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Speaker 1: It's the best Bits of the week with Morgan number two. Hey, y'all,

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Speaker 1: it's Morgan number two. I'm going to count down our

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Speaker 1: biggest segments of the week, from things that you guys

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Speaker 1: engage with on social media to things that you guys

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Speaker 1: called in about. We're basically talking about everything big that

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Speaker 1: happened on the show this week. Plus I'm going to

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Speaker 1: pull in some of our show members. If there's some

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Speaker 1: behind the scenes to the stories, I'm gonna bring them

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Speaker 1: in so they can shed light on the situation that

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Speaker 1: maybe we didn't quite get to on the show. Artist

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Speaker 1: Caitlyn Smith stopped by earlier this week and she talked

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Speaker 1: about songwriting for Garth Brooks and Trisha Yearwood. Also a

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Speaker 1: song she wrote with Megan Trainer, all really cool stuff

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Speaker 1: from behind the scenes from an artist perspective, and she

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Speaker 1: covered one of Bobby's favorite songs, which was Coldplay Fix

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Speaker 1: You number seven on The Bobby Bones Show. Now, Caitlyn

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Speaker 1: Smith one of my favorite artists. Here, Kaitlyn, how are you?

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Speaker 1: I'm so good are you? Bobby? I'm so happy that

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Speaker 1: you're here. Here's what happened with Kaitlyn. She puts out

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Speaker 1: this album and it's fantastic. But she puts it out

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Speaker 1: March thirteenth of this year. Now, what do you think

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Speaker 1: was happening right about March thirteen? Yeah, we were running

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Speaker 1: for our lives, like the Corona monster had just veered

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Speaker 1: its head. I was coming at us, and so she

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Speaker 1: put out this record and it was so good, but

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Speaker 1: I bet you felt the two that. Really people didn't

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Speaker 1: get to know it was out because we were reading

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Speaker 1: all the other news. Absolutely, it was really it was sad.

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Speaker 1: It was hard, like here's my recor everyone and nobody's

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Speaker 1: everyone's like, well on the news, watching Corona numbers, and

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Speaker 1: we don't care about music right now? Yeah, exactly, we're

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Speaker 1: trying not to touch something in the groceries. I mean,

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Speaker 1: I didn't even care about my music at that point.

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Speaker 1: I was like, so, first I would like to say

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Speaker 1: that you guys are gonna hear her sing a play.

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Speaker 1: You're gonna love Supernova. But she put it out again

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Speaker 1: as a deluxe meaning the first song on it is

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Speaker 1: I Can't and now old dominions on it with you yes,

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Speaker 1: which is really cool. And this is a song that

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Speaker 1: you put out by yourself originally yep, and it was

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Speaker 1: just you so why did you think, well, let's do

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Speaker 1: something with this song? Yeah, I mean I wanted to.

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Speaker 1: I wanted to have a collaboration, and you know, it

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Speaker 1: naturally happened with Shane mcinally being my label president and

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Speaker 1: then he's working on the Old Dominion record and we

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Speaker 1: were kind of brainstorming ideas together of like, you know,

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Speaker 1: who could we pull in on this project and are

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Speaker 1: on this collaboration and so Shane throughout Old Dominion and

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Speaker 1: they agreed to do it, which was so fun. So

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Speaker 1: so we're gonna play the full song in a second,

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Speaker 1: but since you have your guitar, would you play a

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Speaker 1: verse and chorus of I can't this this track one

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Speaker 1: on Supernova Deluxe. Here she has Kaitlin Smith sing the

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Speaker 1: twenty minute town no More, I don't look the same

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Speaker 1: red last bus is too much cond recognize in the

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Speaker 1: twenty minute a call you don't call me out outside

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Speaker 1: or rain false cards ands afterrown on me talking to

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Speaker 1: all the time and whiskey, I've wasted that I can't

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Speaker 1: never getting back. Oh, I'm trying to find a comags

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Speaker 1: deface it, but I can't. I can't And I'm tired

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Speaker 1: of you feeling like a stranger again, but never thing

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Speaker 1: or I may keeps changing, but I can't tack tack

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Speaker 1: it nice. That's awesome. Can you get here that she

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Speaker 1: sees it? Listen. I like the version with just her

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Speaker 1: I mean old Dominion who however, love Matt, love those guys.

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Speaker 1: So that that's track one. You wrote a bunch of

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Speaker 1: songs before we get back to your record. I'm just

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Speaker 1: gonna share with the audience that they may have heard

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Speaker 1: and they may not have known that you wrote them. First.

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Speaker 1: Here's this one. This is Megan Trainer like I'm gonna

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Speaker 1: lose you. I love this song so much. Do you

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Speaker 1: see this in your shows? I do? Yeah, Yeah, that's

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Speaker 1: a songwriters, if you're write it, you can still play

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Speaker 1: it even though exactly and it's part of my story too,

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Speaker 1: is like I'm this songwriter, lady hey wrote these songs,

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Speaker 1: and I think it's fun for people to connect the outs.

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Speaker 1: Whenever you wrote this, did you when you guys go

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Speaker 1: into the room, who what's the idea? Who spits out

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Speaker 1: the idea? And then how does this go? It depends

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Speaker 1: on the day and on that specific day, Like Megan

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Speaker 1: Trainer walked in the room and it was before she

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Speaker 1: had a record deal or anything, and she had a

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Speaker 1: bad dream and she was like, I just had this

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Speaker 1: dream like I lost my brother. I'm like she was

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Speaker 1: just pretty shook. And then my other song writer friend,

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Speaker 1: Justin Weaver, was like, well, I got this title like

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Speaker 1: I'm Gonna Lose You, and it feels like it kind

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Speaker 1: of fits this whole you know, fear of losing someone.

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Speaker 1: And then you know, the idea just kind of came

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Speaker 1: to life. And the song wasn't recorded for a few years.

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Speaker 1: It kind of just said wow, which is crazy. First

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Speaker 1: time you hear something like this, when it's John Legend

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Speaker 1: and Megan Trainer that you wrote years ago, you hear

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Speaker 1: they're like, here it is. Are you just like out

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Speaker 1: of your mind? Like this is I was out of

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Speaker 1: my mind. I didn't even know, like getting a John

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Speaker 1: Legend cut was in the realm of possibilities. And hearing

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Speaker 1: his voice too was like I was dead. I think

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Speaker 1: that My favorite song that you don't sing that you

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Speaker 1: wrote is rememb when Kenny and Dolly Kenny Roger Dolly

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Speaker 1: Parton they did you Can't Make Old Friends. Yeah, this song,

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Speaker 1: and I tell you I saw a picture of that.

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Speaker 1: Maybe you'd written the lyrics out of someone whotten looked

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Speaker 1: and they both signed it. Oh, yes, do you have that?

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Speaker 1: I've got it hanging in my house and yeah, it's

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Speaker 1: the original lyric and the and and Dolly's handwriting is

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Speaker 1: like writing like who's singing what line? And then they

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Speaker 1: both signed it and it's precious. Isn't that so cool?

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Speaker 1: I actually have a Kitlin Smith signed when if Tacoma.

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Speaker 1: She wrote all the lyrics out and signed it. I

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Speaker 1: keep it in my in my workroom at the house.

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Speaker 1: Love it. And this is her version here, but Garth

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Speaker 1: sang it. Yes, you got a Garth Brooks I know,

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Speaker 1: which is crazy? Which I wrote the song and I

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Speaker 1: knew it was for me, like I love I love

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Speaker 1: singing this song. But I remember getting a text from

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Speaker 1: Garth and he's like, hey, like, do you you know

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Speaker 1: you can? I really love the song? Can I please

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Speaker 1: record it? And I was like, well, it's Garth Brooks

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Speaker 1: kind of my hero, so okay, sure, I think if

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Speaker 1: I'm not mistaken you you came and played at our

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Speaker 1: million dollars show a couple of years ago and did

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Speaker 1: this song. And then there's a part where she stops

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Speaker 1: the music and just sings acapella and she's like and

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Speaker 1: the whole crowd is much better than what I just did.

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Speaker 1: But the whole crowd just got up and just like

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Speaker 1: standing owed her in the middle of a song at

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Speaker 1: the Rhyman Auditory. I'll never forget that it was. It

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Speaker 1: was an amazing, amazing thing to see fun man, she's

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Speaker 1: so good. And then Tricia, You're what every girl in

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Speaker 1: this town. So did the Garth relationship or whatever that

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Speaker 1: was helping with Tricia was a totally different I think.

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Speaker 1: So I'm not sure like what came first, because from

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Speaker 1: what I understand, they were both always like fine my

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Speaker 1: demos and playing their songs, my songs in their house.

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Speaker 1: And so I got to meet Tricia through Garth. And

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Speaker 1: the cool thing was is Tricia Yearwood was my first

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Speaker 1: concert as a seven year old little girl. And then

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Speaker 1: to full circle have her go and record one of

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Speaker 1: my songs was mind blowing. What is life? This is crazy?

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Speaker 1: Kaitlin Semitha's here. You started your first band when you

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Speaker 1: were what twelve years older? So and what was that

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Speaker 1: band about? And what was your spot in the band?

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Speaker 1: Um lead singer? I wrote the songs. I recruited my

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Speaker 1: brother to play drums and two of my best friends

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Speaker 1: to play other instruments, and I would cold call venues

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Speaker 1: as like a twelve year old, be like book our band,

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Speaker 1: like for your next event, and I just love to

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Speaker 1: play music, and so we would just play whenever we could.

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Speaker 1: Did you guys get any gigs at twelve? Yes, we did.

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Speaker 1: We play like It was usually like field parties on

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Speaker 1: like you know, flatbed trailers with hay bales, or like

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Speaker 1: we had a little bandshell in our in our little

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Speaker 1: town of three thousand people, and we'd play there and yeah,

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Speaker 1: we played around. It was so fun. Is your brother

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Speaker 1: still doing music or was he just humoring his sister.

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Speaker 1: He was just humoring his sister. Blesses hard and he's

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Speaker 1: a decent mechanic and likes cars much better than music.

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Speaker 1: I'm gonna play, as you put your guitar on the

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Speaker 1: stand and walk to the keyboard, I'm gonna play one

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Speaker 1: of my favorite songs. This is a long time coming.

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Speaker 1: This is track two on Supernova de Lux. And I

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Speaker 1: asked her once like, hey, what's the one song if

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Speaker 1: you're just pointing at one song, and it's Supernova. So

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Speaker 1: here's track seven. Here's Supernova DAMASO Star Superlow you do

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Speaker 1: anything to make it last. But track fourteen, which is

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Speaker 1: fix You one of my favorite songs period, from period,

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Speaker 1: not even just from Coldplay, but I just love this

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Speaker 1: song so much. And I saw that you had covered

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Speaker 1: this as the final track on the on the record,

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Speaker 1: and I was like, oh, well, I don't even know

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Speaker 1: if I want to listen because I just love what

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Speaker 1: you do so much and I love that song. And

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Speaker 1: sometimes the mix isn't exactly right, especially when someone's covering

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Speaker 1: a song that's that's legendary, right, But you nailed it.

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Speaker 1: Thank you. That that means a lot. It is very terrifying.

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Speaker 1: It's one of my favorite songs as well. And it's

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Speaker 1: scary because the Chris Martin version Coldplay version is perfect.

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Speaker 1: I mean, think about the songwriting of this song and

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Speaker 1: just how like how cutting it is right. I can't

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Speaker 1: tell you how many times I've sat in a songwriting

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Speaker 1: session and like pulled that song up and been like,

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Speaker 1: how does how did this happen? Like and just studied

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Speaker 1: it and tried to like draw from it, like it's

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Speaker 1: that song is like it's in me and in the

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Speaker 1: songs that I've written. Well, I asked to said, Kaylen,

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Speaker 1: will you come in and play fix you? And she's

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Speaker 1: going to play for us now she's now at the piano.

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Speaker 1: She has moved all the way across the state, which

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Speaker 1: is about a foot, because she's now at the piano.

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Speaker 1: All right here she has Caitlin Smith doing fix you.

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Speaker 1: Try out best, but you don't succeed. Go to walk,

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Speaker 1: No you need you feel so tired, you can't sleep,

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Speaker 1: stuck in mo She's gone, stream down your face, do something,

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Speaker 1: can replay, blow somebody goes still way, be lights well, God,

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Speaker 1: to hope and lie to boes Lie. Will try to

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Speaker 1: fix you. I have a bomb down below. Get too

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Speaker 1: in love, let it go if you let me try.

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Speaker 1: You never loved what you hi. It's a well guy,

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Speaker 1: you and two bones that I will try to fix you.

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Speaker 1: To stay by your face when someone you cannot place.

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Speaker 1: Tea stream your face and tea stream tiny your face.

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Speaker 1: A promise you. I will learn from mestays to stream

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Speaker 1: ti your face and tweak and I will try to

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Speaker 1: fix you. Come on, kit Len, spent that studio. How

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Speaker 1: I do nothing in my life at all? Zero things?

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Speaker 1: I was thinking about why you're playing nothing in my life?

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Speaker 1: Where I'm as good as that. No, I don't have

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Speaker 1: one skill about me that is as good as what

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Speaker 1: I watched five feet from me right here. That's You're

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Speaker 1: so good. You know. I've been a fan for so long.

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Speaker 1: I always love when you put out new music because

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Speaker 1: I love to highlight it because I love it. So

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Speaker 1: I'm just such a big fan. We have a feature

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Speaker 1: Caitlin on you know, the Country Top thirty. We the

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Speaker 1: women of our country. You know. I try to play

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Speaker 1: as much as I possibly can, and when I can

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Speaker 1: get her in here, I love to do so. I

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Speaker 1: know you've been in Minnesota for a while. Is it

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Speaker 1: cold already up there? It's starting. The leaves are ridiculous

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Speaker 1: right now, and I'm starting to pull out my fault

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Speaker 1: jacket and I love it. I walked outside this weekend

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Speaker 1: at like ten thirty and I think it was like

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Speaker 1: fifty eight degrees and I was freezing my face off already.

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Speaker 1: I've had enough of winter already. It feels so good,

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Speaker 1: That's not I like YO warm all the time. Are

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Speaker 1: you guys? Check out Puper Deluxe? A deluxe version is out.

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Speaker 1: We're gonna play I can't And this is the version

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Speaker 1: with old dominion. We're gonna play it right now, Kaitlin.

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Speaker 1: Always fantastic to see your face. Thank you for coming

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Speaker 1: in at anything I'd like to say. I just know,

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Speaker 1: well the whole time you're playing, I wanted to be you.

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Speaker 1: That weird me too, I know, I felt Bobby. I

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Speaker 1: was like, why do I not play the piano? And

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Speaker 1: why can't I sing? And so that's where I went to.

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Speaker 1: That's you have me wanting to change careers, but I

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Speaker 1: can't do either. So I'll stick with this. Follow her

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Speaker 1: at Kaitlin Smith with a why It's the best Bits

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Speaker 1: of the Week with Morgan number two. So we all

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Speaker 1: know that Bobby had some big life changing events over

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Speaker 1: the last few weeks. And to top everything off, he

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Speaker 1: made another big announcement. This time it was a book announcement.

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Speaker 1: It will be his third book that he's putting out,

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Speaker 1: but this time it's a children's book about his dog Stanley,

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Speaker 1: and during the show this week he told us all

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Speaker 1: about it. Number six. Yesterday, I got to announce my

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Speaker 1: new children book that will be coming out. It is

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Speaker 1: about my dog Stanley. I've already written it. I'm with

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Speaker 1: an illustrator now who's drawing it. The actual first picture

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Speaker 1: we can put up is on my Instagram now, mister

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Speaker 1: Bobby Bones and so just super pumped at HarperCollins gave

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Speaker 1: me another book deal. And so it says the multimedia

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Speaker 1: personality just announced his plans to release Stanley the Dog

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Speaker 1: and His First Day of School. So it's going to

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Speaker 1: be about how just because you don't fit in immediately,

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Speaker 1: it doesn't mean you don't have a place. Because Stanley

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Speaker 1: is an awkward looking dog, he's had a bunch of

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Speaker 1: medical issues, and his story and my story combined was

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Speaker 1: kind of the reason to make this book. Or we're

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Speaker 1: gonna do a lot with dog charities because of this book.

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Speaker 1: But I'm very excited for you guys to be able

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Speaker 1: to see it. It It maybe a little bit before it

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Speaker 1: comes out, but they announced it yesterday and some book websites.

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Speaker 1: I was like, Oh, I tell my people then, awesome.

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Speaker 1: I'm very excited about Stanley the Dog and his First

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Speaker 1: Day of School. Especially a lot of kids to go

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Speaker 1: through their early stages of school where they don't fit

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Speaker 1: in or they don't feel like they do and this

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Speaker 1: is stanley story didn't fit in either. With the Saint

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Speaker 1: Bernard's he ain't bigging them with the poodle. They're a

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Speaker 1: little snooty. So it's a whole story. It's funny. You'll see.

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Speaker 1: I want to ruin it all. Hey, spoiler aler he lives.

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Speaker 1: I hope, so I would be so mad at you

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Speaker 1: as a parent if I got through this whole awesome

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Speaker 1: book and then something happened. Hey has so many medical issues,

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Speaker 1: you never know. It's the best bits of the week

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Speaker 1: with Morgan number two. So obviously everybody is talking about

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Speaker 1: going out and voting in this week. On the show,

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Speaker 1: Mike D came on and said he voted for the

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Speaker 1: first time ever. And I brought on Mike D to

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Speaker 1: talk about that because he posted a little bit about

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Speaker 1: it on Instagram. But I kind of want the full story,

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Speaker 1: so Mike, say, hi, Mike, Hello, tell us why you

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Speaker 1: decided to vote for the first time ever this year. Well,

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Speaker 1: my parents came here from Mexico and my dad became

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Speaker 1: a citizen about twenty years ago, and it's always been

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Speaker 1: super important for him to have that right to vote,

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Speaker 1: and for some reason, I just never got around to it.

