WEBVTT - Winter Gothic, Plus an Interview with Author Lee Lai

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<v Speaker 1>This episode will contain spoilers for very old movies and

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<v Speaker 1>maybe some newer movies, so don't worry, we'll give you

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<v Speaker 1>a heads up. Plus, after our Winter Gothic deep dive,

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<v Speaker 1>I interview illustrator and cartoonist Lee Lai, author of Stone

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<v Speaker 1>Fruit and the upcoming Fantastic graphic novel Fans of the

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<v Speaker 1>Bear Cannon. Hello, my name is Rosy Night, and today

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<v Speaker 1>we're talking about Winter Gothic.

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<v Speaker 2>I'm Carmen thelonng Nick and where the Scone Crans.

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<v Speaker 3>Welcome back to x ray Vision, the podcast where.

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<v Speaker 1>We dive deep into your favorite shows, movies, comics, and

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<v Speaker 1>pop culture. We are here iHeart podcasts as always, where

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<v Speaker 1>we are bringing you.

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<v Speaker 3>Three episodes a week plus news.

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<v Speaker 1>In today's episode, we are breaking down another subgenre of

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<v Speaker 1>horror and maybe some other genres as we have begun

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<v Speaker 1>to realize while we dig in Winter Gothic. So we're

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<v Speaker 1>gonna start what is Winter Gothic. We're gonna lay out

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<v Speaker 1>our rules and the movies that we think fit into them.

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<v Speaker 1>Then we're gonna do the scream Queen pics, recommend you

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<v Speaker 1>some great Winter Gothics to watch, and then we're gonna

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<v Speaker 1>ask is Stephen King, the king of this subgenre. But

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<v Speaker 1>first a quick discussion, Colm, and let's begin with you.

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<v Speaker 4>Yeah, so, I thought it'd be great to start this

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<v Speaker 4>conversation by, just like we did with her Sci Fi debate,

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<v Speaker 4>by talking about how we define this subgenre of winter Gothic.

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<v Speaker 4>I'll start with myself. For me, I was thinking about this.

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<v Speaker 4>I'm really excited about this topic. Actually, I've been thinking

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<v Speaker 4>about it all night. But for me, the season winter

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<v Speaker 4>has to feel almost like a character in the movie.

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<v Speaker 5>It has to.

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<v Speaker 4>Feel like it is. I have to imagine, like, can

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<v Speaker 4>I imagine this story taking place in the summer? Could

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<v Speaker 4>I imagine this story taking place in the spring. No,

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<v Speaker 4>So winter becomes an integral part of that storytelling. I

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<v Speaker 4>think that is an important part. And then, of course

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<v Speaker 4>it has to be dark. It has to be dealing

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<v Speaker 4>with dark, depressing themes as we love during the wintertime.

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<v Speaker 3>Definitely.

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<v Speaker 2>What about you, Joel, Yeah, so this is interesting. You

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<v Speaker 2>guys were like, what if we talked about winter Gothic?

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<v Speaker 2>I said, the hell are you talking about? I don't

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<v Speaker 2>know what that means. Yeah, but the first thing I

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<v Speaker 2>thought of was like blood on snow. So then I

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<v Speaker 2>was like, Okay, let me be in neerd and get

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<v Speaker 2>my research bag, and it led me to read it exactly.

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<v Speaker 2>That was it. That was like the only place I

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<v Speaker 2>was really talking in depth about what when a God?

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<v Speaker 2>I was like, these girls are too cool for me.

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<v Speaker 2>They're so far ahead of the times. There's not an

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<v Speaker 2>Internet search for it. That's crazy. So when we started

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<v Speaker 2>trying to figure out, like what does a genre mean,

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<v Speaker 2>it was like, well, let me take it back to

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<v Speaker 2>the Gothic elements and like, let me make sure my

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<v Speaker 2>understanding is fully immersed in like what is it to

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<v Speaker 2>be like gothic and genre?

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<v Speaker 6>Right?

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<v Speaker 2>Okay, so you're dealing with themes of death and decay,

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<v Speaker 2>You're dealing with isolation, but also with romance. You're dealing

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<v Speaker 2>with thoughts of.

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<v Speaker 3>The ends of things.

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<v Speaker 2>Right, all of these are very coincide with winter, like

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<v Speaker 2>just the thematic like pagan winter ideals like highly fit

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<v Speaker 2>into the deals of like the Gothic tenants, right, And

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<v Speaker 2>so I was like, oh, and too, if you think

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<v Speaker 2>like Gothic literature tends to lack subtlety, it is very

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<v Speaker 2>on the nose about like it's so awful. So when

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<v Speaker 2>you're leaning into that and you're leaning into something that

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<v Speaker 2>is like very black and white, stark in your face.

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<v Speaker 2>To sort of add winter as a backdrop to that,

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<v Speaker 2>we're talking early nights that last longer. We're talking like

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<v Speaker 2>the cream Christmas of snow with the like madness of

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<v Speaker 2>the city and or blood and or like whatever you

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<v Speaker 2>mixed on top of it is going to really stand

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<v Speaker 2>out visually. And so by then I totally understand like

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<v Speaker 2>why as a culture we started to gravitate towards films

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<v Speaker 2>that highlight this And if you think even like more

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<v Speaker 2>about it, I was like, man, every werewolf movie probably

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<v Speaker 2>fits under the Pretty much ninety percent of werewolf movies

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<v Speaker 2>would be considered a winter Gothic. You've got to Carmen's point,

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<v Speaker 2>winter is practically a character in there. You've got your

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<v Speaker 2>romance and death because werewolves, it's all right there. I

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<v Speaker 2>really like the idea of this genre because it brought

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<v Speaker 2>to mind some of my favorite films, which we'll talk

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<v Speaker 2>about in a minute. But Rose, I'm curious, like when

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<v Speaker 2>do you stumble upon the idea of winter Gothic and

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<v Speaker 2>like what does the genre mean for you?

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<v Speaker 1>I think that as a naming convention, I have found

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<v Speaker 1>the same thing, like relatively new. Honestly, when we were

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<v Speaker 1>talking about it in our group chat, we were kind

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<v Speaker 1>of like, yeah, what does this mean to us?

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<v Speaker 3>Like what movies would this look like. I think it

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<v Speaker 3>works because actually.

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<v Speaker 1>When you go back, this encompasses throughout cinematic history, just

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<v Speaker 1>like hundreds of movies. And it's kind of this idea

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<v Speaker 1>of like the bleak midwinter, the kind of dark evenings

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<v Speaker 1>when things start to look strange and shadows everything.

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<v Speaker 5>I'm dead.

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<v Speaker 1>There's movies going back as everything's dead, right, it's the

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<v Speaker 1>representation this is winter before before the you know, some

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<v Speaker 1>of these movies will end up, you know, a Thirty

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<v Speaker 1>Days of Night or something. At the end you get

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<v Speaker 1>the sunrise. That's your representation of spring. But there are

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<v Speaker 1>some really old movies I saw when I was a

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<v Speaker 1>teenager that I think fit into this, like the there's

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<v Speaker 1>this finish movie called The White reind It's from the

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<v Speaker 1>fifties and that's about like she goes to a shaman

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<v Speaker 1>to like spice up kind of like her appeal as

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<v Speaker 1>a woman, very practical, magic coded, and but ends up

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<v Speaker 1>becoming like a vampire. And it's all set in this

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<v Speaker 1>crazy snow place. Another movie they show all the time

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<v Speaker 1>here that I think is an early example of this

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<v Speaker 1>is the Curse of the Cat People, which is like

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<v Speaker 1>a forties kind of.

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<v Speaker 3>Nah movie long right.

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<v Speaker 1>And get that iconic image of her in the cloak.

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<v Speaker 1>I mean, even like I think one of the most

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<v Speaker 1>famous and this is definitely like a Reddit pic. You'll

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<v Speaker 1>definitely see this in folk horror communities talking about this,

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<v Speaker 1>which I think folk corra is one of my favorite genres,

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<v Speaker 1>and this.

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<v Speaker 3>Is very folk horror coded.

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<v Speaker 1>But the Japanese horror movie Kwi Dan, which is kind

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<v Speaker 1>of this collection of Japanese horror movies from the sixties.

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<v Speaker 1>It's on Criterion. There's some really great examples in there. Also,

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<v Speaker 1>another reason I think this is so connected to the

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<v Speaker 1>horror genre is because if you think a lot about

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<v Speaker 1>old like vampire movies, fearless vampire killer, stuff like that Dracula,

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<v Speaker 1>often when you get to the gothic mansion, it's snowing.

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<v Speaker 1>It's isolating snow. As you said common about it becoming

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<v Speaker 1>a character. The snow is something that adds to the quiet,

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<v Speaker 1>to the isolation, to the loneliness because all you can

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<v Speaker 1>see is this white, blank canvas, and also it numbs

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<v Speaker 1>the sounds it softens that. I think there's this fear

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<v Speaker 1>of winter, of being alone. Maybe it speaks to something

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<v Speaker 1>very feral and old, you know, that fear of what

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<v Speaker 1>is outside. I think that's why you Diesel also kind

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<v Speaker 1>of get tied into like a lot of horror, a

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<v Speaker 1>lot of monster movies, those old troll movies from like

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<v Speaker 1>the Zeros, the Swedish movies I think about, though I

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<v Speaker 1>would not say necessarily those are Gothic, but I do

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<v Speaker 1>think this idea of a of a scary landscape that

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<v Speaker 1>is going to kill you even if you survive the

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<v Speaker 1>bad thing makes these stories way scarier, Like can you

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<v Speaker 1>escape the snow?

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<v Speaker 2>Yeah? Yes, to that point, like winter is an endurance test,

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<v Speaker 2>particularly before things like supermarkets where you just go buy

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<v Speaker 2>your food like you did you preserve and take socca

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<v Speaker 2>and backload and everything goes to crap. Do you have

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<v Speaker 2>the skills to sort of navigate these really difficult terrain

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<v Speaker 2>and long season I think, yeah, we okay, So let's

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<v Speaker 2>let's really bullet point our tenants here. So I think

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<v Speaker 2>the main one in order to apply to being a

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<v Speaker 2>winter Gothic, you need to have Winter as a character.

