1 00:00:04,800 --> 00:00:09,600 Speaker 1: Puny viral. What is it? Punds my stupid as grow 2 00:00:09,600 --> 00:00:13,000 Speaker 1: on the advisory, It is advice. This context and language 3 00:00:13,000 --> 00:00:15,200 Speaker 1: is not suitable for children. Ship might be said, that 4 00:00:15,320 --> 00:00:17,080 Speaker 1: might hit you up under the skin, and it might 5 00:00:17,120 --> 00:00:19,440 Speaker 1: be a loone bloke. But guess what, it's funny. It's 6 00:00:19,440 --> 00:00:28,200 Speaker 1: fun though. We got see that in the building. See 7 00:00:28,320 --> 00:00:33,080 Speaker 1: that in the all the way from Cincing. Now see 8 00:00:33,200 --> 00:00:38,480 Speaker 1: that with your stag. You're gonna be in New Year's 9 00:00:39,280 --> 00:00:43,640 Speaker 1: with your stag. You're gonna go straight back with your staging. 10 00:00:44,120 --> 00:00:47,960 Speaker 1: Why your kids do paying them with your stag? Hold 11 00:00:47,960 --> 00:00:51,720 Speaker 1: on your alternated on work with your STA. Now you 12 00:00:51,760 --> 00:00:55,800 Speaker 1: gotta try to cranky with your stag. Here you're gonna 13 00:00:55,840 --> 00:01:00,480 Speaker 1: be late. Work with your STA. You ain't gonna don't 14 00:01:00,680 --> 00:01:03,480 Speaker 1: what you're saying. You know what I'm being able to 15 00:01:03,480 --> 00:01:06,880 Speaker 1: see what the ship to me holding the look nigga 16 00:01:07,040 --> 00:01:09,880 Speaker 1: talking about the hain't weak this ship. And that's what 17 00:01:10,160 --> 00:01:14,120 Speaker 1: I book your beach and I'll pay it any time 18 00:01:14,160 --> 00:01:17,640 Speaker 1: she coming. She gonna get off on. Ain't telling where 19 00:01:17,680 --> 00:01:20,240 Speaker 1: you might see me. I'm posted in the aint. Then 20 00:01:20,319 --> 00:01:23,240 Speaker 1: I might jump on the plane in Paula Love take, 21 00:01:23,240 --> 00:01:26,000 Speaker 1: because I got the jokes on may be where you 22 00:01:26,120 --> 00:01:30,120 Speaker 1: see me with it Africa, I'm telling jokes and difference. 23 00:01:31,200 --> 00:01:34,720 Speaker 1: I went to German and felt something different. Titties, ain't 24 00:01:34,720 --> 00:01:37,039 Speaker 1: gonna win the German. And then it felt so different, 25 00:01:37,959 --> 00:01:41,280 Speaker 1: ain't gonna wait the German and felt some different. Ain't 26 00:01:41,280 --> 00:01:46,120 Speaker 1: that smile at the round, but felt some different. I 27 00:01:46,240 --> 00:01:50,200 Speaker 1: like more than weed. I like it. I make bitches 28 00:01:50,320 --> 00:01:58,040 Speaker 1: mad like DC Young flying down up. Don't give a 29 00:02:02,040 --> 00:02:06,000 Speaker 1: prison mine too. If you give him some of that pussy, 30 00:02:06,120 --> 00:02:08,240 Speaker 1: he'll give some of his dick to you. Give him 31 00:02:08,240 --> 00:02:12,560 Speaker 1: some of that pussy. Girls like asking you come to 32 00:02:12,600 --> 00:02:17,360 Speaker 1: that pussy, baby. I don't like asking if the pussy 33 00:02:17,680 --> 00:02:20,920 Speaker 1: is real good, didn't please, don't give me some? But 34 00:02:20,919 --> 00:02:24,880 Speaker 1: if the pussy is great, didn't callos? Really won't someone 35 00:02:25,080 --> 00:02:30,200 Speaker 1: that pussy? Girls? I don't like And I gotta smell 36 00:02:30,320 --> 00:02:35,919 Speaker 1: but I want. I think, I don't know, but I want. 37 00:02:35,720 --> 00:02:43,840 Speaker 1: They got but I gotta smell, but they gotta do. 38 00:02:46,800 --> 00:02:50,720 Speaker 1: Ask you with your glass, make straight, hazy class and 39 00:02:50,840 --> 00:02:53,840 Speaker 1: to show squeeze on the asses in the hall, always 40 00:02:53,880 --> 00:02:56,920 Speaker 1: passing that. When we got to support each other many 41 00:02:57,080 --> 00:02:59,480 Speaker 1: I brought on here, he got the store on ends. 42 00:02:59,520 --> 00:03:03,840 Speaker 1: Well you ain't been over there. Don't blame you, right, 43 00:03:04,080 --> 00:03:06,080 Speaker 1: guess what, I'm finna get a will when I get 44 00:03:06,120 --> 00:03:08,880 Speaker 1: a whill, But I'm gonna be at Edgewood and die man, 45 00:03:09,400 --> 00:03:11,240 Speaker 1: that's gonna be one of the first stops I'm making up. 46 00:03:11,240 --> 00:03:13,280 Speaker 1: Will be like far I told you, didn't tell them 47 00:03:13,280 --> 00:03:17,000 Speaker 1: about the still tell them about to stop. I get 48 00:03:17,080 --> 00:03:22,000 Speaker 1: to the battle's foe eys, it's goddamn head crack. It's 49 00:03:22,200 --> 00:03:25,760 Speaker 1: uh some other Knicks. It was just some good star 50 00:03:26,520 --> 00:03:30,720 Speaker 1: what you said, yeah, some other it was some good MC. Yeah, 51 00:03:30,760 --> 00:03:32,800 Speaker 1: like he's for light, He's gonna sail some good MC. 52 00:03:33,280 --> 00:03:37,800 Speaker 1: All I remember was him and got damn head crack. 53 00:03:38,320 --> 00:03:41,160 Speaker 1: You feel But I knew that Nigga was fine and 54 00:03:41,280 --> 00:03:43,120 Speaker 1: I knew him, but I ain't know how to fight 55 00:03:43,280 --> 00:03:45,800 Speaker 1: because of how other Nicks was talking about that. But 56 00:03:45,920 --> 00:03:50,920 Speaker 1: you need what happened. You need. You don't need to understand. 57 00:03:50,960 --> 00:03:53,320 Speaker 1: But you're feeling these I hope you're ready, but you 58 00:03:53,360 --> 00:03:56,000 Speaker 1: know what it's like, Hey whatever, you know what I'm saying, 59 00:03:56,160 --> 00:03:59,080 Speaker 1: But I felt the bad. Give us one of your 60 00:03:59,480 --> 00:04:04,800 Speaker 1: crazy road stories man hip hop hip hop game. Crazy 61 00:04:04,920 --> 00:04:08,280 Speaker 1: road stories from their hip hop game. It was gonna 62 00:04:08,320 --> 00:04:10,560 Speaker 1: cook for a nice little hood chick with the class 63 00:04:10,600 --> 00:04:12,320 Speaker 1: to it. What would you make? Man, let me tell 64 00:04:12,320 --> 00:04:15,119 Speaker 1: you what would you put on the menu? Now? Because 65 00:04:15,960 --> 00:04:19,400 Speaker 1: wh's she from? Okay, see from the hood, but she 66 00:04:19,440 --> 00:04:21,359 Speaker 1: got a little class on here go right here all 67 00:04:21,440 --> 00:04:27,080 Speaker 1: right now, See what they don't want is spaghetti, right 68 00:04:27,240 --> 00:04:30,440 Speaker 1: because they say that's what they have to figure that's 69 00:04:30,440 --> 00:04:32,680 Speaker 1: the nigger thing to do. Okay, So what I'm gonna do, 70 00:04:32,720 --> 00:04:35,600 Speaker 1: I'm gonna flip it on. I'm gonna give you the 71 00:04:35,760 --> 00:04:39,600 Speaker 1: angel here pasta stop playing, you know, and I want 72 00:04:39,720 --> 00:04:44,000 Speaker 1: to swap out the tomato sauce for Alfredo. Come on. Now. 73 00:04:44,360 --> 00:04:49,760 Speaker 1: You see in Miami, um with Luda, it's college's birthday. 74 00:04:50,320 --> 00:04:53,240 Speaker 1: It's a big gass birthday party from at this one 75 00:04:55,240 --> 00:05:00,839 Speaker 1: big ass club like ship, and you know, Chris Style 76 00:05:00,920 --> 00:05:03,839 Speaker 1: doing a move a bit, and then you know, Nigga 77 00:05:03,880 --> 00:05:08,440 Speaker 1: stopped fighting. And when the fight broke out, Nick Kellick 78 00:05:08,880 --> 00:05:11,400 Speaker 1: came on stage and took the mic and I never heard, 79 00:05:11,839 --> 00:05:16,719 Speaker 1: hey guys, stop, please don't why are you don't? Don't 80 00:05:16,800 --> 00:05:21,120 Speaker 1: hurt anyone? Like his voice. His voice completely changed from 81 00:05:21,960 --> 00:05:23,800 Speaker 1: all the many Stages albums I heard like he was 82 00:05:23,960 --> 00:05:27,680 Speaker 1: thoroughly concerned for somebody in the cloud, and he did 83 00:05:27,760 --> 00:05:30,880 Speaker 1: not want the duration of his birthday party to be 84 00:05:31,040 --> 00:05:35,719 Speaker 1: ruined by fisht the cuffs and altercations in that cloud. See, 85 00:05:35,720 --> 00:05:37,560 Speaker 1: I told you we had some swag for you, Bro, 86 00:05:38,839 --> 00:05:42,480 Speaker 1: Look at that man. Once you put the motherfucker swag 87 00:05:42,680 --> 00:05:45,479 Speaker 1: with it, we can get a motherfucking bag with what's 88 00:05:45,680 --> 00:05:49,680 Speaker 1: the mother swag, you can get a mother bucket bag. Yeah, 89 00:05:50,200 --> 00:05:53,160 Speaker 1: we back up beating this bit like we left some. 90 00:05:54,480 --> 00:05:57,360 Speaker 1: We back up eating this bit like we left some. 91 00:05:58,720 --> 00:06:01,400 Speaker 1: We back up beating it, bitch it like we left 92 00:06:01,600 --> 00:06:10,320 Speaker 1: some uh to let hole yesterday. Eighty Fast South Show. 93 00:06:10,760 --> 00:06:15,240 Speaker 1: That's the only podcast dad I'm talking about. Bro, if 94 00:06:15,320 --> 00:06:18,600 Speaker 1: you haven't heard it, you need to go subscribe my 95 00:06:18,720 --> 00:06:21,560 Speaker 1: knee because every time we do with show, we hit 96 00:06:21,680 --> 00:06:24,720 Speaker 1: the yo