1 00:00:03,320 --> 00:00:05,440 Speaker 1: All right, well let's get it going. It's where you 2 00:00:05,480 --> 00:00:06,200 Speaker 1: put the Angela Yee. 3 00:00:06,200 --> 00:00:09,840 Speaker 2: I'm Angela Yee and the changed new Mana is here 4 00:00:09,960 --> 00:00:11,680 Speaker 2: and in the building. 5 00:00:11,760 --> 00:00:12,200 Speaker 3: What's up? 6 00:00:13,240 --> 00:00:14,680 Speaker 1: I can't tell if you change yet or not? 7 00:00:15,520 --> 00:00:20,240 Speaker 4: French French frenchman, solid solid change may. 8 00:00:20,840 --> 00:00:23,200 Speaker 3: I ain't meet him yet, but I'm. 9 00:00:25,400 --> 00:00:26,439 Speaker 5: A little baby evol. 10 00:00:27,400 --> 00:00:33,120 Speaker 2: Well, MCA Cheese five is officially out now, So congratulations 11 00:00:33,159 --> 00:00:35,640 Speaker 2: on this project. This was a real rollout to because 12 00:00:35,640 --> 00:00:38,720 Speaker 2: you know, sometimes people just like surprise, yeah album. But 13 00:00:38,760 --> 00:00:42,040 Speaker 2: you've been putting our singles, You've been promoting it. I 14 00:00:42,040 --> 00:00:44,760 Speaker 2: feel like that doesn't happen as frequently as it used to. 15 00:00:45,159 --> 00:00:46,680 Speaker 3: Now I feel like the game be changing, you know 16 00:00:46,720 --> 00:00:48,640 Speaker 3: what I'm saying. Some people come out and some people, 17 00:00:48,680 --> 00:00:51,479 Speaker 3: you know, do they promo same day. Some people do 18 00:00:51,520 --> 00:00:53,560 Speaker 3: a week before. But we come from the mixsape error 19 00:00:54,160 --> 00:00:56,240 Speaker 3: like you got. You know, every chance you get, you gotta. 20 00:00:56,000 --> 00:00:59,680 Speaker 4: Promote, right what I'm saying for real, You've been consistent, bro, 21 00:01:00,040 --> 00:01:01,920 Speaker 4: thank you man, consistent for years. 22 00:01:02,240 --> 00:01:03,760 Speaker 5: You let me ask you, though, do you feel like 23 00:01:04,319 --> 00:01:06,120 Speaker 5: people give you a credit for that? 24 00:01:07,080 --> 00:01:10,360 Speaker 3: Man? You ain't gonna get no credit. You're from Brooklyn, man, 25 00:01:10,400 --> 00:01:12,480 Speaker 3: you know, what Big said and you know you're nobody 26 00:01:12,560 --> 00:01:14,280 Speaker 3: to somebody kill you. 27 00:01:13,560 --> 00:01:15,240 Speaker 1: Oh, I don't say that. 28 00:01:15,480 --> 00:01:17,680 Speaker 3: I feel like this it's real talk. 29 00:01:18,160 --> 00:01:20,280 Speaker 2: Like even the way that you start the album off 30 00:01:20,319 --> 00:01:24,600 Speaker 2: Dirty Bronx and I know exactly where that That's where 31 00:01:24,600 --> 00:01:27,280 Speaker 2: I was thinking about has French like evolved like New 32 00:01:27,280 --> 00:01:32,319 Speaker 2: Mano has, you know, because because it feels like a 33 00:01:32,319 --> 00:01:34,679 Speaker 2: lot of stuff that you're addressing on that is what 34 00:01:34,720 --> 00:01:38,240 Speaker 2: people have said about you and it's not true. 35 00:01:38,560 --> 00:01:40,360 Speaker 1: But it's kind of like you argue, there's. 36 00:01:40,200 --> 00:01:42,120 Speaker 2: No point in even arguing it, right, you got to 37 00:01:42,120 --> 00:01:43,880 Speaker 2: just show and tell, like we. 38 00:01:43,880 --> 00:01:45,760 Speaker 3: Learn how to move in certain rooms, you know, I 39 00:01:45,760 --> 00:01:48,840 Speaker 3: feel like, you know, it depends. We just we just 40 00:01:48,960 --> 00:01:52,720 Speaker 3: evolved on learning how to move in different rooms. That's 41 00:01:52,760 --> 00:01:53,360 Speaker 3: all that happens. 42 00:01:54,760 --> 00:01:56,960 Speaker 2: Because even just thinking about your journey, like you put 43 00:01:56,960 --> 00:01:58,520 Speaker 2: out that documentary. 44 00:01:57,880 --> 00:02:01,160 Speaker 1: For Khodja because I feel like people but. 45 00:02:01,120 --> 00:02:03,960 Speaker 3: You had a screening I had a Tribeca with with 46 00:02:04,000 --> 00:02:04,480 Speaker 3: the Narrow. 47 00:02:04,600 --> 00:02:06,000 Speaker 5: Yeah, we was with de Narrow. 48 00:02:06,160 --> 00:02:08,160 Speaker 1: Okay, okay, from the Bronx. 49 00:02:08,160 --> 00:02:10,240 Speaker 3: You know, we gotta say the Narrow whatever, that's Ben 50 00:02:10,280 --> 00:02:12,799 Speaker 3: Diesel was there? What else. 51 00:02:14,560 --> 00:02:17,600 Speaker 2: Promote for people to realize you didn't even speak English? 52 00:02:17,880 --> 00:02:20,400 Speaker 1: At first that well, that's a big deal. 53 00:02:20,440 --> 00:02:23,720 Speaker 2: I don't think people understand like that feel like to 54 00:02:23,840 --> 00:02:26,000 Speaker 2: be in the United States and not speaking English. 55 00:02:26,240 --> 00:02:29,400 Speaker 3: No, it was just is the culture shock. It's coming 56 00:02:29,400 --> 00:02:32,520 Speaker 3: from somewhere that's totally different worlds, Like it's like coming 57 00:02:32,520 --> 00:02:34,720 Speaker 3: from black and white to a colorful room, or it's 58 00:02:34,720 --> 00:02:37,080 Speaker 3: like a baby being born, like to all the lights, 59 00:02:37,080 --> 00:02:39,480 Speaker 3: and it's just like you come from a totally different 60 00:02:39,480 --> 00:02:42,520 Speaker 3: world and you just and me. I'm just like I 61 00:02:42,560 --> 00:02:44,480 Speaker 3: felt like I did. I did the most savage thing 62 00:02:44,480 --> 00:02:49,160 Speaker 3: you could do, was just pick raps, like you know, 63 00:02:49,200 --> 00:02:52,880 Speaker 3: from those from not speaking English to picking the the 64 00:02:53,040 --> 00:02:57,520 Speaker 3: worst job you can have, which is so so I 65 00:02:57,560 --> 00:03:03,720 Speaker 3: think broken language, which is not even real learn English, you. 66 00:03:03,720 --> 00:03:05,280 Speaker 4: Know, because I said that to you at the at 67 00:03:05,280 --> 00:03:07,400 Speaker 4: the screen and I was like when I when I 68 00:03:07,440 --> 00:03:09,440 Speaker 4: watched it, and then I mean, because I know you 69 00:03:09,480 --> 00:03:12,320 Speaker 4: for years, we know each other, right, But when I 70 00:03:12,400 --> 00:03:14,119 Speaker 4: really watched it, I really got a chance to really 71 00:03:14,160 --> 00:03:18,000 Speaker 4: understand the struggle, Like it's already a struggle just trying 72 00:03:18,000 --> 00:03:20,320 Speaker 4: to exist, you know, coming out the ghetto for any 73 00:03:20,320 --> 00:03:23,720 Speaker 4: of us, you know, but to come here and not 74 00:03:23,800 --> 00:03:26,800 Speaker 4: even speak English, it's a whole different struggle. 75 00:03:28,000 --> 00:03:32,400 Speaker 3: It's beyond it's beyond me. My whole family didn't speak English, 76 00:03:33,000 --> 00:03:35,320 Speaker 3: and my father tried a couple of businesses and and 77 00:03:35,480 --> 00:03:37,640 Speaker 3: then working here went back. So now it's like me 78 00:03:37,680 --> 00:03:40,280 Speaker 3: and my mother and my two little siblings, and I 79 00:03:40,320 --> 00:03:43,640 Speaker 3: became my mother's husband, and my two brothers became my kids. 80 00:03:43,680 --> 00:03:47,160 Speaker 3: And it was just like now, now, now life begins 81 00:03:47,160 --> 00:03:50,320 Speaker 3: at an early age. So no, but it's just teach 82 00:03:50,360 --> 00:03:51,720 Speaker 3: you a hustle at a different level. 83 00:03:52,280 --> 00:03:54,400 Speaker 2: Yeah, And then, like you said, because I feel like 84 00:03:54,440 --> 00:03:56,920 Speaker 2: the intro alone just says a lot, like these are 85 00:03:56,920 --> 00:03:58,960 Speaker 2: the questions that you get asked all the time. 86 00:03:59,160 --> 00:04:00,800 Speaker 5: Yeah, well things that people have been saying. 