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Speaker 1: Forever. Look man, oh I see you? Why why? And

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Speaker 1: look over there? How is that culture? Yes? Goodness less

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Speaker 1: cultures calling? And I have a question. Yes, when are

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Speaker 1: we gonna go see Kelly in Vegas? Okay? I just

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Speaker 1: learned about this and that's how I know. I'm in

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Speaker 1: like a special Kelly bubble. And you're not. Are you

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Speaker 1: still that you're you're on the message boards? Is that

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Speaker 1: what's going on? I am not frequenting the case mb

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Speaker 1: as of late casey MB. Yes, I not a long

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Speaker 1: walk to what that is. There's probably a subreddit that

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Speaker 1: you love, and there's it's probably toxic, but they probably

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Speaker 1: love Kelly as much as you do. I would say

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Speaker 1: there's not a lot of toxicity amongst Kelly fans. Say

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Speaker 1: they're very, they're very, they're you know, they're a god

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Speaker 1: fearing folk and they're really really good, and there's a toxicity.

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Speaker 1: And religion, well that's trust. If this is going to

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Speaker 1: become a whole other podcast, we can do that. I

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Speaker 1: tweeted you want to know before you I'm sorry, before

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Speaker 1: you go on, I just have to say that I

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Speaker 1: tweeted something that I immediately deleted last night. I said,

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Speaker 1: tolerant religious people are hot and or are graded on

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Speaker 1: a curve that is very generous. Oh, I might delete

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Speaker 1: this and then and then I tweeted, and then I like,

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Speaker 1: just to cover my bases, I replied to myself, and

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Speaker 1: I go, this is all constant with the idea that

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Speaker 1: organized religion has caused war and count immeasurable suffer. Why

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Speaker 1: did you delete it? This sounds because then all these

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Speaker 1: people were like someone was like, it's you're talking about.

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Speaker 1: It's Christianity in particulars like oh God, and then everyone

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Speaker 1: and then people just came in and they were like,

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Speaker 1: not letting me say that hot, tolerant with just people

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Speaker 1: were attractive. But bow and Yan, can I say something

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Speaker 1: to you? You're trying it. You were trying to start

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Speaker 1: a fight. I was not trying to start Angeles itself.

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Speaker 1: You were on fire and I was a gender revealed party.

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Speaker 1: Cut the Los Angeles comment. I think that you sometimes

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Speaker 1: will just I think you will that light a cigarette.

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Speaker 1: Here's what I think you'll do. I think you'll light

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Speaker 1: a cigarette and you'll toss it away and you will

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Speaker 1: put it out A little fire starts. Who was responsible?

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Speaker 1: Never happened anyway? Um? Okay start Yeah, when are we

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Speaker 1: seeing Kelly. I can't believe that you didn't know this,

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Speaker 1: but she is going to be starting a residency at

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Speaker 1: this Appos Theater, which is the same place Christina Aguilera,

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Speaker 1: who the vocals are intact. We stand Christina a live.

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Speaker 1: We know for a fact the vocals are intact for Kelly.

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Speaker 1: So you said aprils when she starts big time, big

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Speaker 1: time April first. And then she made a cute joke

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Speaker 1: about how this is not in April. Fool's joke. Yeah, yeah,

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Speaker 1: it was. It was lightly funny. Um. And then I

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Speaker 1: I said, well, let me go right to the to

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Speaker 1: the website for tickets, and I do have like a

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Speaker 1: special code that I can type into. I can see

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Speaker 1: things before the general public. She's only doing like nine shows.

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Speaker 1: She's like, I have a residency. It's like two and

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Speaker 1: a half shows, So we have to pick. We have

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Speaker 1: to pick. Oh, but it's only in April, April, May,

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Speaker 1: in July, September. But I'm telling you, it's like, I

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Speaker 1: got it. Maybe I gotta do June sprinkled throughout June

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Speaker 1: Vegas trip sounds like a nightmare weather wise, but it

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Speaker 1: sounds absolutely inside. It sounds like it could be fun. Yeah,

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Speaker 1: just I don't know. Oh I would love to. You know,

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Speaker 1: the last time I was at Vegas, I was in

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Speaker 1: Sutie when I was on Who Wants to Be a

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Speaker 1: million And well the idea was that, well no, I

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Speaker 1: went to PF Change with Dave, So yeah, I did

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Speaker 1: make it to PF Change famously. Not a buffet, that

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Speaker 1: thing entirely awhere. But the time before that, I was

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Speaker 1: a suitie to be on Millionaire. And then we got

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Speaker 1: drunk at the pool and our plan was to go

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Speaker 1: to the all you can eat buffet together, but I

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Speaker 1: ended up going by myself. And let me say that,

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Speaker 1: being at all you can eat buffet in Las Vegas

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Speaker 1: by yourself at eleven pm on a Tuesday, it is sad.

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Speaker 1: It makes you feel bad. Yeah, and I bravely just

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Speaker 1: sang in front of our guests, Oh my god, the nerve.

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Speaker 1: It's insane. I should be shot in the streets. You

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Speaker 1: should be shot in the street, should be hung, I

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Speaker 1: should be drawn in quarter. Come on, don't this imagery

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Speaker 1: is bad? This makes me This is is violent imagery. And

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Speaker 1: our guest, what a damn star. Speaking of Kelly Clarkson. Recently,

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Speaker 1: our guests actually had a duet with Kelly Clarkson, wish

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Speaker 1: I'm going to ask about we got to ask about

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Speaker 1: to do. Here's the thing, loving Kelly as I do.

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Speaker 1: She may have been a little bit outshown in that.

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Speaker 1: Not that not that singing as a competition. It's act

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Speaker 1: a rutal culture number eight, not that singing a competition.

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Speaker 1: But our guest is he goes like well sometimes, um,

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Speaker 1: our guests is, I think one of the most beautiful singers.

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Speaker 1: That one of the most beautiful singers that exists, Tony

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Speaker 1: Award winner, Tony Award winner, not even just like not

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Speaker 1: even just like a like never nothing like a recent

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Speaker 1: Tony wins that are like, yeah, cool, do you have

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Speaker 1: to give him one at some point until they want

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Speaker 1: for this, But this is like he wanted for an

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Speaker 1: iconic performance and you know, iconic that like just hoards

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Speaker 1: and hordes of adolescence and we just adults, like we

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Speaker 1: just had our guest Taylor Trenchon, who um also did

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Speaker 1: the role after our iconic guest. I mean, we've been

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Speaker 1: stacking the damn guests later. We've been having a lot

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Speaker 1: of Evan Hanson's studio, you know, you know, you know,

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Speaker 1: I know a lot a lot of Ernst. Yeah, I

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Speaker 1: have a lot of art in my contact list. What

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Speaker 1: do you think this isn't Ernst? Yeah? What do you

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Speaker 1: think that says like Daniels and Earnest? Yes, they go

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Speaker 1: I go on, they go on. Taylor was an Earnest?

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Speaker 1: Was I think Taylor might have been an Ernst? No, no, no,

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Speaker 1: Taylor was a milky difference. Um. Of course, of course

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Speaker 1: Haunten is the top Earnst to the bottom, and More's

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Speaker 1: is fluid, um fluid like the trees the trees. Um,

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Speaker 1: this is I mean, this is a huge, huge deal. Um.

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Speaker 1: Season two of the Politician in production now in production. Honey,

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Speaker 1: you can watch. He's in One of the Politicians right now.

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Speaker 1: He happens to top line in the series. And this

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Speaker 1: is one that also has fucking Gwyneth Peltrow and just

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Speaker 1: like a lying in it. So imagine to top top

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Speaker 1: line that a true star. He's topping too off and

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Speaker 1: then he's topping two offscars honestly my dream. And then

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Speaker 1: and then god, I just can't wait. What you haven't

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Speaker 1: heard the album sing to Me instead? Have you heard

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Speaker 1: the single of the rain thing to Me instead? Beautiful album?

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Speaker 1: I would say really quickly. I can't wait for the

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Speaker 1: technology to be there when someday for it to be

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Speaker 1: possible to top two people at the same time. Actually,

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Speaker 1: I actually have I have scientists working on that right now. Yes,

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Speaker 1: I recently and I have have I have, I have

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Speaker 1: my I have used all my resources to give a

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Speaker 1: secret code that you can plug into like a promotional

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Speaker 1: promotional box or something. What it is is and this

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Speaker 1: is how, this is how it is, and stay with

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Speaker 1: me here. I don't get a retinal scanner, so you

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Speaker 1: look them in their eyes and they get a second

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Speaker 1: butth hole, yes, no, that's not no, it's you have

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Speaker 1: to get Oh no, let me get to this to

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Speaker 1: the lab now. Matt just left. Um okay, I'm so sorry, politician.

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Speaker 1: You could you could take a bite out of the show.

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Speaker 1: That's how rich it is. And here we go. It's

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Speaker 1: a dan cake. Here's the here's the fucking gag for

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Speaker 1: me to be in a Songdheim film. I mean that

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Speaker 1: is that? That is like that, that is the end.

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Speaker 1: I'll be all And can I tell you how we

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Speaker 1: stand in this house, Beanie, Beanie, Beanie, We fucking stand

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Speaker 1: Beanie in this house and we love book smart we

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Speaker 1: love Book Smart, and we love Miss Noah, Miss Molly

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Speaker 1: We Stand Miss Noah and they had a nice fourth

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Speaker 1: person Halloween costume. Let me tell you something I told

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Speaker 1: you about when I saw Miss Noah and a waitress. Yes,

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Speaker 1: burned it down. You were blown away, killed, blown away? Oh?

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Speaker 1: And can I just out our friend Pat Regan out

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Speaker 1: him Pat Reagan's game. Molly Molly Gordon was at What

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Speaker 1: We Stand. We Stand was at um the after party

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Speaker 1: that I brought Panelong too. My god, whether we And

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Speaker 1: then I see Molly Molly and then she comes over,

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Speaker 1: says high and likes star struck to see Pat gorgeous.

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Speaker 1: She's obsessed and they start talking and then she walks

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Speaker 1: away and then Pat runs over to me and goes,

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Speaker 1: who is Wait? Who was that? I was like, Pat,

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Speaker 1: like you were just a three minute conversation with her asleep,

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Speaker 1: And then I told her what she was and she

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Speaker 1: was like, oh yeah, I love her. I was like yeah,

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Speaker 1: oh yeah, um but wait so and also our guests

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Speaker 1: will be our guest on the Sea Culture Live event,

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Speaker 1: which will happen as of this tapering. It's happening tonight.

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Speaker 1: We'll see what's going to go down We're very excited

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Speaker 1: and I am so excited, so excited to welcome to

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Speaker 1: Last Cultures. Ben Platt even just like it's it's so

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Speaker 1: crazy because for you to be here and to know

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Speaker 1: there's people out there are like looking for you right now.

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Speaker 1: Not really, no, they are there. They were waiting outside

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Speaker 1: your dor Havant hit the whole time you were in it.

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Speaker 1: That was like chaos with stage door, crazy crazy every night. Yes,

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Speaker 1: I stopped going pretty extort after started. It was also

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Speaker 1: it was like December is really cold, and like I

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Speaker 1: was trying to sing that thing all the time, like

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Speaker 1: eight times a week, and it became like such a

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Speaker 1: like an event to go out there. And also people

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Speaker 1: who didn't see the show would come and just stand

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Speaker 1: at the door just to like be like the place

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Speaker 1: to be and have me signed the back of like

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Speaker 1: Natasha Pierre play though, and I was just like, I'm

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Speaker 1: going home, no, honey. So basically okay, so you talk

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Speaker 1: about singing it, and we talked with Taylor about this.

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Speaker 1: Can you just say about Kelly that when I sang

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Speaker 1: with her, she like whispered to me and she was like,

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Speaker 1: by the way, I'm doing a right Vegas residency like

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Speaker 1: I was like, what my god. It was like she

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Speaker 1: like led up to it and like it was like

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Speaker 1: this big event, and but she doesn't have time to

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Speaker 1: really do a residency because she's doing her own Ellen

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Speaker 1: grooming to take over Ellen Talk shows the fucking Voice.

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Speaker 1: So it's like, Okay, I understand that it's nine shows,

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Speaker 1: and like we're calling it a residency, but I'm here

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Speaker 1: for it. I'm here for too, and we're gonna go wait.

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Speaker 1: But now that you've brought up Kelly, so can you

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Speaker 1: talk about the experience of being on the key this

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Speaker 1: is this is huge for me, of course, it's it's

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Speaker 1: really new, like it's brand new. So like you can

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Speaker 1: tell that they're all still sort of like finding their footing,

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Speaker 1: but everybody across the board is like just as like

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Speaker 1: bubbly and kind and sweet as she is. You can

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Speaker 1: you can tell that, like whatever meeting they had at

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Speaker 1: the beginning, it was very important to her that like

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Speaker 1: everybody be treated like very kindly. It's very colorful, They're

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Speaker 1: it's really sweet. It's definitely very like Middle America, like

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Speaker 1: let's talk about the state, let's talk about Jesus. Like

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Speaker 1: my other guest on my show is Tyler Perry and

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Speaker 1: we were talking a lot about like God's intervention in

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Speaker 1: our lives. I don't know if I'm on the same page,

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Speaker 1: but like I'm here for all of you. Um, and

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Speaker 1: it's yeah, it's very positive, very daytime. Yeah, but wonderful.

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Speaker 1: That's what Darcy said. Darcy texted me and Darcy Carton

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Speaker 1: was also on the show The Best and so she

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Speaker 1: was like, Okay, was justin Kelly Carson show. Thought of

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Speaker 1: you the whole time and you should know that she's

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Speaker 1: the sweetest person ever. And you know Jill Kim Booster

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Speaker 1: is going on I think this week. Yes, you need

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Speaker 1: to come with me, And I'm like, I'm not coming

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Speaker 1: with on his Sunny Side tour on on Sunny Side. Yes, yes, Um,

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Speaker 1: Why what we've talked about this at nauseam. What is

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Speaker 1: the ideal scenari for you to ever meet her? You

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Speaker 1: cannot keep avoiding them. Yeah, well we'll go to the

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Speaker 1: show and then you can meet there is that bad?

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Speaker 1: I think? I think here's here's what's going to happen.

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Speaker 1: You will come with us to Vegas. So I'll go

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Speaker 1: to Vegas and then it'll be like, well, Ben Platt

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Speaker 1: wants to go back to see Kelly, and then I'll

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Speaker 1: be like, well, duh, and so I'll be like I

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Speaker 1: guess I'll go, and then maybe I'll go back then

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Speaker 1: at that time. But here's the thing. I don't think

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Speaker 1: you'd want to be around me, or I don't know

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Speaker 1: if I'd want you to be around me when it's

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Speaker 1: because I will break down and cry. I I definitely

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Speaker 1: I absolutely have to be there to see this. And

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Speaker 1: then Ben well of course, right, So the light plans

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Speaker 1: are we're going to see her on one of her

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Speaker 1: light honestly, light plans. When I say light plans, no

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Speaker 1: it's not. It's not a light plan. I can go

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Speaker 1: to Vegas. No, no, no, it's a light plan because

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Speaker 1: the ticket tar and plot. Okay, so just culture right now,

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Speaker 1: right off the top. It's a light plan. When we

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Speaker 1: say in April is good for me if it's good

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Speaker 1: for you April, Okay, what if we go? What if

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Speaker 1: we went on April one itself? Is that the first show? Yeah? Okay, great,

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Speaker 1: April were here, were literally here in Vegas. Jared is

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Speaker 1: gonna die and you know Jared, I do. I got

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Speaker 1: to when he was first like chopping around the amazing

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Speaker 1: script that he had when when it was going to

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Speaker 1: be like a TV situation. We met and talked about it,

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Speaker 1: and I was just a fan of how smart and

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Speaker 1: funny and great he's he's a very good boy. And

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Speaker 1: you also, yeah, and you see that. And you also

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Speaker 1: ran into each other at my favorite place, oil Can, Harris.

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Speaker 1: Have you been to Harry's. I've been to one in Austin,

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Speaker 1: not the one in l a. It's the only place

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Speaker 1: that I can stand to be in Los Angeles. Oh, okay,

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Speaker 1: talk about this, talk about this, what's what's what's what's

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Speaker 1: it's the same point. It's just like very unadorned, and

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Speaker 1: it's very come and be and just like dance and

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Speaker 1: have no inhibitions and like not in a place where

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Speaker 1: everyone's like daggering me. Yeah, it's like that can happen

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Speaker 1: there and has happened there, But that's not like the

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Speaker 1: purpose of going. It's so much much freer experience. Also,

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Speaker 1: it's in studio city on the street where it's like

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Speaker 1: strip malls and everything is closed and it's just oil Can,

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Speaker 1: Harry's and nothing else. So it's not like you're going

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Speaker 1: to hop from place to place night. And also there's

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Speaker 1: like they do a really fun disco night and can

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Speaker 1: I tell you who? I ran into a disco night

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Speaker 1: at one time. So I'm friends with um Travis Coles

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Speaker 1: and Liza Yes the Perfect and Camiko Glem Wow Sam I.

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Speaker 1: At the beginning when she was in it, she was great,

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Speaker 1: But I've since watched many a YouTube video of her

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Speaker 1: when he sees me, which I feel like, is the

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Speaker 1: way I love that song, the way in the recording

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Speaker 1: she says facts and figures. Yeah, she has this beautiful

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Speaker 1: like you're not sure if it's a mix or a belt,

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Speaker 1: but it's all in the one place kind of a voice,

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Speaker 1: and I really love it. It's like, yeah, it's kind

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Speaker 1: of like you you sorry, it's gonna when whenever you're

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Speaker 1: around like this is how you know, like we are

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Speaker 1: ship singers. It's because whenever you're around like a real singer,

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Speaker 1: it's like the sound is like so much smaller than

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Speaker 1: you think it's going to be, and you're like, oh,

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Speaker 1: how it's that easy for you? Like I just did

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Speaker 1: we recorded a game show as a series for Quimby

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Speaker 1: and our house band. Is this is the joke? Is

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Speaker 1: that are the roots? Is this one female singer who's

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Speaker 1: a slay, tell me if you remember this person. Her

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Speaker 1: name is von Zel Solemn. I think the iconic season

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Speaker 1: three second after carrying four. Season four, I'm sorry. Season

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Speaker 1: three was of course fantasi a moment um. But she

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Speaker 1: like when you listen to her, like when this the

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Speaker 1: like recordings of her, you watch her singing American Idol,

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Speaker 1: you would think she is like the loudest voice in

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Speaker 1: the world. And then I'm around her and I'm like,

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Speaker 1: you're like, it's so it's pure and it's not. It's private.

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Speaker 1: It's private, and it's it's it's intimate. It's trusting that Mike,

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Speaker 1: trusting that Mike, because that's how it makes it sustainable

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Speaker 1: to singing. Is you can't you can't always rely on

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Speaker 1: your own Okay, Okay, So actually I think it's going

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Speaker 1: to be a rule of culture. Rule culture. It's trusting

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Speaker 1: that trusting that Mike. Were you because you you start

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Speaker 1: you played Winter Up, I did play Win Throw, so

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Speaker 1: you were. She's been singing since he was but a child,

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Speaker 1: sweet wee child child Like I always think about kids

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Speaker 1: singing and how I always think about it's just on

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Speaker 1: my way here about a child singing. Singing is not

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Speaker 1: no but it's like it's like like where does that

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Speaker 1: like when does it become a conscious thing? Is it

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Speaker 1: just like you're singing? Right? I I've thought about it.

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Speaker 1: I mean I think like it's very instinctual for a

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Speaker 1: really long time. And then I just remember doing Oliver

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Speaker 1: when I was like seven or eight and singing Wears

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Speaker 1: Love and then like hitting the last note and being like, oh,

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Speaker 1: I know this is a good note. And then I've

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Speaker 1: really hit something like that, this is clear, and like

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Speaker 1: I've I've reached a register that I like. And then

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Speaker 1: from that point on it was like, oh, there's like

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Speaker 1: a skill involved. It's beautiful. And then and then all

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Speaker 1: I wanted was a vibrato for Christmas. Yeah, honestly, And

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Speaker 1: when when did you get your progress Veronica? To be fair, Yeah, yeah,

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Speaker 1: I got it when I was playing Harold Hill in

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Speaker 1: The Music Man when I was eleven years old. Um,

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Speaker 1: during seventy six trongd bones that popped out and I

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Speaker 1: was like finally wow. And then honestly, you've have to

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Speaker 1: say you've kept that gift. Oh my god? And what

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Speaker 1: what you were? Like? What hew old are you? When

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Speaker 1: that happened eleven years old? Singing you Got Trouble and

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Speaker 1: just that's I love that show. I love that when

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Speaker 1: I'm sad for Hugh and Sutton. Yeah, you know, I said,

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Speaker 1: you know who I saw do the music man, Eric McCormick.

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Speaker 1: That's what was my Harold Hill Really Okay, so I

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Speaker 1: saw it on Broadway. It was no actually, but no,

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Speaker 1: but I would have loved to see that. I saw it.

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Speaker 1: Rebecca Luker was mine. Well that's equally gorgeous. Did he

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Speaker 1: replace Craig Berco? Is that why? I think so? Yeah?

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Speaker 1: But I remember like it was like this, like it

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Speaker 1: was Christmas. My parents. We would go until every every

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Speaker 1: like Christmas, and we'd see like and I remember we

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Speaker 1: were everyone was so excited about Will and then you

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00:17:14,720 --> 00:17:17,399
Speaker 1: hooked up with Will and Will and Grace kissed him

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Speaker 1: on TV Harold Hylen went throp full circle. No, it's great.

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Speaker 1: It was like I'm finally grown up, and then I

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Speaker 1: just got asked to play a high school student like

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Speaker 1: six more times. So then never mind. I fully find

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Speaker 1: Eric mccorm to be hot, Yeah, I really do. And

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Speaker 1: it's a combination of him actually being very handsome and

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Speaker 1: also he's Will, so it's like it's both. You know

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Speaker 1: what I mean what he means and what he stands

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Speaker 1: for mixed with how actually cute he is. Yes, because

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Speaker 1: he's extremely cute and endearing. I've heard very kind, very

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Speaker 1: very kind. There was like okay, so I'm just gonna

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Speaker 1: adjust my body to say that. Hettish. There was like

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Speaker 1: a magazine cover one time with the four of them

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Speaker 1: in like bed sheets, and you remember like me being

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Speaker 1: like eleven or twelve, like you saw like Eric McCormick

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Speaker 1: and Seawan Hayes is like nipples, and I was like,

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Speaker 1: I was like a little freak. Sean really, Sean really

359
00:18:10,720 --> 00:18:13,879
Speaker 1: did it for me. And still he's still so good looking.

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Speaker 1: Um whatever, Still who cares? But like God will and

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Speaker 1: grace whatever is happening now, God, God, God blessed. Wait,

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Speaker 1: so you were on the first episode of the second

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Speaker 1: the first I was this on the second episode? Yes,

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Speaker 1: so would we say you were the first guest? I mean,

365
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Speaker 1: if you want to yea, um, that's God. But you're

366
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Speaker 1: but you're not an l a lover. I am not.

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Speaker 1: I grew up there until I was like eighteen. I

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Speaker 1: went to Jewish day school there in high school on

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Speaker 1: top of west Lake with everybody ever and and I

370
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Speaker 1: always kind of knew, I mean on like a superficial

371
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Speaker 1: level that I wanted to come here for the theater

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Speaker 1: and like for for being near Broadway and all that.

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Speaker 1: But I think also just like energy wise and like

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Speaker 1: being an anxious, like neurotic person, I feel like since

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Speaker 1: everybody else here is also anxious neurotic, it like feels

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Speaker 1: really good. And la, it's like I'm kind of like

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Speaker 1: against the grain of everybody being very calm. And yeah,

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Speaker 1: also it's very like disparate in l A, like everything

379
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Speaker 1: is very and then New York. You can like make

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Speaker 1: the choice every day New York, like, do I want

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Speaker 1: to feel like surrounded by a million things and part

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Speaker 1: of a giant thing or do I want to feel

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Speaker 1: totally anonymous and like isolated? And then la, I feel

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Speaker 1: like it's only isolated unless you're gonna like drive half

385
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Speaker 1: an hour and page twenty dollars for parking. The parking

386
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Speaker 1: of it all is but it's really nice all the time.

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Speaker 1: So that's nice the way, but the way we just

388
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Speaker 1: distilled that beautiful but truly like, but I haven't heard

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Speaker 1: someone like put it in those terms. That's great. Where

390
00:19:39,560 --> 00:19:43,960
Speaker 1: Beanie located here based here, I mean we're both by coastal,

391
00:19:44,040 --> 00:19:47,160
Speaker 1: but it's great to have by visibility. She's here when

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Speaker 1: she's not being a full blown movie star. Yeah, oh

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Speaker 1: my god, did I mean all my best friends are

394
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Speaker 1: in books. It's so and it was incredible. I mean

395
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Speaker 1: it was incredible. I'm just it's amazing to watch her.

396
00:20:00,119 --> 00:20:02,560
Speaker 1: We were best friend since her fourteen, always knew that

397
00:20:02,600 --> 00:20:04,399
Speaker 1: she'd be I think we both like assumed that we

398
00:20:04,400 --> 00:20:06,600
Speaker 1: would just be doing the theater like Broadway thing, and

399
00:20:06,640 --> 00:20:08,159
Speaker 1: we both have which was amazing, and we did at

400
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Speaker 1: the same time, which was great. But now to see

401
00:20:10,640 --> 00:20:12,120
Speaker 1: like all the different things she's doing in the way

402
00:20:12,119 --> 00:20:14,399
Speaker 1: that she's like blowing up as like a film person

403
00:20:14,640 --> 00:20:16,879
Speaker 1: is like. But then I think the first time I,

404
00:20:17,160 --> 00:20:21,600
Speaker 1: I like, I like clocked her was probably Ladybird, of course,

405
00:20:21,680 --> 00:20:25,480
Speaker 1: and they just had along with the nation, we fell

406
00:20:25,520 --> 00:20:28,960
Speaker 1: in love. They had such a good, like lived in relationship,

407
00:20:29,040 --> 00:20:31,119
Speaker 1: and I was like, that's her biggest strength. I think

408
00:20:31,359 --> 00:20:33,680
Speaker 1: he can make everybody, anyone she's working with, feel like

409
00:20:34,040 --> 00:20:37,920
Speaker 1: she's known them forever and inside her not that was

410
00:20:37,960 --> 00:20:41,080
Speaker 1: the wrong thing, but there. Yeah, yeah, you can feel

411
00:20:41,080 --> 00:20:47,160
Speaker 1: like you're inside that's what that's what. No. But but

412
00:20:47,200 --> 00:20:52,359
Speaker 1: Basically my favorite thing about Lady Bird was I felt

413
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Speaker 1: like every single role was so perfectly cast, Like it

414
00:20:55,640 --> 00:20:58,359
Speaker 1: just felt like every single person there like like if

415
00:20:58,359 --> 00:21:00,840
Speaker 1: there should be an Oscar for casting, because even Timmy

416
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Speaker 1: as the French, like, yes, what is that? What does

417
00:21:03,880 --> 00:21:05,960
Speaker 1: he correct her? I mean he's outside the coffee shop

418
00:21:06,000 --> 00:21:07,840
Speaker 1: and she says the name of the book wrong and

419
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Speaker 1: he's like it's called something French. Ye. Yeah, yeah, you're

420
00:21:10,800 --> 00:21:15,720
Speaker 1: the sexiest person I've never seen or whatever. Yeah. He

421
00:21:15,760 --> 00:21:19,520
Speaker 1: actually does be shut up, stop, I hear to have

422
00:21:19,560 --> 00:21:21,800
Speaker 1: you have you seen Little Women yet? No, I'm dying too.