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<v Speaker 2>I need visuals, I need the sounds of Winter. It

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<v Speaker 2>needs to be an overwhelming force driving the direction of

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<v Speaker 2>the film. Okay, great, then yes, I think to me,

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<v Speaker 2>if we're going gothic death and romance, and they to

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<v Speaker 2>some degree go hand in hand, absolutely, Okay, what else

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<v Speaker 2>do we need for winter Gothic?

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<v Speaker 1>I think for me, definitely that idea of like the

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<v Speaker 1>winter comes and then you are more trapped than you

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<v Speaker 1>are isolation. You know, a lot of times these these

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<v Speaker 1>movies are about isolation.

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<v Speaker 3>They're about the.

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<v Speaker 1>Way that winter stops you from being able to interact,

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<v Speaker 1>They're about they kind of tie into those old historical adventures.

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<v Speaker 3>Too, of like you know, the men exploring the Antarctic

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<v Speaker 3>and dying. You know, I feel like it.

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<v Speaker 1>Taps into a lot of those historical so, like, you know,

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<v Speaker 1>I would say there's an argument that you could make

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<v Speaker 1>that Giamma del Toro's the first act is especially Yeah,

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<v Speaker 1>fits into a winter Gothic right his Frankenstein. So yeah,

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<v Speaker 1>I'm very interested. I think, Yeah, definitely, Howling Winds. I

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<v Speaker 1>don't think it needs to be a horror because, like

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<v Speaker 1>when I was looking on Reddit, when I was kind

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<v Speaker 1>of looking through these different articles where people have talked

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<v Speaker 1>about Winter movies, I will say I think something like.

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<v Speaker 3>Winter's Bone comes.

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<v Speaker 1>Up a lot, probably a because it's got the name

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<v Speaker 1>Winter in the Time, yeah, but B because of Jennifer

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<v Speaker 1>Lawrence and that performance.

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<v Speaker 3>That is a movie about.

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<v Speaker 1>Being isolated, being alone and having to survive a winter

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<v Speaker 1>where your patriarchal figure has like abandoned you, you know,

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<v Speaker 1>in a space. So I think this kind of notion

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<v Speaker 1>of isolation and winter and how that adds challenges to

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<v Speaker 1>what you're already facing.

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<v Speaker 2>I love it. And then two would we say, if

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<v Speaker 2>this is a dark Knight of the soul type genre,

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<v Speaker 2>is the discovery of self also essential?

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<v Speaker 1>I would say yes, in general, you're going to come

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<v Speaker 1>to a point within these movies where something true is

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<v Speaker 1>discovered about yourself. Now that is not always going to

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<v Speaker 1>be something positive, right we.

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<v Speaker 7>Dive into the pictures, some of min are like bleak

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<v Speaker 7>as out, Like the discovery is like, oh, you're fucking crazy,

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<v Speaker 7>Like this is the craziness is erupted within you and

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<v Speaker 7>this is all you can do.

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<v Speaker 2>And I gives it takes. We're gonna give you the

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<v Speaker 2>coziness of Santa's We're gonna take you to the depths

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<v Speaker 2>of winter. But now before we go to break. We'll

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<v Speaker 2>be right back after these messages and we're back, let's

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<v Speaker 2>talk about some of our picks. We want a round Robinham, Yeah,

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<v Speaker 2>the one, yeah after the other me start. Okay, I'm

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<v Speaker 2>gonna start with my most controversial I thought I had

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<v Speaker 2>while we were while we were talking about what it is,

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<v Speaker 2>and it was an image that was like, what movie

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<v Speaker 2>am I thinking of blood on the snow? It's fucking

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<v Speaker 2>killed Bill. You guys, love and death and equal measure

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<v Speaker 2>connected isolation. Okay, great Winter as a character, not throughout

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<v Speaker 2>the whole movie, maybe just to the seed, but she's

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<v Speaker 2>there and she's making things chalired.

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<v Speaker 4>By you know, a Japanese film.

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<v Speaker 3>Yeah.

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<v Speaker 1>I was actually that that Lady Snowblood was actually gonna

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<v Speaker 1>be one of my picks because so much of it

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<v Speaker 1>is taken from that.

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<v Speaker 3>So I think you'll I think if a.

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<v Speaker 1>Movie is so has such an iconic sequence like that

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<v Speaker 1>sequence with Lucy in, I think you can make that argument. Now, look,

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<v Speaker 1>is it is some of kill Bill set and like

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<v Speaker 1>you know California and Sonny.

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<v Speaker 3>Yes, but I love that you bought this outrageous pick.

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<v Speaker 1>And I do think especially because it's based on Lady snowblood.

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<v Speaker 2>Yeah, I was kind of blown away. I love that

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<v Speaker 2>you're both like, yeah, we'll let this ride. Thank you

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<v Speaker 2>for indulging the craziness. Carmen, what's your first pick?

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<v Speaker 4>I okay, my first pick is one that came to

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<v Speaker 4>me this morning and I was so excited, right, I

0:13:00.160 --> 0:13:03.600
<v Speaker 4>remembered it. But Mothman Prophecies is.

0:13:04.559 --> 0:13:07.480
<v Speaker 3>I love this. This is a great pick.

0:13:07.280 --> 0:13:11.000
<v Speaker 1>Because look, not necessarily a lot of snow in the

0:13:11.040 --> 0:13:14.240
<v Speaker 1>way that we think, but very like missed the rainy

0:13:14.400 --> 0:13:15.880
<v Speaker 1>depressing as correct.

0:13:16.200 --> 0:13:19.600
<v Speaker 4>Yes, and his wife dies at the beginning of the movie.

0:13:20.520 --> 0:13:24.080
<v Speaker 4>She gets a brain tumor, and so it's kind of

0:13:24.120 --> 0:13:26.719
<v Speaker 4>a The movie is about him trying to figure out

0:13:27.400 --> 0:13:30.960
<v Speaker 4>what entity his wife was obsessed with before she died

0:13:31.480 --> 0:13:34.679
<v Speaker 4>that he thinks had taken her, and it's this entity

0:13:34.720 --> 0:13:38.120
<v Speaker 4>called the moth Man. And yeah, it has one of

0:13:38.160 --> 0:13:40.720
<v Speaker 4>the creepiest scenes in all of cinema history in my opinion,

0:13:40.760 --> 0:13:43.880
<v Speaker 4>which is the hotel scene where he gets a phone call.

0:13:44.040 --> 0:13:46.560
<v Speaker 4>Richard Gear gets a phone call from the injured cold

0:13:46.800 --> 0:13:50.240
<v Speaker 4>character and that voice when I hear that, it sends

0:13:50.280 --> 0:13:52.240
<v Speaker 4>chillsning fine, I watched it when I was a kid

0:13:52.320 --> 0:13:54.160
<v Speaker 4>in the winter. I think and for me, it's like

0:13:54.200 --> 0:13:57.760
<v Speaker 4>a very wintery definitely lots of themes of winter, and

0:13:57.800 --> 0:13:59.800
<v Speaker 4>it will it'll make you obsessed with the moth Man

0:14:00.240 --> 0:14:02.480
<v Speaker 4>and just really start to think, like, here's the moth

0:14:02.520 --> 0:14:03.000
<v Speaker 4>Man real?

0:14:05.360 --> 0:14:09.200
<v Speaker 1>I love again, back to that folkloric folk horror. I

0:14:09.240 --> 0:14:12.520
<v Speaker 1>think there's something about winter that sends us back. We

0:14:12.559 --> 0:14:15.319
<v Speaker 1>are going back to pagan traditions anyway, with like the

0:14:15.440 --> 0:14:19.360
<v Speaker 1>Christmas tree and stuff like that, and the celebration of

0:14:19.400 --> 0:14:21.120
<v Speaker 1>like sitting around the fire.

0:14:21.280 --> 0:14:23.040
<v Speaker 3>So maybe there's something about winter.

0:14:23.280 --> 0:14:26.040
<v Speaker 1>The your logue this kind of there's something about it

0:14:26.040 --> 0:14:29.840
<v Speaker 1>that sends us back to those kind of feral times

0:14:29.880 --> 0:14:32.360
<v Speaker 1>and those feral kind of human behaviors. So that's why

0:14:32.480 --> 0:14:35.560
<v Speaker 1>I am in a pick for my first pick one

0:14:35.560 --> 0:14:40.600
<v Speaker 1>of the best most underrated movies directed by a woman

0:14:40.680 --> 0:14:41.200
<v Speaker 1>as well.

0:14:41.920 --> 0:14:46.840
<v Speaker 3>This is ravenous. This movie is a.

0:14:46.480 --> 0:14:51.080
<v Speaker 1>Absolutely crazy horror western from nineteen ninety nine directed by

0:14:51.160 --> 0:14:57.120
<v Speaker 1>Antonio Bird and it is basically set in the California

0:14:57.200 --> 0:15:02.800
<v Speaker 1>Sierra Nevada in the eighteen forty and it is about

0:15:03.040 --> 0:15:08.040
<v Speaker 1>a group of soldiers who are out an isolated ice

0:15:08.160 --> 0:15:13.640
<v Speaker 1>outpost when they come across cannibals and it's kind of

0:15:15.000 --> 0:15:18.960
<v Speaker 1>very interesting because while it is based on real life

0:15:19.080 --> 0:15:22.520
<v Speaker 1>and like it's inspired by the Donna Party, and it's

0:15:22.560 --> 0:15:27.000
<v Speaker 1>inspired by a real Colorado cannibal that they called Alfred Packer,

0:15:27.040 --> 0:15:30.240
<v Speaker 1>who survived after eating people becoming snowbound.

0:15:30.640 --> 0:15:32.440
<v Speaker 3>It is actually and I think.

0:15:32.320 --> 0:15:37.240
<v Speaker 1>This is the reason why it's had such a long

0:15:37.480 --> 0:15:40.120
<v Speaker 1>history and has become such a cult classic. It's really

0:15:40.240 --> 0:15:45.200
<v Speaker 1>like a movie critiquing American imperialism and the ideas of

0:15:45.240 --> 0:15:49.120
<v Speaker 1>like manifest destiny and the ideas of like consumption.

0:15:49.880 --> 0:15:50.840
<v Speaker 3>And it's really good.

