WEBVTT - Is There Such a Thing as “Authentic” Food?

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what will?

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<v Speaker 2>What's that? Mango?

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<v Speaker 1>So I'm going to kick this off with something pretty scandalous.

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<v Speaker 1>So get out your Victorian hand fans and your fainting

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<v Speaker 1>couches because this is going to blow you away.

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<v Speaker 2>Wow.

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<v Speaker 3>If anybody's ever been guilty of over selling something mango,

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<v Speaker 3>I think that might be you right now. But anyway,

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<v Speaker 3>what is the fact?

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<v Speaker 1>Well, let me start off with a question, what is

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<v Speaker 1>the most popular Australian restaurant in America?

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<v Speaker 3>That's a good question. The only one I can think

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<v Speaker 3>of maybe Outback exactly?

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<v Speaker 1>And did you know that Outback Steakhouse restaurant chain is

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<v Speaker 1>not even remotely Australian.

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<v Speaker 2>Shocking.

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<v Speaker 1>So I don't know about you, but this really shook

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<v Speaker 1>my world. Uh, lumin onions and mozzarella boomerangs are not

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<v Speaker 1>authentic Aussy cuisine.

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<v Speaker 3>An I guess I should cancel my trip because I

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<v Speaker 3>was looking forward to some of those mozzarella boomerangs.

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<v Speaker 2>But anyway, so if it's not from Australia, where's.

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<v Speaker 1>It from Tampa?

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<v Speaker 2>Okay? All right, that's close.

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<v Speaker 1>The chain was founded back in nineteen eighty eight, during

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<v Speaker 1>the height of the Crocodile Dundee craze, and in fact,

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<v Speaker 1>none of the four people who found it out back

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<v Speaker 1>had ever been to Australia when they launched the chain.

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<v Speaker 2>That's actually pretty funny though, right.

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<v Speaker 1>I Mean, what's even crazier is that they actually made

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<v Speaker 1>it a point not to visit so that they wouldn't

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<v Speaker 1>be tempted to incorporate actual Australian cuisine into their vision.

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<v Speaker 1>They wanted their Aussi theme to remain just as cartoonish

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<v Speaker 1>and surface level as the movie that inspired it.

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<v Speaker 3>I mean, it does kind of break my heart that

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<v Speaker 3>Australians haven't really experienced the wonder of the bloomin onion mango.

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<v Speaker 1>I know, but today's episode is all about food authenticity.

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<v Speaker 1>We're going to deal with really tricky questions like what

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<v Speaker 1>does it mean to serve authentic cuisine? Who decides what's

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<v Speaker 1>authentic or not? And is it possible to fabricate authenticity?

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<v Speaker 3>You know, this one turned out to be a pretty

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<v Speaker 3>crazy topic, so I'm excited to talk about it.

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<v Speaker 2>Let's dive in.

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<v Speaker 3>Hey, their podcast listeners, welcome to Part Time Genius. I'm

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<v Speaker 3>Will Pearson and as always, I'm joined by my good

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<v Speaker 3>friend Mangesh hot ticketter and on the other side of

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<v Speaker 3>that soundproof glasses helping himself to a veggie corn dog

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<v Speaker 3>and a fresh batch of deep fried Oreos. That's our

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<v Speaker 3>friend and producer Dylan Fagan.

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<v Speaker 1>It kind of feels like either he switched to a

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<v Speaker 1>really unhealthy diet for some reason, or like he's running

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<v Speaker 1>for some sort of office, Like that's the type of

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<v Speaker 1>thing that politicians eat when they're try to get the

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<v Speaker 1>vote out.

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<v Speaker 3>Don't know if he's campaigning for anything right now, but

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<v Speaker 3>Dylan is one hundred percent authentically Dylan twenty four to seven,

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<v Speaker 3>so he's got my vote.

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<v Speaker 2>But you make a good point here.

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<v Speaker 3>So today we're talking about authenticity and food and that

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<v Speaker 3>definitely plays a role in politics. Like you probably saw

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<v Speaker 3>some of the mayoral race in New York City. The

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<v Speaker 3>new mayors are on mom. Donnie made a real point

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<v Speaker 3>of declaring his authenticity by showing up at local bodegas

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<v Speaker 3>ordering egg and cheese and celebrating ethnic food from Queens.

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<v Speaker 1>Yeah, I mean, I kind of love that he was

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<v Speaker 1>out promoting places like kebab King on the campaign trail

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<v Speaker 1>rather than just like another pizza place, which you know,

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<v Speaker 1>you know, I mean, I love pizza.

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<v Speaker 2>I do know that you love pizza.

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<v Speaker 1>But it's fun to see all this time. Yeah.

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<v Speaker 3>But and it makes sense, right, like performative eating and

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<v Speaker 3>also things like downing fried food at state fairs in

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<v Speaker 3>front of crowds. It's actually tried and true campaign tactic,

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<v Speaker 3>and it's been common practice for at least a century

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<v Speaker 3>at this point.

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<v Speaker 1>Yeah, And I guess it's because these politicians are showing

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<v Speaker 1>their real people and kind of to earth.

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<v Speaker 2>That's exactly right.

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<v Speaker 3>And you know it's a play to show how authentic

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<v Speaker 3>and down to earth they really are.

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<v Speaker 2>So just to run through the.

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<v Speaker 3>Presidential timeline a little bit, President Franklin Roosevelt ate a

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<v Speaker 3>hot dog for a photo op while sitting in his

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<v Speaker 3>convertible at a campaign stop back in nineteen thirty two.

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<v Speaker 3>Eisenhower drank a bottle of coke at a rally to

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<v Speaker 3>kick off his nineteen fifty six reelection campaign, and in

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<v Speaker 3>a rare case of bipartisan pandering, both Ronald Reagan and

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<v Speaker 3>Bill Clinton chowed down on Big Max during their respective

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<v Speaker 3>runs for president. It's funny I can remember both of

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<v Speaker 3>those so vividly as a kid, right, I mean more.

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<v Speaker 1>Than the actual incident of Phil Clinton being Adam McDonald's.

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<v Speaker 1>I remember Phil Hartman playing Bill Clinton, like wandering into

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<v Speaker 1>McDonald's to eat after a jog, but he's only been

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<v Speaker 1>jogging for like.

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<v Speaker 3>Three people, Yeah, and then straight into the McDonald's sty.

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<v Speaker 3>You're right, I actually remember that probably just as well. Anyway,

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<v Speaker 3>that's just a small sampling of the many winning candidates

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<v Speaker 3>who've eaten in public over the years, and all is

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<v Speaker 3>a way to appeal to their voters.

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<v Speaker 1>I'm always so confused though, Right, why does eating a

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<v Speaker 1>deep fried oreo make a candidate seem more authentic?

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<v Speaker 2>Like?

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<v Speaker 1>It feels so obvious. It is such a pr stunt.

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<v Speaker 2>Yeah, I mean it is.

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<v Speaker 3>And these types of eating displays are hyper managed events

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<v Speaker 3>that are scouted and planned well in advance by campaign teams,

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<v Speaker 3>and most of the people in attendance actually understand that

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<v Speaker 3>at least at some level. But luckily for the candidates,

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<v Speaker 3>the goal isn't really to convince the public that you're

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<v Speaker 3>just a regular Joe eating a corn dog like Dylanova there,

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<v Speaker 3>who's definitely not a regular Joe.

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<v Speaker 2>And i't mean to suggest.

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<v Speaker 1>That, no, no, not at all.

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<v Speaker 3>But the real aim is to show that a candidate

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<v Speaker 3>understands what's important to a community.

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<v Speaker 2>So that's why.

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<v Speaker 3>Campaigns these days tend to avoid chain restaurants and tend

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<v Speaker 3>to go to these independent diners and food stands and

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<v Speaker 3>stuff like that, Like they want to leverage the sense

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<v Speaker 3>of shared history and community that places like that evoke

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<v Speaker 3>in people.

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<v Speaker 1>So like the eating is almost this symbolic gesture.

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<v Speaker 3>That's exactly right, So it communicates a kind of cultural

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<v Speaker 3>understanding or fluency, which you can really make a candidate

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<v Speaker 3>seem more authentic to the voters, even though the situation

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<v Speaker 3>surrounding it is completely and authentic. But the word authentic

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<v Speaker 3>is going to come up a lot today, so we

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<v Speaker 3>should probably just.

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<v Speaker 2>Nail down a meaning for it.

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<v Speaker 3>Unfortunately, in the context of food, the word authentic can

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<v Speaker 3>actually mean different things to different people. The most common

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<v Speaker 3>meaning is that authentic food is somehow representative of a

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<v Speaker 3>specific category, like a region or an ethnicity.