87 00:04:01,000 --> 00:04:03,600 Speaker 2: Yeah, and interviews and yeah, things that people say, and 88 00:04:03,960 --> 00:04:06,400 Speaker 2: I say, it's more rare for you to like respond 89 00:04:06,520 --> 00:04:07,360 Speaker 2: to certain things. 90 00:04:07,360 --> 00:04:10,720 Speaker 3: Now, Yeah, you know what it is. I stopped doing 91 00:04:10,800 --> 00:04:15,360 Speaker 3: interviews and people, you know, instead of me doing the interview, 92 00:04:15,360 --> 00:04:16,719 Speaker 3: I was like, you know what, let me just interview 93 00:04:16,760 --> 00:04:19,560 Speaker 3: myself on the first song. And I know exactly what 94 00:04:19,640 --> 00:04:21,960 Speaker 3: people want to hear, you know what I'm saying. But 95 00:04:21,960 --> 00:04:24,000 Speaker 3: but that's but that's what it is. I think it's 96 00:04:24,040 --> 00:04:26,640 Speaker 3: just just let's get everything out the way, you know, 97 00:04:26,680 --> 00:04:29,320 Speaker 3: I learned from eminem and learned you know, as a students. 98 00:04:29,520 --> 00:04:31,719 Speaker 3: It kind of reminded me of like, yeah, it was 99 00:04:31,760 --> 00:04:35,279 Speaker 3: it was a I listened to the whole album this morning, 100 00:04:35,839 --> 00:04:38,400 Speaker 3: and that's what it reminded me of, Like something. 101 00:04:38,200 --> 00:04:40,160 Speaker 5: Really uh creative. 102 00:04:40,400 --> 00:04:41,039 Speaker 3: Yeah you know you. 103 00:04:41,160 --> 00:04:43,719 Speaker 5: Speaking in third party like somebody's talking to you. 104 00:04:43,839 --> 00:04:44,840 Speaker 3: Yeah, yeah, something bad. 105 00:04:45,080 --> 00:04:46,359 Speaker 5: You know, Chinks is better than you. 106 00:04:46,440 --> 00:04:51,800 Speaker 4: These are something that you're like, well, yeah. 107 00:04:50,560 --> 00:04:51,320 Speaker 5: Right, you know what I'm saying. 108 00:04:51,480 --> 00:04:54,839 Speaker 4: So yeah, you know, but I feel like, you know, 109 00:04:54,880 --> 00:04:56,520 Speaker 4: when you at a certain level, man, like we ain't 110 00:04:56,520 --> 00:04:57,960 Speaker 4: even trying to straighten out no rumors. 111 00:04:57,960 --> 00:04:59,680 Speaker 3: Bro, you heard you heard? 112 00:04:59,720 --> 00:05:03,320 Speaker 4: Man like whatever it like whatever to official to be 113 00:05:03,320 --> 00:05:05,040 Speaker 4: trying to straighten out no rumor. 114 00:05:05,080 --> 00:05:06,360 Speaker 3: Man, Now, you're right, you know what I mean. 115 00:05:06,680 --> 00:05:09,479 Speaker 1: You know what else? I learned to lawsuits. 116 00:05:09,800 --> 00:05:12,080 Speaker 2: I first of all, for the first time in my life, 117 00:05:12,120 --> 00:05:14,599 Speaker 2: have been getting like people trying to sue for things. 118 00:05:14,680 --> 00:05:16,520 Speaker 3: Yeah. I just I just saw somebody try to sue 119 00:05:16,560 --> 00:05:19,120 Speaker 3: me for my dog biting them for two million dollars. Yeah, 120 00:05:19,200 --> 00:05:28,200 Speaker 3: I just saw that the dinosaur bit you. But yo, bros, 121 00:05:28,279 --> 00:05:30,719 Speaker 3: Like I mean, I'm never in my house. I don't know. 122 00:05:30,760 --> 00:05:32,680 Speaker 3: I mean, you know, I don't like, I don't know 123 00:05:32,680 --> 00:05:34,440 Speaker 3: what the situation is like him, I was like, yo, 124 00:05:35,200 --> 00:05:37,040 Speaker 3: what's going on? So I don't you know, I don't 125 00:05:37,080 --> 00:05:38,800 Speaker 3: want to speak on I don't like speak on like 126 00:05:38,800 --> 00:05:39,599 Speaker 3: that right now. 127 00:05:39,680 --> 00:05:42,400 Speaker 2: But my attorney because I get like very bent out 128 00:05:42,400 --> 00:05:45,039 Speaker 2: of shape, Like I had a couple of situations and 129 00:05:45,040 --> 00:05:47,520 Speaker 2: my attorney was like, Angela, you're gonna like I get 130 00:05:47,560 --> 00:05:49,600 Speaker 2: sue for things, damn near every day. He was like, 131 00:05:49,640 --> 00:05:52,440 Speaker 2: it's okay, you don't like, but I still worry about it, 132 00:05:52,800 --> 00:05:56,279 Speaker 2: you know, because you don't know what's gonna something that 133 00:05:56,320 --> 00:05:59,480 Speaker 2: you think is ridiculous, like yeah, no. 134 00:06:00,960 --> 00:06:02,279 Speaker 1: Time, Yeah see a. 135 00:06:02,279 --> 00:06:05,559 Speaker 5: Boy dead person? Yeah, that crazy state. 136 00:06:06,640 --> 00:06:07,320 Speaker 3: It's crazy. 137 00:06:07,600 --> 00:06:09,280 Speaker 1: Has anybody ever tried to put a baby on you 138 00:06:09,360 --> 00:06:10,120 Speaker 1: that wasn't yours? 139 00:06:10,960 --> 00:06:21,400 Speaker 3: Man? I don't even that baby, y'all. Yo, But it's 140 00:06:21,440 --> 00:06:25,800 Speaker 3: crazy because it's like you know, in the streets, like like, oh, 141 00:06:25,839 --> 00:06:28,159 Speaker 3: you're worried about somebody trying to kill you or somebody 142 00:06:28,160 --> 00:06:31,400 Speaker 3: trying to rob you or somebody. You come into the industry, 143 00:06:31,600 --> 00:06:34,680 Speaker 3: is like you like, this. 144 00:06:34,640 --> 00:06:38,839 Speaker 5: Is getting into the industry, you was going to escape 145 00:06:38,839 --> 00:06:39,440 Speaker 5: a lot of that. 146 00:06:40,040 --> 00:06:42,440 Speaker 4: It's kind of like it opens you up for that 147 00:06:42,640 --> 00:06:45,360 Speaker 4: when you speak about about death and all that. Right, 148 00:06:45,400 --> 00:06:47,360 Speaker 4: we're in a time right now a lot of rappers 149 00:06:47,400 --> 00:06:50,120 Speaker 4: is dying. You had a video shoot, you know, I 150 00:06:50,200 --> 00:06:53,039 Speaker 4: think you was in Miami, and like, do you think 151 00:06:53,080 --> 00:06:53,679 Speaker 4: about that? 152 00:06:54,120 --> 00:06:57,440 Speaker 3: Of course I'm traumatized. I'm traumatized. So thinking about it 153 00:06:57,480 --> 00:07:03,360 Speaker 3: like this, it's like, imagine, imagine getting shot at right, 154 00:07:03,720 --> 00:07:07,160 Speaker 3: not knowing what the what the coincidence is, and after 155 00:07:07,200 --> 00:07:08,320 Speaker 3: you get shot at, you get. 156 00:07:08,200 --> 00:07:12,320 Speaker 1: Sued right right, and you're like, I didn't. 157 00:07:12,880 --> 00:07:15,080 Speaker 3: So the people that got shot at treating you like 158 00:07:15,120 --> 00:07:17,120 Speaker 3: you don't want to that shot them when you have 159 00:07:17,160 --> 00:07:19,600 Speaker 3: got shot in the same way. So it's like, yeah, 160 00:07:19,600 --> 00:07:23,080 Speaker 3: it's crazy. I mean, it's it's making make you don't 161 00:07:23,080 --> 00:07:24,960 Speaker 3: even want coming down people that know what I'm saying. 162 00:07:25,720 --> 00:07:28,080 Speaker 1: And that's why you said your circles a lot smaller. 163 00:07:28,360 --> 00:07:29,400 Speaker 3: Yeah, became a dot. 164 00:07:29,640 --> 00:07:30,200 Speaker 1: It's a dot. 165 00:07:31,400 --> 00:07:33,480 Speaker 3: You have to though the circle. 166 00:07:33,200 --> 00:07:33,560 Speaker 5: You get on. 167 00:07:33,640 --> 00:07:35,239 Speaker 4: You know, you got, you got, you got the twenty 168 00:07:35,280 --> 00:07:37,440 Speaker 4: forty people from the from the block, because everybody with 169 00:07:37,560 --> 00:07:40,400 Speaker 4: you when you first start the waves, everybody with you. 170 00:07:40,440 --> 00:07:42,560 Speaker 4: But then it might start to mess up the business 171 00:07:42,600 --> 00:07:44,680 Speaker 4: a little bit. And after a while that that twenty 172 00:07:44,720 --> 00:07:46,640 Speaker 4: thirty turn into ten and ten turning. 173 00:07:46,480 --> 00:07:49,040 Speaker 3: Five, yeah, and that five turning to you. I mean, 174 00:07:49,760 --> 00:07:52,840 Speaker 3: I know, I know a rap. I'm not gonna say 175 00:07:52,880 --> 00:07:54,640 Speaker 3: his name. I met him. I was like, what are 176 00:07:54,640 --> 00:07:55,720 Speaker 3: you going, I'm going to my show. 177 00:07:56,560 --> 00:08:03,120 Speaker 6: No, let's we don't talk about it's a few niggas. 