423
00:21:22,000 --> 00:21:24,200
Speaker 1: I'm sure he's amazing. Yeah, but I just hear that.

424
00:21:24,240 --> 00:21:27,439
Speaker 1: It's like someone tweeted, um, little women suffers from the

425
00:21:27,480 --> 00:21:30,760
Speaker 1: same problem read Lady Bird. Um, it's this beautiful movie

426
00:21:30,840 --> 00:21:33,000
Speaker 1: that like has that expresses all these different things, that

427
00:21:33,160 --> 00:21:35,320
Speaker 1: these ideas that you think could be expressed, and then

428
00:21:35,680 --> 00:21:37,919
Speaker 1: you go back to living your sad, pathetic and then

429
00:21:37,920 --> 00:21:40,040
Speaker 1: you have to go do laundry. Yeah that's what the

430
00:21:40,040 --> 00:21:42,440
Speaker 1: tweet was. Yeah. I was like, oh, that's that. It's true,

431
00:21:42,640 --> 00:21:45,560
Speaker 1: a perfect ad for Little Women. I'm kind of like

432
00:21:45,920 --> 00:21:50,720
Speaker 1: loving the sar shut Timothy like sort of moment that's

433
00:21:50,720 --> 00:21:53,080
Speaker 1: happening where they're in filmically or do you mean like

434
00:21:53,119 --> 00:21:54,840
Speaker 1: you want them to like date? I mean, I guess

435
00:21:54,840 --> 00:21:57,400
Speaker 1: I wouldn't mind if they dated, But I love like

436
00:21:57,480 --> 00:21:59,720
Speaker 1: the sort of like um like the way that they're

437
00:21:59,720 --> 00:22:02,800
Speaker 1: being sort of that they do stuff together. I like that.

438
00:22:02,920 --> 00:22:04,600
Speaker 1: I was trying to think of who would be like

439
00:22:04,640 --> 00:22:07,359
Speaker 1: a parallel from the past of like people that consistently

440
00:22:07,440 --> 00:22:15,119
Speaker 1: like like bum free and I'm free and boar. I

441
00:22:15,119 --> 00:22:16,879
Speaker 1: know people are like allergic to Laila Land, but I

442
00:22:16,920 --> 00:22:20,679
Speaker 1: feel like, God, can I say something? I am not

443
00:22:20,800 --> 00:22:23,240
Speaker 1: allerged to thank you very much? And I also know

444
00:22:24,160 --> 00:22:27,719
Speaker 1: we gotta get that. Did that produced that? We got

445
00:22:27,800 --> 00:22:29,879
Speaker 1: to get over it? No. I have said from the

446
00:22:29,920 --> 00:22:32,480
Speaker 1: beginning that I stand Land on this podcast, I also

447
00:22:32,720 --> 00:22:34,520
Speaker 1: in the very beginning. And also people need to be

448
00:22:34,600 --> 00:22:39,159
Speaker 1: less crazy. When there's a movie that you also like

449
00:22:39,840 --> 00:22:42,919
Speaker 1: and then you call the other movie trump, it's like,

450
00:22:44,920 --> 00:22:47,720
Speaker 1: I agree, I agree. I'm glad we're as a nation

451
00:22:47,760 --> 00:22:51,840
Speaker 1: moving forward. Absolutely, it was such a moment, But I mean, god,

452
00:22:51,960 --> 00:22:58,680
Speaker 1: I'm a she's hosting the met thing. I did? I mean,

453
00:23:01,000 --> 00:23:03,399
Speaker 1: And it's like when we think about fashion, do we

454
00:23:03,440 --> 00:23:05,600
Speaker 1: think about Meryl and then you think about that question,

455
00:23:05,600 --> 00:23:07,760
Speaker 1: You're like kind of yeah, I think about anything it

456
00:23:07,800 --> 00:23:09,800
Speaker 1: can get to Meryl. You know what I mean. It's

457
00:23:09,800 --> 00:23:12,080
Speaker 1: like maybe one degree of separation for any topic together,

458
00:23:12,280 --> 00:23:17,440
Speaker 1: everything is an estuary to Merrow, absolutely, thank you, because

459
00:23:17,560 --> 00:23:19,560
Speaker 1: esther means that it has salt water in it and

460
00:23:19,600 --> 00:23:21,359
Speaker 1: it leads back to the ocean. And I knew that

461
00:23:21,400 --> 00:23:24,600
Speaker 1: the whole time I said it. Thank you. Um Meryl

462
00:23:24,960 --> 00:23:26,760
Speaker 1: fucking War Remember that year at the Oscars when she

463
00:23:26,800 --> 00:23:30,600
Speaker 1: was nominated for Devil Wars products more like ombre glasses

464
00:23:30,760 --> 00:23:33,439
Speaker 1: and chunky turquoise necklace or some ship and She's just like,

465
00:23:33,440 --> 00:23:36,040
Speaker 1: I'm not gonna win, But yeah, what is the what

466
00:23:36,119 --> 00:23:39,200
Speaker 1: is the theme? Oh, it's stick duration. It's like time

467
00:23:39,359 --> 00:23:42,119
Speaker 1: fashion in time. But it's also like inspired by the

468
00:23:42,160 --> 00:23:46,240
Speaker 1: aesthetic of this movie that's very like, uh, it looks

469
00:23:46,240 --> 00:23:50,119
Speaker 1: like a Victor not Victoria. Yes, Marian Toinette, Like everyone's

470
00:23:50,119 --> 00:23:52,240
Speaker 1: just going to come in like those kinds of sounds,

471
00:23:52,280 --> 00:23:54,640
Speaker 1: I guess, and then all the men will just wear tuxed, doesn't. Yeah,

472
00:23:55,119 --> 00:23:57,879
Speaker 1: have you been a few times. I've been twice. The

473
00:23:57,880 --> 00:23:59,920
Speaker 1: first time I went alone and I was like very

474
00:24:00,040 --> 00:24:01,800
Speaker 1: a place. It was when Evan Hanson was off Broadway,

475
00:24:02,000 --> 00:24:04,119
Speaker 1: and it was only because Anna Winter had come to

476
00:24:04,119 --> 00:24:05,640
Speaker 1: see the show and was like, you should come to Matthon.

477
00:24:05,720 --> 00:24:07,399
Speaker 1: I didn't know a single soul right, and I like

478
00:24:07,440 --> 00:24:09,520
Speaker 1: walked around alone for the whole Cotil hour and then

479
00:24:09,680 --> 00:24:11,720
Speaker 1: left because I was just too intimidated. But then the

480
00:24:11,720 --> 00:24:13,720
Speaker 1: second time I went with Cynthia Rivo and I was

481
00:24:13,760 --> 00:24:17,000
Speaker 1: a little more unbeliefe And it was was that the

482
00:24:17,040 --> 00:24:19,160
Speaker 1: camp one that no, I didn't get to go because

483
00:24:19,160 --> 00:24:20,640
Speaker 1: I was on tour for the camp one. That one

484
00:24:20,720 --> 00:24:23,520
Speaker 1: was like the maybe the Christianity thing, Oh yeah, that

485
00:24:23,600 --> 00:24:25,480
Speaker 1: was I like that. So I just were a suit case.

486
00:24:25,480 --> 00:24:28,360
Speaker 1: I was like, I'm very Jewish and I'm not going crosses.

487
00:24:28,440 --> 00:24:35,040
Speaker 1: But anywhere she there's pictures like a gorgeous white thing.

488
00:24:35,160 --> 00:24:37,280
Speaker 1: She had like a head dress moment and jewels, and

489
00:24:37,320 --> 00:24:40,119
Speaker 1: she's she always she never disappoints. What I need to see, Harriet.

490
00:24:40,119 --> 00:24:42,040
Speaker 1: I haven't seen it yet. I know I can't wait.

491
00:24:42,080 --> 00:24:44,400
Speaker 1: I hear she's amazing. Did you I heard it's really good?

492
00:24:44,440 --> 00:24:47,080
Speaker 1: Do you see Jojo Rabbit? No? Okay, did you see

493
00:24:47,640 --> 00:24:50,160
Speaker 1: you have? Grett? I was just saying it's like so good,

494
00:24:51,080 --> 00:24:54,439
Speaker 1: and I was like afraid because like I was afraid.

495
00:24:54,560 --> 00:24:58,080
Speaker 1: It's Nazis is tough, especially when there are Nazis all around. Yeah,

496
00:24:58,560 --> 00:25:00,600
Speaker 1: but like it just as perfectly he done and little

497
00:25:00,640 --> 00:25:02,679
Speaker 1: and nothing. There's nothing I love more than a brilliant

498
00:25:02,800 --> 00:25:07,879
Speaker 1: young kid performance. And he's so unbelievably good. Is like

499
00:25:07,920 --> 00:25:11,160
Speaker 1: special special talent, Like really is that what like Jacob

500
00:25:11,240 --> 00:25:15,200
Speaker 1: Tremblay situation, but like a little bit, what's the kid's name, Thomas?

501
00:25:15,359 --> 00:25:17,400
Speaker 1: Isn't that the girl? That's the girl? Yeah, I forget

502
00:25:17,480 --> 00:25:18,760
Speaker 1: his name. I just remember that his dad's like a

503
00:25:18,800 --> 00:25:22,560
Speaker 1: famous DP I think, and like has been done like

504
00:25:22,600 --> 00:25:24,359
Speaker 1: a lot of amazing movies, and like he's always been

505
00:25:24,400 --> 00:25:26,359
Speaker 1: around sets his whole life. We never acted and of

506
00:25:26,400 --> 00:25:30,159
Speaker 1: course he's like magically, yes, he really want to see marriaged.

507
00:25:31,600 --> 00:25:34,400
Speaker 1: I keep getting I need Cato icon no a bomback.

508
00:25:36,320 --> 00:25:39,440
Speaker 1: And also can we say like this moment that is

509
00:25:39,480 --> 00:25:41,439
Speaker 1: happening with Adam Driver where all of a sudden he

510
00:25:41,560 --> 00:25:45,640
Speaker 1: is the superstar literally superstar. But this is the most

511
00:25:45,680 --> 00:25:48,200
Speaker 1: interesting narrative in Hollywood to me, like where he kind

512
00:25:48,200 --> 00:25:50,720
Speaker 1: of girl You're you're relating back to girls? Though, yes,

513
00:25:50,760 --> 00:25:52,760
Speaker 1: because I think about the way he was he was

514
00:25:52,800 --> 00:25:56,280
Speaker 1: a starring girl. He was a starring girls. Amazing. No

515
00:25:56,320 --> 00:25:59,199
Speaker 1: one can be the performance. But to be introduced to

516
00:26:00,119 --> 00:26:04,000
Speaker 1: the mainstream as like the weirdest funck boy in green

517
00:26:04,080 --> 00:26:07,439
Speaker 1: Point and now for him to be Kylo Wren, I

518
00:26:07,440 --> 00:26:12,800
Speaker 1: think that's great anything what do you mean? But like

519
00:26:12,960 --> 00:26:16,440
Speaker 1: that that that's not like Kyla Wren should be the weirdest.

520
00:26:17,040 --> 00:26:19,320
Speaker 1: I'm not disputing it. I'm just saying, like, and so

521
00:26:19,400 --> 00:26:21,600
Speaker 1: should the Monk and whatever weird excent movie he did

522
00:26:21,600 --> 00:26:26,080
Speaker 1: with Andrew Garfield. Yes, yes, yes, that um, but I'm

523
00:26:26,080 --> 00:26:28,359
Speaker 1: just saying, like, it's just so fascinating to me how

524
00:26:28,400 --> 00:26:31,640
Speaker 1: he's made that transition, because he's just like really good act,

525
00:26:32,160 --> 00:26:34,200
Speaker 1: so good, he's so good. I feel like, I mean,

526
00:26:34,560 --> 00:26:37,800
Speaker 1: you know, hopefully, I seem I feel like very encouraged

527
00:26:37,880 --> 00:26:42,200
Speaker 1: that we're moving towards like individuality, weirdness, uniqueess, like what's

528
00:26:42,200 --> 00:26:44,440
Speaker 1: making people big and not just like everybody is Matt

529
00:26:44,480 --> 00:26:46,160
Speaker 1: Damon and Bratt Pitt. Not that we don't love Matt Damon,

530
00:26:46,800 --> 00:26:51,560
Speaker 1: but yeah, that it's nice that especially in musical theater

531
00:26:51,600 --> 00:26:54,879
Speaker 1: and theater. Yeah, well that's also why I feel like

532
00:26:55,680 --> 00:26:57,280
Speaker 1: the reason I always come back to. I mean, I

533
00:26:57,320 --> 00:26:59,239
Speaker 1: just levet theater because I left theater and all all

534
00:26:59,280 --> 00:27:00,879
Speaker 1: of us guys love the theater. But it's also like,

535
00:27:01,240 --> 00:27:03,320
Speaker 1: at the end of the day, like the skill just

536
00:27:03,400 --> 00:27:05,440
Speaker 1: has to win out in the theater because like there's

537
00:27:05,440 --> 00:27:08,919
Speaker 1: just no where to hide, and there's so many places

538
00:27:08,960 --> 00:27:11,119
Speaker 1: to hide on a set of any kind, like on camera,

539
00:27:11,200 --> 00:27:14,480
Speaker 1: like and even be a brilliant like while hiding, like

540
00:27:14,640 --> 00:27:16,640
Speaker 1: in the theater, I feel like it's put upper shot.

541
00:27:16,760 --> 00:27:19,400
Speaker 1: You're out there. That's that feels very real. Yeah, even

542
00:27:19,440 --> 00:27:21,520
Speaker 1: if you have like a strange lazy eye or like, yeah,

543
00:27:21,720 --> 00:27:24,000
Speaker 1: like you still can belt. Yeah, you can still get

544
00:27:24,040 --> 00:27:25,720
Speaker 1: it together. Oh yeah, lazy, I won't get in the

545
00:27:25,760 --> 00:27:27,600
Speaker 1: way of belting. You know, you could have what they

546
00:27:27,640 --> 00:27:34,240
Speaker 1: call a stage face, a face to be seen from

547
00:27:34,320 --> 00:27:37,639
Speaker 1: and being truly iconic. You know, wait, I don't know

548
00:27:37,680 --> 00:27:40,800
Speaker 1: why this person does not have a do you know?

549
00:27:40,600 --> 00:27:44,160
Speaker 1: I just remembered that I saw this person on Broadway

550
00:27:44,200 --> 00:27:50,920
Speaker 1: and gagged for a week. I saw Tony Braxton, and wow,

551
00:27:52,720 --> 00:27:55,160
Speaker 1: is that not iconic I've never seen I never got

552
00:27:55,160 --> 00:27:58,720
Speaker 1: to see. It was good, And I remember I cried

553
00:27:58,760 --> 00:28:00,800
Speaker 1: and felt so emotionally if I did buy Aina and

554
00:28:00,840 --> 00:28:03,040
Speaker 1: we all left and my dad was like, oh, that

555
00:28:03,119 --> 00:28:06,359
Speaker 1: was okay, my mom and my mom goes, My mom goes.

556
00:28:06,840 --> 00:28:08,879
Speaker 1: I was like, I said where I was like, fully twelve.

557
00:28:08,880 --> 00:28:11,960
Speaker 1: I was like, wasn't Tony Braxton amazing? And she was like,

558
00:28:12,560 --> 00:28:14,720
Speaker 1: you know what, she could tell that if she told

559
00:28:14,720 --> 00:28:18,000
Speaker 1: me that, she didn't think so she hurt my feelings. Matthew.

560
00:28:18,040 --> 00:28:20,119
Speaker 1: I think she has a beautiful voice. I just couldn't

561
00:28:20,160 --> 00:28:22,439
Speaker 1: really understand what she was saying, but she has a

562
00:28:22,440 --> 00:28:28,560
Speaker 1: beautiful voice. Well, Heather is similar. Heather is brilliant, just

563
00:28:29,480 --> 00:28:30,840
Speaker 1: a little bit of peanut butter on the roof of

564
00:28:30,880 --> 00:28:34,640
Speaker 1: the manta. So she Have you ever seen the performance

565
00:28:34,640 --> 00:28:39,080
Speaker 1: of her singing memory, Yes, of course, yes. It's that

566
00:28:39,160 --> 00:28:41,320
Speaker 1: kind of thing with girls in the mirrors who like

567
00:28:41,640 --> 00:28:45,760
Speaker 1: aren't great. But she's amazing. She's stunning, and there's a

568
00:28:45,800 --> 00:28:48,959
Speaker 1: moment when she goes Hollo, she's like kind of just

569
00:28:49,000 --> 00:28:52,520
Speaker 1: like really her phrasing is like wow. There's also a

570
00:28:52,560 --> 00:28:54,720
Speaker 1: video of her singing um in the arms of an

571
00:28:54,760 --> 00:28:56,640
Speaker 1: Angel with a giant choir. Have you seen this? And

572
00:28:56,680 --> 00:28:59,680
Speaker 1: at the end she really she goes for it and

573
00:28:59,720 --> 00:29:02,080
Speaker 1: just really eats it, and it's it's as a singer

574
00:29:02,160 --> 00:29:04,800
Speaker 1: really wonderful to see someone as amazing as other headly,

575
00:29:04,880 --> 00:29:07,640
Speaker 1: just go for it and eat it. I want them

576
00:29:07,640 --> 00:29:11,600
Speaker 1: to go for it every single time and honestly, but

577
00:29:11,600 --> 00:29:13,920
Speaker 1: but you tell me, like, when you're like doing a

578
00:29:13,960 --> 00:29:16,000
Speaker 1: show on a Friday night, are you giving it a

579
00:29:16,040 --> 00:29:20,280
Speaker 1: little bit more than you are on a Sunday. Yeah,

580
00:29:20,600 --> 00:29:23,400
Speaker 1: it repends. It's so sites it's like very specific to

581
00:29:23,400 --> 00:29:25,200
Speaker 1: the actual night. It depends who's who I know is

582
00:29:25,200 --> 00:29:27,800
Speaker 1: in the audience. It depends like how many shows are

583
00:29:27,880 --> 00:29:30,080
Speaker 1: left in the because sometimes obviously because it's Friday night

584
00:29:30,120 --> 00:29:32,600
Speaker 1: it's exciting, it is like easier to give more than

585
00:29:32,640 --> 00:29:35,280
Speaker 1: on Sunday. But also Sunday you have thirty six hours

586
00:29:35,280 --> 00:29:36,920
Speaker 1: ahead of you that are free, so like you can

587
00:29:37,000 --> 00:29:40,280
Speaker 1: kind of abandoned. So it depends. I would say, like

588
00:29:40,280 --> 00:29:43,560
Speaker 1: a Wednesday Matt is not ideal to come to unless

589
00:29:43,560 --> 00:29:47,360
Speaker 1: you're like up, yeah, but like you get that little

590
00:29:47,360 --> 00:29:50,000
Speaker 1: discount ticket. There's definitely like an ABC version of the

591
00:29:50,040 --> 00:29:52,040
Speaker 1: show that you have to have, which is like this

592
00:29:52,080 --> 00:29:53,760
Speaker 1: is what I'm doing if I feel completely healthy and

593
00:29:53,760 --> 00:29:55,479
Speaker 1: I have all of the faculties and then be as

594
00:29:55,560 --> 00:29:57,520
Speaker 1: like I'm trying to save a little for something exciting

595
00:29:57,520 --> 00:29:58,640
Speaker 1: at the end of the week and see is like

596
00:29:58,680 --> 00:30:01,080
Speaker 1: I can barely be bothered to be yourself. So like

597
00:30:01,200 --> 00:30:04,440
Speaker 1: when you like very clearly delineated all these scenarios, yeah,

598
00:30:04,680 --> 00:30:07,640
Speaker 1: I spent a lot of times and that wonderful, that

599
00:30:07,960 --> 00:30:10,200
Speaker 1: and that show. So basically wait, wait, hold on, okay,

600
00:30:10,240 --> 00:30:13,520
Speaker 1: So do you usually know when someone notable is coming?

601
00:30:13,520 --> 00:30:17,280
Speaker 1: And do you prefer to know? I asked to know

602
00:30:17,400 --> 00:30:19,320
Speaker 1: so I would receive a like a literally like an

603
00:30:19,320 --> 00:30:22,160
Speaker 1: itemized list before like a half hour every night of

604
00:30:22,200 --> 00:30:25,080
Speaker 1: everyone that was there, because at the beginning it was

605
00:30:25,400 --> 00:30:26,640
Speaker 1: you don't want to go out on stage and then

606
00:30:26,760 --> 00:30:29,960
Speaker 1: see one million percent, Like I don't want to I

607
00:30:30,000 --> 00:30:33,000
Speaker 1: don't want to clock Merril like mid number. And also

608
00:30:33,040 --> 00:30:34,840
Speaker 1: like in that show in particular, like I spend so

609
00:30:34,920 --> 00:30:37,000
Speaker 1: much time just like out at the like out at

610
00:30:37,000 --> 00:30:39,120
Speaker 1: the fourth Wall or whatever, so like I'm gonna see

611
00:30:39,120 --> 00:30:40,840
Speaker 1: and it's a small house, I'm gonna see whoever it is,

612
00:30:40,840 --> 00:30:42,520
Speaker 1: and they're always in the same like nice house seats.

613
00:30:42,840 --> 00:30:44,760
Speaker 1: So I love to have all That's like a theme

614
00:30:44,800 --> 00:30:46,200
Speaker 1: in my life in general, is like I'd like to

615
00:30:46,200 --> 00:30:49,719
Speaker 1: have all the information because anything unknown is far more

616
00:30:49,720 --> 00:30:51,520
Speaker 1: anxiety provoking to me than just like dealing with what

617
00:30:51,560 --> 00:30:53,280
Speaker 1: the actual reality is going to be, and whatever I

618
00:30:53,160 --> 00:30:55,240
Speaker 1: imagine is going to be way worse than like what's

619
00:30:55,240 --> 00:30:57,800
Speaker 1: actually true. So I love to just see like, okay,

620
00:30:57,840 --> 00:31:00,760
Speaker 1: so tonight it's like Ben Stiller and like Hooper great.

621
00:31:02,200 --> 00:31:06,200
Speaker 1: Basically everyone saw that. Every person. I remember, like, I

622
00:31:06,520 --> 00:31:08,160
Speaker 1: think I would see you on your Instagram or like

623
00:31:08,640 --> 00:31:10,520
Speaker 1: maybe it was the Dear of Enhancement Instagram because I

624
00:31:10,640 --> 00:31:12,960
Speaker 1: remember like following it like at the time, because I

625
00:31:13,000 --> 00:31:15,720
Speaker 1: was just like, I won't get tickets to the normal way.

626
00:31:15,760 --> 00:31:18,560
Speaker 1: Maybe I'll catch like some inst story or whatever. That's

627
00:31:18,600 --> 00:31:21,200
Speaker 1: just like if you like here at this time, a

628
00:31:21,280 --> 00:31:23,640
Speaker 1: magic elf will give you a ticket, Like I never

629
00:31:23,680 --> 00:31:25,600
Speaker 1: saw it because I couldn't get tickets. I was poor

630
00:31:25,640 --> 00:31:27,560
Speaker 1: at the time too. If only we'd all meant sooner.

631
00:31:28,440 --> 00:31:31,040
Speaker 1: Oh my god, when when you when you do it again,

632
00:31:32,120 --> 00:31:35,200
Speaker 1: I have a bootlega Okay, so I maybe there's there

633
00:31:35,240 --> 00:31:36,480
Speaker 1: may be a scenario where I'm going to do it

634
00:31:36,480 --> 00:31:40,960
Speaker 1: against We'll have to wait and see. Um. But wait,

635
00:31:41,080 --> 00:31:44,600
Speaker 1: I I feel as though Beyonce I had to be

636
00:31:44,640 --> 00:31:49,240
Speaker 1: the number one most intimidating, most intimidating. Yes, yes, with

637
00:31:49,640 --> 00:31:52,320
Speaker 1: a tie and a totally different arena of life with

638
00:31:52,360 --> 00:31:56,880
Speaker 1: Mandy be Tickett. Damn. Of course, of course, because George

639
00:31:56,920 --> 00:32:01,000
Speaker 1: is my number one dream, yes, like forever, and I

640
00:32:01,040 --> 00:32:03,520
Speaker 1: would be amazing. I just have to wait a few

641
00:32:03,600 --> 00:32:06,000
Speaker 1: years till the memory of this jake one phase away

642
00:32:06,000 --> 00:32:08,600
Speaker 1: and then I can give it. But he was great.

643
00:32:08,680 --> 00:32:12,320
Speaker 1: But because he was great exactly, yeah, we have to

644
00:32:12,400 --> 00:32:14,640
Speaker 1: let it have its doum. But that I was really

645
00:32:14,640 --> 00:32:17,120
Speaker 1: scared because I used to watch that PBS like taping

646
00:32:17,120 --> 00:32:19,400
Speaker 1: of Sunning the Park all the time. So those two

647
00:32:19,440 --> 00:32:21,560
Speaker 1: but yeah, Beyonce, Beyonce, I had a warning. I had

648
00:32:21,560 --> 00:32:24,040
Speaker 1: like four days warnings, so I like haircut, had an

649
00:32:24,040 --> 00:32:28,280
Speaker 1: extra voice lesson. I like really was prepared mentally, physically

650
00:32:28,280 --> 00:32:30,680
Speaker 1: because he met her afterwards. I did meet her afterwards.

651
00:32:30,720 --> 00:32:33,640
Speaker 1: She came backstage. Was that brief it was it was

652
00:32:33,720 --> 00:32:36,720
Speaker 1: like four to five minutes, but she had just had

653
00:32:36,720 --> 00:32:39,320
Speaker 1: the twins like a month ago. She was like glowing

654
00:32:39,720 --> 00:32:45,080
Speaker 1: and her boobs looked amazing most the most like woman

655
00:32:45,360 --> 00:32:50,240
Speaker 1: version of mother, like just and she was wonderful and

656
00:32:50,280 --> 00:32:53,600
Speaker 1: everybody was like really paralyzed by her. Oh my god,

657
00:32:53,640 --> 00:32:55,160
Speaker 1: because you just don't know what, like, what do you do?

658
00:32:55,320 --> 00:32:58,600
Speaker 1: What do you do? She she is the icon, this

659
00:32:58,640 --> 00:33:01,800
Speaker 1: is this is this is just such a dumb weird share.