0:15:50.880 --> 0:15:58.360
<v Speaker 1>It's really scary, and it is also just like really again,

0:15:58.520 --> 0:16:04.440
<v Speaker 1>feels like that Donna train kind of you're exploring and

0:16:04.480 --> 0:16:09.280
<v Speaker 1>you become trapped that existential fear of the nature of

0:16:09.560 --> 0:16:12.720
<v Speaker 1>the earth and winter and all this kind of horror

0:16:12.760 --> 0:16:14.920
<v Speaker 1>that you have to survive already, and then you add

0:16:14.960 --> 0:16:21.160
<v Speaker 1>in this extra thing, which is this cannibalism aspect, And yeah,

0:16:21.520 --> 0:16:25.080
<v Speaker 1>such a good movie, and the ending.

0:16:24.920 --> 0:16:28.080
<v Speaker 3>Is crazy, and yeah, it's it's just really good.

0:16:28.080 --> 0:16:30.920
<v Speaker 1>It's got Guy Peace, it's got David Arquette, it's got

0:16:31.280 --> 0:16:33.560
<v Speaker 1>Jeffrey Jones, it's a lot of Neil mcdonnaugh.

0:16:33.800 --> 0:16:34.920
<v Speaker 3>It's it's really good.

0:16:34.960 --> 0:16:38.280
<v Speaker 1>It's a low key kind of like it was an

0:16:38.360 --> 0:16:40.760
<v Speaker 1>indie mooe. It didn't make a ton of money. It

0:16:40.880 --> 0:16:44.400
<v Speaker 1>cost twelve million, made two million, But it's so good

0:16:44.440 --> 0:16:48.160
<v Speaker 1>and I think that definitely earns its place in the

0:16:48.240 --> 0:16:52.320
<v Speaker 1>winter gothic space and leans into that kind of like crazy.

0:16:53.040 --> 0:16:55.160
<v Speaker 1>And also, I'm going again, this is a bleak one,

0:16:55.280 --> 0:16:57.120
<v Speaker 1>so I would say you two did some kind of

0:16:57.160 --> 0:17:00.000
<v Speaker 1>funnish ones that are still spooky. So that's my first

0:17:00.480 --> 0:17:04.280
<v Speaker 1>true bleak take Joelle, what is your second?

0:17:04.320 --> 0:17:10.600
<v Speaker 2>Well to bring us to a slightly less bleak but

0:17:10.720 --> 0:17:14.000
<v Speaker 2>still dark place. It's winter gothic, guys, We're not going

0:17:14.080 --> 0:17:17.399
<v Speaker 2>to leave the darkness. It's thirty Days of Night now listen.

0:17:17.840 --> 0:17:18.280
<v Speaker 8>Is it.

0:17:19.920 --> 0:17:21.920
<v Speaker 2>Performance Josh Harten has ever given?

0:17:21.960 --> 0:17:22.600
<v Speaker 5>No, it's not for that.

0:17:22.640 --> 0:17:25.960
<v Speaker 2>Please go see Penny Dreadful. Is it the best vampire

0:17:26.000 --> 0:17:28.359
<v Speaker 2>movie of all time? It's it's not only Lovers Left

0:17:28.400 --> 0:17:32.199
<v Speaker 2>Alive exists, and we can't take that exactly. But it

0:17:32.280 --> 0:17:37.960
<v Speaker 2>has some of the coolest looking vampires. They have flam

0:17:38.080 --> 0:17:41.439
<v Speaker 2>dress so regular they feel like Russian mob. You're like,

0:17:41.440 --> 0:17:44.040
<v Speaker 2>I would not fuck with these guys. And on top

0:17:44.080 --> 0:17:47.480
<v Speaker 2>of that, just like this is an absolute just vibes movie.

0:17:47.520 --> 0:17:49.720
<v Speaker 2>It's like it's a little bit slasher movie. If you

0:17:49.760 --> 0:17:52.240
<v Speaker 2>haven't seen it, it's a little bit slashery. You do

0:17:52.320 --> 0:17:57.119
<v Speaker 2>have a final girl. You've got police dudes who are

0:17:57.119 --> 0:18:00.720
<v Speaker 2>sort of forced into different types of hector roles, which

0:18:00.760 --> 0:18:03.880
<v Speaker 2>I find really interesting. But mostly I'm here for these

0:18:04.000 --> 0:18:07.280
<v Speaker 2>damn cool looking vampires and they're damn cool killing methods.

0:18:07.560 --> 0:18:09.480
<v Speaker 2>I think Three Days of Night is one of the

0:18:09.520 --> 0:18:11.919
<v Speaker 2>most fun horror movies of all time.

0:18:12.400 --> 0:18:13.080
<v Speaker 3>Just great show.

0:18:13.960 --> 0:18:15.560
<v Speaker 2>It's so much fun to show people, just from a

0:18:15.600 --> 0:18:18.639
<v Speaker 2>conceptual standpoint of Like, you're up in Alaska, it's going

0:18:18.680 --> 0:18:22.240
<v Speaker 2>to be dark for a full month, which sunset the

0:18:22.320 --> 0:18:25.359
<v Speaker 2>last sunset. It's a horrifying premise. And then you have

0:18:25.520 --> 0:18:28.800
<v Speaker 2>a killer who is more expertise than the dark, more

0:18:28.800 --> 0:18:32.000
<v Speaker 2>expertise in the cold. You can't truly beat them. You

0:18:32.040 --> 0:18:36.960
<v Speaker 2>can only hope to outrun them. Oh it's thrilling and fun. Again.

0:18:37.000 --> 0:18:39.159
<v Speaker 2>I just cannot emphasize enough how much the acting is

0:18:39.160 --> 0:18:42.280
<v Speaker 2>not great. Just don't that's not why you're here. You came,

0:18:42.480 --> 0:18:44.119
<v Speaker 2>it's for visual it's mint.

0:18:44.160 --> 0:18:46.800
<v Speaker 1>Era, it's mid Ara Josh and now he's back in

0:18:46.840 --> 0:18:53.800
<v Speaker 1>his bag, like this is post you know, faculty and a.

0:18:53.800 --> 0:18:55.080
<v Speaker 2>Lot is happening in the world.

0:18:55.200 --> 0:18:57.800
<v Speaker 1>Yeah, a lot was happening also as well. Like you said, Joelle,

0:18:57.880 --> 0:18:59.960
<v Speaker 1>I mean this is based on a comic book. It's

0:19:00.080 --> 0:19:04.120
<v Speaker 1>set over thirty days. It's a really great simple conceit,

0:19:04.160 --> 0:19:05.959
<v Speaker 1>which I also think a lot of these movies have.

0:19:06.320 --> 0:19:08.640
<v Speaker 1>Or it's basically like what if you were in an

0:19:08.680 --> 0:19:12.000
<v Speaker 1>already scary, unsettling situation. You're a new coop in town,

0:19:12.040 --> 0:19:14.560
<v Speaker 1>it's about to be thirty days of night, Like, how

0:19:14.560 --> 0:19:17.040
<v Speaker 1>do you protect your town? Is everyone just going to

0:19:17.080 --> 0:19:19.480
<v Speaker 1>be chilling? Oh wait, there's vampires here, because of course

0:19:19.480 --> 0:19:22.199
<v Speaker 1>where else would they live? So I love that pick.

0:19:22.400 --> 0:19:25.000
<v Speaker 1>And again, guys, yeah, great, great comic book, and they

0:19:25.040 --> 0:19:27.400
<v Speaker 1>I think they have a new series coming out as

0:19:27.400 --> 0:19:29.520
<v Speaker 1>well as part of the IDW Dark Range.

0:19:30.040 --> 0:19:32.120
<v Speaker 3>Common What is your second.

0:19:32.080 --> 0:19:35.080
<v Speaker 4>I think my second pick is probably, out of all

0:19:35.080 --> 0:19:36.840
<v Speaker 4>the ones we've talked about to support, the one that

0:19:36.920 --> 0:19:40.320
<v Speaker 4>probably fits our category the most, and that is Crimson Peak.

0:19:40.920 --> 0:19:42.480
<v Speaker 5>It is definitely Gothic.

0:19:43.000 --> 0:19:46.800
<v Speaker 4>It is definitely winter it's wintery, and it is definitely

0:19:46.800 --> 0:19:51.240
<v Speaker 4>dealing with the dark, you know, subjects and the romance

0:19:51.320 --> 0:19:55.600
<v Speaker 4>and all of that. Absolutely love it. I personally, I

0:19:55.720 --> 0:19:57.920
<v Speaker 4>was literally I haven't watched this movie in a few years,

0:19:57.920 --> 0:19:59.879
<v Speaker 4>but I have seen it like four times and it

0:19:59.920 --> 0:20:02.199
<v Speaker 4>is is one of my favorite Garamel del Tora movies.

0:20:02.840 --> 0:20:04.719
<v Speaker 4>I can't tell you what the movie's about, but I

0:20:04.800 --> 0:20:06.720
<v Speaker 4>do know that it's a.

0:20:06.800 --> 0:20:11.480
<v Speaker 1>Very visually which we offer. I would say feeling that

0:20:12.840 --> 0:20:13.400
<v Speaker 1>Gothic movies.

0:20:13.880 --> 0:20:16.879
<v Speaker 4>Visually stunning movie and your eyes are eating in every

0:20:17.160 --> 0:20:19.560
<v Speaker 4>freaking shot of the movie.

0:20:19.920 --> 0:20:20.480
<v Speaker 3>Amazing.

0:20:21.040 --> 0:20:25.000
<v Speaker 4>You know, costume acting from Doug Jones in that horrifying

0:20:25.080 --> 0:20:29.639
<v Speaker 4>red ghost, like just some of the best like costuming

0:20:29.720 --> 0:20:34.200
<v Speaker 4>and makeup, and and just like set designs in Winter Gothic.

0:20:34.280 --> 0:20:36.440
<v Speaker 2>You know what else this movie has that I think

0:20:36.840 --> 0:20:39.480
<v Speaker 2>goes well in the gothic category of our Winter Gothic

0:20:39.680 --> 0:20:46.240
<v Speaker 2>It as men who long they want, they want to

0:20:46.240 --> 0:20:49.600
<v Speaker 2>love them, They're not sure of themselves. It's damn sexy.

0:20:50.440 --> 0:20:54.280
<v Speaker 1>There's no certainty there, there's no fire in the yearning.

0:20:54.359 --> 0:20:57.160
<v Speaker 1>This is cool gothic yearning where you feel like can

0:20:57.200 --> 0:20:59.640
<v Speaker 1>you never be able to achieve what you need?