178 00:08:03,120 --> 00:08:07,120 Speaker 6: It's out around with nobody. Hold up you just it's 179 00:08:07,120 --> 00:08:09,520 Speaker 6: just be you and not my own manager. 180 00:08:10,200 --> 00:08:13,160 Speaker 2: Because I got to go somewhere today by myself, like saying. 181 00:08:13,360 --> 00:08:15,000 Speaker 2: They were like, who else is coming with you? I 182 00:08:15,000 --> 00:08:18,600 Speaker 2: was like, nobody, I'm just coming by myself to this luncheon. 183 00:08:18,800 --> 00:08:21,880 Speaker 3: No, it's crazy. I'm like, yo, bro, we're going like, no, man, 184 00:08:24,840 --> 00:08:27,160 Speaker 3: he's not trying to bust that. He's not trying to 185 00:08:27,160 --> 00:08:32,480 Speaker 3: bust that. Back down. It on me. You ahead of 186 00:08:32,520 --> 00:08:32,840 Speaker 3: the game. 187 00:08:33,600 --> 00:08:34,560 Speaker 1: I'm not mad at that. 188 00:08:34,800 --> 00:08:37,000 Speaker 2: I also because you know, we watching real estate too, 189 00:08:37,080 --> 00:08:38,800 Speaker 2: so you put your house on the market for a 190 00:08:38,920 --> 00:08:39,520 Speaker 2: nice mark. 191 00:08:39,400 --> 00:08:42,880 Speaker 3: Up sell yet No, no, I'm not just putting. 192 00:08:43,120 --> 00:08:45,320 Speaker 1: Tax in Cali right now too. 193 00:08:45,720 --> 00:08:49,360 Speaker 3: Yeah, I ain't sounding that. Somebody just somebody just put 194 00:08:49,400 --> 00:08:52,040 Speaker 3: some money to the mansion across the street and it's 195 00:08:52,040 --> 00:08:55,480 Speaker 3: selling for forty million, and it's literally across street, and 196 00:08:55,480 --> 00:08:58,880 Speaker 3: it's two thousand square feet, like yeah, so it's like 197 00:08:59,520 --> 00:09:01,800 Speaker 3: the price triple like overnight, So like why I sell it? 198 00:09:01,880 --> 00:09:02,600 Speaker 3: Just hold onto it? 199 00:09:02,800 --> 00:09:04,280 Speaker 1: Yeah, and I in equity. 200 00:09:04,559 --> 00:09:06,320 Speaker 3: Yeah, I mean the same thing. In New York, I 201 00:09:06,360 --> 00:09:08,559 Speaker 3: bought some shit like like five years ago, double the 202 00:09:08,600 --> 00:09:10,760 Speaker 3: same thing. In Vegas, I bought something right across from 203 00:09:10,760 --> 00:09:13,240 Speaker 3: the Newfound Blue and it just doubled up to like 204 00:09:13,320 --> 00:09:15,280 Speaker 3: ten to fifteen million. So it's just you know, but 205 00:09:15,280 --> 00:09:16,880 Speaker 3: I've been doing that. When I first came into the game, 206 00:09:16,920 --> 00:09:18,800 Speaker 3: I was just like, you know, let me just buy 207 00:09:18,880 --> 00:09:21,920 Speaker 3: some shit, especially especially now, it's like. 208 00:09:22,320 --> 00:09:24,680 Speaker 2: You've always been hustling out, even from when I first 209 00:09:24,679 --> 00:09:27,560 Speaker 2: met you, Like I met you so long ago too, 210 00:09:27,600 --> 00:09:28,520 Speaker 2: like Mano doing. 211 00:09:28,320 --> 00:09:33,160 Speaker 3: The dvdity Man, but we've been grinding watching artists elevate, 212 00:09:33,200 --> 00:09:35,280 Speaker 3: and that was the only thing that separated artists. I 213 00:09:35,280 --> 00:09:36,840 Speaker 3: think it was just the moves that they made and 214 00:09:36,880 --> 00:09:39,560 Speaker 3: you know, how they established themselfs and you know, and 215 00:09:39,600 --> 00:09:40,800 Speaker 3: I was just I was just trying to be a 216 00:09:40,840 --> 00:09:42,920 Speaker 3: student and just like, how am I going to separate 217 00:09:43,000 --> 00:09:45,800 Speaker 3: myself from somebody that you know doing this and that. 218 00:09:45,840 --> 00:09:47,720 Speaker 3: So I was like, buy some real estate because you know, 219 00:09:48,600 --> 00:09:51,000 Speaker 3: we seeing hip hop, even me doing Cocaine City like 220 00:09:51,640 --> 00:09:55,400 Speaker 3: I would do Cocaine City. You know, may no blessed 221 00:09:55,400 --> 00:09:57,760 Speaker 3: to the last the game this long. But we used 222 00:09:57,800 --> 00:09:59,960 Speaker 3: to do Cocaine City. It would pick up an artist 223 00:10:00,080 --> 00:10:03,920 Speaker 3: one year. By time we dropped volume two or volume 224 00:10:04,000 --> 00:10:06,240 Speaker 3: three was out of here, out of here. So it's like, 225 00:10:06,360 --> 00:10:08,559 Speaker 3: out of the thirty artists we put on one DVD, 226 00:10:08,679 --> 00:10:11,000 Speaker 3: you put on the next volume. Only three of those 227 00:10:11,080 --> 00:10:11,960 Speaker 3: artists still relevant. 228 00:10:12,080 --> 00:10:12,360 Speaker 1: Damn. 229 00:10:12,440 --> 00:10:13,000 Speaker 3: We've been seeing it. 230 00:10:13,040 --> 00:10:15,040 Speaker 4: And this is what I'm saying, like you, yeah, you know, 231 00:10:15,160 --> 00:10:17,720 Speaker 4: forget all the talk and the nays at the end 232 00:10:17,760 --> 00:10:21,079 Speaker 4: of the day, and I'm speaking this from I mean it. 233 00:10:21,200 --> 00:10:22,720 Speaker 3: You've been one of. 234 00:10:22,400 --> 00:10:25,520 Speaker 4: The few consistent coming from the city and a lot 235 00:10:25,559 --> 00:10:28,360 Speaker 4: of people say, oh New York, really, we ain't got it, 236 00:10:28,880 --> 00:10:31,559 Speaker 4: but you you one of the few. There's been a 237 00:10:31,600 --> 00:10:34,199 Speaker 4: few of us to go Nashal to, you know what 238 00:10:34,240 --> 00:10:35,440 Speaker 4: I'm saying, And it's stay in. 239 00:10:35,320 --> 00:10:37,280 Speaker 5: That place, and you work with a lot of people, 240 00:10:38,080 --> 00:10:38,600 Speaker 5: a lot of. 241 00:10:38,520 --> 00:10:41,520 Speaker 2: People even like a song. I'm gonna go back to 242 00:10:41,520 --> 00:10:43,280 Speaker 2: this again though. You said people tell you too light 243 00:10:43,320 --> 00:10:45,640 Speaker 2: skinned to be from Africa. Yeah, yeah, and it's so 244 00:10:45,920 --> 00:10:50,720 Speaker 2: like you're you're literally born. Yeah, it's now going to 245 00:10:50,800 --> 00:10:53,280 Speaker 2: different parts of Africa and coming like I was in here. 246 00:10:53,320 --> 00:10:56,400 Speaker 2: I was here, but it's like you're really from and 247 00:10:56,480 --> 00:10:59,280 Speaker 2: you been doing this work. And also like giving back, 248 00:10:59,520 --> 00:11:01,160 Speaker 2: which I think it's important because there's a lot of 249 00:11:01,160 --> 00:11:03,560 Speaker 2: people that travel places they want to come back and 250 00:11:03,559 --> 00:11:05,240 Speaker 2: talk about it, but what are they actually doing. 251 00:11:05,520 --> 00:11:08,240 Speaker 3: That's what I'm saying. I mean, Africa is a place 252 00:11:08,320 --> 00:11:11,640 Speaker 3: I feel like people always been taken from. No just 253 00:11:11,760 --> 00:11:14,040 Speaker 3: and and and and people people barely go back and 254 00:11:14,080 --> 00:11:17,160 Speaker 3: give back. And so every chance I get, I'll try 255 00:11:17,200 --> 00:11:19,000 Speaker 3: to highlight, you know what I'm saying, Like like the 256 00:11:19,080 --> 00:11:21,480 Speaker 3: mumble Land, that's where most most of the time come from. 257 00:11:21,880 --> 00:11:25,600 Speaker 3: I feel like it's going back over there. It's going 258 00:11:25,679 --> 00:11:27,440 Speaker 3: to go back, you know, just just just a matter 259 00:11:27,480 --> 00:11:29,240 Speaker 3: of time. But in no way it should only be 260 00:11:29,240 --> 00:11:31,920 Speaker 3: a handful of artists that's known from Africa as a continent. 