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Speaker 1: I wanted to give our dear listeners a little update

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Speaker 1: since I had shared with you a little while back

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Speaker 1: about my breast cancer diagnosis.

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Speaker 2: I had surgery.

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Speaker 1: As I'm recording this now, I had surgery less than

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Speaker 1: twenty four hours ago.

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Speaker 3: Yeah, like twenty hours ago you had.

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Speaker 4: I think we need to emphasize that that we're amazed

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Speaker 4: that you're even here right now wanting to do this.

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Speaker 1: Yes, I feel really good. I mean, you know, I'm

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Speaker 1: starting to feel a little sore. I feel a little

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Speaker 1: loopy as well, obviously also very tired.

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Speaker 2: But my surgery went well.

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Speaker 1: There was a little bit of a complication before I

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Speaker 1: got into surgery where basically modern science is so incredible,

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Speaker 1: but they put these things inside you called it they're

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Speaker 1: called savvy's. I think it's sav I is how it's spelled,

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Speaker 1: And it's like it's a needle basically, but it's like

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Speaker 1: a radar and so they can when you have a

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Speaker 1: very small area of cancer that isn't necessarily visible to

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Speaker 1: the naked eye, they put these needles in you to

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Speaker 1: mark where the cancer is, and then your surgeon uses

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Speaker 1: this radar tool to detect where that thing is. And

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Speaker 1: that's how then they know where they need to go

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Speaker 1: to get the cancer and to take and to get

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Speaker 1: clear margins. And one of the things they did when

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Speaker 1: I had my biopsy is they put a marker where

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Speaker 1: the biopsy happens. And so that marker basically for any

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Speaker 1: future mammograms that I might have or in this case,

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Speaker 1: surgery I had where cancer was detected. The marker is

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Speaker 1: the sign on the mammogram about where they did the biopsy.

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Speaker 1: So I went in to have the savvy put in

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Speaker 1: and the radiologist is the one who's doing it, and

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Speaker 1: her she's, you know, does the mammogram, sees the image,

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Speaker 1: and then they line you up so that they know

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Speaker 1: exactly where to put the needle. But before she put

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Speaker 1: the needle in, she was going to give me some

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Speaker 1: lightocane to help numb me. And she put the needle

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Speaker 1: in to do the lightocane, and then they take another

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Speaker 1: image and my marker had moved, like I don't know,

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Speaker 1: I don't know if the marker got hit with the

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Speaker 1: but it also it was just very weird and it

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Speaker 1: moved and she acted very surprised by it, and she

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Speaker 1: was like, sorry, your marker moved. It moved kind of

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Speaker 1: a lot, and I was like, is that normal? She

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Speaker 1: was like no, yeah, and I'm alone, you know, like

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Speaker 1: no one could go back there with me. My mom

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Speaker 1: and Jensen were there, but they weren't allowed to be

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Speaker 1: back there with me. And so I was like, okay,

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Speaker 1: so what does that mean? And she's like, well, you know,

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Speaker 1: She's like, here, I'll show you the images. And I'm like,

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Speaker 1: I don't really. I mean, sure, I'll go look at them,

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Speaker 1: but like, I don't really you need to see it.

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Speaker 3: She did it.

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Speaker 1: She did show me it, but I was like, more

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Speaker 1: than that, I just care, like, so what do we do?

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Speaker 1: What does this mean? Does the marker need to come out?

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Speaker 1: And then she explained to me, well, I could just

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Speaker 1: put one needle in, which is what my original plan was,

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Speaker 1: one savvy in, which would tell them like where the

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Speaker 1: spot is for the tumor. But now that the markers move,

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Speaker 1: that would be kind of confusing for them because then

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Speaker 1: there's a marker in another location. She's like, let me

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Speaker 1: call your surgeon and see what he wants me to do.

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Speaker 1: I was like, okay, and she calls the surgeon and

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Speaker 1: my surgeon was in another surgery so he couldn't talk

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Speaker 1: to her. So she comes back. She's like, I couldn't

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Speaker 1: get your surgeon. So what I'm going to do is

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Speaker 1: I'm going to put in two markers. I'm going to

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Speaker 1: put in a marker to bracket the cancer area. So

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Speaker 1: instead of putting one kind of in the center of it,

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Speaker 1: I'm putting one at the tip of the cancer and

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Speaker 1: one where your marker is.

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Speaker 2: And I was like, okay, and is there any problem

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Speaker 2: with that.

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Speaker 1: She's like no, As a matter of fact, there's just

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Speaker 1: multiple ways of doing it. Some people prefer bracketing anyway.

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Speaker 1: It's fine, it's it's going to be fine. And I

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Speaker 1: was like, okay, and I'm you know, I'm bleeding, you know,

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Speaker 1: like I've got and I'm now anxious, and there's she

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Speaker 1: has to now because she's putting in a needle in

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Speaker 1: another area. She has to give me another light a

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Speaker 1: king shot, and the light a king shots are really uncomfortable.

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Speaker 1: So now I'm like in more pain and she has

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Speaker 1: to put these two needles through me.

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Speaker 2: And then she puts the needle.

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Speaker 1: Through and I feel it come out the other side

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Speaker 1: of my breast which was not numbed, and I hear

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Speaker 1: it like hit the mammogram machine, and I go ooh,

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Speaker 1: that came out all the way the other side of me,

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Speaker 1: and she goes, yeah, it's supposed to, because then when

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Speaker 1: your breast is not compressed, it's gonna the needle's gonna

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Speaker 1: be in the middle of it. You know, think of

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Speaker 1: your breast as being kind of like a balloon. And

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Speaker 1: I was like, yeah, I know, but I really I

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Speaker 1: felt it like on the other side just popped.

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Speaker 4: Yeah.

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Speaker 2: She was like, she's like, no, I know, it's gonna

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Speaker 2: be fine.

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Speaker 1: And then sure enough, she takes me out of the

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Speaker 1: machine and she goes, oh, sorry, I got to pull

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Speaker 1: this one back, so then she had to like pull

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Speaker 1: it out and then the other one had to be

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Speaker 1: pulled out.

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Speaker 4: Sy if she knew it was going to come out

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Speaker 4: the other side, why wouldn't they also numb the other side.

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Speaker 1: Why we didn't know it was going to come out

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Speaker 1: the other side. Because then she she realized it did.

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Speaker 1: She was like, oh, sorry, yeah, that went too far.

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Speaker 3: And you're like, that's what I said. That's what I said.

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Speaker 5: I know.

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Speaker 1: It was like I heard it hit the table like

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Speaker 1: I felt it, and then I heard like.

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Speaker 2: Think and then she said, you know, and.

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Speaker 1: I just to just to be clear where the marker

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Speaker 1: moved is still in an area where there were calcifications

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Speaker 1: they were going to need to move. So like me bracketing,

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Speaker 1: it isn't meaning they're going to have to take any

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Speaker 1: more tissue than they were before. And that is what

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Speaker 1: had kind of been in my mind, was like, well,

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Speaker 1: where you know the area if you're putting a marker

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Speaker 1: is the area they need to remove. And now the

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Speaker 1: thing marked, I mean it moved, and you told me

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Speaker 1: it moved kind of kind of a lot. So now

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Speaker 1: I'm a little skin She's like, just you know, it

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Speaker 1: didn't move.

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Speaker 2: It didn't.

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Speaker 1: It's still in the area. It's still in the area.

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Speaker 1: And I was like, oh, okay, good, Well that makes

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Speaker 1: me feel better. Then I get immediately up to and

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Speaker 1: because this whole process now took longer, I'm late for

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Speaker 1: my check into surgery. And when I go to check

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Speaker 1: in on the monitor, it says you're too late to

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Speaker 1: check in for this. I'm like, so I had to

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Speaker 1: find a person who could help me. And then the

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Speaker 1: person was like, well, now I need to see if

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Speaker 1: they can still accommodate you're late for check in, and

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Speaker 1: I said I was in another procedure like I wasn't

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Speaker 1: like doing my hayllarucks cup. I didn't want to be

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Speaker 1: doing this, I promise, like so anyway, then they get

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Speaker 1: me up there and then I see my surgeon and

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Speaker 1: the first thing my surgeon says to me is, so,

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Speaker 1: it looks like we're gonna have to take some more tissue.

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Speaker 1: It was it's a bigger It's a bigger area than

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Speaker 1: we had been told. And I was like, so, why

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Speaker 1: did that happen because she specifically told me that it

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Speaker 1: wasn't And he was like, she put the markers where

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Speaker 1: the calcifications were, but two other idiologists who had read

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Speaker 1: it had said it was significantly smaller, and now it

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Speaker 1: was bigger. So anyway, I don't really know. I don't

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Speaker 1: really have the answer to that.

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Speaker 2: I don't know if it really was just a bigger area.

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Speaker 6: And I know I'm a big fan of don't tell

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Speaker 6: me anything, just knock me out, do whatever you need

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Speaker 6: to do, because like, our imagination is so much worse

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Speaker 6: than like, the anticipation of pain is worse than the

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Speaker 6: actual pain.

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Speaker 7: So like whenever the dentist is doing something or any

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Speaker 7: I'm like, I don't want to know. I don't want

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Speaker 7: to because if I start envisioning what you're doing with

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Speaker 7: that real it's way worse and I'm worried about it.

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Speaker 3: Just knock me out, do whatever you need to do,

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Speaker 3: and like wake me up and tell me it's all okay.

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Speaker 3: And I'm the exact epis.

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Speaker 4: I'm the exact I want to know every little thing

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Speaker 4: you're doing the whole time down to we're going to

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Speaker 4: hit turbulence on the plane. It's going to be three

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Speaker 4: hours in. I'm doing this with your teeth. I want

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Speaker 4: to I want to know everything.

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Speaker 2: I like to know everything too.

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Speaker 1: And they did tell me at a certain point too,

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Speaker 1: when they were doing the needle thing. They were like,

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Speaker 1: and then when we take you out of the machine,

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Speaker 1: you're going to have a giant needle sticking out of

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Speaker 1: your breast, so look anywhere except there.

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Speaker 2: And then I was like, of course not, I want

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Speaker 2: to see that. I definitely want to less.

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Speaker 3: Don't.

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Speaker 2: But anyway, surgery went well and I'm out and you know,

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Speaker 2: I'm here and I'm.

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Speaker 3: Just ready to go, ready to podcast. I know.

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Speaker 1: I got home from surgery last night at seven pm

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Speaker 1: and at nine am we started the podcast today.

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Speaker 3: We did we were obviously thinking about you all.

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Speaker 1: Day and Will and Sue, you guys sent me the

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Speaker 1: most beautiful flowers. Thank you so much as very nice.

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Speaker 1: My iHeart family sent me some beautiful flowers. It was

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Speaker 1: very sweet. And Writer, your wife texted me yesterday and

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Speaker 1: I was like in the hospital bed.

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Speaker 2: It was very sweet. You guys.

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Speaker 1: You guys are also good to me, so thank you.

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Speaker 1: And I did just want to let you guys know

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Speaker 1: next stage of this will be starting radiation. I don't

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Speaker 1: know when exactly that will be, but I will give

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Speaker 1: you all an update when it does. And now I

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Speaker 1: just am happy to put this little surgery chapter behind me.

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Speaker 4: Good well, We're happy to have you here. Thank god

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Speaker 4: you're here because Writer doesn't want to read, neither.

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Speaker 3: Do I, So.

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Speaker 2: Welcome upon me to world. I'm Danielle Fischl.

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Speaker 3: I'm Rider Strong, and I'm Wilfordell.

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Speaker 1: So today we are recapping season five, episode ten, Last

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Speaker 1: Tango in Philly. And it's funny because I remember the

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Speaker 1: name of the episode so well, and yet I did

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Speaker 1: not remember the episode at all.

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Speaker 3: No, you remember the dance, You must remember the dance.

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Speaker 1: I did remember the dance once it came on, but

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Speaker 1: like it was the whole episode until all of a

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Speaker 1: sudden I realized, Like right before, I was like, oh,

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Speaker 1: this is the dance, But I watched the whole episode

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Speaker 1: without realizing that that's where it was going.

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Speaker 3: You and a Mexican outfit. I know it's a great

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Speaker 3: episode for you. You are so good. This might be

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Speaker 3: one of your best performances.

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Speaker 8: It's really hair is different, shorter off shorter, and they're

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Speaker 8: letting it and we're using my natural cool, which back

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Speaker 8: in the day was just like not attractive.

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Speaker 1: My curly hair is better now. I don't know, as

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Speaker 1: I got older, it got better when I let it

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Speaker 1: go curly naturally. So yeah, I'm not sure what we

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Speaker 1: were doing, but but yeah. So This originally aired December fifth,

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Speaker 1: nineteen ninety seven. The synopsis to Panga and Angela want

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Speaker 1: to go dancing with their new handsome coworkers, but Sean

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Speaker 1: and Corey aren't in the mood to join. When the

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Speaker 1: ladies still go out on the town, Sean and Corey

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Speaker 1: must fight their jealousies and figure out how to win

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Speaker 1: back their girlfriends. It was directed by Alan Myerson. It

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Speaker 1: was written by Jeff Manel. Before I jump into our

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Speaker 1: guest stars, you guys said a little bit about your

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Speaker 1: your your thoughts on the show.

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Speaker 2: What did you think about the episode?

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Speaker 3: I loved it. I loved it. I thought it was

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Speaker 3: so fun too. It was great.

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Speaker 7: It really we're all so comfortable. We were all just

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Speaker 7: obviously having fun. It's a it's a great episode.

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Speaker 3: And Jonathan de Larco is amazing. The girls, the girls

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Speaker 3: who were in the gym or it was just great.

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Speaker 3: I thought it was really fun, you know.

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Speaker 1: I loved also that even though there wasn't a ton,

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Speaker 1: there was a nice forming of a true friendship between

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Speaker 1: Angela and to Panga.

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Speaker 2: I liked that.

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Speaker 4: I liked that of the crew.

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Speaker 2: Yes, and I liked it.

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Speaker 1: It was fun to see Tapega one have a true

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Speaker 1: girlfriend that you actually instead of just being like, here's

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Speaker 1: my friend Debbie Sean and like handing off a supposed

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Speaker 1: friend that I don't actually have any relationship with and

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Speaker 1: we've never heard of Versena of. This is like seeing

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Speaker 1: us talk about our issues and giving each other advice

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Speaker 1: and being there for each other and having fun together.

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Speaker 2: I loved it. Will you have a Butt?

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Speaker 3: I do have a butt?

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Speaker 4: But it's not about these It is about the episode,

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Speaker 4: but it's not about the episode.

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Speaker 3: If that makes sense. I liked the episode.

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Speaker 4: I wasn't a huge fan of the message the men

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Speaker 4: are idiots. Men are And the thing is, I'm not

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Speaker 4: a big fan of I also, and we'll get into it.

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Speaker 3: I had a problem with and I turned to Sue

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Speaker 3: halfway through.

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Speaker 4: It's like, am I wrong? She's like, no, I agree

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Speaker 4: with you. Where it's like, if you're in a relationship,

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Speaker 4: you don't go out with another guy dancing, Sorry, you

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Speaker 4: just don't. And I always reverse it where it's like

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Speaker 4: if I'm with my best friend and I'm at work

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Speaker 4: and I call home and I go, hey, I'm going

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Speaker 4: out dancing with two other women, that's not good. So

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Speaker 4: I had more of a problem with, well, what it

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Speaker 4: was happening in the episode, Sean were still Shawn and Cory.

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Speaker 3: Were the ones refusing to go dancing.

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Speaker 4: They were okay, so that first night, that first night,

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Speaker 4: totally understand, Hey, we're already going out. Do you guys

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Speaker 4: want to come? No, I don't want to go. Great,

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Speaker 4: Hey we're going out dancing with them again? Not no,

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Speaker 4: not gonna hip.

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Speaker 1: I did definitely think, you know, all this talk about

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Speaker 1: the guys being stubborn, they refused to go.

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Speaker 2: They're being so stubborn.

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Speaker 1: And I was like, maybe also going out dancing with

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Speaker 1: your coworkers every single night, Yeah, also stubborn.

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Speaker 4: Yeah, and you're coming back at midnight and all. But

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Speaker 4: the actual episode I liked. I remember liking doing the

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Speaker 4: dance and shooting it the dance. None of it makes

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Speaker 4: any sense, of course, but I'm over it trying to

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Speaker 4: make sense, and I'm just trying to let go and

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Speaker 4: have fun.

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Speaker 3: So that part was fun.

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Speaker 4: I love that we seriously have money now, so it's

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Speaker 4: we're in new sets all the time. Yeah, and yeah,

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Speaker 4: so that so the actual episode I liked. Yeah, the

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Speaker 4: message of the episode I was not a fan of,

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Speaker 4: but that that's a personal thing about the writing of

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Speaker 4: where they were going with the episode. I thought we

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Speaker 4: were all great. I thought it was all fun and enjoyable.

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Speaker 4: I love the idea that Sean has never been in

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Speaker 4: a long term relationship before, so he's getting advice from Corey,

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Speaker 4: who has absolutely.

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Speaker 3: No idea what he's doing or talking about a Yeah,

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Speaker 3: it is.

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Speaker 4: So stuff like that that dynamic really funny, but making

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Speaker 4: just kind of every every guy an idiot.

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Speaker 3: It's like, Okay, I get it. It's like it's like

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Speaker 3: the dumb.

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Speaker 4: Dad in the nineties sitcom Who's just Lucky to be

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Speaker 4: married to the woman. It's like, Okay, I get it,

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Speaker 4: and I knew that that was a nineties thing, so

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Speaker 4: I tried to let that go. But yeah, so I

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Speaker 4: liked the episode. I did, but the message I was

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Speaker 4: not a fan of them.

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Speaker 3: It's so dated to the like men are from women

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Speaker 3: are from Mars, men women are from Vie. Like remember that.

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Speaker 7: Fundamentally different and they'll just never understand each other. It

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Speaker 7: makes a cartoon out of that. But I, you know,

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Speaker 7: for the sake of what I think is a really

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Speaker 7: fun story.

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Speaker 4: So what it is, it is. It is a fun story.

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Speaker 4: And again, the dancing is fun. And anytime you see

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Speaker 4: Bill dancing and Bill fumbling with a woman is now

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Speaker 4: like my new favorite thing to watch.

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Speaker 3: I just want to watch Bill.

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Speaker 4: I want to watch that age Bill as a single

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Speaker 4: man trying to get into the dating pool.

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Speaker 3: Also that show, it's also Eric giving him dating advice.

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Speaker 7: Say a call back to the Boston episode where I

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Speaker 7: was like, great, this is what I want to see, Like,

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Speaker 7: let's let's go of all the sat stuff finally, like,

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Speaker 7: just let these guys be friends and let you be

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Speaker 7: the one who like has authority and that.

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Speaker 3: Was really fun. I agree, all of it was a

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Speaker 3: really fun dynamic. But yeah, me too.

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Speaker 4: I really liked the episode. Didn't like the message, but

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Speaker 4: that's yeah.

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Speaker 1: And I will say, you're right, it is a personal

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Speaker 1: thing because you and I definitely have and I don't

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Speaker 1: know about it. I'm actually not sure about writer, but

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Speaker 1: you we all the three of us, I will think

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Speaker 1: have pretty I would call that a kind of conservative

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Speaker 1: belief about relationships that like, there are certain boundaries we

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Speaker 1: just wouldn't cross out of respect for our part partners.

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Speaker 1: And yet other people would say, you are supposed to

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Speaker 1: trust me. And if I tell you this is a

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Speaker 1: platonic friend, I'm gonna go dancing with them. And if

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Speaker 1: you if it's on you, if you don't want to come,

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Speaker 1: which was the point of the message, you know, what

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Speaker 1: was the message of it, and so and that really

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Speaker 1: is I can see how someone could argue it. It

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Speaker 1: isn't how I think, it isn't how I feel. So

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Speaker 1: for me, I agree with you, the message was not

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Speaker 1: on was But but that is a personal thing.

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Speaker 2: It's not necessarily universal.

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Speaker 4: And a stupid way to put it for a nineties

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Speaker 4: kids show. But if it's invoking this kind of a

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Speaker 4: discussion about what you believe.

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Speaker 3: In, then it's done its job as a show. Yeah,

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Speaker 3: I mean that's exactly what it was used to do.

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Speaker 3: What would you do in this situation? How would this work?

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Speaker 3: What is your point is? For me?

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Speaker 7: I just didn't take any of that too seriously because

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Speaker 7: I thought the point was that Corey and Sean react

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Speaker 7: so poorly.

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Speaker 3: That is like.

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Speaker 7: That that that even you know that even if the

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Speaker 7: girls didn't want to go dancing, they're going to do

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Speaker 7: it again. To be like, well, I'm not listening to

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Speaker 7: these idiots, you know what I mean? Like and that

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Speaker 7: that was fine.

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Speaker 2: Was like yeah, of course, Like they also tried to

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Speaker 2: save it.

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Speaker 4: They tried to save it a little down the line

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Speaker 4: where Topanga's having the conversation with Angela like maybe we

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Speaker 4: went too far, maybe we should to think a little

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Speaker 4: bit about it, and then they come in with the

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Speaker 4: two bodybuilders. So it's like, yeah, I mean I get

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Speaker 4: what they were trying to do, But that was as

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Speaker 4: as Daniel said, She's right, it's a personal thing. And

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Speaker 4: as the traditional relationship guy, I was like, you don't

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Speaker 4: go out dancing multiple times.

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Speaker 7: Even introduces himself as he had some friend and it's

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Speaker 7: like it's so over the top.

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Speaker 3: Of course this is set up to just be a trap.

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Speaker 4: You know, it's done, but it's done its job as

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Speaker 4: an episode, it's done its job absolutely so.

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Speaker 1: Guest starring Jonathan del Arco. He appears as Nunzio. Jonathan

385
00:16:44,240 --> 00:16:47,080
Speaker 1: is originally from Uruguay and appeared on a ton of

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Speaker 1: nineties shows like Blossom, The Wonder Years, and Pacific Blue,

387
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Speaker 1: and is still working a ton on shows like Nip Tuck,

388
00:16:53,600 --> 00:16:57,600
Speaker 1: The Sopranos, Station nineteen, Truth Be Told, and most notably

389
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Speaker 1: for big roles on The Closer and spin off Major Crimes.

390
00:17:02,160 --> 00:17:05,320
Speaker 2: But he is best known to Star Trek fans as.

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00:17:05,240 --> 00:17:09,000
Speaker 1: The Borg Drone Hugh on Star Trek The Next Generation

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Speaker 1: and many other incarnations of the franchise.

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Speaker 2: Did you know him Will?

394
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Speaker 3: I did not.

395
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Speaker 4: I didn't know that he was a Borg. Resistance is futile.

396
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Speaker 4: I had no idea.

397
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Speaker 3: That's that's huge.

398
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Speaker 4: But you know, I wonder how close he was to

399
00:17:23,240 --> 00:17:25,119
Speaker 4: when John Luke got taken over by the Borg and

400
00:17:25,119 --> 00:17:26,120
Speaker 4: then became forget it.

401
00:17:26,320 --> 00:17:27,880
Speaker 3: Yeah, anyway, so.

402
00:17:28,280 --> 00:17:30,520
Speaker 1: Right there with you, I get it. A good question. Well,

403
00:17:30,560 --> 00:17:31,280
Speaker 1: we'll ask him.

404
00:17:31,119 --> 00:17:32,800
Speaker 3: When we're talking about I have to ask him. I'm

405
00:17:32,800 --> 00:17:33,760
Speaker 3: just saying so.

406
00:17:33,840 --> 00:17:37,520
Speaker 1: Then we have Sue Casey as Catherine, an actress for

407
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Speaker 1: six decades.

408
00:17:38,800 --> 00:17:41,400
Speaker 2: She was once called the most beautiful.

409
00:17:40,920 --> 00:17:44,440
Speaker 1: Extra working in Hollywood, appearing in the background of classics

410
00:17:44,480 --> 00:17:48,080
Speaker 1: like Annie, Get Your Gun, Showboat, and an American in Paris.

411
00:17:48,240 --> 00:17:52,760
Speaker 3: Wow. Yeah, I mean just classic Hollywood films. Geez, I know.

