WEBVTT - The greatest enemy of success

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<v Speaker 1>What's up, guys. Welcome to the Granger Smith Podcast, Episode

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<v Speaker 1>thirty four. Thanks for watching, thanks for listening. I'm grateful

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<v Speaker 1>to have this platform to be able to talk, especially

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<v Speaker 1>in crazy time like this. And for those of you

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<v Speaker 1>that have watched or listened to all the previous ones before,

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<v Speaker 1>or at least many of them, thank you for letting

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<v Speaker 1>me be a part of your Monday morning. I hope

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<v Speaker 1>that a lot of you are commuting again. If you

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<v Speaker 1>weren't working before, I hope that you are working again

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<v Speaker 1>as these states are slowly starting to open up and

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<v Speaker 1>we're seeing hope, and we are seeing what we knew

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<v Speaker 1>was going to happen all along. That's only a matter

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<v Speaker 1>of when, not if, we get back to normal. We

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<v Speaker 1>like to reject the idea of the new normal and

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<v Speaker 1>the new way of life that is false. Reject that

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<v Speaker 1>we're going to get back to just the way we were,

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<v Speaker 1>because that's what we will believe, and the majority of

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<v Speaker 1>us will believe that we'll make it through this, be

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<v Speaker 1>better for it, and be back to normal. So thank you, guys.

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<v Speaker 1>I want to tell you that some exciting things going

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<v Speaker 1>on with me and the band. We are going to

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<v Speaker 1>be starting live stream shows starting tonight Monday night, starting tonight.

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<v Speaker 1>If you're watching this or listening to this podcast real time, uh,

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<v Speaker 1>we will be doing this live stream tonight and we're

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<v Speaker 1>very excited to be able to give you a free

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<v Speaker 1>viewing of a show. We are going to offer a

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<v Speaker 1>virtual tip jar, a virtual pickle jar, as I'll probably say,

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<v Speaker 1>because back in the old days, we only we only

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<v Speaker 1>lived on tips, and so we would pass around a

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<v Speaker 1>pickle jar with said band tips on the side. And

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<v Speaker 1>we're kind of we've resorted, We've we've gone back to that. So, uh,

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<v Speaker 1>I'm almost embarrassed. I get I get clamming when I

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<v Speaker 1>start talking about it, but I got to ask for

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<v Speaker 1>tips again. That's that's the state of the world, at

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<v Speaker 1>least a state of touring and what it's come down to.

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<v Speaker 1>So this is this is going straight to the band.

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<v Speaker 1>We've done well. I like to say, we've done well,

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<v Speaker 1>but we haven't done well enough to maintain twelve weeks

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<v Speaker 1>or whatever it's been since the last gig and continue

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<v Speaker 1>to pay health insurance and everything that these guys need

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<v Speaker 1>to survive. So we'll be passing around a virtual tip

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<v Speaker 1>jar in the form of Venmo. I created a Venmo

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<v Speaker 1>account at granger Smith and so you could you can

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<v Speaker 1>go to at Grangersmith on Vinco or venmo dot com

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<v Speaker 1>forward slash granger Smith a dollar or two as you

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<v Speaker 1>watch the show. If you don't like the show, you

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<v Speaker 1>don't have to donate anything. But in otherwise it's not

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<v Speaker 1>it's it's not required or anything, or we're gonna We're

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<v Speaker 1>gonna offer it for free because I know this is

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<v Speaker 1>a crazy time, but I'd like to say that it's

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<v Speaker 1>it's important that also that we just get together and play.

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<v Speaker 1>You know that we go through some of these songs

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<v Speaker 1>and we take request. If you have a request, comment below.

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<v Speaker 1>If you're watching on YouTube, comment below. And we'll try

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<v Speaker 1>to build the set list each week. If we do,

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<v Speaker 1>say Monday today, if we do one Thursday day, and

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<v Speaker 1>I think that might be a good pattern. It's like

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<v Speaker 1>Mondays and Thursdays. We'll do a set and we will

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<v Speaker 1>make it where we change environments all at the Eyegee Farm,

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<v Speaker 1>and we change instrumentations. So we might do a full band,

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<v Speaker 1>we might do acoustics, we might do some older throwback songs.

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<v Speaker 1>It's gonna be really fun. It's gonna be really fun.

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<v Speaker 1>So speaking of live concerts and tips. It's very, very

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<v Speaker 1>very important to know that if we're going to do

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<v Speaker 1>a live stream and if I'm gonna ask for tips,

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<v Speaker 1>you're gonna hear it from me personally through the podcast

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<v Speaker 1>or through social media or on my website. You will

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<v Speaker 1>hear it from me. And the reason I say that

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<v Speaker 1>is we did hear about at least one scam, and

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<v Speaker 1>I'm sure there's others of people impersonating me or impersonating

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<v Speaker 1>other celebrities and asking for tips or some kind of

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<v Speaker 1>charity support, or that they're going to do a live stream.

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<v Speaker 1>I think there was one we heard of that was

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<v Speaker 1>a live stream that was actually all a big hoax.

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<v Speaker 1>It wasn't me at all. So if you see something

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<v Speaker 1>come up with me as a live stream, it's fake.

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<v Speaker 1>Get out of it. You know, if you see something

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<v Speaker 1>about me asking money for a charity, it's fake. You're

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<v Speaker 1>only going to hear that from my mouth on my

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<v Speaker 1>socials with the blue check. Always look for the blue check.

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<v Speaker 1>All that being said, we're pumped if we make zero

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<v Speaker 1>dollar tips where it's worth it for us just to

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<v Speaker 1>play and have fun and get back with the guys

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<v Speaker 1>and play some music again. You know, something that we've

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<v Speaker 1>all been doing for decades that suddenly has stopped. So

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<v Speaker 1>we'll be back and all that is going to transition

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<v Speaker 1>into today's podcast. I'm bringing Dusty Saxon on here, and

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<v Speaker 1>you guys are going to love to hear what he

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<v Speaker 1>has to say. He is a very interesting guy. He's

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<v Speaker 1>actually a really funny guy in certain environments. One of

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<v Speaker 1>the funniest guys I've ever met. If you get to

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<v Speaker 1>know him and you listen to him long enough, he

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<v Speaker 1>will say he's very smart, very witty, and he has

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<v Speaker 1>to be smart and witty to know how he does

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<v Speaker 1>these drums, how he operates. It's multitasking all these drums,

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<v Speaker 1>running a laptop computer at the same time and remembering everything.

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<v Speaker 1>He never forgets. If you've seen us play, he never forgets.

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<v Speaker 1>I do all the time. So he's an interesting dude,

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<v Speaker 1>small town guy from Loreena, Texas. Without further ado, you

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<v Speaker 1>guys are gonna like this one. Dusty Saxon time, long line,

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<v Speaker 1>humping down, going back, crazy cool shun. When Earl Didviles

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<v Speaker 1>Junior was kind of on the rise, and people do

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<v Speaker 1>interviews with me and they would be like, man, you're

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<v Speaker 1>so funny. I can't believe it's so funny where it's

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<v Speaker 1>all laughing. You know, were you always like the funniest

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<v Speaker 1>guy in your class? Were you like the class clown

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<v Speaker 1>growing up? And I would always say, man, I'm not

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<v Speaker 1>even like the third or fourth funniest guy on my bus.

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<v Speaker 1>And so if I was gonna rank the funny guys,

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<v Speaker 1>I think you'd be number one. But you're the most

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<v Speaker 1>unassuming funny guy because you're generally kind of quiet, and

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<v Speaker 1>people almost have to get to know you. Don't you think, yeah,

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<v Speaker 1>I'm not just funny any just all the time. I

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<v Speaker 1>guess my my Instagram bio actually says sometimes funny, So

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<v Speaker 1>that explains it. So you're unassuming funny, But also you don't.

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<v Speaker 1>You don't come to the world and say, listen, I

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<v Speaker 1>want to be a I want to be a comedian.

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<v Speaker 1>But those that know Dusty Saxon, well, I've spent time

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<v Speaker 1>with you. It's like these moments late at night, late

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<v Speaker 1>on the bus, when it's quiet, when there's a bunch

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<v Speaker 1>of people and no one say anything. You're always the

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<v Speaker 1>one that has their the words that just get everyone rolling. Well,

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<v Speaker 1>I I'm never I'm not just funny without I'm not

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<v Speaker 1>just funny. I have to be. I take something someone

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<v Speaker 1>says and it'll trigger something funny in my mind, or

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<v Speaker 1>like even with even with music, I can't write a song,

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<v Speaker 1>but I could take a song and make it better

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<v Speaker 1>like I could. Somebody might say something that that makes

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<v Speaker 1>me think of something funny, and I'll take it the

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<v Speaker 1>rest of the way. I don't know. I can't just

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<v Speaker 1>walk into a room and be funny like a comedian,

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<v Speaker 1>but I could walk into a room with my friends

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<v Speaker 1>and jump into a conversation and turn that conversation into

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<v Speaker 1>something funny. Yeah, it's interesting that it's like different, there's

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<v Speaker 1>different forms of comedy, and yours is definitely not the

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<v Speaker 1>walk in the room class clown, Like you weren't class

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<v Speaker 1>clown in high school. I'm sure, no, definitely not. But

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<v Speaker 1>we so a lot of people don't know. We have

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<v Speaker 1>something in the band called the quote Book, and it's

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<v Speaker 1>something we've kept over several years, and we sometimes it's written,

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<v Speaker 1>sometimes we have it on our phones, but regardless, we

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<v Speaker 1>collect funny things that have been said and random times.