261 00:11:31,960 --> 00:11:33,240 Speaker 3: I feel like it's definitely should be. 262 00:11:33,280 --> 00:11:34,400 Speaker 1: I mean, they're killing it right now. 263 00:11:34,440 --> 00:11:37,000 Speaker 2: But like you, like we heard you are the uh 264 00:11:37,160 --> 00:11:39,079 Speaker 2: most stream African born artists. 265 00:11:39,160 --> 00:11:39,400 Speaker 3: Yeah. 266 00:11:39,520 --> 00:11:42,000 Speaker 1: Ever ever, so that's a huge. 267 00:11:41,679 --> 00:11:44,920 Speaker 2: And people don't even have like understand as much as 268 00:11:44,960 --> 00:11:47,440 Speaker 2: people could try to like say whatever, you always have 269 00:11:47,559 --> 00:11:52,480 Speaker 2: hit songs right and then most streamed African born artists 270 00:11:52,480 --> 00:11:55,040 Speaker 2: ever and like you said, you've done sounds with Kanye 271 00:11:55,160 --> 00:11:56,000 Speaker 2: Nas and Ho. 272 00:11:56,480 --> 00:11:58,280 Speaker 1: Yes, not a lot of people could say that. 273 00:11:58,840 --> 00:12:01,400 Speaker 3: Nah. You know, man, I'm just I'm just happy to 274 00:12:01,480 --> 00:12:03,800 Speaker 3: still love what I do. You know. I feel like 275 00:12:03,840 --> 00:12:07,080 Speaker 3: it's the passion they got me beyond and above whatever 276 00:12:07,320 --> 00:12:09,960 Speaker 3: whatever obstacles or whatever people say, whatever, I just I 277 00:12:10,000 --> 00:12:11,800 Speaker 3: wake up. When I'm trying to get away from the music, 278 00:12:11,840 --> 00:12:14,240 Speaker 3: I end up doing the music. Can't help you know, 279 00:12:14,880 --> 00:12:15,200 Speaker 3: you have a. 280 00:12:17,120 --> 00:12:18,640 Speaker 5: You ever tried to get a feature that that you 281 00:12:18,679 --> 00:12:19,160 Speaker 5: didn't get? 282 00:12:19,840 --> 00:12:21,920 Speaker 1: Like reach out to somebody and like, who haven't you 283 00:12:21,960 --> 00:12:22,199 Speaker 1: work with? 284 00:12:22,400 --> 00:12:32,000 Speaker 3: Right, well, I definitely hit the den respond. 285 00:12:32,520 --> 00:12:37,640 Speaker 1: Okay, I'm trying to see just pull up on her 286 00:12:37,640 --> 00:12:40,040 Speaker 1: in Vegas, right. 287 00:12:41,160 --> 00:12:42,200 Speaker 5: Like we reached out. 288 00:12:42,520 --> 00:12:56,200 Speaker 4: You ever reached out to somebody, he definitely don't be one. Listen, 289 00:12:57,559 --> 00:13:03,280 Speaker 4: you know, listen you know somebody. You ever reached out 290 00:13:03,280 --> 00:13:06,199 Speaker 4: to somebody and it was like like might have sent 291 00:13:06,280 --> 00:13:07,160 Speaker 4: them a record or whatever. 292 00:13:07,240 --> 00:13:09,640 Speaker 3: I remember I remember reaching out to fab when I 293 00:13:09,720 --> 00:13:11,600 Speaker 3: was first coming up, and it was like I need 294 00:13:11,640 --> 00:13:12,720 Speaker 3: twenty thousand dollars. 295 00:13:13,080 --> 00:13:15,880 Speaker 4: Space told you he needed twenty he needed a dub 296 00:13:16,280 --> 00:13:20,800 Speaker 4: you need a dub skim like damn fab But that 297 00:13:20,880 --> 00:13:21,720 Speaker 4: was that was, that. 298 00:13:21,640 --> 00:13:23,440 Speaker 3: Was when I when I was coming up, So I 299 00:13:23,480 --> 00:13:24,800 Speaker 3: respected earlier. 300 00:13:25,240 --> 00:13:26,560 Speaker 1: Yeah, we're like friends or nothing. 301 00:13:26,600 --> 00:13:28,400 Speaker 3: No, no, I have no, but we ended up doing 302 00:13:28,440 --> 00:13:31,319 Speaker 3: a bunch of a bunch of hit records together. 303 00:13:31,440 --> 00:13:31,640 Speaker 5: Yeah. 304 00:13:31,640 --> 00:13:33,199 Speaker 1: You can't help gradus in this business either. 305 00:13:33,520 --> 00:13:33,720 Speaker 3: Yeah. 306 00:13:33,760 --> 00:13:35,400 Speaker 1: Basically you'll never get anything done. 307 00:13:35,480 --> 00:13:37,880 Speaker 3: Yeah. My biggest My biggest goal is just to work 308 00:13:37,920 --> 00:13:40,280 Speaker 3: with with Max B. When he come home. I feel 309 00:13:40,280 --> 00:13:42,120 Speaker 3: like it's like my last my last result. 310 00:13:42,480 --> 00:13:46,040 Speaker 1: That's gonna be insane. Yeah, like when he comes home. 311 00:13:46,120 --> 00:13:48,640 Speaker 3: Yeah yeah, just just just to see him run wild. 312 00:13:48,760 --> 00:13:50,520 Speaker 3: It's just just crazy a movie. 313 00:13:51,559 --> 00:13:53,240 Speaker 2: And now let's talk about the album because I see, 314 00:13:53,360 --> 00:13:54,680 Speaker 2: you know we were talking about earlier. 315 00:13:54,679 --> 00:13:56,079 Speaker 1: It was supposed to come out in January. 316 00:13:56,160 --> 00:13:59,120 Speaker 2: Yeah, we saw a different track listing than what we 317 00:13:59,160 --> 00:14:01,400 Speaker 2: see now. So tell us some things that happened, because 318 00:14:01,440 --> 00:14:01,959 Speaker 2: I see. 319 00:14:01,840 --> 00:14:04,280 Speaker 3: Like I never put out that track list. 320 00:14:04,400 --> 00:14:06,559 Speaker 5: There's a whole artwork and somebody else did that. 321 00:14:06,679 --> 00:14:12,199 Speaker 3: Yeah that's so crazy. Yeah, yeah, somebody put out somebody 322 00:14:12,320 --> 00:14:14,000 Speaker 3: put out the track list, and I was like, I 323 00:14:14,040 --> 00:14:16,319 Speaker 3: never even said that in about it. Yeah, I never 324 00:14:16,400 --> 00:14:16,920 Speaker 3: even saw. 325 00:14:16,840 --> 00:14:20,400 Speaker 5: Those songs real like the Big Pun Jon. 326 00:14:21,360 --> 00:14:23,920 Speaker 3: Yeah, I got a song with Drake or Big Pun Yeah, 327 00:14:24,080 --> 00:14:27,000 Speaker 3: we do got that that one, that one I'm in 328 00:14:27,080 --> 00:14:27,640 Speaker 3: the talk. 329 00:14:27,840 --> 00:14:32,040 Speaker 5: About with five in the in the future. Na, that's 330 00:14:32,080 --> 00:14:32,520 Speaker 5: not even. 331 00:14:32,800 --> 00:14:35,960 Speaker 3: That's not even a song. Dollars sound Little t J. 332 00:14:36,080 --> 00:14:40,360 Speaker 3: It's not even a song. Wow, little tea. Little TJ 333 00:14:40,520 --> 00:14:42,480 Speaker 3: hit me like, Yo, we got a song. I'm like, yo, bro, 334 00:14:42,600 --> 00:14:46,600 Speaker 3: you know damn well mean a song. He was like, nah, 335 00:14:46,600 --> 00:14:47,600 Speaker 3: I thought you chipped some ship. 336 00:14:49,520 --> 00:14:53,040 Speaker 5: I would clear that nah either. 337 00:14:53,240 --> 00:14:55,200 Speaker 3: Nah, that's crazy. 338 00:14:55,480 --> 00:14:58,400 Speaker 2: That's so funny that somebody put together a whole fake track. 339 00:14:58,280 --> 00:15:02,120 Speaker 3: List, That's what I'm saying. Me and Chris Brown Copella 340 00:15:02,160 --> 00:15:03,720 Speaker 3: Gray hit me too, like, yeah, we got a record. 341 00:15:03,760 --> 00:15:07,240 Speaker 3: I'm like, no, bro, why. 342 00:15:06,880 --> 00:15:08,880 Speaker 2: Didn't you put the Drake song on here? Because I 343 00:15:08,880 --> 00:15:10,440 Speaker 2: saw people were saying what happened to that? 344 00:15:11,000 --> 00:15:13,880 Speaker 3: Because we got a documentary coming out to government. I 345 00:15:13,880 --> 00:15:15,560 Speaker 3: feel like it's a better look that we dropped. You 346 00:15:15,600 --> 00:15:17,600 Speaker 3: know what I'm saying. Okay, you know, and it's and 347 00:15:17,600 --> 00:15:20,640 Speaker 3: it's more of a summertime record of Big Punt we 348 00:15:20,680 --> 00:15:22,240 Speaker 3: call a Big Punk for a special reason. 349 00:15:22,440 --> 00:15:23,920 Speaker 1: Okay. We can't wait to hear that one. 350 00:15:24,040 --> 00:15:26,440 Speaker 2: Yeah, you probably got so many songs in the talk too. 351 00:15:26,600 --> 00:15:28,760 Speaker 3: Yeah you never seen that meme with the guy with 352 00:15:28,760 --> 00:15:32,120 Speaker 3: the big book bag with the jazz port was full 353 00:15:32,160 --> 00:15:34,920 Speaker 3: of hard times. Yeah, I mean we've been recalling we 354 00:15:34,960 --> 00:15:35,960 Speaker 3: always record. 