0:20:59.840 --> 0:21:01.879
<v Speaker 3>I love this pitcommon. I think if there is a

0:21:02.080 --> 0:21:04.400
<v Speaker 3>Winter Gothic movie, it is likely this.

0:21:04.600 --> 0:21:07.280
<v Speaker 1>If there is a singular one, I think it has

0:21:07.520 --> 0:21:09.160
<v Speaker 1>a lot of the hallmarks of what we want from

0:21:09.200 --> 0:21:12.000
<v Speaker 1>Gothic storytelling, like it's very turn of the Screw.

0:21:12.080 --> 0:21:14.359
<v Speaker 3>You are a woman, you turn up at this new house.

0:21:14.560 --> 0:21:17.120
<v Speaker 1>Oh but you're married, so that's very blue Beard, that's

0:21:17.240 --> 0:21:21.000
<v Speaker 1>very Rebecca. And suddenly your husband has secrets in the

0:21:21.040 --> 0:21:23.879
<v Speaker 1>house is wanted, like, it's such a the house is

0:21:24.040 --> 0:21:27.800
<v Speaker 1>so winter. How is it to say, let's add that.

0:21:28.640 --> 0:21:31.359
<v Speaker 1>Let's add that retroactively. I do think that some of

0:21:31.400 --> 0:21:35.880
<v Speaker 1>the best horror movies like this are set in one

0:21:36.000 --> 0:21:40.720
<v Speaker 1>location or have one primary scary location.

0:21:40.680 --> 0:21:42.119
<v Speaker 3>You appear in.

0:21:42.880 --> 0:21:45.760
<v Speaker 1>Even even in kill Bill, the winter gothic of it

0:21:45.800 --> 0:21:48.480
<v Speaker 1>all comes when she goes to Lucy Lou. You know,

0:21:48.920 --> 0:21:51.480
<v Speaker 1>I would say, so my next pick does fit in

0:21:51.560 --> 0:21:54.080
<v Speaker 1>really well with that. Another incredibly bleak one. This is

0:21:54.119 --> 0:21:58.199
<v Speaker 1>a very controversial movie, guys, because it is essentially like

0:21:58.240 --> 0:21:59.040
<v Speaker 1>a gaslight in.

0:21:59.119 --> 0:22:02.000
<v Speaker 3>Horror movie and it is about evil kids.

0:22:02.240 --> 0:22:05.159
<v Speaker 1>But I think it's legit one of the scariest best

0:22:05.200 --> 0:22:09.200
<v Speaker 1>winter horror movies ever made. I think it's so bleak

0:22:09.320 --> 0:22:11.280
<v Speaker 1>that a lot of people couldn't take it.

0:22:11.280 --> 0:22:12.520
<v Speaker 3>It has a crazy cast.

0:22:12.720 --> 0:22:16.239
<v Speaker 1>Riley Keog Jada Martel as the kid, Leah mceu as

0:22:16.240 --> 0:22:19.040
<v Speaker 1>the other kid, Alice She a Silverstone by the way

0:22:19.880 --> 0:22:22.080
<v Speaker 1>and hermitage and it is.

0:22:22.040 --> 0:22:25.639
<v Speaker 3>A so this is the story.

0:22:25.720 --> 0:22:30.040
<v Speaker 1>Yeah, she is the mom, Alicia Silverstone is the mom,

0:22:30.440 --> 0:22:31.760
<v Speaker 1>but Riley Keog is.

0:22:31.800 --> 0:22:36.680
<v Speaker 3>The step mom, the evil and horrible.

0:22:37.000 --> 0:22:41.040
<v Speaker 1>A horrible tragedy happens early on, and we and the

0:22:41.119 --> 0:22:43.680
<v Speaker 1>kids decide that. The dad decides he's going to take

0:22:43.680 --> 0:22:46.760
<v Speaker 1>the kids to this lodge out in the winter, and

0:22:47.359 --> 0:22:50.919
<v Speaker 1>played by Richard Armitage really great career performance where you

0:22:50.960 --> 0:22:52.959
<v Speaker 1>just can't really tell whether you can trust him or not.

0:22:53.680 --> 0:22:57.280
<v Speaker 1>He sends her there, the young stepmother with his two kids,

0:22:57.760 --> 0:23:02.560
<v Speaker 1>and strange things start to happen. She starts to have

0:23:03.000 --> 0:23:06.600
<v Speaker 1>flashbacks to a cult she was saved from. There, starts

0:23:06.600 --> 0:23:10.639
<v Speaker 1>to appear to be supernatural elements happening in the house.

0:23:11.160 --> 0:23:14.800
<v Speaker 1>Things start going really really badly and getting very bleak,

0:23:14.960 --> 0:23:17.800
<v Speaker 1>and as the story unfolds, you realize there is kind

0:23:17.840 --> 0:23:21.720
<v Speaker 1>of an ulterior motive that is driving this, but it's

0:23:21.840 --> 0:23:25.399
<v Speaker 1>all centered around Riley Kyog in this new place in

0:23:25.840 --> 0:23:29.640
<v Speaker 1>like you can't see anything but snow, basically being terrorized

0:23:29.640 --> 0:23:32.040
<v Speaker 1>by these two kids, but she can't trust that that

0:23:32.160 --> 0:23:35.919
<v Speaker 1>is what's happening. It's so bleak and so good, and

0:23:35.960 --> 0:23:39.639
<v Speaker 1>the ending is horrific. It's the kind of this is

0:23:39.680 --> 0:23:42.280
<v Speaker 1>from twenty nineteen. This is the kind of ending that

0:23:42.400 --> 0:23:44.439
<v Speaker 1>I just feel like you don't really get anymore. This

0:23:44.560 --> 0:23:47.159
<v Speaker 1>is by the guys who also it's Veronica Franz and

0:23:47.240 --> 0:23:48.600
<v Speaker 1>Severin Fiala.

0:23:48.960 --> 0:23:53.600
<v Speaker 3>They made that movie that I believe was called like

0:23:53.920 --> 0:23:54.320
<v Speaker 3>Good Year.

0:23:54.520 --> 0:23:55.560
<v Speaker 5>I love that movie.

0:23:56.280 --> 0:23:57.720
<v Speaker 3>It was a foreign.

0:23:57.560 --> 0:23:59.639
<v Speaker 1>Movie about the two kids with the mom who had

0:23:59.640 --> 0:24:03.440
<v Speaker 1>had the plastic surgery. This was an American movie that

0:24:03.480 --> 0:24:06.040
<v Speaker 1>the American language movie The Paradem made.

0:24:06.400 --> 0:24:09.240
<v Speaker 3>Yeah, it's it's really good, guys.

0:24:09.280 --> 0:24:13.040
<v Speaker 1>It's so bleak, but it's it's really really good. And

0:24:13.480 --> 0:24:19.760
<v Speaker 1>I think it's pure winter Gothic. There is no it's relentless,

0:24:19.800 --> 0:24:22.480
<v Speaker 1>there's no hope, there's nothing, nothing good is coming out

0:24:22.480 --> 0:24:23.080
<v Speaker 1>of this winter.

0:24:23.560 --> 0:24:27.840
<v Speaker 3>This is the kind of winter that will drive you crazy.

0:24:27.880 --> 0:24:32.000
<v Speaker 1>And that is about, you know, taking you from your

0:24:32.040 --> 0:24:35.240
<v Speaker 1>experiences as a young person and how if you do

0:24:35.320 --> 0:24:37.720
<v Speaker 1>not deal with them. This is the kind of winter

0:24:37.800 --> 0:24:40.320
<v Speaker 1>that can like crack you open. It's it's so good.

0:24:40.359 --> 0:24:46.159
<v Speaker 2>It's so good, guys, got so good from this very deep,

0:24:46.359 --> 0:24:49.879
<v Speaker 2>rich text, uh dark movie. I'm going to give you

0:24:49.880 --> 0:24:50.840
<v Speaker 2>the Disney version of.

0:24:50.760 --> 0:24:53.879
<v Speaker 3>A Yes we need this, let's end with something a

0:24:53.880 --> 0:24:54.640
<v Speaker 3>little cheerier.

0:24:55.080 --> 0:24:58.119
<v Speaker 2>Timmy be made one final good movie.

0:24:59.400 --> 0:24:59.959
<v Speaker 3>Many as well.

0:25:00.040 --> 0:25:04.080
<v Speaker 2>It's the epitome of a winter gothic or a detective.

0:25:04.440 --> 0:25:07.200
<v Speaker 2>Let's travel to a town far of state, New York

0:25:07.520 --> 0:25:10.000
<v Speaker 2>to discover who has been chopping off the heads of

0:25:10.080 --> 0:25:15.280
<v Speaker 2>the locals. It's sleepy, hollow, problematic. Johnny Depp, I'm so

0:25:15.359 --> 0:25:20.800
<v Speaker 2>sorry to have to ride the Johnny an iconic, possibly

0:25:20.840 --> 0:25:22.520
<v Speaker 2>too young to be sorry off as a Johnny Depp

0:25:22.520 --> 0:25:26.240
<v Speaker 2>at this point in time, Christy listen, is it a

0:25:26.280 --> 0:25:27.160
<v Speaker 2>problematic favor?

0:25:27.200 --> 0:25:27.480
<v Speaker 1>It is?

0:25:27.520 --> 0:25:29.760
<v Speaker 2>It was ninety nine. I was ten years old, and

0:25:30.000 --> 0:25:33.040
<v Speaker 2>I was like, this is what love is. Look at

0:25:33.080 --> 0:25:37.720
<v Speaker 2>these two people falling for each other. I was really, really, really.

0:25:37.440 --> 0:25:40.800
<v Speaker 1>Into like boundly important movie for me as a kid

0:25:41.240 --> 0:25:43.520
<v Speaker 1>first save time.

0:25:43.960 --> 0:25:47.159
<v Speaker 2>It truly was as somebody who was very obsessed with

0:25:47.280 --> 0:25:50.280
<v Speaker 2>death and death practices at the time, as somebody who

0:25:50.400 --> 0:25:54.320
<v Speaker 2>was really intrigued by just like woods and old horror stories,

0:25:54.359 --> 0:25:57.480
<v Speaker 2>like it's really firing on all angles. It is perhaps

0:25:57.640 --> 0:26:01.320
<v Speaker 2>one of the most beautifully shot films of all time too.