we do with be This a podcast for 97 00:06:24,920 --> 00:06:28,160 Speaker 1: them old niggas and them little kids. This is the 98 00:06:28,320 --> 00:06:31,600 Speaker 1: type of ship your baby mama listened to with me 99 00:06:32,120 --> 00:06:35,840 Speaker 1: and we in this bitches just be fat man. Diezy 100 00:06:36,320 --> 00:06:41,960 Speaker 1: bois making this ship look easy. If I came and 101 00:06:42,240 --> 00:06:45,440 Speaker 1: being ryand twunning with hes talking about again, plant breads 102 00:06:45,880 --> 00:06:50,280 Speaker 1: head it sleeping, got peint red with your glass, make 103 00:06:50,360 --> 00:06:54,760 Speaker 1: straight class and squeeze on the assid in the hall, 104 00:06:54,880 --> 00:06:58,840 Speaker 1: always passing gotta pants. I'm gonna come up. I had 105 00:06:58,880 --> 00:07:01,240 Speaker 1: to twist up my word. Yeah, I had to do 106 00:07:01,400 --> 00:07:04,599 Speaker 1: up my cane. I had to play like the bird. Yeah. 107 00:07:04,920 --> 00:07:07,120 Speaker 1: I do not buy a lot of clothes down but 108 00:07:08,080 --> 00:07:10,880 Speaker 1: a week ship and I'm gonna buy a swear. I 109 00:07:11,040 --> 00:07:13,400 Speaker 1: know that hope. I could breathe. I could breathe, I 110 00:07:13,440 --> 00:07:17,920 Speaker 1: could believe what I want fast South, show what stuff 111 00:07:18,760 --> 00:07:24,280 Speaker 1: it fat hat it, shout ate it as you wat song? 112 00:07:25,080 --> 00:07:26,680 Speaker 1: Do you want to kick a float? I know we 113 00:07:26,760 --> 00:07:29,360 Speaker 1: want something. I know you want something. No get it? 114 00:07:29,560 --> 00:07:31,880 Speaker 1: You know you want to get it. Man, it's messed 115 00:07:31,920 --> 00:07:33,760 Speaker 1: up because the nigga is so high that I don't 116 00:07:33,800 --> 00:07:37,240 Speaker 1: even want none. It's I don't even got a hard 117 00:07:37,320 --> 00:07:40,360 Speaker 1: dick with a girl with a big bun. I might 118 00:07:40,480 --> 00:07:42,920 Speaker 1: fall asleep on a wake up and then hit it 119 00:07:43,000 --> 00:07:47,480 Speaker 1: in the morning. Damn free stelling, jumped up nigga need 120 00:07:47,520 --> 00:07:51,000 Speaker 1: to wanted something like Biggie and the tub come about 121 00:07:51,080 --> 00:07:54,960 Speaker 1: bigger and who's there? Yeah, nigga so high, I'm moving 122 00:07:55,000 --> 00:07:58,680 Speaker 1: and slow like a smooth when they're sitting in the sun. 123 00:08:00,040 --> 00:08:03,680 Speaker 1: Not at all hot. Ye South nigs pull up on 124 00:08:03,760 --> 00:08:06,600 Speaker 1: the strip or post up on the block. See, we're 125 00:08:06,640 --> 00:08:08,680 Speaker 1: the type of niggas that are pull up and our 126 00:08:08,760 --> 00:08:12,360 Speaker 1: baby mama's call to blust in the ash tray, hanging 127 00:08:12,360 --> 00:08:15,560 Speaker 1: out the window asking where the holes are? We give 128 00:08:15,560 --> 00:08:18,880 Speaker 1: real disrespectful. Yeah, you don't give a funk by nothing. Yeah, 129 00:08:19,480 --> 00:08:21,520 Speaker 1: but I love my main bit because that's the only 130 00:08:21,600 --> 00:08:24,760 Speaker 1: one good At the second man, pull up on, pull 131 00:08:24,840 --> 00:08:27,200 Speaker 1: up the church, took her the word a little up 132 00:08:27,240 --> 00:08:29,800 Speaker 1: the skirt and had to get and then I did dirt. 133 00:08:30,080 --> 00:08:32,600 Speaker 1: Then I'm gonna buy. Then I did in. Then I'll 134 00:08:32,640 --> 00:08:35,280 Speaker 1: be I. They caught me fat, you called me dz. 135 00:08:35,520 --> 00:08:37,520 Speaker 1: I swear that hard and make it a little easy. 136 00:08:37,679 --> 00:08:40,640 Speaker 1: I let my chicken on. Now can grieve the chicken. 137 00:08:40,840 --> 00:08:43,280 Speaker 1: You know that I'm pimping. You know that I came 138 00:08:43,320 --> 00:08:46,360 Speaker 1: with the dark skin. You know that I didn't hit her, 139 00:08:46,679 --> 00:08:49,559 Speaker 1: but really I got the head from my friend. But 140 00:08:49,679 --> 00:08:51,680 Speaker 1: dode that to creepy down the street. Pull up at 141 00:08:51,720 --> 00:08:53,920 Speaker 1: the chicken place, get dark meat. I'm the type of 142 00:08:54,000 --> 00:08:56,360 Speaker 1: nigger that's a freak of the week. Take the pictures everywhere, 143 00:08:56,400 --> 00:09:00,559 Speaker 1: A little against something to eat. Man don't know, I 144 00:09:00,600 --> 00:09:04,480 Speaker 1: ain't understanding me down smugging more tree is on the 145 00:09:04,760 --> 00:09:10,520 Speaker 1: have a taff for Humanity? Think I lost my brain, 146 00:09:11,160 --> 00:09:12,920 Speaker 1: left it all in the park and lotting and then 147 00:09:13,040 --> 00:09:18,200 Speaker 1: dripping the sauce across the stains. I got a new shirt, 148 00:09:18,280 --> 00:09:21,000 Speaker 1: told me at the almost SOB, I said, hold on, 149 00:09:21,200 --> 00:09:23,280 Speaker 1: give me some moldmurts and need some old cools. Bring 150 00:09:23,360 --> 00:09:26,080 Speaker 1: it over. Yeah, I'm gonna take it back then puss 151 00:09:26,080 --> 00:09:27,960 Speaker 1: it up, put it in the airwood at the five 152 00:09:28,000 --> 00:09:30,640 Speaker 1: and dimes. Yeah, that's the new spot I got to 153 00:09:30,679 --> 00:09:33,679 Speaker 1: the wood. Yeah, it's on me in your mind, Me 154 00:09:33,880 --> 00:09:35,640 Speaker 1: and my guy with a reef for shut up to 155 00:09:35,720 --> 00:09:39,079 Speaker 1: my pardner. Hey, I think we brew a ship long enough. 156 00:09:39,160 --> 00:09:41,439 Speaker 1: You're trying to kick off the show and then starts. Man, 157 00:09:41,559 --> 00:09:44,679 Speaker 1: that's how we start over here on the Motherhood at 158 00:09:44,720 --> 00:09:47,400 Speaker 1: eighty five. We might kick a freestyle talk to ship, 159 00:09:47,480 --> 00:09:51,080 Speaker 1: but everything that we do ship were keeping lad. Should 160 00:09:51,120 --> 00:09:53,439 Speaker 1: we do it for some minutes? Yeah? Should we do 161 00:09:53,559 --> 00:09:56,839 Speaker 1: it for some months? Yeah? You work for chicken wings, nigga, 162 00:09:56,880 --> 00:10:01,839 Speaker 1: were working over here for blunts. You've gotten eighty five 163 00:10:02,040 --> 00:10:10,800 Speaker 1: South Shawl d This the code is podcast eighty five 164 00:10:11,040 --> 00:10:15,760 Speaker 1: South Shawl showing up my old girls with the real 165 00:10:15,920 --> 00:10:24,320 Speaker 1: nice That ain't it? Bass South a real niggas who 166 00:10:24,480 --> 00:10:32,280 Speaker 1: drag a breve. Ain't it my South South? So this 167 00:10:32,360 --> 00:10:36,440 Speaker 1: is a podcast for your and your knees. Man, what's happening? Hey? 168 00:10:36,679 --> 00:10:38,319 Speaker 1: You know what it is? When we came in the 169 00:10:38,400 --> 00:10:53,040 Speaker 1: bitchy that eighty five eighty eighty, I'll just diet nothing. 170 00:10:53,679 --> 00:10:55,960 Speaker 1: I'll just be one motherfucker to know that it don't 171 00:10:55,960 --> 00:10:58,920 Speaker 1: matter what the situation is. The eighty five South Show 172 00:10:59,040 --> 00:11:01,959 Speaker 1: was always gonna be the coldest plea that you know 173 00:11:02,040 --> 00:11:04,880 Speaker 1: what I'm saying, Like you already one of the coldest 174 00:11:04,920 --> 00:11:08,559 Speaker 1: people who becoming trun So I feelt like we had 175 00:11:08,640 --> 00:11:11,720 Speaker 1: to keep it cold like a deep absolutely and keep 176 00:11:11,800 --> 00:11:17,679 Speaker 1: one potting the potner you know already already everybody partner man, 177 00:11:17,800 --> 00:11:21,839 Speaker 1: y'all show us a little my nigga fox. You know 178 00:11:21,880 --> 00:11:25,480 Speaker 1: what I'm saying this, bro, This is the eighty Fast 179 00:11:25,520 --> 00:11:28,800 Speaker 1: Shout Show. You might not know this the podcast right here. 180 00:11:29,600 --> 00:11:32,800 Speaker 1: It's for niggas who think hamburger helper is a whole meal. 181 00:11:34,280 --> 00:11:39,199 Speaker 1: You feel what I'm saying that you're saying this. I 182 00:11:39,360 --> 00:11:42,760 Speaker 1: hate to be the bear of bad news, but it's 183 00:11:43,000 --> 00:11:47,600 Speaker 1: like hamburger helper not the whole meal. Yeah, I'm saying, 184 00:11:47,640 --> 00:11:50,440 Speaker 1: what if you like, That's exactly where I was going. 