660
00:33:01,880 --> 00:33:05,360
Speaker 1: But when when jay Z hosted or not Jaz when

661
00:33:05,400 --> 00:33:07,720
Speaker 1: j was musical guest a couple of seasons ago. It

662
00:33:07,720 --> 00:33:11,040
Speaker 1: was when Solange was musical guests. Yes, um, she came

663
00:33:11,040 --> 00:33:12,600
Speaker 1: to the after party because because I went to that

664
00:33:12,600 --> 00:33:16,200
Speaker 1: show and then she and jay Z walked through and

665
00:33:16,280 --> 00:33:19,960
Speaker 1: everyone like, the whole room stops. But when she passes you,

666
00:33:20,000 --> 00:33:22,680
Speaker 1: but you feel something, You feel an energy and energy

667
00:33:23,000 --> 00:33:25,680
Speaker 1: crazy anyway you want to do? You want to know

668
00:33:25,760 --> 00:33:27,680
Speaker 1: one celebrity I saw in person one time and I

669
00:33:27,720 --> 00:33:29,640
Speaker 1: felt an energy. At the time, I was like that

670
00:33:29,680 --> 00:33:32,880
Speaker 1: person is a superstar and now saying it is fully crazy.

671
00:33:35,720 --> 00:33:39,640
Speaker 1: I'll touch on Gina later. Um, remember I'm a breast

672
00:33:39,640 --> 00:33:43,760
Speaker 1: to this drama. But continued Jessica Simpson. Wow, I believe

673
00:33:43,760 --> 00:33:47,160
Speaker 1: that I went to a concert. I was sixteen years old.

674
00:33:47,200 --> 00:33:51,200
Speaker 1: I was straight, straight presenting. I was at an Ashley

675
00:33:51,200 --> 00:33:54,000
Speaker 1: Simpson concert, was my first of two. And I turned

676
00:33:54,000 --> 00:33:56,440
Speaker 1: around and there was Jessica Simpson like standing like by

677
00:33:56,440 --> 00:33:58,360
Speaker 1: the tech booth in this little rope stuff area and

678
00:33:58,440 --> 00:34:03,080
Speaker 1: she was luminous. Yeah, and I was just like, that's

679
00:34:03,120 --> 00:34:06,160
Speaker 1: a star. Yeah, and then two years later like then

680
00:34:06,200 --> 00:34:08,319
Speaker 1: now she like runs her empire. I think it doesn't

681
00:34:08,320 --> 00:34:11,239
Speaker 1: really do much, but she's like, she's like like a

682
00:34:11,280 --> 00:34:13,840
Speaker 1: formidable person. At the time, I was like, that's what

683
00:34:13,960 --> 00:34:15,880
Speaker 1: it's like to be in the presence of a superstar

684
00:34:16,480 --> 00:34:19,600
Speaker 1: there looks like And then I got a picture with

685
00:34:19,640 --> 00:34:22,279
Speaker 1: her dad, who is gay. Now I know I know

686
00:34:22,560 --> 00:34:26,239
Speaker 1: who was like dating like twink models. Really yes, oh

687
00:34:26,280 --> 00:34:28,799
Speaker 1: my god, this is like a thing. He was like

688
00:34:28,960 --> 00:34:31,040
Speaker 1: he was like a pastor or something. And then like

689
00:34:31,160 --> 00:34:33,319
Speaker 1: later on in year and she was like her thing

690
00:34:33,480 --> 00:34:36,040
Speaker 1: was like the chastity of it all. And then later

691
00:34:36,120 --> 00:34:38,080
Speaker 1: on I'm so sorry, I caught Boone on the shirt

692
00:34:38,120 --> 00:34:40,800
Speaker 1: behind you just giving me this what. I didn't do anything.

693
00:34:41,480 --> 00:34:45,520
Speaker 1: He's looking at the stage. Oh, just doing my face, yes, sir,

694
00:34:46,600 --> 00:34:48,480
Speaker 1: with them on it, and I just noticed. I was

695
00:34:48,520 --> 00:34:52,600
Speaker 1: just feeling very this is the seakh culture T shirt.

696
00:34:53,239 --> 00:34:55,560
Speaker 1: And then I want you to know that Boe has

697
00:34:55,600 --> 00:35:01,680
Speaker 1: designed the shirt. It's gorgeous. Think truly just did. But

698
00:35:01,800 --> 00:35:03,640
Speaker 1: we should we should get we should let the readers

699
00:35:03,640 --> 00:35:06,480
Speaker 1: be able to buy this. I know they're limited editions

700
00:35:06,520 --> 00:35:14,560
Speaker 1: to show exclusive though it exclusive, you can have one.

701
00:35:15,320 --> 00:35:20,839
Speaker 1: Speaking of your fashion yes, what was that. That's that's

702
00:35:20,880 --> 00:35:22,960
Speaker 1: sweater that you've been wearing recently. It's like yellow on

703
00:35:23,000 --> 00:35:25,480
Speaker 1: the top with the v oh. Oh, yes it's His

704
00:35:25,560 --> 00:35:27,960
Speaker 1: name is Victor Glamad. It's or to the CFD, a

705
00:35:28,000 --> 00:35:30,560
Speaker 1: thing where it's like a bunch of like upcoming young designers.

706
00:35:30,560 --> 00:35:32,840
Speaker 1: And I have a stylist his names Jason Rembert, and

707
00:35:32,880 --> 00:35:34,080
Speaker 1: I just do what he tells me to do because

708
00:35:34,080 --> 00:35:37,640
Speaker 1: you working really great, like when you were doing the

709
00:35:37,640 --> 00:35:39,880
Speaker 1: pressure of the Politician. You've been looking stunting and also

710
00:35:39,960 --> 00:35:44,520
Speaker 1: you are coking, rocking highwaysted. Oh yes, it's it's changed

711
00:35:44,560 --> 00:35:46,960
Speaker 1: my life. I have such a pooch and it's just

712
00:35:47,000 --> 00:35:50,160
Speaker 1: like I feel so much better. It just it just

713
00:35:50,200 --> 00:35:52,080
Speaker 1: makes everything feel better. I feel like freer, I can

714
00:35:52,080 --> 00:35:54,200
Speaker 1: eat what I want. It's great. See I've been like

715
00:35:54,239 --> 00:35:56,600
Speaker 1: a low rise bitch for for too long and now

716
00:35:56,640 --> 00:35:59,040
Speaker 1: and now as I approach thirty, I'm getting a pooch.

717
00:35:59,560 --> 00:36:02,000
Speaker 1: But there's nothing to my whole family. All the men

718
00:36:02,000 --> 00:36:04,080
Speaker 1: in my family are shaped this way, so like regardless

719
00:36:04,120 --> 00:36:06,600
Speaker 1: of how so you can see your future. Emay see

720
00:36:06,640 --> 00:36:10,040
Speaker 1: that I tried to It's like no, it's just here. Yes,

721
00:36:10,080 --> 00:36:12,360
Speaker 1: So that was that sweater was to like whear, to

722
00:36:12,520 --> 00:36:15,160
Speaker 1: like show off this guy who was being who was

723
00:36:15,200 --> 00:36:17,879
Speaker 1: like being celebrated, so it was his event to celebrate him.

724
00:36:17,920 --> 00:36:20,560
Speaker 1: Well a bunch of people. You know, uh, you know

725
00:36:20,680 --> 00:36:24,360
Speaker 1: he just said that, Victor. I'm telling you you, I

726
00:36:24,520 --> 00:36:26,480
Speaker 1: know I'm listening. I'm just doing I'm connecting different times.

727
00:36:26,480 --> 00:36:28,760
Speaker 1: I don't know. I know you're listening. I know you're listening.

728
00:36:28,800 --> 00:36:31,200
Speaker 1: I'm just saying, like this sweater, and I know that

729
00:36:31,239 --> 00:36:37,640
Speaker 1: Ben Platt was wearing it, but these are these I

730
00:36:37,640 --> 00:36:41,040
Speaker 1: feel it was a very mat Roger's sweater. Oh okay,

731
00:36:41,040 --> 00:36:43,239
Speaker 1: it was a very what mat Rogers. It was something

732
00:36:43,280 --> 00:36:45,120
Speaker 1: I would wear, and so I might be thank you,

733
00:36:45,239 --> 00:36:50,560
Speaker 1: I might be sending a text message to Mr Glamas

734
00:36:52,440 --> 00:36:55,080
Speaker 1: r M. I'm sure he would love to dress you

735
00:36:55,280 --> 00:37:00,239
Speaker 1: sweater your friend event one day when I pop off. Yes,

736
00:37:00,320 --> 00:37:02,799
Speaker 1: it's been very fun to where things that actually make

737
00:37:02,840 --> 00:37:05,160
Speaker 1: me feel excited and happy and not just have to

738
00:37:05,160 --> 00:37:07,440
Speaker 1: be like I'm in a suit because I'm trying to

739
00:37:07,440 --> 00:37:09,520
Speaker 1: convince everyone that I'm a leading man. No, but you

740
00:37:09,840 --> 00:37:11,600
Speaker 1: it's a it's a fashion it's been a fashion event.

741
00:37:11,680 --> 00:37:14,719
Speaker 1: It's fun and speaking of fashion event, just like the

742
00:37:14,760 --> 00:37:20,520
Speaker 1: way like the politician like looks. The fashion, it's that's

743
00:37:20,520 --> 00:37:24,920
Speaker 1: got to be so funmu and costuming has to feel

744
00:37:25,000 --> 00:37:28,880
Speaker 1: like a dream, particularly the costumes. The Claire Parkinson, who's

745
00:37:28,880 --> 00:37:31,560
Speaker 1: the costume desentner, is the only kind of major crew

746
00:37:31,600 --> 00:37:33,680
Speaker 1: member that we're bringing over to season two because it's

747
00:37:33,719 --> 00:37:37,400
Speaker 1: all New York people this time, because we're shooting in

748
00:37:37,400 --> 00:37:40,600
Speaker 1: New York. Yes, obviously everyone in the agreement that we

749
00:37:40,640 --> 00:37:43,000
Speaker 1: could not veer from the clothing because it was so

750
00:37:43,040 --> 00:37:46,439
Speaker 1: well great. But it's great. I mean, she's she gives

751
00:37:46,480 --> 00:37:49,759
Speaker 1: us such like particular like human beings to be. Like,

752
00:37:49,800 --> 00:37:51,560
Speaker 1: I feel like a lot of us didn't really fully

753
00:37:51,640 --> 00:37:53,279
Speaker 1: understand who we were until we like went in and

754
00:37:53,280 --> 00:37:55,920
Speaker 1: started putting on all these clothes. And she's very everybody

755
00:37:55,920 --> 00:37:58,279
Speaker 1: gets a very particular flavor, and everybody gets to be

756
00:37:58,320 --> 00:38:01,440
Speaker 1: like somewhat aspirational, even if it's like a really bizarre way. Sure,

757
00:38:02,320 --> 00:38:03,840
Speaker 1: but I love it. I get to wear nice suits

758
00:38:03,840 --> 00:38:07,640
Speaker 1: all the time and glasses, and I always have wished

759
00:38:07,640 --> 00:38:11,719
Speaker 1: that I needed glasses, but I don't. Thank you so much,

760
00:38:11,920 --> 00:38:14,200
Speaker 1: very good. And all of my siblings use glasses or

761
00:38:14,200 --> 00:38:15,680
Speaker 1: contacts and the only one doesn't, So I think I

762
00:38:15,680 --> 00:38:17,640
Speaker 1: feel like a weird complex about it, even though even

763
00:38:17,640 --> 00:38:23,640
Speaker 1: though it's a good is actually a crutch back. It's

764
00:38:23,719 --> 00:38:26,520
Speaker 1: keeping abound. I'm just trying to raise awareness. Yeah, no,

765
00:38:26,600 --> 00:38:29,000
Speaker 1: Bowen is the king of glasses, but the cop But truly,

766
00:38:29,000 --> 00:38:33,400
Speaker 1: Like the more the more I like see how departments

767
00:38:33,400 --> 00:38:35,759
Speaker 1: work around around stuff like this, the more I'm like

768
00:38:36,280 --> 00:38:39,279
Speaker 1: costumes and wardrobe are like huge, but they have to you.

769
00:38:40,000 --> 00:38:42,319
Speaker 1: It's this, it's the first thing people see. It has

770
00:38:42,360 --> 00:38:45,680
Speaker 1: to communicate so much. And also like the way things

771
00:38:45,680 --> 00:38:48,000
Speaker 1: look on camera is so different than the way they

772
00:38:48,000 --> 00:38:49,960
Speaker 1: look in real life. Like we just we just did

773
00:38:50,000 --> 00:38:52,200
Speaker 1: game show for Quimby, and like we had eight different

774
00:38:52,239 --> 00:38:55,560
Speaker 1: books and I didn't realize what the word more raying is.

775
00:38:55,880 --> 00:38:57,719
Speaker 1: Like they came over to me and he's like, they're like,

776
00:38:58,280 --> 00:39:00,440
Speaker 1: he's more raying. I was like, do I have to

777
00:39:00,480 --> 00:39:04,880
Speaker 1: like go back to make up and it's like the

778
00:39:04,920 --> 00:39:08,040
Speaker 1: two small pattern things. Yeah, it's like something when it's

779
00:39:08,080 --> 00:39:10,600
Speaker 1: like it's it's vibrating on screen. Yeah, yeah, it just

780
00:39:10,640 --> 00:39:13,040
Speaker 1: creates like a like a weird static. But the club

781
00:39:13,120 --> 00:39:14,600
Speaker 1: but like literally when I said you could take a

782
00:39:14,600 --> 00:39:16,120
Speaker 1: bite out of the show, I mean like the show

783
00:39:16,239 --> 00:39:21,360
Speaker 1: looks like delicious yeah, it'll be more of that. We

784
00:39:21,440 --> 00:39:23,560
Speaker 1: love that, like a more of an East Coast de

785
00:39:23,640 --> 00:39:25,920
Speaker 1: fall kind of at this time, but but a lot

786
00:39:25,960 --> 00:39:30,200
Speaker 1: of the same and plus Judith in that. Yeah, not

787
00:39:30,239 --> 00:39:32,480
Speaker 1: for nothing. I saw I saw your I saw your

788
00:39:32,520 --> 00:39:35,799
Speaker 1: tweet or is the instagram about just working with Judith? Yes, yes,

789
00:39:36,920 --> 00:39:39,040
Speaker 1: it was the best. I was having like a iffy

790
00:39:39,120 --> 00:39:41,000
Speaker 1: week and then we had to finally got our first

791
00:39:41,080 --> 00:39:43,120
Speaker 1: day together and like it was just it solved all

792
00:39:43,160 --> 00:39:45,960
Speaker 1: of my problems and made all of my worries go away.

793
00:39:46,080 --> 00:39:48,279
Speaker 1: And Bet is just brilliant and Bet is there too.

794
00:39:48,560 --> 00:39:50,839
Speaker 1: Bet is there too, let me tell you. And Bet

795
00:39:50,840 --> 00:39:52,719
Speaker 1: and I just saying together with Beanie at this like

796
00:39:53,080 --> 00:39:58,399
Speaker 1: Halloween Haulloueen and your Halloween thank you. Oh my god. Yeah,

797
00:39:58,440 --> 00:40:01,000
Speaker 1: she's I mean, that's like every thing you hope, like

798
00:40:01,000 --> 00:40:04,400
Speaker 1: like constantly in the middle of a vodvillact like at

799
00:40:04,400 --> 00:40:06,520
Speaker 1: all times, you know what I mean, just like a

800
00:40:06,520 --> 00:40:09,279
Speaker 1: Pratt fall could happen at any time, just exactly, and

801
00:40:09,320 --> 00:40:12,440
Speaker 1: just like calling herself a home and just like it's

802
00:40:12,640 --> 00:40:17,880
Speaker 1: she's the best on the Twitter, Twitter, on her people

803
00:40:17,920 --> 00:40:23,080
Speaker 1: to people Twitter. But y'all need to get on board

804
00:40:23,520 --> 00:40:30,040
Speaker 1: between we have more Gwanathan season two. Yes, everybody is

805
00:40:30,080 --> 00:40:34,040
Speaker 1: back except Jessica was a one season situation, right, uh,

806
00:40:34,120 --> 00:40:37,319
Speaker 1: and we've added obviously to that, but everyone else is back. Great.

807
00:40:37,360 --> 00:40:39,200
Speaker 1: Was that your first time working with Ryan? Yes, it

808
00:40:39,320 --> 00:40:41,000
Speaker 1: was great. It was I mean I loved Glee the

809
00:40:41,000 --> 00:40:43,279
Speaker 1: way everybody else loved. I went to see the tour

810
00:40:43,320 --> 00:40:48,480
Speaker 1: at two different stops. Wow, naturally and also Spring Awakening

811
00:40:48,520 --> 00:40:51,280
Speaker 1: was like my shame music. That was like my rent whatever.

812
00:40:51,960 --> 00:40:57,120
Speaker 1: Evan Hans so Leah, I was big on Leah. I'll

813
00:40:57,160 --> 00:40:59,520
Speaker 1: never forget the first time I saw Lea Michelle when

814
00:40:59,640 --> 00:41:01,840
Speaker 1: the Worse performance, when you're saying, Mama, who bore me?

815
00:41:01,880 --> 00:41:03,879
Speaker 1: In the beginning, I was like, I was like, we're

816
00:41:03,920 --> 00:41:05,759
Speaker 1: going to be seeing a lot of her. She just

817
00:41:05,840 --> 00:41:09,480
Speaker 1: something happened on camera, like that's there's something very interesting

818
00:41:09,520 --> 00:41:11,760
Speaker 1: going on. And then a few years later to bravely

819
00:41:12,120 --> 00:41:14,960
Speaker 1: sort of parade throughout Radio city singing during my parade,

820
00:41:15,520 --> 00:41:19,480
Speaker 1: so many people are present, like that deserves commendation, AC

821
00:41:20,520 --> 00:41:23,600
Speaker 1: and also a scary thing to do, and that sound great. Yeah,

822
00:41:23,640 --> 00:41:26,399
Speaker 1: I mean she's I think she's she's stunning. Jonathan Groff

823
00:41:26,480 --> 00:41:30,279
Speaker 1: is my celebrity question mine too? Oh, I've tried, and

824
00:41:31,480 --> 00:41:34,920
Speaker 1: I've tried, We've all tried. Yeah, we're gonna fin Actually

825
00:41:35,239 --> 00:41:38,560
Speaker 1: we met him, we interviewed him at Vulture Festival, and

826
00:41:38,760 --> 00:41:40,960
Speaker 1: we had we were doing like a bit with every

827
00:41:40,960 --> 00:41:44,160
Speaker 1: guest because we're dumb, we're not actual journalists, were very

828
00:41:44,239 --> 00:41:47,239
Speaker 1: stupid ask people questions like we were like nobody any

829
00:41:47,239 --> 00:41:49,359
Speaker 1: of those things actually wants to answer any questions, just

830
00:41:49,360 --> 00:41:51,640
Speaker 1: want to play again. And so everyone usually liked us.

831
00:41:51,719 --> 00:41:58,960
Speaker 1: But John John Jonathan was there ter Um. They were

832
00:41:59,000 --> 00:42:02,640
Speaker 1: there um doing press for mind Hunter, and so it

833
00:42:02,719 --> 00:42:05,480
Speaker 1: kind of wasn't really the vibe like anatur was there

834
00:42:05,560 --> 00:42:07,440
Speaker 1: and like you know, the other cast members, I'm not

835
00:42:07,440 --> 00:42:10,520
Speaker 1: sure their name is like serious acious actors. Yeah, And

836
00:42:10,560 --> 00:42:14,080
Speaker 1: in my notes was like I was going to ask him, um,

837
00:42:14,120 --> 00:42:16,080
Speaker 1: what would you do if you found out someone had

838
00:42:16,120 --> 00:42:19,239
Speaker 1: a crush? And then he like asked you what he

839
00:42:19,280 --> 00:42:20,520
Speaker 1: said and then be like and then he's like, what

840
00:42:20,600 --> 00:42:22,040
Speaker 1: if someone had a crush? I knew that was like

841
00:42:22,120 --> 00:42:23,920
Speaker 1: right here, right now, and I was gonna be like

842
00:42:24,719 --> 00:42:26,640
Speaker 1: I was gonna shoot my shot into a cute bit

843
00:42:26,840 --> 00:42:29,040
Speaker 1: with it and then maybe like thanks for doing that anyway.

844
00:42:29,040 --> 00:42:31,640
Speaker 1: My name is Matt and damn me, why did you

845
00:42:31,680 --> 00:42:34,960
Speaker 1: do it because he was he I will say, the

846
00:42:34,960 --> 00:42:37,440
Speaker 1: other guy hijacked the conversation totally. And then but I

847
00:42:37,520 --> 00:42:39,480
Speaker 1: will I will remember. I will say that Jonathan was

848
00:42:39,640 --> 00:42:42,279
Speaker 1: very just like so just like easy going and was

849
00:42:42,320 --> 00:42:45,479
Speaker 1: just like, oh, just like very like huh like just

850
00:42:45,480 --> 00:42:47,719
Speaker 1: just was just like getting picking up on our body

851
00:42:47,719 --> 00:42:51,000
Speaker 1: that we were not like typical journalists, and he was

852
00:42:51,000 --> 00:42:52,719
Speaker 1: just kind of like adjusting to that, and he might

853
00:42:52,760 --> 00:42:54,239
Speaker 1: have been a little out. It was it was just

854
00:42:54,280 --> 00:42:56,640
Speaker 1: like a little bit of an awkward view. He nothing

855
00:42:56,719 --> 00:42:58,879
Speaker 1: he did, but I remember he did have a really

856
00:42:58,920 --> 00:43:01,960
Speaker 1: good handshake and contact during the handshake, and I was like,

857
00:43:02,120 --> 00:43:06,279
Speaker 1: you know, exactly how hot you are. He's frustrating he does.

858
00:43:06,440 --> 00:43:10,600
Speaker 1: And also he's he's a lovely person and also very

859
00:43:10,760 --> 00:43:13,319
Speaker 1: inspiring in the sense that like he did this like

860
00:43:13,400 --> 00:43:17,400
Speaker 1: incredibly specifically gay kind of graphic amazing show. Oh yeah,

861
00:43:17,520 --> 00:43:19,640
Speaker 1: that was like a straight up straight leading man on

862
00:43:19,760 --> 00:43:23,880
Speaker 1: like a David Fincher beautiful drama and just it's amazing,

863
00:43:23,880 --> 00:43:26,239
Speaker 1: and it's it's encouraging to see that, Yeah, he's done

864
00:43:26,280 --> 00:43:28,960
Speaker 1: so much ship because he's like he's done. He's definitely

865
00:43:29,040 --> 00:43:32,839
Speaker 1: publicly been you know, out and proud gay like did

866
00:43:32,880 --> 00:43:35,319
Speaker 1: gay Roles, but also you're right, Mine Hunter Minor has

867
00:43:35,360 --> 00:43:39,680
Speaker 1: its fans. Also Frozen will pay for whatever you want

868
00:43:39,680 --> 00:43:41,040
Speaker 1: the rest of his life. And I just saw him

869
00:43:41,040 --> 00:43:46,640
Speaker 1: do Seymour and he was great, a little bit more

870
00:43:46,680 --> 00:43:50,680
Speaker 1: like hotter than most like still hilarious and sounded like

871
00:43:50,719 --> 00:43:53,600
Speaker 1: a dream. And I just saw I just saw Little

872
00:43:53,600 --> 00:43:56,200
Speaker 1: Shop in Pasadena. How was it? It was good. It

873
00:43:56,320 --> 00:43:59,000
Speaker 1: was really cute and um MJ was great and our

874
00:43:59,040 --> 00:44:02,920
Speaker 1: friend Matt Wilkes was amazing. He was the dentist and

875
00:44:02,920 --> 00:44:05,359
Speaker 1: he also did like a bunch of littler parts and

876
00:44:05,440 --> 00:44:07,880
Speaker 1: it was really sort of like a showcase for his skills,

877
00:44:07,960 --> 00:44:10,800
Speaker 1: Like he's really funny comedic actor. And that was the

878
00:44:10,800 --> 00:44:12,560
Speaker 1: first time I had seen him on stage. I didn't

879
00:44:12,560 --> 00:44:14,040
Speaker 1: really know he was. I didn't know he came from

880
00:44:15,200 --> 00:44:18,320
Speaker 1: he was He's a real sweet and his stuff online

881
00:44:18,320 --> 00:44:22,200
Speaker 1: is so funny. I love the man dan Um. But

882
00:44:22,320 --> 00:44:24,560
Speaker 1: it was I had never seen Little Shop on stage,

883
00:44:24,640 --> 00:44:31,400
Speaker 1: and I didn't know how it ended. It is. We

884
00:44:31,480 --> 00:44:33,279
Speaker 1: won't spoil for anyone that doesn't know how it ends,

885
00:44:33,320 --> 00:44:36,520
Speaker 1: but let's just say it's actually out of control, insane.

886
00:44:37,120 --> 00:44:40,480
Speaker 1: What happens. They're making a film now a little shop. Yes, really,

887
00:44:41,480 --> 00:44:44,319
Speaker 1: who's in? I don't know? Do you not know? I

888
00:44:44,360 --> 00:44:47,680
Speaker 1: don't know. I'll say this, I sadly wish that I

889
00:44:47,760 --> 00:44:50,320
Speaker 1: did know, but I sadly and decidedly do not know.

890
00:44:50,719 --> 00:44:54,200
Speaker 1: You decidedly do not decidedly? Well, that is foolish of

891
00:44:54,239 --> 00:44:56,960
Speaker 1: them to not well that they would. What can you do?

892
00:44:59,120 --> 00:45:02,279
Speaker 1: That feels like such a stupid thing? Oh wait, really quickly? Okay,

893
00:45:02,320 --> 00:45:04,880
Speaker 1: what's because you guys shot some of Merrily already? Right,

894
00:45:05,000 --> 00:45:08,480
Speaker 1: we did shoot some of Mary too much. No, it's okay.

895
00:45:08,480 --> 00:45:11,000
Speaker 1: It was so wonderful. I mean, it's like crazy. It's

896
00:45:11,000 --> 00:45:12,480
Speaker 1: also like a lot of people don't really know what

897
00:45:12,560 --> 00:45:16,719
Speaker 1: merely rolls. Actually it's a pretty so you know it's

898
00:45:16,719 --> 00:45:19,600
Speaker 1: on time? Yeah, And it's about it's it's about these

899
00:45:19,600 --> 00:45:22,719
Speaker 1: three friends in the fifties who meet and they're in

900
00:45:22,760 --> 00:45:24,759
Speaker 1: college and like two of them are writers, one of

901
00:45:24,800 --> 00:45:26,919
Speaker 1: them is a composer, and they become like best best friends.

902
00:45:26,920 --> 00:45:30,120
Speaker 1: It's two guys, one girl, and they over time like

903
00:45:30,480 --> 00:45:33,200
Speaker 1: the composing duo, the two guys that become really successful

904
00:45:33,520 --> 00:45:36,200
Speaker 1: and like the woman sort of uh like deals with

905
00:45:36,200 --> 00:45:38,840
Speaker 1: like alcoholism and like they become like really jaded and

906
00:45:38,840 --> 00:45:40,360
Speaker 1: they girl apart and like all this ship over the

907
00:45:40,360 --> 00:45:43,160
Speaker 1: course of eighteen years, and it's the show happens backwards,

908
00:45:43,160 --> 00:45:44,879
Speaker 1: so like it starts and you meet them when they're

909
00:45:44,920 --> 00:45:46,560
Speaker 1: like in their forties and they hate each other and

910
00:45:46,600 --> 00:45:48,400
Speaker 1: like two of them don't even speak, and then like

911
00:45:48,480 --> 00:45:51,080
Speaker 1: every sequence there's nine sequences moved backwards a few years,

912
00:45:51,239 --> 00:45:53,280
Speaker 1: and then by the end they're like these naive, idealistic

913
00:45:53,280 --> 00:45:54,800
Speaker 1: best friends will love each other. So it's like really

914
00:45:55,000 --> 00:45:57,680
Speaker 1: upsetting and heartbreaking but very beautiful. But the issue on

915
00:45:57,719 --> 00:45:59,800
Speaker 1: stage has always been like either there's people at to

916
00:45:59,800 --> 00:46:01,520
Speaker 1: begin playing like way too old and you don't really

917
00:46:01,520 --> 00:46:03,600
Speaker 1: believe them, or there's people at the end playing like

918
00:46:04,000 --> 00:46:05,799
Speaker 1: young college kids and you're like, no, you're not. So

919
00:46:05,840 --> 00:46:07,840
Speaker 1: this is the way. So I really think this is

920
00:46:07,880 --> 00:46:10,480
Speaker 1: like has the potential to like solve some of the issues.