412
00:17:53,160 --> 00:17:56,000
Speaker 1: She was the secretary in the original nineteen forty seven

413
00:17:56,119 --> 00:17:59,119
Speaker 1: version of the Secret Life of Walter Middy and the

414
00:17:59,160 --> 00:18:02,800
Speaker 1: sun bather in Alfred Hitchcock's masterpiece Rear Window.

415
00:18:03,080 --> 00:18:07,560
Speaker 3: Oh way, so cool, Oh my god. Wow.

416
00:18:08,640 --> 00:18:11,560
Speaker 1: She guests starred on TV shows like The Beverly Hillbillies

417
00:18:11,600 --> 00:18:13,680
Speaker 1: and The Dick Van Dyke Show, but it was later

418
00:18:13,720 --> 00:18:17,080
Speaker 1: in life that she would start booking bigger, more visible roles,

419
00:18:17,160 --> 00:18:20,280
Speaker 1: like in the movie Camelot, Paint Your Wagon and she's

420
00:18:20,320 --> 00:18:23,479
Speaker 1: the real estate agent in nineteen ninety nine's American Beauty.

421
00:18:24,359 --> 00:18:27,639
Speaker 1: Soe sadly passed away in twenty nineteen at the age

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Speaker 1: of ninety two.

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Speaker 4: This legent, This is why I wish I knew what

424
00:18:31,840 --> 00:18:33,360
Speaker 4: the hell I was doing back in the day. Can

425
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Speaker 4: you imagine the stories that she would have had Hitchcock.

426
00:18:37,280 --> 00:18:42,040
Speaker 3: Are you just rear window? You know, we're just like, yeah,

427
00:18:42,680 --> 00:18:44,840
Speaker 3: hard lady, I love I love Albert Hitchcock.

428
00:18:45,200 --> 00:18:48,200
Speaker 1: So I swear I have a memory and you guys

429
00:18:48,240 --> 00:18:50,720
Speaker 1: can verify it or tell me if I'm mistaking it

430
00:18:50,760 --> 00:18:55,120
Speaker 1: for something else. But isn't paint your Wagon something we yeah,

431
00:18:55,520 --> 00:18:56,080
Speaker 1: something we talked of.

432
00:18:56,200 --> 00:18:57,640
Speaker 3: Yes, yeh, talk about it on the show.

433
00:18:57,800 --> 00:19:01,800
Speaker 7: Yeah, it was the movie screening right that will Hijackson,

434
00:19:02,000 --> 00:19:04,320
Speaker 7: you know, but yeah it's and I've never seen it,

435
00:19:04,359 --> 00:19:05,560
Speaker 7: but yeah, I think we talked about it.

436
00:19:05,800 --> 00:19:07,760
Speaker 3: We talked about it on the show because my.

437
00:19:07,720 --> 00:19:10,320
Speaker 7: Parents loved that movie and they used to sing one

438
00:19:10,320 --> 00:19:11,840
Speaker 7: of the songs as like us.

439
00:19:11,880 --> 00:19:13,800
Speaker 3: They would put insert in my name into the song.

440
00:19:13,880 --> 00:19:14,280
Speaker 3: Is like my.

441
00:19:14,280 --> 00:19:16,160
Speaker 7: Lullaby when I was a kid. Yeah, but I've never

442
00:19:16,200 --> 00:19:19,640
Speaker 7: seen it. We got to watch meant.

443
00:19:21,040 --> 00:19:22,520
Speaker 3: Wagon. That's great.

444
00:19:23,080 --> 00:19:25,480
Speaker 2: Lexi Alexander as Sonya.

445
00:19:25,720 --> 00:19:27,919
Speaker 1: She is one of the more shocking guest stars in

446
00:19:27,960 --> 00:19:30,639
Speaker 1: the history of Boy Meets World. Lexi is a German

447
00:19:30,720 --> 00:19:34,920
Speaker 1: Palestinian filmmaker and martial artist. A former kickboxer, she broke

448
00:19:34,960 --> 00:19:37,560
Speaker 1: into the business as a stunt performer and then would

449
00:19:37,600 --> 00:19:40,480
Speaker 1: turn to directing, where she was nominated for an Oscar

450
00:19:40,600 --> 00:19:44,200
Speaker 1: with her debut short film Johnny Flinton in two thousand

451
00:19:44,200 --> 00:19:48,600
Speaker 1: and two. She subsequently directed the critically beloved British football

452
00:19:48,600 --> 00:19:52,040
Speaker 1: hooligan drama Green Street in two thousand and five, then

453
00:19:52,320 --> 00:19:56,000
Speaker 1: two thousand and eight's Punisher war Zone for Marvel Come On,

454
00:19:56,760 --> 00:20:00,639
Speaker 1: Ray Stevenson and Dominic West. Well before the boom of

455
00:20:00,720 --> 00:20:03,800
Speaker 1: comic book films, it was considered a big bomb at

456
00:20:03,800 --> 00:20:06,399
Speaker 1: the box office and she was very vocal about her

457
00:20:06,440 --> 00:20:08,960
Speaker 1: issues with how it was handled on release, but since

458
00:20:09,000 --> 00:20:11,840
Speaker 1: then it has built a cult following with supporters like

459
00:20:11,880 --> 00:20:15,680
Speaker 1: Patton Oswald and Paul Shecher. Alexander has become a very

460
00:20:15,840 --> 00:20:18,520
Speaker 1: vocal figure online and has been a fighter for equal

461
00:20:18,560 --> 00:20:22,199
Speaker 1: rights and opportunities for female filmmakers before it was a

462
00:20:22,200 --> 00:20:24,959
Speaker 1: cool thing to do. And although she has directed some

463
00:20:25,000 --> 00:20:28,000
Speaker 1: Superhero TV and been attached to projects like a Chris

464
00:20:28,040 --> 00:20:32,000
Speaker 1: Benoa biopic and a Blumhouse TV series, she has yet

465
00:20:32,040 --> 00:20:33,879
Speaker 1: to be given a chance to build on what she

466
00:20:33,960 --> 00:20:36,800
Speaker 1: had with her two impressive first big releases.

467
00:20:37,200 --> 00:20:43,960
Speaker 3: Easy Punisher is a good movie. Is a it's good.

468
00:20:44,080 --> 00:20:47,440
Speaker 4: It is a good It's like really dark, it's really

469
00:20:47,440 --> 00:20:50,080
Speaker 4: They've tried to do a number of different incandations of Punisher.

470
00:20:50,080 --> 00:20:52,040
Speaker 3: But it was not a bad movie at all. Yeah.

471
00:20:52,119 --> 00:20:54,719
Speaker 4: No, it was just before it's time, you know, it

472
00:20:54,760 --> 00:20:57,320
Speaker 4: was way before any of the comic book stuff came out. Now,

473
00:20:57,440 --> 00:20:59,080
Speaker 4: you throw something up on the screen and it's going

474
00:20:59,119 --> 00:20:59,959
Speaker 4: to make fifty million dollar.

475
00:21:00,280 --> 00:21:03,119
Speaker 3: But it was not a bad film at all. Yeah.

476
00:21:03,200 --> 00:21:07,440
Speaker 1: Wow, we have Matt Sadano is Sergio. Matt has gone

477
00:21:07,440 --> 00:21:09,480
Speaker 1: on to star on a bunch of TV shows such

478
00:21:09,480 --> 00:21:13,440
Speaker 1: as Power, Tyler Perry's Ruthless, and z Nation, but Boy

479
00:21:13,480 --> 00:21:17,640
Speaker 1: Meets World was his second job ever. Cool cool, and

480
00:21:17,840 --> 00:21:22,200
Speaker 1: despite looking online for hours, we are unable to find

481
00:21:22,200 --> 00:21:23,680
Speaker 1: the actress who played Cookie.

482
00:21:23,840 --> 00:21:27,320
Speaker 2: So if anyone out there knows, please email us at

483
00:21:27,520 --> 00:21:28,440
Speaker 2: Pod Meets World show.

484
00:21:28,640 --> 00:21:30,119
Speaker 3: She doesn't have any lines, right, so she.

485
00:21:30,320 --> 00:21:33,719
Speaker 1: Doesn't have any line, But neither did Matt, saidanio, and

486
00:21:33,720 --> 00:21:34,840
Speaker 1: we were able to find.

487
00:21:34,760 --> 00:21:37,040
Speaker 3: Yeah, he not have a line. He had a line.

488
00:21:37,080 --> 00:21:39,520
Speaker 3: He has a line or two. I think he did.

489
00:21:39,520 --> 00:21:41,120
Speaker 2: He not what she does?

490
00:21:42,680 --> 00:21:46,280
Speaker 9: Oh geez all, no, I can I can jump in

491
00:21:46,320 --> 00:21:47,960
Speaker 9: here because this is this is something I looked into

492
00:21:48,040 --> 00:21:50,879
Speaker 9: for hours to try to find her. He actually does

493
00:21:50,920 --> 00:21:53,320
Speaker 9: not have a line, and she has one.

494
00:21:54,400 --> 00:21:55,840
Speaker 3: She's the one I Lord of the Dance with at

495
00:21:55,880 --> 00:21:56,119
Speaker 3: the end.

496
00:21:56,200 --> 00:21:58,560
Speaker 9: She's not listed in the credits. He's not listed, but

497
00:21:58,600 --> 00:21:59,760
Speaker 9: I was able to find him.

498
00:21:59,640 --> 00:22:01,520
Speaker 3: Because he a group came the Stars.

499
00:22:04,960 --> 00:22:09,160
Speaker 1: It sure is, so jumping into our recap, whoa new

500
00:22:09,359 --> 00:22:12,320
Speaker 1: set alert, Mexican Restaurant your set?

501
00:22:12,800 --> 00:22:15,960
Speaker 2: If you think it's Chubbies, I'm not so sure.

502
00:22:16,440 --> 00:22:17,919
Speaker 3: That's Chubby No, I don't think it is.

503
00:22:18,119 --> 00:22:18,440
Speaker 7: It is.

504
00:22:18,560 --> 00:22:19,440
Speaker 3: I don't think it is either.

505
00:22:19,600 --> 00:22:20,520
Speaker 2: I don't think it is.

506
00:22:20,880 --> 00:22:22,680
Speaker 3: I think they just retrofitted Chubbies.

507
00:22:22,960 --> 00:22:25,560
Speaker 2: They may have. If they did, they did an incredible

508
00:22:25,640 --> 00:22:26,919
Speaker 2: job of it. Because I looked.

509
00:22:27,000 --> 00:22:28,880
Speaker 3: I'm me too for sure it was.

510
00:22:28,880 --> 00:22:32,359
Speaker 1: Chubbies and I was trying to like figure out where

511
00:22:32,440 --> 00:22:34,439
Speaker 1: the stuff was and I didn't really see it.

512
00:22:34,640 --> 00:22:37,880
Speaker 4: Sack swing door was the only thing that was that

513
00:22:37,960 --> 00:22:39,360
Speaker 4: was the same as the Chubbies.

514
00:22:39,400 --> 00:22:42,280
Speaker 3: That's where you would go for the phone. No, no, no,

515
00:22:42,240 --> 00:22:42,600
Speaker 3: for the.

516
00:22:42,480 --> 00:22:46,200
Speaker 4: Phone, can't side of Chubbies. But but the rest of it,

517
00:22:46,320 --> 00:22:49,200
Speaker 4: I mean, it goes way deeper. It's only one level.

518
00:22:49,680 --> 00:22:51,199
Speaker 4: You think they just retrofitted Chubbies.

519
00:22:51,200 --> 00:22:53,680
Speaker 7: Really, I think they just retrofited Chubbies because it's another

520
00:22:53,720 --> 00:22:56,560
Speaker 7: basement set, right, there's no windows, so I think they

521
00:22:56,680 --> 00:22:59,160
Speaker 7: just took out the stairs and like, you know, change

522
00:22:59,200 --> 00:22:59,840
Speaker 7: the back wall.

523
00:22:59,880 --> 00:23:02,520
Speaker 3: But otherwise it's I think it's just chubby. They did it.

524
00:23:02,520 --> 00:23:04,199
Speaker 4: Then, Daniel's right, they did a good job. So I

525
00:23:04,240 --> 00:23:06,000
Speaker 4: was looking too. I was like, I think they actually

526
00:23:06,040 --> 00:23:07,080
Speaker 4: just built a whole new set.

527
00:23:07,119 --> 00:23:09,200
Speaker 3: I actually thought that the texture on the walls was the.

528
00:23:09,160 --> 00:23:13,200
Speaker 7: Same, which yeah, it did kind of look it was

529
00:23:13,240 --> 00:23:15,639
Speaker 7: the same textured walls, So I thought it was just

530
00:23:15,880 --> 00:23:16,320
Speaker 7: you know, yeah.

531
00:23:16,680 --> 00:23:18,400
Speaker 4: The only the only horrible part about the set, which

532
00:23:18,440 --> 00:23:20,959
Speaker 4: sou pointed out, is none of those tortilla chips were

533
00:23:21,000 --> 00:23:26,080
Speaker 4: done properly, all very blonde like needed another fry. They

534
00:23:26,080 --> 00:23:27,200
Speaker 4: were just not ready.

535
00:23:27,240 --> 00:23:28,679
Speaker 3: Those tortilla chips are not ready.

536
00:23:28,720 --> 00:23:31,520
Speaker 1: So other than that, I just can't believe we have

537
00:23:31,560 --> 00:23:33,240
Speaker 1: another place to eat in the city.

538
00:23:33,320 --> 00:23:33,680
Speaker 3: I don't.

539
00:23:33,680 --> 00:23:36,640
Speaker 2: I'm shocked we have. We have more, we have options.

540
00:23:37,080 --> 00:23:39,160
Speaker 4: Which I love is that you think that's the reason

541
00:23:39,160 --> 00:23:40,960
Speaker 4: that they moved you because you easily could have worked

542
00:23:40,960 --> 00:23:44,760
Speaker 4: at Chubbi's, but you didn't because you needed the two dancers.

543
00:23:44,600 --> 00:23:47,360
Speaker 2: Right, We needed Latin men, right exactly.

544
00:23:46,960 --> 00:23:49,359
Speaker 3: You need That's what it was so okay interesting.

545
00:23:49,680 --> 00:23:53,080
Speaker 1: So Sean admires a tortilla chip, telling Corey his favorite

546
00:23:53,119 --> 00:23:55,560
Speaker 1: thing is that they're free. He dumps an entire basket

547
00:23:55,600 --> 00:23:58,040
Speaker 1: of them into his backpack before calling out, we need

548
00:23:58,040 --> 00:24:01,959
Speaker 1: more chips over here. Poor Fivour and Rita loos waitress.

549
00:24:02,880 --> 00:24:06,600
Speaker 1: Topega and Angela appear dressed in colorful waitress uniforms that

550
00:24:06,640 --> 00:24:10,280
Speaker 1: match the place's decor. To Penga scold Sean, stop calling

551
00:24:10,280 --> 00:24:14,640
Speaker 1: me waitress. I have a name, Cory smirks, yeah, Ramona, Yeah,

552
00:24:14,680 --> 00:24:15,920
Speaker 1: it's Spanish for tapanga.

553
00:24:16,000 --> 00:24:18,679
Speaker 3: Look it up, gray line.

554
00:24:19,960 --> 00:24:23,080
Speaker 1: Angela chimes in, why are they being so rude? Corey

555
00:24:23,119 --> 00:24:24,960
Speaker 1: knows it's their first day of work, so they're doing

556
00:24:25,040 --> 00:24:28,960
Speaker 1: their obnoxious customer routine to break them in. Sean jumps in,

557
00:24:29,160 --> 00:24:32,960
Speaker 1: this is cube dised I asked for crushed. Angela fires back,

558
00:24:33,080 --> 00:24:35,639
Speaker 1: this is the salsa for your chips, and dumps the

559
00:24:35,720 --> 00:24:40,280
Speaker 1: salsa into his backpack. Did you notice that the inside

560
00:24:40,280 --> 00:24:44,800
Speaker 1: of the backpack was already covered in salsa from Salta.

561
00:24:45,359 --> 00:24:47,159
Speaker 3: It was the whole backside of it.

562
00:24:47,040 --> 00:24:50,200
Speaker 2: Was just covered in salsa. I was like, this was

563
00:24:50,240 --> 00:24:51,320
Speaker 2: obviously a take.

564
00:24:51,119 --> 00:24:52,840
Speaker 3: Two before.

565
00:24:54,119 --> 00:24:57,520
Speaker 2: Did not get another backpack. They had one backpack.

566
00:24:57,840 --> 00:25:01,160
Speaker 3: Wow, By the way, crushed I is better than cube.

567
00:25:01,359 --> 00:25:05,080
Speaker 3: Just no way, noe. Big ice cubes if what.

568
00:25:05,440 --> 00:25:08,639
Speaker 2: What about those the little perfect cubes. Everybody loves the

569
00:25:09,200 --> 00:25:10,040
Speaker 2: little ones.

570
00:25:10,160 --> 00:25:13,080
Speaker 3: Yeah, that's kind of crush me. Yeah, that's a crush

571
00:25:13,080 --> 00:25:14,320
Speaker 3: to me. That's what I meant. Those are the good

572
00:25:14,960 --> 00:25:15,520
Speaker 3: that's the best.

573
00:25:15,520 --> 00:25:18,159
Speaker 7: Ice you always like clumps up together, pounds into your

574
00:25:18,400 --> 00:25:19,320
Speaker 7: then you break it down.

575
00:25:19,560 --> 00:25:22,359
Speaker 3: You want you just like the one big Bourbon cube,

576
00:25:22,400 --> 00:25:24,399
Speaker 3: the one cube if anything.

577
00:25:24,480 --> 00:25:26,879
Speaker 7: Yeah, No, I also just hate ice and water, Like

578
00:25:27,119 --> 00:25:28,720
Speaker 7: I hate how if you get a glass of water

579
00:25:28,720 --> 00:25:30,640
Speaker 7: somewhere they just loaded up with ice, Like.

580
00:25:30,640 --> 00:25:32,960
Speaker 2: Just give me water, just water, Yeah, just plain water.

581
00:25:33,040 --> 00:25:34,399
Speaker 3: Yeah, the good ice. Anyway.

582
00:25:34,880 --> 00:25:37,760
Speaker 1: Anyway, moving on, Corey figured they'd want to celebrate their

583
00:25:37,800 --> 00:25:39,840
Speaker 1: first day in the workforce by taking the boys out

584
00:25:39,840 --> 00:25:42,399
Speaker 1: to dinner. To Panga and Angela were actually thinking of

585
00:25:42,440 --> 00:25:44,960
Speaker 1: going out with a bunch of their new coworkers. Angela

586
00:25:44,960 --> 00:25:47,960
Speaker 1: suggests the guys come to Corey seems into it. Topanga

587
00:25:48,000 --> 00:25:53,399
Speaker 1: reveals they're going dancing. Corey wines, no dancing, pa. Sean

588
00:25:53,440 --> 00:25:57,159
Speaker 1: follows Corey's lead. Yeah, pah, Angela and to Panga go

589
00:25:57,200 --> 00:25:59,600
Speaker 1: back to work, and Sean leans into Corey, maybe I

590
00:25:59,600 --> 00:26:02,080
Speaker 1: should go dancing my relationship is new. I don't want

591
00:26:02,080 --> 00:26:04,840
Speaker 1: to disappoint her. Corey argues, you're a guy. She's got

592
00:26:04,840 --> 00:26:06,720
Speaker 1: to get used to it. We are men. If we

593
00:26:06,720 --> 00:26:09,199
Speaker 1: don't want to dance, we do not dance tonight. We

594
00:26:09,359 --> 00:26:14,000
Speaker 1: do what men do. Sean's shouts, right, what's that, Corey shouts.

595
00:26:14,000 --> 00:26:16,480
Speaker 1: We go to the gym, We pump some iron, and

596
00:26:16,560 --> 00:26:23,200
Speaker 1: we sweat. And this is such a big departure any

597
00:26:23,320 --> 00:26:27,840
Speaker 1: Corey we've ever known or seen. Yeah, yeah, Corey is

598
00:26:27,920 --> 00:26:33,320
Speaker 1: usually the one really leaning into all the couplely things, right, yeah,

599
00:26:33,680 --> 00:26:36,320
Speaker 1: and not usually the guy sweating it out at the gym.

600
00:26:36,359 --> 00:26:38,840
Speaker 1: I'm not This did kind of bump me a little bit.

601
00:26:38,840 --> 00:26:40,400
Speaker 1: As the premise for the whole show.

602
00:26:40,280 --> 00:26:43,440
Speaker 3: Is that he a man.

603
00:26:44,200 --> 00:26:46,240
Speaker 7: It could have been pretty easily set up with just

604
00:26:46,320 --> 00:26:50,000
Speaker 7: Topanga making a comment about you know, him not being strong,

605
00:26:50,320 --> 00:26:52,680
Speaker 7: you know, like it could have easily been like he's

606
00:26:52,680 --> 00:26:56,560
Speaker 7: suddenly insecure and therefore comes you know, yeah, he comes

607
00:26:56,560 --> 00:26:59,200
Speaker 7: at it with such strength out of nowhere that it's

608
00:26:59,240 --> 00:26:59,840
Speaker 7: not Corey.

609
00:27:00,080 --> 00:27:02,359
Speaker 4: Yeah, they just made him really alpha all of a sudden,

610
00:27:02,520 --> 00:27:04,520
Speaker 4: just like I'm now the alpha mat like really, of.

611
00:27:04,440 --> 00:27:07,520
Speaker 7: Course, if it's just been set up, you know, like

612
00:27:07,800 --> 00:27:11,439
Speaker 7: for whatever reason, he was feeling emasculated for a moment,

613
00:27:11,560 --> 00:27:13,639
Speaker 7: and then he's like, oh, doubling down on, like we

614
00:27:13,680 --> 00:27:15,840
Speaker 7: got to make I gotta be stronger, I gotta be tougher.

615
00:27:16,760 --> 00:27:17,600
Speaker 3: You know what it is.

616
00:27:17,720 --> 00:27:20,280
Speaker 4: It's literally he can't open the jar of salsa, and

617
00:27:20,320 --> 00:27:22,720
Speaker 4: to Penger, somebody comes over and pops open the jar.

618
00:27:22,960 --> 00:27:24,120
Speaker 3: Yah comes over.

619
00:27:24,920 --> 00:27:28,880
Speaker 1: Perfect, Yeah, exactly, there you go. That would have been perfect.

620
00:27:29,520 --> 00:27:33,320
Speaker 1: So Sean questions, are their private showers. Corey's face sours,

621
00:27:33,400 --> 00:27:36,200
Speaker 1: They're better be Angela and to Panger return and ask

622
00:27:36,280 --> 00:27:38,639
Speaker 1: if the boys are in. Corey answers, no, you go

623
00:27:38,720 --> 00:27:41,160
Speaker 1: with your friends from work and do your little dance routine.

624
00:27:41,600 --> 00:27:44,680
Speaker 1: Angela wonders if that goes for Sean too. Sean leans

625
00:27:44,720 --> 00:27:46,639
Speaker 1: in and whispers to Corey, are you sure I'm not

626
00:27:46,680 --> 00:27:48,880
Speaker 1: going to get hurt on this? Corey assures him it's

627
00:27:48,880 --> 00:27:50,280
Speaker 1: the way God intended.

628
00:27:50,800 --> 00:27:52,760
Speaker 3: Okay, just for going back to what we just talked

629
00:27:52,760 --> 00:27:53,320
Speaker 3: about so.

630
00:27:53,359 --> 00:27:57,159
Speaker 4: Far, perfectly acceptable. Yeah, you're there, you've met the guys.

631
00:27:57,359 --> 00:27:59,520
Speaker 4: They say, we're going. Do you want to come? No?

632
00:27:59,560 --> 00:28:01,120
Speaker 3: I don't want to come. You go do your thing

633
00:28:01,240 --> 00:28:02,720
Speaker 3: perfectly and totally except right.

