1
00:00:20,000 --> 00:00:23,239
Speaker 1: Podcast starts now, Hello, we are coming at you live

2
00:00:23,239 --> 00:00:27,080
Speaker 1: from New York City, where we are roughly one half

3
00:00:27,120 --> 00:00:30,000
Speaker 1: hour late, which is so.

4
00:00:29,640 --> 00:00:33,440
Speaker 2: So being gas lit because both of us saw major

5
00:00:33,479 --> 00:00:36,640
Speaker 2: train delays that were allegedly citywide. We get here thinking, oh,

6
00:00:36,680 --> 00:00:39,479
Speaker 2: everyone's going to be late. They are major citywide train delays.

7
00:00:39,479 --> 00:00:40,440
Speaker 2: We get here, everyone is.

8
00:00:40,440 --> 00:00:42,199
Speaker 1: Here, everyone's fine, everyone's sitting around with.

9
00:00:42,520 --> 00:00:44,920
Speaker 2: Both of us coming from different places, are both late.

10
00:00:45,040 --> 00:00:46,000
Speaker 1: Well, we were targeted.

11
00:00:47,159 --> 00:00:50,519
Speaker 2: I do think do you think it's part of Trump's

12
00:00:51,120 --> 00:00:54,319
Speaker 2: terror related actions? Of course he is saying we are

13
00:00:54,360 --> 00:00:58,120
Speaker 2: doing no more in studio gay podcasting in this new

14
00:00:58,160 --> 00:00:59,639
Speaker 2: era of America.

15
00:01:00,040 --> 00:01:02,000
Speaker 1: You silence of the A podcasters, you silence truth.

16
00:01:02,080 --> 00:01:03,800
Speaker 2: Well, I do think that's actually there's something to that,

17
00:01:03,880 --> 00:01:05,600
Speaker 2: because if you think about it, you know, we're sort

18
00:01:05,600 --> 00:01:06,800
Speaker 2: of the bottom of the totem pole.

19
00:01:07,280 --> 00:01:07,959
Speaker 3: Start with us.

20
00:01:08,440 --> 00:01:10,560
Speaker 2: It's kind of like starting with public universities and working

21
00:01:10,560 --> 00:01:12,480
Speaker 2: her way up to Harvard. You know, we are kind

22
00:01:12,480 --> 00:01:15,120
Speaker 2: of like the test subject of all State. Yeah, and

23
00:01:15,160 --> 00:01:19,360
Speaker 2: then you know, next thing, you know, where's Michelle Obama's podcast?

24
00:01:20,800 --> 00:01:21,039
Speaker 1: Wow?

25
00:01:21,120 --> 00:01:23,959
Speaker 2: Why isn't she talking to Sofia Bush about being empowered?

26
00:01:24,040 --> 00:01:26,360
Speaker 1: It's so nice to refer to ourselves as the bottom

27
00:01:26,360 --> 00:01:27,400
Speaker 1: of the zone pole.

28
00:01:27,520 --> 00:01:28,520
Speaker 3: Well, you know, of.

29
00:01:28,400 --> 00:01:33,559
Speaker 1: Course I feel I have to say. You know, last

30
00:01:33,680 --> 00:01:35,760
Speaker 1: night I was I was, I mean New York, and

31
00:01:35,800 --> 00:01:38,600
Speaker 1: I was like, God, New York is just like Paris.

32
00:01:38,760 --> 00:01:41,559
Speaker 1: Never been to Paris, but still the sentiment was there.

33
00:01:42,120 --> 00:01:44,119
Speaker 1: And then today I'm like, you know what, I needed this.

34
00:01:44,200 --> 00:01:46,720
Speaker 1: I needed to be like brought down a few pegs

35
00:01:46,720 --> 00:01:49,440
Speaker 1: because by the subway, by the subway, because I was

36
00:01:49,480 --> 00:01:51,600
Speaker 1: really like, what am I doing with my life?

37
00:01:52,080 --> 00:01:52,400
Speaker 3: Yeah?

38
00:01:52,400 --> 00:01:54,600
Speaker 1: And now here I am a half hour late, sweaty

39
00:01:54,640 --> 00:01:55,120
Speaker 1: as hell.

40
00:01:55,880 --> 00:01:58,320
Speaker 2: I mean, there really is very seeing me about being humbled.

41
00:01:58,720 --> 00:02:01,400
Speaker 2: There's nothing like running twenty minutes late and then texting

42
00:02:01,480 --> 00:02:02,880
Speaker 2: is there a food in the office because I haven't

43
00:02:02,920 --> 00:02:04,960
Speaker 2: had breakfast and being told yeah, there is a single

44
00:02:05,000 --> 00:02:09,240
Speaker 2: string cheese. There you go, there's a string cheese.

45
00:02:09,480 --> 00:02:11,600
Speaker 1: I actually really respected that you asked.

46
00:02:11,360 --> 00:02:14,600
Speaker 2: That, and I am now I'm in this dilemma. If

47
00:02:14,639 --> 00:02:16,720
Speaker 2: you're not watching on video, I'm holding the string cheese.

48
00:02:16,760 --> 00:02:18,920
Speaker 2: It is check off string cheese, and it might be

49
00:02:18,919 --> 00:02:20,480
Speaker 2: eaten by the end of the episode, or it might not.

50
00:02:21,000 --> 00:02:22,560
Speaker 1: I think you should have why didn't you eat it

51
00:02:22,600 --> 00:02:23,359
Speaker 1: before recording?

52
00:02:23,600 --> 00:02:26,200
Speaker 2: Because there is something about admitting defeat. You know what

53
00:02:26,240 --> 00:02:31,080
Speaker 2: it is. It's like, imagine I'm Lady Gaga okay, and

54
00:02:31,160 --> 00:02:33,120
Speaker 2: I'm running late, and I'm saying, is there anything there?

55
00:02:33,120 --> 00:02:35,800
Speaker 2: And they give me one string cheese? Would Lady Gaga

56
00:02:35,840 --> 00:02:36,840
Speaker 2: eat the string cheese?

57
00:02:37,320 --> 00:02:42,120
Speaker 1: Yes, this logic game is not working for no. She

58
00:02:42,160 --> 00:02:44,200
Speaker 1: would say, well, she would eat it in three bites.

59
00:02:44,240 --> 00:02:46,680
Speaker 1: She wouldn't string it, she'd eat it in three bites.

60
00:02:46,840 --> 00:02:49,639
Speaker 2: She would eat it in one bite because might Donna

61
00:02:50,600 --> 00:02:53,680
Speaker 2: a documentary style? She would say truth or dare say

62
00:02:53,760 --> 00:02:56,359
Speaker 2: truth or dare put this string cheese in your mouth

63
00:02:56,840 --> 00:02:57,919
Speaker 2: one fucking bite.

64
00:02:58,360 --> 00:03:00,280
Speaker 1: I think I think you should have eaten it. I

65
00:03:00,320 --> 00:03:01,600
Speaker 1: think Lady guy I would have eaten it. I think

66
00:03:01,680 --> 00:03:05,560
Speaker 1: Madonna would have gagged upon it. Yeah. I think if

67
00:03:05,760 --> 00:03:09,800
Speaker 1: I think there's something about you know, being so in

68
00:03:09,919 --> 00:03:12,680
Speaker 1: need where then you have to perform how needy you

69
00:03:12,680 --> 00:03:14,680
Speaker 1: were when you get here, or you almost need to

70
00:03:14,680 --> 00:03:17,000
Speaker 1: scarf at and be like God, I was about to die.

71
00:03:17,280 --> 00:03:19,960
Speaker 2: Here's what so okay related to this, h Here's what

72
00:03:20,000 --> 00:03:24,480
Speaker 2: I'm struggling with. Obviously we're late, and obviously we're talent.

73
00:03:25,080 --> 00:03:28,880
Speaker 2: Now you're now you're forced. Now you're forced to decide

74
00:03:29,000 --> 00:03:33,080
Speaker 2: are you going to be so apologetic and humble or

75
00:03:33,120 --> 00:03:35,480
Speaker 2: are you going to walk in and pretend nothing happened

76
00:03:35,920 --> 00:03:38,000
Speaker 2: and say this is how I operate?

77
00:03:38,480 --> 00:03:40,680
Speaker 1: Well, what did you do? I missed your entry because.

78
00:03:40,480 --> 00:03:43,120
Speaker 2: I have I was apologetic. I will, but I stopped

79
00:03:43,160 --> 00:03:45,840
Speaker 2: myself from being overly apologetic because I think there was

80
00:03:45,840 --> 00:03:48,280
Speaker 2: a way I could have debased myself further. And I said, no, no,

81
00:03:48,880 --> 00:03:52,320
Speaker 2: you host an iHeart podcast, bitch, You host an iHeart

82
00:03:52,360 --> 00:03:55,880
Speaker 2: podcast and you have a free string cheese on your

83
00:03:55,920 --> 00:03:58,800
Speaker 2: person that you could eat it at any point. You

84
00:03:58,840 --> 00:04:00,600
Speaker 2: know what I did, and it's tax deductible.

85
00:04:00,680 --> 00:04:03,120
Speaker 1: Okay, First of all, I also apologize, huh, But I also,

86
00:04:03,360 --> 00:04:06,040
Speaker 1: you know, tastefully not overboards that would have been so

87
00:04:06,120 --> 00:04:08,160
Speaker 1: bad that would have made it their problem. Not fine,

88
00:04:08,400 --> 00:04:11,680
Speaker 1: But I I had a half drank coffee and I

89
00:04:11,720 --> 00:04:13,960
Speaker 1: threw it away on the way in because I didn't want.

90
00:04:13,880 --> 00:04:16,520
Speaker 2: To want to walk in late with a coffee. Yeah, yeah, totally,

91
00:04:18,400 --> 00:04:21,000
Speaker 2: and I was like, that's enough coffee. I want to

92
00:04:21,040 --> 00:04:23,520
Speaker 2: get our guests taken on this whole debacle.

93
00:04:23,640 --> 00:04:25,599
Speaker 1: I can't wait to hear our guests perspective on this

94
00:04:25,920 --> 00:04:27,320
Speaker 1: entire debacle.

95
00:04:27,320 --> 00:04:29,120
Speaker 2: I have to say, we have been trying to get

96
00:04:29,240 --> 00:04:31,839
Speaker 2: this girl on. I feel almost like when we had

97
00:04:31,920 --> 00:04:34,440
Speaker 2: Kathy Griffin on, and not only because they're both ladies

98
00:04:34,480 --> 00:04:38,880
Speaker 2: in comedy that are not afraid to speak out about

99
00:04:38,920 --> 00:04:39,600
Speaker 2: Donald Trump.

100
00:04:42,440 --> 00:04:43,679
Speaker 1: That's right, That's very.

101
00:04:43,520 --> 00:04:46,240
Speaker 2: True, because they were both no, no, she's not all

102
00:04:46,320 --> 00:04:49,080
Speaker 2: to speak yet, but because they have, they are both

103
00:04:49,400 --> 00:04:53,720
Speaker 2: people that have been like screamed for on the on

104
00:04:53,800 --> 00:04:56,960
Speaker 2: the discord, on the and the messages we're getting. Yeah,

105
00:04:57,120 --> 00:05:00,240
Speaker 2: I'm When we did the pull, who do you want

106
00:05:00,240 --> 00:05:03,159
Speaker 2: to see on the pod? This person ranked above Lady Gaga,

107
00:05:03,240 --> 00:05:08,440
Speaker 2: all three, him, sisters, all three, all three, because there

108
00:05:08,440 --> 00:05:12,360
Speaker 2: were submissions for even Yeah, there were submissions for him,

109
00:05:12,360 --> 00:05:14,599
Speaker 2: and then there were multiple submissions for just st because

110
00:05:14,640 --> 00:05:19,280
Speaker 2: of course she's the comedian of the trio. So please welcome, actress, writer, model,

111
00:05:20,000 --> 00:05:22,720
Speaker 2: beautiful hair. Have Harry NEPV.

112
00:05:24,240 --> 00:05:28,760
Speaker 3: Hi boy, Hi, So Harry. How are we doing so far? Yeah,

113
00:05:28,960 --> 00:05:30,880
Speaker 3: you're doing great. I feel like you walked in late

114
00:05:31,040 --> 00:05:34,599
Speaker 3: and you apologized from a place of power. I feel

115
00:05:34,640 --> 00:05:38,159
Speaker 3: as though it's fine. I feel as though I was

116
00:05:38,240 --> 00:05:40,200
Speaker 3: in Midtown at eight thirty am today to get a

117
00:05:40,240 --> 00:05:43,400
Speaker 3: dry bar at Nordstrom, and I went to a whole

118
00:05:43,440 --> 00:05:45,920
Speaker 3: diner before I got here, I got the New Yorker

119
00:05:45,960 --> 00:05:49,760
Speaker 3: breakfast special at the Brooklyn Diner. Oh so that's who

120
00:05:49,800 --> 00:05:51,520
Speaker 3: I am today. But you relate and that's who you

121
00:05:51,600 --> 00:05:52,800
Speaker 3: are today. And I'll hold that again.

122
00:05:52,920 --> 00:05:57,280
Speaker 2: Are you mourning? Are you a morning diva?

123
00:05:57,320 --> 00:05:58,360
Speaker 3: I'm always in mourning.

124
00:05:59,160 --> 00:05:59,880
Speaker 2: Are you in mourning?

125
00:06:00,640 --> 00:06:02,640
Speaker 1: Yeah, grief is just a part of grief is a.

126
00:06:02,560 --> 00:06:03,240
Speaker 2: Part of life.

127
00:06:04,000 --> 00:06:07,720
Speaker 3: I'm in morning for my life, totally speak of chekop string.

128
00:06:11,000 --> 00:06:13,840
Speaker 1: Yes, okay, so when you're when you arrive and they

129
00:06:13,880 --> 00:06:15,880
Speaker 1: say they're running, lay tell us what's going through your mind?

130
00:06:16,000 --> 00:06:17,880
Speaker 2: What's going through your mind? Walk us through that.

131
00:06:18,040 --> 00:06:21,239
Speaker 3: No, I already told George, like, somebody owes me something

132
00:06:21,560 --> 00:06:25,159
Speaker 3: like I've won. Like you are going to be apologetic.

133
00:06:25,279 --> 00:06:27,320
Speaker 3: You are going to lay it on a little thicker.

134
00:06:27,839 --> 00:06:32,400
Speaker 3: You are going to act like you owe me something

135
00:06:32,440 --> 00:06:35,279
Speaker 3: and you do. Yeah. Wow, it's great for me.

136
00:06:36,200 --> 00:06:37,919
Speaker 2: The thing is that's how I would feel too, because

137
00:06:37,960 --> 00:06:41,320
Speaker 2: you think I feel you think as the person apologizing

138
00:06:41,360 --> 00:06:45,680
Speaker 2: that you're in the that you're like humiliated and have

139
00:06:45,800 --> 00:06:47,760
Speaker 2: something to prove, and it's like you're just giving the

140
00:06:47,800 --> 00:06:49,680
Speaker 2: other person a gift of being in power in that

141
00:06:49,760 --> 00:06:50,560
Speaker 2: social situation.

142
00:06:50,720 --> 00:06:52,279
Speaker 1: What, George, I have to tell you something. I have

143
00:06:52,320 --> 00:06:55,680
Speaker 1: to come clean about something. Normally, I'm the one that's

144
00:06:55,760 --> 00:06:57,560
Speaker 1: like five minutes early, and you're the one that's like

145
00:06:57,600 --> 00:07:00,159
Speaker 1: five to ten minutes late, and you know me in

146
00:07:00,240 --> 00:07:02,680
Speaker 1: the squad here sort of look at each other and

147
00:07:02,680 --> 00:07:05,560
Speaker 1: go Wednesday, get here today, and we get to have

148
00:07:05,600 --> 00:07:10,200
Speaker 1: this amazing little vibe, this connection, and I get to

149
00:07:10,240 --> 00:07:14,280
Speaker 1: have this power. And today it's been stripped away from

150
00:07:14,280 --> 00:07:17,360
Speaker 1: me in such a huge way, and I'm having an

151
00:07:17,360 --> 00:07:18,760
Speaker 1: identity crisis because of it.

152
00:07:19,240 --> 00:07:21,160
Speaker 2: That is one of the most shocking things you'd ever.

153
00:07:21,160 --> 00:07:22,680
Speaker 1: And even when I walked in I had to look

154
00:07:22,680 --> 00:07:25,320
Speaker 1: at everyone in the eyes and say, like, you guys know,

155
00:07:25,400 --> 00:07:26,440
Speaker 1: it's not normally like this.

156
00:07:28,600 --> 00:07:29,280
Speaker 3: How would I know?

157
00:07:29,640 --> 00:07:33,680
Speaker 1: Yeah, And that's true, And that's true. You would have

158
00:07:33,720 --> 00:07:38,840
Speaker 1: no way of knowing. So that's kind of funny. A

159
00:07:38,840 --> 00:07:39,840
Speaker 1: little peak behind the curtain.

160
00:07:40,000 --> 00:07:45,320
Speaker 3: It's okay, I forgive you. Why are you It's over.

161
00:07:45,440 --> 00:07:46,280
Speaker 3: It's over. It's over.

162
00:07:46,360 --> 00:07:48,679
Speaker 2: Punishment is over, and we are back in power.

163
00:07:49,600 --> 00:07:53,559
Speaker 1: Okay, Okay, I have a new topic.

164
00:07:53,640 --> 00:07:54,680
Speaker 2: Okay, what's the new topic?

165
00:07:54,880 --> 00:07:58,040
Speaker 1: Okay, Today I've decided to wear white jeans.

166
00:07:58,280 --> 00:08:02,640
Speaker 2: Uh huh, what do you think about white jeans power

167
00:08:02,720 --> 00:08:08,160
Speaker 2: move resort, It's it's wealth.

168
00:08:08,240 --> 00:08:13,320
Speaker 3: It's like dirt will not be smirched me. I am

169
00:08:13,360 --> 00:08:15,680
Speaker 3: not in the dirt. My hands are not getting dirty,

170
00:08:15,720 --> 00:08:20,840
Speaker 3: neither on my legs. I'm white jeans. Yeah, and I

171
00:08:20,880 --> 00:08:26,960
Speaker 3: think it's even more bold and powerful before Memorial Day, Diva, Like,

172
00:08:28,920 --> 00:08:31,160
Speaker 3: is that the thing like Memorial Day to Labor Day

173
00:08:31,320 --> 00:08:35,640
Speaker 3: is like when it's permissible to wear white bottoms.

174
00:08:35,800 --> 00:08:38,560
Speaker 2: But that's the only time when it's okay to be

175
00:08:38,600 --> 00:08:39,280
Speaker 2: a white bottom.

176
00:08:39,720 --> 00:08:41,199
Speaker 3: How do you feel about white bottoms?

177
00:08:41,960 --> 00:08:44,520
Speaker 2: You know, it's complicated obviously because it is my community,

178
00:08:44,559 --> 00:08:47,719
Speaker 2: but I definitely feel like they've had enough time in

179
00:08:47,760 --> 00:08:52,760
Speaker 2: the sun. Really yeah wow, But I here's what I

180
00:08:52,800 --> 00:08:56,120
Speaker 2: think though, that don't you think that saying the whole

181
00:08:56,160 --> 00:08:58,520
Speaker 2: Memorial Day to Labor Day thing is now so passe

182
00:08:58,720 --> 00:09:02,240
Speaker 2: that it's almost like it's more of a power move

183
00:09:02,320 --> 00:09:03,719
Speaker 2: to wear it outside of that.

184
00:09:04,880 --> 00:09:10,320
Speaker 3: No, because I love rules, I love clothes rules. We

185
00:09:10,520 --> 00:09:14,000
Speaker 3: have been stuck in the TikTok algorithm of finding your

186
00:09:14,040 --> 00:09:20,840
Speaker 3: personal style. And everybody is beauty, everybody is fashion, every core.

187
00:09:21,000 --> 00:09:24,040
Speaker 2: Is bring back shoes have to match the belt?

188
00:09:24,200 --> 00:09:25,760
Speaker 3: Yeah, bring back Dogma baby.

189
00:09:26,240 --> 00:09:28,400
Speaker 1: I said, this is one of our friends, and I

190
00:09:28,440 --> 00:09:30,600
Speaker 1: bet you can guess who based on the response. I

191
00:09:30,679 --> 00:09:33,440
Speaker 1: was like, he was trying to dress me, and I

192
00:09:33,520 --> 00:09:35,720
Speaker 1: was like, well, this is kind of weird, Like aren't

193
00:09:35,720 --> 00:09:37,360
Speaker 1: the shoes supposed to match the belt? And he's like,

194
00:09:37,400 --> 00:09:40,040
Speaker 1: I don't fucking care what you learned on what not

195
00:09:40,120 --> 00:09:42,960
Speaker 1: to wear in two thousand and three, like you don't

196
00:09:43,000 --> 00:09:43,880
Speaker 1: have to follow any of that.