355 00:15:36,080 --> 00:15:39,200 Speaker 2: And with Kanye because he's on a couple of songs here. 356 00:15:39,440 --> 00:15:41,560 Speaker 2: Was that specifically for your album or were you guys 357 00:15:41,640 --> 00:15:43,120 Speaker 2: working and then you were like, I'm gonna take this 358 00:15:43,160 --> 00:15:44,400 Speaker 2: from mine because I know Kanye. 359 00:15:45,000 --> 00:15:47,520 Speaker 3: I think I think I think we were always just working, 360 00:15:48,040 --> 00:15:50,720 Speaker 3: Like he had lockdown a hotel for like thirty days 361 00:15:50,720 --> 00:15:52,520 Speaker 3: and we just locked in and made a bunch of songs. 362 00:15:53,000 --> 00:15:55,960 Speaker 3: We just got like a bunch of records. And when 363 00:15:56,000 --> 00:15:57,520 Speaker 3: it came time for me to drop the album, I 364 00:15:57,520 --> 00:15:59,040 Speaker 3: was just like I was going through records. I'm like, yeah, 365 00:15:59,040 --> 00:16:01,280 Speaker 3: I love these right here. Because there was a lot 366 00:16:01,320 --> 00:16:03,000 Speaker 3: of records that I had that I didn't put on 367 00:16:03,080 --> 00:16:05,200 Speaker 3: Mac and Cheese five because its because it's street mixtape. 368 00:16:05,200 --> 00:16:06,800 Speaker 3: You know what I'm saying. It was like a lot 369 00:16:06,840 --> 00:16:08,840 Speaker 3: of things don't fit. So I just grabbed like because 370 00:16:08,840 --> 00:16:10,840 Speaker 3: he got even a sound on his new album now 371 00:16:10,880 --> 00:16:13,040 Speaker 3: that that I love. But you know, when Mac and 372 00:16:13,080 --> 00:16:15,400 Speaker 3: Cheese five, it's like Sampools and it's just like the 373 00:16:15,480 --> 00:16:17,920 Speaker 3: boom back and it's just like back back to the streets. 374 00:16:17,960 --> 00:16:19,960 Speaker 3: So it was these two records. 375 00:16:19,720 --> 00:16:21,360 Speaker 2: I love and I put them on here times Up 376 00:16:21,400 --> 00:16:23,720 Speaker 2: that you used that first to start it up up. 377 00:16:24,000 --> 00:16:29,520 Speaker 2: I was like, okay, my song, yeah, Times Up? How 378 00:16:29,520 --> 00:16:30,880 Speaker 2: did that affect the bottom line? 379 00:16:30,880 --> 00:16:32,200 Speaker 1: Though? Like do you ever? Are you ever? 380 00:16:32,320 --> 00:16:35,560 Speaker 3: Like damn sometimes their own percentage off the next record, 381 00:16:35,760 --> 00:16:40,000 Speaker 3: YE publish it everything, So it's. 382 00:16:39,840 --> 00:16:42,800 Speaker 2: Not about making money off the actual album because it's 383 00:16:42,800 --> 00:16:45,280 Speaker 2: hard for people to do that if it's never it's. 384 00:16:45,080 --> 00:16:48,800 Speaker 3: Never been about making money off off off the music. 385 00:16:48,840 --> 00:16:51,560 Speaker 3: I feel like that's that's something I learned early because 386 00:16:51,600 --> 00:16:53,520 Speaker 3: because because if I did, then I would have never 387 00:16:54,280 --> 00:16:56,880 Speaker 3: you know, like just went out there and spent seven 388 00:16:56,960 --> 00:17:00,000 Speaker 3: hundred thousand on Unforgettable before I made one dollar off 389 00:17:00,040 --> 00:17:02,600 Speaker 3: of it, or like you know, buying certain songs from 390 00:17:02,600 --> 00:17:05,520 Speaker 3: people and just like going you know overboard. I might 391 00:17:06,200 --> 00:17:08,960 Speaker 3: I might be in the negative spending money on this album, 392 00:17:09,680 --> 00:17:13,080 Speaker 3: but then you hit that road, you know what I'm saying, 393 00:17:13,080 --> 00:17:15,199 Speaker 3: and you're making money. But it's all about leaving the 394 00:17:15,200 --> 00:17:17,520 Speaker 3: best work you could leave or not right, and not 395 00:17:17,640 --> 00:17:19,040 Speaker 3: just making you know what I'm saying. Making it a 396 00:17:19,080 --> 00:17:21,960 Speaker 3: money thing. You're making the money thing. If I'm making 397 00:17:21,960 --> 00:17:23,879 Speaker 3: the money thing, I spent one hundred thousand dollars and 398 00:17:23,920 --> 00:17:28,000 Speaker 3: do a whole album just use beats. My little brother, dude, 399 00:17:28,119 --> 00:17:31,120 Speaker 3: you know I'm different. Yeah, but that's you know, that's 400 00:17:31,119 --> 00:17:34,399 Speaker 3: what it is. Sometimes the corners. I'm every producer that 401 00:17:34,600 --> 00:17:37,040 Speaker 3: probably produced one of these samples, probably trying to throw 402 00:17:37,040 --> 00:17:39,439 Speaker 3: their own beat under the songs, like yo, Bro, I'm like, yo, 403 00:17:39,680 --> 00:17:42,200 Speaker 3: just put the sample back, bro. Like so at the 404 00:17:42,280 --> 00:17:43,719 Speaker 3: end of the day, you gotta make them choices. 405 00:17:44,040 --> 00:17:45,959 Speaker 2: And I think you're in a good space because I 406 00:17:45,960 --> 00:17:48,879 Speaker 2: feel like, you know, legacy artists that have been around 407 00:17:48,920 --> 00:17:50,560 Speaker 2: you work with, but the newer, up and coming artists 408 00:17:50,560 --> 00:17:52,480 Speaker 2: you're kind of like still in between both of those. 409 00:17:52,640 --> 00:17:55,400 Speaker 3: I call it the bridge, right, just like the bridge 410 00:17:55,400 --> 00:17:58,040 Speaker 3: you know you have to be though, Yeah, yeah, yeah, youtobe, 411 00:17:58,080 --> 00:17:58,679 Speaker 3: Yeah definitely. 412 00:17:58,880 --> 00:18:01,680 Speaker 4: It's not like you gotta embrace the new artists. Yeah, 413 00:18:01,840 --> 00:18:03,560 Speaker 4: you know, you gotta do songs with them. 414 00:18:03,400 --> 00:18:05,600 Speaker 3: Like you see Mano doing songs with five ye oh, 415 00:18:05,960 --> 00:18:08,399 Speaker 3: then going do songs with Puff or who whatever it is. 416 00:18:08,440 --> 00:18:11,080 Speaker 3: You know what I'm saying. I mean, that's the same way, 417 00:18:11,200 --> 00:18:14,280 Speaker 3: like you know, d thing just came home do songs 418 00:18:14,280 --> 00:18:16,320 Speaker 3: with d thing, do songs, I mean, with all the 419 00:18:16,359 --> 00:18:18,240 Speaker 3: new artists in New York and still be able to 420 00:18:18,240 --> 00:18:21,439 Speaker 3: go do songs with you know, is he your artist? 421 00:18:21,520 --> 00:18:21,840 Speaker 1: Do you think? 422 00:18:21,920 --> 00:18:22,160 Speaker 3: Is that. 423 00:18:23,680 --> 00:18:25,919 Speaker 2: Okay? Because I saw that, I say, this's got. 424 00:18:25,800 --> 00:18:26,359 Speaker 1: To be his artist? 425 00:18:26,560 --> 00:18:26,760 Speaker 5: Yeah? 426 00:18:26,800 --> 00:18:27,879 Speaker 3: He with me and Tank k Ye. 427 00:18:28,520 --> 00:18:29,560 Speaker 1: Who else is signed to you? 428 00:18:30,000 --> 00:18:31,880 Speaker 3: Ken Zo b oh wow? 429 00:18:31,920 --> 00:18:32,240 Speaker 1: Okay? 430 00:18:32,480 --> 00:18:35,359 Speaker 3: Yeah, I think I think they are here somewhere. But 431 00:18:35,440 --> 00:18:37,560 Speaker 3: you know, always, you know, we're always trying to keep 432 00:18:38,359 --> 00:18:40,639 Speaker 3: you know what I'm saying, keep the new movement, you know, 433 00:18:41,080 --> 00:18:44,800 Speaker 3: always give a chance to you know, to new artists. 434 00:18:45,040 --> 00:18:47,000 Speaker 3: You know. That's why, that's that's what I wished when 435 00:18:47,000 --> 00:18:48,320 Speaker 3: I was coming up. You know what I'm saying, Somebody 436 00:18:48,320 --> 00:18:49,840 Speaker 3: that knew the game could teach me the ropes. So 437 00:18:49,880 --> 00:18:51,000 Speaker 3: I've been trying to do the same thing. 