WEBVTT - Ep 124: Brittany Howard

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<v Speaker 1>He kisses me on her cheek, jumps off the stage

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<v Speaker 1>and disappears into nothing like it's literally like you disappear

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<v Speaker 1>in with the air. And I was like, I was

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<v Speaker 1>just like, what, he's a shape shifter, I swear, you know,

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<v Speaker 1>I was like in my eyes, playing tricks on me.

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<v Speaker 1>He just disappeared, and you know that was the last

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<v Speaker 1>I saw.

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<v Speaker 2>Prince Evening folks, Welcome to Midnight Chats, the music interview

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<v Speaker 2>podcast for late night listening. My name is Greg Cochrane.

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<v Speaker 3>I'm Stuart Stubbs, but that's completely irrelevant this evening because Greg,

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<v Speaker 3>you're the star of tonight's show along with Brittany Howard

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<v Speaker 3>is your guest. Tell me all about her.

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<v Speaker 2>Yeah, well, listen to you, and you know that I

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<v Speaker 2>love a quote, right, and I love this quote from Adele.

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<v Speaker 2>You're familiar with Adele Nope? Okay. Well, she's a musician, Okay,

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<v Speaker 2>sold a lot of albums over the years, and she's

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<v Speaker 2>got this great quote about this evening's podcast guest, and

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<v Speaker 2>she says, there's something about Brittany that puts fire in

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<v Speaker 2>my soul. She's so fucking full of soul, overflowing, dripping

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<v Speaker 2>that almost can't handle it.

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<v Speaker 3>I think Adele said that about me at one point.

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<v Speaker 3>Actually as well, that sounds that does sound familiar. Imagine

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<v Speaker 3>having Adele say that about you.

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<v Speaker 2>Adele needs to join in orderly queue because basically, so

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<v Speaker 2>many genius artists are a fan of Brittany Howard Tyler,

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<v Speaker 2>the creator, Childish Gambino, Kendrick Lamar, they are all huge

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<v Speaker 2>fans of hers. I mean, she's she's won five Grammys.

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<v Speaker 2>Like she she's like an artist artist. They absolutely love her.

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<v Speaker 3>Or what I particularly like about this episode when I

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<v Speaker 3>heard it was how much of a laugh? It's she

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<v Speaker 3>seems the talker. But we're gonna put a link in

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<v Speaker 3>the below in the show notes for the kissy dolls

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<v Speaker 3>thing that you're talking about. I'm not going to say

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<v Speaker 3>any more than that that're pretty creepy. I've just been

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<v Speaker 3>looking at the site again. There's real hair on these dolts.

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<v Speaker 3>Now that's coming up. There's a lot in this, including

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<v Speaker 3>her love for fishing, which I don't think we've ever

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<v Speaker 3>had a fisher, fisher an angler on the show before.

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<v Speaker 2>It is a first. Yeah, she's big into her angling.

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<v Speaker 2>As you're about to hear, I spoke to Brittany, she

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<v Speaker 2>was at home in Nashville when we spoke, and it

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<v Speaker 2>made the very depressing first week of January this year

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<v Speaker 2>a whole lot brighter. As you say. She's got amazing vibes,

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<v Speaker 2>great energy, and yeah, we've got to talk about fishing.

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<v Speaker 2>Got an a grade story about playing Prince's House, and

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<v Speaker 2>I wondered if Alabama Shakes would ever do anything else,

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<v Speaker 2>so I got to ask her about that too. One

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<v Speaker 2>extra thing I just wanted to add. Greg.

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<v Speaker 3>Sorry, if you listen to this and you are one

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<v Speaker 3>of the people who sourced a convertible car for Britney

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<v Speaker 3>after her Madrid show, we are trying to find this

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<v Speaker 3>group of people she asked for a scooter. That was

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<v Speaker 3>it a scooter? I think it was a scooter.

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<v Speaker 2>I think a moped or something a moped.

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<v Speaker 3>They got a convertible car. If that is you, please

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<v Speaker 3>get in touch with the show, maybe via our socials.

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<v Speaker 3>We're at Midnight Chat's pod on Instagram.

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<v Speaker 2>We want this to be the Talk with Madrid. We're

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<v Speaker 2>launching We're officially launching the investigation right here, right now.

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<v Speaker 2>Brittany's got a solo album, a recent solo album out

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<v Speaker 2>and it's the second one. It's called what now. It's

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<v Speaker 2>really really great. I urge you to go and check

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<v Speaker 2>it out. And also we talk a bit about a

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<v Speaker 2>poem and that's included on that album and it's by

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<v Speaker 2>Maya Angelo and the title of that poem is a

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<v Speaker 2>brave and Startling Truth. So yeah, let's hear from Brittany

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<v Speaker 2>Howard on Midnight Chats.

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<v Speaker 1>Oh, I'm doing great, Thanks for having me on. I'm

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<v Speaker 1>excited to be here.

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<v Speaker 2>In my preparation for speaking to you, there's something I

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<v Speaker 2>need to know more about. I'm currently on a website

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<v Speaker 2>called Kissy DOLESUSA direct dot com, which sounds like the

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<v Speaker 2>kind of thing that would get me banned from the Internet,

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<v Speaker 2>but I found out about this via your TikTok a

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<v Speaker 2>few weeks ago. It's hilarious and so scary. Can you

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<v Speaker 2>describe what I'm looking at and where it's come from.

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<v Speaker 1>Listen, listen, listen. And as the CEO of Kissy Dolls

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<v Speaker 1>USA Direct dot com, you know, there's not a lot

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<v Speaker 1>that I'm going to say about it, except that we

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<v Speaker 1>get very bored on a tour bus and we take

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<v Speaker 1>things too far.

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<v Speaker 2>These creations just for people listening. Basically, they are like miniatures.

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<v Speaker 2>The dolls obviously, but that the what are they made

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<v Speaker 2>out of?

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<v Speaker 3>Well?

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<v Speaker 2>Were they what's the material?

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<v Speaker 1>I found this very unusual clay okay on Amazon dot Com.

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<v Speaker 1>It's it's it's the most unusual clay I've ever worked with.

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<v Speaker 1>I don't know what it's made out of, but we

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<v Speaker 1>just started messing with it and it became kissy dolls,

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<v Speaker 1>you know, like little clayheads. We put little wigs on

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<v Speaker 1>them and we paint them up, give them names, pop

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<v Speaker 1>them on the internet. There for self.

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<v Speaker 2>I know there's literally a website store. I'm on it.

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<v Speaker 2>They're currently sold out. It's obviously very exclusive.

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<v Speaker 1>Yeah, they're hit, They're hit.

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<v Speaker 2>Yeah, they've all got all these dolls have got Uh,

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<v Speaker 2>they've got different names. My favorite one is Evelyn pec

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<v Speaker 2>Peeper Impact paper.

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<v Speaker 1>Yeah, that one, that's one of our first ones. Who created.

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<v Speaker 1>Zach Cockle is actually an artisan at the plant, and

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<v Speaker 1>uh that was that was one of his favorites. It

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<v Speaker 1>was hard to see her go.

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<v Speaker 2>Tell me, is theyre going to be more a They're

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<v Speaker 2>going to be more kissy dos coming soon.

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<v Speaker 1>To be determined, maybe not early this year. Could we

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<v Speaker 1>kind of had the plant shut down for over the holidays,

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<v Speaker 1>so it might take a while to get things started

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<v Speaker 1>back up.

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<v Speaker 2>Yeah, fair enough that we know the demand is there.

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<v Speaker 1>Though, the demand is there, and you know, I'm not

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<v Speaker 1>gonna say like I'm not purposefully creating more demand.

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<v Speaker 2>I'm going to post a link in the show notes

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<v Speaker 2>to to that thing so that anybody listened to this

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<v Speaker 2>feeling completely disorientated about what we're talking about can go

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<v Speaker 2>and check it out. But yeah, these dolls are They're

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<v Speaker 2>amazing and I was I was obsessed when I found.

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<v Speaker 1>Them, and I knew this would follow me.

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<v Speaker 2>Yeah, exactly what have you started, Brittany? This is the

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<v Speaker 2>thing now, I mean sticking on kind of uh, the

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<v Speaker 2>social media and like going I was, you know, in

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<v Speaker 2>my preparation for speaking to you, obviously, was checking out

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<v Speaker 2>kind of what you've been up to. And your your

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<v Speaker 2>dogs Wilma and uh, Wilma and Wanda also make regular

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<v Speaker 2>appearances on your social media. Is that Wilma or Wonder?

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<v Speaker 2>I can see in the background, Oh, that's Willie. She's

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<v Speaker 2>probably chewing on an extension cable.

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<v Speaker 1>Come here, don't do that. Here's Willy here say something

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<v Speaker 1>in the microphone.

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<v Speaker 2>Will Hey, everybody, they look so chilled? Is that is

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<v Speaker 2>that their personalities.

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<v Speaker 1>No, no, no, one of them to turn it on

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<v Speaker 1>for the cameras. One of them's a puppy. As soon

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<v Speaker 1>as anybody's looking. She seems sweet, but she's a puppy.

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<v Speaker 1>And uh, it's been very difficult around here with her.

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<v Speaker 1>You know. She's a little dog. She likes to talk,

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<v Speaker 1>she likes to bark, she likes to be on the rugs.

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<v Speaker 1>So it's just been all hands on deck since I

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<v Speaker 1>got her. So put that on top of trying to

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<v Speaker 1>promote an album and trying to tour. What was I thinking,

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<v Speaker 1>I don't know, this is it.