185 00:11:51,280 --> 00:11:54,040 Speaker 1: If you put something with it, then it's a whole men, 186 00:11:54,160 --> 00:11:56,720 Speaker 1: but they think it's the whole. Right, So I'm talking 187 00:11:56,760 --> 00:12:00,559 Speaker 1: about niggas who make hamburger helper, go get a bag 188 00:12:00,600 --> 00:12:02,920 Speaker 1: of them. Hawaiian sweet roll, Well, I got to know 189 00:12:03,080 --> 00:12:05,719 Speaker 1: that the favorite. Like you said, you you add your 190 00:12:05,760 --> 00:12:12,839 Speaker 1: own touch to little corner, whatever you garnished with. You know, 191 00:12:13,120 --> 00:12:16,640 Speaker 1: I'm not here to nobody, okay, because some some folks 192 00:12:16,679 --> 00:12:18,680 Speaker 1: don't get the Hawaiian roll. They just put some button 193 00:12:18,720 --> 00:12:21,560 Speaker 1: on some bread. Talk to him. But I'm talking about 194 00:12:21,600 --> 00:12:24,240 Speaker 1: get That's exactly who we make this podcast for. Ghetto 195 00:12:24,360 --> 00:12:28,559 Speaker 1: chefs who make garlic bread with regular bread. I feel 196 00:12:28,679 --> 00:12:31,560 Speaker 1: I feel at home now right. I'm talking about niggas 197 00:12:31,559 --> 00:12:33,400 Speaker 1: who hadn't ever made a sandwich on a hot dog, 198 00:12:33,520 --> 00:12:38,800 Speaker 1: but that got to know that on the regular. You 199 00:12:38,920 --> 00:12:42,559 Speaker 1: speaking my language, I ain't ain't. I ain't been in 200 00:12:42,600 --> 00:12:44,800 Speaker 1: a long time, but I've been there. I want you 201 00:12:44,840 --> 00:12:48,080 Speaker 1: to feel at home. Man man the hot dog man 202 00:12:48,120 --> 00:12:50,280 Speaker 1: not preferring on a hot dog, but if it's if 203 00:12:50,320 --> 00:12:54,680 Speaker 1: it's some soft spread, that's that's not Let me ask 204 00:12:54,679 --> 00:12:58,360 Speaker 1: you this if we're talking about ingredients, what's up? They're safe? 205 00:12:58,360 --> 00:13:00,520 Speaker 1: For instance, you was gonna cook for a little hood 206 00:13:00,640 --> 00:13:02,880 Speaker 1: chick with the class to it, what would you make? Man, 207 00:13:03,000 --> 00:13:05,160 Speaker 1: let me tell what would you put on the menu? Now? 208 00:13:05,679 --> 00:13:10,319 Speaker 1: Because wh's she from? Okay, see from the hood, but 209 00:13:10,400 --> 00:13:12,280 Speaker 1: she got a little class on here, go right here, 210 00:13:12,320 --> 00:13:17,080 Speaker 1: all right now. See what they don't want is spaghetti, 211 00:13:18,000 --> 00:13:21,520 Speaker 1: right because they say that's what they figure that's the 212 00:13:21,600 --> 00:13:23,719 Speaker 1: nigger thing to do. Okay, So what I'm gonna do, 213 00:13:23,760 --> 00:13:26,640 Speaker 1: I'm gonna flip it on. I'm gonna give you the 214 00:13:26,800 --> 00:13:30,640 Speaker 1: angel here pasta stop playing, you know. And I want 215 00:13:30,760 --> 00:13:35,040 Speaker 1: to swap out the tomato sauce for alfredo, come on now, 216 00:13:35,440 --> 00:13:39,560 Speaker 1: you see. And instead of a ground meat, I want 217 00:13:39,679 --> 00:13:42,520 Speaker 1: to get a shrimp come on now, you know, and 218 00:13:42,679 --> 00:13:46,720 Speaker 1: the chicken. Come on now, the mix up, the shrimping 219 00:13:46,800 --> 00:13:53,000 Speaker 1: the chicken. Two man, I'm an double the mer stay 220 00:13:53,120 --> 00:13:58,000 Speaker 1: right now, stay right there, same question, nice little hood 221 00:13:58,120 --> 00:14:00,760 Speaker 1: chick with some class coming through. What's on the menu? 222 00:14:01,000 --> 00:14:05,320 Speaker 1: I mean she already took my Andrew heposit. Come on, man, 223 00:14:05,400 --> 00:14:07,520 Speaker 1: you come on, man, with's the backup? You gotta have 224 00:14:07,600 --> 00:14:11,599 Speaker 1: a backup, back up? Yeah, man, second best. It's a 225 00:14:11,640 --> 00:14:14,360 Speaker 1: good chick. Yeah, so I don't really care about it. 226 00:14:14,760 --> 00:14:19,720 Speaker 1: Come on, now, you didn't brow feelings into the menu. Damn, 227 00:14:19,760 --> 00:14:22,960 Speaker 1: you gotta feel a certain way. I'm just saying you're 228 00:14:22,960 --> 00:14:33,520 Speaker 1: eating too now. Yeah, if the angel had then were yeah, okay. 229 00:14:33,720 --> 00:14:36,520 Speaker 1: If me, if me prepping the angel head, I want, 230 00:14:36,520 --> 00:14:39,400 Speaker 1: I ain't even go all out with the shrimps, ain't it. Okay? Okay, 231 00:14:39,880 --> 00:14:42,680 Speaker 1: shrimp and chicken, that right. But if me prepping the 232 00:14:43,480 --> 00:14:46,000 Speaker 1: angrel head with the Alfredo sauce, don't do it, then 233 00:14:46,040 --> 00:14:48,520 Speaker 1: I normally reached into my my bag and I pull 234 00:14:48,600 --> 00:14:51,120 Speaker 1: out my chef. Homeboy, if we graduated from the school 235 00:14:51,160 --> 00:14:54,840 Speaker 1: of cord On Blue and Blue, fess up some you know, 236 00:14:55,040 --> 00:15:01,600 Speaker 1: demonstrations with he started getting fancy and stuff. Right, you 237 00:15:01,680 --> 00:15:03,800 Speaker 1: know what you're gonna make for a hood chick? Come 238 00:15:03,800 --> 00:15:07,560 Speaker 1: on a sounding Come on, man, for let hold on. 239 00:15:07,720 --> 00:15:10,400 Speaker 1: You didn't hit the bro. You didn't said, That's why 240 00:15:10,400 --> 00:15:12,680 Speaker 1: I had, because it's a hood chick. Bro, I wouldn't. 241 00:15:12,760 --> 00:15:14,400 Speaker 1: She was from the birds. I would have said, Sam, 242 00:15:14,560 --> 00:15:16,040 Speaker 1: let me talk to this, Let me talk to the 243 00:15:17,360 --> 00:15:20,640 Speaker 1: to have some sounding, right, you feel me? And so 244 00:15:20,920 --> 00:15:23,280 Speaker 1: I'm gonna make the sound you know I'm an squeezing 245 00:15:23,360 --> 00:15:26,120 Speaker 1: orange on a lot of need to squeezing lit bro, 246 00:15:26,400 --> 00:15:29,760 Speaker 1: you know, but sweet ces, you know I'm gonna sprinkle 247 00:15:30,000 --> 00:15:32,760 Speaker 1: some cinnamon, come on, huh, And then I'm gonna pretson 248 00:15:32,800 --> 00:15:35,280 Speaker 1: brown sugar. I'm not gonna give you my rest because 249 00:15:35,320 --> 00:15:37,040 Speaker 1: because that's two fat, don't do it. But do you 250 00:15:37,120 --> 00:15:38,600 Speaker 1: know what that's gonna do with that? Don't do? Man, 251 00:15:38,640 --> 00:15:41,400 Speaker 1: I'm gonna get the potatoes right now. I could, I 252 00:15:41,440 --> 00:15:44,680 Speaker 1: could whip them up for dolo from a natural spud, 253 00:15:44,880 --> 00:15:46,400 Speaker 1: but I'm gonna get the one for a dollar in 254 00:15:46,480 --> 00:15:49,240 Speaker 1: the band stop playing, see, I thought, y'all see, and 255 00:15:49,240 --> 00:15:51,160 Speaker 1: I'm gonna add some butdy and milk. I didn't have 256 00:15:51,280 --> 00:15:53,480 Speaker 1: some pepper. I didn't know you was a gyman. I 257 00:15:53,480 --> 00:15:59,360 Speaker 1: didn't know because you know, in my studies, say talking 258 00:15:59,360 --> 00:16:02,800 Speaker 1: about it, the search that I've gathered, you know, you know, 259 00:16:02,880 --> 00:16:05,920 Speaker 1: I put my hypothesis out there, right, you know, I 260 00:16:06,040 --> 00:16:07,960 Speaker 1: put a control out there just to see what was 261 00:16:08,000 --> 00:16:11,720 Speaker 1: gonna come mathematically. The hip hot news. I feel so 262 00:16:11,880 --> 00:16:14,760 Speaker 1: y'all saying real plates. Y'all said, y'all saying food, They're 263 00:16:14,760 --> 00:16:19,560 Speaker 1: going to real plate. But everybody who knows everybody Bro, 264 00:16:19,760 --> 00:16:26,520 Speaker 1: that's the week because I don't know where you are 265 00:16:26,600 --> 00:16:30,840 Speaker 1: there you should be nowhere was brother, I was gonna 266 00:16:30,920 --> 00:16:32,760 Speaker 1: keep it real classic. I was gonna show up with 267 00:16:32,840 --> 00:16:39,840 Speaker 1: a twenty piece man. Wow, gonna blow a soxos off, right, 268 00:16:40,080 --> 00:16:43,280 Speaker 1: So you just did that? Yeah, extra sprinkle. You know 269 00:16:43,280 --> 00:16:45,560 Speaker 1: I always like to start some ship before I started 270 00:16:45,600 --> 00:16:50,960 Speaker 1: the show, man, So welcome back to another magnificent episode. Bro. 271 00:16:51,120 --> 00:16:53,520 Speaker 1: We aren't here to day with one of the codes Niggers. Man. 272 00:16:54,040 --> 00:16:56,320 Speaker 1: We know him because you know he nigger made me 273 00:16:56,400 --> 00:17:00,040 Speaker 1: a fan already, just off the freestyles that man, the 274 00:17:00,160 --> 00:17:03,600 Speaker 1: little albums before we even get into all that ship. Forwards, 275 00:17:03,600 --> 00:17:07,760 Speaker 1: and introduce yourself to the eighty five South Show audience. Moment. 276 00:17:08,200 --> 00:17:10,280 Speaker 1: What's good in the hood with an eighty five South 277 00:17:10,359 --> 00:17:12,800 Speaker 1: Show audience. My name is for Wives. I am an 278 00:17:12,840 --> 00:17:16,200 Speaker 1: advocate of prescription I well you know, I mean for wives. 