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Speaker 1: Look maner oh, I see you my own look over

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Speaker 1: there is that culture, Yes, Lost Culture, you Lost Culturesa's calling.

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Speaker 1: There's a couple items of business to get to before

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Speaker 1: we bring in our iconic guest. One Fraser is here

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Speaker 1: watching Hey d he's here. This is his first episode

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Speaker 1: of Lost Culture as a spectator because his favorite human

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Speaker 1: being is in the room.

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Speaker 2: Huge it happens to be the guest, actually.

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Speaker 1: Actually happens, And I'm s o l with my own man.

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Speaker 1: I don't stand a chance against our guests. But that's fine,

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Speaker 1: that's fine. Pick her too. Other orders of business. You

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Speaker 1: can watch or stream the Lost Culturica's Culture wheres tonight

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Speaker 1: tonight as of this episode airing, our other thing is airing.

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Speaker 1: And uh oh wow, I'm really gosh, I have been.

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Speaker 2: More Socisted's going on with your body? Why do you

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Speaker 2: touch my chest like this? I always get worried. The

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Speaker 2: veil is really thin right now? I really like, genuinely

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Speaker 2: starstruck and nervous around our guests recently. Today is really

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Speaker 2: no exception.

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Speaker 1: Can I say? We f Fraser and I have been

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Speaker 1: preparing for the episode, and I said so. He says,

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Speaker 1: the MINDI Project is my favorite show. I play it

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Speaker 1: on repeat all the time. He says he's watched the

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Speaker 1: entire series at least five or six times. It's at

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Speaker 1: least it's it's, it's it is.

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Speaker 2: It has the patina of like a Cheers now where

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Speaker 2: it's like, oh, that's your comfort.

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Speaker 1: Wise, so we watched the episode where Casey Wilson focks

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Speaker 1: like Barenholts. Really good stuffs happening. I just love when

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Speaker 1: good people get together and pretend to fuck on television.

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Speaker 1: And that's a real culture number eight. I just love

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Speaker 1: when good people get together and pretend to fuck on television.

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Speaker 1: And so that was a wonderful and joyous time sort

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Speaker 1: of reconnecting with that show. And guess what, there's a

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Speaker 1: brand new one out not suitable for work. For work,

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Speaker 1: you can stream most of it right now, and the

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Speaker 1: last two episodes are going to come out next week

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Speaker 1: because today is June seventeenth, the day of the Cultural Awards.

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Speaker 1: Lots to stream out.

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Speaker 2: Lots for your stream out there running point.

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Speaker 1: Oh, by the way, these are all stuff that our

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Speaker 1: guest has created. It's a goddamn bona fide mogul to

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Speaker 1: say nothing of never have I ever sex lives of

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Speaker 1: college girls. Our guest is famously Kelly Kappor from the office,

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Speaker 1: and just let's have a Let's just have a moment

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Speaker 1: for that.

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Speaker 2: Let's have a moment for that, and let's have a

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Speaker 2: moment to welcome. Hey.

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Speaker 3: That was the best two and a half minutes of

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Speaker 3: my movie.

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Speaker 1: And it was two and a half minutes. I think

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Speaker 1: we didn't even really get out of that.

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Speaker 3: It was I'm so touched why and mostly because freezers here.

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Speaker 1: Okay, I was pretty sure you would know who he was.

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Speaker 3: Yes, well, and we were talking about him because my

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Speaker 3: whole writer's aroom, both of my writer's rooms were so

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Speaker 3: excited and jealous that I was coming here today, and

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Speaker 3: we were we were looking Okay, can I talk about

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Speaker 3: the photos of you guys.

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Speaker 1: That's not a spoiler. People know that we were on

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Speaker 1: a carpet together, the Marshall's Blue Carpet, Is it okay.

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Speaker 3: Because it doesn't come out till later.

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Speaker 1: Okay, yeah, the photo.

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Speaker 3: So we were talking about the photos of you guys

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Speaker 3: on the red carpet and what a handsome couple you are.

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Speaker 3: And then some of the writer's younger gen Z females,

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Speaker 3: as I'm sure are obsessed with him and his physique especially,

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Speaker 3: and then love talking about the show. And then so

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Speaker 3: I'm I'm really honored that you love because the Minti

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Speaker 3: Project is like kind of a deep cut.

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Speaker 1: You think, I think I know, but I.

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Speaker 3: Think that it's sort of you know, it was never

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Speaker 3: like a big hit when it came out or anything,

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Speaker 3: but the people who liked it liked it and they

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Speaker 3: sometimes turn up, so thank you.

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Speaker 1: Thank you kind of what you want though, you of course,

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Speaker 1: everyone wants everything to be huge, but ultimately what you

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Speaker 1: want is for people that get it to really get

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Speaker 1: it and it's like truly important to them.

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Speaker 3: Well, I have a theory that you have to be

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Speaker 3: somebody's favorite. Yeah, It's like, even if that's a small group,

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Speaker 3: you have to be somebody's favorite. And there's I think

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Speaker 3: a lot of celebrities out there who were like kind

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Speaker 3: of famous. But if you had to ask anyone like

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Speaker 3: is this person someone's actual favorite?

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Speaker 1: Is They're not?

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Speaker 3: But like I would say that, Like, the one thing

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Speaker 3: I'll say is I do think for some people that

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Speaker 3: show is somebody's favorite. And so and now I have really.

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Speaker 1: Writing the seven seas streaming the Mindy Project.

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Speaker 3: I'm telling you, killing all the people in all the

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Speaker 3: ports he goes.

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Speaker 1: Have you heard the show mindy project?

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Speaker 3: I can't an insane Indian woman and Baron Holts try

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Speaker 3: to have sex in New York City, try to try

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Speaker 3: to connect.

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Speaker 1: I also want to tell you and you hold a

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Speaker 1: special place in our heart because of the First Cultural

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Speaker 1: Cultural Awards. We obviously did our opening number, and then

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Speaker 1: every single time we watched it goes from us and

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Speaker 1: we threw over to you, and we were our first

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Speaker 1: presenter of the night, and we just we were watching

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Speaker 1: it together for the first time before it had come out,

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Speaker 1: and we were just like watching it to be the cut,

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Speaker 1: you know, and you came on the screen and it

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Speaker 1: just validated the whole thing and just made us feel

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Speaker 1: so happy that you would roll the dice on something

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Speaker 1: that was hard to explain, like it's an award show,

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Speaker 1: but it's a comedy special, etcetera. But you were so down.

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Speaker 3: Okay. I have a couple of reactions. One is thank

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Speaker 3: you for saying that, but I was so pissed being

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Speaker 3: backstage that I had to follow your dance number. No,

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Speaker 3: it was in your like that was such a beautiful

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Speaker 3: thing you said, and I'm sorry to answer it with anger.

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Speaker 3: But I was like, I have to come out after that.

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Speaker 3: I mean, it brought the house down, this dance number,

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Speaker 3: and then I had to come out and be like

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Speaker 3: wow in my dress, and so I'm very I'm very pleased.

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Speaker 3: I mean it was great. I don't know why I

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Speaker 3: wasn't invited this year. Oh I saw who did I

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Speaker 3: see on the carpet before you flip? Yes, that I mean,

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Speaker 3: and they looked amazing.

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Speaker 1: They really did.

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Speaker 3: There's is a really cool romance.

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Speaker 1: There's is a really cool and great love that's for

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Speaker 1: the culture number twelve, Rachelle and g flip. There is

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Speaker 1: a real and great love.

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Speaker 3: And uh Rachel Ziegler. Yeah, you know, so I saw

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Speaker 3: a lot of I was about to say contemporaries, but

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Speaker 3: I don't know that Rachel's sailor would be.

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Speaker 1: Like absolutely, I think she'd be honored to her.

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Speaker 3: You say, she's my great granddaughter in culture.

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Speaker 1: But I did see.

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Speaker 3: You know, when you get invited to be on the

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Speaker 3: first one and then you're looking for that invite, oh,

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Speaker 3: the second one.

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Speaker 1: Then why don't we just go ahead and call it

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Speaker 1: an eternal invite to the show.

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Speaker 2: Okay, thank you, We never turn you now away or

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Speaker 2: just just just it's in the mail. Okay, going forward,

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Speaker 2: here's my wish.

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Speaker 3: This is going to be a huge hit tonight, right

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Speaker 3: this the show is going to be amazing.

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Speaker 2: We hope knows.

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Speaker 3: I want next year for it to be such a

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Speaker 3: hit that next year everyone's like asking her publicas leading up,

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Speaker 3: like I got to get in there. I gotta get

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Speaker 3: in there. I really want to do it. And it's

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Speaker 3: very tight, like remember the Vanity Fair party. You're like,

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Speaker 3: am I going to get invited this year? Sometimes they

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Speaker 3: make it really small. I want it to be very tight,

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Speaker 3: and I want to be one of the very small,

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Speaker 3: exclusive few who gets to present.

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Speaker 1: Okay, got it noted? Which I'm not going to let

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Speaker 1: him speak anymore because before before was the damn mixed

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Speaker 1: message invitation. Would you like to win? Ward?

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Speaker 3: Okay, I want to win, but I don't want it

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Speaker 3: to be rigged. So could it be.

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Speaker 1: To break something to you?

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Speaker 3: Okay, I didn't want this, Okay, Yeah, of course, of

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Speaker 3: course I'd like to win, but in a way where

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Speaker 3: it was like it's stacked against me and it's like

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Speaker 3: I can't believe it, Like it's like parasite winning.

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Speaker 1: You know, I want to want like a moment exactly, and.

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Speaker 3: I wanted to be like, oh my god, I want

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Speaker 3: it to be I want my competitors to be like,

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Speaker 3: we're not a rens V and.

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Speaker 1: Close take them all out of cross WINDA yes.

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Speaker 3: And like an extremely old person where you don't know

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Speaker 3: if they're going to be able to come back again.

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Speaker 3: So it's got to be them, you know. And then

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Speaker 3: they're like Mini Kaaling and I can go up and

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Speaker 3: be like this wasn't this should not be.

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Speaker 1: Me, and this podcast will just erase for a memory,

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Speaker 1: so this never happened.

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Speaker 3: So listen just I mean, you know how I feel.

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Speaker 1: Okay, now we do.

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Speaker 3: You got some friggin' A listers in here. You had

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Speaker 3: some frigin A listers in here with their hot takes.

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Speaker 1: Look we're talking to Did you see Nicole Kimman have

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Speaker 1: what I would call like a little bit of a

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Speaker 1: happy fit over my shirt with Loney Tunes on it?

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Speaker 3: It went viral?

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Speaker 1: Great, seems like you saw it.

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Speaker 3: Yeah, it went viral. But she's like she has another

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Speaker 3: I mean, I think you could agree, and I think

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Speaker 3: the appearance confirmed. Nicole has an other worldlyness and if

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Speaker 3: you're lucky, like it feels like if you're it'll a

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Speaker 3: couple of these like moments will appear.

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Speaker 2: She remembers every she remembers everything. And you know what,

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Speaker 2: someone said, this is a woman. Oh when we asked

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Speaker 2: her about like would you want to direct, she was

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Speaker 2: like no, I just love acting so much. And then

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Speaker 2: someone else, a friend, pointed out like this woman has

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Speaker 2: never had a side hustle and isn't that amazing? Yeah,

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Speaker 2: Like we can't say the same for us, Like this

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Speaker 2: is this is the side hustle. I'm sorry to say.

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Speaker 3: When your side hustle is Chanel Ambassador, that's.

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Speaker 1: Like a life. You're right, You're so right, right.

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Speaker 3: Like it's she's it's that was a great episode.

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Speaker 1: Thank you so much. I mean, the thing is, it

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Speaker 1: was it was odd to feel at the end like

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Speaker 1: I could go off for drinks with Sometimes sometimes people

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Speaker 1: come in and I'm like, that's my friend. Now we

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Speaker 1: never speak again.

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Speaker 3: But I find that so hard to believe because I

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Speaker 3: feel and you know, you guys are so busy. I've

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Speaker 3: only met you a handful of times.

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Speaker 1: One time at the Olympics.

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Speaker 3: One time in Milan, I walked right in that parking lot.

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Speaker 1: Yeah, we were upset. Actually in that parking lot.

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Speaker 2: We were dealing with the situation where one of the

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Speaker 2: people in our group left her credentials at the hotel.

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Speaker 2: Take it and we were like do we wait for her?

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Speaker 2: But we're going to miss the opening serace.

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Speaker 3: In that and because you know, that was the kind

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Speaker 3: of thing where they told my group like thirty times yeah,

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Speaker 3: and they checked the credentials in the bus and then

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Speaker 3: they who was it?

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Speaker 2: We can it was a universal talent, right, it was

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Speaker 2: not universal talent.

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Speaker 3: It wasn't It was Hyah Gerber, celeb Kaya Gerber.

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Speaker 1: I just know that she'll be able to shoulder this.

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Speaker 1: If we start a rumor about Kya Gerber, She's going

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Speaker 1: to be fine.

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Speaker 3: Leaving her credentials is like not the worst things for

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Speaker 3: Kayakerber to do, because like, come on, no, the.

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Speaker 2: Person who loved her, well, I'm it's she her, but

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Speaker 2: she been gendered but I think for her also like

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Speaker 2: she she's the she has a Kyah Gerber as quality

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Speaker 2: about her.

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Speaker 1: Well, what ended up happening was this this girl and

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Speaker 1: who was like a hot, incredibly attractive girl, was like,

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Speaker 1: oh I forgot my credentials. Fuck, maybe it won't be

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Speaker 1: a big deal. Guess what reader. It wasn't. It wasn't.

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Speaker 1: She breathed through was in the seat way before. Yeah,

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Speaker 1: I figured it out.

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Speaker 2: It's like, yes, you.

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Speaker 3: Did, confirming every bad feeling that we think of, like

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Speaker 3: that you don't need credentials if you're so hot, particularly

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Speaker 3: in Italy.

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Speaker 2: I'm sorry, and Milan like you're like, oh right, racist coming.

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Speaker 3: I didn't have my credential. They would have been like

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Speaker 3: you must have got back to.

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Speaker 1: Whatever.

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Speaker 3: Lonely, oh night, you cannot see opening ceremonies, a room service.

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Speaker 1: Lonely might be fron lonely, but we houd your Olympics

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Speaker 1: because we didn't. We barely saw it. We did not

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Speaker 1: see you.

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Speaker 3: You guys were working, Yeah you were. You were working

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Speaker 3: and bringing a lot of joy and I think explaining

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Speaker 3: what was going on.

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Speaker 1: In the best way we could, which, by the way,

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Speaker 1: by the end, we actually knew the rules to ice

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Speaker 1: dancing and we're self described fans.

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Speaker 2: Absolutely.

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Speaker 1: He was really into the curl.

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Speaker 2: I love the curling.

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Speaker 3: Yeah, you did a lot of different different events.

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Speaker 2: Speed's getting I sat out of hockey, of women's hockey.

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Speaker 1: He did sit out of women's hockey because you don't

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Speaker 1: think we should.

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Speaker 3: No, says Bowen, this is a man's.

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Speaker 2: Sportsport, and yeah, it's my anti lesbian sort of sentiment

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Speaker 2: coming out. But I really did not know. I am

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Speaker 2: sad that I missed it. Yeah, what did you go to?

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Speaker 3: I went, So this happens very rarely, but it's kind

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Speaker 3: of glamor and nice where Warner Brothers, who are my boss,

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Speaker 3: generously just said do you want to come with some

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Speaker 3: people to go? And so it was me and a

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Speaker 3: couple other Warner Brothers celebrities and they're like, can you

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Speaker 3: you just want to watch ice skating? And then we

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Speaker 3: shopped and then I left. It was all right, nice,

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Speaker 3: but I would say the opening ceremony, I don't know

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Speaker 3: if you felt this way, it was like very I

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Speaker 3: guess I don't. I guess I don't know that much

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Speaker 3: about like performances of like art and other countries. It

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Speaker 3: was so it was like Vegas Times of thousands.

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Speaker 1: It was so much about paint, you know what I mean.

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Speaker 1: I was like, yeah, like one of the big themes

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Speaker 1: was paint materially paint.

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Speaker 3: It was. It was not straightforward in the way that

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Speaker 3: I think in an American opening ceremony would be like

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Speaker 3: where it was like this means this, and this means this.

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Speaker 3: It was really like swirling colors and symbolistic stuff.

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Speaker 1: Do you remember the fleet of men helping Mariah to

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Speaker 1: and fro.

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Speaker 3: Oh my god not. I don't remember that until this moment.

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Speaker 3: That was amazing.

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Speaker 1: It was just like you saw, just like it had

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Speaker 1: to be like four or five people like bringing her

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Speaker 1: out to the center. She sang her song and then

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Speaker 1: they all came out and like all it was like

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Speaker 1: a team effort again.

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Speaker 2: Like it was really good.

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Speaker 3: It was gorgeous. The venue like I've never been in

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Speaker 3: something that many people me neither me neither and I

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Speaker 3: love Milan.

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Speaker 1: See. My gay guy self was like, I bet Taylor

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Speaker 1: did eras here, and we found out she did. She did?

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Speaker 3: She really?

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Speaker 1: Yeah, Wow, that was a Taylor Swift size stadium right there.

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Speaker 2: Have you've not been to. Well, the big thing about

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Speaker 2: European stadiums like that is there will be people on

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Speaker 2: the ground or in the aisles offering free water, and

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Speaker 2: you just don't get that here.

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Speaker 3: No, that was that did happen several times. That was

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Speaker 3: really nice.

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Speaker 1: They were all so kind. Yes, and well we felt

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Speaker 1: sad because we left before Charlie's.

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Speaker 3: I think I might have left. It was it was

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Speaker 3: three or four hours long. No, not that.

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Speaker 1: It was approximately sixteen hours steen hours.

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Speaker 3: Long of entertainment.

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Speaker 2: We left, Oh well we left after the flags. But

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Speaker 2: I was like by the time, like the guys came

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Speaker 2: out and it looked like salad on the floor, you

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Speaker 2: know what I mean.

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Speaker 1: It was a red, red, white, and green.

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Speaker 2: It was like, oh, you know, great italy. But then

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Speaker 2: it is, gosh, it's it's kind of all fuzzy.

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Speaker 1: Yeah, so you did see ice skating though, I did see. Yeah,

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Speaker 1: you had to see ice skating.

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Speaker 3: I mean that was that was amazing.

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Speaker 1: We saw the team win gold. Oh my god, that

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Speaker 1: was really cool.

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Speaker 3: That is that's huge? Did you That's I didn't see.

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Speaker 3: I don't think I saw the Americans win anything.

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Speaker 1: You know what's so funny. This is another connection we

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Speaker 1: have because you know who I was texting the whole

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Speaker 1: time was Chris Schliker.

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Speaker 3: I was literally gonna say. It made me really respect Chris.

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Speaker 1: Yes, so this is a mutual friend that we all have.

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Speaker 1: Chris has worked with Mindy and is a friend of ours,

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Speaker 1: and he was a professional figure.

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Speaker 3: Skater with his his little sister, Yeah, pairs pears and

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Speaker 3: he then is also a comedy writer. Yes, so he's

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Speaker 3: had a really fun he's like.

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Speaker 2: Just a chill life.

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Speaker 1: He should be nominated for the Michael Jordan Award for

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Speaker 1: I also do this an award at the Culture Awards.

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Speaker 3: And it made me because I know he had done it,

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Speaker 3: but that made me really understand how hard it was.

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Speaker 1: Yeah, and also.

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Speaker 3: The pairs thing is is tough because it's one of

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Speaker 3: them sometimes messes up and you can't be really mad

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Speaker 3: at them, right or if you are, you have to

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Speaker 3: really suppress that. So there's a lot of acting involved.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 2: Do you watch the documentary on Netflix? No, the Ice

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Speaker 2: Dance Pairs. Oh, it's phenomenal, three parts quick. I mean

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Speaker 2: it when when you know how it ends based on

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Speaker 2: how the metals shook out, Yeah, it's a little it's

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Speaker 2: a little disappointing.

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Speaker 3: Okay, I gotta watch it.

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Speaker 2: Yeah, because because there's like, because what the French pair,

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Speaker 2: the French pair, who are the villain? Like clearly the villains?

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Speaker 2: Like when the documentary paints a villain, Yes, French pair

359
00:16:30,560 --> 00:16:33,120
Speaker 2: is a villain, and there's like I could go ahead

360
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Speaker 2: and call him an evil gay guy with a huge ass, and.

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Speaker 1: They won gold and I'm telling you you can tell.

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Speaker 1: It's like when they hit the ice, it's like a

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Speaker 1: Blades of Glory character. It's like when Amy Poehler and

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Speaker 1: will are Net comes out and you're like, oh, well,

365
00:16:45,480 --> 00:16:48,360
Speaker 1: those are the villains. That was so how they appeared

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Speaker 1: on ice and then they did a routine to Madonna's

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Speaker 1: Vogue and it was just so incredible that you're like, yeah,

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Speaker 1: that mean guy. I hope when.

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Speaker 3: How did you know he was mean?

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Speaker 2: Well, so the story is he.

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Speaker 3: It was his face. Okay, I thought it was in

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Speaker 3: the documentary.

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Speaker 2: He said, it is in the documentary essentially. So, so

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Speaker 2: the new pair. The incredible thing is they had only

375
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Speaker 2: been skating together as a pair for like nine months,

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Speaker 2: when most pairs are you developed over the course of

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Speaker 2: many years. But it's because the woman was Canadian. Was

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Speaker 2: this kibequa woman who her partner has been disqualified from

379
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Speaker 2: the league because of an essay allegation and she kind

380
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Speaker 2: of stood by him, but he could no longer compete

381
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Speaker 2: and she was without a partner. He was without a

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Speaker 2: partner because he because his partner was like he is

383
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Speaker 2: a very toxic person and this dynamic was really bad

384
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Speaker 2: for him. This is so juicy and out of necessity

385
00:17:59,680 --> 00:18:03,320
Speaker 2: they go together under a year, went all the way

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Speaker 2: like disqualified for the Olympics, and then one gold.

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Speaker 3: Wow decidedly okay wow okay.

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Speaker 1: And by the way, this is like amidst like the

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Speaker 1: America's Sweetheart narrative that Madison Chalk and Evan Bates very

390
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Speaker 1: much had and we were all rooting for them and

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Speaker 1: then they just got stomped out by the mean French people.

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Speaker 3: Madison Chock has star power.

393
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Speaker 2: Oh oh, that's a good couple.

394
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Speaker 3: I don't remember him as well. But Madison Jock, she's

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Speaker 3: got that smile right.

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Speaker 1: She is always beaming, finding her light. It is so

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Speaker 1: it's it's a smile for God.

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Speaker 2: It's a smile for God. Yeah, a Christian God.

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Speaker 1: It's a smile for a Christian God.

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Speaker 2: She could it's a smile for especially number thirty Madison

401
00:18:45,280 --> 00:18:46,280
Speaker 2: Chalk smile.

402
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Speaker 3: It's really true. She could. She should sell She could

403
00:18:52,160 --> 00:18:54,800
Speaker 3: sell me anything. Yeah, Like if she was like had

404
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Speaker 3: a some kind of a.

405
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Speaker 1: Part of brand, where's nutre gina on her?

406
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Speaker 3: I know I would, I would buy it.

407
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Speaker 2: But the gag is that she was designing other people's outfits.

408
00:19:03,560 --> 00:19:07,239
Speaker 3: Yeah, then I did hear this right? So she she

409
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Speaker 3: was watching her competitors dance in her own clothes outfits.