634
00:28:02,640 --> 00:28:08,480
Speaker 1: Okay, right, ye, great, uh so, Sean tells Angela, no

635
00:28:08,640 --> 00:28:13,479
Speaker 1: go dance, it's God's will. Then on cue, two handsome

636
00:28:13,480 --> 00:28:15,560
Speaker 1: waiters walk right up to the table. One asks with

637
00:28:15,600 --> 00:28:18,439
Speaker 1: a thick accent, So, ladies, you're coming dancing tonight with

638
00:28:18,520 --> 00:28:21,680
Speaker 1: myself and my equally handsome and beautiful friend Sergio.

639
00:28:22,040 --> 00:28:22,280
Speaker 2: Yes.

640
00:28:22,760 --> 00:28:25,520
Speaker 1: The girls happily not, and the wait staff all disappear

641
00:28:25,600 --> 00:28:28,400
Speaker 1: back into their roles. Sean and Corey watch after them

642
00:28:28,400 --> 00:28:32,040
Speaker 1: in horror, and then we're in John Adams, Hi, Corey

643
00:28:32,080 --> 00:28:34,640
Speaker 1: and Sean, who is back in his huge gray pants

644
00:28:35,320 --> 00:28:36,440
Speaker 1: back to back episodes.

645
00:28:36,680 --> 00:28:40,440
Speaker 3: Yes, for the rest of the show. This is it.

646
00:28:40,520 --> 00:28:42,120
Speaker 3: If you just stayed in those pants, you sleep and

647
00:28:42,280 --> 00:28:44,600
Speaker 3: wake up still in the whole Norton anthology in that

648
00:28:44,680 --> 00:28:45,960
Speaker 3: back pocket. It was so great.

649
00:28:46,440 --> 00:28:49,040
Speaker 4: Sue also pointed out that you're wearing a lot of

650
00:28:49,200 --> 00:28:51,720
Speaker 4: the loure this seasonal.

651
00:28:52,040 --> 00:28:54,280
Speaker 3: Yeah, yeah, it was just it seemed to go with

652
00:28:54,280 --> 00:28:55,000
Speaker 3: that kind of vibe.

653
00:28:55,160 --> 00:28:58,120
Speaker 1: You know, this would also be really leaning into the

654
00:28:58,200 --> 00:29:01,800
Speaker 1: almost you know, the juicy Couture or Valure sweats sweatsuits

655
00:29:01,880 --> 00:29:03,719
Speaker 1: that were very big for women in the late night

656
00:29:03,840 --> 00:29:07,160
Speaker 1: I think Valure was having Yeah, you're right, that was

657
00:29:07,200 --> 00:29:10,160
Speaker 1: early aughts, so we're getting close. Pre juicy, pre juicy,

658
00:29:10,280 --> 00:29:13,080
Speaker 1: pre juicy on the booty. Yeah, but we're getting close.

659
00:29:13,560 --> 00:29:14,240
Speaker 3: Must have been.

660
00:29:15,920 --> 00:29:17,880
Speaker 1: I tell you they used to write juicy on the booty.

661
00:29:17,880 --> 00:29:22,320
Speaker 1: It's it was great. So, uh, they are walking in

662
00:29:22,360 --> 00:29:24,440
Speaker 1: the hall. Sean asks, we pumped a ton of iron

663
00:29:24,520 --> 00:29:27,120
Speaker 1: last night. How are you feeling? Corey responds good, but

664
00:29:27,360 --> 00:29:30,680
Speaker 1: it's obviously not good. Sean is also in pain. You

665
00:29:30,680 --> 00:29:32,160
Speaker 1: want to help me take off my jacket?

666
00:29:32,280 --> 00:29:32,880
Speaker 3: It made me laugh.

667
00:29:33,000 --> 00:29:35,640
Speaker 4: I've had your read on that was like, good, can

668
00:29:35,720 --> 00:29:36,560
Speaker 4: you help with this jacket?

669
00:29:36,960 --> 00:29:37,480
Speaker 2: So funny.

670
00:29:38,040 --> 00:29:40,320
Speaker 1: Cory's glad they had a good time doing their guy

671
00:29:40,400 --> 00:29:42,800
Speaker 1: thing while the girls got dancing out of their systems.

672
00:29:43,120 --> 00:29:46,360
Speaker 1: Sean wonders if Ninzio or Sergio tried anything. He doesn't

673
00:29:46,360 --> 00:29:49,120
Speaker 1: trust anyone with that many zippers on their pants, and

674
00:29:49,160 --> 00:29:53,000
Speaker 1: I thought, oh, interesting for you to be judging people's pants.

675
00:29:54,920 --> 00:29:57,200
Speaker 7: Also, when did I see them with zippers on their pants?

676
00:29:58,080 --> 00:30:01,400
Speaker 7: The outfits so we didn't like this joke. It is

677
00:30:01,400 --> 00:30:03,520
Speaker 7: a funny, like don't trust people with zippers on their pants?

678
00:30:03,560 --> 00:30:05,680
Speaker 7: And then the callback later is great too, but I was.

679
00:30:05,680 --> 00:30:07,320
Speaker 3: Like, did I see them with zippers?

680
00:30:07,320 --> 00:30:10,080
Speaker 2: I know, did their uniform have zippered pants. I didn't.

681
00:30:10,080 --> 00:30:11,040
Speaker 2: I didn't really notice.

682
00:30:11,960 --> 00:30:14,719
Speaker 1: Then, to Pega and Angela enter the hallway, Sean decides

683
00:30:14,760 --> 00:30:17,600
Speaker 1: he's going to ask Corey stops him never and appear

684
00:30:17,640 --> 00:30:18,320
Speaker 1: to be jealous.

685
00:30:18,400 --> 00:30:19,280
Speaker 2: You never ask.

686
00:30:19,520 --> 00:30:23,080
Speaker 1: Never to Penga strolls up, Hey, guys, Corey immediately snaps

687
00:30:23,120 --> 00:30:24,120
Speaker 1: what happened last night?

688
00:30:26,240 --> 00:30:28,080
Speaker 7: Off? And this is where I looked at your hair

689
00:30:28,120 --> 00:30:31,160
Speaker 7: and I was like, oh, Danielle, you just houseled. It

690
00:30:31,200 --> 00:30:35,360
Speaker 7: was almost like like hair, and I thought it was

691
00:30:35,440 --> 00:30:37,720
Speaker 7: kind of it was like, oh, she looks like she

692
00:30:37,960 --> 00:30:40,120
Speaker 7: just got changed, like just put her clothes back off.

693
00:30:40,320 --> 00:30:43,160
Speaker 4: I just this morning and I didn't have my coat

694
00:30:43,600 --> 00:30:46,680
Speaker 4: times because you didn't have your contact lens.

695
00:30:46,720 --> 00:30:48,520
Speaker 7: Solually thought it was a choice, but then it was

696
00:30:48,720 --> 00:30:51,040
Speaker 7: in the rest of the acid was that's just.

697
00:30:51,160 --> 00:30:52,600
Speaker 2: Maybe I've just moved in with Nunzio.

698
00:30:52,640 --> 00:30:55,440
Speaker 4: You never Now I have a question because I think

699
00:30:55,480 --> 00:30:57,520
Speaker 4: our dear listeners would want to know this. When your

700
00:30:57,560 --> 00:31:00,719
Speaker 4: hair changes this much, is that a you decision or

701
00:31:00,760 --> 00:31:03,080
Speaker 4: is that a them decision? Like did you go in

702
00:31:03,120 --> 00:31:05,000
Speaker 4: and go I want no, let's just make it more natural.

703
00:31:05,040 --> 00:31:06,040
Speaker 4: I want it curly, or is that.

704
00:31:06,520 --> 00:31:09,200
Speaker 1: You're going for curly Laurie and I made got after

705
00:31:09,240 --> 00:31:10,880
Speaker 1: the hair was cut. Laurie and I got to make

706
00:31:10,920 --> 00:31:12,680
Speaker 1: pretty much all the decisions about what we did with

707
00:31:12,680 --> 00:31:14,760
Speaker 1: my hair. There would be occasionally a time where, like

708
00:31:14,880 --> 00:31:16,840
Speaker 1: I guarantee you later where you see me when my

709
00:31:16,880 --> 00:31:18,920
Speaker 1: hair is like clipped to the side and the restaurant scene,

710
00:31:18,920 --> 00:31:22,400
Speaker 1: my hair's up. We probably left that down and Michael

711
00:31:22,480 --> 00:31:24,520
Speaker 1: or somebody didn't like the hair falling in my face

712
00:31:24,560 --> 00:31:26,480
Speaker 1: and so they asked to clip it back. That probably

713
00:31:26,480 --> 00:31:28,200
Speaker 1: wasn't our choice, that was probably a request.

714
00:31:28,520 --> 00:31:29,040
Speaker 3: But this is.

715
00:31:29,000 --> 00:31:32,680
Speaker 1: Probably Laurie and I trying something. Let's let's do let's

716
00:31:32,720 --> 00:31:33,520
Speaker 1: do something.

717
00:31:33,400 --> 00:31:35,120
Speaker 7: Probably because you had to have your hair up in

718
00:31:35,160 --> 00:31:37,480
Speaker 7: the restaurant scenes, so that was like that sort of

719
00:31:37,480 --> 00:31:39,720
Speaker 7: forced you guys to have to figure something out that

720
00:31:39,800 --> 00:31:42,080
Speaker 7: was easy to do, to transition from one to the

721
00:31:42,120 --> 00:31:43,160
Speaker 7: other exactly.

722
00:31:44,200 --> 00:31:47,960
Speaker 1: So Tapanga answers, nothing, we danced. Angela admits she is

723
00:31:48,000 --> 00:31:52,080
Speaker 1: a little tired though Corey. Corey chuckles to Sean, you

724
00:31:52,160 --> 00:31:56,040
Speaker 1: got a problem. Tapanga adds that Nunzio sure knows how

725
00:31:56,080 --> 00:31:56,400
Speaker 1: to move.

726
00:31:56,520 --> 00:31:56,840
Speaker 2: Huh.

727
00:31:57,120 --> 00:32:00,600
Speaker 1: Corey realizes, oh, I got a problem too. Angela adds

728
00:32:00,600 --> 00:32:03,400
Speaker 1: that Sergio's no slouch. On the dance floor either Sean

729
00:32:03,480 --> 00:32:04,720
Speaker 1: is now completely defeated.

730
00:32:05,120 --> 00:32:11,640
Speaker 2: I didn't ask that. Read right is hilarious, so good.

731
00:32:12,000 --> 00:32:14,360
Speaker 1: I love it and I love that whole I love

732
00:32:14,400 --> 00:32:16,600
Speaker 1: this whole thing that you're like, why did I have

733
00:32:16,680 --> 00:32:19,160
Speaker 1: to have my heart broken? I didn't even ask the question.

734
00:32:20,480 --> 00:32:22,680
Speaker 7: The Corey Sewan dynamic, as much as Cory is got

735
00:32:22,760 --> 00:32:25,160
Speaker 7: sort of out of character to begin this storyline.

736
00:32:25,200 --> 00:32:26,960
Speaker 3: I just love that the two of us are.

737
00:32:26,800 --> 00:32:30,320
Speaker 7: Like giving each other horrible advice and that he's dragging

738
00:32:30,360 --> 00:32:31,800
Speaker 7: me into this awful situation.

739
00:32:31,920 --> 00:32:34,400
Speaker 3: Yeah, so great. And you know, because Sean is always

740
00:32:34,480 --> 00:32:36,280
Speaker 3: is it's dumb, It's dumb and dumber.

741
00:32:36,040 --> 00:32:39,000
Speaker 7: On Yeah, but it's also just a nice reversal, you know,

742
00:32:39,000 --> 00:32:40,920
Speaker 7: because Sean's the one who usually is like, this is

743
00:32:40,960 --> 00:32:42,840
Speaker 7: what women like and this is how and he gets

744
00:32:43,040 --> 00:32:45,880
Speaker 7: Corey in trouble. In this case, it's Corey's insecurity that's

745
00:32:45,960 --> 00:32:46,880
Speaker 7: dragging Sean down.

746
00:32:46,960 --> 00:32:49,000
Speaker 3: I love that. It's a fun dynamic. It is.

747
00:32:49,040 --> 00:32:49,880
Speaker 2: It is cute.

748
00:32:50,160 --> 00:32:54,560
Speaker 1: Angela notices why Topanga, I think they're jealous. Sean insists

749
00:32:54,600 --> 00:32:57,240
Speaker 1: he is not jealous that immediately asks did he touch you?

750
00:32:57,600 --> 00:33:01,280
Speaker 1: Angela plays into it. Sergio or Ninzio Sean's shouts, Oh,

751
00:33:01,320 --> 00:33:03,320
Speaker 1: what difference does it make? You were out with other

752
00:33:03,360 --> 00:33:06,000
Speaker 1: guys dancing and sweating and what is up with all

753
00:33:06,000 --> 00:33:08,480
Speaker 1: those zippers? And I would like to point out that

754
00:33:08,560 --> 00:33:11,360
Speaker 1: to Pega and Angela are doing essentially the exact same

755
00:33:11,360 --> 00:33:13,680
Speaker 1: thing the guys do later when they bring the girls in.

756
00:33:13,800 --> 00:33:17,280
Speaker 8: Yeah, yeah, teasing him and acting like they do have

757
00:33:17,320 --> 00:33:18,840
Speaker 8: a reason to be games.

758
00:33:19,320 --> 00:33:19,640
Speaker 2: Yeah.

759
00:33:19,680 --> 00:33:22,600
Speaker 1: So it later when they're like mad and they say

760
00:33:22,600 --> 00:33:24,840
Speaker 1: to the girls, well do they know, I'm like, well,

761
00:33:24,880 --> 00:33:26,480
Speaker 1: you did it earlier.

762
00:33:26,760 --> 00:33:28,240
Speaker 3: Yep, I thought the same thing.

763
00:33:28,880 --> 00:33:31,360
Speaker 1: So Angela reminds him, we asked you to come along

764
00:33:31,600 --> 00:33:35,120
Speaker 1: to Panga chimes in, and I believe your words were pah.

765
00:33:35,240 --> 00:33:39,240
Speaker 1: Corey explains, possibly, oh.

766
00:33:39,920 --> 00:33:42,760
Speaker 7: Biggest laugh for Indy ad. He watched this episode with

767
00:33:42,800 --> 00:33:46,720
Speaker 7: me and that killed him. He was like, PA kept

768
00:33:46,760 --> 00:33:47,160
Speaker 7: saying it.

769
00:33:47,240 --> 00:33:49,000
Speaker 2: I do love it.

770
00:33:49,000 --> 00:33:51,600
Speaker 1: It is funny because I feel like they backed into PA,

771
00:33:51,640 --> 00:33:53,200
Speaker 1: you know what I mean, Like they I feel like

772
00:33:53,280 --> 00:33:56,360
Speaker 1: they wanted to do possibly at some point they knew

773
00:33:56,360 --> 00:33:57,760
Speaker 1: that and then they were like earlier, he should just

774
00:33:57,800 --> 00:34:01,440
Speaker 1: say PA, because Pah, where does that? Where does that

775
00:34:01,480 --> 00:34:05,800
Speaker 1: come from? Sean ralents it's no big deal. Corey agrees,

776
00:34:05,880 --> 00:34:07,840
Speaker 1: it's no big deal at all. Then the bell rings

777
00:34:07,840 --> 00:34:10,239
Speaker 1: and before leaving, Tapanga asks, so you'll come with us

778
00:34:10,280 --> 00:34:13,359
Speaker 1: next time. Corey is all in, Hey, I wouldn't miss it.

779
00:34:13,760 --> 00:34:16,120
Speaker 1: The girls leave and Sean turns to Corey we're going

780
00:34:16,200 --> 00:34:19,360
Speaker 1: dancing with them. Corey is enraged. No, we're going to

781
00:34:19,400 --> 00:34:21,400
Speaker 1: the gym so we can beat the zippers off of

782
00:34:21,440 --> 00:34:25,759
Speaker 1: Sergio and Nunzio. And then in this moment is when

783
00:34:25,800 --> 00:34:29,680
Speaker 1: I noticed the guy who is fake Sean in the

784
00:34:29,800 --> 00:34:33,040
Speaker 1: stream at the same behind. He's right behind you. He

785
00:34:33,080 --> 00:34:33,880
Speaker 1: has arrived.

786
00:34:34,000 --> 00:34:38,479
Speaker 3: Yes, he's very prominent in another scene, dancing scene. Yes,

787
00:34:38,960 --> 00:34:40,919
Speaker 3: so what was his name? We don't remember his name?

788
00:34:41,000 --> 00:34:42,440
Speaker 2: Huh, I do not remember his name?

789
00:34:42,600 --> 00:34:43,040
Speaker 3: He was around.

790
00:34:43,560 --> 00:34:47,880
Speaker 1: You are that background actor that we have now spotted,

791
00:34:48,000 --> 00:34:50,480
Speaker 1: so in for our dear listeners in case you because

792
00:34:50,480 --> 00:34:53,600
Speaker 1: you helped us find Dusty. If you notice the guy

793
00:34:53,640 --> 00:34:57,000
Speaker 1: who's right over is it Corey's shoulder or is it Sean?

794
00:34:57,080 --> 00:34:58,560
Speaker 1: I think it's over shawn shoulder. I took a picture

795
00:34:58,600 --> 00:35:01,640
Speaker 1: of it. I think maybe we'll sit on our Instagram.

796
00:35:03,120 --> 00:35:05,920
Speaker 3: Very much like mine.

797
00:35:04,400 --> 00:35:09,040
Speaker 1: Yeahs like the middle and he's very handsome. We'll post

798
00:35:09,080 --> 00:35:11,279
Speaker 1: a picture of him. Maybe we'll use TikTok to get

799
00:35:11,320 --> 00:35:11,960
Speaker 1: to the bottom of it.

800
00:35:12,040 --> 00:35:13,120
Speaker 2: He may be found.

801
00:35:13,400 --> 00:35:15,840
Speaker 3: Why we're talking about so when when we did.

802
00:35:15,719 --> 00:35:18,200
Speaker 2: The scream episode and then there was shot.

803
00:35:18,120 --> 00:35:20,040
Speaker 7: And right, and then there was shot the killer, you know,

804
00:35:20,120 --> 00:35:22,200
Speaker 7: I take the mask off the killer and it's myself.

805
00:35:22,200 --> 00:35:25,520
Speaker 3: I'm looking at myself. He was the killer version of me.

806
00:35:25,640 --> 00:35:27,640
Speaker 7: So when you see behind him and you're looking at

807
00:35:27,640 --> 00:35:31,000
Speaker 7: my face both directions, it's him standing in and they

808
00:35:31,000 --> 00:35:34,239
Speaker 7: cut his hair to match mine. And yeah, and the

809
00:35:34,280 --> 00:35:37,160
Speaker 7: poor guy had to deal with us just being so

810
00:35:37,239 --> 00:35:42,680
Speaker 7: unprofessional while we were and he doesn't have our lines,

811
00:35:42,719 --> 00:35:45,120
Speaker 7: and he was just working so hard, and he was

812
00:35:45,160 --> 00:35:45,719
Speaker 7: a nice guy.

813
00:35:45,760 --> 00:35:47,960
Speaker 3: And I remember him, but I don't remember his name.

814
00:35:48,120 --> 00:35:50,000
Speaker 3: Like his acting is good.

815
00:35:50,080 --> 00:35:52,360
Speaker 4: In the background, he's engaged, he's slapping high five. So

816
00:35:52,480 --> 00:35:54,280
Speaker 4: somebody it's like he looked like a kid in school.

817
00:35:54,280 --> 00:35:55,000
Speaker 3: Got to find him.

818
00:35:55,080 --> 00:35:56,719
Speaker 2: Yeah, yeah, we got to find him for sure.

819
00:36:08,520 --> 00:36:10,719
Speaker 1: So then we're back in the Mexican restaurant, and in

820
00:36:10,760 --> 00:36:13,560
Speaker 1: this scene we will learn it is called El Coyote,

821
00:36:13,600 --> 00:36:16,400
Speaker 1: which is a very famous Mexican restaurant here in Los Angeles.

822
00:36:17,000 --> 00:36:19,520
Speaker 1: To Pega and Angela are running around frantically as they

823
00:36:19,520 --> 00:36:22,080
Speaker 1: serve their tables. Then we notice Corey and Sean walk in.

824
00:36:22,320 --> 00:36:25,040
Speaker 1: Corey reminds Sean if they ask, we're not here because

825
00:36:25,040 --> 00:36:27,360
Speaker 1: we're jealous of the gorgeous Latin men. We're here for

826
00:36:27,440 --> 00:36:29,319
Speaker 1: the El Grande Burrito for two ninety nine.

827
00:36:29,560 --> 00:36:31,480
Speaker 4: By the way, for people who don't speak Spanish, it

828
00:36:31,560 --> 00:36:33,400
Speaker 4: translates to the coyote.

829
00:36:33,520 --> 00:36:36,360
Speaker 3: I just thought i'd put that out. Thanks for everybody, Thank.

830
00:36:36,160 --> 00:36:37,440
Speaker 2: You, You're welcome.

831
00:36:37,480 --> 00:36:39,320
Speaker 1: I just want do you want to could you possibly

832
00:36:39,360 --> 00:36:40,880
Speaker 1: translate El grande burrito?

833
00:36:41,200 --> 00:36:42,960
Speaker 3: Yes, it means the big burrito.

834
00:36:43,280 --> 00:36:45,719
Speaker 2: Oh okay, great, thank you, And two ninety.

835
00:36:45,480 --> 00:36:49,360
Speaker 4: Nine is a monetary unit, meaning just under three dollars, okay.

836
00:36:49,120 --> 00:36:51,160
Speaker 2: Three American dollars, yes, correct, I got it.

837
00:36:51,160 --> 00:36:52,160
Speaker 3: Okay, three bucks for a.

838
00:36:52,120 --> 00:36:55,920
Speaker 4: Burrito, A grande burrito. Nonetheless, yeah, the great restaurant.

839
00:36:55,960 --> 00:36:56,960
Speaker 3: Those are the days.

840
00:36:58,400 --> 00:37:00,440
Speaker 1: To Pega notices them and asks what they're doing there,

841
00:37:00,440 --> 00:37:03,040
Speaker 1: and Sean blurts out, we're here to beat up Sergio

842
00:37:03,120 --> 00:37:03,759
Speaker 1: and Nunzio.

843
00:37:03,960 --> 00:37:05,960
Speaker 3: Just slamp in your hand. We're here to beat up

844
00:37:06,000 --> 00:37:07,120
Speaker 3: Sergio and Nunzio.

845
00:37:09,760 --> 00:37:13,160
Speaker 1: Cory is disappointed, so Sean retracts his threat. But we'd

846
00:37:13,200 --> 00:37:16,239
Speaker 1: like to start with two El grande burrito. Please doritos,

847
00:37:16,239 --> 00:37:17,240
Speaker 1: please one chicken.

848
00:37:17,360 --> 00:37:22,759
Speaker 7: One the chicken, because like the joke is, we also

849
00:37:22,760 --> 00:37:25,080
Speaker 7: want the burritos. But then adding the extra bit of

850
00:37:25,160 --> 00:37:28,440
Speaker 7: like chichicken, Oh my god.

851
00:37:28,840 --> 00:37:32,680
Speaker 2: So funny to me. But the addition of one chicken

852
00:37:32,760 --> 00:37:33,839
Speaker 2: be then you pointing.

853
00:37:35,880 --> 00:37:36,480
Speaker 3: Just the best.

854
00:37:39,000 --> 00:37:41,600
Speaker 1: Tapanga tells Corey he cannot do this. It's the busiest

855
00:37:41,680 --> 00:37:44,120
Speaker 1: night of the week. Angela agrees, Sorry, we can't talk.

856
00:37:44,160 --> 00:37:47,760
Speaker 1: We got tables. Sean scoffs of all the lame excuses.

857
00:37:47,840 --> 00:37:52,320
Speaker 1: We've got tables. Nunzio approaches the boys. Welcome to El Coyote.