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<v Speaker 1>And you probably are the king of quote books, like

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<v Speaker 1>you're the king of one liners. And maybe one day

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<v Speaker 1>we'll go through and do a different podcast. It's like

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<v Speaker 1>Dusty Saxon quotes. Yeah, but tell me, like your story

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<v Speaker 1>is always so fascinating and I always learn more Abouue.

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<v Speaker 1>I've known you for about almost ten years now, yeah,

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<v Speaker 1>almost ten. Yeah, I've been in the band almost eight.

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<v Speaker 1>We met you were playing with the country act Brandon Ryder,

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<v Speaker 1>and but I'd known you before that. Our sound guy

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<v Speaker 1>Frank had worked with you in a band called Ember,

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<v Speaker 1>a rock band, and so I'd always heard these legendary

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<v Speaker 1>stories of you as this crazy drummer. That's that's very outgoing.

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<v Speaker 1>You know, you throw sticks up, you catch them, you

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<v Speaker 1>twirl them, you like make faces to the crowd, you

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<v Speaker 1>point at people. You you are very a big, huge

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<v Speaker 1>personality on stage, but then when you talk to you

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<v Speaker 1>one on one, you're a pretty reserved, pretty quiet. So

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<v Speaker 1>so tell me the story of how Dustin turned it

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<v Speaker 1>into the legendary Dusty Saxon rock star. That's That's It's

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<v Speaker 1>funny that you bring up that way because I've actually

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<v Speaker 1>when I was younger, like in high school, I would

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<v Speaker 1>kind of refer to it in my head as the

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<v Speaker 1>Dusty Saxton switch, Like when you turn on Dusty and

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<v Speaker 1>when you turn it off. And that came from when

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<v Speaker 1>when I was in I've always I was born to

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<v Speaker 1>be in a band. I was born to be a musician.

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<v Speaker 1>I was from I mean, I started playing drums when

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<v Speaker 1>I was two, and no one in my house ever

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<v Speaker 1>told me to stop or told me to turn it down,

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<v Speaker 1>even when I was out of high school and struck

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<v Speaker 1>out to join any band, no matter what type of music.

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<v Speaker 1>I just wanted to be in a band that was serious.

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<v Speaker 1>But where at some point in your life someone in

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<v Speaker 1>your family steps up and says, hey, do you really

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<v Speaker 1>want to do this the rest of your life? Or like,

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<v Speaker 1>is this really going anywhere? And for some reason, no

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<v Speaker 1>one in my family ever ever stopped me from doing it.

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<v Speaker 1>Nobody ever, nobody ever told me, hey, maybe this isn't

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<v Speaker 1>going to work out, or maybe you shouldn't. And it

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<v Speaker 1>wasn't working out. It was a long enough, it was

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<v Speaker 1>a long, a long road, And to me, it was

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<v Speaker 1>always when it really got bad, when there were no

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<v Speaker 1>gigs or I was ultimately broke, the fear of not

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<v Speaker 1>doing it, the fear of going back to a day job,

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<v Speaker 1>or the fear of giving up, was always worse than

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<v Speaker 1>whatever situation I was currently in that's the truth right there.

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<v Speaker 1>So I just never, like even at the like at

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<v Speaker 1>the end of a hard day or at the end

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<v Speaker 1>of a hard week, I was always I just I

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<v Speaker 1>guess I would just never. I don't know when you

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<v Speaker 1>when you finally find what path you want to go down,

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<v Speaker 1>you if you can't let yourself give up, or you

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<v Speaker 1>can't let yourself even think about giving up. And that's

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<v Speaker 1>the story man behind so much, so much, whether it's athletes, musicians,

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<v Speaker 1>anybody that has really good success, you hear that same thing,

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<v Speaker 1>that that the fear of not doing your dream and

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<v Speaker 1>living out what you've always thought you were supposed to

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<v Speaker 1>do is always greater than the worst day, the worst

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<v Speaker 1>practice if you're athlete, the worst gig if you're a musician.

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<v Speaker 1>And that's what has people ask me like, how do

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<v Speaker 1>you what's your key to success? I was just like,

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<v Speaker 1>I just never stopped. I wasn't more talented, I wasn't smarter.

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<v Speaker 1>I just went longer than all my friends that were

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<v Speaker 1>doing it exactly, And you don't you have to not

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<v Speaker 1>surround yourself with people that make you want to stop.

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<v Speaker 1>Because I was so dedicated to my dream or my idea,

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<v Speaker 1>my path that I wanted to live. That it was

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<v Speaker 1>hard to be friends with me if you weren't also

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<v Speaker 1>on that same page. So like I you know, people

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<v Speaker 1>that other musicians or even other bands I was in

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<v Speaker 1>that where the other members, whether they weren't quite as

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<v Speaker 1>motivated as me, or even if they just were motivated

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<v Speaker 1>to do other things like have a family or a

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<v Speaker 1>house or anything else like the I just I didn't

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<v Speaker 1>attract friends that. I mean, it was very hard to

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<v Speaker 1>be friends with me if you weren't on board with

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<v Speaker 1>or or if you couldn't understand what it's like to

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<v Speaker 1>be fully on board date with something really hard. So

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<v Speaker 1>that that brings up a point. Tell me about the

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<v Speaker 1>amount of time you've spent homeless on purpose, like not

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<v Speaker 1>not sidewalk homeless multiple times multiple times in my life

0:14:28.760 --> 0:14:32.680
<v Speaker 1>you've made a living or you've made a lifestyle at

0:14:32.680 --> 0:14:36.000
<v Speaker 1>some point, not now, but in your past literally living

0:14:36.080 --> 0:14:40.360
<v Speaker 1>on friends couches. Yeah, I mean when I was, like

0:14:40.440 --> 0:14:43.640
<v Speaker 1>I said, from from a from a very young age,

0:14:43.680 --> 0:14:47.240
<v Speaker 1>I mean from kindergarten, I wanted to be a drummer

0:14:47.280 --> 0:14:52.040
<v Speaker 1>in a band, and my whole childhood I struggled with

0:14:52.280 --> 0:14:56.080
<v Speaker 1>what does that even mean? How do you you just

0:14:56.200 --> 0:14:59.600
<v Speaker 1>find a band, do you start a band? And like

0:14:59.640 --> 0:15:02.320
<v Speaker 1>I said, I'm not the type of person who is

0:15:03.240 --> 0:15:06.640
<v Speaker 1>I don't have these original ideas from the beginning. I

0:15:06.960 --> 0:15:08.720
<v Speaker 1>don't have a lot of I don't have a lot

0:15:08.760 --> 0:15:11.160
<v Speaker 1>of ideas that start from the ground up, or if

0:15:11.160 --> 0:15:12.840
<v Speaker 1>I do, they start from the ground up and they

0:15:12.880 --> 0:15:18.920
<v Speaker 1>go a quarter of the way. But I can, like

0:15:20.360 --> 0:15:23.840
<v Speaker 1>from a I didn't know. I had no concept in

0:15:23.880 --> 0:15:27.960
<v Speaker 1>my mind of how to start a career as a drummer.