410
00:19:11,359 --> 00:19:12,880
Speaker 2: Yes, yep, yes that is.

411
00:19:12,960 --> 00:19:16,720
Speaker 3: You know, ice skanning is real, interesting, absoluteist.

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Speaker 1: We left as like big fans.

413
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Speaker 2: Yeah it was fabulous.

414
00:19:23,240 --> 00:19:24,520
Speaker 1: We were like that. We were watching them hit the

415
00:19:24,560 --> 00:19:27,760
Speaker 1: ice when we're like, no, I'm not clean. And we

416
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Speaker 1: were watching with Adam Raupan.

417
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Speaker 3: Oh my gosh, he seems fun.

418
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Speaker 1: Oh the best.

419
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Speaker 3: That's nice.

420
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Speaker 2: A great time, A great time.

421
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Speaker 3: I like when people live up to because he does

422
00:19:36,760 --> 00:19:37,399
Speaker 3: seem cool.

423
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Speaker 2: Nice guy with a huge ass.

424
00:19:39,160 --> 00:19:42,520
Speaker 3: Nice guy with a huge out there. Yes, and you

425
00:19:42,520 --> 00:19:44,280
Speaker 3: could see them all up close and personal.

426
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Speaker 1: Yes, yeah, yeah.

427
00:19:47,320 --> 00:19:50,359
Speaker 2: I try to be polite. I don't look.

428
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Speaker 3: You don't look. Please, I say you look, but politeness

429
00:19:54,200 --> 00:19:56,440
Speaker 3: is not saying but you don't even look.

430
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Speaker 2: I don't even look. I get shoy, I get I

431
00:19:58,359 --> 00:20:01,280
Speaker 2: get eyeshy. You know. I just don't want it.

432
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Speaker 1: I don't want everyone's but whether they ice skating or not.

433
00:20:04,359 --> 00:20:06,320
Speaker 3: I think I do too. I just glance.

434
00:20:06,520 --> 00:20:07,160
Speaker 1: You just look.

435
00:20:07,520 --> 00:20:09,720
Speaker 3: You just got it. You just got a glance. I

436
00:20:09,760 --> 00:20:12,720
Speaker 3: look more now. Actually, after he did Rivalry.

437
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Speaker 1: Well, those were really good.

438
00:20:13,840 --> 00:20:14,960
Speaker 3: Those are really good.

439
00:20:15,119 --> 00:20:16,640
Speaker 1: Were you a big fan of the series.

440
00:20:17,760 --> 00:20:21,640
Speaker 3: I really liked it. I really liked the positions that

441
00:20:21,680 --> 00:20:25,560
Speaker 3: they did so that you could really see the butts. Yes,

442
00:20:25,920 --> 00:20:28,679
Speaker 3: you know what I mean, Like there was like they

443
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Speaker 3: would often be that one great actor I'm forgetting his name.

444
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Speaker 1: Is it Connor Story?

445
00:20:33,560 --> 00:20:37,760
Speaker 3: Yeah? Connor story one, Yes, And he was so funny

446
00:20:37,760 --> 00:20:39,320
Speaker 3: on us. And now with all the act he was

447
00:20:39,359 --> 00:20:42,280
Speaker 3: so talented, amazing, but his greatest talent is the way

448
00:20:42,280 --> 00:20:45,240
Speaker 3: that he could contort his body so that the cinematographer

449
00:20:45,320 --> 00:20:49,080
Speaker 3: could catch his buttah being always juicy, because even with

450
00:20:49,119 --> 00:20:51,560
Speaker 3: people with juicy butts, it doesn't always look juicy.

451
00:20:52,000 --> 00:20:56,160
Speaker 1: No, you need you need the help of cinematography on set.

452
00:20:56,240 --> 00:20:59,560
Speaker 3: I find one like his legs would be splayed in

453
00:20:59,680 --> 00:21:03,800
Speaker 3: the right ways all the time. It's really but how

454
00:21:03,800 --> 00:21:04,320
Speaker 3: to find the light?

455
00:21:04,520 --> 00:21:06,199
Speaker 2: Yeah, And speaking of the light, I was going to say, like,

456
00:21:06,240 --> 00:21:08,679
Speaker 2: what a beautiful convocation of the departments where it's like, oh,

457
00:21:08,680 --> 00:21:11,200
Speaker 2: the gaffer is really slang, you know what I mean, Like.

458
00:21:11,160 --> 00:21:15,320
Speaker 1: That ass is lit apart for those asses. Absolutely, And

459
00:21:15,359 --> 00:21:17,720
Speaker 1: you know, I think that Hudson felt the heat because

460
00:21:17,760 --> 00:21:20,120
Speaker 1: he was like, Okay, I gotta raise my game because

461
00:21:20,160 --> 00:21:22,680
Speaker 1: his ass can find the light this they're like first

462
00:21:22,720 --> 00:21:25,720
Speaker 1: scene where they like really have sex. There's a moment

463
00:21:25,800 --> 00:21:30,280
Speaker 1: where Hudson like starts crawling towards him, and the way

464
00:21:30,359 --> 00:21:33,439
Speaker 1: he turns like he's his leg. He's sort of like

465
00:21:33,640 --> 00:21:35,720
Speaker 1: getting you a little side.

466
00:21:35,880 --> 00:21:39,640
Speaker 2: But and it worked on me, and we we mean

467
00:21:39,760 --> 00:21:44,399
Speaker 2: cheating as in like tilting two camera. He was favoring

468
00:21:45,280 --> 00:21:48,800
Speaker 2: the camera and it worked on I think all of

469
00:21:48,840 --> 00:21:53,840
Speaker 2: the world and Conor story's incredible character Ilia Rosanoff.

470
00:21:54,520 --> 00:21:55,000
Speaker 1: Yeah, and I.

471
00:21:54,920 --> 00:21:57,639
Speaker 3: Should have led with that. They're great actors. He did,

472
00:21:57,920 --> 00:21:59,640
Speaker 3: And I like the story and the romance.

473
00:21:59,720 --> 00:22:02,119
Speaker 1: Well, they didn't lead with that. The first two episodes

474
00:22:02,119 --> 00:22:03,200
Speaker 1: were not about that.

475
00:22:03,480 --> 00:22:06,600
Speaker 3: Hey, I don't care about the sex and the show.

476
00:22:06,880 --> 00:22:09,159
Speaker 3: I just like the rumance. No, it's true. I just

477
00:22:09,320 --> 00:22:11,880
Speaker 3: you know, I don't know them in person, and I'm worried.

478
00:22:11,880 --> 00:22:13,640
Speaker 3: I'm always worried they're gonna be like, you didn't even

479
00:22:13,640 --> 00:22:17,000
Speaker 3: know my name. You call me accent guy unless cult,

480
00:22:17,119 --> 00:22:20,360
Speaker 3: but you see you said I was the accent guy

481
00:22:20,400 --> 00:22:21,280
Speaker 3: with the juicy button.

482
00:22:21,320 --> 00:22:24,719
Speaker 2: They need some humbling not humbling, but they would find

483
00:22:24,720 --> 00:22:27,000
Speaker 2: it refreshing that you would be like, oh my gosh,

484
00:22:27,040 --> 00:22:30,000
Speaker 2: you're that wonderful actor. They would love that because I

485
00:22:30,000 --> 00:22:32,760
Speaker 2: think now they now my algorithm is a lot of

486
00:22:32,760 --> 00:22:35,800
Speaker 2: people like zooming in on like sweatpant photos of them

487
00:22:36,040 --> 00:22:37,080
Speaker 2: and like they're.

488
00:22:36,880 --> 00:22:38,119
Speaker 3: Getting the treatment.

489
00:22:38,320 --> 00:22:39,160
Speaker 1: Yeah, they've reached that.

490
00:22:39,119 --> 00:22:40,800
Speaker 2: They've gotten They've gotten to that level. And I'm like,

491
00:22:40,840 --> 00:22:44,600
Speaker 2: that's great, happy for them, unless it's like unless it's

492
00:22:44,680 --> 00:22:49,240
Speaker 2: like not necessarily wanted. But who's to say. Who's to say?

493
00:22:49,280 --> 00:22:53,840
Speaker 1: They're pretty publicly like every time they pose for a camera,

494
00:22:53,880 --> 00:22:56,600
Speaker 1: it's sort of given, like want me, want me, want me.

495
00:22:56,880 --> 00:22:57,120
Speaker 2: Word.

496
00:22:57,280 --> 00:23:00,480
Speaker 3: As someone who's never been objectified, I under stand there

497
00:23:00,480 --> 00:23:03,120
Speaker 3: are people who don't like it, but it's very hard

498
00:23:03,160 --> 00:23:03,800
Speaker 3: to relate to.

499
00:23:04,320 --> 00:23:05,119
Speaker 2: I'm jealous.

500
00:23:05,280 --> 00:23:07,760
Speaker 3: I'm like, I would never I just would only. I

501
00:23:07,800 --> 00:23:10,639
Speaker 3: would only ever love for people to to be pushing

502
00:23:10,680 --> 00:23:13,600
Speaker 3: in on my chest, like to be taking a photo

503
00:23:13,640 --> 00:23:14,600
Speaker 3: and pushing in to see.

504
00:23:14,480 --> 00:23:16,080
Speaker 1: If you can.

505
00:23:15,359 --> 00:23:17,600
Speaker 3: I saw her nipples.

506
00:23:18,400 --> 00:23:21,879
Speaker 1: I'm going to show your perception. You went, you went, you,

507
00:23:21,880 --> 00:23:24,240
Speaker 1: you left and came back in. Fraser sat down and

508
00:23:24,280 --> 00:23:26,200
Speaker 1: he said, most beautiful woman I've ever seen?

509
00:23:26,640 --> 00:23:27,479
Speaker 3: Are you kidding?

510
00:23:27,560 --> 00:23:31,399
Speaker 1: Meal? What? He loves you? Who?

511
00:23:31,680 --> 00:23:33,640
Speaker 3: Who am I hotter than wait?

512
00:23:33,680 --> 00:23:34,000
Speaker 1: No?

513
00:23:34,000 --> 00:23:39,640
Speaker 3: No, I that's so that is really nice. Thank you guys,

514
00:23:39,760 --> 00:23:42,159
Speaker 3: it's a lot of work. Thank you. I appreciate it

515
00:23:42,200 --> 00:23:45,119
Speaker 3: for all of us, truly, I appreciate it.

516
00:23:45,200 --> 00:23:49,640
Speaker 1: Thank you and phrases he's over there in heaven. Well

517
00:23:49,960 --> 00:23:52,160
Speaker 1: get God. Get ready because it's about to get better,

518
00:23:52,160 --> 00:23:54,600
Speaker 1: because we're actually about to ask you, Mandy killing the question,

519
00:23:54,960 --> 00:23:56,639
Speaker 1: the central question of last culture.

520
00:23:59,280 --> 00:24:03,640
Speaker 2: And now a vital break from our sponsor, vital proteins.

521
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523
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526
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531
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532
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533
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535
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Speaker 1: it's become a simple part of my daily routine.

536
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Speaker 2: But however you do it, consistency is the key. It's

537
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Speaker 2: crazy how something's so effective is so easy.

538
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541
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542
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Speaker 1: These statements have not been evaluated by the Food and

543
00:25:18,920 --> 00:25:23,000
Speaker 1: Drug Administration. This product is not intended to diagnose, treat, cure,

544
00:25:23,200 --> 00:25:24,640
Speaker 1: or prevent any disease.

545
00:25:25,000 --> 00:25:26,960
Speaker 2: I thought you said it was proven by science.

546
00:25:26,920 --> 00:25:29,280
Speaker 1: I never said that. I just said it was good.

547
00:25:29,880 --> 00:25:32,160
Speaker 2: Mindy kating. What is the culture that made you say culture.

548
00:25:31,880 --> 00:25:32,199
Speaker 1: Is for me?

549
00:25:33,359 --> 00:25:37,840
Speaker 3: Okay? I think the culture that made me say that

550
00:25:37,840 --> 00:25:40,840
Speaker 3: culture is for me is award shows. And I'm not.

551
00:25:40,880 --> 00:25:41,640
Speaker 3: I guess I'm not.

552
00:25:42,440 --> 00:25:43,000
Speaker 1: We know you're not.

553
00:25:43,400 --> 00:25:45,800
Speaker 3: No, we know this is not synergistic. It's not a

554
00:25:46,280 --> 00:25:49,600
Speaker 3: cynical synergistic answer because of this, because of what's happening.

555
00:25:49,840 --> 00:25:52,360
Speaker 1: Thank you for knowing how much it helps us tonight

556
00:25:52,880 --> 00:25:54,600
Speaker 1: it to mention them.

557
00:25:54,920 --> 00:25:56,720
Speaker 3: I feel and I don't know if you guys felt

558
00:25:56,720 --> 00:26:00,240
Speaker 3: this way. That I grew up in suburban Boston, and

559
00:26:00,280 --> 00:26:02,560
Speaker 3: I think award shows for me, as someone who felt

560
00:26:02,560 --> 00:26:05,320
Speaker 3: like I had no access to Hollywood or anything, was

561
00:26:05,520 --> 00:26:11,960
Speaker 3: an amazing mix of competitiveness, couture and Hollywood and chowbiz,

562
00:26:12,240 --> 00:26:14,640
Speaker 3: and to me, those were all the things that I mean,

563
00:26:15,000 --> 00:26:18,000
Speaker 3: as like a competitive Asian nerd, like I love that

564
00:26:18,080 --> 00:26:19,919
Speaker 3: element of it too, like they can't just get up

565
00:26:19,920 --> 00:26:21,560
Speaker 3: and win an award, they have to fight each other.

566
00:26:22,880 --> 00:26:24,800
Speaker 3: And also, I don't know if you guys felt this way,

567
00:26:24,840 --> 00:26:27,199
Speaker 3: but I was so nerdy about award shows that I

568
00:26:27,280 --> 00:26:30,800
Speaker 3: was like, I'll remember so distinctly when al Pacino was

569
00:26:30,880 --> 00:26:32,879
Speaker 3: up for his Oscar for Son of a Woman. I

570
00:26:32,920 --> 00:26:35,880
Speaker 3: was probably like twelve years old, Yes, I was like ten.

571
00:26:35,880 --> 00:26:38,000
Speaker 3: I was ten or eleven years old, but I remember

572
00:26:38,160 --> 00:26:41,080
Speaker 3: so well, being like the lore of it, being like,

573
00:26:41,400 --> 00:26:43,840
Speaker 3: you know, like I was the kid that was walking

574
00:26:43,880 --> 00:26:46,960
Speaker 3: around being like, you know that he's been nominated for Godfather,

575
00:26:47,080 --> 00:26:50,240
Speaker 3: Godfather too, Surpaco and Dogged Afternoon and he's never won,

576
00:26:50,840 --> 00:26:52,560
Speaker 3: so this could be the time he won. And I

577
00:26:52,600 --> 00:26:54,440
Speaker 3: was like, I didn't haven't seen any of those movies,

578
00:26:54,480 --> 00:26:57,359
Speaker 3: but I knew the importance of like, this is a

579
00:26:57,400 --> 00:27:00,119
Speaker 3: story of a man who's been snubbed several times. He

580
00:27:00,240 --> 00:27:02,960
Speaker 3: is owed this And I'd just go around at school

581
00:27:03,080 --> 00:27:07,640
Speaker 3: telling people this information because I thought it was important.

582
00:27:07,680 --> 00:27:09,800
Speaker 3: So I think award shows and we'd all like get

583
00:27:09,800 --> 00:27:12,480
Speaker 3: together and watch them, you know. I think that was

584
00:27:12,600 --> 00:27:14,480
Speaker 3: really and like, I don't know if you guys felt

585
00:27:14,480 --> 00:27:16,560
Speaker 3: this way, Like the vibe of the Golden Globes was

586
00:27:16,560 --> 00:27:19,800
Speaker 3: so different than the Oscars, and you could wear cocktail

587
00:27:19,840 --> 00:27:21,560
Speaker 3: for the Golden Globes when you wouldn't dare wear that

588
00:27:21,600 --> 00:27:23,480
Speaker 3: to the Oscar. Yeah, and if you did, it was

589
00:27:23,520 --> 00:27:25,800
Speaker 3: because you were like b York or Sharon Stone and

590
00:27:26,040 --> 00:27:28,280
Speaker 3: was trying to like make a standment. So to me,

591
00:27:28,920 --> 00:27:33,000
Speaker 3: award shows are like was a huge part of like

592
00:27:33,040 --> 00:27:34,520
Speaker 3: when I decided culture was culture.

593
00:27:34,840 --> 00:27:37,480
Speaker 1: I had this feeling about you because this reminds me

594
00:27:37,520 --> 00:27:39,880
Speaker 1: of when I met you, because do you remember when

595
00:27:39,880 --> 00:27:42,240
Speaker 1: I met you at sun Dance? You were there with

596
00:27:42,400 --> 00:27:45,239
Speaker 1: Late Night. Oh my god, So I was covering the

597
00:27:45,280 --> 00:27:47,719
Speaker 1: festival for Vulture. We used to do that together, but

598
00:27:47,760 --> 00:27:49,400
Speaker 1: what had just booked ess to now? So I went

599
00:27:49,520 --> 00:27:52,600
Speaker 1: up to Sundance by myself and you came in for

600
00:27:52,760 --> 00:27:55,880
Speaker 1: Late Night, and I was asking everyone who's gonna win

601
00:27:55,960 --> 00:27:58,240
Speaker 1: the Best Actress Oscar this year? And I was saying,

602
00:27:58,280 --> 00:28:01,359
Speaker 1: is it going to be Glenn Close or Gaga? Glenn

603
00:28:01,359 --> 00:28:04,040
Speaker 1: Close for the wife and Lady Gaga first Star is born?

604
00:28:04,160 --> 00:28:06,359
Speaker 1: And you said it's going to be Olivia Coleman for

605
00:28:06,400 --> 00:28:08,640
Speaker 1: the favorite, and you were right, and you were the

606
00:28:08,680 --> 00:28:13,040
Speaker 1: only one who said publicly who they thought would win.

607
00:28:13,240 --> 00:28:15,120
Speaker 1: Naomi Watts almost left the room.

608
00:28:15,560 --> 00:28:18,440
Speaker 3: Wait, wait a second, I said.

609
00:28:18,200 --> 00:28:19,959
Speaker 1: That you've said Olivia Coleman.

610
00:28:20,280 --> 00:28:23,240
Speaker 3: By the way, you're Nicole Cadman with your memory.

611
00:28:23,400 --> 00:28:28,480
Speaker 1: That was my first incredible uh second of all.

612
00:28:28,560 --> 00:28:30,440
Speaker 3: I can't believe I said that you did, because sometimes

613
00:28:30,480 --> 00:28:32,320
Speaker 3: on red carpets, don't you just feel like you're like,

614
00:28:32,800 --> 00:28:35,119
Speaker 3: I'm just prattling on, like, let me just have takes

615
00:28:35,440 --> 00:28:36,280
Speaker 3: just to say stuff.

616
00:28:36,960 --> 00:28:40,600
Speaker 1: I never say anything. I'm behind things. Just I just

617
00:28:40,640 --> 00:28:42,840
Speaker 1: talked for two minutes and I don't know what.

618
00:28:42,880 --> 00:28:44,680
Speaker 3: I to the point where I feel like sometimes I'm like,

619
00:28:44,720 --> 00:28:47,280
Speaker 3: I want to test out this new thought. I don't

620
00:28:47,280 --> 00:28:48,000
Speaker 3: even feel it.

621
00:28:48,080 --> 00:28:48,880
Speaker 1: Maybe I think this.

622
00:28:49,080 --> 00:28:50,480
Speaker 3: Maybe I think this, I'm going to see how it

623
00:28:50,560 --> 00:28:52,440
Speaker 3: sounds in public and then do it. And it's you

624
00:28:52,440 --> 00:28:55,040
Speaker 3: should be thinking the opposite. You should be like, I

625
00:28:55,080 --> 00:28:58,080
Speaker 3: need to have a tried and true opinion here. Hey,

626
00:28:58,240 --> 00:29:03,280
Speaker 3: I'm really impressed you nail. Maybe I affected. Maybe that's what.

627
00:29:03,320 --> 00:29:06,080
Speaker 1: Why it happened. Whoa, I mean, definitely it was a

628
00:29:06,160 --> 00:29:07,120
Speaker 1: nail bier that you.

629
00:29:07,080 --> 00:29:11,240
Speaker 2: Were compelled to say that as an informed take. You're

630
00:29:11,280 --> 00:29:12,960
Speaker 2: someone who follows awards.

631
00:29:13,200 --> 00:29:16,240
Speaker 3: I mean it's so lusory to be someone who has

632
00:29:16,280 --> 00:29:19,080
Speaker 3: informed takes about award shows. But I am.

633
00:29:19,840 --> 00:29:22,800
Speaker 1: We were like, we were literally just saying today, one

634
00:29:22,840 --> 00:29:26,400
Speaker 1: of our answers to this question is the ninety for

635
00:29:26,440 --> 00:29:28,400
Speaker 1: the ninety seven films, because that was the one titan

636
00:29:29,480 --> 00:29:31,040
Speaker 1: huge year. It was.

637
00:29:31,160 --> 00:29:33,160
Speaker 2: It was my first Oscars and it was like, who's

638
00:29:33,200 --> 00:29:36,040
Speaker 2: this Billy Crystal guy. He's so funny, so funny? What

639
00:29:36,080 --> 00:29:38,240
Speaker 2: are all these baby packages with him in the movie, Like,

640
00:29:38,760 --> 00:29:41,280
Speaker 2: oh my god, look like it. It just and it

641
00:29:41,360 --> 00:29:44,280
Speaker 2: felt like this big snub when Helen Hunt won or

642
00:29:44,280 --> 00:29:46,560
Speaker 2: something to kids, because I was reading for Kate Win's like, yeah.

643
00:29:46,440 --> 00:29:49,440
Speaker 3: That was where like good will hunting was against Titanic, right.

644
00:29:49,240 --> 00:29:52,520
Speaker 1: It was goodwill hunting as good as it gets Titanic.

645
00:29:53,320 --> 00:29:56,200
Speaker 1: I believe that year was also La confidential. I'm like

646
00:29:56,240 --> 00:29:58,960
Speaker 1: Oh my god, Kim Basinger won her Oscar that year.

647
00:29:59,520 --> 00:30:00,000
Speaker 3: Oh my god.

648
00:30:00,280 --> 00:30:02,520
Speaker 1: Yeah, like award shows.

649
00:30:02,640 --> 00:30:04,400
Speaker 2: I've been saying this because we we just started dunking

650
00:30:04,440 --> 00:30:06,080
Speaker 2: today for the for the Cultural Awards. I was like, Oh,

651
00:30:06,080 --> 00:30:09,040
Speaker 2: it's like the beam refracted into all these different things

652
00:30:09,040 --> 00:30:13,000
Speaker 2: that I love now, which is like music, dance, live comedy,

653
00:30:13,400 --> 00:30:15,040
Speaker 2: live television, comedy like it.

654
00:30:14,840 --> 00:30:17,520
Speaker 1: It's just it has everything. It has.

655
00:30:18,720 --> 00:30:21,720
Speaker 2: The structure of a variety show, but it has the

656
00:30:21,920 --> 00:30:24,160
Speaker 2: arc of something where it like all builds up to

657
00:30:24,160 --> 00:30:25,680
Speaker 2: this thing where by the end of the night, like

658
00:30:25,720 --> 00:30:28,480
Speaker 2: people are either completely disappointed or so triumphant.