279 00:17:16,280 --> 00:17:19,200 Speaker 1: That's two eyes ignorant, two eyes intelligent, and I'm all 280 00:17:19,280 --> 00:17:25,159 Speaker 1: about balancing out all of that ship. So thank you 281 00:17:25,280 --> 00:17:29,200 Speaker 1: for having me. It's a pleasure. I am very happy 282 00:17:29,280 --> 00:17:31,720 Speaker 1: to be here. We had to, man, because it's just 283 00:17:31,840 --> 00:17:34,960 Speaker 1: like you know, podcasting is the new wave and ship 284 00:17:35,760 --> 00:17:38,320 Speaker 1: we always want to bring people around who we do 285 00:17:38,560 --> 00:17:41,080 Speaker 1: need to be brought around. Man. And the ship that 286 00:17:41,200 --> 00:17:43,720 Speaker 1: you did in the rap game. I don't never think 287 00:17:43,840 --> 00:17:46,840 Speaker 1: that it's unnoticed the ship that you're doing. But we 288 00:17:47,000 --> 00:17:50,760 Speaker 1: still stuck it where you picked us up at everybody 289 00:17:50,800 --> 00:17:54,960 Speaker 1: in the room. God is good. God is good. I 290 00:17:55,040 --> 00:17:58,560 Speaker 1: appreciate y'all for having the air and appreciating just good 291 00:17:58,960 --> 00:18:02,159 Speaker 1: lyricism and just you know, even for the fact that 292 00:18:02,280 --> 00:18:06,400 Speaker 1: y'all was touched and influenced in that way by It's 293 00:18:06,480 --> 00:18:09,160 Speaker 1: like this the essence of me, just you know, it's 294 00:18:09,240 --> 00:18:12,119 Speaker 1: music to me. It was just it wasn't even no 295 00:18:12,240 --> 00:18:14,000 Speaker 1: pete man, what no beating. It wasn't no I mean 296 00:18:14,200 --> 00:18:16,560 Speaker 1: no music. It was niggas beating on table the same 297 00:18:16,600 --> 00:18:19,639 Speaker 1: way home where it was episode. It ain't about they 298 00:18:19,680 --> 00:18:21,959 Speaker 1: think we're just here trying to flex nothing and we're 299 00:18:22,000 --> 00:18:25,399 Speaker 1: really just paying homage, man, paying homage and keeping that 300 00:18:25,520 --> 00:18:28,640 Speaker 1: ship hip hop because that's where the hip hop influenced generation. 301 00:18:30,359 --> 00:18:33,159 Speaker 1: I hain't caught you had to patch you right, just 302 00:18:33,359 --> 00:18:36,560 Speaker 1: my first time seeing you performed like I had don't 303 00:18:36,560 --> 00:18:39,360 Speaker 1: see you only seen. We're just the first time seen 304 00:18:39,400 --> 00:18:42,160 Speaker 1: you perform, and you did sothing. I remember nothing about 305 00:18:42,200 --> 00:18:48,160 Speaker 1: the song except one line you said, Uh yeah, see 306 00:18:48,200 --> 00:18:50,280 Speaker 1: how a look some bunch of browns in the club. 307 00:18:51,200 --> 00:18:57,000 Speaker 1: So why the funk they ain't choosing it? I don't 308 00:18:57,040 --> 00:19:00,200 Speaker 1: care if you remember that. Wait, you're talking about uh 309 00:19:01,560 --> 00:19:04,639 Speaker 1: uh the song I got called rolling like a G, 310 00:19:05,040 --> 00:19:10,000 Speaker 1: where I said, uh uh, she came with a G. 311 00:19:10,960 --> 00:19:14,560 Speaker 1: She danced with a G. Somebody wish you'd leave with you? Yeah, 312 00:19:16,600 --> 00:19:19,800 Speaker 1: something like that. Why ain't choosing then? Because I was like, 313 00:19:19,960 --> 00:19:23,240 Speaker 1: I was feeling that way in the clubs, Why they 314 00:19:23,280 --> 00:19:27,040 Speaker 1: ain't choosing the said, that's so with such an emotion. 315 00:19:28,200 --> 00:19:30,399 Speaker 1: N got some ship that to make you think twice. 316 00:19:31,760 --> 00:19:35,880 Speaker 1: Hidden trees harder than Sunny Bono. A lot of people 317 00:19:35,960 --> 00:19:40,120 Speaker 1: don't even get the significance of what he's saying. Yeah yeah, 318 00:19:40,400 --> 00:19:42,160 Speaker 1: but he's the first thing putting up in a mini 319 00:19:42,280 --> 00:19:48,080 Speaker 1: will you blessing? Right now? Hidden trees harder than Sunny Bono. 320 00:19:48,280 --> 00:19:52,359 Speaker 1: For the niggas who still didn't get it, I'm uh, 321 00:19:52,520 --> 00:19:56,440 Speaker 1: you're talking about you seious you se you wanted to 322 00:19:56,480 --> 00:20:00,720 Speaker 1: go them google it, damn no, because you're in the 323 00:20:00,800 --> 00:20:03,199 Speaker 1: middle of the verse. Uh. I had to start from 324 00:20:03,240 --> 00:20:05,240 Speaker 1: the beginning and they could be just It's like you 325 00:20:05,280 --> 00:20:07,440 Speaker 1: don't have to spend the first I'm just talking about 326 00:20:07,480 --> 00:20:11,760 Speaker 1: that land and you know, like that specific land, the 327 00:20:11,880 --> 00:20:15,160 Speaker 1: trees harder than sunny Bone on the Double Untie Droom. 328 00:20:15,280 --> 00:20:22,639 Speaker 1: This ship, well, the nigga died hitting the tree skin 329 00:20:23,840 --> 00:20:28,720 Speaker 1: and I hit trees like that nigga, because I'll be 330 00:20:28,880 --> 00:20:33,639 Speaker 1: dying when I be hitting the trees metaphorically. That's the 331 00:20:33,680 --> 00:20:37,320 Speaker 1: type of ship I'm talking about. What I knew exactly 332 00:20:37,400 --> 00:20:40,240 Speaker 1: what you meant, But a lot of niggas like what, Man, 333 00:20:40,760 --> 00:20:46,959 Speaker 1: that's so bloody when you explained, Man, God is good down. Uh, 334 00:20:48,359 --> 00:20:51,040 Speaker 1: it's nice that y'all got is to listen to stuff 335 00:20:51,080 --> 00:20:54,159 Speaker 1: and appreciate stuff because you know, I was swear that 336 00:20:54,560 --> 00:20:57,320 Speaker 1: you know a lot of that ship just you know, 337 00:20:57,760 --> 00:21:00,800 Speaker 1: because it don't gotta you know this and that that 338 00:21:01,040 --> 00:21:03,399 Speaker 1: you know, I'm being real humble right now. But at 339 00:21:03,440 --> 00:21:06,720 Speaker 1: the same time, I'm really excited that y'all have this 340 00:21:07,080 --> 00:21:13,840 Speaker 1: adamant about you know, the feeling y'all got from years ago. Yeah, 341 00:21:14,040 --> 00:21:17,600 Speaker 1: I know you got a million songs. Do you know 342 00:21:17,760 --> 00:21:20,359 Speaker 1: what made me know that I was solid on the 343 00:21:20,480 --> 00:21:23,360 Speaker 1: freestyle tip was when we ended up in the Red 344 00:21:23,440 --> 00:21:28,159 Speaker 1: Bull m Sea battle together. Man, you tell about so boomed. 345 00:21:28,240 --> 00:21:30,320 Speaker 1: This is how they go down, right, and I don't 346 00:21:30,359 --> 00:21:32,720 Speaker 1: They had gone down before, but I didn't know about 347 00:21:32,760 --> 00:21:35,040 Speaker 1: it before. This is the first time that comes to 348 00:21:35,119 --> 00:21:38,280 Speaker 1: the eight got dange. They're doing a battle at the 349 00:21:38,400 --> 00:21:41,639 Speaker 1: station at one of seven nine for they got the 350 00:21:41,680 --> 00:21:44,200 Speaker 1: battle set up already, but they're doing the wild cards 351 00:21:44,320 --> 00:21:46,960 Speaker 1: or whoever win at the station gonna be the wild 352 00:21:47,040 --> 00:21:50,520 Speaker 1: cardist on. So I go down and then we went 353 00:21:51,359 --> 00:21:55,120 Speaker 1: bad like eight bus. So I get wild cards. By 354 00:21:56,200 --> 00:21:59,840 Speaker 1: I get to the battle, it's four as it's goddamn 355 00:22:00,080 --> 00:22:04,240 Speaker 1: head crack. It's uh some other knicks. It was just 356 00:22:04,359 --> 00:22:08,600 Speaker 1: some good star what you said, yeah, some other it 357 00:22:08,680 --> 00:22:11,199 Speaker 1: was some good MC. Yeah, like he's for like he's 358 00:22:11,240 --> 00:22:14,280 Speaker 1: gonna sail some good MC. All I remember was him 359 00:22:15,000 --> 00:22:19,440 Speaker 1: and got down head crack. You feel But I knew 360 00:22:19,480 --> 00:22:21,960 Speaker 1: that Nigga was fine and I knew him, but I 361 00:22:22,000 --> 00:22:24,000 Speaker 1: ain't know I fight because of how other Nicks was 362 00:22:24,080 --> 00:22:29,520 Speaker 1: talking about what you need, what happened? You need? You 363 00:22:29,520 --> 00:22:32,160 Speaker 1: don't need to understand, but you feeling these I hope 364 00:22:32,160 --> 00:22:34,640 Speaker 1: you're ready, but you know what it's like, Hey whatever, 365 00:22:34,800 --> 00:22:36,960 Speaker 1: you know what I'm saying. But I felt the back 366 00:22:37,800 --> 00:22:39,600 Speaker 1: and so you know what I'm saying, your head, I 367 00:22:39,600 --> 00:22:41,879 Speaker 1: ain't gonna tell that story because you know I got 368 00:22:42,000 --> 00:22:44,399 Speaker 1: robbed in the first round. It'side. Yeah, but see what 369 00:22:44,520 --> 00:22:47,240 Speaker 1: I did. What I did though, was I redeemed you 370 00:22:47,280 --> 00:22:50,199 Speaker 1: because I made it on to the last round, right, 371 00:22:50,280 --> 00:22:53,920 Speaker 1: but then lost to head ass head crack head crack 372 00:22:54,440 --> 00:22:56,760 Speaker 1: shout out to that brother, But I got that out 373 00:22:56,760 --> 00:22:59,280 Speaker 1: of the head song. You're a lot slimmer than you 374 00:22:59,520 --> 00:23:02,919 Speaker 1: was in Yeah, and you had your shirt off on stage. 375 00:23:03,160 --> 00:23:05,919 Speaker 1: I did as off that whole bout. You became an 376 00:23:05,960 --> 00:23:10,480 Speaker 1: easy target. Yeah, well yeah, so what though? You know, 377 00:23:10,640 --> 00:23:15,399 Speaker 1: but you you chewed up like sevens with no shirt on, 378 00:23:15,600 --> 00:23:18,119 Speaker 1: like yeah, that was that was your whole ste that. 379 00:23:19,960 --> 00:23:22,040 Speaker 1: It was handing. But you get all the jones you got, 380 00:23:22,200 --> 00:23:24,440 Speaker 1: but get to him. You still ain't gotten me though. 