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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 1: Either way, we want to be there. Doesn't matter how

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Speaker 1: much baggage you claim and give us time and the

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Speaker 1: terminol and gay.

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Speaker 2: We want to send you off in style.

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Speaker 1: We wanna welcome you back home.

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Speaker 3: Tell us all about it.

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Speaker 1: We scared her? Was it fine?

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Speaker 4: Mal porn?

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Speaker 1: Do you need to ride?

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Speaker 4: Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 4: Do your need to ride? Do you need to ride?

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Speaker 1: Do you need to ride.

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Speaker 2: With Karen and Chris?

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Speaker 5: Welcome, welcome, welcome to Do you need a ride? This

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Speaker 5: is Chris Fairbanks and this is Karen G.

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Speaker 3: Garrett.

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Speaker 5: You're driving around and you know him from clubs and college.

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Speaker 5: I send cruise ships across the country.

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Speaker 2: Put your ears together for Brett. Weinbas we're looking for Pete.

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Speaker 3: Where was this p okay? When I there was I

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Speaker 3: saw a bottle of an open bottle water, bottle of pe.

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Speaker 3: It appeared to be p It was definitely, I mean,

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Speaker 3: it looked like there was probably a lot of billy

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Speaker 3: ruben in it. What is billy rub I don't know.

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Speaker 3: I think it's stuff that maybe makes your pee really yellow,

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Speaker 3: or it makes it yellow. I think I don't know.

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Speaker 1: I don't know what I think, named after a man

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Speaker 1: named Billy Ruby.

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Speaker 3: There's two guys, Billy and Ruby. They like they didn't

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Speaker 3: know who to name the substance after, so they said,

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Speaker 3: let's just share it.

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Speaker 4: Share the accomplishment of making p yellow.

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Speaker 3: Yeah. They were actually both scared cowards and they that's

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Speaker 3: what someone else named it after, these two cowards named

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Speaker 3: Billy and Ruben, and they said they were yellow and

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Speaker 3: they just they were yellow and they I don't know,

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Speaker 3: they something like that. Well, some kind of thing there.

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Speaker 1: There was a there was a in a town I

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Speaker 1: think it was like Conquered or somewhere. There was this

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Speaker 1: thing that became a drama, which was that somebody kept

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Speaker 1: putting like gatorade bottles of pee on top of these

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Speaker 1: electrical boxes.

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Speaker 3: Yeah. Wait, hold on, I saw something about that.

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Speaker 4: Did we have we spoken about it?

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Speaker 3: Well no not, I don't you not us, But I

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Speaker 3: mean I saw something about this. Somebody had a documentary

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Speaker 3: about it.

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Speaker 1: Yes, a guy started filming it because he was like,

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Speaker 1: this is the weirdest thing of all time. And they

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Speaker 1: basically it was like someone who was putting their hand

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Speaker 1: over the wall, yeah, and putting the bottle on top

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Speaker 1: of an electrical box and the city would go and

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Speaker 1: clean it out because it's like a biohazard essentially, and

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Speaker 1: then it would just keep happening, and they were like,

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Speaker 1: where are these coming from?

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Speaker 4: Did they solve it? I can't remember.

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Speaker 3: I can't remember, but I do remember seeing I saw this, Yes,

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Speaker 3: I saw it somewhere live too.

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Speaker 4: It was like someone, oh.

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Speaker 3: It was part of some sort of little festival or something.

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Speaker 4: Yeah, I saw it on TikTok uh huh. But then

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Speaker 4: you saw it con?

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Speaker 1: I saw I saw it where at the con film Festival.

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Speaker 3: I can't Yeah, yeah, yeah, con. Yeah. I thought when

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Speaker 3: you said con at first, I just I thought con

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Speaker 3: at first and instead of C A N And yes,

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Speaker 3: I said con. I think you should have said I

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Speaker 3: think you should have said it more like this, like

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Speaker 3: at the film festival.

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Speaker 5: You guys as farriers father son actors. Are you fans

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Speaker 5: of James con Scott?

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Speaker 3: I didn't know James had a son son.

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Speaker 2: He was And I put this together recently, part of

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Speaker 2: the rap duo with the Alchemist. Yes, there was a

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Speaker 2: I grew up. They had a video and someone said

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Speaker 2: that was Scott Kahn.

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Speaker 5: As a kid, he was in a hip hop group

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Speaker 5: around the time of like Criss Cross.

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Speaker 4: Was the Alchemist the word them up?

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Speaker 2: Still love it like that?

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Speaker 3: Okay, now we're getting Wait, isn't that into Deep or

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Speaker 3: who is that Shakers?

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Speaker 1: Oh?

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Speaker 2: Yeah, I think that was a one kid Who's the Alchemist?

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Speaker 2: A current hip hop guy?

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Speaker 4: And Scott con was just in the video with.

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Speaker 2: Him, Yes he was. I'm the Hooligans. I had a

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Speaker 2: Hooligans like EP.

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Speaker 3: Oh, well, were you a rap person?

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Speaker 2: I enjoyed hip hop in the early nineties like a

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Speaker 2: lot of us.

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Speaker 3: Well, okay, sure it was inescapable, yes, but I also

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Speaker 3: just would have thought maybe you would have somehow escaped it.

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Speaker 3: I mean not that it was something to be escaped,

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Speaker 3: you know that you needed to escape it, But I thought, no.

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Speaker 5: You're right, and you know me well enough to Yes,

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Speaker 5: all of my friends, I was like, they didn't like

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Speaker 5: rock music or screeching guitars. They called every time I

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Speaker 5: played my music, They're like, great, screeching guitar. I'm like,

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Speaker 5: you guys just listened to the same five rap albums.

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Speaker 5: But eventually we all melded together.

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Speaker 1: When Aerosmith and Run kicked in the door.

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Speaker 3: Right or Motley Crue and Onyx yeah, I don't remember that.

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Speaker 5: It wasn't until the Judgment Nights soundtrack that we all

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Speaker 5: held hands. No, it was things like The Fireside and

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Speaker 5: those early nineties groups that I really got into.

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Speaker 3: Yeah, you know when I was around in that time,

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Speaker 3: I was just really into smooth jazz. Oh really Yeah,

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Speaker 3: that was kind of my rebellious way, you know.

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Speaker 2: Yeah, that'll get back at your parents.

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Speaker 1: Yeah, you'll go and pay like a thirty dollars cover

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Speaker 1: at a jazz club.

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Speaker 3: I was more rebelling against just other kids.

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Speaker 2: You know, yeah, with their hard jazz.

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Speaker 3: Yeah, with hard stuff. Yeah, I was trying to just

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Speaker 3: show them the powers of smooth.

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Speaker 1: Yeah, guys, listen to Dave Cause.

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Speaker 3: Cause, Dave Gruson. All the Daves is Dave Gruson, Dave

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Speaker 3: Cause and Dave Sanborn. There's so many Daves and smooth jazz.

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Speaker 3: It's wrong, you know, why Why is dave' such a

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Speaker 3: common nas and? Yeah?

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Speaker 2: Did Dave Sandborne correct me if I'm wrong?

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Speaker 5: Had an album cover where he's resting his leg on

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Speaker 5: a fish net or resting his head against a fish net,

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Speaker 5: stalking leg.

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Speaker 3: Oh, it's quite possible.

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Speaker 5: Yeah, yeah, like with the horn in his mouth and

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Speaker 5: it was like a leg from the Christmas Story Lamps

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Speaker 5: leaning his head against him.

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Speaker 3: Yeah, I mean very well him Gruson, I think probably

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Speaker 3: had the cowboy look and one of his albums, you.

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Speaker 2: Know, which Dave Crosby sued him for.

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Speaker 3: It's like, I like, I'm the Dave with the cowboys,

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Speaker 3: you know.

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Speaker 2: Read the Mustache.

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Speaker 3: Did you ever see the episode of Beverly Hills nine

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Speaker 3: o two and oh when they went to i think

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Speaker 3: the Hollywood Bowl for Jenny Garth's birthday and Dave Cause

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Speaker 3: was the performer.

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Speaker 2: All that's funny.

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Speaker 3: And it was all these I think at the time

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Speaker 3: they were supposed to be in college and they were

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Speaker 3: all just really into Dave Cause. I just wondering how

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Speaker 3: that you know, which writer was Dave Cause friends with?

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Speaker 3: How did you know? How did they decide, Hey, let's

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Speaker 3: have these college kids go, you know, for Jenny Garth's

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Speaker 3: birthday where they're going to see their favorite band.

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Speaker 5: Because at that time, even for a TV show that

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Speaker 5: was supposed to to young people, it was a room.

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Speaker 2: Full of forty five year olds.

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Speaker 5: Yes, like, yeah, there's certain jokes on like Saved by

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Speaker 5: the Bell, which I'd never watched.

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Speaker 2: But April Richardson had that podcast.

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Speaker 5: Where you had to watch it Saved by the Bell

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Speaker 5: episode and only jokes.

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Speaker 2: I'm like, wait, someone's dad wrote this. There's no way.

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Speaker 1: Also, I bet you it's like if if Beverly Hills

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Speaker 1: and I know two and oh was like Fox, then

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Speaker 1: it was like who owns Fox? Whoever? And then that

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Speaker 1: whoever owns Dave Causes Record label. It's all that kind

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Speaker 1: of shit. The early integrations.

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Speaker 3: Of like, yeah, it's just a what a funny match

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Speaker 3: though crazy, and you know, it's just funny to see

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Speaker 3: Brian Austin Green looking very hip hopped out, yeah, kind

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Speaker 3: of grew, you know, bobbing his head, grooving the smooth

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Speaker 3: you know, to the smooth sounds of Dave Cause and

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Speaker 3: Dave Cause he's got some moves too. Oh yeah, yeah.

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Speaker 3: I mean you could probably just see the clip somewhere,

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Speaker 3: but I don't know. He's wearing these pretty puffy pants

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Speaker 3: and slacks, you know, these kind of I call them

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Speaker 3: air slacks, you know, because they're just kind of very airy,

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Speaker 3: and he's kind of you know, he's very enthusiastically blowing,

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Speaker 3: you know, m hmm. Less. I don't know his work, well,

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Speaker 3: I mean, look you know, you know Dave Sanborn, so

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Speaker 3: you pretty much know. Yeah, well, you know what the

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Speaker 3: Daves do one day, you know, in the worldless smooth ed.

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Speaker 1: I wonder if they picked Dave cause because there's no

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Speaker 1: lyrics in his songs, so it's like one steps easier

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Speaker 1: for Clarence.

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Speaker 3: I actually I found that, well, at least, okay, I

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Speaker 3: found that at least with Kenny G's music, which didn't

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Speaker 3: have any lyrics, that in my experience, has been more

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Speaker 3: difficult with clearance kind of stuff.