197
00:09:44,480 --> 00:09:44,720
Speaker 3: Well.

198
00:09:44,800 --> 00:09:46,679
Speaker 2: I do think, though, Harry is right that it's like

199
00:09:46,840 --> 00:09:49,960
Speaker 2: things have gone so far in the other direction that

200
00:09:50,040 --> 00:09:51,760
Speaker 2: we need to rein it back and everyone has to

201
00:09:51,800 --> 00:09:53,760
Speaker 2: actually look like a route floor and ad we actually

202
00:09:53,760 --> 00:09:55,400
Speaker 2: just like three years to get back on track.

203
00:09:55,880 --> 00:09:59,200
Speaker 1: Yeah yeah, Arisa, Yeah yeah, it's like going on the

204
00:09:59,200 --> 00:10:00,439
Speaker 1: Brat diet style.

205
00:10:00,640 --> 00:10:01,600
Speaker 2: It's exactly like that.

206
00:10:01,720 --> 00:10:06,120
Speaker 3: I don't know about belt to shoes, but purse to

207
00:10:06,520 --> 00:10:10,480
Speaker 3: bag yeah, oh no, purse to shoes.

208
00:10:10,360 --> 00:10:14,040
Speaker 1: Shoe no, No matching no.

209
00:10:15,920 --> 00:10:16,240
Speaker 3: Never.

210
00:10:17,760 --> 00:10:21,080
Speaker 2: I didn't even know. Is that do you have to

211
00:10:21,480 --> 00:10:22,920
Speaker 2: Was that a rule that you had to match or

212
00:10:23,000 --> 00:10:23,800
Speaker 2: purse to your shoe?

213
00:10:24,320 --> 00:10:27,960
Speaker 3: No? But I think it's something that is done. I

214
00:10:28,040 --> 00:10:29,880
Speaker 3: see it.

215
00:10:28,559 --> 00:10:34,800
Speaker 2: It's Upper Eastside lady, yeah, or like I don't know

216
00:10:34,840 --> 00:10:36,640
Speaker 2: where that's I've never done it.

217
00:10:36,720 --> 00:10:41,120
Speaker 3: I actually I'm having a memory of trying to do

218
00:10:41,160 --> 00:10:45,679
Speaker 3: it once and having maybe like an elder queen or

219
00:10:45,720 --> 00:10:50,440
Speaker 3: an elder girl or someone really severe who I looked

220
00:10:50,480 --> 00:10:53,080
Speaker 3: up to, very severely and furiously punished me for that.

221
00:10:53,120 --> 00:10:55,240
Speaker 3: The first time I ever went out and heels, it

222
00:10:55,320 --> 00:10:58,680
Speaker 3: was like a Jeffrey campbellita, you know, like twenty eleven.

223
00:10:59,080 --> 00:11:02,080
Speaker 3: I was outside the but I was fighting for my life.

224
00:11:02,120 --> 00:11:05,320
Speaker 3: I was leaning against a brick wall having a cigarette.

225
00:11:05,400 --> 00:11:08,080
Speaker 3: I could barely stand. And this drag queen sees it.

226
00:11:08,160 --> 00:11:12,040
Speaker 3: She cocks me, and she goes, don't let them see

227
00:11:12,080 --> 00:11:12,840
Speaker 3: you take your shoes off.

228
00:11:15,559 --> 00:11:17,679
Speaker 2: Oh my god, to be caught, for her to know

229
00:11:18,200 --> 00:11:20,240
Speaker 2: you were in pain just by the way you were

230
00:11:20,440 --> 00:11:21,280
Speaker 2: leaning on the wall.

231
00:11:21,480 --> 00:11:25,440
Speaker 3: Do not take them USh, do not take your shoes off.

232
00:11:25,880 --> 00:11:28,600
Speaker 3: And I have taken that so to heart. I think

233
00:11:28,640 --> 00:11:31,400
Speaker 3: it is disgusting when the girls do that at weddings

234
00:11:31,440 --> 00:11:34,640
Speaker 3: about Vitzma's. It's unlady like, it's unseemly.

235
00:11:34,960 --> 00:11:37,480
Speaker 2: What do you think of girl having sneakers in her

236
00:11:37,520 --> 00:11:40,600
Speaker 2: bag and putting them on at the after party.

237
00:11:40,960 --> 00:11:43,760
Speaker 3: I don't know, Like, who wants to have shoes in

238
00:11:43,760 --> 00:11:44,240
Speaker 3: their bag?

239
00:11:44,520 --> 00:11:44,720
Speaker 2: Right?

240
00:11:45,040 --> 00:11:48,120
Speaker 3: Those shoes are on the ground, they're inside of your purse,

241
00:11:48,280 --> 00:11:49,680
Speaker 3: your toe. Yeah.

242
00:11:49,960 --> 00:11:54,600
Speaker 2: This is actually something I noticed when I first sorry

243
00:11:54,640 --> 00:11:57,920
Speaker 2: moved to America is that American people when they pack,

244
00:11:58,040 --> 00:12:00,760
Speaker 2: will just put a toothbrush loose with their shoes in

245
00:12:00,760 --> 00:12:01,600
Speaker 2: their in their bag.

246
00:12:02,840 --> 00:12:03,600
Speaker 3: Do you know what I mean?

247
00:12:04,480 --> 00:12:08,400
Speaker 1: Well, I don't makes my toothbrush with my shoes, but

248
00:12:08,440 --> 00:12:11,320
Speaker 1: I will sort of throw my toothbrush in the dopkin't loose.

249
00:12:11,960 --> 00:12:14,920
Speaker 1: So whatever else is in that bag, it's touching.

250
00:12:15,200 --> 00:12:16,840
Speaker 2: And are the shoes loose with your clothes?

251
00:12:16,920 --> 00:12:18,640
Speaker 1: No, I put my shoes in a little bag now.

252
00:12:18,920 --> 00:12:20,319
Speaker 1: But that's kind of a newish development.

253
00:12:20,400 --> 00:12:24,400
Speaker 3: Yeah, Honestly, anytime you get a little dust bag, save it.

254
00:12:24,440 --> 00:12:27,480
Speaker 3: I have like a bag of the bags and it

255
00:12:27,559 --> 00:12:29,199
Speaker 3: just like sits in the corner of the closet you

256
00:12:29,280 --> 00:12:31,720
Speaker 3: fished out. Any time you have to travel, hold onto that.

257
00:12:31,960 --> 00:12:32,080
Speaker 2: Oh.

258
00:12:32,080 --> 00:12:36,040
Speaker 3: Also, anytime you're at a hotel, they have those bags

259
00:12:36,040 --> 00:12:37,440
Speaker 3: and the thing, I don't think they charge you if

260
00:12:37,440 --> 00:12:38,880
Speaker 3: you steal them. I always steal them.

261
00:12:39,120 --> 00:12:41,760
Speaker 2: I the secret is stealing things from a hotel. Don't

262
00:12:41,800 --> 00:12:43,640
Speaker 2: look at the bill afterwards. I have no idea if

263
00:12:43,679 --> 00:12:45,360
Speaker 2: I was ever charged for the robe that I stole

264
00:12:45,400 --> 00:12:47,840
Speaker 2: from that it's a really good secret I wear all

265
00:12:47,880 --> 00:12:50,000
Speaker 2: the time. I'm instaging myself in my little robe.

266
00:12:50,120 --> 00:12:54,240
Speaker 3: They charged the robes, you know, you know what my theory.

267
00:12:54,360 --> 00:12:56,120
Speaker 2: There were three in my room, even though then you

268
00:12:56,160 --> 00:12:58,040
Speaker 2: I was just one person and I took one and

269
00:12:58,080 --> 00:12:59,959
Speaker 2: I was like, oh, they're not going to notice, because like,

270
00:13:00,000 --> 00:13:01,640
Speaker 2: why would they have three in there? But what I

271
00:13:01,640 --> 00:13:04,360
Speaker 2: think they do is they purposefully put three in there

272
00:13:04,559 --> 00:13:07,120
Speaker 2: so the guest thinks, oh, I can get away with it.

273
00:13:07,160 --> 00:13:09,679
Speaker 1: This is so finances according to George, which is just

274
00:13:09,720 --> 00:13:11,040
Speaker 1: like just don't look.

275
00:13:11,640 --> 00:13:14,000
Speaker 3: How many beds were in the room one. I think

276
00:13:14,000 --> 00:13:17,319
Speaker 3: it was like a king So they're putting three, they said,

277
00:13:17,360 --> 00:13:19,200
Speaker 3: maybe it's yeah.

278
00:13:19,080 --> 00:13:23,480
Speaker 1: They're being very progressive. What are they it's a hotel.

279
00:13:23,600 --> 00:13:24,640
Speaker 3: What do they want to happen?

280
00:13:24,880 --> 00:13:27,360
Speaker 2: I know, I know they're also making me feel like

281
00:13:27,400 --> 00:13:28,840
Speaker 2: a prude because I'm there by myself.

282
00:13:29,120 --> 00:13:29,439
Speaker 1: Where are you?

283
00:13:30,120 --> 00:13:32,560
Speaker 2: I wasn't even having one partner with me, let alone two.

284
00:13:33,559 --> 00:13:34,600
Speaker 2: I guess it's San Francisco.

285
00:13:34,720 --> 00:13:37,600
Speaker 3: I love re staying in a hotel room that I

286
00:13:37,679 --> 00:13:39,439
Speaker 3: know I've had sex and like.

287
00:13:39,440 --> 00:13:41,880
Speaker 2: I have really you specifically request it?

288
00:13:41,880 --> 00:13:42,000
Speaker 1: Well?

289
00:13:42,040 --> 00:13:44,000
Speaker 3: Yeah, I mean I stay at the Sunset Tower in

290
00:13:44,160 --> 00:13:46,760
Speaker 3: la like whenever someone else is paying for it, and

291
00:13:49,160 --> 00:13:53,199
Speaker 3: there are a couple rooms there where it's just like

292
00:13:53,559 --> 00:13:57,760
Speaker 3: the grinder flash. Yeah, life of ten years.

293
00:13:58,040 --> 00:14:00,559
Speaker 2: I do think there was a in my life where

294
00:14:00,559 --> 00:14:02,280
Speaker 2: I like never wanted to look back, and every time

295
00:14:02,320 --> 00:14:04,560
Speaker 2: I was somewhere where I had been before, I felt like,

296
00:14:04,960 --> 00:14:05,640
Speaker 2: take get.

297
00:14:05,440 --> 00:14:06,040
Speaker 3: Me out of here.

298
00:14:06,240 --> 00:14:08,280
Speaker 2: And I'm actually in a very nostalgic phase right now

299
00:14:08,320 --> 00:14:10,319
Speaker 2: where I actually am like purposely like I'll go to

300
00:14:10,360 --> 00:14:12,199
Speaker 2: my high school reunion. I mean maybe not that I

301
00:14:12,240 --> 00:14:14,000
Speaker 2: wouldn't go that far, but like I'm in a high

302
00:14:14,000 --> 00:14:15,000
Speaker 2: school reunion place.

303
00:14:15,240 --> 00:14:17,640
Speaker 1: When it comes to hook ups, I'm very nostalgic. Like

304
00:14:17,840 --> 00:14:20,200
Speaker 1: I'll have hooked up with someone once in twenty thirteen,

305
00:14:20,240 --> 00:14:22,280
Speaker 1: and I'll like message them on Instagram. I'd be like

306
00:14:22,440 --> 00:14:22,920
Speaker 1: have you been.

307
00:14:29,640 --> 00:14:32,720
Speaker 3: I have a really distinct memory, probably like five or

308
00:14:32,760 --> 00:14:36,680
Speaker 3: six years ago, of like coming across your Instagram and

309
00:14:36,720 --> 00:14:39,040
Speaker 3: I saw your little mustache and you're a little like

310
00:14:39,280 --> 00:14:41,080
Speaker 3: kind of mullet, and I was like, what's that?

311
00:14:43,000 --> 00:14:44,360
Speaker 2: The moment era was huge for here?

312
00:14:44,520 --> 00:14:45,280
Speaker 3: Is it gay?

313
00:14:45,760 --> 00:14:46,320
Speaker 1: That's funny?

314
00:14:46,440 --> 00:14:49,040
Speaker 3: Is it kind of gay? Are you growing back?

315
00:14:49,520 --> 00:14:51,160
Speaker 1: I'm kind of going back to time.

316
00:14:51,800 --> 00:14:53,520
Speaker 2: I actually I like this length.

317
00:14:53,840 --> 00:14:55,400
Speaker 1: Well, it's a little more tasteful.

318
00:14:55,480 --> 00:14:57,720
Speaker 3: Before it was like full, you.

319
00:14:57,680 --> 00:15:00,520
Speaker 1: Know, trying to be country or something. Yeah, I'm going

320
00:15:01,000 --> 00:15:01,680
Speaker 1: paul as Cow.

321
00:15:01,880 --> 00:15:05,920
Speaker 3: Yeah. I know you were giving the fantasy of like

322
00:15:06,360 --> 00:15:10,480
Speaker 3: the pitchforky like is it straight? Is it all like

323
00:15:11,240 --> 00:15:16,080
Speaker 3: tinder fantasy of twenty nineteen? That's what you were giving.

324
00:15:16,280 --> 00:15:17,280
Speaker 3: You look good then, and.

325
00:15:19,000 --> 00:15:22,920
Speaker 2: You know that's what you would you ever go country?

326
00:15:23,000 --> 00:15:25,280
Speaker 1: Yeah? Countdown to country? When is it?

327
00:15:25,320 --> 00:15:28,240
Speaker 2: If your career demanded it, if someone was like, you

328
00:15:28,360 --> 00:15:29,800
Speaker 2: have to go country.

329
00:15:29,560 --> 00:15:36,040
Speaker 3: Out of respect to the country, No, honey, I could

330
00:15:36,040 --> 00:15:38,920
Speaker 3: not be more coastal. I could not like it's it.

331
00:15:39,480 --> 00:15:43,040
Speaker 3: I am not opposed to the genre. I am not

332
00:15:43,280 --> 00:15:45,680
Speaker 3: opposed to the vibe. I'm not opposed to that.

333
00:15:45,920 --> 00:15:50,680
Speaker 2: You don't think it would be authentic. You don't think

334
00:15:50,720 --> 00:15:52,520
Speaker 2: if you were to go country you could pull it off,

335
00:15:52,600 --> 00:15:53,280
Speaker 2: is what you're saying.

336
00:15:53,440 --> 00:15:56,400
Speaker 3: Actually, now I want to try.

337
00:15:56,400 --> 00:15:58,360
Speaker 2: I think I think you should. I can't think it's

338
00:15:58,640 --> 00:15:59,440
Speaker 2: your next era.

339
00:15:59,720 --> 00:16:02,560
Speaker 3: I know. I don't mean like pull it as an

340
00:16:02,680 --> 00:16:06,640
Speaker 3: esthetic for like ladies and gentlemen. I mean like go

341
00:16:06,680 --> 00:16:09,120
Speaker 3: to Lake Okachoby and see if I can turn it,

342
00:16:09,960 --> 00:16:13,520
Speaker 3: because if I can turn it in like okachobe baby, Yeah,

343
00:16:13,560 --> 00:16:14,120
Speaker 3: I'm good.

344
00:16:14,880 --> 00:16:16,600
Speaker 2: Yeah, it's sort of like the equivalent. You know, if

345
00:16:16,640 --> 00:16:18,640
Speaker 2: you were a comedian, you would be like touring the

346
00:16:18,680 --> 00:16:23,200
Speaker 2: country seeing if your material worked on non coastal audiences.

347
00:16:23,320 --> 00:16:25,040
Speaker 2: You bring it back suddenly you're better than ever.

348
00:16:25,760 --> 00:16:28,480
Speaker 3: Yeah, I want access to that. I want to learn

349
00:16:28,560 --> 00:16:29,200
Speaker 3: how to do that.

350
00:16:30,080 --> 00:16:34,680
Speaker 1: Hmmmm, I want to. I wish time was unlimited. Let's

351
00:16:34,680 --> 00:16:38,800
Speaker 1: start there. Well, yeah, because I think, wait, really, I

352
00:16:38,800 --> 00:16:40,320
Speaker 1: wish I could like choose, like I wish I could

353
00:16:40,320 --> 00:16:42,160
Speaker 1: be like, Okay, now I'm going on vacation from real time,

354
00:16:42,200 --> 00:16:44,840
Speaker 1: and I'm going into fake time, sort of the waiting

355
00:16:44,880 --> 00:16:45,480
Speaker 1: room for.

356
00:16:45,520 --> 00:16:50,200
Speaker 3: Mining Granger, literally turning the time. We're huge Harry Potter

357
00:16:50,280 --> 00:16:53,000
Speaker 3: fans ever heard. Oh my god, I'm actually.

358
00:16:52,640 --> 00:16:59,480
Speaker 1: Not really, but because I would love to go work

359
00:16:59,480 --> 00:17:00,960
Speaker 1: on a farm and see if I could do it,

360
00:17:01,120 --> 00:17:03,640
Speaker 1: Like I want a simple life, my life just for

361
00:17:03,680 --> 00:17:07,080
Speaker 1: like a year, but not you lose a year. Okay,

362
00:17:07,160 --> 00:17:08,840
Speaker 1: hold on, because think about it if I worked on

363
00:17:08,840 --> 00:17:10,760
Speaker 1: a farm and I got what if like of course,

364
00:17:11,080 --> 00:17:13,400
Speaker 1: you know, think of the montage. Month one, I'm horrible.

365
00:17:13,480 --> 00:17:16,600
Speaker 1: Month three, I know where to get the pig slop. Yeah, totally,

366
00:17:16,760 --> 00:17:19,240
Speaker 1: and I oh, I'm good at carrying it.

367
00:17:20,000 --> 00:17:20,840
Speaker 2: I will say this time.

368
00:17:21,200 --> 00:17:24,000
Speaker 3: Sorry, go ahead, No, I think deserve but like you,

369
00:17:24,000 --> 00:17:27,720
Speaker 3: you don't know, I'm assuming. Okay, wait where are we from.

370
00:17:28,119 --> 00:17:31,560
Speaker 2: I'm from the midwestern Virginia. Okay, yeah, I mostly grew

371
00:17:31,640 --> 00:17:33,479
Speaker 2: up in Greece, but I spent six years in New Jersey.

372
00:17:33,760 --> 00:17:37,359
Speaker 3: Okay, yeah, so okay Jersey high school.

373
00:17:36,640 --> 00:17:38,840
Speaker 2: Like middle school, end of elementary school.

374
00:17:38,880 --> 00:17:40,720
Speaker 3: So like, do you know any of like the coastal

375
00:17:40,840 --> 00:17:44,240
Speaker 3: kids who like, oh did farming gave up on the

376
00:17:44,280 --> 00:17:46,720
Speaker 3: semi charm kind of life? And then like, fully we're

377
00:17:46,800 --> 00:17:50,200
Speaker 3: like bio organic, they them farming like five years later

378
00:17:50,560 --> 00:17:51,760
Speaker 3: and like maybe are still there?

379
00:17:52,160 --> 00:17:54,879
Speaker 2: One of my greatest I wouldn't say regrets, because ultimately

380
00:17:54,920 --> 00:17:58,160
Speaker 2: I don't regret it, but I always would hear about

381
00:17:58,200 --> 00:18:00,760
Speaker 2: those things. And by those things, I mean anything ranging

382
00:18:00,760 --> 00:18:05,520
Speaker 2: from peace Corps on one end and like organic farming Kibbutz.

383
00:18:05,040 --> 00:18:08,399
Speaker 3: Living organic non binary Jewish, non binary.

384
00:18:08,040 --> 00:18:11,119
Speaker 2: Jewish farmer state brand, and I would always be like

385
00:18:11,520 --> 00:18:13,880
Speaker 2: sixty five percent interested, and I'd be like, yeah, if

386
00:18:13,880 --> 00:18:16,080
Speaker 2: I had just like a little an inkling more of

387
00:18:16,119 --> 00:18:20,520
Speaker 2: like the go getter attitude and like the you know,

388
00:18:20,680 --> 00:18:23,320
Speaker 2: less of a fear of disappointing my parents, who like

389
00:18:23,359 --> 00:18:25,360
Speaker 2: wanted me to be an engineer. I would do it.