0:15:28.600 --> 0:15:32.600
<v Speaker 1>And then once I was in once I was in

0:15:32.640 --> 0:15:34.960
<v Speaker 1>high school, I started playing in bands, but we didn't

0:15:34.960 --> 0:15:38.160
<v Speaker 1>make any money, and our shows were in high school

0:15:38.200 --> 0:15:49.160
<v Speaker 1>gyms and parking lots and things. And when when I

0:15:49.200 --> 0:15:51.960
<v Speaker 1>discovered I remember the first gig I ever got paid

0:15:52.200 --> 0:15:54.600
<v Speaker 1>to play, and it was in college station and I

0:15:54.640 --> 0:15:58.640
<v Speaker 1>was playing bass for a reggae band and the singer

0:15:58.760 --> 0:16:00.840
<v Speaker 1>came up at the end of the show and the

0:16:00.880 --> 0:16:03.880
<v Speaker 1>singer gave me twenty bucks and he said, I said,

0:16:03.880 --> 0:16:06.120
<v Speaker 1>what's this for it? And he said, well, the bar said,

0:16:06.200 --> 0:16:08.320
<v Speaker 1>we sold this much alcohol while we were playing, and

0:16:08.400 --> 0:16:10.720
<v Speaker 1>they paid us one hundred bucks. So we split it

0:16:10.760 --> 0:16:13.120
<v Speaker 1>five ways. Each one of us gets twenty bucks. And

0:16:13.160 --> 0:16:17.840
<v Speaker 1>I was like, wow, because honestly, that night, I had

0:16:17.920 --> 0:16:20.240
<v Speaker 1>driven to college station and I didn't have enough gas

0:16:20.280 --> 0:16:22.760
<v Speaker 1>to get home, so I was going to have to,

0:16:23.040 --> 0:16:27.400
<v Speaker 1>like I don't know, drive my car till it ran

0:16:27.400 --> 0:16:29.320
<v Speaker 1>out of gas and call someone to come pick me up.

0:16:29.720 --> 0:16:33.360
<v Speaker 1>And that twenty bucks, that unexpected twenty bucks, was what

0:16:34.280 --> 0:16:41.280
<v Speaker 1>got me home that night. And then when once I,

0:16:41.360 --> 0:16:44.240
<v Speaker 1>once I moved moved away from home and joined my

0:16:44.440 --> 0:16:49.880
<v Speaker 1>serious rock band, I was only twenty years old or

0:16:49.880 --> 0:16:53.960
<v Speaker 1>twenty one years old, so I wasn't I was. I

0:16:54.040 --> 0:16:56.760
<v Speaker 1>wasn't making much money as a twenty one year old,

0:16:57.200 --> 0:17:01.880
<v Speaker 1>so I never really got the taste of what it's

0:17:02.040 --> 0:17:05.240
<v Speaker 1>like to live in your own house or buy your

0:17:05.240 --> 0:17:07.639
<v Speaker 1>own car. I was living off of nothing. I was

0:17:07.680 --> 0:17:10.800
<v Speaker 1>already broke. So to go from a broke kid working

0:17:10.840 --> 0:17:13.520
<v Speaker 1>a job you hate, to go from an equally to

0:17:13.560 --> 0:17:17.439
<v Speaker 1>go to an equally broke kid working a job that

0:17:17.560 --> 0:17:24.080
<v Speaker 1>you love, it was there was no question in my mind,

0:17:24.160 --> 0:17:26.080
<v Speaker 1>like I didn't want to go back to working a

0:17:26.160 --> 0:17:29.280
<v Speaker 1>day job. I wanted to continue doing what I was doing.

0:17:29.560 --> 0:17:34.560
<v Speaker 1>So when when the the rock band got started, you know,

0:17:34.640 --> 0:17:36.600
<v Speaker 1>took off to a certain point, it got more and

0:17:36.600 --> 0:17:38.760
<v Speaker 1>more successful, to the point where I didn't have I

0:17:38.800 --> 0:17:42.560
<v Speaker 1>didn't have a day job, which, of course in rock

0:17:42.600 --> 0:17:44.720
<v Speaker 1>bands once you get once you reach that point, it

0:17:44.720 --> 0:17:48.840
<v Speaker 1>starts going downhill, right, and you know, the shows, The

0:17:48.880 --> 0:17:53.639
<v Speaker 1>shows got fewer and more far between, the crowd started

0:17:53.640 --> 0:17:57.320
<v Speaker 1>getting thinner, and the paychecks got smaller, and I had

0:17:57.320 --> 0:17:59.880
<v Speaker 1>to move out of the house that I was living

0:17:59.880 --> 0:18:04.520
<v Speaker 1>in and for the first time had to be homeless,

0:18:04.960 --> 0:18:09.159
<v Speaker 1>living in you know, living in my car. But the

0:18:09.200 --> 0:18:13.720
<v Speaker 1>way I did it was the band still had shows Thursday, Friday, Saturday,

0:18:14.520 --> 0:18:17.639
<v Speaker 1>and Sunday. We played acoustic shows on Sunday, so I

0:18:17.680 --> 0:18:21.080
<v Speaker 1>would only have to I would only have to find

0:18:21.160 --> 0:18:25.720
<v Speaker 1>somewhere to sleep Monday night, Tuesday night, Wednesday night, because

0:18:25.720 --> 0:18:29.639
<v Speaker 1>Thursday we'd be back on the road. So it really

0:18:29.800 --> 0:18:32.600
<v Speaker 1>was it was like, I can't afford the house I'm

0:18:32.640 --> 0:18:36.040
<v Speaker 1>living in now I have to move out, So there's

0:18:36.119 --> 0:18:38.960
<v Speaker 1>no way I'm going to be able to afford my

0:18:39.080 --> 0:18:44.000
<v Speaker 1>own place and I'm only going to be there three

0:18:44.040 --> 0:18:49.840
<v Speaker 1>days a week. Yeah, And so that began the mindset

0:18:50.200 --> 0:18:52.600
<v Speaker 1>that would follow me throughout my whole life of why

0:18:52.640 --> 0:18:54.399
<v Speaker 1>am I going to pay rent on an apartment that

0:18:54.440 --> 0:19:04.240
<v Speaker 1>I'm never at? Yeah, And the biggest enemy of success

0:19:04.280 --> 0:19:07.399
<v Speaker 1>in that way is a fallback plan. Yeah, like my

0:19:07.800 --> 0:19:09.760
<v Speaker 1>father in law's got a job, my dad's got a

0:19:09.840 --> 0:19:11.880
<v Speaker 1>job for me waiting, or I've got a really nice

0:19:11.880 --> 0:19:14.959
<v Speaker 1>place to stay yet I don't really want to hit

0:19:15.000 --> 0:19:17.280
<v Speaker 1>the road again. But when you don't have a fall

0:19:17.560 --> 0:19:21.680
<v Speaker 1>fallback plan, or you seriously reject that fallback plan, you

0:19:21.760 --> 0:19:25.680
<v Speaker 1>just do it. You did whatever cost. Yeah, No, Drums

0:19:25.800 --> 0:19:31.280
<v Speaker 1>was always my main, main dream, my main objective. I mean,

0:19:31.320 --> 0:19:33.800
<v Speaker 1>and I tried to be a guitar player. I tried

0:19:33.800 --> 0:19:36.800
<v Speaker 1>to be a bass player. But when it really came

0:19:36.840 --> 0:19:39.760
<v Speaker 1>down to it and I was like, Okay, I want

0:19:39.760 --> 0:19:43.040
<v Speaker 1>to actually make a living with my talent or make

0:19:43.080 --> 0:19:49.280
<v Speaker 1>a living with my hobby, I had to really pick

0:19:49.560 --> 0:19:52.800
<v Speaker 1>the thing that I was most naturally talented at that

0:19:52.920 --> 0:19:58.520
<v Speaker 1>was gonna, you know, the thing that I felt like

0:19:58.600 --> 0:20:01.200
<v Speaker 1>I was actually born to do. Obviously, I wanted to

0:20:01.280 --> 0:20:02.760
<v Speaker 1>make them. I want to I want to make a

0:20:02.760 --> 0:20:07.399
<v Speaker 1>living playing music, and I could do it any so

0:20:07.480 --> 0:20:10.600
<v Speaker 1>many different ways. I had to pick the one that

0:20:10.880 --> 0:20:13.960
<v Speaker 1>was the most natural for me, the one that was

0:20:15.160 --> 0:20:16.879
<v Speaker 1>the one that where I had to think the less

0:20:16.960 --> 0:20:20.720
<v Speaker 1>and I think the least, and drums was the it

0:20:20.760 --> 0:20:23.480
<v Speaker 1>was the most natural way for me to do that.

0:20:24.160 --> 0:20:30.000
<v Speaker 1>And but you also actually really are a talented guitar player,

0:20:30.080 --> 0:20:34.080
<v Speaker 1>bass player, singer, and you have probably more than all that.

0:20:34.119 --> 0:20:36.520
<v Speaker 1>You have a really good ear and you could hear

0:20:38.040 --> 0:20:42.720
<v Speaker 1>notes and melodies and where everyone knows you you know,

0:20:42.880 --> 0:20:46.480
<v Speaker 1>beats and rhythm, but you have really good ear. And

0:20:46.480 --> 0:20:51.399
<v Speaker 1>and so, for for instance, our song America, me and

0:20:51.440 --> 0:20:54.800
<v Speaker 1>you kind of wrote that and then you took it.