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<v Speaker 1>So like authentic New York pizza, or like authentic Mexican

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<v Speaker 1>food is like a way that we use this.

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<v Speaker 2>That's exactly right.

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<v Speaker 3>And this type of usage can get a little dicey

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<v Speaker 3>since it's used primarily in regard to quote unquote ethnic cuisine,

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<v Speaker 3>and it raises the question of who gets to decide

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<v Speaker 3>what is or isn't authentic, like the people preparing the

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<v Speaker 3>food or the people eating it. It's like mango when

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<v Speaker 3>we would go to Indian restaurants in college, and I

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<v Speaker 3>was always like, but first, mango, is this authentic?

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<v Speaker 1>Right?

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<v Speaker 2>I don't get you to tell me.

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<v Speaker 1>Yeah. Now, this whole thing makes me think of the

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<v Speaker 1>study I read where a sociologist his name is Stephen Christ,

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<v Speaker 1>actually went to fifty four Mexican restaurants across the country

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<v Speaker 1>and he interviewed the employees. What he learned was that

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<v Speaker 1>many of the restaurants that were touted for their authenticity,

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<v Speaker 1>we're actually serving watered down recipes because that's what the

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<v Speaker 1>locals wanted. Now, in most cases, I'd say that's just

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<v Speaker 1>good business, right, like you want to meet people where

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<v Speaker 1>they are. But the subtext of this study is that

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<v Speaker 1>Mexican chefs were being compelled to change their family recipes

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<v Speaker 1>and they'd have to substitute these traditional ingredients all to

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<v Speaker 1>appeal to the local tastes. So the way Stephen Christ

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<v Speaker 1>puts it is that quote a restaurant is only as

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<v Speaker 1>authentic as profits will allow, which is kind of an

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<v Speaker 1>interesting take, right, And it plays into how loaded the

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<v Speaker 1>word authenticity is. Like these restaurants wind up chasing someone

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<v Speaker 1>else's idea of authenticity just to stay in business.

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<v Speaker 3>Yeah, I can imagine that's always a challenge. And speaking

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<v Speaker 3>of profits, that brings us to the second meaning of

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<v Speaker 3>authenticity in the food industry. So this is the kind

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<v Speaker 3>of authenticity that's derived from values or beliefs, So things

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<v Speaker 3>like sustainability or locally sourced ingredients, or like cage and

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<v Speaker 3>cruelty free meat stuff like that.

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<v Speaker 1>So kind of authentically whole foods is what you're saying.

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<v Speaker 3>I mean, values based authenticity is the kind that people

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<v Speaker 3>are willing to pay a higher price for.

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<v Speaker 1>So one kind of authenticity brings in more money than

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<v Speaker 1>the other.

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<v Speaker 3>I mean, that's what's interesting here, right. So when it

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<v Speaker 3>comes to categorical authenticity, studies show that the value comes

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<v Speaker 3>in the form of better reviews, which typically gives the

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<v Speaker 3>business to boost. But the flip side is that most

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<v Speaker 3>customers won't be willing to pay more for that brand

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<v Speaker 3>of authenticity. So, for example, a dive joint known for

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<v Speaker 3>its authentic Philly cheese steaks is going to have great

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<v Speaker 3>word of mouth, but all the customers who flock there

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<v Speaker 3>will expect to pay these dive joint prices no matter

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<v Speaker 3>how authentic it is. But that's actually not the case

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<v Speaker 3>for the other kind of authenticity. In fact, the situation

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<v Speaker 3>is just the opposite. Values based authenticity fosters this willingness

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<v Speaker 3>to pay more for a meal, but most customers won't

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<v Speaker 3>rate a restaurant higher just for that.

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<v Speaker 1>I mean, the Philly cheese steak example is a good

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<v Speaker 1>one because often they're using cheese whiz for it.

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<v Speaker 2>I do like some cheese whiz though, Maga, I'm not

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<v Speaker 2>gonna lie.

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<v Speaker 1>I do wonder if the high prices make people stingier

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<v Speaker 1>with their ratings, though.

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<v Speaker 2>I mean, that could certainly be a factor.

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<v Speaker 3>But the curious thing is why authentic food of all

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<v Speaker 3>types doesn't drive prices up. Like the term is being

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<v Speaker 3>used positively in both cases, So why aren't people willing

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<v Speaker 3>to pay more for it across the board?

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<v Speaker 1>Yeah, I imagine the values based kind is more of

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<v Speaker 1>a personal thing for people like you know that the

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<v Speaker 1>food's almost an expression of the restaurant's values, and because

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<v Speaker 1>the customers are choosing to eat there, it's an expression

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<v Speaker 1>of their values right right, and a lot of people

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<v Speaker 1>are willing to pay a higher price for that sort

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<v Speaker 1>of connection versus you know, you might want authentic Chinese food,

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<v Speaker 1>but really you're just looking for Chinese food that's tasty,

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<v Speaker 1>and it's less important to you to know just how

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<v Speaker 1>authentically Chinese it is. But I read an interview with

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<v Speaker 1>a professor at NYU. His name is Crishend Durey, and

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<v Speaker 1>he's author a great book called The Ethnic Restaurant Tour.

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<v Speaker 1>He says that there's a feeling that quote, if the

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<v Speaker 1>food is expensive, then it can't possibly be authentic. And

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<v Speaker 1>the reality that comes from that thinking is that a

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<v Speaker 1>lot of us are unwilling to pay more for ethnic quizisine.

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<v Speaker 1>And Ray describes this as almost a form of ethnic

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<v Speaker 1>hierarchy that we communicate subconsciously, and this actually plays out

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<v Speaker 1>in things like Yelp.

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<v Speaker 2>Previews, Oh so, how do you mean?

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<v Speaker 1>Well? Based on a twenty nineteen study, Yelp reviewers talk

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<v Speaker 1>about authenticity the most when describing food from recent and

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<v Speaker 1>low income immigrant groups, and the details mentioned in those

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<v Speaker 1>reviews tend to be very different from the ones in

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<v Speaker 1>reviews of more affluent ethnic groups. Right, So, for example,

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<v Speaker 1>the reviews for non European restaurants connected the term authentic

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<v Speaker 1>with cheaper and less positive attributes, so things like dirt

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<v Speaker 1>floors plastic stools. Meanwhile, the reviews for European and Japanese

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<v Speaker 1>cuisines is associated the word authentic with positive descriptions of

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<v Speaker 1>the ambiance, right like handsome French waiters and classic Japanese touches, all.

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<v Speaker 2>Right, which is definitely a double standard.

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<v Speaker 1>Yeah, And according to Sarah Kay, who is the nutrition

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<v Speaker 1>educator behind that Yelp study, the trend shows that quote

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<v Speaker 1>when we use this word authentic, we're using it to

0:11:01.280 --> 0:11:04.040
<v Speaker 1>refer to migrant groups that were less familiar with and

0:11:04.040 --> 0:11:07.960
<v Speaker 1>our expectations are potentially less founded in our actual experiences

0:11:08.040 --> 0:11:12.640
<v Speaker 1>and more founded in stereotypes or false perceptions. But it's

0:11:12.679 --> 0:11:14.880
<v Speaker 1>also interesting how these things change over time, right like

0:11:14.960 --> 0:11:17.840
<v Speaker 1>Italian food in America used to be considered ethnic cuisine,

0:11:17.880 --> 0:11:20.440
<v Speaker 1>and things like fusion foods are a great reminder of

0:11:20.440 --> 0:11:23.360
<v Speaker 1>how cyclical food trends can be. If you think about,

0:11:23.360 --> 0:11:26.079
<v Speaker 1>like ten or fifteen years ago, people were all about

0:11:26.120 --> 0:11:29.679
<v Speaker 1>experimental cuisine, and weirdly, I read this great piece at

0:11:29.720 --> 0:11:33.160
<v Speaker 1>Eater about how this one writer actually saw Taco bell

0:11:33.240 --> 0:11:35.720
<v Speaker 1>as fusion. Like he saw it as this kind of

0:11:35.760 --> 0:11:39.680
<v Speaker 1>ethnic Mexican American hybrid that introduced people to Mexican food,

0:11:40.160 --> 0:11:42.439
<v Speaker 1>and it was almost like the starter cuisine for the

0:11:42.480 --> 0:11:46.760
<v Speaker 1>next generations looking to eat more authentic and eventually higher

0:11:46.800 --> 0:11:48.040
<v Speaker 1>priced Mexican foods.

0:11:48.440 --> 0:11:50.640
<v Speaker 3>I mean, as you know, I love some Taco Bell

0:11:50.679 --> 0:11:53.160
<v Speaker 3>but I've never fooled myself into thinking that it was

0:11:53.360 --> 0:11:57.000
<v Speaker 3>supposed to be like any sort of fusion of anything

0:11:57.080 --> 0:11:59.280
<v Speaker 3>other than just like delicious, cheesy mush.