390
00:18:25,520 --> 00:18:27,840
Speaker 3: Oh, but it felt very much like doing that. The

391
00:18:27,880 --> 00:18:29,920
Speaker 3: whole point was to disappoint h Yeah.

392
00:18:30,000 --> 00:18:31,200
Speaker 1: Yeah, that's a great point.

393
00:18:32,000 --> 00:18:34,399
Speaker 2: I know. But the thing is I was playing the

394
00:18:34,440 --> 00:18:36,040
Speaker 2: long game because the number one way to dispoint your

395
00:18:36,040 --> 00:18:41,560
Speaker 2: parents is becoming a stand up comedian. You ate that, no,

396
00:18:41,640 --> 00:18:43,320
Speaker 2: but I was. Did you consider it?

397
00:18:43,520 --> 00:18:46,560
Speaker 3: No? I wanted to be an actress.

398
00:18:47,200 --> 00:18:49,280
Speaker 2: You wanted to be an actress, Sure, it's true, and

399
00:18:49,320 --> 00:18:51,359
Speaker 2: you also wanted to be in the big city.

400
00:18:52,040 --> 00:18:55,160
Speaker 1: Well, yeah, wait where are you from?

401
00:18:55,400 --> 00:18:58,840
Speaker 3: I'm from Boston. Oh, Newton, Massachusetts?

402
00:18:59,000 --> 00:18:59,760
Speaker 1: Got it? Got it?

403
00:18:59,800 --> 00:19:01,560
Speaker 2: Got Should we do our first segment?

404
00:19:01,560 --> 00:19:07,159
Speaker 3: I think we should, Okay, Harry.

405
00:19:07,520 --> 00:19:10,000
Speaker 2: Our first segment is called straight Shooters, and in this segment,

406
00:19:10,000 --> 00:19:12,600
Speaker 2: we test your familiarity with in complicity and straight culture

407
00:19:12,760 --> 00:19:15,439
Speaker 2: by asking a series of rapid fire questions where you

408
00:19:15,440 --> 00:19:18,160
Speaker 2: have to choose this thing or this other thing and

409
00:19:18,440 --> 00:19:20,000
Speaker 2: you have to just go with your gup. And the

410
00:19:20,000 --> 00:19:22,080
Speaker 2: one rule is you can't ask any follow up questions

411
00:19:22,119 --> 00:19:24,119
Speaker 2: about how the game works because we will yell at you.

412
00:19:24,480 --> 00:19:28,199
Speaker 1: Okay, okay, Harry. The right to remain silent, or the

413
00:19:28,240 --> 00:19:30,680
Speaker 1: fight to regain the big client, the.

414
00:19:30,680 --> 00:19:36,080
Speaker 2: Fight terry game, the big Agnes Varda or a Couslada,

415
00:19:36,480 --> 00:19:37,760
Speaker 2: Agnus Varda, Noche.

416
00:19:38,600 --> 00:19:40,680
Speaker 1: Chester Cheetah or bag about Gita.

417
00:19:42,119 --> 00:19:48,359
Speaker 2: Back about out, mind the gap or grind or chat

418
00:19:49,200 --> 00:19:50,120
Speaker 2: mind the gap.

419
00:19:51,760 --> 00:19:55,040
Speaker 1: Meeting with h R or speeding in a car.

420
00:19:55,480 --> 00:20:00,440
Speaker 2: Speeding in a car a fast car, opposites attract or

421
00:20:00,560 --> 00:20:03,520
Speaker 2: megalopolis fell flat opposite the truck.

422
00:20:03,880 --> 00:20:07,240
Speaker 1: Oh, keep me in the loop or get me out

423
00:20:07,280 --> 00:20:08,560
Speaker 1: of this improv troop.

424
00:20:09,560 --> 00:20:14,760
Speaker 2: Cerid the loop, using Klarna to pay or blaming Karma

425
00:20:14,920 --> 00:20:19,679
Speaker 2: the second because you're okay the like I wouldn't be

426
00:20:19,680 --> 00:20:20,200
Speaker 2: cat dead.

427
00:20:21,600 --> 00:20:25,320
Speaker 3: Larna is so dark to me. And they got all

428
00:20:25,359 --> 00:20:27,520
Speaker 3: the drag queens do with the Clarka's pond.

429
00:20:27,359 --> 00:20:29,760
Speaker 2: Too, because you know they have to use it, Babe

430
00:20:30,680 --> 00:20:31,800
Speaker 2: paid post drag race.

431
00:20:31,920 --> 00:20:36,960
Speaker 3: No, also like Klarna, Like what kind of a name

432
00:20:37,080 --> 00:20:37,360
Speaker 3: is that?

433
00:20:37,400 --> 00:20:37,520
Speaker 1: Like?

434
00:20:37,560 --> 00:20:41,640
Speaker 3: What what kind of like? It's like a Ryan tricartan character.

435
00:20:42,119 --> 00:20:45,080
Speaker 2: You had one opportunity to name your company. You had

436
00:20:45,080 --> 00:20:47,960
Speaker 2: a brainstorm meeting, you had follow up meetings. There was

437
00:20:48,000 --> 00:20:50,800
Speaker 2: anil that went right up to the COO.

438
00:20:51,680 --> 00:20:54,400
Speaker 3: There are reply alls that said hey, following up.

439
00:20:54,520 --> 00:20:56,120
Speaker 2: I love the direction we're going in.

440
00:20:56,160 --> 00:20:59,719
Speaker 3: Ladies General, Please Klarna, Larna.

441
00:21:00,960 --> 00:21:01,880
Speaker 2: She comes out to like.

442
00:21:03,880 --> 00:21:07,240
Speaker 1: She sucks, she's first eliminated.

443
00:21:07,280 --> 00:21:08,840
Speaker 2: But it's not even in like a miss Van Drey

444
00:21:08,880 --> 00:21:10,959
Speaker 2: fun way. Everyone's like this was a mistake.

445
00:21:11,080 --> 00:21:12,480
Speaker 1: No, she's so flopped.

446
00:21:12,680 --> 00:21:14,800
Speaker 2: We have to rank Harry's performance on a scale of

447
00:21:14,840 --> 00:21:16,119
Speaker 2: one day. So used to be on the scale of

448
00:21:16,200 --> 00:21:18,480
Speaker 2: one to one thousand doves based on the Lady Gaga.

449
00:21:19,800 --> 00:21:22,720
Speaker 2: We recently changed it to zero to one thousand blades

450
00:21:22,720 --> 00:21:24,840
Speaker 2: of Grass in honor of the worst song from her

451
00:21:24,880 --> 00:21:27,359
Speaker 2: new album Bad Bressy.

452
00:21:28,119 --> 00:21:31,720
Speaker 3: Not too much on seventy.

453
00:21:31,040 --> 00:21:34,040
Speaker 2: Okay, I have to say, I mean, I'm like, this

454
00:21:34,119 --> 00:21:35,600
Speaker 2: is close to a perfect score for me. I was

455
00:21:35,600 --> 00:21:38,760
Speaker 2: gonna say nine and ninety nine doves, I mean.

456
00:21:39,160 --> 00:21:40,080
Speaker 3: Blades of press.

457
00:21:40,480 --> 00:21:44,439
Speaker 2: What I loved about Harry's performance is that she, I

458
00:21:44,480 --> 00:21:48,480
Speaker 2: would say, embodied a character of drag Race Judge.

459
00:21:48,800 --> 00:21:57,199
Speaker 1: Yeah, it was very it was very house your head.

460
00:21:57,720 --> 00:22:01,320
Speaker 3: Yet no, because I I want that to happen to

461
00:22:01,359 --> 00:22:03,359
Speaker 3: be so bad. I've not done it no, And I

462
00:22:03,400 --> 00:22:05,399
Speaker 3: feel like they know that I'm in so deep, and

463
00:22:05,440 --> 00:22:07,760
Speaker 3: I feel like they know that I want it so badly,

464
00:22:08,320 --> 00:22:10,720
Speaker 3: and I don't think they're ever going to give.

465
00:22:10,640 --> 00:22:13,240
Speaker 1: It to me, going to come to you.

466
00:22:13,600 --> 00:22:15,880
Speaker 2: But here's my question for you, and we can stop

467
00:22:15,920 --> 00:22:17,360
Speaker 2: talking about this whenever you want, even though you brought

468
00:22:17,400 --> 00:22:20,439
Speaker 2: it up. What would your ideal challenge be that you

469
00:22:20,520 --> 00:22:24,119
Speaker 2: would judge? Oh, do you think, because you obviously are

470
00:22:24,119 --> 00:22:25,560
Speaker 2: a multi high fit it, do you want to judge

471
00:22:25,560 --> 00:22:29,040
Speaker 2: an acting challenge, a runway modeling challenge?

472
00:22:29,720 --> 00:22:30,240
Speaker 1: Arose?

473
00:22:30,920 --> 00:22:35,919
Speaker 3: You know you're sort of the category. Really, I'm not

474
00:22:36,040 --> 00:22:43,359
Speaker 3: a woman in comedy kind of Honestly, I feel like

475
00:22:44,240 --> 00:22:48,720
Speaker 3: I can be more articulate and like an authority about

476
00:22:48,760 --> 00:22:52,359
Speaker 3: a fashion challenge. I wish I were articulate in an

477
00:22:52,400 --> 00:22:55,560
Speaker 3: authority about an acting challenge, but those are still stripes

478
00:22:55,600 --> 00:22:58,600
Speaker 3: that I feel I am earning, or stripes that you know,

479
00:22:58,760 --> 00:23:02,680
Speaker 3: the industry in question is like not going to give

480
00:23:02,760 --> 00:23:06,040
Speaker 3: me yet, but fashion gave it away to me very

481
00:23:06,160 --> 00:23:08,879
Speaker 3: quickly and very bountifully.

482
00:23:09,080 --> 00:23:11,760
Speaker 2: Okay, so you're thinking an am.

483
00:23:11,200 --> 00:23:14,640
Speaker 3: Yeah, really speaking from a place of power when it comes.

484
00:23:14,359 --> 00:23:19,240
Speaker 2: To fashion, I think runway or you know, photoshit, editorial,

485
00:23:20,359 --> 00:23:21,760
Speaker 2: I know, like the.

486
00:23:21,680 --> 00:23:24,960
Speaker 3: Ball, the Ball challenge, Oh, the Ball challenge. Yeah, Like

487
00:23:25,080 --> 00:23:30,280
Speaker 3: I want to judge like seventy three us no, but

488
00:23:30,359 --> 00:23:33,080
Speaker 3: I also know, but like I would love to judge

489
00:23:33,080 --> 00:23:36,000
Speaker 3: a performance challenge because like I want to be like, hey,

490
00:23:36,040 --> 00:23:39,480
Speaker 3: you're the trans girl, right, like stop thinking about passing.

491
00:23:41,600 --> 00:23:43,800
Speaker 3: Like I can tell that you're doing that little thing

492
00:23:43,840 --> 00:23:47,159
Speaker 3: with your voice, like let it go, baby, let it

493
00:23:47,200 --> 00:23:49,040
Speaker 3: all hang out. I'm not trans.

494
00:23:51,320 --> 00:23:52,280
Speaker 1: I'm just the camera guy.

495
00:23:53,320 --> 00:23:57,040
Speaker 3: I lived in this season, I watched Drag Race, and

496
00:23:57,080 --> 00:23:59,280
Speaker 3: like love Drag Race for the moments were like the

497
00:23:59,400 --> 00:24:02,320
Speaker 3: void bins and like the line between trans and drag

498
00:24:02,400 --> 00:24:05,800
Speaker 3: queen exists. The line between like drag queen and capitalist

499
00:24:05,840 --> 00:24:08,880
Speaker 3: subject like oh yeah, I mean not exists, like like

500
00:24:08,880 --> 00:24:12,560
Speaker 3: like disintegrates, and like Hunter Shaeffer walks into untop to

501
00:24:12,600 --> 00:24:14,560
Speaker 3: this season and she's just sitting there and she and

502
00:24:14,560 --> 00:24:16,679
Speaker 3: she's looking around at all of these like drag queens

503
00:24:16,680 --> 00:24:20,879
Speaker 3: and drag and she's like, are there any dolls in

504
00:24:20,960 --> 00:24:26,000
Speaker 3: the room. Two of them are like yeah, Like because

505
00:24:26,000 --> 00:24:28,520
Speaker 3: you don't know, that was a funny moment.

506
00:24:28,600 --> 00:24:30,919
Speaker 2: I mean, I hate to become a Drag Race podcast,

507
00:24:30,920 --> 00:24:32,639
Speaker 2: but I do want to know your quick thoughts on

508
00:24:32,680 --> 00:24:38,280
Speaker 2: this season because we have decided as a bit that

509
00:24:38,320 --> 00:24:39,919
Speaker 2: we are team Jewels Sparkles.

510
00:24:40,160 --> 00:24:40,520
Speaker 3: Yeah.

511
00:24:40,960 --> 00:24:43,400
Speaker 1: Yeah, it's sort of and it's actually not a bit.

512
00:24:43,760 --> 00:24:49,920
Speaker 2: We're fully team Jewel Sparkles. Why I think, Well, obviously

513
00:24:50,040 --> 00:24:53,199
Speaker 2: Anya like okay, watching it, I'm like, I'm Anya's gonna win.

514
00:24:53,200 --> 00:24:56,280
Speaker 2: And I love Anya, and yeah, but there's something about

515
00:24:56,359 --> 00:25:02,040
Speaker 2: the perseverance of Jewels. She's always she's always being underestimated

516
00:25:02,040 --> 00:25:04,120
Speaker 2: and she always ultimately turns it out. She has a

517
00:25:04,160 --> 00:25:09,560
Speaker 2: gorgeous just presence. I mean, that face deserves to be

518
00:25:09,640 --> 00:25:10,320
Speaker 2: on television.

519
00:25:10,640 --> 00:25:14,920
Speaker 1: Yeah, she's so funny and nice. And then also I'm

520
00:25:14,960 --> 00:25:16,960
Speaker 1: so happy when she starts a little fight, but she

521
00:25:17,040 --> 00:25:20,600
Speaker 1: like does it with like she has like moral correctness,

522
00:25:20,640 --> 00:25:22,560
Speaker 1: Like she's like I know what's good and what's bad,

523
00:25:22,800 --> 00:25:24,640
Speaker 1: and I always agree with her morals.

524
00:25:24,880 --> 00:25:27,720
Speaker 2: And she has charisma which honestly can't be taught. Yeah,

525
00:25:28,080 --> 00:25:28,800
Speaker 2: here's my thing.

526
00:25:29,640 --> 00:25:32,800
Speaker 3: I like my drag queens with like a drop of

527
00:25:32,840 --> 00:25:33,640
Speaker 3: poison in it.

528
00:25:33,880 --> 00:25:34,280
Speaker 1: Sure.

529
00:25:34,480 --> 00:25:39,200
Speaker 3: I like the drag queen that like kind of wants

530
00:25:39,640 --> 00:25:42,080
Speaker 3: to hurt something. I like the drag queen that has

531
00:25:42,080 --> 00:25:44,720
Speaker 3: hatred in her heart. I like the drag queen that

532
00:25:45,040 --> 00:25:49,879
Speaker 3: like desublimates the hatred in her heart into like funny

533
00:25:49,960 --> 00:25:53,520
Speaker 3: drag with like a little twisted sense, or like wicked beauty.

534
00:25:53,560 --> 00:25:59,320
Speaker 3: That's like a little like disturbing or like Timmy Brown,

535
00:25:59,440 --> 00:26:01,480
Speaker 3: like just like from outer space.

536
00:26:01,840 --> 00:26:05,280
Speaker 2: So you love Hormona, Lisa, Yes, this.

537
00:26:05,200 --> 00:26:08,639
Speaker 3: Is literally it. It's like I was here for Hormona. I

538
00:26:08,720 --> 00:26:10,960
Speaker 3: was even here for Susie too, because like I don't

539
00:26:11,000 --> 00:26:12,960
Speaker 3: know whether she's aware of the poison, but like the

540
00:26:12,960 --> 00:26:15,560
Speaker 3: poison is there and I live. I love. I love

541
00:26:15,600 --> 00:26:18,240
Speaker 3: the rotted white theater queens. Not that like to Susie

542
00:26:18,240 --> 00:26:20,480
Speaker 3: too is rotted, but like I love like the white

543
00:26:20,560 --> 00:26:22,960
Speaker 3: queens who are just like I'm the one and.

544
00:26:25,880 --> 00:26:32,920
Speaker 2: Such a funny thing to it, right yeah.

545
00:26:33,440 --> 00:26:33,600
Speaker 1: Like.

546
00:26:35,640 --> 00:26:39,040
Speaker 3: And like I loved the kind of like trans vibe

547
00:26:39,160 --> 00:26:43,600
Speaker 3: of the way Susie would deliver naturalism in the acting performances,

548
00:26:43,640 --> 00:26:46,560
Speaker 3: like you're just an actress, baby, Like the wick is on,

549
00:26:46,680 --> 00:26:48,600
Speaker 3: but like the could really be on if you wanted

550
00:26:48,600 --> 00:26:53,240
Speaker 3: to work. There is a chemical substance stronger than glue.

551
00:26:55,800 --> 00:27:01,200
Speaker 3: No I and I feel in this top four we

552
00:27:02,240 --> 00:27:06,200
Speaker 3: there's a famine of poison. I would actually probably say

553
00:27:06,240 --> 00:27:09,120
Speaker 3: team LEXI love because there's some poison there for sure, right,

554
00:27:09,240 --> 00:27:11,320
Speaker 3: you know she what did she say? It sent the

555
00:27:11,359 --> 00:27:14,320
Speaker 3: whole I host little drag race viewing sometimes on Fridays,

556
00:27:14,480 --> 00:27:17,080
Speaker 3: you are always welcome. But she was on the stage

557
00:27:17,080 --> 00:27:19,440
Speaker 3: and she said the streets, the pipe and the pole,

558
00:27:19,760 --> 00:27:20,440
Speaker 3: all of it.

559
00:27:20,720 --> 00:27:22,919
Speaker 1: When she said that past that was amazing. That was

560
00:27:22,920 --> 00:27:26,400
Speaker 1: like Jerry blank coded, Yeah, this is so great. I've

561
00:27:26,440 --> 00:27:27,960
Speaker 1: never had anyone say that in real life.

562
00:27:28,680 --> 00:27:30,879
Speaker 3: I'm always gonna ride for a queen that's from the streets,

563
00:27:30,880 --> 00:27:33,000
Speaker 3: the pipe, and the poll ideally all of it.

564
00:27:33,240 --> 00:27:36,159
Speaker 2: G Lexy team, Like I guess, I do. I mean,

565
00:27:36,200 --> 00:27:39,880
Speaker 2: I do love Lexe is a star. And it also

566
00:27:40,000 --> 00:27:42,360
Speaker 2: just makes you remember, like, yeah, what we lose by

567
00:27:42,359 --> 00:27:44,080
Speaker 2: all of them being twenty three is that they don't

568
00:27:44,080 --> 00:27:45,439
Speaker 2: have lives they can talk about.

569
00:27:45,720 --> 00:27:49,560
Speaker 1: Yeah, I mean the twenty three was glaring this season,

570
00:27:49,600 --> 00:27:50,600
Speaker 1: it was re blaring.

571
00:27:50,720 --> 00:27:55,560
Speaker 3: Yeah, but that's there's drag queens at twenty three who

572
00:27:55,560 --> 00:27:57,480
Speaker 3: have shipped to talk about that's true. I mean it

573
00:27:57,640 --> 00:27:59,680
Speaker 3: used to be like, I don't know, being a drag queen,

574
00:28:00,040 --> 00:28:02,320
Speaker 3: Like it used to be like you were from the

575
00:28:02,359 --> 00:28:04,760
Speaker 3: streets and you were free. This is like your last resort,

576
00:28:05,160 --> 00:28:07,840
Speaker 3: like you have to do this because you cannot pass

577
00:28:08,080 --> 00:28:10,399
Speaker 3: for anything other than a drag queen. But like, I

578
00:28:10,440 --> 00:28:12,960
Speaker 3: don't know, you know, like mistress is about Brooks like

579
00:28:13,000 --> 00:28:17,120
Speaker 3: she's young, she's got a dragon, she was sixteen. That's true, true, true, Yeah,

580
00:28:17,119 --> 00:28:18,160
Speaker 3: we still have those grete queens.

581
00:28:18,200 --> 00:28:20,439
Speaker 2: What did you think about all their parents coming in

582
00:28:20,440 --> 00:28:21,960
Speaker 2: and being so supportive.

583
00:28:29,440 --> 00:28:29,880
Speaker 1: I live.