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Speaker 1: Really, yeah, okay, so I.

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Speaker 3: Kind of don't you know, I don't know if lyrics

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Speaker 3: plays into it or not, but oh maybe let's you know,

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Speaker 3: maybe it doesn't, but yeah.

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Speaker 4: Let's not shut it down right away.

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Speaker 3: One time, the way that he moves, Dave, cause it

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Speaker 3: reminds me of this other time. I went to a

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Speaker 3: jazz club. I used to work at a jazz club.

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Speaker 3: I used to play piano during the happy hour.

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Speaker 2: Yeah, I forgot that, you're what jazz clubs.

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Speaker 3: It was called mister ease. That's not E a s E.

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Speaker 2: Of course I knew it was e Z.

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Speaker 3: It's just right. It's it was E, just the letter E.

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Speaker 3: It's short for escaveto Ptescavedo owned the Placedo's daughter is

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Speaker 3: Sheila E. By the way.

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Speaker 2: That's right.

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Speaker 4: Oh, so it was the one that was down on

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Speaker 4: was it Beverly.

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Speaker 3: Or it was in Berkeley, California? Yeah, and it was

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Speaker 3: on Shaddock and it's not there anymore. But yeah, so

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Speaker 3: that it was in the nineties. And I played piano

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Speaker 3: during the during the happy hour and anyway, I could

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Speaker 3: go to the club whenever. But you were a kid,

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Speaker 3: I was young, you know. Yea, yeah, I mean I was.

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Speaker 3: I was younger. I was you know, college, you know.

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Speaker 3: But anyway, they let you.

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Speaker 1: Play the piano during halfy hour, you must have been really.

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Speaker 3: Good, because yes, well I was all right. I knew

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Speaker 3: some tricks. I still know some tricks. I know tricks

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Speaker 3: to make it sound like I'm good.

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Speaker 2: Like where you start playing with your elbows.

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Speaker 1: Yeah, you really getting it out here like it was

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Speaker 1: like kind of a chicken.

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Speaker 3: I kind of try to. I use the chicken stance

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Speaker 3: for my playing, you know, I do chicken approach, you know,

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Speaker 3: I kind of do the.

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Speaker 2: Like the guy that married his cousin.

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Speaker 3: They called me chicken fingers because I would do I

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Speaker 3: would actually play with my elbows. You know, they call

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Speaker 3: that chicken fingers, you know, and uh work, you know,

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Speaker 3: I get it. I'd get a discount at every uh

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Speaker 3: I don't know, raising canes.

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Speaker 1: Chicken fingers came in today and ate them.

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Speaker 3: Yeah, it was a big publicity campaign, you know, chicken

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Speaker 3: fingers eats chicken fingers.

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Speaker 2: Two people making money at at the same time. That's great.

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Speaker 3: It was a beautiful collaboration. No, I know, tricks to

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Speaker 3: sound like I'm good, but I'm not really that great,

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Speaker 3: you know. I mean I at one point, I was

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Speaker 3: at one point I had some probably you know, I

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Speaker 3: was probably better, but I don't know. Again, if you

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Speaker 3: know jazz voicings, you can sound like you're to the

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Speaker 3: common man. You can sound, you know, like you know

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Speaker 3: what you're doing. But were you singing to not really?

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Speaker 3: I mean occasionally I would sing. I would sing the

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Speaker 3: girlfriend impanema. Yeah, yeah, I would sing that, and I

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Speaker 3: did that in some hotels, but nobody was really listening.

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Speaker 3: So that's the only reason I would do that. I

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Speaker 3: might have sung on one another song, but there was

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Speaker 3: no microphone. I was just singing along and if somebody

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Speaker 3: was near the piano, they could hear me, right right.

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Speaker 3: You know, they'd hear me singing my sort of kurm

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Speaker 3: with the frog style cry because.

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Speaker 6: We were more like Coca Casa Comino Tomorrow.

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Speaker 2: I heard that who's on that Stan Gatz album?

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Speaker 3: Gets Roberto album?

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Speaker 2: Wasn't it a last minute? Like, well she can sing okay.

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Speaker 3: Why don't it's Trew Gilberto?

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Speaker 2: Yeah, Like it wasn't planned out.

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Speaker 3: Such a yeah voice, the voice. I don't know how

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Speaker 3: you could be last minute about such a thing. Yeah,

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Speaker 3: but yeah, I know, I know, i'd I think, oh,

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Speaker 3: we got to set this up. Yeah, yeah, months of

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Speaker 3: preparation for this.

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Speaker 1: But maybe she was the kind of like she was

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Speaker 1: a really good singer, but she hadn't That's how she

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Speaker 1: got discovered.

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Speaker 2: Right right. Her husband was like, well, my wife's really good.

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Speaker 5: She's in the car constantly waiting there.

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Speaker 2: Hey, that's how you get ahead.

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Speaker 3: You know. I didn't know the car. I didn't know

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Speaker 3: that that was if that is true, I didn't know that, Yeah,

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Speaker 3: that she was a last minute thing.

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Speaker 5: There's a story that I'm destroying that my dad used

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Speaker 5: to tell me about. How about that last Yeah about

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Speaker 5: that interaction and that's.

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Speaker 3: The talk you would have with you, Yeah, kind of

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Speaker 3: instead of the birds and the bees would be the

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Speaker 3: gets in the Jober.

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Speaker 5: I never knew what to do. But this thing and

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Speaker 5: my pants, it's still up in the air.

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Speaker 1: Put it in the car and only bring it out

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Speaker 1: when you need a vocalist.

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Speaker 5: Yeah, son, I noticed you're going to prom this weekend.

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Speaker 5: What do you know about get skiperto?

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Speaker 2: That's all you need to know.

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Speaker 1: It is the best, Like that album is the best

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Speaker 1: to put on at the beginning of a party. That's

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Speaker 1: my thing of Like when people first start coming in,

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Speaker 1: you're like, this is a party.

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Speaker 4: Yes, this party music. Everythingody's fine starter music, definitely.

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Speaker 3: Yeah, it's a good way to ease people in.

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Speaker 2: Yeah, you know it's ending with Slayer every time. Every time.

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Speaker 3: You know it's ending with the Alchemists.

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Speaker 2: Yeah yeah, yeah, yeah, but I do believe the other

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Speaker 2: guy goes by the Alchemist. I could be wrong.

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Speaker 3: I guess that's a new thought I just had. Is

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Speaker 3: Kermit the Frog as Portuguese or doing Portuguese or sounding

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Speaker 3: like Brazilian? You know, a Brazilian Kermit the Frog. That

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Speaker 3: could be a new character.

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Speaker 1: I think, like that's he's actually from the rainforest bet

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Speaker 1: South America.

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Speaker 3: Yeah, he's an Amazonian frog.

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Speaker 1: That's it's actually very poisonous.

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Speaker 3: Yeah, kermit the poisonous frog.

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Speaker 5: You know that if we went on YouTube and found,

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Speaker 5: you know, the map show in Portuguese or something, he's

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Speaker 5: out there already.

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Speaker 2: We got it. You gotta hone this.

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Speaker 5: You gotta because you do in your act you've been

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Speaker 5: doing spur the moment impression mashups.

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Speaker 3: Yeah. I don't claim to do good impressions, but I

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Speaker 3: do claim the ability to fuse impressions together, even if

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Speaker 3: they aren't very good.

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Speaker 2: Right, So, and the process is the best because you

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Speaker 2: literally grab it from one corner of the room and

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Speaker 2: test it over here, and then test this one and

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Speaker 2: slowly pull them together fusion.

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Speaker 4: Can I just get an example, Brent, or this might sound.

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Speaker 3: Like, well, name name to two voices, to name two.

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Speaker 4: Figures, Oh wow, two figures in American.

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Speaker 3: History, in any history okay, no, two figures from the

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Speaker 3: movie American History.

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Speaker 1: Okay, that one's super racist. And then the guy who

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Speaker 1: gets his teeth curbed.

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Speaker 3: So it's a way to sort of bring peace by

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Speaker 3: bringing them together as one. You need to become one.

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Speaker 4: They were so far apart in that movie.

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Speaker 1: That's literally part of that movie I've seen it was

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Speaker 1: the worst part of that.

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Speaker 5: Movie Abraham Lincoln and RoboCop.

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Speaker 3: I mean, okay, yeah, I mean we'll just have to

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Speaker 3: go on. Yeah, no, let's let's try it.

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Speaker 4: I mean, Martha Stewart and Snoop dogg.

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Speaker 3: Well, okay, Snoop doggy Dog, Well okay, so I'll try

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Speaker 3: what if I did all four? I can't do impressions.

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Speaker 3: I can't do good impressions. I just want to put

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Speaker 3: that out there. And this is what this is my best,

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Speaker 3: my best attempt Snoop Doggy Dog would sound a little

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Speaker 3: bit something like Snoop neo double, you know, Snoop neo

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Speaker 3: double jisel something like that. Right, yeah, it's very Snoop

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Speaker 3: Snoop neo double, Snoop dog in the house, you know,

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Speaker 3: or something like that, right, like that? And then how

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Speaker 3: does Martha Stewart sound to you?

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Speaker 1: Kind of bossy and like, excuse me.

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Speaker 3: I don't know, I don't really know, doesn't over enunciate,

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Speaker 3: kind of over enunciates. I'm Martha Stewart, and she has.

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Speaker 4: A much deeper voice than most women.

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Speaker 2: I'm Martha Stewart.

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Speaker 3: There we are therapy. I'm Martha Storart, and this is

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Speaker 3: my kitchen. Okay, so if you fuse those two together, Okay,

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Speaker 3: Snoop hold on thinking snoop snoop dogg in the hell?

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Speaker 3: You know?

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Speaker 2: So?

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Speaker 3: Okay, Unmoor Stewart hold on.

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Speaker 7: K wrong something like that, snoop wrong?

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Speaker 3: And Abraham Lincoln sounds like this for score and seven D.

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Speaker 3: I don't know. I mean, I'm just imagining he sounds

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Speaker 3: something like this, Well, I'm Abraham Lincoln. I'm Abraham Lincoln.

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Speaker 3: And what's the other person? He said, Abraham Lincoln? And

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Speaker 3: who I think?

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Speaker 2: Are you trying to put RoboCop?

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00:19:08,080 --> 00:19:12,560
Speaker 3: Yeah? Freeze? I mean what is he be goes? What

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00:19:12,600 --> 00:19:17,000
Speaker 3: does he say? He goes, you are under arrest? You

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Speaker 3: are I am RoboCop? You are under arrest? What is

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00:19:22,000 --> 00:19:25,760
Speaker 3: he saying? He has a catchphrase, I think, to serve

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Speaker 3: and to protect. I don't know. I am robo cop.

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Speaker 3: Hear me roar? Is that what he says?