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Speaker 1: I was apathetic about the whole process, and I was like,

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Speaker 1: my dad's so passionate about voting. He came to the

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Speaker 1: country to you know, better his life, and that was

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Speaker 1: really important for him. So I was like, if he's

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Speaker 1: out there doing it, I'm at the age where I

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Speaker 1: need to be doing this and haven't any yet. So

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Speaker 1: when you told your dad that you finally voted, what

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Speaker 1: did he do? It was excited. He was like, yeah, finally,

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Speaker 1: this is why I came to this country for you

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Speaker 1: to be able to do this. You should be doing

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Speaker 1: this every time. So he was a proud dad in

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Speaker 1: that moment. Yeah, he was obviously on your ballot. Everybody's

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Speaker 1: talking about all the people that are options. I'm not

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Speaker 1: going to make you tell us who you voted for, Okay,

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Speaker 1: but we know that Kanye West is showing up on

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Speaker 1: some ballots. Yeah. Did you think for a minute there,

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Speaker 1: like maybe I should vote for him? No, but I

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Speaker 1: did because you have to scroll through and see everybody

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Speaker 1: who's on the ballot, and I went down to the

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Speaker 1: very bottom and there he was. It was weird, and

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Speaker 1: not even for a fulot second you were like, I

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Speaker 1: might want to vote for Kanye West. No, okay, well

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Speaker 1: there you go. At least you know Mike d did

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Speaker 1: not vote for Kanye West. And if people are out

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Speaker 1: there that are still kind of iffy on voting, what's

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Speaker 1: the best piece of advice you would give them? Just

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Speaker 1: go do it. It didn't take me that long to do.

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Speaker 1: And you feel really good afterwards, Like I just had

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Speaker 1: this feeling of like I actually did something. So go

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Speaker 1: do it. All right, there you have it, Go vote

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Speaker 1: be like Mike d even if it's your first time,

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Speaker 1: that's okay too, right yep? Number five? Let you voted, voted?

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Speaker 1: How was it? Man? Let me tell you. It felt

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Speaker 1: like a proud American moment I walked in there, I

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Speaker 1: waited in line for seven minutes. That's it. Huh, that

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Speaker 1: was it. It was so perfect. I went, I stood

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Speaker 1: in line, and they come up and they ask you

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Speaker 1: a few questions, and they give you a little pin.

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Speaker 1: This is the pin I got from the voting place. Yes,

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Speaker 1: you get to keep it so no one else touches

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Speaker 1: your pin. You have a plastic straw where you touched

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Speaker 1: a little kiosk and whaila. I was out of there

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Speaker 1: twelve minutes. It was great. And then I put the

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Speaker 1: sticker on my mask. You know, usually you put it

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Speaker 1: on your shirt, but I put I voted on my mask,

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Speaker 1: and I felt like a great American hero. Mike d

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Speaker 1: you voted for the first time ever in your life? Wow? Yeah,

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Speaker 1: first time ever? I voted? Come on, Wow, it felt

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Speaker 1: really good. Why have you not voted before? I think

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Speaker 1: I was just apathetic about the whole process. And then

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Speaker 1: I realized, Man, I voted in American Idol and the

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Speaker 1: Stars for the last couple of years and haven't voted

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Speaker 1: in the presidential election. I think it's time. I got

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Speaker 1: a question. Did they recognize you at the voting place

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Speaker 1: as a first time voter? Because when I was voting,

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Speaker 1: they would say, oh, first time voter, and they would

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Speaker 1: cheer for people, and so like seven people, Why I

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Speaker 1: was there? Got the cheer? Did you want the cheer? LaunchBox? Well?

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Speaker 1: I wanted to, but they could. I guess they could

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Speaker 1: see my voting record and they knew I voted before.

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Speaker 1: Did they cheer for Youmail? I didn't get it cheered? Dang?

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Speaker 1: It's the best bits of the week with Morgan. Number two.

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Speaker 1: So Eddie is a father to two of his own

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Speaker 1: kids and two foster kids. Him and his wife are

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Speaker 1: totally saints, but the other day his whole family went

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Speaker 1: out to eat and while they did something with their

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Speaker 1: foster baby and they got parents shamed. Eddie was pretty

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Speaker 1: upset about it. So this is a good one to

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Speaker 1: listen back to number four. So I'm at a restaurant,

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Speaker 1: right and I have four kids, and it's just been something.

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Speaker 1: We have a baby, and it's been a thing where

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Speaker 1: if we want to have fun and enjoy our meal,

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Speaker 1: we give the baby the phone. Like we didn't do

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Speaker 1: this with any of other kids, but four kids at

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Speaker 1: a table is really hard, so we've decided to give

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Speaker 1: him a phone. So we're at a restaurant and we

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Speaker 1: give the baby a phone, and there's a couple with

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Speaker 1: a I guess like maybe a one year old of

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Speaker 1: sitting behind us, and I hear the woman go, I

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Speaker 1: just hate it when other parents give the kids the

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Speaker 1: phone at a restaurant, Like it's so just put some

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Speaker 1: effort into it. And I was like, and it's one

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Speaker 1: of those things where I know she's behind me and

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Speaker 1: I can hear. And I tell my wife, can't you

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Speaker 1: hear them talking right now? She's like no, So I

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Speaker 1: tell my wife and I'm just so upset and I

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Speaker 1: looked behind. Yeah, she has one kid, and I'm thinking

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Speaker 1: to myself. Yeah, just wait till you have more than

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Speaker 1: one kid, like four kids, and you want to have

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Speaker 1: fun at a restaurant, you're gonna give him the phone.

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Speaker 1: I got so upset bone. But did you say anything? No?

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Speaker 1: Of course not no, What am I gonna tell it?

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Speaker 1: Excuse me and start a big ruckus in the restaurant.

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Speaker 1: I don't know, Depending on my mood these days, I

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Speaker 1: heard maybe would have I would have turned around and

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Speaker 1: been like, you do you really have something to say

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Speaker 1: about me giving my child the phone so the rest

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Speaker 1: of us can eat in peace and then take the

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Speaker 1: phone away from your kid and then let them start

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Speaker 1: crying and screaming and run their dinner. Oh, that would

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Speaker 1: have been the move. That's not a bad idea that

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Speaker 1: it's a terrible idea. That's a terrible idea. I mean,

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Speaker 1: but I was really upset, like I really would. I

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Speaker 1: can't believe she said it loud enough where you could

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Speaker 1: hear her. I think it's one of those things. I

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Speaker 1: do have good hearing, and we took that test. I've

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Speaker 1: passed it. Hey, but I think it's one of those

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Speaker 1: things where, like people talking, you don't think that other

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Speaker 1: people would hear you because you think you're like, not

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Speaker 1: that loud and the restaurant's kind of loud, But no,

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Speaker 1: I heard her loud and clear, Klin says, I don't whisper. Well,

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Speaker 1: I just lower my head and I say the same,

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Speaker 1: the same thing. Yeah, that's probably so apparently I'm like, hey,

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Speaker 1: you see that? But it wasn't be like he did

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Speaker 1: you see that? All my head down about six inches? Amy?

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Speaker 1: Do you get parent chained much anymore online? I haven't

405
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Speaker 1: seen it lately, but probably just haven't posted something about it.

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Speaker 1: Sure they're out there. I mean, people just always have

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Speaker 1: something to say, and it's like, mind your own business. Yeah,

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Speaker 1: you never know what someone else is going through, and

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Speaker 1: that phone might be a really desperate moment and the

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Speaker 1: saving grace, so back off it. Sure is, what does

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Speaker 1: your baby like to do on the phone? Watch YouTube? Kids? Yeah?

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Speaker 1: He's wrong with that one. He's one, and man, he

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Speaker 1: can navigate that phone better than I can. Oh yeah,

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Speaker 1: I don't know if it's something in the design, but

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Speaker 1: he knows how to swipe up, he knows how to

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Speaker 1: click back, he knows how to go forward. Lunchbox doesn't

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Speaker 1: even have that. I don't know the phone very well

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Speaker 1: I'm terrible at the phone. It's the best Bits of

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Speaker 1: the week with Morgan. Number two Luke Holmbs was our

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Speaker 1: Friday Morning Conversation this week. He stopped by to talk

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Speaker 1: with us about his new deluxe album that just came out.

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Speaker 1: Plus he played some live music and who doesn't love

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Speaker 1: a basically private concert with Luke Combs. You want to

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Speaker 1: hear this? Number three The Friday Morning Conversation with Luke Combs.

425
00:23:55,880 --> 00:23:58,360
Speaker 1: You man, good, How are you good? To see you? Likewise?

426
00:23:58,680 --> 00:24:00,720
Speaker 1: You know you have nine number one Now, I feel

427
00:24:00,720 --> 00:24:03,360
Speaker 1: like if I'm in the car for fifteen minutes, I'm

428
00:24:03,359 --> 00:24:05,160
Speaker 1: for sure going to get a couple of Luke Coombs songs.

429
00:24:05,760 --> 00:24:07,840
Speaker 1: I think. So when you're driving, if you're in the

430
00:24:07,840 --> 00:24:11,080
Speaker 1: car and the Luke Coombs song comes on, it's yourself obviously,

431
00:24:11,119 --> 00:24:14,560
Speaker 1: do you change the station or do you turn it? Yeah,

432
00:24:14,640 --> 00:24:17,560
Speaker 1: it's just weird. It's just weird. Yeah, I know, tell wrong, Yeah,

433
00:24:17,560 --> 00:24:20,320
Speaker 1: it's just weird. I don't know to listen to yourself.

434
00:24:20,359 --> 00:24:23,240
Speaker 1: I mean, I just by the time something is out

435
00:24:23,359 --> 00:24:25,320
Speaker 1: and then by the time it's on the radio, I've

436
00:24:25,320 --> 00:24:29,840
Speaker 1: heard it so many times. Have you ever hear something new? Though?

437
00:24:29,960 --> 00:24:32,280
Speaker 1: When you're hearing it on the radio, like, oh, I

438
00:24:32,280 --> 00:24:35,520
Speaker 1: didn't know that was mixed like that, or definitely not no,

439
00:24:35,680 --> 00:24:37,760
Speaker 1: because you've listen to it so many now yeah, yeah,

440
00:24:37,920 --> 00:24:40,600
Speaker 1: definitely not. You've added five new songs. By the way,

441
00:24:40,640 --> 00:24:42,640
Speaker 1: Luke Combs is here because the deluxe album is out.

442
00:24:43,200 --> 00:24:45,760
Speaker 1: If you would have added all the songs that you'd

443
00:24:45,800 --> 00:24:48,800
Speaker 1: written during the last five or six months during the pandemic,

444
00:24:48,800 --> 00:24:50,600
Speaker 1: if you'd added all of them, how many tracks would

445
00:24:50,600 --> 00:24:54,359
Speaker 1: be on that thing, probably forty forty or fifty. What

446
00:24:54,400 --> 00:24:56,159
Speaker 1: do you do with these songs that you don't end

447
00:24:56,240 --> 00:24:59,400
Speaker 1: up cutting? I hope that no one hears them because

448
00:24:59,400 --> 00:25:01,919
Speaker 1: they're not good. Really. If they didn't get cut, I

449
00:25:01,960 --> 00:25:03,639
Speaker 1: mean there, but you don't there aren't some of them

450
00:25:03,640 --> 00:25:05,440
Speaker 1: where you're going This just isn't for me right now,

451
00:25:05,480 --> 00:25:07,480
Speaker 1: but maybe this artist would like it. No, there is

452
00:25:07,480 --> 00:25:09,320
Speaker 1: a lot of that. But I think there's like a

453
00:25:09,560 --> 00:25:12,160
Speaker 1: there can be like a stigma in town a little bit.

454
00:25:12,240 --> 00:25:15,760
Speaker 1: With so for example, I can only put out you know,

455
00:25:15,800 --> 00:25:19,920
Speaker 1: so many songs, however and however amount of time. So

456
00:25:19,960 --> 00:25:23,119
Speaker 1: then if another artist were to hear this song and

457
00:25:23,160 --> 00:25:25,680
Speaker 1: they go, man, I really like that song, and then

458
00:25:25,680 --> 00:25:28,240
Speaker 1: they see that my name's on it, or whoever artist's

459
00:25:28,320 --> 00:25:30,160
Speaker 1: name is on it, they would go, well, and why

460
00:25:30,160 --> 00:25:33,320
Speaker 1: didn't that guy cut it? If it's so good? But really,

461
00:25:33,320 --> 00:25:36,720
Speaker 1: it's just impossible to put out as many good songs

462
00:25:36,760 --> 00:25:38,960
Speaker 1: as you could write because you would never be able

463
00:25:38,960 --> 00:25:41,280
Speaker 1: to you know, you wouldn't be able to promo stuff

464
00:25:41,280 --> 00:25:44,720
Speaker 1: correctly and have it be in the spotlight long enough.

465
00:25:45,200 --> 00:25:47,080
Speaker 1: So I think there is a stigma to that, Like

466
00:25:47,080 --> 00:25:49,000
Speaker 1: if you see another artist's name on it, you go, well,

467
00:25:49,040 --> 00:25:51,240
Speaker 1: if he didn't cut it, then it must not be

468
00:25:51,320 --> 00:25:53,680
Speaker 1: that good. So even if you really like it, you're

469
00:25:53,720 --> 00:25:55,560
Speaker 1: kind of thinking to yourself, well, what's wrong with it?

470
00:25:56,320 --> 00:25:58,160
Speaker 1: If that guy, if it was really great, he would

471
00:25:58,160 --> 00:26:01,080
Speaker 1: have cut it. Would you ever use a suit in

472
00:26:01,160 --> 00:26:04,440
Speaker 1: them a different name if you weren't gonna use yourself

473
00:26:04,440 --> 00:26:06,760
Speaker 1: and go you know what? I think, Uh, Larry Zonka

474
00:26:06,800 --> 00:26:09,560
Speaker 1: is gonna I think maybe already do that. I couldn't

475
00:26:09,600 --> 00:26:12,600
Speaker 1: say nice, I couldn't you know, legally, couldn't say if

476
00:26:12,640 --> 00:26:14,000
Speaker 1: I already do that. All I know is that he

477
00:26:14,040 --> 00:26:15,520
Speaker 1: got slapped on the leg or I want to ask

478
00:26:15,600 --> 00:26:20,960
Speaker 1: that question. Yeah, so no, I think that's a good idea.

479
00:26:21,080 --> 00:26:24,520
Speaker 1: But any riders out there that's a good idea to do.

480
00:26:24,640 --> 00:26:26,560
Speaker 1: They should do that. You had to change wedding venues

481
00:26:26,560 --> 00:26:28,639
Speaker 1: a week before your wedding, yep. If you had to

482
00:26:28,640 --> 00:26:31,280
Speaker 1: offer someone a piece of advice because Raymundo's wedding is tomorrow,

483
00:26:31,280 --> 00:26:35,280
Speaker 1: our producer, Oh nice, Yeah, what what is your piece

484
00:26:35,320 --> 00:26:38,240
Speaker 1: of advice? Just do it? Just go. It doesn't matter.

485
00:26:38,480 --> 00:26:40,160
Speaker 1: I mean, as long as the two of you are there,

486
00:26:40,200 --> 00:26:43,520
Speaker 1: it's that's really it, you know. I mean it was nice.

487
00:26:43,720 --> 00:26:46,000
Speaker 1: You know, we had we had a small group of

488
00:26:46,000 --> 00:26:47,960
Speaker 1: our family and friends there, so that was still really

489
00:26:47,960 --> 00:26:51,280
Speaker 1: great to have them there. And um, it wasn't the

490
00:26:51,880 --> 00:26:54,439
Speaker 1: big gigantic thing that we thought it was going to be,

491
00:26:54,800 --> 00:26:57,679
Speaker 1: but it kind of ended up being even better. I

492
00:26:57,720 --> 00:26:59,600
Speaker 1: think the way that we did it. Is there a

493
00:26:59,640 --> 00:27:02,719
Speaker 1: different it's with you and Nicole's relationships since you've been married.

494
00:27:03,040 --> 00:27:06,240
Speaker 1: Is there a different feeling about it? I think so, yeah,

495
00:27:06,320 --> 00:27:09,240
Speaker 1: a little bit like you kind of have that you

496
00:27:09,320 --> 00:27:11,520
Speaker 1: just I don't know, it's like a it's like a

497
00:27:11,560 --> 00:27:15,159
Speaker 1: comforting thing, you know, I don't know, like regardless of

498
00:27:15,520 --> 00:27:18,520
Speaker 1: what happens, right like we're there, we're in it together,

499
00:27:18,640 --> 00:27:21,520
Speaker 1: right for you know, there's that feeling, um, which is

500
00:27:21,600 --> 00:27:23,840
Speaker 1: really nice. It's been it's been great, and it's it's

501
00:27:23,880 --> 00:27:25,919
Speaker 1: been a blessing in disguise to have this much, you know,

502
00:27:26,000 --> 00:27:29,080
Speaker 1: time away from the road and stuff to to you know,

503
00:27:29,160 --> 00:27:30,880
Speaker 1: really kind of dig into that part of our life.

504
00:27:30,920 --> 00:27:33,040
Speaker 1: So it's been it's been awesome. I was watching your

505
00:27:33,040 --> 00:27:36,080
Speaker 1: Twitter and you had posted, um, the name's gonna slip

506
00:27:36,119 --> 00:27:37,480
Speaker 1: my mind, but it was like lonely in a hotel

507
00:27:37,560 --> 00:27:40,199
Speaker 1: room or sleep us in a hotel room. I saw

508
00:27:40,280 --> 00:27:44,040
Speaker 1: you playing that, and it's not on your record. So

509
00:27:44,119 --> 00:27:47,800
Speaker 1: you're releasing new songs ahead of the new songs you're releasing.