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<v Speaker 2>You're pep parent. It's a demanding thing.

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<v Speaker 1>You know. I googled. I was like, what is the

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<v Speaker 1>worst breed to house train? And it said, uh, Docsin

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<v Speaker 1>miniature Docsin. Yeah, they got reputation, they have a reputation.

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<v Speaker 1>I didn't really know that. It was too late by

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<v Speaker 1>the time I found that out, but I'm experiencing that.

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<v Speaker 2>I know. They always say, like, you're you're a keen angler, right,

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<v Speaker 2>you love to go fishing, and like do you how

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<v Speaker 2>often do you get out? And do you do you

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<v Speaker 2>take the dogs with you when you go?

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<v Speaker 1>I cannot take Wanda. She has a high prey drive.

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<v Speaker 1>You know, she's also a little winy dog high prey drive,

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<v Speaker 1>and you know they were their bred to uh chase

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<v Speaker 1>and hunt small animals. A fish is a small animal,

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<v Speaker 1>and so I can't take her anywhere in near fish.

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<v Speaker 1>She has a fit. One time I was fishing, I

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<v Speaker 1>couldn't get the fish off of the hook fast enough.

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<v Speaker 1>She jumps like leaps in the air, lands on the hook.

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<v Speaker 1>Had to had to take her to the vet, huge

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<v Speaker 1>emergency vet bill. So she doesn't She's not allowed to

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<v Speaker 1>go at all anymore for her own safety. Wilma, she's new,

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<v Speaker 1>you know, I got I got her, and I haven't

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<v Speaker 1>taken her out fishing yet. We'll see how it goes.

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<v Speaker 1>But I do love fishing. I've been doing it since

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<v Speaker 1>I was probably like four or five years old. It's

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<v Speaker 1>just something I would do with my family and it's continued.

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<v Speaker 2>Yeah, my dad was a keen angler and I haven't

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<v Speaker 2>got to do it much, but I always have like

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<v Speaker 2>fund memories of going out with him when I was young,

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<v Speaker 2>and like just spending that like one to one time

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<v Speaker 2>with my parent, Like is that where it came from

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<v Speaker 2>for you as well? And is that like the enduring

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<v Speaker 2>passion of getting out to spend some time on your own,

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<v Speaker 2>a bit of thinking time.

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<v Speaker 1>Yeah, you know, it's very grounding when you're out there

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<v Speaker 1>in nature. It just it's just kind of a reset,

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<v Speaker 1>I feel like. You know, for me, life can be

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<v Speaker 1>so hectic and it can feel very chaotic and never ending,

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<v Speaker 1>and you go out on the road and you're giving

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<v Speaker 1>a lot of energy, you're sleeping on a bus, you're sore,

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<v Speaker 1>and you come home and you just want to do

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<v Speaker 1>what I call is arriving, and you just want to

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<v Speaker 1>get back to yourself. And I found that fishing it's

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<v Speaker 1>a great way for me to do that. It's a

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<v Speaker 1>great way for me to reconnect to myself. And then

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<v Speaker 1>when I come back from the fishing trip, I feel

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<v Speaker 1>like a little bit more like I've arrived at home.

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<v Speaker 1>And I started fishing way back when, when my dad

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<v Speaker 1>and my mom used to fish for catfish a long

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<v Speaker 1>time ago, and it'd be like a picnic and we

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<v Speaker 1>sit out there and we spend time together and it

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<v Speaker 1>was really fun. And me and my dad continued that

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<v Speaker 1>tradition is just going out there and then sitting late

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<v Speaker 1>at night overnight sometimes to catch catfish. And I taught

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<v Speaker 1>him how to fish for bass. You know, all the

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<v Speaker 1>different techniques, and that's just something that makes us both

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<v Speaker 1>feel like little kids. And it's cool hanging out with

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<v Speaker 1>your parents, like having that kind of like inner child experience.

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<v Speaker 2>Do you have any like top memories of going fishing,

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<v Speaker 2>like particular locations or particular fish that you've caught that

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<v Speaker 2>you still wow, like this is it doesn't get better

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<v Speaker 2>than this.

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<v Speaker 1>I remember I was in Poland. I was like in

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<v Speaker 1>I think Warsaw and we had a day off and

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<v Speaker 1>I had asked the promoter at this festival, can you

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<v Speaker 1>take me fishing? And he thought it was hilarious. But

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<v Speaker 1>in Poland is a little different than America, like you

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<v Speaker 1>probably it's different from the United Kingdom as well. Like

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<v Speaker 1>here we have like public land you can just go

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<v Speaker 1>and fish. And there it's like you got like these

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<v Speaker 1>clubs or you have to ask for permission, okay, And

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<v Speaker 1>so we go to this club and had these giant

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<v Speaker 1>gates and we go through the skates and this place

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<v Speaker 1>is nice, like the landscaping was a ten out of ten.

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<v Speaker 1>And you go to the desk and check in and

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<v Speaker 1>I'm like, what the hell's going on here? And there's

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<v Speaker 1>this little guy. You know, they didn't think much about me.

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<v Speaker 1>They'd never seen somebody like me come in and ask

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<v Speaker 1>to go fishing, so to give me like a cane pole,

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<v Speaker 1>which is just a stick essentially with some corn, a

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<v Speaker 1>cane pole with some corn on a hook, and I'm

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<v Speaker 1>catching these little fish. I think they're calling him roach

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<v Speaker 1>catching his little tiny fish. And I was doing this

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<v Speaker 1>for about an hour and I turned around and look

0:11:06.960 --> 0:11:08.480
<v Speaker 1>at the guy and I was like, can so is

0:11:08.520 --> 0:11:11.560
<v Speaker 1>this bait? Or like what are we doing here? And

0:11:11.600 --> 0:11:13.920
<v Speaker 1>he started laughing and he's like, oh, you want to

0:11:13.960 --> 0:11:18.800
<v Speaker 1>catch real fish? Huh. I was like yeah. And you know,

0:11:18.920 --> 0:11:20.960
<v Speaker 1>we get in this little boat, this little plastic boat

0:11:21.040 --> 0:11:23.440
<v Speaker 1>to me and this guy, and this guy, I'm not

0:11:23.480 --> 0:11:27.200
<v Speaker 1>gonna say he was like he wasn't the kindest guy.

0:11:27.679 --> 0:11:29.920
<v Speaker 1>So we get in the boat. He passes me ride

0:11:30.280 --> 0:11:32.520
<v Speaker 1>and I'm nervous because this guy's like staring at me, like, oh,

0:11:32.559 --> 0:11:35.559
<v Speaker 1>she thinks she can catch a fish, So I like cast.

0:11:35.600 --> 0:11:38.360
<v Speaker 1>It was like a terrible cast. I was like embarrassed,

0:11:38.360 --> 0:11:40.520
<v Speaker 1>and he was like you could throw better than that.

0:11:40.679 --> 0:11:43.760
<v Speaker 1>She's like you're throwing like a girl. And I was like, okay,

0:11:43.840 --> 0:11:45.640
<v Speaker 1>Well where I'm from We don't say that no more,

0:11:45.679 --> 0:11:49.120
<v Speaker 1>but whatever, dude, and I cast it and I'm casting

0:11:49.160 --> 0:11:53.160
<v Speaker 1>out far, I let the lyric fall and I hook

0:11:53.200 --> 0:11:55.439
<v Speaker 1>into the biggest trout I've ever seen in my life.

0:11:55.880 --> 0:11:57.480
<v Speaker 1>It was, I mean, it must have been like thirty

0:11:57.480 --> 0:12:00.240
<v Speaker 1>inches long or something, I don't know, definitely a chunky,

0:12:00.360 --> 0:12:03.240
<v Speaker 1>chunky fish. And I look at this man's face and

0:12:03.280 --> 0:12:06.000
<v Speaker 1>he was looking at me in disbelief, in shock, and

0:12:06.080 --> 0:12:08.640
<v Speaker 1>I was like, oh yeah, buddy, I'm out here fishing.

0:12:08.640 --> 0:12:10.720
<v Speaker 1>You know what I'm saying. Howbit you didn't expect that?

0:12:11.080 --> 0:12:12.480
<v Speaker 1>And then we became best friends.

0:12:12.880 --> 0:12:15.679
<v Speaker 2>I was gonna say, that's the glee. The feeling of

0:12:15.800 --> 0:12:18.440
<v Speaker 2>just like of that moment must have been so good.

0:12:18.880 --> 0:12:21.040
<v Speaker 1>The glee is sharing that with a stranger. It was

0:12:21.040 --> 0:12:22.520
<v Speaker 1>a great memory. I'll never forget it.

0:12:22.640 --> 0:12:24.839
<v Speaker 2>In terms of get into music. We spoke once before.

0:12:24.880 --> 0:12:27.920
<v Speaker 2>It was a long time ago, Alabama, Shakespeare in the UK,

0:12:28.160 --> 0:12:32.000
<v Speaker 2>paying your first shows here, so this was like I'm

0:12:32.080 --> 0:12:36.560
<v Speaker 2>gonna say, twenty eleven, twenty twelve must have been. And

0:12:37.080 --> 0:12:38.960
<v Speaker 2>I remember we talked a lot about this sort of

0:12:38.960 --> 0:12:41.760
<v Speaker 2>strange and exotic food that you'd encountered on that first

0:12:41.800 --> 0:12:44.880
<v Speaker 2>trip to Europe. You'd been when I spoke to You've

0:12:44.920 --> 0:12:48.119
<v Speaker 2>been eating snails in Paris, You've been eating hagis in Scotland.