921
00:46:10,560 --> 00:46:12,640
Speaker 1: And because the score has always beautiful, there's always been

922
00:46:12,640 --> 00:46:16,080
Speaker 1: great large Yeah that's the beautiful that's what we did

923
00:46:16,080 --> 00:46:19,799
Speaker 1: because that's the last first sequence. Um, but it's great. Yeah,

924
00:46:19,800 --> 00:46:21,799
Speaker 1: And we'll follow the map of the show, like it

925
00:46:21,800 --> 00:46:24,080
Speaker 1: starts in fifty seven and seventy something, and so like

926
00:46:24,239 --> 00:46:26,400
Speaker 1: if there's three years between a sequence, then will wait

927
00:46:26,440 --> 00:46:28,560
Speaker 1: three years or if there's two years, so you are

928
00:46:28,640 --> 00:46:30,879
Speaker 1: doing the like period of it all. Yeah, it takes

929
00:46:30,880 --> 00:46:33,320
Speaker 1: place starting in fifty seven, and then we'll follow because

930
00:46:33,320 --> 00:46:36,160
Speaker 1: then whatever the world is in twenty whatever it comes out,

931
00:46:36,239 --> 00:46:39,720
Speaker 1: it's still the periods will have remained. This very smart

932
00:46:39,880 --> 00:46:42,319
Speaker 1: um God, and that's that's that's perfect for link Later.

933
00:46:42,400 --> 00:46:44,719
Speaker 1: It's perfect for you guys. And it's the fact that

934
00:46:44,719 --> 00:46:46,360
Speaker 1: it's being A and I together is also just like

935
00:46:46,560 --> 00:46:49,279
Speaker 1: truly bananas that just gives us an excuse every few

936
00:46:49,320 --> 00:46:51,480
Speaker 1: years to hang out. Not that we don't hang out

937
00:46:51,480 --> 00:46:55,200
Speaker 1: every day, but it's like how fortunate that is is that?

938
00:46:55,239 --> 00:46:57,920
Speaker 1: But like God, link Later, Like I, what are my

939
00:46:57,920 --> 00:47:01,399
Speaker 1: favorite directors? I think School of Rock is when movies

940
00:47:01,520 --> 00:47:05,200
Speaker 1: Absolutely We just talked about School of Rock with at

941
00:47:05,280 --> 00:47:10,080
Speaker 1: length with Heidie Gardner. It's like, I listened, we love

942
00:47:10,360 --> 00:47:12,319
Speaker 1: that movie. Before we go any further, I just have

943
00:47:12,360 --> 00:47:13,960
Speaker 1: to shout out the person that turned me onto this

944
00:47:13,960 --> 00:47:18,719
Speaker 1: podcast way too late. Her name is Francesca Carpannini. She's

945
00:47:18,760 --> 00:47:20,440
Speaker 1: a very brilliant actress. She was just in All my

946
00:47:20,480 --> 00:47:23,360
Speaker 1: Son's on Broadway with a net bending Oh my god.

947
00:47:25,160 --> 00:47:29,120
Speaker 1: That and she is a big lover of both the show. Later,

948
00:47:29,200 --> 00:47:30,960
Speaker 1: Oh my god, I said, who's who are you coming

949
00:47:31,040 --> 00:47:36,440
Speaker 1: to the show? Noah? Oh my god, oh my god,

950
00:47:38,080 --> 00:47:40,080
Speaker 1: thank god, we know who's in the audience for our show.

951
00:47:40,480 --> 00:47:43,759
Speaker 1: So wait, I didn't get to meet Noah after the

952
00:47:43,800 --> 00:47:45,719
Speaker 1: show that I saw him in because that was the

953
00:47:45,880 --> 00:47:50,920
Speaker 1: night that that engine backfired in times. So Jared and

954
00:47:51,000 --> 00:47:53,280
Speaker 1: I were going backstage just say hey to Noah because

955
00:47:53,280 --> 00:47:55,040
Speaker 1: and he was so it was the thing where people

956
00:47:55,040 --> 00:47:57,040
Speaker 1: started banging on the door of the theater and stuff. Yeah,

957
00:47:57,080 --> 00:47:59,920
Speaker 1: so basically like this engine backfire. My sister was there

958
00:48:00,000 --> 00:48:02,680
Speaker 1: and I really waitress, Oh my god, Well that was

959
00:48:02,719 --> 00:48:05,120
Speaker 1: a great performance. And also, by the way, sidebar, but

960
00:48:05,160 --> 00:48:06,320
Speaker 1: you know who I really want to see do it?

961
00:48:06,360 --> 00:48:10,520
Speaker 1: Who's in it right now? Jordan's Of course I did.

962
00:48:10,560 --> 00:48:14,880
Speaker 1: I thought it's one of the better renditions. Okay, we

963
00:48:14,920 --> 00:48:17,160
Speaker 1: love Jordan's. You know who does I think my favorite

964
00:48:17,160 --> 00:48:20,800
Speaker 1: rendition of it? Yeah, like Sarah. I feel so insane

965
00:48:20,800 --> 00:48:25,000
Speaker 1: for saying this, Jeremy Jordan's. Oh, Jeremy Jordan does such

966
00:48:25,040 --> 00:48:30,360
Speaker 1: as been fun. I'm gonna have um no, But I

967
00:48:30,360 --> 00:48:32,839
Speaker 1: mean Sarah is Sarah? So do you love his It's

968
00:48:32,840 --> 00:48:35,560
Speaker 1: all coming back to me now then also, I actually

969
00:48:36,000 --> 00:48:38,080
Speaker 1: I do love It's off back to me. Now, I

970
00:48:38,120 --> 00:48:42,080
Speaker 1: like that, and I like this. I don't usually stand

971
00:48:42,320 --> 00:48:46,759
Speaker 1: Jeremy Jordan's, but I have these two performances that I saw.

972
00:48:46,840 --> 00:48:50,799
Speaker 1: I like, I'm absolutely obsessed with because I usually just

973
00:48:50,840 --> 00:48:54,160
Speaker 1: love my lady is singing and you, of course, um,

974
00:48:54,239 --> 00:48:58,680
Speaker 1: but you're one of my ladies though good. But miss

975
00:48:58,719 --> 00:49:04,080
Speaker 1: Gendering Ben It's okay. Controversy um no, but um Jordan's

976
00:49:04,080 --> 00:49:07,360
Speaker 1: like rips it apart, right. Yeah. I was going to

977
00:49:07,520 --> 00:49:10,960
Speaker 1: go backstage to say hey to Noah, who I haven't met,

978
00:49:11,360 --> 00:49:13,400
Speaker 1: and then that thing backfired in Jared and I had

979
00:49:13,440 --> 00:49:15,640
Speaker 1: to run to tenth Avenue and getting a taxicab because

980
00:49:15,640 --> 00:49:18,799
Speaker 1: we were positives that something was going down. And that's

981
00:49:18,840 --> 00:49:21,960
Speaker 1: the fucking world is. Like we saw people running from

982
00:49:22,000 --> 00:49:24,080
Speaker 1: Times Square and we were just like, yep, cool, we

983
00:49:24,080 --> 00:49:27,600
Speaker 1: gotta go. We know what everyone was just like keyed

984
00:49:27,640 --> 00:49:30,840
Speaker 1: in the world we live in. That is the current world.

985
00:49:30,880 --> 00:49:32,359
Speaker 1: Every time I go see a movie, I like check

986
00:49:32,400 --> 00:49:34,080
Speaker 1: where the exits are and try to sit near them.

987
00:49:34,120 --> 00:49:37,600
Speaker 1: And horrible last night for our show at we did

988
00:49:37,640 --> 00:49:40,080
Speaker 1: game show last night at the Grammarcity Theater at midnight

989
00:49:40,120 --> 00:49:41,920
Speaker 1: and we were getting like in order to get in,

990
00:49:42,000 --> 00:49:45,480
Speaker 1: we got like fully wanted and everything. And I was like, yeah,

991
00:49:45,480 --> 00:49:47,520
Speaker 1: I mean, I guess I'm happy this is happening, like

992
00:49:47,600 --> 00:49:50,040
Speaker 1: because you just never know. Oh my god, not to

993
00:49:50,080 --> 00:49:53,560
Speaker 1: turn it in this direction. Wait, I was just gonna

994
00:49:53,640 --> 00:50:00,680
Speaker 1: say before Sunrise, Sunset and I and before Midnight that

995
00:50:00,880 --> 00:50:10,960
Speaker 1: that trilogy link later, Yeah, girl before Sunrise, before Sunset,

996
00:50:10,960 --> 00:50:15,680
Speaker 1: before midnight for midnight. Um like perfect, beautiful, lean concise

997
00:50:15,760 --> 00:50:19,600
Speaker 1: films like and boy, I fucking was obsessed with boys beautiful,

998
00:50:19,680 --> 00:50:21,680
Speaker 1: took it, took it to took it. Took my parents

999
00:50:21,680 --> 00:50:24,200
Speaker 1: to see it, and they, like are two very culturally

1000
00:50:24,239 --> 00:50:26,359
Speaker 1: averse people in general, and they just like, my dad

1001
00:50:26,640 --> 00:50:30,080
Speaker 1: hates movies, except he loves share. He loves he loves share.

1002
00:50:30,400 --> 00:50:32,600
Speaker 1: He just doesn't like like films or places like why

1003
00:50:32,640 --> 00:50:34,920
Speaker 1: are people doing that? Like whatever. I can't explain it

1004
00:50:34,920 --> 00:50:37,239
Speaker 1: to him, but boyhood, he was just like, So I

1005
00:50:37,280 --> 00:50:39,279
Speaker 1: think like with like Merrily, it's like that's that thing

1006
00:50:39,320 --> 00:50:42,440
Speaker 1: again where it's like you the passage of time it's happening.

1007
00:50:42,480 --> 00:50:45,600
Speaker 1: It's so powerful, it really is, especially if there's the

1008
00:50:45,680 --> 00:50:48,520
Speaker 1: right reason to do it. But it is the right reason.

1009
00:50:48,560 --> 00:50:51,640
Speaker 1: It's not a gimmick, it's not. That's what's nice about

1010
00:50:51,680 --> 00:50:53,640
Speaker 1: this particular one is that, like I really think it

1011
00:50:53,800 --> 00:50:56,120
Speaker 1: actually is like asking to be this kind of thing,

1012
00:50:56,400 --> 00:50:58,359
Speaker 1: and he just seems like a really easy going guy,

1013
00:50:58,520 --> 00:51:01,440
Speaker 1: the loveliest, like sweetest, not stoner stoner, you know what

1014
00:51:01,480 --> 00:51:03,840
Speaker 1: I mean, Like all the energy of one without actually

1015
00:51:03,880 --> 00:51:09,239
Speaker 1: being One's amazing. The thing about Stoner's, because I can say,

1016
00:51:09,239 --> 00:51:11,600
Speaker 1: because I'm one of them, is we are not low

1017
00:51:11,680 --> 00:51:14,719
Speaker 1: key people. No, we're not. We smoke And because are

1018
00:51:14,719 --> 00:51:17,840
Speaker 1: you a stoner? Now? Okay? Can I ask you a questions?

1019
00:51:18,400 --> 00:51:22,160
Speaker 1: Do you find singing? Unfortunately I can't. I mean while

1020
00:51:22,160 --> 00:51:24,560
Speaker 1: I'm working in general, it's too hard because like unless

1021
00:51:24,600 --> 00:51:26,600
Speaker 1: it's for writing music and which it's very helpful, but

1022
00:51:26,920 --> 00:51:28,879
Speaker 1: like doing any kind of show or shooting or anything

1023
00:51:28,920 --> 00:51:31,799
Speaker 1: like that, it's just I get to like hypochondriacle about

1024
00:51:31,840 --> 00:51:35,839
Speaker 1: my voice and stuff, especially for pronouncing that I've had

1025
00:51:35,880 --> 00:51:39,280
Speaker 1: to learn. He literally he actually read through the dictionary

1026
00:51:39,320 --> 00:51:42,719
Speaker 1: before coming. Thank you for doing that. Um. But then

1027
00:51:42,920 --> 00:51:45,600
Speaker 1: but then like like now, like this is like a

1028
00:51:45,680 --> 00:51:47,360
Speaker 1: lull where you get to smoke more. Yeah, like on

1029
00:51:47,440 --> 00:51:49,840
Speaker 1: days when I'm not shooting or like when I'm working

1030
00:51:49,840 --> 00:51:52,960
Speaker 1: with co writers and stuff, and I feel like being

1031
00:51:53,000 --> 00:51:56,200
Speaker 1: in Los Angeles, like it's so dry there that like

1032
00:51:56,360 --> 00:51:59,279
Speaker 1: I feel completely insane, And so for those shows that

1033
00:51:59,320 --> 00:52:01,400
Speaker 1: I'm doing in this but I'm like already worried about

1034
00:52:01,400 --> 00:52:04,480
Speaker 1: it because it's like water water water, water, water water, water,

1035
00:52:04,560 --> 00:52:06,960
Speaker 1: like throw drives you the funk out, and none of

1036
00:52:06,960 --> 00:52:10,560
Speaker 1: that water water water, and there's no replacement for water.

1037
00:52:10,600 --> 00:52:12,480
Speaker 1: I even tried doing coconut water instead of water for

1038
00:52:12,480 --> 00:52:14,640
Speaker 1: a while and that was not the move. What about

1039
00:52:14,680 --> 00:52:17,000
Speaker 1: the whole honey and tea of it all in a

1040
00:52:17,080 --> 00:52:19,839
Speaker 1: very particular situation, it's nice, it's I find it's more

1041
00:52:19,920 --> 00:52:22,600
Speaker 1: for just like my own sensation, like you know what

1042
00:52:22,640 --> 00:52:24,440
Speaker 1: I mean, like for me to feel like everything's going well.

1043
00:52:24,480 --> 00:52:26,640
Speaker 1: It doesn't actually make everything go well, you know what

1044
00:52:26,719 --> 00:52:29,279
Speaker 1: I mean. Like if I'm hydrated and I'm warmed up,

1045
00:52:29,320 --> 00:52:31,000
Speaker 1: then like regardless of whether I drank the tea or not,

1046
00:52:31,040 --> 00:52:33,160
Speaker 1: I'm gonna sound the same, but I'll maybe feel nicer

1047
00:52:33,360 --> 00:52:35,400
Speaker 1: when you drink the cheese. So by all means, actually,

1048
00:52:35,400 --> 00:52:38,600
Speaker 1: Manuka honey is really good honey. That's like actually medically

1049
00:52:38,640 --> 00:52:43,240
Speaker 1: like good good for like staying well and like fancy nutrition.

1050
00:52:43,800 --> 00:52:46,040
Speaker 1: It's a flower New Zealand. A lot of it is

1051
00:52:46,120 --> 00:52:52,919
Speaker 1: okayphy and the flowers grown in New Zealand, but most

1052
00:52:52,920 --> 00:52:55,560
Speaker 1: of it's important from New Zealand and um the beast plant,

1053
00:52:55,680 --> 00:52:58,279
Speaker 1: and there's all these like crazy crazy crazy anybodies and

1054
00:52:58,320 --> 00:53:05,880
Speaker 1: all these good things. You. Yeah, hoplefits with high content.

1055
00:53:05,960 --> 00:53:07,719
Speaker 1: I honestly think a lot of his mind over matter

1056
00:53:07,760 --> 00:53:10,200
Speaker 1: for me, where it's just like if I'm fixating and

1057
00:53:10,239 --> 00:53:12,759
Speaker 1: like worried about the way that my throat feels, it's

1058
00:53:12,800 --> 00:53:14,279
Speaker 1: like I'll be insane and then all you have to

1059
00:53:14,320 --> 00:53:16,680
Speaker 1: do is drink water and like because sometimes I'll like,

1060
00:53:16,840 --> 00:53:18,400
Speaker 1: remember when I was in college and I was like,

1061
00:53:18,760 --> 00:53:21,360
Speaker 1: whenever I was doing a show, I would always like

1062
00:53:21,520 --> 00:53:24,600
Speaker 1: drink a lot of vanilla chi because I like the

1063
00:53:24,600 --> 00:53:26,239
Speaker 1: way it made my throat feeling. I'm like, well, now

1064
00:53:26,320 --> 00:53:29,520
Speaker 1: my voice is healthy because I've had my chie It's

1065
00:53:29,600 --> 00:53:37,160
Speaker 1: like milk. Dary is detrimental and darius detrimental. Do you

1066
00:53:37,200 --> 00:53:42,120
Speaker 1: write a culture number seventy is detrimental? Do you find

1067
00:53:42,120 --> 00:53:45,919
Speaker 1: yourself like when when you're singing, are you also dieting? Yes? Well,

1068
00:53:45,960 --> 00:53:49,400
Speaker 1: I yes, I mean I think there's two different times

1069
00:53:49,400 --> 00:53:51,279
Speaker 1: at which I'm dieting. One is like for for like,

1070
00:53:52,239 --> 00:53:54,279
Speaker 1: what's going to help me saying like no dairy, you know,

1071
00:53:54,360 --> 00:53:57,640
Speaker 1: like acidic stuff like for like cook and ship in

1072
00:53:57,640 --> 00:54:00,239
Speaker 1: my throat. But then there's also just like the we

1073
00:54:00,280 --> 00:54:02,120
Speaker 1: live in a world of Lucas Hedges and Timmy Challa

1074
00:54:02,160 --> 00:54:04,279
Speaker 1: may dieting where it's like I have to be a

1075
00:54:04,320 --> 00:54:07,200
Speaker 1: small wave where it's like I don't like that part.

1076
00:54:09,080 --> 00:54:12,319
Speaker 1: But I mean, is Lucas Hudges really really slender? I

1077
00:54:12,320 --> 00:54:14,440
Speaker 1: mean not unhealthily neither of them are? They both are

1078
00:54:14,520 --> 00:54:19,640
Speaker 1: you know, beautiful, and how like it's just like you

1079
00:54:19,640 --> 00:54:21,640
Speaker 1: know what I mean, It's like there's no like it's

1080
00:54:21,640 --> 00:54:24,239
Speaker 1: hard for them to be a space between like a

1081
00:54:24,440 --> 00:54:29,080
Speaker 1: built man and like like a little bit yeah, And

1082
00:54:29,080 --> 00:54:30,960
Speaker 1: I'm like I live very much in between, so I'm

1083
00:54:30,960 --> 00:54:33,000
Speaker 1: always feeling like I need to be leaning into one.

1084
00:54:33,000 --> 00:54:35,160
Speaker 1: And I'm also always playing a eighteen year old so

1085
00:54:35,440 --> 00:54:38,239
Speaker 1: as soon as that's done, I feel like that will change.

1086
00:54:38,239 --> 00:54:41,279
Speaker 1: With probably season two of Yes Politician. I'm now twenty three,

1087
00:54:41,320 --> 00:54:43,719
Speaker 1: so it's like whatever, like I can have stubble, this

1088
00:54:43,800 --> 00:54:47,480
Speaker 1: is great and how old you actually? Um? And then

1089
00:54:47,520 --> 00:54:50,319
Speaker 1: I think I'm done except for one possible thing, going

1090
00:54:50,360 --> 00:54:54,359
Speaker 1: to high school forever. I think. I wonder what that got.

1091
00:54:56,120 --> 00:54:59,800
Speaker 1: I wonder where that could be bit okay, title of that,

1092
00:54:59,880 --> 00:55:02,520
Speaker 1: I what that could be? Beat? I wonder what dot

1093
00:55:02,600 --> 00:55:06,200
Speaker 1: dot bitch. I wasn't gonna ask. I was gonna ask something. Oh,

1094
00:55:06,200 --> 00:55:07,719
Speaker 1: I don't know. I was not gonna I was just

1095
00:55:07,760 --> 00:55:10,480
Speaker 1: gonna volunteer this. Um, And you guys don't have to

1096
00:55:10,600 --> 00:55:14,040
Speaker 1: reactually at all. UM, I can't fucking smoke anymore. I

1097
00:55:14,040 --> 00:55:16,239
Speaker 1: smoked for the first time in months last night, and

1098
00:55:16,400 --> 00:55:19,680
Speaker 1: like it just and drank and truly was never more

1099
00:55:19,760 --> 00:55:23,520
Speaker 1: nauseous on the combo is it? It can go either way,

1100
00:55:24,360 --> 00:55:26,120
Speaker 1: You guys just gotta take it. I got crost fated.

1101
00:55:26,120 --> 00:55:28,600
Speaker 1: But then it was also like, yeah, hand smoked weed

1102
00:55:28,640 --> 00:55:31,680
Speaker 1: in months, and then it was just that mixed with like,

1103
00:55:31,840 --> 00:55:35,040
Speaker 1: does it generally like fan the flames of your anxiety?

1104
00:55:35,120 --> 00:55:37,600
Speaker 1: Do you find make you more? Because it can go

1105
00:55:37,640 --> 00:55:40,879
Speaker 1: both ways. Both ways. For me, it's either like this

1106
00:55:40,920 --> 00:55:42,320
Speaker 1: was a bad idea and I have to abort, like

1107
00:55:42,320 --> 00:55:45,719
Speaker 1: as soon as possible, it's like this was everything I wanted. Well,

1108
00:55:45,800 --> 00:55:48,359
Speaker 1: sometimes it's like I remember back in my days when

1109
00:55:48,360 --> 00:55:50,319
Speaker 1: I was like single, I found like it could really

1110
00:55:50,400 --> 00:55:53,960
Speaker 1: kind of like use you into situations and then others.

1111
00:55:54,080 --> 00:55:55,799
Speaker 1: Then I was like in a more bad place than

1112
00:55:55,840 --> 00:55:57,759
Speaker 1: that didn't work, and I was like, you have to leave,

1113
00:55:57,760 --> 00:56:00,040
Speaker 1: you have to leave my apartment and I'm sorry. And

1114
00:56:00,080 --> 00:56:01,960
Speaker 1: then so then I was like, okay, so this doesn't

1115
00:56:02,000 --> 00:56:03,560
Speaker 1: do just one thing for me. It's fully matt and

1116
00:56:03,640 --> 00:56:06,440
Speaker 1: fully just as like what mind space you're in, and

1117
00:56:06,480 --> 00:56:09,640
Speaker 1: also not for nothing. But the indica versus the Tiva

1118
00:56:09,680 --> 00:56:12,120
Speaker 1: of it all is huge. We can't pretend that it's

1119
00:56:12,120 --> 00:56:14,600
Speaker 1: not a huge differ. It's a different experience. It's a

1120
00:56:14,600 --> 00:56:17,720
Speaker 1: completely different thing. And like I just can't take anyone

1121
00:56:17,760 --> 00:56:19,520
Speaker 1: to weed anymore. Now now I'm like the kind of

1122
00:56:19,560 --> 00:56:22,440
Speaker 1: like medical stone er, like Apple store medman of it.

1123
00:56:22,480 --> 00:56:24,160
Speaker 1: I'll be like, and what strain is this? And where

1124
00:56:24,160 --> 00:56:26,480
Speaker 1: did we get it? And where is it? Excuse me?

1125
00:56:27,280 --> 00:56:29,520
Speaker 1: And generally I feel like I feel like I need

1126
00:56:29,600 --> 00:56:32,560
Speaker 1: to be either I enjoy doing it alone, but also

1127
00:56:32,600 --> 00:56:34,120
Speaker 1: like if I'm going to be with people's people that

1128
00:56:34,160 --> 00:56:36,759
Speaker 1: I actually have to know no, yes, because I can't

1129
00:56:37,200 --> 00:56:40,560
Speaker 1: be any kind of filtered human being. No, Like like

1130
00:56:40,640 --> 00:56:43,080
Speaker 1: drinking is fine with people like that I find is

1131
00:56:43,200 --> 00:56:44,920
Speaker 1: very like you can ease, it loosens you up, but

1132
00:56:45,000 --> 00:56:46,920
Speaker 1: weed is like we we does any different. It's like

1133
00:56:47,080 --> 00:56:49,480
Speaker 1: it makes you like it, it puts you up. That

1134
00:56:49,680 --> 00:56:51,920
Speaker 1: is pointing from like a little bit around the arch

1135
00:56:51,960 --> 00:56:54,680
Speaker 1: of his eyebrows and putting down Yeah, that's what I'm doing.

1136
00:56:54,840 --> 00:56:58,000
Speaker 1: I wish you could see it misplaced contour like about

1137
00:56:58,160 --> 00:57:02,680
Speaker 1: yeah on contour, but like, um, I am now, I mean,

1138
00:57:02,840 --> 00:57:07,359
Speaker 1: I'm now dating the biggest sowner I've ever met life.

1139
00:57:07,360 --> 00:57:11,400
Speaker 1: You're always so emphatic about that's all you do. Smoke

1140
00:57:11,440 --> 00:57:15,760
Speaker 1: every day, and I like have been around some legendary

1141
00:57:15,960 --> 00:57:19,440
Speaker 1: like people that just like our functional functionally addicted to weed.

1142
00:57:19,960 --> 00:57:23,880
Speaker 1: Jared he smokes all the time, and he's so productively

1143
00:57:23,880 --> 00:57:28,480
Speaker 1: and so yeah, I can only be productive if it's

1144
00:57:28,520 --> 00:57:31,360
Speaker 1: like a situation where I'm not being pressured to be productive.

1145
00:57:31,360 --> 00:57:33,080
Speaker 1: So if it's like I have a day where I'm

1146
00:57:33,080 --> 00:57:34,880
Speaker 1: with like a friend of mine who I write songs with,

1147
00:57:34,920 --> 00:57:36,160
Speaker 1: and I know that, like we could write a song

1148
00:57:36,200 --> 00:57:38,720
Speaker 1: today if we want. Then we smoke, and like that's great,

1149
00:57:38,760 --> 00:57:40,760
Speaker 1: and it sometimes leads to and it's something amazing. Words

1150
00:57:40,760 --> 00:57:42,640
Speaker 1: sometimes lead just like a completely bizarre song about like

1151
00:57:42,680 --> 00:57:45,600
Speaker 1: my grandfather. But if it's like if I'm smoke and

1152
00:57:45,600 --> 00:57:47,600
Speaker 1: going into like you have this many hours to accomplish

1153
00:57:47,640 --> 00:57:51,640
Speaker 1: something that it's gonna be. Sometimes I think, I don't

1154
00:57:51,680 --> 00:57:54,520
Speaker 1: know why I think this, but sometimes I think that

1155
00:57:54,640 --> 00:57:57,600
Speaker 1: smoking will help me learn lines. Like Okay, I can

1156
00:57:57,600 --> 00:57:59,200
Speaker 1: reveal that because I did not get the part, but

1157
00:57:59,200 --> 00:58:03,840
Speaker 1: I just um the ANNADELVI Shonda Rhymes show, Yeah, Netflix,

1158
00:58:03,920 --> 00:58:06,800
Speaker 1: and like it was truly it was fun to do

1159
00:58:06,920 --> 00:58:10,600
Speaker 1: because it was like Shonda Dialogue. It was like five

1160
00:58:10,720 --> 00:58:12,680
Speaker 1: or six pages of like, was there a lot of

1161
00:58:12,680 --> 00:58:15,160
Speaker 1: excellent gratuitous case X in it? There was not. I

1162
00:58:15,240 --> 00:58:17,760
Speaker 1: didn't I'd have to put myself on tape doing that. Um.