0:11:59.320 --> 0:12:01.800
<v Speaker 2>But anyway, that is interesting to hear that take.

0:12:02.040 --> 0:12:04.520
<v Speaker 1>I mean, honestly, that's what I thought too. And I

0:12:04.600 --> 0:12:07.480
<v Speaker 1>read this piece and it's fascinating because the guy's mom

0:12:07.640 --> 0:12:11.360
<v Speaker 1>was Mexican, his dad was American, and for her, she

0:12:11.400 --> 0:12:13.400
<v Speaker 1>actually liked Taco Bell because it was this idea in

0:12:13.520 --> 0:12:16.840
<v Speaker 1>Texas that her cuisine could be palatable to like a

0:12:16.880 --> 0:12:19.880
<v Speaker 1>lot of white Americans and it was available for everyone.

0:12:20.000 --> 0:12:22.880
<v Speaker 1>And you know, he also makes his argument that that's

0:12:22.920 --> 0:12:25.680
<v Speaker 1>why the best taco in America comes from Taco Bell.

0:12:29.040 --> 0:12:31.840
<v Speaker 2>Well that's an argument I won't disagree with, but I'm

0:12:31.880 --> 0:12:33.640
<v Speaker 2>not going to get out there and promote that.

0:12:33.800 --> 0:12:36.480
<v Speaker 3>But anyway, well, now we've talked a little bit about

0:12:36.480 --> 0:12:39.439
<v Speaker 3>food authenticity and the complications with it. Why don't we

0:12:39.440 --> 0:12:42.400
<v Speaker 3>get into some really fun real world examples right after

0:12:42.440 --> 0:12:59.800
<v Speaker 3>this quick break. You're listening to part Time Genius and

0:12:59.840 --> 0:13:03.400
<v Speaker 3>we're talking about the restaurant industries enduring quest for authenticity.

0:13:03.600 --> 0:13:06.800
<v Speaker 3>All right, mengo, So we've covered authentic food and authentic values.

0:13:06.880 --> 0:13:08.040
<v Speaker 2>So what's next on the list?

0:13:08.320 --> 0:13:11.040
<v Speaker 1>So this one is a little harder to define, and

0:13:11.520 --> 0:13:14.040
<v Speaker 1>I guess we could call it authentic place making.

0:13:14.320 --> 0:13:14.959
<v Speaker 2>Place making?

0:13:15.000 --> 0:13:16.880
<v Speaker 3>So like you mean like a theme restaurant or like

0:13:16.880 --> 0:13:19.079
<v Speaker 3>little fake countries at Epcot or what do you mean

0:13:19.120 --> 0:13:19.400
<v Speaker 3>by that?

0:13:19.679 --> 0:13:22.720
<v Speaker 1>Yeah, exactly, except not inside a theme park and not

0:13:22.880 --> 0:13:26.000
<v Speaker 1>limited to Central Florida. So the best example I can

0:13:26.040 --> 0:13:29.600
<v Speaker 1>think of are Irish pubs, and it is no surprise

0:13:29.679 --> 0:13:32.520
<v Speaker 1>to find one in a place like Boston. But did

0:13:32.559 --> 0:13:35.599
<v Speaker 1>you know that there's also an Irish pub in Phoenix, Arizona,

0:13:36.120 --> 0:13:38.480
<v Speaker 1>and Calcutta and Iraq?

0:13:39.920 --> 0:13:43.440
<v Speaker 2>So I am curious, like how this happens?

0:13:43.480 --> 0:13:45.560
<v Speaker 3>Is there like one Irish out there just setting up

0:13:45.600 --> 0:13:47.400
<v Speaker 3>pubs all over the place, or how does this work?

0:13:47.760 --> 0:13:50.600
<v Speaker 1>Yeah? Kind of. It turns out there really is a

0:13:50.600 --> 0:13:53.800
<v Speaker 1>company that specializes in building Irish pubs around the world.

0:13:53.920 --> 0:13:58.000
<v Speaker 1>It's appropriately enough called the Irish Pub Company, so you

0:13:58.040 --> 0:14:01.440
<v Speaker 1>probably know what it stands for. It was started by

0:14:01.480 --> 0:14:04.400
<v Speaker 1>a Dublin architect. His name is Mel McNally and this

0:14:04.559 --> 0:14:07.520
<v Speaker 1>was back in nineteen ninety. Now. McNally had witnessed this

0:14:07.720 --> 0:14:11.040
<v Speaker 1>huge boom of tourism at the time and he suspected

0:14:11.080 --> 0:14:13.760
<v Speaker 1>that it would spark a demand for Irish style bars

0:14:13.880 --> 0:14:16.680
<v Speaker 1>in the tourists home countries. And it turns out he

0:14:16.800 --> 0:14:19.080
<v Speaker 1>was right because over the years, the company has helped

0:14:19.160 --> 0:14:22.680
<v Speaker 1>more than two thousand Irish pubs open throughout Europe. And

0:14:22.880 --> 0:14:25.800
<v Speaker 1>they didn't actually stop there. The company has since expanded

0:14:25.840 --> 0:14:29.560
<v Speaker 1>its service in to fifty three additional countries, everywhere from

0:14:29.640 --> 0:14:34.400
<v Speaker 1>Canada to Mongolia to Marin County. But McNally actually isn't

0:14:34.400 --> 0:14:37.400
<v Speaker 1>alone in this because Guinness has actually been the Pub

0:14:37.440 --> 0:14:39.200
<v Speaker 1>Company's partner since the start.

0:14:39.400 --> 0:14:41.560
<v Speaker 3>So what do they do exactly, Because it doesn't sound

0:14:41.600 --> 0:14:43.680
<v Speaker 3>like from what you're saying that they're actually operating these

0:14:43.680 --> 0:14:44.280
<v Speaker 3>bars right.

0:14:44.880 --> 0:14:47.920
<v Speaker 1>No, the bars are all independently owned and operated, and

0:14:48.120 --> 0:14:51.080
<v Speaker 1>Guinness and the Irish Pub Companies serve mostly as designers

0:14:51.120 --> 0:14:54.600
<v Speaker 1>and also consultants. So basically a bar owner will contact

0:14:54.640 --> 0:14:57.320
<v Speaker 1>them and that's when they're like looking to open an

0:14:57.360 --> 0:15:00.160
<v Speaker 1>Irish style pub and McNally and his team worked with

0:15:00.200 --> 0:15:03.040
<v Speaker 1>them to design the interior based on each location, and

0:15:03.080 --> 0:15:05.440
<v Speaker 1>then once the design is settled, the company builds the

0:15:05.440 --> 0:15:08.720
<v Speaker 1>bar tops and all the furniture, and this happens in

0:15:08.840 --> 0:15:11.160
<v Speaker 1>Ireland and then shifts it over to the site of

0:15:11.200 --> 0:15:11.840
<v Speaker 1>the latest pub.

0:15:11.880 --> 0:15:13.600
<v Speaker 3>So I imagine they are all kind of variations on

0:15:13.640 --> 0:15:16.280
<v Speaker 3>the same theme, right I'm picturing lots of dark wood paneling.

0:15:16.760 --> 0:15:18.640
<v Speaker 3>You got to have a frame photo of James Joyce

0:15:18.680 --> 0:15:19.880
<v Speaker 3>on the wall stuff like that.

0:15:20.240 --> 0:15:23.360
<v Speaker 1>Yeah, of course, and Guinness is always always on tap.

0:15:23.400 --> 0:15:25.960
<v Speaker 1>But to be fair, the clients do have more design

0:15:26.080 --> 0:15:29.320
<v Speaker 1>choices than I certainly expected, right, Like, So McNally and

0:15:29.360 --> 0:15:33.400
<v Speaker 1>his team actually offer four different bar styles to build

0:15:33.400 --> 0:15:36.880
<v Speaker 1>off of. They've got the country cottage, their brewery pub,

0:15:37.240 --> 0:15:41.040
<v Speaker 1>the Victorian pub and the Gaelic pub, and the design

0:15:41.080 --> 0:15:43.520
<v Speaker 1>elements for each of these vary pretty widely, but in

0:15:43.560 --> 0:15:46.240
<v Speaker 1>each case all of the corresponding to core is supplied

0:15:46.280 --> 0:15:48.680
<v Speaker 1>by the company, So it's everything from the furniture to

0:15:48.720 --> 0:15:51.800
<v Speaker 1>the lighting to essentially all the chochkeys on the wall.

0:15:52.040 --> 0:15:53.920
<v Speaker 3>And so what's the thinking there, like is this approach

0:15:53.960 --> 0:15:56.440
<v Speaker 3>supposed to make these pubs more authentic or what.