381 00:23:24,640 --> 00:23:26,439 Speaker 1: You don't gotta be humble on this bitch for us. 382 00:23:26,440 --> 00:23:29,240 Speaker 1: And I says dat South Show. I'm around these motherfucker's 383 00:23:29,280 --> 00:23:33,800 Speaker 1: every chance I get that I am a motherfucker and 384 00:23:33,920 --> 00:23:36,080 Speaker 1: they can call me that. Sometimes I'll be like, just 385 00:23:36,200 --> 00:23:38,639 Speaker 1: call me miss the motherfucker. Yes that is quite in 386 00:23:38,640 --> 00:23:43,159 Speaker 1: a spot, man, I'm going to ath to um embrace 387 00:23:43,280 --> 00:23:47,439 Speaker 1: that ship. Yeah, the world is almost over, my nigga. Bro, 388 00:23:47,560 --> 00:23:49,680 Speaker 1: we got a couple more months. You better enjoy this 389 00:23:49,760 --> 00:23:52,719 Speaker 1: ship while you still get just a few. Hell yeah, man, 390 00:23:52,880 --> 00:23:55,399 Speaker 1: tell me about your introduction to the rap game. How 391 00:23:55,520 --> 00:23:57,720 Speaker 1: you how you jump off with the rapping like that? 392 00:23:59,480 --> 00:24:02,800 Speaker 1: Who was your intro to this ship? I've been around 393 00:24:02,840 --> 00:24:05,440 Speaker 1: the world with it. Pimped up, I mean a type 394 00:24:05,440 --> 00:24:11,600 Speaker 1: of Japanese women sushi kuch, You're hilarious. I mean no, technically, 395 00:24:11,680 --> 00:24:14,240 Speaker 1: it all starts with our influences. Uh. You know, I 396 00:24:14,320 --> 00:24:17,360 Speaker 1: had older sisters. My mom and daddy is hip hop 397 00:24:17,440 --> 00:24:20,320 Speaker 1: basically because you know, they brought me be street crushed, 398 00:24:20,359 --> 00:24:22,800 Speaker 1: groove and breaking. So if they're not hip hop forgiving 399 00:24:22,840 --> 00:24:24,720 Speaker 1: that to their kids, I don't know what is. You know, 400 00:24:25,119 --> 00:24:27,639 Speaker 1: shout out to the dopeest parents who did ship like 401 00:24:27,800 --> 00:24:30,800 Speaker 1: that shake nigga's dreams without even knowing it. You shout 402 00:24:30,840 --> 00:24:36,800 Speaker 1: out said the parents that didn't do that. Toot was 403 00:24:36,880 --> 00:24:40,200 Speaker 1: not about none. I'm still a magnificent ni yeah, right on, 404 00:24:40,560 --> 00:24:44,400 Speaker 1: right on. No, everybody get it their own different ways. 405 00:24:44,480 --> 00:24:47,520 Speaker 1: But and also, you know, I grew up in the suburbs, 406 00:24:47,720 --> 00:24:50,640 Speaker 1: so it was a like, man, it wasn't too many 407 00:24:50,720 --> 00:24:56,280 Speaker 1: black faces until like Man. So my older sisters and 408 00:24:56,640 --> 00:25:00,520 Speaker 1: my mother and father were really my outlet to everything 409 00:25:00,560 --> 00:25:03,479 Speaker 1: because you know, and your your child, you just want 410 00:25:03,520 --> 00:25:06,040 Speaker 1: to watch cartoons, play with toys. But then you get 411 00:25:06,119 --> 00:25:09,200 Speaker 1: your influences. You know, I know that Michael Jackson is 412 00:25:09,280 --> 00:25:12,920 Speaker 1: the greatest entertainer, and I'm like eight years old, you understand. 413 00:25:13,200 --> 00:25:16,000 Speaker 1: And Prince is like the running up. But then I 414 00:25:16,080 --> 00:25:19,280 Speaker 1: know about James Brown a lot, learn about uh Stevie 415 00:25:19,359 --> 00:25:21,600 Speaker 1: Wonder and you know, I'm listening and I'm getting all 416 00:25:21,680 --> 00:25:26,320 Speaker 1: these influences. But ultimately I grew up in the hip 417 00:25:26,359 --> 00:25:29,600 Speaker 1: hop era to where once you got out of your 418 00:25:29,640 --> 00:25:33,760 Speaker 1: break dancing like running Man phase, you went right to 419 00:25:33,960 --> 00:25:38,040 Speaker 1: expressing yourself, you know, lyrically, you know, expressing your mind 420 00:25:38,160 --> 00:25:40,680 Speaker 1: and what you had to say as opposed to how 421 00:25:40,760 --> 00:25:43,680 Speaker 1: well you could dance and flexing nigger on the floor. 422 00:25:44,600 --> 00:25:49,280 Speaker 1: So I literally just transformed from the dance aspect to 423 00:25:49,440 --> 00:25:51,920 Speaker 1: the right in aspect, same way somebody might go from 424 00:25:52,000 --> 00:25:56,680 Speaker 1: graffiti to DJ and or you know DJ and the producing. Yeah, 425 00:25:56,680 --> 00:26:00,000 Speaker 1: it's all in in in the same vein of that culture. 426 00:26:00,040 --> 00:26:04,440 Speaker 1: It though, but uh, freshman year high school started rapping 427 00:26:05,119 --> 00:26:07,760 Speaker 1: and niggas thought my voice sounded really good because I 428 00:26:07,840 --> 00:26:12,280 Speaker 1: was hoarse and I was rapping. Uh shock, g uh, 429 00:26:12,359 --> 00:26:14,920 Speaker 1: there's an underground freaks shut the industry. A lot of 430 00:26:14,960 --> 00:26:19,160 Speaker 1: motherfucker's in this era don't understand how dope digital Underground. 431 00:26:19,320 --> 00:26:22,280 Speaker 1: Come on, man, that ship pissed me over. You know 432 00:26:22,440 --> 00:26:25,320 Speaker 1: that's just unsung here. Think you know how long it 433 00:26:25,400 --> 00:26:28,440 Speaker 1: took me to figure out shock, man, it did took 434 00:26:28,480 --> 00:26:31,920 Speaker 1: a minute. That wasn't no ship you just getting because 435 00:26:31,920 --> 00:26:33,879 Speaker 1: he sucked us up. It was it was in the 436 00:26:34,000 --> 00:26:39,840 Speaker 1: video together. But see it was a bunch of cuts 437 00:26:40,320 --> 00:26:42,880 Speaker 1: all the videos except for we all in the same 438 00:26:43,000 --> 00:26:45,800 Speaker 1: game when they all you know, We're Easy and Hamma 439 00:26:45,960 --> 00:26:50,600 Speaker 1: and everybody was in it. So you actually see Humpy 440 00:26:50,760 --> 00:26:53,200 Speaker 1: standing next the shop. That was like one of the 441 00:26:53,320 --> 00:26:56,080 Speaker 1: first times while I was like, okay, they're not the 442 00:26:56,160 --> 00:26:58,080 Speaker 1: same person. Man, That ship had me fucked up for 443 00:26:58,119 --> 00:27:01,760 Speaker 1: a minute. Got the stunt double right, stunt double shout 444 00:27:01,800 --> 00:27:03,800 Speaker 1: out the Digital Underground. They're gonna be on eighty Fast 445 00:27:03,840 --> 00:27:08,239 Speaker 1: South show one day a South. You stay on some ship, though, bro, 446 00:27:08,480 --> 00:27:11,080 Speaker 1: like you wanted you want of them who stayed doing 447 00:27:11,160 --> 00:27:13,600 Speaker 1: some ship you would be working around like you like 448 00:27:13,760 --> 00:27:16,320 Speaker 1: this whole stick of ship like you was all on 449 00:27:16,400 --> 00:27:20,359 Speaker 1: the news and everything ship. Yeah, not just one like 450 00:27:20,520 --> 00:27:23,400 Speaker 1: no local news ship like this was some national news ship. 451 00:27:23,480 --> 00:27:27,920 Speaker 1: These four whist stickers was every fucking web bronational That 452 00:27:28,000 --> 00:27:30,800 Speaker 1: ship was on that I've seen it. A bug was 453 00:27:30,880 --> 00:27:33,240 Speaker 1: on me, Bro, and look you see that ship. I 454 00:27:33,320 --> 00:27:35,359 Speaker 1: just killed, Bro, this ship it was probably on that, 455 00:27:35,880 --> 00:27:38,119 Speaker 1: bro Mosa bug and I was a real like a 456 00:27:38,240 --> 00:27:44,120 Speaker 1: meal of pedro. Good Bro, that's what you the real. 457 00:27:44,160 --> 00:27:50,480 Speaker 1: I wouldn't blow sure, Bro, that nigger brought that ship 458 00:27:50,560 --> 00:27:52,560 Speaker 1: from the cator. No he didn't know I did. He 459 00:27:52,680 --> 00:27:54,560 Speaker 1: rolled over here with you. And then don't be bringing 460 00:27:54,600 --> 00:28:01,680 Speaker 1: your bus that we got no bulls over bugs. But 461 00:28:01,880 --> 00:28:07,360 Speaker 1: it ain't no boys. I respect your honestly. You could 462 00:28:07,359 --> 00:28:15,199 Speaker 1: have turned into a dance move play the game, man, 463 00:28:15,280 --> 00:28:17,159 Speaker 1: you know what. I'm glad we heard your cooling and 464 00:28:17,400 --> 00:28:20,040 Speaker 1: vibing and ship because the world is so funked up 465 00:28:20,119 --> 00:28:22,840 Speaker 1: right now. Work don't stop a little Brocaine to get 466 00:28:22,920 --> 00:28:25,560 Speaker 1: hands on you know what're going on? Man, I can't 467 00:28:25,840 --> 00:28:27,920 Speaker 1: off from the lood we come. I told I'm gonna 468 00:28:27,920 --> 00:28:31,920 Speaker 1: get the mud with you. Look at them good boys 469 00:28:32,000 --> 00:28:35,920 Speaker 1: used till getting their work in. You know, sad that 470 00:28:36,040 --> 00:28:38,400 Speaker 1: you know. Definitely today, I believe we're pulling up to 471 00:28:38,720 --> 00:28:42,200 Speaker 1: h Green's point. Maller, we're working with I got some 472 00:28:42,280 --> 00:28:44,719 Speaker 1: partners and shipped down in Houston. Shout out to him 473 00:28:44,760 --> 00:28:47,600 Speaker 1: man our broker. He got a foundation down there who 474 00:28:47,640 --> 00:28:50,040 Speaker 1: I know doing some big things. So we're just trying 475 00:28:50,040 --> 00:28:52,160 Speaker 1: to make sure we linked with the right people. So 476 00:28:52,360 --> 00:28:54,760 Speaker 1: I should and go straight to the people. And I'm 477 00:28:54,800 --> 00:28:57,040 Speaker 1: sending you prayer straight to you. We were going to 478 00:28:57,080 --> 00:28:58,560 Speaker 1: through the whole. I don't want to do the link 479 00:28:58,560 --> 00:29:00,200 Speaker 1: because I don't want to get involved with no body 480 00:29:00,200 --> 00:29:02,080 Speaker 1: else's money. Yeah you know what I mean. I'm telling 481 00:29:02,120 --> 00:29:03,760 Speaker 1: you I don't want know, but I look, I want 482 00:29:03,800 --> 00:29:05,600 Speaker 1: the ship to go straight to the folks. I'm straight. 