858
00:37:52,320 --> 00:37:55,120
Speaker 1: I'm the manager. Sean tries to be intimidating. I know

859
00:37:55,200 --> 00:37:57,920
Speaker 1: who you are. We met the other night. Sergio the

860
00:37:57,960 --> 00:38:00,919
Speaker 1: man corrects him. I am Nunzio. Sergio is the one

861
00:38:00,920 --> 00:38:03,319
Speaker 1: with the big muscles and the handsome smile. We see

862
00:38:03,320 --> 00:38:08,120
Speaker 1: Sergio laughing and talking with Angela nearby. Sean is furious, Hey, Sergio,

863
00:38:08,400 --> 00:38:15,439
Speaker 1: hands Offio. Nunzio responds, yes, you are, Sean, the one

864
00:38:15,440 --> 00:38:18,520
Speaker 1: who belittles the art of the dance. Sean looks him

865
00:38:18,600 --> 00:38:19,080
Speaker 1: up and down.

866
00:38:19,600 --> 00:38:20,279
Speaker 2: We can take you.

867
00:38:20,440 --> 00:38:23,480
Speaker 7: We could take you now. This sign we've used multiple

868
00:38:23,480 --> 00:38:26,840
Speaker 7: times I could take you. I think the third or

869
00:38:26,840 --> 00:38:28,200
Speaker 7: fourth time we've done it.

870
00:38:27,920 --> 00:38:29,560
Speaker 3: It was also Frank.

871
00:38:31,480 --> 00:38:34,960
Speaker 2: You also doesn't the doesn't the kid in the trailer

872
00:38:35,000 --> 00:38:35,560
Speaker 2: park say it?

873
00:38:36,040 --> 00:38:39,160
Speaker 3: That's what we're talking about, right, Oh, I'm.

874
00:38:39,040 --> 00:38:46,000
Speaker 1: Talking about the We've used it a couple of times.

875
00:38:47,080 --> 00:38:50,360
Speaker 1: Nunzio turns to Corey, and you are, Cory, the luckiest

876
00:38:50,360 --> 00:38:53,240
Speaker 1: man alive for you are dating Topanga, who's as beautiful

877
00:38:53,239 --> 00:38:56,279
Speaker 1: as a flower. No, not a flower, a garden, a

878
00:38:56,320 --> 00:38:58,360
Speaker 1: garden full of beautiful flowers.

879
00:38:59,160 --> 00:39:01,880
Speaker 2: Cory smiles. Your words are beautiful.

880
00:39:09,080 --> 00:39:12,040
Speaker 1: It is just it makes me fall in love with

881
00:39:12,160 --> 00:39:16,120
Speaker 1: Corey does every time there's one of those moments where

882
00:39:16,160 --> 00:39:18,640
Speaker 1: he's able to get out of his own head and

883
00:39:18,920 --> 00:39:22,560
Speaker 1: just be involved in another aspect, and it just makes

884
00:39:22,600 --> 00:39:23,439
Speaker 1: me love it so much.

885
00:39:23,560 --> 00:39:26,000
Speaker 3: You and Ben were really good in this episode Rider.

886
00:39:26,160 --> 00:39:26,719
Speaker 3: I mean just.

887
00:39:28,760 --> 00:39:31,080
Speaker 4: Well Daniel when we talked about that at the beginning,

888
00:39:31,160 --> 00:39:33,480
Speaker 4: but you and Ben the just the team and the

889
00:39:33,560 --> 00:39:36,799
Speaker 4: dynamic that was shifting but the same if that makes sense,

890
00:39:36,840 --> 00:39:38,719
Speaker 4: because you're because Sean is in a different kind of

891
00:39:38,719 --> 00:39:40,279
Speaker 4: realm in.

892
00:39:40,239 --> 00:39:44,200
Speaker 1: The in the hallway scene, jumps in to say, what

893
00:39:44,200 --> 00:39:45,279
Speaker 1: what did you do last night?

894
00:39:45,400 --> 00:39:46,719
Speaker 2: And then in this one, Sean does it.

895
00:39:46,719 --> 00:39:47,319
Speaker 3: We're here to be.

896
00:39:48,000 --> 00:39:50,440
Speaker 2: They keep keep changing up, keeps up.

897
00:39:51,480 --> 00:39:53,640
Speaker 7: Yeah, it's so it's it's like it's like the B

898
00:39:53,719 --> 00:39:57,319
Speaker 7: and B episode, like the uh yeah, it's just the Hi.

899
00:39:57,680 --> 00:39:58,880
Speaker 3: It's just Corey, Seawan Heidjenks.

900
00:39:59,080 --> 00:40:01,239
Speaker 4: You're building each other up and supporting each other in

901
00:40:01,320 --> 00:40:04,440
Speaker 4: the worst and I'm so great.

902
00:40:06,520 --> 00:40:09,520
Speaker 1: And Nunzio continues, and because you are special to Tapanga

903
00:40:09,560 --> 00:40:11,840
Speaker 1: and Angela, you are special to Nunzio. I'll give you

904
00:40:11,880 --> 00:40:14,720
Speaker 1: a special table. And please don't order off the children's

905
00:40:14,760 --> 00:40:18,879
Speaker 1: menu anymore. Cory asks us stressed out to Panga when

906
00:40:18,880 --> 00:40:21,080
Speaker 1: she gets off tonight, and she responds, Corey, I'm carrying

907
00:40:21,080 --> 00:40:24,760
Speaker 1: a sizzling plate of fihitas. She scurries off, whimpering ow.

908
00:40:25,480 --> 00:40:28,239
Speaker 1: Corey wonders what's with her tonight. Sean thinks Angela may know.

909
00:40:28,360 --> 00:40:31,439
Speaker 1: He sees her racing by Angela honey, and she responds, sorry,

910
00:40:31,440 --> 00:40:34,040
Speaker 1: but I got a table of twelve. Sean yells, you're

911
00:40:34,080 --> 00:40:37,800
Speaker 1: not fooling anyone. Corey's had enough. He yells for Topanga,

912
00:40:37,800 --> 00:40:40,600
Speaker 1: who's actually standing right behind him. I'd like a baby burrito,

913
00:40:40,680 --> 00:40:43,200
Speaker 1: a junior taco, and your boyfriend.

914
00:40:42,719 --> 00:40:50,200
Speaker 4: Would also like to know, but also the moment that

915
00:40:50,239 --> 00:40:52,200
Speaker 4: they took and I'm hoping it was you and Ben

916
00:40:52,320 --> 00:40:53,799
Speaker 4: that came up with it. I bet it is of

917
00:40:53,880 --> 00:40:56,439
Speaker 4: him just yelling for you twice when you're behind him.

918
00:40:56,800 --> 00:40:57,439
Speaker 3: Yeah, so good.

919
00:40:57,800 --> 00:41:01,399
Speaker 4: It's just that little added extra lab that probably wasn't

920
00:41:01,400 --> 00:41:02,000
Speaker 4: in the script.

921
00:41:02,120 --> 00:41:05,560
Speaker 3: But just to Pega what, to Panga what, and it's like,

922
00:41:05,600 --> 00:41:06,160
Speaker 3: I'm here.

923
00:41:06,040 --> 00:41:08,560
Speaker 2: I'm not here. It was great, so funny.

924
00:41:08,840 --> 00:41:10,960
Speaker 1: And your boyfriend would also like to know what time

925
00:41:11,000 --> 00:41:14,000
Speaker 1: his girlfriend's getting home from work. Tapega says, she doesn't know.

926
00:41:14,160 --> 00:41:15,880
Speaker 1: I need to concentrate on my work right now, and

927
00:41:15,920 --> 00:41:17,600
Speaker 1: I'm having a hard time doing that with you here.

928
00:41:18,080 --> 00:41:21,600
Speaker 1: Nunzio strolls up behind her topanga table five. Please, She

929
00:41:21,719 --> 00:41:25,200
Speaker 1: nods and runs off, coreous seething for Nunzio, she has

930
00:41:25,200 --> 00:41:27,920
Speaker 1: all the time in the world. Then we're in the

931
00:41:27,960 --> 00:41:32,080
Speaker 1: Matthews backyard. Phoene is tending to his garden at night,

932
00:41:32,920 --> 00:41:33,600
Speaker 1: or he.

933
00:41:33,600 --> 00:41:36,680
Speaker 2: Might be hiding a dinnertime victim in his trash can.

934
00:41:36,719 --> 00:41:39,000
Speaker 2: Who Modi's bodies?

935
00:41:39,760 --> 00:41:43,160
Speaker 1: When Alan excitedly walks out, he's got a new satellite

936
00:41:43,160 --> 00:41:46,839
Speaker 1: dish with eight hundred channels. Phoene blandly remarks, Amy must

937
00:41:46,880 --> 00:41:50,080
Speaker 1: be thrilled on cue. Amy appears in the doorway. So

938
00:41:50,320 --> 00:41:54,000
Speaker 1: that's it, that's our Saturday night. You installing that stupid dish.

939
00:41:54,320 --> 00:41:56,400
Speaker 1: Alan insists he just needs to set it up. Then

940
00:41:56,400 --> 00:41:58,680
Speaker 1: the rest of the night is hers. She doesn't believe

941
00:41:58,719 --> 00:42:01,600
Speaker 1: it for a second. Then Eric walks out. He thinks

942
00:42:01,640 --> 00:42:03,640
Speaker 1: Alan's got a bad satellite dish because he doesn't see

943
00:42:03,680 --> 00:42:06,400
Speaker 1: anything on the TV yet. Alan, who is still holding

944
00:42:06,440 --> 00:42:09,239
Speaker 1: the dish, says it's not installed, responds just.

945
00:42:09,200 --> 00:42:10,640
Speaker 2: Hold the latter and don't speak.

946
00:42:11,000 --> 00:42:18,239
Speaker 1: And then a woman walks byrd guys the fact that

947
00:42:18,280 --> 00:42:21,799
Speaker 1: they have now decided that there's a sidewalk there.

948
00:42:22,320 --> 00:42:25,439
Speaker 3: This is not a backyard. This this ends debate right

949
00:42:25,480 --> 00:42:26,360
Speaker 3: here when she walks in.

950
00:42:26,400 --> 00:42:31,360
Speaker 5: It's also not a but we know the driveway with

951
00:42:31,440 --> 00:42:35,200
Speaker 5: the garage is behind camera right right the same direction

952
00:42:35,440 --> 00:42:38,520
Speaker 5: he's looking, So we do know that there is a

953
00:42:38,560 --> 00:42:39,560
Speaker 5: garage there.

954
00:42:39,320 --> 00:42:42,759
Speaker 3: So there must be a sidewalk too. I mean that's

955
00:42:42,800 --> 00:42:44,560
Speaker 3: how the car gets into the garage.

956
00:42:44,719 --> 00:42:48,240
Speaker 4: So but where like and it's where Rue McClanahan walked

957
00:42:48,239 --> 00:42:49,080
Speaker 4: off as well.

958
00:42:49,480 --> 00:42:52,720
Speaker 3: Right, Yeah, it.

959
00:42:50,600 --> 00:42:54,160
Speaker 1: Makes other times you guys have come back from camping

960
00:42:54,360 --> 00:42:57,040
Speaker 1: and whatever came from the top direction.

961
00:42:58,360 --> 00:43:01,239
Speaker 7: She should have been walking downstairs or just giving her

962
00:43:01,280 --> 00:43:02,800
Speaker 7: a reason to to come.

963
00:43:02,680 --> 00:43:06,440
Speaker 4: And hey, hey, you know, George, you left this at

964
00:43:06,440 --> 00:43:08,239
Speaker 4: the Oh that wasn't mine. Oh it wasn't like you

965
00:43:08,239 --> 00:43:10,440
Speaker 4: give her some excuse to show up there instead of

966
00:43:10,480 --> 00:43:11,520
Speaker 4: she's cutting.

967
00:43:11,239 --> 00:43:13,600
Speaker 3: Through the yards to get to the Starbucks. I don't know,

968
00:43:13,640 --> 00:43:15,239
Speaker 3: she should be running from the cops or something.

969
00:43:15,320 --> 00:43:18,319
Speaker 4: But I mean, it's like it was so strange where

970
00:43:18,320 --> 00:43:19,719
Speaker 4: it's like, what does she wait where?

971
00:43:19,840 --> 00:43:23,319
Speaker 1: She was so so weird, I know, and and oh

972
00:43:23,400 --> 00:43:25,160
Speaker 1: my gosh, it was so weird.

973
00:43:25,320 --> 00:43:26,520
Speaker 3: It's so I was like.

974
00:43:29,160 --> 00:43:30,200
Speaker 2: Me too, I don't even know.

975
00:43:30,280 --> 00:43:32,520
Speaker 1: And I hope that we never see it again and

976
00:43:32,560 --> 00:43:35,400
Speaker 1: it can just be that for this one weird moment

977
00:43:35,480 --> 00:43:37,839
Speaker 1: in boy Meet's World history, there was a sidewalk there

978
00:43:37,920 --> 00:43:39,080
Speaker 1: because I don't like it.

979
00:43:39,080 --> 00:43:42,480
Speaker 4: It's also where we all the very memory Sirs, the

980
00:43:42,600 --> 00:43:44,799
Speaker 4: very last episode where we all leave for New York.

981
00:43:44,920 --> 00:43:46,880
Speaker 3: That's the correction we all go to.

982
00:43:47,480 --> 00:43:48,400
Speaker 2: It's just like she's.

983
00:43:48,320 --> 00:43:49,399
Speaker 3: She's too deep in the set.

984
00:43:49,440 --> 00:43:52,680
Speaker 7: She's literally in the US yard and then into the

985
00:43:52,719 --> 00:43:56,040
Speaker 7: Matthews yard. You're like, just guys, it's just.

986
00:43:55,800 --> 00:44:01,000
Speaker 3: Just passing at this point. Yeah, it was so weird. Yeah, yeah, it.

987
00:44:01,000 --> 00:44:01,760
Speaker 2: Makes no sense.

988
00:44:02,360 --> 00:44:06,120
Speaker 1: So Catherine, who is a possible trespasser, asks what are

989
00:44:06,120 --> 00:44:08,400
Speaker 1: you doing at home on a Saturday night, a handsome

990
00:44:08,400 --> 00:44:11,959
Speaker 1: man like yourself? Phoene blushes, Oh, stop that, I'm about

991
00:44:11,960 --> 00:44:14,200
Speaker 1: to sit in front of a fire and enjoy a

992
00:44:14,239 --> 00:44:17,319
Speaker 1: glass of sherry and dive into a good book. Must

993
00:44:17,360 --> 00:44:21,760
Speaker 1: have been a bad season for salad that year. Catherine smiles.

994
00:44:21,960 --> 00:44:22,360
Speaker 2: Alone.

995
00:44:22,719 --> 00:44:26,120
Speaker 1: Phoenie nods. She extends an offer. Well, I was going

996
00:44:26,200 --> 00:44:28,160
Speaker 1: to go up the street to Starbucks and have a coffee,

997
00:44:28,440 --> 00:44:32,759
Speaker 1: also alone. Phoene obliviously responds, well, I hear they make

998
00:44:32,800 --> 00:44:34,920
Speaker 1: a heck of amcha, Catherine?

999
00:44:36,040 --> 00:44:37,799
Speaker 3: Is Starbucks open at night? It is right?

1000
00:44:38,520 --> 00:44:38,799
Speaker 4: I think?

1001
00:44:38,880 --> 00:44:38,960
Speaker 3: So?

1002
00:44:39,480 --> 00:44:40,080
Speaker 2: Yes, of course?

1003
00:44:40,120 --> 00:44:40,719
Speaker 3: Okay, well I.

1004
00:44:40,680 --> 00:44:42,800
Speaker 2: Don't know, don't some of them are twenty four hours,

1005
00:44:42,920 --> 00:44:43,520
Speaker 2: are they really?

1006
00:44:43,760 --> 00:44:44,000
Speaker 3: Yes?

1007
00:44:44,080 --> 00:44:45,960
Speaker 2: And most of them are open until like three?

1008
00:44:46,560 --> 00:44:46,880
Speaker 3: Really?

1009
00:44:46,920 --> 00:44:49,359
Speaker 2: So yeah, at least midnight? Absolutely.

1010
00:44:50,320 --> 00:44:53,000
Speaker 1: She slumps and walks away. Eric has been watching the

1011
00:44:53,040 --> 00:44:55,880
Speaker 1: whole thing in disbelief. He walks over to Phoenie, a

1012
00:44:56,000 --> 00:44:58,360
Speaker 1: haughty like Kathy Anderson asks you out, and you just

1013
00:44:58,440 --> 00:45:02,000
Speaker 1: blow her off. Phoene's ocked. She asked me out? Eric

1014
00:45:02,040 --> 00:45:04,800
Speaker 1: says she was practically throwing herself at you. Phoene asks,

1015
00:45:05,000 --> 00:45:10,080
Speaker 1: when Eric imitates Catherine, I'm going to Starbucks also alone.

1016
00:45:10,560 --> 00:45:11,560
Speaker 3: It's so funny.

1017
00:45:11,680 --> 00:45:16,920
Speaker 7: This episode is all about accents, and it's like you

1018
00:45:16,920 --> 00:45:20,840
Speaker 7: could just tell our writers in different voices and they're.

1019
00:45:20,719 --> 00:45:22,160
Speaker 3: Like, oh, let's let's give him. Yeah.

1020
00:45:22,320 --> 00:45:22,840
Speaker 8: So cool.

1021
00:45:23,320 --> 00:45:26,960
Speaker 3: But I just love this Eric Feoene dynamic. I me too.

1022
00:45:27,440 --> 00:45:31,480
Speaker 1: It's so perfect and wonderful and warm feeling. Phoene's not

1023
00:45:31,520 --> 00:45:35,320
Speaker 1: buying it. I heard that she wanted some coffee. Eric grins, yeah,

1024
00:45:35,360 --> 00:45:38,840
Speaker 1: with a side of you. The audience erupts into laughter.

1025
00:45:39,280 --> 00:45:42,120
Speaker 1: We get a long pause, and Eric continues she thinks

1026
00:45:42,160 --> 00:45:45,840
Speaker 1: you're cute and walks away. Phoene stutters, oh, wait a minute,

1027
00:45:46,000 --> 00:45:48,399
Speaker 1: you think she wanted a date. Eric touches the tip

1028
00:45:48,440 --> 00:45:51,680
Speaker 1: of his nose. Ah, now you're getting it. Phoene wonders

1029
00:45:51,719 --> 00:45:54,560
Speaker 1: why he didn't see that Eric's eyes. Well, mister Feenie,

1030
00:45:54,600 --> 00:45:57,880
Speaker 1: I'm in college. You're still in high school. It's a great,

1031
00:45:58,800 --> 00:46:02,480
Speaker 1: so great. Then he pulls the ladder and brings it

1032
00:46:02,520 --> 00:46:05,680
Speaker 1: back into the house. We hear Alan loudly scream Eric,

1033
00:46:06,160 --> 00:46:09,200
Speaker 1: and Eric shouts right back, what while continuing to take

1034
00:46:09,200 --> 00:46:12,080
Speaker 1: the ladder inside without a care in the world. Phoene

1035
00:46:12,080 --> 00:46:14,800
Speaker 1: stretches out his arms ready to catch Alan if he falls.

1036
00:46:14,840 --> 00:46:16,720
Speaker 2: Did you see that?

1037
00:46:16,160 --> 00:46:21,400
Speaker 3: I guess so good, so cute.

1038
00:46:22,239 --> 00:46:25,680
Speaker 1: And then we are at the gym, and we know

1039
00:46:25,840 --> 00:46:27,040
Speaker 1: that because.

1040
00:46:30,080 --> 00:46:34,720
Speaker 3: A little little lack of creativity on our department.

1041
00:46:34,800 --> 00:46:35,160
Speaker 4: What is.

1042
00:46:36,600 --> 00:46:39,880
Speaker 1: Usually what they call strip clubs, so that you could

1043
00:46:39,920 --> 00:46:44,320
Speaker 1: say to your partner, I'm going to go to the gym.

1044
00:46:44,320 --> 00:46:46,640
Speaker 2: I'm going to go to the gym. You don't call

1045
00:46:46,680 --> 00:46:48,160
Speaker 2: an actual gym the.

1046
00:46:48,200 --> 00:46:52,560
Speaker 4: Gymim They couldn't put on power flex or something like that.

1047
00:46:54,239 --> 00:46:58,480
Speaker 1: Yeah, well, two haughty extras are working out nearby, right

1048
00:46:58,560 --> 00:46:59,960
Speaker 1: or do you remember this set at all?

1049
00:47:00,600 --> 00:47:03,800
Speaker 2: These guest stars not at all? Yeah, funny.

1050
00:47:04,360 --> 00:47:06,360
Speaker 3: All I remember this this week is the dance.

1051
00:47:07,239 --> 00:47:09,480
Speaker 4: See it's funny because the one thing I read I

1052
00:47:09,480 --> 00:47:11,640
Speaker 4: remember the dance. But the other thing I remember, because

1053
00:47:11,640 --> 00:47:15,120
Speaker 4: I think we did it quite a bit, was Ben

1054
00:47:15,239 --> 00:47:16,920
Speaker 4: lifting the weight going Nansie.

1055
00:47:18,200 --> 00:47:24,040
Speaker 3: We used to remember that, but that was Those are

1056
00:47:24,080 --> 00:47:25,759
Speaker 3: the only things I remember that too, But I didn't

1057
00:47:25,800 --> 00:47:29,560
Speaker 3: remember the set. Yeah, no, that's so funny.

1058
00:47:30,000 --> 00:47:33,360
Speaker 1: So Corey struggles struggles doing bench presses while Sean's spots

1059
00:47:33,360 --> 00:47:34,200
Speaker 1: and motivates him.

1060
00:47:34,239 --> 00:47:36,200
Speaker 2: Push push, Push.

1061
00:47:36,360 --> 00:47:39,839
Speaker 1: Corey groans I can't. Sean yells back, come on, you

1062
00:47:39,960 --> 00:47:45,480
Speaker 1: wimp now push Sergio could, Nunzio could? Corey finally pushes

1063
00:47:45,520 --> 00:47:50,359
Speaker 1: the weight up as he screams, NUNSI up, and then

1064
00:47:50,480 --> 00:47:52,160
Speaker 1: Sean counts, that's one.

1065
00:47:52,320 --> 00:47:53,120
Speaker 3: That's one.

1066
00:47:55,920 --> 00:47:59,880
Speaker 7: I wish they'd given us a little more weight, noting

1067
00:48:00,480 --> 00:48:03,760
Speaker 7: that was funny, I know, but it would have been great.

1068
00:48:03,520 --> 00:48:06,560
Speaker 4: Of it, like just looked a little just like in

1069
00:48:06,640 --> 00:48:08,680
Speaker 4: a lot of gyms too. I love how then the

1070
00:48:08,719 --> 00:48:10,520
Speaker 4: woman who's there all the time, who's ripped, just like

1071
00:48:10,560 --> 00:48:12,160
Speaker 4: that was a great rep. You didn't give up on

1072
00:48:12,200 --> 00:48:14,719
Speaker 4: it like you have that happened all the time. You

1073
00:48:15,040 --> 00:48:16,560
Speaker 4: do one thing and you hurt yourself, Like Dan, it

1074
00:48:16,600 --> 00:48:18,080
Speaker 4: was great you didn't give up on it for you.

1075
00:48:18,200 --> 00:48:20,879
Speaker 1: It's like, all right, did any of you guys work

1076
00:48:20,920 --> 00:48:23,080
Speaker 1: out during the show, Like, were any of you guys

1077
00:48:23,160 --> 00:48:23,680
Speaker 1: lifting weights?

1078
00:48:24,160 --> 00:48:24,719
Speaker 3: No?

1079
00:48:24,719 --> 00:48:28,319
Speaker 7: No, no, all right, Kitchen, I'm just so tiny, ye,

1080
00:48:28,560 --> 00:48:29,760
Speaker 7: my arms are small.

1081
00:48:30,480 --> 00:48:34,200
Speaker 3: I was later by season like six, maybe I was.

1082
00:48:35,120 --> 00:48:37,080
Speaker 2: I was gonna say that was ripped.

1083
00:48:37,400 --> 00:48:40,040
Speaker 4: Was always remember when he took he'd take off his

1084
00:48:40,080 --> 00:48:40,960
Speaker 4: shirt during the dance.

