulders. 563 00:28:39,600 --> 00:28:42,120 Speaker 1: It's a crazy show. I've never done TV. Man, all right, 564 00:28:42,120 --> 00:28:44,360 Speaker 1: we got more with trees when we come back, keeping lot. 565 00:28:44,480 --> 00:28:53,880 Speaker 1: This the breakfast Club, Good morning, The breakfast Club. That 566 00:28:54,120 --> 00:28:57,440 Speaker 1: was more money, more problems morning. Everybody is DJ n 567 00:28:57,520 --> 00:28:59,600 Speaker 1: Vy angela Ye, shallow mine the guy. We are the 568 00:28:59,640 --> 00:29:02,920 Speaker 1: breakfas this club. We have tyres in the building, Charlemagne. 569 00:29:03,080 --> 00:29:05,520 Speaker 1: Why are so many Hollywood stars going to TV now 570 00:29:05,800 --> 00:29:08,960 Speaker 1: like movie stars going to TV? Well, at first, most 571 00:29:09,040 --> 00:29:12,560 Speaker 1: of us were scared to do TV. I mean Denzel 572 00:29:12,640 --> 00:29:15,560 Speaker 1: Washington put this out there many years back that if 573 00:29:15,640 --> 00:29:19,080 Speaker 1: you give yourself away on TV every day for free, 574 00:29:19,960 --> 00:29:21,640 Speaker 1: no one's gonna want to come see you on the 575 00:29:21,720 --> 00:29:25,880 Speaker 1: weekends on the box office, right right, So it's like 576 00:29:26,320 --> 00:29:30,800 Speaker 1: feeling overexposed and losing your mistique. But I think social 577 00:29:30,880 --> 00:29:37,440 Speaker 1: media has directly invited people into TV, right because you're 578 00:29:37,480 --> 00:29:40,120 Speaker 1: tweeting and instagram and and you're on social media every day. 579 00:29:40,400 --> 00:29:42,920 Speaker 1: So the mystique has kind of gone away from a 580 00:29:43,000 --> 00:29:45,800 Speaker 1: lot of stars. A matter of fact, most of us 581 00:29:45,920 --> 00:29:48,880 Speaker 1: could could find ourselves not getting a TV or a 582 00:29:49,000 --> 00:29:52,880 Speaker 1: movie deal. If you don't have social media engagement there first, 583 00:29:52,920 --> 00:29:55,480 Speaker 1: they'll ask you how much does he want? Well, how 584 00:29:55,520 --> 00:29:58,560 Speaker 1: many followers he got, because that's all a part of 585 00:29:58,800 --> 00:30:00,720 Speaker 1: tying it all in and make it makes sense. So 586 00:30:00,840 --> 00:30:03,640 Speaker 1: it's it's kind of things are changing. That's just like 587 00:30:03,800 --> 00:30:06,760 Speaker 1: saying that taxis are still relevant versus uber or lift. 588 00:30:07,240 --> 00:30:09,760 Speaker 1: We're living in a different time. Garagi kind of shatted 589 00:30:09,800 --> 00:30:12,400 Speaker 1: that with hidden figures. Anyway. They don't get no bigger 590 00:30:12,400 --> 00:30:14,160 Speaker 1: than Cookie on Empire. And then you know writ in 591 00:30:14,200 --> 00:30:19,600 Speaker 1: the movie and data little one hundred million previously, but 592 00:30:19,720 --> 00:30:23,000 Speaker 1: now you're on Star. Yeah, well you know, same same 593 00:30:23,080 --> 00:30:26,480 Speaker 1: folks behind it. You know, I just original, big daddy. 594 00:30:26,640 --> 00:30:29,440 Speaker 1: That's right. We do politics for a second. Yeah, let's 595 00:30:29,480 --> 00:30:33,320 Speaker 1: talk about it. Trump, your new president, my new president, 596 00:30:33,360 --> 00:30:36,240 Speaker 1: ain't my president? People were coming back carecept Michelle for 597 00:30:36,360 --> 00:30:38,600 Speaker 1: performing at his inauguration. What do you think about it? 598 00:30:38,840 --> 00:30:42,560 Speaker 1: I came back Cassette Michelle. Wow. Well, here's the thing. 599 00:30:43,120 --> 00:30:46,160 Speaker 1: Let's not make it about Cressette. Let's make it about Kanye. 600 00:30:46,920 --> 00:30:50,920 Speaker 1: Let's make it about Steve Harvey. Let's make it about Cressette, 601 00:30:50,960 --> 00:30:53,360 Speaker 1: and let's make it about the NFL player who also 602 00:30:53,440 --> 00:30:56,480 Speaker 1: showed up ray Lewis and Brown. Right. So, here's my thing. 603 00:30:58,280 --> 00:31:00,720 Speaker 1: In Hollywood. When you're working on a movie or a 604 00:31:00,800 --> 00:31:04,600 Speaker 1: TV set, they call him props, and then you got 605 00:31:04,640 --> 00:31:09,200 Speaker 1: the prop master. The prop master is responsible for putting 606 00:31:09,520 --> 00:31:12,600 Speaker 1: anything that you may need in the scene. While you're 607 00:31:12,640 --> 00:31:15,120 Speaker 1: shooting the scene, he reads the script and says he's 608 00:31:15,160 --> 00:31:17,480 Speaker 1: got a gun, coffee on the table, better to die. 609 00:31:17,720 --> 00:31:21,400 Speaker 1: Anything that's described on the script ends up in the 610 00:31:21,520 --> 00:31:25,440 Speaker 1: scene being delivered by the prop master, and then you're 611 00:31:25,480 --> 00:31:29,680 Speaker 1: being used as a prop. Donald Trump has no intentions 612 00:31:29,720 --> 00:31:32,840 Speaker 1: towards black people. He has nothing to do with the 613 00:31:32,960 --> 00:31:37,320 Speaker 1: intentions of black people, period notion. He's got no good 614 00:31:37,400 --> 00:31:41,520 Speaker 1: intentions towards pretty much anybody but his own agenda. I've 615 00:31:41,560 --> 00:31:43,600 Speaker 1: been very vocal about it. I'm not here on the 616 00:31:43,680 --> 00:31:47,080 Speaker 1: breakfast show taken off just because so in my mind 617 00:31:47,640 --> 00:31:51,200 Speaker 1: I felt like they were being used as props by 618 00:31:51,240 --> 00:31:54,280 Speaker 1: the prop master. He's gonna say whatever he wants to 619 00:31:54,360 --> 00:31:56,520 Speaker 1: say in front of you. He's gonna make you feel 620 00:31:56,640 --> 00:31:59,600 Speaker 1: like he's involved and intrigued by whatever your visions and 621 00:31:59,680 --> 00:32:02,320 Speaker 1: idea is for the inner city. And he ain't gonna 622 00:32:02,360 --> 00:32:06,640 Speaker 1: doh okay, He's gonna take a picture with you. He's 623 00:32:06,680 --> 00:32:10,000 Speaker 1: gonna go down to the lobby and have the cameras rolling, 624 00:32:10,080 --> 00:32:13,080 Speaker 1: which he all arranged, and he's gonna look like he's 625 00:32:13,160 --> 00:32:16,360 Speaker 1: involved in the urban and the black community with black 626 00:32:16,400 --> 00:32:19,720 Speaker 1: and urban intentions when he's not. And my thing is 627 00:32:20,440 --> 00:32:23,240 Speaker 1: because I love Steve Harvey specifically, and I'm not gonna 628 00:32:23,280 --> 00:32:25,400 Speaker 1: be here to pile up on my brother. Steve Harvey 629 00:32:25,520 --> 00:32:28,880 Speaker 1: is literally behind my R and B career. Shane was 630 00:32:28,960 --> 00:32:31,520 Speaker 1: number one for sixteen weeks because Steve Harvey was my 631 00:32:31,600 --> 00:32:33,840 Speaker 1: biggest champion and he's a real new Let's keep you 632 00:32:33,880 --> 00:32:37,520 Speaker 1: one absolutely. Uh. We all have a story, we all 633 00:32:37,600 --> 00:32:40,960 Speaker 1: have a history. Most of us are saints. I'm sorry, 634 00:32:41,040 --> 00:32:43,440 Speaker 1: most of us are centers that became saints. We're trying 635 00:32:43,480 --> 00:32:45,440 Speaker 1: to clean it up at a Saint is a center 636 00:32:45,760 --> 00:32:48,280 Speaker 1: that got up. We're all trying to clean it up. 637 00:32:48,320 --> 00:32:51,200 Speaker 1: Nobody's perfect. So at the end of the day, when 638 00:32:51,240 --> 00:32:54,520 Speaker 1: you see people piling up on Steve and piling up 639 00:32:54,560 --> 00:32:58,440 Speaker 1: on Chrissette and piling up on Kanye, there they have opinions. 640 00:32:58,720 --> 00:33:01,960 Speaker 1: And here's the thing. Donald Trump is literally the most 641 00:33:02,080 --> 00:33:05,360 Speaker 1: hated human being on human feet right now. So it 642 00:33:05,480 --> 00:33:07,840 Speaker 1: doesn't matter what you say as far as what your 643 00:33:07,920 --> 00:33:11,160 Speaker 1: ideas and intentions are, You're setting yourself up to be 644 00:33:11,280 --> 00:33:15,360 Speaker 1: attacked by everyone who hates that man, period. So I 645 00:33:15,440 --> 00:33:17,960 Speaker 1: think at the end of the day, you know, now 646 00:33:18,040 --> 00:33:22,600 Speaker 1: that Kanye is tweeting, I'm no longer aligning myself with 647 00:33:22,720 --> 00:33:25,440 Speaker 1: Trump because of what he's doing with the Muslim ban 648 00:33:25,520 --> 00:33:28,400 Speaker 1: and this and that. Bro, you should have never aligned 649 00:33:28,400 --> 00:33:30,680 Speaker 1: yourself with him in the first place. What's the plan? 650 00:33:31,200 --> 00:33:34,320 Speaker 1: What's the intention? Where you at school, debraun where you 651 00:33:34,400 --> 00:33:37,000 Speaker 1: ask Steve Stout, where you at jay Z. I need 652 00:33:37,200 --> 00:33:40,680 Speaker 1: somebody in Kanye's life to be able to step in 653 00:33:41,000 --> 00:33:43,000 Speaker 1: and first of all, be a brother and a friend 654 00:33:43,040 --> 00:33:45,320 Speaker 1: and say, bro, as much as you want to think that, 655 00:33:45,440 --> 00:33:47,440 Speaker 1: as much as you want to do that, you shouldn't 656 00:33:47,480 --> 00:33:49,840 Speaker 1: do it, and be able to show us that y'all 657 00:33:49,880 --> 00:33:53,120 Speaker 1: still got enough influence to stop that man from jumping 658 00:33:53,160 --> 00:33:56,800 Speaker 1: out there and doing so much. Like I'm concerned. I 659 00:33:57,000 --> 00:33:59,160 Speaker 1: know ya, I don't want him to tweet about me. 660 00:33:59,320 --> 00:34:02,120 Speaker 1: I don't need the attention. Everything is fine in my life, 661 00:34:02,920 --> 00:34:05,200 Speaker 1: But at the end of the day, I'm concerned about 662 00:34:05,240 --> 00:34:09,160 Speaker 1: the choices, the choices that they're allowing that man to make. 663 00:34:10,080 --> 00:34:14,040 Speaker 1: And friends. Don't let friends drive drunk. Friends also don't 664 00:34:14,120 --> 00:34:16,440 Speaker 1: let real friends jump out there and continue to make 665 00:34:16,480 --> 00:34:19,680 Speaker 1: a fool of yourself from doing things and not having 666 00:34:19,760 --> 00:34:23,400 Speaker 1: a real mission and agenda attached to these intentions. So 667 00:34:24,200 --> 00:34:28,839 Speaker 1: on behalf of Steve. I would say this, Steve, if 668 00:34:28,880 --> 00:34:31,200 Speaker 1: you're gonna jump out there and meet with Donald Trump 669 00:34:32,440 --> 00:34:36,400 Speaker 1: and you say that the Obama administration asked you to 670 00:34:36,480 --> 00:34:39,600 Speaker 1: step out there and have a conversation with Trump to 671 00:34:39,719 --> 00:34:42,880 Speaker 1: try and bridge the gap when you're getting attacked and 672 00:34:43,080 --> 00:34:46,839 Speaker 1: your family's survival is being compromised because everybody is eating 673 00:34:46,880 --> 00:34:49,800 Speaker 1: you alive and calling you by foons and coons and 674 00:34:49,880 --> 00:34:53,040 Speaker 1: all this. I need President Obama to put up a 675 00:34:53,080 --> 00:34:56,480 Speaker 1: tweet and say thank you Steve for doing exactly what 676 00:34:56,600 --> 00:34:59,120 Speaker 1: I asked you to do. Well. Obama did it during 677 00:34:59,440 --> 00:35:01,640 Speaker 1: his last State of the Union address. That's what he said. 678 00:35:01,680 --> 00:35:03,960 Speaker 1: He said that we should go across the aisle and 679 00:35:04,080 --> 00:35:06,400 Speaker 1: speak to people who yeah, but not everybody did it. 680 00:35:07,520 --> 00:35:10,200 