0:15:56.800 --> 0:16:00.720
<v Speaker 1>Yeah. McNally says that authentic design, and authentic Irish food

0:16:00.840 --> 0:16:04.280
<v Speaker 1>and authentic Irish beverages are all key ingredients for a

0:16:04.320 --> 0:16:07.840
<v Speaker 1>successful Irish pub. He never really defines those terms, so

0:16:08.400 --> 0:16:11.680
<v Speaker 1>you're not getting like bloomin Irish onions. But the process

0:16:11.720 --> 0:16:14.320
<v Speaker 1>this company follows gives us an idea of what he means.

0:16:14.920 --> 0:16:16.360
<v Speaker 3>You meant the fact that all these pubs are being

0:16:16.400 --> 0:16:18.680
<v Speaker 3>designed and like pre built in Ireland.

0:16:18.920 --> 0:16:20.760
<v Speaker 1>Yeah, I mean that's a big part of it. Also,

0:16:20.800 --> 0:16:23.640
<v Speaker 1>all the materials in decor is sourced from Ireland and

0:16:23.720 --> 0:16:27.640
<v Speaker 1>based on the structural elements of like popular bars in Dublin.

0:16:27.760 --> 0:16:30.200
<v Speaker 1>So there's actually kind of a lot to back up

0:16:30.240 --> 0:16:33.680
<v Speaker 1>the claim that these are quote unquote authentic Irish pubs.

0:16:34.200 --> 0:16:35.040
<v Speaker 2>I mean, I guess you're right.

0:16:35.080 --> 0:16:37.280
<v Speaker 3>And don't get me wrong, it's fascinating that there's a

0:16:37.320 --> 0:16:40.480
<v Speaker 3>company responsible for giving all these Irish pubs the same feel.

0:16:40.560 --> 0:16:43.200
<v Speaker 3>It just it just seems like such a corporate process

0:16:43.200 --> 0:16:46.040
<v Speaker 3>that I can't help but think of it as somehow inauthentic.

0:16:46.400 --> 0:16:48.600
<v Speaker 1>Well I wasn't going to mention this, but it isn't

0:16:48.600 --> 0:16:51.080
<v Speaker 1>just one company doing this. Others have actually gotten into

0:16:51.120 --> 0:16:53.760
<v Speaker 1>the pub making act over the years, including a company

0:16:53.800 --> 0:16:57.400
<v Speaker 1>called Old Irish Pubs Limited and Love Irish Pubs. So

0:16:57.680 --> 0:16:59.280
<v Speaker 1>it is a competitive market.

0:16:59.520 --> 0:17:01.280
<v Speaker 2>I love it. They are just all on the nose

0:17:01.320 --> 0:17:01.920
<v Speaker 2>with they're naming.

0:17:02.120 --> 0:17:04.800
<v Speaker 1>Yeah, and that's exactly what people want, you know. Some

0:17:04.800 --> 0:17:07.720
<v Speaker 1>people argue that if you go to the Italy Pavilion

0:17:07.760 --> 0:17:10.800
<v Speaker 1>at Epcot, you know, you wouldn't say you've had an

0:17:10.840 --> 0:17:14.560
<v Speaker 1>authentic Italian experience. But there is something to be said

0:17:14.640 --> 0:17:19.080
<v Speaker 1>for like curating an environment that feels immersive or transportive

0:17:19.200 --> 0:17:21.600
<v Speaker 1>and you can evoke a feeling similar to that of

0:17:21.680 --> 0:17:24.600
<v Speaker 1>the real place, and sometimes that's a positive experience that

0:17:25.000 --> 0:17:27.520
<v Speaker 1>you know, can prompt people to seek out the authentic

0:17:27.640 --> 0:17:28.680
<v Speaker 1>version for themselves.

0:17:29.000 --> 0:17:29.200
<v Speaker 2>Yeah.

0:17:29.320 --> 0:17:31.159
<v Speaker 3>Like I guess if somebody falls in love with the

0:17:31.200 --> 0:17:33.560
<v Speaker 3>Irish pub and Phoenix, they may decide to take a

0:17:33.560 --> 0:17:34.359
<v Speaker 3>trip over to Ireland.

0:17:35.119 --> 0:17:37.240
<v Speaker 1>Yeah. And it's just like we were saying, Taco bell

0:17:37.320 --> 0:17:40.159
<v Speaker 1>can be a gateway food to more traditional Mexican food.

0:17:40.400 --> 0:17:44.360
<v Speaker 1>But exactly if the manufacturer, big business version can bring

0:17:44.359 --> 0:17:46.440
<v Speaker 1>so much happiness, I'm sure people feel like they're just

0:17:46.480 --> 0:17:47.919
<v Speaker 1>getting a taste of it. They'd love to be a

0:17:47.920 --> 0:17:50.240
<v Speaker 1>place where this is happening more regularly.

0:17:50.600 --> 0:17:52.840
<v Speaker 3>I can't stop thinking about Taco Bell now Mango. This

0:17:52.920 --> 0:17:55.359
<v Speaker 3>is a real problem. I'll take your word for it.

0:17:55.680 --> 0:17:58.320
<v Speaker 1>Let's go back to the spirit of placemaking, because there's

0:17:58.320 --> 0:18:01.040
<v Speaker 1>a quote I wanted to share from the interview McNally

0:18:01.080 --> 0:18:03.520
<v Speaker 1>did for Men's Journal. He's talking about how the Irish

0:18:03.520 --> 0:18:06.000
<v Speaker 1>pub concept is more than just a money making scheme

0:18:06.119 --> 0:18:09.879
<v Speaker 1>aimed at tourists, and as he puts it, quote, people

0:18:09.920 --> 0:18:13.840
<v Speaker 1>engage with the sense of community, friendship, and conviviality that

0:18:13.920 --> 0:18:17.280
<v Speaker 1>they find in an authentic Irish pub. In that sense,

0:18:17.320 --> 0:18:20.320
<v Speaker 1>pubs are an important connection from Ireland and its people

0:18:20.400 --> 0:18:22.919
<v Speaker 1>to the rest of the world, and for the irishmen

0:18:22.960 --> 0:18:25.840
<v Speaker 1>and women living abroad, the pubs are gathering venues which

0:18:25.880 --> 0:18:28.800
<v Speaker 1>allow them to feel home. It's a portal to Ireland.

0:18:29.280 --> 0:18:30.520
<v Speaker 2>Yeah, I mean, I can see what he means.

0:18:30.520 --> 0:18:32.719
<v Speaker 3>It's interesting, like the more we talk about all this,

0:18:32.800 --> 0:18:35.200
<v Speaker 3>the more I can see how that connection between food

0:18:35.280 --> 0:18:38.600
<v Speaker 3>and authenticity might mean different things to different people, like

0:18:38.640 --> 0:18:41.720
<v Speaker 3>a sense of home or comfort, a feeling of adventure,

0:18:41.920 --> 0:18:44.639
<v Speaker 3>a taste of the exotic, or like a display of

0:18:44.680 --> 0:18:47.119
<v Speaker 3>common values. But there's always more to it than just

0:18:47.200 --> 0:18:48.840
<v Speaker 3>simply having a meal of course.

0:18:49.359 --> 0:18:52.240
<v Speaker 1>Yeah, it's starting to make more sense why voters like

0:18:52.280 --> 0:18:55.440
<v Speaker 1>seeing politicians eat comfort food, right, Like, it's a play

0:18:55.480 --> 0:18:58.320
<v Speaker 1>to emotions more than reason. But if anything, that only

0:18:58.400 --> 0:18:59.400
<v Speaker 1>makes it more effective.

0:18:59.720 --> 0:19:00.000
<v Speaker 2>Yeah.

0:19:00.000 --> 0:19:01.359
<v Speaker 3>All right, well now we've got a bit more to

0:19:01.440 --> 0:19:03.320
<v Speaker 3>say on this subject, but first let's take one more

0:19:03.400 --> 0:19:16.760
<v Speaker 3>quick break.

0:19:17.720 --> 0:19:18.960
<v Speaker 2>Welcome back to part time Genius.

0:19:18.960 --> 0:19:20.720
<v Speaker 3>All right, Mango, you were telling us about how Irish

0:19:20.720 --> 0:19:23.680
<v Speaker 3>pubs have flourished over the past three decades, and it

0:19:23.800 --> 0:19:26.560
<v Speaker 3>started to sound kind of familiar. And then it hit me, Mango,

0:19:26.920 --> 0:19:29.480
<v Speaker 3>the restaurant we haven't brought up yet, Cracker Barrel.