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Speaker 6: That?

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Speaker 3: Isn't that his catchphrase?

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Speaker 4: It's a little bit feminist in that.

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Speaker 3: Yeah, I am RoboCop. Okay, h four score? I am RoboCop.

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Speaker 3: It sounds a little bit like Jimmy Store. I'm Jimmy Store.

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Speaker 3: Hear me roar? Wow, okay, and then you put that

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Speaker 3: is that with what happened for before? Oh? I think

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Speaker 3: if you put it all together, it sounds like this.

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Speaker 3: It's something like that.

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Speaker 2: There's any kind of we've learned, yeah from morphing two

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00:20:26,200 --> 00:20:31,840
Speaker 2: beings or multiple you've got it ends up turning into

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Speaker 2: the monster at the end of the thing. That's who

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Speaker 2: you just voice.

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00:20:35,359 --> 00:20:38,040
Speaker 3: Yeah, okay, the thing, it becomes the thing. Yeah, and

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Speaker 3: that's the thing it's got.

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Speaker 2: Yeah. One shoulder is Martha Stewart's voice.

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Speaker 3: There's a vultron. It's a vultron of voices.

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Speaker 5: Of all the voice all the best foot that was

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Speaker 5: that when I when I feel something fresh like that

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Speaker 5: that never has been done before, and then you got

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Speaker 5: put on the spot like that, I just my back

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Speaker 5: started sweat.

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Speaker 3: Well can I I mean sorry? Is it okay? If

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00:21:03,600 --> 00:21:06,560
Speaker 3: I kind of promote something, of course, please do if

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00:21:07,000 --> 00:21:09,960
Speaker 3: you bring this these fusions up and I do them

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00:21:09,960 --> 00:21:12,760
Speaker 3: in this in this new special of mine that came

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00:21:12,800 --> 00:21:14,680
Speaker 3: out a few months ago. So if you want to

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Speaker 3: see more than and actually coincidentally, and I don't know,

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Speaker 3: maybe you said this because maybe you saw a clip

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Speaker 3: and yep, but do soop doggy dog isn't the special.

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Speaker 2: Oh you're kidding. But see I knew that Kermit maybe was.

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Speaker 3: It's Kermit and Snoop dogg Dog.

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Speaker 1: Can we hear it?

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Speaker 3: Can we just check out the special?

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Speaker 2: Yeah?

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00:21:33,000 --> 00:21:35,760
Speaker 3: Yeah, okay, it came out a few months ago, and

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00:21:35,800 --> 00:21:37,240
Speaker 3: so you know.

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Speaker 2: I'm I knew that's what I was driving toward.

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Speaker 5: I just wanted you to brag about what a professional

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00:21:44,080 --> 00:21:44,960
Speaker 5: host I am.

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Speaker 3: Oh yeah I was. But it's you know, it's called

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00:21:50,080 --> 00:21:51,840
Speaker 3: Popular Culture and it's on YouTube.

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Speaker 2: I'm excited. I'm going to watch. I mean, I love watching.

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00:21:55,520 --> 00:21:59,720
Speaker 3: If everybody just watched it, just maybe watch the first

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Speaker 3: five minute. Well I don't know how it works, but

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00:22:01,359 --> 00:22:03,720
Speaker 3: if everybody just open it up, you don't even have

411
00:22:03,760 --> 00:22:06,760
Speaker 3: to watch it, maybe it will get YouTube thinking, oh yeah,

412
00:22:06,800 --> 00:22:07,600
Speaker 3: people want to see this.

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00:22:07,800 --> 00:22:10,880
Speaker 1: Yeah. I think if you hit play, just hit play

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00:22:11,000 --> 00:22:12,840
Speaker 1: and let it, let it keep on playing.

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00:22:12,680 --> 00:22:14,359
Speaker 3: Let it play out. You know what? This is what

416
00:22:14,400 --> 00:22:16,600
Speaker 3: you do. You're going out for the night, all right,

417
00:22:17,000 --> 00:22:20,040
Speaker 3: just before you leave the house, just go on YouTube.

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00:22:20,119 --> 00:22:23,359
Speaker 3: Type in Brent Weinbach, popular Culture, hit play, let it run,

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00:22:23,720 --> 00:22:26,320
Speaker 3: and by the time you come back home, you've helped

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00:22:26,720 --> 00:22:29,440
Speaker 3: make it. Make YouTube think that this is something we

421
00:22:29,480 --> 00:22:31,639
Speaker 3: should push. Yeah, and you don't even have to do it.

422
00:22:31,800 --> 00:22:33,840
Speaker 3: You didn't have to go through the trouble of watching it.

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00:22:34,040 --> 00:22:34,880
Speaker 2: You know what else, you.

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00:22:34,760 --> 00:22:36,120
Speaker 4: Don't have to witness any part.

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00:22:36,200 --> 00:22:38,520
Speaker 5: I'm pretty sure there's a loop setting when you play

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Speaker 5: a YouTube video.

427
00:22:39,400 --> 00:22:40,760
Speaker 3: There used to be, I think.

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00:22:40,640 --> 00:22:41,720
Speaker 2: And you can just let it.

429
00:22:41,760 --> 00:22:43,199
Speaker 3: Maybe there's still no, maybe there's still is.

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Speaker 2: Actually people are cranking up their viewership.

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Speaker 3: Put it on loop. Guys, every single one of you.

432
00:22:49,480 --> 00:22:52,119
Speaker 3: You can benefit the special. And you didn't have to

433
00:22:52,119 --> 00:22:54,920
Speaker 3: do any of the work of laughing and enjoying yourself. No,

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00:22:55,040 --> 00:22:56,680
Speaker 3: you don't have to do any of that dirty work

435
00:22:56,680 --> 00:22:57,119
Speaker 3: of laughing.

436
00:22:57,359 --> 00:23:01,119
Speaker 4: No, just get let the room ring empty.

437
00:23:00,960 --> 00:23:02,560
Speaker 3: Go out, go live your life.

438
00:23:02,920 --> 00:23:05,680
Speaker 1: Go to the club, go to a different comedy club

439
00:23:05,720 --> 00:23:06,880
Speaker 1: and watch another comedian.

440
00:23:07,000 --> 00:23:08,200
Speaker 3: Yeah, watch another comedian.

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00:23:08,200 --> 00:23:08,560
Speaker 2: You know what.

442
00:23:08,880 --> 00:23:14,159
Speaker 3: Support local comedy and also support non local comedy.

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00:23:14,200 --> 00:23:18,600
Speaker 2: But when you're out watching many great live performing comedians

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00:23:18,640 --> 00:23:27,120
Speaker 2: at home, please loop fronts special Popular Culture Popular culture.

445
00:23:27,600 --> 00:23:29,160
Speaker 5: I was getting there. It's you know, in a pregnant

446
00:23:29,160 --> 00:23:31,639
Speaker 5: pause for effect. Now I had forgotten.

447
00:23:32,040 --> 00:23:35,360
Speaker 3: Well, look it's popular culture because you know, there's lots

448
00:23:35,359 --> 00:23:37,679
Speaker 3: of pop culture figures such as Kermit, the frog and

449
00:23:37,800 --> 00:23:41,040
Speaker 3: spongy dog that make appearances. I mean, you know through

450
00:23:41,440 --> 00:23:43,800
Speaker 3: in obscure, I mean in kind of distorted ways.

451
00:23:43,840 --> 00:23:46,199
Speaker 5: Well, you've always been a bit of a TMZ like

452
00:23:46,280 --> 00:23:47,400
Speaker 5: gossip hound.

453
00:23:47,240 --> 00:23:50,960
Speaker 3: Right, yeah, Well that's what it is. This is sort

454
00:23:50,960 --> 00:23:52,800
Speaker 3: of the entry point into my.

455
00:23:54,440 --> 00:23:54,760
Speaker 2: World.

456
00:23:54,920 --> 00:24:00,639
Speaker 5: If in all seriousness, everyone should Brent wine Box should

457
00:24:00,640 --> 00:24:01,920
Speaker 5: be a household name.

458
00:24:02,680 --> 00:24:05,359
Speaker 1: Brent Winbuck is the kind of person that when you're

459
00:24:05,400 --> 00:24:08,800
Speaker 1: on a comedy show and the comedy show is whatever

460
00:24:08,840 --> 00:24:09,400
Speaker 1: it might.

461
00:24:09,240 --> 00:24:12,720
Speaker 2: Be, comics usually talking in the back, and you.

462
00:24:12,640 --> 00:24:17,040
Speaker 1: Know, oftentimes comics are bored at comedy shows or whatever.

463
00:24:17,040 --> 00:24:19,320
Speaker 2: Yeah, hiding in the green room until.

464
00:24:19,280 --> 00:24:22,200
Speaker 1: Until Brent Weinbach gets on stage, and then everyone shuts

465
00:24:22,240 --> 00:24:25,280
Speaker 1: the fuck up yep and goes, uh, oh, what's about

466
00:24:25,280 --> 00:24:25,679
Speaker 1: to happen.

467
00:24:25,720 --> 00:24:29,159
Speaker 5: When I first moved from Austin to Los Angeles, I'm like,

468
00:24:29,240 --> 00:24:33,120
Speaker 5: I'm going to be the quirkiest, most alternative string. I'm

469
00:24:33,200 --> 00:24:36,520
Speaker 5: turning this art form up on its head. And then

470
00:24:36,840 --> 00:24:41,600
Speaker 5: I watched Brent perform, and I'm like, I'm a cruise

471
00:24:41,640 --> 00:24:47,199
Speaker 5: ship hack. Well, you know, those words didn't hit me,

472
00:24:47,240 --> 00:24:51,640
Speaker 5: but I did realize you had one of the most

473
00:24:51,880 --> 00:24:55,320
Speaker 5: and still the one of the most original voices, especially

474
00:24:55,400 --> 00:24:59,840
Speaker 5: as we see so much stand up people adhering to

475
00:24:59,880 --> 00:25:02,639
Speaker 5: the formula that works, and I still can't put my

476
00:25:02,640 --> 00:25:03,320
Speaker 5: finger on it.

477
00:25:03,400 --> 00:25:06,840
Speaker 2: Be it crowd work, be it let's be relatable.

478
00:25:07,040 --> 00:25:11,480
Speaker 5: Oh you to have to tell personal stories of like, oh,

479
00:25:11,600 --> 00:25:13,160
Speaker 5: tell fewer short jokes.

480
00:25:13,200 --> 00:25:14,760
Speaker 2: I have to do longer form.

481
00:25:14,920 --> 00:25:17,280
Speaker 4: You just make things up. But I think when Brent

482
00:25:17,359 --> 00:25:17,840
Speaker 4: Kit's on.