Speaker 1: Steve Harvey jumped out there to go meet with Obama 681 00:35:10,360 --> 00:35:13,680 Speaker 1: with with with Trump and got attacked. His ratings on 682 00:35:13,760 --> 00:35:17,800 Speaker 1: his show went down. Everything went crazy, and the Obama 683 00:35:18,400 --> 00:35:21,560 Speaker 1: or the Obama administration never jumped out there. That has 684 00:35:21,640 --> 00:35:23,960 Speaker 1: Steve back to say thank you for jumping out there 685 00:35:24,239 --> 00:35:26,560 Speaker 1: when their witnessing this man catch all his heat. So 686 00:35:26,680 --> 00:35:28,440 Speaker 1: what do you suggest we do? Do we just ignore 687 00:35:28,560 --> 00:35:31,680 Speaker 1: the well danger resists. What do we do time? Well, 688 00:35:31,760 --> 00:35:35,879 Speaker 1: I would say this, if you're gonna have any kind 689 00:35:35,920 --> 00:35:40,800 Speaker 1: of conversations with that man, you should have the pedigree 690 00:35:41,200 --> 00:35:44,880 Speaker 1: that reflects what your intentions are. Don't just be some 691 00:35:45,120 --> 00:35:47,719 Speaker 1: random singer and actor going in at to meet with 692 00:35:47,800 --> 00:35:51,680 Speaker 1: the president. Sits your ass down, you'd have no pedigree 693 00:35:51,760 --> 00:35:54,879 Speaker 1: that reflects whatever changes you're trying to affect with that man. 694 00:35:55,280 --> 00:35:57,319 Speaker 1: Let me play White Devil's advocate for one second. Yeah, 695 00:35:58,239 --> 00:35:59,799 Speaker 1: he's still a celebrity. At the end of the day, 696 00:35:59,800 --> 00:36:02,719 Speaker 1: he was the executive Donald Trump, you're the executive producer, 697 00:36:02,800 --> 00:36:05,520 Speaker 1: celebrity apprentice. So Steve alb you could talk circles around 698 00:36:05,560 --> 00:36:07,439 Speaker 1: Donald if you want to. But understand what you're saying. 699 00:36:07,480 --> 00:36:10,040 Speaker 1: Being a he's president now and part of an administration. 700 00:36:10,200 --> 00:36:12,640 Speaker 1: My thing is this somebody that those policy and stuff like, 701 00:36:12,760 --> 00:36:17,160 Speaker 1: the indication of someone's intentions is a direct reflection of 702 00:36:17,239 --> 00:36:20,759 Speaker 1: their intentions of the past. Who you are and what 703 00:36:20,960 --> 00:36:25,160 Speaker 1: you represent right now in your future you can look 704 00:36:25,200 --> 00:36:27,520 Speaker 1: at the past, when you got a man named Donald 705 00:36:27,560 --> 00:36:29,399 Speaker 1: Trump who went out of his way to stop black 706 00:36:29,480 --> 00:36:33,399 Speaker 1: people from moving into his buildings. When you got damn 707 00:36:33,480 --> 00:36:37,440 Speaker 1: this seven thousand lawsuits, When you say drained the swamp 708 00:36:37,520 --> 00:36:40,320 Speaker 1: and you've now aligned yourself with every version of a 709 00:36:40,400 --> 00:36:43,680 Speaker 1: swamp in the White House, it shows you what your 710 00:36:43,760 --> 00:36:48,960 Speaker 1: intentions are for you. You've you've You've got people, you 711 00:36:49,080 --> 00:36:53,040 Speaker 1: got men, women, and immigrants that have worked in all 712 00:36:53,080 --> 00:36:55,800 Speaker 1: of your buildings to help build your empire. And you 713 00:36:55,920 --> 00:36:58,080 Speaker 1: basically say, if you did all the marble floors in 714 00:36:58,160 --> 00:37:02,040 Speaker 1: my lobby, you're getting paid. Don't matter. Right. So, at 715 00:37:02,080 --> 00:37:04,640 Speaker 1: the end of the day, and we've heard every version 716 00:37:04,800 --> 00:37:08,040 Speaker 1: of every attack on Donald Trump, I'm simply saying, if 717 00:37:08,120 --> 00:37:10,719 Speaker 1: you don't have the pedigree, if you're not a real 718 00:37:10,880 --> 00:37:14,080 Speaker 1: civil rights leader that lived, breathe at each sleep at 719 00:37:14,160 --> 00:37:16,960 Speaker 1: every day, get your ass out of the house and 720 00:37:17,120 --> 00:37:20,960 Speaker 1: stop playing because you don't have the pedigree to walk 721 00:37:21,040 --> 00:37:24,280 Speaker 1: into that room and affect change. This is not about 722 00:37:24,360 --> 00:37:28,919 Speaker 1: reality stars. Meet with reality stars. Crissette Michelle, I really 723 00:37:29,000 --> 00:37:32,040 Speaker 1: want to believe that you got paid to do that show, 724 00:37:32,440 --> 00:37:35,640 Speaker 1: but my history is shown that most people that perform 725 00:37:35,760 --> 00:37:38,520 Speaker 1: for political figures on that level. We don't get paid. 726 00:37:39,120 --> 00:37:41,120 Speaker 1: We don't get paid. As a matter of fact, they 727 00:37:41,239 --> 00:37:44,440 Speaker 1: make us fly ourselves out, put ourselves up in hotels, 728 00:37:44,480 --> 00:37:47,040 Speaker 1: and pay for our own bands to perform at their events. 729 00:37:47,400 --> 00:37:49,040 Speaker 1: Nobody wants to do Trumps, but she might have might 730 00:37:49,160 --> 00:37:51,680 Speaker 1: do us. She says she got her normal appearance fee 731 00:37:51,800 --> 00:37:56,400 Speaker 1: for it. Beyonce ain't got paid and she didn't perform 732 00:37:56,560 --> 00:38:01,560 Speaker 1: for several Obama events privately and publicly. Okay, when you're 733 00:38:01,640 --> 00:38:06,120 Speaker 1: doing events for presidents and queens and royals, it's more 734 00:38:06,160 --> 00:38:08,279 Speaker 1: of an opportunity for you to do your thing for 735 00:38:08,400 --> 00:38:10,640 Speaker 1: them than for us to be paid for doing our 736 00:38:10,719 --> 00:38:12,080 Speaker 1: thing for them. Yeah, she told me she threw out 737 00:38:12,080 --> 00:38:13,919 Speaker 1: a hot number and they accepted. There was a number 738 00:38:13,960 --> 00:38:19,640 Speaker 1: over her fee that she used. Listen, I won't call 739 00:38:19,760 --> 00:38:22,600 Speaker 1: that woman a liar unless she put an Instagram post 740 00:38:22,680 --> 00:38:24,520 Speaker 1: up showing us a check. I don't need to see 741 00:38:24,640 --> 00:38:26,759 Speaker 1: where the money was wired to, but show me that 742 00:38:26,880 --> 00:38:29,719 Speaker 1: you were actually paid from the White House for performing 743 00:38:30,040 --> 00:38:33,040 Speaker 1: at the White House. Otherwise I personally don't believe it. 744 00:38:33,560 --> 00:38:35,560 Speaker 1: We got more with Tyres when we come back. Keep 745 00:38:35,560 --> 00:38:43,600 Speaker 1: it locked. It's a breakfast local morning that was Drake 746 00:38:43,719 --> 00:38:47,760 Speaker 1: Fake Love Morning. Everybody is DJ N v Angela, Yee, Charlomagne, 747 00:38:47,760 --> 00:38:50,640 Speaker 1: that God. We are the breakfast club. We have Tyrese 748 00:38:50,760 --> 00:38:53,160 Speaker 1: in the building. The last time you were here, Tyree, 749 00:38:53,280 --> 00:38:54,879 Speaker 1: she said that you were going to retire. Is that's 750 00:38:54,880 --> 00:38:59,359 Speaker 1: still true? Um, well, I just did another deal. All 751 00:38:59,360 --> 00:39:06,000 Speaker 1: that success, Okay, no shame, It's love. Listen. So I 752 00:39:06,120 --> 00:39:08,880 Speaker 1: will be releasing a hip hop album. Shout out to 753 00:39:08,960 --> 00:39:12,719 Speaker 1: my man. Black Tie is coming, and I'm not gonna 754 00:39:12,760 --> 00:39:14,400 Speaker 1: do it for sales. I'm not gonna do it for 755 00:39:14,440 --> 00:39:17,160 Speaker 1: any other reason other than getting mine off. I gotta 756 00:39:17,200 --> 00:39:19,759 Speaker 1: put this out there to everybody in the industry. Here 757 00:39:19,800 --> 00:39:22,920 Speaker 1: you go, I gotta put it out there. Listen. The 758 00:39:23,120 --> 00:39:26,320 Speaker 1: day that you start living your life within people's opinion 759 00:39:26,920 --> 00:39:30,080 Speaker 1: is the beginning of the end. Everybody's gonna have some 760 00:39:30,360 --> 00:39:33,640 Speaker 1: to say about everything you're doing in your life. A 761 00:39:33,800 --> 00:39:38,160 Speaker 1: gift comes from God. Multiple some of us has many gifts. 762 00:39:38,760 --> 00:39:42,080 Speaker 1: They all belong to God. So for you to decide 763 00:39:42,200 --> 00:39:45,200 Speaker 1: to hold the breath of any one of your gifts 764 00:39:45,280 --> 00:39:47,480 Speaker 1: that God has given you at a certain point, it's 765 00:39:47,520 --> 00:39:50,000 Speaker 1: gonna die. The black Tid needs to breathe right now. 766 00:39:50,360 --> 00:39:54,239 Speaker 1: I gotta get my ideas off it will happen. Identity 767 00:39:54,320 --> 00:39:56,880 Speaker 1: Theft is the name of the album. I haven't called identity. 768 00:39:57,000 --> 00:39:59,520 Speaker 1: It's called Identity Theft because I'm working with a bunch 769 00:39:59,560 --> 00:40:02,160 Speaker 1: of ghosts writers to help me to write my lyrics. 770 00:40:02,239 --> 00:40:07,279 Speaker 1: Oh wow, like who I'm gonna bring them up here 771 00:40:07,320 --> 00:40:15,200 Speaker 1: when I do. My enemy. Listen. He openly admitted that 772 00:40:15,320 --> 00:40:19,359 Speaker 1: he's gonna have ghostwriters writing his raps for years. No, listen, 773 00:40:19,440 --> 00:40:22,120 Speaker 1: this is what I'm saying to you. Listen, I got 774 00:40:22,200 --> 00:40:25,040 Speaker 1: I got some really sad news for all of you 775 00:40:25,400 --> 00:40:29,080 Speaker 1: hip hop passionate fans out here in the game. Boy, 776 00:40:29,520 --> 00:40:33,279 Speaker 1: most of your favorite rappers got ghostwriters, and it's been 777 00:40:33,400 --> 00:40:35,400 Speaker 1: going on for years. Now. Here's the thing. This is 778 00:40:35,480 --> 00:40:40,160 Speaker 1: what's crazy. As an army. I'm just looking to make 779 00:40:40,280 --> 00:40:42,640 Speaker 1: my statement, which is I got love for hip hop, 780 00:40:42,840 --> 00:40:44,960 Speaker 1: I got a passion for it, and I'm gonna get 781 00:40:45,000 --> 00:40:47,040 Speaker 1: ann and I'm gonna do my best. Now, guess what 782 00:40:47,480 --> 00:40:50,799 Speaker 1: I'm gonna make these lyrics my lyrics because I'm never 783 00:40:50,880 --> 00:40:53,560 Speaker 1: gonna rap about anything I don't agree with. Right, most 784 00:40:53,640 --> 00:40:56,000 Speaker 1: of your favorite rappers, believe it or not, not all, 785 00:40:56,160 --> 00:41:00,200 Speaker 1: but most of your favorite rappers has ghostwriters. And what 786 00:41:00,320 --> 00:41:02,959 Speaker 1: I'm gonna do is when I release this identity theft, 787 00:41:03,000 --> 00:41:08,040 Speaker 1: I'm gonna ask every ghostwriter that's ever demold and referenced 788 00:41:08,360 --> 00:41:13,320 Speaker 1: a track to release date because it's sitting in a laptops. 789 00:41:15,560 --> 00:41:20,520 Speaker 1: I'm not gonna do that. Guess what. Guess what. I'm 790 00:41:20,560 --> 00:41:23,839 Speaker 1: a singer right. Here's the truth. I don't know why 791 00:41:23,960 --> 00:41:27,200 Speaker 1: y'all just so uptight about the reality of ghostwriters working 792 00:41:27,280 --> 00:41:30,279 Speaker 1: with your favorite rappers. The truth be told is you 793 00:41:30,480 --> 00:41:33,200 Speaker 1: still love me as an R and B singer. I 794 00:41:33,320 --> 00:41:35,520 Speaker 1: ain't write all my R and B hits, but I'm 795 00:41:35,560 --> 00:41:39,880 Speaker 1: still getting this vagina off up. But we're not mad. 796 00:41:40,360 --> 00:41:43,520 Speaker 1: You can't be number one. Listen. I didn't write Sweet Lady. 797 00:41:44,040 --> 00:41:47,279 Speaker 1: You didn't write Sweet Lady, Lady. I didn't write Sweet Lady. 798 00:41:47,760 --> 00:41:52,799 Speaker 1: Did you write state some of it? You didn't write 799 00:41:52,800 --> 00:41:59,919 Speaker 1: Sweet Lady? John Tay Austin and Troy Taylor from the Yeah, Listen, 800 00:42:00,320 --> 00:42:04,400 Speaker 1: I didn't write sweet Lady, but I definitely took advantage 801 00:42:04,760 --> 00:42:07,560 Speaker 1: of all that vaginal activity that happened for many years. 