1163
00:58:17,800 --> 00:58:21,560
Speaker 1: But like basically it was just like a lot of crazy,

1164
00:58:21,720 --> 00:58:24,520
Speaker 1: like exactly what you think her scripts are gonna be. Yeah,

1165
00:58:25,360 --> 00:58:27,680
Speaker 1: but I was like I run it a bunch, and

1166
00:58:27,720 --> 00:58:29,840
Speaker 1: then I was like maybe if I smoke, and it's

1167
00:58:29,880 --> 00:58:33,640
Speaker 1: like and then it's such a stoner mentality, which like,

1168
00:58:33,680 --> 00:58:35,360
Speaker 1: well maybe if I smoke, it's just like, no, you

1169
00:58:35,440 --> 00:58:37,640
Speaker 1: just wanted to smoke to baill. I think in the

1170
00:58:37,640 --> 00:58:39,440
Speaker 1: context of like if you already have learned it, like

1171
00:58:39,480 --> 00:58:41,480
Speaker 1: in a normal mind and like worked on it, and

1172
00:58:41,520 --> 00:58:43,840
Speaker 1: then sometimes like if I like learn lines for the show,

1173
00:58:43,880 --> 00:58:45,720
Speaker 1: and like I'm like getting ready to do it, Like

1174
00:58:45,720 --> 00:58:47,880
Speaker 1: in a couple of days, I will get high and

1175
00:58:47,880 --> 00:58:50,160
Speaker 1: then like just try and like recording myself doing it

1176
00:58:50,200 --> 00:58:52,960
Speaker 1: high and see, like, out of the nine like hundred

1177
00:58:53,040 --> 00:58:56,040
Speaker 1: weird bizarre choices I make, maybe one of them is interesting. Yeah,

1178
00:58:57,600 --> 00:58:59,960
Speaker 1: you will find something, but only if I've already actually

1179
00:59:00,040 --> 00:59:01,520
Speaker 1: learned it, because if I only learned it high, then

1180
00:59:01,640 --> 00:59:03,840
Speaker 1: I'll remember a weird version, right right, it's not. Maybe

1181
00:59:03,840 --> 00:59:05,960
Speaker 1: it's like psychedelics where you have to send an intention

1182
00:59:06,000 --> 00:59:08,520
Speaker 1: where it's like you you set the parameters down, You're like, okay,

1183
00:59:08,640 --> 00:59:12,840
Speaker 1: I'll just record myself saying this, and maybe something cool

1184
00:59:12,840 --> 00:59:15,840
Speaker 1: comes out of it instead of just being like okay, um,

1185
00:59:16,160 --> 00:59:19,160
Speaker 1: I need to learn lines, so that's the express purpose

1186
00:59:19,520 --> 00:59:21,360
Speaker 1: and then you just don't. It's also just so funny,

1187
00:59:21,400 --> 00:59:23,840
Speaker 1: what like I learned all the lines that I was

1188
00:59:23,960 --> 00:59:25,840
Speaker 1: doing this with Gerald, like he was reading with me,

1189
00:59:25,920 --> 00:59:27,560
Speaker 1: and I had I had this whole choice I was

1190
00:59:27,600 --> 00:59:30,040
Speaker 1: doing like I like had beats planned out and everything,

1191
00:59:30,040 --> 00:59:31,720
Speaker 1: and then I smoked and then I read the lines

1192
00:59:31,760 --> 00:59:34,160
Speaker 1: and I was kind of like dropped in like all

1193
00:59:34,160 --> 00:59:36,120
Speaker 1: of a sudden doing it like this, and he's like, okay,

1194
00:59:36,120 --> 00:59:39,680
Speaker 1: whatever this is is like not so if you're going

1195
00:59:39,760 --> 00:59:42,920
Speaker 1: to now change into like this high serpent to your

1196
00:59:42,960 --> 00:59:46,200
Speaker 1: becoming with like bedroom minds, that's not what you should do.

1197
00:59:46,240 --> 00:59:49,720
Speaker 1: And I was like, okay, wow, or maybe that's the

1198
00:59:49,760 --> 00:59:52,200
Speaker 1: choice that would have gone either room. And honestly, I

1199
00:59:52,200 --> 00:59:53,600
Speaker 1: should have done it more like that. I should have

1200
00:59:53,600 --> 00:59:58,480
Speaker 1: done it more like a gay snake, which is a type.

1201
00:59:58,640 --> 01:00:01,480
Speaker 1: Oh for sure, the whole tribe on grind it's close

1202
01:00:01,520 --> 01:00:04,640
Speaker 1: to a gas Lytheran, but not quite. Yes, gays Lytherans

1203
01:00:05,200 --> 01:00:13,040
Speaker 1: they're out there, not necessarily raven claw. That's fantasis. That

1204
01:00:13,160 --> 01:00:17,240
Speaker 1: totally trapped. Say what you are hufflepuffin proud? I'm a hufflebuff. Two,

1205
01:00:17,400 --> 01:00:19,520
Speaker 1: that's what I That's what I got. Yeah, I'm a hufflebuff.

1206
01:00:19,560 --> 01:00:21,720
Speaker 1: But can I say you my trajectory? Of course? Sure?

1207
01:00:22,480 --> 01:00:25,920
Speaker 1: I was born a griffin door. Oh wow, what does

1208
01:00:25,960 --> 01:00:27,920
Speaker 1: that mean? Born a griffin? I was born a griffin

1209
01:00:27,960 --> 01:00:31,040
Speaker 1: door and I was at birth. I was like, I

1210
01:00:31,080 --> 01:00:34,360
Speaker 1: was gonna say, they put a tiny one. You know, No,

1211
01:00:34,680 --> 01:00:38,600
Speaker 1: I was born in you can imagine I was, you

1212
01:00:38,600 --> 01:00:42,680
Speaker 1: are well, I was born in I think it was.

1213
01:00:43,400 --> 01:00:45,880
Speaker 1: I wasn't on the Long Island. Okay, yeah, so local

1214
01:00:46,200 --> 01:00:50,280
Speaker 1: not sign what is your birthday? What's your scorpio sign sign?

1215
01:00:50,320 --> 01:00:56,000
Speaker 1: My scorpio sign is Libra. Okay, very scale September. I'm

1216
01:00:56,040 --> 01:00:58,360
Speaker 1: on the cost I'm lib You're a libricosum Okay, I'm

1217
01:00:58,400 --> 01:01:01,240
Speaker 1: not Pisces. So basically I was born a griffin door.

1218
01:01:01,680 --> 01:01:04,200
Speaker 1: In my early twenties, I was a slytherind and now

1219
01:01:04,240 --> 01:01:06,280
Speaker 1: I'm a hufflepuff. But I will die at raven Cloth.

1220
01:01:07,360 --> 01:01:11,440
Speaker 1: All right, So you're sort of cheating, yeah, because you

1221
01:01:11,560 --> 01:01:13,360
Speaker 1: just wanted like a bit of everything. I think that

1222
01:01:13,520 --> 01:01:15,280
Speaker 1: in my heart, I've always been the hufflepuff, and I

1223
01:01:15,320 --> 01:01:17,440
Speaker 1: am a hufflepuff. You are, yeah, but I have a

1224
01:01:17,440 --> 01:01:20,840
Speaker 1: griffin properties. I'm not sorry about saying. Let me so

1225
01:01:20,960 --> 01:01:23,200
Speaker 1: do I but I'm not nearly courageous enough in general

1226
01:01:23,240 --> 01:01:24,960
Speaker 1: to be a griffin. I guess that doesn't make your

1227
01:01:24,960 --> 01:01:27,960
Speaker 1: griffin door. Then the whole point of these alignments is

1228
01:01:28,000 --> 01:01:31,760
Speaker 1: that it's it's too It's just it's for you and

1229
01:01:31,840 --> 01:01:35,160
Speaker 1: me to say that we are not multituded as people,

1230
01:01:35,240 --> 01:01:37,320
Speaker 1: that we are one thing, and for you to just

1231
01:01:37,400 --> 01:01:39,760
Speaker 1: jump around and think that you can like it's it's

1232
01:01:39,840 --> 01:01:43,480
Speaker 1: cheating the system. Fine, I would say that I am

1233
01:01:43,520 --> 01:01:46,040
Speaker 1: a hufflepuff, thank you Okay, there you go good to

1234
01:01:46,240 --> 01:01:49,800
Speaker 1: centric degrees. Wow, well that's huge. That is huge. Isn't

1235
01:01:49,800 --> 01:01:51,960
Speaker 1: that sad that that's the only Hufflepuff character you can

1236
01:01:51,960 --> 01:01:57,000
Speaker 1: really say? I will say like, I think it was

1237
01:01:57,080 --> 01:02:00,160
Speaker 1: really cool of J. K Rowling to like throw ful

1238
01:02:00,200 --> 01:02:02,600
Speaker 1: puff of bone. Yeah. I'm like, well, you guys have

1239
01:02:03,120 --> 01:02:06,480
Speaker 1: and he's amazing, and he's like everyone wants to do him,

1240
01:02:06,520 --> 01:02:09,200
Speaker 1: and Cho chengg is like wants him and not Harry

1241
01:02:09,240 --> 01:02:11,800
Speaker 1: who's a griffin door. I have a question when you

1242
01:02:12,200 --> 01:02:14,800
Speaker 1: did you do you read the books of absolutely when

1243
01:02:14,840 --> 01:02:16,360
Speaker 1: you think to the books or if you've ever for

1244
01:02:16,400 --> 01:02:18,160
Speaker 1: some reason read a part of the books or the books.

1245
01:02:18,160 --> 01:02:20,280
Speaker 1: Since the movies have existed, do you see the people

1246
01:02:20,320 --> 01:02:21,680
Speaker 1: from the movies in your mind or do you see

1247
01:02:21,680 --> 01:02:23,720
Speaker 1: your own versions of the character. That is so interesting,

1248
01:02:23,800 --> 01:02:26,360
Speaker 1: very interesting now I see them, But I remember when

1249
01:02:26,360 --> 01:02:29,120
Speaker 1: the movies were like introduced to me, I was like

1250
01:02:29,160 --> 01:02:32,760
Speaker 1: a little angry because I had such a specific vision

1251
01:02:32,800 --> 01:02:35,720
Speaker 1: in my mind of what it was and there were

1252
01:02:35,800 --> 01:02:37,800
Speaker 1: like real people in my mind. I don't know where

1253
01:02:37,800 --> 01:02:39,760
Speaker 1: they came from, but I very clearly saw it. And

1254
01:02:39,800 --> 01:02:41,920
Speaker 1: this is also very weird, But I remember at the

1255
01:02:42,000 --> 01:02:45,480
Speaker 1: time of reading the Harry Potter books. The song That's

1256
01:02:45,520 --> 01:02:47,760
Speaker 1: the Way It Is by Celine Dion was like huge,

1257
01:02:48,120 --> 01:02:50,320
Speaker 1: So I would always listen to that song and there'll

1258
01:02:50,400 --> 01:02:53,000
Speaker 1: be like a music video in my head of like Hermiami,

1259
01:02:53,080 --> 01:02:55,040
Speaker 1: like hitting around with a pillow and like I'm having

1260
01:02:55,240 --> 01:02:59,040
Speaker 1: times very three company. I don't know, it's a very

1261
01:02:59,040 --> 01:03:01,640
Speaker 1: psychotic thing in my brain, but like I associate that's

1262
01:03:01,640 --> 01:03:04,600
Speaker 1: the way it is with the Harry Potter books. That's interesting.

1263
01:03:04,800 --> 01:03:07,000
Speaker 1: But you know what, I'm realizing we didn't do what

1264
01:03:07,040 --> 01:03:08,800
Speaker 1: I didn't spend the question we can have, we can

1265
01:03:08,800 --> 01:03:11,840
Speaker 1: ask the questions, but we're having We're having such a

1266
01:03:11,840 --> 01:03:14,080
Speaker 1: grand time, and I think this actually might be the answer.

1267
01:03:14,560 --> 01:03:17,000
Speaker 1: What what was the culture that made you? Said culture

1268
01:03:17,120 --> 01:03:21,640
Speaker 1: was for you? Whoa? Because they know you're a Harry Whoa. Okay,

1269
01:03:21,720 --> 01:03:23,920
Speaker 1: you forgot. This feels surreal to me in this moment,

1270
01:03:24,320 --> 01:03:27,280
Speaker 1: and I'm not and I'm now also remembering that there's

1271
01:03:27,320 --> 01:03:29,200
Speaker 1: going to be something later that I don't know what

1272
01:03:29,240 --> 01:03:32,720
Speaker 1: I'm gonna do. I prepared, I prepared today. I have

1273
01:03:32,760 --> 01:03:36,280
Speaker 1: a couple of things that I'm thinking about, so absolutely

1274
01:03:37,520 --> 01:03:41,000
Speaker 1: so okay, So culture wise, I think the obvious thing

1275
01:03:41,000 --> 01:03:44,840
Speaker 1: I need to say, is like Sudden Foster singing show

1276
01:03:44,840 --> 01:03:49,400
Speaker 1: off like Chap. I saw it at the Ammondson before

1277
01:03:49,400 --> 01:03:51,320
Speaker 1: it moved to Oh Mark, I saw that out of

1278
01:03:51,360 --> 01:03:54,880
Speaker 1: time Tryout. So she's someone else. We interviewed at Vulture Festival,

1279
01:03:54,920 --> 01:03:56,760
Speaker 1: and our whole interview with the younger cast was do

1280
01:03:56,800 --> 01:04:00,200
Speaker 1: you understand who she is? People don't, like a lot

1281
01:04:00,200 --> 01:04:02,960
Speaker 1: of people don't understand like that she's in. She's in

1282
01:04:03,080 --> 01:04:05,480
Speaker 1: like the Bet Bernardine. She's in the top Tattie like

1283
01:04:05,760 --> 01:04:09,160
Speaker 1: world top ten's in that pantheon. So like yeah, that

1284
01:04:09,360 --> 01:04:11,640
Speaker 1: like you know the Funny Girl soundtrack and like on

1285
01:04:11,720 --> 01:04:14,680
Speaker 1: my boom Box, like you know Gypsy, the Bette Miller

1286
01:04:14,720 --> 01:04:18,240
Speaker 1: TV movie, um, that world of culture. And then also

1287
01:04:18,320 --> 01:04:20,280
Speaker 1: in a very separate way, Harry Potter was like the

1288
01:04:20,320 --> 01:04:21,919
Speaker 1: thing that was like that was the only thing where

1289
01:04:21,920 --> 01:04:25,480
Speaker 1: like everybody was also in on that so that I

1290
01:04:25,480 --> 01:04:28,240
Speaker 1: could bond with like also like my male friends and

1291
01:04:28,280 --> 01:04:30,640
Speaker 1: like my cousins and stuff over it and not just

1292
01:04:30,760 --> 01:04:33,040
Speaker 1: like the four gay people slash women that wanted to

1293
01:04:33,080 --> 01:04:39,040
Speaker 1: talk about. And everyone loved Harry Potter largely unless you like,

1294
01:04:39,040 --> 01:04:41,280
Speaker 1: we're in a reader as a kid, But did I

1295
01:04:41,320 --> 01:04:44,480
Speaker 1: talk about my talk about my calling the cops. Have

1296
01:04:44,520 --> 01:04:48,400
Speaker 1: I told you about the cops? Please? Gobblet of Fire

1297
01:04:48,480 --> 01:04:53,040
Speaker 1: was coming out. This is a huge era, a huge era. Yang,

1298
01:04:53,080 --> 01:04:56,680
Speaker 1: my older sister was begging my parents to go by it.

1299
01:04:56,800 --> 01:04:59,200
Speaker 1: And I had just learned what Harry Potter was like

1300
01:04:59,280 --> 01:05:02,720
Speaker 1: two days. I know this and had not read any

1301
01:05:02,760 --> 01:05:05,480
Speaker 1: of the prior three books, but was just high off

1302
01:05:05,520 --> 01:05:08,080
Speaker 1: of like the idea of it, yes, and just the

1303
01:05:08,120 --> 01:05:11,800
Speaker 1: peripheral buzz from my sister. She was the cultural phenomenon

1304
01:05:11,840 --> 01:05:14,640
Speaker 1: had got you have internalized. We went to Walmart one

1305
01:05:14,680 --> 01:05:17,320
Speaker 1: day and we saw like a big sign with the

1306
01:05:17,440 --> 01:05:20,320
Speaker 1: cover and it looked like the most amazing thing. That's

1307
01:05:20,320 --> 01:05:24,720
Speaker 1: the best cover, because that's the best absolute filmic it's

1308
01:05:24,760 --> 01:05:28,960
Speaker 1: it's amazing favorite book. Yes, and the sort of subdued Phoenix.

1309
01:05:29,000 --> 01:05:30,880
Speaker 1: But we can continue. Oh yes, I mean, of course

1310
01:05:30,920 --> 01:05:33,920
Speaker 1: that's like monotone and I like Halt Present and deathitely

1311
01:05:33,920 --> 01:05:38,360
Speaker 1: holl is amazing amazing. Anyway, Um, I see this sign

1312
01:05:38,400 --> 01:05:41,960
Speaker 1: for for Goblet of Fire and then Yang's like, please, Mom,

1313
01:05:41,960 --> 01:05:44,480
Speaker 1: can we please go at midnight to buy this? My

1314
01:05:44,480 --> 01:05:47,480
Speaker 1: mom was like, no, your mom didn't understand that it

1315
01:05:47,520 --> 01:05:48,840
Speaker 1: was like a thing. She just thought she was just

1316
01:05:48,880 --> 01:05:50,760
Speaker 1: like it's it's just a book, will buy it. We'll

1317
01:05:50,760 --> 01:05:54,160
Speaker 1: buy it on Saturday or whatever. She didn't get it.

1318
01:05:54,160 --> 01:05:56,320
Speaker 1: It's fine. We just moved to the u S. It

1319
01:05:56,360 --> 01:05:58,440
Speaker 1: was just like, there's a lot, There's a lot going on.

1320
01:05:58,440 --> 01:06:00,160
Speaker 1: It was a crazy time for for our family. But

1321
01:06:00,640 --> 01:06:06,480
Speaker 1: I remember Yang so so emphatically excited about this, and

1322
01:06:06,520 --> 01:06:07,960
Speaker 1: I was, and I was feeding off of this too,

1323
01:06:07,960 --> 01:06:09,479
Speaker 1: even though I hadn't read the books post I'm gonna

1324
01:06:09,480 --> 01:06:10,960
Speaker 1: start with this one. It makes sense. I'm gonna start

1325
01:06:11,000 --> 01:06:14,040
Speaker 1: with this one. I'm gonna start with book four. Um

1326
01:06:14,760 --> 01:06:17,440
Speaker 1: my parents, because I was immediate and then my parents

1327
01:06:17,440 --> 01:06:19,919
Speaker 1: were like, we're not going, like end of discussion, We're

1328
01:06:19,920 --> 01:06:23,720
Speaker 1: not going. And then it got super heated, so heated,

1329
01:06:23,760 --> 01:06:25,480
Speaker 1: and I thought, how old are you really quick? I

1330
01:06:25,520 --> 01:06:28,520
Speaker 1: was nine? Two thousand? Yeah, I was nine. And then

1331
01:06:28,920 --> 01:06:31,360
Speaker 1: and then I go, I got so heated. And then

1332
01:06:31,600 --> 01:06:34,120
Speaker 1: and then Yang was just being histrionic and dramatic, and

1333
01:06:34,160 --> 01:06:36,240
Speaker 1: it was like, I'll call the I'll call the police.

1334
01:06:36,280 --> 01:06:39,160
Speaker 1: If you don't let us come, I'll call and tell

1335
01:06:39,200 --> 01:06:44,320
Speaker 1: them your abuse, that there's child abuse at this house.

1336
01:06:45,040 --> 01:06:47,920
Speaker 1: And then and then I was truly like in Yang's

1337
01:06:47,960 --> 01:06:49,560
Speaker 1: corner and I was like, yeah, I'll do it. I

1338
01:06:49,600 --> 01:06:52,400
Speaker 1: was like, it was like, I'll do it. And then

1339
01:06:52,680 --> 01:06:54,800
Speaker 1: you called the police. And then I picked up the

1340
01:06:54,840 --> 01:06:58,560
Speaker 1: phone and dialed nine one one. I hadn't ever done

1341
01:06:58,560 --> 01:07:04,840
Speaker 1: it before. Dispatrick answer is nine one what's your emergency?

1342
01:07:04,960 --> 01:07:07,440
Speaker 1: I get too spooch and I hang up and then

1343
01:07:07,440 --> 01:07:11,040
Speaker 1: they of course called back. They're like, hig is everything okay?

1344
01:07:11,040 --> 01:07:14,200
Speaker 1: And my parents had to explain in broken English to

1345
01:07:14,280 --> 01:07:19,360
Speaker 1: this dispatchao, um, there's our our children or said that

1346
01:07:19,360 --> 01:07:22,360
Speaker 1: they can't buy this book that's coming out. It was

1347
01:07:22,640 --> 01:07:25,520
Speaker 1: like watch when that person was a huge like you're

1348
01:07:25,600 --> 01:07:30,040
Speaker 1: abusing them, sending people now the children terrible terrible turn. Okay,

1349
01:07:30,080 --> 01:07:31,640
Speaker 1: wait that was I just had a show that what

1350
01:07:31,680 --> 01:07:33,840
Speaker 1: was your favorite? Well, I have to tell you have

1351
01:07:33,840 --> 01:07:37,000
Speaker 1: a very similar story. I'm telling my concert that is

1352
01:07:38,000 --> 01:07:39,800
Speaker 1: the like kind of rapid need for the books when

1353
01:07:39,800 --> 01:07:41,520
Speaker 1: they come out. A lot of them come out the summer.

1354
01:07:41,520 --> 01:07:43,080
Speaker 1: And I went to jew a summer camp every summer,

1355
01:07:43,640 --> 01:07:45,200
Speaker 1: and I was there when the I think it was

1356
01:07:45,240 --> 01:07:48,479
Speaker 1: the sixth one came out and mine was not coming

1357
01:07:48,480 --> 01:07:50,280
Speaker 1: in the mail and time and like all of my

1358
01:07:50,320 --> 01:07:52,560
Speaker 1: friends were getting it and reading it and finding things

1359
01:07:52,600 --> 01:07:55,320
Speaker 1: out and I was getting really upset with my parents.

1360
01:07:55,400 --> 01:07:57,000
Speaker 1: And there was another kid in my bunk whose name

1361
01:07:57,040 --> 01:07:59,400
Speaker 1: was also Been and so, and like literally in the

1362
01:07:59,440 --> 01:08:01,600
Speaker 1: dead of night, I got up and stole his copy

1363
01:08:01,640 --> 01:08:03,640
Speaker 1: from his bed the side of his bunk and wrote

1364
01:08:03,800 --> 01:08:07,000
Speaker 1: plat and and kept it and fully got away with it.

1365
01:08:07,880 --> 01:08:10,600
Speaker 1: Just was a great actor, slash liar and like was

1366
01:08:10,800 --> 01:08:13,280
Speaker 1: I had never done literally any like I would never

1367
01:08:13,360 --> 01:08:15,520
Speaker 1: get in trouble like I was not. I was very

1368
01:08:15,520 --> 01:08:17,719
Speaker 1: good too, like at school end camp. So no, everyone

1369
01:08:17,760 --> 01:08:20,320
Speaker 1: believed me and I have not never searched, like suffered

1370
01:08:20,360 --> 01:08:24,160
Speaker 1: any consequences. And I got that, I mean time you

1371
01:08:24,160 --> 01:08:26,800
Speaker 1: should be thrown in prison. That other best in a

1372
01:08:26,800 --> 01:08:29,080
Speaker 1: way like my mental prison of anxiety gives me serving

1373
01:08:29,120 --> 01:08:32,360
Speaker 1: time for that. There you go. Um. But yeah, and

1374
01:08:32,400 --> 01:08:34,679
Speaker 1: but then what actually no, I had there was current

1375
01:08:34,680 --> 01:08:37,559
Speaker 1: retribution because then like two days later, the big like

1376
01:08:37,600 --> 01:08:40,120
Speaker 1: prank that the oldest age group pulls, they always pulled

1377
01:08:40,120 --> 01:08:41,479
Speaker 1: like a big prank towards the end of the session

1378
01:08:41,520 --> 01:08:43,479
Speaker 1: was to write the ending of the book all over camp.

1379
01:08:43,760 --> 01:08:46,360
Speaker 1: So we woke up one morning and in chalk all

1380
01:08:46,360 --> 01:08:48,760
Speaker 1: over the roads and the backup no it said it

1381
01:08:48,840 --> 01:08:51,719
Speaker 1: said snaps the half flood friends and Snape kills Dumbledore

1382
01:08:52,120 --> 01:08:54,800
Speaker 1: like literally everywhere and people. It was like literally the

1383
01:08:54,840 --> 01:08:57,599
Speaker 1: morning after like a like an attack of some kind,

1384
01:08:57,720 --> 01:09:00,519
Speaker 1: like literally it was like everybody showed up for breakfast,

1385
01:09:00,520 --> 01:09:05,240
Speaker 1: like really, like I will never forget see. I think

1386
01:09:05,240 --> 01:09:09,000
Speaker 1: like for some reason, like when Snap killed Dumbledore, I

1387
01:09:09,080 --> 01:09:10,680
Speaker 1: was kind of like numb to it because I never

1388
01:09:10,720 --> 01:09:14,880
Speaker 1: really could get with Dumbledore. But when Cedric died at

1389
01:09:14,880 --> 01:09:18,200
Speaker 1: the end of the fourth book, a part of me

1390
01:09:18,280 --> 01:09:21,120
Speaker 1: died too because it was a hot person. Because no,

1391
01:09:23,600 --> 01:09:24,800
Speaker 1: can I just say you want a hot person? I

1392
01:09:24,840 --> 01:09:28,160
Speaker 1: just saw a lighthouse and it's also amazing, really really okay.

1393
01:09:28,320 --> 01:09:30,479
Speaker 1: But I remember when Cedric died, I was just like, oh,

1394
01:09:30,560 --> 01:09:32,760
Speaker 1: kids can die. And I remember I put the book

1395
01:09:32,760 --> 01:09:34,479
Speaker 1: down and I walked around my pool and it was

1396
01:09:34,560 --> 01:09:37,040
Speaker 1: just like, kid's gonna die outside of the pool, or

1397
01:09:37,080 --> 01:09:39,160
Speaker 1: you were in the pool walking around. No. I actually

1398
01:09:39,160 --> 01:09:42,599
Speaker 1: filled my poppets with rocks and walked into the Virginia

1399
01:09:42,680 --> 01:09:48,880
Speaker 1: w Virginia Wolf, Nicole Kid in the hours. Anyone, Oh,

1400
01:09:49,800 --> 01:09:53,120
Speaker 1: I wish I had a hiver. You know what's gross?