438 00:18:51,600 --> 00:18:54,600 Speaker 1: And then creation of kings everywhere, the boys, oh. 439 00:18:54,600 --> 00:18:58,960 Speaker 3: Boys, creation of kings everywhere, truly humble d. 440 00:19:00,119 --> 00:19:03,159 Speaker 2: That coke stands for a creation of kings everywhere, not 441 00:19:03,240 --> 00:19:04,600 Speaker 2: what you think it is exactly. 442 00:19:05,960 --> 00:19:07,879 Speaker 3: You don't ask Coca Cola what this stand for. 443 00:19:08,119 --> 00:19:09,560 Speaker 1: Well, it actually used to be cocaine. 444 00:19:09,560 --> 00:19:11,720 Speaker 5: And absolutely. 445 00:19:12,440 --> 00:19:15,280 Speaker 1: That's a terrible example, I. 446 00:19:15,320 --> 00:19:18,760 Speaker 3: Didn't know that you were something original Coca Cola. 447 00:19:19,800 --> 00:19:22,640 Speaker 5: That's original coke boy, original coke boys. 448 00:19:24,600 --> 00:19:25,640 Speaker 3: Coca ain't no boy. 449 00:19:27,240 --> 00:19:29,480 Speaker 2: I saw friends at the Brooklyn Nets game recently, and 450 00:19:29,480 --> 00:19:33,160 Speaker 2: then you have viral for your sneakers headed the two 451 00:19:33,240 --> 00:19:36,399 Speaker 2: hundred thousand dollars sneakers. Some people didn't believe it, but 452 00:19:36,480 --> 00:19:38,320 Speaker 2: those sneakers are definitely looked. 453 00:19:38,160 --> 00:19:45,000 Speaker 3: Them up right, Yeah, you know, die, I want those 454 00:19:45,080 --> 00:19:46,320 Speaker 3: that one time and that's it. 455 00:19:46,440 --> 00:19:50,840 Speaker 5: Put them back, Like why would he wear those? House 456 00:19:50,920 --> 00:19:51,159 Speaker 5: right here? 457 00:19:51,240 --> 00:19:53,040 Speaker 1: It's worth like four hundred I'm not wearing them. 458 00:19:53,080 --> 00:19:59,919 Speaker 5: I'm like four hundred thousand dollars. 459 00:20:00,080 --> 00:20:02,760 Speaker 3: As jacket ten thousands. 460 00:20:04,600 --> 00:20:07,840 Speaker 2: You know how I got this jacket. Someone brought me 461 00:20:07,880 --> 00:20:09,639 Speaker 2: a gift. I'm not going to say his name. He 462 00:20:09,680 --> 00:20:11,679 Speaker 2: bought me a gift. So he bought me like a 463 00:20:11,720 --> 00:20:13,080 Speaker 2: Louis bag. I traded it in. 464 00:20:14,000 --> 00:20:16,640 Speaker 1: I went to the store, traded it in and got. 465 00:20:16,480 --> 00:20:19,640 Speaker 4: The coat and was that really really? So it's kind 466 00:20:19,640 --> 00:20:22,120 Speaker 4: of not really a coat, it's really a bag. 467 00:20:22,200 --> 00:20:23,800 Speaker 2: So what I traded it in and then I put 468 00:20:23,880 --> 00:20:26,000 Speaker 2: a little more on it and bought the coat because 469 00:20:26,000 --> 00:20:26,760 Speaker 2: I was like why would not? 470 00:20:26,760 --> 00:20:29,000 Speaker 5: I would you be if you got you didn't get it. 471 00:20:29,359 --> 00:20:31,240 Speaker 5: I thought you said you took it to a tailor. 472 00:20:31,400 --> 00:20:33,640 Speaker 2: No, no, no, I traded the bag in and got 473 00:20:33,640 --> 00:20:33,920 Speaker 2: a coat. 474 00:20:33,920 --> 00:20:36,000 Speaker 3: And I learned that a long time ago. I asked 475 00:20:36,000 --> 00:20:38,119 Speaker 3: people what they want? I don't be guessing. 476 00:20:38,920 --> 00:20:41,560 Speaker 1: What about these all these Hollywood women you lay down with? 477 00:20:45,280 --> 00:20:46,600 Speaker 1: What about the Hollywood donkeys? 478 00:20:52,920 --> 00:20:54,840 Speaker 5: Snipe snap man? 479 00:20:55,040 --> 00:20:56,960 Speaker 1: But I'm just saying you referenced a lot on the 480 00:20:57,119 --> 00:20:57,440 Speaker 1: on the. 481 00:20:57,480 --> 00:21:02,080 Speaker 2: Album you know, these Holly with ladies. 482 00:21:02,359 --> 00:21:04,320 Speaker 3: No, I'm just saying, I have my fun in Hollywood. 483 00:21:04,400 --> 00:21:08,000 Speaker 2: Okay, People that we wouldn't believe just just might have 484 00:21:08,040 --> 00:21:12,520 Speaker 2: my fun. I means when you're like, I can't believe 485 00:21:12,600 --> 00:21:13,760 Speaker 2: that I'm with this person. 486 00:21:14,440 --> 00:21:16,480 Speaker 3: Yeah, I mean I have my friends share. I have. 487 00:21:16,600 --> 00:21:18,480 Speaker 3: I have times when I was watching TV and I 488 00:21:18,520 --> 00:21:21,080 Speaker 3: had the person next to me like there wasn't nothing 489 00:21:21,080 --> 00:21:22,679 Speaker 3: wrong with that. You know. I have to have my 490 00:21:22,760 --> 00:21:25,160 Speaker 3: fans share, you know I want. I went to Hollywood 491 00:21:25,160 --> 00:21:27,040 Speaker 3: and I have fun. You know what I'm saying. I'm 492 00:21:27,040 --> 00:21:27,920 Speaker 3: still having fun. 493 00:21:27,960 --> 00:21:31,280 Speaker 1: Hollywood or reality show women? But ship, what do you think? 494 00:21:33,880 --> 00:21:37,000 Speaker 3: Man? I just love. I just love the person for 495 00:21:37,040 --> 00:21:39,400 Speaker 3: who they are. We get what we get. 496 00:21:42,160 --> 00:21:44,600 Speaker 1: We get what we get it first lay alone. Normally 497 00:21:44,640 --> 00:21:45,600 Speaker 1: we see you pop out. 498 00:21:45,960 --> 00:21:48,080 Speaker 5: Yeah, yeah, yeah, I mean he just got something on 499 00:21:48,440 --> 00:21:50,000 Speaker 5: something that's. 500 00:21:52,040 --> 00:21:53,440 Speaker 1: Somebody's in the car downstairs. 501 00:21:55,160 --> 00:21:59,520 Speaker 3: You know. I just felt like sometimes when you deal 502 00:21:59,560 --> 00:22:02,359 Speaker 3: with with these powerful women and this and that, it 503 00:22:02,440 --> 00:22:06,280 Speaker 3: just takes away from well what God truly blessed you with. 504 00:22:06,840 --> 00:22:08,240 Speaker 3: You know what I'm saying, the media eyes, you know 505 00:22:08,240 --> 00:22:09,600 Speaker 3: what I mean. You want to like, I want people 506 00:22:09,640 --> 00:22:12,760 Speaker 3: to focus on back and she's five and focus. 507 00:22:12,400 --> 00:22:18,399 Speaker 4: On That's true though, but I mean sometimes it helps. 508 00:22:18,560 --> 00:22:21,280 Speaker 4: It helps because we live in a time where the 509 00:22:21,400 --> 00:22:24,320 Speaker 4: music it's not the only thing that we gotta sell. 510 00:22:24,400 --> 00:22:26,879 Speaker 5: We got some image, you know, you know who we are, 511 00:22:26,880 --> 00:22:28,000 Speaker 5: like our personality. 512 00:22:28,200 --> 00:22:30,320 Speaker 3: Yeah, I feel like, you know, when you look at 513 00:22:30,440 --> 00:22:34,800 Speaker 3: social media, everybody, everybody does something different. You know what 514 00:22:34,800 --> 00:22:37,440 Speaker 3: I'm saying. There's people that just attack the social life 515 00:22:37,440 --> 00:22:39,560 Speaker 3: and the reality life, and I feel like they live 516 00:22:39,560 --> 00:22:41,000 Speaker 3: in that space and you know what I'm saying, in 517 00:22:41,000 --> 00:22:43,440 Speaker 3: the Hollywood unlocks and the shade rooms and all that. 518 00:22:43,720 --> 00:22:46,000 Speaker 3: But then you tap into the music side, where you know, 519 00:22:46,040 --> 00:22:48,919 Speaker 3: there's there's there's places you go for that, you know, 520 00:22:48,960 --> 00:22:50,560 Speaker 3: and I just feel like when you put all that 521 00:22:50,640 --> 00:22:52,679 Speaker 3: in public and you got to break up in public 522 00:22:52,720 --> 00:22:55,320 Speaker 3: and you gotta do this in public, and now the 523 00:22:55,040 --> 00:22:59,000 Speaker 3: lady is how many bodies she got? And you looking 524 00:22:59,080 --> 00:23:01,000 Speaker 3: like a dirt back because you jumping from one to one. 525 00:23:01,040 --> 00:23:03,040 Speaker 3: It just gets born after a while, I feel like, 526 00:23:03,119 --> 00:23:07,200 Speaker 3: you know, new French, Yeah, new French, new French, new MANI. 527 00:23:08,600 --> 00:23:10,360 Speaker 1: I've both been lay alone. I'm not gonna lie. 528 00:23:10,640 --> 00:23:12,800 Speaker 2: Yeah, this is this is an interesting time. 529 00:23:14,080 --> 00:23:16,040 Speaker 1: You stop drinking. You still are on that right? 