1085
00:48:40,960 --> 00:48:43,640
Speaker 1: It was like, yeah, Abs, well and when I you know,

1086
00:48:43,680 --> 00:48:46,120
Speaker 1: the famous meme of him ripping off his shirt shouting

1087
00:48:46,160 --> 00:48:46,680
Speaker 1: to Panga.

1088
00:48:46,800 --> 00:48:47,960
Speaker 3: It's like he's shredded.

1089
00:48:48,320 --> 00:48:51,000
Speaker 2: So Corey is relieved. Few Okay, your turn.

1090
00:48:51,400 --> 00:48:53,120
Speaker 1: One of the girls says to Corey in an East

1091
00:48:53,120 --> 00:48:55,480
Speaker 1: European accent, that was a good rep. You did not

1092
00:48:55,560 --> 00:48:58,640
Speaker 1: give up on it. Corey beams, thank you. Sean is

1093
00:48:58,680 --> 00:49:01,320
Speaker 1: ready to begin his rep. We trust our girls, right,

1094
00:49:01,480 --> 00:49:03,600
Speaker 1: Corey laughs, Of course, we trust him. That's why I'm

1095
00:49:03,600 --> 00:49:06,520
Speaker 1: gonna call Topanga. He jets off, letting the weight fall

1096
00:49:06,560 --> 00:49:09,919
Speaker 1: onto Sean. He uses the gym's pay phone. I haven't

1097
00:49:09,920 --> 00:49:13,080
Speaker 1: seen one of those in a while, and Sean wonders

1098
00:49:13,080 --> 00:49:15,640
Speaker 1: if she'll be mad, and I couldn't help, but hear

1099
00:49:15,719 --> 00:49:18,080
Speaker 1: you say it as if we had already done.

1100
00:49:17,920 --> 00:49:19,400
Speaker 2: The Scream episode.

1101
00:49:20,680 --> 00:49:20,960
Speaker 8: Mad.

1102
00:49:21,280 --> 00:49:21,839
Speaker 9: Was he mad?

1103
00:49:22,840 --> 00:49:26,239
Speaker 1: Corey laughs, No, she'll be flattered. Women love that kind

1104
00:49:26,239 --> 00:49:28,680
Speaker 1: of attention. Sean, who still has the weight lying on

1105
00:49:28,680 --> 00:49:31,200
Speaker 1: his chest, instructs him, when you're done with Tapanga, put

1106
00:49:31,200 --> 00:49:33,759
Speaker 1: Angela on. I want to flatter her too. We hear

1107
00:49:33,800 --> 00:49:35,560
Speaker 1: the line pick up on the other end, oh La,

1108
00:49:35,680 --> 00:49:40,239
Speaker 1: this is Nunzio. Cory sneers, Hello Nunzio, and then we

1109
00:49:40,320 --> 00:49:43,360
Speaker 1: cut to an answering machine at the restaurant. Quite a

1110
00:49:43,480 --> 00:49:48,040
Speaker 1: nineties time capsule in this episode. You know, Nunzio's voice continues,

1111
00:49:48,200 --> 00:49:50,960
Speaker 1: hel Coyote is now closed. If this is for reservations,

1112
00:49:50,960 --> 00:49:53,799
Speaker 1: please call tomorrow during normal business hours. If you need

1113
00:49:53,840 --> 00:49:57,520
Speaker 1: to contact me Topanga, Sergio or Angela, you can reach

1114
00:49:57,600 --> 00:50:00,600
Speaker 1: us at the Boom Boom Room at four three eight

1115
00:50:00,960 --> 00:50:02,960
Speaker 1: and Corey abruptly hangs up the phone.

1116
00:50:03,120 --> 00:50:05,560
Speaker 4: Now this is not okay. Now we've gotten to not okay.

1117
00:50:05,760 --> 00:50:07,600
Speaker 4: Did did they say we're going out again tonight?

1118
00:50:07,840 --> 00:50:08,160
Speaker 2: I know?

1119
00:50:08,360 --> 00:50:11,600
Speaker 1: Well she were with them, right, well, this is when

1120
00:50:11,640 --> 00:50:13,040
Speaker 1: they said We're not going to miss it. But then

1121
00:50:13,080 --> 00:50:14,600
Speaker 1: also and.

1122
00:50:14,560 --> 00:50:16,799
Speaker 7: Then we went to the restaurant, tried to beat them up,

1123
00:50:16,920 --> 00:50:19,960
Speaker 7: and then to the gym. Yeah, we were invited.

1124
00:50:20,000 --> 00:50:23,800
Speaker 3: We just I think they invited this time, well the

1125
00:50:23,880 --> 00:50:25,160
Speaker 3: same the last.

1126
00:50:25,239 --> 00:50:27,399
Speaker 1: Yeah, it's later. Yeah, and I say, so you will

1127
00:50:27,440 --> 00:50:28,359
Speaker 1: joint so you're join us.

1128
00:50:29,280 --> 00:50:30,239
Speaker 2: Hey, I wouldn't miss it.

1129
00:50:30,320 --> 00:50:31,320
Speaker 3: Okay, It is.

1130
00:50:31,160 --> 00:50:33,480
Speaker 1: True that there isn't they there could have been a

1131
00:50:33,480 --> 00:50:36,239
Speaker 1: little reminder of that. They tie it together very We're

1132
00:50:36,280 --> 00:50:38,359
Speaker 1: going to see you tonight, right, like if there had

1133
00:50:38,400 --> 00:50:41,200
Speaker 1: been any like especially stressed at the restaurant.

1134
00:50:41,239 --> 00:50:44,240
Speaker 2: Guys, I'll see you, we'll see you later, I'll see.

1135
00:50:44,040 --> 00:50:46,000
Speaker 4: What the yeah, something like that, because they really there's

1136
00:50:46,120 --> 00:50:47,360
Speaker 4: enough of a split to where you're.

1137
00:50:47,239 --> 00:50:49,879
Speaker 3: Like, wait a minute, what's now, what's going on? Yeah?

1138
00:50:49,920 --> 00:50:51,720
Speaker 1: Well, then we're outside to Penga's house.

1139
00:50:51,840 --> 00:50:54,239
Speaker 2: This is a first small look at her. Guess her

1140
00:50:54,280 --> 00:50:54,879
Speaker 2: aunt's house.

1141
00:50:55,000 --> 00:50:58,680
Speaker 1: Right, yeah, So Corey is pacing outside of the front door,

1142
00:50:58,719 --> 00:51:03,480
Speaker 1: wearing a Tony soprano esque jumpsuit. Loved it. It's literally

1143
00:51:03,800 --> 00:51:07,000
Speaker 1: such a cool fit. I want it now. He's waiting

1144
00:51:07,000 --> 00:51:09,280
Speaker 1: for Tapanga to get home. We hear a thanks guys,

1145
00:51:09,360 --> 00:51:12,160
Speaker 1: and a car door closes. Topanga walks up, surprised to

1146
00:51:12,160 --> 00:51:15,200
Speaker 1: see Corey. What are you doing here? Corey immediately turns

1147
00:51:15,239 --> 00:51:17,520
Speaker 1: it on her. Here's a better question, what are you

1148
00:51:17,640 --> 00:51:21,440
Speaker 1: doing here? To Penga smiles, I live here, Corey wonders,

1149
00:51:21,600 --> 00:51:22,640
Speaker 1: if you live here, why.

1150
00:51:22,440 --> 00:51:29,239
Speaker 3: Aren't you.

1151
00:51:28,360 --> 00:51:30,319
Speaker 1: If you live here, why aren't you inside at twelve

1152
00:51:30,320 --> 00:51:32,799
Speaker 1: o'clock at night? To Pega shrugs, we worked late and

1153
00:51:32,800 --> 00:51:34,880
Speaker 1: a bunch of us went out. Corey says, I know,

1154
00:51:34,960 --> 00:51:37,280
Speaker 1: but you were supposed to call me. To Peg insists

1155
00:51:37,400 --> 00:51:39,600
Speaker 1: I did call you. Your mom said you were out for

1156
00:51:39,640 --> 00:51:42,560
Speaker 1: the evening. Corey continues to interrogate her. So where'd you

1157
00:51:42,600 --> 00:51:46,520
Speaker 1: go dancing to? Pega explains, yes, Corey, I like it,

1158
00:51:46,880 --> 00:51:49,400
Speaker 1: especially after a long night at work. It helps me unwined.

1159
00:51:49,800 --> 00:51:52,960
Speaker 1: Corey jumps to conclusions, Okay, Corey's not home, so you

1160
00:51:53,000 --> 00:51:53,560
Speaker 1: run off.

1161
00:51:53,400 --> 00:51:55,400
Speaker 2: With Nunzio to the boom Boom Room.

1162
00:51:55,760 --> 00:52:00,920
Speaker 1: Third person, huh, until you know you're in trouble. Very

1163
00:52:00,920 --> 00:52:04,160
Speaker 1: interesting choice. Tapega wonders how he knew she was at

1164
00:52:04,160 --> 00:52:06,240
Speaker 1: the boom Boom Room. He admits he called the restaurant

1165
00:52:06,239 --> 00:52:08,719
Speaker 1: and it was on the machine. Tapega seems stunned that

1166
00:52:08,760 --> 00:52:11,200
Speaker 1: he was checking up on her. Corey lies and says

1167
00:52:11,239 --> 00:52:13,880
Speaker 1: he was checking on tomorrow's special. I mean the seafood

1168
00:52:13,960 --> 00:52:16,040
Speaker 1: Enchilada for three point fifty? How do they do that?

1169
00:52:16,800 --> 00:52:19,560
Speaker 1: Tapeg's unamused. I don't like this jealous side of you.

1170
00:52:19,920 --> 00:52:22,239
Speaker 1: Nuncio is just a friend who likes to dance. I've

1171
00:52:22,239 --> 00:52:24,880
Speaker 1: asked you to take me dancing a million times, and

1172
00:52:24,920 --> 00:52:27,360
Speaker 1: I did think it was so interesting. How many episodes

1173
00:52:27,400 --> 00:52:30,000
Speaker 1: we've now done where Tapega points out to Corey, I

1174
00:52:30,040 --> 00:52:32,880
Speaker 1: don't even like this stuff, and he's like, but I'm

1175
00:52:32,920 --> 00:52:34,840
Speaker 1: only doing this because I thought that's what you wanted.

1176
00:52:35,080 --> 00:52:38,840
Speaker 1: And yet here we have Tapega saying I am explicitly

1177
00:52:39,000 --> 00:52:42,600
Speaker 1: telling you what I want, and you don't do that.

1178
00:52:42,600 --> 00:52:46,000
Speaker 4: It's like, yeah, he've also been dancing with Corey a

1179
00:52:46,000 --> 00:52:46,600
Speaker 4: bunch of times.

1180
00:52:46,640 --> 00:52:48,359
Speaker 3: They've shown you dancing in the well.

1181
00:52:48,600 --> 00:52:51,680
Speaker 1: I wanted to dance with him at for my sweet sixteen,

1182
00:52:51,800 --> 00:52:54,640
Speaker 1: So he should very clearly know it's something that means

1183
00:52:54,680 --> 00:52:57,120
Speaker 1: something to me. And I've now I'm saying, I've asked

1184
00:52:57,200 --> 00:53:00,200
Speaker 1: him a million times and he just doesn't.

1185
00:53:00,360 --> 00:53:01,359
Speaker 2: They are a horrible couple.

1186
00:53:01,440 --> 00:53:06,200
Speaker 4: Let's just sa I meanar, Yes, it doesn't feel.

1187
00:53:05,920 --> 00:53:06,200
Speaker 9: Like of.

1188
00:53:07,760 --> 00:53:13,080
Speaker 3: Likes he doesn't really know her at all? Right? Who

1189
00:53:13,120 --> 00:53:17,960
Speaker 3: does though? Who really knows Topanga?

1190
00:53:17,800 --> 00:53:22,359
Speaker 1: Yes, Corey assures her this has nothing to do with that.

1191
00:53:22,520 --> 00:53:26,120
Speaker 1: I forbid you to see him again. The inmates yeah

1192
00:53:27,880 --> 00:53:31,279
Speaker 1: to Panga answers, I'm going to bed, Corey shouts, I

1193
00:53:31,320 --> 00:53:33,759
Speaker 1: forbid you to go to bed. Ta Pega shakes her

1194
00:53:33,800 --> 00:53:36,480
Speaker 1: head and walks inside without another word. We're back in

1195
00:53:36,520 --> 00:53:39,399
Speaker 1: the gym with the wall that says the gym. Corey

1196
00:53:39,480 --> 00:53:42,200
Speaker 1: and Sean are on the floor doing ab exercises. Corey

1197
00:53:42,239 --> 00:53:44,399
Speaker 1: says he doesn't understand women. Why can't they be more

1198
00:53:44,480 --> 00:53:44,799
Speaker 1: like men?

1199
00:53:45,960 --> 00:53:51,240
Speaker 7: There it is there, it is hiding sight.

1200
00:53:51,400 --> 00:53:56,920
Speaker 1: The best women are men. I'm telling you we spotted

1201
00:53:56,960 --> 00:54:01,600
Speaker 1: its seasons ago. There's a hidden thee and there it is.

1202
00:54:01,680 --> 00:54:02,839
Speaker 1: They've just called it out.

1203
00:54:03,120 --> 00:54:05,440
Speaker 3: Yeah, it's not called Girl meets World this time, is it?

1204
00:54:05,480 --> 00:54:05,759
Speaker 7: I know?

1205
00:54:05,920 --> 00:54:06,320
Speaker 2: Mmm?

1206
00:54:06,680 --> 00:54:07,720
Speaker 3: No, it's about the boys.

1207
00:54:08,200 --> 00:54:10,919
Speaker 1: The two hotty workout girls from the other day are back.

1208
00:54:11,000 --> 00:54:14,000
Speaker 1: The boys greet them. Hi Sonya, Hi Cookie Sonya gives

1209
00:54:14,000 --> 00:54:15,880
Speaker 1: the guys a little encouragement.

1210
00:54:15,480 --> 00:54:18,920
Speaker 2: Looking good, go for the burn. A small note here.

1211
00:54:18,960 --> 00:54:21,400
Speaker 1: Both girls get a little sag money with lines, but

1212
00:54:21,880 --> 00:54:23,000
Speaker 1: not poor Sergio.

1213
00:54:23,680 --> 00:54:25,960
Speaker 2: Oh, Sergio says absolutely nothing.

1214
00:54:26,160 --> 00:54:26,760
Speaker 3: Oh Man.

1215
00:54:27,880 --> 00:54:29,600
Speaker 2: Sean tries to figure this thing out.

1216
00:54:29,800 --> 00:54:32,400
Speaker 1: The girls want to dance more than anything in the world,

1217
00:54:32,480 --> 00:54:34,120
Speaker 1: and we want to make them happy.

1218
00:54:34,360 --> 00:54:35,280
Speaker 2: Corey is stumped.

1219
00:54:35,480 --> 00:54:37,359
Speaker 1: There's got to be a simple solution to all of this,

1220
00:54:37,719 --> 00:54:40,200
Speaker 1: and the audience gave us a big laugh for that.

1221
00:54:40,239 --> 00:54:41,840
Speaker 1: It's very funny that you guys are really trying to

1222
00:54:41,840 --> 00:54:44,400
Speaker 1: figure out this major problem, that the answer is right

1223
00:54:44,440 --> 00:54:46,400
Speaker 1: in front of you. The boys try to think of

1224
00:54:46,440 --> 00:54:49,719
Speaker 1: any possible solutions, and it finally hits Corey. Wait, the

1225
00:54:49,760 --> 00:54:51,839
Speaker 1: girls talk about how it's okay to have guys who

1226
00:54:51,840 --> 00:54:54,040
Speaker 1: were just friends. Well, what if we get ourselves a

1227
00:54:54,040 --> 00:54:57,680
Speaker 1: couple of girls who are just friends. Sean gasps, Corey,

1228
00:54:57,719 --> 00:55:02,239
Speaker 1: that's brilliant, that's the simple solution. Corey devilishly suggests, I've

1229
00:55:02,239 --> 00:55:07,160
Speaker 1: got a strong craving for Mexican Sean grins. I'm right with, Yeah,

1230
00:55:07,400 --> 00:55:09,600
Speaker 1: you think they deliver, it's good.

1231
00:55:10,640 --> 00:55:12,279
Speaker 4: That's one of my favorite lines, though, one of my

1232
00:55:12,520 --> 00:55:13,840
Speaker 4: You have a line writer, and I don't know the

1233
00:55:13,840 --> 00:55:16,319
Speaker 4: exact wording, but it's when you're talking about why can't

1234
00:55:16,680 --> 00:55:18,400
Speaker 4: He says, why can't women be more like men? And

1235
00:55:18,440 --> 00:55:20,880
Speaker 4: you say, well, there'd certainly be a lot less something movies.

1236
00:55:20,920 --> 00:55:22,040
Speaker 4: It's I forget her name.

1237
00:55:22,040 --> 00:55:23,000
Speaker 2: Uh oh, Emma Thompson.

1238
00:55:23,120 --> 00:55:26,239
Speaker 4: Yeah sure, but the way your delivery is just so

1239
00:55:26,400 --> 00:55:28,520
Speaker 4: thrown away, it's just so great. It would be a

1240
00:55:28,520 --> 00:55:30,640
Speaker 4: lot less Emma Thompson movies. It's awesome.

1241
00:55:31,080 --> 00:55:31,279
Speaker 3: Now.

1242
00:55:31,360 --> 00:55:33,280
Speaker 4: I know that we we don't like to run super

1243
00:55:33,280 --> 00:55:34,920
Speaker 4: long on our episodes, so we won't.

1244
00:55:34,719 --> 00:55:35,680
Speaker 3: Get into this today.

1245
00:55:36,239 --> 00:55:40,200
Speaker 4: But this does lend into a much larger conversation that

1246
00:55:40,239 --> 00:55:42,320
Speaker 4: people have all the time, which you see both sides

1247
00:55:42,360 --> 00:55:47,520
Speaker 4: of and also is doubly important at this age of

1248
00:55:48,080 --> 00:55:50,760
Speaker 4: can men and women, boys and girls just be friends?

1249
00:55:51,880 --> 00:55:52,680
Speaker 3: And there's that.

1250
00:55:52,680 --> 00:55:55,440
Speaker 4: Whole conversation that people have of like, well, you're seventeen

1251
00:55:55,480 --> 00:55:59,239
Speaker 4: year k right, can you just be friends without there

1252
00:55:59,280 --> 00:56:02,640
Speaker 4: being some So I mean we've already established that Nunzio

1253
00:56:02,680 --> 00:56:04,560
Speaker 4: has said, you are not of the Tapega is not

1254
00:56:04,600 --> 00:56:05,040
Speaker 4: a flower.

1255
00:56:05,120 --> 00:56:07,080
Speaker 3: She's a garden full of flowers.

1256
00:56:06,600 --> 00:56:11,120
Speaker 4: So he obviously has some attraction to her. So right there,

1257
00:56:11,120 --> 00:56:13,120
Speaker 4: does that negate the possibility that they can just be friends?

1258
00:56:13,160 --> 00:56:14,839
Speaker 3: I mean one of them is already attracted to the other.

1259
00:56:14,760 --> 00:56:18,360
Speaker 4: Person, So that's like, what's this is the whole bigger

1260
00:56:18,400 --> 00:56:21,880
Speaker 4: conversation of especially if you're in a relationship, Can I

1261
00:56:22,040 --> 00:56:25,200
Speaker 4: just have a platonic friend where there's nothing there?

1262
00:56:25,320 --> 00:56:26,839
Speaker 3: Or is that going to lead to problems?

1263
00:56:27,040 --> 00:56:27,360
Speaker 4: Well?

1264
00:56:27,840 --> 00:56:29,279
Speaker 1: You know, I do think I mean, you guys have

1265
00:56:29,360 --> 00:56:31,640
Speaker 1: heard me talk a lot about this because I have

1266
00:56:32,000 --> 00:56:35,520
Speaker 1: built a reputation for myself over the last few years,

1267
00:56:35,560 --> 00:56:38,320
Speaker 1: like mainly since Girl Meets World, for being a really big,

1268
00:56:38,440 --> 00:56:44,040
Speaker 1: like boundary person, really like and I wasn't always that way.

1269
00:56:44,200 --> 00:56:46,719
Speaker 1: I used to be much more the way Tapanga is

1270
00:56:46,760 --> 00:56:49,880
Speaker 1: in this episode, much more like oh, we can absolutely

1271
00:56:49,960 --> 00:56:50,560
Speaker 1: just be friends.

1272
00:56:50,600 --> 00:56:51,880
Speaker 2: I love my guy friends.

1273
00:56:51,960 --> 00:56:53,440
Speaker 1: I should be able to do anything with my guy

1274
00:56:53,480 --> 00:56:55,520
Speaker 1: friends that I would do with my girlfriends. And it

1275
00:56:55,600 --> 00:57:00,120
Speaker 1: wasn't until much looking back and self reflection and and

1276
00:57:00,880 --> 00:57:03,239
Speaker 1: spending a lot of time trying to figure out why

1277
00:57:03,280 --> 00:57:06,200
Speaker 1: I had made so many bad choices in romantic relationships

1278
00:57:06,200 --> 00:57:08,520
Speaker 1: and like picking the wrong person? What made me attracted

1279
00:57:08,520 --> 00:57:11,239
Speaker 1: to this person? Where did things go wrong? That I

1280
00:57:11,320 --> 00:57:17,840
Speaker 1: realized like, truly, boundaries are so easy to cross, so

1281
00:57:18,040 --> 00:57:22,800
Speaker 1: easy you don't have to intend to cross them. Nobody

1282
00:57:23,080 --> 00:57:26,960
Speaker 1: ends up sleeping with their coworker because they're most of

1283
00:57:26,960 --> 00:57:28,920
Speaker 1: the time, they're not setting out to do it. But

1284
00:57:28,960 --> 00:57:31,360
Speaker 1: what happens is you have a fight with your significant other.

1285
00:57:31,480 --> 00:57:34,880
Speaker 1: You have a male or female counterpart at work, whoever

1286
00:57:34,920 --> 00:57:37,240
Speaker 1: you're attracted to at work, and you just start having

1287
00:57:37,440 --> 00:57:39,560
Speaker 1: I didn't have a great night last night. Why what happened?

1288
00:57:39,680 --> 00:57:41,560
Speaker 1: And then you make the decision, Am I going to

1289
00:57:41,600 --> 00:57:42,720
Speaker 1: tell them about the fight? Am I not going to

1290
00:57:42,720 --> 00:57:43,360
Speaker 1: tell them about the fight?

1291
00:57:43,520 --> 00:57:43,720
Speaker 3: Yeah?

1292
00:57:43,760 --> 00:57:44,360
Speaker 2: And you do?

1293
00:57:44,560 --> 00:57:47,480
Speaker 1: You tell them about the fight. Now you've revealed weakness

1294
00:57:47,520 --> 00:57:50,080
Speaker 1: in the relationship. The other person is there to comfort you.

1295
00:57:50,080 --> 00:57:52,520
Speaker 1: You get something from that. You say this person made

1296
00:57:52,520 --> 00:57:55,200
Speaker 1: me feel better. Then the next thing you know, it's like,

1297
00:57:55,240 --> 00:57:56,920
Speaker 1: you know, we should get lunch sometime, you go and

1298
00:57:57,000 --> 00:57:59,400
Speaker 1: you get lunch. Now you start talking about personal things

1299
00:57:59,440 --> 00:58:02,720
Speaker 1: in your life. These are all little boundaries you're knocking down,

1300
00:58:03,080 --> 00:58:07,680
Speaker 1: and once they've been knocked down, they are extremely hard

1301
00:58:07,840 --> 00:58:11,360
Speaker 1: to put back up. So if, in my opinion, if

1302
00:58:11,400 --> 00:58:15,600
Speaker 1: you truly respect and don't want to cause harm in

1303
00:58:15,680 --> 00:58:19,080
Speaker 1: the relationship you're currently in, you do everything in your

1304
00:58:19,120 --> 00:58:22,600
Speaker 1: power to keep as many boundaries up between you and

1305
00:58:22,720 --> 00:58:26,640
Speaker 1: somebody who you may end up feeling attracted to. And

1306
00:58:26,680 --> 00:58:31,560
Speaker 1: in this situation sweating, dancing, being close to and at

1307
00:58:31,640 --> 00:58:34,960
Speaker 1: work with, you're now spending significantly more time with this

1308
00:58:35,040 --> 00:58:38,000
Speaker 1: person than you are your significant other, and there's just

1309
00:58:38,120 --> 00:58:40,200
Speaker 1: too much possibility for things to go around.