510
00:27:49,160 --> 00:27:51,720
Speaker 1: It's it's coming from all directions here. Yeah, when you're

511
00:27:51,760 --> 00:27:53,679
Speaker 1: when you have something you're gonna put out, you're like, hey,

512
00:27:53,680 --> 00:27:55,719
Speaker 1: I'm just putting out as much as I can period

513
00:27:55,760 --> 00:27:58,320
Speaker 1: for my fans. Yeah, and I think, you know, I

514
00:27:58,359 --> 00:28:02,000
Speaker 1: think that one especially, I was in in LA when

515
00:28:02,000 --> 00:28:04,320
Speaker 1: I put that up. I was for the Billboard Awards

516
00:28:04,359 --> 00:28:06,760
Speaker 1: and so it was like I was just in a

517
00:28:06,800 --> 00:28:09,959
Speaker 1: hotel room kind of like we can't go anywhere. I mean, La,

518
00:28:10,040 --> 00:28:12,399
Speaker 1: He's like super lockdown. And so I had written that

519
00:28:12,440 --> 00:28:16,040
Speaker 1: song previously, like in maybe in January or something of

520
00:28:16,119 --> 00:28:18,199
Speaker 1: this year, and then I was like, oh, yeah, I

521
00:28:18,200 --> 00:28:20,280
Speaker 1: have a song about this, so I just put it.

522
00:28:20,359 --> 00:28:23,840
Speaker 1: I mean, there was no ulterior motive. Watched it the

523
00:28:23,840 --> 00:28:28,120
Speaker 1: billboards and you know, now you're on these multi format

524
00:28:28,119 --> 00:28:30,520
Speaker 1: shows and they're artists from all over the place to

525
00:28:30,640 --> 00:28:32,399
Speaker 1: do all kinds of music. Any of the artists come

526
00:28:32,440 --> 00:28:33,879
Speaker 1: up to you and go, hey, man, I know I'm not,

527
00:28:34,080 --> 00:28:36,040
Speaker 1: you know, a country music fan really, but I love

528
00:28:36,080 --> 00:28:38,960
Speaker 1: your music. I mean definitely not. At that one, it

529
00:28:39,040 --> 00:28:41,720
Speaker 1: was like, I don't even think I saw another artist

530
00:28:42,200 --> 00:28:45,280
Speaker 1: because of the pandemic. They killed everybody apart, yeah they did.

531
00:28:45,360 --> 00:28:48,440
Speaker 1: I mean it was like I literally didn't see another

532
00:28:48,520 --> 00:28:51,200
Speaker 1: artist at all. I think I saw Jimmy Butler on

533
00:28:51,200 --> 00:28:55,200
Speaker 1: TikTok listening to your music. Yeah. Yeah, Jimmy Butler's awesome. Man,

534
00:28:55,240 --> 00:28:57,160
Speaker 1: He's a great dude. Yeah. I was watching him on

535
00:28:57,160 --> 00:28:59,560
Speaker 1: a boat and he was singing along to your song

536
00:28:59,680 --> 00:29:02,680
Speaker 1: and on like a pontoon boat. Yeah, And I was like,

537
00:29:02,760 --> 00:29:05,280
Speaker 1: I was like, that's awesome. You know, Jimmy Butler plays

538
00:29:05,280 --> 00:29:07,000
Speaker 1: for Miami Amy. By the way, I was about to ask,

539
00:29:07,040 --> 00:29:09,440
Speaker 1: you know Jimmy Butler, Yeah I do, that's great. Did

540
00:29:09,480 --> 00:29:12,760
Speaker 1: you root for him? Oh of course, yeah, yeah, I was.

541
00:29:13,240 --> 00:29:14,959
Speaker 1: I think I sent him a good a good text

542
00:29:15,480 --> 00:29:18,880
Speaker 1: before before the series started. I saw your TikTok where

543
00:29:19,320 --> 00:29:21,760
Speaker 1: you were like where it started and where it is now,

544
00:29:21,760 --> 00:29:23,160
Speaker 1: and you were playing in a club. I think you

545
00:29:23,200 --> 00:29:25,840
Speaker 1: were singing Hurricane and it was some old club footage,

546
00:29:25,840 --> 00:29:26,959
Speaker 1: and then where it is now and it was you

547
00:29:27,000 --> 00:29:29,800
Speaker 1: in an arena. Does it feel like that's just been

548
00:29:29,920 --> 00:29:32,640
Speaker 1: such a runaway train or does it feel like it

549
00:29:32,640 --> 00:29:36,680
Speaker 1: took forever? I think a little bit of both, you know, um,

550
00:29:37,160 --> 00:29:38,959
Speaker 1: I think it was. In a lot of ways. It

551
00:29:39,000 --> 00:29:41,920
Speaker 1: was like, man, that feels like two lifetimes ago because

552
00:29:41,960 --> 00:29:44,880
Speaker 1: we've done so much in that amount of time. But then,

553
00:29:45,440 --> 00:29:47,240
Speaker 1: you know, I'll be talking with these guys and we'll

554
00:29:47,720 --> 00:29:49,480
Speaker 1: be talking about something and they're like, you know, that

555
00:29:49,600 --> 00:29:52,640
Speaker 1: was like two years ago, and I'm like, nn, it

556
00:29:52,680 --> 00:29:55,120
Speaker 1: feels like it was ten years ago. You know. I

557
00:29:55,120 --> 00:29:56,920
Speaker 1: don't know, It's just a lot has happened in such

558
00:29:56,920 --> 00:29:59,600
Speaker 1: a small amount of time that it's all just really

559
00:29:59,680 --> 00:30:03,680
Speaker 1: jamm impact in there. When you were playing clubs, even

560
00:30:04,040 --> 00:30:07,800
Speaker 1: before you came to Nashville full time, what was best

561
00:30:07,800 --> 00:30:12,320
Speaker 1: case scenario that you could see for yourself. I don't

562
00:30:12,360 --> 00:30:14,000
Speaker 1: know what it was. Gonna be I mean, I think

563
00:30:14,040 --> 00:30:16,280
Speaker 1: anything would have been fine as long as I could

564
00:30:16,640 --> 00:30:19,680
Speaker 1: could have made a living doing music in some capacity,

565
00:30:19,720 --> 00:30:23,560
Speaker 1: whether that was being like a full time staff ride

566
00:30:23,600 --> 00:30:27,760
Speaker 1: or somewhere, or I don't know, being a demo singer

567
00:30:27,840 --> 00:30:30,680
Speaker 1: would have been cool. I mean really, anything to like

568
00:30:31,240 --> 00:30:33,800
Speaker 1: not have to like do the grind, like the forty

569
00:30:33,840 --> 00:30:36,480
Speaker 1: hour week thing, I would have been cool with. I think,

570
00:30:36,680 --> 00:30:39,400
Speaker 1: did you, in any of your wildest dreams see this? No,

571
00:30:39,760 --> 00:30:41,840
Speaker 1: I don't think so. I mean I had a I

572
00:30:41,880 --> 00:30:43,840
Speaker 1: had a you know, I always was very confident in

573
00:30:43,920 --> 00:30:47,520
Speaker 1: myself and I believed in myself. But it was never

574
00:30:47,560 --> 00:30:52,760
Speaker 1: like I think I'm gonna be doing setting records. Yeah no, no,

575
00:30:52,760 --> 00:30:54,560
Speaker 1: no chance, and I think that that was gonna happen.

576
00:30:54,640 --> 00:30:57,040
Speaker 1: But here we are, got nine number one Hurricane first

577
00:30:57,120 --> 00:31:00,520
Speaker 1: in twenty sixteen, loving on you. You're late. We're gonna

578
00:31:00,520 --> 00:31:02,440
Speaker 1: come back in a second and do a little music.

579
00:31:02,480 --> 00:31:04,240
Speaker 1: But I do want to play. Um, let me play

580
00:31:04,240 --> 00:31:06,320
Speaker 1: a clip of Cold as You. This is from the

581
00:31:06,360 --> 00:31:15,720
Speaker 1: deluxe album God. I feel like this was a fan that,

582
00:31:15,840 --> 00:31:18,719
Speaker 1: like the fans demanded this one. Did you feel that way?

583
00:31:18,920 --> 00:31:21,840
Speaker 1: I think that yeah? My Uh, why did you guys

584
00:31:21,840 --> 00:31:23,320
Speaker 1: look at each other and laugh on this play. We

585
00:31:23,440 --> 00:31:25,800
Speaker 1: just I was just I told him it was a jam.

586
00:31:25,840 --> 00:31:30,080
Speaker 1: He didn't write on it, so, oh that's funny. I'm

587
00:31:30,080 --> 00:31:35,800
Speaker 1: always like jam it's so so good. Yeah. Yeah. Did

588
00:31:35,840 --> 00:31:39,320
Speaker 1: you feel like people were like you gotta cut that song? Um?

589
00:31:39,360 --> 00:31:41,880
Speaker 1: I think I just knew when I when I you know,

590
00:31:41,920 --> 00:31:43,680
Speaker 1: when we wrote it, when me and Jonathan and Randy

591
00:31:43,680 --> 00:31:45,440
Speaker 1: wrote it, it was just kind of like, yeah, that's

592
00:31:45,480 --> 00:31:47,680
Speaker 1: gonna be on something. I didn't know what, you know,

593
00:31:47,800 --> 00:31:50,080
Speaker 1: if that would be this thing or the next thing.

594
00:31:50,120 --> 00:31:52,120
Speaker 1: I knew it would come out at some point. Here's

595
00:31:52,120 --> 00:32:02,520
Speaker 1: a clip of the other guy set. Did you write

596
00:32:02,520 --> 00:32:06,160
Speaker 1: on this one? You did? Okay? You made up on?

597
00:32:08,440 --> 00:32:10,280
Speaker 1: Luke's gonna play in the second Luke Colmbs is here,

598
00:32:10,400 --> 00:32:12,200
Speaker 1: but we're gonna play the new single first. This is

599
00:32:12,240 --> 00:32:15,080
Speaker 1: better Together. Give me a line about this song. Tell

600
00:32:15,120 --> 00:32:17,640
Speaker 1: me I wrote this song a couple of years ago

601
00:32:17,680 --> 00:32:20,800
Speaker 1: and boone on a writer's retreat with my with my

602
00:32:20,800 --> 00:32:25,160
Speaker 1: buddy's Dan and Rainy Montana, and um, it was kind

603
00:32:25,200 --> 00:32:28,360
Speaker 1: of a story about about about my wife, you know,

604
00:32:28,560 --> 00:32:30,760
Speaker 1: just kind of the way I was feeling that at

605
00:32:30,760 --> 00:32:33,960
Speaker 1: the time. And I guess I guess it's kind of

606
00:32:34,120 --> 00:32:36,760
Speaker 1: part of the story. I guess, like beautiful crazy too.

607
00:32:37,320 --> 00:32:39,520
Speaker 1: It's like the next chapter in that story a little bit.

608
00:32:39,560 --> 00:32:42,160
Speaker 1: You have the most CMA nominations, Luke, for any artist. Oh.

609
00:32:42,160 --> 00:32:43,920
Speaker 1: I like that. You guys are aggressive with the songs here,

610
00:32:44,840 --> 00:32:48,680
Speaker 1: they're ready to go. I like the background music. Okay,

611
00:32:49,000 --> 00:32:52,800
Speaker 1: hold them back a couple, you know what, I'll save

612
00:32:52,840 --> 00:32:56,800
Speaker 1: the questions. Let's go, baby, Luke Colmbs is here. Can

613
00:32:56,840 --> 00:32:59,440
Speaker 1: we do better together? Yeah? Just a little verse, of course?

614
00:33:00,960 --> 00:33:14,640
Speaker 1: All right? One two due a forty hp Johnson on

615
00:33:14,760 --> 00:33:21,320
Speaker 1: a flat bottom metal boat, Cold cans and BB guns,

616
00:33:21,520 --> 00:33:27,520
Speaker 1: bared wiring, old fence posts at point Bucks and autumn

617
00:33:28,720 --> 00:33:34,200
Speaker 1: freshly cut corn field, one arm out to win new

618
00:33:35,240 --> 00:33:38,840
Speaker 1: and one hand on the wheel. Some things just go

619
00:33:39,480 --> 00:33:45,600
Speaker 1: better together and probably always wheel like a cup of

620
00:33:45,840 --> 00:33:51,200
Speaker 1: coffee and the sunrise Sunday drives in time to kill.

621
00:33:52,080 --> 00:33:57,120
Speaker 1: What's the point of this old guitar if it ain't

622
00:33:57,160 --> 00:34:02,360
Speaker 1: got enough strings are in your heart? And too song

623
00:34:03,120 --> 00:34:08,120
Speaker 1: that you ain't gonna sing. It's a match made up

624
00:34:08,120 --> 00:34:14,640
Speaker 1: in heaven like good boys and Bee and me. S

625
00:34:14,680 --> 00:34:25,759
Speaker 1: long as you're all right here, nice Luke Combs and

626
00:34:25,880 --> 00:34:28,000
Speaker 1: Studio right now here's a question I was gonna ask

627
00:34:28,040 --> 00:34:30,000
Speaker 1: for you guys came shoot fired out of a cannon,

628
00:34:30,320 --> 00:34:33,040
Speaker 1: which I respect. By the way, you have the most

629
00:34:33,040 --> 00:34:35,640
Speaker 1: CMA nominations for any artist with six. Now do you

630
00:34:35,719 --> 00:34:39,280
Speaker 1: have different You have six different speeches at home many

631
00:34:39,320 --> 00:34:41,120
Speaker 1: to pull out doesn't get all pockets. You're gonna have

632
00:34:41,120 --> 00:34:45,040
Speaker 1: a speech. I have zero speeches. I've never pre written

633
00:34:45,040 --> 00:34:49,080
Speaker 1: a speech before. I think maybe it's like a superstitious thing.

634
00:34:49,200 --> 00:34:52,040
Speaker 1: Have you forgotten though while giving a speech people that

635
00:34:52,120 --> 00:34:55,080
Speaker 1: you were like son of a gun. I think there's

636
00:34:55,160 --> 00:34:57,360
Speaker 1: probably people out there who would tell you that I have,

637
00:34:57,520 --> 00:35:01,840
Speaker 1: but I have. You're up against yourself and song of

638
00:35:01,880 --> 00:35:04,640
Speaker 1: the Year because you wrote even though I'm leaving, and

639
00:35:04,840 --> 00:35:07,400
Speaker 1: I hope you're happy. Now, sure which one would you

640
00:35:07,480 --> 00:35:09,960
Speaker 1: rather win? Oh? Man, that's a tough question, rock and

641
00:35:09,960 --> 00:35:11,879
Speaker 1: a hard place there. I mean, I think either one,

642
00:35:12,160 --> 00:35:14,400
Speaker 1: you know, I mean either one would be great. And obviously,

643
00:35:14,400 --> 00:35:17,759
Speaker 1: I think the tough thing is you're kind of not

644
00:35:17,800 --> 00:35:20,920
Speaker 1: only are you competing against yourself, but you're competing against

645
00:35:20,960 --> 00:35:23,360
Speaker 1: your friends because it's not like I wrote both songs

646
00:35:23,400 --> 00:35:26,760
Speaker 1: with the same people, so it's like, well, I want

647
00:35:27,120 --> 00:35:28,799
Speaker 1: my buddies over here, to win, and then I want

648
00:35:28,840 --> 00:35:30,879
Speaker 1: my buddies over here to win too, So it's kind

649
00:35:30,920 --> 00:35:33,719
Speaker 1: of like it's hard to there is no like allegiance

650
00:35:33,760 --> 00:35:36,239
Speaker 1: to either one. That's the tough thing. Do you ever

651
00:35:36,280 --> 00:35:38,000
Speaker 1: write a song that ended up doing pretty well with

652
00:35:38,000 --> 00:35:39,399
Speaker 1: someone you didn't like and you're like, man, I don't

653
00:35:39,400 --> 00:35:41,640
Speaker 1: have to see them again. No, I mean I don't

654
00:35:41,680 --> 00:35:45,200
Speaker 1: think so. You know. It's kind of like everybody, whether

655
00:35:45,320 --> 00:35:48,040
Speaker 1: the you know, whenever the ride happens. It's like you

656
00:35:48,120 --> 00:35:50,480
Speaker 1: come in and there are songs that I've written with

657
00:35:50,520 --> 00:35:52,319
Speaker 1: people were like, man, maybe I didn't vibe but that

658
00:35:53,120 --> 00:35:55,160
Speaker 1: guy as much, and so we haven't written a lot

659
00:35:55,160 --> 00:35:57,839
Speaker 1: since then. But I think it doesn't matter as long

660
00:35:57,880 --> 00:36:00,279
Speaker 1: as the song ends up being great, because if that

661
00:36:00,320 --> 00:36:03,640
Speaker 1: person wouldn't have been there, you know, even if you

662
00:36:03,640 --> 00:36:06,040
Speaker 1: know whoever feels like they didn't contribute or didn't do

663
00:36:06,080 --> 00:36:09,560
Speaker 1: as much, the song still wouldn't have happened in my opinion,

664
00:36:09,640 --> 00:36:11,400
Speaker 1: without that person there. It's not like you would have

665
00:36:11,440 --> 00:36:14,520
Speaker 1: gotten the same song if he or she didn't show

666
00:36:14,600 --> 00:36:16,640
Speaker 1: up like you still it still would have ended up

667
00:36:16,640 --> 00:36:19,480
Speaker 1: being the same. So to me, it's kind of it

668
00:36:19,480 --> 00:36:21,319
Speaker 1: doesn't matter. Do you ever hop in a writing room

669
00:36:21,360 --> 00:36:23,600
Speaker 1: and it's you know, three of you, and you felt

670
00:36:23,640 --> 00:36:25,959
Speaker 1: like that day you were the week link. Oh yeah,

671
00:36:26,040 --> 00:36:29,160
Speaker 1: all the time. I mean every time. I mean not

672
00:36:29,200 --> 00:36:30,839
Speaker 1: every time I write, but a lot of times I

673
00:36:30,840 --> 00:36:33,400
Speaker 1: feel like I could be doing better. But I always

674
00:36:33,440 --> 00:36:36,000
Speaker 1: am trying to be better. And there's days that I think.