0:26:01.520 --> 0:26:04.479
<v Speaker 2>I mean, when you talk about the contrast of blood

0:26:04.520 --> 0:26:08.119
<v Speaker 2>on snow, when you're talking about your general costume design,

0:26:08.480 --> 0:26:12.680
<v Speaker 2>like I was completely blown away. The cinematographers Emmanuel Lebetski,

0:26:13.040 --> 0:26:15.280
<v Speaker 2>who if you're not like a film person to lave

0:26:15.400 --> 0:26:18.520
<v Speaker 2>probably a name that you're like not as familiar with.

0:26:18.920 --> 0:26:23.840
<v Speaker 2>But his catalog is deep. Guys like he did.

0:26:23.920 --> 0:26:24.200
<v Speaker 6>Hold on.

0:26:24.280 --> 0:26:24.600
<v Speaker 3>I'm sorry.

0:26:24.600 --> 0:26:25.840
<v Speaker 2>I've tried to pull it up, so I don't fuck

0:26:25.880 --> 0:26:29.560
<v Speaker 2>it up. Here go the Revenue, Birdman, Tree of Life, Gravity,

0:26:29.680 --> 0:26:37.040
<v Speaker 2>Children of Men, those guys, okay, Like it goes on forever,

0:26:37.240 --> 0:26:39.119
<v Speaker 2>and so if you want to really luxuriate just in

0:26:39.200 --> 0:26:41.879
<v Speaker 2>his visuals, you can do that. If you have like

0:26:41.880 --> 0:26:43.479
<v Speaker 2>a fun twist, you can get that. If you want

0:26:43.520 --> 0:26:47.080
<v Speaker 2>beautiful costumes, you've got that. The acting is great, listen,

0:26:47.080 --> 0:26:50.960
<v Speaker 2>it's probably again. I do think this is Timberton's last

0:26:51.160 --> 0:26:54.920
<v Speaker 2>great film. This could potentially be Johnny Depp's last great

0:26:55.000 --> 0:26:57.640
<v Speaker 2>film too, if you're really for the like when he's

0:26:57.720 --> 0:26:59.639
<v Speaker 2>stretching himself and trying to act and not really just

0:26:59.640 --> 0:27:03.280
<v Speaker 2>falling into the Jack Spherau of it all. He's a

0:27:03.280 --> 0:27:05.720
<v Speaker 2>different person here and it looks so good. I just

0:27:06.400 --> 0:27:09.240
<v Speaker 2>love this film. I can almost quote everybody, and it's wonderful.

0:27:09.359 --> 0:27:13.919
<v Speaker 3>Christopher Walken is in this movie. The funnest craziest roles?

0:27:14.119 --> 0:27:15.160
<v Speaker 2>How did we forget?

0:27:15.640 --> 0:27:16.560
<v Speaker 3>I love this pic.

0:27:17.119 --> 0:27:21.000
<v Speaker 1>I think it's so it was so vibrant and different

0:27:21.119 --> 0:27:23.800
<v Speaker 1>for people our age and even look, I'm from England,

0:27:24.119 --> 0:27:27.480
<v Speaker 1>but the story of Igobo Crane and the Headless Wantsman

0:27:27.680 --> 0:27:31.000
<v Speaker 1>that does culturally make it to England. I loved watching

0:27:31.280 --> 0:27:33.400
<v Speaker 1>the Disney version of that when I was a kid

0:27:33.480 --> 0:27:35.960
<v Speaker 1>on the you know, Mister Toad kind of double bill

0:27:36.000 --> 0:27:38.480
<v Speaker 1>that they did back in the day. And yeah, great,

0:27:38.560 --> 0:27:41.240
<v Speaker 1>great pick Joelle Calm and WA's your what's your final win?

0:27:41.400 --> 0:27:45.440
<v Speaker 4>I want to say that movie Sleepy Hollow is made

0:27:45.520 --> 0:27:48.520
<v Speaker 4>Christopher Walkin a very scary, scary person. To me, I

0:27:49.000 --> 0:27:53.720
<v Speaker 4>was like, Christopher Walking is scary, sharp teeth and weird eyes. Okay, yeah,

0:27:53.760 --> 0:27:56.960
<v Speaker 4>but no, yeah, my honorable mention before I get to

0:27:57.000 --> 0:27:59.639
<v Speaker 4>my final pick. But honorable mention is the Christmas scene

0:27:59.800 --> 0:28:03.119
<v Speaker 4>for Midnight in the Garden of Good and Evil, which I.

0:28:03.320 --> 0:28:07.040
<v Speaker 3>Oh, great pick. Southern Gothics, I absolutely love hate.

0:28:07.080 --> 0:28:10.720
<v Speaker 4>I'm sorry to recommend a Kevin Spacey movie, but watch

0:28:10.760 --> 0:28:14.720
<v Speaker 4>it for the lady Chabblee. Okay, she plays herself, a

0:28:14.760 --> 0:28:17.119
<v Speaker 4>trans woman plays hers, a black trans woman plays herself

0:28:17.119 --> 0:28:19.160
<v Speaker 4>In Savannah Georgia. Come on, I mean, you can't.

0:28:19.600 --> 0:28:20.479
<v Speaker 5>You can't beat that.

0:28:20.920 --> 0:28:24.359
<v Speaker 4>Then my actual all time favorite is it's my favorite

0:28:24.400 --> 0:28:27.600
<v Speaker 4>Christmas movie. It is also a winter Gothic. It is

0:28:27.760 --> 0:28:30.520
<v Speaker 4>Batman Returns, and it's another Tim Burton.

0:28:31.040 --> 0:28:34.399
<v Speaker 3>It is a really good uh my guy was like

0:28:34.440 --> 0:28:36.640
<v Speaker 3>twenty eight at that point. He hadn't done any.

0:28:36.400 --> 0:28:39.400
<v Speaker 1>Folks I know of by that point, like Batman one

0:28:39.480 --> 0:28:42.640
<v Speaker 1>and Batman two, like the best movies ever made in

0:28:42.640 --> 0:28:45.960
<v Speaker 1>my opinion, Yeah, untouchable. What is it about that movie

0:28:46.000 --> 0:28:48.479
<v Speaker 1>common that makes it such a perfect Winter Gothic?

0:28:48.920 --> 0:28:51.640
<v Speaker 4>Well, I mean, it's of course set around the Christmas season,

0:28:51.880 --> 0:28:55.200
<v Speaker 4>but it's about the bleakness of Christmas, I think, And

0:28:55.240 --> 0:28:58.560
<v Speaker 4>it's about the kind of like loneliness and depressing nature

0:28:58.640 --> 0:29:01.600
<v Speaker 4>of Christmas that comes when people who don't have a

0:29:01.680 --> 0:29:06.240
<v Speaker 4>family or loved ones, you know, have Christmas time.

0:29:06.440 --> 0:29:08.520
<v Speaker 3>And for me, I.

0:29:08.480 --> 0:29:12.880
<v Speaker 4>Mean, it's just it's got. It's got the imagery, it's

0:29:12.920 --> 0:29:17.160
<v Speaker 4>got the penguin, it's got. I mean, it's the tragedy

0:29:17.200 --> 0:29:22.160
<v Speaker 4>tragic they push in the between Carat Woman and Batman

0:29:22.360 --> 0:29:25.880
<v Speaker 4>and that and that amazing Susie and the Banshees song

0:29:26.160 --> 0:29:28.960
<v Speaker 4>when they finally meet each other face to face on

0:29:29.040 --> 0:29:31.560
<v Speaker 4>the dance floor, I realize.

0:29:32.120 --> 0:29:35.160
<v Speaker 1>Yeah, I also love that pick because I do think

0:29:35.240 --> 0:29:37.680
<v Speaker 1>that I've written about extensively. I do think it's just

0:29:37.680 --> 0:29:40.560
<v Speaker 1>one of the most inventive, unique Christmas movies. I think

0:29:40.600 --> 0:29:43.920
<v Speaker 1>it's really creepy, it's really fun. If I'm not mistaken,

0:29:43.960 --> 0:29:46.080
<v Speaker 1>I think this was a gremlin style release where it

0:29:46.080 --> 0:29:49.800
<v Speaker 1>came out and why so it didn't necessarily immediately hit

0:29:50.080 --> 0:29:55.360
<v Speaker 1>as a huge successful Christmas movie, but obviously we do

0:29:55.480 --> 0:29:57.320
<v Speaker 1>see it that way now. I love your pull on

0:29:57.360 --> 0:29:59.920
<v Speaker 1>the loneliness too, because I do think a lot of

0:30:00.080 --> 0:30:03.440
<v Speaker 1>this movie is about the loneliness of Bruce Wayne in

0:30:03.520 --> 0:30:07.400
<v Speaker 1>his big mansion by himself, where he can't share himself

0:30:07.440 --> 0:30:09.040
<v Speaker 1>with anyone, where he can't share his trump.

0:30:10.560 --> 0:30:13.840
<v Speaker 3>The penguins Selena, who is.

0:30:13.800 --> 0:30:17.760
<v Speaker 1>Like an abbused by her boss, you know, and then

0:30:18.080 --> 0:30:22.000
<v Speaker 1>has an unbelievable experience that you know, nobody she can't

0:30:22.040 --> 0:30:24.760
<v Speaker 1>tell anybody about, which is very analogous to like being

0:30:24.760 --> 0:30:27.840
<v Speaker 1>assaulted by your boss or someone higher up by than you.

0:30:28.200 --> 0:30:30.400
<v Speaker 3>And then you know, it has that gothic.

0:30:30.080 --> 0:30:35.240
<v Speaker 1>Tragedy of they find each other, but they can't come together.

0:30:35.120 --> 0:30:40.320
<v Speaker 4>Because yeah, their enemies.

0:30:41.280 --> 0:30:43.000
<v Speaker 3>Yeah, I love that movie, great, Paul.

0:30:43.360 --> 0:30:45.920
<v Speaker 1>My final poll, I'm also going to go for something

0:30:45.920 --> 0:30:48.160
<v Speaker 1>a little bit less bleak, a little bit more in

0:30:48.200 --> 0:30:52.760
<v Speaker 1>the fun Realm, which is we talked about this recently.