659
00:30:28,600 --> 00:30:32,000
Speaker 3: Well I think I think that's so correct, and especially

660
00:30:32,080 --> 00:30:35,440
Speaker 3: now Bowen were like, I mean the Wicked Press Tour, right,

661
00:30:35,480 --> 00:30:38,640
Speaker 3: you have these long of us. There's these arcs, as

662
00:30:38,680 --> 00:30:41,040
Speaker 3: you said, like there's these arcs of stories where you're

663
00:30:41,080 --> 00:30:44,640
Speaker 3: just like watching like like Cynthia and Ariana and like

664
00:30:44,720 --> 00:30:46,200
Speaker 3: this is what it was like then, and this is

665
00:30:46,200 --> 00:30:48,760
Speaker 3: this Caparelli thing they wore and miss held her finger

666
00:30:48,880 --> 00:30:51,280
Speaker 3: and now this is now she seems like maybe she's

667
00:30:51,320 --> 00:30:53,120
Speaker 3: fed up or someone tried to grab her and like

668
00:30:53,360 --> 00:30:55,240
Speaker 3: you know, like you know what I mean, Like and

669
00:30:55,400 --> 00:30:59,400
Speaker 3: everyone has different different arcs leading up to it, like

670
00:30:59,440 --> 00:31:02,400
Speaker 3: the tide turned so much as well. Yeah, so a

671
00:31:02,440 --> 00:31:05,840
Speaker 3: workshows are are? I feel like they're only becoming more

672
00:31:05,880 --> 00:31:09,000
Speaker 3: and more. This is what I can imagine real football

673
00:31:09,200 --> 00:31:10,440
Speaker 3: fans feel. The Super Bowl.

674
00:31:10,560 --> 00:31:14,600
Speaker 1: Yes, when we were there for Wicked, because I went

675
00:31:14,640 --> 00:31:19,040
Speaker 1: as Bowen state it fell. I felt physical pain.

676
00:31:18,960 --> 00:31:22,920
Speaker 3: When because it was such the.

677
00:31:22,280 --> 00:31:26,200
Speaker 2: The room, the room, really you've experienced this like in

678
00:31:26,240 --> 00:31:30,520
Speaker 2: those rooms what it shifts and it just and you're like, oh, whoa,

679
00:31:30,680 --> 00:31:31,800
Speaker 2: this is strange.

680
00:31:31,720 --> 00:31:34,560
Speaker 1: Yeah, because also you're very aware that someone has just

681
00:31:34,680 --> 00:31:38,720
Speaker 1: won an Oscar who obviously it's an incredible performance. But yes,

682
00:31:38,960 --> 00:31:42,200
Speaker 1: to know that there was that much happening in that

683
00:31:42,280 --> 00:31:44,360
Speaker 1: moment was so wild.

684
00:31:44,600 --> 00:31:46,960
Speaker 3: Yes, this is why I felt this about al Pacino.

685
00:31:47,560 --> 00:31:48,280
Speaker 3: He's got to win.

686
00:31:48,600 --> 00:31:50,600
Speaker 1: Yes, he's been overlooked luckily.

687
00:31:51,320 --> 00:31:53,720
Speaker 3: But you know what else about Demi Moore is that

688
00:31:53,760 --> 00:31:56,440
Speaker 3: she had given that speech, Hey, I'm a loser. I'm

689
00:31:56,480 --> 00:32:00,240
Speaker 3: a loser. I remember the speech she gave speech at

690
00:32:00,240 --> 00:32:04,160
Speaker 3: the Globes, which was incredible, one of the great acceptance speech.

691
00:32:04,840 --> 00:32:07,120
Speaker 1: I thought it was shown up for her and then

692
00:32:08,160 --> 00:32:09,120
Speaker 1: and then and then.

693
00:32:09,200 --> 00:32:11,240
Speaker 2: And then I was going to say, you know what

694
00:32:11,480 --> 00:32:14,960
Speaker 2: reading your first book inspired me WHOA because I was like.

695
00:32:15,280 --> 00:32:19,480
Speaker 3: Even WHOA, like just a nice I related a nice pivot.

696
00:32:19,640 --> 00:32:20,280
Speaker 1: He's a pro.

697
00:32:20,440 --> 00:32:25,520
Speaker 2: No, it's no, no, no, I love yang, he's a pro.

698
00:32:26,040 --> 00:32:28,600
Speaker 2: That was not a segue. That was a hard lurch

699
00:32:28,600 --> 00:32:29,200
Speaker 2: of a pivot.

700
00:32:29,280 --> 00:32:31,640
Speaker 3: I don't know. I loved it and shouldn't have said

701
00:32:31,640 --> 00:32:34,280
Speaker 3: whoa because I sled. I slowed this down your momentum time.

702
00:32:34,360 --> 00:32:35,920
Speaker 2: No no, no, no, no no, this is this is all

703
00:32:35,920 --> 00:32:36,440
Speaker 2: part of it.

704
00:32:36,520 --> 00:32:36,800
Speaker 3: Please.

705
00:32:37,560 --> 00:32:39,440
Speaker 1: I was expecting an answer.

706
00:32:39,240 --> 00:32:42,560
Speaker 2: To the question, uh, like in terms of maybe like

707
00:32:43,240 --> 00:32:45,720
Speaker 2: the Simpsons or SNL, where I related to you so

708
00:32:45,880 --> 00:32:48,080
Speaker 2: much When you were saying that you would, you would look,

709
00:32:48,200 --> 00:32:50,200
Speaker 2: you'd watch the credits of these shows and be like,

710
00:32:50,320 --> 00:32:51,360
Speaker 2: who are the writers?

711
00:32:51,720 --> 00:32:52,320
Speaker 3: Oh my god?

712
00:32:52,520 --> 00:32:54,360
Speaker 2: Yes, because this was something that like Matt and I

713
00:32:54,360 --> 00:32:57,320
Speaker 2: would do growing up where were like and it didn't

714
00:32:57,320 --> 00:33:01,360
Speaker 2: occur to us until later, until we were like earnestly

715
00:33:01,600 --> 00:33:04,400
Speaker 2: like aspiring to comedy jobs. Were like, oh yeah, I

716
00:33:04,400 --> 00:33:06,840
Speaker 2: guess that does. Like that does sort of like set

717
00:33:06,880 --> 00:33:09,239
Speaker 2: things apart for us where we're like, we've loved this

718
00:33:09,280 --> 00:33:09,640
Speaker 2: real long.

719
00:33:09,680 --> 00:33:11,760
Speaker 1: One day, I'm gonna meet Brian Tucker.

720
00:33:11,960 --> 00:33:15,360
Speaker 3: Literally at sleepovers, like your friends are moving on, They're

721
00:33:15,360 --> 00:33:18,000
Speaker 3: playing mash in another room sleepover, and I'm like, who

722
00:33:18,040 --> 00:33:22,880
Speaker 3: is Dennis McNicholas. I can't Maybe one day I'll.

723
00:33:24,960 --> 00:33:25,280
Speaker 2: Don't know.

724
00:33:25,440 --> 00:33:26,720
Speaker 3: I've never met Dennis Nicholas.

725
00:33:27,240 --> 00:33:27,680
Speaker 2: I love him.

726
00:33:27,720 --> 00:33:30,800
Speaker 1: I met Paula Pellet and I was like, I'm going up,

727
00:33:30,880 --> 00:33:31,720
Speaker 1: but it was hard.

728
00:33:31,920 --> 00:33:33,760
Speaker 3: I was like, she really lives up to it, right

729
00:33:33,760 --> 00:33:35,880
Speaker 3: because she's also a performer and she's so funny.

730
00:33:35,920 --> 00:33:36,600
Speaker 1: She's just the best.

731
00:33:36,760 --> 00:33:38,959
Speaker 3: Yeah, and she was like one of the only female

732
00:33:39,080 --> 00:33:40,000
Speaker 3: names you would see on.

733
00:33:39,960 --> 00:33:43,920
Speaker 2: Those Definitely totally And but I'm just gonna say like that,

734
00:33:44,000 --> 00:33:47,040
Speaker 2: like I love I feel like you're this is we're

735
00:33:47,120 --> 00:33:50,440
Speaker 2: kin folk because it's like you award shows, but also

736
00:33:50,520 --> 00:33:53,280
Speaker 2: this thing that imprinted on you very early on, which

737
00:33:53,320 --> 00:33:54,920
Speaker 2: is like comedy credits.

738
00:33:55,280 --> 00:33:57,720
Speaker 3: Yes, you know what I mean, Ken, i'mm is that

739
00:33:57,800 --> 00:33:59,240
Speaker 3: a mom?

740
00:33:59,320 --> 00:33:59,400
Speaker 2: Like?

741
00:33:59,400 --> 00:34:01,640
Speaker 3: I remember seeing his name because it was very It

742
00:34:01,720 --> 00:34:04,280
Speaker 3: was one of the first credits that you'd see when

743
00:34:04,280 --> 00:34:06,600
Speaker 3: the show was ending, and I was like, that guy,

744
00:34:06,920 --> 00:34:07,640
Speaker 3: what is his role?

745
00:34:07,720 --> 00:34:11,440
Speaker 2: He's he was the sort of control room producer like

746
00:34:11,440 --> 00:34:14,399
Speaker 2: stagement just made sure everyone came to blocking on time,

747
00:34:14,440 --> 00:34:17,640
Speaker 2: but like ran such a tight ship. Yeah, wow, people,

748
00:34:17,760 --> 00:34:20,920
Speaker 2: I don't know people. I love that man, Ken Kenny,

749
00:34:21,080 --> 00:34:23,440
Speaker 2: see I need to I have always been very curious

750
00:34:23,440 --> 00:34:26,520
Speaker 2: about your your your guest writing stent. Oh yeah, what

751
00:34:26,680 --> 00:34:28,440
Speaker 2: was like like talk about that?

752
00:34:28,920 --> 00:34:35,200
Speaker 3: It was so it was so intimidating. Yeah, it was.

753
00:34:35,480 --> 00:34:39,080
Speaker 3: People were it was. It was really intimidating. I learned

754
00:34:39,120 --> 00:34:43,920
Speaker 3: so much. Some people were extremely friendly and it was intense. Yeah,

755
00:34:43,960 --> 00:34:47,000
Speaker 3: Like I I got a glimpse of something that I thought, like,

756
00:34:47,600 --> 00:34:50,239
Speaker 3: you guys know now that la writing scene on a

757
00:34:50,280 --> 00:34:53,800
Speaker 3: sitcom is so different than writing on a variety show.

758
00:34:54,200 --> 00:34:56,239
Speaker 3: I didn't think that. I thought it would just be

759
00:34:56,320 --> 00:34:59,160
Speaker 3: like being on the writers being I thought it would

760
00:34:59,200 --> 00:35:01,120
Speaker 3: just be like being in the writers room for the office,

761
00:35:01,160 --> 00:35:04,840
Speaker 3: but more glamorous later hours. And it was it's a

762
00:35:04,880 --> 00:35:10,440
Speaker 3: completely different vibe. But it was, like I remember distinctly,

763
00:35:10,440 --> 00:35:13,640
Speaker 3: like Amy and Tina were so kind, Will Forte was

764
00:35:13,680 --> 00:35:16,640
Speaker 3: so game and so kind. The Lonely Island guys were

765
00:35:16,680 --> 00:35:19,439
Speaker 3: really nice. But it was also unmistakably and I think

766
00:35:19,600 --> 00:35:22,640
Speaker 3: I think you would say this like super competitive and

767
00:35:24,719 --> 00:35:26,640
Speaker 3: like there was like kind of like a little bit

768
00:35:26,680 --> 00:35:28,959
Speaker 3: more of a whisper culture than I thought a little

769
00:35:29,000 --> 00:35:31,200
Speaker 3: bit or like just like I but I It wasn't

770
00:35:31,239 --> 00:35:33,799
Speaker 3: like anyone was unfriendly to me. I just noticed it

771
00:35:33,840 --> 00:35:36,400
Speaker 3: was kind of anthropologically interesting to come and see it

772
00:35:37,280 --> 00:35:40,680
Speaker 3: the way the doors would close, doors closed, And I

773
00:35:40,719 --> 00:35:43,600
Speaker 3: mean I I could not and did not take anything

774
00:35:43,640 --> 00:35:45,640
Speaker 3: at all personally because I was just there for two

775
00:35:45,680 --> 00:35:48,239
Speaker 3: weeks and people were really nice about the office. And

776
00:35:48,280 --> 00:35:50,680
Speaker 3: that was before the Office was even I think considered

777
00:35:50,719 --> 00:35:52,319
Speaker 3: to be like a cool show. I think this was

778
00:35:52,360 --> 00:35:56,320
Speaker 3: in the hiatus between season two and three, but it wasn't.

779
00:35:56,440 --> 00:35:58,759
Speaker 3: It hadn't like fully become like a hit.

780
00:35:58,880 --> 00:36:01,040
Speaker 2: I think at that point, like like you were like

781
00:36:01,239 --> 00:36:05,839
Speaker 2: like like Kelly was like like like a main like.

782
00:36:07,280 --> 00:36:10,080
Speaker 1: One did that because Kelly was a different type of character.

783
00:36:10,200 --> 00:36:11,880
Speaker 1: The first season, Yes.

784
00:36:12,040 --> 00:36:15,040
Speaker 3: Right, Kelly was like is English her first language? Like

785
00:36:15,080 --> 00:36:18,040
Speaker 3: when you saw her, like is she like from another country?

786
00:36:18,200 --> 00:36:21,160
Speaker 3: Like the way she dressed Okay, but I felt like

787
00:36:22,440 --> 00:36:25,600
Speaker 3: she was just like like a kind of like like

788
00:36:25,800 --> 00:36:28,960
Speaker 3: she's she's like a woman from another country, Michael, like,

789
00:36:29,000 --> 00:36:33,400
Speaker 3: don't be like it was. She wasn't like pop culture Kelly.

790
00:36:33,880 --> 00:36:36,960
Speaker 3: But second season she was more. But I think at

791
00:36:37,000 --> 00:36:40,360
Speaker 3: that time, if I may say, I think people respected

792
00:36:40,360 --> 00:36:42,719
Speaker 3: the Office, but I don't think SNL was quite okay.

793
00:36:42,719 --> 00:36:44,440
Speaker 3: So I feel like people who like Kelly are like

794
00:36:44,480 --> 00:36:46,920
Speaker 3: a certain kind of woman and gay man. And I

795
00:36:46,920 --> 00:36:48,880
Speaker 3: don't think SNL was that gay.

796
00:36:48,719 --> 00:36:51,239
Speaker 1: Then James and.

797
00:36:52,800 --> 00:36:53,439
Speaker 2: Were holding it down.

798
00:36:53,800 --> 00:36:56,600
Speaker 3: Yeah so I think, but I think everyone like respected.

799
00:36:56,719 --> 00:36:58,560
Speaker 3: We had a lot of crossover. I think Mike Sure

800
00:36:59,400 --> 00:37:01,600
Speaker 3: had a lot of friends obviously still at SNL, and

801
00:37:01,680 --> 00:37:03,360
Speaker 3: he was I worked with him there, so that was

802
00:37:03,400 --> 00:37:06,040
Speaker 3: a nice name to drop when I would meet people.

803
00:37:06,120 --> 00:37:06,480
Speaker 2: Totally.

804
00:37:06,520 --> 00:37:11,200
Speaker 3: Yeah, but yeah, I mean I I was in awe

805
00:37:11,239 --> 00:37:16,200
Speaker 3: of it obviously, and but yeah, like you know.

806
00:37:17,120 --> 00:37:19,799
Speaker 2: But gosh, I mean, it's it's so interesting that like

807
00:37:19,840 --> 00:37:22,920
Speaker 2: the Office was able to sort of like this is

808
00:37:22,920 --> 00:37:24,520
Speaker 2: the wrong word for it, but like Bell weathered, like

809
00:37:24,560 --> 00:37:28,320
Speaker 2: the queer coded humor before a show like SNL. Could

810
00:37:28,360 --> 00:37:30,399
Speaker 2: you know what I mean? Or that's not fair to say,

811
00:37:30,400 --> 00:37:33,120
Speaker 2: but it's like I can recite here, here we go.

812
00:37:33,160 --> 00:37:34,959
Speaker 2: Here's a deep cut. You think you think the Mini

813
00:37:35,000 --> 00:37:38,040
Speaker 2: Project is a deep cut? Check this out. You don't

814
00:37:38,040 --> 00:37:40,040
Speaker 2: would turn my text you see him up? Oh, don't

815
00:37:40,080 --> 00:37:43,239
Speaker 2: get no text once you got a d D added up.

816
00:37:43,280 --> 00:37:46,279
Speaker 2: Don't equal you and me? Like Shakespeare said, to be

817
00:37:46,520 --> 00:37:50,279
Speaker 2: or not to be? Sometimes your roam meo with me.

818
00:37:51,520 --> 00:37:54,960
Speaker 1: I sometimes you roam MEO with me.

819
00:37:55,840 --> 00:37:57,920
Speaker 3: Wait, I am dying.

820
00:37:58,200 --> 00:38:01,359
Speaker 1: That wasn't even an office episode. That was a bonus online.

821
00:38:00,960 --> 00:38:05,880
Speaker 3: Video was when webisoites you're trying to figure out if

822
00:38:05,880 --> 00:38:08,200
Speaker 3: websites or now I am. I got to say, I'm

823
00:38:08,280 --> 00:38:10,880
Speaker 3: really happy that you think of that fondly, because the

824
00:38:10,920 --> 00:38:14,080
Speaker 3: next line is you look gay and you're skinny.

825
00:38:15,360 --> 00:38:17,120
Speaker 1: Killed in a drive.

826
00:38:18,239 --> 00:38:19,839
Speaker 3: It's not okay to say. Now.

827
00:38:20,239 --> 00:38:24,280
Speaker 1: You can't say comedy your back you're laughing.

828
00:38:24,520 --> 00:38:29,919
Speaker 3: That's all that matters, you know, you would say you look.

829
00:38:30,440 --> 00:38:32,360
Speaker 1: That's around the time when Katy Perry was like, you're

830
00:38:32,480 --> 00:38:40,799
Speaker 1: so gay, you don't even like, yeah, doesn't.

831
00:38:40,520 --> 00:38:45,560
Speaker 3: I feel so happy that somewhere, n y you not

832
00:38:45,600 --> 00:38:48,360
Speaker 3: even ny somewhere it's your, it's your. When you're a

833
00:38:48,360 --> 00:38:52,280
Speaker 3: freshman in high school, that you were like noticing dramaturgically

834
00:38:52,360 --> 00:38:55,239
Speaker 3: different things that we're going into subtle sexuality.

835
00:38:55,360 --> 00:38:58,160
Speaker 1: We would watch, like I just remember, we would. There

836
00:38:58,239 --> 00:39:00,880
Speaker 1: was the Beach Games episode. Out of the Office is

837
00:39:00,920 --> 00:39:04,719
Speaker 1: my favorite episode of TV maybe ever. Wow, Oh my god.

838
00:39:05,080 --> 00:39:06,719
Speaker 1: My high school friend and I would watch it again

839
00:39:06,719 --> 00:39:08,840
Speaker 1: and again and again, and I would just love a

840
00:39:08,880 --> 00:39:11,600
Speaker 1: good old fashion like Kelly one line like, yeah, I

841
00:39:11,640 --> 00:39:16,400
Speaker 1: have a question, how dare you so well? I'm pregnant?

842
00:39:16,560 --> 00:39:17,600
Speaker 1: Cut to her confessional.

843
00:39:18,440 --> 00:39:20,440
Speaker 3: You know, it's been nice. This has happened with you

844
00:39:20,440 --> 00:39:24,319
Speaker 3: guys a lot. I love being memed and those are

845
00:39:24,480 --> 00:39:28,560
Speaker 3: really it's really it makes me feel young to be

846
00:39:28,680 --> 00:39:30,799
Speaker 3: memed and like those lines, like being able to see

847
00:39:30,840 --> 00:39:32,359
Speaker 3: them because I don't know.

848
00:39:33,280 --> 00:39:39,839
Speaker 1: It's forever and the front runner for title of here

849
00:39:39,960 --> 00:39:42,000
Speaker 1: is now to be mean to me.

850
00:39:42,120 --> 00:39:43,760
Speaker 2: You know, I'm saying the office is forever.

851
00:39:44,040 --> 00:39:48,399
Speaker 1: That's you must be like feather in the cap that's

852
00:39:48,560 --> 00:39:49,400
Speaker 1: that is forever.

853
00:39:49,600 --> 00:39:53,000
Speaker 3: It does feel nice when because you never know, like

854
00:39:53,080 --> 00:39:55,280
Speaker 3: I've had some shows that work, some of that people

855
00:39:55,320 --> 00:39:57,319
Speaker 3: really don't like. But it's nice to be able to

856
00:39:57,360 --> 00:40:00,000
Speaker 3: look back at that one and be like, okay, I

857
00:40:00,160 --> 00:40:02,240
Speaker 3: because you know, when you write a bunch of episodes

858
00:40:02,280 --> 00:40:04,200
Speaker 3: like that and then you do a lot of shows

859
00:40:04,640 --> 00:40:06,200
Speaker 3: that are like The Sex Size with College Girls and

860
00:40:06,239 --> 00:40:09,759
Speaker 3: The MINDI Project, which is like totally so different and

861
00:40:09,840 --> 00:40:13,880
Speaker 3: a lot of men hate them, it's nice that they're like,

862
00:40:15,600 --> 00:40:17,799
Speaker 3: they're like, how did she work on them? You can

863
00:40:17,800 --> 00:40:19,520
Speaker 3: see them being loud, did she work in the office?

864
00:40:19,760 --> 00:40:23,040
Speaker 3: Because we like the office.

865
00:40:21,800 --> 00:40:25,080
Speaker 1: Shows so it's nice to be a multitude.

866
00:40:25,480 --> 00:40:28,480
Speaker 3: So it's nice that thank you for for saying that.

867
00:40:28,880 --> 00:40:30,799
Speaker 3: I like. I like what I like about you guys,

868
00:40:30,840 --> 00:40:33,399
Speaker 3: is you watch a lot of stuff? I do too?

869
00:40:33,880 --> 00:40:37,520
Speaker 1: What What's What's what's been your media diet?

870
00:40:38,280 --> 00:40:41,040
Speaker 3: I'm not a snob at all, and so I watch

871
00:40:42,920 --> 00:40:45,560
Speaker 3: everything from Fraser Show?

872
00:40:45,840 --> 00:40:46,799
Speaker 1: Do you watch below Deck?

873
00:40:46,880 --> 00:40:50,759
Speaker 3: Below Deck? Which I got into because of the young

874
00:40:50,760 --> 00:40:53,640
Speaker 3: writers on my show. I'm not really a big reality

875
00:40:53,800 --> 00:40:58,680
Speaker 3: show person. And then yet also like and but I'll

876
00:40:58,760 --> 00:41:01,040
Speaker 3: learn about them from like like I feel like I'll

877
00:41:01,040 --> 00:41:02,480
Speaker 3: see like page in Hannah.

878
00:41:02,560 --> 00:41:04,880
Speaker 1: I would want to share you go deep on Summerhouse.

879
00:41:04,920 --> 00:41:06,680
Speaker 1: I want Summer Summer House podcast.

880
00:41:07,040 --> 00:41:08,799
Speaker 3: Thank you. I gotta I don't know if I know

881
00:41:08,920 --> 00:41:09,480
Speaker 3: quite enough.