483
00:25:17,800 --> 00:25:21,359
Speaker 1: Stage, he's got that jazz bass, so no matter what,

484
00:25:21,560 --> 00:25:24,480
Speaker 1: he's just going to do some jazz improvising, right, He's

485
00:25:24,480 --> 00:25:27,080
Speaker 1: going to cause it up mm hm. He's gonna whatever

486
00:25:27,119 --> 00:25:29,840
Speaker 1: the other guys's names were, it up, m h. And

487
00:25:30,480 --> 00:25:31,920
Speaker 1: that's how he approaches comedy.

488
00:25:32,119 --> 00:25:35,399
Speaker 3: I mean, thank you. I'm pretty calculated to be honest,

489
00:25:35,400 --> 00:25:39,400
Speaker 3: but I mean that entire compliment. Well, no, I mean,

490
00:25:39,480 --> 00:25:43,439
Speaker 3: I know, I think when it comes to doing audience

491
00:25:43,440 --> 00:25:48,080
Speaker 3: suggestion stuff, yeah, I mean that that is kind of spontaneous, definitely, yes,

492
00:25:48,400 --> 00:25:50,879
Speaker 3: But no, I try to be prepared. I try to

493
00:25:50,920 --> 00:25:53,960
Speaker 3: go you know the opposite of a strue, like a

494
00:25:54,040 --> 00:25:58,159
Speaker 3: Strew Gilberto is we've been planning this. You know, she's

495
00:25:58,200 --> 00:26:00,520
Speaker 3: she's waiting. She's not waiting in the car, right right,

496
00:26:01,800 --> 00:26:05,800
Speaker 3: She's out there. You know she's been there, but well,

497
00:26:05,840 --> 00:26:07,679
Speaker 3: you know, I try to make the best of something

498
00:26:07,720 --> 00:26:09,560
Speaker 3: if I have to work with a suggestion, but no,

499
00:26:09,680 --> 00:26:12,520
Speaker 3: I like to be planned out.

500
00:26:13,240 --> 00:26:16,880
Speaker 5: The very first time I saw you, you, I think

501
00:26:16,880 --> 00:26:18,000
Speaker 5: I've told you this before.

502
00:26:18,080 --> 00:26:20,920
Speaker 2: You had made a bunch.

503
00:26:20,680 --> 00:26:22,879
Speaker 5: Of masks of your own face, and you had a

504
00:26:22,920 --> 00:26:25,800
Speaker 5: T shirt of your own face, and these masks were

505
00:26:25,800 --> 00:26:29,920
Speaker 5: floating around the audience. And I just came in while

506
00:26:29,920 --> 00:26:32,639
Speaker 5: you were on stage and saw this thing happening, and

507
00:26:32,680 --> 00:26:34,040
Speaker 5: I was like, okay, so.

508
00:26:33,920 --> 00:26:36,440
Speaker 2: There's like there's like a genius guy.

509
00:26:36,600 --> 00:26:38,520
Speaker 3: Well, I just thought i'd make some masks.

510
00:26:39,080 --> 00:26:43,159
Speaker 5: Hey, I know, but I it was great, and I

511
00:26:43,160 --> 00:26:44,639
Speaker 5: don't remember what the bit was.

512
00:26:45,440 --> 00:26:47,879
Speaker 3: You probably this is what it is. I do remember.

513
00:26:47,880 --> 00:26:50,000
Speaker 3: I think I was wearing a mask of my own face,

514
00:26:50,680 --> 00:26:52,720
Speaker 3: and it was because it was Halloween. I think that's

515
00:26:52,760 --> 00:26:53,680
Speaker 3: probably where I met.

516
00:26:53,800 --> 00:26:57,520
Speaker 2: Oh that's when I wear are yeah, the tree costume.

517
00:26:57,240 --> 00:26:59,959
Speaker 3: And I sold these shirts with my face on them.

518
00:27:00,040 --> 00:27:02,639
Speaker 2: Oh okay, that's but.

519
00:27:03,840 --> 00:27:07,359
Speaker 3: Some years later I did do a show where I

520
00:27:07,359 --> 00:27:09,520
Speaker 3: did make a bunch of masks and hand them out

521
00:27:09,520 --> 00:27:11,679
Speaker 3: for everybody to wear, and I have the whole audience

522
00:27:11,720 --> 00:27:12,280
Speaker 3: wear masks.

523
00:27:12,320 --> 00:27:14,440
Speaker 2: You're right, I guess I've just been in your life

524
00:27:14,480 --> 00:27:14,840
Speaker 2: a while.

525
00:27:15,000 --> 00:27:17,360
Speaker 3: Yeah, I think you just it's kind of you're doing

526
00:27:17,359 --> 00:27:18,560
Speaker 3: the fusion of your own in a way.

527
00:27:18,640 --> 00:27:21,560
Speaker 5: Yeah, I've used my entire life around you into one

528
00:27:21,720 --> 00:27:23,160
Speaker 5: singular experience a moment.

529
00:27:23,240 --> 00:27:25,120
Speaker 2: Yeah, ending in this podcast.

530
00:27:25,280 --> 00:27:26,440
Speaker 4: Oh is it ending?

531
00:27:26,520 --> 00:27:29,040
Speaker 3: No, it's not ending. It's part of it. It's part

532
00:27:29,040 --> 00:27:29,400
Speaker 3: of the ever.

533
00:27:29,800 --> 00:27:33,680
Speaker 2: Yeah, I'm never going I'm wrapping up through my second

534
00:27:33,720 --> 00:27:35,400
Speaker 2: interaction with him, which will.

535
00:27:35,200 --> 00:27:40,199
Speaker 5: Be also twenty years long, edited down to one evening.

536
00:27:41,280 --> 00:27:43,760
Speaker 5: And then you start playing piano in the middle of

537
00:27:43,880 --> 00:27:49,560
Speaker 5: the set. You we are suddenly at uh Natasha Laziro's

538
00:27:49,640 --> 00:27:50,280
Speaker 5: living room.

539
00:27:50,600 --> 00:27:52,600
Speaker 2: I don't know where that was. That's where I learned

540
00:27:52,600 --> 00:27:54,000
Speaker 2: that you were playing piano though.

541
00:27:54,000 --> 00:27:55,560
Speaker 3: Uh huh you were there? You okay?

542
00:27:55,640 --> 00:27:58,960
Speaker 2: Yeah, yeah, he just started playing on the piano very well,

543
00:27:59,000 --> 00:27:59,560
Speaker 2: and I'm like.

544
00:27:59,600 --> 00:28:01,120
Speaker 1: The best, what the hell says?

545
00:28:01,440 --> 00:28:02,119
Speaker 4: Would you, Brent?

546
00:28:02,240 --> 00:28:04,000
Speaker 1: Would you? Are you the kind of person that would

547
00:28:04,000 --> 00:28:05,800
Speaker 1: sit down at one of those pianos they put it.

548
00:28:06,040 --> 00:28:08,639
Speaker 3: Airports and just start doing it?

549
00:28:09,040 --> 00:28:10,119
Speaker 2: Yeah, hotel lobby.

550
00:28:10,359 --> 00:28:13,040
Speaker 3: Nah, I might have done that in the past. I

551
00:28:13,640 --> 00:28:16,399
Speaker 3: think I maybe did that a couple of times, but no,

552
00:28:16,520 --> 00:28:18,840
Speaker 3: I don't want to. I don't want to make, you know,

553
00:28:18,960 --> 00:28:21,639
Speaker 3: make a scene right, and you know they might they

554
00:28:21,720 --> 00:28:23,760
Speaker 3: might have somebody to plan and I don't want to

555
00:28:23,840 --> 00:28:26,280
Speaker 3: upstage him and stuff and make him, you know, feel

556
00:28:26,320 --> 00:28:29,919
Speaker 3: inadequate about his tricks that he might have. Yeah, he

557
00:28:30,000 --> 00:28:31,359
Speaker 3: might have not as good as tricks as me.

558
00:28:31,520 --> 00:28:33,120
Speaker 4: Yeah, he can't do any elbows.

559
00:28:33,160 --> 00:28:36,520
Speaker 3: He does rooster toes, Yeah, he does. He does.

560
00:28:36,880 --> 00:28:39,240
Speaker 2: He's about to start his three hour gig.

561
00:28:39,360 --> 00:28:44,400
Speaker 3: He does the ostriche peck. They call him ostrich neck.

562
00:28:45,760 --> 00:28:47,280
Speaker 4: Very painful for his face.

563
00:28:47,960 --> 00:28:51,560
Speaker 3: Well, he's developed some couches on his nose and face.

564
00:28:51,720 --> 00:28:55,720
Speaker 3: Yes not he can. It was painful, but he's gotten

565
00:28:55,800 --> 00:28:56,160
Speaker 3: used to it.

566
00:28:56,200 --> 00:28:57,920
Speaker 1: At this point, you had to commit.

567
00:28:58,160 --> 00:29:02,360
Speaker 2: You know, Jerry used to slam his face into the keys.

568
00:29:02,360 --> 00:29:02,960
Speaker 3: Did he do that?

569
00:29:03,120 --> 00:29:07,000
Speaker 2: Yeah? I think he played the keys with his teeth

570
00:29:08,520 --> 00:29:10,960
Speaker 2: and he used to black out every other tooth so

571
00:29:11,000 --> 00:29:13,920
Speaker 2: his his smile looked like a piano. It was very,

572
00:29:14,280 --> 00:29:14,960
Speaker 2: very mad.

573
00:29:15,120 --> 00:29:15,960
Speaker 3: That's very cool.

574
00:29:16,080 --> 00:29:17,840
Speaker 4: Actually, yeah, it's a good idea.

575
00:29:18,080 --> 00:29:18,600
Speaker 3: It's cool.

576
00:29:18,760 --> 00:29:22,200
Speaker 2: It's so funny that I grew up.

577
00:29:23,640 --> 00:29:28,120
Speaker 5: In a basement with a piano just outside my bedroom,

578
00:29:28,160 --> 00:29:29,240
Speaker 5: perfectly tuned.

579
00:29:30,080 --> 00:29:31,120
Speaker 2: I never touched it.

580
00:29:31,200 --> 00:29:35,360
Speaker 5: Oh, it's one of the biggest regrets. My mom was

581
00:29:35,400 --> 00:29:39,120
Speaker 5: always like, you could start playing that piano. I'm like, nah,

582
00:29:39,240 --> 00:29:39,880
Speaker 5: I'm good.

583
00:29:40,000 --> 00:29:40,760
Speaker 1: I'm not interested.

584
00:29:40,800 --> 00:29:41,200
Speaker 2: I'm good.

585
00:29:42,000 --> 00:29:45,200
Speaker 3: Yeah, you know I didn't. I did not really take

586
00:29:45,240 --> 00:29:47,400
Speaker 3: to the piano until I was a teenager.