0:20:55.240 --> 0:20:58.000
<v Speaker 1>And there was an old rock song that you had written,

0:20:58.080 --> 0:21:01.800
<v Speaker 1>don't know that, don't do that. And you played all

0:21:01.840 --> 0:21:05.440
<v Speaker 1>those guitars. So the demo of America was actually you

0:21:06.160 --> 0:21:13.760
<v Speaker 1>playing all the instruments. Yeah, and yeah, the instruments, the solo, yeah, yeah, everything.

0:21:16.480 --> 0:21:19.280
<v Speaker 1>So what made you lock in on drums? I mean,

0:21:19.359 --> 0:21:23.199
<v Speaker 1>drums is by far the hardest to set up and

0:21:23.400 --> 0:21:28.240
<v Speaker 1>carry and play. It takes a huge endurance to play.

0:21:28.440 --> 0:21:31.199
<v Speaker 1>And when we play hot shows, I'm always looking back

0:21:31.240 --> 0:21:32.679
<v Speaker 1>at you and I'm thinking I'm hot, and then I

0:21:32.720 --> 0:21:37.359
<v Speaker 1>remember you're back there slamming drums. Yeah. Wells it was

0:21:38.440 --> 0:21:42.000
<v Speaker 1>you know when I moved, when I moved away from home,

0:21:42.040 --> 0:21:46.439
<v Speaker 1>moved to Austin to be a professional musician. There, I

0:21:46.480 --> 0:21:48.879
<v Speaker 1>would I met some guitar players that had moved to

0:21:48.880 --> 0:21:51.160
<v Speaker 1>Austin to do the same thing, and I was. Even

0:21:51.200 --> 0:21:55.080
<v Speaker 1>though I may have been able to play, you know,

0:21:55.119 --> 0:21:57.560
<v Speaker 1>I was a good player. I didn't have the mind

0:21:57.800 --> 0:22:00.640
<v Speaker 1>of a guitar player. I couldn't communicate the two other

0:22:00.680 --> 0:22:03.119
<v Speaker 1>guitar players. I didn't know the notes, I didn't know

0:22:03.160 --> 0:22:07.200
<v Speaker 1>all the chords. I could probably jump in with a

0:22:07.240 --> 0:22:11.919
<v Speaker 1>guitar and jump into your band and do a good job,

0:22:12.400 --> 0:22:17.159
<v Speaker 1>but compared to other guitar players, I really was not

0:22:18.440 --> 0:22:22.080
<v Speaker 1>up to part. But on drums, I had been in

0:22:22.359 --> 0:22:26.240
<v Speaker 1>drumline and a high school band, so I knew. I

0:22:26.320 --> 0:22:29.600
<v Speaker 1>knew what rudiments were, I knew what I knew what

0:22:30.400 --> 0:22:33.200
<v Speaker 1>time signatures were, I knew what tempo was. How I

0:22:33.280 --> 0:22:37.000
<v Speaker 1>knew more about drums, so that if I was gonna

0:22:37.480 --> 0:22:41.159
<v Speaker 1>jump into the professional music world, I knew that I

0:22:41.200 --> 0:22:44.120
<v Speaker 1>could communicate better on drums. I knew that I would

0:22:44.160 --> 0:22:48.879
<v Speaker 1>excel more on drums. It was just what I naturally played.

0:22:49.000 --> 0:22:52.840
<v Speaker 1>It's almost like if you were a baseball player or

0:22:52.880 --> 0:22:56.639
<v Speaker 1>a football player, and you were a naturally good pitcher

0:22:56.760 --> 0:23:00.760
<v Speaker 1>or a naturally good quarterback or a naturally good receiver,

0:23:01.359 --> 0:23:04.360
<v Speaker 1>or if you had really good speed, you wouldn't want

0:23:04.400 --> 0:23:08.320
<v Speaker 1>to have a dream of being a lineman or something,

0:23:08.400 --> 0:23:10.679
<v Speaker 1>you know, Like I had to really focus on what

0:23:10.760 --> 0:23:13.879
<v Speaker 1>am I naturally good at, the best at what is

0:23:13.920 --> 0:23:17.480
<v Speaker 1>going to take me the furthest and drums was that

0:23:17.840 --> 0:23:20.960
<v Speaker 1>and that's why I always settled on it. It's also

0:23:21.000 --> 0:23:25.560
<v Speaker 1>why I play have always played a crazy big drum set,

0:23:25.640 --> 0:23:31.600
<v Speaker 1>because one it reminds me of high school band ays

0:23:31.640 --> 0:23:35.680
<v Speaker 1>where you had to assemble your percussion section based off

0:23:35.760 --> 0:23:41.000
<v Speaker 1>of what songs you played, not just show up to

0:23:41.359 --> 0:23:46.240
<v Speaker 1>a gig with the same drum set. Like when our

0:23:46.280 --> 0:23:48.560
<v Speaker 1>shows got bigger and crazier, my drum set got bigger

0:23:48.600 --> 0:23:51.919
<v Speaker 1>and crazier. When the shows are smaller and quieter, I

0:23:52.160 --> 0:23:55.159
<v Speaker 1>sometimes try to play a smaller, quieter drum set. I

0:23:55.200 --> 0:23:58.399
<v Speaker 1>try to play to the room and to the crowd,

0:24:00.280 --> 0:24:03.400
<v Speaker 1>and that just become that just is from me not

0:24:03.440 --> 0:24:06.399
<v Speaker 1>wanting to be an annoying drummer. I don't want to

0:24:06.400 --> 0:24:08.399
<v Speaker 1>be the drummer that shows up to the dinner gig

0:24:09.119 --> 0:24:13.160
<v Speaker 1>with a massive loud you know, and play too loud.

0:24:14.880 --> 0:24:17.199
<v Speaker 1>And that that comes from being a guitar player and

0:24:17.200 --> 0:24:20.760
<v Speaker 1>being a drummer in other bands with or being you know,

0:24:20.840 --> 0:24:25.720
<v Speaker 1>in other bands where I wasn't playing drums. One of

0:24:25.720 --> 0:24:28.919
<v Speaker 1>my greatest accomplishments in my music career is keeping Dusty

0:24:28.960 --> 0:24:32.879
<v Speaker 1>Saxon in the band. I remember when I when I

0:24:32.920 --> 0:24:36.840
<v Speaker 1>first got you, I was kind of in a bind,

0:24:37.320 --> 0:24:40.640
<v Speaker 1>and you just happened to be in between gigs you were.

0:24:41.359 --> 0:24:43.600
<v Speaker 1>You were just off the road with Evans Blue, yep,

0:24:43.960 --> 0:24:47.760
<v Speaker 1>and so you had like a month that you could

0:24:47.880 --> 0:24:50.280
<v Speaker 1>pick up some gigs and make some cash. And so

0:24:50.640 --> 0:24:53.879
<v Speaker 1>I wasn't thinking long term as you my drummer. I

0:24:53.920 --> 0:24:55.440
<v Speaker 1>was thinking, this is going to buy me some time.

0:24:55.520 --> 0:24:59.359
<v Speaker 1>In fact, we were auditioning drummers with you in the band,

0:24:59.480 --> 0:25:01.720
<v Speaker 1>like you were the sit in drummer that was also

0:25:01.880 --> 0:25:04.359
<v Speaker 1>all of our friend and you were going to help

0:25:04.480 --> 0:25:08.480
<v Speaker 1>us find a drummer. It just so happened that along

0:25:08.520 --> 0:25:12.320
<v Speaker 1>the way we were gaining popularity quickly, and like the

0:25:12.400 --> 0:25:16.600
<v Speaker 1>stars aligned where your Evans Blue gig ran out. And

0:25:16.760 --> 0:25:20.520
<v Speaker 1>I remember one time somewhere in some town, in some

0:25:21.320 --> 0:25:26.960
<v Speaker 1>crappy green room, you said I'm gonna play Arenas, whether

0:25:27.000 --> 0:25:31.680
<v Speaker 1>it's with you or not. And I remember thinking, God, challenge,

0:25:31.800 --> 0:25:34.000
<v Speaker 1>challenge accepted. And you didn't say that like in a

0:25:34.040 --> 0:25:36.600
<v Speaker 1>demeaning way to us, You're just kind of letting me

0:25:36.720 --> 0:25:39.240
<v Speaker 1>know my hey man, my goal is to play drums

0:25:39.280 --> 0:25:41.960
<v Speaker 1>in an arena, and I will go there and I

0:25:41.960 --> 0:25:43.919
<v Speaker 1>will find a way to do that, whether you're the

0:25:43.960 --> 0:25:47.080
<v Speaker 1>train I'm on or not. I think that I'm trying

0:25:47.119 --> 0:25:49.240
<v Speaker 1>to remember the context of that. I think it was Tyler.