584
00:28:30,200 --> 00:28:33,879
Speaker 2: Yeah, no, it was, it was. It's inspirational. And then

585
00:28:33,920 --> 00:28:37,639
Speaker 2: at some point you're like, okay, so at this point,

586
00:28:37,800 --> 00:28:40,880
Speaker 2: is this just the equivalent of like if your son

587
00:28:41,040 --> 00:28:44,560
Speaker 2: played baseball, like if everyone is so supportive, But like.

588
00:28:44,520 --> 00:28:48,760
Speaker 3: I actually lived extra for like Susie's mom. Yeah, like

589
00:28:49,080 --> 00:28:51,880
Speaker 3: non plus yeah, and I just spit the p and

590
00:28:51,960 --> 00:28:56,600
Speaker 3: plus it was like, well, it's theater training. That what

591
00:28:58,080 --> 00:29:03,640
Speaker 3: I lived for the representation of like a non plustly

592
00:29:04,040 --> 00:29:07,640
Speaker 3: supportive parent. We were talking about this. I'm so much

593
00:29:07,680 --> 00:29:08,240
Speaker 3: more realistic.

594
00:29:08,240 --> 00:29:10,280
Speaker 2: It's so much more realistic, and I really I became

595
00:29:10,360 --> 00:29:11,960
Speaker 2: upset at the fact that they were trying to sell

596
00:29:12,040 --> 00:29:14,960
Speaker 2: us this narrative that Susie's mom was less supportive quote unquote,

597
00:29:15,040 --> 00:29:17,920
Speaker 2: like she was less excited than like a Sam Starr's

598
00:29:18,000 --> 00:29:22,360
Speaker 2: mom or like the or Jules's dad, and you were

599
00:29:22,360 --> 00:29:24,600
Speaker 2: supposed to almost feel bad for her that they didn't

600
00:29:24,600 --> 00:29:27,840
Speaker 2: have this more like kei ky relationship and it's like, no,

601
00:29:27,960 --> 00:29:29,600
Speaker 2: that's what my mom or your mom would be like

602
00:29:29,960 --> 00:29:31,600
Speaker 2: suposed to be, Like, that's what moms are supposed to be.

603
00:29:31,680 --> 00:29:34,400
Speaker 2: Like if my mom was Sam Starr's mom and she

604
00:29:34,520 --> 00:29:36,280
Speaker 2: was like, who here needs help talking?

605
00:29:36,440 --> 00:29:38,200
Speaker 3: I would like not like that.

606
00:29:38,560 --> 00:29:41,600
Speaker 1: Well, there's something we've talked about neutrality on this podcast

607
00:29:41,600 --> 00:29:44,760
Speaker 1: a lot, and there's many realm for it. We are

608
00:29:44,760 --> 00:29:48,760
Speaker 1: supportive politically not politically, of course, but one thing I

609
00:29:48,800 --> 00:29:51,960
Speaker 1: do think we're neutrality really matters is parents' support. Yes,

610
00:29:52,040 --> 00:29:54,240
Speaker 1: like they aren't supposed to hate what you're doing, but

611
00:29:54,280 --> 00:29:56,200
Speaker 1: they're also not supposed to be like gagging.

612
00:29:56,240 --> 00:29:59,520
Speaker 2: I completely that's the only way to raise normal children, yeah,

613
00:29:59,720 --> 00:30:01,080
Speaker 2: is you can't gag too much.

614
00:30:01,680 --> 00:30:03,600
Speaker 1: You just have to be like, okay, cool, like let

615
00:30:03,640 --> 00:30:07,040
Speaker 1: me know how that goes. That's it, like start, that's it.

616
00:30:07,560 --> 00:30:15,520
Speaker 3: Yeah, my mom gagged, Well you know you're in I

617
00:30:15,800 --> 00:30:18,680
Speaker 3: don't think she's being supportive. I just think I gagged her, Yeah,

618
00:30:19,200 --> 00:30:19,920
Speaker 3: gagged her a bit.

619
00:30:19,960 --> 00:30:20,680
Speaker 1: I fear I.

620
00:30:20,680 --> 00:30:28,400
Speaker 3: Think I gagged my dad too, my stepdad, stepmom, stepdad?

621
00:30:28,440 --> 00:30:29,160
Speaker 3: Why are you gagging?

622
00:30:29,280 --> 00:30:29,600
Speaker 1: So?

623
00:30:30,520 --> 00:30:31,280
Speaker 2: Why are you gagging?

624
00:30:31,320 --> 00:30:31,400
Speaker 4: So?

625
00:30:31,840 --> 00:30:32,040
Speaker 1: You know?

626
00:30:32,080 --> 00:30:36,960
Speaker 2: I bring it to you every ball I have been Klarna.

627
00:30:38,320 --> 00:30:43,160
Speaker 1: Klarna Clarna documentary when like, it's only a matter of time.

628
00:30:43,360 --> 00:30:44,760
Speaker 2: To expose Clara the company.

629
00:30:44,920 --> 00:30:46,080
Speaker 1: Yeah, yeah, I.

630
00:30:46,040 --> 00:30:47,520
Speaker 3: Have a list of drag games, but I feel like

631
00:30:47,520 --> 00:30:49,400
Speaker 3: we probably should start talking about Oh my god.

632
00:30:49,400 --> 00:30:51,200
Speaker 2: Okay, wait, well do you want like five of those?

633
00:30:51,280 --> 00:30:51,400
Speaker 1: Yes?

634
00:30:51,440 --> 00:31:04,320
Speaker 4: Yes, okay, okay, detritis.

635
00:31:04,720 --> 00:31:15,280
Speaker 3: Oh that's good. Uh Jean Jenna Rams John Jay.

636
00:31:25,200 --> 00:31:27,040
Speaker 2: Quarantine, Quarantine.

637
00:31:30,200 --> 00:31:32,200
Speaker 1: Quarantine would absolutely.

638
00:31:31,600 --> 00:31:37,240
Speaker 3: Be on Kinney Charistmas.

639
00:31:41,400 --> 00:31:47,160
Speaker 2: MARCHIALI, Si, wow, Quarantine is my favorite. Quarantine's really I

640
00:31:47,200 --> 00:31:49,600
Speaker 2: thought there should be a drag name, drag queen named kombucha.

641
00:31:50,480 --> 00:31:51,760
Speaker 1: I'm sure there is somewhere.

642
00:31:51,760 --> 00:31:54,440
Speaker 2: Probably you have to hope, but quarantine is beautiful. That's

643
00:31:54,480 --> 00:31:59,880
Speaker 2: really a nice name. Become her because wait, speaking of lists, Harry,

644
00:32:00,480 --> 00:32:03,360
Speaker 2: you did send me last night an incredible list of

645
00:32:03,360 --> 00:32:05,520
Speaker 2: straight topics and you can choose whichever one you want,

646
00:32:05,520 --> 00:32:07,240
Speaker 2: but I would like you to read the list.

647
00:32:08,720 --> 00:32:16,760
Speaker 3: Yay, I love this. Call me buzzby the way, Yeah,

648
00:32:16,840 --> 00:32:24,640
Speaker 3: stradio okay. Quote clubbing not like partying, not like the

649
00:32:24,720 --> 00:32:33,560
Speaker 3: club club, the art house, interesting, quiet, luxury, drag brunch,

650
00:32:34,680 --> 00:32:43,560
Speaker 3: plastic surgery oh okay, big boobs okay, skinny parentheses, new development.

651
00:32:44,800 --> 00:32:48,560
Speaker 1: I would a little bit more about this, keep going here.

652
00:32:49,640 --> 00:32:53,480
Speaker 3: Male actors, right, yes, being supportive.

653
00:32:54,560 --> 00:32:59,440
Speaker 1: Kindness, Okay, yeah, there's so much there. I mean, first

654
00:32:59,440 --> 00:33:01,800
Speaker 1: of all, club I think is such a clubbing in

655
00:33:01,880 --> 00:33:05,760
Speaker 1: quotes is an amazing topic because it is like this

656
00:33:06,200 --> 00:33:09,520
Speaker 1: thing where it's like foreign, like they're like, well, that's

657
00:33:09,640 --> 00:33:11,240
Speaker 1: like that's a thing that some people do. It's like

658
00:33:11,240 --> 00:33:13,200
Speaker 1: a genre person. Now I'm spinning, now my theater trains

659
00:33:13,200 --> 00:33:17,680
Speaker 1: coming out and that for Whereas for LGBTQ plus it's

660
00:33:17,680 --> 00:33:19,960
Speaker 1: sort of like, well, yeah, it's a given part of like.

661
00:33:20,040 --> 00:33:21,400
Speaker 2: Yeah, you're just say I'm going out.

662
00:33:21,800 --> 00:33:25,880
Speaker 3: Yeah yeah, Well, clubbing is about the club. It's about

663
00:33:25,920 --> 00:33:28,920
Speaker 3: like the location. Ideally the LGBT is like we're here

664
00:33:28,960 --> 00:33:31,200
Speaker 3: for the music or like we're here to like get

665
00:33:31,280 --> 00:33:33,680
Speaker 3: laid or like you know, we're here to do drugs. Like,

666
00:33:33,760 --> 00:33:35,760
Speaker 3: clubbing is about the.

667
00:33:35,760 --> 00:33:38,640
Speaker 2: Club, and it's about lines.

668
00:33:38,320 --> 00:33:45,440
Speaker 1: It's about like and it's about like what oh drag Race.

669
00:33:45,200 --> 00:33:50,080
Speaker 3: When no, no, Share is not drag Race exclusive. The

670
00:33:50,080 --> 00:33:51,200
Speaker 3: way I imitate her.

671
00:33:51,120 --> 00:33:55,040
Speaker 1: Is at this point, I think of Sharing more with

672
00:33:55,120 --> 00:33:58,160
Speaker 1: drag Race than anything else. I mean, exists as a

673
00:33:58,240 --> 00:33:59,920
Speaker 1: character in the drag Race universe.

674
00:34:00,000 --> 00:34:01,800
Speaker 2: You know, much like we were talking about John Diddy

675
00:34:01,800 --> 00:34:03,840
Speaker 2: in the other day, there's share the person and their

676
00:34:03,880 --> 00:34:07,240
Speaker 2: share of the fantasms phantasm that exists in culture.

677
00:34:07,280 --> 00:34:09,080
Speaker 1: Yeah, she's much like Sally Rooney and that she's.

678
00:34:09,000 --> 00:34:12,719
Speaker 2: Much like Salaraty in that sense. Okay, Wait, I do

679
00:34:12,800 --> 00:34:16,200
Speaker 2: want to know which which one you ended up? I

680
00:34:16,239 --> 00:34:19,920
Speaker 2: want to know which one you ended up choosing of

681
00:34:19,920 --> 00:34:22,280
Speaker 2: of the of the topics I have to choose.

682
00:34:22,280 --> 00:34:24,200
Speaker 3: Oh, we can also choose together. Well, okay, but I

683
00:34:24,239 --> 00:34:28,480
Speaker 3: also wait, you know I already offered. I want you

684
00:34:28,560 --> 00:34:29,839
Speaker 3: to Okay, we.

685
00:34:29,800 --> 00:34:33,080
Speaker 1: Can spend on skinny prenzies, new development.

686
00:34:33,080 --> 00:34:34,520
Speaker 2: I do want you to expand on that, even if

687
00:34:34,520 --> 00:34:35,439
Speaker 2: it doesn't end up being the topic.

688
00:34:35,480 --> 00:34:37,919
Speaker 3: But I mean, it's it's just like you know, the

689
00:34:38,160 --> 00:34:43,600
Speaker 3: X algorithm. It's like I feel like, if you're gay,

690
00:34:44,160 --> 00:34:46,640
Speaker 3: it's it's about the cutting edge, and it's about being different,

691
00:34:47,080 --> 00:34:50,680
Speaker 3: and it's about especially like the coastal gay, especially the

692
00:34:50,719 --> 00:34:53,200
Speaker 3: New York gay, it's always about going over here when

693
00:34:53,239 --> 00:34:54,719
Speaker 3: everyone else is over there. And like the new thing

694
00:34:54,760 --> 00:34:56,680
Speaker 3: is like I want a big boy. I want a

695
00:34:56,680 --> 00:34:59,759
Speaker 3: big fat boy. Yes, Like it's it's like the two Tours.

696
00:34:59,800 --> 00:35:01,840
Speaker 3: I was like the cut Torso and the Belly torso

697
00:35:01,960 --> 00:35:06,040
Speaker 3: it's like want the belly, like you know, it's we're

698
00:35:06,040 --> 00:35:13,720
Speaker 3: done with cut. We're wow, maybe we're done with cut period.

699
00:35:15,600 --> 00:35:20,000
Speaker 2: Declaring done with I think hashtag done with I'm Paul

700
00:35:20,000 --> 00:35:21,800
Speaker 2: announcing the challenge, and the hashtag.

701
00:35:21,560 --> 00:35:24,160
Speaker 3: Is done with cut. I gotta be cut.

702
00:35:24,400 --> 00:35:25,799
Speaker 1: I gotta be cut.

703
00:35:27,440 --> 00:35:32,680
Speaker 2: She's already done cut hers.

704
00:35:29,640 --> 00:35:32,839
Speaker 1: Well yes, twice.

705
00:35:38,000 --> 00:35:40,680
Speaker 3: Listen. Wow.

706
00:35:40,920 --> 00:35:44,400
Speaker 1: Well okay, so skinny.

707
00:35:42,960 --> 00:35:44,840
Speaker 3: Is the faggots.

708
00:35:45,040 --> 00:35:49,120
Speaker 1: Yeah, literally, I think that is interesting. I mean it is.

709
00:35:49,280 --> 00:35:51,839
Speaker 1: We talked a little bit yesterday about like working out

710
00:35:51,920 --> 00:35:54,680
Speaker 1: in sort of the masculine vibe of it, and I

711
00:35:54,719 --> 00:35:58,319
Speaker 1: do feel like skinny as the ideal body type is

712
00:35:58,360 --> 00:36:00,560
Speaker 1: like a new like republican ideal.

713
00:36:00,800 --> 00:36:03,879
Speaker 2: But you're saying gays when they zig, we zag, meaning

714
00:36:04,040 --> 00:36:06,799
Speaker 2: like okay, we're hashtag done with cut for men and

715
00:36:06,840 --> 00:36:09,640
Speaker 2: then for women? Are we hashtag done with skinny in

716
00:36:09,680 --> 00:36:10,360
Speaker 2: the gay world?

717
00:36:10,640 --> 00:36:16,640
Speaker 3: Well, well, I think that, like lesbian beauty standards are

718
00:36:16,800 --> 00:36:23,320
Speaker 3: always affirmative, like a healthy woman's body, like the straight

719
00:36:23,400 --> 00:36:26,080
Speaker 3: girl standard of trying to be like cute, skinny and

720
00:36:26,160 --> 00:36:28,759
Speaker 3: petitue for like, like, it's like we go the other

721
00:36:28,800 --> 00:36:31,920
Speaker 3: way of that as lesbians. I'm not a lesbian I'm

722
00:36:31,960 --> 00:36:37,840
Speaker 3: trying to I'm using my theater training. I'm using my

723
00:36:37,880 --> 00:36:38,399
Speaker 3: theater training.

724
00:36:38,840 --> 00:36:40,360
Speaker 1: Lesbian Yeah no.

725
00:36:40,800 --> 00:36:45,880
Speaker 3: No, I feel as though the healthy female body is celebrated.

726
00:36:45,960 --> 00:36:49,719
Speaker 3: I feel like I can't really imagine the lesbian. That's like,

727
00:36:49,960 --> 00:36:52,520
Speaker 3: you know, the Chinatown art bro. That's just like I love,

728
00:36:52,640 --> 00:36:56,520
Speaker 3: like an abject little like skinny like indies, like twelve

729
00:36:56,640 --> 00:36:58,840
Speaker 3: year old, like you know, vibe.

730
00:36:59,040 --> 00:37:01,920
Speaker 2: Theater training is absolutely coming out.

731
00:37:02,160 --> 00:37:04,319
Speaker 3: Well, I mean, I'm I mean, like, I just I

732
00:37:04,320 --> 00:37:07,880
Speaker 3: don't know. I'm sorry, are you Sarah Snook? This is

733
00:37:07,920 --> 00:37:08,439
Speaker 3: twenty six.

734
00:37:08,480 --> 00:37:11,319
Speaker 2: Different characters are playing the twenty six characters and Dorian

735
00:37:11,320 --> 00:37:11,959
Speaker 2: Gray right now.

736
00:37:12,480 --> 00:37:15,000
Speaker 3: No, but I could you could? You could? No, I could?

737
00:37:15,000 --> 00:37:17,600
Speaker 3: I could play like nineteen, Yeah, yeah I would.

738
00:37:17,880 --> 00:37:19,520
Speaker 2: They would have to cast a different person just for

739
00:37:19,520 --> 00:37:23,120
Speaker 2: the final six. You're doing nineteen, And they're like, she

740
00:37:23,160 --> 00:37:25,040
Speaker 2: has she almost has the right and to do all

741
00:37:25,120 --> 00:37:27,080
Speaker 2: twenty six, but she's just doing nineteen.

742
00:37:27,320 --> 00:37:28,840
Speaker 3: Yeah, I do want to see it. I think I

743
00:37:29,400 --> 00:37:30,120
Speaker 3: think she's the team.

744
00:37:30,120 --> 00:37:32,360
Speaker 2: Well she is, I mean talking about drag she says

745
00:37:32,360 --> 00:37:34,600
Speaker 2: that she's like what she likes better is that she

746
00:37:34,600 --> 00:37:36,200
Speaker 2: gets to be a drag king. She's like, I'm not

747
00:37:36,239 --> 00:37:38,240
Speaker 2: a man, I'm a drag king in the show.

748
00:37:39,760 --> 00:37:42,439
Speaker 3: I kind of identify as a female impersonator on the low.

749
00:37:43,040 --> 00:37:44,280
Speaker 2: Harry, what are you talking about?

750
00:37:45,560 --> 00:37:46,640
Speaker 1: Please SayMore.

751
00:37:47,920 --> 00:37:51,520
Speaker 3: Well, it's it's just like what the girls used to

752
00:37:52,120 --> 00:37:53,720
Speaker 3: call themselves vocationally.

753
00:37:53,960 --> 00:37:56,120
Speaker 2: It's like semantic, like like the.

754
00:37:56,000 --> 00:37:59,759
Speaker 3: Real show girls in like the eighties, who like we're

755
00:37:59,760 --> 00:38:02,640
Speaker 3: living their lives as women, but were also like employed

756
00:38:02,680 --> 00:38:05,400
Speaker 3: as female illusionists and like it wasn't like it's like

757
00:38:05,480 --> 00:38:08,200
Speaker 3: I'm not a drag queen. I'm a female impersonator. I

758
00:38:08,239 --> 00:38:11,400
Speaker 3: embody the look and feel of real like I you know,

759
00:38:12,239 --> 00:38:16,120
Speaker 3: oh that good eighty silicone, like they like the injection.

760
00:38:17,320 --> 00:38:20,600
Speaker 3: Oh if that weren't like illegal and highly dangerous, I

761
00:38:20,640 --> 00:38:21,680
Speaker 3: would be coned down.

762
00:38:22,480 --> 00:38:24,760
Speaker 2: Do you are you thinking of a sort of Pam

763
00:38:24,840 --> 00:38:27,280
Speaker 2: Anderson Baywatch figure?

764
00:38:27,560 --> 00:38:31,600
Speaker 3: No, no, no, no, it's just like like a BBL

765
00:38:31,840 --> 00:38:33,799
Speaker 3: does not hit the same. No, it's just like a

766
00:38:33,840 --> 00:38:38,200
Speaker 3: little bit of like free silicone injected into your hips

767
00:38:38,239 --> 00:38:39,000
Speaker 3: and a bath tub.

768
00:38:39,880 --> 00:38:41,680
Speaker 2: Yeah, inject me. I'm a free bitch.

769
00:38:42,840 --> 00:38:46,440
Speaker 3: No, Like it's cool. I don't know. I'm obviously not

770
00:38:46,600 --> 00:38:51,399
Speaker 3: trying to like publicly disavow whatever if ias on the record,

771
00:38:51,480 --> 00:38:54,799
Speaker 3: but like I love female. No, no, and like people,

772
00:38:54,840 --> 00:38:56,719
Speaker 3: you know, people who live their life the way I

773
00:38:56,760 --> 00:38:59,040
Speaker 3: live my life with the same whatever, like that was

774
00:38:59,040 --> 00:39:02,440
Speaker 3: the nomenclature. Honey, I'm all about like it's a historical

775
00:39:02,480 --> 00:39:04,279
Speaker 3: that this is also proprietary.