587
00:29:48,680 --> 00:29:50,200
Speaker 1: But you have to play it when you were akad.

588
00:29:50,360 --> 00:29:52,560
Speaker 3: Well, I there was a piano in the house and

589
00:29:52,600 --> 00:29:58,200
Speaker 3: my mom played classical piano. But I, you know, I

590
00:29:58,280 --> 00:30:00,880
Speaker 3: just never really I didn't really to it really. And

591
00:30:00,920 --> 00:30:05,240
Speaker 3: then just getting into music, you know, like the Daves

592
00:30:05,240 --> 00:30:08,760
Speaker 3: of smooth jazz, I started to really what it was.

593
00:30:08,760 --> 00:30:12,280
Speaker 3: It really was Antonio Carlos Joe Beam music that got

594
00:30:12,320 --> 00:30:13,040
Speaker 3: me into music.

595
00:30:14,280 --> 00:30:15,520
Speaker 2: What did you say that.

596
00:30:15,360 --> 00:30:19,000
Speaker 3: Antonio Carlos Joe Beam. Oh, you know the writer of

597
00:30:19,480 --> 00:30:22,440
Speaker 3: the Girl from Epanema and that album, the composer of

598
00:30:22,520 --> 00:30:26,840
Speaker 3: all the songs that are on that gets Gilberto right right, Okay,

599
00:30:27,080 --> 00:30:29,360
Speaker 3: His music got me into it and I started learning

600
00:30:29,360 --> 00:30:30,480
Speaker 3: his music on sheet music.

601
00:30:30,600 --> 00:30:32,280
Speaker 2: What's he married to.

602
00:30:34,680 --> 00:30:37,760
Speaker 3: A strue? No jow? Gilberto was married to a strewe

603
00:30:37,800 --> 00:30:41,960
Speaker 3: Giberto and then and then I think the story goes

604
00:30:42,040 --> 00:30:44,120
Speaker 3: that she ended up running off with stan Getz.

605
00:30:44,360 --> 00:30:47,040
Speaker 2: Oh s gets with wants.

606
00:30:49,440 --> 00:30:54,800
Speaker 3: That's good, that's funny.

607
00:30:55,400 --> 00:30:59,200
Speaker 2: Once in a while. Well that's you.

608
00:30:59,440 --> 00:31:02,560
Speaker 3: That's good. Talk about jazz and probabations, right.

609
00:31:04,840 --> 00:31:05,840
Speaker 4: And jazz gossip.

610
00:31:08,360 --> 00:31:13,560
Speaker 2: You have two brothers and a sister. Yeah, your sister

611
00:31:13,640 --> 00:31:16,600
Speaker 2: and you do a podcast that I enjoy the clips

612
00:31:16,600 --> 00:31:16,960
Speaker 2: I see.

613
00:31:17,040 --> 00:31:19,320
Speaker 3: She's really funny you she makes.

614
00:31:19,120 --> 00:31:23,160
Speaker 2: You laugh so much. It's great. It's really fun to.

615
00:31:23,080 --> 00:31:24,800
Speaker 3: Wow, she's the funniest person I know.

616
00:31:25,240 --> 00:31:26,160
Speaker 2: She's very fun.

617
00:31:26,240 --> 00:31:30,120
Speaker 3: And yeah, that's called the Chicken Coop. Oh, yeah, that's

618
00:31:30,200 --> 00:31:32,560
Speaker 3: you know, because you know, as a tribute to my

619
00:31:33,160 --> 00:31:37,920
Speaker 3: playing style, to my it is a lifestyle. Really yeah, no,

620
00:31:37,960 --> 00:31:39,640
Speaker 3: it's a whole life. It's not just a playing style.

621
00:31:39,680 --> 00:31:44,320
Speaker 3: It is a full lifestyle. And I the Chicken Coop is, Yeah,

622
00:31:44,360 --> 00:31:46,800
Speaker 3: it's a live stream chat show I do with my sister.

623
00:31:47,040 --> 00:31:48,440
Speaker 4: What does your sister do for a living?

624
00:31:48,840 --> 00:31:49,720
Speaker 3: She's a musician.

625
00:31:50,080 --> 00:31:53,800
Speaker 2: I knew that. That's what you all play music?

626
00:31:53,880 --> 00:31:57,720
Speaker 3: Right, Yeah? We all okay, okay. Your brothers yeah, yeah, yeah,

627
00:31:57,720 --> 00:32:01,240
Speaker 3: they're they do music and comedy at yeah.

628
00:32:01,360 --> 00:32:04,600
Speaker 2: Oh I've become It's funny because just.

629
00:32:04,520 --> 00:32:07,080
Speaker 3: A musical comedic family.

630
00:32:07,200 --> 00:32:08,960
Speaker 1: I guess Thetridge family.

631
00:32:09,280 --> 00:32:10,760
Speaker 2: Yeah, your brother's together.

632
00:32:10,880 --> 00:32:15,440
Speaker 5: It's it's it's hard not to think of you because

633
00:32:15,480 --> 00:32:19,640
Speaker 5: they speak, They have the similar cadence and everything, but

634
00:32:19,720 --> 00:32:23,600
Speaker 5: they are of course their own people. Yes, yes, of course,

635
00:32:24,040 --> 00:32:25,880
Speaker 5: but when you first hear their voice.

636
00:32:25,600 --> 00:32:28,520
Speaker 3: They're their own people, meaning they are each other right.

637
00:32:28,400 --> 00:32:30,000
Speaker 2: Right, But your sister.

638
00:32:30,080 --> 00:32:33,040
Speaker 5: I watched a few clips and I didn't realize it

639
00:32:33,080 --> 00:32:35,360
Speaker 5: was your sister. I just thought you had a hilarious

640
00:32:35,520 --> 00:32:38,040
Speaker 5: best friend that knew year everybody.

641
00:32:38,040 --> 00:32:39,000
Speaker 3: You don't think she looked like me?

642
00:32:39,240 --> 00:32:40,000
Speaker 2: Not at first?

643
00:32:40,120 --> 00:32:43,000
Speaker 5: No, and then once I once it was announced, you

644
00:32:43,040 --> 00:32:46,120
Speaker 5: both stopped and announced it. I remember, by the way,

645
00:32:46,160 --> 00:32:48,960
Speaker 5: we're brother and sister and stared in the camera.

646
00:32:49,160 --> 00:32:52,240
Speaker 3: Sometimes people don't know they say are we Are they

647
00:32:52,720 --> 00:32:56,400
Speaker 3: husband and wife or the sister, And then I start

648
00:32:56,480 --> 00:32:59,440
Speaker 3: thinking answered it by saying we are husband and sister.

649
00:33:03,920 --> 00:33:05,920
Speaker 2: I'm sorry I almost stepped on that.

650
00:33:09,520 --> 00:33:12,680
Speaker 3: But we have some funny phone conversations. I thought we

651
00:33:12,760 --> 00:33:14,680
Speaker 3: got to just maybe try to do a podcast or

652
00:33:14,720 --> 00:33:15,280
Speaker 3: something like that.

653
00:33:15,680 --> 00:33:16,360
Speaker 2: Oh did she not?

654
00:33:17,560 --> 00:33:20,400
Speaker 3: No, No, she wasn't resistant to it. We just I laughed.

655
00:33:20,400 --> 00:33:23,120
Speaker 3: We would laugh so hard and have these really funny,

656
00:33:23,840 --> 00:33:29,200
Speaker 3: just ridiculous riffs that would just be so absurd and

657
00:33:29,360 --> 00:33:31,200
Speaker 3: just I mean, they'd start from this joke and then

658
00:33:31,320 --> 00:33:35,640
Speaker 3: just evolve into something just totally not. I mean, it

659
00:33:35,680 --> 00:33:38,080
Speaker 3: would sound nonsensical if you jumped in at the end,

660
00:33:38,080 --> 00:33:40,440
Speaker 3: but it just you can if you can follow it.

661
00:33:40,440 --> 00:33:44,880
Speaker 3: It's just it's they're just really funny and yeah. Anyway,

662
00:33:44,960 --> 00:33:46,920
Speaker 3: so yeah, we just we just watched kind of old

663
00:33:46,920 --> 00:33:49,320
Speaker 3: commercials and we comment on them and those kind of

664
00:33:49,360 --> 00:33:51,040
Speaker 3: usually inspired jokes that we riffed on.

665
00:33:51,240 --> 00:33:54,080
Speaker 2: That's great. That's what Karen and I were talking about

666
00:33:54,120 --> 00:33:57,480
Speaker 2: before you got in the car. It's old commercials les.

667
00:33:57,640 --> 00:33:59,680
Speaker 4: That old Hoover jingle that's so dramatic.

668
00:34:00,280 --> 00:34:04,080
Speaker 3: Commercial jingles used to be so good. Yeah, I mean

669
00:34:04,120 --> 00:34:09,040
Speaker 3: there's some really great pieces of music in older commercials, right,

670
00:34:09,200 --> 00:34:10,960
Speaker 3: and older TV shows too.

671
00:34:11,360 --> 00:34:12,040
Speaker 2: Yeah.

672
00:34:12,160 --> 00:34:17,400
Speaker 5: Sometimes yeah, and sometimes it's like it goes way harder

673
00:34:17,440 --> 00:34:21,000
Speaker 5: than the show ever did. Like you'll hear this song

674
00:34:21,080 --> 00:34:23,919
Speaker 5: and there's so much emotion in it, and then it's

675
00:34:24,080 --> 00:34:28,000
Speaker 5: just some slapstick comedy that really didn't like the.

676
00:34:27,880 --> 00:34:30,840
Speaker 4: Theme song to Taxi that was that me as a child.

677
00:34:30,960 --> 00:34:33,959
Speaker 3: That's one of my favorite pieces of music so all time,

678
00:34:34,239 --> 00:34:37,560
Speaker 3: and it's what I used to do radio, and that

679
00:34:37,719 --> 00:34:39,600
Speaker 3: was the themes I used that as the theme music

680
00:34:39,640 --> 00:34:45,160
Speaker 3: for my show. Really, I that music I just really

681
00:34:45,480 --> 00:34:48,439
Speaker 3: identify with it, you know, and the colors of it,

682
00:34:48,560 --> 00:34:50,799
Speaker 3: and it really makes me think of fall. That piece

683
00:34:50,800 --> 00:34:53,640
Speaker 3: of music. It's called Angelo. It's by Bob James, who's

684
00:34:53,680 --> 00:34:58,960
Speaker 3: another smooth jazz guy actually and coincidentally, and I love

685
00:34:59,000 --> 00:35:00,759
Speaker 3: the taxi theme song so good.