0:30:52.800 --> 0:30:55.239
<v Speaker 1>It was one of Jason's The first movie was one

0:30:55.280 --> 0:30:56.760
<v Speaker 1>of Jason's Rex when we were.

0:30:56.640 --> 0:30:59.040
<v Speaker 3>Doing like, uh, queer horror.

0:30:59.400 --> 0:31:03.120
<v Speaker 1>But the third Ginger Snaps movie Ginger Snaps Back at

0:31:03.160 --> 0:31:07.000
<v Speaker 1>the beginning two thousand and four Ginger Snaps Back, which

0:31:07.000 --> 0:31:09.600
<v Speaker 1>is kind of funny because it's like a pun because

0:31:09.640 --> 0:31:13.640
<v Speaker 1>it's Catherine, Isabel Emily Perkins again, but they are now

0:31:13.680 --> 0:31:19.280
<v Speaker 1>in nineteenth century Canada and they are the ancestors of

0:31:19.360 --> 0:31:23.080
<v Speaker 1>their own characters, and it explains about the it's a

0:31:23.120 --> 0:31:24.160
<v Speaker 1>winter set movie.

0:31:24.600 --> 0:31:26.280
<v Speaker 3>They explain about kind.

0:31:26.040 --> 0:31:30.959
<v Speaker 6>Of the the legend of this curse, and also this

0:31:31.080 --> 0:31:33.560
<v Speaker 6>idea of like one of the sisters have to kill

0:31:33.560 --> 0:31:37.360
<v Speaker 6>a boy so they don't kill each other, which I

0:31:37.400 --> 0:31:37.880
<v Speaker 6>really love.

0:31:37.960 --> 0:31:42.800
<v Speaker 1>There's also some very interesting Native American like North American

0:31:42.880 --> 0:31:46.400
<v Speaker 1>kind of cre representation of trying to kind of bring

0:31:46.440 --> 0:31:48.400
<v Speaker 1>a little bit of that lore in and a little

0:31:48.440 --> 0:31:53.640
<v Speaker 1>bit of the understanding and folkloric kind of explanation behind

0:31:53.640 --> 0:31:56.240
<v Speaker 1>were wolfs. So yeah, that one again actually ends with

0:31:56.280 --> 0:32:00.520
<v Speaker 1>a good ending, very feminist, very fun, and yeah, just

0:32:00.600 --> 0:32:05.600
<v Speaker 1>like just good, good, snowy horror. And it is still

0:32:05.640 --> 0:32:08.160
<v Speaker 1>in that Gothic tradition because we're back in that time

0:32:08.200 --> 0:32:12.400
<v Speaker 1>where it was about survival, about the way that you

0:32:12.440 --> 0:32:15.480
<v Speaker 1>could endure a winter season and what happens when as

0:32:15.480 --> 0:32:18.800
<v Speaker 1>a woman there are obstacles to that, but also you

0:32:18.840 --> 0:32:21.600
<v Speaker 1>may find power in some of those obstacles. So yeah,

0:32:21.640 --> 0:32:24.760
<v Speaker 1>I love that one. Thank you Joellen Carmen for joining

0:32:24.800 --> 0:32:28.160
<v Speaker 1>me on this chilly adventure through winter Gothic And after

0:32:28.200 --> 0:32:46.120
<v Speaker 1>this break my interview with the incredible Knee Live. Yeah, Hi, Lee,

0:32:46.160 --> 0:32:48.920
<v Speaker 1>thank you so much for joining us on Xtra Vision.

0:32:48.960 --> 0:32:49.560
<v Speaker 3>How's it going.

0:32:50.480 --> 0:32:52.200
<v Speaker 5>It's a pleasure. It's nice to meet you.

0:32:52.400 --> 0:32:53.720
<v Speaker 3>Yeah, I appreciate you being here.

0:32:53.760 --> 0:32:56.120
<v Speaker 1>I was such a huge fan of Stone Fruit and

0:32:56.160 --> 0:32:58.520
<v Speaker 1>I really wanted to have you on to kind of

0:32:58.960 --> 0:33:01.720
<v Speaker 1>get people in the mindset, get them ready for Canon.

0:33:02.280 --> 0:33:05.280
<v Speaker 1>So could you talk a little bit about Cannon, which

0:33:05.320 --> 0:33:07.440
<v Speaker 1>is your newest graphic novel.

0:33:07.840 --> 0:33:08.120
<v Speaker 6>Sure.

0:33:09.640 --> 0:33:09.720
<v Speaker 1>So.

0:33:10.280 --> 0:33:14.280
<v Speaker 5>Canon is probably a little bit longer than.

0:33:14.280 --> 0:33:16.840
<v Speaker 8>Stone Fruit, and it's set in Montreal, which is where

0:33:16.880 --> 0:33:20.840
<v Speaker 8>I've lived for the past ten years nearly, which makes

0:33:20.840 --> 0:33:25.880
<v Speaker 8>me feel quite old. And it follows the story of

0:33:26.320 --> 0:33:31.640
<v Speaker 8>a kind of late twenties millennial queer Chinese Canadian woman

0:33:31.760 --> 0:33:34.000
<v Speaker 8>called Lucy who's nicknamed Canon.

0:33:34.600 --> 0:33:36.440
<v Speaker 5>And the story starts out.

0:33:36.200 --> 0:33:40.640
<v Speaker 8>In a very hot Montreal heat wave summer where Lucy

0:33:40.840 --> 0:33:45.320
<v Speaker 8>has trashed the restaurant that she works in, like absolutely

0:33:45.360 --> 0:33:49.960
<v Speaker 8>smashed to pieces and it then so the story is

0:33:50.000 --> 0:33:53.600
<v Speaker 8>the three months prior to that incident, kind of leading

0:33:53.680 --> 0:33:57.120
<v Speaker 8>us through what motivated her to do that. As as

0:33:57.320 --> 0:34:00.280
<v Speaker 8>quite an unflappable and stoic person.

0:34:00.320 --> 0:34:03.880
<v Speaker 1>Normally, yeah, I feel like a very relatable book as

0:34:03.960 --> 0:34:08.759
<v Speaker 1>somebody who has worked for a long time in restaurants

0:34:08.880 --> 0:34:14.640
<v Speaker 1>and kitchens. Oh that was my life, but like when

0:34:14.680 --> 0:34:17.080
<v Speaker 1>I was fifteen to when I was twenty seven.

0:34:16.880 --> 0:34:20.600
<v Speaker 3>It was just all shops and comic shops and bars

0:34:20.719 --> 0:34:21.600
<v Speaker 3>and restaurants.

0:34:21.719 --> 0:34:25.279
<v Speaker 1>So yeah, this one is wonderful and it is available

0:34:25.560 --> 0:34:26.359
<v Speaker 1>to pre order now.

0:34:26.440 --> 0:34:26.760
<v Speaker 3>Guys.

0:34:26.880 --> 0:34:31.600
<v Speaker 1>I also can't recommend enough these incredible stone Fruit which

0:34:31.640 --> 0:34:34.320
<v Speaker 1>I love. That was how I got into your work.

0:34:34.600 --> 0:34:37.320
<v Speaker 1>What was it like for you your journey to becoming

0:34:37.360 --> 0:34:40.640
<v Speaker 1>a cartoonist. Was it just something you'd always done or

0:34:41.560 --> 0:34:43.160
<v Speaker 1>was it something that you felt like you were always

0:34:43.160 --> 0:34:44.640
<v Speaker 1>going to do from when you were a kid, did

0:34:44.680 --> 0:34:46.120
<v Speaker 1>littlely think she was going to do that.

0:34:46.680 --> 0:34:51.200
<v Speaker 8>Literally wanted to make children's books And I made a

0:34:51.239 --> 0:34:57.760
<v Speaker 8>lot of really pervy, rude, ridiculous children's books on computer

0:34:57.800 --> 0:35:00.359
<v Speaker 8>paper when I was a kid. I think I think

0:35:00.400 --> 0:35:02.480
<v Speaker 8>my parents still have a few of those, and liked

0:35:02.480 --> 0:35:05.359
<v Speaker 8>to bring them out to bluff about them every now

0:35:05.360 --> 0:35:09.040
<v Speaker 8>and then, exactly the parties and then, like you know,

0:35:09.080 --> 0:35:13.720
<v Speaker 8>I was very classically of the like nineties Australian children.

0:35:15.200 --> 0:35:17.840
<v Speaker 8>I read a lot of British books, so and like

0:35:17.880 --> 0:35:20.120
<v Speaker 8>you know, the Brits at that time were allowed to

0:35:20.120 --> 0:35:22.759
<v Speaker 8>publish just the most foul shit, like.

0:35:22.719 --> 0:35:24.279
<v Speaker 5>I mean, I don't know if that's still the case.

0:35:24.360 --> 0:35:25.480
<v Speaker 5>I think it's not quiet.

0:35:26.480 --> 0:35:28.279
<v Speaker 3>I wish I have to say.

0:35:28.360 --> 0:35:31.960
<v Speaker 1>I think it is because one of our producers common

0:35:32.239 --> 0:35:34.400
<v Speaker 1>when she joins, she's going to think this is so funny.

0:35:34.480 --> 0:35:37.480
<v Speaker 1>She's obsessed with this fact because she's like, how come

0:35:37.520 --> 0:35:40.080
<v Speaker 1>books like it's like it was like the Man who

0:35:40.239 --> 0:35:44.200
<v Speaker 1>Ate Poe, Like everything is like the most wild. Yeah,

0:35:44.200 --> 0:35:46.399
<v Speaker 1>she's been thinking about it a lot recently. So I'm

0:35:46.440 --> 0:35:48.480
<v Speaker 1>glad you born as someone who grew up in London.

0:35:48.560 --> 0:35:50.600
<v Speaker 5>Yes filthy, yes, filthy.

0:35:50.960 --> 0:35:54.360
<v Speaker 8>And I think there's also a real trend towards that

0:35:54.360 --> 0:35:57.120
<v Speaker 8>in Australian publishing at the time. I don't know if

0:35:57.160 --> 0:35:58.960
<v Speaker 8>he never really made it out of the continent, but

0:35:59.120 --> 0:36:03.320
<v Speaker 8>Paul Jennings a really big, really celebrated author of my generation.

0:36:04.000 --> 0:36:07.919
<v Speaker 3>Oh, I was a huge Paul Jennings fan. He did

0:36:08.320 --> 0:36:09.160
<v Speaker 3>twist it right.