1310
00:58:40,320 --> 00:58:42,920
Speaker 7: And the other donor is that even if you're not attracted,

1311
00:58:43,320 --> 00:58:44,960
Speaker 7: the other person might be attracted to you.

1312
00:58:45,360 --> 00:58:47,520
Speaker 3: And yes, a lot of times.

1313
00:58:47,200 --> 00:58:49,560
Speaker 7: People just you know, they don't care about the boundaries

1314
00:58:49,560 --> 00:58:52,840
Speaker 7: there because they're hoping to have a romantic hookup or

1315
00:58:53,440 --> 00:58:56,400
Speaker 7: a date or a partner or whatever there. But you

1316
00:58:56,400 --> 00:58:58,480
Speaker 7: you know, you could have the best intentions, but the

1317
00:58:58,520 --> 00:59:01,439
Speaker 7: other person's intentions you don't know, and that's so yeah.

1318
00:59:01,480 --> 00:59:04,120
Speaker 3: I think I agree. I'm a believer in hard and

1319
00:59:04,200 --> 00:59:04,880
Speaker 3: fast boundaries.

1320
00:59:04,920 --> 00:59:07,440
Speaker 9: To me, Hey, guys, while we're talking about things that

1321
00:59:07,480 --> 00:59:10,720
Speaker 9: would spark larger conversations, can I ask you a question? Sure,

1322
00:59:11,480 --> 00:59:14,720
Speaker 9: do you think this script ever had Sergio and Nunzio

1323
00:59:15,120 --> 00:59:15,800
Speaker 9: as a couple.

1324
00:59:16,920 --> 00:59:19,480
Speaker 4: You know what's funny is I thought something in my

1325
00:59:19,560 --> 00:59:22,880
Speaker 4: head when I was watching it was like, I think

1326
00:59:22,960 --> 00:59:25,000
Speaker 4: maybe they're setting it up that he's a gay friend

1327
00:59:25,480 --> 00:59:26,200
Speaker 4: and again.

1328
00:59:26,480 --> 00:59:30,200
Speaker 7: Totally fine, and then the reveal would be, oh, we

1329
00:59:30,240 --> 00:59:33,320
Speaker 7: shouldn't be jealous because there's no possibility of a romantic

1330
00:59:33,360 --> 00:59:38,560
Speaker 7: thing here, right that. I bet you that was probably yeah,

1331
00:59:38,640 --> 00:59:40,240
Speaker 7: or and then they were like, let's not go there

1332
00:59:40,280 --> 00:59:42,600
Speaker 7: because that opens up a whole can of worms. Nowadays,

1333
00:59:42,640 --> 00:59:44,400
Speaker 7: I think that probably would have been written right into

1334
00:59:44,400 --> 00:59:47,560
Speaker 7: the script, and that point is like, what, we're not

1335
00:59:47,600 --> 00:59:49,760
Speaker 7: into Panga and Angela because we're together.

1336
00:59:50,280 --> 00:59:52,280
Speaker 3: That would have just oh, okay, I.

1337
00:59:52,440 --> 00:59:55,120
Speaker 1: We Jensen and I had this conversation last night as well,

1338
00:59:55,240 --> 00:59:55,640
Speaker 1: and I.

1339
00:59:55,720 --> 00:59:57,520
Speaker 2: Actually think it was a choice.

1340
00:59:57,720 --> 01:00:02,160
Speaker 1: It was a choice to say it's not just okay

1341
01:00:02,680 --> 01:00:06,120
Speaker 1: because they are they are a couple, right, It's okay

1342
01:00:06,520 --> 01:00:09,080
Speaker 1: even if they're straight. It was a choice because I

1343
01:00:09,120 --> 01:00:13,360
Speaker 1: do think they could have made it where oh, Tipenga

1344
01:00:13,360 --> 01:00:17,560
Speaker 1: and Angela were absolutely never doing anything that was inappropriate

1345
01:00:17,560 --> 01:00:20,240
Speaker 1: because they knew all along they were dancing with another

1346
01:00:20,320 --> 01:00:22,880
Speaker 1: couple and it was But I think it truly was

1347
01:00:22,920 --> 01:00:24,080
Speaker 1: a choice that the.

1348
01:00:23,920 --> 01:00:25,440
Speaker 3: Thing could have been too. I don't know.

1349
01:00:26,120 --> 01:00:28,360
Speaker 4: Yeah, it's strange because it is trying to hit on

1350
01:00:28,520 --> 01:00:32,240
Speaker 4: the men are idiots, And if you truly trust your

1351
01:00:32,320 --> 01:00:36,040
Speaker 4: your woman in this case, then you're fine letting her

1352
01:00:36,040 --> 01:00:38,200
Speaker 4: go do whatever she does because you know you're secure

1353
01:00:38,200 --> 01:00:38,960
Speaker 4: in the relationship.

1354
01:00:39,360 --> 01:00:41,280
Speaker 1: Well, but really, because you know, I want to know

1355
01:00:41,280 --> 01:00:42,880
Speaker 1: what I what I ended up taking away from it

1356
01:00:42,920 --> 01:00:45,920
Speaker 1: that I appreciated about the message was in this case.

1357
01:00:46,000 --> 01:00:48,720
Speaker 1: It wasn't that it's that it's just okay for them

1358
01:00:48,720 --> 01:00:50,320
Speaker 1: to go and do this and you need to trust her.

1359
01:00:50,440 --> 01:00:53,920
Speaker 1: It's that when your significant other tells you that they

1360
01:00:53,960 --> 01:00:57,560
Speaker 1: love something and something would really make them happy, even

1361
01:00:57,600 --> 01:01:01,320
Speaker 1: if it's something you don't like yourself, sometimes the right

1362
01:01:01,320 --> 01:01:03,840
Speaker 1: thing to do is to do it with your partner anyway.

1363
01:01:03,920 --> 01:01:05,440
Speaker 2: Sure like to make the sacrifice.

1364
01:01:05,480 --> 01:01:08,240
Speaker 1: I don't like dancing, but she really does, and what

1365
01:01:08,280 --> 01:01:10,280
Speaker 1: would have made them happy and to pegan Angela did

1366
01:01:10,280 --> 01:01:12,320
Speaker 1: make it very clear from the beginning, what would really

1367
01:01:12,360 --> 01:01:14,640
Speaker 1: make us happy is you coming with us, and they

1368
01:01:14,920 --> 01:01:18,560
Speaker 1: kept refusing. And so instead of making your partner lose

1369
01:01:18,640 --> 01:01:21,760
Speaker 1: out on a on a hobby that they love because

1370
01:01:21,800 --> 01:01:25,360
Speaker 1: you won't go ever, take her dancing, Go do that,

1371
01:01:25,480 --> 01:01:27,360
Speaker 1: even if you think you have two left feet, even

1372
01:01:27,400 --> 01:01:29,080
Speaker 1: if you think you look like a dweet, if.

1373
01:01:28,960 --> 01:01:30,200
Speaker 2: Your partner loves something.

1374
01:01:30,240 --> 01:01:32,000
Speaker 1: Do you know how many events I have gone to

1375
01:01:32,080 --> 01:01:34,000
Speaker 1: with Jensen that I could care less about?

1376
01:01:34,240 --> 01:01:36,000
Speaker 3: Oh my god, I don't think Sue's ever gone anything

1377
01:01:36,000 --> 01:01:36,960
Speaker 3: with me she wanted to be.

1378
01:01:36,920 --> 01:01:47,120
Speaker 4: At exactly, and you go to Batman Underwear exactly. We're

1379
01:01:47,120 --> 01:01:51,760
Speaker 4: going to a Transformers party, of course we are.

1380
01:01:51,800 --> 01:01:53,680
Speaker 3: And she's like, you got to dream.

1381
01:01:53,960 --> 01:01:56,160
Speaker 4: But no, I think what this episode is actually about,

1382
01:01:56,200 --> 01:01:58,920
Speaker 4: when you add and we, they actually address it to

1383
01:01:58,920 --> 01:02:01,160
Speaker 4: the point where they literally say it out loud, is

1384
01:02:01,200 --> 01:02:04,160
Speaker 4: when you talk about what Matt's characters going through, what

1385
01:02:04,320 --> 01:02:06,560
Speaker 4: George is going through, what Alan's going through.

1386
01:02:06,840 --> 01:02:09,160
Speaker 3: It's all they're saying is just listen.

1387
01:02:09,800 --> 01:02:13,000
Speaker 4: Yeah, just listen to what the person you're with is saying.

1388
01:02:13,280 --> 01:02:15,880
Speaker 4: Because George didn't listen, and understand, Matt didn't listen and

1389
01:02:15,960 --> 01:02:18,440
Speaker 4: understand if you just listen, then you'll hear you know,

1390
01:02:18,440 --> 01:02:20,400
Speaker 4: you'll be able to avoid these these I think.

1391
01:02:20,240 --> 01:02:22,440
Speaker 7: They you know, they oversimplify for the sake of a

1392
01:02:22,880 --> 01:02:26,560
Speaker 7: TV show. The other sort of side of this, that

1393
01:02:26,560 --> 01:02:28,600
Speaker 7: that we don't really address, but I do think is

1394
01:02:28,640 --> 01:02:30,720
Speaker 7: there and it's buried, is like there. There is a

1395
01:02:30,840 --> 01:02:33,800
Speaker 7: version of saying, like if Corey and Sean had said

1396
01:02:34,240 --> 01:02:37,360
Speaker 7: to Tapanga and Angela, it makes me feel bad that

1397
01:02:37,480 --> 01:02:40,120
Speaker 7: you go out and I don't you know, I get nervous,

1398
01:02:40,120 --> 01:02:42,720
Speaker 7: and it's boundaries that I don't want you to cross.

1399
01:02:43,040 --> 01:02:45,400
Speaker 7: There's a respectful way to say, please don't go dancing

1400
01:02:45,560 --> 01:02:48,200
Speaker 7: with these guys because it makes me uncomfortable. And whether

1401
01:02:48,240 --> 01:02:51,760
Speaker 7: you have or not, I trust them, so could you

1402
01:02:51,840 --> 01:02:54,680
Speaker 7: respect that. And there's a version where the Topanga and

1403
01:02:54,680 --> 01:02:56,920
Speaker 7: Angela would have been like, oh okay, and just not

1404
01:02:56,960 --> 01:02:59,000
Speaker 7: gone dancing with those guys, gone dance with somebody else,

1405
01:02:59,040 --> 01:03:00,920
Speaker 7: found other girls to go to answer yeah, correct, But

1406
01:03:01,040 --> 01:03:03,439
Speaker 7: we don't ever really address I mean, it's too nuanced. Sure,

1407
01:03:03,480 --> 01:03:07,000
Speaker 7: but there's a version of just saying, hey, I know

1408
01:03:07,120 --> 01:03:10,440
Speaker 7: it's not just insecurity, it's a healthy boundary for us

1409
01:03:10,480 --> 01:03:10,680
Speaker 7: to have.

1410
01:03:11,080 --> 01:03:12,920
Speaker 3: Please don't do this. And a partner.

1411
01:03:12,960 --> 01:03:15,640
Speaker 7: Then just like you know, the men need to listen

1412
01:03:15,640 --> 01:03:17,320
Speaker 7: to the women, the women could also listen to the

1413
01:03:17,360 --> 01:03:19,280
Speaker 7: men and say, oh, I don't want to hurt your feelings,

1414
01:03:19,360 --> 01:03:22,120
Speaker 7: so I won't do this thing. It's that simple, right, but.

1415
01:03:22,800 --> 01:03:25,160
Speaker 3: Get into it. But that's like the overreactor.

1416
01:03:25,320 --> 01:03:28,200
Speaker 7: The poor reaction of Corey and Sean is the point,

1417
01:03:28,360 --> 01:03:30,800
Speaker 7: like they're if they had done it right, if they

1418
01:03:30,800 --> 01:03:32,560
Speaker 7: had been like, oh, that makes me feel bad, the

1419
01:03:32,600 --> 01:03:34,480
Speaker 7: girls would have been like a but then you wouldn't

1420
01:03:34,480 --> 01:03:35,040
Speaker 7: have an episode.

1421
01:03:35,160 --> 01:03:37,280
Speaker 4: Yeah, we we don't, Sue and I always say every

1422
01:03:37,280 --> 01:03:39,840
Speaker 4: time we try not to roll actively roll our eyes.

1423
01:03:39,840 --> 01:03:41,480
Speaker 4: But when people come up to us, and you know,

1424
01:03:41,520 --> 01:03:43,600
Speaker 4: you always get the guy like nudging you and going, hey,

1425
01:03:44,080 --> 01:03:46,560
Speaker 4: happy wife, happy life, am I right, we always kind

1426
01:03:46,560 --> 01:03:48,400
Speaker 4: of go and we always go No for us, it's

1427
01:03:48,480 --> 01:03:51,440
Speaker 4: happy spouse, happy house. Yeah, Like it's all it's about

1428
01:03:51,440 --> 01:03:53,280
Speaker 4: the other person, and we both want to care about

1429
01:03:53,280 --> 01:03:53,920
Speaker 4: the other person.

1430
01:03:53,960 --> 01:03:55,960
Speaker 3: It's not just like as long as my wife's happy,

1431
01:03:56,040 --> 01:03:58,520
Speaker 3: we're all good. It's like no, no, no, that's just not guys.

1432
01:03:58,560 --> 01:04:01,120
Speaker 3: So much good discussion from a episode.

1433
01:04:02,160 --> 01:04:18,880
Speaker 1: Again did its job, but totally did its job. So

1434
01:04:19,040 --> 01:04:22,080
Speaker 1: then we're back in l Coyote. Angela's venting to Tapanga.

1435
01:04:22,160 --> 01:04:24,160
Speaker 1: I told Sean Sergio and I are just friends, and

1436
01:04:24,200 --> 01:04:26,800
Speaker 1: he practically called me a liar. Topanga says Corey did

1437
01:04:26,840 --> 01:04:29,240
Speaker 1: the exact same thing to her. Angela rolls her eyes.

1438
01:04:29,480 --> 01:04:32,360
Speaker 1: Having friends of the opposite sex is such a simple idea.

1439
01:04:32,520 --> 01:04:35,040
Speaker 1: Why can't they get it? Nunzio appears and gives his

1440
01:04:35,120 --> 01:04:37,880
Speaker 1: two cents, because since the beginning of time, men have

1441
01:04:37,960 --> 01:04:40,560
Speaker 1: been idiots. The truth is, if my girlfriend went out

1442
01:04:40,640 --> 01:04:42,600
Speaker 1: dancing with somebody who looked like me, I would be

1443
01:04:42,640 --> 01:04:45,680
Speaker 1: insane as well. Angela thinks maybe we should be a

1444
01:04:45,720 --> 01:04:49,240
Speaker 1: little more understanding. Tapanga agrees, we did kind of throw

1445
01:04:49,240 --> 01:04:51,600
Speaker 1: Sergio and Nunzio in their faces. We should cut here

1446
01:04:51,680 --> 01:04:56,600
Speaker 1: some slack they did, and then Angela looks towards the entrance.

1447
01:04:56,960 --> 01:04:57,880
Speaker 2: Hold that thought.

1448
01:04:58,680 --> 01:05:01,440
Speaker 1: Corey, Sean and they're two jim Lady friends have walked

1449
01:05:01,480 --> 01:05:06,400
Speaker 1: in and they're all in jumpsuits of Corey tells the

1450
01:05:06,440 --> 01:05:08,880
Speaker 1: girls order anything you want when you're out with us.

1451
01:05:09,040 --> 01:05:13,040
Speaker 1: Calories don't count. Sonya rubs her hands together excitedly. Jimmy

1452
01:05:13,120 --> 01:05:16,960
Speaker 1: Changa's here I come. Sean sees one of his rivals Nunzio.

1453
01:05:17,320 --> 01:05:20,800
Speaker 1: He responds, not even Nunzio could help you. Now, third

1454
01:05:20,840 --> 01:05:25,080
Speaker 1: person again to Pega and Angela walk up to Corey

1455
01:05:25,080 --> 01:05:28,240
Speaker 1: and immediately introduces them to Cookie and Sonya. Sean braggs,

1456
01:05:28,320 --> 01:05:30,880
Speaker 1: Sonya can bench press three hundred pounds. Angela and to

1457
01:05:30,920 --> 01:05:34,480
Speaker 1: Panga put on nice faces for the girls. Then Sonya barks,

1458
01:05:34,600 --> 01:05:35,840
Speaker 1: bring me a cola.

1459
01:05:36,280 --> 01:05:40,080
Speaker 3: A cola.

1460
01:05:40,120 --> 01:05:41,280
Speaker 2: Panga has taken aback.

1461
01:05:41,320 --> 01:05:44,280
Speaker 7: And it's also like, I felt like so much of

1462
01:05:44,320 --> 01:05:46,200
Speaker 7: her character was a reference. Did you remember the like

1463
01:05:46,240 --> 01:05:49,040
Speaker 7: who there there's like the two workout characters on Saturday,

1464
01:05:49,160 --> 01:05:53,760
Speaker 7: and there was, and you had Arnold Schwarzenegger. So like

1465
01:05:53,800 --> 01:05:56,920
Speaker 7: the idea of like this German or Eastern Germany.

1466
01:05:59,320 --> 01:06:02,680
Speaker 3: You off, Yeah, exactly, so funny.

1467
01:06:03,200 --> 01:06:05,160
Speaker 2: Corey and Sean eagerly followed. To Panga.

1468
01:06:05,280 --> 01:06:07,080
Speaker 1: Corey says, you didn't tell us what you think of

1469
01:06:07,120 --> 01:06:10,520
Speaker 1: our friends. Tapanga speaks a little through gritted teeth. They

1470
01:06:10,520 --> 01:06:14,800
Speaker 1: seem like nice, attractive, well toned girls. Corey laughs, Ah,

1471
01:06:14,840 --> 01:06:18,200
Speaker 1: you're jealous. They did it. Sean, Pats's friend on the back,

1472
01:06:18,600 --> 01:06:21,720
Speaker 1: Angela walks up, how dumb are you? Tapanga chimes in,

1473
01:06:21,880 --> 01:06:24,080
Speaker 1: almost as dumb as Corey. Sean lies.

1474
01:06:24,280 --> 01:06:25,520
Speaker 2: I told him it would backfire.

1475
01:06:26,000 --> 01:06:28,960
Speaker 1: Topanga runs up to the gym dates. So did Corey

1476
01:06:29,000 --> 01:06:31,840
Speaker 1: tell you exactly why you were here? Sonya recalls he

1477
01:06:31,880 --> 01:06:34,240
Speaker 1: said we'd have a romantic dinner and I could maybe

1478
01:06:34,240 --> 01:06:37,320
Speaker 1: get my green card. Corey to flex, I'm pretty sure,

1479
01:06:37,360 --> 01:06:45,720
Speaker 1: I said, greeting cord, Angela gives the girls the low down.

1480
01:06:46,040 --> 01:06:49,480
Speaker 1: They brought you here to make us their girlfriends jealous

1481
01:06:49,920 --> 01:06:52,280
Speaker 1: to Panga and Angela walk off, leaving Corey and Sean

1482
01:06:52,320 --> 01:06:55,680
Speaker 1: to deal with their dates. Sonya shouts with fury, you're

1483
01:06:55,800 --> 01:06:59,120
Speaker 1: just using us. Corey and Sean cower in fear, and

1484
01:06:59,160 --> 01:07:01,160
Speaker 1: then there's a weird like fade out.

1485
01:07:01,360 --> 01:07:05,880
Speaker 2: I wondered this tooful dissolve. It's a long scene, maybe

1486
01:07:05,920 --> 01:07:07,520
Speaker 2: most of them, yeah, I didn't.

1487
01:07:08,120 --> 01:07:10,680
Speaker 7: But there's a beat there. It's just the worst ending

1488
01:07:10,720 --> 01:07:12,320
Speaker 7: to that. There's no button, there's no yeah. I mean,

1489
01:07:12,360 --> 01:07:14,600
Speaker 7: it should have been just a shot of the two

1490
01:07:14,600 --> 01:07:16,720
Speaker 7: of us, be like and then it could have maybe

1491
01:07:16,760 --> 01:07:18,720
Speaker 7: you know, just on the fear, but instead it's like

1492
01:07:18,800 --> 01:07:21,880
Speaker 7: a wide shot of them moving towards Yeah, it's a

1493
01:07:21,880 --> 01:07:25,000
Speaker 7: master and then it's like whoah, It's like, yeah, so

1494
01:07:25,040 --> 01:07:26,520
Speaker 7: I don't know what happened there was must have been

1495
01:07:26,520 --> 01:07:28,560
Speaker 7: a beat that didn't work or went too.

1496
01:07:28,440 --> 01:07:30,760
Speaker 2: Long or yeah, or it was a long episode and they.

1497
01:07:30,760 --> 01:07:32,640
Speaker 3: Cut something really off to me too.

1498
01:07:32,840 --> 01:07:35,760
Speaker 2: Agreed, very very odd. So wasn't sure what there.

1499
01:07:35,880 --> 01:07:38,080
Speaker 7: There was something physical. I think that they probably did

1500
01:07:38,080 --> 01:07:42,080
Speaker 7: some physical humor with her, like either like picking us off, yeah,

1501
01:07:42,320 --> 01:07:44,840
Speaker 7: or something, and then it just didn't quite work, like

1502
01:07:45,000 --> 01:07:48,240
Speaker 7: you know, later she picks up Jack, which is amazing, right,

1503
01:07:48,440 --> 01:07:50,480
Speaker 7: So I thought maybe they had done and it just

1504
01:07:50,480 --> 01:07:52,360
Speaker 7: didn't We couldn't get it to work, and so they

1505
01:07:52,440 --> 01:07:55,160
Speaker 7: just dissolved out of the scene. But yeah, I felt

1506
01:07:55,160 --> 01:07:55,920
Speaker 7: the same thing.

1507
01:07:56,120 --> 01:07:58,680
Speaker 1: So awkward, little weirdness there. Well, then we're in the

1508
01:07:58,680 --> 01:08:02,000
Speaker 1: Matthew's backyard. Jack plans to Eric. I just don't get Lucy.

1509
01:08:02,080 --> 01:08:02,280
Speaker 2: You know.

1510
01:08:02,640 --> 01:08:04,720
Speaker 1: She says she's sick in bed and chicken soup will

1511
01:08:04,720 --> 01:08:07,400
Speaker 1: make her feel better. I said it probably would, and

1512
01:08:07,440 --> 01:08:10,400
Speaker 1: then I went bowling. Now she's mad at me, She's.

1513
01:08:10,240 --> 01:08:11,840
Speaker 4: I'm sorry, Just to go back to the original the

1514
01:08:11,840 --> 01:08:14,640
Speaker 4: conversation you were just having. Is there a possibility that

1515
01:08:14,760 --> 01:08:17,680
Speaker 4: Disney Plus is editing some of the episodes, because I

1516
01:08:17,680 --> 01:08:19,720
Speaker 4: know when I watch mash on Hulu and I watch

1517
01:08:19,800 --> 01:08:22,360
Speaker 4: mash on DVD. There's times where they've cut out massive

1518
01:08:22,400 --> 01:08:23,520
Speaker 4: sections of the episode.

1519
01:08:23,920 --> 01:08:26,040
Speaker 3: No, they would have a lot of other stuff.

1520
01:08:26,160 --> 01:08:28,280
Speaker 4: Right, Maybe they have been and we just don't know

1521
01:08:28,320 --> 01:08:29,760
Speaker 4: because we've never seen the episodes.