686
00:35:01,400 --> 00:35:04,440
Speaker 1: Also, just like it was like late seventies, early eighties,

687
00:35:04,480 --> 00:35:06,960
Speaker 1: so it had that is It's almost like that's what

688
00:35:07,080 --> 00:35:09,080
Speaker 1: the sound of it was. It was this kind of

689
00:35:09,160 --> 00:35:12,480
Speaker 1: like because it starts as haunting flute and then it

690
00:35:12,520 --> 00:35:13,759
Speaker 1: goes into like a breakdown.

691
00:35:14,000 --> 00:35:15,719
Speaker 3: Well, I feel like the flute part to me is

692
00:35:15,920 --> 00:35:20,319
Speaker 3: that's kind of afternoon, it's fall, and then when it

693
00:35:20,320 --> 00:35:23,040
Speaker 3: breaks down, it's okay, we're in the night now, and

694
00:35:23,239 --> 00:35:25,840
Speaker 3: you know we kind of go into night. Flute is

695
00:35:25,880 --> 00:35:28,279
Speaker 3: taking us tonight, and then we're in night and we're

696
00:35:28,280 --> 00:35:32,279
Speaker 3: hearing that kind of roads or that you know, kind

697
00:35:32,320 --> 00:35:36,719
Speaker 3: of electric piano sound, and you know it feels like

698
00:35:36,760 --> 00:35:40,640
Speaker 3: you're I don't know, yeah, exploring the night.

699
00:35:41,080 --> 00:35:43,719
Speaker 1: And then here comes Tony Danza to ruin.

700
00:35:43,520 --> 00:35:47,480
Speaker 2: Everything and the can't stands.

701
00:35:47,600 --> 00:35:47,880
Speaker 1: Yeah.

702
00:35:48,360 --> 00:35:52,200
Speaker 2: The uh it reminds I always like the Hill Street Blues.

703
00:35:52,960 --> 00:35:54,920
Speaker 4: Yeah, yeah, another classic.

704
00:35:55,040 --> 00:35:59,359
Speaker 5: I like the night Court song, and I if I

705
00:35:59,440 --> 00:36:01,520
Speaker 5: really want to think about ending at all.

706
00:36:01,800 --> 00:36:03,520
Speaker 2: The Mash theme song.

707
00:36:03,560 --> 00:36:06,960
Speaker 3: Well, yeah, Mash, I mean, you know, I think Robert

708
00:36:07,000 --> 00:36:13,200
Speaker 3: Altman's son wrote that song or wrote the lyrics to

709
00:36:13,239 --> 00:36:15,440
Speaker 3: that song at the age of fifteen or something like that. Oh,

710
00:36:15,880 --> 00:36:19,360
Speaker 3: it's called Suicide is Painless the song, and it's I

711
00:36:19,360 --> 00:36:22,440
Speaker 3: mean it's kind of a you know, heavy song in

712
00:36:22,440 --> 00:36:23,920
Speaker 3: a way. The lyrics at least, you know.

713
00:36:24,560 --> 00:36:27,719
Speaker 5: But yeah, they never reached the lyrics on maybe in

714
00:36:27,760 --> 00:36:28,439
Speaker 5: the Mash movie.

715
00:36:28,440 --> 00:36:29,160
Speaker 2: I don't know, I never.

716
00:36:29,160 --> 00:36:31,760
Speaker 3: Yeah, I think it's in the movie, the Mash movie.

717
00:36:31,760 --> 00:36:33,919
Speaker 3: But yeah, no, the lyrics are not in the TV show.

718
00:36:33,920 --> 00:36:35,200
Speaker 3: But yeah, for.

719
00:36:35,239 --> 00:36:38,080
Speaker 5: The best yeah, yeah, and it's really great. It's like

720
00:36:38,160 --> 00:36:42,560
Speaker 5: all my friends have lost their heads. Yeah, brains are

721
00:36:42,600 --> 00:36:43,640
Speaker 5: on my boots.

722
00:36:43,640 --> 00:36:46,399
Speaker 2: They are dead. Did you I met?

723
00:36:46,680 --> 00:36:49,359
Speaker 5: By the way, there was a guy at Lasen's, the

724
00:36:49,400 --> 00:36:51,440
Speaker 5: grocery store by my house, and he had a T

725
00:36:51,560 --> 00:36:56,479
Speaker 5: shirt on with like some eight bit images on it

726
00:36:56,520 --> 00:36:59,239
Speaker 5: and a Japanese name, and I guessed that it was

727
00:36:59,280 --> 00:37:06,239
Speaker 5: a composer and he had seemingly as much knowledge as

728
00:37:06,280 --> 00:37:09,120
Speaker 5: you about because I started playing the game I Do

729
00:37:09,239 --> 00:37:13,160
Speaker 5: with You, where I just was listening listening old Nintendo games.

730
00:37:13,200 --> 00:37:15,800
Speaker 5: The only games, I know, but I was like Caennsylvania

731
00:37:16,239 --> 00:37:18,920
Speaker 5: life Force, and he was he knew, well that's a

732
00:37:18,920 --> 00:37:22,440
Speaker 5: combination and these two people he knew.

733
00:37:23,320 --> 00:37:26,880
Speaker 2: I wanted you to meet him. I really was.

734
00:37:27,400 --> 00:37:30,719
Speaker 5: I left thinking he also has a booming voice. I

735
00:37:30,760 --> 00:37:35,000
Speaker 5: feel like he should be a voiceover artist. And he's like, yes,

736
00:37:35,080 --> 00:37:37,520
Speaker 5: I've heard that all my life. I've been working on

737
00:37:37,600 --> 00:37:38,560
Speaker 5: a home studio.

738
00:37:39,800 --> 00:37:43,319
Speaker 2: And he looks a little like James Earl Jones with

739
00:37:43,400 --> 00:37:45,319
Speaker 2: a with a big, big hair.

740
00:37:45,600 --> 00:37:49,120
Speaker 5: He was He's a really interesting dude. But I've been

741
00:37:49,160 --> 00:37:51,560
Speaker 5: trying to think of a way to get you two together.

742
00:37:53,120 --> 00:37:54,680
Speaker 5: And I do have access to him.

743
00:37:54,800 --> 00:37:56,400
Speaker 3: I mean, he's I wonder if you could beat me.

744
00:37:56,960 --> 00:37:59,279
Speaker 2: I don't know. I was trying to.

745
00:37:59,360 --> 00:38:02,200
Speaker 3: Because I I mean, you know, I wonder.

746
00:38:02,880 --> 00:38:05,560
Speaker 5: That's the difference. He might because he would never say that.

747
00:38:06,239 --> 00:38:08,760
Speaker 5: He thinks he knows the most. And I'm like, actually,

748
00:38:08,800 --> 00:38:10,160
Speaker 5: my friend.

749
00:38:10,000 --> 00:38:12,680
Speaker 3: Because does he know this about did you mention Castlevania

750
00:38:12,719 --> 00:38:13,480
Speaker 3: to him? Right? I did?

751
00:38:16,360 --> 00:38:17,839
Speaker 1: I'm just gonna think about stuff I have to get

752
00:38:17,840 --> 00:38:19,120
Speaker 1: at the story.

753
00:38:20,239 --> 00:38:24,000
Speaker 3: Does he know that it was two composers who did that,

754
00:38:24,320 --> 00:38:25,800
Speaker 3: and one one of them I interviewed.

755
00:38:25,800 --> 00:38:28,480
Speaker 2: Actually, I think I just said that because you told

756
00:38:28,560 --> 00:38:28,759
Speaker 2: me that.

757
00:38:28,960 --> 00:38:32,840
Speaker 5: Okay, I didn't glean anything from him, but that we broke.

758
00:38:33,040 --> 00:38:36,080
Speaker 3: I broke the news that it was two composers because

759
00:38:36,200 --> 00:38:37,320
Speaker 3: of interviewing that woman.

760
00:38:37,560 --> 00:38:40,960
Speaker 5: Okay, so that what I just said was something I

761
00:38:41,040 --> 00:38:45,560
Speaker 5: learned from you. But he did know a lot of

762
00:38:45,600 --> 00:38:46,560
Speaker 5: the composers.

763
00:38:46,640 --> 00:38:47,399
Speaker 3: Well, I got it.

764
00:38:47,640 --> 00:38:50,400
Speaker 5: He was listening and I don't know what in what

765
00:38:50,600 --> 00:38:53,960
Speaker 5: setting if he could be an audience plant or something

766
00:38:54,960 --> 00:38:56,160
Speaker 5: who challenges you.

767
00:38:56,320 --> 00:38:58,080
Speaker 2: I know you used to do that on stage.

768
00:38:58,120 --> 00:38:59,840
Speaker 3: Oh, I was trying to get people to Yeah. I

769
00:38:59,840 --> 00:39:02,760
Speaker 3: mean and see if you know, just play a track

770
00:39:02,840 --> 00:39:05,319
Speaker 3: and I can identify it and I can tell you

771
00:39:05,320 --> 00:39:06,200
Speaker 3: who composed it.

772
00:39:06,480 --> 00:39:08,200
Speaker 4: I mean, is it video games only?

773
00:39:08,200 --> 00:39:11,680
Speaker 3: Are everything video games? Old video games, not new ones?

774
00:39:11,719 --> 00:39:14,160
Speaker 3: Just once from the eighties and early nineties, which.

775
00:39:13,960 --> 00:39:16,160
Speaker 5: I never the whole time I was playing games, I

776
00:39:16,239 --> 00:39:20,239
Speaker 5: never thought, oh, someone composed this and would use computers

777
00:39:20,239 --> 00:39:20,960
Speaker 5: to the orchestra.

778
00:39:21,000 --> 00:39:21,840
Speaker 3: But what did you think?

779
00:39:22,640 --> 00:39:23,120
Speaker 2: I think.

780
00:39:23,239 --> 00:39:26,799
Speaker 5: I just thought, oh, they recorded a song and then

781
00:39:26,880 --> 00:39:31,600
Speaker 5: someone had a computer turned it into digital music. I

782
00:39:31,640 --> 00:39:36,560
Speaker 5: didn't realize from scratch, much like the visuals of a game,

783
00:39:36,680 --> 00:39:38,440
Speaker 5: someone was building this.

784
00:39:38,400 --> 00:39:41,000
Speaker 2: Music on the computer, which is really pretty cool.

785
00:39:41,680 --> 00:39:43,680
Speaker 3: It was interesting. A lot of women too, in their

786
00:39:43,760 --> 00:39:48,280
Speaker 3: early to mid twenties composing. Yeah, for those video games,

787
00:39:48,280 --> 00:39:50,960
Speaker 3: you know, like all the Capcom games in the eighties,

788
00:39:50,960 --> 00:39:53,040
Speaker 3: there was all the whole sound team was women, and

789
00:39:53,120 --> 00:39:56,560
Speaker 3: it was interesting that these young women would have such

790
00:39:56,600 --> 00:40:01,479
Speaker 3: an impact on all these boys all over the Yeah, yeah,

791
00:40:01,840 --> 00:40:02,719
Speaker 3: the world.