882
00:41:09,719 --> 00:41:12,799
Speaker 1: Yeah, but again, yet I would. This is a classic.

883
00:41:13,680 --> 00:41:16,600
Speaker 1: This is a huge straight to series for me. Is

884
00:41:16,640 --> 00:41:18,600
Speaker 1: you starting from it one of Summerhouse?

885
00:41:18,760 --> 00:41:19,040
Speaker 3: Okay?

886
00:41:19,160 --> 00:41:21,040
Speaker 1: I see billions of dollars?

887
00:41:21,239 --> 00:41:23,520
Speaker 3: I like, I love that you can do. I do

888
00:41:23,600 --> 00:41:25,400
Speaker 3: anything to not have to write television.

889
00:41:27,040 --> 00:41:30,120
Speaker 1: It's so hard. Raise that's not so good.

890
00:41:31,400 --> 00:41:34,239
Speaker 2: I just when did you have this feeling? Because you know,

891
00:41:34,320 --> 00:41:36,000
Speaker 2: you know what, It dawned on me that like writing

892
00:41:36,040 --> 00:41:39,120
Speaker 2: fucking sucks was when Phoebe waller Bridge hosted SNL and

893
00:41:39,360 --> 00:41:42,319
Speaker 2: we were talking between you know, blocking, stopdowns or whatever,

894
00:41:42,360 --> 00:41:44,799
Speaker 2: and I was just like whatever. I didn't even bring

895
00:41:44,800 --> 00:41:47,520
Speaker 2: it up. She just goes, writing is the worst fucking

896
00:41:47,520 --> 00:41:50,360
Speaker 2: thing in the worldly. I hate to do it, and

897
00:41:50,480 --> 00:41:53,000
Speaker 2: yet I have to and it's amazing and I do

898
00:41:53,040 --> 00:41:55,520
Speaker 2: love it, but it is the worst. Ultimately she loves it.

899
00:41:55,840 --> 00:41:58,720
Speaker 2: Which she was telling me was it is by nature

900
00:41:58,880 --> 00:41:59,920
Speaker 2: so fucking hard.

901
00:42:00,120 --> 00:42:01,000
Speaker 3: It's so hard.

902
00:42:00,880 --> 00:42:04,480
Speaker 1: Because it's hard to have fun preparing to do it

903
00:42:04,600 --> 00:42:07,920
Speaker 1: and sitting down to do it and then doing it.

904
00:42:08,840 --> 00:42:12,480
Speaker 1: And so that is, But what is your actual writing process?

905
00:42:12,520 --> 00:42:14,560
Speaker 1: Do you actually get down and type out? Like are

906
00:42:14,640 --> 00:42:17,279
Speaker 1: you on the go? Like I'm curious about that.

907
00:42:17,440 --> 00:42:20,560
Speaker 3: So for so for different things like so for the

908
00:42:20,600 --> 00:42:22,880
Speaker 3: writer's rooms, that's just like sitting in a room. But

909
00:42:22,920 --> 00:42:26,040
Speaker 3: I think the the hard thing is coming up with

910
00:42:26,160 --> 00:42:29,600
Speaker 3: things that are legitimately funny over and over again, and

911
00:42:29,680 --> 00:42:32,839
Speaker 3: like the joke writing, Like on the MINDI Project League,

912
00:42:32,840 --> 00:42:36,640
Speaker 3: we had Tracy Wigfield, Matt Warburton, Blane Fisher, we had

913
00:42:36,640 --> 00:42:38,359
Speaker 3: a lot of like Eike and Dave, like, we had

914
00:42:38,440 --> 00:42:41,600
Speaker 3: a lot of really great joke writers. But like that

915
00:42:41,680 --> 00:42:44,319
Speaker 3: thing of like it's just so hard to come up

916
00:42:44,360 --> 00:42:47,040
Speaker 3: with that many jokes. It just takes a lot of effort.

917
00:42:47,040 --> 00:42:48,719
Speaker 3: And that's the thing with like the comedy shows. Like

918
00:42:48,760 --> 00:42:52,600
Speaker 3: so when I watch he did Rivalry or off Campus,

919
00:42:52,960 --> 00:42:55,120
Speaker 3: I'm naming a lot of sexy shows. But like when

920
00:42:55,160 --> 00:42:57,759
Speaker 3: I when I see those ones, I'm like, I don't

921
00:42:57,800 --> 00:42:59,880
Speaker 3: think it's easy. I think there's like other challenges to

922
00:43:00,120 --> 00:43:02,920
Speaker 3: doing sexy hour longs, but like I long to have

923
00:43:03,000 --> 00:43:05,040
Speaker 3: it not be that the thing that's keeping you from

924
00:43:05,040 --> 00:43:08,319
Speaker 3: going home or having a joke writing, like.

925
00:43:09,840 --> 00:43:12,160
Speaker 1: There is tension.

926
00:43:12,960 --> 00:43:14,839
Speaker 2: Yes, car and go home, get my.

927
00:43:14,800 --> 00:43:15,440
Speaker 1: Car and go home.

928
00:43:15,600 --> 00:43:15,880
Speaker 2: So I.

929
00:43:17,719 --> 00:43:19,600
Speaker 3: I mean you guys, like first of all, hosting funny

930
00:43:19,640 --> 00:43:22,279
Speaker 3: award shows, doing ESNL, Like with you guys, I mean

931
00:43:22,280 --> 00:43:25,239
Speaker 3: you must face this with your guys as writers. It's

932
00:43:25,280 --> 00:43:28,600
Speaker 3: just but it's it is the most fun, but it's

933
00:43:28,719 --> 00:43:32,120
Speaker 3: it is exhausting now writing for when I write my essays,

934
00:43:32,760 --> 00:43:35,440
Speaker 3: that's challenging. All I'm doing is complaining, Like these are

935
00:43:35,480 --> 00:43:37,040
Speaker 3: great jobs. I want to just acknowledge you.

936
00:43:37,160 --> 00:43:41,400
Speaker 1: But I think that the hard thing is when you

937
00:43:41,640 --> 00:43:44,839
Speaker 1: know that their fun jobs and yet you still like

938
00:43:44,960 --> 00:43:47,839
Speaker 1: your brain is like it's it's decided. It's works, and

939
00:43:47,880 --> 00:43:50,440
Speaker 1: so then you have to, I guess, reframe the mentality

940
00:43:50,520 --> 00:43:52,719
Speaker 1: to be like I am lucky to make I'm lucky, Yes,

941
00:43:52,880 --> 00:43:58,040
Speaker 1: but it's still it's very challenging to people don't understand.

942
00:43:58,040 --> 00:43:59,279
Speaker 1: It's like math, you know.

943
00:44:00,200 --> 00:44:02,480
Speaker 3: And so I think when I'm when I'm writing my essays,

944
00:44:02,520 --> 00:44:04,360
Speaker 3: then it's a thing where I'm alone at my house

945
00:44:04,880 --> 00:44:07,240
Speaker 3: and I feel like we've all read the celebrity essays

946
00:44:07,239 --> 00:44:09,080
Speaker 3: where you can just tell the person is just doing

947
00:44:09,160 --> 00:44:11,680
Speaker 3: it because someone paid them a lot of money, and

948
00:44:11,719 --> 00:44:14,200
Speaker 3: it's just sort of boring. And so I think, like,

949
00:44:14,400 --> 00:44:16,279
Speaker 3: then you see a really good version of it, like

950
00:44:16,400 --> 00:44:18,840
Speaker 3: bossy Pants, and that thing is riddled with jokes like

951
00:44:18,880 --> 00:44:22,760
Speaker 3: Tina clearly spent so long making sure that was so

952
00:44:22,760 --> 00:44:26,120
Speaker 3: so funny, and I think, like, so I that's those

953
00:44:26,120 --> 00:44:29,080
Speaker 3: are It's just hard, but it's it's obviously worth it.

954
00:44:29,120 --> 00:44:32,120
Speaker 2: But speaking of your first again, speaking of your essay books,

955
00:44:33,160 --> 00:44:35,520
Speaker 2: you did also predict another thing in addition to the

956
00:44:35,520 --> 00:44:39,240
Speaker 2: Olivia Coleman win Beyonce would release a country album.

957
00:44:40,080 --> 00:44:41,920
Speaker 1: Did I say that I said that in your first

958
00:44:42,000 --> 00:44:42,600
Speaker 1: fucking book?

959
00:44:42,680 --> 00:44:44,320
Speaker 2: Mindy, Wait, you know what's funny?

960
00:44:44,520 --> 00:44:45,840
Speaker 3: I know that I said there was going to be

961
00:44:45,880 --> 00:44:48,600
Speaker 3: like a kool Aid movie. And then that was a runner.

962
00:44:48,760 --> 00:44:50,280
Speaker 3: That was the runner in the studio.

963
00:44:50,680 --> 00:44:53,319
Speaker 2: Oh wow, see wait, what's going on with you?

964
00:44:53,560 --> 00:45:00,160
Speaker 3: Am I? Yes, that's the show to.

965
00:45:00,200 --> 00:45:01,480
Speaker 1: The title show.

966
00:45:03,800 --> 00:45:05,240
Speaker 3: Would you produce?

967
00:45:05,280 --> 00:45:08,160
Speaker 1: Its just a woman. I think we're coming up with

968
00:45:08,239 --> 00:45:10,319
Speaker 1: a lot of bad stuff across meeting.

969
00:45:11,040 --> 00:45:16,000
Speaker 3: That would be like a good CBS show. Like I'm like,

970
00:45:16,880 --> 00:45:19,399
Speaker 3: I'm a single mom in my forties trying to date,

971
00:45:19,920 --> 00:45:22,040
Speaker 3: see if there's dating, and then like I'm in the

972
00:45:22,080 --> 00:45:25,959
Speaker 3: middle of a date with Scott Speedman and I'm like, wait, wait,

973
00:45:26,160 --> 00:45:28,160
Speaker 3: I see something coming.

974
00:45:28,719 --> 00:45:30,279
Speaker 1: Mandy, You're going to sell a show right now if

975
00:45:30,280 --> 00:45:33,440
Speaker 1: you're not careful and you hate writing.

976
00:45:33,840 --> 00:45:36,439
Speaker 3: But I would like working on hot Indian astro Dog.

977
00:45:36,600 --> 00:45:38,560
Speaker 1: I know, like like logul Is.

978
00:45:39,719 --> 00:45:42,000
Speaker 2: It's like Amy Poor has page in Hannah. Now it's like,

979
00:45:42,040 --> 00:45:44,200
Speaker 2: I know, you just adopt us like in that.

980
00:45:45,000 --> 00:45:46,640
Speaker 3: Well, you guys came up with this. I would be

981
00:45:46,680 --> 00:45:51,040
Speaker 3: your page in Hannah like you guys, Amy, You're yes,

982
00:45:52,280 --> 00:45:53,120
Speaker 3: you're the producer.

983
00:45:53,400 --> 00:45:54,160
Speaker 1: Great, we can do that.

984
00:45:54,440 --> 00:45:57,600
Speaker 3: You're a video village coming in to tell me love it?

985
00:45:57,719 --> 00:46:00,719
Speaker 1: I love only get chairs with our names. Oh I

986
00:46:00,840 --> 00:46:06,400
Speaker 1: love that. Oh yeah, this is a bizarre question. But

987
00:46:06,480 --> 00:46:09,880
Speaker 1: I know my answer. I went to school for writing.

988
00:46:09,920 --> 00:46:11,920
Speaker 1: Actually I went to ny U Tician. I went just

989
00:46:11,960 --> 00:46:14,640
Speaker 1: went back into the commencement speech for the dramatic writing.

990
00:46:14,960 --> 00:46:15,600
Speaker 3: Are you kidding?

991
00:46:15,719 --> 00:46:18,480
Speaker 1: Yeah? It was a really moving emotional.

992
00:46:18,320 --> 00:46:21,400
Speaker 3: But first of all, huge that is talk about writing

993
00:46:21,520 --> 00:46:25,760
Speaker 3: being hard. Writing a commencement speech is at the very top,

994
00:46:26,320 --> 00:46:29,560
Speaker 3: because that shit's got to be very funny, like very grabby,

995
00:46:29,560 --> 00:46:31,879
Speaker 3: and it was for writers, and yes, and it has

996
00:46:31,920 --> 00:46:33,400
Speaker 3: to be like emotional, and you have to have some

997
00:46:33,520 --> 00:46:35,880
Speaker 3: kind of original message that no one has ever said

998
00:46:36,440 --> 00:46:38,520
Speaker 3: that they that just can't be like be true to

999
00:46:38,560 --> 00:46:40,440
Speaker 3: yourself or take risks or some shit like.

1000
00:46:40,480 --> 00:46:43,319
Speaker 1: No, I really wanted to tell the truth. And I

1001
00:46:43,400 --> 00:46:46,200
Speaker 1: was like, listen, like I think that when you were

1002
00:46:46,200 --> 00:46:48,440
Speaker 1: a writer right now, when you're facing this industry, it

1003
00:46:48,480 --> 00:46:50,520
Speaker 1: would be really hard to get demoralized. And also, all

1004
00:46:50,560 --> 00:46:52,600
Speaker 1: of the parents are there who have just spent and

1005
00:46:52,680 --> 00:46:55,480
Speaker 1: let me say this clearly, four hundred thousand dollars on

1006
00:46:55,520 --> 00:46:59,640
Speaker 1: their kids education. Oh my god, all right, and they're thinking,

1007
00:46:59,800 --> 00:47:01,920
Speaker 1: you know, out what the hell, like, what's gonna happen

1008
00:47:01,920 --> 00:47:03,640
Speaker 1: to my kid? In fact, a lot of them parents

1009
00:47:03,719 --> 00:47:05,880
Speaker 1: came up and they were like it's really nice to

1010
00:47:05,920 --> 00:47:08,680
Speaker 1: see someone that was successful in the program come back

1011
00:47:08,800 --> 00:47:10,760
Speaker 1: like thank you for doing this. And I was just like, listen,

1012
00:47:11,080 --> 00:47:13,480
Speaker 1: you didn't waste your money because they have a community

1013
00:47:14,000 --> 00:47:17,520
Speaker 1: and that is so important and so rare just to

1014
00:47:17,560 --> 00:47:19,920
Speaker 1: have a bunch of people around that you know, that

1015
00:47:19,960 --> 00:47:22,440
Speaker 1: are also doing I mean, that was us that gave

1016
00:47:22,520 --> 00:47:25,399
Speaker 1: us everything. Like we're still in touch with people from

1017
00:47:25,440 --> 00:47:28,560
Speaker 1: back then. I still see people, you know, thriving in

1018
00:47:28,600 --> 00:47:31,560
Speaker 1: the business, like in many different ways. And what I

1019
00:47:31,600 --> 00:47:35,320
Speaker 1: said to them was, don't be afraid of taking different forms,

1020
00:47:36,000 --> 00:47:38,640
Speaker 1: like you might not it might not be the best

1021
00:47:38,640 --> 00:47:40,600
Speaker 1: idea for you to move to LA right now and

1022
00:47:40,719 --> 00:47:43,400
Speaker 1: like hit the mail room or something you might it

1023
00:47:43,520 --> 00:47:46,200
Speaker 1: might be you taking you know again, this is my

1024
00:47:46,360 --> 00:47:49,319
Speaker 1: thoughts popping out, but an improv class or you know,

1025
00:47:49,719 --> 00:47:52,880
Speaker 1: or trying something new or yes, starting a podcast or

1026
00:47:53,120 --> 00:47:55,800
Speaker 1: just you have to support each other in those forms.

1027
00:47:56,080 --> 00:47:57,600
Speaker 1: But I was looking out at them and I was

1028
00:47:57,680 --> 00:48:01,759
Speaker 1: like here they are, like with their specscripts in hand

1029
00:48:01,840 --> 00:48:05,279
Speaker 1: and everything. And it got me thinking about what made

1030
00:48:05,280 --> 00:48:08,279
Speaker 1: me decide I wanted to be a writer. And I

1031
00:48:08,360 --> 00:48:11,200
Speaker 1: wonder when that moment was for you, like not only

1032
00:48:11,280 --> 00:48:15,040
Speaker 1: just when you decided to become a writer. But when

1033
00:48:15,080 --> 00:48:16,719
Speaker 1: you knew that was a thing.

1034
00:48:17,120 --> 00:48:19,680
Speaker 3: Well, I was. I first want to react to the speech,

1035
00:48:19,719 --> 00:48:22,880
Speaker 3: which was that must have been so reassuring for the

1036
00:48:22,960 --> 00:48:25,359
Speaker 3: parents and for the kids there who can not only

1037
00:48:26,080 --> 00:48:27,880
Speaker 3: not only hear that from you, but to be like,

1038
00:48:28,200 --> 00:48:30,520
Speaker 3: no about your relationship with Bowen and how you guys

1039
00:48:30,600 --> 00:48:33,279
Speaker 3: met and how this could be them, and like that

1040
00:48:33,360 --> 00:48:36,200
Speaker 3: must have been so reassuring for like the parents and

1041
00:48:36,280 --> 00:48:39,160
Speaker 3: men who put in this a massive investment. I can't

1042
00:48:39,160 --> 00:48:40,239
Speaker 3: wait to google this now.

1043
00:48:40,520 --> 00:48:43,600
Speaker 1: I basically made the speech about our friend Sudi because

1044
00:48:43,640 --> 00:48:45,959
Speaker 1: we met at the program Sudie Green, and she went.

1045
00:48:45,880 --> 00:48:46,959
Speaker 3: On it's amazing. Yeah.

1046
00:48:47,440 --> 00:48:50,400
Speaker 1: Then she went on to become a supervising writer at

1047
00:48:50,480 --> 00:48:53,000
Speaker 1: SNL wrote on the Cultural Awards with us. We've worked

1048
00:48:53,040 --> 00:48:55,640
Speaker 1: on shows like I Love That for You Together that

1049
00:48:55,719 --> 00:48:57,880
Speaker 1: she wrote for and I was on. But I was

1050
00:48:57,920 --> 00:49:00,359
Speaker 1: telling them, I was like, you know these people that

1051
00:49:00,760 --> 00:49:03,279
Speaker 1: you're surrounded by that you think our special really are,

1052
00:49:03,440 --> 00:49:05,560
Speaker 1: so make it about that, and you know she just

1053
00:49:05,640 --> 00:49:09,320
Speaker 1: had a baby, and it's just she's still our close,

1054
00:49:09,360 --> 00:49:11,680
Speaker 1: close friend from all the way back there. So just

1055
00:49:11,719 --> 00:49:14,520
Speaker 1: trying to let them know, like these are real connections

1056
00:49:14,520 --> 00:49:18,279
Speaker 1: in this moment, and it's important because there are not

1057
00:49:18,400 --> 00:49:21,160
Speaker 1: a lot of resources out there, right, Yeah, but you

1058
00:49:21,200 --> 00:49:23,600
Speaker 1: have each other and I think that that's.

1059
00:49:23,520 --> 00:49:25,360
Speaker 3: Well, and that's so important when you feel like you

1060
00:49:25,400 --> 00:49:28,600
Speaker 3: don't have access, like I remember so much like being

1061
00:49:28,640 --> 00:49:31,399
Speaker 3: twenty one, and there's other people you see out there

1062
00:49:31,480 --> 00:49:33,480
Speaker 3: and their parents have this connection and they have this

1063
00:49:33,600 --> 00:49:35,040
Speaker 3: and that, and you're like, I don't have access, but

1064
00:49:35,040 --> 00:49:37,239
Speaker 3: you're like, Okay. It must have been reassuring for those

1065
00:49:37,239 --> 00:49:38,799
Speaker 3: people to be like, well, we have access to our

1066
00:49:38,920 --> 00:49:41,239
Speaker 3: other friends that we believe in and together we can

1067
00:49:41,280 --> 00:49:45,240
Speaker 3: like build a foundation and create something that's so nice.

1068
00:49:46,000 --> 00:49:47,719
Speaker 3: And to answer what was your question?

1069
00:49:48,520 --> 00:49:51,040
Speaker 1: Because I remember I didn't really realize that I could

1070
00:49:51,120 --> 00:49:53,680
Speaker 1: do that as a career till I was watching Lost

1071
00:49:53,760 --> 00:49:56,160
Speaker 1: one day. What and I was watching It was the

1072
00:49:56,200 --> 00:49:58,680
Speaker 1: sixth episode of the first first season of Lost. House

1073
00:49:58,680 --> 00:50:03,000
Speaker 1: of the Rising Sun. It was Sun's flashback episode where

1074
00:50:03,000 --> 00:50:04,760
Speaker 1: you found out she has been learning how to speak

1075
00:50:04,760 --> 00:50:08,360
Speaker 1: English so she can leave Gin. And I am sobbing

1076
00:50:08,440 --> 00:50:10,799
Speaker 1: at the end of it because there's this flashback where

1077
00:50:10,840 --> 00:50:13,480
Speaker 1: she's walking towards this black car that's going to drive

1078
00:50:13,520 --> 00:50:16,000
Speaker 1: her away, and she turns around and Jin holds up

1079
00:50:16,040 --> 00:50:18,799
Speaker 1: like her favorite flower and orchid, and she goes back

1080
00:50:18,800 --> 00:50:20,120
Speaker 1: to him, and then it cuts to them on the

1081
00:50:20,120 --> 00:50:22,160
Speaker 1: beach and you realize that decision has cost her.

1082
00:50:22,600 --> 00:50:24,720
Speaker 3: You know, Oh my god, I'm getting chills.

1083
00:50:24,880 --> 00:50:27,080
Speaker 1: And I was sobbing and the score was going and

1084
00:50:27,120 --> 00:50:28,879
Speaker 1: I was like, oh my god. And then it cut

1085
00:50:28,960 --> 00:50:31,359
Speaker 1: to the credits and it said written by someone, and

1086
00:50:31,400 --> 00:50:33,400
Speaker 1: I was like, oh, I want to do that.

1087
00:50:33,719 --> 00:50:34,319
Speaker 2: Yeah, yeah, yeah.

1088
00:50:34,320 --> 00:50:35,960
Speaker 1: I was like, I want to do that. I have

1089
00:50:36,040 --> 00:50:38,319
Speaker 1: to I want to write this. Oh. And then it

1090
00:50:38,360 --> 00:50:39,719
Speaker 1: clicked for me. I was like wow, and I was

1091
00:50:39,719 --> 00:50:41,279
Speaker 1: so exciting. I was like, I know what I want

1092
00:50:41,280 --> 00:50:44,440
Speaker 1: to do. And I wonder when you had that moment

1093
00:50:44,520 --> 00:50:47,439
Speaker 1: or if that moment appeared ever. I guess it's another

1094
00:50:47,480 --> 00:50:50,200
Speaker 1: form of the culture question is but specific to you.