0:25:49.320 --> 0:25:54.879
<v Speaker 1>I think Tyler was saying something about how Tyler was

0:25:54.920 --> 0:25:57.359
<v Speaker 1>taught was I think Tyler was saying something about like,

0:25:57.920 --> 0:25:59.600
<v Speaker 1>how do we get to this level, or how do

0:25:59.640 --> 0:26:03.400
<v Speaker 1>we want to do this someday or you know, if

0:26:03.440 --> 0:26:06.720
<v Speaker 1>you're not, if you're not dreaming of that level now,

0:26:07.160 --> 0:26:10.679
<v Speaker 1>then you need to get out because this is this

0:26:10.760 --> 0:26:13.280
<v Speaker 1>is where we want to be. And I think that

0:26:13.480 --> 0:26:16.280
<v Speaker 1>was My response was, well, I'm going to play arenas,

0:26:16.280 --> 0:26:18.960
<v Speaker 1>whether it's with this band or not. Because when my

0:26:19.080 --> 0:26:23.679
<v Speaker 1>rock band ended, a lot of a lot of musicians

0:26:23.680 --> 0:26:26.080
<v Speaker 1>from If you're not from a music city, if you're

0:26:26.119 --> 0:26:29.800
<v Speaker 1>not from Nashville or New York or La or I

0:26:29.840 --> 0:26:37.120
<v Speaker 1>guess Austin, you can't. You You get like people don't

0:26:37.200 --> 0:26:41.240
<v Speaker 1>know how musicians work outside of being in a band,

0:26:41.600 --> 0:26:44.760
<v Speaker 1>and you have like the idea of being truly freelance,

0:26:45.040 --> 0:26:49.760
<v Speaker 1>A truly freelance drummer was totally foreign to me. In

0:26:49.800 --> 0:26:51.960
<v Speaker 1>the beginning. I thought you had to join a band,

0:26:52.040 --> 0:26:54.520
<v Speaker 1>and your band had to be successful, and if the

0:26:54.560 --> 0:26:59.840
<v Speaker 1>band ended, you ended. And I had to learn how

0:26:59.840 --> 0:27:07.040
<v Speaker 1>to how to become just Dusty Saxon the drummer, not

0:27:07.160 --> 0:27:10.800
<v Speaker 1>Dusty Saxon the drummer of this band or of that band. Right,

0:27:11.680 --> 0:27:14.679
<v Speaker 1>you built a brand yourself, like you came up with

0:27:14.720 --> 0:27:20.680
<v Speaker 1>the logo, a website, the whole bit. You branded yourself. Yeah,

0:27:20.720 --> 0:27:26.320
<v Speaker 1>and that I learned that from being on a on

0:27:26.440 --> 0:27:28.879
<v Speaker 1>a you know, when I was a kid, I was

0:27:29.480 --> 0:27:32.960
<v Speaker 1>on a soccer team and even if if you only

0:27:33.400 --> 0:27:35.760
<v Speaker 1>you know, if the team did bad, everybody did bad

0:27:36.280 --> 0:27:40.919
<v Speaker 1>or you know. And when I joined a band, my

0:27:40.960 --> 0:27:42.919
<v Speaker 1>first rock band, that's kind of how it felt. It

0:27:42.960 --> 0:27:47.040
<v Speaker 1>was like if the band, if the band takes a dive,

0:27:47.119 --> 0:27:50.600
<v Speaker 1>we all take a dive. And I wanted something that

0:27:50.640 --> 0:27:54.439
<v Speaker 1>would have more longevity to it. And I had to

0:27:54.520 --> 0:28:00.160
<v Speaker 1>learn how to survive without a band and get gig

0:28:02.000 --> 0:28:04.960
<v Speaker 1>get gigs. Just had to figure out how to make

0:28:04.960 --> 0:28:08.960
<v Speaker 1>people call, how to make these back. There was no

0:28:09.040 --> 0:28:12.840
<v Speaker 1>fallback plan, and so when when the when my paycheck

0:28:12.880 --> 0:28:16.240
<v Speaker 1>got too small or quit quit at all, quit coming

0:28:16.280 --> 0:28:21.240
<v Speaker 1>at all. I had to figure out like there were

0:28:21.240 --> 0:28:24.320
<v Speaker 1>some weeks where when I had my last gig on Sunday,

0:28:24.359 --> 0:28:27.040
<v Speaker 1>if I didn't have another gig till Thursday, I would

0:28:27.119 --> 0:28:30.879
<v Speaker 1>just be like, well, I've just got to sit and

0:28:30.920 --> 0:28:37.679
<v Speaker 1>do nothing for three days or four days. And that's

0:28:37.840 --> 0:28:41.600
<v Speaker 1>that's I think the number one reason that I could

0:28:41.680 --> 0:28:48.960
<v Speaker 1>have given up was just waiting it out. Because when

0:28:48.960 --> 0:28:55.000
<v Speaker 1>you're when you're trying to make your freelance talent a career,

0:28:56.120 --> 0:28:59.120
<v Speaker 1>you don't always have gigs coming in in the beginning.

0:28:59.600 --> 0:29:05.120
<v Speaker 1>And they come, they come so sporadically. You might have

0:29:06.320 --> 0:29:10.040
<v Speaker 1>you might have only Fridays and Saturdays, and so what

0:29:10.080 --> 0:29:13.320
<v Speaker 1>are you going to do in the meantime? What are

0:29:13.320 --> 0:29:16.440
<v Speaker 1>you going to do? Waiting all week for your for

0:29:16.520 --> 0:29:21.200
<v Speaker 1>your you know, your gig or your show. And to me,

0:29:21.400 --> 0:29:25.840
<v Speaker 1>that was sit and look for other shows. It wasn't

0:29:27.000 --> 0:29:30.520
<v Speaker 1>you know, And literally I would I would I would

0:29:32.000 --> 0:29:35.960
<v Speaker 1>sleep somewhere in my car, wake up, go to the

0:29:36.000 --> 0:29:39.800
<v Speaker 1>first bar or restaurant that had an outdoor patio and

0:29:40.640 --> 0:29:44.640
<v Speaker 1>sit outside and drink doctor pepper and remember that and

0:29:44.800 --> 0:29:49.360
<v Speaker 1>look and just literally have my computer wide open, reloading

0:29:49.360 --> 0:29:53.920
<v Speaker 1>Facebook every ten minutes, looking for people posting about drummer gigs,

0:29:53.960 --> 0:29:58.560
<v Speaker 1>and I didn't care how much it paid because I

0:29:58.600 --> 0:30:01.960
<v Speaker 1>was just sitting doing nothing and I had I had,

0:30:02.000 --> 0:30:05.000
<v Speaker 1>you know, my Friday Saturday gigs that would pay me

0:30:05.160 --> 0:30:12.239
<v Speaker 1>enough to eat all week. But if you know, I

0:30:12.400 --> 0:30:18.520
<v Speaker 1>was making impressions on new musicians was way more important

0:30:18.600 --> 0:30:24.640
<v Speaker 1>than getting paid, because if I could, if I could

0:30:24.720 --> 0:30:29.280
<v Speaker 1>play a show with a new group of musicians I'd

0:30:29.280 --> 0:30:33.600
<v Speaker 1>never played with before, there was a good chance that

0:30:33.720 --> 0:30:35.960
<v Speaker 1>one of those guys was going to call me for

0:30:36.040 --> 0:30:38.280
<v Speaker 1>something in the future. And when I look back on

0:30:38.320 --> 0:30:42.560
<v Speaker 1>it now, not one gig that I ever took was

0:30:42.600 --> 0:30:48.160
<v Speaker 1>pointless because even when I was playing blues gigs downtown

0:30:48.240 --> 0:30:52.800
<v Speaker 1>Sixth Street on Austin for no guaranteed money, now that

0:30:52.840 --> 0:30:55.680
<v Speaker 1>I look back, it was like, oh, the first show

0:30:55.720 --> 0:30:58.680
<v Speaker 1>I played downtown on Sixth Street, I was filling in

0:30:58.720 --> 0:31:01.200
<v Speaker 1>on drums, but the bass player was also filling in,

0:31:01.800 --> 0:31:04.760
<v Speaker 1>and he didn't play for that band. He played for

0:31:04.800 --> 0:31:08.440
<v Speaker 1>a different band that was also just had some slow times.