0:12:48.360 --> 0:12:50.839
<v Speaker 2>And I wondered whether, like any of those things became

0:12:50.920 --> 0:12:52.960
<v Speaker 2>like culinary favorites of yours in the end.

0:12:53.320 --> 0:12:58.640
<v Speaker 1>No, No, I remember that trip. I remember that trip,

0:12:58.679 --> 0:13:02.280
<v Speaker 1>coming to the UK the first time and bringing this

0:13:02.320 --> 0:13:05.520
<v Speaker 1>little digital camera that my managers had given me, and

0:13:05.600 --> 0:13:08.960
<v Speaker 1>I remember having just the best time. And I took

0:13:09.000 --> 0:13:12.880
<v Speaker 1>pictures of everything. I took pictures of the red telephone

0:13:12.880 --> 0:13:17.320
<v Speaker 1>booths and and I was asking for a crumpet. I

0:13:17.320 --> 0:13:19.040
<v Speaker 1>was like, give me a crumpet, Give me where can

0:13:19.040 --> 0:13:22.600
<v Speaker 1>I find a crumpet? And then I finally had the crumpet.

0:13:22.640 --> 0:13:26.320
<v Speaker 1>I was like, oh, you're like, this is just average. Yeah,

0:13:26.320 --> 0:13:28.520
<v Speaker 1>it was pretty average. Yeah, but I but I did

0:13:28.520 --> 0:13:32.000
<v Speaker 1>it my little scavenger hunt, a little English scavenger hunt. Yeah,

0:13:32.040 --> 0:13:34.000
<v Speaker 1>mush I had the mushy peas. I had the fish

0:13:34.040 --> 0:13:38.559
<v Speaker 1>and chips. I had some sort of like what some

0:13:38.559 --> 0:13:42.520
<v Speaker 1>some sort of vinegar sauce I'll be putting on stuff.

0:13:42.559 --> 0:13:46.040
<v Speaker 1>I had that too. Uh yeah, fond memories.

0:13:45.720 --> 0:13:47.720
<v Speaker 2>I mean, what was what's your kind of like recollections

0:13:47.760 --> 0:13:51.240
<v Speaker 2>of that that period like generally, I mean literally a

0:13:51.280 --> 0:13:55.320
<v Speaker 2>few months before that, you're like still working jobs back home,

0:13:55.480 --> 0:13:57.640
<v Speaker 2>and then like you know, things start to move. You

0:13:58.040 --> 0:14:01.679
<v Speaker 2>know you're in the UK. Thing's probably pretty like overwhelming.

0:14:01.800 --> 0:14:04.760
<v Speaker 2>Like what your reflections on that period and the person

0:14:04.800 --> 0:14:05.600
<v Speaker 2>you were at that point.

0:14:05.760 --> 0:14:08.280
<v Speaker 1>I mean I was like I was like early twenties,

0:14:08.679 --> 0:14:11.480
<v Speaker 1>very young, so I had a lot of energy. I

0:14:11.559 --> 0:14:14.520
<v Speaker 1>was very excited to be going. I couldn't believe I

0:14:14.600 --> 0:14:19.360
<v Speaker 1>was like traveling the world. Never saw that coming for

0:14:19.480 --> 0:14:22.960
<v Speaker 1>my life, so I had eyes wide open. I wanted

0:14:23.000 --> 0:14:26.280
<v Speaker 1>to experience everything. I mean I remember being in Spain

0:14:27.000 --> 0:14:30.480
<v Speaker 1>and meeting these two people on the street and they

0:14:30.520 --> 0:14:32.600
<v Speaker 1>were like, we couldn't get tickets to your show. And

0:14:32.640 --> 0:14:34.600
<v Speaker 1>I was like, I'll give you a ticket. I'll give

0:14:34.600 --> 0:14:36.400
<v Speaker 1>you tickets to my show if you bring me a

0:14:36.440 --> 0:14:40.520
<v Speaker 1>moped after the show. And so like they're like, we will,

0:14:40.560 --> 0:14:42.360
<v Speaker 1>we will, we promise. So I give them the tickets.

0:14:42.600 --> 0:14:44.480
<v Speaker 1>I go out the back door after the show and

0:14:44.520 --> 0:14:47.600
<v Speaker 1>there's a convertible and I was like, this isn't a moped,

0:14:47.640 --> 0:14:49.240
<v Speaker 1>and they were like, well, it's the best we could do.

0:14:50.240 --> 0:14:52.320
<v Speaker 1>So I just hop in the car. We're just like

0:14:52.400 --> 0:14:55.280
<v Speaker 1>driving through Spain. At night. It was awesome. So I

0:14:55.400 --> 0:14:58.000
<v Speaker 1>just I had the best time. You know, I'd never

0:14:58.000 --> 0:14:58.960
<v Speaker 1>seen anything like it.

0:14:59.120 --> 0:15:01.400
<v Speaker 2>Did you sort of lean into the adventure of it?

0:15:01.800 --> 0:15:03.960
<v Speaker 2>Like did you sort of think this might only happen once?

0:15:04.080 --> 0:15:06.320
<v Speaker 2>Like I'm gonna I'm gonna get into convertible with two

0:15:06.360 --> 0:15:09.360
<v Speaker 2>people I've just met and go and see Madrid. Whatever

0:15:09.360 --> 0:15:09.760
<v Speaker 2>it was.

0:15:12.200 --> 0:15:15.360
<v Speaker 1>I was definitely like, not sure how long this is

0:15:15.400 --> 0:15:18.320
<v Speaker 1>gonna last. For I had high hopes and I was

0:15:18.320 --> 0:15:22.240
<v Speaker 1>willing to work really hard, but just living in a moment.

0:15:22.400 --> 0:15:24.320
<v Speaker 1>Like I said, I was like a young person and

0:15:24.360 --> 0:15:26.800
<v Speaker 1>we would stay out late and I mean we were

0:15:26.880 --> 0:15:31.120
<v Speaker 1>running amok. It was funny because like in Australia, we

0:15:31.120 --> 0:15:34.000
<v Speaker 1>were doing I think it's called Big Day Out so

0:15:34.160 --> 0:15:36.720
<v Speaker 1>traveling festival and so you travel around the whole country

0:15:37.240 --> 0:15:41.400
<v Speaker 1>and every night when the festival's over, they open up

0:15:41.440 --> 0:15:43.840
<v Speaker 1>a bar for the bands and the bands can go

0:15:43.880 --> 0:15:47.160
<v Speaker 1>to the bar and drink for free. And so we

0:15:47.240 --> 0:15:49.280
<v Speaker 1>go to the bar and uh, they quit serving us

0:15:49.360 --> 0:15:51.280
<v Speaker 1>after about the third bar. They were like, are y'all

0:15:51.320 --> 0:15:53.960
<v Speaker 1>album schicks? I was like, yeah we are, and they're like,

0:15:54.000 --> 0:15:56.440
<v Speaker 1>y'all gotta get out of here. We were showing out

0:15:56.720 --> 0:15:58.960
<v Speaker 1>we were showing out because I always tell people everybody's like, oh,

0:15:59.040 --> 0:16:00.760
<v Speaker 1>rock and roll bands, they must party so hard. No,

0:16:00.840 --> 0:16:04.080
<v Speaker 1>it's the soul bands, the soul bans. Something wrong with us.

0:16:06.120 --> 0:16:08.360
<v Speaker 2>I know, yeah that I've been to that festival and

0:16:08.440 --> 0:16:10.920
<v Speaker 2>I've actually been in those bars, and like that is

0:16:12.000 --> 0:16:16.960
<v Speaker 2>drinking them dry is pretty impressive. Yeah, yeah, who was

0:16:17.000 --> 0:16:18.800
<v Speaker 2>with you? Who were the other because it's like that

0:16:18.880 --> 0:16:20.640
<v Speaker 2>big day out I don't think happens anymore. But it

0:16:20.680 --> 0:16:23.720
<v Speaker 2>was like a touring. It was the same lineup, wasn't

0:16:23.760 --> 0:16:26.720
<v Speaker 2>it that moved around different cities in Australia and New Zealand.

0:16:26.840 --> 0:16:29.000
<v Speaker 2>So who was out on with you at that time?

0:16:29.000 --> 0:16:31.480
<v Speaker 2>Did you imagine like persuade any other bands to come

0:16:31.560 --> 0:16:32.120
<v Speaker 2>drinking with you?

0:16:32.200 --> 0:16:35.040
<v Speaker 1>I'm trying to remember so long ago, and I remember

0:16:35.160 --> 0:16:41.640
<v Speaker 1>Gay Clark Junior was there, Red Hat Chili Peppers was there.

0:16:41.760 --> 0:16:44.480
<v Speaker 1>I'm pretty sure, yeah, And it's kind of all I

0:16:44.520 --> 0:16:45.520
<v Speaker 1>can remember right now.

0:16:48.680 --> 0:16:51.280
<v Speaker 2>It's obviously like a really exciting time for you. Right

0:16:51.320 --> 0:16:53.720
<v Speaker 2>now you're you know, you're sharing his second project under

0:16:53.760 --> 0:16:56.360
<v Speaker 2>your own name. It's called what Now. But I wanted

0:16:56.400 --> 0:16:58.480
<v Speaker 2>to reverse a couple of years if I may, and

0:16:58.520 --> 0:17:01.880
<v Speaker 2>I loved your album Jamie Really in twenty nineteen, and

0:17:01.920 --> 0:17:04.520
<v Speaker 2>a couple a couple of years later you released Jamie

0:17:04.560 --> 0:17:07.480
<v Speaker 2>Reimagined with where there was like a number of your

0:17:08.400 --> 0:17:12.040
<v Speaker 2>music peers reworked those songs in their own kind of

0:17:12.119 --> 0:17:14.600
<v Speaker 2>interpretations and in their own ways. That was people like

0:17:14.680 --> 0:17:18.680
<v Speaker 2>Bonnie Ver and Fred Again and Michael Kiwanuku and Childish Gambino,

0:17:19.280 --> 0:17:22.520
<v Speaker 2>so many amazing people. Those songs were really really personal

0:17:22.560 --> 0:17:25.320
<v Speaker 2>to you obviously, so what did you make of of

0:17:25.359 --> 0:17:27.800
<v Speaker 2>sort of handing them over to others to interpret them?