802 00:42:07,680 --> 00:42:09,080 Speaker 1: That's real, and I'm gonna tell you what those I'm 803 00:42:09,080 --> 00:42:11,000 Speaker 1: just keeping it real like at the end of the day, 804 00:42:11,080 --> 00:42:14,239 Speaker 1: like you can't downplay my gifts because I didn't put 805 00:42:14,360 --> 00:42:18,000 Speaker 1: all the words. Listen, you gonna find me an actor 806 00:42:18,360 --> 00:42:20,680 Speaker 1: who is one Oscars that can be able to say 807 00:42:20,719 --> 00:42:23,320 Speaker 1: that they wrote all the words to the movie that 808 00:42:23,480 --> 00:42:26,520 Speaker 1: they said in a movie. You didn't write the movie. 809 00:42:27,040 --> 00:42:30,359 Speaker 1: You still are the most well respected actors. Those are 810 00:42:30,440 --> 00:42:33,040 Speaker 1: not your words. And some people don't have Starck quality. 811 00:42:33,080 --> 00:42:35,560 Speaker 1: Starck quality is a gift too, Like start if you 812 00:42:36,160 --> 00:42:38,520 Speaker 1: you can have the best lyrics in the world. Go 813 00:42:38,680 --> 00:42:41,759 Speaker 1: ask all these backpack wrappers running around here. They got 814 00:42:41,880 --> 00:42:44,200 Speaker 1: bars of barn bars, they got better bars, and some 815 00:42:44,360 --> 00:42:46,720 Speaker 1: of your favorite m sees that sold hundreds of millions 816 00:42:46,760 --> 00:42:51,279 Speaker 1: of records. But they're not stars. Okay, I know I'm 817 00:42:51,320 --> 00:42:54,279 Speaker 1: a star. I think about that often when I see 818 00:42:54,320 --> 00:42:57,080 Speaker 1: certain people when they used to be writers and they 819 00:42:57,160 --> 00:42:58,880 Speaker 1: become stars. I said it to him, I said, at 820 00:42:58,920 --> 00:43:00,239 Speaker 1: the Dream and Dream, you don't look like star. You 821 00:43:00,239 --> 00:43:02,399 Speaker 1: don't have a face flag of superstar. Neil could write 822 00:43:02,400 --> 00:43:04,080 Speaker 1: a better record for the trade songs. I think Tray 823 00:43:04,160 --> 00:43:08,600 Speaker 1: could perform on the record bad. There are certain there's 824 00:43:08,719 --> 00:43:13,680 Speaker 1: certain visual pleasures. It's the pecking order, that's it. You 825 00:43:13,800 --> 00:43:16,600 Speaker 1: got ladies out here, some of them can't sing a lick. 826 00:43:16,719 --> 00:43:18,640 Speaker 1: But they looked apart and they get to get away 827 00:43:18,680 --> 00:43:20,600 Speaker 1: with But when don't you feel different? If you I know, 828 00:43:20,760 --> 00:43:23,279 Speaker 1: I got a challenge, doesn't write his lyrics. Nas doesn't 829 00:43:23,280 --> 00:43:25,880 Speaker 1: write his lyrics, doesn't feel weird. I would feel a 830 00:43:26,000 --> 00:43:29,120 Speaker 1: certain kind of way. I would feel a certain kind 831 00:43:29,160 --> 00:43:32,120 Speaker 1: of way. But guess what, it's still Nas that has 832 00:43:32,200 --> 00:43:35,879 Speaker 1: to deliver the magic. It's still Jay. Okay, when he's 833 00:43:35,920 --> 00:43:39,840 Speaker 1: in the studio working with Farrell Williams. I'm sure Pharrell said, y'all, 834 00:43:40,320 --> 00:43:42,360 Speaker 1: I like that bar. But what if you said and 835 00:43:42,520 --> 00:43:45,319 Speaker 1: Jay was like, oh, that's crazy. I'm sure he got 836 00:43:47,040 --> 00:43:50,640 Speaker 1: somebody writing. Listen, listen, A bar is a bar. That 837 00:43:50,840 --> 00:43:53,560 Speaker 1: bar could be Listen listen. What if it's what if 838 00:43:53,600 --> 00:43:56,759 Speaker 1: the ball was allowed me to reintroduce myself? Yeah that now, 839 00:43:57,400 --> 00:44:02,680 Speaker 1: that ball come on everything that allowed me to reintroduce 840 00:44:02,840 --> 00:44:06,399 Speaker 1: myself My name is Oh what if somebody else came 841 00:44:06,480 --> 00:44:10,520 Speaker 1: up with that opening line that is a boy has 842 00:44:10,560 --> 00:44:13,200 Speaker 1: a difference. No, we're not talking about the whole soul. 843 00:44:13,640 --> 00:44:16,759 Speaker 1: If you found out somebody else wrote allowed me to 844 00:44:16,880 --> 00:44:21,160 Speaker 1: reintroduce myself my name is Hohole, how would you feel envy? 845 00:44:21,600 --> 00:44:27,000 Speaker 1: Would you take all your chains back between would you 846 00:44:27,080 --> 00:44:31,000 Speaker 1: go turn in your rolls racing? Would you stop playing 847 00:44:31,160 --> 00:44:33,640 Speaker 1: jay Z's record if you found out he didn't write 848 00:44:33,680 --> 00:44:36,759 Speaker 1: that opening line? Envy keep it real? I would feel little. 849 00:44:36,920 --> 00:44:39,719 Speaker 1: I didn't hope be my favorite artist anymore. There's a 850 00:44:39,760 --> 00:44:42,759 Speaker 1: difference between hole and somebody giving the ball and somebody saying, 851 00:44:42,800 --> 00:44:46,799 Speaker 1: did he do this whole song? All I'm saying, All 852 00:44:46,880 --> 00:44:50,200 Speaker 1: I'm saying to you is this, it's taboo to believe 853 00:44:50,960 --> 00:44:58,719 Speaker 1: that none of your favorite rappers are homosexuals. Wow, we're 854 00:44:58,719 --> 00:45:06,080 Speaker 1: gonna to print the game way. Listen, Listen, Listen, listen, 855 00:45:06,480 --> 00:45:10,640 Speaker 1: Listen to what I'm saying. It's taboo to believe that 856 00:45:10,840 --> 00:45:14,000 Speaker 1: your favorite rappers has wrote all of their lyrics. It's 857 00:45:14,080 --> 00:45:16,680 Speaker 1: taboo to believe that all your favorite rappers is actually 858 00:45:16,760 --> 00:45:20,440 Speaker 1: wearing real diamond chains. It's taboo to believe that all 859 00:45:20,480 --> 00:45:24,000 Speaker 1: the women in his videos are actually there's okay, you 860 00:45:24,080 --> 00:45:26,200 Speaker 1: gotta fake it till you make it. But we're living 861 00:45:26,239 --> 00:45:29,919 Speaker 1: in a different time right now. True. Okay, So your 862 00:45:30,000 --> 00:45:34,600 Speaker 1: favorite rapper, male or female, it's unrealistic to assume that 863 00:45:34,719 --> 00:45:37,480 Speaker 1: your favorite rapper is not gay or homosexution. I'm gonna 864 00:45:37,520 --> 00:45:39,080 Speaker 1: tell you I had a conversation with my friends the 865 00:45:39,160 --> 00:45:41,440 Speaker 1: other day and they were like, I wouldn't be surprised 866 00:45:41,480 --> 00:45:44,120 Speaker 1: to hear that anybody was gay, like any rapper period, 867 00:45:44,320 --> 00:45:47,200 Speaker 1: and guess what if you are Damian people. And she 868 00:45:47,360 --> 00:45:50,080 Speaker 1: was like, wouldn't be surprised now if you are live 869 00:45:50,160 --> 00:45:53,319 Speaker 1: your life and do what makes you happy. If they 870 00:45:53,480 --> 00:45:56,560 Speaker 1: make dope records and they're happy and their person on 871 00:45:56,719 --> 00:46:00,719 Speaker 1: business life, live your life. I don't have nothing against 872 00:46:00,920 --> 00:46:03,840 Speaker 1: anybody who's doing that thing and living their life. I 873 00:46:04,080 --> 00:46:06,200 Speaker 1: was just I hit y'all, caught y'all off guard with that, 874 00:46:06,600 --> 00:46:09,799 Speaker 1: But I'm just saying, like it's taboo, man. People need 875 00:46:09,920 --> 00:46:12,680 Speaker 1: to get over it. People need to get away from 876 00:46:13,000 --> 00:46:16,360 Speaker 1: these perceptions that they've created in their head. There's no 877 00:46:16,600 --> 00:46:20,080 Speaker 1: way that my favorite rapper didn't write all of his 878 00:46:20,239 --> 00:46:23,960 Speaker 1: lyrics on this album that I love. Your favorite rapper 879 00:46:24,960 --> 00:46:28,640 Speaker 1: and the style that you love he has a stylist, 880 00:46:29,560 --> 00:46:33,239 Speaker 1: your favorite female star and you love their style. They 881 00:46:33,320 --> 00:46:38,160 Speaker 1: have a stylist, which means ultimately they're wearing the outfit. 882 00:46:39,000 --> 00:46:42,400 Speaker 1: But what they're wearing wasn't all of their ideas, right. 883 00:46:42,880 --> 00:46:46,719 Speaker 1: It's no different there's somebody rapping and borrowing a couple 884 00:46:46,719 --> 00:46:51,439 Speaker 1: of words from somebody else. People got ghost dresses all 885 00:46:51,600 --> 00:47:02,120 Speaker 1: he's trying to tell when he had them shoes on. Man, 886 00:47:02,320 --> 00:47:06,440 Speaker 1: get out there man. First of all, ye bringing up 887 00:47:06,680 --> 00:47:08,960 Speaker 1: they ain't got nothing to do with nothing. I don't 888 00:47:08,960 --> 00:47:12,600 Speaker 1: appreciate it. Man, y'all need to you're rocking to do 889 00:47:12,680 --> 00:47:17,719 Speaker 1: the tracks uting hard body. Hey, y'all, listen, listen, y'all. 890 00:47:17,760 --> 00:47:20,360 Speaker 1: I want y'all to know that there's a lot of 891 00:47:20,480 --> 00:47:25,560 Speaker 1: TV shows out there. Star. I need y'all to give 892 00:47:25,640 --> 00:47:28,959 Speaker 1: us a shot. Go to Hulu, go to Apple TV 893 00:47:29,200 --> 00:47:31,040 Speaker 1: and catch up. I want you to bene watch and 894 00:47:31,120 --> 00:47:33,839 Speaker 1: watch all of the episodes has already been aired. There's 895 00:47:33,840 --> 00:47:36,080 Speaker 1: a lot of TV shows out there. We need y'all 896 00:47:36,120 --> 00:47:37,879 Speaker 1: to give us a shot. The show is called Star. 897 00:47:38,440 --> 00:47:42,080 Speaker 1: It's on Fox. Lee Daniels is the creator writer. We 898 00:47:42,200 --> 00:47:46,120 Speaker 1: got Queen Latif of Benjamin Brad, Naomi Campbell, Lenny Kravitz, 899 00:47:46,360 --> 00:47:49,320 Speaker 1: and and all of the stars, my man Quincy. Everybody 900 00:47:49,480 --> 00:47:52,399 Speaker 1: is on the show killing it. Um. I'm on the show. 901 00:47:52,480 --> 00:47:54,800 Speaker 1: It's my first TV show ever, and I want it 902 00:47:54,880 --> 00:47:57,680 Speaker 1: to be successful. And we're not successful with our viewers. 903 00:47:58,200 --> 00:48:01,040 Speaker 1: Nine pm on Wednesday. It's going to be the most 904 00:48:01,160 --> 00:48:04,759 Speaker 1: their dubbing this as the most controversial thing that's ever 905 00:48:04,880 --> 00:48:08,480 Speaker 1: been put on television. Wow. Wow, this show is tying 906 00:48:08,520 --> 00:48:10,640 Speaker 1: into a lot of different things, and I just want 907 00:48:10,719 --> 00:48:12,279 Speaker 1: y'all to give us a shot. I love y'all for 908 00:48:12,360 --> 00:48:16,960 Speaker 1: having me on. This is my favorite show. All rights. 909 00:48:20,880 --> 00:48:27,120 Speaker 1: The Breakfast Club. Good morning to you, Good morning to you, 910 00:48:27,400 --> 00:48:31,320 Speaker 1: Good morning to you. Morning. Everybody's DJ m vy Angela Yee, Charlomagne, 911 00:48:31,360 --> 00:48:33,040 Speaker 1: the guy. We all the Breakfast Club. Let's get to 912 00:48:33,040 --> 00:48:45,840 Speaker 1: the rumors. Just oh gust Breakfast Club. Well, Waka Flocker 913 00:48:46,080 --> 00:48:48,480 Speaker 1: is a very upset and I can't blame him. Okay, 914 00:48:48,840 --> 00:48:52,120 Speaker 1: this is a Saint Louis radio personality who's on AM radio. 