1401
01:09:53,160 --> 01:09:55,960
Speaker 1: I have a sony not gross. Everything's nice, everybody's beautiful,

1402
01:09:56,040 --> 01:09:57,720
Speaker 1: thank you. That's very kind but young. A lot of

1403
01:09:57,720 --> 01:09:59,800
Speaker 1: young people who watched the show have either tweeted or

1404
01:09:59,800 --> 01:10:05,880
Speaker 1: said to me like, amazing song. It's like this is

1405
01:10:05,880 --> 01:10:09,240
Speaker 1: painful and I feel like I'm not doing Joni any favors,

1406
01:10:09,240 --> 01:10:14,559
Speaker 1: but well, look it up the children. I want to

1407
01:10:14,560 --> 01:10:17,040
Speaker 1: say one thing. The guy who plays whatever on The

1408
01:10:17,040 --> 01:10:20,960
Speaker 1: Politician absolutely the hottest person I've ever seen in my

1409
01:10:21,360 --> 01:10:23,960
Speaker 1: entire life. And it's actually sick and ready for me

1410
01:10:24,000 --> 01:10:26,599
Speaker 1: to break your heart. He's also the best kindest person

1411
01:10:26,680 --> 01:10:28,800
Speaker 1: in the whole entire world, like literally a hero in

1412
01:10:28,840 --> 01:10:31,519
Speaker 1: every way UH and straightest can be. Um no, but

1413
01:10:31,600 --> 01:10:33,800
Speaker 1: he he was. I I'm an EP so I got

1414
01:10:33,800 --> 01:10:35,600
Speaker 1: to watch all of the tapes and stuff, and he

1415
01:10:35,680 --> 01:10:37,680
Speaker 1: was going in for Ricardo the whole time, which is

1416
01:10:37,720 --> 01:10:42,280
Speaker 1: the weird boyfriend of UH. And the whole time I

1417
01:10:42,360 --> 01:10:44,080
Speaker 1: kept writing it all emails like why is this guy

1418
01:10:44,120 --> 01:10:46,360
Speaker 1: in here? Like he's literally like the dreamy person that

1419
01:10:46,360 --> 01:10:48,160
Speaker 1: you keep talking about for this like river Phoenix role,

1420
01:10:48,200 --> 01:10:49,960
Speaker 1: Like that's what Ryan would call it, like the river Phoenix.

1421
01:10:50,400 --> 01:10:54,479
Speaker 1: They saw River Phoenix type. They didn't see him Superman type.

1422
01:10:54,520 --> 01:10:55,880
Speaker 1: He was like, We're gonna get to me. I was like, no,

1423
01:10:55,960 --> 01:10:59,200
Speaker 1: you're not gonna get to me and then eventually, eventually,

1424
01:10:59,240 --> 01:11:01,519
Speaker 1: like a month, like we had to start making decisions.

1425
01:11:01,520 --> 01:11:03,400
Speaker 1: He was like, actually, we've decided that, like we're gonna

1426
01:11:03,400 --> 01:11:05,160
Speaker 1: have David come in and read Forever. And I was like, oh,

1427
01:11:05,200 --> 01:11:07,160
Speaker 1: great idea. And then of course he came in and

1428
01:11:07,200 --> 01:11:09,839
Speaker 1: booked it. And now he's already the lead in Ryan's

1429
01:11:09,840 --> 01:11:12,960
Speaker 1: Other showed he is, well, he's very much a Ryan

1430
01:11:13,040 --> 01:11:17,920
Speaker 1: Murphy type. That's that's first, and we celebrate. That's okay.

1431
01:11:17,960 --> 01:11:21,479
Speaker 1: So before we move on to um other other um

1432
01:11:22,960 --> 01:11:25,200
Speaker 1: pursuits of the pod, I do want to ask about

1433
01:11:25,200 --> 01:11:28,519
Speaker 1: Miss Lang. Okay, this is an icon for all time,

1434
01:11:29,479 --> 01:11:31,280
Speaker 1: and what is it like to be in the presence

1435
01:11:31,320 --> 01:11:35,240
Speaker 1: of him? Miss Lang. It's scary at first because she's

1436
01:11:35,240 --> 01:11:39,120
Speaker 1: just a very intimidating persons, has to be overbearing, but

1437
01:11:39,200 --> 01:11:43,720
Speaker 1: she's like so funny, like so like Zoe Dorge put

1438
01:11:43,720 --> 01:11:45,080
Speaker 1: to the best because we worked with for the most

1439
01:11:45,120 --> 01:11:47,879
Speaker 1: it's like it's hard to feel like scared or intimidated

1440
01:11:47,880 --> 01:11:49,720
Speaker 1: when you're laughing, Like it just kind of creates like

1441
01:11:49,760 --> 01:11:52,559
Speaker 1: a very comfortable space. And she just as soon as

1442
01:11:52,560 --> 01:11:54,760
Speaker 1: she sees that, like you can come to the table too,

1443
01:11:54,840 --> 01:11:57,360
Speaker 1: and like show up. Then she's like the absolute warmst,

1444
01:11:57,439 --> 01:12:00,840
Speaker 1: most wonderful person and she's a she's just brilliant and

1445
01:12:00,840 --> 01:12:04,360
Speaker 1: she's son and like doesn't consider herself funny or or

1446
01:12:04,360 --> 01:12:06,160
Speaker 1: a comedian by any means. And she's just like, I'm

1447
01:12:06,200 --> 01:12:08,240
Speaker 1: just playing it real, and it's like that's the truth. Really,

1448
01:12:08,320 --> 01:12:10,960
Speaker 1: she's just playing. But she's playing it so really remember

1449
01:12:10,960 --> 01:12:13,160
Speaker 1: like that in her first or second scene, there's a

1450
01:12:13,160 --> 01:12:15,519
Speaker 1: scene where she says something and the other character is

1451
01:12:15,560 --> 01:12:17,240
Speaker 1: talking and just in the middle of their sentence, she

1452
01:12:17,280 --> 01:12:21,439
Speaker 1: goes m And I was just like, WHOA, she's really

1453
01:12:21,800 --> 01:12:24,360
Speaker 1: there because to miss Lank she's probably thinking how funny

1454
01:12:24,360 --> 01:12:26,160
Speaker 1: as in broad which I mean she but she's not

1455
01:12:26,240 --> 01:12:28,800
Speaker 1: playing it broad. No, she's just playing it perfect. I mean,

1456
01:12:28,800 --> 01:12:32,040
Speaker 1: she's just like being true to the insane character that

1457
01:12:32,080 --> 01:12:35,240
Speaker 1: she's given and then it's perfect. Um. But she's amazing

1458
01:12:35,240 --> 01:12:37,200
Speaker 1: and she she made everybody laugh and I ruined a

1459
01:12:37,240 --> 01:12:38,759
Speaker 1: lot of like she like did a lot of improv

1460
01:12:38,880 --> 01:12:42,120
Speaker 1: that like Brad encouraged her to do and and like

1461
01:12:42,280 --> 01:12:43,720
Speaker 1: a lot of it didn't make it A because the

1462
01:12:43,720 --> 01:12:45,400
Speaker 1: show just like it is a really particular clip, but

1463
01:12:45,439 --> 01:12:48,120
Speaker 1: B because I truly like there wasn't any that I

1464
01:12:48,160 --> 01:12:51,120
Speaker 1: didn't ruin. There was just a lot of the like

1465
01:12:51,160 --> 01:12:53,160
Speaker 1: she serves us Blogney cups in one of the scenes,

1466
01:12:53,439 --> 01:12:55,400
Speaker 1: and she did this a long bit about how like

1467
01:12:55,640 --> 01:12:57,639
Speaker 1: her recipe is all about the fact that it's Velvita

1468
01:12:57,800 --> 01:13:00,360
Speaker 1: and Blogney, like it would have been really wonderful in

1469
01:13:00,360 --> 01:13:04,280
Speaker 1: the show every Sorry everyone, Wait, so you mentioned that

1470
01:13:04,320 --> 01:13:06,599
Speaker 1: you deal with a little anxiety, Like so when someone

1471
01:13:06,720 --> 01:13:11,080
Speaker 1: is that in regards to like just like like is

1472
01:13:11,120 --> 01:13:14,120
Speaker 1: that like social anxiety like performance? Like what is It's

1473
01:13:14,960 --> 01:13:16,800
Speaker 1: kind of the opposite. I feel like when it's the

1474
01:13:16,840 --> 01:13:19,920
Speaker 1: most like completely out of sight, out of mind, is

1475
01:13:19,960 --> 01:13:22,400
Speaker 1: when I'm like working or focusing on something or shooting

1476
01:13:22,520 --> 01:13:25,639
Speaker 1: or performing or like that's that's the great like easy area.

1477
01:13:25,720 --> 01:13:28,439
Speaker 1: So when someone like like someone like Gwyneth Paltrow being there,

1478
01:13:28,479 --> 01:13:30,559
Speaker 1: that doesn't give you exacting, No, No, that's just like

1479
01:13:30,600 --> 01:13:33,360
Speaker 1: exciting and like the good kind of like stomach flip

1480
01:13:33,439 --> 01:13:35,840
Speaker 1: like cool. I think for me anxieties more or either

1481
01:13:35,960 --> 01:13:38,640
Speaker 1: like really site specific like I'm a terrible flyer, like

1482
01:13:39,880 --> 01:13:44,519
Speaker 1: horrible on planes, or hypochondriacal situation where like every time

1483
01:13:44,560 --> 01:13:46,400
Speaker 1: there's even like a little something wrong with him, like

1484
01:13:46,439 --> 01:13:49,040
Speaker 1: I'm I'm fully going to die tomorrow. It's it's about

1485
01:13:49,479 --> 01:13:51,840
Speaker 1: about mortality exactly. I woke up with like a big

1486
01:13:51,880 --> 01:13:53,280
Speaker 1: bump on the back going neck one morning and I

1487
01:13:53,320 --> 01:13:54,680
Speaker 1: like had a full break down a client mom and

1488
01:13:55,040 --> 01:13:56,600
Speaker 1: like just go to doctor, see what it is. And

1489
01:13:56,640 --> 01:13:58,320
Speaker 1: so I like made an emergency appointment, went to the

1490
01:13:58,360 --> 01:14:00,280
Speaker 1: doctor and he looked me for like us and I

1491
01:14:00,360 --> 01:14:01,960
Speaker 1: was like that's a pimple and then sent me home

1492
01:14:02,120 --> 01:14:05,760
Speaker 1: and that was it. But it felt like really rough. Yeah, No,

1493
01:14:05,920 --> 01:14:08,040
Speaker 1: I get like all of that. And then sometimes we'd

1494
01:14:08,040 --> 01:14:11,360
Speaker 1: either like helps that a lot or like exacerbates that. Um,

1495
01:14:11,400 --> 01:14:14,280
Speaker 1: but it's I haven't under control most No, I think

1496
01:14:14,320 --> 01:14:17,559
Speaker 1: that has it has we'd helped you overall. Did you

1497
01:14:17,600 --> 01:14:19,840
Speaker 1: get into it because of that? No? I got into

1498
01:14:19,880 --> 01:14:21,080
Speaker 1: because I was just in high school in l A.

1499
01:14:21,160 --> 01:14:22,560
Speaker 1: And like that's you did. And like the into the

1500
01:14:22,560 --> 01:14:24,320
Speaker 1: Woods cast party, someone was like, do you want some weed?

1501
01:14:24,360 --> 01:14:26,120
Speaker 1: And it's like, of course I do. I was the baker.

1502
01:14:26,360 --> 01:14:31,240
Speaker 1: The culture can get this bread aft up. Um. But

1503
01:14:31,320 --> 01:14:34,880
Speaker 1: the culture in l A really does like give people

1504
01:14:34,960 --> 01:14:38,120
Speaker 1: this comfort with weed. Like I remember like on Long

1505
01:14:38,120 --> 01:14:40,840
Speaker 1: Island everyone was just like fully an alcoholic. In high school.

1506
01:14:40,880 --> 01:14:43,600
Speaker 1: It was just like very like the alcohol consumption was

1507
01:14:43,680 --> 01:14:47,120
Speaker 1: so overwhelming, and I had no language for marijuana until

1508
01:14:47,160 --> 01:14:49,320
Speaker 1: I went to n y U. And then there because

1509
01:14:49,360 --> 01:14:52,080
Speaker 1: there was a lot of California people, most of the

1510
01:14:52,120 --> 01:14:58,040
Speaker 1: people I know went did think. You know Serena, Yes,

1511
01:14:58,240 --> 01:15:01,120
Speaker 1: she was the witch in that same production. She played

1512
01:15:01,120 --> 01:15:03,240
Speaker 1: the witch in Into the Woods. She was a little

1513
01:15:03,880 --> 01:15:05,800
Speaker 1: she's a little bit of dat. She's so funny, she was.

1514
01:15:06,280 --> 01:15:08,760
Speaker 1: We love Serena. We did comedy with sa. Serina was

1515
01:15:08,760 --> 01:15:12,160
Speaker 1: also like an excellent improviser. We were both in Sea Monkeys,

1516
01:15:12,200 --> 01:15:14,800
Speaker 1: the improv group group. Of course I was. I was

1517
01:15:14,960 --> 01:15:18,000
Speaker 1: like one of the only two tenth graders that was admitted. Honey,

1518
01:15:18,160 --> 01:15:21,840
Speaker 1: oh yes, and that's a very hairy Potter narrative like

1519
01:15:21,920 --> 01:15:25,320
Speaker 1: quich As the first year. Yeah, he was grabbing the

1520
01:15:25,360 --> 01:15:32,920
Speaker 1: little bool. Um wait but okay, so your short form. Yeah,

1521
01:15:32,960 --> 01:15:36,200
Speaker 1: and Beanie was in it too, and I love that. Yeah.

1522
01:15:36,200 --> 01:15:38,720
Speaker 1: It was like you know, like inner song blogue or

1523
01:15:38,800 --> 01:15:40,920
Speaker 1: like where you're like stopping thing where you're thinking, or

1524
01:15:41,000 --> 01:15:43,320
Speaker 1: like you know, like vignette was this thing where you

1525
01:15:43,320 --> 01:15:44,639
Speaker 1: like the lights come up and you're allowed to say

1526
01:15:44,640 --> 01:15:46,240
Speaker 1: like three things and the lights come back down, like

1527
01:15:46,320 --> 01:15:47,680
Speaker 1: kind of like the end of oh hello, the thing

1528
01:15:47,760 --> 01:15:50,839
Speaker 1: they do or like you know, like the arms thinging,

1529
01:15:50,920 --> 01:15:53,280
Speaker 1: or like you know, to be quite fucking honest, I

1530
01:15:53,360 --> 01:15:56,200
Speaker 1: miss short forms. What do you want to do some

1531
01:15:56,240 --> 01:15:58,000
Speaker 1: short form? Why is it? Is it nowhere to be found?

1532
01:15:58,240 --> 01:16:01,240
Speaker 1: No one does? It hasn't that it has like a

1533
01:16:01,280 --> 01:16:04,760
Speaker 1: sort of rap of like short form amongst people who

1534
01:16:04,760 --> 01:16:08,200
Speaker 1: were like long form elitists were from UCB. So it's

1535
01:16:08,200 --> 01:16:10,879
Speaker 1: like were just never done. And Bellin was an improviser

1536
01:16:10,880 --> 01:16:13,800
Speaker 1: in college in Danger Box, but high school. But high

1537
01:16:13,800 --> 01:16:16,040
Speaker 1: school we did short form and it was Yes, it's

1538
01:16:16,040 --> 01:16:18,519
Speaker 1: really fun when it's done well, it's great. It's it's

1539
01:16:18,560 --> 01:16:21,800
Speaker 1: it's not sustainable, like you can only watch it for minutes,

1540
01:16:21,840 --> 01:16:24,080
Speaker 1: but like still that's great. Can I say one more

1541
01:16:24,080 --> 01:16:31,360
Speaker 1: thing about Serenament amazing amazing, amazing, amazing, amazing, amazing, amazing, amazing, amazing,

1542
01:16:31,439 --> 01:16:34,600
Speaker 1: and would be a greater mine would be Okay, So

1543
01:16:34,600 --> 01:16:37,200
Speaker 1: what I'm about to say is Sudie Green and I

1544
01:16:37,200 --> 01:16:39,360
Speaker 1: went Sudie was in the same improv group Captain Silder

1545
01:16:39,400 --> 01:16:42,559
Speaker 1: as Serena, and we went to uh Serena wasn't capped

1546
01:16:42,560 --> 01:16:45,320
Speaker 1: twenty one, and so we went to go see they

1547
01:16:45,400 --> 01:16:47,960
Speaker 1: did um like a night where they were all going

1548
01:16:48,000 --> 01:16:52,439
Speaker 1: to sing song time songs and Serena Dream did a

1549
01:16:52,520 --> 01:16:55,360
Speaker 1: performance of with so Little to be sure of. Wow,

1550
01:16:56,000 --> 01:16:58,639
Speaker 1: that was so good that afterwards, after I looked over

1551
01:16:58,680 --> 01:17:00,840
Speaker 1: to studio and we were both crying, Oh my god,

1552
01:17:00,840 --> 01:17:02,280
Speaker 1: I feel like a two minute version of the song

1553
01:17:02,320 --> 01:17:03,880
Speaker 1: because there was like fourteen kids in the class and

1554
01:17:03,960 --> 01:17:05,880
Speaker 1: had to be an hour. But it was like a

1555
01:17:05,920 --> 01:17:10,320
Speaker 1: showcase moment or like us some something like that. And

1556
01:17:10,360 --> 01:17:12,320
Speaker 1: I remember like I turned to her and we were

1557
01:17:12,360 --> 01:17:15,000
Speaker 1: both trying. And afterwards I went back and was looking

1558
01:17:15,040 --> 01:17:17,200
Speaker 1: for the song, like specifically trying to find like an

1559
01:17:17,280 --> 01:17:19,519
Speaker 1: arrangement of a song like that, and lo and behold,

1560
01:17:19,520 --> 01:17:23,880
Speaker 1: I found Bernardette doing it and I preferred Serenas. I

1561
01:17:23,960 --> 01:17:26,479
Speaker 1: was like, this isn't the same thing, okay, but I

1562
01:17:26,560 --> 01:17:28,320
Speaker 1: do think I I think I've even told her that

1563
01:17:28,360 --> 01:17:31,320
Speaker 1: I haven't seen Serena, but I always told her. I

1564
01:17:31,360 --> 01:17:34,360
Speaker 1: was like, you give me Brandonette energy, Well you should

1565
01:17:34,360 --> 01:17:37,439
Speaker 1: see some. There's no like I've spent my life searching

1566
01:17:37,439 --> 01:17:39,080
Speaker 1: for bootlegs of this into the woods because it was

1567
01:17:39,120 --> 01:17:42,320
Speaker 1: like Beanie has little ed riding hood Maker. My best

1568
01:17:42,360 --> 01:17:45,000
Speaker 1: friend Nick was Jack my best friend Natalie was Jack's mother.

1569
01:17:45,160 --> 01:17:47,280
Speaker 1: Like it was like a very special and the last

1570
01:17:47,320 --> 01:17:50,200
Speaker 1: nobody took any video because of m T I M

1571
01:17:52,000 --> 01:17:54,360
Speaker 1: Musical Theater International. That's like where you licensed the shows

1572
01:17:54,360 --> 01:17:59,320
Speaker 1: from when you But then by senior year we were like,

1573
01:17:59,360 --> 01:18:02,320
Speaker 1: funk that and my Pippin is fully recorded. Well, my

1574
01:18:02,400 --> 01:18:05,479
Speaker 1: Pippin is recorded to Pippin. No, I'm just I was

1575
01:18:05,520 --> 01:18:10,360
Speaker 1: making an innuendo. I got excited. No, I didn't be

1576
01:18:10,720 --> 01:18:13,320
Speaker 1: on that one too. She's Bertha. Oh and my friend

1577
01:18:13,360 --> 01:18:16,240
Speaker 1: Katherine Gallagher who's now in Jagged Little Pills. Katherine Gallagher,

1578
01:18:16,240 --> 01:18:19,320
Speaker 1: Why do I know that name? She's she's on you.

1579
01:18:21,600 --> 01:18:24,200
Speaker 1: I just heard the arrangement of you learned from Jagged

1580
01:18:24,200 --> 01:18:25,559
Speaker 1: Little Pill. I think that's going to be a good show.

1581
01:18:25,560 --> 01:18:27,479
Speaker 1: I think I'm very excited. Yeah, and there's not a

1582
01:18:27,479 --> 01:18:30,800
Speaker 1: lot of musicals period this year. What's been your favorite

1583
01:18:30,800 --> 01:18:32,720
Speaker 1: thing you've seen recently in the past several years. Oh

1584
01:18:32,760 --> 01:18:35,280
Speaker 1: my gosh, wow, I don't I would imagine you don't

1585
01:18:35,280 --> 01:18:38,400
Speaker 1: get to see a ton I see everything you do everything.

1586
01:18:39,240 --> 01:18:42,280
Speaker 1: When you were on during that year, I couldn't see much.

1587
01:18:42,360 --> 01:18:44,920
Speaker 1: But since I've been out from late seventeen two now

1588
01:18:44,920 --> 01:18:46,960
Speaker 1: I've tried to see literally everything that I could possibly see.

1589
01:18:47,439 --> 01:18:51,000
Speaker 1: I really loved Haiti's town, but I also saw downtown

1590
01:18:51,120 --> 01:18:53,280
Speaker 1: and in London, so like I sort of was invested

1591
01:18:53,280 --> 01:18:55,400
Speaker 1: in the journey, right, Um. I really loved that. I

1592
01:18:55,439 --> 01:18:57,320
Speaker 1: really love the Inheritance, which is gonna be about to

1593
01:18:57,320 --> 01:18:59,880
Speaker 1: open here that I saw in London as well, very

1594
01:19:00,200 --> 01:19:03,320
Speaker 1: for it to come here. I really love Mockingbird, particularly

1595
01:19:03,360 --> 01:19:09,960
Speaker 1: Celia Kinda Bulder and Gideon Gideon another Gideon also Arnest,

1596
01:19:12,120 --> 01:19:15,160
Speaker 1: although I have not met Gideon in in person maybe

1597
01:19:15,200 --> 01:19:16,600
Speaker 1: in passing. Once. We used to go out for a

1598
01:19:16,640 --> 01:19:19,479
Speaker 1: lot of the same like I would see. I thought

1599
01:19:19,479 --> 01:19:20,800
Speaker 1: you were telling me we used to go out, and

1600
01:19:20,840 --> 01:19:23,599
Speaker 1: I was like, but you haven't seen I haven't used

1601
01:19:23,640 --> 01:19:28,320
Speaker 1: to go out. Used to absolutely bang um no, but yeah,

1602
01:19:28,960 --> 01:19:31,960
Speaker 1: let me did you're just bragging that you're the same

1603
01:19:32,000 --> 01:19:35,080
Speaker 1: type and a strange loop? Did you see strange Loop? Yes?

1604
01:19:35,760 --> 01:19:39,920
Speaker 1: I can't believe you didn't see It'll go somewhere somehow,

1605
01:19:40,040 --> 01:19:45,120
Speaker 1: some absolutely amazing Larry. And I can't believe it's not him,

1606
01:19:45,160 --> 01:19:46,679
Speaker 1: you know what I mean, Like like I couldn't believe

1607
01:19:46,720 --> 01:19:48,519
Speaker 1: that he didn't also write it because it just feels

1608
01:19:48,560 --> 01:19:51,599
Speaker 1: like like con of the whole thing. It was really

1609
01:19:52,080 --> 01:19:54,000
Speaker 1: it was really something else. Have you seen slave play?

1610
01:19:54,160 --> 01:19:56,360
Speaker 1: I have seen slave play? Yeah, I really it's hard

1611
01:19:56,400 --> 01:19:58,200
Speaker 1: to say that you like slave play because it's like

1612
01:19:58,320 --> 01:20:00,479
Speaker 1: more than that. I certainly thought it was fascinating the

1613
01:20:00,520 --> 01:20:03,120
Speaker 1: whole time and like really worth seeing in every way,

1614
01:20:03,400 --> 01:20:04,880
Speaker 1: but it more so just made me want to like

1615
01:20:04,960 --> 01:20:07,560
Speaker 1: talk about things and think about Yeah, I wasn't like

1616
01:20:08,240 --> 01:20:10,880
Speaker 1: I don't know, like it's more than like a narrative.

1617
01:20:10,920 --> 01:20:13,560
Speaker 1: That's just like something to be involved in emotionally in

1618
01:20:13,560 --> 01:20:15,920
Speaker 1: like a normal way. It's provocative and everyone it's very

1619
01:20:16,040 --> 01:20:19,080
Speaker 1: literally provokes you, but the writing like backs up how provocative,

1620
01:20:19,360 --> 01:20:20,720
Speaker 1: you know what I mean. Sometimes things are just sort

1621
01:20:20,720 --> 01:20:24,000
Speaker 1: of like this is crazy, deal with it. But it's

1622
01:20:24,080 --> 01:20:27,840
Speaker 1: so fully explored, fully thought out, agreed, it's great. I

1623
01:20:27,880 --> 01:20:30,519
Speaker 1: have to see it still, But what even else besides

1624
01:20:30,560 --> 01:20:33,360
Speaker 1: that Little Pill and Muang are the musical and you

1625
01:20:33,439 --> 01:20:36,400
Speaker 1: know honestly that that's a good question. And that's why

1626
01:20:36,520 --> 01:20:39,519
Speaker 1: I mean Mulan Rouge too. It's like when I heard

1627
01:20:39,520 --> 01:20:43,120
Speaker 1: about I did not go just because actually when Jared

1628
01:20:43,160 --> 01:20:45,120
Speaker 1: and I were going to go see a show, we

1629
01:20:45,240 --> 01:20:47,720
Speaker 1: ended up really wanted to go see Waitress because we

1630
01:20:47,840 --> 01:20:50,720
Speaker 1: wanted to see No but we it was either that

1631
01:20:50,920 --> 01:20:52,960
Speaker 1: or Mulan Ruge and it was going to be opening

1632
01:20:53,080 --> 01:20:56,320
Speaker 1: night and it was like we we for some reason

1633
01:20:56,520 --> 01:21:00,280
Speaker 1: we're able to get tickets, um, but we did not,

1634
01:21:00,560 --> 01:21:03,040
Speaker 1: and I just thought it's definitely worth going to. Okay,

1635
01:21:03,120 --> 01:21:04,920
Speaker 1: I want to go on a normal time because I've

1636
01:21:04,960 --> 01:21:07,080
Speaker 1: heard the soundtrack and I'm kind of I'm kind of

1637
01:21:07,120 --> 01:21:10,519
Speaker 1: a gag like by what they included in the know.