0:31:09.000 --> 0:31:12.400
<v Speaker 1>And eventually, you know, two months down the road, that

0:31:12.480 --> 0:31:14.840
<v Speaker 1>bass player would call me because his other band needed

0:31:14.840 --> 0:31:17.240
<v Speaker 1>a fill in drummer. I remember a guy I played

0:31:17.440 --> 0:31:20.640
<v Speaker 1>on Sixth Street. Because when as a drummer, if you

0:31:20.720 --> 0:31:24.480
<v Speaker 1>can step in and help a band out when they

0:31:25.640 --> 0:31:30.840
<v Speaker 1>when they're stranded and don't have someone, then that they'll

0:31:30.880 --> 0:31:34.000
<v Speaker 1>never forget that. And everyone in that band that I

0:31:34.200 --> 0:31:37.880
<v Speaker 1>just caught a random blues gig with, everyone in that

0:31:37.960 --> 0:31:43.200
<v Speaker 1>band called me again to do the same thing at

0:31:43.280 --> 0:31:47.120
<v Speaker 1>some point, and you know, and maybe I didn't make

0:31:47.200 --> 0:31:50.600
<v Speaker 1>any money that night, but it got me. He made

0:31:50.600 --> 0:31:54.720
<v Speaker 1>the impression. Yeah, I made the impression. And people say, oh,

0:31:54.760 --> 0:31:56.480
<v Speaker 1>I don't want to get up off the couch unless

0:31:56.520 --> 0:31:58.680
<v Speaker 1>it pays one hundred bucks. I didn't even have a couch.

0:31:58.840 --> 0:32:01.640
<v Speaker 1>I was in my car. I was sitting. I would

0:32:01.640 --> 0:32:03.960
<v Speaker 1>be sleeping in my car somewhere so good with the

0:32:04.000 --> 0:32:08.360
<v Speaker 1>drums in the trunk. I mean, I'm amazed that my

0:32:08.440 --> 0:32:10.480
<v Speaker 1>drums never got stolen out of my car. I mean

0:32:10.560 --> 0:32:12.600
<v Speaker 1>they probably because you were sleeping with them. I know

0:32:12.840 --> 0:32:15.719
<v Speaker 1>I was sleeping sleeping with them. And you've continued to

0:32:15.760 --> 0:32:19.320
<v Speaker 1>this day to grow that brand. And right now on

0:32:19.360 --> 0:32:23.560
<v Speaker 1>your YouTube channel, you have some really good videos that

0:32:23.640 --> 0:32:26.720
<v Speaker 1>you've been making that I've never really known this side.

0:32:26.840 --> 0:32:29.640
<v Speaker 1>I mean, you're pretty good at anything you do, especially

0:32:29.680 --> 0:32:33.480
<v Speaker 1>tech stuff or or music stuff. But I was really

0:32:33.560 --> 0:32:37.480
<v Speaker 1>blown away by these videos. What's your YouTube page? Just

0:32:37.560 --> 0:32:43.840
<v Speaker 1>Dusty Sacks, Dusty Sacked, and you and and you're you've

0:32:43.880 --> 0:32:48.560
<v Speaker 1>been doing these these rig rundowns your your whole drum set,

0:32:48.840 --> 0:32:53.400
<v Speaker 1>but they're built in a way that incorporates storytelling of

0:32:53.440 --> 0:32:56.520
<v Speaker 1>where you came from and how you became a drummer,

0:32:57.000 --> 0:33:01.280
<v Speaker 1>and you are elaborating on It's basically like an autobiography

0:33:01.800 --> 0:33:04.720
<v Speaker 1>built into how you're building your drum set over the

0:33:04.840 --> 0:33:07.880
<v Speaker 1>years as it's changed with different bands. And that's like

0:33:08.240 --> 0:33:10.280
<v Speaker 1>the last one you put out. I sat there and

0:33:10.320 --> 0:33:12.240
<v Speaker 1>at the end of it, I was like, I just

0:33:12.280 --> 0:33:15.960
<v Speaker 1>watched ten minutes of Dusty telling me about his life.

0:33:16.280 --> 0:33:19.000
<v Speaker 1>And I've known this guy for ten years and I

0:33:19.120 --> 0:33:21.760
<v Speaker 1>just watched it for ten minutes. So it's really good.

0:33:21.800 --> 0:33:25.320
<v Speaker 1>If you guys want to see that, it's put together

0:33:25.400 --> 0:33:28.880
<v Speaker 1>really well. Yeah, I've got I've got more come in.

0:33:29.040 --> 0:33:33.200
<v Speaker 1>I've got another one, part three, which will finally wrap

0:33:33.280 --> 0:33:38.040
<v Speaker 1>up the rig rundown about the actual current drum set.

0:33:39.360 --> 0:33:43.720
<v Speaker 1>Like you said, I've I've I've always wanted to tell

0:33:43.760 --> 0:33:47.400
<v Speaker 1>these stories, but I guess I never thought that I

0:33:47.400 --> 0:33:51.360
<v Speaker 1>had reached a level where anyone would actually learn from me,

0:33:51.400 --> 0:33:57.200
<v Speaker 1>because I was still learning. But now with everything, with

0:33:57.240 --> 0:33:59.880
<v Speaker 1>all the touring shut down and the industry kind of

0:34:00.760 --> 0:34:05.520
<v Speaker 1>at a halt, I've been thinking like, Wow, if this

0:34:05.800 --> 0:34:10.480
<v Speaker 1>had happened at any earlier point in my career, I

0:34:10.520 --> 0:34:13.239
<v Speaker 1>don't know if I would be able to make it

0:34:13.280 --> 0:34:16.640
<v Speaker 1>through this or even to start back up again. Like

0:34:17.040 --> 0:34:20.759
<v Speaker 1>if this had happened in two thousand and eight or

0:34:20.880 --> 0:34:24.440
<v Speaker 1>nine or ten, when I was on a couch somewhere

0:34:24.520 --> 0:34:26.840
<v Speaker 1>and had no money and then all of a sudden

0:34:26.880 --> 0:34:30.919
<v Speaker 1>all the gigs stopped, I don't know what I would

0:34:30.920 --> 0:34:32.600
<v Speaker 1>have done. I don't know if I would have ever

0:34:32.719 --> 0:34:39.360
<v Speaker 1>started back up again. But looking back, there was nothing

0:34:39.400 --> 0:34:42.279
<v Speaker 1>as big, and there was nothing as big as what's

0:34:42.320 --> 0:34:44.880
<v Speaker 1>currently happening, But there were other things that happened, whether

0:34:45.719 --> 0:34:49.000
<v Speaker 1>you know, when I had to move out and had

0:34:49.000 --> 0:34:52.800
<v Speaker 1>to decide am I gonna Am I going to abandon

0:34:52.840 --> 0:34:55.919
<v Speaker 1>everything and go get a job at Guitar Center and

0:34:56.680 --> 0:35:00.560
<v Speaker 1>quit touring and not be available for all these gigs?

0:35:00.719 --> 0:35:04.839
<v Speaker 1>Or am I gonna figure out a way to keep

0:35:04.880 --> 0:35:07.280
<v Speaker 1>going and figure out a way to survive through whatever

0:35:07.360 --> 0:35:11.800
<v Speaker 1>little thing this is. And as the band's got bigger,

0:35:11.920 --> 0:35:15.600
<v Speaker 1>problems got bigger. I mean, you know, it's like Tyler

0:35:15.600 --> 0:35:17.680
<v Speaker 1>always says, you got to get bigger problems exactly. Hey,

0:35:17.680 --> 0:35:19.239
<v Speaker 1>we run out, how we take a quick record? Be

0:35:19.280 --> 0:35:27.280
<v Speaker 1>right back, guys. I hope you're liking this podcast with Dusty.

0:35:27.680 --> 0:35:31.120
<v Speaker 1>What a crazy guy. So many stories I want to

0:35:31.160 --> 0:35:36.160
<v Speaker 1>tell you about our yee Ye Apparel summer launch June twelfth.

0:35:36.520 --> 0:35:38.399
<v Speaker 1>This is gonna be crazy and as we've seen from

0:35:38.400 --> 0:35:41.319
<v Speaker 1>the past with these launches, everything goes really quick. So

0:35:41.680 --> 0:35:44.560
<v Speaker 1>go to yee dot com or ye apparel dot com,

0:35:44.960 --> 0:35:47.239
<v Speaker 1>log in and make sure you see it. Go live

0:35:47.280 --> 0:35:50.200
<v Speaker 1>at ten am. At ten am, find your favorite things,

0:35:50.640 --> 0:35:52.960
<v Speaker 1>log out. You got it. I just don't want you

0:35:52.960 --> 0:35:55.960
<v Speaker 1>guys to miss out. It's gonna go pretty quick. Love y'all.