915 00:48:52,239 --> 00:48:55,320 Speaker 1: His name is Bob Romanick, and he had some nasty 916 00:48:55,360 --> 00:48:57,400 Speaker 1: things to say about Waker. This all started when Walker 917 00:48:57,560 --> 00:49:01,080 Speaker 1: was performing and he ended up wiping his behind with 918 00:49:01,200 --> 00:49:04,240 Speaker 1: a Trump jersey during a concert. Now, according to Waka, 919 00:49:04,320 --> 00:49:06,160 Speaker 1: the only reason he used that was because he was 920 00:49:06,840 --> 00:49:09,040 Speaker 1: sweaty and gross and somebody handed it to him. He said, 921 00:49:09,040 --> 00:49:10,400 Speaker 1: it didn't matter what type of T shirt it was, 922 00:49:10,480 --> 00:49:12,680 Speaker 1: it just happened to be a Trump T shirt. And 923 00:49:12,840 --> 00:49:15,160 Speaker 1: here's what rom Nick had to say on his AM 924 00:49:15,480 --> 00:49:18,920 Speaker 1: radio show in Saint Louis, waka flocka. He took a 925 00:49:19,000 --> 00:49:22,319 Speaker 1: good crap on our president elect shirt. And you think 926 00:49:22,640 --> 00:49:25,239 Speaker 1: that Trump has done anything that this man Trump will 927 00:49:25,280 --> 00:49:28,560 Speaker 1: probably do more for this black card than Obama's ever 928 00:49:28,640 --> 00:49:31,800 Speaker 1: done for the proud black community in my opinion, of course, 929 00:49:32,320 --> 00:49:34,719 Speaker 1: think about it. We're talking about walk a flock of 930 00:49:34,840 --> 00:49:37,640 Speaker 1: that greasy black person of a bitch. But it says 931 00:49:37,840 --> 00:49:40,480 Speaker 1: you should not flaunt your support for Donald Trump at 932 00:49:40,520 --> 00:49:43,160 Speaker 1: a walka flocka show. Why not. I'll tell you what, 933 00:49:43,320 --> 00:49:46,040 Speaker 1: you black bastard. Let me wear a Trump shirt, then 934 00:49:46,080 --> 00:49:48,239 Speaker 1: you grab it and grab it off me. You'll be 935 00:49:48,320 --> 00:49:51,600 Speaker 1: the dead as son of a bitch walking around. That's 936 00:49:52,719 --> 00:49:55,320 Speaker 1: a word a couple of times. See you gotta understand. 937 00:49:55,440 --> 00:49:58,000 Speaker 1: And I've enough. He still has his job. He says 938 00:49:58,040 --> 00:50:02,440 Speaker 1: he will not quit, and they had not fired him. 939 00:50:02,520 --> 00:50:04,640 Speaker 1: And this is an AM radio station in Saint Louis. 940 00:50:04,719 --> 00:50:06,919 Speaker 1: Let's be clear one thing, and one thing for sure. 941 00:50:07,480 --> 00:50:10,200 Speaker 1: If you've never in your life heard what a cracking 942 00:50:10,280 --> 00:50:14,880 Speaker 1: sound like, that's a cracker. That's a crack ass cracker 943 00:50:15,080 --> 00:50:20,880 Speaker 1: right there, Jesus correct. How is this okay? Now? They 944 00:50:20,960 --> 00:50:24,080 Speaker 1: said he says that he was justified in calling him 945 00:50:24,160 --> 00:50:26,960 Speaker 1: the N word because Waka Flacker had taken Donald Trump's 946 00:50:27,040 --> 00:50:29,640 Speaker 1: jersey and used it to wipe his butt. And he's 947 00:50:29,680 --> 00:50:33,520 Speaker 1: been defending this himself, and he's saying that proud white 948 00:50:33,600 --> 00:50:37,040 Speaker 1: people use the N word their patriots, exercising their First 949 00:50:37,080 --> 00:50:40,400 Speaker 1: Amendment rights. No proud cracker ass crackers used the N 950 00:50:40,480 --> 00:50:43,000 Speaker 1: word in that manner that seems okay. Said he said, 951 00:50:44,560 --> 00:50:46,719 Speaker 1: or honkey to a white race, I won't get any heat, 952 00:50:46,760 --> 00:50:49,200 Speaker 1: But let me say N word one time. A black 953 00:50:49,280 --> 00:50:51,120 Speaker 1: person can use the word and a white person can't. 954 00:50:51,160 --> 00:50:54,440 Speaker 1: How discriminatory is that? I mean, that's his rationale. But 955 00:50:54,680 --> 00:50:56,919 Speaker 1: when black people use it amongst each other, they're using 956 00:50:56,960 --> 00:50:58,880 Speaker 1: it as like a term of endement. I don't use 957 00:50:58,920 --> 00:51:00,399 Speaker 1: it in that way. I'd be like, boy, stay away 958 00:51:00,440 --> 00:51:03,320 Speaker 1: from the men works. But you know it's people who do. 959 00:51:03,719 --> 00:51:06,680 Speaker 1: So that crack ass cracker is trying to justify some 960 00:51:06,800 --> 00:51:08,960 Speaker 1: bass right now. Well, he's been using the word and 961 00:51:09,000 --> 00:51:10,680 Speaker 1: he's gonna keep on using it, and he used it 962 00:51:10,719 --> 00:51:13,880 Speaker 1: even more after this now here. How here's how Walker responded, 963 00:51:14,360 --> 00:51:17,120 Speaker 1: This show need to get shut the down. Period. If 964 00:51:17,160 --> 00:51:19,160 Speaker 1: his show don't get shut down, don't let you know 965 00:51:19,239 --> 00:51:22,080 Speaker 1: how far racism go in America that anybody could get 966 00:51:22,120 --> 00:51:25,840 Speaker 1: on the radio say black black. So if I go 967 00:51:25,960 --> 00:51:31,040 Speaker 1: I'm already radio interview and say, oh bustling a black 968 00:51:31,120 --> 00:51:34,480 Speaker 1: people fat, and I'm gonna go through the show, I'm 969 00:51:34,480 --> 00:51:37,640 Speaker 1: gonna shure. I'm not gonna colo cop. I'm gonna go through. 970 00:51:37,640 --> 00:51:39,279 Speaker 1: I'm gonna go to the show and see if I 971 00:51:39,280 --> 00:51:41,360 Speaker 1: can get a personal interview. Let me see if he 972 00:51:41,560 --> 00:51:44,680 Speaker 1: talked that rush I pull up. Yes he will because 973 00:51:44,760 --> 00:51:47,080 Speaker 1: he probably is in a state with the staying ground. 974 00:51:47,360 --> 00:51:49,319 Speaker 1: He gotta get out, Okay, he said, I'm not gonna 975 00:51:49,400 --> 00:51:51,200 Speaker 1: quit talking and saying what I want until they cut 976 00:51:51,239 --> 00:51:53,399 Speaker 1: my tongue out and put me six foot under. Who 977 00:51:53,440 --> 00:51:56,960 Speaker 1: said that that crack dominic? Yes, okay, crazy, I was 978 00:51:57,040 --> 00:51:59,880 Speaker 1: just discussing. I'm sorry, but it's just really it's disturbing. 979 00:52:00,000 --> 00:52:01,560 Speaker 1: I saw your face every when you heard it, because 980 00:52:01,560 --> 00:52:03,680 Speaker 1: I guess you hadn't heard it before. I couldn't believe 981 00:52:03,680 --> 00:52:06,040 Speaker 1: he really said it. I said, it's crazy, all right. 982 00:52:06,120 --> 00:52:09,440 Speaker 1: Charles Oakley has been banned from Madison Square Garden by 983 00:52:09,560 --> 00:52:12,319 Speaker 1: the Knicks. He's not allowed to come there now. They 984 00:52:12,320 --> 00:52:14,640 Speaker 1: said it's not necessarily a lifetime band they said, we 985 00:52:14,680 --> 00:52:16,839 Speaker 1: need to keep the garden safe for anybody who goes there, 986 00:52:17,400 --> 00:52:19,200 Speaker 1: and they said, I understand he was a big start, 987 00:52:19,239 --> 00:52:22,799 Speaker 1: but that doesn't excuse people from that type of behavior. Now. 988 00:52:22,920 --> 00:52:25,640 Speaker 1: Dolan has also said that Charles Oakley has a problem 989 00:52:25,680 --> 00:52:27,760 Speaker 1: with anger and he may have a problem with alcohol. 990 00:52:27,920 --> 00:52:30,960 Speaker 1: We don't know. Charles Oakley's attorney said that they will 991 00:52:31,040 --> 00:52:33,920 Speaker 1: deal with it in court, and Charles Oakley tweeted out, 992 00:52:33,960 --> 00:52:35,960 Speaker 1: I love New York City, I love the Knicks. Thank 993 00:52:36,040 --> 00:52:37,520 Speaker 1: you for all your love. I will be holding a 994 00:52:37,600 --> 00:52:39,799 Speaker 1: press conference next week. Let's go Nick. So he said 995 00:52:39,840 --> 00:52:41,800 Speaker 1: that last week, so I guess this week at some 996 00:52:41,880 --> 00:52:43,600 Speaker 1: point he is going to hold a press conference in 997 00:52:43,640 --> 00:52:46,319 Speaker 1: Spike Lee was in the garden when all this went down, 998 00:52:46,640 --> 00:52:49,800 Speaker 1: and he was actually wearing an Oakley jersey just recently, 999 00:52:49,960 --> 00:52:51,200 Speaker 1: and he said, I'm not mad at any of the 1000 00:52:51,280 --> 00:52:53,280 Speaker 1: Knicks that showed up today. I stood up for everybody, 1001 00:52:53,520 --> 00:52:55,400 Speaker 1: gave them love a plaud it. I stood up for everybody. 1002 00:52:55,440 --> 00:52:57,560 Speaker 1: So I'm happy to see them under better conditions, Yes, 1003 00:52:57,840 --> 00:52:59,480 Speaker 1: but I'm happy to see them regardless. But it just 1004 00:52:59,560 --> 00:53:01,200 Speaker 1: looks so obvious to me. I don't know. You got 1005 00:53:01,280 --> 00:53:04,080 Speaker 1: to ask the garden I'm just happy to see these guys. 1006 00:53:04,120 --> 00:53:06,800 Speaker 1: So Spike Lee is also raised that Charles Oakley was 1007 00:53:06,880 --> 00:53:11,279 Speaker 1: arrested and taken to jail. Yeah, that was fine, very fast. 1008 00:53:12,120 --> 00:53:14,440 Speaker 1: We'll see what happens. And Tei has even posted about 1009 00:53:14,440 --> 00:53:16,880 Speaker 1: it too. I don't see how anybody would ever want 1010 00:53:16,880 --> 00:53:19,440 Speaker 1: to play for the Knicks organization. If I was a 1011 00:53:19,560 --> 00:53:21,800 Speaker 1: free agent or somebody traded me to the Knicks, I 1012 00:53:21,840 --> 00:53:24,040 Speaker 1: would not want to play for the New York Knicks 1013 00:53:24,120 --> 00:53:26,480 Speaker 1: if you see how the organization treat his veterans like, yeah, 1014 00:53:26,640 --> 00:53:28,359 Speaker 1: that's a tough one. All right, Well let me as 1015 00:53:28,360 --> 00:53:30,520 Speaker 1: you like, Yeah, that is your rumor report, all right, 1016 00:53:30,560 --> 00:53:33,799 Speaker 1: thank you, missie. Charlemagne, Yes, what you giving your donkey too? Listen, man, 1017 00:53:33,880 --> 00:53:35,520 Speaker 1: I need to grab me voting committee to come to 1018 00:53:35,640 --> 00:53:37,239 Speaker 1: front of the congregation. We like to have a little 1019 00:53:37,280 --> 00:53:43,200 Speaker 1: world with him and shy. Yeah, Charlemagne, say the gang 1020 00:53:43,320 --> 00:53:51,240 Speaker 1: don't get the same man you are you donkey today 1021 00:53:51,320 --> 00:53:53,879 Speaker 1: does not discriminate. I might not have the song of today, 1022 00:53:53,880 --> 00:53:55,799 Speaker 1: but I got to donkey that. So if you ever 1023 00:53:55,880 --> 00:53:57,800 Speaker 1: feel I need to be a donkey man, hit it 1024 00:53:57,880 --> 00:54:01,960 Speaker 1: with you reckfast club bitches. They just don't keep the 1025 00:54:02,000 --> 00:54:06,080 Speaker 1: day today, Yes, don't you today for Monday, February thirteenth 1026 00:54:06,160 --> 00:54:08,440 Speaker 1: goes to the devil damn Grammy voting Committee. You know, 1027 00:54:08,520 --> 00:54:10,360 Speaker 1: I don't give a damn about no Grammy Awards. I 1028 00:54:10,440 --> 00:54:12,880 Speaker 1: tell artists all the time, go where you're celebrating, not 1029 00:54:12,960 --> 00:54:15,600 Speaker 1: where you're tolerated, because it seems like awards shows like 1030 00:54:15,719 --> 00:54:19,200 Speaker 1: the Grammys just don't always get it right now, I'm 1031 00:54:19,239 --> 00:54:21,680 Speaker 1: only talking about one specific moment from last night. In 1032 00:54:21,719 --> 00:54:23,719 Speaker 1: that moment came during the best Album of the Year 1033 