530 00:23:16,280 --> 00:23:16,800 Speaker 3: Yeah? 531 00:23:16,800 --> 00:23:19,240 Speaker 1: Okay, so sober? How did that affect? 532 00:23:19,600 --> 00:23:22,239 Speaker 2: Like, how did those two things correlate? You know what 533 00:23:22,240 --> 00:23:22,680 Speaker 2: I'm saying. 534 00:23:22,920 --> 00:23:25,680 Speaker 3: I mean, I've just been. I've been you know, I've 535 00:23:25,680 --> 00:23:28,320 Speaker 3: been saying it correct, you know, right across from billionaires 536 00:23:28,359 --> 00:23:31,720 Speaker 3: And what I realized the only thing, you know, when 537 00:23:31,760 --> 00:23:33,480 Speaker 3: he takes a sip of that liquor, that's the only 538 00:23:33,520 --> 00:23:35,200 Speaker 3: way I'm richer than him, you know what I'm saying 539 00:23:35,480 --> 00:23:37,520 Speaker 3: that at that moment, until I reached that level. So 540 00:23:38,000 --> 00:23:41,000 Speaker 3: at the end of the day, it's just I needed 541 00:23:41,040 --> 00:23:43,840 Speaker 3: to focus up and losing a lot of bros and 542 00:23:44,480 --> 00:23:46,680 Speaker 3: dealing with a lot and I'm in the position where 543 00:23:46,680 --> 00:23:49,159 Speaker 3: I could change a lot of people lives and you know, 544 00:23:49,400 --> 00:23:52,119 Speaker 3: make make make make a generational wealth. So I just 545 00:23:52,119 --> 00:23:54,760 Speaker 3: felt like I lost a lot of money in the 546 00:23:54,760 --> 00:23:57,480 Speaker 3: midst of it. So making those decisions is a lot 547 00:23:57,480 --> 00:23:59,760 Speaker 3: of clearing down a lot faster. And this dipped through 548 00:23:59,760 --> 00:24:03,400 Speaker 3: real with okay, so you know, I kind of got 549 00:24:03,440 --> 00:24:05,240 Speaker 3: stuck to it. And now I see Jack Hallow and I 550 00:24:05,240 --> 00:24:09,359 Speaker 3: see I'm like, oh, you sober too, like mad? So yeah, 551 00:24:09,680 --> 00:24:11,840 Speaker 3: that's been sober. That's what I'm saying. 552 00:24:12,000 --> 00:24:14,719 Speaker 5: How long I think I all started sober? 553 00:24:16,040 --> 00:24:17,600 Speaker 6: You don't want to lie, you don't want to I 554 00:24:17,960 --> 00:24:22,200 Speaker 6: started sober taking a shot. 555 00:24:21,640 --> 00:24:22,320 Speaker 3: You gotta. 556 00:24:24,560 --> 00:24:28,359 Speaker 5: It's like a bad friend. Though, this is crazy shots 557 00:24:28,359 --> 00:24:29,520 Speaker 5: in the morning as wound. 558 00:24:29,640 --> 00:24:32,440 Speaker 2: But this album honestly like from what we've heard, because 559 00:24:32,480 --> 00:24:34,800 Speaker 2: I got it this morning also, and so I got 560 00:24:34,880 --> 00:24:38,879 Speaker 2: up to Fake Friends, you know, featuring bryceon Yeah, and 561 00:24:38,920 --> 00:24:41,040 Speaker 2: I was listening to it while my makeup artist was 562 00:24:41,080 --> 00:24:42,720 Speaker 2: doing my makeup, and she was like, Okay, this is 563 00:24:42,760 --> 00:24:45,560 Speaker 2: a banger, and she'll be like writing each song go 564 00:24:45,640 --> 00:24:47,359 Speaker 2: through it. I was thinking, like, I want to do 565 00:24:47,440 --> 00:24:49,240 Speaker 2: things like that more often, like get together like a 566 00:24:49,240 --> 00:24:51,080 Speaker 2: group of my friends when new music comes out, and 567 00:24:51,080 --> 00:24:53,600 Speaker 2: we could just have to and like eat and listen to. 568 00:24:53,640 --> 00:24:55,399 Speaker 3: No more joints for the girls on this one, like 569 00:24:55,600 --> 00:24:57,560 Speaker 3: a couple of I like the joint Praise God with 570 00:24:58,480 --> 00:24:59,560 Speaker 3: you like that. 571 00:24:59,840 --> 00:25:03,080 Speaker 5: I'm on, okay, baby goes with. 572 00:25:03,080 --> 00:25:05,879 Speaker 2: Your mom and stand United with Kanye, Saint John and 573 00:25:05,920 --> 00:25:06,880 Speaker 2: BOOJIU Internet. 574 00:25:06,960 --> 00:25:09,680 Speaker 1: We love that because you got a Caribbean vibes. 575 00:25:10,160 --> 00:25:12,200 Speaker 3: Yeah, appreciate that. Yeah. 576 00:25:12,240 --> 00:25:13,760 Speaker 1: And then of course you know we got a little 577 00:25:13,800 --> 00:25:14,640 Speaker 1: drill on here too. 578 00:25:14,760 --> 00:25:16,560 Speaker 3: Oh yeah, yeah, you have to put forty one. I 579 00:25:16,560 --> 00:25:17,720 Speaker 3: had to put something from the city with that. 580 00:25:18,440 --> 00:25:21,240 Speaker 2: From that that, she was like, she was going crazy 581 00:25:21,280 --> 00:25:23,760 Speaker 2: to that because you know she has her kids love 582 00:25:23,840 --> 00:25:26,159 Speaker 2: forty one two and hearing you with them. Yeah, I 583 00:25:26,200 --> 00:25:28,280 Speaker 2: think that was definitely a vibe on this album. And 584 00:25:28,320 --> 00:25:30,960 Speaker 2: then I skipped down a millionaire row, So that's like 585 00:25:31,000 --> 00:25:34,639 Speaker 2: a pop that vibe. So when you listen to like 586 00:25:34,680 --> 00:25:36,520 Speaker 2: your music and when you make your music, do you 587 00:25:36,520 --> 00:25:37,760 Speaker 2: think about, like, what's gonna be the. 588 00:25:37,920 --> 00:25:41,159 Speaker 3: Huge No, not not with this one, not with this one, 589 00:25:41,400 --> 00:25:44,119 Speaker 3: because usually usually I will focus on singles, but with 590 00:25:44,160 --> 00:25:45,480 Speaker 3: this one, I was like, I'm gonna make the album 591 00:25:45,480 --> 00:25:48,200 Speaker 3: a single. Yeah, So I was like, because the only 592 00:25:48,280 --> 00:25:52,000 Speaker 3: song that yeah, the only song that really came out 593 00:25:51,080 --> 00:25:55,280 Speaker 3: of the new track was this joint is the okay joint? Yeah, 594 00:25:55,480 --> 00:25:56,560 Speaker 3: I heard that one. Yeah. 595 00:25:56,720 --> 00:25:58,480 Speaker 2: One thing I noticed about you too is that you 596 00:25:58,520 --> 00:26:01,000 Speaker 2: work consistently with some of this people. I feel like 597 00:26:01,320 --> 00:26:04,920 Speaker 2: people also like you personality wise, and that's important too, 598 00:26:05,000 --> 00:26:06,920 Speaker 2: like to have those vibes in the studio where it's 599 00:26:06,920 --> 00:26:08,560 Speaker 2: not like he's just talented. 600 00:26:08,600 --> 00:26:10,400 Speaker 1: I like him for that, but I also enjoy being 601 00:26:10,400 --> 00:26:10,920 Speaker 1: around him. 602 00:26:11,040 --> 00:26:13,320 Speaker 3: Yeah. Yeah, I mean it's because it's you know, it's 603 00:26:13,320 --> 00:26:15,639 Speaker 3: hard to find people that you like this in this 604 00:26:15,800 --> 00:26:18,880 Speaker 3: social world nowadays because you don't even get to meet 605 00:26:18,960 --> 00:26:21,200 Speaker 3: artists because they're just so behind the computer and behind 606 00:26:21,200 --> 00:26:23,720 Speaker 3: their iPhone, you know what I mean. Nowadays, when like 607 00:26:23,720 --> 00:26:25,840 Speaker 3: when I meet an artist that, like how me and 608 00:26:25,880 --> 00:26:28,800 Speaker 3: Mano had a relationship for over for over a decade 609 00:26:28,840 --> 00:26:30,720 Speaker 3: plus decade and a half, and it's like it's the 610 00:26:30,760 --> 00:26:33,240 Speaker 3: same thing all the time. Some of these artists is 611 00:26:33,280 --> 00:26:35,720 Speaker 3: like them make songs like you don't even like, you 612 00:26:35,720 --> 00:26:37,239 Speaker 3: don't even know who you're making songs with. He might 613 00:26:37,359 --> 00:26:44,359 Speaker 3: even not even look like the guy that's on the artwork. Yeah, 614 00:26:44,440 --> 00:26:46,240 Speaker 3: That's what I'm saying. It's like, so. 615 00:26:48,000 --> 00:26:49,680 Speaker 2: This is a nice moment for me though too, because 616 00:26:49,680 --> 00:26:51,919 Speaker 2: I'm from New York and I've known both of you 617 00:26:51,960 --> 00:26:55,440 Speaker 2: guys from my serious days, you know, and this here 618 00:26:55,520 --> 00:26:58,320 Speaker 2: is like my twenty years in radio all the way up, 619 00:26:58,480 --> 00:27:00,199 Speaker 2: you know, and I just feel like I remember her 620 00:27:00,200 --> 00:27:03,440 Speaker 2: friends coming to the bowling parties, you know, early on, 621 00:27:03,600 --> 00:27:05,640 Speaker 2: and Marissa Mende is running. 