0:17:27.840 --> 0:17:30.320
<v Speaker 2>And we were there any of those that when they

0:17:30.320 --> 0:17:31.919
<v Speaker 2>came back to you for the first time, any of

0:17:31.920 --> 0:17:35.760
<v Speaker 2>those versions from other artists where you where you couldn't

0:17:35.760 --> 0:17:36.800
<v Speaker 2>believe what they've done with it.

0:17:36.880 --> 0:17:39.840
<v Speaker 1>I was so excited that people wanted to participate in

0:17:39.880 --> 0:17:45.080
<v Speaker 1>the project. I always love other creatives, and especially I

0:17:45.200 --> 0:17:50.000
<v Speaker 1>love how people hear different things. So it was just

0:17:50.040 --> 0:17:54.000
<v Speaker 1>like it was just like a like a like a

0:17:54.040 --> 0:17:56.359
<v Speaker 1>project of love. And I was just like, hey, do

0:17:56.440 --> 0:17:58.480
<v Speaker 1>you want to do you want to pick a song?

0:17:58.520 --> 0:18:00.159
<v Speaker 1>You want to try to like redo it? And a

0:18:00.200 --> 0:18:05.520
<v Speaker 1>lot of people said yes, And I remember all of them,

0:18:05.560 --> 0:18:11.080
<v Speaker 1>I think are fantastic. I remember specifically listening to Little

0:18:11.160 --> 0:18:17.719
<v Speaker 1>Dragons version of Presence, and there's this drum outro at

0:18:17.720 --> 0:18:20.600
<v Speaker 1>the end that I absolutely did not expect, and the

0:18:20.680 --> 0:18:23.120
<v Speaker 1>whole thing rises and gets to this like fever pitch,

0:18:23.160 --> 0:18:25.000
<v Speaker 1>and I just got I thought it was so cool

0:18:25.440 --> 0:18:27.719
<v Speaker 1>and I couldn't really have thought of that myself, and

0:18:27.760 --> 0:18:30.000
<v Speaker 1>that's the magic of the whole thing. And then also

0:18:30.080 --> 0:18:33.879
<v Speaker 1>I loved Michael keiwan Nuka's version of thirteenth century Medal,

0:18:34.240 --> 0:18:41.399
<v Speaker 1>absolutely insane, and also Bonavere's version of Short and Sweet

0:18:41.680 --> 0:18:44.880
<v Speaker 1>is still one of my favorites to this day. I'll

0:18:44.880 --> 0:18:46.800
<v Speaker 1>still sit down and listen to that. And yeah, I

0:18:46.840 --> 0:18:48.800
<v Speaker 1>just love what people did with it. I just think

0:18:48.840 --> 0:18:49.919
<v Speaker 1>it's such a cool thing to do.

0:18:50.600 --> 0:18:52.520
<v Speaker 2>Yeah, I left with Donald Glover did as well. I

0:18:52.520 --> 0:18:53.720
<v Speaker 2>thought it was yeh.

0:18:53.520 --> 0:18:58.480
<v Speaker 1>Oh, absolutely, ol Fred again, come on, everybody's brilliant. Everybody's brilliant.

0:18:58.560 --> 0:19:01.359
<v Speaker 2>It's true, It's true. This song's was so personal, like

0:19:01.440 --> 0:19:03.800
<v Speaker 2>you didn't mind kind of like trusting him, putting him

0:19:03.800 --> 0:19:05.640
<v Speaker 2>in the hands of somebody else, if that makes sense.

0:19:06.640 --> 0:19:07.920
<v Speaker 1>No, not at all. I didn't even give it a

0:19:07.960 --> 0:19:10.680
<v Speaker 1>second thought. Really. I was just like, these people are

0:19:10.680 --> 0:19:13.080
<v Speaker 1>all good. I can't wait to hear what they do.

0:19:13.240 --> 0:19:17.520
<v Speaker 2>You've always received such like warm encouragement from like other musicians,

0:19:17.640 --> 0:19:20.280
<v Speaker 2>like throughout the years of doing this, like right across

0:19:20.280 --> 0:19:24.200
<v Speaker 2>the spectrum, like from literally like Adele to Tyler the Creator,

0:19:25.000 --> 0:19:29.000
<v Speaker 2>Chris Martin to Kendrick Lamar. What kind of what does

0:19:29.000 --> 0:19:31.439
<v Speaker 2>that sort of support mean to you when somebody speaks

0:19:31.480 --> 0:19:33.520
<v Speaker 2>highly of your work? Does it feel you in any

0:19:33.560 --> 0:19:36.400
<v Speaker 2>way or either kind of person that sort of just goes, oh,

0:19:36.520 --> 0:19:39.960
<v Speaker 2>that's nice, thanks very much, But you know, I'm just

0:19:40.160 --> 0:19:40.920
<v Speaker 2>doing my own thing.

0:19:41.040 --> 0:19:44.480
<v Speaker 1>No, I think it's incredibly humbling because I'm all my

0:19:44.920 --> 0:19:46.600
<v Speaker 1>reaction is always like, oh my god, I didn't know

0:19:46.600 --> 0:19:49.840
<v Speaker 1>who I am. Like that's literally my reaction because I

0:19:49.840 --> 0:19:51.960
<v Speaker 1>don't know who's listening to what. I don't really know

0:19:52.040 --> 0:19:54.480
<v Speaker 1>how far my work's getting. That's not something I really

0:19:54.520 --> 0:19:56.840
<v Speaker 1>pay a lot of attention to. Like, I'm just here

0:19:57.080 --> 0:20:00.480
<v Speaker 1>trying to live a good, peaceful life, and then I

0:20:00.520 --> 0:20:02.520
<v Speaker 1>make music sometimes and then I'll put it out and

0:20:02.560 --> 0:20:04.480
<v Speaker 1>I'll support it, and I'll do all this work. And

0:20:04.480 --> 0:20:07.440
<v Speaker 1>it's just so amazing to me when people I respect

0:20:07.480 --> 0:20:09.560
<v Speaker 1>and look up to are doing the same thing with me,

0:20:09.920 --> 0:20:13.520
<v Speaker 1>and it just makes it so Yeah, encouraging is definitely

0:20:13.520 --> 0:20:15.480
<v Speaker 1>the word like so encouraging, Like, Okay, I'm on the

0:20:15.560 --> 0:20:17.840
<v Speaker 1>right path, I'm doing the right thing. I can still

0:20:17.880 --> 0:20:22.080
<v Speaker 1>do this, you know. And I just have high regard

0:20:22.200 --> 0:20:27.200
<v Speaker 1>for everyone you just listed, like I just think they're inspirations,

0:20:27.280 --> 0:20:31.760
<v Speaker 1>you know what I'm saying. Yeah, how incredible is that?

0:20:31.880 --> 0:20:32.360
<v Speaker 1>You know what I mean?

0:20:32.760 --> 0:20:34.680
<v Speaker 2>And you got to play some shows with Kendrick Lamar

0:20:34.800 --> 0:20:37.439
<v Speaker 2>going back a couple of years. I reckon Kendrick Lamar

0:20:37.800 --> 0:20:41.640
<v Speaker 2>fly fishing Europe twenty twenty five. You should do that thing.

0:20:41.760 --> 0:20:44.680
<v Speaker 1>All right? If Kendrick, here's this, like, listen, I'll meet

0:20:44.720 --> 0:20:47.280
<v Speaker 1>you where you are. We'll go fishing. We can talk

0:20:47.280 --> 0:20:50.199
<v Speaker 1>about meditation, we can play some flutes, we can hang out.

0:20:50.920 --> 0:20:53.840
<v Speaker 2>That sounds like the kind of invitation he coverfus, Well,

0:20:53.840 --> 0:20:54.320
<v Speaker 2>I will see.

0:20:54.320 --> 0:20:55.000
<v Speaker 1>He's a busy guy.

0:20:55.240 --> 0:20:59.720
<v Speaker 2>And what about meditation? Is that you practice transcendental meditation?

0:20:59.800 --> 0:21:00.159
<v Speaker 1>Is that right?

0:21:00.280 --> 0:21:00.440
<v Speaker 2>Yeah?

0:21:00.480 --> 0:21:01.920
<v Speaker 1>I do? I do twice a day.

0:21:02.240 --> 0:21:04.520
<v Speaker 2>And how has that come to develop for you? And

0:21:04.560 --> 0:21:06.560
<v Speaker 2>how does that help you? And how does that feed

0:21:06.560 --> 0:21:08.600
<v Speaker 2>into your mindset creative process.