00:54:23,800 --> 00:54:27,719 Speaker 1: category where Beyonce and Adell would nominated now Adele one 1034 00:54:27,840 --> 00:54:29,640 Speaker 1: Song of the Year and Record of the Year for 1035 00:54:29,760 --> 00:54:33,080 Speaker 1: Hello over Formation. I personally wasn't mad at that because 1036 00:54:33,160 --> 00:54:35,440 Speaker 1: Hello was a better song than Formation to me, and 1037 00:54:35,600 --> 00:54:38,239 Speaker 1: y'all know, I'm a Pickett Smith went from nos Carter, 1038 00:54:38,360 --> 00:54:40,400 Speaker 1: So if I can admit Hello was better than in Formation, 1039 00:54:40,680 --> 00:54:43,000 Speaker 1: then Hello was better than Information. But we're not just 1040 00:54:43,080 --> 00:54:47,680 Speaker 1: talking about individual records singles, Okay. I just knew that 1041 00:54:47,840 --> 00:54:49,960 Speaker 1: Beyonce was gonna win Album or the Year because when 1042 00:54:49,960 --> 00:54:53,799 Speaker 1: it came to twenty five, Adele's album and Lemonade, Beyonce's 1043 00:54:53,800 --> 00:54:57,000 Speaker 1: album as complete bodies of work wasn't even close. Okay, 1044 00:54:57,280 --> 00:54:59,160 Speaker 1: not to mention the Dell opened up the Grammys, and 1045 00:54:59,200 --> 00:55:01,800 Speaker 1: we know Adell is in a amazing vocalist. She's very talented, 1046 00:55:01,880 --> 00:55:04,400 Speaker 1: she makes grape music, but on that stage she is 1047 00:55:04,480 --> 00:55:07,239 Speaker 1: unseasoned chicken, just a big piece of big chicken with 1048 00:55:07,360 --> 00:55:10,800 Speaker 1: no season seasoning on it. Okay, boring the Tim Duncan 1049 00:55:10,840 --> 00:55:14,080 Speaker 1: of vocalists. All right. Meanwhile, Beyonce performs at the Grammy's 1050 00:55:14,160 --> 00:55:16,160 Speaker 1: last night, and it's crazy how people think she was 1051 00:55:16,280 --> 00:55:19,800 Speaker 1: using special effects and not her own superpowers when she 1052 00:55:19,920 --> 00:55:22,400 Speaker 1: was leaning back in that chade. That was Telekinecius. Okay, 1053 00:55:22,480 --> 00:55:24,960 Speaker 1: all that stuff you saw you thought was holograms. Nope, 1054 00:55:25,000 --> 00:55:28,080 Speaker 1: Beyonce is a telepath I Professor Xavier and was simply 1055 00:55:28,160 --> 00:55:30,680 Speaker 1: controlling our minds. Don't you ever in your life disrespect 1056 00:55:30,760 --> 00:55:34,320 Speaker 1: Beyonce's superpowers by calling them special effects? Okay? Now, I 1057 00:55:34,360 --> 00:55:36,600 Speaker 1: stayed up until well passed eleven on a work night 1058 00:55:36,640 --> 00:55:39,040 Speaker 1: to watch Beyonce win Album of the Year, and all 1059 00:55:39,160 --> 00:55:41,440 Speaker 1: I got to see was Beyonce get robbed. Okay, and 1060 00:55:41,520 --> 00:55:45,560 Speaker 1: the very talented yet boring performer Adele walked away with 1061 00:55:45,600 --> 00:55:47,640 Speaker 1: Album of the Year for twenty five. Now, I don't 1062 00:55:47,719 --> 00:55:50,680 Speaker 1: knock anyone's blessings, especially when it comes to matter of opinion, 1063 00:55:50,719 --> 00:55:52,600 Speaker 1: because that's all the Grammy Committee is a bunch of 1064 00:55:52,600 --> 00:55:55,719 Speaker 1: people casting their opinions. But in this case, they absolutely 1065 00:55:55,800 --> 00:55:58,440 Speaker 1: positively got it wrong. And the Grammy Committee should all 1066 00:55:58,480 --> 00:56:02,759 Speaker 1: feel foolish this morning, because even Adele acknowledged doing her 1067 00:56:02,760 --> 00:56:06,160 Speaker 1: acceptance speech and the press conference after the awards that 1068 00:56:06,320 --> 00:56:08,520 Speaker 1: she should not have one album of the year. Let's 1069 00:56:08,560 --> 00:56:11,759 Speaker 1: listen to her acceptance speech. My artist of my life 1070 00:56:11,920 --> 00:56:15,719 Speaker 1: is beyonceing this album for me, the Lemonade album was 1071 00:56:15,760 --> 00:56:22,239 Speaker 1: just so monumentalonce. It was so monumental and so beautiful 1072 00:56:22,280 --> 00:56:24,400 Speaker 1: and soul bearing, and we all got to see another 1073 00:56:24,480 --> 00:56:26,319 Speaker 1: side to you that you don't always let us see, 1074 00:56:26,400 --> 00:56:29,279 Speaker 1: and we appreciate that, and all us artists here adore you. 1075 00:56:29,680 --> 00:56:34,600 Speaker 1: You are a light. And the way that you made 1076 00:56:34,600 --> 00:56:36,600 Speaker 1: me and my friend's feel, the way you make my 1077 00:56:36,760 --> 00:56:39,759 Speaker 1: black friends feel is empowering, and you make them stand 1078 00:56:39,880 --> 00:56:42,600 Speaker 1: up for themselves. And I love you, I always have 1079 00:56:42,920 --> 00:56:44,840 Speaker 1: and I always will. That's how you keep to be 1080 00:56:44,960 --> 00:56:46,759 Speaker 1: high off your air strap want to close bombs for 1081 00:56:46,840 --> 00:56:50,640 Speaker 1: a Dele. She pulled an eminem and eight mile. That's 1082 00:56:50,640 --> 00:56:52,440 Speaker 1: how you keep to be high off your ass. I 1083 00:56:52,520 --> 00:56:54,399 Speaker 1: respected Del's honesty, but I do feel like a dele 1084 00:56:54,480 --> 00:56:57,560 Speaker 1: mister moment to use her privilege to combat prejudice. We 1085 00:56:57,680 --> 00:57:00,640 Speaker 1: understand beyond his music, make sure black friends want to 1086 00:57:00,680 --> 00:57:02,759 Speaker 1: stand up for themselves. But I feel like Adell could 1087 00:57:02,800 --> 00:57:06,880 Speaker 1: have said Beyonce's music Beyondce's messaging makes me want to 1088 00:57:06,960 --> 00:57:09,120 Speaker 1: stand up for my black friends and other black people 1089 00:57:09,200 --> 00:57:12,200 Speaker 1: experiencing racial injustice in America. That's the kind of messaging 1090 00:57:12,200 --> 00:57:13,800 Speaker 1: I would ever like to hear a Dell deliver. But 1091 00:57:14,000 --> 00:57:16,160 Speaker 1: we'll discuss that in a second. Let's listen to a 1092 00:57:16,280 --> 00:57:19,000 Speaker 1: Dell in the post press conference continuing to make the 1093 00:57:19,080 --> 00:57:22,040 Speaker 1: Grammy voter committee look clueless. And the reason I felt 1094 00:57:22,080 --> 00:57:24,240 Speaker 1: they need to say something was my album of the 1095 00:57:24,280 --> 00:57:28,840 Speaker 1: Year is Lemonade. She is my icon of my whole life, 1096 00:57:28,880 --> 00:57:30,720 Speaker 1: and so I felt needs to do Also, I feel 1097 00:57:30,800 --> 00:57:32,640 Speaker 1: like it was her time to win. My view is 1098 00:57:32,720 --> 00:57:34,320 Speaker 1: kind of what the does she has to do to 1099 00:57:34,400 --> 00:57:36,240 Speaker 1: win Album of the Year. That's also how I feel 1100 00:57:36,600 --> 00:57:39,120 Speaker 1: great question what more is beyond they have to do 1101 00:57:39,200 --> 00:57:40,880 Speaker 1: to win Album of the Year at the Grammys. Right 1102 00:57:41,040 --> 00:57:43,880 Speaker 1: on this album, she exposed their man's infidelity, stood up 1103 00:57:43,880 --> 00:57:46,160 Speaker 1: for the injustices that black people have been facing, gave 1104 00:57:46,160 --> 00:57:48,160 Speaker 1: you a video for every song on the album. They 1105 00:57:48,240 --> 00:57:51,440 Speaker 1: bebuted as a special on HBO, empowered women and had 1106 00:57:51,520 --> 00:57:55,600 Speaker 1: the majority of the country getting information all Beyonce's Chicken 1107 00:57:55,680 --> 00:57:58,320 Speaker 1: was season the perfection, but Dell twenty five, on the 1108 00:57:58,360 --> 00:58:00,439 Speaker 1: other hand, not so much. But this is the knocked 1109 00:58:00,440 --> 00:58:02,560 Speaker 1: to a Dell. She's great except for a stage show. 1110 00:58:02,680 --> 00:58:04,720 Speaker 1: But this is one of those times when the Grammy's 1111 00:58:04,720 --> 00:58:09,480 Speaker 1: absolutely positively got it wrong, and everybody knows it, including 1112 00:58:09,520 --> 00:58:13,080 Speaker 1: a Dell herself, and an artist of a Dell's caliber, 1113 00:58:13,200 --> 00:58:15,720 Speaker 1: breaks her Grammy for Album of the Year and half 1114 00:58:15,800 --> 00:58:18,120 Speaker 1: to give the other half to Beyonce. That's when you 1115 00:58:18,240 --> 00:58:21,600 Speaker 1: know somebody got it wrong. Don't cry for Beyonce, though, 1116 00:58:21,800 --> 00:58:23,960 Speaker 1: when I hear stories like this, I think of a quote. 1117 00:58:24,200 --> 00:58:27,000 Speaker 1: The only permission, the only validation, and the only opinion 1118 00:58:27,080 --> 00:58:29,560 Speaker 1: that matters in our quest for greatness is our own. 1119 00:58:29,800 --> 00:58:33,560 Speaker 1: And if anybody knows that it's blues Mama Beyonce knows Carter, 1120 00:58:33,600 --> 00:58:35,520 Speaker 1: Please give the Grammy Committee the biggest he harp. Oh 1121 00:58:35,560 --> 00:58:37,000 Speaker 1: a matter of fact, give him some of the Sweet 1122 00:58:37,040 --> 00:58:49,080 Speaker 1: Tams and the Hammetones vocals, Donkey the day, the donkey, 1123 00:58:52,200 --> 00:59:00,320 Speaker 1: the d he all right, thank you for that one kid. 1124 00:59:00,360 --> 00:59:03,080 Speaker 1: Today now eight hundred five eight five one oh five one, 1125 00:59:03,120 --> 00:59:08,320 Speaker 1: we're asking how do you feel about Adele's comments bother me, 1126 00:59:08,440 --> 00:59:11,160 Speaker 1: the one when she says, you know, Beyonce my black friends, 1127 00:59:11,200 --> 00:59:12,919 Speaker 1: you stand up my black friends, make my black friends 1128 00:59:12,920 --> 00:59:14,520 Speaker 1: stand up for I just told you. I feel like 1129 00:59:14,560 --> 00:59:17,320 Speaker 1: Adele mister moment to use her privilege to combat prejudice. 1130 00:59:17,360 --> 00:59:19,480 Speaker 1: I feel like she could have said, Beyonce's music makes 1131 00:59:19,560 --> 00:59:21,720 Speaker 1: me want to stand up for my black friends and 1132 00:59:21,800 --> 00:59:24,640 Speaker 1: other black people experiencing racial injustice in America. I mean, 1133 00:59:24,680 --> 00:59:27,000 Speaker 1: of course, Beyonce's music makes her black friends want to 1134 00:59:27,000 --> 00:59:28,680 Speaker 1: stand up for themselves, But does it make you want 1135 00:59:28,680 --> 00:59:30,760 Speaker 1: to stand up for them? We an't we only ain't. 1136 00:59:30,800 --> 00:59:33,000 Speaker 1: We ain't only asking you, We're asking everybody. He said. 1137 00:59:33,000 --> 00:59:35,240 Speaker 1: I just said, eight hundred five eight five one oh 1138 00:59:35,280 --> 00:59:36,800 Speaker 1: five one. We want to talk to people out there. 1139 00:59:36,880 --> 00:59:39,720 Speaker 1: I'm always ready. We're asking, how do you feel about 1140 00:59:39,800 --> 00:59:43,400 Speaker 1: Adele's comments? Were you offended? Phone line to wide open? 1141 00:59:43,680 --> 00:59:45,720 Speaker 1: Let's talk about eight hundred five eight five one o 1142 00:59:45,840 --> 00:59:48,800 Speaker 1: five one. It's a breakfast loogal morning, the breakfast club. 1143 00:59:52,360 --> 00:59:55,680 Speaker 1: Tell your friends to get with my friend art was 1144 00:59:55,760 --> 00:59:59,760 Speaker 1: Big Poper Morning. Everybody is DJ Envy, Angela Yee, Charlomagne 1145 00:59:59,800 --> 01:00:02,040 Speaker 1: the guy we are the breakfast club now if he 1146 01:00:02,240 --> 01:00:05,400 Speaker 1: just joined us. We're talking about Adele. She won Album 1147 01:00:05,520 --> 01:00:07,880 Speaker 1: of the Year and when she won, this is what 1148 01:00:08,000 --> 01:00:11,480 Speaker 1: she said. My artist of my life is Beyonce saying 1149 01:00:11,560 --> 01:00:17,440 Speaker 1: this album for me, the Lemonade album was just so monumental, Fiance. 