0:19:31.600 --> 0:19:34.359
<v Speaker 1>Of all the restaurants in all the world, I didn't

0:19:34.359 --> 0:19:36.000
<v Speaker 1>think you were going to bring up Cracker Barrel.

0:19:36.560 --> 0:19:36.800
<v Speaker 2>Yeah.

0:19:36.880 --> 0:19:39.560
<v Speaker 3>Yeah, you know, the chain restaurant that uses the old

0:19:39.680 --> 0:19:42.760
<v Speaker 3>Southern country store motif. And they, of course created quite

0:19:42.800 --> 0:19:44.800
<v Speaker 3>a stir last year when they tried to change their

0:19:44.840 --> 0:19:45.639
<v Speaker 3>longtime logo.

0:19:45.720 --> 0:19:47.440
<v Speaker 2>You remember all this nonsense.

0:19:47.040 --> 0:19:49.879
<v Speaker 1>Right, Yeah, I think they wanted to ditch the cracker barrel. Right.

0:19:49.920 --> 0:19:52.439
<v Speaker 1>And also that old guy sitting next to that.

0:19:52.280 --> 0:19:55.719
<v Speaker 3>Cracker barrel, Yeah, he's been sitting there so long. Well, anyway,

0:19:55.760 --> 0:19:59.320
<v Speaker 3>his name if you remember is Uncle Herschel, the salesman.

0:19:59.840 --> 0:20:03.240
<v Speaker 3>The the salesman uncle of Cracker Barrel founder Dan Evans.

0:20:03.640 --> 0:20:05.960
<v Speaker 3>But yeah, the company wanted to attract new customers and

0:20:05.960 --> 0:20:08.800
<v Speaker 3>they thought that a simpler streamline logo would help them

0:20:08.840 --> 0:20:09.119
<v Speaker 3>do it.

0:20:09.560 --> 0:20:10.400
<v Speaker 2>But that wasn't all.

0:20:10.440 --> 0:20:13.040
<v Speaker 3>Like the rebrand was also going to include a major

0:20:13.119 --> 0:20:15.160
<v Speaker 3>overhaul of the restaurant's interiors.

0:20:15.400 --> 0:20:17.280
<v Speaker 1>So first of all, I had no idea his name

0:20:17.320 --> 0:20:19.040
<v Speaker 1>was Uncle Herschel. And I feel like that's the type

0:20:19.040 --> 0:20:22.879
<v Speaker 1>of thing I should know, right knowing all the trivia

0:20:23.000 --> 0:20:24.720
<v Speaker 1>we know, like, it feels like that's something I want

0:20:24.720 --> 0:20:27.920
<v Speaker 1>to come up. But I also remember you actually took

0:20:27.920 --> 0:20:29.639
<v Speaker 1>me to my first Cracker Barrel. I'd never do to

0:20:29.680 --> 0:20:32.480
<v Speaker 1>say that, and we went to college, and I just

0:20:32.520 --> 0:20:34.440
<v Speaker 1>remember it was such a novel thing because there were

0:20:34.480 --> 0:20:37.200
<v Speaker 1>like rocking chairs on the porch and there was like

0:20:37.200 --> 0:20:39.880
<v Speaker 1>a little country store. But beyond that, I really don't

0:20:39.920 --> 0:20:41.640
<v Speaker 1>remember much about the interior.

0:20:42.000 --> 0:20:43.760
<v Speaker 3>A lot of rock and chairs, a lot of those

0:20:43.800 --> 0:20:46.480
<v Speaker 3>peg games. And there are actually more than six hundred

0:20:46.480 --> 0:20:49.439
<v Speaker 3>Cracker Barrel locations across the country, and every one of

0:20:49.440 --> 0:20:52.560
<v Speaker 3>them is stuffed with roughly a thousand pieces of old

0:20:52.600 --> 0:20:56.080
<v Speaker 3>timey Americana, but in this effort to draw younger crowd,

0:20:56.160 --> 0:20:58.920
<v Speaker 3>all of those nostalgic props were set to be removed.

0:20:59.280 --> 0:21:02.919
<v Speaker 3>It turns out so nobody really wanted this slick, modern

0:21:02.960 --> 0:21:05.560
<v Speaker 3>cracker barrel, because when the plans were made public, the

0:21:05.680 --> 0:21:08.359
<v Speaker 3>Internet went ballistic. I don't know if you know this, Mango,

0:21:08.400 --> 0:21:11.520
<v Speaker 3>but sometimes the Internet is not very friendly to things,

0:21:12.000 --> 0:21:14.280
<v Speaker 3>and the fact that this restaurant kind of had this

0:21:14.400 --> 0:21:17.320
<v Speaker 3>disregard for its own look and history like it pretty

0:21:17.359 --> 0:21:20.360
<v Speaker 3>much upset everyone, from the lifelong diners to the people

0:21:20.400 --> 0:21:23.000
<v Speaker 3>who were only familiar with the brand from its highway signs.

0:21:23.240 --> 0:21:25.280
<v Speaker 1>I mean, I don't understand why people who were just

0:21:25.600 --> 0:21:27.760
<v Speaker 1>familiar with the brand from the highway signs were that

0:21:27.920 --> 0:21:28.800
<v Speaker 1>upset about it.

0:21:28.880 --> 0:21:30.480
<v Speaker 2>But people love to get worked up.

0:21:30.600 --> 0:21:33.840
<v Speaker 1>I'm sure it was a tough week for the marketing team, right.

0:21:34.080 --> 0:21:36.200
<v Speaker 3>Oh yeah, I'm guessing. So it seemed like a brutal

0:21:36.240 --> 0:21:38.240
<v Speaker 3>week for the marketing team. But again it you know,

0:21:38.240 --> 0:21:41.640
<v Speaker 3>it all speaks to the importance of perceived authenticity. People

0:21:41.640 --> 0:21:44.080
<v Speaker 3>thought the restaurant wasn't going to be true to its roots,

0:21:44.119 --> 0:21:47.240
<v Speaker 3>and the backlash led to a one hundred million dollar

0:21:47.359 --> 0:21:50.119
<v Speaker 3>drop in the company's market value. So as a result,

0:21:50.160 --> 0:21:53.639
<v Speaker 3>the changes were completely dropped. Uncle Herschel was called out

0:21:53.680 --> 0:21:57.080
<v Speaker 3>of retirement and all that stuff on the restaurant's walls

0:21:57.080 --> 0:21:58.479
<v Speaker 3>were left right where it was.

0:21:58.760 --> 0:22:01.200
<v Speaker 1>I mean, I didn't know they had one hundred million

0:22:01.200 --> 0:22:02.720
<v Speaker 1>dollars to drop.

0:22:02.480 --> 0:22:04.760
<v Speaker 3>But I hope we don't ever say anything dumb and

0:22:05.000 --> 0:22:07.000
<v Speaker 3>have one hundred million dollar drop in the value of

0:22:07.119 --> 0:22:07.919
<v Speaker 3>part time genius.

0:22:07.960 --> 0:22:08.920
<v Speaker 2>You know, be careful.

0:22:10.440 --> 0:22:13.080
<v Speaker 1>But it's also so funny. It's like, because they decided

0:22:13.119 --> 0:22:16.359
<v Speaker 1>to upgrade the design, that's so insane.

0:22:16.480 --> 0:22:17.520
<v Speaker 2>It's really weird, isn't it.

0:22:17.600 --> 0:22:19.760
<v Speaker 1>I am still curious about the decor, though, Like, can

0:22:19.800 --> 0:22:22.399
<v Speaker 1>you remind me what is on those walls that people

0:22:22.400 --> 0:22:23.159
<v Speaker 1>are so attached to?

0:22:23.480 --> 0:22:25.680
<v Speaker 2>I sure can. I've actually got a list right here.

0:22:25.760 --> 0:22:28.639
<v Speaker 3>So at any given Cracker barrel, you're likely to find

0:22:28.680 --> 0:22:31.320
<v Speaker 3>all manner of antiques mounted on the walls and even

0:22:31.359 --> 0:22:34.480
<v Speaker 3>hanging from the ceiling, including all right, here we go,

0:22:35.160 --> 0:22:39.359
<v Speaker 3>butter churns, washtubs, tobacco cans, old bottles, farm implements, nickel

0:22:39.359 --> 0:22:42.960
<v Speaker 3>soda machines, black and white portraits, shoe trees, vintage metal signs,

0:22:43.040 --> 0:22:46.640
<v Speaker 3>kitchen tools, mechanics tools, and of course bicycles.

0:22:47.000 --> 0:22:49.520
<v Speaker 1>I have forgotten all of that. I feel like we

0:22:49.520 --> 0:22:50.520
<v Speaker 1>need to make another visit.