0:21:08.760 --> 0:21:12.000
<v Speaker 1>Some people have brands that never stop. It's just an

0:21:12.440 --> 0:21:17.800
<v Speaker 1>endless barrage of thoughts and meaningless chatter. And then on

0:21:17.840 --> 0:21:20.679
<v Speaker 1>top of living in a world that's also chaotic and

0:21:20.720 --> 0:21:23.280
<v Speaker 1>full of information twenty four to seven, it can really

0:21:23.359 --> 0:21:28.399
<v Speaker 1>shortwire a lot of things. It just becomes incredibly overwhelming,

0:21:29.280 --> 0:21:32.520
<v Speaker 1>and you lose track of time and you forget important

0:21:32.520 --> 0:21:34.520
<v Speaker 1>things you're supposed to do, like it just can't catch up,

0:21:34.560 --> 0:21:37.400
<v Speaker 1>you know. And so I feel like with the Transcendental Meditation,

0:21:37.560 --> 0:21:41.919
<v Speaker 1>it's created a lot of space for me to have

0:21:42.000 --> 0:21:46.960
<v Speaker 1>more peace, like mentally, and of course if you have

0:21:47.040 --> 0:21:51.439
<v Speaker 1>peace there, everything else spreads from that. And it's just

0:21:51.600 --> 0:21:56.920
<v Speaker 1>made me a kinder, more patient person with more capacity

0:21:57.160 --> 0:21:59.439
<v Speaker 1>just for the world in general and all the people

0:21:59.480 --> 0:22:01.120
<v Speaker 1>and puppies in it.

0:22:01.640 --> 0:22:06.119
<v Speaker 2>Yeah, just think about the puppies. It's I mean, the

0:22:06.440 --> 0:22:08.520
<v Speaker 2>album What Now, it's kind of I love the quote

0:22:08.520 --> 0:22:09.840
<v Speaker 2>that you gave about it, which is just like we

0:22:10.160 --> 0:22:11.720
<v Speaker 2>all feel like we're in a some of us feel

0:22:11.760 --> 0:22:13.320
<v Speaker 2>like we're in a world just trying to hang on

0:22:13.359 --> 0:22:15.960
<v Speaker 2>to our soul, like we're just sort of gripping on

0:22:16.200 --> 0:22:20.119
<v Speaker 2>just thinking like what can go wrong next basically, and

0:22:20.160 --> 0:22:21.840
<v Speaker 2>then it sort of comes with this sense of like

0:22:21.920 --> 0:22:25.119
<v Speaker 2>existential dread, and you know, and that can feel like

0:22:25.160 --> 0:22:27.120
<v Speaker 2>a bit of a downward spiral.

0:22:27.160 --> 0:22:27.520
<v Speaker 1>I guess.

0:22:28.000 --> 0:22:30.640
<v Speaker 2>So I wondered, like, how have you if it's been

0:22:30.640 --> 0:22:33.480
<v Speaker 2>like that for a few years, right, Like? And I

0:22:33.560 --> 0:22:36.639
<v Speaker 2>wondered day to day, like how are you with that?

0:22:36.680 --> 0:22:38.960
<v Speaker 2>With that stuff? Do you, like, do you find yourself

0:22:38.960 --> 0:22:41.359
<v Speaker 2>scrolling on your phone like doom scrolling looking at the

0:22:41.400 --> 0:22:43.959
<v Speaker 2>bad news? Do you find yourself like having to just

0:22:44.000 --> 0:22:46.560
<v Speaker 2>like not do that, like, just put that aside. I'm

0:22:46.640 --> 0:22:50.880
<v Speaker 2>gonna not engage sometimes for the benefit of my own sanity.

0:22:52.560 --> 0:22:54.479
<v Speaker 2>What do you do with all of that stuff?

0:22:54.640 --> 0:22:59.320
<v Speaker 1>What do I do with all of it? It depends, No,

0:22:59.359 --> 0:23:03.240
<v Speaker 1>I do not do scroll. In fact, I have a

0:23:03.240 --> 0:23:05.800
<v Speaker 1>pretty healthy relationship with my phone. I don't know where

0:23:05.800 --> 0:23:08.080
<v Speaker 1>it is most of the time. That's good, that's a

0:23:08.119 --> 0:23:11.919
<v Speaker 1>good thing. I think what's more important than cell phones

0:23:12.119 --> 0:23:15.600
<v Speaker 1>is personal relationships. And if one of my friends comes

0:23:15.600 --> 0:23:17.480
<v Speaker 1>to me and they're really disturbed by something going on

0:23:17.480 --> 0:23:21.280
<v Speaker 1>in the world, we'll talk about it. And sometimes you

0:23:21.359 --> 0:23:24.920
<v Speaker 1>can feel very helpless and powerless living in this world

0:23:24.920 --> 0:23:27.760
<v Speaker 1>and being seeing all the news from so far away

0:23:27.800 --> 0:23:31.400
<v Speaker 1>of really terrible, awful things happening. All I can do

0:23:31.440 --> 0:23:34.760
<v Speaker 1>is support my friends sometimes sometimes you know, not all

0:23:34.800 --> 0:23:38.760
<v Speaker 1>the time, but sometimes it's like the people around me

0:23:38.960 --> 0:23:45.359
<v Speaker 1>who are scared need love and I am blessed to

0:23:45.359 --> 0:23:48.600
<v Speaker 1>be able to provide that. And sometimes it's just the

0:23:48.680 --> 0:23:50.680
<v Speaker 1>things around us. It's the only things we can control.

0:23:51.119 --> 0:23:55.000
<v Speaker 1>And I lean into that and that sometimes that's all

0:23:55.040 --> 0:23:57.120
<v Speaker 1>you got. And on the other hand, sometimes you can

0:23:57.160 --> 0:24:00.439
<v Speaker 1>do more. And when I'm I find the opportun tunity

0:24:00.560 --> 0:24:03.199
<v Speaker 1>to do that, I'll also lean into that. Especially in

0:24:03.200 --> 0:24:05.600
<v Speaker 1>my community. We got a lot of stuff going on

0:24:06.280 --> 0:24:09.360
<v Speaker 1>just here where I'm from as far as trans rights go,

0:24:10.960 --> 0:24:14.760
<v Speaker 1>and also some jerry mandering, and that's stuff that I'm

0:24:14.840 --> 0:24:17.480
<v Speaker 1>able to contribute to, and I do do that because

0:24:17.680 --> 0:24:19.440
<v Speaker 1>I just want for everybody to live a peaceful life,

0:24:19.480 --> 0:24:20.080
<v Speaker 1>you know what I mean?

0:24:20.280 --> 0:24:22.639
<v Speaker 2>Yeah, definitely. What's the kind of sense there? Have you

0:24:22.680 --> 0:24:25.600
<v Speaker 2>been able to join some marches and things like that

0:24:25.640 --> 0:24:27.679
<v Speaker 2>around the trans rights in the in the region?

0:24:27.920 --> 0:24:33.320
<v Speaker 1>Oh, for sure, there's there are marches, and there's also

0:24:33.440 --> 0:24:36.520
<v Speaker 1>just a lot of community outreach that we have here,

0:24:36.880 --> 0:24:40.600
<v Speaker 1>and there's a lot of lawyers who do really really

0:24:40.600 --> 0:24:46.280
<v Speaker 1>good work that you're able to support. And also as musicians,

0:24:46.359 --> 0:24:49.840
<v Speaker 1>we get together and we put on this huge concert

0:24:50.560 --> 0:24:54.359
<v Speaker 1>here it was last year to raise money and to

0:24:54.480 --> 0:25:00.080
<v Speaker 1>support to support each other in the LGBTQ community, and

0:24:59.800 --> 0:25:01.880
<v Speaker 1>im I feel really lucky to be here surrounded by

0:25:01.880 --> 0:25:04.159
<v Speaker 1>people like that because it is Tennessee and it is

0:25:04.200 --> 0:25:06.840
<v Speaker 1>the South, and it is slow for progress, but there's

0:25:06.840 --> 0:25:08.919
<v Speaker 1>still people here on the ground that are taking care

0:25:08.960 --> 0:25:09.400
<v Speaker 1>of each other.

0:25:09.480 --> 0:25:12.320
<v Speaker 2>Yeah, and historically obviously an incredibly important place in terms

0:25:12.359 --> 0:25:15.359
<v Speaker 2>of forging progress, like social progress. So like, you know,

0:25:15.520 --> 0:25:20.199
<v Speaker 2>the fact that it's still happening now is both discouraging

0:25:20.240 --> 0:25:22.959
<v Speaker 2>because we wish it wasn't, but equally, like you know,

0:25:23.040 --> 0:25:25.400
<v Speaker 2>you you it sounds like you've met a community people

0:25:25.480 --> 0:25:28.200
<v Speaker 2>that are really forging like a positive pathway there.

0:25:28.240 --> 0:25:30.479
<v Speaker 1>Oh yeah, well, and there'll always be people like that

0:25:30.520 --> 0:25:33.040
<v Speaker 1>in places like this and we'll never stop.

0:25:33.359 --> 0:25:37.040
<v Speaker 2>Just twenty twenty four, in the kind of specter of

0:25:38.080 --> 0:25:40.880
<v Speaker 2>elections and whatnot, how does it make you feel about

0:25:40.920 --> 0:25:42.240
<v Speaker 2>how it's all going to kind of unfold?

0:25:42.359 --> 0:25:44.639
<v Speaker 1>Well, Jesus, next question?