776
00:39:04,280 --> 00:39:06,759
Speaker 2: Don't you think gay guys are male impersonators in some

777
00:39:06,800 --> 00:39:09,719
Speaker 2: way because they're sort of like trying in a huge

778
00:39:10,200 --> 00:39:11,920
Speaker 2: the masks off. Yeah, the masks are and.

779
00:39:11,880 --> 00:39:14,520
Speaker 1: Even like putting on a cameo hate just.

780
00:39:14,480 --> 00:39:18,080
Speaker 2: Like the gym gaze. They're like, oh no, I have

781
00:39:18,200 --> 00:39:21,359
Speaker 2: to have another male body on top of mine so

782
00:39:21,400 --> 00:39:22,399
Speaker 2: that I can feel like a man.

783
00:39:22,640 --> 00:39:24,560
Speaker 1: Yeah, it's just protein instead of silicone.

784
00:39:24,640 --> 00:39:26,600
Speaker 2: Yeah, it's protein instead of silicon, and silicon is so

785
00:39:26,680 --> 00:39:27,480
Speaker 2: much more glamorous.

786
00:39:27,840 --> 00:39:30,319
Speaker 3: Literally, I do wish there was a.

787
00:39:30,320 --> 00:39:33,880
Speaker 2: Version of getting giant fake boobs for a man, because

788
00:39:34,040 --> 00:39:36,520
Speaker 2: I think that would make so many people so much happier.

789
00:39:36,560 --> 00:39:38,799
Speaker 3: You can get silicone injected into your pectorals.

790
00:39:38,800 --> 00:39:40,879
Speaker 2: It's also true. The chin the chin trend. The chin

791
00:39:41,040 --> 00:39:43,439
Speaker 2: the chin trend, that's the that's the equivalent. Oh yeah,

792
00:39:43,440 --> 00:39:45,520
Speaker 2: people do be getting chins. People are getting chins in

793
00:39:45,560 --> 00:39:47,239
Speaker 2: a big way. You're lucky you have a strong chin.

794
00:39:47,360 --> 00:39:51,560
Speaker 1: Oh, thank you for saying that, Okay, wait, so but

795
00:39:51,640 --> 00:39:57,080
Speaker 1: I do know you don't. That's okay, George.

796
00:39:56,960 --> 00:39:59,360
Speaker 3: I already said that I kind of thought you were cute,

797
00:39:59,400 --> 00:40:01,120
Speaker 3: but like I don't, I don't. I don't see a

798
00:40:01,160 --> 00:40:05,239
Speaker 3: strong change. I don't really see it.

799
00:40:05,360 --> 00:40:08,319
Speaker 2: I want to know about about parenthesieson new development when

800
00:40:08,360 --> 00:40:10,719
Speaker 2: it comes to skinny. So you're saying it is sort

801
00:40:10,719 --> 00:40:12,880
Speaker 2: of like is this kind of not to be so literal,

802
00:40:12,920 --> 00:40:15,239
Speaker 2: but like in a posto zembic world, skinny is back in.

803
00:40:15,520 --> 00:40:20,640
Speaker 3: I just feel like, Okay, here's here's what I really think. Like,

804
00:40:21,320 --> 00:40:24,640
Speaker 3: the gays are not relevant, the gays are not in

805
00:40:24,680 --> 00:40:27,520
Speaker 3: the pole position. No, I agree that the gays are

806
00:40:27,560 --> 00:40:30,680
Speaker 3: not like the cultural force that they used to be,

807
00:40:31,520 --> 00:40:36,200
Speaker 3: and so they are kind of like top down retooling

808
00:40:36,239 --> 00:40:40,720
Speaker 3: their brand right now. They're at basement fucking on girls. Yeah.

809
00:40:40,800 --> 00:40:43,879
Speaker 2: Yeah, completely, No, I think totally. We seated so much

810
00:40:43,880 --> 00:40:47,160
Speaker 2: ground during the marriage equality era where everyone had to

811
00:40:47,160 --> 00:40:50,279
Speaker 2: pretend they were normal so that we get married. And

812
00:40:50,800 --> 00:40:53,239
Speaker 2: I think we thought, you know, we thought, we thought,

813
00:40:53,320 --> 00:40:56,840
Speaker 2: oh well, we'll do this performance of everyone everyone wants

814
00:40:56,880 --> 00:41:01,120
Speaker 2: little designer twins and we're all normal and ties and

815
00:41:01,160 --> 00:41:03,799
Speaker 2: as soon as we are right to Mary, we can

816
00:41:03,840 --> 00:41:07,439
Speaker 2: go back to being absolutely horrifying and doing share impressions

817
00:41:07,520 --> 00:41:12,839
Speaker 2: and you know, injecting silicon for sport. Yeah, but it

818
00:41:12,880 --> 00:41:16,359
Speaker 2: doesn't work like that. The brand is ruined work Larna now.

819
00:41:16,520 --> 00:41:19,600
Speaker 3: But it's not your fault, little gay boy, because it's

820
00:41:19,719 --> 00:41:22,240
Speaker 3: really hard to be a man right now. It's really

821
00:41:22,280 --> 00:41:25,000
Speaker 3: not fab to be a man right now, and it

822
00:41:25,080 --> 00:41:29,840
Speaker 3: hasn't been for years. And I feel like the gays

823
00:41:29,840 --> 00:41:32,280
Speaker 3: are just trying new things, Like what if you weren't

824
00:41:32,320 --> 00:41:35,400
Speaker 3: body fascists and we were actually like, you know, I

825
00:41:35,400 --> 00:41:37,839
Speaker 3: want a big boy. What if we weren't like ill

826
00:41:38,000 --> 00:41:41,760
Speaker 3: Vana and like you know, you know, sampled the little Fish.

827
00:41:41,840 --> 00:41:47,360
Speaker 3: It's like, what will this save me? Like, yeah, spoiler? No,

828
00:41:47,880 --> 00:41:50,200
Speaker 3: I mean, y'all got your podcast, so y'all are good,

829
00:41:50,400 --> 00:41:54,680
Speaker 3: y'all can cut you know, y'all can suck dick or whatever.

830
00:41:54,719 --> 00:41:56,600
Speaker 3: But like some of these guys are really looking for

831
00:41:56,640 --> 00:41:57,480
Speaker 3: their way in. Yeah.

832
00:41:57,600 --> 00:41:59,560
Speaker 1: No, whenever I meet a gay without a podcast, I

833
00:41:59,560 --> 00:41:59,920
Speaker 1: get so.

834
00:42:00,120 --> 00:42:01,600
Speaker 3: So I'm lost.

835
00:42:01,920 --> 00:42:04,440
Speaker 2: Yeah, what is the I guess you're gonna have to

836
00:42:04,480 --> 00:42:05,640
Speaker 2: like try bisexuality.

837
00:42:05,960 --> 00:42:08,360
Speaker 3: One of the drag names is mortgage memoir.

838
00:42:08,840 --> 00:42:13,960
Speaker 1: Oh that's nice.

839
00:42:14,640 --> 00:42:16,560
Speaker 2: What I What I love about what I love about

840
00:42:16,600 --> 00:42:19,480
Speaker 2: this topic, Harry, is that we keep getting farther and

841
00:42:19,520 --> 00:42:23,400
Speaker 2: farther away from skinny new development. You have now theorized

842
00:42:23,440 --> 00:42:26,000
Speaker 2: about every every No, I'm just saying.

843
00:42:26,080 --> 00:42:30,359
Speaker 3: I'm just saying, like skinny was the gay standing, and

844
00:42:30,400 --> 00:42:33,319
Speaker 3: because it is the gay standard and the stocks is down.

845
00:42:33,280 --> 00:42:36,600
Speaker 2: It's straight now. Yes, Okay, Okay, I get it again, Yes, okay.

846
00:42:36,640 --> 00:42:40,000
Speaker 3: I and I feel like gaze of all. You know,

847
00:42:40,239 --> 00:42:42,120
Speaker 3: Actually I shouldn't just say gazball stripes. I should say

848
00:42:42,160 --> 00:42:45,319
Speaker 3: that skinny gaze feel more down for big boys now.

849
00:42:45,320 --> 00:42:48,800
Speaker 3: They're talking about it on Twitter very loudly and performatively,

850
00:42:49,600 --> 00:42:53,080
Speaker 3: and I think that they I think it's a matter

851
00:42:53,280 --> 00:42:57,120
Speaker 3: of being seen as having more large ass.

852
00:42:57,200 --> 00:42:58,759
Speaker 1: H But.

853
00:43:00,600 --> 00:43:05,200
Speaker 2: I'll say largest, great drag name, please welcome largeness.

854
00:43:05,239 --> 00:43:07,560
Speaker 1: So this is complicated for me, of course. Well Sam

855
00:43:07,640 --> 00:43:11,279
Speaker 1: has always been in Big Boys. Yeah, sort of been

856
00:43:11,280 --> 00:43:13,760
Speaker 1: my whole vibe like a big boy. I can't help myself.

857
00:43:13,800 --> 00:43:15,640
Speaker 2: You feel like it's getting more popularized in a way

858
00:43:15,680 --> 00:43:18,399
Speaker 2: where you were like, oh, I saw Arcade fire at

859
00:43:18,480 --> 00:43:20,640
Speaker 2: Sasquatch in you know, yeah, I'm.

860
00:43:20,520 --> 00:43:22,439
Speaker 1: Literally like, wait, you never even listen to their EP?

861
00:43:22,920 --> 00:43:27,359
Speaker 1: You don't care. No, I'm sort of like I'm just

862
00:43:27,360 --> 00:43:29,160
Speaker 1: being like, I'm taking a back seat. I'm like, you know,

863
00:43:29,200 --> 00:43:31,759
Speaker 1: I'm letting everyone else discover on their own time. And

864
00:43:31,840 --> 00:43:36,520
Speaker 1: I'm sort of, you know, I would say not, I

865
00:43:36,560 --> 00:43:38,840
Speaker 1: think it is a bit desperate. It's because it's not

866
00:43:38,840 --> 00:43:41,239
Speaker 1: being into big boys. It's the branding about being into

867
00:43:41,239 --> 00:43:45,520
Speaker 1: big boys that's embarrassing. So I'm sort of letting them

868
00:43:45,560 --> 00:43:49,120
Speaker 1: sort of shame themselves and embarrass themselves and then and

869
00:43:49,120 --> 00:43:54,000
Speaker 1: then silently, you know, I'm sort of quiet luxurying my

870
00:43:54,000 --> 00:43:55,160
Speaker 1: my interests.

871
00:43:56,040 --> 00:43:56,960
Speaker 3: Are you a feeder?

872
00:43:57,800 --> 00:44:00,920
Speaker 1: No, I'm not a feeder. Okay, but celebrate the community,

873
00:44:00,960 --> 00:44:01,320
Speaker 1: of course.

874
00:44:01,400 --> 00:44:03,160
Speaker 3: Of course, you don't want them to show their work.

875
00:44:04,760 --> 00:44:07,920
Speaker 3: Come complete, Okay, come as you are.

876
00:44:09,800 --> 00:44:12,279
Speaker 2: Yeah, let's wait, I want to look at the I

877
00:44:12,320 --> 00:44:13,880
Speaker 2: have the list in front of me. We are going

878
00:44:13,920 --> 00:44:14,919
Speaker 2: to pick one on air.

879
00:44:15,320 --> 00:44:18,879
Speaker 1: Okay, I will say. Drag Brunch is already jumping out.

880
00:44:18,920 --> 00:44:20,959
Speaker 2: I know I love drag Bunch and we're already talking

881
00:44:20,960 --> 00:44:21,560
Speaker 2: about drag.

882
00:44:21,920 --> 00:44:22,240
Speaker 1: Yeah.

883
00:44:22,400 --> 00:44:24,719
Speaker 3: I'm not sure I've even actually been to a drag

884
00:44:24,760 --> 00:44:27,480
Speaker 3: brunch because that's how straight it is. It's like it's

885
00:44:27,560 --> 00:44:30,839
Speaker 3: so not for us. Yeah, but it is the girls

886
00:44:31,160 --> 00:44:32,120
Speaker 3: they are working.

887
00:44:32,280 --> 00:44:36,360
Speaker 2: Yeah, okay, is that what we're gonna do. Drag brunch

888
00:44:36,440 --> 00:44:40,320
Speaker 2: is big. I mean, I do love kindness and being supportive.

889
00:44:40,560 --> 00:44:44,040
Speaker 2: I do love male actors because you are so right

890
00:44:44,080 --> 00:44:47,640
Speaker 2: that the deification of like and by the way, I

891
00:44:47,719 --> 00:44:49,840
Speaker 2: love these men. But you know, al Pacino, Robert de

892
00:44:49,880 --> 00:44:52,480
Speaker 2: Nier like to be like, my favorite actor is al Pacino.

893
00:44:53,200 --> 00:44:58,440
Speaker 3: So straight, I to quote Joan Didion, it's not a

894
00:44:58,520 --> 00:45:05,560
Speaker 3: part of my world. It's not. Yeah, like I I

895
00:45:08,000 --> 00:45:09,279
Speaker 3: there are male actresses.

896
00:45:10,120 --> 00:45:13,560
Speaker 2: Oh my god, yes, this is okay. So I'll have

897
00:45:13,880 --> 00:45:18,440
Speaker 2: this theory that basically acting shouldn't be by gender. It

898
00:45:18,440 --> 00:45:25,239
Speaker 2: should be like best Butcher performance, bestem performance, best twink performance,

899
00:45:25,280 --> 00:45:28,160
Speaker 2: best bear performance, and like you can be Judy Dench

900
00:45:28,160 --> 00:45:30,279
Speaker 2: and you can be giving a bear performance, or you

901
00:45:30,360 --> 00:45:41,279
Speaker 2: can be it's with a bear smile, or you can

902
00:45:41,320 --> 00:45:43,360
Speaker 2: be Oscar Isaac and you can be giving like a

903
00:45:43,480 --> 00:45:44,600
Speaker 2: high fem performance.

904
00:45:45,120 --> 00:45:48,360
Speaker 3: Yeah, yeah, I know, I like this.

905
00:45:48,680 --> 00:45:51,280
Speaker 1: Okay, wait, so let's all right, Well even male actors,

906
00:45:51,480 --> 00:45:53,520
Speaker 1: I think like, because there's one thing where it's the

907
00:45:53,560 --> 00:45:55,920
Speaker 1: greats and then the other thing where it's like obsessing

908
00:45:55,960 --> 00:45:59,400
Speaker 1: over Paul Rudd. Yes, it's like, yes, he's like always good. Sure,

909
00:46:00,000 --> 00:46:03,080
Speaker 1: it's like what is this, Like, why is he? Why

910
00:46:03,080 --> 00:46:05,520
Speaker 1: are you so obsessed with him? Like he's just sort

911
00:46:05,520 --> 00:46:07,359
Speaker 1: of a like average handsome guy.

912
00:46:07,440 --> 00:46:07,799
Speaker 3: Mm hmm.

913
00:46:07,960 --> 00:46:11,400
Speaker 2: Okay, we're doing male actors. I'm I'm declaring it.

914
00:46:11,560 --> 00:46:17,120
Speaker 3: Okay, Okay, great, all which of your peers do you hate? Well,

915
00:46:17,200 --> 00:46:20,000
Speaker 3: you're doing what in my mind drag race, wouldn't you're

916
00:46:20,040 --> 00:46:22,800
Speaker 3: validating my status as an acting authority?

917
00:46:22,920 --> 00:46:23,120
Speaker 1: Yes?

918
00:46:23,320 --> 00:46:27,280
Speaker 3: Well, or perhaps you're minting it Ooh okay.

919
00:46:27,040 --> 00:46:30,839
Speaker 2: I think okay, So all right, there's old actors. There's

920
00:46:30,880 --> 00:46:35,840
Speaker 2: like Marlon Brando, standum, and then from that like basically

921
00:46:35,880 --> 00:46:37,879
Speaker 2: anything related to the Godfather, you know what I mean,

922
00:46:38,040 --> 00:46:41,239
Speaker 2: like Robert you know, output basically all the Italians. So

923
00:46:41,400 --> 00:46:44,840
Speaker 2: I think that's a big part of like Dad actors.

924
00:46:44,920 --> 00:46:48,560
Speaker 2: Dad's like yeah. And then there's the more contemporary, BuzzFeed

925
00:46:48,760 --> 00:46:53,600
Speaker 2: tinged sensibility of like Ryan Goslin, Yes, and and again

926
00:46:53,640 --> 00:46:58,920
Speaker 2: Paul Meskal, the Timothy Shallow, like the boy of the

927
00:46:59,000 --> 00:47:01,240
Speaker 2: Internet's boyfriend that.

928
00:47:01,160 --> 00:47:04,640
Speaker 1: Kind of thing, you know what I mean, which that

929
00:47:05,000 --> 00:47:07,920
Speaker 1: to me is like the weirder one currently.

930
00:47:09,480 --> 00:47:14,120
Speaker 3: Well, the Internet boyfriend thing is an arc type that

931
00:47:14,360 --> 00:47:18,880
Speaker 3: is being just stated in this age that we mentioned

932
00:47:19,080 --> 00:47:22,560
Speaker 3: but I mentioned of it being unfashionable to be a man.

933
00:47:23,200 --> 00:47:27,200
Speaker 3: This is the new minted masculinity of like I hate

934
00:47:27,280 --> 00:47:29,239
Speaker 3: to say it, but like I can't phrase it any

935
00:47:29,239 --> 00:47:31,880
Speaker 3: other way, Like in order to become an Internet boyfriend

936
00:47:31,920 --> 00:47:33,960
Speaker 3: of the week, you have to like have it stipped

937
00:47:34,000 --> 00:47:35,920
Speaker 3: on your forehead, like I'm not going to rape you.

938
00:47:36,400 --> 00:47:40,080
Speaker 3: Like that is what it takes to be a heart throb.

939
00:47:40,960 --> 00:47:45,279
Speaker 3: And is that fab right? Yes?

940
00:47:45,880 --> 00:47:54,520
Speaker 1: Yeah? Wow, there is something Okay, there's something about Timothy

941
00:47:54,560 --> 00:47:58,800
Speaker 1: Chalomy's current vibe yeh, which I do think is almost

942
00:47:58,800 --> 00:48:01,120
Speaker 1: going against internet boy friend where it is sort of

943
00:48:01,120 --> 00:48:04,360
Speaker 1: being like, wait, he's being like nasty, he's.

944
00:48:04,239 --> 00:48:09,080
Speaker 2: Being toxic nasty. Yeah, he's dating Kendle. I mean it's

945
00:48:09,640 --> 00:48:12,120
Speaker 2: he sort of wants to have it both ways because

946
00:48:12,120 --> 00:48:16,440
Speaker 2: he wants to be you know, wearing the yellow suit

947
00:48:16,680 --> 00:48:20,920
Speaker 2: and the vest without a T shirt and be so twink,

948
00:48:21,680 --> 00:48:26,040
Speaker 2: but then he also wants to be dating up Kardashian

949
00:48:26,800 --> 00:48:28,680
Speaker 2: and saying he wants to be the next Robert de

950
00:48:28,800 --> 00:48:31,719
Speaker 2: Niro and having the sort of almost machismo. It is

951
00:48:31,760 --> 00:48:35,040
Speaker 2: a twink. It is machismo but through a twink lens,

952
00:48:35,840 --> 00:48:37,800
Speaker 2: which actually is one of the most dangerous kinds.

953
00:48:37,840 --> 00:48:41,359
Speaker 3: Well, no, I mean this positions him to be cuge. Yeah,

954
00:48:41,400 --> 00:48:43,080
Speaker 3: like I mean he is huge. He I think he's

955
00:48:43,080 --> 00:48:44,600
Speaker 3: on his way to being when it rages.

956
00:48:44,440 --> 00:48:46,719
Speaker 2: Him into being like Leo, because that's what Leo. Leo

957
00:48:46,880 --> 00:48:49,839
Speaker 2: Wasimo through a twin lens, and then he just had

958
00:48:49,840 --> 00:48:53,400
Speaker 2: to sort of age in a kind of you know,

959
00:48:53,440 --> 00:48:56,640
Speaker 2: we have this theory created by our friend Olivia. You

960
00:48:56,640 --> 00:48:59,920
Speaker 2: can either age dry or age wet, and Leo aged wet,

961
00:49:01,040 --> 00:49:03,920
Speaker 2: which actually gives you more gravitas.

962
00:49:04,480 --> 00:49:05,680
Speaker 3: Yeah.