0:22:51.160 --> 0:22:52.639
<v Speaker 3>Time to go back for their dish. They have a

0:22:52.640 --> 0:22:55.800
<v Speaker 3>dish mango if you remember, called chicken fried chicken, which

0:22:55.840 --> 0:22:59.639
<v Speaker 3>really just confuses people. So I'm gonna let people do

0:22:59.680 --> 0:23:02.119
<v Speaker 3>their own research as to what that means. But it

0:23:02.200 --> 0:23:04.800
<v Speaker 3>is nostalgia central. And one cool thing I read though,

0:23:04.840 --> 0:23:07.159
<v Speaker 3>is that there are five special items that are placed

0:23:07.160 --> 0:23:10.239
<v Speaker 3>in every store that they open. Those signature items are

0:23:10.280 --> 0:23:16.120
<v Speaker 3>a traffic light, a cookstove, a deer head, a telephone,

0:23:16.480 --> 0:23:18.200
<v Speaker 3>and of course a shotgun.

0:23:18.240 --> 0:23:19.440
<v Speaker 2>You know, the essentials.

0:23:22.720 --> 0:23:26.240
<v Speaker 1>I love that a traffic light, like, what is the light?

0:23:26.720 --> 0:23:27.800
<v Speaker 2>Gotta have a traffic light.

0:23:28.320 --> 0:23:30.479
<v Speaker 1>Also, it is so weird that you didn't say a

0:23:30.480 --> 0:23:31.200
<v Speaker 1>cracker barrel.

0:23:31.320 --> 0:23:32.920
<v Speaker 2>I guess that would just be too obvious.

0:23:32.960 --> 0:23:36.000
<v Speaker 3>My guess is all of them probably have a cracker

0:23:36.040 --> 0:23:39.880
<v Speaker 3>barrel in there at some point. But anyway, so what

0:23:40.000 --> 0:23:42.560
<v Speaker 3>is interesting is that all the other items vary from

0:23:42.600 --> 0:23:46.399
<v Speaker 3>store to store, and many are specially chosen for that location. So,

0:23:46.480 --> 0:23:49.040
<v Speaker 3>for example, the cracker barrel in coastal towns might have

0:23:49.080 --> 0:23:50.760
<v Speaker 3>a bunch of fishing gear on the walls to make

0:23:50.800 --> 0:23:52.399
<v Speaker 3>it feel more authentically local.

0:23:52.760 --> 0:23:56.480
<v Speaker 1>So, speaking of authentic, are all these items real antiques

0:23:56.800 --> 0:23:59.200
<v Speaker 1>or are they mostly like props made to look old.

0:23:59.560 --> 0:24:01.800
<v Speaker 3>That's actually a really good question, and I would not

0:24:01.880 --> 0:24:04.160
<v Speaker 3>have guessed the answer to this, but surprisingly they are

0:24:04.280 --> 0:24:07.280
<v Speaker 3>all antique. I actually read this interview this week with

0:24:07.359 --> 0:24:10.040
<v Speaker 3>one of the original decor managers for Cracker Barrel. It's

0:24:10.080 --> 0:24:12.719
<v Speaker 3>a guy named Larry Singleton, and to the best of

0:24:12.720 --> 0:24:15.560
<v Speaker 3>his knowledge, every item hung on the walls is one

0:24:15.640 --> 0:24:18.800
<v Speaker 3>hundred percent authentic, meaning not a reproduction of an item,

0:24:18.800 --> 0:24:21.399
<v Speaker 3>but the actual item itself, and none of the items

0:24:21.440 --> 0:24:23.520
<v Speaker 3>were manufactured within the last few decades.

0:24:23.880 --> 0:24:25.520
<v Speaker 1>Where do they get this stuff?

0:24:25.800 --> 0:24:28.800
<v Speaker 3>Apparently the company has this whole warehouse full of stuff

0:24:28.800 --> 0:24:31.920
<v Speaker 3>at their headquarters in Lebanon, Tennessee, and it's a twenty

0:24:31.960 --> 0:24:35.080
<v Speaker 3>six thousand square foot facility that houses somewhere north of

0:24:35.119 --> 0:24:38.439
<v Speaker 3>one hundred thousand items at any given time, each of

0:24:38.480 --> 0:24:41.920
<v Speaker 3>which is inventoried with its own unique barcode. So there's

0:24:41.960 --> 0:24:44.320
<v Speaker 3>a mockup of a history interior in the warehouse. And

0:24:44.600 --> 0:24:47.320
<v Speaker 3>anytime a new restaurant is scheduled to open, the design

0:24:47.359 --> 0:24:49.880
<v Speaker 3>team pulls out a load of rustic decors and sort

0:24:49.920 --> 0:24:52.920
<v Speaker 3>of arranges it on their set. They then take pictures

0:24:52.920 --> 0:24:55.959
<v Speaker 3>so the arrangement can be reproduced and all the items

0:24:56.000 --> 0:24:58.119
<v Speaker 3>are packed up and shipped to that new location.

0:24:58.280 --> 0:25:01.320
<v Speaker 1>That's kind of a fascinating process. Yeah, so does the

0:25:01.320 --> 0:25:03.879
<v Speaker 1>company just have an army of antique spires or something,

0:25:03.880 --> 0:25:07.400
<v Speaker 1>because it feels like it must take an awful lot

0:25:07.440 --> 0:25:11.520
<v Speaker 1>of antiques to constantly fill that massive warehouse.

0:25:12.200 --> 0:25:14.560
<v Speaker 3>No, that's definitely true, and apparently it's getting tougher as

0:25:14.600 --> 0:25:17.679
<v Speaker 3>the years go by. So shows like American Pickers and

0:25:17.680 --> 0:25:20.760
<v Speaker 3>others centered on antiquing have really stepped up the competition

0:25:20.920 --> 0:25:22.639
<v Speaker 3>and of course made it harder to find some of

0:25:22.680 --> 0:25:25.720
<v Speaker 3>the old items that have become Cracker Barrel staples. But

0:25:25.760 --> 0:25:28.120
<v Speaker 3>the good news is there's no need to panic just yet.

0:25:28.160 --> 0:25:30.160
<v Speaker 3>I could sense you were on the verge of panicking there.

0:25:30.520 --> 0:25:34.440
<v Speaker 3>But the company has built this nationwide network of antique

0:25:34.440 --> 0:25:37.480
<v Speaker 3>dealers during its sixty years in business, and they're determined

0:25:37.520 --> 0:25:40.040
<v Speaker 3>to keep Cracker Barrel flush with butter churns for many

0:25:40.119 --> 0:25:40.760
<v Speaker 3>years to come.

0:25:40.880 --> 0:25:44.800
<v Speaker 1>All right, so we can breathe easy. It does make

0:25:44.840 --> 0:25:48.119
<v Speaker 1>me wonder, though, like if other theme restaurants have similar

0:25:48.240 --> 0:25:50.720
<v Speaker 1>arrangements to this. This makes me think about decor in general.

0:25:50.760 --> 0:25:52.439
<v Speaker 2>Now, yeah, yeah, they definitely do.

0:25:52.520 --> 0:25:54.959
<v Speaker 3>So if you think about something like Planet Hollywood, for instance,

0:25:55.000 --> 0:25:57.439
<v Speaker 3>he does something similar with their stores. The company has

0:25:57.480 --> 0:26:00.240
<v Speaker 3>this stockpile of authentic props and it divvies them out

0:26:00.240 --> 0:26:02.920
<v Speaker 3>to each location, and that way customers can experience the

0:26:02.960 --> 0:26:05.879
<v Speaker 3>thrill of sitting next to the boxing gloves stallone Warren Rocky,

0:26:06.040 --> 0:26:08.800
<v Speaker 3>or Brendan Fraser's loincloth from Georgia the Jungle, or you

0:26:08.800 --> 0:26:11.200
<v Speaker 3>think about all of these sort of classic and strange

0:26:11.240 --> 0:26:12.320
<v Speaker 3>items from different movies.

0:26:12.560 --> 0:26:15.320
<v Speaker 1>That's really interesting. I also wonder like, has anyone ever

0:26:15.359 --> 0:26:18.639
<v Speaker 1>specifically asked to be seated next to Brendan Fraser's loin clawn?

0:26:20.520 --> 0:26:23.560
<v Speaker 3>I think after this episode that's gonna happen. Only Brendan

0:26:23.600 --> 0:26:25.800
<v Speaker 3>Fraser has asked to do that is actually my guess.

0:26:25.800 --> 0:26:28.960
<v Speaker 3>But back on the topic, So TGI Friday's is actually

0:26:29.040 --> 0:26:31.919
<v Speaker 3>another example. So they've got a twenty five thousand square

0:26:31.920 --> 0:26:35.320
<v Speaker 3>foot warehouse somewhere in Nashville, and they refuse to disclose

0:26:35.359 --> 0:26:39.399
<v Speaker 3>the exact location and is it apparently piled high with memorabilia.