675
00:36:36,040 --> 00:36:38,040
Speaker 1: That's the cool thing about writing with you know, Rob

676
00:36:38,160 --> 00:36:40,920
Speaker 1: or Tyler or whoever. It's like, well, you can go

677
00:36:41,000 --> 00:36:43,719
Speaker 1: in and if I'm having a bad day and I'm

678
00:36:43,719 --> 00:36:45,600
Speaker 1: writing with two guys that I write with a lot,

679
00:36:46,280 --> 00:36:50,239
Speaker 1: I know that they can you know, be the tugboat

680
00:36:50,560 --> 00:36:52,799
Speaker 1: for lack of a better term, and like pull me down. Though,

681
00:36:53,600 --> 00:36:55,960
Speaker 1: thanks man, I appreciate that that's such a such a

682
00:36:55,960 --> 00:36:58,120
Speaker 1: great term. You know. Let's do another one from the

683
00:36:58,400 --> 00:37:01,319
Speaker 1: new music out today combs us here, how about cold

684
00:37:01,320 --> 00:37:02,759
Speaker 1: as You guys want to do that one? Let's do

685
00:37:02,840 --> 00:37:22,200
Speaker 1: it one. It's a junk tap joint off a back group,

686
00:37:22,560 --> 00:37:26,480
Speaker 1: a blanking wind to sign with, an arow a grabbing

687
00:37:26,600 --> 00:37:30,640
Speaker 1: light chok full of tu box trucks making their happy

688
00:37:30,760 --> 00:37:35,560
Speaker 1: Harowey home, putting guys like me lose girls like you.

689
00:37:35,960 --> 00:37:40,800
Speaker 1: That's where we run to. They got whiskey River on

690
00:37:40,920 --> 00:37:45,520
Speaker 1: a chi box, a honky tom sow dust dance floor,

691
00:37:45,920 --> 00:37:49,840
Speaker 1: a knee out of Bible, plot bro pot, and plenty

692
00:37:49,960 --> 00:37:53,520
Speaker 1: damn many when you want more of this broke card

693
00:37:53,640 --> 00:37:58,280
Speaker 1: book on an old botstool drinking beer almost as cold

694
00:37:58,400 --> 00:38:09,880
Speaker 1: as you nice, Come on just here. It's awesome. It

695
00:38:09,960 --> 00:38:13,360
Speaker 1: sounds great, man, it's you know, I think you feel it.

696
00:38:13,400 --> 00:38:15,959
Speaker 1: We don't hear it. I definitely feel it. Yeah, sure,

697
00:38:16,239 --> 00:38:18,560
Speaker 1: let's do one more. Luke Combs is here, by the way,

698
00:38:18,680 --> 00:38:20,719
Speaker 1: you guys, be sure check out the new music out today.

699
00:38:20,760 --> 00:38:22,120
Speaker 1: I don't have to tell you that you're probably gonna

700
00:38:22,120 --> 00:38:25,000
Speaker 1: do it anyway, but let's do U. Loving on you

701
00:38:25,120 --> 00:38:26,959
Speaker 1: versu and course that you know what I like about

702
00:38:27,040 --> 00:38:29,160
Speaker 1: I just I love the intro to this. I tell

703
00:38:29,200 --> 00:38:31,879
Speaker 1: you why a person like it. It's long, that's that's

704
00:38:32,120 --> 00:38:37,960
Speaker 1: everybody's zigging you zagged. It comes in destructives and a lot.

705
00:38:38,320 --> 00:38:40,560
Speaker 1: That's my favorite part of the song because it's so different.

706
00:38:40,640 --> 00:38:41,920
Speaker 1: I like this one a lot, so I want to

707
00:38:41,920 --> 00:38:44,279
Speaker 1: hear that intro. I'm like, oh, this is good. Luke

708
00:38:44,320 --> 00:39:06,600
Speaker 1: Combs loving on you, Let's do it. Don't get me wrong.

709
00:39:06,680 --> 00:39:10,239
Speaker 1: I like a barber on the water woking. I'm in

710
00:39:10,440 --> 00:39:15,160
Speaker 1: reeling a man. I like a Friday night slew Right

711
00:39:15,400 --> 00:39:21,200
Speaker 1: brooks enum beside here while spend it again. I like

712
00:39:21,360 --> 00:39:25,520
Speaker 1: a strong shout of whiskeyathing wear Marboro hits me some

713
00:39:25,719 --> 00:39:33,920
Speaker 1: broken in cowboy booze. But I'm in loving loving on you.

714
00:39:36,600 --> 00:39:41,240
Speaker 1: I feel that a rod as soon as you walk

715
00:39:41,360 --> 00:39:47,480
Speaker 1: in a room. I can't get enough for your honey

716
00:39:47,840 --> 00:39:52,640
Speaker 1: right on the money. I'm a chunky for your midnight moves.

717
00:39:53,200 --> 00:40:04,359
Speaker 1: I'm in love loving on you. Nice it is, you know,

718
00:40:04,520 --> 00:40:06,120
Speaker 1: if you're listening now and you're like, man, that sounds

719
00:40:06,160 --> 00:40:08,160
Speaker 1: so good. If you were to separate the parts of that,

720
00:40:08,239 --> 00:40:10,920
Speaker 1: like who was singing the high harmony? Me? Tyler? Tyler?

721
00:40:11,640 --> 00:40:14,040
Speaker 1: Can you just do the high harmony without the other guy?

722
00:40:15,000 --> 00:40:17,799
Speaker 1: I would like our listeners to hear just how good,

723
00:40:17,880 --> 00:40:19,520
Speaker 1: just to hear how good you are at this, but

724
00:40:19,600 --> 00:40:22,360
Speaker 1: how weird it sounds by itself. Okay, So if you

725
00:40:22,400 --> 00:40:24,600
Speaker 1: don't mind, go ahead, all right, I'll play a long

726
00:40:27,440 --> 00:40:47,080
Speaker 1: loving feeling soon walking you honey on the money. I'm

727
00:40:47,120 --> 00:40:56,960
Speaker 1: a junky for you midnight moves with loving great many.

728
00:40:57,520 --> 00:40:59,640
Speaker 1: Hold on a second, it's a bidder now if you

729
00:40:59,719 --> 00:41:02,440
Speaker 1: hop been and do your your because you're doing kind

730
00:41:02,480 --> 00:41:07,120
Speaker 1: of a background vocal. Who now without Luke? So you

731
00:41:07,440 --> 00:41:12,360
Speaker 1: them do it just those two bones. This is so hard,

732
00:41:13,080 --> 00:41:14,640
Speaker 1: but if anyone can do it, it it s he's guys.

733
00:41:14,640 --> 00:41:17,040
Speaker 1: That's true. That's true. Les trying to get as fired

734
00:41:17,160 --> 00:41:26,759
Speaker 1: one more, one more time. Of course, ye love it.

735
00:41:34,120 --> 00:41:44,200
Speaker 1: You walking in the room. I'm a junky for you

736
00:41:44,400 --> 00:41:54,680
Speaker 1: midnight love it. That's so hard, that's so good. How

737
00:41:54,719 --> 00:41:57,919
Speaker 1: do you decide which words you're gonna fully due out

738
00:41:58,080 --> 00:42:01,080
Speaker 1: and then not because obviously Luke doing all the words,

739
00:42:01,480 --> 00:42:03,880
Speaker 1: and but then some of the words y'all do fully

740
00:42:03,920 --> 00:42:07,120
Speaker 1: and then other ones. Dude, So is that just you

741
00:42:07,160 --> 00:42:11,040
Speaker 1: feel it? It's gotta be you little feel Yeah. So whenever.

742
00:42:11,280 --> 00:42:12,920
Speaker 1: So Tyler was like one of the first people that

743
00:42:13,000 --> 00:42:14,920
Speaker 1: was hired in the band, And I remember talking to

744
00:42:15,000 --> 00:42:17,080
Speaker 1: Louke about this because I wanted. I've always been a

745
00:42:17,080 --> 00:42:20,279
Speaker 1: big three part harmony guy. I'm a huge like I got.

746
00:42:20,320 --> 00:42:23,440
Speaker 1: I've rediscovered my love for country music from Rascal Flats, Amen,

747
00:42:23,760 --> 00:42:27,640
Speaker 1: and so Tyler loves Rascal Flats. We have a three

748
00:42:27,680 --> 00:42:31,760
Speaker 1: part harmony. Weird nerd hang stuff. But doing three part harmony,

749
00:42:31,840 --> 00:42:34,439
Speaker 1: it's it's not so much about matching the note since

750
00:42:34,520 --> 00:42:36,960
Speaker 1: watching it as it is like the blend of it all,

751
00:42:36,800 --> 00:42:39,840
Speaker 1: and so with that, you know, you attack certain words

752
00:42:39,920 --> 00:42:43,479
Speaker 1: or sometimes it's like a vale siund. Sometimes it's there's

753
00:42:43,520 --> 00:42:45,120
Speaker 1: like a science to it, and there's some guys in

754
00:42:45,120 --> 00:42:48,160
Speaker 1: this town that do it oh other worldly. Well, we

755
00:42:48,239 --> 00:42:50,759
Speaker 1: just got to master class guys doing that. There's a

756
00:42:50,800 --> 00:42:52,680
Speaker 1: vulnerability to you guys having to break that apart and

757
00:42:52,719 --> 00:42:55,120
Speaker 1: to actually show what a good word. So yeah, I

758
00:42:55,120 --> 00:42:57,799
Speaker 1: appreciate that. All right, Luke Combs just here, we're gonna go.

759
00:42:58,040 --> 00:42:59,799
Speaker 1: We could do it this all day. However, let me

760
00:43:00,040 --> 00:43:01,759
Speaker 1: courage you guys to check out the new music Luke

761
00:43:01,760 --> 00:43:04,080
Speaker 1: put out today. It's got five new songs for you.

762
00:43:04,080 --> 00:43:06,040
Speaker 1: You probably already are. You're probably not even listening to

763
00:43:06,160 --> 00:43:07,600
Speaker 1: us right now because you're listening to it. So how

764
00:43:07,640 --> 00:43:10,080
Speaker 1: would you even hear me say this? That's that's the question?

765
00:43:10,280 --> 00:43:15,840
Speaker 1: All right, there is Luke comes. Thank It's the Best

766
00:43:15,960 --> 00:43:21,760
Speaker 1: Bits of the Week with Morgan number two. So today

767
00:43:21,880 --> 00:43:24,080
Speaker 1: is a huge day. We've been talking about it for months.

768
00:43:24,160 --> 00:43:27,320
Speaker 1: Ray Mundo is obviously getting married, but this week we

769
00:43:27,440 --> 00:43:29,560
Speaker 1: talked a lot about it the lead up to his

770
00:43:29,640 --> 00:43:32,719
Speaker 1: big wedding day, and there's something that he gifted to

771
00:43:32,800 --> 00:43:36,600
Speaker 1: his wife. It's a song he wrote it with some

772
00:43:36,640 --> 00:43:38,720
Speaker 1: of his friends, and we got to hear that song

773
00:43:38,840 --> 00:43:42,360
Speaker 1: for basically the first time in full. And I'm not

774
00:43:42,400 --> 00:43:44,040
Speaker 1: gonna lie. I think I saw some of the guys

775
00:43:44,040 --> 00:43:46,759
Speaker 1: on the show crying while the song played. So here

776
00:43:46,880 --> 00:43:51,040
Speaker 1: this number two right now, Linda in California is on Linda,

777
00:43:51,080 --> 00:43:54,919
Speaker 1: what's going on? Good Morning, Morning, Studio Morning. I first

778
00:43:54,920 --> 00:43:57,799
Speaker 1: of all, congratulation since Mike and Bobby on you both

779
00:43:57,840 --> 00:44:01,919
Speaker 1: of your own eager and thank you. And I had

780
00:44:01,920 --> 00:44:05,479
Speaker 1: a question for a Raymond though, are you still going

781
00:44:05,600 --> 00:44:09,239
Speaker 1: to do that song? You did a little snippet of

782
00:44:09,239 --> 00:44:12,520
Speaker 1: it at your wedding, so ray catch our listeners up

783
00:44:12,520 --> 00:44:15,120
Speaker 1: to what that song was. So I just had the idea,

784
00:44:15,360 --> 00:44:17,680
Speaker 1: maybe a gift I was gonna give my fiance, maybe

785
00:44:17,719 --> 00:44:20,040
Speaker 1: something we play on the radio. It's a song that

786
00:44:20,080 --> 00:44:23,239
Speaker 1: tells kind of our story and that is going to

787
00:44:23,320 --> 00:44:26,160
Speaker 1: be produced and put out right next to our wedding.

788
00:44:27,000 --> 00:44:29,840
Speaker 1: And so you guys did record it. We did. We

789
00:44:29,840 --> 00:44:31,920
Speaker 1: went to the studio. Man, did it for real? Is

790
00:44:31,960 --> 00:44:35,319
Speaker 1: it done? Yeah? It's good to go. Do you want

791
00:44:35,320 --> 00:44:39,200
Speaker 1: to hear this Linda today? Okay, Well, let's hear it together.

792
00:44:39,239 --> 00:44:41,160
Speaker 1: Can can Linda hear if we play the audio over

793
00:44:41,160 --> 00:44:42,840
Speaker 1: the phone? I hope? So? Okay, let's is that we

794
00:44:42,920 --> 00:44:44,600
Speaker 1: canna hear from the beginning. Yeah, you can do whole

795
00:44:44,600 --> 00:44:49,279
Speaker 1: songs three minutes or okay, what if we do the

796
00:44:49,280 --> 00:44:51,960
Speaker 1: whole song? But I stop it throughout so if listeners

797
00:44:51,960 --> 00:44:54,920
Speaker 1: are just coming in, they're like, what is this? Okay,

798
00:44:55,000 --> 00:44:57,799
Speaker 1: let's go, okay, here this is who's the artist it is?

799
00:44:57,840 --> 00:45:00,480
Speaker 1: It's Eric Dodd. Eddie's in it. And then I'm also

800
00:45:00,560 --> 00:45:02,880
Speaker 1: in the gang vocals as well. Okay, so it's not

801
00:45:02,920 --> 00:45:04,799
Speaker 1: you singing the whole song. I wanted to be good.

802
00:45:05,000 --> 00:45:07,319
Speaker 1: We tried to talk him into singing it, but he said, no, guys,

803
00:45:07,320 --> 00:45:09,719
Speaker 1: I will ruin it if I sing it. Oh oh no,

804
00:45:10,160 --> 00:45:18,040
Speaker 1: let's hear it all right, here you go. I knew

805
00:45:18,040 --> 00:45:21,720
Speaker 1: we had a very tender beginning. I told my buddy,

806
00:45:21,760 --> 00:45:25,040
Speaker 1: Billy Man, are you kidding? Between that long blonde hair

807
00:45:25,440 --> 00:45:29,440
Speaker 1: the sweetheart smile, you started hanging out, and after a

808
00:45:29,480 --> 00:45:32,880
Speaker 1: while I kind of got used to seeing your face.

809
00:45:33,239 --> 00:45:36,560
Speaker 1: Even barge keys to do laundry at the place. There

810
00:45:36,560 --> 00:45:40,080
Speaker 1: were concert nights, non chord days. I wrote the song

811
00:45:40,080 --> 00:45:43,480
Speaker 1: because I love you wipe them tears away. Look at

812
00:45:43,480 --> 00:45:50,080
Speaker 1: you shining underneath the Nashville sunset, and here I am

813
00:45:50,160 --> 00:45:55,160
Speaker 1: dreaming bad all the years we ain't lived. Yeah soon,

814
00:45:55,320 --> 00:46:00,279
Speaker 1: Let's celebrate this special day like your time. Me love

815
00:46:00,320 --> 00:46:08,080
Speaker 1: a birthday, Hey, live our lives way. That's really good,

816
00:46:09,560 --> 00:46:11,200
Speaker 1: me too. Let's keep a guy. I just only was

817
00:46:11,200 --> 00:46:13,319
Speaker 1: gonna yell at so listeners. No, this is Ray's song

818
00:46:13,640 --> 00:46:15,839
Speaker 1: that he helped write for his wife when they get married.

819
00:46:15,880 --> 00:46:24,160
Speaker 1: This weekend, gotta place downtown here at Ice Park. The

820
00:46:24,239 --> 00:46:28,640
Speaker 1: news came in and life got hard. Stage three diagnosis,

821
00:46:28,800 --> 00:46:31,960
Speaker 1: your heads off gone. We shed a few tears, but

822
00:46:32,160 --> 00:46:35,600
Speaker 1: now for long because you were so savage, like megging

823
00:46:35,680 --> 00:46:39,480
Speaker 1: the stallion. You never lost hope, we never lost passion.

824
00:46:39,840 --> 00:46:43,520
Speaker 1: And now I was riding shoddy. Call your bandwagon crazy

825
00:46:43,560 --> 00:46:47,680
Speaker 1: as it is. All this is happening, but you shining

826
00:46:47,920 --> 00:46:54,160
Speaker 1: none ofderneath the Nastulus sunset. Here I am taking bad

827
00:46:54,280 --> 00:46:59,640
Speaker 1: all the years he ain't lived. Yeah soon, Let's celebrate

828
00:47:00,200 --> 00:47:05,759
Speaker 1: this special day like you talk Me love a birthday, Hey,

829
00:47:06,880 --> 00:47:30,000
Speaker 1: live our lives away, live our lives. Ah oh oh oh,

830
00:47:33,640 --> 00:47:40,400
Speaker 1: Look at you shining unneath the national suns Here I

831
00:47:40,440 --> 00:47:44,160
Speaker 1: am dreaming bad on the years we ain't living yea,

832
00:47:45,520 --> 00:47:50,200
Speaker 1: so let's celebrate this special day like you tem me

833
00:47:50,640 --> 00:48:10,919
Speaker 1: love a birthday, live our lives away. Ah, that's fantastic.