1095
00:50:51,320 --> 00:50:55,120
Speaker 3: So we talked earlier about how we just will look

1096
00:50:55,120 --> 00:50:58,800
Speaker 3: at credits and to me, I was not like a snob,

1097
00:50:59,200 --> 00:51:01,319
Speaker 3: like I would watch like whatever my parents would let

1098
00:51:01,360 --> 00:51:03,799
Speaker 3: me watch. So like I remember, at that time, it

1099
00:51:03,880 --> 00:51:06,120
Speaker 3: was really just like what was on, Like I looked

1100
00:51:06,160 --> 00:51:08,560
Speaker 3: like The X Files. I liked you guys. I don't

1101
00:51:08,560 --> 00:51:11,440
Speaker 3: know if you know Doctor Katz, like that was a

1102
00:51:11,520 --> 00:51:14,719
Speaker 3: Comedy Central show. Jonathan Katz, the stand up oh a

1103
00:51:14,840 --> 00:51:17,080
Speaker 3: doctor and he played a therapist in all these different

1104
00:51:17,080 --> 00:51:18,920
Speaker 3: standard It was like one of those early Comedy Central

1105
00:51:18,960 --> 00:51:23,600
Speaker 3: animated shows Swiggle Vision. Oh cool, So that was But

1106
00:51:23,800 --> 00:51:26,319
Speaker 3: I would just look at and then I mean, I

1107
00:51:26,320 --> 00:51:28,319
Speaker 3: don't even know if you guys were watching TV, but

1108
00:51:28,360 --> 00:51:32,440
Speaker 3: Comedy Central would have like Premium Blend, yeah, and they

1109
00:51:32,440 --> 00:51:34,040
Speaker 3: would do like you would turn if you were sick

1110
00:51:34,040 --> 00:51:35,640
Speaker 3: at home, you would turn on the TV, and like

1111
00:51:35,680 --> 00:51:37,399
Speaker 3: they would have these random things where just they would

1112
00:51:37,400 --> 00:51:39,879
Speaker 3: do like three minute clips of lots of different stand ups.

1113
00:51:39,920 --> 00:51:43,279
Speaker 3: You'd be like Judy Gold and Judy Gold who's in

1114
00:51:43,360 --> 00:51:46,200
Speaker 3: not suitable for work and is an icon but and

1115
00:51:46,239 --> 00:51:48,520
Speaker 3: Emo Phillips and those kinds of things. So to me,

1116
00:51:49,400 --> 00:51:53,680
Speaker 3: it was a mix of just that like nineteen eighty

1117
00:51:53,760 --> 00:51:57,920
Speaker 3: nine to nineteen ninety three network television and like a

1118
00:51:57,920 --> 00:52:00,319
Speaker 3: little bit of Comedy Central just like watching like Kids

1119
00:52:00,320 --> 00:52:03,359
Speaker 3: in the Hall ye oh, huge, huge, huge, And what

1120
00:52:03,400 --> 00:52:06,040
Speaker 3: they were doing was so boundary, pushing and ahead of

1121
00:52:06,040 --> 00:52:08,400
Speaker 3: its time. So I think that I don't know if

1122
00:52:08,440 --> 00:52:11,000
Speaker 3: that totally answers through question, but like I was watching

1123
00:52:11,280 --> 00:52:16,440
Speaker 3: everything like Wings on NBC, like just you know anything,

1124
00:52:17,080 --> 00:52:17,759
Speaker 3: what was the.

1125
00:52:17,719 --> 00:52:20,160
Speaker 2: Thing that compelled you to write like that and math

1126
00:52:20,360 --> 00:52:22,080
Speaker 2: like like, well, like how did that process like because

1127
00:52:22,120 --> 00:52:24,360
Speaker 2: because remind me because it was all in the book, right.

1128
00:52:24,200 --> 00:52:28,600
Speaker 3: Yeah, So I books my So I moved out to

1129
00:52:29,280 --> 00:52:31,839
Speaker 3: New York with my best friend Jocelyn and our other

1130
00:52:31,880 --> 00:52:34,760
Speaker 3: best friend Brenda, had graduated a year before I sat Dartmouth,

1131
00:52:35,200 --> 00:52:38,040
Speaker 3: and so that was we moved out in August of

1132
00:52:38,080 --> 00:52:40,600
Speaker 3: two thousand and one and we're just lettling in when

1133
00:52:40,640 --> 00:52:45,160
Speaker 3: nine wow. And so that period of time there was

1134
00:52:45,200 --> 00:52:48,000
Speaker 3: not a lot of like just everything kind of stopped,

1135
00:52:48,040 --> 00:52:50,160
Speaker 3: like there wasn't a lot of like hiring even getting

1136
00:52:50,239 --> 00:52:52,200
Speaker 3: jobs as like waiters and waitress. It was just hard

1137
00:52:52,200 --> 00:52:54,040
Speaker 3: because everything kind of came where were you living in

1138
00:52:54,080 --> 00:52:56,920
Speaker 3: New York and Winsor Terrace. So we lived in a

1139
00:52:57,120 --> 00:52:59,239
Speaker 3: railroad department in Winsor Terrists, the three of us, and

1140
00:52:59,280 --> 00:53:01,680
Speaker 3: so there was just a lot of time when we

1141
00:53:01,680 --> 00:53:04,239
Speaker 3: were just looking for any kind of job. And that's

1142
00:53:04,280 --> 00:53:07,680
Speaker 3: when I applied to be a page at NBC and

1143
00:53:07,719 --> 00:53:09,880
Speaker 3: I thought it was like a sure thing and didn't

1144
00:53:09,960 --> 00:53:13,319
Speaker 3: even get like an interview for that, which was at

1145
00:53:13,320 --> 00:53:16,160
Speaker 3: the time because I was at Dartmouth, which was I

1146
00:53:16,200 --> 00:53:18,880
Speaker 3: loved Dartmouth, but it wasn't at that time known for

1147
00:53:19,000 --> 00:53:21,560
Speaker 3: like its arts. Like I ruled that fucking school, like

1148
00:53:21,680 --> 00:53:23,880
Speaker 3: there was the only one interested in doing like sketch

1149
00:53:23,920 --> 00:53:26,600
Speaker 3: comedy and little comedy plays. And I had like a

1150
00:53:26,640 --> 00:53:29,560
Speaker 3: powerful click of like bitchy people in the comedy department

1151
00:53:29,560 --> 00:53:34,359
Speaker 3: and the drama department. And then I came out and

1152
00:53:34,480 --> 00:53:36,560
Speaker 3: it was that kind of classic root awakening where like

1153
00:53:36,640 --> 00:53:39,359
Speaker 3: no one cared at all, and so I didn't get

1154
00:53:39,360 --> 00:53:42,080
Speaker 3: that job, and I was literally like this, I'm like

1155
00:53:42,560 --> 00:53:46,719
Speaker 3: shoe in for this job. Yeah, And so then I

1156
00:53:46,840 --> 00:53:51,320
Speaker 3: just was babysitting and I so I was babysitting in

1157
00:53:51,360 --> 00:53:54,960
Speaker 3: the evenings and my best friend Brenda was substitute teaching

1158
00:53:55,239 --> 00:53:57,680
Speaker 3: in Brooklyn during the days, but we would have this

1159
00:53:57,760 --> 00:54:01,440
Speaker 3: like one hour of free time before I left a

1160
00:54:01,480 --> 00:54:04,160
Speaker 3: babysit that she came home and we started tinkering around.

1161
00:54:04,160 --> 00:54:06,960
Speaker 3: We kind of like neither of us were like UCB people,

1162
00:54:07,000 --> 00:54:10,200
Speaker 3: but we would kind of like be improvising the characters

1163
00:54:10,239 --> 00:54:12,400
Speaker 3: of Matt Damon and Ben Afflecks. We just thought they

1164
00:54:12,440 --> 00:54:15,040
Speaker 3: were so they loomed so large in culture that we

1165
00:54:15,040 --> 00:54:17,440
Speaker 3: would just be doing impressions of them. And then I

1166
00:54:17,440 --> 00:54:19,759
Speaker 3: think it just occurred to us, like what if we

1167
00:54:19,800 --> 00:54:22,560
Speaker 3: did like more of a long form thing where it

1168
00:54:22,640 --> 00:54:25,719
Speaker 3: was more about a story about their actual relationship, and

1169
00:54:26,200 --> 00:54:28,040
Speaker 3: what are the kind of like this is we didn't

1170
00:54:28,080 --> 00:54:31,480
Speaker 3: know completely this is the quintessential parasocial like just of

1171
00:54:31,520 --> 00:54:35,200
Speaker 3: course just and then it then became like not about

1172
00:54:35,239 --> 00:54:39,200
Speaker 3: the actual actors anymore, but the nature of friendship in

1173
00:54:39,280 --> 00:54:44,200
Speaker 3: creativity and competition and when one person is perceived being ahead.

1174
00:54:44,200 --> 00:54:46,480
Speaker 3: And at that time, I think we kind of knew

1175
00:54:46,520 --> 00:54:49,200
Speaker 3: that Matt Damon was like a little bit more of

1176
00:54:49,320 --> 00:54:52,640
Speaker 3: like the serious actor type, and Ben Affleck was handsome

1177
00:54:52,680 --> 00:54:55,560
Speaker 3: but like maybe not considered in the same category. He

1178
00:54:55,640 --> 00:54:58,520
Speaker 3: was also very famous, and so we invented this dynamic

1179
00:54:58,600 --> 00:55:00,879
Speaker 3: of what it was like when they were twenty one

1180
00:55:01,280 --> 00:55:03,879
Speaker 3: and no one knew who they were before they wrote

1181
00:55:03,880 --> 00:55:06,560
Speaker 3: the script for Goodle Hunting. And I think it we

1182
00:55:06,680 --> 00:55:09,560
Speaker 3: knew Brenda and I like we obviously had our own

1183
00:55:09,600 --> 00:55:12,960
Speaker 3: friendship and a lot of like our own feelings about

1184
00:55:13,280 --> 00:55:16,399
Speaker 3: that process, which is, as you guys know, like it's

1185
00:55:16,440 --> 00:55:19,719
Speaker 3: complex and it can be like so wonderful that you

1186
00:55:19,800 --> 00:55:21,480
Speaker 3: are going through this with your best friend, but there

1187
00:55:21,600 --> 00:55:24,400
Speaker 3: is the ugly side of it, and there's you know

1188
00:55:24,440 --> 00:55:26,359
Speaker 3: when one person sy's just ahead and then the other

1189
00:55:26,400 --> 00:55:28,880
Speaker 3: person stalls out and then that person you know. So

1190
00:55:29,360 --> 00:55:32,920
Speaker 3: that's what the play was about. I got to play

1191
00:55:33,040 --> 00:55:35,160
Speaker 3: Ben Affleck, which was one of the most fun roles

1192
00:55:35,200 --> 00:55:37,560
Speaker 3: of my life, and I hope I can come back

1193
00:55:37,600 --> 00:55:40,440
Speaker 3: and play this part. And we did get a face

1194
00:55:40,960 --> 00:55:43,680
Speaker 3: that I think I would I have like lit. I

1195
00:55:43,800 --> 00:55:45,759
Speaker 3: just all I want is for someone to be like,

1196
00:55:46,040 --> 00:55:49,000
Speaker 3: for this charity, would you redo it or something? Because

1197
00:55:49,000 --> 00:55:52,200
Speaker 3: I really Yeah, for like ten years it was just

1198
00:55:52,239 --> 00:55:54,319
Speaker 3: Ben Affleck and Kelly Kapor. Those are the only two

1199
00:55:54,360 --> 00:55:57,360
Speaker 3: roles I have played, and they were so different, but

1200
00:55:57,680 --> 00:56:00,360
Speaker 3: that was that's why we did it. We also did

1201
00:56:00,400 --> 00:56:02,960
Speaker 3: it because it's like we would I wasn't in a union,

1202
00:56:03,000 --> 00:56:05,280
Speaker 3: We couldn't like audition in any real way for things.

1203
00:56:05,280 --> 00:56:07,759
Speaker 3: So the Fringe Festival, which is was incredible, was like

1204
00:56:07,800 --> 00:56:09,440
Speaker 3: the only way that we could do anything.

1205
00:56:09,920 --> 00:56:11,000
Speaker 1: Did you do it in Edinburgh?

1206
00:56:11,360 --> 00:56:13,840
Speaker 3: No, the New York French, the New York Fringe, Yeah.

1207
00:56:14,120 --> 00:56:17,680
Speaker 2: I see, like for you like that initial writing process

1208
00:56:17,880 --> 00:56:21,480
Speaker 2: was riffing. Yes, ultimately what it is what it is?

1209
00:56:22,160 --> 00:56:26,120
Speaker 3: Yeah, it's yeahs And that's sort of what a writer's room.

1210
00:56:26,200 --> 00:56:27,920
Speaker 3: I wouldn't know this at the time. That's what a

1211
00:56:27,960 --> 00:56:30,839
Speaker 3: writer's room was ended up being like, Yeah, that's why

1212
00:56:30,840 --> 00:56:32,600
Speaker 3: it was so fun when we would do the mini

1213
00:56:32,640 --> 00:56:34,919
Speaker 3: project and I Baron Holtz was in the writer's room

1214
00:56:35,280 --> 00:56:38,120
Speaker 3: and then also on set, because it felt like Matt

1215
00:56:38,120 --> 00:56:41,759
Speaker 3: and Ben really prepared me for that experience of like, hey,

1216
00:56:41,840 --> 00:56:43,399
Speaker 3: let's like riff in character.

1217
00:56:44,520 --> 00:56:47,160
Speaker 2: So fun God, I love that man you are.

1218
00:56:47,400 --> 00:56:48,200
Speaker 3: Has he been on this.

1219
00:56:48,440 --> 00:56:50,680
Speaker 1: No he's not, but I was. We were actually just

1220
00:56:50,719 --> 00:56:53,600
Speaker 1: watching it and I was telling Fraser we met once

1221
00:56:53,800 --> 00:56:56,200
Speaker 1: on History of the World and he is such a

1222
00:56:56,440 --> 00:56:59,719
Speaker 1: nice guy and he's so funny, and he's so good

1223
00:56:59,760 --> 00:57:02,920
Speaker 1: on the studio and I've only heard you ever say

1224
00:57:03,000 --> 00:57:04,040
Speaker 1: that he's so lovely.

1225
00:57:04,120 --> 00:57:05,640
Speaker 2: We've been rounded a handful of times.

1226
00:57:05,680 --> 00:57:09,480
Speaker 3: Yeah, it's he's the most popular person in Hollywood.

1227
00:57:09,560 --> 00:57:11,800
Speaker 1: It's like a Seth Meyers vibe where everyone kind of

1228
00:57:11,840 --> 00:57:12,840
Speaker 1: says positive things.

1229
00:57:12,920 --> 00:57:17,560
Speaker 3: Everyone says positive things, and he's like, it's like him, Seth,

1230
00:57:17,600 --> 00:57:21,320
Speaker 3: I agree, he's so nice. Octavia Spencer of course, Oh,

1231
00:57:21,360 --> 00:57:22,440
Speaker 3: I haven't had the pleasure.

1232
00:57:22,600 --> 00:57:23,680
Speaker 2: I'm not either, But.

1233
00:57:23,720 --> 00:57:27,000
Speaker 1: She's excited from ma too. She is, I mean ma

1234
00:57:27,440 --> 00:57:30,760
Speaker 1: is he cackles, said Missy Pyle getting run over by

1235
00:57:30,760 --> 00:57:31,160
Speaker 1: that car.

1236
00:57:31,400 --> 00:57:33,760
Speaker 3: It's it's such a good movie, and that's a great moment.

1237
00:57:34,160 --> 00:57:38,360
Speaker 2: She runs a rever and goes fucking count turns on

1238
00:57:38,400 --> 00:57:42,960
Speaker 2: the radio September by Earth Wind and Fire. It's so

1239
00:57:42,960 --> 00:57:45,920
Speaker 2: it kills someone so quickly. I said that person had

1240
00:57:45,920 --> 00:57:48,440
Speaker 2: a full life. And then playing earth Wind and Fire.

1241
00:57:48,560 --> 00:57:50,080
Speaker 2: I mean that's cinema.

1242
00:57:50,280 --> 00:57:52,480
Speaker 3: Yeah, you know, that's a great, great movie.

1243
00:57:52,600 --> 00:57:55,000
Speaker 1: I love when any horror movie or movie like that

1244
00:57:55,000 --> 00:57:57,840
Speaker 1: that like kills characters as if they've had no life

1245
00:57:57,840 --> 00:58:00,560
Speaker 1: before the moment they've had on things like are you all?

1246
00:58:01,520 --> 00:58:05,040
Speaker 1: It's it's my favorite thing when they pretend they've they've

1247
00:58:05,040 --> 00:58:07,720
Speaker 1: got no friends, family, anyone that would carry them just disposed.

1248
00:58:08,840 --> 00:58:12,200
Speaker 1: Kate Mara in the subway in House of Cards headfirst.

1249
00:58:12,360 --> 00:58:15,479
Speaker 3: That was a huge moment in my scream in.

1250
00:58:15,400 --> 00:58:17,720
Speaker 1: My bad Yeah, that was crazy.

1251
00:58:17,800 --> 00:58:18,400
Speaker 3: It was good.

1252
00:58:20,960 --> 00:58:24,280
Speaker 2: Introducing Eminem's caramel you already love now popped into a

1253
00:58:24,360 --> 00:58:25,560
Speaker 2: totally new texture.

1254
00:58:25,840 --> 00:58:28,880
Speaker 1: I'd say Eminem's are one of those truly iconic snacks.

1255
00:58:29,040 --> 00:58:32,440
Speaker 2: They've just launched a brand new freeze dried innovation that

1256
00:58:32,480 --> 00:58:35,240
Speaker 2: brings a whole new vibe to the eminem lineup.

1257
00:58:35,400 --> 00:58:39,120
Speaker 1: I mean come on, what's not to love about Eminem's

1258
00:58:39,360 --> 00:58:40,080
Speaker 1: by itself?

1259
00:58:40,160 --> 00:58:43,440
Speaker 2: And if it's freeze dried, I feel like I'm in space.

1260
00:58:44,000 --> 00:58:48,040
Speaker 2: Eminem's continues to be that girl. The crunch is unexpected

1261
00:58:48,040 --> 00:58:48,800
Speaker 2: in the best.

1262
00:58:48,560 --> 00:58:50,640
Speaker 1: Way way, crisper than you'd think.

1263
00:58:50,760 --> 00:58:53,400
Speaker 2: Like you bite into one and there's this little pop

1264
00:58:53,440 --> 00:58:55,760
Speaker 2: that you don't see coming from something that still tastes

1265
00:58:55,800 --> 00:58:58,800
Speaker 2: like classic Eminem's caramel. Sure they don't look exactly like

1266
00:58:58,840 --> 00:59:01,360
Speaker 2: the Eminems you know, but the are the Eminem's you love.

1267
00:59:01,440 --> 00:59:05,000
Speaker 2: They're perfect for snacking when watching television, scrolling on your phone,

1268
00:59:05,400 --> 00:59:06,640
Speaker 2: or settling in for a movie.

1269
00:59:06,680 --> 00:59:08,600
Speaker 1: And I'm already thinking that'd be great to have on

1270
00:59:08,680 --> 00:59:10,880
Speaker 1: handler watching the Culture Awards.

1271
00:59:11,400 --> 00:59:15,120
Speaker 2: Yes, the best part is they've got that classic Eminem's

1272
00:59:15,160 --> 00:59:17,840
Speaker 2: caramel flavor. It's available in stores.

1273
00:59:18,480 --> 00:59:23,760
Speaker 1: Now. I'm gonna try one right now. Amazing pop pop.

1274
00:59:23,880 --> 00:59:28,480
Speaker 1: I really do like them. Fraser's favorite person is you mine?

1275
00:59:28,640 --> 00:59:31,760
Speaker 1: Just tell Kate Hudson was tell Kate Hudson she has

1276
00:59:31,800 --> 00:59:33,680
Speaker 1: a home in my heart.

1277
00:59:34,000 --> 00:59:36,720
Speaker 3: She would she would die for. I mean to be

1278
00:59:36,760 --> 00:59:37,959
Speaker 3: on this show for you.

1279
00:59:39,040 --> 00:59:41,400
Speaker 2: This show is Matt's Kate Hudson impression.

1280
00:59:41,040 --> 00:59:43,400
Speaker 3: Which is Kate Hudson has she never done that?

1281
00:59:43,760 --> 00:59:46,640
Speaker 1: No, we we know she's a Cultural Award nominee. You

1282
00:59:46,640 --> 00:59:50,440
Speaker 1: know this year best way to be whilst flirting, just

1283
00:59:50,520 --> 00:59:51,280
Speaker 1: be Kate Hudson.

1284
00:59:51,360 --> 00:59:52,280
Speaker 3: She's a real flirt.

1285
00:59:53,720 --> 00:59:56,960
Speaker 1: She's kind of like, this is my impression of her. What,

1286
00:59:56,960 --> 01:00:00,480
Speaker 1: what's the big deal? Who cares? That's the s into her?

1287
01:00:00,720 --> 01:00:03,440
Speaker 1: Like like smoking weed in high school. We're not going

1288
01:00:03,480 --> 01:00:04,360
Speaker 1: to get caught.

1289
01:00:04,680 --> 01:00:05,880
Speaker 2: What my mom's goldie.

1290
01:00:06,080 --> 01:00:10,720
Speaker 1: My mom's goldie. You're gonna get caught. Fuck off? You

1291
01:00:10,720 --> 01:00:13,320
Speaker 1: know what I mean? Yeah, sort of like a glass

1292
01:00:13,360 --> 01:00:15,840
Speaker 1: and a half of wine in energy.

1293
01:00:16,160 --> 01:00:18,800
Speaker 3: Yes, this is You've nailed it. She's really like that.

1294
01:00:19,280 --> 01:00:21,520
Speaker 1: I love it. I feel her through the screen. Whenever

1295
01:00:21,560 --> 01:00:25,040
Speaker 1: she's in a film, I see myself on screen. I'm

1296
01:00:25,040 --> 01:00:25,960
Speaker 1: not kidding, I am.

1297
01:00:26,880 --> 01:00:30,200
Speaker 3: I'm very surprised, but I also like, I I love this,

1298
01:00:30,280 --> 01:00:36,680
Speaker 3: and I guess I guess maybe it's not maybe I'm

1299
01:00:36,720 --> 01:00:40,760
Speaker 3: not that you see yourself in her when she's on screen.

1300
01:00:41,200 --> 01:00:42,760
Speaker 3: I guess I wouldn't have thought of that.

1301
01:00:42,920 --> 01:00:48,000
Speaker 1: There's something about like her whole vibe where I'm just like,

1302
01:00:48,080 --> 01:00:50,880
Speaker 1: I just get so I'm so happy every time I

1303
01:00:50,920 --> 01:00:51,240
Speaker 1: see her.

1304
01:00:51,320 --> 01:00:55,200
Speaker 3: She's the composite of uptight when I'm around her, there's

1305
01:00:55,280 --> 01:00:57,320
Speaker 3: nothing and like, you know, this is a woman who

1306
01:00:57,480 --> 01:00:59,480
Speaker 3: like and this is why I really love Kate. She

1307
01:00:59,560 --> 01:01:03,000
Speaker 3: came up been like the aughts in Hollywood. Yeah, this

1308
01:01:03,040 --> 01:01:05,880
Speaker 3: isn't like this was. It was not like a cool

1309
01:01:06,120 --> 01:01:09,160
Speaker 3: time to be like a leading lady, you know, in

1310
01:01:09,200 --> 01:01:11,520
Speaker 3: that time. And she's seen some I'm sure some ugly

1311
01:01:11,520 --> 01:01:13,080
Speaker 3: ship by the way, She's never told me this, but

1312
01:01:13,120 --> 01:01:15,520
Speaker 3: like on the set, like she just has an old

1313
01:01:15,520 --> 01:01:18,560
Speaker 3: school vibe where she's like it's a thing where like

1314
01:01:18,560 --> 01:01:21,480
Speaker 3: when we're on set she doesn't like someone, she just

1315
01:01:21,560 --> 01:01:24,800
Speaker 3: does the thing where she's like it's fine. Like she's

1316
01:01:24,800 --> 01:01:27,000
Speaker 3: not asking me to talk to hr. She's just going

1317
01:01:27,040 --> 01:01:29,200
Speaker 3: home to talk to her husband Danny and just being

1318
01:01:29,240 --> 01:01:31,320
Speaker 3: like talking shit about them. It's like, yeah school, Yeah,

1319
01:01:31,960 --> 01:01:32,840
Speaker 3: she just doesn't.