792
00:40:02,480 --> 00:40:04,160
Speaker 4: Who would go on to hate them deeply?

793
00:40:04,760 --> 00:40:08,920
Speaker 2: Yeah, I mean yes, I mean really, I.

794
00:40:08,920 --> 00:40:12,800
Speaker 1: Mean yeah, I'm sorry to bring up gamer Gate, but Brent,

795
00:40:13,000 --> 00:40:14,760
Speaker 1: explain why that happened.

796
00:40:14,840 --> 00:40:17,480
Speaker 3: I don't even know what that is. Actually, what is it?

797
00:40:17,600 --> 00:40:20,239
Speaker 1: Gamer Gate's that thing where there was a female journalist

798
00:40:20,280 --> 00:40:24,280
Speaker 1: who wrote about a video game and then the video

799
00:40:24,360 --> 00:40:28,759
Speaker 1: game audience was primarily male, went insane.

800
00:40:28,920 --> 00:40:31,120
Speaker 4: Dosed her, said they were going to kill her.

801
00:40:31,640 --> 00:40:31,839
Speaker 2: Whoa.

802
00:40:31,960 --> 00:40:34,399
Speaker 1: It was this whole fucking crazy thing. And I would

803
00:40:34,400 --> 00:40:36,000
Speaker 1: guess I don't know. At least you remember it's like

804
00:40:36,040 --> 00:40:39,240
Speaker 1: two thousand and early two thousands or like around.

805
00:40:39,400 --> 00:40:42,600
Speaker 3: Oh, that's when this happened. Yeah, that's the.

806
00:40:43,040 --> 00:40:45,560
Speaker 2: I bet I know what it was. It did? She say?

807
00:40:45,600 --> 00:40:48,879
Speaker 5: It's problematic that at the beginning of Bad Dudes, two

808
00:40:48,920 --> 00:40:51,120
Speaker 5: bullies come out in the street and hunch a lady

809
00:40:51,200 --> 00:40:53,120
Speaker 5: right in the stomach and then carry her off.

810
00:40:53,239 --> 00:40:54,280
Speaker 3: That's a double dragon.

811
00:40:54,360 --> 00:40:55,280
Speaker 2: That's double dragon.

812
00:40:55,480 --> 00:40:57,560
Speaker 3: It's double dragon. But that's you know, it's close. It was.

813
00:40:59,200 --> 00:40:59,600
Speaker 2: All around.

814
00:40:59,640 --> 00:41:01,920
Speaker 5: I'm like, why did they punch that lady in the stomach?

815
00:41:02,000 --> 00:41:05,879
Speaker 5: She's cool and punk rock and then they carry her off?

816
00:41:05,960 --> 00:41:07,560
Speaker 2: It was that was bizarre.

817
00:41:07,719 --> 00:41:09,319
Speaker 1: I had a party at my host one time and

818
00:41:09,400 --> 00:41:12,640
Speaker 1: we left my ex left what do you call it?

819
00:41:13,040 --> 00:41:15,440
Speaker 1: Grand Theft Auto on, just so people could walk in

820
00:41:15,440 --> 00:41:16,839
Speaker 1: the room and play it if they felt like it.

821
00:41:16,960 --> 00:41:19,160
Speaker 1: All right right, One of my friends, who was a

822
00:41:19,280 --> 00:41:22,839
Speaker 1: very effeminate gay man, walked in started playing it and

823
00:41:22,880 --> 00:41:25,279
Speaker 1: instead of like doing anything in the game, he just

824
00:41:25,320 --> 00:41:27,080
Speaker 1: walked up to the first person on the street and

825
00:41:27,120 --> 00:41:28,960
Speaker 1: started beating this shit out of it.

826
00:41:29,280 --> 00:41:31,880
Speaker 4: And I was like, what's going on? Are you okay?

827
00:41:31,920 --> 00:41:34,120
Speaker 4: He's like, this is cool? Is this the game or.

828
00:41:34,200 --> 00:41:35,320
Speaker 2: Just like so funny?

829
00:41:35,360 --> 00:41:35,640
Speaker 4: I guess.

830
00:41:35,719 --> 00:41:38,080
Speaker 2: So that's all I know about it is that you

831
00:41:38,120 --> 00:41:39,319
Speaker 2: can wander off and.

832
00:41:40,800 --> 00:41:45,280
Speaker 5: Like Sims, you can just go loiter a park bench

833
00:41:45,680 --> 00:41:49,400
Speaker 5: or just punch a pedestrian. Yeah, and you don't actually

834
00:41:49,440 --> 00:41:50,879
Speaker 5: have to be in a.

835
00:41:50,840 --> 00:41:54,200
Speaker 4: Car drive down to a harbor and sit there. No,

836
00:41:54,440 --> 00:41:55,360
Speaker 4: just listen to the music.

837
00:41:55,520 --> 00:41:58,160
Speaker 3: Yeah, that's cool. That's kind of that's cool. That was

838
00:41:58,200 --> 00:42:01,400
Speaker 3: on for the party. You say, yeah, so it was

839
00:42:01,520 --> 00:42:05,200
Speaker 3: kind of like the gets Roberto of the new generation.

840
00:42:06,800 --> 00:42:09,320
Speaker 3: You put that on, you get the party started.

841
00:42:09,400 --> 00:42:12,280
Speaker 1: Or it was almost like for a daytime party because

842
00:42:12,280 --> 00:42:15,279
Speaker 1: it was like barbecue vibes. Then you have that going on,

843
00:42:15,960 --> 00:42:19,600
Speaker 1: then switch to night time, first theme song to Taxi

844
00:42:19,719 --> 00:42:22,319
Speaker 1: and then straight into Gilberto.

845
00:42:22,719 --> 00:42:28,680
Speaker 5: Yeah, I'm having memories from did he have a video

846
00:42:29,040 --> 00:42:31,080
Speaker 5: arcade machine that he had finished and put?

847
00:42:31,160 --> 00:42:33,400
Speaker 1: Okay, he built that pac Man machine himself.

848
00:42:33,520 --> 00:42:35,960
Speaker 2: Okay, I did the same thing, except my TV was

849
00:42:36,000 --> 00:42:38,160
Speaker 2: in it and BCR and everything, and it was just

850
00:42:38,360 --> 00:42:41,200
Speaker 2: the joystick could turn on my TV. Oh and we

851
00:42:41,320 --> 00:42:43,799
Speaker 2: talked about that that. Yeah, that's so long.

852
00:42:44,000 --> 00:42:45,120
Speaker 3: Wait did what did you do?

853
00:42:45,360 --> 00:42:45,640
Speaker 1: Oh?

854
00:42:45,760 --> 00:42:52,800
Speaker 5: I found a gutted kangaroo arcade game in an alley

855
00:42:53,480 --> 00:42:56,040
Speaker 5: and put it in my friend's truck. I brought it

856
00:42:56,160 --> 00:43:00,600
Speaker 5: all the way to Austin and and I moved there

857
00:43:00,640 --> 00:43:04,680
Speaker 5: and put my TV and all my stereo equipment in

858
00:43:04,760 --> 00:43:07,799
Speaker 5: the coin return, like just cut holes and so it

859
00:43:07,840 --> 00:43:10,920
Speaker 5: looked like an arcade game, but you'd pull it since

860
00:43:10,960 --> 00:43:14,200
Speaker 5: the screen it's tilted back. I put my TV in

861
00:43:14,239 --> 00:43:16,480
Speaker 5: there and then you could pull it forward and then

862
00:43:16,520 --> 00:43:18,360
Speaker 5: it was like an entertainment center.

863
00:43:18,200 --> 00:43:22,080
Speaker 2: Basically, but it looked like a video game. But it

864
00:43:22,120 --> 00:43:24,080
Speaker 2: took the time to have the on off switch be

865
00:43:25,000 --> 00:43:29,880
Speaker 2: the joystick pulling it, which later was a fire hazard.

866
00:43:30,640 --> 00:43:35,239
Speaker 2: It caught on fire. Really yeah, yeah, I'm not an electrician.

867
00:43:36,120 --> 00:43:39,200
Speaker 2: I don't think I taped all the exposed wires.

868
00:43:39,760 --> 00:43:42,360
Speaker 4: It was a fire hazard, isn't that it caught on fire?

869
00:43:42,640 --> 00:43:46,160
Speaker 2: Yeah, I believe it was. I mean a hazard for

870
00:43:46,200 --> 00:43:47,520
Speaker 2: the house to catch on fire.

871
00:43:48,040 --> 00:43:53,560
Speaker 5: It's certainly caught on fire, which a fire thing on

872
00:43:53,680 --> 00:43:56,759
Speaker 5: fire in your house is just a hazard until.

873
00:43:56,480 --> 00:44:00,640
Speaker 2: It reaches the wall. It really is, right, And I.

874
00:44:00,600 --> 00:44:03,879
Speaker 5: Moved that thing all the way to Los Angeles too. Really, Oh,

875
00:44:03,920 --> 00:44:05,040
Speaker 5: it's so ridiculous.

876
00:44:05,040 --> 00:44:06,719
Speaker 3: You starting fires in Los Angeles.

877
00:44:06,760 --> 00:44:11,280
Speaker 2: No, no, no, I didn't start the fires here.

878
00:44:11,320 --> 00:44:13,280
Speaker 3: Always burning, it was always burning.

879
00:44:13,400 --> 00:44:14,440
Speaker 2: Yeah yeah, yeah.

880
00:44:15,600 --> 00:44:20,399
Speaker 5: But I am just gonna mentor mention Marilyn Monroe for

881
00:44:20,440 --> 00:44:21,040
Speaker 5: no reason.

882
00:44:23,200 --> 00:44:26,920
Speaker 1: Brent, do you have any so obviously popular Culture is

883
00:44:27,000 --> 00:44:28,000
Speaker 1: your new special, and.

884
00:44:28,000 --> 00:44:30,160
Speaker 3: Please just put it on loop when you go out,

885
00:44:30,400 --> 00:44:35,760
Speaker 3: you know, yeah that it's on YouTube, And.

886
00:44:34,360 --> 00:44:35,719
Speaker 4: And what's the name of your podcast that.

887
00:44:35,640 --> 00:44:39,520
Speaker 3: You have with your sister the Chicken Coop and that's

888
00:44:39,560 --> 00:44:42,160
Speaker 3: on that's on my YouTube channel. It's just YouTube dot

889
00:44:42,200 --> 00:44:44,680
Speaker 3: com slash Brent Winbock, which is also where the special is.