0:25:45.840 --> 0:25:49.560
<v Speaker 2>Fair enough? Fair enough, we'd have to dedicate a whole

0:25:49.600 --> 0:25:53.120
<v Speaker 2>podcast to that, No doubt we are. I mean just

0:25:53.119 --> 0:25:55.080
<v Speaker 2>just sort of sticking on the theme of the kind

0:25:55.119 --> 0:25:58.800
<v Speaker 2>of of of what now and that sense of like

0:26:00.080 --> 0:26:04.119
<v Speaker 2>overwhelm and and you know, a world kind of slightly

0:26:04.119 --> 0:26:07.600
<v Speaker 2>out of control, there's the Maya Angelo poem that you

0:26:07.640 --> 0:26:11.560
<v Speaker 2>sample on the albums, really really resonant and a beautiful

0:26:12.000 --> 0:26:13.720
<v Speaker 2>moment in terms of the flow of the whole thing.

0:26:14.040 --> 0:26:16.280
<v Speaker 2>Wondered if you talk a little bit about the how

0:26:16.280 --> 0:26:18.439
<v Speaker 2>you first came across that piece, what you love about it,

0:26:18.480 --> 0:26:20.040
<v Speaker 2>and why you wanted to include it on the record,

0:26:20.040 --> 0:26:22.280
<v Speaker 2>and what the point of including on the record was.

0:26:22.480 --> 0:26:28.880
<v Speaker 1>Sure. So, I'm really inspired musically by people's voices. Sometimes

0:26:28.920 --> 0:26:31.400
<v Speaker 1>I can just hear someone speak and to me, it's

0:26:31.440 --> 0:26:34.679
<v Speaker 1>like music. So my Angelou has on those voices, I

0:26:34.760 --> 0:26:39.320
<v Speaker 1>consider it like this really beautiful fabric, you know. And

0:26:39.600 --> 0:26:42.520
<v Speaker 1>so I was cleaning my baseboards in my house and

0:26:42.680 --> 0:26:44.600
<v Speaker 1>I just had it on the loud speaker and it

0:26:44.600 --> 0:26:46.439
<v Speaker 1>would just as YouTube would play, like a bunch of

0:26:46.440 --> 0:26:50.080
<v Speaker 1>different speeches or people reading her poetry. And then it

0:26:50.119 --> 0:26:52.560
<v Speaker 1>started playing the speech she was given to United Nations,

0:26:53.040 --> 0:26:54.520
<v Speaker 1>and I was listening to what she was saying, and

0:26:54.560 --> 0:26:57.280
<v Speaker 1>I was like, oh wow, And I go to TV

0:26:57.359 --> 0:26:59.640
<v Speaker 1>and I'm watching it and I was just so incredibly

0:26:59.720 --> 0:27:01.679
<v Speaker 1>moved by it, like what she was saying and the

0:27:01.680 --> 0:27:06.000
<v Speaker 1>way I interpreted it was humans, you know, have always

0:27:06.040 --> 0:27:09.800
<v Speaker 1>been a destructive force, but we have so much potential

0:27:10.119 --> 0:27:13.120
<v Speaker 1>because we're also such a super creative force. Like when

0:27:13.119 --> 0:27:18.919
<v Speaker 1>we work together, we can just keep adapting and keep

0:27:20.600 --> 0:27:25.280
<v Speaker 1>inventing and keep building bridges, and it's just like incredible

0:27:25.440 --> 0:27:27.399
<v Speaker 1>what we could do. And I just thought it was

0:27:27.560 --> 0:27:30.320
<v Speaker 1>so courageous for her to talk to these nations, some

0:27:30.400 --> 0:27:34.920
<v Speaker 1>of which, like you know, who knows everybody has agendas

0:27:34.600 --> 0:27:38.080
<v Speaker 1>and she's sitting here just talking to them about something

0:27:38.200 --> 0:27:41.320
<v Speaker 1>so human. And I was like, you know, I just

0:27:41.359 --> 0:27:44.040
<v Speaker 1>really relate to that right now. It was during the

0:27:44.040 --> 0:27:47.840
<v Speaker 1>pandemic when I heard it, and obviously we had to

0:27:48.040 --> 0:27:50.399
<v Speaker 1>shelter in place and we couldn't touch each other or

0:27:50.400 --> 0:27:53.080
<v Speaker 1>see each other. And I was fine with it at first,

0:27:53.080 --> 0:27:56.840
<v Speaker 1>but then I started missing people, like even their shittiness,

0:27:56.880 --> 0:28:00.639
<v Speaker 1>like just you know, people cussing it each other and

0:28:02.160 --> 0:28:05.560
<v Speaker 1>just people people waving at each other and giving a

0:28:05.600 --> 0:28:11.160
<v Speaker 1>weird smile, just little things I didn't know i'd miss.

0:28:11.320 --> 0:28:17.119
<v Speaker 1>And I felt so inspired by her words and it

0:28:17.200 --> 0:28:20.160
<v Speaker 1>made me rethink on humanity, and so I just wanted

0:28:20.200 --> 0:28:25.040
<v Speaker 1>to sit down and kind of express myself. And you know,

0:28:25.040 --> 0:28:27.600
<v Speaker 1>I'm not as eloquent as her, but I was just like,

0:28:27.720 --> 0:28:29.320
<v Speaker 1>you know, I feel that way too. I feel that

0:28:29.359 --> 0:28:32.600
<v Speaker 1>way too, and so I wanted to put that on

0:28:32.640 --> 0:28:34.840
<v Speaker 1>the album, and I wanted you know, a lot of

0:28:34.840 --> 0:28:37.439
<v Speaker 1>people have heard that speech, but for those who haven't,

0:28:38.520 --> 0:28:40.040
<v Speaker 1>I just wanted to share that, and I just wanted

0:28:40.040 --> 0:28:41.440
<v Speaker 1>to make sure that they could check it out.

0:28:41.640 --> 0:28:44.000
<v Speaker 2>I also love the fact that it's sort of the

0:28:44.040 --> 0:28:47.480
<v Speaker 2>songs and almost kind of orbit around that moment as well.

0:28:47.520 --> 0:28:49.280
<v Speaker 2>It's a lovely, kind of like this little magnet in

0:28:49.280 --> 0:28:51.280
<v Speaker 2>the middle of the record, so like, yeah, it's such

0:28:51.520 --> 0:28:52.520
<v Speaker 2>a great touch.

0:28:52.480 --> 0:28:56.040
<v Speaker 1>Yeah, thank you, And what a gorgeous voice to sink

0:28:56.120 --> 0:28:58.720
<v Speaker 1>down into. Also very meditative.

0:28:58.920 --> 0:29:01.160
<v Speaker 2>I always loved the variety on the album, the fact

0:29:01.160 --> 0:29:03.600
<v Speaker 2>that like Prove It to You is like a massive

0:29:03.720 --> 0:29:07.040
<v Speaker 2>club banger, Like I just kind of I can't wait

0:29:07.080 --> 0:29:09.480
<v Speaker 2>to hear that song like in a festival field or

0:29:09.920 --> 0:29:14.000
<v Speaker 2>in a club, like it's sweaty basement club, Like what, Yeah,

0:29:14.040 --> 0:29:16.040
<v Speaker 2>that's the kind of thing that you wouldn't have been

0:29:16.040 --> 0:29:18.560
<v Speaker 2>able to put on an Alabama Shakes record, obviously, but

0:29:18.640 --> 0:29:22.040
<v Speaker 2>like what's yeah, what where did that song come from?

0:29:22.200 --> 0:29:26.200
<v Speaker 1>Listen? I don't know it's I started using this new software.

0:29:26.280 --> 0:29:30.600
<v Speaker 1>Usually I use Logic when I'm recording. This time, I

0:29:30.680 --> 0:29:33.920
<v Speaker 1>used reason. I never used it before, so I'm just

0:29:33.920 --> 0:29:36.680
<v Speaker 1>like messing around in it. And so I just started

0:29:36.720 --> 0:29:39.280
<v Speaker 1>making like a four on the floor beat and it

0:29:39.320 --> 0:29:42.920
<v Speaker 1>was super fun. And then I added all the elements

0:29:43.560 --> 0:29:45.200
<v Speaker 1>and I was like, I actually like this, this is

0:29:45.280 --> 0:29:47.840
<v Speaker 1>this is actually banging. And then I just started singing

0:29:47.840 --> 0:29:49.680
<v Speaker 1>and these words just started coming out, and then the

0:29:49.680 --> 0:29:52.280
<v Speaker 1>hook happened and I was like, man, this is this

0:29:52.360 --> 0:29:55.960
<v Speaker 1>is cool. And I didn't think that I would put

0:29:56.000 --> 0:29:59.440
<v Speaker 1>it on an album, but it just ended up on there.

0:29:59.480 --> 0:30:01.560
<v Speaker 1>I was like, I don't no, it still belongs. I

0:30:01.600 --> 0:30:04.000
<v Speaker 1>know it's out of left feel, but it still belongs.

0:30:04.040 --> 0:30:06.440
<v Speaker 1>And this is still me. You know, I'm not doing

0:30:06.480 --> 0:30:09.920
<v Speaker 1>anything that's not me. I love all this type of music.

0:30:09.960 --> 0:30:12.240
<v Speaker 1>I love the boiler room, I love house music. I

0:30:12.240 --> 0:30:16.440
<v Speaker 1>always have, and so why not try my hand at it?

0:30:16.960 --> 0:30:19.320
<v Speaker 1>Just very simply, just very simply try my hand at it.

0:30:19.560 --> 0:30:21.400
<v Speaker 2>I reckon, you should make a whole album of like

0:30:21.640 --> 0:30:25.200
<v Speaker 2>of banging club anthems. It's it's so yeah, it's so good.

0:30:25.280 --> 0:30:28.080
<v Speaker 1>That's a great idea. I should. I should. I could

0:30:28.080 --> 0:30:32.280
<v Speaker 1>be like Marshmallow, you know, like a put something on

0:30:32.280 --> 0:30:33.000
<v Speaker 1>my head. I don't know.