1320
01:01:32,920 --> 01:01:36,120
Speaker 1: It's like, I bet her ship talk is a plus.

1321
01:01:36,200 --> 01:01:37,400
Speaker 3: The shit talk is really good.

1322
01:01:37,480 --> 01:01:39,920
Speaker 1: Oh, it's so good. She has a lot of around.

1323
01:01:40,360 --> 01:01:43,760
Speaker 3: Yeah, she stories from like like before nine to eleven. Yeah,

1324
01:01:43,800 --> 01:01:45,800
Speaker 3: you know what I mean, like just famous people she

1325
01:01:45,880 --> 01:01:46,840
Speaker 3: met on a let.

1326
01:01:46,680 --> 01:01:48,200
Speaker 1: Me tell you what I saw at the Chateau in

1327
01:01:48,280 --> 01:01:51,120
Speaker 1: nineteen ninety eight. Yeah, yeah, it was gross.

1328
01:01:51,560 --> 01:01:54,160
Speaker 3: Yes, early Brad Pitt's story. It's just like she's a

1329
01:01:54,200 --> 01:01:57,720
Speaker 3: lot of to be hot in the nineties in Hollywood.

1330
01:01:58,240 --> 01:01:59,080
Speaker 1: It's so tough.

1331
01:01:59,200 --> 01:02:01,720
Speaker 3: I know, it was nice. It was nice.

1332
01:02:01,920 --> 01:02:02,880
Speaker 1: Yeah, yeah.

1333
01:02:03,320 --> 01:02:05,240
Speaker 2: You know what's coming back to me, is you saying

1334
01:02:05,240 --> 01:02:07,960
Speaker 2: on Letterman that you want to sit courtside at a

1335
01:02:07,960 --> 01:02:09,880
Speaker 2: basketball game because you want a player to fall on you.

1336
01:02:11,920 --> 01:02:12,240
Speaker 3: Say that.

1337
01:02:12,440 --> 01:02:15,960
Speaker 2: I absolutely said that he's got the bibli got the

1338
01:02:16,040 --> 01:02:18,240
Speaker 2: vocal stems down on.

1339
01:02:19,720 --> 01:02:20,200
Speaker 1: Court side.

1340
01:02:20,280 --> 01:02:22,640
Speaker 3: Yeah, okay, I've had I've never had someone fall on me.

1341
01:02:24,520 --> 01:02:29,760
Speaker 1: With a cool Lakers jersey because I love sports, kind

1342
01:02:29,760 --> 01:02:30,360
Speaker 1: of sporty.

1343
01:02:30,480 --> 01:02:33,080
Speaker 3: No, I do you genuinely like basketball? And I love

1344
01:02:33,080 --> 01:02:36,200
Speaker 3: the Lakers. I love Genie Bussuh. She was one of

1345
01:02:36,240 --> 01:02:39,439
Speaker 3: the producers on Running Point. But no one has ever

1346
01:02:39,480 --> 01:02:42,280
Speaker 3: fallen on me before. You know, it's nice about it

1347
01:02:42,360 --> 01:02:43,800
Speaker 3: because when they fall on you, they have to be like,

1348
01:02:43,840 --> 01:02:45,760
Speaker 3: oh sorry, madame, and they have to pick you up

1349
01:02:45,840 --> 01:02:47,240
Speaker 3: and make sure that you're okay.

1350
01:02:47,280 --> 01:02:49,360
Speaker 2: That'd be sexy if that's what you know, not like

1351
01:02:49,400 --> 01:02:57,680
Speaker 2: you you sorry, madam. I mean you know this is

1352
01:02:57,840 --> 01:02:59,800
Speaker 2: I'm going to try to recreate this can because they

1353
01:02:59,840 --> 01:03:01,720
Speaker 2: take a lot of like the Worldwide pants stuff down.

1354
01:03:01,720 --> 01:03:03,080
Speaker 2: I don't know why. It's like just not on YouTube.

1355
01:03:03,480 --> 01:03:04,320
Speaker 1: Take it down a lot.

1356
01:03:04,480 --> 01:03:07,120
Speaker 2: You go, yeah, I just want to go say quotes

1357
01:03:07,120 --> 01:03:09,120
Speaker 2: Sat Patty basketball game. And then Letterman goes, that's great,

1358
01:03:09,160 --> 01:03:12,440
Speaker 2: and then a beat and you go, I just want

1359
01:03:12,480 --> 01:03:13,400
Speaker 2: wanted them to fall on me.

1360
01:03:13,880 --> 01:03:14,840
Speaker 1: Huge laugh from.

1361
01:03:14,760 --> 01:03:18,880
Speaker 3: The audience, Like what was his reaction?

1362
01:03:20,360 --> 01:03:22,560
Speaker 2: This is what Tina was saying, like, yeah, he, well

1363
01:03:22,960 --> 01:03:24,880
Speaker 2: you remember this, like he would not do the late

1364
01:03:24,960 --> 01:03:26,800
Speaker 2: night show hosting of like coming to say hi to

1365
01:03:26,840 --> 01:03:28,440
Speaker 2: you before you were on stage. She wanted it to

1366
01:03:28,520 --> 01:03:31,360
Speaker 2: be like the first interaction you have to be out

1367
01:03:31,360 --> 01:03:34,280
Speaker 2: on stage at the Absolvent Theater, which is terrifying. Yeah

1368
01:03:34,320 --> 01:03:36,280
Speaker 2: you know what I mean, Like I can't like I

1369
01:03:36,360 --> 01:03:38,280
Speaker 2: need the host to come and say hi to me first.

1370
01:03:38,520 --> 01:03:39,600
Speaker 1: I feel like, what what was.

1371
01:03:39,600 --> 01:03:45,680
Speaker 2: So nice about uh? Like this perfect ascent of Mindy

1372
01:03:45,760 --> 01:03:47,720
Speaker 2: Kaling was that I keep preferring you're in the third person,

1373
01:03:47,720 --> 01:03:48,640
Speaker 2: and I'm sure I love it.

1374
01:03:48,440 --> 01:03:51,240
Speaker 3: It makes me feel really famous and important. I really

1375
01:03:51,280 --> 01:03:52,080
Speaker 3: like it.

1376
01:03:51,480 --> 01:03:56,440
Speaker 2: I feel like you plugged in so neatly and beautifully.

1377
01:03:56,520 --> 01:04:00,880
Speaker 2: It just clicked, like you clicking into like your sort

1378
01:04:00,920 --> 01:04:05,480
Speaker 2: of like your renown and your whatever notoriety. Just like

1379
01:04:05,520 --> 01:04:07,240
Speaker 2: it just it just made so much sense that you

1380
01:04:07,280 --> 01:04:09,600
Speaker 2: became who you are, you know what I mean, does

1381
01:04:09,600 --> 01:04:10,240
Speaker 2: this make sense?

1382
01:04:10,560 --> 01:04:14,800
Speaker 3: It's it's I really it's I really appreciate it because

1383
01:04:14,960 --> 01:04:17,400
Speaker 3: that time when I was on the MINDI Project, I

1384
01:04:17,400 --> 01:04:20,320
Speaker 3: think times were a little bit different, and you know,

1385
01:04:20,400 --> 01:04:23,720
Speaker 3: obviously going back there were things that I would do differently,

1386
01:04:23,840 --> 01:04:27,400
Speaker 3: but I'm I'm happy that it had some impact. You know,

1387
01:04:27,440 --> 01:04:29,440
Speaker 3: the show was never a hit. We were always waiting

1388
01:04:29,720 --> 01:04:31,440
Speaker 3: with baited breath to see if we're gonna get picked up.

1389
01:04:31,520 --> 01:04:33,000
Speaker 1: It felt like that every year, every.

1390
01:04:32,880 --> 01:04:34,480
Speaker 3: Year that we got canceled. Then it went to Hulu,

1391
01:04:34,560 --> 01:04:37,200
Speaker 3: which at the time it was just like that show

1392
01:04:37,240 --> 01:04:39,840
Speaker 3: about the Ghost, Like it was like there was a

1393
01:04:39,880 --> 01:04:45,800
Speaker 3: show about there was a show about a ghost. And

1394
01:04:45,840 --> 01:04:49,720
Speaker 3: then I remember BJ, well he would he would corroborate this.

1395
01:04:49,800 --> 01:04:51,120
Speaker 3: I remember it was like BJ, I think we're going

1396
01:04:51,160 --> 01:04:52,480
Speaker 3: to go to Hulu and he's like, I don't what

1397
01:04:52,560 --> 01:04:55,080
Speaker 3: even is that he just let it. He's like, maybe

1398
01:04:55,120 --> 01:04:57,840
Speaker 3: it's classier to just like let it die. It's going

1399
01:04:57,880 --> 01:04:59,960
Speaker 3: on to this other thing, and that would have been

1400
01:05:00,080 --> 01:05:01,800
Speaker 3: the classio thing. But I was like, I gotta just

1401
01:05:01,920 --> 01:05:04,120
Speaker 3: keep doing this, like I don't know what my life

1402
01:05:04,160 --> 01:05:05,960
Speaker 3: is if I have to say, I didn't want it,

1403
01:05:06,040 --> 01:05:09,520
Speaker 3: like them to win by canceling it. So we did it,

1404
01:05:09,560 --> 01:05:11,960
Speaker 3: and like you know, when we went and all of

1405
01:05:12,000 --> 01:05:14,640
Speaker 3: the writers stayed and you know, and it was that

1406
01:05:14,800 --> 01:05:18,800
Speaker 3: was such a huge risk, but it never felt like

1407
01:05:18,880 --> 01:05:20,840
Speaker 3: it was a success during it. It was always like a

1408
01:05:20,880 --> 01:05:23,800
Speaker 3: slog and there was always like endless I mean, I

1409
01:05:23,800 --> 01:05:25,440
Speaker 3: don't know Bowen if you feel this way, but like

1410
01:05:25,440 --> 01:05:29,880
Speaker 3: there's always endless scrutiny about like representation and some of it,

1411
01:05:29,960 --> 01:05:31,400
Speaker 3: some of it looking back in it, I was like, oh,

1412
01:05:31,400 --> 01:05:33,760
Speaker 3: that that was good. I should have done out that differently.

1413
01:05:33,760 --> 01:05:35,920
Speaker 3: And then some of it was like why are you

1414
01:05:35,960 --> 01:05:39,120
Speaker 3: picking on me again? Like if it wasn't my appearance,

1415
01:05:39,200 --> 01:05:41,320
Speaker 3: then it was like the way that the show was

1416
01:05:41,360 --> 01:05:43,480
Speaker 3: casting and I'm complaining about it all now. And some

1417
01:05:43,520 --> 01:05:45,240
Speaker 3: of it was really valid, but it was just a

1418
01:05:45,240 --> 01:05:48,400
Speaker 3: different time. So I it's so grat I've sounds so needy,

1419
01:05:48,440 --> 01:05:51,040
Speaker 3: but it's so nice to hear that, you guys, it

1420
01:05:51,120 --> 01:05:54,240
Speaker 3: made an impact on you guys. Also, there was like

1421
01:05:54,560 --> 01:05:57,400
Speaker 3: I mean, we had some funny guest stars, like yeah,

1422
01:05:57,720 --> 01:06:01,520
Speaker 3: Wigg was on the show, George Appeals, even Cold Beert,

1423
01:06:02,200 --> 01:06:04,280
Speaker 3: I mean, if it had been on now, for sure

1424
01:06:04,280 --> 01:06:05,640
Speaker 3: you guys would have gotten a call to play.

1425
01:06:06,640 --> 01:06:10,280
Speaker 1: That's kind you know, you'd think we'd get these calls.

1426
01:06:10,440 --> 01:06:13,880
Speaker 3: I think we would get a call and then Morgan

1427
01:06:13,920 --> 01:06:16,360
Speaker 3: would be like, I think he's married, and no, no, no,

1428
01:06:17,040 --> 01:06:19,800
Speaker 3: Matt's not married, he doesn't have another family, and then

1429
01:06:19,920 --> 01:06:23,200
Speaker 3: like then we'd meet your other family exactly.

1430
01:06:24,360 --> 01:06:26,560
Speaker 1: Yeah, you went through child's and tribulations. We just watched

1431
01:06:26,560 --> 01:06:27,760
Speaker 1: you break up with Brian Greenberg.

1432
01:06:28,520 --> 01:06:29,920
Speaker 3: Ryan Greenberg, what is sweet?

1433
01:06:30,160 --> 01:06:33,560
Speaker 1: What a sweet heart? The husband of Jamie Chong. Yes,

1434
01:06:33,680 --> 01:06:38,280
Speaker 1: of course Real World's Jamie Chung. I first knew Jamie Chong.

1435
01:06:38,880 --> 01:06:39,760
Speaker 2: They're so beautiful.

1436
01:06:40,360 --> 01:06:43,960
Speaker 3: Yes, they are great looking couple, and they know how

1437
01:06:43,960 --> 01:06:44,480
Speaker 3: to vacation.

1438
01:06:44,920 --> 01:06:45,919
Speaker 1: Do they vacation? Well?

1439
01:06:46,040 --> 01:06:49,040
Speaker 3: I feel like I when I'm on their Instagram, I

1440
01:06:49,200 --> 01:06:51,040
Speaker 3: see them on vacation a lot, which is not to

1441
01:06:51,040 --> 01:06:51,640
Speaker 3: say they don't work.

1442
01:06:51,760 --> 01:06:55,000
Speaker 1: No, no, of course, what's your dream vacation? And remember

1443
01:06:55,000 --> 01:06:57,120
Speaker 1: phrasers here he can make it with map.

1444
01:06:57,320 --> 01:07:02,240
Speaker 3: I mean some kind of like I'm on something and

1445
01:07:02,320 --> 01:07:08,160
Speaker 3: I'm on Gary Yara something in a place, a beach

1446
01:07:08,280 --> 01:07:08,760
Speaker 3: like place.

1447
01:07:09,000 --> 01:07:11,840
Speaker 1: He's he's, he's, he's he's miss making mental notes Turks

1448
01:07:11,840 --> 01:07:12,200
Speaker 1: and Kekos.

1449
01:07:12,200 --> 01:07:15,080
Speaker 2: Which one is that, I'm I'm on Geary, I'm in Yara.

1450
01:07:15,080 --> 01:07:16,360
Speaker 1: I'm on what where? What?

1451
01:07:16,720 --> 01:07:20,880
Speaker 3: He just looked at you, like, how could you say Geary?

1452
01:07:21,080 --> 01:07:23,320
Speaker 3: I know, how could you possibly?

1453
01:07:23,520 --> 01:07:25,400
Speaker 2: I'm Yara Turk and Kekos. I know that for a

1454
01:07:25,440 --> 01:07:29,520
Speaker 2: fact because they went there between writing for Schmiga Dune

1455
01:07:29,560 --> 01:07:31,640
Speaker 2: and then getting moved to cast Rest now and I

1456
01:07:31,680 --> 01:07:33,400
Speaker 2: was like, I need a week to myself. What is it.

1457
01:07:37,840 --> 01:07:40,120
Speaker 3: You went there for a week. Do you come from money,

1458
01:07:40,120 --> 01:07:40,880
Speaker 3: big time money?

1459
01:07:41,120 --> 01:07:41,320
Speaker 1: No?

1460
01:07:41,360 --> 01:07:44,560
Speaker 2: My dad was a farmer on a canola farm in

1461
01:07:44,560 --> 01:07:45,240
Speaker 2: Inner Mongolia.

1462
01:07:45,280 --> 01:07:46,640
Speaker 3: Did he did he like own the farm?

1463
01:07:46,760 --> 01:07:47,040
Speaker 2: No?

1464
01:07:48,000 --> 01:07:50,160
Speaker 1: And how do I'm sorry, are you how do you

1465
01:07:50,240 --> 01:07:52,880
Speaker 1: explain the theater in your home? Growing up?

1466
01:07:52,960 --> 01:07:53,440
Speaker 2: The theater?

1467
01:07:54,320 --> 01:07:56,919
Speaker 1: It was not growing up cold, it was later.

1468
01:07:57,600 --> 01:08:00,880
Speaker 3: I'm asking you so you can think when she's like,

1469
01:08:01,320 --> 01:08:03,320
Speaker 3: of course, of course we were but simple people and

1470
01:08:03,520 --> 01:08:06,960
Speaker 3: I understand, and you're David back in big like, be honest, honest,

1471
01:08:07,120 --> 01:08:11,880
Speaker 3: be honest, be honest. Okay, she says, we had two

1472
01:08:12,000 --> 01:08:14,960
Speaker 3: rolls royces. This is like you being like my dad

1473
01:08:15,120 --> 01:08:15,800
Speaker 3: was a farmer.

1474
01:08:16,000 --> 01:08:22,360
Speaker 2: He was, he was, We were pretty squarely middle class.

1475
01:08:23,160 --> 01:08:26,760
Speaker 2: And then as soon as they went to college on

1476
01:08:26,840 --> 01:08:29,879
Speaker 2: scholarship with financial aid, and all the bells and whistles,

1477
01:08:30,400 --> 01:08:32,720
Speaker 2: my parents decide to move into a house where they

1478
01:08:32,760 --> 01:08:35,479
Speaker 2: were like, we're empty nesters. Now we're going to do

1479
01:08:35,520 --> 01:08:38,679
Speaker 2: all these like crazy pop up now, We're gonna pop

1480
01:08:38,760 --> 01:08:40,640
Speaker 2: up now. And they built a home theater that we

1481
01:08:40,640 --> 01:08:42,240
Speaker 2: would then go to. So in the time that Matt

1482
01:08:42,280 --> 01:08:46,240
Speaker 2: knew me, which was post college or college forward, he

1483
01:08:46,280 --> 01:08:47,840
Speaker 2: was like, well, Bowen's rich because he grew up in

1484
01:08:47,840 --> 01:08:48,559
Speaker 2: it with a home theater.

1485
01:08:48,560 --> 01:08:50,280
Speaker 1: I just knew. He was living off campus with his

1486
01:08:50,360 --> 01:08:53,400
Speaker 1: sister and they had a home theater, and we were

1487
01:08:53,400 --> 01:08:56,080
Speaker 1: at NYU where everyone was rich. The first friend I made,

1488
01:08:56,200 --> 01:08:58,360
Speaker 1: she goes, come over my apartment. I go, great, what's

1489
01:08:58,400 --> 01:09:05,200
Speaker 1: the address? Asked replace seven aster number. I'm in the hotel.

1490
01:09:05,240 --> 01:09:07,080
Speaker 1: I get in the hotel, I get in the elevator.

1491
01:09:07,120 --> 01:09:09,840
Speaker 1: Who comes in Daniel Radcliffe.

1492
01:09:10,040 --> 01:09:13,720
Speaker 3: Oh my gosh, Hi that's NYU right.

1493
01:09:13,800 --> 01:09:15,960
Speaker 1: You can ever see that's just crazy.

1494
01:09:16,200 --> 01:09:18,519
Speaker 3: So you It was confusing though, because you had a

1495
01:09:18,600 --> 01:09:20,240
Speaker 3: home theater, but you were.

1496
01:09:20,680 --> 01:09:25,320
Speaker 2: And I would cop to being wealthy if I was.

1497
01:09:25,560 --> 01:09:27,840
Speaker 2: I was just irresponsible with my money and I was

1498
01:09:27,880 --> 01:09:30,280
Speaker 2: like I was going crazy finishing my first season at

1499
01:09:30,320 --> 01:09:33,600
Speaker 2: SNL shooting one season of this Comedy Central show that

1500
01:09:33,680 --> 01:09:36,400
Speaker 2: you know, I thought was like the biggest deal. I

1501
01:09:36,400 --> 01:09:38,240
Speaker 2: had one week off in my entire summer.

1502
01:09:38,320 --> 01:09:39,519
Speaker 1: Was that the Jung Laser show.

1503
01:09:39,560 --> 01:09:41,880
Speaker 2: No, No, No, It was a roached for Schmi And then

1504
01:09:41,880 --> 01:09:44,920
Speaker 2: we shot No More from Queens Eaves on one. Yeah,

1505
01:09:44,960 --> 01:09:47,599
Speaker 2: and I had one week off before SNL would start again,

1506
01:09:47,600 --> 01:09:49,080
Speaker 2: and I was suddenly uncast and it was all this

1507
01:09:49,400 --> 01:09:54,679
Speaker 2: crazy whatever like yeah, the commotion around it, and then

1508
01:09:54,880 --> 01:09:57,360
Speaker 2: I was like, I'm going to book myself the craziest

1509
01:09:58,160 --> 01:09:59,679
Speaker 2: billionaire vacation possible.

1510
01:10:00,160 --> 01:10:04,240
Speaker 3: Quiet at that level, I'm I'm going to re send okay, please,

1511
01:10:04,520 --> 01:10:06,960
Speaker 3: I like to be a rich truther, like just making

1512
01:10:07,000 --> 01:10:10,960
Speaker 3: sure that everyone is good. But yes, so that's that's

1513
01:10:11,000 --> 01:10:11,720
Speaker 3: a nice thing that you did.

1514
01:10:11,840 --> 01:10:15,360
Speaker 2: And I went and I snuck a little bit of

1515
01:10:15,400 --> 01:10:18,479
Speaker 2: acid and I was like, I went on the beach

1516
01:10:18,600 --> 01:10:21,440
Speaker 2: and I like parked it on the beach and I

1517
01:10:21,479 --> 01:10:23,559
Speaker 2: was like, I'm not ready for this job. I'm not

1518
01:10:23,600 --> 01:10:26,320
Speaker 2: ready to be on camera. I took it a little

1519
01:10:26,400 --> 01:10:29,400
Speaker 2: half type of acid. Then I'm watching Stefan on my

1520
01:10:29,520 --> 01:10:34,080
Speaker 2: phone and I hallucinate myself on screen. Oh my god,

1521
01:10:34,120 --> 01:10:36,920
Speaker 2: And I was like, I can do it. I'm ready.

1522
01:10:37,120 --> 01:10:38,880
Speaker 3: This is such a good drug store.

1523
01:10:38,920 --> 01:10:39,880
Speaker 2: It's a great story.

1524
01:10:39,880 --> 01:10:42,559
Speaker 1: The thing about that, the thing about LSD is it

1525
01:10:42,600 --> 01:10:43,080
Speaker 1: can work.

1526
01:10:43,240 --> 01:10:43,800
Speaker 2: It can work.

1527
01:10:44,280 --> 01:10:46,000
Speaker 1: It got us through a big conflict.

1528
01:10:46,000 --> 01:10:47,320
Speaker 2: It got us through a big conflict one time. And

1529
01:10:47,680 --> 01:10:49,960
Speaker 2: now now I don't now I now, I sheepishly, I'm like,

1530
01:10:49,960 --> 01:10:51,360
Speaker 2: I don't think. I think I'm good on the segel.

1531
01:10:51,600 --> 01:10:53,800
Speaker 3: I love that story that you were scared and that

1532
01:10:54,120 --> 01:10:55,799
Speaker 3: drugs helped you get the confidence.

1533
01:10:55,880 --> 01:10:56,880
Speaker 2: Drugs and stuff on helped me.

1534
01:10:56,960 --> 01:11:00,439
Speaker 3: Drugs and stuff on, Yes, helped changeable. Were you on

1535
01:11:00,439 --> 01:11:01,120
Speaker 3: this trip alone?