834
00:48:12,400 --> 00:48:14,319
Speaker 1: It's not even dopey. I thought it'd be a little

835
00:48:14,360 --> 00:48:18,160
Speaker 1: dopey like all the White Claw songs. Yeah, Hey, so

836
00:48:18,320 --> 00:48:21,040
Speaker 1: is this not the song that they danced too? I

837
00:48:21,040 --> 00:48:23,520
Speaker 1: think that's why we're gonna go with Yeah, you're gonna

838
00:48:23,520 --> 00:48:27,719
Speaker 1: play live. I could well that means that all of

839
00:48:27,760 --> 00:48:29,920
Speaker 1: us have to sing it live. Yeah, because it was

840
00:48:29,960 --> 00:48:32,839
Speaker 1: meant for us to be the background vocals on that.

841
00:48:33,480 --> 00:48:36,200
Speaker 1: On that chorus part, look at you shant you know

842
00:48:36,239 --> 00:48:40,439
Speaker 1: what I'm saying, that's really good. I know the verse

843
00:48:40,600 --> 00:48:43,520
Speaker 1: when she got cancer. That totally got me. And then

844
00:48:43,560 --> 00:48:46,879
Speaker 1: I was emotional the rest of the song, like that's

845
00:48:46,880 --> 00:48:50,800
Speaker 1: super special. Wait, she heard it, Yeah, she's heard it. Okay,

846
00:48:51,320 --> 00:48:52,960
Speaker 1: I forget. I mean, and I know she listens to

847
00:48:53,000 --> 00:48:54,480
Speaker 1: the show, but I'm like, if I was her and

848
00:48:54,520 --> 00:48:56,160
Speaker 1: I was hearing that for the first time on our

849
00:48:56,200 --> 00:48:59,439
Speaker 1: wedding night, like I would be bawling, crying, And that's

850
00:48:59,440 --> 00:49:01,600
Speaker 1: what you two gonna Amy's cronk right now, that's what

851
00:49:01,640 --> 00:49:03,160
Speaker 1: you two are going to be dancing to first song.

852
00:49:03,239 --> 00:49:05,040
Speaker 1: We thought that'd be the best idea unless we get

853
00:49:05,080 --> 00:49:08,319
Speaker 1: something last second. We canceled Taylor Lover, and we're trying

854
00:49:08,360 --> 00:49:10,960
Speaker 1: to find something else and this almost fits. This is

855
00:49:11,040 --> 00:49:13,359
Speaker 1: way better than Lover. You should do this. Is this

856
00:49:13,400 --> 00:49:16,279
Speaker 1: song available to be streamed? Yet it's a problem. I mean,

857
00:49:16,280 --> 00:49:18,880
Speaker 1: we're trying to do that. Well. Eric Dodd had a

858
00:49:18,960 --> 00:49:20,320
Speaker 1: late he had a label and we were able to

859
00:49:20,360 --> 00:49:21,719
Speaker 1: do it through them, So now it's a little bit

860
00:49:21,760 --> 00:49:23,680
Speaker 1: more difficult. But I mean right now I have it

861
00:49:23,760 --> 00:49:25,520
Speaker 1: on a drop box and I just kind of put

862
00:49:25,560 --> 00:49:28,279
Speaker 1: it on Instagram or something like that. He did. He

863
00:49:28,320 --> 00:49:30,799
Speaker 1: did link the drop box out was pretty funny. Yes,

864
00:49:31,160 --> 00:49:33,560
Speaker 1: so everyone that clicked on I had to download him. Yeah,

865
00:49:35,800 --> 00:49:40,319
Speaker 1: napster style, like I love it. Yeah, I wish I

866
00:49:40,400 --> 00:49:42,360
Speaker 1: kind of got that put up. You just need a

867
00:49:42,360 --> 00:49:45,440
Speaker 1: couple of weeks out. Yeah, not a week of but

868
00:49:45,600 --> 00:49:47,120
Speaker 1: special though. We'll put it up on the website. We

869
00:49:47,200 --> 00:49:49,880
Speaker 1: load it up there. Do you care? Oh it is okay,

870
00:49:50,280 --> 00:49:53,600
Speaker 1: Well that's great, would you. The thing is to get

871
00:49:53,680 --> 00:49:55,480
Speaker 1: him to play live though, Like you need that setup,

872
00:49:55,520 --> 00:49:57,040
Speaker 1: you need a PA set up. I don't think that's

873
00:49:57,040 --> 00:50:00,120
Speaker 1: gonna happen. No microphone. It's it's a venue that right now. Now.

874
00:50:00,160 --> 00:50:01,719
Speaker 1: It isn't a restaurant, it isn't a bar, so I

875
00:50:01,719 --> 00:50:04,040
Speaker 1: don't really know what plugins or anything they have. I

876
00:50:04,120 --> 00:50:06,520
Speaker 1: know they got alcohol and a dance floor and that's

877
00:50:06,520 --> 00:50:09,160
Speaker 1: really all we need, right What about the reception? Is

878
00:50:09,160 --> 00:50:11,360
Speaker 1: there a band already? That's what I'm saying. There's a

879
00:50:11,440 --> 00:50:14,239
Speaker 1: DJ ya? I mean it's COVID. We're not trying to

880
00:50:14,280 --> 00:50:17,200
Speaker 1: have a live, seven person band, dude, right, yeah? I

881
00:50:17,239 --> 00:50:19,840
Speaker 1: mean okay, Well I love it. I love it. He

882
00:50:20,000 --> 00:50:21,480
Speaker 1: forgot to get to play a live It's probably been

883
00:50:21,520 --> 00:50:25,520
Speaker 1: more special, but it's really special anyway. Fantastic, isn't it. Hey?

884
00:50:25,520 --> 00:50:28,960
Speaker 1: Did you hear that song Linda? That was amazing. I'm

885
00:50:28,960 --> 00:50:32,359
Speaker 1: not gonna lie. I am dancing in my daughter's bedroom

886
00:50:32,360 --> 00:50:36,600
Speaker 1: picking out our clothes right now. Look at yeah, yeah,

887
00:50:36,640 --> 00:50:41,120
Speaker 1: look at her shining and thenneath the Nashville sunset, sunset

888
00:50:41,160 --> 00:50:47,680
Speaker 1: you got it? Birthday Dang, it's a jam man? All right? Well,

889
00:50:47,800 --> 00:50:50,000
Speaker 1: nice shot at Linda, Thank you for thank you for

890
00:50:50,040 --> 00:50:53,680
Speaker 1: the call? Is that can that feel on the way?

891
00:50:53,880 --> 00:50:57,080
Speaker 1: I don't know radio? Which was that's what we do here? Yeah?

892
00:50:57,400 --> 00:51:02,920
Speaker 1: It was just the country I've heard number one as

893
00:51:02,960 --> 00:51:07,719
Speaker 1: good as that. It's the best bits of the week

894
00:51:08,520 --> 00:51:15,879
Speaker 1: with Morgan number two. Our biggest segment from the show

895
00:51:15,960 --> 00:51:19,480
Speaker 1: this week is lunchboxes trip to the veliska As Murder

896
00:51:19,520 --> 00:51:22,640
Speaker 1: House in Iowa. And I had to bring on Lunchbox

897
00:51:22,800 --> 00:51:25,960
Speaker 1: because he totally believes in ghosts and he just went

898
00:51:25,960 --> 00:51:28,600
Speaker 1: through a whole life changing experience and I think we

899
00:51:28,680 --> 00:51:30,400
Speaker 1: need to hear from him some more. Oh, yeah, you

900
00:51:30,480 --> 00:51:32,120
Speaker 1: believe in ghost when you go to that house and

901
00:51:32,160 --> 00:51:36,080
Speaker 1: things start moving and making noises, and I mean it's yeah,

902
00:51:36,719 --> 00:51:39,319
Speaker 1: before you went to the house, did you believe in

903
00:51:39,400 --> 00:51:42,439
Speaker 1: ghosts or spirits and ghost kinds. Yes, I'd been pushing

904
00:51:42,520 --> 00:51:44,719
Speaker 1: the closet by a ghost when I was a kid

905
00:51:44,960 --> 00:51:47,120
Speaker 1: and it got really cold in there. So yes, I

906
00:51:47,160 --> 00:51:49,480
Speaker 1: absolutely believe in ghosts. And I don't know where that

907
00:51:49,560 --> 00:51:51,440
Speaker 1: laugh came from. But was that a ghost that just

908
00:51:51,440 --> 00:51:54,919
Speaker 1: followed me here? Was Steve? Oh? And why are you see?

909
00:51:55,120 --> 00:51:57,200
Speaker 1: Everybody's so quick to dismiss it, But no, no, no

910
00:51:57,239 --> 00:51:58,759
Speaker 1: one wants to stop up and go in that house

911
00:51:58,800 --> 00:52:00,879
Speaker 1: with me. I'm letting you have an open platform here,

912
00:52:01,480 --> 00:52:04,839
Speaker 1: there's no judgment. But do you think the ghosts from

913
00:52:04,840 --> 00:52:06,960
Speaker 1: your past kind of came up to in this house

914
00:52:07,000 --> 00:52:09,040
Speaker 1: while you were there. No, no, no, So you just

915
00:52:09,120 --> 00:52:12,440
Speaker 1: think it was the ghosts from the actual house that

916
00:52:12,520 --> 00:52:14,239
Speaker 1: were there that we're dealing with. And I don't even

917
00:52:14,239 --> 00:52:16,360
Speaker 1: know if they're ghosts or they're just spirits or whatever

918
00:52:16,440 --> 00:52:18,800
Speaker 1: you call them. But there was something in that house.

919
00:52:18,960 --> 00:52:22,279
Speaker 1: There was something in that house. It was freaking crazy.

920
00:52:22,560 --> 00:52:25,160
Speaker 1: I believe you. I watched your Facebook lives where you

921
00:52:25,400 --> 00:52:28,240
Speaker 1: did a lot of things and you were obviously very scared.

922
00:52:28,320 --> 00:52:30,799
Speaker 1: So I'll be the first to say I believe you.

923
00:52:30,920 --> 00:52:34,040
Speaker 1: I totally believe in what you experienced there. But what

924
00:52:34,120 --> 00:52:35,520
Speaker 1: did you not get to talk about on the show

925
00:52:35,560 --> 00:52:37,279
Speaker 1: that you kind of wish we talked about? I mean, like,

926
00:52:37,480 --> 00:52:39,320
Speaker 1: I mean, I did a prayer. I did a prayer

927
00:52:39,360 --> 00:52:41,920
Speaker 1: inside the house just to make sure everybody was happy

928
00:52:41,960 --> 00:52:44,360
Speaker 1: with me. And so I mean I got that on tape.

929
00:52:44,360 --> 00:52:46,080
Speaker 1: If you guys want to hear me praying to the

930
00:52:46,239 --> 00:52:49,360
Speaker 1: you know, ghost gods, let's hear it. Dear ghost God's

931
00:52:50,040 --> 00:52:53,880
Speaker 1: spirit gods and a regular God that's looking over Andrew

932
00:52:53,880 --> 00:52:57,279
Speaker 1: and myself tonight. Please, like you guys have a conversation

933
00:52:57,360 --> 00:53:00,520
Speaker 1: ghost God and real God like God of every buddy,

934
00:53:00,719 --> 00:53:03,040
Speaker 1: we are just here to observe their house. We're not

935
00:53:03,120 --> 00:53:04,879
Speaker 1: here to do anything bad. We just want to beat

936
00:53:04,920 --> 00:53:07,799
Speaker 1: with them, you know. And we ask for your protection,

937
00:53:08,400 --> 00:53:10,920
Speaker 1: and we ask for your blessing, and we ask you

938
00:53:10,960 --> 00:53:12,600
Speaker 1: how to look over us in the name of the Father,

939
00:53:12,760 --> 00:53:16,320
Speaker 1: the Son, the Holy Spirit. Amen. Thank you, ghost gods,

940
00:53:16,360 --> 00:53:22,640
Speaker 1: spirit gods, goblin gods and real gods. Thank you very much. Amen. Amen. Okay,

941
00:53:22,640 --> 00:53:25,399
Speaker 1: so do you think like the ghost gods and those

942
00:53:25,440 --> 00:53:28,280
Speaker 1: gods talk to you? Like? What was your thinking of saying,

943
00:53:28,280 --> 00:53:31,640
Speaker 1: all the gods I want the like ghost gods because

944
00:53:31,680 --> 00:53:34,520
Speaker 1: I feel like they have like little separate gods that

945
00:53:34,719 --> 00:53:36,520
Speaker 1: I wanted them to talk to the main god and

946
00:53:36,560 --> 00:53:38,560
Speaker 1: be like, hey, are these guys cool like or should

947
00:53:38,600 --> 00:53:40,440
Speaker 1: we mess with them really bad? Should we make them

948
00:53:40,520 --> 00:53:42,439
Speaker 1: have a miserable time? So you just got to cover

949
00:53:42,520 --> 00:53:45,359
Speaker 1: your basis. Even if there's not ghost gods, you got

950
00:53:45,360 --> 00:53:48,399
Speaker 1: to make sure you have to appease everybody. So if

951
00:53:48,400 --> 00:53:50,359
Speaker 1: there is a ghost god and you don't acknowledge him,

952
00:53:50,400 --> 00:53:53,400
Speaker 1: he's gonna be ticked off. Okay, so you felt like

953
00:53:53,400 --> 00:53:55,759
Speaker 1: you know, acknowledge them, and did you ever deal with

954
00:53:55,800 --> 00:53:58,920
Speaker 1: any TikTok ticked off? Ghosts. You feel like there was

955
00:53:58,960 --> 00:54:02,000
Speaker 1: no TikTok ghosts, but there might have been tipped off ghosts.

956
00:54:02,160 --> 00:54:04,359
Speaker 1: I'm not sure. Like, I don't think they were mad

957
00:54:04,400 --> 00:54:06,560
Speaker 1: at me because I tried to be very peaceful. I

958
00:54:06,560 --> 00:54:08,680
Speaker 1: even took pictures with some of them. I mean, I said,

959
00:54:08,680 --> 00:54:11,640
Speaker 1: are air take pictures? And we took some group pictures.

960
00:54:11,640 --> 00:54:16,640
Speaker 1: And I mean, so when you group, no groping, No,

961
00:54:16,640 --> 00:54:19,520
Speaker 1: no groping. So when you heard the slams of the

962
00:54:19,560 --> 00:54:21,880
Speaker 1: door or when you heard toys dropping or whatever it

963
00:54:22,000 --> 00:54:24,279
Speaker 1: was that you were hearing those sounds, do you think

964
00:54:24,280 --> 00:54:26,520
Speaker 1: it was them trying to interact with you, or do

965
00:54:26,520 --> 00:54:28,360
Speaker 1: you think they were mad at you because you were

966
00:54:28,400 --> 00:54:30,799
Speaker 1: staying in the house. When you knock something over, they

967
00:54:30,840 --> 00:54:33,080
Speaker 1: may have done that on accident. And they're probably like

968
00:54:33,239 --> 00:54:35,959
Speaker 1: us where they're walking around they actually knock over something

969
00:54:36,040 --> 00:54:37,920
Speaker 1: or flying around whatever you want to call it. But

970
00:54:38,000 --> 00:54:39,920
Speaker 1: I mean, I think they liked taking pictures with me

971
00:54:39,920 --> 00:54:42,080
Speaker 1: because I was real nice about it. Here, listen, everybody

972
00:54:42,080 --> 00:54:45,600
Speaker 1: around the dinner table, everybody standing by the table, Come on,

973
00:54:45,680 --> 00:54:52,000
Speaker 1: adults to everybody, look at the camera. Oh that's a

974
00:54:52,040 --> 00:54:54,920
Speaker 1: good one. That's a good one. Guys, Wait, what was that?

975
00:54:55,040 --> 00:54:56,960
Speaker 1: Hold on, I shouldn't play around. That's not funny. I

976
00:54:56,960 --> 00:54:59,560
Speaker 1: shouldn't jove, I shouldn't do it. I'm sorry. I'm sorry.

977
00:54:59,600 --> 00:55:02,640
Speaker 1: I'm sorry. Please, I'm sorry. Come on, guys, can I

978
00:55:02,640 --> 00:55:05,239
Speaker 1: take a picture? Thank you? All right? I tried to

979
00:55:05,239 --> 00:55:09,000
Speaker 1: act tone, I try to act toime. I'm sorry. Who

980
00:55:09,040 --> 00:55:11,040
Speaker 1: was that voice in there? Was that you? No? No No,

981
00:55:11,160 --> 00:55:12,960
Speaker 1: I just heard that for the first time. Hold on,

982
00:55:13,520 --> 00:55:15,560
Speaker 1: was that Steve? No? They say like that. Have you

983
00:55:15,600 --> 00:55:18,080
Speaker 1: ever watched ghost stories or like those things on travel channel?

984
00:55:18,120 --> 00:55:20,439
Speaker 1: They say, sometimes where you collect audio in the mommy,

985
00:55:20,440 --> 00:55:24,040
Speaker 1: you don't hear anything, but recordings devices can pick up

986
00:55:24,040 --> 00:55:28,640
Speaker 1: different frequencies. That's exactly at the house. So wait, so

987
00:55:28,680 --> 00:55:31,520
Speaker 1: what we just heard that. We'll play it back again. Well,

988
00:55:31,520 --> 00:55:33,680
Speaker 1: we just heard nobody has ever heard before, and you

989
00:55:33,719 --> 00:55:36,920
Speaker 1: did not hear that in the house. Okay, Steve, you

990
00:55:36,920 --> 00:55:39,359
Speaker 1: know what part I'm talking about. Yeah, I definitely heard

991
00:55:39,600 --> 00:55:42,239
Speaker 1: everybody around the dinner table, everybody standing by the table.