0:30:36.640 --> 0:30:38.200
<v Speaker 2>I wanted to add that, I mean that what now.

0:30:38.240 --> 0:30:40.640
<v Speaker 2>The title track on the album as well, is such

0:30:40.680 --> 0:30:43.720
<v Speaker 2>a kind of a fantastic kind of moment, and it,

0:30:43.960 --> 0:30:48.080
<v Speaker 2>you know, so powerful, reminds me of so many amazing artists,

0:30:48.160 --> 0:30:50.920
<v Speaker 2>including people like Prints in terms of just the sounds

0:30:50.920 --> 0:30:53.600
<v Speaker 2>and there's the vibrancy of it, and it reminded me

0:30:53.720 --> 0:30:57.280
<v Speaker 2>that once upon a time you went and played at

0:30:57.280 --> 0:31:01.320
<v Speaker 2>Prince's house, Like twenty fifteen, Obama Shakes went and played

0:31:01.320 --> 0:31:05.680
<v Speaker 2>that right, went into Paisley Park, Like what how does

0:31:05.760 --> 0:31:09.600
<v Speaker 2>that happen? Like do you get an email from somebody

0:31:09.640 --> 0:31:11.520
<v Speaker 2>saying do you want to bring all of your kit

0:31:11.640 --> 0:31:13.640
<v Speaker 2>and come to Prince's house to play a show?

0:31:13.920 --> 0:31:21.000
<v Speaker 1>So sort of we had played in Minneapolis at like

0:31:21.120 --> 0:31:24.240
<v Speaker 1>first half, and I think that's where Purple Rain was shot.

0:31:24.440 --> 0:31:30.200
<v Speaker 1>So some people from Princess I don't know crew came

0:31:30.240 --> 0:31:33.400
<v Speaker 1>to the show and they enjoyed the show. And I

0:31:33.440 --> 0:31:35.800
<v Speaker 1>don't know if someone asked Prince like, hey, they're good.

0:31:35.920 --> 0:31:38.040
<v Speaker 1>You know, I don't know what happened. But the next

0:31:38.040 --> 0:31:41.720
<v Speaker 1>thing we know, Prince's assistant is like calling and it's like, hey,

0:31:41.880 --> 0:31:44.160
<v Speaker 1>do you think that they could stay and do Paisley

0:31:44.200 --> 0:31:49.440
<v Speaker 1>Park tomorrow? And obviously we bent over backwards to make

0:31:49.440 --> 0:31:53.120
<v Speaker 1>that happen. And yeah, we get to the compound. There's

0:31:53.120 --> 0:31:57.240
<v Speaker 1>some rules like like no cussing and no eating of

0:31:57.280 --> 0:32:01.320
<v Speaker 1>meat and stuff like that, which you know, regrettably we

0:32:01.360 --> 0:32:04.040
<v Speaker 1>did break all them rolls. But what are you gonna go?

0:32:04.440 --> 0:32:08.080
<v Speaker 1>And then we waited around, you know, we did some

0:32:08.120 --> 0:32:12.720
<v Speaker 1>sound checking, and then Prince apparently was like, hey, Prince

0:32:12.720 --> 0:32:14.200
<v Speaker 1>would like to meet you guys. Did y'all want to

0:32:14.200 --> 0:32:16.479
<v Speaker 1>come back there? And so, like I was like, if

0:32:16.520 --> 0:32:18.240
<v Speaker 1>I'm going to be princes, everybody's going to be prince.

0:32:18.360 --> 0:32:20.320
<v Speaker 1>So like fifteen of us went back into his little

0:32:20.320 --> 0:32:22.680
<v Speaker 1>studio and there he was, and you know, he's just

0:32:22.720 --> 0:32:25.000
<v Speaker 1>like a you know, a small framed guy, and he

0:32:25.040 --> 0:32:29.760
<v Speaker 1>was running all beige and some and some natural linen toms.

0:32:29.800 --> 0:32:34.320
<v Speaker 1>I'll never forget them. He's wearning natural. And yeah, we

0:32:34.360 --> 0:32:36.080
<v Speaker 1>sat down on this couch, like shoved all of us

0:32:36.080 --> 0:32:39.160
<v Speaker 1>on this couch, and he was funny, like he was

0:32:39.200 --> 0:32:41.560
<v Speaker 1>a funny guy, and so we were like cutting up

0:32:41.560 --> 0:32:44.800
<v Speaker 1>and laughing and then he was like, well, I'd like

0:32:44.840 --> 0:32:47.360
<v Speaker 1>to play give me all love with you? What key

0:32:47.440 --> 0:32:49.520
<v Speaker 1>is it in? I was so shocked. I forgot what

0:32:49.600 --> 0:32:51.200
<v Speaker 1>key was in. I was like, ah, I was like,

0:32:51.280 --> 0:32:53.120
<v Speaker 1>I have no idea. I don't know. We'll figure it out.

0:32:53.360 --> 0:32:56.400
<v Speaker 1>We'll tell you at a later date, but yeah, please

0:32:56.440 --> 0:32:58.520
<v Speaker 1>hop up there and do it. So I'm in a

0:32:58.560 --> 0:33:00.880
<v Speaker 1>shock because like Prince is like number want in my household.

0:33:00.920 --> 0:33:03.239
<v Speaker 1>Like just from the time I even had ears, I

0:33:03.280 --> 0:33:08.000
<v Speaker 1>was listening to Prince and so it's showtime right fast forward,

0:33:08.040 --> 0:33:11.560
<v Speaker 1>it's showtime. We're playing that song and Prince isn't showing up.

0:33:11.960 --> 0:33:14.440
<v Speaker 1>He just hasn't shown up. And We're like, oh, no,

0:33:15.040 --> 0:33:18.840
<v Speaker 1>he changed his mind. And I'm like, oh. So we

0:33:18.880 --> 0:33:21.520
<v Speaker 1>get to the like the kind of bridge section where

0:33:21.560 --> 0:33:25.000
<v Speaker 1>the song changes right and we're playing it. We're playing it,

0:33:25.040 --> 0:33:26.760
<v Speaker 1>we're playing it, were playing it. He never shows up,

0:33:26.800 --> 0:33:30.360
<v Speaker 1>so we end the song. But then he does show up.

0:33:30.960 --> 0:33:33.200
<v Speaker 1>He jumps on the stage like it was nothing. It

0:33:33.320 --> 0:33:35.480
<v Speaker 1>must have been a six foot stage. He just leaps

0:33:35.480 --> 0:33:37.400
<v Speaker 1>in the air, and I was like what. He picks

0:33:37.440 --> 0:33:39.920
<v Speaker 1>up the guitar and he just starts he starts shredding.

0:33:39.960 --> 0:33:44.840
<v Speaker 1>So we started back up again and men, me and

0:33:45.080 --> 0:33:46.480
<v Speaker 1>Prince do that kind of like like we do like

0:33:46.480 --> 0:33:49.280
<v Speaker 1>a little double solo moment, and we probably up there

0:33:49.320 --> 0:33:52.440
<v Speaker 1>five minutes and it was incredible, like it was, he

0:33:52.480 --> 0:33:55.680
<v Speaker 1>played incredibly and then after it's all said and down,

0:33:55.760 --> 0:34:00.080
<v Speaker 1>the crowds going crazy, he jumps off the stage and

0:34:00.240 --> 0:34:02.720
<v Speaker 1>he kisses me on the cheek, jumps off the stage

0:34:02.720 --> 0:34:05.800
<v Speaker 1>and disappears into nothing like It's literally like he disappeared

0:34:05.800 --> 0:34:07.360
<v Speaker 1>in the thin air. And I was like, I was

0:34:07.400 --> 0:34:11.600
<v Speaker 1>just like what, he's a shape shifter. I swear, I

0:34:12.080 --> 0:34:13.879
<v Speaker 1>you know, I was like in my eyes, playing tricks

0:34:13.880 --> 0:34:15.840
<v Speaker 1>on me. He just disappeared, and you know, that was

0:34:15.840 --> 0:34:17.719
<v Speaker 1>the last I saw a prince. But he did call me.

0:34:18.520 --> 0:34:20.920
<v Speaker 1>After the show was all said and done, everybody's packed up,

0:34:20.920 --> 0:34:25.840
<v Speaker 1>We're getting on the bus and Trevor, his assistant, passes

0:34:25.880 --> 0:34:28.239
<v Speaker 1>me the cell phone and he's like, someone wants to

0:34:28.239 --> 0:34:32.920
<v Speaker 1>talk to you. And I go hello, and he goes, hey,

0:34:33.200 --> 0:34:35.000
<v Speaker 1>that was pretty fun, wasn't it. And it was like,

0:34:35.080 --> 0:34:37.719
<v Speaker 1>oh my god. I was like yeah, it was so fun.

0:34:38.280 --> 0:34:40.279
<v Speaker 1>I was like a little girl. I was like yeah.

0:34:40.480 --> 0:34:44.040
<v Speaker 1>And he was like, be checking your email becuse I'm

0:34:44.040 --> 0:34:45.160
<v Speaker 1>gonna get in touch with you because I want i

0:34:45.200 --> 0:34:46.520
<v Speaker 1>want to make some music with you. And I was

0:34:46.560 --> 0:34:51.920
<v Speaker 1>like yes, absolutely, And I checked my email, all of

0:34:51.920 --> 0:34:54.880
<v Speaker 1>my emails every day I checked the spam to junk

0:34:54.960 --> 0:34:58.240
<v Speaker 1>everything every day until the day I heard he passed away.