0:35:56.000 --> 0:36:01.640
<v Speaker 1>Back to Dusty. A lot of people don't know also

0:36:01.719 --> 0:36:06.319
<v Speaker 1>that you're you're not only have you you balance this

0:36:06.480 --> 0:36:10.800
<v Speaker 1>act of trying to build your brand and play drums

0:36:10.920 --> 0:36:15.080
<v Speaker 1>and and keep your personality on stage and you make

0:36:15.120 --> 0:36:17.480
<v Speaker 1>your faces to the crowd and throw up drumsticks, but

0:36:17.520 --> 0:36:24.920
<v Speaker 1>you're also controlling every song through through the drumcat, which

0:36:24.960 --> 0:36:28.799
<v Speaker 1>is a MIDI controller that then controls a laptop. So

0:36:29.000 --> 0:36:32.840
<v Speaker 1>if you've ever seen. If you've seen any rock drummer,

0:36:33.080 --> 0:36:35.680
<v Speaker 1>I wouldn't even say country drummer because you're you don't

0:36:35.680 --> 0:36:39.440
<v Speaker 1>really qualify for that. But if you have seen any

0:36:39.520 --> 0:36:41.759
<v Speaker 1>rock drummer, and you've seen they have to use both

0:36:41.760 --> 0:36:45.880
<v Speaker 1>feet and both arms all the time, every song constantly.

0:36:46.160 --> 0:36:50.440
<v Speaker 1>Can so imagine seeing that, and then also imagine running

0:36:50.520 --> 0:36:53.520
<v Speaker 1>the songs with a MIDI controller with a drumstick. So

0:36:53.640 --> 0:36:56.640
<v Speaker 1>on his right hand he hits this controller with a

0:36:56.680 --> 0:36:59.640
<v Speaker 1>drumstick that advances to the next song on the set list,

0:37:00.239 --> 0:37:02.160
<v Speaker 1>and in our ears we could hear the count off

0:37:02.160 --> 0:37:06.320
<v Speaker 1>and the click, and if we mess up, which happens sometimes,

0:37:06.800 --> 0:37:10.120
<v Speaker 1>he has to find the next chorus of the song,

0:37:10.520 --> 0:37:15.520
<v Speaker 1>he advances it forward and has to catch up to

0:37:15.560 --> 0:37:19.040
<v Speaker 1>where we messed up. All this is happening, and nobody

0:37:19.040 --> 0:37:21.520
<v Speaker 1>in the crowd knows it's happening. Yeah, just the five

0:37:21.560 --> 0:37:23.920
<v Speaker 1>of us on stage and you're back there. I mean,

0:37:23.920 --> 0:37:28.000
<v Speaker 1>it's like the craziest multitasking that you could imagine. I've

0:37:28.040 --> 0:37:33.000
<v Speaker 1>even I've explained it to other drummers before, and half

0:37:33.040 --> 0:37:35.919
<v Speaker 1>of them don't understand it at all, And the other

0:37:36.000 --> 0:37:38.879
<v Speaker 1>half of them that do understand it are like if

0:37:38.920 --> 0:37:44.240
<v Speaker 1>you ever tell my boss about this. I will come

0:37:44.480 --> 0:37:48.960
<v Speaker 1>beat you because they don't want to. They don't want

0:37:49.040 --> 0:37:53.040
<v Speaker 1>to to take on the challenge. I mean it's very challenging,

0:37:54.320 --> 0:38:00.800
<v Speaker 1>but I mean I've my whole career, I've been playing

0:38:01.719 --> 0:38:07.880
<v Speaker 1>playing songs with bands with computers, and when something goes wrong,

0:38:08.840 --> 0:38:13.279
<v Speaker 1>you always have to just when something goes wrong, you

0:38:13.320 --> 0:38:17.000
<v Speaker 1>have to just stop everything, and it becomes very obvious

0:38:17.040 --> 0:38:19.880
<v Speaker 1>that something's wrong. Like I remember we played a show

0:38:20.120 --> 0:38:22.759
<v Speaker 1>in Traverse City, Michigan, which was the last straw, and

0:38:22.800 --> 0:38:24.279
<v Speaker 1>I knew I had to find a way to fix this.

0:38:24.600 --> 0:38:28.839
<v Speaker 1>But we started the first song and you came up

0:38:28.840 --> 0:38:32.120
<v Speaker 1>on stage and you went to sing, and your microphone

0:38:32.200 --> 0:38:35.040
<v Speaker 1>batteries were dead. In the very first song of the

0:38:35.160 --> 0:38:39.200
<v Speaker 1>of the show, and you went to sing, no vocal

0:38:39.239 --> 0:38:43.359
<v Speaker 1>came out. And I was like, okay, well, you know,

0:38:43.440 --> 0:38:46.200
<v Speaker 1>the computer is running the click, it's running the lights,

0:38:46.800 --> 0:38:49.520
<v Speaker 1>and if you don't start singing, if we don't do

0:38:49.560 --> 0:38:52.880
<v Speaker 1>everything perfect the same way, every time we are now wrong,

0:38:53.040 --> 0:38:55.400
<v Speaker 1>the click's going to end before we do, and the

0:38:55.480 --> 0:38:59.600
<v Speaker 1>lights are going to turn off the light. So what

0:38:59.680 --> 0:39:01.960
<v Speaker 1>you have to do in that situation back in the

0:39:02.000 --> 0:39:04.560
<v Speaker 1>old days was just hit spacebar and stop the whole computer.

0:39:04.760 --> 0:39:07.400
<v Speaker 1>And when I did that that day, I hit the

0:39:07.400 --> 0:39:11.360
<v Speaker 1>space bar after a split second blackout and all the

0:39:11.480 --> 0:39:15.000
<v Speaker 1>lights went out, and so we finished the rest of

0:39:15.000 --> 0:39:18.520
<v Speaker 1>the song in total darkness. And it was so awkward

0:39:18.560 --> 0:39:21.319
<v Speaker 1>and so obvious. And so when we went home from

0:39:21.320 --> 0:39:28.480
<v Speaker 1>that little run, I committed myself to finding a way.

0:39:29.080 --> 0:39:31.040
<v Speaker 1>There's got to be a way to stop the computer

0:39:31.120 --> 0:39:34.920
<v Speaker 1>and start it again during a song, or there's got

0:39:34.960 --> 0:39:38.719
<v Speaker 1>to be a way to make our mistakes. Like we

0:39:39.320 --> 0:39:43.879
<v Speaker 1>are experienced musicians. We've played in bar bands, we played

0:39:43.880 --> 0:39:48.520
<v Speaker 1>in cover bands, we've jammed and garages. We know how

0:39:48.640 --> 0:39:53.600
<v Speaker 1>as a band to just jam through a moment and

0:39:53.640 --> 0:39:56.040
<v Speaker 1>get back on track and continue the song. But a

0:39:56.040 --> 0:39:59.000
<v Speaker 1>computer can't do that. So I knew there had to

0:39:59.040 --> 0:40:01.719
<v Speaker 1>be a way to stop the computer and start it

0:40:01.840 --> 0:40:04.239
<v Speaker 1>during the song. You guys have any idea this was

0:40:04.280 --> 0:40:07.640
<v Speaker 1>going on, I'm sure, And so that, yeah, that one

0:40:07.760 --> 0:40:11.160
<v Speaker 1>winter we went home. Everything's telling me, we're doing a

0:40:11.160 --> 0:40:14.000
<v Speaker 1>good podcast. We're talking a long time. This is good.

0:40:14.719 --> 0:40:16.719
<v Speaker 1>But I figured out how to how to do it,

0:40:16.760 --> 0:40:21.200
<v Speaker 1>and then I didn't really realize that it would kind

0:40:21.200 --> 0:40:23.160
<v Speaker 1>of take over and become the way that we run

0:40:23.239 --> 0:40:25.719
<v Speaker 1>things now, like now, if we want to do a

0:40:25.760 --> 0:40:29.120
<v Speaker 1>song differently, we can just do it differently because I

0:40:29.160 --> 0:40:32.960
<v Speaker 1>have so many ways to run the song in the computer.

0:40:33.840 --> 0:40:35.400
<v Speaker 1>Since now, let me give them an example. We use

0:40:35.440 --> 0:40:37.520
<v Speaker 1>like America for example. Yeah, so say we're at a

0:40:37.520 --> 0:40:40.239
<v Speaker 1>big festival. There's ten thousand people. I'm out on the

0:40:40.280 --> 0:40:44.480
<v Speaker 1>catwalk singing America. If I don't get to that chorus

0:40:44.680 --> 0:40:47.279
<v Speaker 1>or those verses at a certain time, the clip's going

0:40:47.320 --> 0:40:49.720
<v Speaker 1>to run out. Lights are going to change, things change

0:40:49.719 --> 0:40:53.839
<v Speaker 1>in the song. So I'm reaching down and i'm you know,

0:40:54.200 --> 0:41:00.000
<v Speaker 1>I'm signing some ladies, you know, hat And then I

0:41:00.080 --> 0:41:02.200
<v Speaker 1>don't get back up in time, and I missed the

0:41:02.239 --> 0:41:06.239
<v Speaker 1>top of that second verse. So you guys don't notice it,

0:41:06.280 --> 0:41:10.479
<v Speaker 1>but the band's gonna do. So Dusty realizes I didn't

0:41:10.480 --> 0:41:12.760
<v Speaker 1>make the top of that verse. So Dusty then commands