963
00:49:06,120 --> 00:49:09,839
Speaker 1: And I feel that like there's something about him where

964
00:49:10,600 --> 00:49:14,120
Speaker 1: his beginning was very like I'm androgynist, I have stamped

965
00:49:14,120 --> 00:49:17,280
Speaker 1: on my forehead like I'm safe, And now it's like, oh,

966
00:49:17,440 --> 00:49:19,839
Speaker 1: he's actually been like no, actually I'm I'm actually proud

967
00:49:19,880 --> 00:49:20,279
Speaker 1: to be a man.

968
00:49:20,440 --> 00:49:20,680
Speaker 3: Yeah.

969
00:49:20,800 --> 00:49:22,399
Speaker 1: Actually, it's like good that I'm a man.

970
00:49:22,480 --> 00:49:25,920
Speaker 3: Yeah, I think that's refreshing all this fracas.

971
00:49:26,120 --> 00:49:29,040
Speaker 1: Yeah, No, there's something to it, but it is it's

972
00:49:29,040 --> 00:49:31,239
Speaker 1: like a it feels like a new it feels like

973
00:49:31,239 --> 00:49:32,920
Speaker 1: a new change in culture.

974
00:49:33,000 --> 00:49:34,440
Speaker 3: I mean, honey, it's like if you're going to be

975
00:49:34,520 --> 00:49:36,719
Speaker 3: a man with all the options to not be a

976
00:49:36,760 --> 00:49:38,719
Speaker 3: man in front of you, like if you're going to

977
00:49:38,840 --> 00:49:44,120
Speaker 3: choose this, choose it, commit commit This is drag. I

978
00:49:44,160 --> 00:49:44,880
Speaker 3: do think we have.

979
00:49:45,640 --> 00:49:50,839
Speaker 2: There are various men that signify this transitional period between BuzzFeed,

980
00:49:51,360 --> 00:49:54,680
Speaker 2: twink and then new masculinity, and I think a big

981
00:49:54,760 --> 00:49:57,439
Speaker 2: one is Glenn Powell. Glenn Powell is someone that came

982
00:49:57,480 --> 00:50:00,680
Speaker 2: along and they actually do on him to be an

983
00:50:00,680 --> 00:50:03,200
Speaker 2: old fashioned man, but they're not ready to hard launch

984
00:50:03,280 --> 00:50:05,719
Speaker 2: that yet, so they'll make him like they're making a

985
00:50:05,719 --> 00:50:08,960
Speaker 2: little more silly and be a little more Internet's boyfriend,

986
00:50:09,360 --> 00:50:12,440
Speaker 2: you know. But then at some point he's gonna, you know,

987
00:50:13,000 --> 00:50:13,800
Speaker 2: go mel Gibson.

988
00:50:14,239 --> 00:50:17,400
Speaker 1: He's literally like like a little dog on a leash,

989
00:50:17,480 --> 00:50:19,719
Speaker 1: right Yeah, in a way where I'm like set him

990
00:50:19,760 --> 00:50:22,080
Speaker 1: free totally. I want to know what's bad about him?

991
00:50:22,680 --> 00:50:25,480
Speaker 3: What do you want to see from a man on screen?

992
00:50:25,560 --> 00:50:27,319
Speaker 3: Like I feel like as gay people, we don't think

993
00:50:27,320 --> 00:50:30,279
Speaker 3: about it. I know, I know, I don't care, You're right,

994
00:50:30,600 --> 00:50:33,719
Speaker 3: I don't really care. I mean, like I can think

995
00:50:33,719 --> 00:50:35,640
Speaker 3: of the exceptions to the rule. Like have you ever

996
00:50:35,680 --> 00:50:40,440
Speaker 3: seen like John Cassavetti's husbands that is male actress down

997
00:50:40,960 --> 00:50:44,719
Speaker 3: that is like, you know, masculinity like kind of like

998
00:50:44,840 --> 00:50:49,279
Speaker 3: crumbling before like Mike and Nicky. Yeah, Like I love

999
00:50:49,400 --> 00:50:52,560
Speaker 3: when it's just like the guy is becoming so much

1000
00:50:52,600 --> 00:50:55,319
Speaker 3: of a guy that he's like collapsing under the weight

1001
00:50:55,360 --> 00:50:57,279
Speaker 3: of how much of the guy he is, and there

1002
00:50:57,360 --> 00:50:59,040
Speaker 3: it's like it's like kind of pussy.

1003
00:50:59,640 --> 00:51:01,520
Speaker 1: Yeah, I mean I love that. I need to kick

1004
00:51:01,560 --> 00:51:04,920
Speaker 1: out like Adam Driver for that sometimes.

1005
00:51:05,120 --> 00:51:07,080
Speaker 2: Yeah, but it has to be done right.

1006
00:51:07,160 --> 00:51:08,160
Speaker 1: It has to be done right.

1007
00:51:08,760 --> 00:51:10,080
Speaker 3: Are you saying he's not doing it right.

1008
00:51:10,480 --> 00:51:13,560
Speaker 2: I'm saying that when directed correctly, such as by Limna Dunham,

1009
00:51:13,760 --> 00:51:15,759
Speaker 2: he is doing it right. And I actually think it's

1010
00:51:15,800 --> 00:51:17,480
Speaker 2: not a coincidence that Mikey and Nicki is also directed

1011
00:51:17,520 --> 00:51:20,600
Speaker 2: by women. I think that there need to be more

1012
00:51:20,680 --> 00:51:23,000
Speaker 2: men directed by women in the way that you know,

1013
00:51:24,000 --> 00:51:28,120
Speaker 2: men have meant not to be so feminism one oh one,

1014
00:51:28,320 --> 00:51:31,600
Speaker 2: Like I'm writing an op ed for Mary Claire. But

1015
00:51:31,600 --> 00:51:35,600
Speaker 2: but I do think some of the great male performances

1016
00:51:35,640 --> 00:51:38,239
Speaker 2: are directed by women and none of them are ever

1017
00:51:38,320 --> 00:51:41,080
Speaker 2: acknowledged as like in the because everyone just wants.

1018
00:51:40,800 --> 00:51:41,680
Speaker 3: Francis Ford Coppola.

1019
00:51:42,440 --> 00:51:46,080
Speaker 2: Yeah, Adam Driver in Girls is a better male performance

1020
00:51:46,120 --> 00:51:49,640
Speaker 2: than Leonardo DiCaprio in the Revenant period.

1021
00:51:51,760 --> 00:51:52,880
Speaker 3: Sorry, it's true.

1022
00:51:53,080 --> 00:51:53,960
Speaker 1: My empty bottle.

1023
00:51:54,920 --> 00:52:00,480
Speaker 3: Do you not agree with that? I just feel as

1024
00:52:00,560 --> 00:52:06,960
Speaker 3: though one is in service of something else that the

1025
00:52:07,160 --> 00:52:11,799
Speaker 3: other one is not in service, And I'm forming this

1026
00:52:11,920 --> 00:52:16,360
Speaker 3: idea in real time. Leonardo DiCaprio's performance in the Revenant

1027
00:52:16,800 --> 00:52:22,320
Speaker 3: is all about difficulty. It's all about arduousness. It's all

1028
00:52:22,440 --> 00:52:26,640
Speaker 3: about like recreating freezing on the Titanic, but you're just

1029
00:52:26,680 --> 00:52:28,399
Speaker 3: like freezing inside.

1030
00:52:28,120 --> 00:52:28,480
Speaker 2: In a bear.

1031
00:52:28,840 --> 00:52:30,319
Speaker 3: Yeah, inside of the corpse of the bear.

1032
00:52:32,800 --> 00:52:36,239
Speaker 2: Well, where do I sign up?

1033
00:52:37,200 --> 00:52:42,040
Speaker 3: And I feel as though it's about suffering alone in

1034
00:52:42,040 --> 00:52:46,040
Speaker 3: the wilderness. And I feel like Adam Driver's performance and

1035
00:52:46,080 --> 00:52:51,040
Speaker 3: Girls is so memorable, particularly to us, because it wasn't

1036
00:52:51,080 --> 00:52:53,359
Speaker 3: just about like a certain kind of man that was recognizable.

1037
00:52:53,400 --> 00:52:55,640
Speaker 3: It was like a certain kind of man in relation

1038
00:52:55,719 --> 00:52:59,440
Speaker 3: to a certain kind of woman. And it's yes being

1039
00:52:59,440 --> 00:53:01,080
Speaker 3: directed by the had done him, but it's also like

1040
00:53:01,280 --> 00:53:05,080
Speaker 3: acting off of her. And this idea that you know,

1041
00:53:05,320 --> 00:53:13,880
Speaker 3: this elusive, chauvinistic, magnetic, hot kind of straight guy actually

1042
00:53:14,120 --> 00:53:18,359
Speaker 3: really wanted the like complicated pussy like that was like

1043
00:53:18,560 --> 00:53:21,600
Speaker 3: revelatory for us. And I feel like I'm unable to

1044
00:53:21,680 --> 00:53:26,920
Speaker 3: see his performance outside of the thing that I learned

1045
00:53:27,320 --> 00:53:31,960
Speaker 3: about what guys want, like new guys like guys of

1046
00:53:32,040 --> 00:53:37,960
Speaker 3: my generation. Once I learned it, got myself a complicated

1047
00:53:37,960 --> 00:53:38,719
Speaker 3: pussy hitting.

1048
00:53:39,680 --> 00:53:41,600
Speaker 2: And he taught you that you have Adam driver to

1049
00:53:41,640 --> 00:53:43,839
Speaker 2: think for that for your self actualization.

1050
00:53:44,000 --> 00:53:46,600
Speaker 3: Had Leana done him right now?

1051
00:53:47,160 --> 00:53:47,440
Speaker 4: Wow?

1052
00:53:51,680 --> 00:53:53,560
Speaker 1: Wait, seriously, I would love this.

1053
00:53:54,280 --> 00:53:55,200
Speaker 3: No, I can't do it.

1054
00:53:55,920 --> 00:53:58,000
Speaker 1: Oh my god, you can't use like that.

1055
00:53:58,120 --> 00:53:59,839
Speaker 3: Okay, I almost did it.

1056
00:53:59,840 --> 00:54:03,960
Speaker 2: Here's my question for you. Should men only be in

1057
00:54:04,040 --> 00:54:05,239
Speaker 2: theater and not unscreened?

1058
00:54:08,200 --> 00:54:11,799
Speaker 3: I live? You know what I mean? Well, yeah, because

1059
00:54:12,120 --> 00:54:17,320
Speaker 3: the screen is like the soul, The screen is inside

1060
00:54:17,360 --> 00:54:20,840
Speaker 3: I don't I don't want to go inside right this.

1061
00:54:21,080 --> 00:54:24,040
Speaker 3: I want you to do something like for me at

1062
00:54:24,120 --> 00:54:26,840
Speaker 3: least to me at most, And you can get that

1063
00:54:26,880 --> 00:54:27,680
Speaker 3: in life performance.

1064
00:54:27,840 --> 00:54:29,480
Speaker 2: Yeah, and I want to see it from a safe distance,

1065
00:54:29,560 --> 00:54:31,279
Speaker 2: but I want to feel a little bit of a

1066
00:54:31,280 --> 00:54:33,279
Speaker 2: fear of like he might come in and come out

1067
00:54:33,280 --> 00:54:34,120
Speaker 2: and punch me in the face.

1068
00:54:34,360 --> 00:54:38,280
Speaker 3: Yeah. But also like the I feel like the gaze

1069
00:54:38,280 --> 00:54:44,360
Speaker 3: of theater like a z like the audience like that's

1070
00:54:44,600 --> 00:54:48,160
Speaker 3: cruel in one way. In the gaze of the camera

1071
00:54:48,320 --> 00:54:50,479
Speaker 3: is cruel. In another way, I think the cruel gaze

1072
00:54:50,480 --> 00:54:54,720
Speaker 3: of the camera brings something like really cool out of women.

1073
00:54:54,840 --> 00:54:57,800
Speaker 3: But it's also like a gaze that women are trained

1074
00:54:57,800 --> 00:55:00,719
Speaker 3: and conditioned to exist under, which is why like gay

1075
00:55:00,760 --> 00:55:08,040
Speaker 3: guys love actresses because they just do it. But I

1076
00:55:08,080 --> 00:55:10,200
Speaker 3: think that men can sort of function in a similar

1077
00:55:10,280 --> 00:55:14,000
Speaker 3: way under the gaze of theater because it's not like

1078
00:55:15,120 --> 00:55:18,480
Speaker 3: an institutional like gays that you could write about and like,

1079
00:55:18,520 --> 00:55:20,520
Speaker 3: you know, the cultural criticism of like you know, like

1080
00:55:20,920 --> 00:55:22,640
Speaker 3: the male gaze, Like it's like this, it's the thing

1081
00:55:22,680 --> 00:55:25,879
Speaker 3: that exists everywhere, like the theater one. It's like we're

1082
00:55:25,920 --> 00:55:29,399
Speaker 3: all just here now looking at you. And you're a guy,

1083
00:55:29,840 --> 00:55:31,920
Speaker 3: and you're supposed to be a leader, and you're supposed

1084
00:55:31,960 --> 00:55:33,920
Speaker 3: to deliver, and you're supposed to you know, make the

1085
00:55:33,960 --> 00:55:36,400
Speaker 3: people come together. What are you going to do right now?

1086
00:55:36,560 --> 00:55:40,480
Speaker 3: Impress us? I feel like guys can do something special

1087
00:55:40,520 --> 00:55:43,840
Speaker 3: with that, and I want to see them do it. Yeah.

1088
00:55:44,080 --> 00:55:47,960
Speaker 2: I also think there's something about, Okay, we give women

1089
00:55:48,440 --> 00:55:50,920
Speaker 2: just this small screen and they can make a world

1090
00:55:50,920 --> 00:55:53,200
Speaker 2: out of it. Like it's like I could do you know,

1091
00:55:53,280 --> 00:55:55,279
Speaker 2: a close up of Cape Blanchette and she's doing so

1092
00:55:55,360 --> 00:55:57,400
Speaker 2: much with her eyes on her face and whatever. And

1093
00:55:57,440 --> 00:56:01,000
Speaker 2: then with men, it's like the stage like them being

1094
00:56:01,040 --> 00:56:03,680
Speaker 2: on in public and taking up space.

1095
00:56:03,840 --> 00:56:05,600
Speaker 3: That's what they want. Like it's more of like a sport.

1096
00:56:05,640 --> 00:56:07,840
Speaker 2: It's more of like a yeah, it's more of a sport. Yeah,

1097
00:56:07,880 --> 00:56:10,359
Speaker 2: And you want to see them just like take up,

1098
00:56:10,680 --> 00:56:12,040
Speaker 2: go high, go wide.

1099
00:56:12,200 --> 00:56:13,440
Speaker 1: Well, it's their drag queen.

1100
00:56:14,920 --> 00:56:17,920
Speaker 3: But that's what men used to do on screen before

1101
00:56:18,360 --> 00:56:25,239
Speaker 3: Marlon Brando. Yeah, before Marlon Brando. We're like see like

1102
00:56:25,400 --> 00:56:28,120
Speaker 3: we had like there was like this element of like

1103
00:56:28,320 --> 00:56:31,319
Speaker 3: male drag. But you know, Marlon Renno is the one

1104
00:56:31,360 --> 00:56:32,600
Speaker 3: that kind of like you know, just like brought it

1105
00:56:32,600 --> 00:56:34,560
Speaker 3: all down to this naturalism thing and like changed the

1106
00:56:34,560 --> 00:56:36,799
Speaker 3: way people saw acting and created a whole new set

1107
00:56:36,840 --> 00:56:40,040
Speaker 3: of expectations for like, hey everyone, but be like specifically

1108
00:56:40,040 --> 00:56:43,239
Speaker 3: the guys. It's like if you give me nothing, you

1109
00:56:43,320 --> 00:56:48,160
Speaker 3: are giving me everything. That's like and we are still

1110
00:56:48,280 --> 00:56:51,480
Speaker 3: kind of under that rock. I mean, I think I

1111
00:56:51,520 --> 00:56:53,680
Speaker 3: read this thing about Nick Cage how he just like

1112
00:56:53,800 --> 00:56:56,839
Speaker 3: doesn't do that, and like that's why he's amazing. He's

1113
00:56:56,960 --> 00:56:58,640
Speaker 3: like he's a male actress.

1114
00:56:58,719 --> 00:57:00,000
Speaker 1: That's what I was gonna bring him up.

1115
00:57:00,040 --> 00:57:02,399
Speaker 3: One long legs. A girl don't even get heard about

1116
00:57:02,400 --> 00:57:07,400
Speaker 3: long legs. Her crossy team. We need to long legs.

1117
00:57:07,520 --> 00:57:12,800
Speaker 3: There needs to be an investigation, investigation and transvestigation investigation. Yeah, legs,

1118
00:57:13,520 --> 00:57:17,760
Speaker 3: you want to talk about silicon in a phase? Bitch?

1119
00:57:18,400 --> 00:57:20,400
Speaker 1: That movie I felt so gas lip by sort of

1120
00:57:20,400 --> 00:57:21,280
Speaker 1: the entire world.

1121
00:57:21,360 --> 00:57:22,600
Speaker 2: I completely agree.

1122
00:57:22,600 --> 00:57:26,240
Speaker 3: Well, okay, this maybe this is straight culture. There's this

1123
00:57:26,280 --> 00:57:28,640
Speaker 3: new thing I feel like in horror movies and other

1124
00:57:28,720 --> 00:57:31,280
Speaker 3: things where it's like, no, like the devil is real,

1125
00:57:31,640 --> 00:57:34,040
Speaker 3: like like like dark magic is real, Like this is

1126
00:57:34,040 --> 00:57:37,720
Speaker 3: actually not a story about like you know, a man's

1127
00:57:37,760 --> 00:57:40,960
Speaker 3: curdling insanity in a basement or yes, and the devil

1128
00:57:41,000 --> 00:57:44,240
Speaker 3: is also real, like yeah. I watched it with Ludwig,

1129
00:57:44,280 --> 00:57:46,560
Speaker 3: my boyfriend, and I turned him after and I was like, okay, wait,

1130
00:57:46,560 --> 00:57:49,920
Speaker 3: so he was a bioterrorist, like like like the black

1131
00:57:50,320 --> 00:57:53,959
Speaker 3: powder smoke coming out of the head of the doll

1132
00:57:54,320 --> 00:58:00,240
Speaker 3: was like anthrax that makes people kill people, like it's

1133
00:58:00,240 --> 00:58:06,080
Speaker 3: the devil. I could not accept. Yeah, I just it's

1134
00:58:06,120 --> 00:58:07,760
Speaker 3: not a part of my part of.

1135
00:58:10,520 --> 00:58:17,320
Speaker 2: It's stories. I So I felt this way with The

1136
00:58:17,360 --> 00:58:19,360
Speaker 2: Witch and with Hereditary, where I was like, wait a minute,

1137
00:58:19,360 --> 00:58:23,000
Speaker 2: after all that, and listen, I'm great films. Okay, well, Hereditary,

1138
00:58:23,040 --> 00:58:27,720
Speaker 2: I stand listen, I great again, great films. Talk about

1139
00:58:27,720 --> 00:58:30,560
Speaker 2: an actress Tony you I am your mother.

1140
00:58:30,880 --> 00:58:31,880
Speaker 1: Yeah, that's amazing.

1141
00:58:31,880 --> 00:58:37,360
Speaker 2: I'd like to see dstin Hoffman do that, but I yeah,

1142
00:58:37,720 --> 00:58:38,760
Speaker 2: don't come for him.

1143
00:58:39,840 --> 00:58:40,720
Speaker 3: Not to say, Honey?

1144
00:58:42,600 --> 00:58:45,200
Speaker 2: Did say was sort of the long legs of her generation.

1145
00:58:45,640 --> 00:58:47,440
Speaker 1: Yeah, and the Devil made him do it.

1146
00:58:47,720 --> 00:58:51,240
Speaker 2: Yeah, but didn't you expect both the Witch and Hereditary

1147
00:58:51,240 --> 00:58:53,920
Speaker 2: that there would be some heightened that it wouldn't just

1148
00:58:53,960 --> 00:58:55,120
Speaker 2: be literally about No.

1149
00:58:55,120 --> 00:58:57,080
Speaker 1: You're right, there's like it's like get out of jail

1150
00:58:57,080 --> 00:58:58,880
Speaker 1: free card in a way where you're like, Okay, let's

1151
00:58:58,880 --> 00:59:01,320
Speaker 1: do another draft, like let's find a real just hi.