0:34:58.800 --> 0:35:03.360
<v Speaker 1>And you know, rest in power, Prince. And that's my

0:35:03.440 --> 0:35:04.120
<v Speaker 1>Prince story.

0:35:04.320 --> 0:35:07.200
<v Speaker 2>You know, it's such a good story. And you're right,

0:35:07.840 --> 0:35:11.440
<v Speaker 2>I mean Prince, I mean, he sadly passed like I

0:35:11.480 --> 0:35:14.279
<v Speaker 2>don't know, less than a year later than that show. Like,

0:35:15.280 --> 0:35:17.160
<v Speaker 2>what a shame you didn't get to go back to

0:35:17.200 --> 0:35:18.480
<v Speaker 2>the studio and make some music.

0:35:19.200 --> 0:35:21.680
<v Speaker 1>Ah, well, what's meant to be will be?

0:35:21.760 --> 0:35:25.000
<v Speaker 2>I suppose Yeah, And you definitely had your Prince moment.

0:35:26.120 --> 0:35:30.879
<v Speaker 1>Yeah, and that meant everything to me, being noticed by

0:35:30.920 --> 0:35:33.320
<v Speaker 1>somebody like that. To me, it was just the pinnacle.

0:35:33.719 --> 0:35:34.400
<v Speaker 1>There's a pinnacle.

0:35:34.480 --> 0:35:36.960
<v Speaker 2>Yeah, did you manage to get I know that? Like

0:35:37.040 --> 0:35:39.640
<v Speaker 2>your parents are super proud of everything that you've done,

0:35:39.719 --> 0:35:41.160
<v Speaker 2>Like I mean, you said that it was such a

0:35:41.160 --> 0:35:44.319
<v Speaker 2>big deal growing up like Prince in your household. Were

0:35:44.320 --> 0:35:46.520
<v Speaker 2>they there or were they there for that show? And

0:35:46.560 --> 0:35:48.160
<v Speaker 2>if they weren't, what did they make of it? When

0:35:48.200 --> 0:35:49.960
<v Speaker 2>you got to tell that story for the first time?

0:35:50.200 --> 0:35:56.080
<v Speaker 1>My dad said, what everybody was super elated. Everybody was

0:35:56.120 --> 0:35:59.080
<v Speaker 1>super excited. Everybody was beside themselves. You know, it was

0:35:59.160 --> 0:36:01.319
<v Speaker 1>just like, oh my god, any player. Prints. Of course,

0:36:01.320 --> 0:36:04.200
<v Speaker 1>my dad tells everybody in the entire town. And it

0:36:04.239 --> 0:36:06.799
<v Speaker 1>was too so it wasn't like I could prepare, like Dad,

0:36:06.920 --> 0:36:08.799
<v Speaker 1>fly out here right now, you know, it was. It

0:36:08.840 --> 0:36:12.200
<v Speaker 1>was so short notice. But yeah, my dad's super proud

0:36:12.480 --> 0:36:15.360
<v Speaker 1>even to this day. Yeah, my dad tells it like

0:36:15.400 --> 0:36:17.040
<v Speaker 1>he was there. Yeah.

0:36:16.880 --> 0:36:21.560
<v Speaker 2>Oh, Betty does final couple of things before before I

0:36:21.640 --> 0:36:23.440
<v Speaker 2>let you go your solo work. I love it. And

0:36:23.440 --> 0:36:25.960
<v Speaker 2>it's so like exploratory and it's your opportunity to kind

0:36:26.000 --> 0:36:29.719
<v Speaker 2>of visit every different part of yourself and your kind

0:36:29.719 --> 0:36:31.680
<v Speaker 2>of like your musical interest. Like you're just saying, like

0:36:31.880 --> 0:36:34.480
<v Speaker 2>you you know, make a club banger. Yeah, great, stick

0:36:34.520 --> 0:36:36.360
<v Speaker 2>it on that. And honestly, yeah, you're right. It doesn't

0:36:36.440 --> 0:36:38.880
<v Speaker 2>feel out of place whatsoever. It's just like it's just

0:36:38.920 --> 0:36:42.000
<v Speaker 2>the flow of the thing. It just comes so like

0:36:42.400 --> 0:36:45.520
<v Speaker 2>in terms of music making going forward, do you kind

0:36:45.560 --> 0:36:49.280
<v Speaker 2>of like, do you ever imagine like doing an Alabama

0:36:49.280 --> 0:36:52.239
<v Speaker 2>Shakes thing again, or can you explore what you need

0:36:52.280 --> 0:36:54.160
<v Speaker 2>to explore by doing other things?

0:36:54.280 --> 0:36:57.120
<v Speaker 1>I don't know yet. You know. The whole thing is,

0:36:58.480 --> 0:37:01.600
<v Speaker 1>I'm very grateful that I was put on this earth

0:37:03.400 --> 0:37:08.360
<v Speaker 1>with the ability to kind of craft this talent of

0:37:08.400 --> 0:37:12.280
<v Speaker 1>singing and making music, and I've always been really grateful

0:37:12.320 --> 0:37:15.439
<v Speaker 1>for that, for the opportunity to do it on such

0:37:15.440 --> 0:37:19.840
<v Speaker 1>a level. And I just so I feel like my

0:37:20.000 --> 0:37:23.600
<v Speaker 1>job is to follow that creativity and that passion, and

0:37:23.680 --> 0:37:25.719
<v Speaker 1>I just go wherever it takes me. You know, I've

0:37:25.719 --> 0:37:29.040
<v Speaker 1>done a lot of different projects and I just go

0:37:29.360 --> 0:37:33.680
<v Speaker 1>whereever I'm receiving music. And so the way I see

0:37:33.719 --> 0:37:36.560
<v Speaker 1>it is, if I start thinking, like, oh, would be

0:37:36.600 --> 0:37:39.480
<v Speaker 1>really great to play with the guys again, I feel

0:37:39.520 --> 0:37:42.440
<v Speaker 1>like creatively drawn to do this, that's a conversation I

0:37:42.520 --> 0:37:44.839
<v Speaker 1>have with the guys and we'll figure it out from there.

0:37:45.200 --> 0:37:47.120
<v Speaker 1>But like, as of right now, it's just been like

0:37:47.160 --> 0:37:53.000
<v Speaker 1>this really amazing process of letting myself be seen and

0:37:53.120 --> 0:37:56.920
<v Speaker 1>be vulnerable and tell my story. And so I'm just

0:37:56.960 --> 0:37:59.560
<v Speaker 1>following that and I'm grateful that I receive that at all.

0:38:00.040 --> 0:38:02.440
<v Speaker 2>Inspired me to go out and do some fishing. I

0:38:02.440 --> 0:38:05.200
<v Speaker 2>feel like I need to do this. Now, what's your

0:38:05.239 --> 0:38:07.719
<v Speaker 2>top tip for getting started? If I wanted to go

0:38:07.760 --> 0:38:10.160
<v Speaker 2>and do some fly fishing? What shall I do? What

0:38:10.160 --> 0:38:11.399
<v Speaker 2>do I need? Where should I start?

0:38:11.480 --> 0:38:14.439
<v Speaker 1>And be honest with you, just go to a fly

0:38:14.560 --> 0:38:17.759
<v Speaker 1>fish outfitter. So like it's called fly fish and shop

0:38:17.800 --> 0:38:20.560
<v Speaker 1>and you say, hey, I'm really interested in learning how

0:38:20.560 --> 0:38:22.960
<v Speaker 1>to do this. They will just give you a guide

0:38:23.040 --> 0:38:25.799
<v Speaker 1>who will take you out. You will catch fish, and

0:38:25.800 --> 0:38:27.960
<v Speaker 1>you'll be able to tell if you like it. Night Like,

0:38:28.040 --> 0:38:29.920
<v Speaker 1>you can go do this thing on your own, but

0:38:29.960 --> 0:38:32.719
<v Speaker 1>it's just so much easier and more efficient if you

0:38:32.840 --> 0:38:35.759
<v Speaker 1>just get someone to help you. That's my advice, help tip.

0:38:36.800 --> 0:38:38.800
<v Speaker 2>Brittany, thank you so much for coming on the podcast.

0:38:38.800 --> 0:38:41.480
<v Speaker 2>I really really enjoyed speaking to you, and I wish

0:38:41.560 --> 0:38:44.160
<v Speaker 2>you all the best for the months to come and

0:38:44.200 --> 0:38:45.640
<v Speaker 2>everything that's happening for you right now.

0:38:45.760 --> 0:38:48.160
<v Speaker 1>Oh, thank you so much. Me and Willy say thank

0:38:48.200 --> 0:38:51.360
<v Speaker 1>you for having us on. It's been a blast.

0:38:55.320 --> 0:38:58.240
<v Speaker 2>Midnight Chats is a joint production between Loud and Quiet

0:38:58.239 --> 0:39:02.440
<v Speaker 2>and Atomized Studios for Idio. It's hosted by Stuart Stubbs

0:39:02.480 --> 0:39:05.799
<v Speaker 2>and Greg Cochrane, mixed and mastered by Flow Lines, and

0:39:06.000 --> 0:39:09.680
<v Speaker 2>edited by Stuart Stubbs. Find us on Instagram and TikTok

0:39:09.719 --> 0:39:12.200
<v Speaker 2>to watch clips from our recordings and much much more.

0:39:12.320 --> 0:39:13.799
<v Speaker 2>We are Midnight Chats pod.

0:39:14.000 --> 0:39:23.680
<v Speaker 3>For more information, visit loudan Quiet dot com.