0:26:39.640 --> 0:26:42.199
<v Speaker 3>So the company has looser guidelines for its decore than

0:26:42.240 --> 0:26:45.040
<v Speaker 3>Cracker Barrel, but it still claims that about seventy five

0:26:45.080 --> 0:26:48.640
<v Speaker 3>percent of the items on display are actual antiques. TGI

0:26:48.680 --> 0:26:51.199
<v Speaker 3>Friday's even has its own signature items that appear in

0:26:51.240 --> 0:26:53.199
<v Speaker 3>every single store. One of them that I thought was

0:26:53.200 --> 0:26:56.639
<v Speaker 3>interesting an air aarplane collar over the bar and a

0:26:56.800 --> 0:26:58.919
<v Speaker 3>racing skull, which is meant to remind employees that they

0:26:58.920 --> 0:27:01.800
<v Speaker 3>should work as a team, with all oars pulling together

0:27:01.840 --> 0:27:02.880
<v Speaker 3>in the same direction.

0:27:03.080 --> 0:27:05.000
<v Speaker 1>It's also so funny to me that, like, they've got

0:27:05.119 --> 0:27:07.919
<v Speaker 1>a massive warehouse and they won't tell you where it

0:27:08.000 --> 0:27:10.440
<v Speaker 1>is for fear of like what theft.

0:27:10.680 --> 0:27:11.480
<v Speaker 2>To any good things?

0:27:11.520 --> 0:27:11.680
<v Speaker 3>There?

0:27:11.720 --> 0:27:13.119
<v Speaker 2>Man to any good things?

0:27:14.880 --> 0:27:18.240
<v Speaker 1>So what about things like the taxidermy alligator heads like

0:27:18.560 --> 0:27:22.359
<v Speaker 1>that where sunglasses? Do you have any idea what that represents?

0:27:22.600 --> 0:27:24.479
<v Speaker 2>I don't actually know either way.

0:27:24.520 --> 0:27:27.240
<v Speaker 3>All this talk of TGIF and cracker barrel it makes

0:27:27.280 --> 0:27:28.920
<v Speaker 3>me really think we ought to plan our next trip

0:27:28.920 --> 0:27:30.800
<v Speaker 3>to actually to both of these, to be honest.

0:27:31.320 --> 0:27:34.040
<v Speaker 1>But before we do, what do you say we make

0:27:34.119 --> 0:27:38.560
<v Speaker 1>time for a fact off, here's something about that authentic

0:27:38.720 --> 0:27:41.280
<v Speaker 1>Indian food that I never told you because you and

0:27:41.359 --> 0:27:45.920
<v Speaker 1>I both love chicken tka masala. So while the dish

0:27:45.960 --> 0:27:50.560
<v Speaker 1>feels rich and complex and you know deeply Indian. It's

0:27:50.640 --> 0:27:54.520
<v Speaker 1>actually a modern remix born outside India, and most often

0:27:54.520 --> 0:27:56.040
<v Speaker 1>it is credited to Britain.

0:27:56.240 --> 0:27:57.719
<v Speaker 2>Some people call it Scottish.

0:27:57.800 --> 0:28:01.080
<v Speaker 1>The dish likely emerged when South Asian cooks in the

0:28:01.160 --> 0:28:05.240
<v Speaker 1>UK adapted traditional chicken tika, which is like dry, spiced

0:28:05.280 --> 0:28:08.879
<v Speaker 1>grilled meat, and added a creamy tomato sauce to suit

0:28:08.880 --> 0:28:12.560
<v Speaker 1>the British diners who wanted something richer and less dry. So,

0:28:12.800 --> 0:28:16.199
<v Speaker 1>in other words, it's essentially a diaspora cuisine. It is

0:28:16.359 --> 0:28:19.840
<v Speaker 1>Indian technique and Western preferences, so kind of like that

0:28:19.880 --> 0:28:22.600
<v Speaker 1>fusion we were talking about. And in India, you know,

0:28:22.680 --> 0:28:25.200
<v Speaker 1>it does exist, but in the UK it's way more

0:28:25.240 --> 0:28:29.639
<v Speaker 1>popular and it's often jokingly called Britain's national dish. Like

0:28:29.680 --> 0:28:33.840
<v Speaker 1>many authentic foods, chicken tika masala isn't about historical purity.

0:28:33.960 --> 0:28:38.320
<v Speaker 1>It's about adaptation, migration and cooks solving a very practical

0:28:38.360 --> 0:28:42.160
<v Speaker 1>problem how to make unfamiliar food comforting to a new audience.

0:28:43.320 --> 0:28:44.840
<v Speaker 3>All Right, So a lot of people have probably heard

0:28:44.880 --> 0:28:48.040
<v Speaker 3>the fact that champagne can only be called champagne if

0:28:48.040 --> 0:28:50.920
<v Speaker 3>it was made in the Champagne region of France. Otherwise

0:28:50.920 --> 0:28:53.880
<v Speaker 3>it's just sparkling white wine. But what I didn't know

0:28:53.960 --> 0:28:57.120
<v Speaker 3>before is that that geographic distinction was actually written into

0:28:57.160 --> 0:28:59.600
<v Speaker 3>the Treaty of Versailles is a way to secure the

0:28:59.640 --> 0:29:02.160
<v Speaker 3>valuable brand name for French winemakers in the wake of

0:29:02.200 --> 0:29:05.400
<v Speaker 3>World War One. But since the United States never signed

0:29:05.440 --> 0:29:08.640
<v Speaker 3>that treaty, American winemakers had a free pass to continue

0:29:08.760 --> 0:29:12.080
<v Speaker 3>using the term for decades, whether the French liked it or.

0:29:12.000 --> 0:29:14.960
<v Speaker 1>Not, and I'm guessing they did not like it they did.

0:29:15.160 --> 0:29:15.680
<v Speaker 2>It turns up that.

0:29:17.560 --> 0:29:20.880
<v Speaker 1>Means there's no such thing as California champagne then.

0:29:20.800 --> 0:29:23.760
<v Speaker 3>Right, I mean technically no, And in two thousand and six,

0:29:23.840 --> 0:29:27.240
<v Speaker 3>the USNEU actually made a deal to start phasing out

0:29:27.280 --> 0:29:30.120
<v Speaker 3>the term's use on American products, so you won't find

0:29:30.120 --> 0:29:32.520
<v Speaker 3>a lot of California champagne on the shelves these days.

0:29:32.560 --> 0:29:35.120
<v Speaker 3>And that said, there are actually a few American producers

0:29:35.160 --> 0:29:37.920
<v Speaker 3>who were grandfathered in and are still permitted to use

0:29:37.960 --> 0:29:40.760
<v Speaker 3>the word on their labels. This includes Corbell, which has

0:29:40.800 --> 0:29:44.040
<v Speaker 3>been making California champagne since back in eighteen eighty, two

0:29:44.560 --> 0:29:47.880
<v Speaker 3>decades before the Treaty of Versailles was actually drafted, and

0:29:48.440 --> 0:29:51.280
<v Speaker 3>Miller High Life, which has billed itself as the quote

0:29:51.320 --> 0:29:54.800
<v Speaker 3>as we know champagne fags, right, that's right, you know

0:29:54.880 --> 0:29:58.480
<v Speaker 3>your fancy stuff, and that since nineteen o six, again

0:29:58.640 --> 0:29:59.719
<v Speaker 3>predating the treaty.

0:30:00.000 --> 0:30:02.680
<v Speaker 1>That is so amazing that the Champagne of beers was

0:30:02.720 --> 0:30:03.520
<v Speaker 1>Grandfather Day.

0:30:04.600 --> 0:30:05.360
<v Speaker 2>It definitely is.

0:30:05.600 --> 0:30:07.880
<v Speaker 3>And while all of this might sound ridiculous to us,

0:30:07.880 --> 0:30:11.120
<v Speaker 3>the French government actually takes it very very serious. Last year,

0:30:11.120 --> 0:30:12.920
<v Speaker 3>a French winemaker was sentenced to a year and a

0:30:12.920 --> 0:30:16.400
<v Speaker 3>half in prison for making and selling thousands of bottles

0:30:16.440 --> 0:30:18.320
<v Speaker 3>of fake champagne.

0:30:18.600 --> 0:30:20.640
<v Speaker 1>So I'm not sure if you knew this, but did

0:30:20.640 --> 0:30:24.240
<v Speaker 1>you know that there is a real anti end behind

0:30:24.320 --> 0:30:25.080
<v Speaker 1>the mall food?

0:30:25.200 --> 0:30:26.000
<v Speaker 2>Oh? No kidding it.