1522
01:08:30,800 --> 01:08:33,120
Speaker 2: Huh, Jensen said, the timing is the same.

1523
01:08:33,160 --> 01:08:33,559
Speaker 5: No, eduit.

1524
01:08:33,600 --> 01:08:33,720
Speaker 10: OK.

1525
01:08:34,200 --> 01:08:38,680
Speaker 1: So, Eric states the obvious. Maybe she wanted you to

1526
01:08:38,720 --> 01:08:41,599
Speaker 1: bring her the chicken soup. Jack wonders why she wouldn't

1527
01:08:41,640 --> 01:08:44,599
Speaker 1: just say so, and Eric explains, women man, they speak

1528
01:08:44,640 --> 01:08:47,840
Speaker 1: in code. Then Phoene strolls up. He asks how his

1529
01:08:47,960 --> 01:08:50,559
Speaker 1: date with Kathy went, and Phoene admits it went quite well.

1530
01:08:50,880 --> 01:08:54,120
Speaker 1: She even invited him into her home. Eric's impressed. She

1531
01:08:54,280 --> 01:09:00,479
Speaker 1: sounds due to you. Yep yipy chance, Go Phoene, Go Phoenie,

1532
01:09:00,520 --> 01:09:01,479
Speaker 1: and he does a little dance.

1533
01:09:01,880 --> 01:09:02,760
Speaker 2: Phoene continues, it.

1534
01:09:02,760 --> 01:09:08,439
Speaker 7: Comes back to the Scream episode, right, he must not

1535
01:09:08,479 --> 01:09:12,920
Speaker 7: have been a virgin sis.

1536
01:09:11,640 --> 01:09:12,960
Speaker 2: All married to Lilian.

1537
01:09:14,600 --> 01:09:16,439
Speaker 1: She read me some of her poetry and asked what

1538
01:09:16,479 --> 01:09:19,479
Speaker 1: I thought, and I told her. Eric asks, you said

1539
01:09:19,520 --> 01:09:22,240
Speaker 1: you loved it, right, Phoene says, I said it was

1540
01:09:22,280 --> 01:09:25,080
Speaker 1: promising for a beginner. She said she'd been writing for

1541
01:09:25,120 --> 01:09:28,240
Speaker 1: twenty years. Eric says that's not what she wanted. To

1542
01:09:28,280 --> 01:09:32,280
Speaker 1: hear Phoene groans, then why did she ask? Jack nods

1543
01:09:32,479 --> 01:09:36,200
Speaker 1: he's been chicken souped. Then we hear Amy yelling inside

1544
01:09:36,200 --> 01:09:39,120
Speaker 1: the house. Alan, it's me or that satellite dish. You

1545
01:09:39,240 --> 01:09:42,120
Speaker 1: make the choice. Alan comes stumbling out the back door,

1546
01:09:42,160 --> 01:09:46,000
Speaker 1: looking completely worn out. Then Corey and Shawn arrive home.

1547
01:09:46,080 --> 01:09:49,200
Speaker 1: Sean's complaining Angela doesn't even get me. Cory adds, it's

1548
01:09:49,240 --> 01:09:52,439
Speaker 1: like Topanga and I are speaking different languages. Alan jumps in.

1549
01:09:52,720 --> 01:09:56,400
Speaker 1: One thing's obvious. It's not us, it's them. Phoene tries

1550
01:09:56,439 --> 01:09:58,920
Speaker 1: to be the voice of reason. Everyone should just think

1551
01:09:58,960 --> 01:10:01,479
Speaker 1: a second. Corey shakes his head. Sean and I tried that.

1552
01:10:01,560 --> 01:10:07,160
Speaker 1: It doesn't work. Eric takes charge, I've been silent long enough, Guys,

1553
01:10:07,400 --> 01:10:11,400
Speaker 1: I've been working on a theory. Men are idiots. The

1554
01:10:11,439 --> 01:10:15,040
Speaker 1: audience roars and agreement. The guys are all taken aback,

1555
01:10:15,080 --> 01:10:18,000
Speaker 1: but Eric tells him there's more men are big idiots,

1556
01:10:18,400 --> 01:10:26,000
Speaker 1: more audience. You know what I will say too, that

1557
01:10:26,040 --> 01:10:28,120
Speaker 1: I think is that helps a little bit. When you

1558
01:10:28,120 --> 01:10:31,240
Speaker 1: think about this episode, it was written by Jeff Manel,

1559
01:10:31,439 --> 01:10:35,160
Speaker 1: and how much is Jeff Manel truly the type of

1560
01:10:35,200 --> 01:10:40,400
Speaker 1: guy to believe for himself. Oh, I'm a giant idiot,

1561
01:10:41,040 --> 01:10:47,480
Speaker 1: very deprecating and very much like Listen. Lisa is a genius,

1562
01:10:47,520 --> 01:10:48,880
Speaker 1: Lisa runs the house.

1563
01:10:49,000 --> 01:10:50,160
Speaker 2: Lisa is the smartest.

1564
01:10:50,280 --> 01:10:55,960
Speaker 1: I'm a total maroon knowing Manel and his the way

1565
01:10:56,040 --> 01:11:01,960
Speaker 1: he is, this he is it is yes and I

1566
01:11:02,240 --> 01:11:04,800
Speaker 1: So it made me, truthfully, it made me love it

1567
01:11:04,840 --> 01:11:09,920
Speaker 1: a little bit because again, there are some men who

1568
01:11:10,000 --> 01:11:13,400
Speaker 1: are truly clueless, and they don't mean to be. They

1569
01:11:13,479 --> 01:11:17,280
Speaker 1: don't understand the the you know, chicken soup would make

1570
01:11:17,320 --> 01:11:20,920
Speaker 1: me feel better if unless you say, Jeff Manel, I

1571
01:11:20,960 --> 01:11:24,640
Speaker 1: would like for you to bring me chicken soup. Realize

1572
01:11:25,479 --> 01:11:26,840
Speaker 1: just go pick it up and please bring it to

1573
01:11:26,840 --> 01:11:28,960
Speaker 1: me and cuddle with me because I'm not feeling well.

1574
01:11:29,080 --> 01:11:31,639
Speaker 1: He might be like I, I didn't get that. How

1575
01:11:31,760 --> 01:11:34,040
Speaker 1: was I supposed to? And so there was a part

1576
01:11:34,040 --> 01:11:36,479
Speaker 1: of me that that Again, similarly to the fact that

1577
01:11:36,520 --> 01:11:38,479
Speaker 1: all of us have very strong boundaries about how we

1578
01:11:38,520 --> 01:11:42,040
Speaker 1: treat our relationships, there are some people who really are

1579
01:11:42,040 --> 01:11:44,640
Speaker 1: like Listen, if you don't say it to me straight on,

1580
01:11:45,000 --> 01:11:46,360
Speaker 1: I'm not going to get it right.

1581
01:11:46,920 --> 01:11:47,720
Speaker 2: So it's another one.

1582
01:11:47,800 --> 01:11:50,599
Speaker 3: Don't drop clues, don't drop let me know what you're thinking.

1583
01:11:50,640 --> 01:11:51,679
Speaker 2: Yet I'm not a mind reader.

1584
01:11:52,320 --> 01:11:53,200
Speaker 3: I also love how.

1585
01:11:53,160 --> 01:11:55,559
Speaker 4: Eric knows everything about women in his The Voice of Reason,

1586
01:11:55,600 --> 01:11:56,840
Speaker 4: and they never.

1587
01:11:58,040 --> 01:12:02,080
Speaker 1: They never give me a relationship, the guy who'd get

1588
01:12:02,120 --> 01:12:02,880
Speaker 1: it right.

1589
01:12:02,680 --> 01:12:02,800
Speaker 4: Right.

1590
01:12:03,520 --> 01:12:06,560
Speaker 1: So the guys realize Eric is right, Corey asks what

1591
01:12:06,600 --> 01:12:08,800
Speaker 1: should they do. Eric thinks for a second and then

1592
01:12:08,840 --> 01:12:11,519
Speaker 1: offers a novel idea, Maybe we should just try listening

1593
01:12:11,600 --> 01:12:13,760
Speaker 1: to them. There's a second of silence, and then they

1594
01:12:13,800 --> 01:12:16,320
Speaker 1: all erect into laughter. Eric admits, I don't know what

1595
01:12:16,360 --> 01:12:19,040
Speaker 1: I was thinking. That's crazy talk. Sean has an idea,

1596
01:12:19,439 --> 01:12:22,800
Speaker 1: maybe we should try Corey's thinking thinking thing again. They

1597
01:12:22,880 --> 01:12:25,320
Speaker 1: all stand in silence with puzzled looks on their faces,

1598
01:12:25,320 --> 01:12:27,519
Speaker 1: trying to think of a solution that. As you know,

1599
01:12:27,800 --> 01:12:29,040
Speaker 1: men are big old idiots.

1600
01:12:30,320 --> 01:12:32,680
Speaker 7: Such a weird shot of me, Like they had to

1601
01:12:32,720 --> 01:12:34,600
Speaker 7: bring the camera up to get a single of me

1602
01:12:35,000 --> 01:12:38,200
Speaker 7: because I'm like so deep in the back close, so

1603
01:12:38,240 --> 01:12:39,680
Speaker 7: we had to do an insert. It's one of the

1604
01:12:39,680 --> 01:12:43,120
Speaker 7: few inserts inserts. I guess it's technically an insert.

1605
01:12:43,120 --> 01:12:45,120
Speaker 3: It's just a close up. But yeah, it's very rare

1606
01:12:45,200 --> 01:12:47,000
Speaker 3: that you have that kind of single shot like.

1607
01:12:46,960 --> 01:12:52,120
Speaker 1: That, but very I love this very cute male ensemble scene.

1608
01:12:52,200 --> 01:12:57,599
Speaker 1: We have with everyone together, really cute. And then we're

1609
01:12:57,640 --> 01:13:01,599
Speaker 1: at the Boom Boom Room. The sign outside is on

1610
01:13:01,640 --> 01:13:02,240
Speaker 1: the fire.

1611
01:13:02,680 --> 01:13:09,040
Speaker 4: It's it's on fire. Oh yeah, on fire, literally flaming.

1612
01:13:09,080 --> 01:13:10,920
Speaker 4: I think they have places like that, so.

1613
01:13:11,080 --> 01:13:14,960
Speaker 1: It's it's like an actual exterior shot of something I

1614
01:13:15,240 --> 01:13:17,000
Speaker 1: didn't know there was. This feels like this has to

1615
01:13:17,080 --> 01:13:18,000
Speaker 1: be a code violation.

1616
01:13:18,240 --> 01:13:19,960
Speaker 4: Never been in the club in my life, but I

1617
01:13:19,960 --> 01:13:22,639
Speaker 4: think i've I've seen these and other movies.

1618
01:13:22,680 --> 01:13:23,400
Speaker 2: You've been in a club?

1619
01:13:24,200 --> 01:13:26,280
Speaker 3: No, I don't think I've ever been to a club. What.

1620
01:13:27,200 --> 01:13:28,840
Speaker 2: I don't know what we're doing. I know what we're

1621
01:13:28,880 --> 01:13:29,599
Speaker 2: doing for soon.

1622
01:13:29,760 --> 01:13:33,360
Speaker 4: I think maybe maybe maybe one time, like Pleasure Island

1623
01:13:33,400 --> 01:13:35,439
Speaker 4: in Florida, Jason and I would go to some but like,

1624
01:13:35,760 --> 01:13:37,280
Speaker 4: I've never been to a club in Los Angeles in

1625
01:13:37,320 --> 01:13:38,000
Speaker 4: my life ever.

1626
01:13:38,720 --> 01:13:42,200
Speaker 3: Never. Wow. Oh that's so not my scene. Oh my god, No, that's.

1627
01:13:42,080 --> 01:13:44,639
Speaker 7: Not I mean, it's my favorite place in the world,

1628
01:13:45,040 --> 01:13:47,599
Speaker 7: I know. But I've definitely been to a b Yeah.

1629
01:13:48,080 --> 01:13:50,360
Speaker 2: I can't believe think we got to take Will to

1630
01:13:50,439 --> 01:13:50,840
Speaker 2: a club.

1631
01:13:51,720 --> 01:13:55,280
Speaker 4: Loud, loud music that thumps all the time triggers my anxiety.

1632
01:13:55,400 --> 01:13:57,439
Speaker 4: I don't drink when I'm usually out of my house

1633
01:13:57,439 --> 01:13:58,639
Speaker 4: because I'm driving, and I.

1634
01:13:58,560 --> 01:14:00,840
Speaker 7: Don't like a large party for something like an after

1635
01:14:00,920 --> 01:14:04,599
Speaker 7: party for some event. Was never well, maybe maybe like.

1636
01:14:04,560 --> 01:14:06,439
Speaker 4: A rap party or something like that, like when we

1637
01:14:06,479 --> 01:14:08,760
Speaker 4: did like denim and diamonds and stuff like that, but

1638
01:14:08,840 --> 01:14:09,679
Speaker 4: like a man.

1639
01:14:09,600 --> 01:14:11,679
Speaker 3: We're going out to a club, like, I've never done

1640
01:14:11,760 --> 01:14:12,240
Speaker 3: that ever.

1641
01:14:12,840 --> 01:14:15,599
Speaker 4: I think Sabrina Carpenter had a birthday party one time

1642
01:14:15,640 --> 01:14:16,160
Speaker 4: at a club.

1643
01:14:16,240 --> 01:14:18,000
Speaker 3: Did she did Sabrina have a party at a club

1644
01:14:18,040 --> 01:14:21,280
Speaker 3: at one point? Right, so maybe I went. I think

1645
01:14:21,360 --> 01:14:23,320
Speaker 3: I went to that one time. But other than that, no,

1646
01:14:23,400 --> 01:14:28,400
Speaker 3: I did. It's oh my god, you couldn't got a

1647
01:14:28,439 --> 01:14:34,519
Speaker 3: bottle service at some ve clubs. So awful. But I've

1648
01:14:34,560 --> 01:14:35,240
Speaker 3: done it a bunch.

1649
01:14:36,120 --> 01:14:39,080
Speaker 1: Inside, everyone is dancing. We see Tapanga, but she doesn't

1650
01:14:39,080 --> 01:14:41,479
Speaker 1: really seem into it. Nunzio is next to her, cutting

1651
01:14:41,479 --> 01:14:43,640
Speaker 1: a rug. He asks, what's the matter to Panga, you

1652
01:14:43,680 --> 01:14:47,639
Speaker 1: are not enjoying Nunzio as I am doing Nunzio third

1653
01:14:47,680 --> 01:14:49,200
Speaker 1: times a charm for third person.

1654
01:14:49,560 --> 01:14:51,200
Speaker 3: I just love the name Nunzio. Yeah.

1655
01:14:51,800 --> 01:14:53,880
Speaker 7: When they struck upon that, the writers were like, let's

1656
01:14:53,920 --> 01:14:55,799
Speaker 7: say it is many times as possible.

1657
01:14:56,840 --> 01:14:59,320
Speaker 1: To Panga admits it's Corey, he hasn't called me in

1658
01:14:59,360 --> 01:15:01,640
Speaker 1: two days. I don't care if you won't dance. I

1659
01:15:01,680 --> 01:15:05,160
Speaker 1: miss him. A mid dance, Nunzio tells Tapanga that Corey

1660
01:15:05,200 --> 01:15:08,519
Speaker 1: misses her too. Of that, I am sure. Angela appears,

1661
01:15:08,560 --> 01:15:11,439
Speaker 1: looking distressed as well. She tells Tapanga, I just called

1662
01:15:11,439 --> 01:15:14,519
Speaker 1: the apartment again. They're not there. Nunzio says, it's obvious

1663
01:15:14,560 --> 01:15:18,120
Speaker 1: they're not there. Of that, I am sure. Then Amy appears.

1664
01:15:18,240 --> 01:15:20,280
Speaker 1: She's dancing around without a care in the world, and

1665
01:15:20,320 --> 01:15:23,599
Speaker 1: Sergio is following closely behind. She thinks Topanga for bringing

1666
01:15:23,600 --> 01:15:27,439
Speaker 1: her along. Topanga asks if mister Matthews is okay with this?

1667
01:15:27,960 --> 01:15:31,480
Speaker 1: And I did think I had a bad delivery on it,

1668
01:15:31,600 --> 01:15:36,759
Speaker 1: because yeah, because I don't obviously, if Tapanga is asking

1669
01:15:36,840 --> 01:15:40,040
Speaker 1: missus Matthews is her point that it's not okay for

1670
01:15:40,120 --> 01:15:42,760
Speaker 1: her to do it because she's married, but it is

1671
01:15:42,840 --> 01:15:45,880
Speaker 1: okay for core Tapanga and Angela to be doing it

1672
01:15:45,920 --> 01:15:49,719
Speaker 1: because they're only dating their significant others. I actually think,

1673
01:15:50,200 --> 01:15:52,799
Speaker 1: but my read made it sound like she is doing

1674
01:15:52,880 --> 01:15:56,000
Speaker 1: something kind of inappropriate, and it's shocking that mister Matthews

1675
01:15:56,040 --> 01:15:56,360
Speaker 1: would be.

1676
01:15:56,320 --> 01:15:56,840
Speaker 2: Okay with it.

1677
01:15:56,920 --> 01:15:57,639
Speaker 3: Oh okay?

1678
01:15:57,640 --> 01:16:00,320
Speaker 1: And I feel like I feel like what I should

1679
01:16:00,320 --> 01:16:03,559
Speaker 1: have been thinking is, see, mister Matthews is cool with this,

1680
01:16:04,479 --> 01:16:07,240
Speaker 1: Why aren't our guys cool with this? And so I

1681
01:16:07,240 --> 01:16:10,680
Speaker 1: think it was he's not over reading, right, and so

1682
01:16:10,720 --> 01:16:12,640
Speaker 1: my read. I think my read was bad and I

1683
01:16:12,640 --> 01:16:15,840
Speaker 1: don't know, I don't I yeah, I think anyway. I

1684
01:16:15,840 --> 01:16:18,000
Speaker 1: sucked there, But moving on the rest of the episode.

1685
01:16:17,720 --> 01:16:18,040
Speaker 2: I was good.

1686
01:16:18,080 --> 01:16:19,160
Speaker 3: So sucked there.

1687
01:16:19,320 --> 01:16:21,280
Speaker 2: You see, we all have sucky moments occasionally.

1688
01:16:21,439 --> 01:16:26,760
Speaker 1: Yeah, Amy, who's now being twirled by Sergio, explains he's

1689
01:16:26,800 --> 01:16:28,960
Speaker 1: so stuck in front of the Saddleite TV he doesn't

1690
01:16:28,960 --> 01:16:32,120
Speaker 1: even know I'm here. Nuncio says that Alan knows she's there.

1691
01:16:32,320 --> 01:16:35,760
Speaker 1: Of that, I am sure. Amy notices Catherine is there

1692
01:16:35,800 --> 01:16:39,080
Speaker 1: as well, you know Catherine from The Magical Sidewalk. Oh,

1693
01:16:39,240 --> 01:16:42,200
Speaker 1: she yells out, I love dancing. I wish there was

1694
01:16:42,200 --> 01:16:44,720
Speaker 1: a way to get your neighbor here. Angela tries to

1695
01:16:44,800 --> 01:16:47,400
Speaker 1: encourage Dapanga. I miss Sean too, but let's just try

1696
01:16:47,400 --> 01:16:50,120
Speaker 1: to have fun. Topanga can't have fun because she really

1697
01:16:50,160 --> 01:16:52,519
Speaker 1: just wants to be with Corey. She asks why men

1698
01:16:52,640 --> 01:16:55,240
Speaker 1: have to be so stubborn, and that's where I wrote, well,

1699
01:16:55,240 --> 01:16:58,720
Speaker 1: maybe just maybe insisting on dancing every single night is

1700
01:16:58,760 --> 01:16:59,599
Speaker 1: also stubborn.

1701
01:17:00,240 --> 01:17:01,280
Speaker 3: You think, you think.

1702
01:17:02,040 --> 01:17:05,880
Speaker 1: Then Eric appears on the stage, and it was in

1703
01:17:06,000 --> 01:17:08,839
Speaker 1: this moment that I realized this was the dancing episode.

1704
01:17:09,280 --> 01:17:15,639
Speaker 3: It was long long. Oh my god, that's literally this long.

1705
01:17:15,760 --> 01:17:18,280
Speaker 1: I watched the whole episode having no idea where this

1706
01:17:18,400 --> 01:17:18,800
Speaker 1: was going.

1707
01:17:19,320 --> 01:17:20,600
Speaker 2: And then Eric walks.

1708
01:17:20,320 --> 01:17:22,200
Speaker 1: Out onto the stage and I paused it and went,

1709
01:17:23,640 --> 01:17:25,080
Speaker 1: it's the dance.

1710
01:17:27,280 --> 01:17:29,280
Speaker 7: You guys remember what this was all a reference to

1711
01:17:29,400 --> 01:17:33,120
Speaker 7: our own Oh yeah, absolutely, Well, the full Monty Full

1712
01:17:33,160 --> 01:17:35,519
Speaker 7: Monty just come out.

1713
01:17:35,520 --> 01:17:37,320
Speaker 3: I was nominated for an Academy Award. It was a

1714
01:17:37,400 --> 01:17:39,759
Speaker 3: huge hit. Great. It was before it became a Broadway

1715
01:17:39,800 --> 01:17:41,559
Speaker 3: show too, but it was before it was a live show.

1716
01:17:41,800 --> 01:17:43,559
Speaker 3: But it was a huge It was a great movie.

1717
01:17:43,560 --> 01:17:45,600
Speaker 7: I got a great great but the whole thing was

1718
01:17:45,640 --> 01:17:49,120
Speaker 7: about guys learning how to dance our strip. Ultimately, but

1719
01:17:49,320 --> 01:17:51,679
Speaker 7: this is yeah, so it's it's that we were riffing

1720
01:17:51,720 --> 01:17:53,519
Speaker 7: on that. It's I wanted to think of all the

1721
01:17:53,560 --> 01:17:57,000
Speaker 7: influences that ours were having, you know, engaging with pop culture.

1722
01:17:57,439 --> 01:17:57,599
Speaker 9: Right.

1723
01:17:57,720 --> 01:18:00,519
Speaker 3: Do you remember rehearsing for this, Oh yeah, I do too.

1724
01:18:00,720 --> 01:18:03,240
Speaker 4: All week long with the and Bill like throwing in

1725
01:18:03,280 --> 01:18:06,360
Speaker 4: his like this this little movie was all bill remember that.

1726
01:18:07,240 --> 01:18:10,679
Speaker 3: A separate stage, Yeah, a separate from the stage.

1727
01:18:10,760 --> 01:18:10,960
Speaker 8: Yeah.

1728
01:18:10,960 --> 01:18:12,800
Speaker 3: And so who was the choreographer? Do you remember? We

1729
01:18:13,200 --> 01:18:17,160
Speaker 3: remember some guy came in and like, yeah, worked and

1730
01:18:17,200 --> 01:18:19,599
Speaker 3: we just kept rehearsing over and over and over.

1731
01:18:19,840 --> 01:18:21,080
Speaker 2: You guys have fun rehearsing it.

1732
01:18:21,479 --> 01:18:23,160
Speaker 7: Yeah. Yeah, I mean it was a lot of work,

1733
01:18:23,200 --> 01:18:26,120
Speaker 7: and I remember being nervous and yeah, but I remember

1734
01:18:26,160 --> 01:18:31,400
Speaker 7: Steve Hayfer saying, because like it was Steve Har's take was.

1735
01:18:31,360 --> 01:18:33,760
Speaker 3: Like Will's the best. When we did the first day,

1736
01:18:34,000 --> 01:18:36,800
Speaker 3: He's like, Will's amazing, and then by the end he

1737
01:18:36,960 --> 01:18:40,080
Speaker 3: was like, you know, Will was the best out of

1738
01:18:40,080 --> 01:18:42,639
Speaker 3: the game, and they just kind of stayed there exactly.

1739
01:18:44,400 --> 01:18:48,799
Speaker 7: Yeah, it's interesting take, like because you were I remember

1740
01:18:48,800 --> 01:18:51,719
Speaker 7: the first day, you had no problems, nailed it, and then.