0:36:09.239 --> 0:36:11.320
<v Speaker 1>It was around the twist that was a big TV

0:36:11.360 --> 0:36:12.399
<v Speaker 1>show in the UK too.

0:36:14.200 --> 0:36:18.960
<v Speaker 8>I don't think the current marketing world would accept. Like,

0:36:19.160 --> 0:36:22.160
<v Speaker 8>you know, there's one story where one of the main characters,

0:36:22.160 --> 0:36:25.680
<v Speaker 8>as a teenage boy, swallows a fish accidentally that makes

0:36:25.719 --> 0:36:29.000
<v Speaker 8>his penis whirl really fast, and so he suddenly becomes

0:36:29.000 --> 0:36:32.520
<v Speaker 8>an excellent swimmer. Yeah, and I just don't know if

0:36:32.520 --> 0:36:37.360
<v Speaker 8>that would work as a story now. But I found

0:36:37.360 --> 0:36:39.680
<v Speaker 8>that extremely inspiring when I was a kid. So I

0:36:39.760 --> 0:36:46.640
<v Speaker 8>made really wretched stories in that vein. And then I

0:36:46.680 --> 0:36:49.000
<v Speaker 8>went to art school, like I drew all my childhood,

0:36:49.080 --> 0:36:51.600
<v Speaker 8>enjoyed it very much, found it very a wonderful form

0:36:51.600 --> 0:36:52.640
<v Speaker 8>of escapism, etc.

0:36:53.239 --> 0:36:54.160
<v Speaker 5>There's a lot of kids do.

0:36:54.760 --> 0:36:58.520
<v Speaker 8>And then, you know, tried to reach the end of

0:36:58.560 --> 0:37:00.560
<v Speaker 8>high school and thought, well, I'm not really going to

0:37:00.600 --> 0:37:05.319
<v Speaker 8>do anything else except keep drawing. I had a brief

0:37:05.360 --> 0:37:07.680
<v Speaker 8>moment of thinking, maybe I wanted to do film because

0:37:07.719 --> 0:37:11.720
<v Speaker 8>all visual storytelling is wonderful and fascinating, but it involved

0:37:11.760 --> 0:37:16.280
<v Speaker 8>too much business skills. I think the production of film

0:37:16.320 --> 0:37:17.759
<v Speaker 8>requires lots of.

0:37:17.760 --> 0:37:19.000
<v Speaker 3>Other people too.

0:37:19.520 --> 0:37:23.640
<v Speaker 8>It group dynamics and financial literacy in ways that I

0:37:23.680 --> 0:37:26.840
<v Speaker 8>don't find either of those things particularly interesting to me.

0:37:27.960 --> 0:37:31.600
<v Speaker 8>And so I went to art school and had a

0:37:31.680 --> 0:37:35.600
<v Speaker 8>terrible time trying to be groomed into you know, the

0:37:35.680 --> 0:37:38.560
<v Speaker 8>kind of it's like commercial artists that I just am not.

0:37:39.360 --> 0:37:42.520
<v Speaker 1>Yes, they love I didn't go to college, but I've

0:37:42.520 --> 0:37:44.680
<v Speaker 1>heard from all my friends and other people who make

0:37:44.719 --> 0:37:48.200
<v Speaker 1>comments like us like yeah, they'll really they want you

0:37:48.239 --> 0:37:50.399
<v Speaker 1>to be a commercial artist more than anything else.

0:37:50.480 --> 0:37:52.040
<v Speaker 3>They want you to be a graphic artist.

0:37:52.360 --> 0:37:55.279
<v Speaker 1>That's just like you got to make the money, Lee,

0:37:55.800 --> 0:37:57.080
<v Speaker 1>you got to make the money.

0:37:57.600 --> 0:38:00.279
<v Speaker 8>Yeah, And it was you know, it's very serious, you know,

0:38:00.360 --> 0:38:02.640
<v Speaker 8>Like I think the kind of training I got was

0:38:02.640 --> 0:38:07.080
<v Speaker 8>how to be academic and justify you know, the bronze

0:38:07.120 --> 0:38:08.880
<v Speaker 8>casting of a state cleaning against a wall.

0:38:09.000 --> 0:38:11.560
<v Speaker 5>That was the vibe, which you.

0:38:11.520 --> 0:38:14.600
<v Speaker 8>Know is perfectly valid for other types of creators and

0:38:14.640 --> 0:38:18.160
<v Speaker 8>certainly not for me. The real education I got as

0:38:18.200 --> 0:38:23.320
<v Speaker 8>a cartoonist was that I just by luck knew in Melbourne,

0:38:23.320 --> 0:38:25.600
<v Speaker 8>where I was living at the time, a bunch of

0:38:25.960 --> 0:38:29.560
<v Speaker 8>cartoonists around my age, a bit older, and we all

0:38:29.680 --> 0:38:33.960
<v Speaker 8>just hung out often and that was you know, the Hey,

0:38:34.120 --> 0:38:37.680
<v Speaker 8>this is like two thousand and twelve, which was a

0:38:37.719 --> 0:38:41.319
<v Speaker 8>real renaissance moment in Melbourne, and I think all over

0:38:41.360 --> 0:38:45.920
<v Speaker 8>the world for zine culture and so independent publishing in

0:38:45.960 --> 0:38:50.720
<v Speaker 8>the form of you know, photocopiers was a really big currency.

0:38:50.760 --> 0:38:53.880
<v Speaker 8>Would all just trade and collaborate on zines. And I

0:38:53.920 --> 0:38:59.560
<v Speaker 8>think I got my first kind of skills cut just

0:39:00.040 --> 0:39:02.560
<v Speaker 8>practicing with other people who are also practicing and making

0:39:02.600 --> 0:39:07.720
<v Speaker 8>little anthologies. And I think over the next like twelve

0:39:07.800 --> 0:39:12.400
<v Speaker 8>to fifteen years, just kind of slowly up the stakes

0:39:13.280 --> 0:39:15.719
<v Speaker 8>publishing in journals and then trying to get into more

0:39:15.800 --> 0:39:20.440
<v Speaker 8>journals and doing little web comics and just learning on

0:39:20.480 --> 0:39:23.320
<v Speaker 8>the fly. Like now there you can do a BFA

0:39:23.480 --> 0:39:26.239
<v Speaker 8>now and study comics, which is very cool and very

0:39:26.280 --> 0:39:26.920
<v Speaker 8>strange to me.

0:39:27.560 --> 0:39:30.440
<v Speaker 3>Yes, very different from when we were growing for sure.

0:39:31.440 --> 0:39:34.200
<v Speaker 1>Yeah, yeah, but I love that because also I would say,

0:39:34.239 --> 0:39:36.759
<v Speaker 1>like that is basically we say this all the time

0:39:36.800 --> 0:39:39.200
<v Speaker 1>on the podcast, but like the number one thing you

0:39:39.239 --> 0:39:41.319
<v Speaker 1>have to do is just make it, yes, And the

0:39:41.320 --> 0:39:43.279
<v Speaker 1>best thing is just make it with your friends, like

0:39:43.360 --> 0:39:46.560
<v Speaker 1>make some scenes, make and that's how you start expanding

0:39:46.600 --> 0:39:49.400
<v Speaker 1>out into like, well, can I tell a whole sequential story?

0:39:49.440 --> 0:39:52.480
<v Speaker 1>Like everybody wants to do a three hundred page graphic

0:39:52.520 --> 0:39:54.480
<v Speaker 1>novel first, because who doesn't want to do that?

0:39:54.560 --> 0:39:58.160
<v Speaker 3>But actually making zines and.

0:39:57.440 --> 0:40:00.200
<v Speaker 1>Learning how to create with other people and learning how

0:40:00.200 --> 0:40:02.719
<v Speaker 1>to produce comics and do the production and stuff is

0:40:02.760 --> 0:40:04.080
<v Speaker 1>such an important journey.

0:40:04.120 --> 0:40:05.680
<v Speaker 3>So I'm glad you're able to find out.

0:40:05.800 --> 0:40:09.799
<v Speaker 8>I think every time someone who's just embarking on the

0:40:09.920 --> 0:40:13.480
<v Speaker 8>first graphic novel project or the first time they've ever

0:40:13.480 --> 0:40:15.959
<v Speaker 8>made a comic, I just try and stress how much

0:40:16.280 --> 0:40:20.399
<v Speaker 8>it's important to make bad work a lot until it becomes.

0:40:21.080 --> 0:40:24.200
<v Speaker 3>Yes, lots of bad, lots of bad work is very important.

0:40:24.280 --> 0:40:27.840
<v Speaker 1>But now, just before before we finish this lovely stocking

0:40:27.880 --> 0:40:30.440
<v Speaker 1>stuff a chat, I would like to hear some of

0:40:30.480 --> 0:40:33.600
<v Speaker 1>your recommendations that you will would recommend for people to

0:40:33.600 --> 0:40:36.600
<v Speaker 1>buy this year when it comes to books and comics

0:40:36.640 --> 0:40:38.040
<v Speaker 1>and things you're excited about.

0:40:38.320 --> 0:40:38.920
<v Speaker 5>Absolutely.

0:40:38.960 --> 0:40:40.600
<v Speaker 8>I mean I'll start with the comics because I guess

0:40:40.600 --> 0:40:45.680
<v Speaker 8>it's on theme. I am lucky enough to be published

0:40:45.719 --> 0:40:46.920
<v Speaker 8>with Drawn and Quarterly.

0:40:46.560 --> 0:40:49.160
<v Speaker 5>These days, Oh, I love them.

0:40:49.640 --> 0:40:52.040
<v Speaker 8>I get to read a lot of John and Quarterly

0:40:52.040 --> 0:40:55.799
<v Speaker 8>books as a result, and so the ones that I

0:40:55.880 --> 0:40:58.600
<v Speaker 8>have really enjoyed that more or less have been coming

0:40:58.600 --> 0:41:04.759
<v Speaker 8>out at the same time as Cannon the Weight by

0:41:04.800 --> 0:41:08.359
<v Speaker 8>Melissa Mendez's. It's a huge book. It took her ten

0:41:08.440 --> 0:41:11.759
<v Speaker 8>years to make, I think, and it shows like it's

0:41:11.840 --> 0:41:14.799
<v Speaker 8>just it's a it's a real magnum opus. But it

0:41:14.920 --> 0:41:18.320
<v Speaker 8>reads so fast. I read it in one sitting, which

0:41:18.360 --> 0:41:20.600
<v Speaker 8>I think is often the greatest compliment that you can

0:41:20.600 --> 0:41:22.560
<v Speaker 8>give a cartoonist is that you just sit there and

0:41:22.600 --> 0:41:25.760
<v Speaker 8>become completely spell around. It's got incredible visual flow.