0:41:12.840 --> 0:41:15.200
<v Speaker 1>to the whole band, hold right here, hold right here,

0:41:15.239 --> 0:41:17.440
<v Speaker 1>wait for me, so and then he'll count us. And

0:41:17.480 --> 0:41:19.239
<v Speaker 1>then when I'm ready and he knows I'm back on

0:41:19.239 --> 0:41:22.040
<v Speaker 1>the catwalk and I'm ready to sing. He realizes that

0:41:22.440 --> 0:41:25.200
<v Speaker 1>while playing all this crazy stuff on the drums. Then

0:41:25.200 --> 0:41:27.080
<v Speaker 1>he gets back to that second verse. The top the

0:41:27.080 --> 0:41:30.200
<v Speaker 1>second verse and then counts us in right here, one, two, three,

0:41:30.440 --> 0:41:33.360
<v Speaker 1>hits it and then I start singing. It's kind of

0:41:33.440 --> 0:41:35.800
<v Speaker 1>I mean, and no one knows. We try to compare

0:41:35.880 --> 0:41:38.600
<v Speaker 1>our band to a football team a lot, and in

0:41:38.600 --> 0:41:41.200
<v Speaker 1>that situation, I don't really know who's the quarterback, if

0:41:41.200 --> 0:41:44.759
<v Speaker 1>it's me or if it's you. But it's kind of

0:41:44.800 --> 0:41:49.480
<v Speaker 1>like we were. It's like when something goes wrong, I

0:41:49.640 --> 0:41:52.480
<v Speaker 1>have to stop and get us into a loop, and

0:41:52.520 --> 0:41:54.520
<v Speaker 1>then I just have to kind of watch and listen.

0:41:55.200 --> 0:41:59.120
<v Speaker 1>And then sometimes I'll see you going for the mic

0:41:59.560 --> 0:42:01.920
<v Speaker 1>and I'll be like, all right, verse verse two or

0:42:02.000 --> 0:42:05.440
<v Speaker 1>chorus two. But other times I don't really know what

0:42:05.480 --> 0:42:08.160
<v Speaker 1>you're gonna do. Sometimes you look like you're about to sing,

0:42:08.200 --> 0:42:10.279
<v Speaker 1>but you start talking and then I'll have to wait.

0:42:11.360 --> 0:42:14.200
<v Speaker 1>But then some you know it's but it's awesome because

0:42:15.200 --> 0:42:18.919
<v Speaker 1>it gives us back that jam band flexibility, right, that

0:42:19.160 --> 0:42:22.200
<v Speaker 1>you lose when you start programming your lights, yeah, and

0:42:22.600 --> 0:42:26.960
<v Speaker 1>programming your clicks. It's those moments to keep us excited.

0:42:27.040 --> 0:42:28.719
<v Speaker 1>Oh and then we got the stage and we high

0:42:28.719 --> 0:42:30.960
<v Speaker 1>five each other. We're like, dude, that was crazy. We

0:42:31.440 --> 0:42:37.160
<v Speaker 1>almost messed up saying that like Sayersville, New Jersey during

0:42:37.160 --> 0:42:41.040
<v Speaker 1>America where the power went out. Yeah, and America keeps

0:42:41.040 --> 0:42:45.280
<v Speaker 1>getting brought up today. I looked back on some video

0:42:45.320 --> 0:42:48.160
<v Speaker 1>from there, and the power was out for like twelve

0:42:48.239 --> 0:42:52.239
<v Speaker 1>to fifteen minutes. But so, like, what are we going

0:42:52.320 --> 0:42:54.120
<v Speaker 1>to do in that situation when the power goes out?

0:42:54.440 --> 0:42:57.560
<v Speaker 1>Are you just gonna all kind of die off stage

0:42:57.600 --> 0:43:00.360
<v Speaker 1>and then just eventually stop and then the band stand

0:43:00.440 --> 0:43:05.240
<v Speaker 1>up and leave and wait for you know, the crew

0:43:05.280 --> 0:43:07.560
<v Speaker 1>guys to fix the problem, and then all come back

0:43:07.560 --> 0:43:10.520
<v Speaker 1>out and be like, oh hey, sorry, now we'll start

0:43:10.520 --> 0:43:14.920
<v Speaker 1>that song over again. No, what we did the power

0:43:14.960 --> 0:43:17.920
<v Speaker 1>goes out, you still had you have no you have

0:43:17.960 --> 0:43:23.000
<v Speaker 1>no amps, you've got no microphones, you've got no no

0:43:23.120 --> 0:43:26.479
<v Speaker 1>pa in that situation, but you still had a sold

0:43:26.520 --> 0:43:29.320
<v Speaker 1>out venue full of rowdy music fans and a drum

0:43:29.320 --> 0:43:31.600
<v Speaker 1>set on stage. They can still hear the drums, and

0:43:31.640 --> 0:43:36.400
<v Speaker 1>so I just kept playing and the crowd kept clapping,

0:43:36.480 --> 0:43:42.359
<v Speaker 1>started chanting, and over those ten to twelve minutes, you

0:43:43.080 --> 0:43:46.040
<v Speaker 1>if when the drummer stops, you really have a problem.

0:43:46.360 --> 0:43:49.799
<v Speaker 1>I always always say that any instrument can stop on

0:43:49.880 --> 0:43:54.000
<v Speaker 1>stage and you it doesn't make it obvious that there's

0:43:54.000 --> 0:43:59.800
<v Speaker 1>something wrong. But when the drummer stops. That's when you admit, okay,

0:44:00.160 --> 0:44:03.680
<v Speaker 1>we can't fix what's wrong up here, and you know,

0:44:03.760 --> 0:44:06.400
<v Speaker 1>it becomes it becomes the crowds problem. Then that is

0:44:06.440 --> 0:44:08.399
<v Speaker 1>and I kind of said this, and you might y'all

0:44:08.440 --> 0:44:10.480
<v Speaker 1>might not have understood. But when we talk to each

0:44:10.480 --> 0:44:13.319
<v Speaker 1>other and Dusty's saying one, two, three, he actually has

0:44:13.360 --> 0:44:17.000
<v Speaker 1>a microphone on his drum kit that talks to our ears,

0:44:17.680 --> 0:44:21.560
<v Speaker 1>So it's like a what do they call that? And yeah,

0:44:21.600 --> 0:44:24.319
<v Speaker 1>we called a talkbacker whatever they call it in broadcasting.

0:44:24.880 --> 0:44:27.040
<v Speaker 1>You know you have you have a C mike, So

0:44:27.280 --> 0:44:29.400
<v Speaker 1>we're we could listen to Dusty and then I have

0:44:29.560 --> 0:44:31.719
<v Speaker 1>one right in front of his drum kit, and then

0:44:31.760 --> 0:44:34.000
<v Speaker 1>Johnny are bass player has one, so there's three on

0:44:34.080 --> 0:44:36.640
<v Speaker 1>the stage. If the guitar player has a big problem,

0:44:36.680 --> 0:44:39.480
<v Speaker 1>he could run to that Q mic, same with bass player.

0:44:39.520 --> 0:44:42.600
<v Speaker 1>And then Dusty's always talking. And sometimes it's a joke,

0:44:42.920 --> 0:44:45.560
<v Speaker 1>you know, sometimes I'm just making a smile of a joke.

0:44:45.600 --> 0:44:51.200
<v Speaker 1>But in emergency situations, and I'm talking Lake Shake, Chicago,

0:44:51.640 --> 0:44:54.680
<v Speaker 1>twenty five thousand people, I'm out on the catwalk, which

0:44:54.800 --> 0:44:58.719
<v Speaker 1>could be fifty feet from you. Yeah, we have to

0:44:58.719 --> 0:45:01.040
<v Speaker 1>talk to each other. He can't see my hand signals.

0:45:01.080 --> 0:45:03.160
<v Speaker 1>It's not like it was in the days of the clubs,

0:45:03.920 --> 0:45:08.080
<v Speaker 1>so that's our saving grace. I should probably wrap this up.

0:45:08.400 --> 0:45:10.360
<v Speaker 1>If you guys want to hear more, Dusty comment below.

0:45:10.680 --> 0:45:12.360
<v Speaker 1>I think we could probably do three or four of

0:45:12.360 --> 0:45:16.600
<v Speaker 1>these podcasts and still get interesting stories. He's one of

0:45:16.640 --> 0:45:18.440
<v Speaker 1>the most interesting people I know and one of the

0:45:18.440 --> 0:45:21.920
<v Speaker 1>funniest guys I know. But anyway, dude, thanks for being

0:45:21.960 --> 0:45:25.000
<v Speaker 1>on here. Let's go work on that truck. Yeah's see

0:45:25.000 --> 0:45:25.400
<v Speaker 1>you guys.