1150 01:00:17,680 --> 01:00:21,840 Speaker 1: It was so monumental and so beautiful and soul bearing. 1151 01:00:21,960 --> 01:00:23,720 Speaker 1: And we all got to see another side to you 1152 01:00:23,840 --> 01:00:26,200 Speaker 1: that you don't always let us see. And we appreciate that, 1153 01:00:26,240 --> 01:00:30,400 Speaker 1: and all us artists here adore you. You are all right. 1154 01:00:32,120 --> 01:00:34,479 Speaker 1: And the way that you made me and my friend's feel, 1155 01:00:34,520 --> 01:00:37,400 Speaker 1: the way you make my black friend's feel is empowering, 1156 01:00:37,560 --> 01:00:40,080 Speaker 1: and you make them stand up for themselves. And I 1157 01:00:40,200 --> 01:00:42,720 Speaker 1: love you, I always have and I always will. So 1158 01:00:42,840 --> 01:00:45,400 Speaker 1: we're asking eight hundred five five one or five one? 1159 01:00:45,480 --> 01:00:48,080 Speaker 1: How do you feel about Adele's comments? Were you offended? 1160 01:00:48,320 --> 01:00:50,640 Speaker 1: Let's start with you. I was a little taking a bag. 1161 01:00:50,680 --> 01:00:53,000 Speaker 1: It was just a weird thing to say, because I 1162 01:00:53,160 --> 01:00:56,320 Speaker 1: feel like she should want everybody to feel empowered, and 1163 01:00:56,400 --> 01:01:00,280 Speaker 1: she should want that to be just. It should affect everyone, 1164 01:01:00,360 --> 01:01:02,400 Speaker 1: not just your black friends, you know what I'm saying. 1165 01:01:02,440 --> 01:01:04,680 Speaker 1: So that's how I felt it should want you to 1166 01:01:04,800 --> 01:01:07,240 Speaker 1: do better as a white person, knowing everything that's going 1167 01:01:07,280 --> 01:01:10,120 Speaker 1: on with black people. So I just but I do 1168 01:01:10,320 --> 01:01:12,200 Speaker 1: feel like she was just a bit awkward. It was 1169 01:01:12,240 --> 01:01:14,520 Speaker 1: just a weird thing to say. Maybe she didn't feel 1170 01:01:14,560 --> 01:01:16,160 Speaker 1: in power. Maybe she felt like her black friends were 1171 01:01:16,200 --> 01:01:17,680 Speaker 1: in powered and she didn't feel that. Well, then she's 1172 01:01:17,720 --> 01:01:19,480 Speaker 1: missing it. And you know what I mean, And that's 1173 01:01:19,800 --> 01:01:21,960 Speaker 1: that's exactly what that affects you too. That's exactly what 1174 01:01:22,040 --> 01:01:24,720 Speaker 1: I said. Adele missed a moment to use her privilege 1175 01:01:24,760 --> 01:01:26,800 Speaker 1: to combat prejudice. I feel like she could have said, 1176 01:01:26,840 --> 01:01:29,480 Speaker 1: Beyonce's music makes me want to stand up for my 1177 01:01:29,600 --> 01:01:32,840 Speaker 1: black friends and other black people experiencing irracial injustice in America. 1178 01:01:33,120 --> 01:01:35,000 Speaker 1: You know, And I mean, you know, when you see, 1179 01:01:35,360 --> 01:01:38,120 Speaker 1: you know, white people in positions of power, they never 1180 01:01:38,240 --> 01:01:42,880 Speaker 1: really say prejudice is whack? Are are racist? White people 1181 01:01:43,320 --> 01:01:45,920 Speaker 1: are wrong? You know what I'm saying, Beyonce, don't need 1182 01:01:46,040 --> 01:01:48,560 Speaker 1: to make your black friends stand up for themselves. She 1183 01:01:48,600 --> 01:01:51,120 Speaker 1: should make you stand up for us, especially since you 1184 01:01:51,240 --> 01:01:55,960 Speaker 1: claim to love Beyonce so much. Adele. That's all I'm saying. Well, 1185 01:01:55,960 --> 01:01:58,040 Speaker 1: a black friend thing just sounded a little harsh when 1186 01:01:58,040 --> 01:01:59,800 Speaker 1: she said it, but that didn't bother me. I mean, 1187 01:02:00,040 --> 01:02:02,120 Speaker 1: how old you describe your black friends if they're black? 1188 01:02:02,600 --> 01:02:06,000 Speaker 1: Like what you say? I think that the racist that says. 1189 01:02:06,000 --> 01:02:07,760 Speaker 1: But I got black friends, you know that. But I'm 1190 01:02:07,760 --> 01:02:09,280 Speaker 1: telling you, I think that a dad was having a 1191 01:02:09,360 --> 01:02:11,360 Speaker 1: rough night. Like she had tried to do the tribute 1192 01:02:11,360 --> 01:02:14,480 Speaker 1: to George Michael, she ended up messing up. Yeah, so 1193 01:02:14,880 --> 01:02:16,640 Speaker 1: I think she was having an awkward night, and I 1194 01:02:16,720 --> 01:02:19,080 Speaker 1: think that was an awkward moment to know. But what 1195 01:02:19,200 --> 01:02:21,280 Speaker 1: it'd be said, it's real, That's what that's That's really 1196 01:02:21,360 --> 01:02:23,080 Speaker 1: the point. It's like, Yo, why I put it on 1197 01:02:23,160 --> 01:02:26,320 Speaker 1: your black friends? Like we know it's a given that 1198 01:02:26,440 --> 01:02:28,880 Speaker 1: Beyonce it's gonna make black people want to stand up 1199 01:02:28,920 --> 01:02:31,480 Speaker 1: for themselves, But all did they make you want to 1200 01:02:31,560 --> 01:02:33,919 Speaker 1: stand up for black people in the injustices they face? 1201 01:02:34,120 --> 01:02:39,880 Speaker 1: Since you're such a Beyonce fan? Right, Hello? Who's this? Yeah? 1202 01:02:39,880 --> 01:02:42,040 Speaker 1: What you think about a Dall's comments? But I thought 1203 01:02:42,080 --> 01:02:45,840 Speaker 1: it was pretty genuine. She careley swift the whole situation 1204 01:02:45,960 --> 01:02:48,440 Speaker 1: when they win awards and nothing that she didn't say, Posse, 1205 01:02:48,680 --> 01:02:57,320 Speaker 1: I mean she said black flank. I mean right, you 1206 01:02:57,440 --> 01:03:03,880 Speaker 1: make me and my whole posse Ali, Good morning. This 1207 01:03:04,040 --> 01:03:06,720 Speaker 1: is Sandrea from Ohio. Hey Sandrea, what do you think 1208 01:03:06,760 --> 01:03:10,440 Speaker 1: of Adele's comments? Absolutely, and looking at it and reflecting 1209 01:03:10,520 --> 01:03:13,960 Speaker 1: on the comment, It's not necessarily about whether I'm seeking 1210 01:03:14,000 --> 01:03:16,760 Speaker 1: in a dig from Adele, but whether I'm going to 1211 01:03:16,800 --> 01:03:18,840 Speaker 1: have a self determination and what I'm going to do. 1212 01:03:19,000 --> 01:03:22,480 Speaker 1: So often we are attempting to ensure that our solving 1213 01:03:22,560 --> 01:03:25,160 Speaker 1: these problems of issues with us as black and me 1214 01:03:25,280 --> 01:03:28,000 Speaker 1: particularly as a woman, is whether someone else can help me. 1215 01:03:28,400 --> 01:03:30,280 Speaker 1: But I look at is what is the self determination 1216 01:03:30,320 --> 01:03:32,880 Speaker 1: of what I can do for myself? As a result, 1217 01:03:33,080 --> 01:03:36,960 Speaker 1: when she spoke about what beyond says helping with her 1218 01:03:37,040 --> 01:03:39,120 Speaker 1: black friends, I don't look at it that way. I 1219 01:03:39,200 --> 01:03:41,640 Speaker 1: look at it. What has my mother when it's my grandmother? 1220 01:03:41,880 --> 01:03:44,080 Speaker 1: What its people around me who really love me enough 1221 01:03:44,120 --> 01:03:46,320 Speaker 1: to say when I'm right or wrong? What am I 1222 01:03:46,560 --> 01:03:50,480 Speaker 1: doing in order to profess my own self determination? And 1223 01:03:50,600 --> 01:03:54,840 Speaker 1: so inclusivity and connectivity of us to others should not 1224 01:03:54,960 --> 01:03:56,640 Speaker 1: be about what others will do for us, but what 1225 01:03:56,760 --> 01:04:01,280 Speaker 1: will I do for myself? I'm gonna attorney, Okay, I'm 1226 01:04:01,280 --> 01:04:04,440 Speaker 1: trying said inclusivity in some other world I can't remember. 1227 01:04:04,600 --> 01:04:08,640 Speaker 1: Educated African American woman. Yeah, no, thank you though, But 1228 01:04:08,800 --> 01:04:11,200 Speaker 1: I do appreciate what she said, and I never take 1229 01:04:11,240 --> 01:04:14,160 Speaker 1: anybody's feelings for them because I do also look at 1230 01:04:14,200 --> 01:04:17,600 Speaker 1: the empathetic nature of what she said. But in actuality, 1231 01:04:18,160 --> 01:04:20,160 Speaker 1: when we sit back and when we look at what's 1232 01:04:20,240 --> 01:04:22,400 Speaker 1: other attempt to do for us? And I use the 1233 01:04:22,440 --> 01:04:26,560 Speaker 1: word attempt because we are consistently looking at how everyone 1234 01:04:26,720 --> 01:04:30,040 Speaker 1: else is uplifting us, what are we doing to uplift 1235 01:04:30,080 --> 01:04:33,720 Speaker 1: ourselves doing an excellent job? And I think once we 1236 01:04:33,960 --> 01:04:37,800 Speaker 1: make the decision that we can stand on our own 1237 01:04:38,360 --> 01:04:42,480 Speaker 1: with help, not with the inclusivity as I said, or 1238 01:04:42,520 --> 01:04:46,080 Speaker 1: the connectivity as I think. I don't believe that we 1239 01:04:46,200 --> 01:04:51,000 Speaker 1: should have that as our respounding voice. The priververse for 1240 01:04:51,240 --> 01:04:58,400 Speaker 1: us is self determination. That was Tory Lane's with Loves 1241 01:04:58,480 --> 01:05:02,080 Speaker 1: Mourning Everybody, as DJ Envy Angela Yee, Charlomagne the guy 1242 01:05:02,120 --> 01:05:04,280 Speaker 1: we are the Breakfast Club if he just joined us. 1243 01:05:04,560 --> 01:05:07,480 Speaker 1: We're talking about Adele. She won Album of the Year 1244 01:05:07,560 --> 01:05:10,240 Speaker 1: at the Grammy's last night, and she said this as 1245 01:05:10,640 --> 01:05:13,880 Speaker 1: she was receiving her award. My artist of my life 1246 01:05:14,000 --> 01:05:17,800 Speaker 1: is beyonceing this album for me, the Lemonade album was 1247 01:05:17,840 --> 01:05:23,560 Speaker 1: just so monumental fonce. It was so monumental and so 1248 01:05:23,800 --> 01:05:26,200 Speaker 1: beautiful and soul bearing, and we all got to see 1249 01:05:26,240 --> 01:05:28,439 Speaker 1: another side to you that you don't always let us see. 1250 01:05:28,520 --> 01:05:31,400 Speaker 1: And we appreciate that, and all us artists here adore you. 1251 01:05:31,760 --> 01:05:36,680 Speaker 1: You are all lights. And the way that you made 1252 01:05:36,720 --> 01:05:38,680 Speaker 1: me and my friend's feel, the way you make my 1253 01:05:38,840 --> 01:05:41,880 Speaker 1: black friend's feel is empowering, and you make them stand 1254 01:05:41,960 --> 01:05:44,680 Speaker 1: up for themselves. And I love you, I always have 1255 01:05:45,000 --> 01:05:47,360 Speaker 1: and I always will. So we're asking eight hundred five 1256 01:05:47,600 --> 01:05:49,680 Speaker 1: five one or five one, how do you feel about 1257 01:05:49,680 --> 01:05:52,440 Speaker 1: Adele's comments? And that's to day. Let's not forget she 1258 01:05:52,560 --> 01:05:54,640 Speaker 1: was crying earlier in the night. She had a rough night. 