1152
00:59:01,720 --> 00:59:03,240
Speaker 3: I mean, it's like I don't mind it in a

1153
00:59:03,280 --> 00:59:06,840
Speaker 3: classic like the Extor Sister Rosemary's Baby, it just has

1154
00:59:06,920 --> 00:59:10,560
Speaker 3: to be done with so much glamour and so much

1155
00:59:10,680 --> 00:59:16,160
Speaker 3: precision and so such good writing that, I mean, you

1156
00:59:16,240 --> 00:59:20,000
Speaker 3: have to write better than the Bible, Honey, in order

1157
00:59:20,080 --> 00:59:21,320
Speaker 3: to really get it.

1158
00:59:21,440 --> 00:59:24,800
Speaker 2: Yeah, miss ari Astor, you have to write better than

1159
00:59:24,800 --> 00:59:26,800
Speaker 2: the Bible, girl.

1160
00:59:26,760 --> 00:59:30,880
Speaker 3: Now I know. I listen. I'm actually did you see

1161
00:59:30,920 --> 00:59:32,240
Speaker 3: the trailer for her new movie?

1162
00:59:32,480 --> 00:59:33,720
Speaker 2: I no, I haven't, I haven't.

1163
00:59:34,000 --> 00:59:36,920
Speaker 3: I should. I have very high expectations of our master,

1164
00:59:37,280 --> 00:59:40,760
Speaker 3: and I am really excited that he's coming out with

1165
00:59:40,800 --> 00:59:43,120
Speaker 3: a movie that takes place in twenty twenty. Because I've

1166
00:59:43,160 --> 00:59:45,560
Speaker 3: been sitting here like since twenty twenty, being like when

1167
00:59:45,680 --> 00:59:48,320
Speaker 3: are we gonna Why is no Budy? I don't know

1168
00:59:48,760 --> 00:59:50,240
Speaker 3: now about twenty twenty.

1169
00:59:51,040 --> 00:59:52,600
Speaker 1: It's like a pandemic movie.

1170
00:59:53,320 --> 00:59:57,200
Speaker 3: Yeah, it's it's very much about like I don't actually

1171
00:59:57,240 --> 01:00:00,280
Speaker 3: know the plot, but based on the trailer, it's like

1172
01:00:00,920 --> 01:00:03,520
Speaker 3: somebody scrolling in twenty twenty. It was Joaquin Phoenix scrolling

1173
01:00:03,520 --> 01:00:05,600
Speaker 3: in twenty twenty, and it's like Emma Stone and.

1174
01:00:07,360 --> 01:00:10,320
Speaker 2: Dro Pascal's very like this because I did say one

1175
01:00:10,320 --> 01:00:14,280
Speaker 2: screenshot that's like, you know, some influencer posting about like

1176
01:00:14,840 --> 01:00:17,560
Speaker 2: twenty twenty protests or something. Yeah, like it's like making

1177
01:00:17,560 --> 01:00:19,920
Speaker 2: fun of that sort of the air of cancelation of

1178
01:00:19,960 --> 01:00:24,040
Speaker 2: that summer, and you know, we were all in a

1179
01:00:24,120 --> 01:00:24,560
Speaker 2: dark place.

1180
01:00:24,600 --> 01:00:26,160
Speaker 3: Maybe we don't have to talk about it right here,

1181
01:00:26,320 --> 01:00:31,200
Speaker 3: but like somebody, like somebody so like lyrically misanthropic as

1182
01:00:31,200 --> 01:00:36,320
Speaker 3: Ariasca could actually do something. Yeah, And I'm kind of sacked.

1183
01:00:38,480 --> 01:00:40,600
Speaker 3: I'm also just kind of saying this because like there's

1184
01:00:40,800 --> 01:00:45,440
Speaker 3: a twenty twenty movie that like me and a friend

1185
01:00:45,480 --> 01:00:48,240
Speaker 3: were really like adapting from something and like kind of

1186
01:00:48,280 --> 01:00:51,160
Speaker 3: working on and we sort of like soft trotted it

1187
01:00:51,200 --> 01:00:53,400
Speaker 3: out a little bit. But this was in like twenty

1188
01:00:53,400 --> 01:00:56,360
Speaker 3: twenty two, and it was just resolutely like, the girls

1189
01:00:56,360 --> 01:00:58,800
Speaker 3: are not ready for twenty twenty. The girls are not

1190
01:00:58,920 --> 01:01:02,760
Speaker 3: ready to go back, And I'm curious if a really

1191
01:01:02,800 --> 01:01:04,160
Speaker 3: cool film could take the scales on that.

1192
01:01:04,960 --> 01:01:07,680
Speaker 2: I do think it's gonna happen. It's like when people

1193
01:01:08,160 --> 01:01:10,520
Speaker 2: started making post nine to eleven movies.

1194
01:01:10,120 --> 01:01:12,120
Speaker 1: But there's still I feel like, like, what's a good

1195
01:01:12,200 --> 01:01:12,920
Speaker 1: nine to eleven movie?

1196
01:01:12,960 --> 01:01:16,200
Speaker 2: Well, unfortunately all of them flopped. Well a good nine

1197
01:01:16,240 --> 01:01:20,040
Speaker 2: eleven movie is Margarette, but all of them? Yes, Yes,

1198
01:01:20,440 --> 01:01:23,720
Speaker 2: Who's gonna make the Margarette of Covid of like twenty

1199
01:01:23,800 --> 01:01:24,560
Speaker 2: twenty at covid?

1200
01:01:24,600 --> 01:01:27,000
Speaker 3: Because that is what I want to see. Kenneth Lonergan,

1201
01:01:29,120 --> 01:01:31,000
Speaker 3: I'm sorry for calling you stride it.

1202
01:01:32,080 --> 01:01:32,680
Speaker 1: Have you seen it?

1203
01:01:32,760 --> 01:01:35,479
Speaker 3: No, It's like one of my favorite movies. Oh watch

1204
01:01:35,560 --> 01:01:37,440
Speaker 3: the three and a half hour director's cut. It's like

1205
01:01:37,640 --> 01:01:40,560
Speaker 3: I went up to I don't do this. I went

1206
01:01:40,640 --> 01:01:42,400
Speaker 3: up to end UPAC went at the Vanity for Oscar Party,

1207
01:01:42,400 --> 01:01:43,880
Speaker 3: and I was just like, Margaret is one of my

1208
01:01:43,880 --> 01:01:45,880
Speaker 3: favorite movies. Don't go up to a celebrity and say

1209
01:01:45,960 --> 01:01:48,880
Speaker 3: something like that unless you're sure it's something that they

1210
01:01:48,880 --> 01:01:51,280
Speaker 3: don't hear every day, Yeah, because they will live if

1211
01:01:51,360 --> 01:01:53,760
Speaker 3: like you have the thing that they don't hear every day,

1212
01:01:53,760 --> 01:01:56,200
Speaker 3: if you do, you know, was.

1213
01:01:56,720 --> 01:01:58,160
Speaker 2: She happy to hear that from you?

1214
01:01:58,240 --> 01:01:58,439
Speaker 1: Yeah?

1215
01:01:58,520 --> 01:02:02,120
Speaker 3: Yeah, that's nice, heaven, It's yeah.

1216
01:02:02,440 --> 01:02:07,760
Speaker 2: So I I wanna. I'm like, I want to get

1217
01:02:07,800 --> 01:02:09,800
Speaker 2: to a grand theory of male acting because I do

1218
01:02:09,840 --> 01:02:11,120
Speaker 2: think this is such a rich topic.

1219
01:02:13,960 --> 01:02:17,040
Speaker 1: Well okay, yeah, I think part of the issue is

1220
01:02:17,080 --> 01:02:20,400
Speaker 1: that it's like they're almost there as the they're like

1221
01:02:20,440 --> 01:02:23,800
Speaker 1: a set piece, like it's less of a like it

1222
01:02:23,840 --> 01:02:27,840
Speaker 1: does feel like they are the the ground and for

1223
01:02:27,920 --> 01:02:29,440
Speaker 1: the actress to.

1224
01:02:29,640 --> 01:02:33,160
Speaker 2: This is what we're saying a genius because here's okay,

1225
01:02:33,280 --> 01:02:35,720
Speaker 2: you see a poster for a movie, okay, and it's

1226
01:02:35,760 --> 01:02:39,320
Speaker 2: all men in suits and then one woman in like

1227
01:02:39,360 --> 01:02:42,520
Speaker 2: a low cut dress. The conventional critique of that is like,

1228
01:02:42,880 --> 01:02:46,120
Speaker 2: look at fucking Hollywood. They it's all men and there's

1229
01:02:46,120 --> 01:02:49,640
Speaker 2: so funerals for women, which of course I get. But

1230
01:02:50,320 --> 01:02:54,280
Speaker 2: what I see is that everyone else is a set

1231
01:02:54,960 --> 01:02:56,520
Speaker 2: and this is a one woman show.

1232
01:02:57,440 --> 01:02:59,040
Speaker 3: We're featuring other featuring.

1233
01:02:59,200 --> 01:03:02,240
Speaker 2: It's like it's her it's like American Hustle, and it's

1234
01:03:03,040 --> 01:03:05,880
Speaker 2: it's Jennifer Lawrence. It's time for her to basically have

1235
01:03:05,920 --> 01:03:08,480
Speaker 2: a variety of interactions with men that are kind of

1236
01:03:08,520 --> 01:03:10,720
Speaker 2: like wooden and like don't say much, and then it's

1237
01:03:10,760 --> 01:03:14,440
Speaker 2: time for her to be like listen to me, little boy.

1238
01:03:14,400 --> 01:03:16,160
Speaker 3: Yeah, and then her doing that over this just like

1239
01:03:16,200 --> 01:03:22,480
Speaker 3: Sunday morning that it doesn't sound much fun for the

1240
01:03:22,520 --> 01:03:24,760
Speaker 3: male actors. Is it that they exact so much that

1241
01:03:24,800 --> 01:03:25,520
Speaker 3: it doesn't matter?

1242
01:03:25,600 --> 01:03:28,440
Speaker 2: No, I do wonder that. I'm like, it seems so

1243
01:03:28,560 --> 01:03:30,680
Speaker 2: much more fun to be an actress than That's why.

1244
01:03:30,600 --> 01:03:33,160
Speaker 1: Like Leo, it's sort of an actress. He's like, I

1245
01:03:33,200 --> 01:03:35,640
Speaker 1: will do a movie with a bear totally because I

1246
01:03:35,680 --> 01:03:38,160
Speaker 1: can't have I can't be background for an actress.

1247
01:03:38,240 --> 01:03:39,520
Speaker 2: Which actors are actresses?

1248
01:03:41,720 --> 01:03:46,080
Speaker 3: Nicholas Cage, Nicholas Cage, it's literally like name an actor.

1249
01:03:45,960 --> 01:03:49,960
Speaker 2: Like Sebastian Stan. Sure, I think Sebastian Stan is an actress.

1250
01:03:49,960 --> 01:03:52,520
Speaker 3: Her snatch game in a different man. Yeah, did you

1251
01:03:52,520 --> 01:03:55,120
Speaker 3: see that was tight? I did not know that was

1252
01:03:55,160 --> 01:03:58,840
Speaker 3: she in the prosthetiques. I could not she was.

1253
01:04:00,320 --> 01:04:03,640
Speaker 2: How a soulka clock. She was being so long legs

1254
01:04:03,640 --> 01:04:04,200
Speaker 2: in that film.

1255
01:04:04,480 --> 01:04:16,640
Speaker 3: Yes, clearly, like delights in versatility, like like she delights

1256
01:04:16,800 --> 01:04:20,680
Speaker 3: in okay, playing a range, what are you taking me?

1257
01:04:20,680 --> 01:04:21,000
Speaker 1: Strong?

1258
01:04:22,080 --> 01:04:27,280
Speaker 3: This is tough because it's like she has a complicated,

1259
01:04:27,360 --> 01:04:29,560
Speaker 3: fractured subjectivity that is actress.

1260
01:04:29,800 --> 01:04:33,560
Speaker 1: Like, yes, exactly, that's true. Okay, Yeah, she's giving and

1261
01:04:33,600 --> 01:04:35,280
Speaker 1: she's torn apart in the media.

1262
01:04:35,160 --> 01:04:36,920
Speaker 2: Of course, so it's like many women.

1263
01:04:37,240 --> 01:04:43,959
Speaker 3: Yeah, I oh, do you know who lars Ideger is? No,

1264
01:04:44,160 --> 01:04:48,360
Speaker 3: he's like he's like eure Vian like he does like

1265
01:04:48,680 --> 01:04:52,320
Speaker 3: art movies in theater and I'm sorry, no, no, this

1266
01:04:52,400 --> 01:04:54,600
Speaker 3: is super but like if you saw him, you would

1267
01:04:54,640 --> 01:04:56,880
Speaker 3: like recognize his face. He does do some Hollywood he

1268
01:04:56,960 --> 01:05:00,480
Speaker 3: was in like the of that. Oh as like the

1269
01:05:00,520 --> 01:05:05,200
Speaker 3: actors he's crazy, okay, favorite actors.

1270
01:05:05,640 --> 01:05:06,840
Speaker 2: Being written a note being.

1271
01:05:06,760 --> 01:05:08,040
Speaker 1: Written a note?

1272
01:05:08,320 --> 01:05:15,000
Speaker 2: Oh oh, or now that's interesting slic.

1273
01:05:17,800 --> 01:05:18,360
Speaker 1: Mickey note.

1274
01:05:18,880 --> 01:05:20,920
Speaker 3: You know, long legs are sort of reheating. Make your works,

1275
01:05:20,920 --> 01:05:26,120
Speaker 3: not make your work?

1276
01:05:26,200 --> 01:05:30,080
Speaker 2: I think, I think? Okay, do you think make your work?

1277
01:05:30,080 --> 01:05:32,160
Speaker 2: In the wrestler was being actor or actress?

1278
01:05:32,880 --> 01:05:33,720
Speaker 3: I haven't seen it.

1279
01:05:33,960 --> 01:05:36,480
Speaker 1: I haven't seen it either, So George, what do you

1280
01:05:36,480 --> 01:05:37,880
Speaker 1: think you're the only Also do you.

1281
01:05:37,840 --> 01:05:40,440
Speaker 2: Think Darren Aronofsky is a male or female director.

1282
01:05:44,240 --> 01:05:49,880
Speaker 3: Female for making Black Swan male, basing it off of

1283
01:05:50,840 --> 01:05:53,640
Speaker 3: perfect blue snatches period.

1284
01:05:56,480 --> 01:05:58,200
Speaker 1: I don't know what what gender? Mother?

1285
01:05:58,840 --> 01:06:04,080
Speaker 3: Oh yeah, what gender? You? Okay? Mother, go well this

1286
01:06:04,160 --> 01:06:07,680
Speaker 3: is a sidebar, mother, No I can't. I don't know.

1287
01:06:07,880 --> 01:06:10,480
Speaker 3: I just love Jennifer Lards just like just like like,

1288
01:06:10,520 --> 01:06:15,600
Speaker 3: well baby, like that's the vibe. Yeah, yeah, that engrossing.

1289
01:06:15,960 --> 01:06:19,360
Speaker 2: The sink when when her sink is embraced, do you

1290
01:06:19,360 --> 01:06:21,200
Speaker 2: remember that's a big part of it is people keep

1291
01:06:22,360 --> 01:06:25,560
Speaker 2: breaking her sink, keep heap sitting on the sink and

1292
01:06:25,560 --> 01:06:26,080
Speaker 2: breaking it.

1293
01:06:27,960 --> 01:06:30,960
Speaker 1: I mean nothing, but that's talk top Kristen Wiggs performance.

1294
01:06:31,000 --> 01:06:34,640
Speaker 1: Of course, I forgot about Christmas. Oh my god, yeah,

1295
01:06:34,800 --> 01:06:36,120
Speaker 1: what a what a beautiful performance.

1296
01:06:37,600 --> 01:06:41,560
Speaker 3: Well, no, I'm trying to think of male actresses. I'm trying.

1297
01:06:41,720 --> 01:06:43,640
Speaker 2: No, it's it's so tough.

1298
01:06:43,720 --> 01:06:46,240
Speaker 3: It's really put you on the spot, and we really put.

1299
01:06:46,080 --> 01:06:46,680
Speaker 1: You on the spot.

1300
01:06:48,320 --> 01:06:52,960
Speaker 2: Huge Jackman. Oh you know that's more complicated. Hugh Jackman's

1301
01:06:52,960 --> 01:06:55,680
Speaker 2: relationship to gender and sexuality is something we are not

1302
01:06:55,720 --> 01:06:56,640
Speaker 2: going to speak out about.

1303
01:06:56,760 --> 01:06:57,120
Speaker 3: Why not?

1304
01:06:58,280 --> 01:07:00,320
Speaker 2: Although now I do actually think he's in love with

1305
01:07:00,360 --> 01:07:01,000
Speaker 2: Sutton Foster.

1306
01:07:01,280 --> 01:07:05,920
Speaker 1: But do you think he actually is? Yes, Okay, mystery solved.

1307
01:07:07,560 --> 01:07:09,240
Speaker 3: Misjeff Manning, I think.

1308
01:07:10,080 --> 01:07:14,320
Speaker 1: But his okay, Like, what's weird about him? Is playing

1309
01:07:14,320 --> 01:07:16,040
Speaker 1: Wolverine for so long?

1310
01:07:16,160 --> 01:07:19,240
Speaker 2: I think Jake Joenhall is an actress. Oh sure, I

1311
01:07:19,240 --> 01:07:21,240
Speaker 2: think Jake Jollen Hall and like oak Ja, I think

1312
01:07:21,320 --> 01:07:25,480
Speaker 2: Jake Jillen Hall in Uh and Prisoners, Like he's not

1313
01:07:25,720 --> 01:07:29,240
Speaker 2: afraid to emote and he's not afraid to go full

1314
01:07:29,360 --> 01:07:30,160
Speaker 2: Jennifer Lawrence and.

1315
01:07:30,200 --> 01:07:32,760
Speaker 1: Mother Well, and when he is playing like a really

1316
01:07:33,400 --> 01:07:36,120
Speaker 1: masculine man, it like reminds me of like, you know,

1317
01:07:36,120 --> 01:07:39,919
Speaker 1: when Demi Moore shaves her head, yes or whatever. It's

1318
01:07:39,960 --> 01:07:42,320
Speaker 1: like I'm like, wow, he he can even be a man,

1319
01:07:42,600 --> 01:07:43,480
Speaker 1: like I had no idea.

1320
01:07:43,840 --> 01:07:46,360
Speaker 3: Adrian Brodie gave actress and the Brutalist and he gave

1321
01:07:46,360 --> 01:07:47,240
Speaker 3: actress winning for it.

1322
01:07:47,440 --> 01:07:55,800
Speaker 1: Yes, yeah, yeah that was so actress coded. No I live? Yeah? No?

1323
01:07:55,880 --> 01:07:59,960
Speaker 3: Literally, why are all penises prosthetics?

1324
01:08:00,160 --> 01:08:00,360
Speaker 4: Now?

1325
01:08:00,520 --> 01:08:00,720
Speaker 3: I know?

1326
01:08:01,920 --> 01:08:03,960
Speaker 1: Started like what happened to Bravery?

1327
01:08:04,000 --> 01:08:07,280
Speaker 3: Whatever happened to Cock? What I'm the wrong person?

1328
01:08:07,280 --> 01:08:07,440
Speaker 4: Now?

1329
01:08:08,720 --> 01:08:11,560
Speaker 3: Whatever happened to unreal Cock?

1330
01:08:11,720 --> 01:08:14,080
Speaker 1: I'm literally like why is it illegal to show a

1331
01:08:14,120 --> 01:08:15,480
Speaker 1: real dick on screen?

1332
01:08:15,560 --> 01:08:19,000
Speaker 2: And also it's like, okay, you don't want to show it,

1333
01:08:19,040 --> 01:08:21,400
Speaker 2: don't show it, don't don't mess with me. I'm not

1334
01:08:21,400 --> 01:08:23,519
Speaker 2: going to like write, I'm not going to complain if

1335
01:08:23,560 --> 01:08:24,719
Speaker 2: there's no cock in a film.

1336
01:08:24,720 --> 01:08:27,840
Speaker 3: I'm like, it's not okay. But do you think that

1337
01:08:27,920 --> 01:08:31,280
Speaker 3: they're making the prosthetics for the actors like their cock

1338
01:08:31,360 --> 01:08:34,000
Speaker 3: sight unseen or do you think they're Is it like

1339
01:08:34,040 --> 01:08:36,479
Speaker 3: a weird part of casting where they're like looking at

1340
01:08:36,479 --> 01:08:38,800
Speaker 3: the actor and being like, this is the cock.