483 00:29:05,640 --> 00:29:08,240 Speaker 1: I don't need no paper, man, I want them people. 484 00:29:08,280 --> 00:29:10,360 Speaker 1: I know, the folks that lost everything. And you know 485 00:29:10,560 --> 00:29:12,600 Speaker 1: it's gonna be cool to go down there and fellowship 486 00:29:12,720 --> 00:29:14,760 Speaker 1: to me. You know a lot of time, man, we're 487 00:29:14,800 --> 00:29:17,680 Speaker 1: like we're seeing the stuff. You know, somebody in the thing. 488 00:29:17,800 --> 00:29:21,120 Speaker 1: You they're gonna get the stuff, but we was the 489 00:29:21,320 --> 00:29:24,200 Speaker 1: value and so bad when they see it come through 490 00:29:24,280 --> 00:29:27,040 Speaker 1: that you feel me when the woods and let him 491 00:29:28,240 --> 00:29:30,960 Speaker 1: but come on bad right, You're like, you're in the hospital, 492 00:29:31,040 --> 00:29:34,240 Speaker 1: but they can sit seeing your thousand flowers. You want 493 00:29:34,280 --> 00:29:37,720 Speaker 1: to come see you keep on flower man, come see me. 494 00:29:37,840 --> 00:29:40,680 Speaker 1: Buy me a sound in the Capitalia. But still, yeah, 495 00:29:40,800 --> 00:29:43,240 Speaker 1: that's typing the gum. So we got to support each 496 00:29:43,280 --> 00:29:46,720 Speaker 1: other many here. He got to stow ends. Well, you 497 00:29:46,720 --> 00:29:50,280 Speaker 1: ain't even over that man. Don't blame you, don't right, 498 00:29:50,920 --> 00:29:52,840 Speaker 1: But guess what. I'm gonna get a will when I 499 00:29:52,920 --> 00:29:55,840 Speaker 1: get a whill, but I'm gonna be at Edgewood and die. Man, 500 00:29:56,360 --> 00:29:58,000 Speaker 1: that's gonna be one of the first stops I'm making 501 00:29:58,040 --> 00:30:00,480 Speaker 1: my will. I told you didn't know. Tell them about 502 00:30:00,520 --> 00:30:05,440 Speaker 1: the still, tell them about the stop, Tell them about 503 00:30:05,440 --> 00:30:10,080 Speaker 1: that man. The store is freaking awesome. That's ship I'm 504 00:30:10,080 --> 00:30:11,600 Speaker 1: talking about. You don't even tell them about the stickers. 505 00:30:11,600 --> 00:30:13,680 Speaker 1: The nigger was on the nude. They're gonna put stickers 506 00:30:13,720 --> 00:30:18,200 Speaker 1: on this bitch from here to Florida. It wasn't just me. Actually, 507 00:30:18,320 --> 00:30:21,320 Speaker 1: we gave twenty thousand stickers to a handful of midgets, 508 00:30:21,400 --> 00:30:24,840 Speaker 1: and we compensated them with peanut butter jellah sandwich. There 509 00:30:24,920 --> 00:30:30,000 Speaker 1: was on fire hydrants everywhere they they worked for. You 510 00:30:30,120 --> 00:30:33,640 Speaker 1: can't you can't be offending my plug. They're not midges. 511 00:30:33,720 --> 00:30:37,440 Speaker 1: They called little people. They said they calling them midgets. 512 00:30:37,520 --> 00:30:40,720 Speaker 1: It's just like calling them the N words. I don't 513 00:30:40,760 --> 00:30:43,480 Speaker 1: want nobody to have to be a midget N word 514 00:30:43,600 --> 00:30:46,080 Speaker 1: and that ship. It's hard enough just being a person. 515 00:30:46,360 --> 00:30:49,280 Speaker 1: So shout out to the little people and man formerly 516 00:30:49,400 --> 00:30:52,120 Speaker 1: known as M words. The N words were the N words. 517 00:30:52,200 --> 00:30:55,280 Speaker 1: They the N words. That's so stupid, bro, we live 518 00:30:55,360 --> 00:30:57,760 Speaker 1: in a very sensitive time right now. Did you know 519 00:30:57,880 --> 00:31:01,360 Speaker 1: that we can't even call lesbian's dykes the man? And 520 00:31:01,560 --> 00:31:03,800 Speaker 1: I thought that's what I thought. One was a lesbian 521 00:31:03,840 --> 00:31:05,280 Speaker 1: and one was a duck. I thought it could be 522 00:31:05,360 --> 00:31:07,520 Speaker 1: two less bians together. But you hardly ever see two. 523 00:31:09,000 --> 00:31:12,920 Speaker 1: I don't know. Like I'm trying not to offend nobody. Man, 524 00:31:12,920 --> 00:31:14,800 Speaker 1: I don't even think about that ship. Man, you don't 525 00:31:14,800 --> 00:31:17,360 Speaker 1: think about that ship. I look at it as making 526 00:31:17,440 --> 00:31:21,160 Speaker 1: the transition from the VCR era to the DVD A. 527 00:31:22,040 --> 00:31:24,360 Speaker 1: They don't even funk with DVDs no more. It's streaming. 528 00:31:24,600 --> 00:31:27,720 Speaker 1: Well yeah, but the point is the transition that needs 529 00:31:27,760 --> 00:31:29,720 Speaker 1: to be made. Did you better watch what you say 530 00:31:29,760 --> 00:31:32,440 Speaker 1: because there's some people out there knowing as transitioners too. 531 00:31:32,560 --> 00:31:35,840 Speaker 1: You see what I'm saying, yeah, those are the people 532 00:31:35,880 --> 00:31:38,320 Speaker 1: who were about to be somebody else. Man, you didn't 533 00:31:38,360 --> 00:31:41,480 Speaker 1: know that. I wasn't even talking about them. But that's 534 00:31:41,520 --> 00:31:44,440 Speaker 1: what I'm saying. They sunk around it here. They're their 535 00:31:44,560 --> 00:31:47,320 Speaker 1: tag or their title. They flipped the whole script on 536 00:31:47,440 --> 00:31:51,479 Speaker 1: your head. Ain't nobody and they ain't on something, as 537 00:31:51,560 --> 00:31:54,520 Speaker 1: long as the words don't have a negative connotation to him, 538 00:31:54,600 --> 00:31:57,920 Speaker 1: Like I didn't say that you fucking transition. Yeah, well 539 00:31:58,040 --> 00:32:02,200 Speaker 1: you know your dirty transition, yeah, or you know, yeah, 540 00:32:02,360 --> 00:32:05,360 Speaker 1: each ship, it's all in about that. It's all in 541 00:32:05,440 --> 00:32:09,320 Speaker 1: about the edgetives you use. Yeah, it was. I just referenced, 542 00:32:09,600 --> 00:32:13,120 Speaker 1: you know, yeah, but I understand we said the same thing, 543 00:32:13,240 --> 00:32:18,440 Speaker 1: but I just didn't know that. Sure, people were oppressed. 544 00:32:18,680 --> 00:32:22,680 Speaker 1: They are. They're tired of being taken. They're tired of 545 00:32:22,760 --> 00:32:26,560 Speaker 1: being treated like props. They want to be taken serious, man, 546 00:32:27,760 --> 00:32:29,920 Speaker 1: They felt like anything you can do, what they can do, 547 00:32:30,120 --> 00:32:34,560 Speaker 1: and they don't want your fucking help. One thing about 548 00:32:34,640 --> 00:32:38,000 Speaker 1: people who who trying to, you know, trying to be independent, 549 00:32:38,040 --> 00:32:42,160 Speaker 1: they don't want to fucking help. And I don't know why. Now, 550 00:32:42,240 --> 00:32:44,720 Speaker 1: I'm I don't know why. But I'm the type of 551 00:32:44,760 --> 00:32:47,480 Speaker 1: nigger who ain't never above, no fucking him. Man ain't 552 00:32:47,480 --> 00:32:52,480 Speaker 1: even turned down then, I mean, yeah, yeah, turned down 553 00:32:52,760 --> 00:32:54,840 Speaker 1: because some help ain't good help. It sunk up the 554 00:32:54,880 --> 00:32:57,000 Speaker 1: ship you already doing. You know how you can kind 555 00:32:57,040 --> 00:32:59,120 Speaker 1: of be good as some ship. Then you get some 556 00:32:59,240 --> 00:33:01,360 Speaker 1: help from a mother sucker who ain't no good at 557 00:33:01,400 --> 00:33:03,960 Speaker 1: the ship, then you're good. Just went out the window 558 00:33:04,000 --> 00:33:07,360 Speaker 1: because they're so fucked up, you feel me? Yeah? Amen? 559 00:33:08,760 --> 00:33:11,880 Speaker 1: I just I love Terry and Lanister like I just 560 00:33:12,080 --> 00:33:15,680 Speaker 1: love from Game of Throne exactly, So I don't let 561 00:33:15,800 --> 00:33:19,080 Speaker 1: me speak to the motherfucker now, like I don't mess 562 00:33:19,160 --> 00:33:21,160 Speaker 1: just I don't have anything against me. Just I love 563 00:33:21,480 --> 00:33:24,880 Speaker 1: his name, Peter Dinklich. Bro, when you when you're a 564 00:33:24,920 --> 00:33:28,120 Speaker 1: little person and your name is Peter Dinklich, and it's 565 00:33:28,120 --> 00:33:30,360 Speaker 1: gonna be some jokers that come with That's why he's 