1259 01:05:54,720 --> 01:05:57,280 Speaker 1: She didn't plan the speech out, so she might have 1260 01:05:57,400 --> 01:06:01,360 Speaker 1: just said it like whoop, right, Hello, Herry? What's going on? 1261 01:06:01,520 --> 01:06:03,480 Speaker 1: Is Keith from Bash a long hour? Hey Keith? What 1262 01:06:03,560 --> 01:06:06,160 Speaker 1: do you think about Adelle's comments? Broum. Honestly, I think 1263 01:06:06,200 --> 01:06:08,000 Speaker 1: I'm fine with it. I feel like the whole fact 1264 01:06:08,080 --> 01:06:10,680 Speaker 1: that she's even white or white skin died and saying 1265 01:06:10,760 --> 01:06:13,200 Speaker 1: something about the community is enough for me. I don't 1266 01:06:13,240 --> 01:06:15,920 Speaker 1: need nobody's pity. She can't say nothing about the community 1267 01:06:16,000 --> 01:06:18,160 Speaker 1: though she but you know what she spoke on. She 1268 01:06:18,240 --> 01:06:20,040 Speaker 1: spoke on something. She spoke on something that had to 1269 01:06:20,080 --> 01:06:24,680 Speaker 1: do with black and she spoke. You needn't stop. You 1270 01:06:24,760 --> 01:06:26,080 Speaker 1: need to stop with that, man, You need to stop. 1271 01:06:26,120 --> 01:06:28,560 Speaker 1: We don't need nobody's city, man, we don't need nobody's city. 1272 01:06:28,640 --> 01:06:30,320 Speaker 1: I didn't did a lot of things being black people 1273 01:06:30,360 --> 01:06:32,600 Speaker 1: saying oh, we'd deprobased this because we're black. We'd depropped 1274 01:06:32,640 --> 01:06:35,040 Speaker 1: that for being black. I hadn't been through some op 1275 01:06:35,080 --> 01:06:37,560 Speaker 1: schools being black, and I came out fine. No, listen, 1276 01:06:37,560 --> 01:06:40,840 Speaker 1: I don't want her pity. I just feel like she 1277 01:06:40,960 --> 01:06:44,040 Speaker 1: missed a moment to really use her privilege to combat prejudice. 1278 01:06:44,080 --> 01:06:45,800 Speaker 1: Like every now and then, listen, man, we see people 1279 01:06:45,840 --> 01:06:49,640 Speaker 1: stand up for Muslims, LGBT, climate change, but nobody ever 1280 01:06:49,720 --> 01:06:52,080 Speaker 1: really stands up and says racism is wrong white people 1281 01:06:52,320 --> 01:06:54,800 Speaker 1: and racist white people need to do better. If you 1282 01:06:54,960 --> 01:06:58,200 Speaker 1: know the messaging of Beyonce's music, Adele, then won't you 1283 01:06:58,320 --> 01:07:00,080 Speaker 1: really stand up and make a stand on your to 1284 01:07:00,160 --> 01:07:02,920 Speaker 1: have not for what your black friends feel? Hello, who's this? 1285 01:07:03,960 --> 01:07:06,440 Speaker 1: I'm learning missus Dana from the story. Hey Dana, what 1286 01:07:06,480 --> 01:07:09,720 Speaker 1: do you think about Adell's comments? Um, okay, I think 1287 01:07:09,800 --> 01:07:12,960 Speaker 1: she was genuinely soaked in astonished that she went over Beyonce, 1288 01:07:13,160 --> 01:07:17,240 Speaker 1: who wouldn't be Beyonce is very talented. However, the black 1289 01:07:17,800 --> 01:07:19,960 Speaker 1: friends comment, I just felt that she was trying to 1290 01:07:20,000 --> 01:07:22,400 Speaker 1: save herself because she didn't want to have to deal 1291 01:07:22,440 --> 01:07:27,480 Speaker 1: with the riff raff of the bee Hive. Lady, I 1292 01:07:27,560 --> 01:07:31,280 Speaker 1: think you saved herself, however, but she's also trying to 1293 01:07:31,360 --> 01:07:33,200 Speaker 1: list some of the US know now is and she 1294 01:07:33,320 --> 01:07:36,280 Speaker 1: had friends that are black, so she's separated. If you 1295 01:07:36,400 --> 01:07:39,400 Speaker 1: wasn't sure it was a black or white thing, um, 1296 01:07:39,640 --> 01:07:42,160 Speaker 1: she spoke a little too much, and I think she 1297 01:07:42,280 --> 01:07:45,880 Speaker 1: sort of revealed it so and slightly revealed herself. I mean, 1298 01:07:46,120 --> 01:07:48,640 Speaker 1: i'd have white friends. I don't say, well my white 1299 01:07:48,720 --> 01:07:53,600 Speaker 1: friend my friend, right, and she went on color either. 1300 01:07:54,000 --> 01:07:56,520 Speaker 1: But I do think that Beyonce's Lemonade album was very 1301 01:07:56,560 --> 01:08:03,120 Speaker 1: empowering for black people also, so I understand why she 1302 01:08:03,400 --> 01:08:05,000 Speaker 1: might have thrown that term out there. I just think 1303 01:08:05,040 --> 01:08:07,600 Speaker 1: she was a little flustered, right, Well, she felt guilty, 1304 01:08:07,680 --> 01:08:09,680 Speaker 1: That's why she said it, because there was nothing to say. 1305 01:08:09,920 --> 01:08:11,440 Speaker 1: I'm not going to earn an award and all of 1306 01:08:11,520 --> 01:08:13,760 Speaker 1: a sudden, my black friends to call my black friends, no, 1307 01:08:13,960 --> 01:08:15,960 Speaker 1: my friends. See, I'll take it for what it is. 1308 01:08:16,040 --> 01:08:17,960 Speaker 1: If she she might not have momented you know what 1309 01:08:17,960 --> 01:08:19,880 Speaker 1: I mean, She might not have felt that way. Maybe 1310 01:08:19,920 --> 01:08:21,639 Speaker 1: she felt it for her black friends, but she didn't 1311 01:08:21,640 --> 01:08:23,880 Speaker 1: feel empowered for it. And if she didn't feel that way, 1312 01:08:24,040 --> 01:08:25,720 Speaker 1: I don't want to force somebody to stand up for 1313 01:08:25,800 --> 01:08:27,519 Speaker 1: us if they're not honestly feeling that. But if you 1314 01:08:27,560 --> 01:08:29,240 Speaker 1: listen to the whole statement she said, she said, the 1315 01:08:29,280 --> 01:08:30,720 Speaker 1: way you make me feel, the way you make my 1316 01:08:30,800 --> 01:08:32,920 Speaker 1: friends feel, the way you make my black friends feel 1317 01:08:32,960 --> 01:08:35,800 Speaker 1: like they want to stand up for themselves. Right, Like 1318 01:08:35,880 --> 01:08:38,479 Speaker 1: I said, are just the moral the story? Yes? Or 1319 01:08:38,560 --> 01:08:40,200 Speaker 1: the moral of the story is. I just feel like 1320 01:08:40,240 --> 01:08:42,200 Speaker 1: Adele missed a moment, and I'll keep saying it to 1321 01:08:42,320 --> 01:08:44,200 Speaker 1: use her privilege to combat prejudice. I feel like she 1322 01:08:44,280 --> 01:08:46,679 Speaker 1: could have said, Beyonce's music makes me want to stand 1323 01:08:46,760 --> 01:08:49,360 Speaker 1: up for my black friends and other black people experiencing 1324 01:08:49,479 --> 01:08:51,360 Speaker 1: racial injustice in America. We see it all the time 1325 01:08:51,360 --> 01:08:54,440 Speaker 1: at these award shows. People stand up for Muslims, LGBT, 1326 01:08:54,840 --> 01:08:57,000 Speaker 1: climate change, But you don't really see why people stand 1327 01:08:57,080 --> 01:08:59,439 Speaker 1: up and say racism is wrong and racist white people 1328 01:08:59,520 --> 01:09:01,920 Speaker 1: need to do. If you know the messaging of Beyonce's music, 1329 01:09:02,000 --> 01:09:04,439 Speaker 1: Adel and you know what message Beyonce is trying to convey, 1330 01:09:04,640 --> 01:09:06,920 Speaker 1: then stand up and say Beyonce's music makes me want 1331 01:09:06,920 --> 01:09:09,479 Speaker 1: to stand up for black people and the injustices they face. 1332 01:09:09,720 --> 01:09:11,240 Speaker 1: Don't just put it on your black friends and what 1333 01:09:11,360 --> 01:09:17,280 Speaker 1: they feel. All right, well, my black friend, Ye, we 1334 01:09:17,360 --> 01:09:19,560 Speaker 1: got rumors on the way. Yes, we are going to 1335 01:09:19,600 --> 01:09:22,840 Speaker 1: be talking about some great news. I'm so excited for 1336 01:09:22,960 --> 01:09:24,600 Speaker 1: this and it all has to do with Prince. And 1337 01:09:24,680 --> 01:09:26,680 Speaker 1: by the way, let's just talk about Bruno mars Is 1338 01:09:26,920 --> 01:09:30,400 Speaker 1: his incredible Prince tribute last night at the Grammys. I 1339 01:09:30,479 --> 01:09:32,639 Speaker 1: loved it. Okay, we'll get into that when we come back. 1340 01:09:32,720 --> 01:09:34,600 Speaker 1: Keep a lock this to Breakfast Club, Good Morning and 1341 01:09:34,720 --> 01:09:38,120 Speaker 1: the Morning. Everybody is DJ N v Angela, Ye, Charlomagne 1342 01:09:38,120 --> 01:09:39,920 Speaker 1: and God. We are to Breakfast Club play and drop 1343 01:09:40,040 --> 01:09:42,479 Speaker 1: on a clue's bombs from Tribe called Course yesterday too. Man, 1344 01:09:42,640 --> 01:09:45,040 Speaker 1: they killed it. They got busy at the Grammys. They 1345 01:09:45,120 --> 01:09:48,320 Speaker 1: but at Buster Rhymes. Consequence made it on Yeah, Consequence, man, 1346 01:09:48,400 --> 01:09:49,960 Speaker 1: I see Buster Romes made a statement. What did he 1347 01:09:50,000 --> 01:09:52,600 Speaker 1: call Donald Trump the Orange. I think we have that 1348 01:09:52,760 --> 01:09:57,400 Speaker 1: presidente say his name though if they if because nobody 1349 01:09:57,439 --> 01:09:59,439 Speaker 1: really said Trump's name one, if they told him not 1350 01:09:59,520 --> 01:10:04,720 Speaker 1: to say. Well, let's get to the rumas this is 1351 01:10:04,760 --> 01:10:13,240 Speaker 1: the rum of rapport with Angela. Yeh, Breakfast Club, well says, 1352 01:10:13,280 --> 01:10:16,120 Speaker 1: we're talking Grammys. Let's talk about the Prince tribute last night. Now, 1353 01:10:16,160 --> 01:10:18,280 Speaker 1: you guys know, I love Prince. I'm a huge Prince fan. 1354 01:10:19,000 --> 01:10:21,240 Speaker 1: And it started with the time they came out and 1355 01:10:21,280 --> 01:10:23,360 Speaker 1: they did Jungle Love and the Bird, and then Bruno 1356 01:10:23,479 --> 01:10:26,240 Speaker 1: Myers came and did a Prince tribute as well, and 1357 01:10:26,280 --> 01:10:29,439 Speaker 1: I thought it was incredible. All right, check out Bruno Myers. 1358 01:10:29,479 --> 01:11:02,280 Speaker 1: But let's go crazy trouble clues ball for Bruno mar 1359 01:11:02,439 --> 01:11:05,200 Speaker 1: That killed it. That the young man is talented. He is. 1360 01:11:05,600 --> 01:11:08,519 Speaker 1: He's incredibly talented. If you didn't see it, you guys 1361 01:11:08,560 --> 01:11:10,920 Speaker 1: got to go back and watch Bruno Mark listen. I 1362 01:11:10,920 --> 01:11:12,600 Speaker 1: don't know what he checks on the census, but he 1363 01:11:13,000 --> 01:11:16,960 Speaker 1: is talented. He was born in Hawaii. I think he 1364 01:11:17,040 --> 01:11:19,280 Speaker 1: was born and raised in Hawaii. And he's also part 1365 01:11:19,280 --> 01:11:22,280 Speaker 1: of Filipino something other cool guy other on the census. 1366 01:11:22,360 --> 01:11:24,400 Speaker 1: All right. The other good news about Prince is starting 1367 01:11:24,479 --> 01:11:26,640 Speaker 1: on Sunday. If you're a big fan of Prince, you 1368 01:11:26,680 --> 01:11:29,599 Speaker 1: can stream most of his music. Nineteen of his albums 1369 01:11:29,680 --> 01:11:35,160 Speaker 1: now available on iHeartRadio, Spotify, Apple, Pandora, Amazon Prime Everything 1370 01:11:35,240 --> 01:11:38,360 Speaker 1: now so they for a period of time Title was 1371 01:11:38,439 --> 01:11:40,560 Speaker 1: the only one streaming Prince music. But now if you 1372 01:11:40,640 --> 01:11:43,400 Speaker 1: have any of these streaming services, you can also hear 1373 01:11:43,520 --> 01:11:45,360 Speaker 1: some Prince. I'm so happy I got to meet Prince 1374 01:11:45,479 --> 01:11:47,160 Speaker 1: at one time in my life. It was it was 1375 01:11:47,240 --> 01:11:50,080 Speaker 1: brief and I actually got to go see Prince perform live. 1376 01:11:50,200 --> 01:11:53,840 Speaker 1: That was exciting for me. I saw him floating person 1377 01:11:55,120 --> 01:11:57,960 Speaker 1: sure did we were all there all right? He had 1378 01:11:57,960 --> 01:12:00,200 Speaker 1: a capel, had a capel, a purple cape at six 1379 01:12:00,240 --> 01:12:02,600 Speaker 1: in the morning, floating with Now. Prince actually used to 1380 01:12:02,640 --> 01:12:05,320 Speaker 1: own property in Turks and Cacos. At one time when 1381 01:12:05,360 --> 01:12:07,479 Speaker 1: I was there, our driver said he drove Prince before. 