1536
01:11:01,280 --> 01:11:02,680
Speaker 1: Yes? So does that?

1537
01:11:02,720 --> 01:11:03,120
Speaker 2: I do that.

1538
01:11:03,160 --> 01:11:03,479
Speaker 1: I love it.

1539
01:11:03,560 --> 01:11:05,639
Speaker 3: So I have three kids under the age of eight,

1540
01:11:06,080 --> 01:11:08,840
Speaker 3: so I'd like to go someplace that has like a

1541
01:11:09,000 --> 01:11:11,800
Speaker 3: it's kid friendly. Yes, but I can like leave them

1542
01:11:11,840 --> 01:11:14,439
Speaker 3: somewhere and then go do spa stuff by myself.

1543
01:11:14,640 --> 01:11:17,280
Speaker 1: You know What's funny? Like I we I end up

1544
01:11:17,520 --> 01:11:20,720
Speaker 1: randomly going to I'm sure it's not random. I'm sure

1545
01:11:20,720 --> 01:11:22,479
Speaker 1: I get inspired when I see white Lotus and then

1546
01:11:22,479 --> 01:11:24,200
Speaker 1: I'm like, I want to I want to go to there.

1547
01:11:24,840 --> 01:11:28,160
Speaker 1: Oh yeah, but but uh two years in a row

1548
01:11:28,200 --> 01:11:30,880
Speaker 1: now I've done. I ended up going to sicily after

1549
01:11:30,960 --> 01:11:32,640
Speaker 1: them and now tailand after that.

1550
01:11:32,840 --> 01:11:34,720
Speaker 3: You know what, I respect that I am not. I've

1551
01:11:34,760 --> 01:11:37,280
Speaker 3: spent so much creativity in my life that I am

1552
01:11:37,320 --> 01:11:40,160
Speaker 3: going to be very basic about vacations. I see people

1553
01:11:40,200 --> 01:11:42,240
Speaker 3: go to Osaka and get a burken bag. I am

1554
01:11:42,280 --> 01:11:42,599
Speaker 3: going there.

1555
01:11:42,640 --> 01:11:44,360
Speaker 1: Then where you can too.

1556
01:11:44,320 --> 01:11:46,559
Speaker 3: When there's something trendy, like there, did you know there's

1557
01:11:46,600 --> 01:11:49,080
Speaker 3: a seventh Hawaiian Island? You gotta go there. There's a

1558
01:11:49,080 --> 01:11:51,160
Speaker 3: new place. I'm going to go there, Like I'm just

1559
01:11:51,800 --> 01:11:54,040
Speaker 3: I think it's okay. We spent a lot of times

1560
01:11:54,439 --> 01:11:56,160
Speaker 3: trying to come up with new ways to be original,

1561
01:11:56,200 --> 01:11:58,839
Speaker 3: and you can just go on the on the whatever

1562
01:11:58,880 --> 01:12:00,559
Speaker 3: this season is, I'm going to go to God, but

1563
01:12:00,640 --> 01:12:03,479
Speaker 3: we'll go town after this season of Yes.

1564
01:12:10,280 --> 01:12:13,040
Speaker 1: Honestly great, it was wonderful.

1565
01:12:13,200 --> 01:12:13,879
Speaker 2: It was wonderful.

1566
01:12:14,000 --> 01:12:14,679
Speaker 1: It was wonderful.

1567
01:12:14,680 --> 01:12:16,439
Speaker 2: We just got really we just had to like hob

1568
01:12:16,560 --> 01:12:18,200
Speaker 2: nob with like we read Can Lion.

1569
01:12:18,920 --> 01:12:21,080
Speaker 3: Oh that's the one with It's like the marketing.

1570
01:12:21,200 --> 01:12:23,000
Speaker 2: It's like the marketing people.

1571
01:12:23,439 --> 01:12:25,640
Speaker 3: It's like a couple. It's like a month after.

1572
01:12:26,080 --> 01:12:29,240
Speaker 2: It's like a few weeks after Can and it's just

1573
01:12:29,280 --> 01:12:31,000
Speaker 2: like all right, you gotta stay up till two and

1574
01:12:31,040 --> 01:12:33,320
Speaker 2: go to the Spotify beach party.

1575
01:12:33,600 --> 01:12:38,760
Speaker 1: It's giving Spotify beach party with everyone that has the

1576
01:12:38,800 --> 01:12:39,559
Speaker 1: money for work.

1577
01:12:39,760 --> 01:12:42,200
Speaker 2: It was for last year, is for me, c sentis

1578
01:12:42,240 --> 01:12:44,240
Speaker 2: for culture where its last year to like explain to

1579
01:12:44,280 --> 01:12:45,920
Speaker 2: people like what the what the we were doing?

1580
01:12:46,080 --> 01:12:50,000
Speaker 1: Oh my god we went with cookingula or now who

1581
01:12:50,000 --> 01:12:51,639
Speaker 1: have now imploded on summer house?

1582
01:12:51,840 --> 01:12:52,599
Speaker 3: Okay? Yes?

1583
01:12:52,800 --> 01:12:55,800
Speaker 2: And how they're gay, Like we had a grand time

1584
01:12:56,080 --> 01:12:58,120
Speaker 2: from Salt Lake City, but it was like every inch

1585
01:12:58,160 --> 01:12:59,800
Speaker 2: of that town is covered in inactivation.

1586
01:13:00,479 --> 01:13:02,360
Speaker 3: It was in a way that is fun.

1587
01:13:02,960 --> 01:13:05,360
Speaker 2: I wouldn't say that, you know what, I'd like to

1588
01:13:05,360 --> 01:13:06,320
Speaker 2: be invited back.

1589
01:13:07,479 --> 01:13:11,360
Speaker 3: I think that that that one is either there's you

1590
01:13:11,360 --> 01:13:13,320
Speaker 3: can still there's like yacht culture is still a big

1591
01:13:13,360 --> 01:13:14,200
Speaker 3: part of it, right.

1592
01:13:14,320 --> 01:13:18,240
Speaker 1: Yes, sure, yes, Well I didn't know anything about yacht culture,

1593
01:13:18,240 --> 01:13:21,679
Speaker 1: and so I started dating Fraser and then I really

1594
01:13:21,720 --> 01:13:24,679
Speaker 1: realized that it really is a whole thing. Like there's

1595
01:13:24,720 --> 01:13:28,000
Speaker 1: people our friend Abe knows the name of like every

1596
01:13:28,080 --> 01:13:30,240
Speaker 1: yacht in the world, and like who owns it and

1597
01:13:30,320 --> 01:13:33,400
Speaker 1: how big they are. It's like a real thing.

1598
01:13:33,880 --> 01:13:36,840
Speaker 3: That's the part I mean, that's where I like, i

1599
01:13:36,880 --> 01:13:39,920
Speaker 3: feel like I'm famous, but not yacht famous. Where you're

1600
01:13:39,920 --> 01:13:43,080
Speaker 3: going on like the Geffen God or the Bezos yacht

1601
01:13:43,160 --> 01:13:47,320
Speaker 3: or like you know, like Seth. You're friends with Seth Myers.

1602
01:13:47,640 --> 01:13:49,719
Speaker 3: Seth is I think he's always on, like a Barry

1603
01:13:49,720 --> 01:13:50,360
Speaker 3: Diller yacht.

1604
01:13:50,880 --> 01:13:52,599
Speaker 1: I feel like he's always Cohen told me he went

1605
01:13:52,600 --> 01:13:53,360
Speaker 1: on the yacht.

1606
01:13:53,720 --> 01:13:56,400
Speaker 3: Yeah, I bet Seth was there in mid Alexi.

1607
01:13:56,439 --> 01:13:58,679
Speaker 1: You're just there all confront him.

1608
01:13:59,080 --> 01:14:05,080
Speaker 3: Just can Yeah, I heard I think Seth was at

1609
01:14:05,120 --> 01:14:08,280
Speaker 3: the I think BJ hosted the pen gala and Seth

1610
01:14:08,400 --> 01:14:10,679
Speaker 3: was there in the right up of it. They said

1611
01:14:10,680 --> 01:14:16,280
Speaker 3: that Seth was looking especially handsome always yeah, but there

1612
01:14:16,360 --> 01:14:23,080
Speaker 3: might have been something. Well, I just really people are

1613
01:14:23,080 --> 01:14:25,320
Speaker 3: always accusing me of this stuff. I want to accuse someone.

1614
01:14:25,920 --> 01:14:28,439
Speaker 1: Let start accusing me of Seth Myers. We've noticed all

1615
01:14:28,479 --> 01:14:28,920
Speaker 1: the work.

1616
01:14:29,280 --> 01:14:30,599
Speaker 3: We just you're looking good.

1617
01:14:30,680 --> 01:14:31,360
Speaker 1: Would you get a.

1618
01:14:31,320 --> 01:14:37,679
Speaker 2: Frack soul and you got a little Farrah tell us.

1619
01:14:36,320 --> 01:14:38,000
Speaker 1: Well lit little that. Yeah.

1620
01:14:38,120 --> 01:14:40,080
Speaker 3: No one can just enjoy a compliment. It has to

1621
01:14:40,120 --> 01:14:42,719
Speaker 3: be there has to be something behind it, a little accusation.

1622
01:14:43,920 --> 01:14:46,240
Speaker 1: The accusation put them on their heels.

1623
01:14:46,400 --> 01:14:46,599
Speaker 3: Yeah.

1624
01:14:46,960 --> 01:14:49,120
Speaker 1: Speaking of being on your heels, audience is about to

1625
01:14:49,160 --> 01:14:51,040
Speaker 1: be on their heels. It's time to transition to the

1626
01:14:51,080 --> 01:14:56,640
Speaker 1: segment we are super famous for. I don't think so honey.

1627
01:14:58,080 --> 01:15:03,240
Speaker 1: So this is a one minute screed where we just

1628
01:15:03,320 --> 01:15:07,280
Speaker 1: kind of go off on something in culture. I've chosen

1629
01:15:07,320 --> 01:15:11,920
Speaker 1: food culture today fabulous. This came up earlier and I realized, Wow,

1630
01:15:12,000 --> 01:15:14,880
Speaker 1: I've never liked this, and I'm gonna explore how much

1631
01:15:14,880 --> 01:15:15,320
Speaker 1: I don't.

1632
01:15:15,560 --> 01:15:16,880
Speaker 3: I'm so excited like this.

1633
01:15:17,880 --> 01:15:19,720
Speaker 2: I don't think somebody's time starts now.

1634
01:15:19,880 --> 01:15:24,360
Speaker 1: I don't think so honey. Barrata It's like, that's not

1635
01:15:24,439 --> 01:15:28,519
Speaker 1: a salad. It's a gooey mess. And this is not

1636
01:15:28,840 --> 01:15:32,160
Speaker 1: how I like my cheese to be. The arugula is

1637
01:15:32,200 --> 01:15:35,519
Speaker 1: not my favorite piece of salad. It's not my favorite

1638
01:15:35,560 --> 01:15:39,400
Speaker 1: salad category. And then the balsamic drizzle, no, thank you,

1639
01:15:39,640 --> 01:15:42,880
Speaker 1: just together. I am not into it. Also, tomatoes, you

1640
01:15:43,000 --> 01:15:45,200
Speaker 1: know that I was that kid that hated tomatoes so much.

1641
01:15:45,240 --> 01:15:48,240
Speaker 1: I told waiters I was allergic. It didn't matter that.

1642
01:15:48,320 --> 01:15:50,200
Speaker 1: I then was like, I'll have the passama gread.

1643
01:15:51,520 --> 01:15:51,640
Speaker 2: No.

1644
01:15:51,800 --> 01:15:53,960
Speaker 1: I didn't want to see tomatoes. I don't like an

1645
01:15:53,960 --> 01:15:58,799
Speaker 1: heirloom tomato. No, the barrata moment, it's ouhi, it's gooey.

1646
01:15:58,960 --> 01:16:02,559
Speaker 1: It's not for me. I really feel as though here's

1647
01:16:02,600 --> 01:16:05,880
Speaker 1: a list of other salads that you gotta get. Okay,

1648
01:16:06,040 --> 01:16:11,840
Speaker 1: little jam, Yeah, up Jam. I also want to just

1649
01:16:11,880 --> 01:16:17,400
Speaker 1: say I am having a Caesar revolution talking about Julius.

1650
01:16:17,600 --> 01:16:21,599
Speaker 1: I am talking about salad. I had a wonderful Oh

1651
01:16:21,640 --> 01:16:23,479
Speaker 1: that was one minute. Keep going, I don't think any

1652
01:16:23,520 --> 01:16:25,240
Speaker 1: bad one minute.

1653
01:16:25,600 --> 01:16:27,760
Speaker 2: Tell us about your caesar salad that you had to

1654
01:16:27,960 --> 01:16:29,439
Speaker 2: It was salad he.

1655
01:16:29,560 --> 01:16:33,040
Speaker 1: Caught grill and we were on the NBC Universal lot.

1656
01:16:33,080 --> 01:16:36,599
Speaker 3: Hey, low key, great momsary.

1657
01:16:36,360 --> 01:16:38,719
Speaker 2: Great commentary, blown away so good.

1658
01:16:38,920 --> 01:16:40,120
Speaker 1: We really were blown away.

1659
01:16:40,120 --> 01:16:44,200
Speaker 3: Wait, tablecloth with good stuff, right, good celeb spotting. I

1660
01:16:44,240 --> 01:16:45,439
Speaker 3: didn't know they had a good caesar there.

1661
01:16:45,720 --> 01:16:46,840
Speaker 1: They have a great caesar there.

1662
01:16:46,880 --> 01:16:49,280
Speaker 2: And the chicken was thick, thick chicken.

1663
01:16:49,360 --> 01:16:51,559
Speaker 1: It was thick. It was thick, grilled chicken. The caesar

1664
01:16:51,640 --> 01:16:52,000
Speaker 1: was great.

1665
01:16:52,800 --> 01:16:55,760
Speaker 3: Really growth chicken cold, and the chicken is hot.

1666
01:16:55,920 --> 01:16:58,080
Speaker 1: The salad is cold, the chicken is hot, exactly how

1667
01:16:58,080 --> 01:17:00,920
Speaker 1: it should be. We we did not have medium. Wow,

1668
01:17:04,040 --> 01:17:06,360
Speaker 1: it was really really really good. And what else?

1669
01:17:06,479 --> 01:17:09,479
Speaker 2: The fries were good, Yeah, fries were great. You know

1670
01:17:09,520 --> 01:17:11,040
Speaker 2: the fries are good if it's on the menu as

1671
01:17:11,120 --> 01:17:12,280
Speaker 2: pumfree palm free.

1672
01:17:12,800 --> 01:17:13,599
Speaker 1: Yeah, yeah, yeah.

1673
01:17:13,880 --> 01:17:16,120
Speaker 3: You know the thing about that commissary is like, you'll

1674
01:17:16,160 --> 01:17:23,240
Speaker 3: be like, holy shit, you'll see someone Yeah, Jack Black, Yeah, yeah.

1675
01:17:23,560 --> 01:17:24,240
Speaker 1: Is that a minion?

1676
01:17:24,640 --> 01:17:27,120
Speaker 2: Yeah? Amazing?

1677
01:17:27,479 --> 01:17:29,800
Speaker 1: Rocket hit a minion at Universal? Actually a retal Culture

1678
01:17:29,880 --> 01:17:32,720
Speaker 1: number fifteen. You throw a rocket, hit a million at Universal,

1679
01:17:33,360 --> 01:17:35,680
Speaker 1: and I bet they would be so hilarious getting hit

1680
01:17:35,680 --> 01:17:38,960
Speaker 1: by a rock too. They're so funny the minion. Watch

1681
01:17:39,000 --> 01:17:44,840
Speaker 1: the Culture Awards tonight on NBC. Okay, so that's mine.

1682
01:17:44,840 --> 01:17:46,320
Speaker 2: I don't know, I've got one.

1683
01:17:46,479 --> 01:17:49,439
Speaker 3: Guys, so excited. This is I feel I can I

1684
01:17:49,600 --> 01:17:52,559
Speaker 3: just I love this. I feel so happy to be

1685
01:17:52,600 --> 01:17:52,840
Speaker 3: here and.

1686
01:17:52,840 --> 01:17:56,840
Speaker 2: Seeing we love this is perfect vibe. I love it.

1687
01:17:56,920 --> 01:17:59,920
Speaker 2: We adore anytime allowed, and I knew we would have

1688
01:18:00,200 --> 01:18:00,960
Speaker 2: much fun with you too.

1689
01:18:01,160 --> 01:18:03,479
Speaker 3: This is really nice. Okay, I can't wait for this.

1690
01:18:03,600 --> 01:18:05,280
Speaker 1: Okay, Bowen, are you ready?

1691
01:18:05,400 --> 01:18:05,799
Speaker 2: Yeah?

1692
01:18:05,880 --> 01:18:07,760
Speaker 1: This is Bowen Yang's I don't think so, honey. His

1693
01:18:07,920 --> 01:18:08,680
Speaker 1: time starts now.

1694
01:18:08,720 --> 01:18:10,920
Speaker 2: I don't think so, honey. That little greasy spot on

1695
01:18:11,000 --> 01:18:13,960
Speaker 2: the space bar, which is usually on the right, Oh

1696
01:18:14,000 --> 01:18:16,840
Speaker 2: my god, what the fuck are we doing? Why aren't

1697
01:18:16,840 --> 01:18:22,400
Speaker 2: we Why is there no international law against using the

1698
01:18:22,439 --> 01:18:25,679
Speaker 2: same plastic on all the space bars and every single

1699
01:18:25,760 --> 01:18:30,000
Speaker 2: keyboard in the world. I'm going do I have extra

1700
01:18:30,120 --> 01:18:34,479
Speaker 2: glands on this thing? Why is that the spot? Why

1701
01:18:34,520 --> 01:18:36,679
Speaker 2: does it? Why does it go on the right spot?

1702
01:18:36,760 --> 01:18:41,000
Speaker 2: I guess I'm being told seconds you're kind of smoothing

1703
01:18:41,040 --> 01:18:43,960
Speaker 2: it out, You're taking out the texture because of the

1704
01:18:44,000 --> 01:18:46,479
Speaker 2: contact you make with it over time. Well, why haven't

1705
01:18:46,520 --> 01:18:50,040
Speaker 2: we figured out a different material? Can we make a

1706
01:18:50,080 --> 01:18:53,960
Speaker 2: glass keyboard? I would love something that we could just tacitly,

1707
01:18:54,040 --> 01:18:56,919
Speaker 2: wipe down and call it a day. I don't understand

1708
01:18:57,000 --> 01:19:00,679
Speaker 2: this kind of I don't understand this kind of plastic.

1709
01:19:00,720 --> 01:19:02,400
Speaker 2: I don't really have anything else to add, but it's

1710
01:19:02,400 --> 01:19:05,080
Speaker 2: just it's I'm seconded by the notion that we must

1711
01:19:05,160 --> 01:19:07,680
Speaker 2: all think that we're it's this one imperfection on the

1712
01:19:08,160 --> 01:19:11,000
Speaker 2: keyboard sometimes that you just you can't wipe off. I mean,

1713
01:19:11,080 --> 01:19:11,639
Speaker 2: I hate it.

1714
01:19:11,680 --> 01:19:13,920
Speaker 1: I don't think so, honey. Isn't it incredible we're in

1715
01:19:14,000 --> 01:19:16,719
Speaker 1: space in all different kinds of ways. They they're talking

1716
01:19:16,760 --> 01:19:19,280
Speaker 1: about landing on Mars and.

1717
01:19:19,160 --> 01:19:22,000
Speaker 2: We can't get the space.

1718
01:19:22,720 --> 01:19:25,400
Speaker 1: It is gross, it's disgusting.

1719
01:19:25,560 --> 01:19:28,800
Speaker 3: It's disgusting, it's too and you.

1720
01:19:28,800 --> 01:19:30,000
Speaker 1: Know it came from it's from you.

1721
01:19:30,400 --> 01:19:30,839
Speaker 3: Logical.

1722
01:19:31,240 --> 01:19:31,960
Speaker 1: Yeah, I don't want to.

1723
01:19:31,960 --> 01:19:34,519
Speaker 3: Be reminded of it all it's great. I don't and

1724
01:19:34,560 --> 01:19:37,839
Speaker 3: why can't we it. I'm not going to clean my keyboard.

1725
01:19:37,840 --> 01:19:38,720
Speaker 3: It should be done for me.

1726
01:19:39,479 --> 01:19:41,840
Speaker 1: Well we we also were saying our friend Aaron Jackson

1727
01:19:41,920 --> 01:19:43,519
Speaker 1: came in and did it. I don't think so, Honey.

1728
01:19:43,680 --> 01:19:47,760
Speaker 1: The kitchen is always dirty, it's never clean. It's like

1729
01:19:47,760 --> 01:19:51,320
Speaker 1: that with the keyboard too. This is another epidemic, epidemic.

1730
01:19:51,560 --> 01:19:55,200
Speaker 1: This is really crazy what happens with the keyboard. And

1731
01:19:55,240 --> 01:20:00,720
Speaker 1: you don't want to admit it, but it's it's it's

1732
01:20:00,800 --> 01:20:04,519
Speaker 1: human dust and oils. It's human dust, oils and biological matter.

1733
01:20:04,840 --> 01:20:07,360
Speaker 2: Yeah, thank you. I just had to. I really had

1734
01:20:07,360 --> 01:20:14,200
Speaker 2: to say that. I check that keyboard, Doug. What is histulations?

1735
01:20:14,520 --> 01:20:15,360
Speaker 1: None.

1736
01:20:15,760 --> 01:20:18,080
Speaker 2: Here's what I have to do now is I have

1737
01:20:18,160 --> 01:20:23,080
Speaker 2: to go on a website and buy a keyboard cover,

1738
01:20:23,600 --> 01:20:26,720
Speaker 2: a plastic Yes, I have a plastic keyboard cover. And

1739
01:20:26,720 --> 01:20:30,479
Speaker 2: then I have to buy little double sided stickers so

1740
01:20:30,520 --> 01:20:34,600
Speaker 2: that I can and he's the cover to the keyboards.

1741
01:20:34,680 --> 01:20:37,280
Speaker 3: You shouldn't have to do that. No, I work hard,

1742
01:20:38,240 --> 01:20:38,519
Speaker 3: you know.

1743
01:20:38,479 --> 01:20:39,920
Speaker 1: What I mean, Michelle? Do it?

1744
01:20:40,160 --> 01:20:41,160
Speaker 2: Michelle?

1745
01:20:43,000 --> 01:20:47,439
Speaker 1: Okay, wait no, I really do get like really excited though,

1746
01:20:47,479 --> 01:20:49,639
Speaker 1: when I take an antibacterial wipe and just go over

1747
01:20:49,680 --> 01:20:52,080
Speaker 1: the whole computer. I feel like my entire apartment is clean.

1748
01:20:52,360 --> 01:20:55,920
Speaker 3: I've never once cleaned my computer. Oh no, it's I

1749
01:20:55,920 --> 01:20:58,160
Speaker 3: don't know why I just said that. It's so disgusting,

1750
01:20:58,320 --> 01:20:59,160
Speaker 3: but it's true.

1751
01:20:59,400 --> 01:21:01,360
Speaker 1: Maybe tonight, maybe tonight.

1752
01:21:01,520 --> 01:21:04,160
Speaker 3: Probably not like I said maybe tonight, knowing I would

1753
01:21:04,160 --> 01:21:07,880
Speaker 3: never mean it. Just throw it out and just get

1754
01:21:07,920 --> 01:21:08,800
Speaker 3: another one.