566 00:33:30,360 --> 00:33:33,239 Speaker 1: the man, because he has risen to where he's at 567 00:33:33,360 --> 00:33:39,960 Speaker 1: now with the name and Peter Dinklich, he turned everything 568 00:33:40,080 --> 00:33:45,840 Speaker 1: into uh an advantage and made the best You want 569 00:33:45,840 --> 00:33:49,360 Speaker 1: to talk about lemonade from Lemon's Nigger man, Peter Denk 570 00:33:49,600 --> 00:33:52,280 Speaker 1: you watch Game of Thrones. No, let me speak to 571 00:33:52,360 --> 00:33:54,720 Speaker 1: the horse. Bring the horse to me now, man, I 572 00:33:54,760 --> 00:33:57,840 Speaker 1: ain't never watched this. You have never seen the Game 573 00:33:57,880 --> 00:34:01,720 Speaker 1: of throw Now? I like it too. Sometimes I watch it. 574 00:34:02,400 --> 00:34:04,480 Speaker 1: I just wish that they had more black people on 575 00:34:04,600 --> 00:34:08,000 Speaker 1: the show. Where did these horse come from? Are they 576 00:34:08,080 --> 00:34:11,000 Speaker 1: from the east lines of the cater Man? Whatever happened 577 00:34:11,000 --> 00:34:15,239 Speaker 1: to you? Ben nigger? We're talking about? Oh my bad? 578 00:34:16,480 --> 00:34:19,560 Speaker 1: I was just saying, what's up, Brady? Brady water just 579 00:34:19,640 --> 00:34:23,320 Speaker 1: walked the new building this bitch for as beginning to 580 00:34:23,480 --> 00:34:27,320 Speaker 1: watching Game of Thrones. Houston is underwater right now, but 581 00:34:27,400 --> 00:34:29,640 Speaker 1: this is still the eighty five South show. This is 582 00:34:29,960 --> 00:34:32,359 Speaker 1: a podcast Who niggas for niggas who got a car 583 00:34:32,400 --> 00:34:36,759 Speaker 1: in their yard that they're gonna fix next summer. Man, somebody, man, 584 00:34:36,880 --> 00:34:39,080 Speaker 1: it's gonna be all good next some exactly you're gonna 585 00:34:39,080 --> 00:34:41,719 Speaker 1: get your brand new whip and the water gonna be gone, 586 00:34:42,040 --> 00:34:43,880 Speaker 1: you know, telling about everybody and the man remember this 587 00:34:44,040 --> 00:34:46,160 Speaker 1: man you know telling about you got to clear it 588 00:34:46,280 --> 00:34:49,000 Speaker 1: out for you can build it up. I'm talking about. 589 00:34:49,040 --> 00:34:51,320 Speaker 1: And so you might already been building, but whether the 590 00:34:51,440 --> 00:34:54,680 Speaker 1: building wasn't in superb fashion. So something cleared it on 591 00:34:54,840 --> 00:34:56,759 Speaker 1: that man, you know somebody, And then they put to 592 00:34:56,800 --> 00:34:58,520 Speaker 1: tell you what to put your value on because all 593 00:34:58,640 --> 00:35:01,480 Speaker 1: that ship that we'll be trying to get. But look, 594 00:35:02,160 --> 00:35:06,560 Speaker 1: you get wet and it's around. You know why Because 595 00:35:06,600 --> 00:35:08,000 Speaker 1: even when I don't know what the fun you tell 596 00:35:08,040 --> 00:35:11,880 Speaker 1: me about, I know exactly what. You can't lose me, right, 597 00:35:12,200 --> 00:35:14,719 Speaker 1: I mean you're constituents. Yeah, man, everything get wet. Man, 598 00:35:14,760 --> 00:35:16,719 Speaker 1: it's still a bit. Man. You don't tell about y'all. 599 00:35:16,800 --> 00:35:20,080 Speaker 1: Keep your head up. Just the motivational segment of the show. 600 00:35:20,120 --> 00:35:23,400 Speaker 1: You got anything for him? Oh man, at least some 601 00:35:23,480 --> 00:35:25,760 Speaker 1: motivation on the type. Don't be stingy with the knowledge, 602 00:35:25,800 --> 00:35:28,480 Speaker 1: because knowledge ain't ship if you can't share it with 603 00:35:28,640 --> 00:35:31,560 Speaker 1: your brother. Okay, I got watch this to all the 604 00:35:31,640 --> 00:35:36,359 Speaker 1: niggas who don't know. Handsome ain't ship, but ugly would 605 00:35:36,360 --> 00:35:40,759 Speaker 1: have had cut Know that. I just know that if 606 00:35:40,800 --> 00:35:43,320 Speaker 1: a motherfucker called you handsome lately, just know you was 607 00:35:43,440 --> 00:35:47,360 Speaker 1: ugly earlier. Now your ship lined up. You're decent in 608 00:35:47,480 --> 00:35:53,200 Speaker 1: the face. Just look like your father. You this game. 609 00:35:53,800 --> 00:35:56,600 Speaker 1: You really drive the stake home, don't you. Like? I mean, 610 00:35:56,680 --> 00:35:58,319 Speaker 1: I'm not the type of nigger that's gonna give up 611 00:35:58,320 --> 00:36:00,480 Speaker 1: on none of my niggas. Bro, that's my I feel 612 00:36:00,520 --> 00:36:03,279 Speaker 1: like that's my calling, and like God put me here 613 00:36:03,440 --> 00:36:06,560 Speaker 1: to speak for a certain demographic of niggas. That's what 614 00:36:06,719 --> 00:36:09,919 Speaker 1: the eighty five South Show is all about. Hell yeah, 615 00:36:10,080 --> 00:36:12,600 Speaker 1: we're gonna drive the point home. I gotta put some 616 00:36:12,760 --> 00:36:15,680 Speaker 1: good ship out there to dispel the bullshit they're laying 617 00:36:15,719 --> 00:36:18,640 Speaker 1: on the black man at an alarming rate. They out 618 00:36:18,719 --> 00:36:23,400 Speaker 1: here lying saying ship like black men cheat on black women. Bullshit. 619 00:36:24,320 --> 00:36:27,600 Speaker 1: Black everybody know black men don't cheat. I'm a black man. 620 00:36:27,880 --> 00:36:30,319 Speaker 1: I ain't never been shipped but a black man. Who 621 00:36:30,400 --> 00:36:33,400 Speaker 1: else can speak for me? I don't know ship. I 622 00:36:33,440 --> 00:36:35,279 Speaker 1: don't know who the niggas they talked to, but the 623 00:36:35,400 --> 00:36:39,480 Speaker 1: niggas I know, faithful as fuck, all up. Man single? 624 00:36:39,719 --> 00:36:43,880 Speaker 1: Come on, I don't know. That's exactly why they single, 625 00:36:44,040 --> 00:36:45,920 Speaker 1: because they out here trying to be faithful to some 626 00:36:46,160 --> 00:36:49,000 Speaker 1: to some motherfucker's who don't want them anyway. The game 627 00:36:49,120 --> 00:36:51,520 Speaker 1: funked up for us. Don't look at the camera like that. 628 00:36:52,120 --> 00:36:54,680 Speaker 1: I'm just the game fucked up. And you know who 629 00:36:54,760 --> 00:37:00,600 Speaker 1: funked it up. Tall niggas, Tall niggas, game man, look. 630 00:37:01,040 --> 00:37:03,400 Speaker 1: Tall niggas fucked the game up because just like you 631 00:37:03,480 --> 00:37:06,359 Speaker 1: brought little people up, tall niggas came through the game 632 00:37:06,440 --> 00:37:09,759 Speaker 1: called stole all the short win. How are you gonna 633 00:37:09,800 --> 00:37:12,720 Speaker 1: say that that's unconstitutional for you to make a statement 634 00:37:12,760 --> 00:37:16,120 Speaker 1: of that magnitude. Let me let me finish. Tall niggas 635 00:37:16,160 --> 00:37:19,239 Speaker 1: stole all the short women left a bunch of tall 636 00:37:19,360 --> 00:37:22,279 Speaker 1: angry as women out here. Now we're doing is going 637 00:37:22,360 --> 00:37:24,840 Speaker 1: back and forth about why we ain't tall enough. Clearly, 638 00:37:24,920 --> 00:37:27,600 Speaker 1: these tall niggas don't like y'all. Why y'all complaining about 639 00:37:27,640 --> 00:37:31,520 Speaker 1: why we ain't tall? You've been hurt before. It was 640 00:37:31,600 --> 00:37:34,520 Speaker 1: in ninety seven. It was ninety seven, and I just 641 00:37:34,600 --> 00:37:37,360 Speaker 1: saw a picture of the ship, my band, bro, you 642 00:37:37,400 --> 00:37:40,200 Speaker 1: have been ten up ship. I was just trying to 643 00:37:40,280 --> 00:37:41,960 Speaker 1: make it. I was trying to leave that cool with you, 644 00:37:42,160 --> 00:37:47,719 Speaker 1: and then I needed to put them. Man, I ain't 645 00:37:47,719 --> 00:37:50,200 Speaker 1: gonna do it no more. Give him some game, man, 646 00:37:50,320 --> 00:37:55,520 Speaker 1: And he said, I'm straight, my bad repeatedly. God is good, 647 00:37:55,840 --> 00:37:58,719 Speaker 1: oh man, No, for real, because God is everywhere. He 648 00:37:59,200 --> 00:38:01,239 Speaker 1: ain't here right now, of course, because he's in you. 649 00:38:01,480 --> 00:38:05,279 Speaker 1: He's in order for the body to work, you know 650 00:38:05,320 --> 00:38:07,759 Speaker 1: what I'm saying. The elbow can't get jealous of the 651 00:38:07,840 --> 00:38:13,080 Speaker 1: shoulders of the kidney. We all got to be a working, moving, 652 00:38:13,360 --> 00:38:18,040 Speaker 1: functional body to get to where we need to go 653 00:38:18,239 --> 00:38:21,239 Speaker 1: talk about things progressing and come to fruition the way 654 00:38:21,280 --> 00:38:23,200 Speaker 1: they need to talk about it. We need to be 655 00:38:23,320 --> 00:38:26,000 Speaker 1: in balanced harmony. We need to be in the union. 