1341
01:08:39,320 --> 01:08:43,080
Speaker 1: No, they are making gigantic cocks just left and right,

1342
01:08:43,520 --> 01:08:45,680
Speaker 1: and they are not They are not trying. They're not

1343
01:08:45,720 --> 01:08:48,479
Speaker 1: going for realism at all. They're going for Humphrey Bogart,

1344
01:08:48,560 --> 01:08:51,840
Speaker 1: not Marlon Brando when it comes to their cock prosthetics

1345
01:08:52,160 --> 01:08:54,439
Speaker 1: and it's kissing me. There's also this.

1346
01:08:54,479 --> 01:08:58,200
Speaker 2: Lack of uh, it's like not interacting with the actual

1347
01:08:58,200 --> 01:09:02,439
Speaker 2: reality of what flaccid versus erect looks like, what a

1348
01:09:02,760 --> 01:09:04,400
Speaker 2: cock in repose looks like.

1349
01:09:04,800 --> 01:09:07,160
Speaker 1: I am like, have you guys seen this before? Like

1350
01:09:07,520 --> 01:09:08,280
Speaker 1: they don't look like that.

1351
01:09:08,360 --> 01:09:10,720
Speaker 2: It's actually sort of the opposite of you know, men

1352
01:09:10,800 --> 01:09:13,320
Speaker 2: not being able to write women and like, you know,

1353
01:09:13,520 --> 01:09:17,439
Speaker 2: doing some I don't know, being like, oh, she she's

1354
01:09:17,479 --> 01:09:19,680
Speaker 2: on her period or something. It's like why, Okay, so

1355
01:09:19,720 --> 01:09:21,280
Speaker 2: if everyone involved is a man, why don't they know

1356
01:09:21,280 --> 01:09:21,839
Speaker 2: what a penis?

1357
01:09:22,960 --> 01:09:25,920
Speaker 3: And like, shouldn't somebody having a huge cock be like

1358
01:09:26,040 --> 01:09:30,680
Speaker 3: dramaturgically informed in the character. I feel like, you know,

1359
01:09:32,640 --> 01:09:36,400
Speaker 3: huge cocks are rare, and huge cock personalities are rare,

1360
01:09:36,439 --> 01:09:39,680
Speaker 3: and I feel like the vibe of all of these

1361
01:09:39,760 --> 01:09:42,160
Speaker 3: huge cock prosthetics are like, well, this is what they

1362
01:09:42,160 --> 01:09:44,000
Speaker 3: want to see, Like we want to see a huge cock,

1363
01:09:44,040 --> 01:09:48,280
Speaker 3: but like, I don't know, Like Drew Starky's character in Queer,

1364
01:09:48,360 --> 01:09:51,480
Speaker 3: It's like, is that really like a huge cock character? Yeah?

1365
01:09:51,720 --> 01:09:54,560
Speaker 3: Like I mean, I get that he's like sexually desirable,

1366
01:09:54,640 --> 01:09:58,320
Speaker 3: but like I love, I love the idea that the

1367
01:09:58,360 --> 01:10:01,200
Speaker 3: sexual obsession that you know, Craig's character has for this

1368
01:10:01,280 --> 01:10:04,240
Speaker 3: character could exist for somebody with like a normal cock,

1369
01:10:04,360 --> 01:10:06,519
Speaker 3: for even a small cock, because it's not about the cock,

1370
01:10:06,680 --> 01:10:08,080
Speaker 3: it's about the straight Yeah.

1371
01:10:08,880 --> 01:10:12,160
Speaker 2: I would say that is one of the major flaws

1372
01:10:12,200 --> 01:10:14,280
Speaker 2: in that film is that he is written as having

1373
01:10:14,280 --> 01:10:17,200
Speaker 2: a medium to small cock, like in the book or

1374
01:10:17,479 --> 01:10:20,439
Speaker 2: in the film, just like the character is written as

1375
01:10:20,479 --> 01:10:22,280
Speaker 2: having a medium to small cock, and that is the

1376
01:10:22,320 --> 01:10:25,759
Speaker 2: effect he would have on a Daniel Craig I actually

1377
01:10:25,760 --> 01:10:29,280
Speaker 2: think Daniel Craig would be like put like it's afraid

1378
01:10:29,400 --> 01:10:32,800
Speaker 2: of a larger cock. Yes, in fact in reality, by

1379
01:10:32,840 --> 01:10:35,720
Speaker 2: the way, speaking of giant Cox, Willem Dafoe is an actress.

1380
01:10:36,040 --> 01:10:37,840
Speaker 1: Oh great, great point.

1381
01:10:38,400 --> 01:10:42,320
Speaker 3: I was across the Delta one aisle from him, flying

1382
01:10:42,400 --> 01:10:45,640
Speaker 3: to la for Oscar weekend, and I really just like

1383
01:10:45,760 --> 01:10:48,720
Speaker 3: wanted to say something, but I could not summon the

1384
01:10:48,840 --> 01:10:51,519
Speaker 3: like deep cut. I literally looked at my letter box

1385
01:10:51,680 --> 01:10:54,120
Speaker 3: watch and I couldn't. Like I thought about being like,

1386
01:10:54,240 --> 01:10:56,840
Speaker 3: oh like I watched Anti Christ like alone in my

1387
01:10:56,880 --> 01:10:59,439
Speaker 3: living room at like eleven thirty PM when I was fourteen,

1388
01:10:59,520 --> 01:11:01,640
Speaker 3: during that period where I was watching scary movies to

1389
01:11:01,640 --> 01:11:04,280
Speaker 3: try to desensitize myself from fear of the dark, like

1390
01:11:04,360 --> 01:11:07,400
Speaker 3: I you know, thought about but I just couldn't because

1391
01:11:07,439 --> 01:11:10,960
Speaker 3: I respect him so much. And then I didn't shoot

1392
01:11:11,000 --> 01:11:14,840
Speaker 3: my shot. And yeah, I may never get that chance.

1393
01:11:15,000 --> 01:11:15,519
Speaker 1: Oh you will.

1394
01:11:15,680 --> 01:11:18,799
Speaker 3: One time when I was when I was at school,

1395
01:11:18,880 --> 01:11:23,639
Speaker 3: I was like the Colubia Quad. I was like walking

1396
01:11:23,720 --> 01:11:28,200
Speaker 3: to like my morning class at like eight am, and

1397
01:11:28,240 --> 01:11:31,960
Speaker 3: he was sitting on the steps of the library with

1398
01:11:32,040 --> 01:11:35,000
Speaker 3: a coffee like in the sun with his eyes closed.

1399
01:11:36,920 --> 01:11:38,360
Speaker 3: It was just really sweet.

1400
01:11:38,360 --> 01:11:39,439
Speaker 2: That's actress behavior.

1401
01:11:39,760 --> 01:11:43,280
Speaker 3: I didn't say anything then, and I didn't say anything

1402
01:11:43,320 --> 01:11:46,040
Speaker 3: the second time, but like, well he's a listener, so

1403
01:11:46,080 --> 01:11:48,160
Speaker 3: if you want to send him the message really actually,

1404
01:11:49,560 --> 01:11:57,200
Speaker 3: Willem Defoe, thanks beautiful, thank you.

1405
01:11:58,000 --> 01:12:00,920
Speaker 1: There's something so Lana del Ray lyric coded about saying

1406
01:12:00,960 --> 01:12:04,320
Speaker 1: I was sitting across from him in the Delta one lounge, and.

1407
01:12:04,200 --> 01:12:07,599
Speaker 3: Sitting across from the Delta one lounge is the men

1408
01:12:07,640 --> 01:12:09,720
Speaker 3: in Hollywood business?

1409
01:12:10,439 --> 01:12:13,160
Speaker 1: Yeah, should we do our final thing?

1410
01:12:13,200 --> 01:12:14,760
Speaker 2: We have to, even though all I want is to

1411
01:12:14,840 --> 01:12:17,240
Speaker 2: keep talking. I know, I mean to bring up Antichrist

1412
01:12:17,760 --> 01:12:21,080
Speaker 2: within a conversation about cox and prosthetics, and then we

1413
01:12:21,120 --> 01:12:21,920
Speaker 2: can't even.

1414
01:12:22,040 --> 01:12:23,200
Speaker 3: Do you Have you seen Anti Christ?

1415
01:12:24,160 --> 01:12:26,559
Speaker 2: There is full a close up of penetration, but they

1416
01:12:26,640 --> 01:12:29,719
Speaker 2: used porn actors to film it, even though Willem Defoe

1417
01:12:29,920 --> 01:12:33,320
Speaker 2: very famously has a very large penis.

1418
01:12:33,520 --> 01:12:34,680
Speaker 1: Oh I didn't know that.

1419
01:12:34,760 --> 01:12:36,439
Speaker 3: Yeah, this is like a sort of Hollywood lore.

1420
01:12:36,920 --> 01:12:39,280
Speaker 1: Well, you know, and I want to shout out to

1421
01:12:40,880 --> 01:12:46,800
Speaker 1: Lars Montreer for Niphomaniac showing you know that watched with

1422
01:12:46,800 --> 01:12:48,559
Speaker 1: my stepdad and.

1423
01:12:48,479 --> 01:12:50,240
Speaker 3: He was.

1424
01:12:52,479 --> 01:12:54,280
Speaker 1: You know, that was a lot of real talks, and

1425
01:12:54,320 --> 01:12:55,320
Speaker 1: I said, thank you.

1426
01:12:55,479 --> 01:12:57,280
Speaker 2: Yeah, shout out to the Dogma movement. We're doing that

1427
01:12:57,320 --> 01:12:58,720
Speaker 2: for podcasting, so we get it.

1428
01:12:59,000 --> 01:13:04,000
Speaker 1: So yeah, the way that I was guarded for Nifomniac

1429
01:13:04,040 --> 01:13:06,679
Speaker 1: one and two, I was like, I am I'm sad.

1430
01:13:07,680 --> 01:13:11,639
Speaker 2: You know on what Uma Thurman? There's no time. Actually,

1431
01:13:12,120 --> 01:13:16,160
Speaker 2: Uma Thurman is actress being actor being actress, and I'm

1432
01:13:16,160 --> 01:13:17,160
Speaker 2: not going to elaborate on that.

1433
01:13:17,680 --> 01:13:25,639
Speaker 1: Wow, it's later, Victoria. Yeah, no, it's lon And Okay,

1434
01:13:25,760 --> 01:13:26,960
Speaker 1: should we do our final sag?

1435
01:13:27,520 --> 01:13:28,160
Speaker 4: Yeah?

1436
01:13:28,240 --> 01:13:36,200
Speaker 1: Okay, what is the Joe DiDio quote.

1437
01:13:36,200 --> 01:13:38,759
Speaker 3: That it's not a part of my world?

1438
01:13:42,880 --> 01:13:43,120
Speaker 1: Wow?

1439
01:13:44,320 --> 01:13:44,559
Speaker 4: Okay.

1440
01:13:44,560 --> 01:13:46,400
Speaker 1: Our final segment was called shout Outs, and in this

1441
01:13:46,439 --> 01:13:48,880
Speaker 1: segment we pay homage to the grand straight tradition of

1442
01:13:48,920 --> 01:13:51,800
Speaker 1: the radio shout out, shouting out to anything people place

1443
01:13:51,840 --> 01:13:56,760
Speaker 1: these things ideas just something that we like and I

1444
01:13:56,760 --> 01:13:59,559
Speaker 1: can we make them up on the spot, George, that's

1445
01:13:59,560 --> 01:14:00,240
Speaker 1: a part of that.

1446
01:14:00,280 --> 01:14:01,280
Speaker 2: We make them up on the spot.

1447
01:14:01,360 --> 01:14:02,000
Speaker 1: Kick us off.

1448
01:14:02,360 --> 01:14:03,640
Speaker 3: I want to give a shout.

1449
01:14:03,320 --> 01:14:05,880
Speaker 2: Out to Checkof's string cheese.

1450
01:14:06,280 --> 01:14:06,719
Speaker 1: Wow.

1451
01:14:07,720 --> 01:14:10,880
Speaker 2: You know everyone's been wondering is it going to be

1452
01:14:10,960 --> 01:14:14,320
Speaker 2: eaten by the end of the episode, because that is

1453
01:14:14,320 --> 01:14:16,920
Speaker 2: of course what check Off string Cheese means. And I'm

1454
01:14:16,920 --> 01:14:18,160
Speaker 2: here to tell you that I'm going to take a

1455
01:14:18,200 --> 01:14:21,599
Speaker 2: huge bite Lady Gaga style on air. Oh my god,

1456
01:14:21,680 --> 01:14:24,080
Speaker 2: absolutely delicious. Thank you so much for everyone that has

1457
01:14:24,080 --> 01:14:25,160
Speaker 2: made this moment possible.

1458
01:14:25,360 --> 01:14:26,360
Speaker 3: And shout out to string Trees.

1459
01:14:26,400 --> 01:14:28,519
Speaker 2: Honestly one of the most underrated an accident not.

1460
01:14:28,520 --> 01:14:33,000
Speaker 1: Underrated by me, right in the top five. I go, Okay,

1461
01:14:33,400 --> 01:14:35,800
Speaker 1: what's up, presuchs and perverts around the globe. I want

1462
01:14:35,800 --> 01:14:39,560
Speaker 1: to give a huge shout out to the raw sensuality

1463
01:14:39,560 --> 01:14:42,599
Speaker 1: of riding a New York subway and seeing someone across

1464
01:14:42,640 --> 01:14:44,840
Speaker 1: the train and be like, oh, let's try to make

1465
01:14:44,880 --> 01:14:46,599
Speaker 1: eyes and then be like, what am I doing? I'm

1466
01:14:46,640 --> 01:14:48,720
Speaker 1: running link my podcast? Why am I making eyes a

1467
01:14:48,880 --> 01:14:51,240
Speaker 1: stranger across the subway? And then be like, because it's

1468
01:14:51,280 --> 01:14:55,760
Speaker 1: New York and anything can happen. And I was feeling yes,

1469
01:14:55,800 --> 01:14:57,920
Speaker 1: I was running late, but when I eventually found peace,

1470
01:14:58,000 --> 01:15:00,320
Speaker 1: and I said, but you know, at least I seeing

1471
01:15:00,360 --> 01:15:03,200
Speaker 1: someone hot in this train, and that changes so much

1472
01:15:03,240 --> 01:15:05,320
Speaker 1: for Ondes day. And you know, in LA you don't

1473
01:15:05,320 --> 01:15:07,880
Speaker 1: see anyone hot because they're in cars, and here you

1474
01:15:07,920 --> 01:15:11,400
Speaker 1: see people who are hot every damn second, and it's

1475
01:15:11,479 --> 01:15:13,599
Speaker 1: almost overwhelming. So I want to give a huge shout

1476
01:15:13,640 --> 01:15:14,719
Speaker 1: out to that feeling.

1477
01:15:15,040 --> 01:15:18,479
Speaker 3: Whoa you know where you don't see people who are hot?

1478
01:15:18,720 --> 01:15:19,000
Speaker 1: Where?

1479
01:15:19,800 --> 01:15:24,599
Speaker 3: All right, ladies, gentlemen say them's and germs and everyone else.

1480
01:15:24,720 --> 01:15:28,160
Speaker 3: I want to shout out to Midtown in the middle

1481
01:15:28,320 --> 01:15:31,160
Speaker 3: of the morning. It is always two thousand and four.

1482
01:15:31,280 --> 01:15:34,160
Speaker 3: You are in Tyra Banks's New York. You are inside

1483
01:15:34,520 --> 01:15:37,160
Speaker 3: of Heidi Clewtman, Tim Blanks's New York. You are on

1484
01:15:37,360 --> 01:15:39,880
Speaker 3: your Suddenly I see Andy Sacks. You have somewhere to be.

1485
01:15:40,240 --> 01:15:42,639
Speaker 3: You are in a hat, you are drinking coffee out

1486
01:15:42,680 --> 01:15:45,280
Speaker 3: of a blue Greek coffee club, and you are on Broadway.

1487
01:15:46,720 --> 01:16:01,080
Speaker 3: How dare the diners are open? Pods in the diners? Wow?

1488
01:16:02,640 --> 01:16:03,360
Speaker 3: That was stunning.

1489
01:16:03,680 --> 01:16:06,519
Speaker 1: Oh my god, Harry, thank you so much for doing

1490
01:16:06,520 --> 01:16:08,400
Speaker 1: the pod. This has been a real true This has.

1491
01:16:08,360 --> 01:16:12,160
Speaker 2: Been an absolute delight. Thank you for uh being gracious

1492
01:16:12,160 --> 01:16:15,880
Speaker 2: with us being late. Thank you for bringing literally upwards

1493
01:16:15,920 --> 01:16:21,240
Speaker 2: of twelve topics. Thank you for doing Joan Didion as share.

1494
01:16:21,600 --> 01:16:24,160
Speaker 1: That was really inspired. And if that doesn't get you

1495
01:16:24,240 --> 01:16:27,719
Speaker 1: drag race, then like someone's head will roll, Hi, I cannot.

1496
01:16:27,800 --> 01:16:30,960
Speaker 2: I actually, I'm actually so annoyed that that that you

1497
01:16:31,040 --> 01:16:31,840
Speaker 2: have not been on Dragon.

1498
01:16:31,960 --> 01:16:33,200
Speaker 1: No, there's just no justice in this time.

1499
01:16:33,240 --> 01:16:36,080
Speaker 3: No. I but I have so much respect for like

1500
01:16:36,160 --> 01:16:39,240
Speaker 3: rupe Paul's sensibility and like the people that like enter

1501
01:16:39,320 --> 01:16:42,680
Speaker 3: Rupeaul's algorithm, Like I know that I have not entered that,

1502
01:16:42,800 --> 01:16:44,920
Speaker 3: and I don't want to be on there till I do.

1503
01:16:45,479 --> 01:16:46,280
Speaker 3: I earned it.

1504
01:16:46,360 --> 01:16:49,600
Speaker 2: Wait until she sees a real an Instagram reel of

1505
01:16:49,680 --> 01:16:53,200
Speaker 2: you doing Joe Didion as share because that phone is going.

1506
01:16:53,160 --> 01:16:57,439
Speaker 3: To be ringing. Mama, I don't know. Get your ass

1507
01:16:57,520 --> 01:16:58,919
Speaker 3: to Midtown for another blowout.

1508
01:16:59,000 --> 01:17:02,400
Speaker 1: Girls, it's not Susie too, it's saying your cerebral.

1509
01:17:04,520 --> 01:17:09,599
Speaker 3: Sasha bealor before her. Well, yes, thank you so much

1510
01:17:09,640 --> 01:17:13,439
Speaker 3: for having me. I am promoting absolutely nothing right, that's

1511
01:17:13,479 --> 01:17:16,439
Speaker 3: a huge shout out. I mean, you know there are secrets,

1512
01:17:16,439 --> 01:17:17,519
Speaker 3: but I can't. There's a secret.

1513
01:17:17,520 --> 01:17:19,679
Speaker 2: There's always secrets, and if you're in the no keep

1514
01:17:20,000 --> 01:17:21,439
Speaker 2: being the lookout for those secrets.

1515
01:17:21,560 --> 01:17:23,320
Speaker 3: Yeah, follow me?

1516
01:17:24,479 --> 01:17:29,599
Speaker 1: Okay, Bye bye podcast and now want more?

1517
01:17:30,040 --> 01:17:33,120
Speaker 2: Subscribe to our Patreon for two extra episodes a month,

1518
01:17:33,400 --> 01:17:37,120
Speaker 2: discord access and more by heading to patreon dot com.

1519
01:17:37,160 --> 01:17:38,720
Speaker 3: Slash Stradio lab.

1520
01:17:38,680 --> 01:17:41,320
Speaker 1: And for all our visual earners, free full length video

1521
01:17:41,320 --> 01:17:43,479
Speaker 1: episodes are available on our YouTube now.

1522
01:17:43,560 --> 01:17:44,400
Speaker 3: Get Back to Work.

1523
01:17:44,680 --> 01:17:47,040
Speaker 1: Stradia Lab is a production by Will Ferrell's Big Money

1524
01:17:47,040 --> 01:17:48,880
Speaker 1: Players Network and iHeart Podcasts.

1525
01:17:48,920 --> 01:17:51,839
Speaker 2: Created and hosted by George Severis and Sam Taggart.

1526
01:17:51,880 --> 01:17:55,440
Speaker 1: Executive produced by Will Ferrell, Hans Sony and Olivia Aguilar.

1527
01:17:55,560 --> 01:17:57,679
Speaker 2: Co produced by Beay Wang, edited.

1528
01:17:57,439 --> 01:17:59,240
Speaker 1: And engineered by Adam Avalos.

1529
01:17:59,360 --> 01:18:01,479
Speaker 2: Artwork by Michael Philes and Matt Gruff.

1530
01:18:01,600 --> 01:18:02,840
Speaker 1: Theme music by Ben Kling.