1638
01:21:10,840 --> 01:21:14,400
Speaker 1: It's like it's like also the thing that Karen Leave

1639
01:21:14,400 --> 01:21:18,320
Speaker 1: always doing, She's kind of giving you like this oddest

1640
01:21:18,400 --> 01:21:22,280
Speaker 1: sort of like I I found a reference for it

1641
01:21:22,320 --> 01:21:25,519
Speaker 1: when I was first It's like theater doing pop. It's

1642
01:21:25,560 --> 01:21:28,800
Speaker 1: like it's like that's like making firework into a three

1643
01:21:28,880 --> 01:21:30,920
Speaker 1: beat like narrative song. Yeah, you know what I mean,

1644
01:21:31,400 --> 01:21:33,160
Speaker 1: but but it's really fun. It's I mean, you go,

1645
01:21:33,320 --> 01:21:35,280
Speaker 1: you have to go like ready to get on board

1646
01:21:35,320 --> 01:21:36,760
Speaker 1: with like shut up and dance with me being part

1647
01:21:36,800 --> 01:21:38,560
Speaker 1: of your evening. And I love that, like you know

1648
01:21:38,600 --> 01:21:40,320
Speaker 1: what I mean. But if you're on that level and

1649
01:21:40,400 --> 01:21:43,840
Speaker 1: like then it's like gorgeous looking and I love Mr

1650
01:21:43,960 --> 01:21:47,160
Speaker 1: Beautiful and he sounds like career good, like the best

1651
01:21:47,240 --> 01:21:50,320
Speaker 1: he's ever seen. He's such an incredible singer and so handsome. Yeah,

1652
01:21:50,439 --> 01:21:59,960
Speaker 1: I mean yes, oh Mr, Mr, Mr Mr it's it's

1653
01:22:00,160 --> 01:22:04,240
Speaker 1: Mr Tivate Tate sid dumb. I was one time leaving

1654
01:22:04,280 --> 01:22:05,840
Speaker 1: a show, like some random place that I was seeing.

1655
01:22:05,880 --> 01:22:08,080
Speaker 1: An old woman came up to me afterwards. She goes debate,

1656
01:22:09,680 --> 01:22:16,240
Speaker 1: not almost like maybe you're one. Um, Okay, listen, I

1657
01:22:16,320 --> 01:22:18,719
Speaker 1: think it might be freaking time for I don't think so, honey,

1658
01:22:18,840 --> 01:22:20,519
Speaker 1: isn't it set well? You can come back when every

1659
01:22:21,040 --> 01:22:24,599
Speaker 1: okay door is fully open. Maybe next time I can

1660
01:22:24,640 --> 01:22:28,639
Speaker 1: come together. Oh my god. Wait, we would absolutely gag,

1661
01:22:29,560 --> 01:22:31,400
Speaker 1: but then I would feel like be So, here's what's

1662
01:22:31,400 --> 01:22:33,519
Speaker 1: going to happen, Beanie. You come from her own episode?

1663
01:22:33,560 --> 01:22:35,800
Speaker 1: Does Beanie know of the pod? Yes? She does because

1664
01:22:35,840 --> 01:22:37,920
Speaker 1: of Molly and Francesco, because they've really brought it to

1665
01:22:38,000 --> 01:22:39,880
Speaker 1: the crew. Now, okay, so I feel like Beanie being

1666
01:22:39,920 --> 01:22:41,920
Speaker 1: the raven Claw is like, I don't do podcasts. I

1667
01:22:41,960 --> 01:22:44,080
Speaker 1: read books. No, she does. She was. She went on

1668
01:22:44,360 --> 01:22:46,400
Speaker 1: like Ron and Beverly was the old podcast that we

1669
01:22:47,000 --> 01:22:50,160
Speaker 1: everyone there. She went on Jackson's podcast. She she'll come

1670
01:22:50,200 --> 01:22:53,000
Speaker 1: on Okay, great when I'm not looking her like she like,

1671
01:22:53,160 --> 01:22:56,200
Speaker 1: I don't speak for her, but she does have a

1672
01:22:56,280 --> 01:23:00,519
Speaker 1: pub but um, well have you are you close to Jonah? Yes? Yeah,

1673
01:23:00,560 --> 01:23:03,800
Speaker 1: I mean like our family. And he's a good guy.

1674
01:23:04,000 --> 01:23:06,160
Speaker 1: He's you know, he's really he's really good friends with Greta.

1675
01:23:06,200 --> 01:23:08,840
Speaker 1: I know because because she's best friends with her fiance.

1676
01:23:08,960 --> 01:23:13,120
Speaker 1: His fiance, Yes, which Greta titlemn? Okay, yes, okay, no

1677
01:23:13,240 --> 01:23:20,320
Speaker 1: we we we love Jona, like casually in passing discussing

1678
01:23:20,320 --> 01:23:23,800
Speaker 1: Gretig Gig, like, are we just going to pretend that

1679
01:23:24,479 --> 01:23:27,840
Speaker 1: you know Greta my girl Greta? Um no, I have not.

1680
01:23:28,000 --> 01:23:30,479
Speaker 1: I have not met and spend time with and lived

1681
01:23:30,560 --> 01:23:32,680
Speaker 1: with in the house of Greta Growig the way I

1682
01:23:32,760 --> 01:23:34,360
Speaker 1: live with credit titleman, that's where I live in the

1683
01:23:34,400 --> 01:23:39,519
Speaker 1: alley beautiful, thank you Okay, so listen. And by the way,

1684
01:23:39,560 --> 01:23:43,600
Speaker 1: that's Greta literally your background. That's how iconic she is.

1685
01:23:43,640 --> 01:23:45,400
Speaker 1: That's the kind of energy I'm trying to serve every

1686
01:23:45,439 --> 01:23:47,559
Speaker 1: single marry. What's that guy who draws all the gay

1687
01:23:47,560 --> 01:23:52,040
Speaker 1: men in pools? Oh? You know the guy? The artist?

1688
01:23:52,600 --> 01:23:57,080
Speaker 1: The artists know the like beautiful cockney alright, someone knows

1689
01:23:57,240 --> 01:24:01,880
Speaker 1: art someone absolutely those are two things and he just

1690
01:24:02,040 --> 01:24:05,320
Speaker 1: used one of them. The other one is Sunday on

1691
01:24:05,360 --> 01:24:08,840
Speaker 1: the Island of the Grand Job George because of Sunday.

1692
01:24:09,240 --> 01:24:12,880
Speaker 1: Saark Okay, he's flexing for for the producers of Sunday

1693
01:24:12,920 --> 01:24:16,880
Speaker 1: and that's it. Whose producers? It's there's nothing happening. Well,

1694
01:24:17,040 --> 01:24:20,840
Speaker 1: someone get it together, will be the last George, no bitch,

1695
01:24:22,800 --> 01:24:24,760
Speaker 1: And I have to wait for this amazing Katrina Lank

1696
01:24:24,800 --> 01:24:28,000
Speaker 1: production of company to pass that. Oh my god, yes,

1697
01:24:28,560 --> 01:24:31,880
Speaker 1: but it's amazing. I saw in London. It's Katrina Lank. Bobby. Yes,

1698
01:24:33,400 --> 01:24:35,240
Speaker 1: this is what I wanted to ask you. What you

1699
01:24:35,360 --> 01:24:37,519
Speaker 1: mentioned Funny Girl before we were a Funny Girl house.

1700
01:24:37,560 --> 01:24:39,800
Speaker 1: I actually have never even seen sound of music. To

1701
01:24:39,920 --> 01:24:43,679
Speaker 1: this day, I know they're not stop it for a second.

1702
01:24:43,920 --> 01:24:46,920
Speaker 1: Everyone to stop yelling. Everyone's throwing darts at me and

1703
01:24:47,000 --> 01:24:49,519
Speaker 1: trying to kill me in this room. Everyone's biting me.

1704
01:24:49,880 --> 01:24:54,920
Speaker 1: Everyone stopped, get your teeth away, stop it alright. So

1705
01:24:55,560 --> 01:25:00,720
Speaker 1: here's what the t music. Yeah, out of music is

1706
01:25:00,800 --> 01:25:02,320
Speaker 1: something I feel that it's exposed to you at a

1707
01:25:02,400 --> 01:25:05,800
Speaker 1: young age. The only movie that my mom would tell

1708
01:25:05,840 --> 01:25:08,320
Speaker 1: me was Funny Girl watching whenever I watched it recently,

1709
01:25:08,360 --> 01:25:10,960
Speaker 1: and I was like, this is if you bite me again.

1710
01:25:12,439 --> 01:25:15,120
Speaker 1: So okay, Funny Girl is the only thing I've ever seen.

1711
01:25:17,160 --> 01:25:20,479
Speaker 1: Did you see you've not seen West Side Story Cabaret.

1712
01:25:21,320 --> 01:25:24,000
Speaker 1: It's like you've never seen West Side Story. Henry used

1713
01:25:24,040 --> 01:25:28,040
Speaker 1: to kill me whatever, their friend would killed me before

1714
01:25:28,120 --> 01:25:30,439
Speaker 1: whatever this is going to be, this movie comes out,

1715
01:25:30,479 --> 01:25:32,560
Speaker 1: you have to watch through. You have to watch just

1716
01:25:32,680 --> 01:25:34,479
Speaker 1: so you have the context and also because it's one

1717
01:25:34,479 --> 01:25:36,280
Speaker 1: of the best music movies of all time. Can I

1718
01:25:36,360 --> 01:25:38,800
Speaker 1: tell you how I'm shocked they didn't cast in that

1719
01:25:38,920 --> 01:25:44,599
Speaker 1: movie Maria. And also I'm shocked Camilla. I had heard

1720
01:25:44,640 --> 01:25:46,320
Speaker 1: that Camilla Kabo wanted to do it, and I'm like,

1721
01:25:46,360 --> 01:25:47,960
Speaker 1: I'm shocked I didn't put her in it just because

1722
01:25:47,960 --> 01:25:51,000
Speaker 1: she was that really, yes, I just do that as

1723
01:25:51,000 --> 01:25:55,360
Speaker 1: a joke. No, I know that she was. Who knows,

1724
01:25:55,720 --> 01:25:59,200
Speaker 1: there's a million like studio people who could have been, Like,

1725
01:25:59,560 --> 01:26:01,560
Speaker 1: had some weird reason, Steven Spielberg. Maybe it was like

1726
01:26:01,600 --> 01:26:04,360
Speaker 1: I'd like to cast an unknown and that girl's amaze.

1727
01:26:04,360 --> 01:26:05,960
Speaker 1: It looks like she's amazing. Oh yeah, I'm sure it's

1728
01:26:05,960 --> 01:26:07,920
Speaker 1: going to be stunning. And Mr Ansel who we've also

1729
01:26:08,000 --> 01:26:12,160
Speaker 1: who we also interviewed from. Yeah, a lot of side

1730
01:26:12,200 --> 01:26:15,000
Speaker 1: story either, I haven't seen it, Okay, so you have

1731
01:26:15,040 --> 01:26:16,560
Speaker 1: to watch Sound of Music and West Side Story and

1732
01:26:16,600 --> 01:26:18,920
Speaker 1: you've seen Cabaret though I've seen Cabra. Okay, yes, I

1733
01:26:19,000 --> 01:26:21,479
Speaker 1: love Cabra. Actually I did go to opening night of

1734
01:26:21,520 --> 01:26:24,840
Speaker 1: the Michelle Williams and Coming Revival. I thought a lot

1735
01:26:24,920 --> 01:26:27,720
Speaker 1: of thoughts about that particular situation where it was like

1736
01:26:27,880 --> 01:26:29,360
Speaker 1: going to be Emma, but then it was Michelle, and

1737
01:26:29,360 --> 01:26:31,040
Speaker 1: then it was m after and it's like put her

1738
01:26:31,080 --> 01:26:33,360
Speaker 1: in a tough position, and we love Michelle. Michelle is amazing,

1739
01:26:33,400 --> 01:26:35,840
Speaker 1: but Emma was. I didn't get to see Ema, but

1740
01:26:35,920 --> 01:26:38,559
Speaker 1: I heard it was plastic. It was everything I saw there.

1741
01:26:38,560 --> 01:26:41,200
Speaker 1: There was like a bootleg video someone recorded her doing

1742
01:26:41,240 --> 01:26:43,519
Speaker 1: in here. There's a cabaret to you can watch her

1743
01:26:43,600 --> 01:26:46,919
Speaker 1: do Life's Cabaret. Oh great, not that I could done bootlegs,

1744
01:26:46,960 --> 01:26:50,920
Speaker 1: but I do. But yeah, yeah, I mean that was closed. So,

1745
01:26:51,080 --> 01:26:53,000
Speaker 1: like I said, I've said on this podcast, you can

1746
01:26:53,040 --> 01:26:57,000
Speaker 1: go to Lincoln Center and they have you can. I

1747
01:26:57,080 --> 01:26:58,679
Speaker 1: flew here in eleventh grade because we were doing City

1748
01:26:58,680 --> 01:27:00,439
Speaker 1: of Angels for our school musical. I wanted to know

1749
01:27:00,520 --> 01:27:02,679
Speaker 1: what role to audition for, so I went and watched

1750
01:27:02,840 --> 01:27:04,719
Speaker 1: City of Angels at the library to see, like what's

1751
01:27:04,760 --> 01:27:07,080
Speaker 1: my role? And I found it and it Yeah, you

1752
01:27:07,160 --> 01:27:12,040
Speaker 1: go pitch on the commitment this. Let me finish this

1753
01:27:12,160 --> 01:27:16,439
Speaker 1: fucking sentence. Okay, Well, funny Girl is not does not

1754
01:27:16,560 --> 01:27:21,000
Speaker 1: exclude a preclude you from watching Sound of Music. Just

1755
01:27:21,160 --> 01:27:25,719
Speaker 1: saying there's a crazy narrative that's Barbara versus Barbara versus Julia.

1756
01:27:25,880 --> 01:27:28,080
Speaker 1: I'm not saying. I'm not putting women against each other

1757
01:27:28,400 --> 01:27:37,439
Speaker 1: and apples and Judaism. Yeah, well apples and Judaism, m HP.

1758
01:27:37,720 --> 01:27:42,479
Speaker 1: I'm sorry that's your name. Um. Okay, Wait, what I'm

1759
01:27:42,520 --> 01:27:45,920
Speaker 1: saying is there's like a space that your parents show you.

1760
01:27:46,680 --> 01:27:49,439
Speaker 1: There's a movie musical that the imprints on you. I understand,

1761
01:27:49,600 --> 01:27:51,200
Speaker 1: and for me that one was Funny Girl, and I

1762
01:27:51,280 --> 01:27:53,400
Speaker 1: just haven't seen it since. So what I'm asking you is,

1763
01:27:53,520 --> 01:27:58,160
Speaker 1: did you see the production in London? Yes? I did? Um,

1764
01:27:58,640 --> 01:28:00,240
Speaker 1: I don't really know what to say about it. Way,

1765
01:28:00,400 --> 01:28:04,360
Speaker 1: I loved it. Really a funny Girl is Sound of Music?

1766
01:28:04,640 --> 01:28:08,479
Speaker 1: Funny Girl. Here's the thing. The production was great and

1767
01:28:08,600 --> 01:28:10,680
Speaker 1: I love seeing that show in any respect. For me,

1768
01:28:11,160 --> 01:28:14,439
Speaker 1: I only want to hear Fanny or not even just Barbara.

1769
01:28:14,439 --> 01:28:17,760
Speaker 1: I want to hear somebody scream the song it's like

1770
01:28:18,160 --> 01:28:20,200
Speaker 1: eight huge numbers. It's not even it's not like it's

1771
01:28:20,200 --> 01:28:21,800
Speaker 1: not like a Harold Hill situation where you can talk

1772
01:28:21,840 --> 01:28:24,280
Speaker 1: through most of it, right, It's like huge, big, big

1773
01:28:24,560 --> 01:28:26,559
Speaker 1: torch songs. And she was super funny. And I've seen

1774
01:28:26,760 --> 01:28:29,600
Speaker 1: other things and Sheridan's yeah, I saw the understudy. So

1775
01:28:29,720 --> 01:28:32,000
Speaker 1: basically never all that drama where Sheridan was like in

1776
01:28:32,080 --> 01:28:33,800
Speaker 1: and out of it because of whatever was going on.

1777
01:28:34,800 --> 01:28:37,280
Speaker 1: So there was like some drama because Sheridan Sheridan Smith,

1778
01:28:37,280 --> 01:28:40,840
Speaker 1: who's like this like star in England I had never

1779
01:28:40,920 --> 01:28:43,639
Speaker 1: heard of. She's sort of like a tabloid figure too.

1780
01:28:44,160 --> 01:28:46,200
Speaker 1: I think she's had some demons. Everyone's like a tabloid

1781
01:28:46,200 --> 01:28:48,400
Speaker 1: figure in the UK. Well, the UK is like their

1782
01:28:48,439 --> 01:28:52,320
Speaker 1: taboloids are like verrazy, and that's why I think I

1783
01:28:52,360 --> 01:28:54,639
Speaker 1: hadn't really understood what Megan Marco was going through until

1784
01:28:54,680 --> 01:28:57,639
Speaker 1: I really understood like the tabloid sister, like how vicious

1785
01:28:57,640 --> 01:29:00,840
Speaker 1: it is. But it's very dark. But um, what's the

1786
01:29:01,040 --> 01:29:05,320
Speaker 1: crazy one? Is it the sun or um? I think?

1787
01:29:05,680 --> 01:29:08,360
Speaker 1: But basically like she was out of the show because

1788
01:29:08,400 --> 01:29:11,360
Speaker 1: of some personal problem. And I remember these like hoity

1789
01:29:11,479 --> 01:29:15,000
Speaker 1: toity theater people in London were like we paid to

1790
01:29:15,160 --> 01:29:20,240
Speaker 1: see Sheridan Smith, We're not couldn't stay here this story

1791
01:29:20,280 --> 01:29:25,000
Speaker 1: of my and then so then she went on and

1792
01:29:26,400 --> 01:29:28,719
Speaker 1: she was stunning and she actually had like a voice

1793
01:29:29,840 --> 01:29:32,920
Speaker 1: that Ben wants her to scream the songs I felt

1794
01:29:33,000 --> 01:29:37,200
Speaker 1: she screamed the song like that. That song is not

1795
01:29:37,280 --> 01:29:38,640
Speaker 1: what I don't say. I don't mean scream, I just

1796
01:29:38,680 --> 01:29:41,000
Speaker 1: mean like full voice, belt beautifully Like I want her

1797
01:29:41,040 --> 01:29:43,040
Speaker 1: to be an amazing scene. She should well to be

1798
01:29:43,200 --> 01:29:45,720
Speaker 1: Fanny Bryce on stage effectively, you have to be an

1799
01:29:45,720 --> 01:29:50,240
Speaker 1: amazing singer and dramatic actress, an incredible physical comedian. Let

1800
01:29:50,280 --> 01:29:53,519
Speaker 1: me tell you who's born to Fanny? Oh my god,

1801
01:29:54,800 --> 01:30:00,280
Speaker 1: saying just just saying, just sing beat Fanny and as

1802
01:30:00,320 --> 01:30:04,840
Speaker 1: George that's too. You know remember when like it was

1803
01:30:04,920 --> 01:30:06,840
Speaker 1: like very much talked about, like for Leam Michelle to

1804
01:30:06,920 --> 01:30:09,000
Speaker 1: do it. I haven't seen it. I don't see that

1805
01:30:09,120 --> 01:30:10,800
Speaker 1: for I don't either. I feel like there's a phase

1806
01:30:10,840 --> 01:30:12,920
Speaker 1: of every major musical project where there's a moment where

1807
01:30:12,920 --> 01:30:14,400
Speaker 1: it's like, is it going to be Lea Michelle? You

1808
01:30:14,479 --> 01:30:15,800
Speaker 1: know what I mean? Like there was an alphabet in

1809
01:30:15,840 --> 01:30:17,200
Speaker 1: the movie moment where it's like, is it gonna be

1810
01:30:17,240 --> 01:30:19,640
Speaker 1: Leo Michelle. That moment passed, but I would like to

1811
01:30:19,680 --> 01:30:21,800
Speaker 1: see her come back to Broadway. Oh. I would love

1812
01:30:21,840 --> 01:30:23,920
Speaker 1: to hear singing in any capacity. Yeah. I love Liam

1813
01:30:23,960 --> 01:30:27,479
Speaker 1: Michelle's voice. I I think that she I think if

1814
01:30:27,520 --> 01:30:29,000
Speaker 1: she were to come back to probably everyone would be

1815
01:30:29,040 --> 01:30:31,040
Speaker 1: so excited. I agree. She's probably just waiting for the

1816
01:30:31,160 --> 01:30:33,120
Speaker 1: right thing, right, Yeah, I'm turning what even is a

1817
01:30:33,160 --> 01:30:36,759
Speaker 1: good as as the role? Maybe something original, maybe something original.

1818
01:30:37,280 --> 01:30:39,280
Speaker 1: That's see. That's the thing too with all the ladies

1819
01:30:39,439 --> 01:30:42,040
Speaker 1: is like when Sutton was doing like Shrek and Ship,

1820
01:30:42,600 --> 01:30:44,920
Speaker 1: I was like, I was like, do something original. But

1821
01:30:45,000 --> 01:30:47,080
Speaker 1: that it's like you realize how hard it's so hard

1822
01:30:47,920 --> 01:30:50,080
Speaker 1: to get something like that. Like's not everything is just

1823
01:30:50,200 --> 01:30:52,000
Speaker 1: this like next to normal where it just like it

1824
01:30:52,080 --> 01:30:54,439
Speaker 1: happens and it's incredible and its perfectly one every like

1825
01:30:54,520 --> 01:30:56,719
Speaker 1: six or seven years. Yeah, totally. I mean Evan Hanson

1826
01:30:56,760 --> 01:30:59,720
Speaker 1: is one of Everything's damn dear Evan Hanson. Yeah, come on,

1827
01:31:00,080 --> 01:31:02,280
Speaker 1: But anyway, it's just I would I would love to

1828
01:31:02,360 --> 01:31:07,360
Speaker 1: see better, not better stuff, but just like more stuff

1829
01:31:07,439 --> 01:31:11,240
Speaker 1: that's original and thought provoking and like in musical theaters

1830
01:31:11,400 --> 01:31:13,800
Speaker 1: because there are a lot of you know I'm talking

1831
01:31:14,080 --> 01:31:16,040
Speaker 1: there's a lot of experts. Well, no, but I agree,

1832
01:31:16,080 --> 01:31:18,240
Speaker 1: there's a lot of like there's a lot, a large

1833
01:31:18,280 --> 01:31:20,719
Speaker 1: percentage of it. That's one type of thing that sometimes

1834
01:31:20,760 --> 01:31:22,840
Speaker 1: people will see and then write off musical theater in

1835
01:31:22,880 --> 01:31:24,960
Speaker 1: general as an art format like something that they're not into,

1836
01:31:25,640 --> 01:31:28,040
Speaker 1: and it's like of all of the like obviously there's

1837
01:31:28,040 --> 01:31:29,880
Speaker 1: a millions of different kinds of films, intelligent shows, whatever.

1838
01:31:29,960 --> 01:31:31,840
Speaker 1: But in theater, it's like you can have such vastly

1839
01:31:31,920 --> 01:31:35,680
Speaker 1: different experiences going to see like street to like you know,

1840
01:31:35,840 --> 01:31:38,600
Speaker 1: having like an emotional involving like narrative experience, like and

1841
01:31:38,680 --> 01:31:40,640
Speaker 1: knowing that that's possible when people are singing, and like

1842
01:31:40,720 --> 01:31:42,760
Speaker 1: knowing that it doesn't take you out of reality and

1843
01:31:42,840 --> 01:31:45,360
Speaker 1: in fact like can bring you like deeper into reality,

1844
01:31:45,640 --> 01:31:47,400
Speaker 1: but it's so for you and far between the shows

1845
01:31:47,439 --> 01:31:50,360
Speaker 1: that actually successfully do that. And also I would think

1846
01:31:50,400 --> 01:31:53,400
Speaker 1: I I also think that when you have like a

1847
01:31:53,560 --> 01:31:56,640
Speaker 1: movie that's making me a musical oftentimes it's just very

1848
01:31:56,680 --> 01:31:58,519
Speaker 1: easy to just try to transplant that, like you know,

1849
01:31:58,600 --> 01:32:01,200
Speaker 1: like The Pretty Woman of It All, etcetera, etcetera. And

1850
01:32:01,280 --> 01:32:03,080
Speaker 1: then you have like Legally Blonde, which was like really

1851
01:32:03,160 --> 01:32:05,479
Speaker 1: fun and like that was great. But then did you

1852
01:32:05,520 --> 01:32:07,640
Speaker 1: see Bridges of Madison County? I did see Bridge of

1853
01:32:07,640 --> 01:32:09,400
Speaker 1: Madison County? Did you did you like it? I mean,

1854
01:32:09,560 --> 01:32:12,599
Speaker 1: I think that as a show it could have used

1855
01:32:13,000 --> 01:32:16,600
Speaker 1: other things, but the two of them and the and

1856
01:32:16,720 --> 01:32:19,720
Speaker 1: the score and the both performances and the direction of

1857
01:32:19,800 --> 01:32:21,840
Speaker 1: the two of them, all of that was unbelievably. It

1858
01:32:21,960 --> 01:32:24,320
Speaker 1: was so beautiful. But I what I really appreciated it

1859
01:32:24,479 --> 01:32:26,960
Speaker 1: was it felt like its own thing. And I mean

1860
01:32:27,000 --> 01:32:28,840
Speaker 1: it didn't feel like the movie I put on stage.

1861
01:32:28,880 --> 01:32:31,000
Speaker 1: I felt like a piece that was a piece of

1862
01:32:31,160 --> 01:32:33,760
Speaker 1: art that was like and honestly, I almost thought that

1863
01:32:34,760 --> 01:32:36,920
Speaker 1: my note for it was I thought it could have

1864
01:32:37,160 --> 01:32:39,640
Speaker 1: just been the two of them. To be honest with you,

1865
01:32:39,800 --> 01:32:42,439
Speaker 1: that's exactly what I meant. I would say, I think

1866
01:32:42,479 --> 01:32:44,640
Speaker 1: that's your exactly right. Either, either just fill it out

1867
01:32:44,640 --> 01:32:46,439
Speaker 1: a little bit more and make that stuff that wasn't

1868
01:32:46,439 --> 01:32:50,120
Speaker 1: the two of them kind of matter more literally a

1869
01:32:50,160 --> 01:32:53,760
Speaker 1: teta tet because it's anyway, like I don't necessarily like

1870
01:32:54,360 --> 01:32:57,000
Speaker 1: need like a beautiful, gorgeous Derrik Klanna coming in and

1871
01:32:57,040 --> 01:33:00,000
Speaker 1: singing about like being a teenager in Iowa. I don't,

1872
01:33:00,160 --> 01:33:01,599
Speaker 1: I'm not, I don't care as much as I care about,

1873
01:33:01,600 --> 01:33:05,000
Speaker 1: like Kelly's incredible Italian accent and like, yeah, getting out

1874
01:33:05,000 --> 01:33:06,320
Speaker 1: of the tub. Can I tell you a Derek Klein

1875
01:33:06,400 --> 01:33:10,679
Speaker 1: of story. Of course, my friend Luke Marinkovic's bachelor party

1876
01:33:11,439 --> 01:33:14,679
Speaker 1: was paintball gunning. Oh my god, and me and Derek

1877
01:33:14,760 --> 01:33:17,720
Speaker 1: Klein to have shot each other. Wow, And he is

1878
01:33:18,000 --> 01:33:20,599
Speaker 1: how many people can say that? And he is hot

1879
01:33:21,400 --> 01:33:23,439
Speaker 1: shot and he's a nice guy, and he's famously DJ

1880
01:33:23,600 --> 01:33:25,920
Speaker 1: finger blast on on Breakable Kimmy Schmidt, that is true.