1755
01:21:08,560 --> 01:21:09,080
Speaker 2: In the computer.

1756
01:21:09,280 --> 01:21:12,200
Speaker 1: Yeah, it it is probably time. It's always kind of time.

1757
01:21:12,320 --> 01:21:14,599
Speaker 3: It's always kind of time, you know, getting a new

1758
01:21:14,640 --> 01:21:16,000
Speaker 3: final draft update?

1759
01:21:16,240 --> 01:21:19,120
Speaker 1: Okay, can we say final draft is the worst?

1760
01:21:19,439 --> 01:21:21,640
Speaker 3: What's worst final drafts for picks?

1761
01:21:23,160 --> 01:21:27,600
Speaker 1: I think Final Draft because I used to use Celtex instead.

1762
01:21:27,479 --> 01:21:30,400
Speaker 3: Because when the update comes, you need the password and

1763
01:21:30,439 --> 01:21:33,599
Speaker 3: you haven't had it's it's awful.

1764
01:21:33,840 --> 01:21:35,640
Speaker 2: The cloud thing doesn't really work if you want to

1765
01:21:35,640 --> 01:21:37,320
Speaker 2: open it up on your phone, like forget it. We

1766
01:21:37,400 --> 01:21:40,080
Speaker 2: used to use writer Duet because it was a Google

1767
01:21:40,160 --> 01:21:43,880
Speaker 2: doc because you get to go because it was like

1768
01:21:43,880 --> 01:21:45,160
Speaker 2: a Google doc thing where you just wrote at the

1769
01:21:45,200 --> 01:21:46,600
Speaker 2: same time you can see what the other person was

1770
01:21:46,640 --> 01:21:47,679
Speaker 2: typing from their computer.

1771
01:21:47,960 --> 01:21:48,559
Speaker 3: It's nice.

1772
01:21:48,600 --> 01:21:52,000
Speaker 1: We wrote our two person drag play Night Soap.

1773
01:21:52,479 --> 01:21:53,840
Speaker 2: It was writers Ben.

1774
01:21:54,040 --> 01:21:58,360
Speaker 3: It sounds fabulous. Great name for software, right, write a

1775
01:21:58,640 --> 01:22:00,559
Speaker 3: writer or do at So it's made for two people

1776
01:22:00,560 --> 01:22:01,520
Speaker 3: writing together.

1777
01:22:01,360 --> 01:22:04,559
Speaker 1: Or however many whoa Yeah, it's just just just getting

1778
01:22:04,600 --> 01:22:10,040
Speaker 1: a writer, quartet or whatever the three is. Trio Yeah, yeah,

1779
01:22:10,880 --> 01:22:13,599
Speaker 1: I was ready to go quintet, sextet, all of them.

1780
01:22:13,640 --> 01:22:16,479
Speaker 1: There you go, But I lost trio until now it

1781
01:22:16,600 --> 01:22:18,800
Speaker 1: was there. Trio was kind of a wild secretaries in

1782
01:22:18,800 --> 01:22:19,719
Speaker 1: my mind. Got the file?

1783
01:22:19,880 --> 01:22:23,160
Speaker 2: Yeah, really good. It's time for our guests to have

1784
01:22:23,200 --> 01:22:25,240
Speaker 2: her secretaries of her mind get the file.

1785
01:22:25,240 --> 01:22:29,799
Speaker 1: To rifle through the cabinets. Okay, this are you ready? Yes,

1786
01:22:29,960 --> 01:22:32,400
Speaker 1: this is Mindy Kaling's I don't think so, honey. Her

1787
01:22:32,400 --> 01:22:33,280
Speaker 1: time starts now.

1788
01:22:34,360 --> 01:22:37,640
Speaker 3: Okay, I don't think so, honey. People who knock on

1789
01:22:37,680 --> 01:22:46,320
Speaker 3: a door like this, no, no, no, you are a cornball.

1790
01:22:46,600 --> 01:22:48,559
Speaker 1: Oh my normal.

1791
01:22:48,680 --> 01:22:50,519
Speaker 3: Do not knock at me like that.

1792
01:22:50,840 --> 01:22:51,400
Speaker 1: It's crazy.

1793
01:22:51,479 --> 01:22:52,080
Speaker 2: That is crazy.

1794
01:22:52,160 --> 01:22:52,479
Speaker 1: Okay.

1795
01:22:53,080 --> 01:22:55,720
Speaker 3: When you knock on the door like that, it just

1796
01:22:55,840 --> 01:22:59,160
Speaker 3: reveals how different our world views are. You think that

1797
01:22:59,560 --> 01:23:02,880
Speaker 3: knocking on the door should be an expression of self? No,

1798
01:23:03,160 --> 01:23:06,320
Speaker 3: that it should just be functionality. There should not be Also,

1799
01:23:06,560 --> 01:23:08,680
Speaker 3: why did you think that my reaction was going to

1800
01:23:08,720 --> 01:23:10,320
Speaker 3: be on the other side of the door. I was

1801
01:23:10,360 --> 01:23:13,200
Speaker 3: gonna be like Oh, that's like a funny person on

1802
01:23:13,320 --> 01:23:15,439
Speaker 3: the other side of the door. I like that person.

1803
01:23:15,439 --> 01:23:16,799
Speaker 1: They're a real joke. Start.

1804
01:23:17,439 --> 01:23:21,360
Speaker 3: No, there's only one acceptable way to knock, and that's this.

1805
01:23:22,439 --> 01:23:25,120
Speaker 3: If you're the FBI, you knock seven times and you

1806
01:23:25,200 --> 01:23:28,120
Speaker 3: kick the door down when you don't do that, when

1807
01:23:28,280 --> 01:23:30,640
Speaker 3: was that first funny in like the nineteen twenties, for

1808
01:23:30,760 --> 01:23:32,439
Speaker 3: like a month when you could do that and people

1809
01:23:32,479 --> 01:23:37,839
Speaker 3: are like, that's cool. If you knock like this, I

1810
01:23:37,960 --> 01:23:40,720
Speaker 3: cannot if you have. If you knock like that, you're

1811
01:23:40,800 --> 01:23:41,679
Speaker 3: dentiny and.

1812
01:23:41,600 --> 01:23:45,960
Speaker 1: That's wow wow. And you know when you reached over,

1813
01:23:46,040 --> 01:23:47,200
Speaker 1: I was like, please do.

1814
01:23:49,479 --> 01:23:54,559
Speaker 2: You please do it? And then shave spiral for months.

1815
01:23:54,640 --> 01:23:57,640
Speaker 3: It is why, Like you wonder like when someone does that,

1816
01:23:57,680 --> 01:24:00,639
Speaker 3: Like I'm at the doctor and I just like, I'm sitting.

1817
01:24:00,640 --> 01:24:03,280
Speaker 3: If you're in, then you're sitting in your gown and

1818
01:24:03,320 --> 01:24:06,160
Speaker 3: then you hear somebody knocking. I'm not in the mood

1819
01:24:06,280 --> 01:24:07,160
Speaker 3: for this.

1820
01:24:07,880 --> 01:24:10,719
Speaker 1: Not a fun nurse not coming in with the knock.

1821
01:24:10,840 --> 01:24:14,200
Speaker 2: But you've seen this out in the wild. You really haven't.

1822
01:24:14,680 --> 01:24:15,040
Speaker 2: I know that.

1823
01:24:15,040 --> 01:24:15,680
Speaker 1: I don't believe you.

1824
01:24:15,880 --> 01:24:17,960
Speaker 3: I mean, it's and I love first ads.

1825
01:24:18,080 --> 01:24:21,360
Speaker 1: It's a real first or is so on set.

1826
01:24:21,720 --> 01:24:25,920
Speaker 3: It's a it's a version of the lady God.

1827
01:24:25,960 --> 01:24:28,439
Speaker 1: Remember we used to say an O my lady gay

1828
01:24:28,640 --> 01:24:31,120
Speaker 1: and like like a gay that wears a boat. I'm

1829
01:24:31,160 --> 01:24:33,320
Speaker 1: gonna tell you what we're talking about. After you you'll.

1830
01:24:33,880 --> 01:24:36,640
Speaker 3: Yeah, it's like you know, and this this is like

1831
01:24:36,920 --> 01:24:41,080
Speaker 3: it's like the person who does this accent and we're

1832
01:24:41,080 --> 01:24:44,840
Speaker 3: not talking Connor story accents right where you're like, I

1833
01:24:44,880 --> 01:24:48,439
Speaker 3: love this. It's like a little malady. I feel like,

1834
01:24:48,520 --> 01:24:51,160
Speaker 3: especially when we're in comedy, it's like there's a time

1835
01:24:51,200 --> 01:24:52,760
Speaker 3: and place for this and this is not.

1836
01:24:53,000 --> 01:24:58,520
Speaker 2: Of course, someone online pointed out that the only this

1837
01:24:58,520 --> 01:25:01,959
Speaker 2: this kind of knock only happens on film and television.

1838
01:25:02,240 --> 01:25:05,680
Speaker 2: In film and television, knock, knock, knock, someone's saying the

1839
01:25:05,720 --> 01:25:08,280
Speaker 2: words knock, knock, knock while they're knocking on the door.

1840
01:25:08,439 --> 01:25:10,400
Speaker 1: That's so foolish.

1841
01:25:10,520 --> 01:25:11,559
Speaker 3: Get penalty if that.

1842
01:25:11,760 --> 01:25:14,679
Speaker 2: I've never encountered that in real life. I've knock knock

1843
01:25:14,880 --> 01:25:18,920
Speaker 2: like I kind of like to do it.

1844
01:25:20,280 --> 01:25:21,960
Speaker 1: I think, did I break them old?

1845
01:25:22,400 --> 01:25:25,040
Speaker 3: I believe you, But now I'm like, should you do it?

1846
01:25:25,240 --> 01:25:28,840
Speaker 1: Knock knock knock? You know what I really want to

1847
01:25:28,880 --> 01:25:34,519
Speaker 1: be this sitcom neighbor knock knock Knock. I really feel

1848
01:25:34,560 --> 01:25:37,719
Speaker 1: I missed my opportunity to be on a nineties sitcom

1849
01:25:37,720 --> 01:25:40,240
Speaker 1: where I come in, where I come in like at

1850
01:25:40,240 --> 01:25:45,200
Speaker 1: the end of act one and bring just just like

1851
01:25:45,479 --> 01:25:47,559
Speaker 1: off kilter chaos, I think.

1852
01:25:49,439 --> 01:25:51,519
Speaker 3: Straight. The problem is is you, guys are too hot

1853
01:25:51,640 --> 01:25:52,479
Speaker 3: now to be the.

1854
01:25:52,920 --> 01:25:56,080
Speaker 1: Character that it's huge to hear.

1855
01:25:56,600 --> 01:25:59,840
Speaker 3: It's not credible, Like for you being like knock.

1856
01:25:59,760 --> 01:26:02,519
Speaker 1: Knocked, I'm incredibly goofy neighbors. Knock knock knock.

1857
01:26:02,840 --> 01:26:07,519
Speaker 3: You the voice, the voice, the face you're It's like,

1858
01:26:07,960 --> 01:26:10,800
Speaker 3: I got it. You're giving character actor, but the rest

1859
01:26:10,840 --> 01:26:12,320
Speaker 3: is not giving character actor.

1860
01:26:12,360 --> 01:26:15,360
Speaker 2: Guys, I'm a character actor down, It's so fine.

1861
01:26:17,120 --> 01:26:20,680
Speaker 1: Nolua a model is characterized.

1862
01:26:20,720 --> 01:26:23,880
Speaker 2: That's me, a louayve a model. Wait wait, there's one thing.

1863
01:26:24,120 --> 01:26:29,479
Speaker 2: There's one thing. I lost it. There's knock knock knock. Damn.

1864
01:26:30,040 --> 01:26:34,280
Speaker 1: What is there another style of greeting that you're like, no, yeah,

1865
01:26:34,320 --> 01:26:37,759
Speaker 1: well there's not a content. There's hello my lady. Oh god,

1866
01:26:38,880 --> 01:26:41,440
Speaker 1: it makes my pelvic floor want to run away.

1867
01:26:41,680 --> 01:26:41,920
Speaker 2: Damn.

1868
01:26:44,200 --> 01:26:44,800
Speaker 3: Yeah.

1869
01:26:45,120 --> 01:26:49,479
Speaker 1: Like it's very and I say this. I say this

1870
01:26:49,680 --> 01:26:54,320
Speaker 1: with love for myself. It's Disney gay and I'm okay

1871
01:26:54,320 --> 01:26:54,639
Speaker 1: with it.

1872
01:26:54,760 --> 01:26:55,720
Speaker 2: Yeah, can I.

1873
01:26:55,920 --> 01:26:58,040
Speaker 3: Can you guys tell me about Disney gay because I

1874
01:26:58,080 --> 01:27:00,600
Speaker 3: have I have a great friend Justine Noble, who you

1875
01:27:00,600 --> 01:27:04,760
Speaker 3: guys might know. I just think he's a self described

1876
01:27:04,800 --> 01:27:08,519
Speaker 3: Disney gay. But he is a person I respect, and

1877
01:27:08,560 --> 01:27:11,040
Speaker 3: he's smart and with integrity, but he loves Disney. He

1878
01:27:11,120 --> 01:27:13,160
Speaker 3: was like writing in the lobby of the Grand Californian,

1879
01:27:13,880 --> 01:27:16,439
Speaker 3: and so I kind of say, I hope that's okay

1880
01:27:16,520 --> 01:27:18,160
Speaker 3: for me to say, but it is so funny.

1881
01:27:18,439 --> 01:27:23,439
Speaker 1: I identify I identify as like a semi ironic Disney gay.

1882
01:27:23,600 --> 01:27:27,120
Speaker 2: Okay, you have I think Matt and I would and

1883
01:27:27,120 --> 01:27:31,040
Speaker 2: and I would say Justin has a dimension of Disney gay. Yeah,

1884
01:27:31,080 --> 01:27:32,799
Speaker 2: there are Disney gays who are.

1885
01:27:35,160 --> 01:27:38,480
Speaker 1: Like, here's my collection of stencils of Goofy and it's like, okay,

1886
01:27:40,080 --> 01:27:42,479
Speaker 1: all right, and then there's it's it's like it's.

1887
01:27:42,360 --> 01:27:44,320
Speaker 2: Like for real, yes, yeah, yeah, yeah.

1888
01:27:44,400 --> 01:27:47,479
Speaker 1: And well, by the way, Fraser says he can't believe

1889
01:27:47,520 --> 01:27:49,120
Speaker 1: I'm dating someone with this interest.

1890
01:27:49,840 --> 01:27:51,160
Speaker 2: Is that's fine.

1891
01:27:51,720 --> 01:27:54,040
Speaker 1: I understand it hasn't been yet. He actually doesn't even know.

1892
01:27:54,200 --> 01:27:56,920
Speaker 3: What would You've never been to any Disney.

1893
01:27:57,000 --> 01:27:57,880
Speaker 1: No, you haven't been.

1894
01:27:59,120 --> 01:28:03,240
Speaker 2: It's with a headpiece with ears and a pack. It

1895
01:28:03,280 --> 01:28:04,800
Speaker 2: is not something I'll accept.

1896
01:28:04,520 --> 01:28:09,760
Speaker 3: And whoa something except he said it like that. It

1897
01:28:09,840 --> 01:28:12,240
Speaker 3: was like you should be ashamed of yourself. Don't make

1898
01:28:12,360 --> 01:28:13,040
Speaker 3: him do that.

1899
01:28:13,120 --> 01:28:15,559
Speaker 1: I know. Like, but he's gonna have fun against his

1900
01:28:16,360 --> 01:28:17,720
Speaker 1: every instinct.

1901
01:28:17,520 --> 01:28:19,479
Speaker 2: That it's not the requirement though, you know what I mean, Like,

1902
01:28:19,600 --> 01:28:21,600
Speaker 2: no one's forcing you to wear to wear that. I

1903
01:28:21,640 --> 01:28:23,720
Speaker 2: understand what you're saying. That's what I associate with the

1904
01:28:23,760 --> 01:28:24,519
Speaker 2: Disney adults.

1905
01:28:24,840 --> 01:28:27,000
Speaker 1: Yeah, but we're not. Yeah, yeah, but that's not I

1906
01:28:27,040 --> 01:28:28,840
Speaker 1: can't you know what though, we can't say we don't

1907
01:28:28,840 --> 01:28:31,160
Speaker 1: wear the clothes because in Tokyo Disney, see, while we're

1908
01:28:31,160 --> 01:28:35,559
Speaker 1: we wearing it was really fun full head hats because

1909
01:28:35,560 --> 01:28:37,839
Speaker 1: it was January, was cold, it was it was practical.

1910
01:28:37,920 --> 01:28:39,400
Speaker 3: You guys are Disney Gays.

1911
01:28:39,880 --> 01:28:42,920
Speaker 2: We like to go to the parks. Okay, believe it

1912
01:28:42,960 --> 01:28:43,200
Speaker 2: at that.

1913
01:28:43,520 --> 01:28:45,799
Speaker 1: We had a wonderful time in Disneyland, Paris Harris.

1914
01:28:46,120 --> 01:28:47,360
Speaker 3: That's that's chic.

1915
01:28:47,680 --> 01:28:50,680
Speaker 1: They let you drink wine there because they don't let

1916
01:28:50,720 --> 01:28:51,799
Speaker 1: you drink it in the other.

1917
01:28:52,439 --> 01:28:54,599
Speaker 3: Yeah, they kind of don't.

1918
01:28:54,439 --> 01:28:58,280
Speaker 2: Right, Yeah, they're they're changing their ways about that.

1919
01:28:58,880 --> 01:29:02,400
Speaker 3: Yes, they're the California Adventure. Hey, I was about to

1920
01:29:02,400 --> 01:29:04,400
Speaker 3: be so boring. Who cares. I'm not going to tell you,

1921
01:29:04,439 --> 01:29:06,760
Speaker 3: like what I know about the rules about alcohol? It Didney, like,

1922
01:29:06,800 --> 01:29:07,519
Speaker 3: nobody cares.

1923
01:29:07,680 --> 01:29:10,479
Speaker 1: California Adventure. You can, but yeah, I don't let me

1924
01:29:10,560 --> 01:29:15,080
Speaker 1: take it. I don't know. Empathetic, I don't want to know.

1925
01:29:15,479 --> 01:29:16,080
Speaker 3: I don't want to.

1926
01:29:16,560 --> 01:29:20,920
Speaker 1: Yeah, no, it's trust me. You're better off at the Aman.

1927
01:29:21,720 --> 01:29:23,880
Speaker 2: Yes, yeah, we hope that for you.

1928
01:29:24,479 --> 01:29:27,559
Speaker 1: We'll go to the ama Yara instead. Altogether, I feel

1929
01:29:27,560 --> 01:29:29,559
Speaker 1: like this episode has been like a wonderful vacation.

1930
01:29:30,200 --> 01:29:32,519
Speaker 3: It has felt that way. I love it. I'm sad

1931
01:29:32,520 --> 01:29:32,840
Speaker 3: to leave.

1932
01:29:33,320 --> 01:29:38,679
Speaker 1: I mean, listen, this has been so great and I

1933
01:29:38,720 --> 01:29:42,120
Speaker 1: really did. I was like, again, we're on the day

1934
01:29:42,120 --> 01:29:45,000
Speaker 1: of the Cultural Awards, and I was thinking about, like

1935
01:29:45,360 --> 01:29:49,320
Speaker 1: just how amazing we felt that the camera just panned

1936
01:29:49,320 --> 01:29:50,840
Speaker 1: in there you were, and you've always been one of

1937
01:29:50,920 --> 01:29:53,439
Speaker 1: our favorites. And this has been so much fun and

1938
01:29:54,080 --> 01:29:54,720
Speaker 1: we just love you.

1939
01:29:55,240 --> 01:29:59,120
Speaker 3: I feel honored, thank you so much. It was really special.

1940
01:29:59,560 --> 01:30:00,920
Speaker 3: I hope I can come back again.

1941
01:30:01,080 --> 01:30:04,559
Speaker 1: Oh please, You've been put in the regular rotation and

1942
01:30:04,600 --> 01:30:07,360
Speaker 1: by the way, not suitable before streaming now.

1943
01:30:07,840 --> 01:30:11,519
Speaker 2: Hulu which is now which now has the same parent

1944
01:30:11,560 --> 01:30:14,160
Speaker 2: company as Fox, which is what mindy product was on

1945
01:30:14,680 --> 01:30:17,280
Speaker 2: before and isn't isn't that interesting?

1946
01:30:18,080 --> 01:30:22,080
Speaker 3: It is interesting? You really you know this stuff what.

1947
01:30:22,080 --> 01:30:23,439
Speaker 2: I'm saying, But like, isn't that funny?

1948
01:30:23,479 --> 01:30:26,080
Speaker 1: How it moved to Hulu? Well, he loves vertical integration.

1949
01:30:27,560 --> 01:30:30,439
Speaker 1: He's really passionate about it. He's really You should have

1950
01:30:30,439 --> 01:30:33,439
Speaker 1: seen him at the upfront. Was lit up. He was like,

1951
01:30:33,600 --> 01:30:36,400
Speaker 1: where can I learn? I love consolidation.

1952
01:30:36,960 --> 01:30:38,680
Speaker 3: No, it is true. That's a good point because I

1953
01:30:38,800 --> 01:30:41,439
Speaker 3: was there and all the show's there. There's still an

1954
01:30:41,520 --> 01:30:44,400
Speaker 3: iteration of Handmaid's Tale on Oh yeah, I was there.

1955
01:30:44,600 --> 01:30:46,640
Speaker 1: Now, God, their Inmates Tale is going to be like

1956
01:30:46,680 --> 01:30:48,559
Speaker 1: Fast and the Furious. It's never gonna end. It's gonna

1957
01:30:48,560 --> 01:30:51,040
Speaker 1: get like like many mini sequels. There's going to be

1958
01:30:51,040 --> 01:30:55,120
Speaker 1: a roller coaster. I'm sure Michelle Rodriguez is in it.

1959
01:30:55,600 --> 01:30:58,920
Speaker 1: She's in everything and every episode with the song yeah,

1960
01:30:59,080 --> 01:30:59,639
Speaker 1: I can't wait.

1961
01:31:01,240 --> 01:31:03,840
Speaker 2: You don't return my t you send my phone, zn't

1962
01:31:03,840 --> 01:31:07,920
Speaker 2: get text? What you got at t added UPTONI will

1963
01:31:07,960 --> 01:31:09,920
Speaker 2: you win me? If you want more of that stream

1964
01:31:09,960 --> 01:31:16,320
Speaker 2: subtle sexuality in the webisode of the Office Bye Bye

1965
01:31:18,360 --> 01:31:20,519
Speaker 2: Last Culture. Racist is the production by Will Ferrell's Big

1966
01:31:20,520 --> 01:31:22,160
Speaker 2: Money Players and iHeartRadio.

1967
01:31:21,600 --> 01:31:24,960
Speaker 1: Podcasts created and hosted by Matt Rogers and Bowen Yang

1968
01:31:25,120 --> 01:31:28,680
Speaker 1: executive produced by Anna hasby A and produced by Becca Ramos,

1969
01:31:28,800 --> 01:31:31,320
Speaker 1: edited by hot Dog Sandwich and our music is by

1970
01:31:31,360 --> 01:31:32,160
Speaker 1: Henrik Birski