1382 01:12:07,520 --> 01:12:10,519 Speaker 1: He said Prince told him he wasn't allowed to play 1383 01:12:10,560 --> 01:12:12,639 Speaker 1: any music in the car. He couldn't roll down the windows, 1384 01:12:12,680 --> 01:12:14,960 Speaker 1: couldn't turn on the air conditioner, and couldn't speak. So 1385 01:12:15,120 --> 01:12:17,000 Speaker 1: he said the whole ride they had to ride in silence, 1386 01:12:17,040 --> 01:12:18,840 Speaker 1: and it was hot, but he couldn't roll down the 1387 01:12:18,840 --> 01:12:20,400 Speaker 1: window and he couldn't turn on the air or say 1388 01:12:20,400 --> 01:12:22,920 Speaker 1: a word. And that was Prince's instruction. No, he should 1389 01:12:22,960 --> 01:12:24,760 Speaker 1: have just been breathing in all that spy with it. 1390 01:12:24,920 --> 01:12:27,519 Speaker 1: But he enjoy being in that rare space and just 1391 01:12:27,600 --> 01:12:31,200 Speaker 1: breathed in that purple air. All right, now, let's discuss 1392 01:12:31,439 --> 01:12:35,120 Speaker 1: Nick Cannon. What is going on here? Now? Nick Cannon 1393 01:12:35,160 --> 01:12:37,439 Speaker 1: had made a joke at one of his stand ups, right, 1394 01:12:37,560 --> 01:12:41,360 Speaker 1: and he said something about how NBC wasn't making him 1395 01:12:41,400 --> 01:12:43,840 Speaker 1: act differently and show less swagger, and he said that 1396 01:12:43,960 --> 01:12:45,920 Speaker 1: meant they were making him lose his black card. This 1397 01:12:46,080 --> 01:12:48,360 Speaker 1: was during the stand up little comment. The only thing 1398 01:12:48,479 --> 01:12:50,320 Speaker 1: is that he has a contract with NBC. He can't 1399 01:12:50,320 --> 01:12:52,800 Speaker 1: speak about them without running it by them first, and 1400 01:12:53,000 --> 01:12:56,439 Speaker 1: his joke had executives thinking that he was disparaging to them. 1401 01:12:56,720 --> 01:12:59,040 Speaker 1: So NBC learned about the comment. They learned that it 1402 01:12:59,040 --> 01:13:02,519 Speaker 1: would air during his comedy special on Showtime, and if 1403 01:13:02,520 --> 01:13:04,080 Speaker 1: they found out about it, because he was promoting on 1404 01:13:04,120 --> 01:13:07,280 Speaker 1: the Howard Stern Show. So now there's a morning Nick 1405 01:13:07,320 --> 01:13:10,160 Speaker 1: Cannon has posted. I write this from a deeply saddened 1406 01:13:10,240 --> 01:13:14,439 Speaker 1: and dolores mindset after days of deliberating over some extremely 1407 01:13:14,479 --> 01:13:17,599 Speaker 1: disappointing news that I was being threatened with termination by 1408 01:13:17,640 --> 01:13:20,799 Speaker 1: executives because of a comedy special that was only intended 1409 01:13:20,800 --> 01:13:23,639 Speaker 1: to bring communities closer together. I was to be punished 1410 01:13:23,680 --> 01:13:25,679 Speaker 1: for a joke. This has weighed heavy on my spirit. 1411 01:13:25,960 --> 01:13:28,240 Speaker 1: It was brought to my attention by my team that 1412 01:13:28,479 --> 01:13:30,800 Speaker 1: NBC believed I was in breach of contract because I 1413 01:13:30,880 --> 01:13:32,920 Speaker 1: had disparaged their brand. So he goes on to say, 1414 01:13:33,280 --> 01:13:36,160 Speaker 1: there is no amount worth my dignity or my integrity. 1415 01:13:36,200 --> 01:13:38,760 Speaker 1: I have loved hosting America's Got Talent for the last 1416 01:13:38,840 --> 01:13:42,720 Speaker 1: eight seasons. Watching talented, brave, and courageous Americans accomplished their 1417 01:13:42,840 --> 01:13:45,360 Speaker 1: dreams in front of millions has been nothing but a joy, 1418 01:13:45,439 --> 01:13:47,400 Speaker 1: and everyone has been a pleasure to work with. But 1419 01:13:47,600 --> 01:13:49,400 Speaker 1: my soul won't allow me to be in business with 1420 01:13:49,479 --> 01:13:53,080 Speaker 1: corporations that attempt to frown on freedom of speech, sensor artists, 1421 01:13:53,120 --> 01:13:56,240 Speaker 1: and question cultural choices. So it looks like, but what 1422 01:13:56,320 --> 01:13:58,840 Speaker 1: the hell happen? He quitn' Yeah, it looks like he's 1423 01:13:58,880 --> 01:14:00,519 Speaker 1: about to be out of there, he said. It's never 1424 01:14:00,560 --> 01:14:03,120 Speaker 1: been about the money. He said, It's difficult to walk 1425 01:14:03,160 --> 01:14:05,200 Speaker 1: away from the fans, the people who love me on 1426 01:14:05,240 --> 01:14:08,960 Speaker 1: the show. This hurts tremendously. Nick Cannon kicked up. He 1427 01:14:09,080 --> 01:14:14,479 Speaker 1: got it there, he can walk away from the situation show, Okay, 1428 01:14:14,560 --> 01:14:17,160 Speaker 1: I don't mind you making a stand right. So it's 1429 01:14:17,200 --> 01:14:19,800 Speaker 1: probably also bad for just how you feel like. We 1430 01:14:19,920 --> 01:14:22,080 Speaker 1: had this great relationship with this network. I thought they 1431 01:14:22,120 --> 01:14:23,800 Speaker 1: were supportive of me. I made a joke and now 1432 01:14:24,240 --> 01:14:25,640 Speaker 1: bang you there in the fight and Nick got a 1433 01:14:25,640 --> 01:14:27,280 Speaker 1: lot of other things going on. Just don't quick to 1434 01:14:27,360 --> 01:14:30,799 Speaker 1: be a rapper full time. We don't need that. Nobody 1435 01:14:30,880 --> 01:14:33,639 Speaker 1: needs that. Maybe in his but maybe in his contract 1436 01:14:33,720 --> 01:14:35,840 Speaker 1: he should have said unless it's part of a stand 1437 01:14:35,920 --> 01:14:37,519 Speaker 1: up or something. I don't know, because if you signed 1438 01:14:37,520 --> 01:14:39,760 Speaker 1: a contract, then they say that, and then you made 1439 01:14:39,800 --> 01:14:41,439 Speaker 1: a joke without running it by them, because if in 1440 01:14:41,479 --> 01:14:43,479 Speaker 1: the contractor said you have to run anything by us, 1441 01:14:44,360 --> 01:14:48,560 Speaker 1: you know. All right, Love and Hip Hop Hollywood. Apparently 1442 01:14:48,680 --> 01:14:50,720 Speaker 1: now they're saying that you really can't fight on the 1443 01:14:50,760 --> 01:14:53,840 Speaker 1: show anymore. So once you sign your paperwork there you 1444 01:14:53,960 --> 01:14:56,640 Speaker 1: are agreeing not to fight or else there's gonna be 1445 01:14:56,720 --> 01:14:59,320 Speaker 1: some very severe penalties, as in, they're gonna take some 1446 01:14:59,360 --> 01:15:02,759 Speaker 1: money out your check. So I loveing Hip Hop Hollywood. 1447 01:15:03,000 --> 01:15:04,640 Speaker 1: I guess they fight a lot and now there's this 1448 01:15:04,720 --> 01:15:07,160 Speaker 1: clause in the contract and they're green have to agree 1449 01:15:07,200 --> 01:15:09,639 Speaker 1: not to do that. They said, less of their penalties 1450 01:15:09,680 --> 01:15:12,080 Speaker 1: haven't really helped because they're still fighting. So now they're 1451 01:15:12,080 --> 01:15:16,040 Speaker 1: saying that there's going to be suspension termination and they're 1452 01:15:16,040 --> 01:15:18,400 Speaker 1: gonna take some of the down hill for them shows 1453 01:15:18,439 --> 01:15:20,040 Speaker 1: from now on. And if Loving hip Hop ain't got 1454 01:15:20,120 --> 01:15:21,680 Speaker 1: no fighting on it, I don't really see the point 1455 01:15:21,720 --> 01:15:24,599 Speaker 1: of watching Love and hip Hop. Watch what the creep squad? 1456 01:15:24,680 --> 01:15:26,320 Speaker 1: Can it exists? Okay, that is true, but you know what, 1457 01:15:26,360 --> 01:15:28,120 Speaker 1: people probably getting sued because you're going to show you 1458 01:15:28,160 --> 01:15:29,720 Speaker 1: in a safe environment and they getting knocked in the 1459 01:15:29,760 --> 01:15:33,360 Speaker 1: head with glasses and that brand is built on fighting. Okay, 1460 01:15:33,720 --> 01:15:35,360 Speaker 1: stop it. Like one of the most epic fights was 1461 01:15:35,439 --> 01:15:37,880 Speaker 1: when who did Chrissy duff out the first season? I 1462 01:15:38,000 --> 01:15:40,800 Speaker 1: forgot now I don't remember it was. But this is 1463 01:15:40,840 --> 01:15:44,599 Speaker 1: Loving hip Hop, Hollywood. I assume this is gonna end 1464 01:15:44,680 --> 01:15:47,800 Speaker 1: up trickling down to the whole franchise after this, to 1465 01:15:47,840 --> 01:15:49,679 Speaker 1: se y'all just eat and talk all of that. Yeah, 1466 01:15:51,200 --> 01:15:53,479 Speaker 1: all right. Offset from the Amingoes got kicked off of 1467 01:15:53,560 --> 01:15:56,000 Speaker 1: a flight. He says it's because he was talking on 1468 01:15:56,120 --> 01:15:58,439 Speaker 1: the phone. Now he had posted a video he was 1469 01:15:58,479 --> 01:16:00,880 Speaker 1: going in on American Airlines. He said he was talking 1470 01:16:00,920 --> 01:16:02,680 Speaker 1: on the phone before they took off, and that's why 1471 01:16:03,080 --> 01:16:06,280 Speaker 1: they actually removed him from the flight. And he must 1472 01:16:06,320 --> 01:16:08,240 Speaker 1: have been talking mad long because they give you about 1473 01:16:08,240 --> 01:16:11,240 Speaker 1: five chances the phone. Sir, you gotta get off, sir 1474 01:16:12,240 --> 01:16:16,559 Speaker 1: jeeh clabone take off stayed on, by the way, they didn't. 1475 01:16:16,800 --> 01:16:19,680 Speaker 1: They did for I went through. That's how we're all 1476 01:16:19,680 --> 01:16:21,759 Speaker 1: going to get on another flight. No, man, we are megals. 1477 01:16:22,000 --> 01:16:25,320 Speaker 1: Everybody got to leave the floor, everybody got to leave 1478 01:16:25,320 --> 01:16:28,040 Speaker 1: the planet. Get me and mego Miami. But then again, right, 1479 01:16:29,640 --> 01:16:31,200 Speaker 1: if I'm on to plan, we all on the plane 1480 01:16:31,240 --> 01:16:34,120 Speaker 1: and I'm talking on the phone, they'll y'all getting from me. No, no, 1481 01:16:34,280 --> 01:16:38,080 Speaker 1: but we ain't all. We're the breakfasts different. We're just 1482 01:16:38,160 --> 01:16:40,240 Speaker 1: a difference. It's rare you see all three of us 1483 01:16:40,280 --> 01:16:44,960 Speaker 1: anywhere time, anywhere. That's your dumba. We don't be together 1484 01:16:45,000 --> 01:16:47,040 Speaker 1: that much anyway. And now you want talking the phone 1485 01:16:47,080 --> 01:16:50,320 Speaker 1: and ruin it all. Right, Well, I'm staying one. Logically speaking, 1486 01:16:50,400 --> 01:16:53,000 Speaker 1: it's easier for him to just for us to just 1487 01:16:53,080 --> 01:16:54,920 Speaker 1: book his own flight and get on the next one 1488 01:16:54,920 --> 01:16:56,479 Speaker 1: than all of us we got to get on and 1489 01:16:56,560 --> 01:16:59,280 Speaker 1: now they all got to get off. Now all security, 1490 01:16:59,320 --> 01:17:01,160 Speaker 1: everybody got to get off with us. That don't make 1491 01:17:01,160 --> 01:17:05,040 Speaker 1: any sense, all right, pease bro right, see see when 1492 01:17:05,080 --> 01:17:06,640 Speaker 1: we get there. I'll get your bags for you when 1493 01:17:06,680 --> 01:17:11,559 Speaker 1: we land. All right. Well I'm angela Ye and that's 1494 01:17:11,640 --> 01:17:14,080 Speaker 1: your rumor report. All right, Thank you, miss Ye. Shout 1495 01:17:14,120 --> 01:17:16,920 Speaker 1: to revolt our film that revolt. We'll see you guys 1496 01:17:17,000 --> 01:17:17,320 Speaker 1: tomorrow