890
00:44:45,280 --> 00:44:47,839
Speaker 3: And I don't know, have this other podcast. It used

891
00:44:47,840 --> 00:44:49,480
Speaker 3: to be called the Poundcast, but now it's just called

892
00:44:49,480 --> 00:44:50,680
Speaker 3: the Brent Winebock Podcast.

893
00:44:51,600 --> 00:44:54,200
Speaker 2: And oh that's a weird way to find out you're

894
00:44:54,239 --> 00:44:57,680
Speaker 2: in a fight with dog. It's weird. I thought you

895
00:44:57,719 --> 00:45:00,200
Speaker 2: guys were tight. Well, we don't need to talk about.

896
00:45:00,480 --> 00:45:04,640
Speaker 3: Now we're we're loose now yeah, yeah, real, they're real loose. Then.

897
00:45:04,800 --> 00:45:06,319
Speaker 3: I don't know. This is a little while is off,

898
00:45:06,360 --> 00:45:10,400
Speaker 3: But if you're in the Pittsburgh area, Pittsburgh, Pennsylvania, that

899
00:45:10,520 --> 00:45:13,800
Speaker 3: is sure because there is a Pittsburgh, California.

900
00:45:13,840 --> 00:45:14,480
Speaker 1: There, sure is.

901
00:45:15,040 --> 00:45:19,640
Speaker 3: I'm doing a show on December twelfth at a place

902
00:45:19,680 --> 00:45:20,720
Speaker 3: called Bottle Rocket.

903
00:45:21,320 --> 00:45:22,359
Speaker 2: Oh that sounds cool.

904
00:45:22,640 --> 00:45:24,319
Speaker 3: Check that out if you want to.

905
00:45:24,640 --> 00:45:28,719
Speaker 5: Oh that was it, yeah, fast, and I highly recommend

906
00:45:28,800 --> 00:45:33,879
Speaker 5: just as a closing statement of genuine watched Brent wine

907
00:45:33,960 --> 00:45:34,720
Speaker 5: Box comedy.

908
00:45:34,920 --> 00:45:36,880
Speaker 2: Yes, uh, new and old.

909
00:45:37,280 --> 00:45:40,120
Speaker 3: Thank you. Oh there's the bottle you see it right there?

910
00:45:40,800 --> 00:45:43,520
Speaker 3: Oh you know, right there, you see it on the ground.

911
00:45:43,920 --> 00:45:45,520
Speaker 2: I think all the bottles.

912
00:45:45,600 --> 00:45:48,440
Speaker 1: Yeah, oh oh, so somebody ran over it, but there's

913
00:45:48,480 --> 00:45:49,560
Speaker 1: p inside, there's.

914
00:45:49,400 --> 00:45:53,480
Speaker 3: Pete, well it appears to be p and but the

915
00:45:53,560 --> 00:45:56,560
Speaker 3: cap is off the bottle. And I just thought it

916
00:45:56,640 --> 00:45:58,440
Speaker 3: just seemed kind of interesting because somebody peed in the

917
00:45:58,480 --> 00:46:01,600
Speaker 3: bottle and yet need it so that it could easily

918
00:46:01,640 --> 00:46:04,360
Speaker 3: just be spilled out onto the ground, so we're not

919
00:46:04,400 --> 00:46:06,120
Speaker 3: just pee on the ground. Yeah.

920
00:46:06,600 --> 00:46:10,279
Speaker 2: I think people like the idea of setting booby traps.

921
00:46:10,719 --> 00:46:12,960
Speaker 3: It is kind of a booby trap. If someone runs

922
00:46:12,960 --> 00:46:16,800
Speaker 3: over that, there'll be a big yellow splash on something.

923
00:46:17,000 --> 00:46:19,840
Speaker 5: Yeah, but they're not going to be around for it,

924
00:46:19,920 --> 00:46:22,840
Speaker 5: so you just, you know, you light the fuse and

925
00:46:22,920 --> 00:46:25,040
Speaker 5: leave and then don't worry about the aftermath.

926
00:46:25,160 --> 00:46:27,480
Speaker 2: Yeah. I think a lot of us have that darkness.

927
00:46:28,239 --> 00:46:31,040
Speaker 1: We got to look up that short film about the

928
00:46:31,080 --> 00:46:33,880
Speaker 1: pea bottles, because this is clearly something that's just happening

929
00:46:33,880 --> 00:46:34,799
Speaker 1: in our culture now.

930
00:46:35,080 --> 00:46:35,440
Speaker 3: Yeah.

931
00:46:35,520 --> 00:46:39,560
Speaker 5: Well it's people that drive around men that. I mean,

932
00:46:39,600 --> 00:46:40,880
Speaker 5: I'm guilty of it myself.

933
00:46:41,239 --> 00:46:44,160
Speaker 2: You can't pull over in a city sometimes, where are

934
00:46:44,160 --> 00:46:47,879
Speaker 2: you gonna There's not just public use restrooms.

935
00:46:47,880 --> 00:46:49,680
Speaker 5: So you pee in a bottle, you get to your

936
00:46:49,719 --> 00:46:52,319
Speaker 5: assastination and you just leave it there because you want

937
00:46:52,320 --> 00:46:56,200
Speaker 5: it out of the car. There's nothing more conspiracy about

938
00:46:56,239 --> 00:46:57,000
Speaker 5: this situation.

939
00:46:57,440 --> 00:46:59,040
Speaker 2: It's just I'm a later bug.

940
00:46:59,080 --> 00:47:05,160
Speaker 5: I'm disgusted, and then I drive off and I continue

941
00:47:05,160 --> 00:47:08,239
Speaker 5: with my life. Yeah all right, that's what that documentary.

942
00:47:08,719 --> 00:47:11,680
Speaker 5: I hate to ruin the ending, but it's about gross

943
00:47:11,760 --> 00:47:18,200
Speaker 5: dudes with Yeah, it all like a birdmine.

944
00:47:19,440 --> 00:47:22,920
Speaker 3: Well, well thanks for having me, guys, thank you. You

945
00:47:23,000 --> 00:47:25,359
Speaker 3: know this is you know, probably one of the best

946
00:47:25,400 --> 00:47:28,160
Speaker 3: podcasts there is because I don't know it's in the

947
00:47:28,200 --> 00:47:31,160
Speaker 3: car and that's just you know, I said, we said,

948
00:47:31,400 --> 00:47:32,960
Speaker 3: I talked about this last nime, but it's just this

949
00:47:33,000 --> 00:47:35,160
Speaker 3: is a good environment to just talk.

950
00:47:35,440 --> 00:47:37,280
Speaker 4: Thanks, Buddy's nice.

951
00:47:37,480 --> 00:47:39,239
Speaker 2: I agree, Yes, I do.

952
00:47:39,480 --> 00:47:43,279
Speaker 5: I Over the last few years we've realized it.

953
00:47:43,400 --> 00:47:45,760
Speaker 2: Really we get a good version of a person.

954
00:47:46,160 --> 00:47:49,560
Speaker 3: Cars are just I guess that's why there's that show

955
00:47:49,920 --> 00:47:54,280
Speaker 3: Comedians and Cars, Yes, getting coffee, because it's just cars

956
00:47:54,280 --> 00:47:56,319
Speaker 3: are just a good place to hang out.

957
00:47:56,600 --> 00:47:57,120
Speaker 2: Yeah.

958
00:47:57,239 --> 00:48:02,200
Speaker 1: What if this person suggested Jerry Seinfeld, this person suggested Kramer,

959
00:48:02,760 --> 00:48:05,000
Speaker 1: how would that impression Cramer sound?

960
00:48:07,160 --> 00:48:11,239
Speaker 3: Oh yeah, Jerry, okay, how does he sound? That was it?

961
00:48:11,800 --> 00:48:12,000
Speaker 1: Oh?

962
00:48:12,360 --> 00:48:16,400
Speaker 3: He's like, oh what can you do it?

963
00:48:17,360 --> 00:48:19,200
Speaker 1: I can't do that, Jerry. I was kind of like that,

964
00:48:19,239 --> 00:48:19,759
Speaker 1: I can't do that.

965
00:48:20,800 --> 00:48:26,400
Speaker 3: Oh yeah, I don't know how Okay, So he's like that, well.

966
00:48:25,680 --> 00:48:26,160
Speaker 2: What do you do?

967
00:48:26,320 --> 00:48:35,359
Speaker 3: What do you Jerry's like it's like something like Scooby doo.

968
00:48:37,680 --> 00:48:38,600
Speaker 3: I tell you that's what I can.

969
00:48:38,680 --> 00:48:38,839
Speaker 1: Fine.

970
00:48:38,840 --> 00:48:43,160
Speaker 3: You combine the two, you combine Kramer Jerry Seinfeld, and

971
00:48:43,280 --> 00:48:47,719
Speaker 3: you get Scooby dooe standing up.

972
00:49:00,120 --> 00:49:01,480
Speaker 2: I'm just seeing the line.

973
00:49:01,680 --> 00:49:03,760
Speaker 5: It's the monster at the end of the thing again,

974
00:49:04,239 --> 00:49:05,680
Speaker 5: they all become.

975
00:49:05,440 --> 00:49:11,359
Speaker 4: Scooby doo at Elaine.

976
00:49:11,320 --> 00:49:15,520
Speaker 7: Hey, why gold Jerry.

977
00:49:15,960 --> 00:49:16,960
Speaker 1: That's that's shaggy.

978
00:49:17,000 --> 00:49:18,240
Speaker 3: All right, Well, thank you guys.

979
00:49:18,360 --> 00:49:19,480
Speaker 4: Saying you want to wrap it up.

980
00:49:19,719 --> 00:49:22,760
Speaker 5: Yeah, we've been listening to Do You Need a Ride?

981
00:49:23,040 --> 00:49:30,080
Speaker 5: D y n aar a are.

982
00:49:37,360 --> 00:49:39,840
Speaker 8: This has been an exactly right production.

983
00:49:40,280 --> 00:49:42,560
Speaker 1: Our senior producer is Annalise Nelson.

984
00:49:42,920 --> 00:49:44,359
Speaker 8: Mixed by Edson Troy.

985
00:49:44,760 --> 00:49:46,680
Speaker 1: Our talent booker is Patrick Cotner.

986
00:49:46,920 --> 00:49:48,880
Speaker 8: Theme song by Karen Kilgarret.

987
00:49:49,320 --> 00:49:50,759
Speaker 4: Artwork by Chris Fairbanks.

988
00:49:51,000 --> 00:49:54,040
Speaker 1: Follow the show on Instagram, Twitter, and Facebook at dinar

989
00:49:54,160 --> 00:49:57,239
Speaker 1: podcast That's d y n ar Podcast.

990
00:49:57,680 --> 00:50:01,239
Speaker 5: For more information, go to exactly right idiot dot com.

991
00:50:01,280 --> 00:50:03,520
Speaker 8: Thank you, Oh you're welcome.