1741
01:18:51,600 --> 01:18:52,400
Speaker 3: Just kind of stayed there.

1742
01:18:52,400 --> 01:18:55,880
Speaker 4: Whereas I got it down, him out sounds about I

1743
01:18:55,960 --> 01:18:57,000
Speaker 4: also can't dance.

1744
01:18:57,240 --> 01:18:57,960
Speaker 3: I just can't.

1745
01:18:58,040 --> 01:19:00,320
Speaker 4: I can do a lot of things very well, dancing

1746
01:19:00,439 --> 01:19:03,280
Speaker 4: ain't one of them. So it's it's what, but you're

1747
01:19:03,320 --> 01:19:05,040
Speaker 4: better than I am. Go back and look at our backsheet,

1748
01:19:05,040 --> 01:19:07,240
Speaker 4: boys dance. I'm first of all, I look at everybody to.

1749
01:19:07,200 --> 01:19:10,639
Speaker 3: Make sure that I'm doing it. We're all so nervous,

1750
01:19:10,640 --> 01:19:11,759
Speaker 3: looking at each other the whole.

1751
01:19:11,600 --> 01:19:14,280
Speaker 4: Time, and then Ben Ben's got his hands up to

1752
01:19:14,320 --> 01:19:17,160
Speaker 4: do this like thirty seconds before any of us do.

1753
01:19:17,640 --> 01:19:21,720
Speaker 4: So it was But yeah, I remember, I absolutely just

1754
01:19:21,760 --> 01:19:22,639
Speaker 4: rehearsing and rehearsing.

1755
01:19:22,880 --> 01:19:24,439
Speaker 7: I could go back and do this over again, because

1756
01:19:24,479 --> 01:19:28,800
Speaker 7: I ye commit, you'd commit more, Yes, commit to the dance.

1757
01:19:28,960 --> 01:19:31,360
Speaker 3: There's the way the bill's committing to it. It's so great.

1758
01:19:31,600 --> 01:19:35,560
Speaker 7: Yeah yeah, And Matt Kinj's dance looks great and Mat can'

1759
01:19:35,800 --> 01:19:36,160
Speaker 7: so yeah.

1760
01:19:36,400 --> 01:19:36,599
Speaker 4: Yeah.

1761
01:19:48,400 --> 01:19:51,360
Speaker 1: So Eric speaks into the microphone, ladies, since the beginning

1762
01:19:51,400 --> 01:19:53,920
Speaker 1: of time, men have been idiots. This will make up

1763
01:19:53,920 --> 01:19:57,240
Speaker 1: for it. And I didn't think I wrote down. Isn't

1764
01:19:57,280 --> 01:19:59,559
Speaker 1: it just like a man to think he's been screwing

1765
01:19:59,600 --> 01:20:01,320
Speaker 1: something up for all of eternity and then be like,

1766
01:20:01,520 --> 01:20:02,679
Speaker 1: watch me fix it with this dance.

1767
01:20:02,960 --> 01:20:05,360
Speaker 3: Exactly what I'm done. Never have to do this again.

1768
01:20:05,400 --> 01:20:08,799
Speaker 4: Hey, if you can screw for a minute, everything's fine.

1769
01:20:09,880 --> 01:20:11,080
Speaker 4: That's that's all I'm saying.

1770
01:20:14,040 --> 01:20:16,160
Speaker 1: So Eric walks to the center of the stage and

1771
01:20:16,240 --> 01:20:19,920
Speaker 1: hits a perfectly executed disco finger, and then a disco

1772
01:20:19,960 --> 01:20:23,040
Speaker 1: ball lights up and Alan Corey Jack, Sean and Feeney

1773
01:20:23,200 --> 01:20:26,000
Speaker 1: all burst onto the stage. The girls are cheering and

1774
01:20:26,040 --> 01:20:28,639
Speaker 1: clapping in a hyped up audience like they're at Thunder

1775
01:20:28,680 --> 01:20:33,160
Speaker 1: from down Under. Hot Stuff by Donna Summer plays a nice,

1776
01:20:33,520 --> 01:20:35,640
Speaker 1: rare mainstream song placement.

1777
01:20:36,080 --> 01:20:38,280
Speaker 2: I liked the guys break.

1778
01:20:38,080 --> 01:20:41,040
Speaker 3: Out on this episode, and this is what we rehearsed

1779
01:20:41,040 --> 01:20:43,160
Speaker 3: to the whole week. Obviously we have we knew it

1780
01:20:43,200 --> 01:20:44,600
Speaker 3: was this song the whole week, So this is what

1781
01:20:44,640 --> 01:20:45,120
Speaker 3: we rehearsed to.

1782
01:20:45,240 --> 01:20:48,000
Speaker 1: Yeah, so they break out into a choreographed magic Mike

1783
01:20:48,160 --> 01:20:51,040
Speaker 1: dance routine. They do the dance perfectly in unison, and

1784
01:20:51,080 --> 01:20:55,559
Speaker 1: the ladies love it, and Bill Daniels and Rusty Russ

1785
01:20:55,680 --> 01:20:57,080
Speaker 1: are you killing it?

1786
01:20:57,160 --> 01:20:57,280
Speaker 3: They?

1787
01:21:00,280 --> 01:21:02,559
Speaker 4: Was that that that that one specific move or all

1788
01:21:02,600 --> 01:21:04,639
Speaker 4: of a sudden there's like this, we're pushing our hands,

1789
01:21:05,200 --> 01:21:10,360
Speaker 4: our stern that during rehearsal, and the choreographers like, yes,

1790
01:21:10,479 --> 01:21:12,880
Speaker 4: that's great, let's do that.

1791
01:21:12,920 --> 01:21:16,880
Speaker 3: Yeah that was like full on Bill totally, Yeah, it

1792
01:21:16,920 --> 01:21:17,280
Speaker 3: was great.

1793
01:21:17,920 --> 01:21:19,760
Speaker 2: The men finish their dance and take a bow.

1794
01:21:19,880 --> 01:21:23,080
Speaker 1: The crowd cheers, and we freeze on the guys celebrating

1795
01:21:23,120 --> 01:21:26,599
Speaker 1: their successful comeback, and then we're in the tag. We're

1796
01:21:26,600 --> 01:21:28,960
Speaker 1: back at the boom boom room. Everyone is back to dancing,

1797
01:21:29,040 --> 01:21:32,240
Speaker 1: celebrating the hot stuff routine. Topanga asks Corey where he

1798
01:21:32,320 --> 01:21:35,360
Speaker 1: learned to dance like that, and Corey imitates Nunzio's accent.

1799
01:21:35,760 --> 01:21:38,040
Speaker 1: Everyone can learn to dance of this, I am sure

1800
01:21:38,760 --> 01:21:41,519
Speaker 1: actually Nunzio taught him to dance. But Corey shows to

1801
01:21:41,560 --> 01:21:43,599
Speaker 1: Panga a little move he learned all on his own.

1802
01:21:43,920 --> 01:21:47,360
Speaker 1: It's a little pumping gyration of sorts. Angela and Sean

1803
01:21:47,400 --> 01:21:50,719
Speaker 1: are dancing nearby, and Angela begs to see his spin move.

1804
01:21:51,320 --> 01:21:53,280
Speaker 1: Sewan immediately does a handstand.

1805
01:21:53,320 --> 01:21:56,920
Speaker 2: I remembered this from Kapa.

1806
01:21:57,280 --> 01:22:03,920
Speaker 7: My god, oh my god, I know that I just

1807
01:22:04,040 --> 01:22:05,800
Speaker 7: was doing this all the time.

1808
01:22:06,600 --> 01:22:08,360
Speaker 3: Were like, well, writer can do that thing that he

1809
01:22:08,400 --> 01:22:12,120
Speaker 3: does well? Right then into the episode, god embarrassed.

1810
01:22:12,200 --> 01:22:15,639
Speaker 7: And I'm so clearly nervous about hitting people because when

1811
01:22:15,640 --> 01:22:19,120
Speaker 7: I actually did it, my legs can slail her wrappin out,

1812
01:22:19,200 --> 01:22:21,519
Speaker 7: and instead I'm like keeping it tight so it looks

1813
01:22:21,520 --> 01:22:22,719
Speaker 7: so awkward and all tense.

1814
01:22:23,080 --> 01:22:24,719
Speaker 4: Well, that's what you're looking for in a good martial

1815
01:22:24,800 --> 01:22:26,920
Speaker 4: art is being afraid of hitting someone, right.

1816
01:22:27,840 --> 01:22:34,800
Speaker 3: I don't want to hurt any money.

1817
01:22:32,960 --> 01:22:34,360
Speaker 2: This little thing, he says.

1818
01:22:34,880 --> 01:22:37,639
Speaker 1: Amy and Allan are also dancing, and Alan dips amy.

1819
01:22:37,760 --> 01:22:40,160
Speaker 1: She giggles, asking where he'd learned to step like that.

1820
01:22:40,400 --> 01:22:43,479
Speaker 1: Alan admits Channel seven hundred and twenty eight, the Saturday

1821
01:22:43,560 --> 01:22:46,679
Speaker 1: Night Fever channel, giving us a nice satellite dish call back.

1822
01:22:47,280 --> 01:22:51,320
Speaker 7: All Travota, all travolt storylines in this episode, just like

1823
01:22:51,600 --> 01:22:54,559
Speaker 7: everybody gets their own little arc, even Jack right.

1824
01:22:54,439 --> 01:22:58,559
Speaker 1: It's great All Travolta all the time. Then we see

1825
01:22:58,560 --> 01:23:01,240
Speaker 1: Foenie and Catherine dancing together there. Catherine tells him I

1826
01:23:01,280 --> 01:23:03,960
Speaker 1: did write another poem. Phoene responds, Oh, I don't even

1827
01:23:03,960 --> 01:23:07,200
Speaker 1: have to read it. It's wonderful. Then he does a

1828
01:23:07,240 --> 01:23:09,599
Speaker 1: fancy little dance move and the two strut off hand

1829
01:23:09,680 --> 01:23:13,280
Speaker 1: in hand, a real like classic Bill Daniel's episode. Here yep,

1830
01:23:14,120 --> 01:23:16,240
Speaker 1: Jack walks in all by himself, just pop in his

1831
01:23:16,280 --> 01:23:19,559
Speaker 1: head to the music. Then Sonya from the gym approaches him.

1832
01:23:19,680 --> 01:23:22,360
Speaker 1: You like to dance? Jack nervously says no thanks, but

1833
01:23:22,400 --> 01:23:25,720
Speaker 1: Sonya reveals that was not a question. She picks him

1834
01:23:25,800 --> 01:23:27,960
Speaker 1: up and carries him to the dance floor.

1835
01:23:27,880 --> 01:23:32,559
Speaker 7: And that is classic Michael Jacobs. How am I going

1836
01:23:32,640 --> 01:23:33,400
Speaker 7: to throw this off?

1837
01:23:33,479 --> 01:23:35,640
Speaker 2: And she does?

1838
01:23:36,600 --> 01:23:38,040
Speaker 3: I'm like you know.

1839
01:23:38,080 --> 01:23:39,599
Speaker 7: In the script, is like she picks him up, turns

1840
01:23:39,640 --> 01:23:41,760
Speaker 7: him sideways and carries him, which is like full on

1841
01:23:41,960 --> 01:23:46,400
Speaker 7: Looney Tunes craziness. And they did they did it. It's

1842
01:23:46,439 --> 01:23:48,240
Speaker 7: it's a little awkward, but it's great. And then I

1843
01:23:48,360 --> 01:23:49,880
Speaker 7: love when she's like yanking him.

1844
01:23:49,880 --> 01:23:54,559
Speaker 3: By the next he's just looking around for help. Oh god,

1845
01:23:54,640 --> 01:23:56,560
Speaker 3: it was so funny, funny.

1846
01:23:56,360 --> 01:23:57,120
Speaker 2: So funny.

1847
01:23:57,640 --> 01:24:00,200
Speaker 1: Eric is talking to the other girl from the gym, cookie,

1848
01:24:00,400 --> 01:24:02,439
Speaker 1: have you heard of the Lord of the Dance? She

1849
01:24:02,800 --> 01:24:05,840
Speaker 1: starts to say no, but doesn't have it, doesn't actually say,

1850
01:24:08,000 --> 01:24:11,240
Speaker 1: and Eric declares it's me. He breaks into a hilarious

1851
01:24:11,320 --> 01:24:14,400
Speaker 1: version of river Dance and the freeze frame on his

1852
01:24:14,439 --> 01:24:16,160
Speaker 1: feet to end the episode.

1853
01:24:17,560 --> 01:24:19,520
Speaker 3: So I have I have too much shirts.

1854
01:24:19,720 --> 01:24:24,120
Speaker 7: So but it was an interesting way, you know, because

1855
01:24:24,120 --> 01:24:27,360
Speaker 7: he hasn't watched since the start of season two pretty much.

1856
01:24:27,240 --> 01:24:29,920
Speaker 3: So it was just a good time to check in.

1857
01:24:31,560 --> 01:24:34,040
Speaker 3: We'll see Yeah, okay, Tyer, you want to play it.

1858
01:24:34,360 --> 01:24:35,280
Speaker 3: That was crazy.

1859
01:24:35,600 --> 01:24:38,880
Speaker 4: It was like a lot happening for it all came

1860
01:24:38,920 --> 01:24:40,480
Speaker 4: into like the same story.

1861
01:24:40,600 --> 01:24:42,720
Speaker 10: Yeah, that's good writing usually, right, It all kind of

1862
01:24:42,720 --> 01:24:43,280
Speaker 10: comes together.

1863
01:24:43,439 --> 01:24:43,839
Speaker 6: Yeah.

1864
01:24:43,920 --> 01:24:45,320
Speaker 2: I like the dance at the end.

1865
01:24:45,960 --> 01:24:48,519
Speaker 10: Did you have to rehearse the dancing. Yeah, to spend

1866
01:24:48,560 --> 01:24:52,400
Speaker 10: all week learning the choreograph moves. Who is the best

1867
01:24:52,479 --> 01:24:54,160
Speaker 10: dancer you think? You know?

1868
01:24:54,720 --> 01:24:58,680
Speaker 7: Yeah, come on, mister Feenie, he was a stare I

1869
01:24:58,720 --> 01:25:00,639
Speaker 7: mean yeah, best.

1870
01:25:00,479 --> 01:25:03,240
Speaker 10: Dancer by far. What do you think of my acting?

1871
01:25:03,760 --> 01:25:04,519
Speaker 10: It was good.

1872
01:25:06,400 --> 01:25:08,679
Speaker 3: You're very condescendingly patting me on the shoulder.

1873
01:25:09,360 --> 01:25:11,639
Speaker 10: Will Is it weird to see him now? He looks

1874
01:25:11,680 --> 01:25:13,839
Speaker 10: so young. He's still kind of the same.

1875
01:25:13,880 --> 01:25:14,080
Speaker 4: Isn't he.

1876
01:25:14,520 --> 01:25:15,000
Speaker 6: Yeah?

1877
01:25:15,200 --> 01:25:16,280
Speaker 10: What'd you think of Danielle?

1878
01:25:16,400 --> 01:25:16,719
Speaker 4: Funny?

1879
01:25:16,840 --> 01:25:17,559
Speaker 10: Yeah, it's funny.

1880
01:25:17,920 --> 01:25:18,240
Speaker 1: Yeah.

1881
01:25:18,439 --> 01:25:20,679
Speaker 10: Do you remember what Tapanga was like in the first season?

1882
01:25:21,400 --> 01:25:22,760
Speaker 3: Awkward and weird?

1883
01:25:23,000 --> 01:25:24,720
Speaker 2: What about in the other episodes?

1884
01:25:24,760 --> 01:25:25,719
Speaker 3: Does she still have.

1885
01:25:25,640 --> 01:25:28,240
Speaker 10: The what is it called the job at the Mexican restaurant?

1886
01:25:28,600 --> 01:25:29,920
Speaker 3: No? Never, what.

1887
01:25:31,640 --> 01:25:32,760
Speaker 10: That's the way TV used to be.

1888
01:25:32,960 --> 01:25:33,160
Speaker 9: Man.

1889
01:25:33,360 --> 01:25:35,479
Speaker 10: Do our clothes seem more normal than the first season?

1890
01:25:35,520 --> 01:25:35,600
Speaker 4: Oh?

1891
01:25:35,760 --> 01:25:37,839
Speaker 3: Yes, really way normal?

1892
01:25:37,920 --> 01:25:42,000
Speaker 10: But still nineties eighties? You think everything is the eighties? Yeah,

1893
01:25:42,040 --> 01:25:43,640
Speaker 10: I know, anything that happened.

1894
01:25:43,320 --> 01:25:47,360
Speaker 4: In the the Beatles that is like fifties.

1895
01:25:47,520 --> 01:25:49,880
Speaker 10: Okay, well zombies eighties?

1896
01:25:50,080 --> 01:25:51,479
Speaker 3: Really the movie Zombies?

1897
01:25:51,640 --> 01:25:52,000
Speaker 2: Maybe?

1898
01:25:52,120 --> 01:25:54,360
Speaker 10: What about like all the songs Mom sings?

1899
01:25:54,520 --> 01:25:57,840
Speaker 3: Oh, those are like eighteen hundred's.

1900
01:25:57,560 --> 01:25:59,960
Speaker 10: What about the song that Mom always sings to you called.

1901
01:26:00,240 --> 01:26:02,919
Speaker 3: Oh that's that was like made like an American revolution?

1902
01:26:03,360 --> 01:26:05,040
Speaker 10: Really think it's that old Wait, do you know what

1903
01:26:05,200 --> 01:26:06,000
Speaker 10: song I'm talking about?

1904
01:26:06,160 --> 01:26:06,320
Speaker 7: Yeah?

1905
01:26:06,400 --> 01:26:06,880
Speaker 3: How's it go?

1906
01:26:07,400 --> 01:26:07,880
Speaker 10: You say?

1907
01:26:08,280 --> 01:26:08,479
Speaker 3: Yeah?

1908
01:26:08,520 --> 01:26:08,840
Speaker 6: That one?

1909
01:26:08,960 --> 01:26:11,800
Speaker 10: Okay, wow, you think that was it's an old timy song?

1910
01:26:11,880 --> 01:26:13,800
Speaker 10: All right? Well, how would you describe the show? The

1911
01:26:13,840 --> 01:26:15,240
Speaker 10: whole thing? What is the show about?

1912
01:26:15,680 --> 01:26:19,240
Speaker 2: It's about a dude. He lives his life, and his

1913
01:26:19,320 --> 01:26:25,000
Speaker 2: life is like whoo and everything happens that's like not

1914
01:26:25,200 --> 01:26:25,599
Speaker 2: his way.

1915
01:26:25,640 --> 01:26:28,360
Speaker 10: I guess, so the world doesn't get along with him?

1916
01:26:28,920 --> 01:26:29,200
Speaker 1: All right?

1917
01:26:29,320 --> 01:26:33,760
Speaker 7: How would you describe Corey's character now with gibberish?

1918
01:26:33,840 --> 01:26:35,320
Speaker 10: This is how I would describe it.

1919
01:26:39,920 --> 01:26:40,679
Speaker 3: What is that?

1920
01:26:41,200 --> 01:26:41,680
Speaker 10: Can you do?

1921
01:26:41,800 --> 01:26:41,920
Speaker 4: Me?

1922
01:26:42,000 --> 01:26:43,400
Speaker 10: Andersh?

1923
01:26:43,520 --> 01:26:45,160
Speaker 3: Yeah, Lulu.

1924
01:26:47,479 --> 01:26:53,120
Speaker 10: And Will and gibberish, Danielle and gibberish blah blah.

1925
01:26:54,960 --> 01:26:58,320
Speaker 2: Blue, mister Danny and gibberish blah bl blue.

1926
01:27:00,360 --> 01:27:02,439
Speaker 10: I actually think this is pretty accurate.

1927
01:27:03,640 --> 01:27:04,960
Speaker 3: I could, you know.

1928
01:27:05,080 --> 01:27:06,760
Speaker 7: I was like, do it when it was all this

1929
01:27:06,840 --> 01:27:08,519
Speaker 7: gibber stuff, and then I was like, you know, this

1930
01:27:08,600 --> 01:27:12,000
Speaker 7: is something that Ben Savage would love just doing sound

1931
01:27:12,160 --> 01:27:15,120
Speaker 7: versions of people and characters.

1932
01:27:15,439 --> 01:27:17,240
Speaker 4: But it's almost like getting the cadence of the character.

1933
01:27:17,320 --> 01:27:19,760
Speaker 4: It's almost like writing a song like totally you sit.

1934
01:27:19,720 --> 01:27:20,360
Speaker 3: There he.

1935
01:27:21,920 --> 01:27:23,680
Speaker 7: So you actually are thinking about this because it was

1936
01:27:23,680 --> 01:27:26,240
Speaker 7: like we got to Will and he was like I

1937
01:27:26,320 --> 01:27:27,920
Speaker 7: was like, oh, that that is his energy.

1938
01:27:27,960 --> 01:27:29,720
Speaker 3: I got you. Well, I mean it's how Michael used

1939
01:27:29,720 --> 01:27:32,680
Speaker 3: to tell us to do a joke. I mean I

1940
01:27:32,720 --> 01:27:34,920
Speaker 3: would tell us to do it. So yeah.

1941
01:27:34,960 --> 01:27:36,920
Speaker 2: He also could write songs for Coorn.

1942
01:27:37,640 --> 01:27:40,320
Speaker 3: Yeah. Yeah, how funny is that?

1943
01:27:40,360 --> 01:27:42,360
Speaker 7: I mean, like, I literally the most ninety song ever

1944
01:27:42,479 --> 01:27:45,040
Speaker 7: Stay by Lisa Lowe. He thinks is from the American

1945
01:27:45,160 --> 01:27:49,000
Speaker 7: American Revolution. Lias all the time. He's always like, oh,

1946
01:27:49,040 --> 01:27:51,160
Speaker 7: that's so eighties. I'm like, what are you talking. You're

1947
01:27:51,280 --> 01:27:55,680
Speaker 7: referencing something from twenty ten. But whatever, anything old and

1948
01:27:55,840 --> 01:27:59,000
Speaker 7: cheesy or like outdated he thinks is nineteen eighties.

1949
01:27:59,080 --> 01:27:59,719
Speaker 3: So yeah.

1950
01:27:59,840 --> 01:28:02,920
Speaker 1: I also think sometimes kids just like to say things.

1951
01:28:02,960 --> 01:28:06,280
Speaker 1: They think if they nail it will make you think,

1952
01:28:06,640 --> 01:28:09,040
Speaker 1: how do you know that? And so sometimes they just

1953
01:28:09,120 --> 01:28:11,679
Speaker 1: throw a phrase around like oh, that's just so eighties

1954
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Speaker 1: and then you're like, well that doesn't make any sense,

1955
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Speaker 1: but they they're trying to sound.

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Speaker 3: Adult exactly exactly.

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Speaker 1: Thank you all for joining us for this episode of

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Speaker 1: Podmeets World. As always, you can follow us on Instagram

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Speaker 1: pod Meets World Show. You can send us your emails

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Speaker 1: pod Meets World Show at gmail dot com and we

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Speaker 1: have merch.

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Speaker 3: You will like our merch of this. I am sure pod.

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Speaker 2: Meets Worldshow dot com writer send us out.

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Speaker 3: We love you all, pod dismissed.

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Speaker 7: Pod Meets World is an iHeart podcast producer hosted by

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Speaker 7: Danielle Fischel, Wilfridell and Ryder Strong executive producers, Jensen Karp

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Speaker 7: and Amy Sugarman Executive in charge of production, Danielle Romo,

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Speaker 7: producer and editor, Tarasubash, producer, Maddie Moore engineer and Boy

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Speaker 7: Meets World Superman Easton Allen. Our theme song is by

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Speaker 7: Kyle Morton of Typhoon. Follow us on Instagram at good

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Speaker 7: Meats World Show or email us at Podmeats worldshowat gmail

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Speaker 7: dot com.

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Speaker 4: MHM