622 00:27:05,320 --> 00:27:07,159 Speaker 3: Around you're watching y'all show. I was like, yo, I 623 00:27:07,280 --> 00:27:09,920 Speaker 3: gotta do I gotta do this right there on on 624 00:27:09,920 --> 00:27:12,600 Speaker 3: on on our release, I was like, yo, no, I 625 00:27:12,640 --> 00:27:16,240 Speaker 3: may no, this is it's a double trouble. That's what 626 00:27:16,359 --> 00:27:22,320 Speaker 3: I thought. The show is gonna be called trouble. Meking. 627 00:27:22,400 --> 00:27:24,320 Speaker 5: She's consistently been getting me in trouble for years. 628 00:27:25,160 --> 00:27:27,280 Speaker 2: Listen, that is the fact that a lot of people 629 00:27:27,280 --> 00:27:29,080 Speaker 2: got in trouble. But it's your own. 630 00:27:29,359 --> 00:27:30,400 Speaker 3: Honestly, it's a home run. 631 00:27:30,560 --> 00:27:31,560 Speaker 1: Yeah you said it's a home run. 632 00:27:31,680 --> 00:27:32,600 Speaker 3: Yeah, this shows a home run. 633 00:27:32,880 --> 00:27:34,359 Speaker 1: Well, thank you. I appreciate that. 634 00:27:34,600 --> 00:27:36,359 Speaker 2: And so it is a full circle moment for me, 635 00:27:36,480 --> 00:27:39,320 Speaker 2: like just having thinking about and y'all both also look 636 00:27:39,359 --> 00:27:42,960 Speaker 2: the same, you know, aging that well, both of y'all. 637 00:27:43,040 --> 00:27:45,919 Speaker 2: We do like side by sides of back then and 638 00:27:45,960 --> 00:27:46,719 Speaker 2: where y'all are now. 639 00:27:46,960 --> 00:27:48,800 Speaker 3: We look better what you mean some of these boys 640 00:27:48,880 --> 00:27:53,080 Speaker 3: look looks the same looks time. 641 00:27:54,720 --> 00:27:55,200 Speaker 5: The agent. 642 00:27:55,680 --> 00:27:59,240 Speaker 2: Well, I think the Bolan life is always to of course, 643 00:27:59,320 --> 00:28:01,520 Speaker 2: like age, I think is a blessing. 644 00:28:01,680 --> 00:28:05,040 Speaker 4: Also energy to though you gotta be careful with your energy, 645 00:28:05,119 --> 00:28:07,800 Speaker 4: like the energy that you that you put out there, 646 00:28:08,200 --> 00:28:10,480 Speaker 4: you know, in your circle. We talked about having a 647 00:28:10,680 --> 00:28:12,720 Speaker 4: you know, a tight circle and stuff like that and 648 00:28:12,800 --> 00:28:13,800 Speaker 4: taking care of yourself. 649 00:28:13,880 --> 00:28:15,240 Speaker 2: You know, at the end of the day, do you 650 00:28:15,240 --> 00:28:17,119 Speaker 2: feel like there was a time you had bad energy 651 00:28:17,119 --> 00:28:19,399 Speaker 2: around you and you had to fix things up? 652 00:28:19,880 --> 00:28:23,520 Speaker 3: Oh? Yeah, everybody had bad energy, absolutely, you know what 653 00:28:23,520 --> 00:28:26,200 Speaker 3: I'm saying. At a point, yeah, I feel like everybody 654 00:28:26,280 --> 00:28:26,560 Speaker 3: you know. 655 00:28:26,640 --> 00:28:28,600 Speaker 1: But everybody doesn't get out of it though. 656 00:28:28,920 --> 00:28:30,800 Speaker 5: You learn from it though, if. 657 00:28:30,680 --> 00:28:33,600 Speaker 3: We can, like how Homeboys said Medea who was like, 658 00:28:33,680 --> 00:28:36,600 Speaker 3: you know when the rocket go up and then people 659 00:28:36,680 --> 00:28:39,400 Speaker 3: can't go up that high and the detached come down 660 00:28:39,480 --> 00:28:43,000 Speaker 3: and you keep going up. Yeah, yeah, that's that's that's 661 00:28:43,040 --> 00:28:43,600 Speaker 3: that's real. 662 00:28:43,680 --> 00:28:46,120 Speaker 1: Did you say like media said, what's what's his name? 663 00:28:46,280 --> 00:28:48,400 Speaker 1: Tyler Perry? I'm so mad that you just. 664 00:28:48,400 --> 00:28:53,880 Speaker 5: Said person though it's the same person said that though. 665 00:28:54,200 --> 00:28:56,680 Speaker 3: But it's crazy because because I know Media more than 666 00:28:57,000 --> 00:29:01,280 Speaker 3: Tyler Perry, because you watch being so much. Your movies. 667 00:29:01,360 --> 00:29:02,280 Speaker 5: You're like a real person. 668 00:29:03,200 --> 00:29:04,400 Speaker 3: It's a real person, and you. 669 00:29:04,440 --> 00:29:05,840 Speaker 1: Got the hair and bones. I like it. 670 00:29:06,040 --> 00:29:07,520 Speaker 5: Oh yeah, her bones back. 671 00:29:07,720 --> 00:29:09,480 Speaker 3: You know we're from New York. You know, sometimes you 672 00:29:09,560 --> 00:29:11,600 Speaker 3: just gotta switching just all. You know what I'm saying, 673 00:29:11,640 --> 00:29:14,160 Speaker 3: it's gotta come all straight, go terrrible. They ain't gotta 674 00:29:14,160 --> 00:29:16,120 Speaker 3: throw a hundred chains on you, just gotta switch it up. 675 00:29:16,200 --> 00:29:18,400 Speaker 1: That was my first chain, A little herring bone. 676 00:29:18,520 --> 00:29:22,600 Speaker 5: Yeah, man, everybody had them, had a herible, big hair 677 00:29:22,600 --> 00:29:22,960 Speaker 5: and bone. 678 00:29:22,960 --> 00:29:25,040 Speaker 3: You was like that. You gotta switch it up for 679 00:29:25,080 --> 00:29:26,000 Speaker 3: the roll out sometime. 680 00:29:26,480 --> 00:29:29,160 Speaker 2: But congratulations again, I'm so happy that you came. This 681 00:29:29,240 --> 00:29:32,160 Speaker 2: is your first time a Way Up Double Trouble. 682 00:29:32,200 --> 00:29:33,240 Speaker 1: So we appreciate that. 683 00:29:33,640 --> 00:29:36,440 Speaker 3: Joint com all the way up. Yeah, I look he 684 00:29:36,560 --> 00:29:37,000 Speaker 3: did right. 685 00:29:37,120 --> 00:29:39,720 Speaker 2: No, No, actually, you know what the song is called 686 00:29:39,720 --> 00:29:42,280 Speaker 2: way Up. But I'm gonna be honest. I thought of that, 687 00:29:42,360 --> 00:29:45,200 Speaker 2: but I really got it from Big Sean. I'm way up. 688 00:29:45,240 --> 00:29:46,680 Speaker 3: I feel I'm just joking, man. 689 00:29:47,480 --> 00:29:49,440 Speaker 1: Yeah, I think it's both. 690 00:29:49,480 --> 00:29:50,160 Speaker 3: I ain't coming to. 691 00:29:50,120 --> 00:29:57,080 Speaker 4: See you coming, you know, and asked me about to 692 00:29:57,080 --> 00:29:58,000 Speaker 4: send this injunction. 693 00:29:59,240 --> 00:30:00,480 Speaker 3: Get you out of there, Mac. 694 00:30:00,400 --> 00:30:02,480 Speaker 5: And Cheese Mediation. 695 00:30:02,520 --> 00:30:05,160 Speaker 2: All right, Well there you go, but Mac and Cheese 696 00:30:05,360 --> 00:30:06,640 Speaker 2: five is out now. 697 00:30:06,760 --> 00:30:08,200 Speaker 1: Congratulations on everything. 698 00:30:08,680 --> 00:30:09,160 Speaker 3: Amazing. 699 00:30:09,280 --> 00:30:10,760 Speaker 2: It's going to be a vibe for you guys to 700 00:30:10,840 --> 00:30:12,520 Speaker 2: watch and I cannot wait to hear what else you 701 00:30:12,520 --> 00:30:15,040 Speaker 2: have next in to see the documentary when it's out, 702 00:30:15,560 --> 00:30:15,840 Speaker 2: Is it's. 703 00:30:15,720 --> 00:30:18,760 Speaker 1: Going to be in theaters or streaming both in June? 704 00:30:18,920 --> 00:30:19,160 Speaker 3: Yeah? 705 00:30:19,960 --> 00:30:21,320 Speaker 1: Alright, French Montana 706 00:30:24,640 --> 00:30:25,120 Speaker 3: Way up.