992
00:55:43,120 --> 00:55:49,560
Speaker 1: Come on, adults, to everybody, look at the camera. Oh

993
00:55:49,640 --> 00:55:52,920
Speaker 1: that's a good one. That's a good one. Guys say. Okay,

994
00:55:53,000 --> 00:55:55,400
Speaker 1: I'm out. I'm out. I'm done talking about them. I'm

995
00:55:55,400 --> 00:55:57,359
Speaker 1: done talking about them. I'm done. Like I can't see

996
00:55:57,400 --> 00:55:59,440
Speaker 1: that's not cool, Like I didn't know that. I know,

997
00:55:59,600 --> 00:56:01,960
Speaker 1: I'm not I'm not doing this. I'm out. Yeah, I'm

998
00:56:02,000 --> 00:56:03,680
Speaker 1: kind of in chalk right now. Okay, we're just we're

999
00:56:03,719 --> 00:56:06,279
Speaker 1: just gonna move on. Pass this and y'all can hit

1000
00:56:06,360 --> 00:56:08,480
Speaker 1: us up on Twitter and all the things of what

1001
00:56:08,520 --> 00:56:11,359
Speaker 1: you think you heard. But lunchboxs, do you think they

1002
00:56:11,440 --> 00:56:13,759
Speaker 1: followed you home? No? I told him before I left

1003
00:56:13,840 --> 00:56:16,040
Speaker 1: not to follow me home. But you've had no since

1004
00:56:16,080 --> 00:56:17,759
Speaker 1: you've been home. I checked the back seat of the

1005
00:56:17,800 --> 00:56:20,160
Speaker 1: car probably ten times on the drive home, and nothing

1006
00:56:20,239 --> 00:56:22,920
Speaker 1: was happening, so I felt safe. Nothing's happened at my house,

1007
00:56:24,000 --> 00:56:25,520
Speaker 1: and I told them to stay there, so I think

1008
00:56:25,520 --> 00:56:28,200
Speaker 1: we're good. And have you had any nightmares since staying

1009
00:56:28,239 --> 00:56:30,759
Speaker 1: in that house? Nope, no nightmares. But now after you're

1010
00:56:30,760 --> 00:56:34,440
Speaker 1: hearing that I might have nightmares to night. Well, did

1011
00:56:34,520 --> 00:56:36,919
Speaker 1: anything show up in your pictures? They said audio, something

1012
00:56:36,960 --> 00:56:39,880
Speaker 1: could sound show up, but they also said pictures, something

1013
00:56:39,960 --> 00:56:42,320
Speaker 1: could show up. Yeah, I haven't seen anything in my pictures.

1014
00:56:42,320 --> 00:56:44,440
Speaker 1: People were saying there's orbs in my pictures, but I

1015
00:56:44,440 --> 00:56:46,400
Speaker 1: don't even know what that is, so maybe there is.

1016
00:56:46,480 --> 00:56:48,880
Speaker 1: I don't know. Oh okay. Well, the last thing I

1017
00:56:48,920 --> 00:56:51,720
Speaker 1: want to bring up before we get to this segment Scooba.

1018
00:56:51,760 --> 00:56:53,759
Speaker 1: Steve had kind of set this all up with you,

1019
00:56:53,880 --> 00:56:56,239
Speaker 1: and I know it took us a lot to get

1020
00:56:56,280 --> 00:56:58,200
Speaker 1: to this point of view actually going to the house.

1021
00:56:58,640 --> 00:57:01,480
Speaker 1: So Steve, can you show some light on how that

1022
00:57:01,520 --> 00:57:05,160
Speaker 1: all went down and how Lunchbox was dealing with going

1023
00:57:05,200 --> 00:57:07,319
Speaker 1: to the murderhouse. Well, Lunchbox was trying to get out

1024
00:57:07,320 --> 00:57:08,880
Speaker 1: of it and not trying to go at all. I

1025
00:57:08,880 --> 00:57:10,839
Speaker 1: think that was kind of his old plan from day one,

1026
00:57:10,960 --> 00:57:14,040
Speaker 1: was trying to basically not take certain guests. I can't

1027
00:57:14,080 --> 00:57:15,479
Speaker 1: go with this part, they can't go with that person,

1028
00:57:15,520 --> 00:57:17,800
Speaker 1: hoping that baby Bobby would eventually just go out. We're

1029
00:57:17,840 --> 00:57:19,560
Speaker 1: not going to do this anymore. Well, we already paid

1030
00:57:19,600 --> 00:57:21,640
Speaker 1: for the hotel room. I put fifty down on it,

1031
00:57:21,680 --> 00:57:23,880
Speaker 1: so it was paid for. You're definitely worth going. We

1032
00:57:23,960 --> 00:57:25,840
Speaker 1: got a car set up, We got cash in his

1033
00:57:25,920 --> 00:57:27,880
Speaker 1: pocket for gas and for snacks and never a shout

1034
00:57:27,920 --> 00:57:30,200
Speaker 1: out Troy at our cool springs. That car was legit. Yeah,

1035
00:57:30,200 --> 00:57:31,720
Speaker 1: it was pretty cool. And then us operaly for the

1036
00:57:31,760 --> 00:57:33,320
Speaker 1: game which give you money for your gas and for

1037
00:57:33,360 --> 00:57:35,920
Speaker 1: your snacks, and it was just a constant battle every

1038
00:57:35,920 --> 00:57:38,440
Speaker 1: single day that we would end this show and Lunchbox

1039
00:57:38,440 --> 00:57:39,480
Speaker 1: all come in here, and you go, all right, who

1040
00:57:39,480 --> 00:57:41,520
Speaker 1: do you got for me to go with? Today? And

1041
00:57:41,560 --> 00:57:43,240
Speaker 1: me and Eddie and everyone would try to come up

1042
00:57:43,240 --> 00:57:44,880
Speaker 1: all these different ideas of someone to go with him,

1043
00:57:45,040 --> 00:57:46,720
Speaker 1: and he'd shoot every single one of them down, and

1044
00:57:46,760 --> 00:57:49,160
Speaker 1: it was such a pain in the butt to finally

1045
00:57:49,200 --> 00:57:51,160
Speaker 1: find something to go with him that eventually his cousin,

1046
00:57:51,480 --> 00:57:53,600
Speaker 1: Thank God, thank you Andrew, if you're hearing this, thank

1047
00:57:53,600 --> 00:57:57,040
Speaker 1: you for coming, because you eventually made this bit happen. Lunchbox,

1048
00:57:57,120 --> 00:57:58,440
Speaker 1: what do you have to say back to that? I

1049
00:57:58,440 --> 00:58:00,160
Speaker 1: got to say, Andrew, you are a hero, Like it

1050
00:58:00,160 --> 00:58:01,720
Speaker 1: would have been a very awkward ride if I'd have

1051
00:58:01,760 --> 00:58:03,680
Speaker 1: been stuck in there with a stranger and a night

1052
00:58:03,720 --> 00:58:05,640
Speaker 1: in the house, like come on, it would have been

1053
00:58:05,720 --> 00:58:08,360
Speaker 1: very uncomfortable. That's the thing too, you keep saying stranger, stranger.

1054
00:58:08,760 --> 00:58:10,640
Speaker 1: Most of these people we suggested you kind of knew

1055
00:58:10,640 --> 00:58:16,480
Speaker 1: who they were and become friends the exactly very because

1056
00:58:16,520 --> 00:58:17,760
Speaker 1: what if we don't get along, what if we don't

1057
00:58:17,760 --> 00:58:19,960
Speaker 1: have anything in common, Like like I know who my

1058
00:58:19,960 --> 00:58:21,520
Speaker 1: neighbor is, that doesn't mean they're not a strong I

1059
00:58:21,560 --> 00:58:24,120
Speaker 1: don't know them like I see am I. Oh, that's

1060
00:58:24,160 --> 00:58:26,400
Speaker 1: my neighbor. But just because I know who they are

1061
00:58:26,640 --> 00:58:29,280
Speaker 1: doesn't mean they're not a stranger. Thank you. I went,

1062
00:58:29,680 --> 00:58:31,400
Speaker 1: all right, sure you. Well, now you know how it

1063
00:58:31,440 --> 00:58:34,120
Speaker 1: actually went down in the process to get to Lunchbox

1064
00:58:34,160 --> 00:58:36,480
Speaker 1: going to the murder House. Last question before we get

1065
00:58:36,520 --> 00:58:39,440
Speaker 1: here Lunchbox, how do you feel? Are you glad you went?

1066
00:58:39,560 --> 00:58:43,280
Speaker 1: Or are you still sad you had to go? Um?

1067
00:58:43,320 --> 00:58:45,360
Speaker 1: I mean it was fine. I don't know if I'm

1068
00:58:45,360 --> 00:58:47,720
Speaker 1: glad I went or not. I mean it was something

1069
00:58:47,800 --> 00:58:49,360
Speaker 1: I had to do and I went. I don't think

1070
00:58:49,400 --> 00:58:51,920
Speaker 1: I would sign up for my you know, weekend vacation.

1071
00:58:51,920 --> 00:58:53,640
Speaker 1: I don't think I'm gonna spend it at the Vigila

1072
00:58:53,920 --> 00:58:57,600
Speaker 1: Murder House or whatever it's fall. Yeah, I don't think

1073
00:58:57,600 --> 00:58:59,479
Speaker 1: I would do that. But go for you guys, book

1074
00:58:59,480 --> 00:59:02,600
Speaker 1: your vacation and send time. Would you suggest our listeners

1075
00:59:02,640 --> 00:59:05,200
Speaker 1: go and experience? Yes? Absolutely? All right, Well, there you

1076
00:59:05,280 --> 00:59:07,280
Speaker 1: have it. So now it's time to get to the

1077
00:59:07,320 --> 00:59:12,560
Speaker 1: segment of Lunchbox at the Iowa Murderhouse. Number one. That's good. Well,

1078
00:59:12,640 --> 00:59:15,000
Speaker 1: it's time to find out. We have Lunchbox on the phone,

1079
00:59:15,080 --> 00:59:17,280
Speaker 1: right now he spent the night last night in the

1080
00:59:17,440 --> 00:59:21,960
Speaker 1: murder house in Iowa. Let's bring him on now, lunchbox.

1081
00:59:22,000 --> 00:59:27,080
Speaker 1: Good morning, I'm alive. I am alive. Oh my god.

1082
00:59:28,840 --> 00:59:31,000
Speaker 1: So you drove all day to get there yesterday. What

1083
00:59:31,120 --> 00:59:33,320
Speaker 1: happens right when you get to that murder house in Iowa?

1084
00:59:33,480 --> 00:59:35,760
Speaker 1: I mean, we go live on Facebook. The dude hands

1085
00:59:35,880 --> 00:59:38,000
Speaker 1: is the keys and he tells us, hey, you know

1086
00:59:38,000 --> 00:59:39,840
Speaker 1: what I mean, just how about it. You know, these

1087
00:59:39,840 --> 00:59:41,960
Speaker 1: are the things that can happen. You never know. Just

1088
00:59:42,000 --> 00:59:44,960
Speaker 1: be open to it. And he goes see you in

1089
00:59:44,960 --> 00:59:47,680
Speaker 1: the morning and he leaves. He kind of look like

1090
00:59:47,760 --> 00:59:51,600
Speaker 1: Lurch from Adam's Family or like some big scary guy. No,

1091
00:59:51,800 --> 00:59:56,960
Speaker 1: he looked, I would say, kind of like a skinnier

1092
00:59:57,040 --> 00:59:59,200
Speaker 1: version of Zach from Zach Brown Band. Like he had

1093
00:59:59,240 --> 01:00:03,880
Speaker 1: the same beer, same kind of look. Okay, so you

1094
01:00:03,960 --> 01:00:06,760
Speaker 1: walk into the house where twelve eight people have been

1095
01:00:06,840 --> 01:00:09,560
Speaker 1: murdered back in nineteen twelve. You walk into the house

1096
01:00:09,640 --> 01:00:12,080
Speaker 1: and what's the house like inside? I mean, it is

1097
01:00:12,120 --> 01:00:14,920
Speaker 1: just eerie because there's no electricity, so it's dark. So

1098
01:00:14,960 --> 01:00:18,480
Speaker 1: it's just dark in there. And you walk in and

1099
01:00:18,480 --> 01:00:21,520
Speaker 1: you're in the kitchen. So you got the little stove

1100
01:00:21,600 --> 01:00:26,120
Speaker 1: over there, the little kitchen table and like an old

1101
01:00:26,240 --> 01:00:30,480
Speaker 1: ice box, and you're just and it's old wood floors

1102
01:00:30,520 --> 01:00:35,440
Speaker 1: and everything creaked. Could you feel any sort of spirit

1103
01:00:35,480 --> 01:00:39,200
Speaker 1: when you walked into the house. Not immediately, No, you

1104
01:00:39,200 --> 01:00:40,760
Speaker 1: don't feel it right when you walk in. It's not

1105
01:00:40,800 --> 01:00:44,240
Speaker 1: like it hits you. But I think they want you

1106
01:00:44,240 --> 01:00:47,480
Speaker 1: to get comfortable before anything happens. They want you to

1107
01:00:47,520 --> 01:00:49,320
Speaker 1: not run out of the house immediately. I guess they

1108
01:00:49,360 --> 01:00:51,000
Speaker 1: want you to feel welcome, or they want you to

1109
01:00:51,040 --> 01:00:53,000
Speaker 1: be like, yeah, yeah, come on in, you're safe. And

1110
01:00:53,040 --> 01:00:55,240
Speaker 1: then later they start, you know, doing whatever they do.

1111
01:00:55,600 --> 01:00:57,160
Speaker 1: So when you guys get there and there's nothing to

1112
01:00:57,200 --> 01:00:59,480
Speaker 1: do in there, I mean, you can't play PlayStation. So

1113
01:00:59,680 --> 01:01:01,160
Speaker 1: what time do you get there and what do you do?

1114
01:01:01,200 --> 01:01:03,600
Speaker 1: For the first couple of hours. We got there at

1115
01:01:04,000 --> 01:01:07,880
Speaker 1: six thirty pm, and we I mean we went Facebook

1116
01:01:07,920 --> 01:01:10,720
Speaker 1: Live at seven. We're on there for forty five minutes,

1117
01:01:11,200 --> 01:01:14,360
Speaker 1: and then we went back out like we got done

1118
01:01:14,400 --> 01:01:15,919
Speaker 1: with that, and we're like, all right, let's just chill.

1119
01:01:16,000 --> 01:01:18,000
Speaker 1: We sat in the living room and we just kind

1120
01:01:18,000 --> 01:01:19,680
Speaker 1: of talked like what are we expecting, what are we

1121
01:01:19,680 --> 01:01:22,160
Speaker 1: gonna do? What do we do? We were going over scenarios.

1122
01:01:22,160 --> 01:01:25,120
Speaker 1: If this happens, what do we do? If this happens,

1123
01:01:25,160 --> 01:01:28,640
Speaker 1: what do we do? And like we were talking about

1124
01:01:28,640 --> 01:01:32,120
Speaker 1: are we gonna sleep in the beds? And are we gonna,

1125
01:01:32,280 --> 01:01:34,400
Speaker 1: you know, sleep in the attic where they believe the

1126
01:01:34,480 --> 01:01:37,480
Speaker 1: murderer hid all day because they found cigarette butts in

1127
01:01:37,520 --> 01:01:42,080
Speaker 1: the attic. Wow, I did see. I was watching your

1128
01:01:42,280 --> 01:01:45,080
Speaker 1: Facebook live last night and you were just staring at

1129
01:01:45,120 --> 01:01:48,000
Speaker 1: some balls. Well, he said that if you like roll

1130
01:01:48,080 --> 01:01:49,960
Speaker 1: the balls, or if you say, hey, do you want

1131
01:01:49,960 --> 01:01:51,800
Speaker 1: to play with the ball, they'll roll him to you.

1132
01:01:51,960 --> 01:01:55,160
Speaker 1: So I was trying to roll the ball and then

1133
01:01:55,200 --> 01:01:56,600
Speaker 1: I tried to leave the ball there to see if

1134
01:01:56,640 --> 01:01:58,320
Speaker 1: they would roll they would roll it back to me,

1135
01:01:59,080 --> 01:02:02,120
Speaker 1: and you know that didn't work. It was like, Okay,

1136
01:02:02,160 --> 01:02:04,440
Speaker 1: maybe they're not wanting to play ball. Did you know

1137
01:02:04,480 --> 01:02:07,800
Speaker 1: what I'm saying? Were there stories about each of the

1138
01:02:07,800 --> 01:02:11,040
Speaker 1: people that were murdered in the house. Yeah, they had

1139
01:02:11,160 --> 01:02:15,440
Speaker 1: little like plaques in each room saying this verse in

1140
01:02:15,520 --> 01:02:19,440
Speaker 1: age eight, this verseon eleven were in this bed, and

1141
01:02:19,480 --> 01:02:21,840
Speaker 1: then the mom and dad were in this bed. These

1142
01:02:21,920 --> 01:02:23,800
Speaker 1: two kids were in this bed. It was just like,

1143
01:02:23,840 --> 01:02:26,800
Speaker 1: oh my gosh, lunch boxes on the phone with us

1144
01:02:26,880 --> 01:02:28,480
Speaker 1: right now. He's in the car driving back. But he

1145
01:02:28,560 --> 01:02:30,320
Speaker 1: spent the night last night in the house where in

1146
01:02:30,400 --> 01:02:33,720
Speaker 1: nineteen twelve eight people were murdered, no electricity. Did you

1147
01:02:33,760 --> 01:02:35,560
Speaker 1: sleep in the bed or did you go sleeping bag?

1148
01:02:35,720 --> 01:02:38,800
Speaker 1: Sleeping bag? I tried. I did lay in the bed

1149
01:02:39,400 --> 01:02:41,760
Speaker 1: like I laid there, and I just wanted to see

1150
01:02:41,880 --> 01:02:45,760
Speaker 1: if I could what you would be visited by their spirits?