1881
01:33:26,520 --> 01:33:28,800
Speaker 1: And he does an amazing impression of Steven Sader if

1882
01:33:28,840 --> 01:33:31,439
Speaker 1: you ever meet him, who is the writer of Springwakening. Yes,

1883
01:33:31,520 --> 01:33:35,920
Speaker 1: a very interesting creature. And for more of that follow

1884
01:33:36,000 --> 01:33:39,519
Speaker 1: Derrek klennon Instagram. He's inject a little pill too. Is

1885
01:33:39,560 --> 01:33:42,479
Speaker 1: he works? Yeah? And I thought he was great. Kim

1886
01:33:42,640 --> 01:33:46,599
Speaker 1: Schmidt so funny, I love Okay, So it is now

1887
01:33:46,760 --> 01:33:50,760
Speaker 1: time for I don't think so um and I don't

1888
01:33:50,760 --> 01:33:53,280
Speaker 1: think it's funny. Is of course our segment on Last Cultures,

1889
01:33:53,400 --> 01:33:55,040
Speaker 1: where we take one minutes to rent against something in

1890
01:33:55,120 --> 01:33:58,400
Speaker 1: culture that we're just thinking it thinks it's this. We'll

1891
01:33:58,439 --> 01:34:01,800
Speaker 1: guess what we're going to say this. I have to

1892
01:34:01,840 --> 01:34:05,160
Speaker 1: find a new way to describe it. I don't think so.

1893
01:34:05,720 --> 01:34:08,599
Speaker 1: On this the bend Platt episode of Last Coulturess, which

1894
01:34:08,600 --> 01:34:11,800
Speaker 1: will be called Apples or Judaism, time starts at I

1895
01:34:11,800 --> 01:34:15,640
Speaker 1: don't think so. Honey, perishable foods, Bitch, this stigma on

1896
01:34:15,840 --> 01:34:19,120
Speaker 1: preservatives has to stop. We have to end the stigma

1897
01:34:19,160 --> 01:34:23,840
Speaker 1: on preservatives. Canned food is where it's at. I want

1898
01:34:23,880 --> 01:34:26,759
Speaker 1: all food to be canned from now on. Fruits and vegetables,

1899
01:34:26,800 --> 01:34:29,400
Speaker 1: you're You're done, You're busted, You're canceled. I hate when

1900
01:34:29,439 --> 01:34:31,799
Speaker 1: I buy a bunch of strawberries or a bunch of grapes,

1901
01:34:32,120 --> 01:34:33,920
Speaker 1: and three days later they wither and die and I

1902
01:34:34,000 --> 01:34:35,439
Speaker 1: can't even eat them anymore. I put them in my

1903
01:34:35,520 --> 01:34:37,640
Speaker 1: crisp and I might make sure they're taken care of,

1904
01:34:38,000 --> 01:34:41,280
Speaker 1: and yet they die on me. No, no, no, no, no, sweetie.

1905
01:34:42,120 --> 01:34:44,840
Speaker 1: Better be fresh all the time. And if nothing can

1906
01:34:44,880 --> 01:34:46,639
Speaker 1: be fresh all the time, then that means it better

1907
01:34:46,720 --> 01:34:50,080
Speaker 1: be unspoiled. So it's either honey or canned shipped for

1908
01:34:50,160 --> 01:34:52,639
Speaker 1: me from now on until the rest of time. Look,

1909
01:34:52,680 --> 01:34:57,040
Speaker 1: I'll find like veganism, gray, gluten free gray, let's the

1910
01:34:57,160 --> 01:35:00,400
Speaker 1: next scene set. Movement in food ethics is for all

1911
01:35:00,479 --> 01:35:03,439
Speaker 1: food and not be perishable. And and I think that

1912
01:35:03,560 --> 01:35:05,880
Speaker 1: that that is the next runt here and mark my words,

1913
01:35:06,160 --> 01:35:09,559
Speaker 1: five seconds. The science has to get there to um

1914
01:35:10,600 --> 01:35:12,200
Speaker 1: for for for me to not I have to worry

1915
01:35:12,200 --> 01:35:15,559
Speaker 1: about things expiring. And that's one minute. Can I say something,

1916
01:35:16,000 --> 01:35:17,479
Speaker 1: I kind of want you to end every one of

1917
01:35:17,520 --> 01:35:20,799
Speaker 1: your I don't think so, Honey's with I'll Sue, because

1918
01:35:20,840 --> 01:35:23,920
Speaker 1: you were here before we had Benito skinting around and

1919
01:35:23,960 --> 01:35:26,519
Speaker 1: he ended up with being su and I kind of

1920
01:35:26,600 --> 01:35:30,120
Speaker 1: love everyone. Remember that. Remember that? And then before end

1921
01:35:30,200 --> 01:35:32,000
Speaker 1: the other one, he went, remember that? And I love

1922
01:35:32,040 --> 01:35:34,360
Speaker 1: that for you, and I also love Sue. I like

1923
01:35:34,560 --> 01:35:39,639
Speaker 1: for you are like small, short powerful declaration. Wow. Yeah, okay,

1924
01:35:39,720 --> 01:35:41,439
Speaker 1: thank you, thank you, thank you, thank you. Well that

1925
01:35:41,560 --> 01:35:44,200
Speaker 1: was very good. I mean, the thing about perishable foods

1926
01:35:44,280 --> 01:35:46,800
Speaker 1: is they perish, and I therefore I don't think so, honey,

1927
01:35:46,840 --> 01:35:48,000
Speaker 1: And I don't think That's why I think it's so

1928
01:35:48,000 --> 01:35:49,439
Speaker 1: hard to cook too, because you have to think so

1929
01:35:49,760 --> 01:35:51,760
Speaker 1: in advance to buy things that are going to die

1930
01:35:51,760 --> 01:35:53,680
Speaker 1: by the time you're ready to cook them. Yeah, thank you,

1931
01:35:53,840 --> 01:35:56,640
Speaker 1: and get out of here. Get out of here with this.

1932
01:35:56,800 --> 01:36:00,840
Speaker 1: Here's here's here's a list of Pansy, Honey, I'm on Quimby. Honey,

1933
01:36:00,880 --> 01:36:04,800
Speaker 1: I'm on Quimby. I'm a Quimby girl. Guys, wait listeners, readers,

1934
01:36:04,840 --> 01:36:08,200
Speaker 1: can you please download CIB please? I want you, guys.

1935
01:36:08,240 --> 01:36:10,280
Speaker 1: So many things I've already heard that are happening on

1936
01:36:10,320 --> 01:36:12,800
Speaker 1: there that I want to see. It's there's gonna be

1937
01:36:12,880 --> 01:36:14,400
Speaker 1: some cool stuff and we just wrapped a game show

1938
01:36:14,439 --> 01:36:15,800
Speaker 1: and I think it's going to be really good. Guys,

1939
01:36:16,160 --> 01:36:18,599
Speaker 1: So I want everyone to please download Quippy. It's gonna

1940
01:36:18,600 --> 01:36:20,280
Speaker 1: be so fun. They put so much work into this,

1941
01:36:20,439 --> 01:36:23,040
Speaker 1: it's so great. The whole crew is on it. Ben

1942
01:36:23,080 --> 01:36:26,640
Speaker 1: Platt was un a veil Lyn Stinkole. Ben p was unveil. Well,

1943
01:36:26,720 --> 01:36:29,280
Speaker 1: I'm here now. Yeah, you're here now, and I'm coming

1944
01:36:29,320 --> 01:36:33,040
Speaker 1: to your goddamn show. I was coming anyway. I had

1945
01:36:33,040 --> 01:36:35,559
Speaker 1: tickets as an audience member. So it's just well, and honestly,

1946
01:36:35,680 --> 01:36:37,519
Speaker 1: by the time this episode is that, you'll have stunned

1947
01:36:37,640 --> 01:36:40,360
Speaker 1: the crowd because we are as a surprise. No, they'll

1948
01:36:40,400 --> 01:36:43,720
Speaker 1: be very Are you kidding me? All of it's gonna

1949
01:36:43,720 --> 01:36:46,160
Speaker 1: be Maybe I should hide backstage. We'll talk. We'll talk. No,

1950
01:36:46,240 --> 01:36:47,559
Speaker 1: I want you to do whatever you want to do. Yeah,

1951
01:36:48,120 --> 01:36:49,320
Speaker 1: my friends can come hang and then we can all

1952
01:36:49,320 --> 01:36:52,080
Speaker 1: compig but we'll talk. You can, they can absolutely come hang. Okay,

1953
01:36:52,120 --> 01:36:53,880
Speaker 1: maybe we'll do that. We're gonna be we're gonna be

1954
01:36:54,200 --> 01:36:58,679
Speaker 1: tending to our friend. Oh yeah, we'll figure it out alright.

1955
01:36:58,800 --> 01:37:01,679
Speaker 1: But for now, this is ben plots. I don't think, honey,

1956
01:37:02,200 --> 01:37:05,720
Speaker 1: is he ready? Yeah? This is gonna be amazing. This

1957
01:37:05,800 --> 01:37:07,240
Speaker 1: has been plots. I don't think so, honey. As time

1958
01:37:07,280 --> 01:37:10,280
Speaker 1: starts new, I don't think so, honey. Live theater audience

1959
01:37:10,320 --> 01:37:13,439
Speaker 1: etiquette in general, it's gonna say, just phones, because that's

1960
01:37:13,439 --> 01:37:14,760
Speaker 1: the biggest one. It's like the one decision you have

1961
01:37:14,760 --> 01:37:15,920
Speaker 1: to make when you sit down and said, turn your

1962
01:37:15,920 --> 01:37:17,920
Speaker 1: phone off. And if there's something so urgent going on

1963
01:37:17,960 --> 01:37:19,160
Speaker 1: in your life that you need to have your phone

1964
01:37:19,160 --> 01:37:21,000
Speaker 1: on because you're worried about checking it, don't come to

1965
01:37:21,080 --> 01:37:24,360
Speaker 1: the theater, darling. Don't come in a room for two hours.

1966
01:37:24,600 --> 01:37:26,519
Speaker 1: If you can't stand to be in there without checking

1967
01:37:26,560 --> 01:37:28,320
Speaker 1: your phone, turn it off. We're doing so much work

1968
01:37:28,320 --> 01:37:29,760
Speaker 1: for you. The least you need to press one button

1969
01:37:29,840 --> 01:37:33,000
Speaker 1: before we start. Um. The other one is coughing. I

1970
01:37:33,120 --> 01:37:35,160
Speaker 1: understand if there's something in your throat that's impeding your

1971
01:37:35,200 --> 01:37:38,880
Speaker 1: ability to breathe, that you need to release, But cops

1972
01:37:38,880 --> 01:37:40,640
Speaker 1: are going to bigger who it is there sounds like

1973
01:37:41,920 --> 01:37:43,600
Speaker 1: just to fill space and to let us know that

1974
01:37:43,640 --> 01:37:45,320
Speaker 1: we're not keeping your attention or that the tension in

1975
01:37:45,360 --> 01:37:47,040
Speaker 1: the room caused about the drama is not enough for you.

1976
01:37:48,200 --> 01:37:50,120
Speaker 1: Every More do you make affects the people on stage

1977
01:37:50,160 --> 01:37:51,680
Speaker 1: to think about everything that's coming out of your mouth

1978
01:37:51,720 --> 01:37:53,000
Speaker 1: just for this hour and a half, for two hours,

1979
01:37:53,439 --> 01:37:55,160
Speaker 1: it's not that hard of a request to make. Don't

1980
01:37:55,160 --> 01:37:57,360
Speaker 1: bring any fucking food in either way, Like I don't like.

1981
01:37:57,400 --> 01:37:59,360
Speaker 1: I understand that there's like concessions that you can buy

1982
01:37:59,360 --> 01:38:01,760
Speaker 1: the intermission, eat them intermission, that's great. Do not be

1983
01:38:01,880 --> 01:38:06,559
Speaker 1: unwrapping skills while I'm crying for you seconds and um. Also,

1984
01:38:06,840 --> 01:38:10,000
Speaker 1: don't talk to each other. Thank you, thank you so much.

1985
01:38:10,040 --> 01:38:12,280
Speaker 1: And you know what I have to tell you. I've

1986
01:38:12,320 --> 01:38:15,400
Speaker 1: done a similar one just for unwrapping food. But this

1987
01:38:15,840 --> 01:38:18,519
Speaker 1: coming from you is going to make Patty Lapone headlines.

1988
01:38:18,840 --> 01:38:25,240
Speaker 1: This is akin to Patty Lapone saying are you are

1989
01:38:25,280 --> 01:38:26,960
Speaker 1: you ready? I was at the performance where she held

1990
01:38:27,080 --> 01:38:30,400
Speaker 1: the photographer. God, I was in the house, and did

1991
01:38:30,439 --> 01:38:32,120
Speaker 1: you love it? I loved every minute of it. I

1992
01:38:32,479 --> 01:38:34,960
Speaker 1: believe that now it's pretty clear that it was a

1993
01:38:35,040 --> 01:38:37,080
Speaker 1: hired photographer that she just wasn't aware of because it

1994
01:38:37,200 --> 01:38:42,120
Speaker 1: was my because because it wasn't man taking photos very

1995
01:38:42,479 --> 01:38:46,439
Speaker 1: very like daciously in the aisle with a real camera,

1996
01:38:46,680 --> 01:38:48,080
Speaker 1: and it's just hard for me to believe that that's

1997
01:38:48,080 --> 01:38:50,400
Speaker 1: just someone in the crowd who So I think it

1998
01:38:50,560 --> 01:38:52,640
Speaker 1: was like, that's something that should have been brought by her,

1999
01:38:52,760 --> 01:38:55,240
Speaker 1: and that was and was not. But I lived for

2000
01:38:55,320 --> 01:38:57,880
Speaker 1: every minute of it. Unbelievable to be their live when

2001
01:38:57,960 --> 01:39:04,600
Speaker 1: she turned her damn you thank's on one of that.

2002
01:39:04,960 --> 01:39:07,280
Speaker 1: So I'm guessing that you stand the Barbara Cooke Kennedy Center.

2003
01:39:08,520 --> 01:39:13,280
Speaker 1: Are you kidding me? It's the only video I'll ever watch,

2004
01:39:13,520 --> 01:39:17,880
Speaker 1: is that? I mean? Also, Sutton, don't be off. I

2005
01:39:18,040 --> 01:39:20,600
Speaker 1: was just like way up there, so very new to me.

2006
01:39:22,840 --> 01:39:25,040
Speaker 1: Everybody is so perfectly used in that medley too. The

2007
01:39:26,680 --> 01:39:28,400
Speaker 1: like is to be part of a Kennedy Center medley

2008
01:39:28,479 --> 01:39:34,719
Speaker 1: for someone you that'll that's that's coming wow. Honestly. Also,

2009
01:39:35,960 --> 01:39:42,280
Speaker 1: here's the thing about coughing. You can almost always just swallow, correct,

2010
01:39:42,320 --> 01:39:44,800
Speaker 1: That's what I mean, unless it's gonna like threaten your health.

2011
01:39:45,080 --> 01:39:47,400
Speaker 1: Even if it's gonna make you momentarily uncomfortable. Do not

2012
01:39:47,520 --> 01:39:50,240
Speaker 1: make a noise. Don't make a noise. There's so many

2013
01:39:50,280 --> 01:39:53,600
Speaker 1: effective ways of muffling this down, covering your mouth, like

2014
01:39:53,960 --> 01:39:56,280
Speaker 1: like doing it in your exactly in your elbow. Everything.

2015
01:39:56,520 --> 01:39:59,840
Speaker 1: There's so many just like really very like reckless. Just

2016
01:40:00,560 --> 01:40:03,840
Speaker 1: like it's like that that affected me. Yeah, I hear that,

2017
01:40:03,880 --> 01:40:06,439
Speaker 1: and I'm thinking about that and not Jennifer Laura Thompson.

2018
01:40:08,280 --> 01:40:13,040
Speaker 1: So like conscious watching. Yeah, we barely gonna watch movies anymore,

2019
01:40:13,040 --> 01:40:14,400
Speaker 1: and like that's so this is the only time most

2020
01:40:14,400 --> 01:40:15,680
Speaker 1: people are sitting in a dark room and have pay

2021
01:40:15,720 --> 01:40:18,720
Speaker 1: attention anyway. So it's like just just the money that

2022
01:40:18,840 --> 01:40:21,680
Speaker 1: everyone else paid to their experience and it's just like

2023
01:40:22,280 --> 01:40:25,280
Speaker 1: it's so expensive and like just for me to remember.

2024
01:40:25,400 --> 01:40:27,519
Speaker 1: I think it was, you know what it was, it

2025
01:40:27,720 --> 01:40:32,680
Speaker 1: was um towards the end of I think it was

2026
01:40:32,760 --> 01:40:35,120
Speaker 1: skin tight. I saw like the plan that was in

2027
01:40:35,240 --> 01:40:37,360
Speaker 1: it was like truly they were having like it was

2028
01:40:37,400 --> 01:40:40,320
Speaker 1: like the emotional climax of it and someone was just

2029
01:40:40,520 --> 01:40:42,400
Speaker 1: coughing and coughing to the point where everyone in the

2030
01:40:42,439 --> 01:40:48,439
Speaker 1: theater was like, Oh, if you're that, don't come, don't come.

2031
01:40:48,840 --> 01:40:51,000
Speaker 1: And I went to what the Constitution means to me.

2032
01:40:51,920 --> 01:40:53,479
Speaker 1: It was great and there it was me and her

2033
01:40:53,760 --> 01:40:58,280
Speaker 1: was her, Me and this older gentleman who took about

2034
01:40:58,960 --> 01:41:03,280
Speaker 1: twenty minutes to take off his coat to twenty minutes,

2035
01:41:03,360 --> 01:41:06,320
Speaker 1: just like, and it's like a noisy, noisy, noisy coat,

2036
01:41:06,600 --> 01:41:09,479
Speaker 1: just like. And then I was like, I was fine

2037
01:41:09,560 --> 01:41:11,560
Speaker 1: with it. I was like, it's a little distracting, but

2038
01:41:11,720 --> 01:41:15,600
Speaker 1: study just like, yeah, And it was really funny to

2039
01:41:15,640 --> 01:41:17,400
Speaker 1: see her that piste up but to play that's advocate.

2040
01:41:17,479 --> 01:41:18,960
Speaker 1: I also did once get mad at someone who was

2041
01:41:18,960 --> 01:41:20,360
Speaker 1: sitting in front of me at Wicked for turning to

2042
01:41:20,400 --> 01:41:21,800
Speaker 1: me and glaring at me while I was gasping at

2043
01:41:21,840 --> 01:41:25,360
Speaker 1: the defined gravity vocals. But that's fine. That's a totally

2044
01:41:25,479 --> 01:41:28,280
Speaker 1: different type of was there with non and Jessica Votsk

2045
01:41:28,360 --> 01:41:30,360
Speaker 1: was singing like so if you're good if me and

2046
01:41:30,439 --> 01:41:32,800
Speaker 1: we were like and this guy was like, like, you

2047
01:41:32,840 --> 01:41:35,360
Speaker 1: don't understand Wicked, sir, Yes, you you don't for the

2048
01:41:35,439 --> 01:41:37,800
Speaker 1: right reasons. You can't feel in your throat what she's doing.

2049
01:41:37,880 --> 01:41:41,800
Speaker 1: You're like a bad bachelor contestant. The wow that is

2050
01:41:41,880 --> 01:41:44,559
Speaker 1: the transaction though the theater is that you you get

2051
01:41:44,600 --> 01:41:47,599
Speaker 1: to respond as an audience member. Yes, the response is different,

2052
01:41:47,680 --> 01:41:50,080
Speaker 1: like standing during fucking I'm here, like in color purple

2053
01:41:50,120 --> 01:41:54,800
Speaker 1: and that's amazing. I'll be in the aisle full fanta

2054
01:41:55,080 --> 01:41:58,240
Speaker 1: do that ripped it up. I wish I wish I could.

2055
01:41:58,280 --> 01:42:00,519
Speaker 1: I wish you could have done it in the production

2056
01:42:01,080 --> 01:42:04,040
Speaker 1: that was the later production. I think they really got

2057
01:42:04,160 --> 01:42:06,640
Speaker 1: the world right the second time that, even though the

2058
01:42:06,760 --> 01:42:08,720
Speaker 1: songs and the material already great. So I would have

2059
01:42:08,800 --> 01:42:10,719
Speaker 1: left to see that. So did you see it with Cynthia,

2060
01:42:10,800 --> 01:42:13,439
Speaker 1: Danielle and Jennifer I saw five times because it was

2061
01:42:13,520 --> 01:42:14,880
Speaker 1: right before I was about to Evan Hanson and I

2062
01:42:14,920 --> 01:42:16,719
Speaker 1: was getting really scared about it. And I saw Cynthia

2063
01:42:16,920 --> 01:42:18,479
Speaker 1: once the first time I went, and I was so

2064
01:42:18,680 --> 01:42:21,720
Speaker 1: like blown away by she was able to do that.

2065
01:42:21,720 --> 01:42:22,840
Speaker 1: I was like, I have to go see her on

2066
01:42:22,880 --> 01:42:24,400
Speaker 1: five different days of the week and see if she's

2067
01:42:24,400 --> 01:42:27,679
Speaker 1: really always doing this, And she always was doing that performance.

2068
01:42:27,680 --> 01:42:30,400
Speaker 1: So I saw her with Jenniferson twice. I saw Heather

2069
01:42:30,479 --> 01:42:34,360
Speaker 1: Headley twice, and I saw Jennifer Holiday once. Whoa, I

2070
01:42:34,479 --> 01:42:37,960
Speaker 1: forgot that Jennifer Holiday stepped into that for how long?

2071
01:42:38,040 --> 01:42:43,479
Speaker 1: I feel like it. It was a very different experience,

2072
01:42:43,520 --> 01:42:45,439
Speaker 1: but a very special one. I mean, Heather was the

2073
01:42:45,720 --> 01:42:50,680
Speaker 1: was the best. I love the way the way that

2074
01:42:50,760 --> 01:42:54,240
Speaker 1: she chooses to like express words that are not really

2075
01:42:54,320 --> 01:42:58,679
Speaker 1: the words she's saying. Have you heard the concert version

2076
01:42:58,680 --> 01:43:04,280
Speaker 1: of dream Girls? I do Dina and Lilias as um White.

2077
01:43:04,520 --> 01:43:07,240
Speaker 1: I've at least seen bit parts Heather is um Laurel

2078
01:43:07,360 --> 01:43:11,280
Speaker 1: in it, and it's really funny. What about the porters

2079
01:43:11,360 --> 01:43:15,920
Speaker 1: James Sounder early, that's amazing. What about the concert where

2080
01:43:15,920 --> 01:43:18,160
Speaker 1: Lilias is Fanny Brice? Have you ever seen that? I've

2081
01:43:18,200 --> 01:43:20,000
Speaker 1: seen that one, because that didn't it wasn't it like

2082
01:43:20,040 --> 01:43:22,519
Speaker 1: they were all a bunch of different Vanny Brices. Yeah.

2083
01:43:22,800 --> 01:43:24,960
Speaker 1: And she does dominated My Parade, which is amazing because

2084
01:43:25,080 --> 01:43:26,400
Speaker 1: Edina was in that one. At the end she goes

2085
01:43:26,479 --> 01:43:35,120
Speaker 1: parade and you're like that before we before we um

2086
01:43:35,439 --> 01:43:38,040
Speaker 1: cap this off. Have you seen the Brandy chevon Massey

2087
01:43:38,120 --> 01:43:41,600
Speaker 1: Defined Gravity? I think so? Okay, Well, usually I just

2088
01:43:41,640 --> 01:43:43,639
Speaker 1: want Esac over and over again because to me, she's

2089
01:43:43,680 --> 01:43:45,599
Speaker 1: locally maculate. There was this there was the stand by

2090
01:43:45,640 --> 01:43:48,120
Speaker 1: her understudy um named Brandy chevon Massey who got her

2091
01:43:48,120 --> 01:43:49,880
Speaker 1: shot at define Gravity, and what she does at the

2092
01:43:50,000 --> 01:43:56,320
Speaker 1: end was absolutely it's we think, we think about constant.

2093
01:43:56,360 --> 01:43:58,960
Speaker 1: It's my favorite thing that's ever happened on the Browler stage.

2094
01:43:58,960 --> 01:44:01,799
Speaker 1: I'm sorry, have you heard the bell Jean, the Hungarian

2095
01:44:01,840 --> 01:44:03,439
Speaker 1: bel Jean eat it at the end of who am I?

2096
01:44:06,840 --> 01:44:11,800
Speaker 1: It's crazy? It's crazy. No, Brandy side Messy didn't even

2097
01:44:11,840 --> 01:44:14,000
Speaker 1: eat it. She just like slayed it in a way

2098
01:44:14,080 --> 01:44:20,479
Speaker 1: that's like so different, so different. We can't wait. Okay,

2099
01:44:20,560 --> 01:44:23,160
Speaker 1: so literally we have to we have to stop. But

2100
01:44:23,760 --> 01:44:28,040
Speaker 1: this was so fun to have true underplayed like I

2101
01:44:28,120 --> 01:44:31,400
Speaker 1: truly often I've I've said this embarrassingly and I think

2102
01:44:31,439 --> 01:44:33,439
Speaker 1: in a d M too, But truly, when I'm feeling

2103
01:44:33,560 --> 01:44:35,840
Speaker 1: like anxious or sad or like about the world, I

2104
01:44:35,920 --> 01:44:37,680
Speaker 1: listened to this podcast to walk around the city and

2105
01:44:37,720 --> 01:44:39,320
Speaker 1: it makes you feel so much better. So thank you

2106
01:44:39,360 --> 01:44:41,800
Speaker 1: for well you do that for us, my damn heart.

2107
01:44:41,880 --> 01:44:44,720
Speaker 1: I love you, Rock and anytime you want to come back,

2108
01:44:44,800 --> 01:44:47,040
Speaker 1: you're another You're a legendary talent. Thank you so much

2109
01:44:47,080 --> 01:44:49,719
Speaker 1: for you. And also, we're gonna go see Kelly in Vegas.

2110
01:44:49,920 --> 01:44:53,120
Speaker 1: We're gonna Seekelly Vegas. Yeah, yeah, yeah, okay. We closed

2111
01:44:53,120 --> 01:44:59,920
Speaker 1: every episode of the song can imagine something is sertain.

2112
01:45:06,000 --> 01:45:09,479
Speaker 1: This has been a forever dog production executive produced by

2113
01:45:09,520 --> 01:45:14,840
Speaker 1: Brett Bahum, Joe Silio, and Alex Ramsey. For more original podcasts,

2114
01:45:15,000 --> 01:45:18,960
Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to

2115
01:45:19,000 --> 01:45:22,960
Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get

2116
01:45:23,000 --> 01:45:23,720
Speaker 1: your podcasts.