0:41:26.680 --> 0:41:27.359
<v Speaker 5>It really will.

0:41:27.400 --> 0:41:30.080
<v Speaker 8>It's a real sucker punch in the heart, though it's

0:41:30.120 --> 0:41:34.799
<v Speaker 8>so sad. And the other one also that's very sad.

0:41:34.840 --> 0:41:37.640
<v Speaker 8>I think I'm drawn towards these kinds of books. Is

0:41:37.680 --> 0:41:41.480
<v Speaker 8>Black Cohosh by Eagle Valiant BROSI. I loved that book.

0:41:41.520 --> 0:41:44.400
<v Speaker 8>I also read it in one sitting, and then you know,

0:41:44.920 --> 0:41:48.000
<v Speaker 8>I can. I mean Michael Deforge. He's a Toronto cartoonist

0:41:48.040 --> 0:41:51.000
<v Speaker 8>who is just an absolute power house of productivity. He

0:41:51.040 --> 0:41:53.160
<v Speaker 8>puts out a book every year and I still don't

0:41:53.239 --> 0:41:57.880
<v Speaker 8>understand how he sleeps and eats and things. But the

0:41:57.960 --> 0:42:01.440
<v Speaker 8>last book I read of his Familiar Face, and I

0:42:01.520 --> 0:42:06.560
<v Speaker 8>loved it. It's creepy and it's also very touching. I

0:42:06.640 --> 0:42:09.440
<v Speaker 8>think he has this way of doing what maybe counts

0:42:09.480 --> 0:42:14.040
<v Speaker 8>as sci fi.

0:42:12.440 --> 0:42:17.480
<v Speaker 1>That yeah, abstract sci fi, Like yeah, he's one of

0:42:17.480 --> 0:42:20.799
<v Speaker 1>the best work under cartoonists for sure, like such a

0:42:20.960 --> 0:42:23.480
<v Speaker 1>crazy cool And I love that you're at DNQ because

0:42:23.480 --> 0:42:24.880
<v Speaker 1>I feel like it's a great fit for you. I

0:42:24.880 --> 0:42:28.320
<v Speaker 1>feel like they are putting out the most subversive, transgressive,

0:42:28.480 --> 0:42:32.960
<v Speaker 1>cool shit, and they're also finding old like eighties female

0:42:33.040 --> 0:42:37.040
<v Speaker 1>Japanese mangakas to archive and stuff. Like they're doing the

0:42:37.080 --> 0:42:40.200
<v Speaker 1>work I think comics needs. So I'm glad that you're

0:42:40.320 --> 0:42:43.359
<v Speaker 1>enjoying being there. In the books they're putting out any

0:42:43.440 --> 0:42:44.560
<v Speaker 1>more good res.

0:42:44.560 --> 0:42:46.719
<v Speaker 8>Yes, this one is a fanographics one actually, which was

0:42:46.760 --> 0:42:49.879
<v Speaker 8>my previous publisher, and it's a very dear friend of mine.

0:42:50.800 --> 0:42:53.400
<v Speaker 8>It's putting out a kind of retrospective collection of the

0:42:53.600 --> 0:42:56.520
<v Speaker 8>older cartoons. And they were one of the Melbourne cartoonists

0:42:56.520 --> 0:42:59.640
<v Speaker 8>that you know, I practiced with closely for you know,

0:42:59.719 --> 0:43:02.839
<v Speaker 8>the last ten to fifteen years, and so I've learnt

0:43:02.880 --> 0:43:03.640
<v Speaker 8>so much from them.

0:43:03.760 --> 0:43:04.880
<v Speaker 5>I've shared a studio with them.

0:43:04.880 --> 0:43:07.279
<v Speaker 8>Their name is Tommy Parrish and the book that's coming

0:43:07.320 --> 0:43:09.520
<v Speaker 8>out now is called The Past is a Grotesque Animal,

0:43:09.520 --> 0:43:12.959
<v Speaker 8>which I think is a fabulous title. And I feel

0:43:13.080 --> 0:43:16.440
<v Speaker 8>very nostalgic about these comics in this collection, particularly because

0:43:17.360 --> 0:43:19.920
<v Speaker 8>we've talked about so many of them, and I feel

0:43:19.920 --> 0:43:22.879
<v Speaker 8>like they're kind of, you know, in my morbid Love

0:43:22.920 --> 0:43:29.480
<v Speaker 8>of Horrible Things. There's lots of really sticky, heavy, juicy

0:43:30.160 --> 0:43:33.760
<v Speaker 8>content love writing about sex and death and angst.

0:43:33.960 --> 0:43:37.279
<v Speaker 3>I that very fad graphics of them.

0:43:37.400 --> 0:43:39.640
<v Speaker 1>I was going to say, that's what we go there for, right,

0:43:39.840 --> 0:43:41.880
<v Speaker 1>We come to this place for depression.

0:43:42.960 --> 0:43:43.759
<v Speaker 5>In the best way.

0:43:45.480 --> 0:43:48.360
<v Speaker 3>Late any final recommendations before I let you go.

0:43:48.880 --> 0:43:50.799
<v Speaker 5>I'll rattle the matter as quickly as I can.

0:43:51.600 --> 0:43:55.480
<v Speaker 8>These are non comics and they're wonderful. As someone who

0:43:55.480 --> 0:43:57.879
<v Speaker 8>has a short attention span, I just blasted through them,

0:43:57.920 --> 0:44:01.040
<v Speaker 8>so I've got personal attention. Role play by Felix Child Bradley.

0:44:01.560 --> 0:44:03.720
<v Speaker 8>It's a it's a local author for me in Montreal,

0:44:03.840 --> 0:44:07.399
<v Speaker 8>The Queer. They are one of the best writers of

0:44:07.440 --> 0:44:12.719
<v Speaker 8>like clever weird fiction, what you could call it magical surrealism,

0:44:12.760 --> 0:44:14.880
<v Speaker 8>just a collection of short stories that have all some

0:44:14.920 --> 0:44:17.759
<v Speaker 8>of the most clever, charming, strange stories I've read in

0:44:17.760 --> 0:44:21.359
<v Speaker 8>a long time. And but a Honey Pig Bread by

0:44:21.400 --> 0:44:25.200
<v Speaker 8>Francesca E Kuiarci, who is also a Montreal author. These days,

0:44:25.239 --> 0:44:29.920
<v Speaker 8>we've claimed her and that book is just pure, like

0:44:30.040 --> 0:44:33.440
<v Speaker 8>deep and touching and profound, but also just pure hedonism.

0:44:33.480 --> 0:44:36.920
<v Speaker 8>There are such incredible descriptions of food and sex in

0:44:36.960 --> 0:44:42.160
<v Speaker 8>this book and me too, and she loves food more

0:44:42.200 --> 0:44:45.280
<v Speaker 8>than most people I know and is an incredible cook,

0:44:46.520 --> 0:44:49.000
<v Speaker 8>and I you know, selfishly I recommend both of those

0:44:49.000 --> 0:44:51.719
<v Speaker 8>two authors because I admire them greatly, but also I'm

0:44:51.840 --> 0:44:54.279
<v Speaker 8>planning on doing collaborative short stories with both of them

0:44:54.280 --> 0:44:55.680
<v Speaker 8>in the next little while.

0:44:56.480 --> 0:44:59.560
<v Speaker 1>I also did pitch this to everyone, like whether it's

0:44:59.600 --> 0:45:01.720
<v Speaker 1>Julia at dan Q or some of the other authors.

0:45:01.719 --> 0:45:03.560
<v Speaker 1>I basically was like, just tell them they can come

0:45:03.600 --> 0:45:06.759
<v Speaker 1>and show out with their friends. So you achieved this perfectly.

0:45:07.080 --> 0:45:11.000
<v Speaker 1>It was wonderful to have you. We please feel free

0:45:11.000 --> 0:45:13.319
<v Speaker 1>to come back anytime and talk more about your cool

0:45:13.320 --> 0:45:15.919
<v Speaker 1>work or just stuff you're excited about. And yeah, guys,

0:45:15.920 --> 0:45:19.239
<v Speaker 1>you can pre order Canon right now from Drawn and

0:45:19.320 --> 0:45:20.600
<v Speaker 1>Quarterly by Lee Lai.

0:45:21.600 --> 0:45:23.480
<v Speaker 3>Thank you so much, Lee for joining us.

0:45:23.880 --> 0:45:25.480
<v Speaker 5>Thanks It's a pleasure.

0:45:26.239 --> 0:45:28.680
<v Speaker 1>Special thanks to Lee for joining me to talk canon,

0:45:28.880 --> 0:45:32.000
<v Speaker 1>and thanks to our super producer, Scream Queens, Common and

0:45:32.080 --> 0:45:35.040
<v Speaker 1>Joel for sharing their favorite winter gothic films as we

0:45:35.160 --> 0:45:37.160
<v Speaker 1>head into New Yen.

0:45:37.800 --> 0:45:42.560
<v Speaker 9>Bye x ray Vision is hosted by Jason steps Young

0:45:42.640 --> 0:45:45.200
<v Speaker 9>and Rosie Knight and is a production of iHeart Podcast.

0:45:45.560 --> 0:45:49.160
<v Speaker 1>Our executive producers are Joel, Monique and Aaron Kaufman.

0:45:49.400 --> 0:45:51.760
<v Speaker 9>Our supervising producer is Abuza part.

0:45:51.840 --> 0:45:55.760
<v Speaker 1>Our producers are Common, Laurent Dean Johnson and Baywack.

0:45:55.880 --> 0:45:58.640
<v Speaker 9>A theme song is by Brian Vasquez, with alternate theme

0:45:58.719 --> 0:45:59.960
<v Speaker 9>songs by Aaron Kaufman.

0:46:00.160 --> 0:46:03.520
<v Speaker 1>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:46:03.600 --> 0:46:05.400
<v Speaker 1>Heidi our discord moderator