1151
01:02:45,800 --> 01:02:48,120
Speaker 1: I guess you call it, And I am not joking.

1152
01:02:48,200 --> 01:02:50,480
Speaker 1: I was in the upstairs bed and I laid my

1153
01:02:50,560 --> 01:02:53,880
Speaker 1: head on one pillow, and I'm not joking. The pillow

1154
01:02:53,920 --> 01:02:57,240
Speaker 1: next to me had an intention and I was out

1155
01:02:57,240 --> 01:03:00,240
Speaker 1: of the bed. No more bed for me. I have

1156
01:03:00,240 --> 01:03:03,720
Speaker 1: an intention already in it before you lay down, not

1157
01:03:03,920 --> 01:03:06,440
Speaker 1: that I remember, okay, but there's a chance you didn't

1158
01:03:06,480 --> 01:03:08,360
Speaker 1: look at it. There is a chance I didn't look

1159
01:03:08,400 --> 01:03:10,640
Speaker 1: at it. But the I was out of that bed

1160
01:03:10,680 --> 01:03:14,439
Speaker 1: in about points two three seconds because I was like no,

1161
01:03:14,560 --> 01:03:16,440
Speaker 1: and I ran down the stairs and that was the

1162
01:03:16,520 --> 01:03:18,600
Speaker 1: last of that room. That was that I wasn't going back.

1163
01:03:19,560 --> 01:03:21,360
Speaker 1: At what point in the night did you start to

1164
01:03:21,400 --> 01:03:26,120
Speaker 1: get sleepy? I mean by two am I get sleepy

1165
01:03:26,760 --> 01:03:29,760
Speaker 1: because the adrenaline starts wearing off, You're starting to come

1166
01:03:29,760 --> 01:03:33,520
Speaker 1: down a little bit, starting to feel more comfortable. And

1167
01:03:33,560 --> 01:03:35,480
Speaker 1: then here here you want to know what happened to

1168
01:03:35,600 --> 01:03:43,240
Speaker 1: Was it that really just set it over the edge? Yes? Okay,

1169
01:03:43,480 --> 01:03:46,160
Speaker 1: It's like two thirty in the morning and a car

1170
01:03:46,280 --> 01:03:50,480
Speaker 1: drives by it and they stopped. They reversed, stop in

1171
01:03:50,520 --> 01:03:52,880
Speaker 1: the middle of intersection, turn off their lights and sit there.

1172
01:03:53,560 --> 01:03:56,479
Speaker 1: Then they pull up and park right outside the house

1173
01:03:56,640 --> 01:03:58,640
Speaker 1: with all their lights off, and they just sit in

1174
01:03:58,680 --> 01:04:01,760
Speaker 1: the car. Two people. They're not on their phones, They're

1175
01:04:01,760 --> 01:04:03,960
Speaker 1: just sitting there. And I'm like, is this relatives of

1176
01:04:03,960 --> 01:04:05,840
Speaker 1: the people that were killed in this house? Like what

1177
01:04:06,040 --> 01:04:08,560
Speaker 1: is going on? Or is that listeners of the show

1178
01:04:09,080 --> 01:04:10,800
Speaker 1: that knew you were in the house and they sat

1179
01:04:11,200 --> 01:04:13,520
Speaker 1: They sat there for twenty minutes. They weren't taking pictures,

1180
01:04:13,560 --> 01:04:15,400
Speaker 1: they weren't like lit up by their phones. They were

1181
01:04:15,400 --> 01:04:20,120
Speaker 1: just sitting in the freaking dark. Not cool. But what's

1182
01:04:20,160 --> 01:04:22,720
Speaker 1: scary about that? What scary about that? I don't know

1183
01:04:22,720 --> 01:04:24,800
Speaker 1: what their intentions are. I'm already in here, dear, and

1184
01:04:24,920 --> 01:04:27,000
Speaker 1: with spirits. Now I gotta deal with the people on

1185
01:04:27,040 --> 01:04:28,800
Speaker 1: the outside. I got people on the inside in the

1186
01:04:28,840 --> 01:04:32,280
Speaker 1: outside trying to get me not cool. Did you feel

1187
01:04:32,440 --> 01:04:34,840
Speaker 1: let's get to the million dollar question here, did you

1188
01:04:34,880 --> 01:04:41,720
Speaker 1: feel like there were spirits in that house? Absolutely? What

1189
01:04:41,920 --> 01:04:44,400
Speaker 1: made you feel that way other than people telling you

1190
01:04:44,480 --> 01:04:47,760
Speaker 1: that it's happened to them. No, I was sitting there.

1191
01:04:47,800 --> 01:04:50,640
Speaker 1: I did the chair challenge, which the guy told you

1192
01:04:50,680 --> 01:04:53,200
Speaker 1: to me about. It's where do you take a chair

1193
01:04:54,040 --> 01:04:56,760
Speaker 1: and you sit with your back right at the opening

1194
01:04:56,800 --> 01:05:00,120
Speaker 1: of the attic where the killer was hiding, and you

1195
01:05:00,120 --> 01:05:02,680
Speaker 1: just face forward and you sit there for twenty minutes

1196
01:05:02,680 --> 01:05:05,880
Speaker 1: in the dark. Just sit there, just sit there. And

1197
01:05:06,080 --> 01:05:09,800
Speaker 1: I mean I am not joking. Something bang, something bang,

1198
01:05:10,120 --> 01:05:12,440
Speaker 1: And I freaked out and I said, did you guys

1199
01:05:12,480 --> 01:05:14,600
Speaker 1: hear that? And if people on Facebook life heard it?

1200
01:05:14,720 --> 01:05:16,520
Speaker 1: And then they said, ask him to do it again?

1201
01:05:16,560 --> 01:05:18,760
Speaker 1: I said, will you do it again? And whoever was

1202
01:05:18,800 --> 01:05:21,040
Speaker 1: there did it a freaking gain? Did they have a

1203
01:05:21,600 --> 01:05:25,520
Speaker 1: remote control automated like, okay, make that noise again? No,

1204
01:05:25,880 --> 01:05:28,120
Speaker 1: that guy told me, he said listening. I said, well,

1205
01:05:28,120 --> 01:05:29,880
Speaker 1: you're not going to come around and mess with us, right,

1206
01:05:30,160 --> 01:05:33,120
Speaker 1: he goes, No, Man, like, I want you to experience it.

1207
01:05:33,160 --> 01:05:35,200
Speaker 1: I've been through it. I've been in this house hundreds

1208
01:05:35,200 --> 01:05:37,440
Speaker 1: of time, spent the night and I've experienced it all.

1209
01:05:37,480 --> 01:05:40,080
Speaker 1: There's so many things that go on, he goes. You'll

1210
01:05:40,120 --> 01:05:42,320
Speaker 1: have your own experiences. I'm not even gonna tell you

1211
01:05:42,360 --> 01:05:47,000
Speaker 1: what to expect because everybody has different experiences. There is

1212
01:05:47,120 --> 01:05:49,840
Speaker 1: no remote control. There was no It was a bang,

1213
01:05:49,920 --> 01:05:53,000
Speaker 1: and I heard it, and I there's spirits in that house.

1214
01:05:53,200 --> 01:05:56,200
Speaker 1: Now you say, without a doubt you felt spirits in

1215
01:05:56,240 --> 01:05:59,960
Speaker 1: that house, right lunchbox? Yes? What was this boy? The other?

1216
01:06:00,360 --> 01:06:02,080
Speaker 1: What was the scariest part of the night for you?

1217
01:06:02,440 --> 01:06:06,600
Speaker 1: I five fifteen in the morning, laying down on the

1218
01:06:06,640 --> 01:06:11,480
Speaker 1: living room floor, and I don't the closet door upstairs slammed.

1219
01:06:11,680 --> 01:06:13,840
Speaker 1: Now's it? I was done. That's when we hit the road.

1220
01:06:13,880 --> 01:06:17,320
Speaker 1: That's when I was out. I was out. So you

1221
01:06:17,480 --> 01:06:22,040
Speaker 1: felt you heard you saw the closet door slam? No? No, no,

1222
01:06:22,240 --> 01:06:26,640
Speaker 1: just heard it. I'm downstairs. There's no one else. There's

1223
01:06:26,760 --> 01:06:28,760
Speaker 1: there's no one else in the house, like there's no

1224
01:06:28,840 --> 01:06:31,120
Speaker 1: other Who could it have been? It had to be

1225
01:06:31,160 --> 01:06:35,080
Speaker 1: the spirit slamming the closet door. Not it was closed

1226
01:06:35,400 --> 01:06:38,880
Speaker 1: when I was there and it boom. Tell me what

1227
01:06:38,920 --> 01:06:41,720
Speaker 1: else it could have been? No chance. That's when feete

1228
01:06:41,720 --> 01:06:44,000
Speaker 1: don't fail me. Now, as Bobby says in the car,

1229
01:06:44,360 --> 01:06:47,360
Speaker 1: let's get the heck out of here. Well, I having

1230
01:06:47,360 --> 01:06:52,360
Speaker 1: a lot of things air pressure. Yeah. Do you feel

1231
01:06:52,360 --> 01:06:54,600
Speaker 1: like there's any chance of spirit grabbed onto your shirt

1232
01:06:54,600 --> 01:06:57,760
Speaker 1: and it's still with you right now? No, because before

1233
01:06:57,800 --> 01:07:00,000
Speaker 1: I left, when I was getting out of the house,

1234
01:07:00,280 --> 01:07:03,280
Speaker 1: I did stop and tell them the police stay there.

1235
01:07:04,480 --> 01:07:06,080
Speaker 1: Did you have a conversation? Did you go through the

1236
01:07:06,160 --> 01:07:07,919
Speaker 1: checklist that I gave you when you got to the house.

1237
01:07:08,880 --> 01:07:11,000
Speaker 1: I did. I did. I did the whole checklist, and

1238
01:07:11,040 --> 01:07:12,600
Speaker 1: I didn't do it all right. When I got there,

1239
01:07:12,640 --> 01:07:14,560
Speaker 1: like I waited, like I didn't want to just get

1240
01:07:14,680 --> 01:07:17,400
Speaker 1: done with all the things I waited to do. Candy Man,

1241
01:07:17,800 --> 01:07:20,520
Speaker 1: it was like three o'clock in the morning, Like I

1242
01:07:20,560 --> 01:07:22,400
Speaker 1: wanted to make sure he was nighttime, and they were,

1243
01:07:22,480 --> 01:07:24,440
Speaker 1: you know, they knew that I wasn't going anywhere and

1244
01:07:24,520 --> 01:07:27,680
Speaker 1: I was going to be there, that I wasn't just

1245
01:07:27,680 --> 01:07:30,480
Speaker 1: coming in, you know, dining and dash. Here is last

1246
01:07:30,560 --> 01:07:34,240
Speaker 1: night during Lunchboxes Facebook Live. He did two rounds. The

1247
01:07:34,240 --> 01:07:36,440
Speaker 1: first time he did at seventh Central where he showed

1248
01:07:36,440 --> 01:07:39,200
Speaker 1: the home. The second one is where things got creepy.

1249
01:07:39,200 --> 01:07:40,720
Speaker 1: They say he was told by the tour guide of

1250
01:07:40,760 --> 01:07:42,600
Speaker 1: the chair challenge where he's supposed to sit in a

1251
01:07:42,680 --> 01:07:44,440
Speaker 1: chair with your back face in the attic. The tour

1252
01:07:44,480 --> 01:07:46,760
Speaker 1: guy said that most people don't last a full twenty minutes.

1253
01:07:46,960 --> 01:07:49,280
Speaker 1: And so this is audio of what of it? Of

1254
01:07:49,640 --> 01:07:52,840
Speaker 1: the bang or just him talking this? No, this is

1255
01:07:52,880 --> 01:07:55,200
Speaker 1: where I heard the first time. Okay, here we go.

1256
01:07:57,640 --> 01:08:01,200
Speaker 1: What was that? Did you guys hear that? What the

1257
01:08:01,760 --> 01:08:05,040
Speaker 1: what was that? That was it? That's what I heard? Okay,

1258
01:08:05,120 --> 01:08:09,200
Speaker 1: let's hear it again. Is that clip that? That's it

1259
01:08:09,320 --> 01:08:12,560
Speaker 1: right there? That's loud? Yeah, that's it? And what did

1260
01:08:12,560 --> 01:08:15,200
Speaker 1: you think that was? When I was I don't know,

1261
01:08:15,480 --> 01:08:17,200
Speaker 1: That's what I'm saying. That's when I was sitting in

1262
01:08:17,200 --> 01:08:19,719
Speaker 1: the chair and I didn't know if I just made

1263
01:08:19,720 --> 01:08:21,760
Speaker 1: that noise up in my head or if they could

1264
01:08:21,760 --> 01:08:23,920
Speaker 1: hear it on Facebook Live too. But they heard it

1265
01:08:23,960 --> 01:08:26,160
Speaker 1: on Facebook Live. And then someone had asked him to

1266
01:08:26,160 --> 01:08:27,760
Speaker 1: do it again, and so I did, and that was

1267
01:08:27,800 --> 01:08:30,080
Speaker 1: the second time. That was the second time. I said, hey,

1268
01:08:30,200 --> 01:08:34,639
Speaker 1: do that a give you're here and boom that's what happened. Yeah,

1269
01:08:34,760 --> 01:08:38,880
Speaker 1: don't tell me so, I mean, uh like, if they're

1270
01:08:38,880 --> 01:08:41,240
Speaker 1: doing things on command, don't tell me there's not spirits

1271
01:08:41,240 --> 01:08:43,439
Speaker 1: in there. It's easy. Yeah, you guys are real tough.

1272
01:08:43,520 --> 01:08:45,360
Speaker 1: Eddie h None, they didn't that a spirit from seven

1273
01:08:45,479 --> 01:08:47,880
Speaker 1: hundred miles away. Real funny, Hey, Mike, are these all

1274
01:08:47,880 --> 01:08:53,240
Speaker 1: clips we have? Okay? What did you do the Ghostbusters thing? Yes?

1275
01:08:53,360 --> 01:08:56,280
Speaker 1: I mean I'm bringing all that tomorrow. Okay. I got

1276
01:08:56,280 --> 01:09:01,280
Speaker 1: it as a tease, teasing me and listen. And the

1277
01:09:01,280 --> 01:09:04,120
Speaker 1: guy told me just take random pictures because when you

1278
01:09:04,160 --> 01:09:06,000
Speaker 1: look at him back, you may see things that you

1279
01:09:06,000 --> 01:09:08,080
Speaker 1: had no idea were there. And I'm like, okay, and

1280
01:09:08,200 --> 01:09:10,880
Speaker 1: he's like the other day, my eleven year old daughter

1281
01:09:10,960 --> 01:09:12,519
Speaker 1: was in here and she just set her phone up

1282
01:09:12,560 --> 01:09:15,519
Speaker 1: to film a little bit and saw something go through.

1283
01:09:16,000 --> 01:09:18,760
Speaker 1: I'm telling you. On Facebook last night a couple of

1284
01:09:18,760 --> 01:09:21,200
Speaker 1: comments from Gummy sig I grew up with a family

1285
01:09:21,240 --> 01:09:23,040
Speaker 1: goes back in Iceland. He's telling me you were not

1286
01:09:23,080 --> 01:09:25,360
Speaker 1: alone in there. There are three people other than the

1287
01:09:25,400 --> 01:09:31,559
Speaker 1: two living folks in the house right now. Yes. Yeah, So,

1288
01:09:31,680 --> 01:09:34,120
Speaker 1: like all ghosts all over the world, communicates, so they

1289
01:09:34,200 --> 01:09:38,840
Speaker 1: probably have been some messenger. Sure. Yeah, Landers Katriana said

1290
01:09:38,880 --> 01:09:41,200
Speaker 1: someone is behind you and has been this entire time.

1291
01:09:43,600 --> 01:09:46,559
Speaker 1: It's rainy, Damon says, my husband can see and talk

1292
01:09:46,600 --> 01:09:48,519
Speaker 1: to spirits. He's been watching with me and said, a

1293
01:09:48,600 --> 01:09:51,519
Speaker 1: kid is sitting beside you, another kid on the floor.

1294
01:09:51,680 --> 01:09:57,160
Speaker 1: They are with you. What do you think some people

1295
01:09:57,200 --> 01:10:02,880
Speaker 1: can see them? That's an interesting question, do I There

1296
01:10:03,000 --> 01:10:06,240
Speaker 1: is no way I could possibly know if someone can

1297
01:10:06,280 --> 01:10:09,040
Speaker 1: see a spirit as a People have proved that people

1298
01:10:09,080 --> 01:10:12,040
Speaker 1: have gifts that I don't understand. Have I ever met

1299
01:10:12,040 --> 01:10:14,720
Speaker 1: anyone that I believe can know? But what I absolutely

1300
01:10:14,800 --> 01:10:17,879
Speaker 1: rule out that people can see things that others can't.

1301
01:10:17,920 --> 01:10:21,200
Speaker 1: Of course not I don't know they can't. Yeah, I know.

1302
01:10:21,280 --> 01:10:24,160
Speaker 1: I mean, that's my asking. I would bet if you're like,

1303
01:10:24,160 --> 01:10:26,200
Speaker 1: here's one hundred bucks, bet on either side, and then

1304
01:10:26,240 --> 01:10:28,679
Speaker 1: we'll tell you the real truth. I would bet. No. However,

1305
01:10:29,080 --> 01:10:31,040
Speaker 1: I can't prove it, and I'm never going to be

1306
01:10:31,080 --> 01:10:35,240
Speaker 1: someone who speaks definitive about things that aren't so, I mean,

1307
01:10:35,280 --> 01:10:39,760
Speaker 1: I don't believe Facebook guy. But still, what do you

1308
01:10:39,760 --> 01:10:44,200
Speaker 1: think that sound was though, Adore? Oh, it sounded like

1309
01:10:44,240 --> 01:10:46,240
Speaker 1: a cat lunchbucks? And I talk to your cousin it's

1310
01:10:46,240 --> 01:10:48,840
Speaker 1: in the car with you. Yeah, yeah, And I put

1311
01:10:48,880 --> 01:10:50,799
Speaker 1: on a speaker he's driving. Is that gonna be okay?