0:30:26.080 --> 0:30:29.520
<v Speaker 1>A Delicious Pretzel company started as a humble roadside stand

0:30:29.680 --> 0:30:33.480
<v Speaker 1>and it was run by Ann Baylor, Pennsylvania Mennonite women

0:30:33.560 --> 0:30:37.400
<v Speaker 1>who originally sold soft pretzels to support a free counseling

0:30:37.440 --> 0:30:40.480
<v Speaker 1>center that her family had opened. In Mennonite culture, food

0:30:40.560 --> 0:30:44.560
<v Speaker 1>is practical, it's communal, it is intentionally simple, so there

0:30:44.640 --> 0:30:48.280
<v Speaker 1>is no flash. There's no indulgence for indulgence's sake. The

0:30:48.320 --> 0:30:51.880
<v Speaker 1>pretzels were just meant to be filling and affordable. Instead,

0:30:51.920 --> 0:30:55.320
<v Speaker 1>they've turned kind of this crave engineered snack, right like.

0:30:55.760 --> 0:30:58.240
<v Speaker 1>Once the recipe hit malls in the late nineteen eighties,

0:30:58.240 --> 0:31:02.400
<v Speaker 1>everything shifted. They added a butter sugar crept in. Cinnamon

0:31:02.400 --> 0:31:05.160
<v Speaker 1>sugar became a thing, and the smell itself became part

0:31:05.160 --> 0:31:08.120
<v Speaker 1>of the product. What began is this faith rooted, service

0:31:08.160 --> 0:31:12.200
<v Speaker 1>oriented side project actually evolved into a global brand built

0:31:12.240 --> 0:31:16.680
<v Speaker 1>on roma marketing, impulse buying, and indulgence. It was still

0:31:16.720 --> 0:31:20.920
<v Speaker 1>selling this handrol tradition, just now it was under fluorescent

0:31:21.040 --> 0:31:23.800
<v Speaker 1>lights next to you a sneaker store.

0:31:23.880 --> 0:31:24.160
<v Speaker 2>All right.

0:31:24.200 --> 0:31:26.160
<v Speaker 3>Well, in a similar vein, there are tons of so

0:31:26.280 --> 0:31:29.680
<v Speaker 3>called national foods that actually aren't from where their names

0:31:29.680 --> 0:31:32.240
<v Speaker 3>suggest they might be. So for example, French fries are

0:31:32.280 --> 0:31:36.480
<v Speaker 3>from Belgium, Russian dressing was invented in New Hampshire, sauerkraut

0:31:36.480 --> 0:31:41.520
<v Speaker 3>hails from China, not Germany. Swedish meatballs were originally Turkish,

0:31:41.680 --> 0:31:44.360
<v Speaker 3>and danishes were created by Austrian bakers.

0:31:44.680 --> 0:31:48.000
<v Speaker 1>So basically our pantries are kind of a den of lives.

0:31:48.120 --> 0:31:51.480
<v Speaker 3>Also, German chocolate cake isn't actually German. It was invented

0:31:51.520 --> 0:31:54.200
<v Speaker 3>by an English American named Samuel German.

0:31:55.440 --> 0:31:58.120
<v Speaker 1>That's pretty amazing. I guess that's a good reminder of

0:31:58.200 --> 0:32:00.880
<v Speaker 1>just how meaningless idea of authentic we can sometimes be.

0:32:01.320 --> 0:32:04.280
<v Speaker 1>So for that, I think you deserve today's trophy.

0:32:05.480 --> 0:32:05.920
<v Speaker 2>All right.

0:32:05.920 --> 0:32:07.320
<v Speaker 3>I didn't think I would take it for that, but

0:32:07.400 --> 0:32:10.400
<v Speaker 3>Samuel Jerman, thank you very much. All right, well, I'd

0:32:10.400 --> 0:32:13.160
<v Speaker 3>like to dedicate this trophy to the good people of Australia,

0:32:13.200 --> 0:32:16.560
<v Speaker 3>where sophisticated palettes have been maligned for far too long.

0:32:17.920 --> 0:32:19.120
<v Speaker 2>That's going to do it for today's show.

0:32:19.120 --> 0:32:21.200
<v Speaker 3>If you enjoyed what you heard, be sure to subscribe,

0:32:21.280 --> 0:32:23.240
<v Speaker 3>leave us a nice rating, and share the show with

0:32:23.280 --> 0:32:25.240
<v Speaker 3>a friend. If you don't mind, you can also drop

0:32:25.320 --> 0:32:28.080
<v Speaker 3>us a line at high Geniuses at gmail dot com. Again,

0:32:28.120 --> 0:32:31.240
<v Speaker 3>that's Hi, Geniuses at gmail dot com. Or call the

0:32:31.240 --> 0:32:34.400
<v Speaker 3>hotline day or night Mango. This hotline is open twenty

0:32:34.400 --> 0:32:36.720
<v Speaker 3>four to seven, three sixty five, just like waffle House,

0:32:36.760 --> 0:32:40.560
<v Speaker 3>which we didn't talk about today NonStop. That number is

0:32:40.640 --> 0:32:43.800
<v Speaker 3>three h two four oh five five nine two five.

0:32:43.840 --> 0:32:45.040
<v Speaker 3>We would love to hear from you.

0:32:45.280 --> 0:32:48.360
<v Speaker 1>Yeah. We actually recently got a message from a listener

0:32:48.400 --> 0:32:51.240
<v Speaker 1>named Oliver who was asking us to do an episode

0:32:51.400 --> 0:32:54.200
<v Speaker 1>all about the cool inventions Canada has come up with

0:32:54.320 --> 0:32:57.240
<v Speaker 1>over the years. And Oliver, great minds. Do you think alike,

0:32:57.320 --> 0:33:00.360
<v Speaker 1>because we already have an episode on that very subject.

0:33:00.400 --> 0:33:03.840
<v Speaker 1>It's called Thanks Canada, Nine Great Inventions from the Great

0:33:03.880 --> 0:33:07.360
<v Speaker 1>White North. But I love inventions. I love invention origins.

0:33:07.600 --> 0:33:10.120
<v Speaker 1>I'm actually gonna go research and try ay more for

0:33:10.240 --> 0:33:13.040
<v Speaker 1>you and put them up on Instagram. And that's just

0:33:13.080 --> 0:33:18.200
<v Speaker 1>for you, Oliver. That is it for today's episode from Will, Dylan, Gabe, Mary,

0:33:18.320 --> 0:33:34.200
<v Speaker 1>and myself. Thank you so much for listening. Part Time

0:33:34.240 --> 0:33:37.280
<v Speaker 1>Genius is a production of Kaleidoscope and iHeartRadio. It is

0:33:37.320 --> 0:33:40.480
<v Speaker 1>hosted by my good pal Will Pearson, who I've known

0:33:40.520 --> 0:33:43.880
<v Speaker 1>for almost three decades now. That is insane to me.

0:33:44.440 --> 0:33:49.400
<v Speaker 1>I'm the uta co host, Mangeshatikular aka Mango. Our producer

0:33:49.640 --> 0:33:52.640
<v Speaker 1>is Mary Phillips Sandy. She's actually a super producer. I'm

0:33:52.680 --> 0:33:56.400
<v Speaker 1>gonna fix that in post. Our writer is Gabe Lucier,

0:33:56.560 --> 0:33:57.960
<v Speaker 1>who I've also.

0:33:57.760 --> 0:34:00.000
<v Speaker 2>Known for like a decade at this point, maybe more.

0:34:00.640 --> 0:34:04.000
<v Speaker 1>Dylan Fagan is in the booth. He is always dressed up,

0:34:04.080 --> 0:34:07.160
<v Speaker 1>always cheering us on, and always ready to hit record

0:34:07.320 --> 0:34:10.080
<v Speaker 1>and then mix the show after he does a great job.

0:34:10.480 --> 0:34:13.319
<v Speaker 1>I also want to shout out the executive producers from

0:34:13.320 --> 0:34:16.760
<v Speaker 1>iHeart my good pals Katrina and Norvel and Ali Perry.

0:34:17.120 --> 0:34:20.279
<v Speaker 1>We have social media support from Calypso Rallis if you

0:34:20.560 --> 0:34:24.359
<v Speaker 1>like our videos, that is all Calypso's handiwork. For more

0:34:24.400 --> 0:34:29.480
<v Speaker 1>podcasts from Kaleidoscope and iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:34:29.600 --> 0:34:32.560
<v Speaker 1>or tune in wherever you listen to your favorite shows.

0:34:32.880 --> 0:34:35.600
<v Speaker 1>That's it from us here at Part Time Genius. Thank

0:34:35.600 --> 0:34:37.040
<v Speaker 1>you so much for listening.