1312
01:10:50,840 --> 01:10:58,000
Speaker 1: That'd be okay, all right, Andrew? Yeah, do you think

1313
01:10:58,000 --> 01:11:01,920
Speaker 1: there were ghosts in that house? There was something I

1314
01:11:01,920 --> 01:11:04,719
Speaker 1: didn't like any of that. No, I'm serious though, If again,

1315
01:11:04,840 --> 01:11:06,439
Speaker 1: if someone held a gun to your head and said

1316
01:11:06,439 --> 01:11:08,479
Speaker 1: are there ghosts? If you say the wrong answer, you're

1317
01:11:08,520 --> 01:11:12,840
Speaker 1: gonna what would you say? Yeah? Why? There were just

1318
01:11:12,880 --> 01:11:15,280
Speaker 1: too many noises. That's too much going on. That was

1319
01:11:15,360 --> 01:11:17,360
Speaker 1: like I think we were freaking each other out a

1320
01:11:17,360 --> 01:11:20,320
Speaker 1: little bit, but there was just too much unexplained over

1321
01:11:20,360 --> 01:11:22,760
Speaker 1: the night. I didn't like that. Lunchbox said you guys

1322
01:11:22,760 --> 01:11:26,320
Speaker 1: played underwear tickle in the middle of the night. He

1323
01:11:26,439 --> 01:11:31,640
Speaker 1: did not say that. We didn't play that. Okay, just

1324
01:11:31,760 --> 01:11:39,799
Speaker 1: make it sure the list. It wasn't on the tech list. Andrew,

1325
01:11:39,840 --> 01:11:41,680
Speaker 1: do you believe in ghosts or spirits? And did they

1326
01:11:41,720 --> 01:11:43,439
Speaker 1: haunt things? Did you? Did you believe in it before

1327
01:11:43,439 --> 01:11:47,320
Speaker 1: you did the Trump and Lunchbox I would say I

1328
01:11:47,360 --> 01:11:50,439
Speaker 1: respect that it was a possibility, but that I wasn't

1329
01:11:50,560 --> 01:11:54,280
Speaker 1: really planning on having an experience. So you two both

1330
01:11:54,840 --> 01:11:57,680
Speaker 1: to a man, We'll say that there are ghosts in

1331
01:11:57,720 --> 01:12:01,320
Speaker 1: that house, and you believe the house is haunted? Yes, sure, Lunchbox,

1332
01:12:01,400 --> 01:12:03,960
Speaker 1: Yes for sure. And I don't know. I don't know haunted.

1333
01:12:04,080 --> 01:12:06,120
Speaker 1: The right word. But there are ghosts that live in

1334
01:12:06,120 --> 01:12:08,120
Speaker 1: that house. The spirits live there. I don't know if

1335
01:12:08,120 --> 01:12:10,360
Speaker 1: that means haunted or what, but there's something in there

1336
01:12:10,479 --> 01:12:13,120
Speaker 1: and they move around and they do things and they

1337
01:12:14,520 --> 01:12:17,720
Speaker 1: I'm told, what we have for audio tomorrow is really good. Okay.

1338
01:12:17,920 --> 01:12:20,280
Speaker 1: He introduced himself to the spirits. He sings Ghostbusters and

1339
01:12:20,320 --> 01:12:21,920
Speaker 1: see if they'll say it back, like who you gonna

1340
01:12:21,960 --> 01:12:24,840
Speaker 1: call so they could respond. Yeah, he does a ghost

1341
01:12:24,960 --> 01:12:27,479
Speaker 1: joke to see if we hear ghost laughter. And sometimes

1342
01:12:27,520 --> 01:12:29,680
Speaker 1: you don't even know until you hear it back. It's

1343
01:12:29,680 --> 01:12:32,200
Speaker 1: like taking pictures. Yeah, I made that up, but that

1344
01:12:32,320 --> 01:12:41,040
Speaker 1: was that's fun. Yeah, true, that's true. You sometimes he said,

1345
01:12:41,280 --> 01:12:43,960
Speaker 1: you'll play back audio and you won't. You'll hear things

1346
01:12:44,200 --> 01:12:47,040
Speaker 1: you did not hear the first time, Like there will

1347
01:12:47,080 --> 01:12:49,040
Speaker 1: be things in there that you'll have no idea even

1348
01:12:49,080 --> 01:12:52,799
Speaker 1: happen until you hear it back. Okay, Hey, I'm super

1349
01:12:52,840 --> 01:12:55,120
Speaker 1: pumped you went. I think this has been a fantastic

1350
01:12:55,160 --> 01:12:57,599
Speaker 1: segment that took three months. Thank we If you can

1351
01:12:57,640 --> 01:13:01,040
Speaker 1: milk something, Holy mother, this is a dairy farm where

1352
01:13:01,040 --> 01:13:03,880
Speaker 1: he just milked the crap out of this. So first

1353
01:13:03,920 --> 01:13:09,280
Speaker 1: of all, Lunchbox, you get our approval. That was fantastic.

1354
01:13:09,600 --> 01:13:13,719
Speaker 1: When you come back, just as a note, a gift

1355
01:13:13,760 --> 01:13:15,040
Speaker 1: to you and your wife, as a way for me

1356
01:13:15,080 --> 01:13:16,360
Speaker 1: to say thank you. I'm gonna send you guys to

1357
01:13:16,360 --> 01:13:18,600
Speaker 1: a very nice dinner because I think you deserve it

1358
01:13:18,640 --> 01:13:21,439
Speaker 1: after this, and we can't wait to see your beautiful

1359
01:13:21,439 --> 01:13:33,160
Speaker 1: face tomorrow morning. Lunchboxes back in the studio. How long

1360
01:13:33,280 --> 01:13:35,720
Speaker 1: was the trip there compared to how long did it

1361
01:13:35,720 --> 01:13:38,519
Speaker 1: feel driving back? Oh? I felt so much longer driving back,

1362
01:13:38,600 --> 01:13:40,519
Speaker 1: I'm gonna tell you, with a night of you know,

1363
01:13:40,640 --> 01:13:43,640
Speaker 1: barely and he's sleep in a haunted howls with ghosts,

1364
01:13:43,640 --> 01:13:47,719
Speaker 1: you know, lurking around. Oh, the drive back was miserable.

1365
01:13:47,840 --> 01:13:50,360
Speaker 1: You seem exhausted. It was bad. Did you and your

1366
01:13:50,400 --> 01:13:53,760
Speaker 1: cousin switch off driving? Yeah? Did other ones sleep while

1367
01:13:53,800 --> 01:13:57,120
Speaker 1: the person drove? I slept for like an hour, and

1368
01:13:57,200 --> 01:13:59,040
Speaker 1: he didn't sleep at all, Like he was just like

1369
01:13:59,080 --> 01:14:01,320
Speaker 1: I can't sleep in the car? Are so even though

1370
01:14:01,320 --> 01:14:03,479
Speaker 1: when he wasn't driving, he was just because he drank

1371
01:14:03,520 --> 01:14:07,680
Speaker 1: like three energy drinks, those Nos energy drinks, and so

1372
01:14:07,720 --> 01:14:11,599
Speaker 1: he's like, I can't sleep. Here's some recordings that Lunchbox

1373
01:14:11,680 --> 01:14:15,280
Speaker 1: brought to us from the Murder House. Some of these

1374
01:14:15,320 --> 01:14:17,040
Speaker 1: tasks we assigned him to do. When he gets to

1375
01:14:17,040 --> 01:14:20,559
Speaker 1: this place, he swears as haunted. We said, first introduce

1376
01:14:20,600 --> 01:14:22,360
Speaker 1: yourself to the spirits and let him know that you

1377
01:14:22,400 --> 01:14:34,640
Speaker 1: mean no harm. Okay, we got the positive. Hello, spirits,

1378
01:14:35,600 --> 01:14:39,639
Speaker 1: my name is Lunchbox and Andrew, and uh, we mean

1379
01:14:39,720 --> 01:14:43,479
Speaker 1: no harm. We are just coming tonight to be with

1380
01:14:43,560 --> 01:14:47,680
Speaker 1: you and spend the night in your house. And we

1381
01:14:47,720 --> 01:14:52,200
Speaker 1: wanted to respect you, and we hope you respect us.

1382
01:14:53,280 --> 01:14:56,960
Speaker 1: And remember that with COVID we need six feet apart

1383
01:14:58,360 --> 01:15:01,000
Speaker 1: and we are gonna, hopefully if your permission, we would

1384
01:15:01,040 --> 01:15:06,920
Speaker 1: like permission to take pictures. Pictures. I'm nervous, guys like

1385
01:15:06,960 --> 01:15:08,760
Speaker 1: I don't know what I'm supposed to be doing. And

1386
01:15:08,840 --> 01:15:11,200
Speaker 1: that creaking door that's the front door, when you know

1387
01:15:11,280 --> 01:15:13,519
Speaker 1: they purposely make that door crazy. They can't get some

1388
01:15:13,840 --> 01:15:17,439
Speaker 1: before you people spending money to stay there. You can't

1389
01:15:17,439 --> 01:15:23,360
Speaker 1: get a little spread on a hand easy. Okay. Lunchbox

1390
01:15:23,400 --> 01:15:26,640
Speaker 1: tells a ghost joke to see if any ghost or

1391
01:15:26,640 --> 01:15:30,759
Speaker 1: anyone would laugh. Here you go. Why do ghosts hate

1392
01:15:31,040 --> 01:15:37,800
Speaker 1: the rain? It dampens their spirits? No, no laughter, no

1393
01:15:37,920 --> 01:15:45,160
Speaker 1: laughter to crowd. Another question that we pose the lunchboxes

1394
01:15:45,160 --> 01:15:48,000
Speaker 1: would you sing the Ghostbusters song, but pause when they're

1395
01:15:48,000 --> 01:15:50,240
Speaker 1: supposed to say Ghostbusters back. For example, Eddie, you be

1396
01:15:50,240 --> 01:15:54,160
Speaker 1: the ghost Yes, and it's something strange in your neighborhood,

1397
01:15:54,640 --> 01:15:58,160
Speaker 1: Who are you gonna call? Ghostbuster? Right? That's the callback

1398
01:15:58,280 --> 01:15:59,759
Speaker 1: we wanted to see if they would do the callback.

1399
01:16:00,280 --> 01:16:05,800
Speaker 1: When there's something strange neighborhood, who are you gonna call?

1400
01:16:06,960 --> 01:16:09,360
Speaker 1: That's when you guys say Ghostbusters. We're gonna try it

1401
01:16:09,400 --> 01:16:13,640
Speaker 1: one more time. When there's something strange in your neighborhood,

1402
01:16:14,320 --> 01:16:21,080
Speaker 1: who are you gonna call? No strange? Can you move?

1403
01:16:21,720 --> 01:16:24,600
Speaker 1: When it came time to sleep, Elbie's cousin bales and

1404
01:16:24,640 --> 01:16:27,160
Speaker 1: says he's not spending the night at the house. You're

1405
01:16:27,160 --> 01:16:29,720
Speaker 1: gonna leave me in here? Yeah? Or are you gonna sleep?

1406
01:16:29,800 --> 01:16:31,880
Speaker 1: I'll sleep in the barn. Why did they tell this

1407
01:16:31,920 --> 01:16:33,920
Speaker 1: before we got here? I thought ninety percent of my

1408
01:16:34,000 --> 01:16:36,640
Speaker 1: job was driving you here. I was driving in here

1409
01:16:36,640 --> 01:16:39,320
Speaker 1: and get me back helping out with that. I didn't

1410
01:16:39,320 --> 01:16:41,240
Speaker 1: think it's because he needed me as sleeping. Do you

1411
01:16:41,240 --> 01:16:43,679
Speaker 1: think I wanted to sleep by myself? Probably safe? Everyone

1412
01:16:44,080 --> 01:16:46,760
Speaker 1: next door gets. Something happens if we're both Oh yeah, yeah,

1413
01:16:46,840 --> 01:16:50,479
Speaker 1: that's how it works. Where did he end up sleeping.

1414
01:16:50,479 --> 01:16:52,320
Speaker 1: Oh he slept in the house. You got him? Yeah,

1415
01:16:52,360 --> 01:16:54,040
Speaker 1: I mean he tried to bail. He was trying to

1416
01:16:54,120 --> 01:16:55,760
Speaker 1: like set it up, like, oh no, no, if something

1417
01:16:55,800 --> 01:16:58,519
Speaker 1: goes down, it's better to be separated. How is that possible? No,

1418
01:16:58,600 --> 01:17:01,080
Speaker 1: we need two people to fight something. All. At three

1419
01:17:01,240 --> 01:17:05,920
Speaker 1: thirty am, something fell from a shelf and it startled lunchbox. Okay,

1420
01:17:05,960 --> 01:17:10,479
Speaker 1: it's like three thirty in the morning. Um, I'm laying

1421
01:17:10,520 --> 01:17:12,240
Speaker 1: down on the floor. I'm going to try to close

1422
01:17:12,280 --> 01:17:15,559
Speaker 1: my eyes. I'm stressed out. It's been a long night.

1423
01:17:16,080 --> 01:17:17,880
Speaker 1: Oh my gosh. I hope none of these guys. I

1424
01:17:17,880 --> 01:17:21,200
Speaker 1: hope I fall asleep. I'm so freaking tired. Oh my god,

1425
01:17:21,240 --> 01:17:23,960
Speaker 1: Oh my gosh. Something fell off one of the counters.

1426
01:17:24,040 --> 01:17:29,280
Speaker 1: What the was that? Come on, who are you trying?

1427
01:17:29,360 --> 01:17:36,640
Speaker 1: Come on, I don't believe it's haunted. That was obviously

1428
01:17:36,680 --> 01:17:40,599
Speaker 1: a plant. That was a plant swipe. I don't understand.

1429
01:17:40,640 --> 01:17:42,559
Speaker 1: You guys were not in that house. There was no

1430
01:17:42,640 --> 01:17:44,479
Speaker 1: I'm in the middle of the living room floor. There

1431
01:17:44,560 --> 01:17:48,880
Speaker 1: is no counter around me. Do you understand, Like it's

1432
01:17:48,960 --> 01:17:51,439
Speaker 1: easy for you guys act all time. Oh, that's nothing.

1433
01:17:51,800 --> 01:17:54,080
Speaker 1: Go in that house and the pitch dark at three

1434
01:17:54,280 --> 01:17:56,840
Speaker 1: thirty in the morning, and I have something fall. What fell?

1435
01:17:57,040 --> 01:17:59,000
Speaker 1: What was that? I don't know. It was sundon that

1436
01:17:59,080 --> 01:18:00,840
Speaker 1: goes right next to the day. There's a wallet chain,

1437
01:18:00,920 --> 01:18:05,120
Speaker 1: he doesn't something like that. Here we go and the

1438
01:18:05,400 --> 01:18:11,040
Speaker 1: closer Lunchbucks found a mirror and said, candy man three times.

1439
01:18:12,520 --> 01:18:15,080
Speaker 1: All right, here we go. For some reason, he covered

1440
01:18:15,080 --> 01:18:20,800
Speaker 1: the mirrors when he did his crime, so they cover him.

1441
01:18:20,880 --> 01:18:28,840
Speaker 1: Candy Man, candy man, candy man. Anything. No, nothing happened then.

1442
01:18:29,520 --> 01:18:33,120
Speaker 1: Wouldn't that have been the time for something to fall? Absolutely? Yeah, Well,

1443
01:18:33,560 --> 01:18:35,200
Speaker 1: what's your takeaway now that you've had a day to

1444
01:18:35,240 --> 01:18:38,680
Speaker 1: be home? Man, it's just freaky. There's just something in

1445
01:18:38,720 --> 01:18:41,160
Speaker 1: that house. There's there's spirits, ghost whatever you want to

1446
01:18:41,160 --> 01:18:43,160
Speaker 1: call them. I don't know what people were telling me.

1447
01:18:43,160 --> 01:18:45,040
Speaker 1: There's orbs. I don't even know what an orb is,

1448
01:18:45,160 --> 01:18:47,880
Speaker 1: but there's something in that house. I'm telling there. It

1449
01:18:48,040 --> 01:18:52,360
Speaker 1: is a weird thing. Things happen, unexplained. Things happened, and

1450
01:18:52,880 --> 01:18:55,599
Speaker 1: I don't ever want to go back. We go ahead, guys,

1451
01:18:55,800 --> 01:18:57,920
Speaker 1: I mean, you guys are so tough. Eddie your next

1452
01:18:57,960 --> 01:19:01,760
Speaker 1: go ahead. I'm good. It's the best bits of the

1453
01:19:01,800 --> 01:19:07,160
Speaker 1: week with Morgan number two. Well, that was your top

1454
01:19:07,200 --> 01:19:09,880
Speaker 1: seven podcasts. You know, we were counting down all the

1455
01:19:09,920 --> 01:19:12,840
Speaker 1: biggest segments of the week. We chose stories that you

1456
01:19:12,880 --> 01:19:16,160
Speaker 1: guys commented the most on, whether you engaged online or

1457
01:19:16,200 --> 01:19:18,759
Speaker 1: you left us voicemails, or you called into the show

1458
01:19:18,920 --> 01:19:22,400
Speaker 1: or watched our live streams. These were the biggest segments

1459
01:19:22,439 --> 01:19:24,160
Speaker 1: from the week. And we're going to start doing this

1460
01:19:24,280 --> 01:19:27,599
Speaker 1: every single weekend and hopefully you guys enjoy a little

1461
01:19:27,640 --> 01:19:31,000
Speaker 1: look at behind the scenes bones