656 00:38:26,480 --> 00:38:31,640 Speaker 1: We're moving as we move forward in total agreement. You 657 00:38:31,760 --> 00:38:35,680 Speaker 1: just broke down the whole body. Well, I mean, that's 658 00:38:35,760 --> 00:38:37,759 Speaker 1: what it is us, you know. Come on, man, We're 659 00:38:37,760 --> 00:38:40,880 Speaker 1: all the reflection of a bigger body. Come on, jack, 660 00:38:41,440 --> 00:38:45,799 Speaker 1: We all strands of a wonderful tapestry to the MP 661 00:38:46,600 --> 00:38:49,400 Speaker 1: and a lot of folks you know can't see you know, 662 00:38:49,640 --> 00:38:53,200 Speaker 1: the define the strings. But we are just pieces of 663 00:38:53,760 --> 00:38:56,919 Speaker 1: the same web. We all have a connected He took 664 00:38:56,960 --> 00:38:58,960 Speaker 1: that ship deep like a motherfucker and made me think 665 00:38:58,960 --> 00:39:00,880 Speaker 1: about what I was thinking about earlier. My nigga, what 666 00:39:00,960 --> 00:39:03,160 Speaker 1: if Earth is just the worst place to live, my nigga, 667 00:39:03,800 --> 00:39:06,359 Speaker 1: what if Earth is the only place where you can die? 668 00:39:07,239 --> 00:39:11,320 Speaker 1: Air whales lit than the motherfucker's. Niggas is just swag 669 00:39:11,440 --> 00:39:13,960 Speaker 1: surfering all through the galaxy, And Niggas is living to 670 00:39:14,040 --> 00:39:17,720 Speaker 1: be three jillion million billion years old. You never get old. 671 00:39:18,320 --> 00:39:21,279 Speaker 1: Ain't no stress, all your holes get alone. You don't 672 00:39:21,360 --> 00:39:23,640 Speaker 1: need no sleep, You don't have to drink no water, 673 00:39:23,760 --> 00:39:27,080 Speaker 1: ain't no bills. Once you get a spaceship, you in 674 00:39:27,280 --> 00:39:29,120 Speaker 1: that bit. What if I told you you can have 675 00:39:29,320 --> 00:39:32,439 Speaker 1: all that? Now I believe you, and then you're gonna 676 00:39:32,480 --> 00:39:35,040 Speaker 1: sell me some tea. No, I'm not gonna sell you anything. 677 00:39:35,200 --> 00:39:37,480 Speaker 1: I'm gonna sell I'm gonna sell you yourself. But the 678 00:39:37,560 --> 00:39:40,080 Speaker 1: niggas who do usually say say that, be like now 679 00:39:40,280 --> 00:39:44,000 Speaker 1: you gotta do now, give me your card in now, 680 00:39:44,160 --> 00:39:45,879 Speaker 1: gonna put me up on game. That's what I brought 681 00:39:45,920 --> 00:39:48,200 Speaker 1: you here because I already know you already in the 682 00:39:48,280 --> 00:39:51,000 Speaker 1: center of the earth. And I just been I'm a 683 00:39:51,960 --> 00:39:55,480 Speaker 1: student of life, man, just been studying life and studying myself. 684 00:39:55,600 --> 00:39:59,360 Speaker 1: And uh, you know, like I said, we all gods. 685 00:39:59,520 --> 00:40:03,080 Speaker 1: You you're you create your reality. You you know, master 686 00:40:03,239 --> 00:40:05,440 Speaker 1: your ship, the command of your vessel and all that 687 00:40:05,560 --> 00:40:08,839 Speaker 1: good stuff. But I believe because the hand movement keep 688 00:40:08,880 --> 00:40:10,960 Speaker 1: going from me. But just you know, think about it. 689 00:40:11,080 --> 00:40:15,800 Speaker 1: Everything did stem from your imagination. You created, you know, 690 00:40:16,000 --> 00:40:20,880 Speaker 1: so your imagination is God's imagination. We all creators, like 691 00:40:21,000 --> 00:40:23,960 Speaker 1: God is a creator. You create your reality because all 692 00:40:24,040 --> 00:40:27,200 Speaker 1: you did all a South Afi South did this you right? 693 00:40:28,680 --> 00:40:31,279 Speaker 1: That means you are created. You can't create beyond this 694 00:40:31,520 --> 00:40:37,120 Speaker 1: more than this infinite degrees, abundance, creations out of your mind. 695 00:40:37,440 --> 00:40:39,840 Speaker 1: So if you want the two holes to get along, 696 00:40:39,960 --> 00:40:43,399 Speaker 1: if you won't swap surfing throughout the universe, why would 697 00:40:43,400 --> 00:40:46,480 Speaker 1: I stop it? Too? Well? I mean exactly exactly that 698 00:40:46,680 --> 00:40:51,080 Speaker 1: this conceptually, what I'm getting at is that the limits 699 00:40:51,120 --> 00:40:56,160 Speaker 1: are only what you you set for yourself. Because God, 700 00:40:56,440 --> 00:40:58,920 Speaker 1: God is the alphanite omega, So that's in the end 701 00:40:58,960 --> 00:41:01,560 Speaker 1: of everything. And if you child to God the same 702 00:41:01,600 --> 00:41:03,959 Speaker 1: way you got your mother's eyes or your father's nose, 703 00:41:04,040 --> 00:41:09,040 Speaker 1: And why wouldn't you have God's ability to create as 704 00:41:09,239 --> 00:41:16,440 Speaker 1: a child of God. Uh? And when we can put 705 00:41:16,480 --> 00:41:22,440 Speaker 1: it down, I like, come on, somebody talking. They need 706 00:41:22,520 --> 00:41:24,680 Speaker 1: to hear that. Keep going because when you get that 707 00:41:24,760 --> 00:41:26,880 Speaker 1: deep and you get that real, I can't do them 708 00:41:26,960 --> 00:41:29,920 Speaker 1: but crave more than knowledge, Right, that's really I mean, 709 00:41:29,960 --> 00:41:32,160 Speaker 1: it's gonna get dropped. It's gonna get dropped in his pace, 710 00:41:32,280 --> 00:41:33,800 Speaker 1: you know what I'm talking about. I just want the 711 00:41:33,840 --> 00:41:36,279 Speaker 1: brother to take his time, exactly, That's what I mean. 712 00:41:36,440 --> 00:41:38,200 Speaker 1: You know, it's not every day that we get you know, 713 00:41:38,360 --> 00:41:42,560 Speaker 1: we get somebody. Yeah yeah, And I want the people 714 00:41:42,640 --> 00:41:44,600 Speaker 1: who watched the show to be able to get him 715 00:41:45,120 --> 00:41:48,720 Speaker 1: you understand what I'm saying. I do. Yeah, you already 716 00:41:48,760 --> 00:41:50,640 Speaker 1: said that the body can't work if the heart ain't 717 00:41:50,640 --> 00:41:54,160 Speaker 1: beating with the lany the heart ain't being with the loan. 718 00:41:55,560 --> 00:41:59,000 Speaker 1: As important as the heart is, it got to do 719 00:41:59,120 --> 00:42:00,920 Speaker 1: his job, But there thing else got to do their 720 00:42:01,000 --> 00:42:03,839 Speaker 1: job too. You got to know that the capillaries. That's 721 00:42:03,880 --> 00:42:08,040 Speaker 1: how she didn't. No matter how miniscule or Minute's all 722 00:42:08,080 --> 00:42:16,840 Speaker 1: about the van exactly what everything got to. You know, 723 00:42:17,560 --> 00:42:20,080 Speaker 1: everything has a place, everything has its purpose. It all 724 00:42:20,160 --> 00:42:24,560 Speaker 1: serves the function, and it is to ultimately get us 725 00:42:24,640 --> 00:42:29,320 Speaker 1: to the point where we are producing and expressing the 726 00:42:29,440 --> 00:42:32,800 Speaker 1: greatest version of ourselves. That's what we all here for. 727 00:42:33,040 --> 00:42:37,320 Speaker 1: That's God multiplied itself to the infinite degree, is to 728 00:42:37,800 --> 00:42:42,839 Speaker 1: express himself ridiculous, and we are all just little expressions 729 00:42:43,000 --> 00:42:48,520 Speaker 1: of the true infinite. See what you're saying. Though, I 730 00:42:48,560 --> 00:42:50,520 Speaker 1: know when we put this out there's gonna be somebody 731 00:42:50,600 --> 00:42:53,759 Speaker 1: who need to hear that. And we all partnered everybody, 732 00:42:55,040 --> 00:42:59,279 Speaker 1: But I'm saying somebody gonna feel right agree, not just 733 00:42:59,400 --> 00:43:01,800 Speaker 1: because they heard it. Some people really gonna take to 734 00:43:01,840 --> 00:43:08,040 Speaker 1: that and be like, man, don't even say nothing. Let 735 00:43:08,080 --> 00:43:12,839 Speaker 1: him go come same way I just talked to fat man. Man, 736 00:43:13,000 --> 00:43:18,000 Speaker 1: I see him tonight without man nothing. That's the universe 737 00:43:18,160 --> 00:43:21,520 Speaker 1: and the invisible things that holding stuff together. That's the 738 00:43:21,600 --> 00:43:26,319 Speaker 1: invisible stuff working in maneuver and without us even knowing 739 00:43:26,440 --> 00:43:28,879 Speaker 1: or even putting it out there physically, it was all 740 00:43:29,040 --> 00:43:33,520 Speaker 1: taking place in the spiritual realm and another dimension. Now, hey, 741 00:43:34,680 --> 00:43:36,960 Speaker 1: what you're doing in the parking lot, It's gonna be 742 00:43:37,080 --> 00:43:39,640 Speaker 1: somebody out there who need to know, like where they 743 00:43:39,680 --> 00:43:41,600 Speaker 1: can pick that type of fat up, where they can 744 00:43:41,640 --> 00:43:44,560 Speaker 1: get that game from. You can get somebody somebody watching 745 00:43:44,600 --> 00:43:46,040 Speaker 1: this show. And you know it because you see the 746 00:43:46,120 --> 00:43:49,160 Speaker 1: comments they studied, Like, man, what do you read? Where 747 00:43:49,520 --> 00:43:51,880 Speaker 1: with it? Where you get your game from? When you 748 00:43:51,920 --> 00:43:56,080 Speaker 1: get the hustle from the knowledge somebody is seeking? Well, 749 00:43:57,880 --> 00:44:02,000 Speaker 1: money is important that I'm why don't there you go? 750 00:44:02,280 --> 00:44:09,040 Speaker 1: Why is that ships are important? Um? Money is essentially 751 00:44:09,200 --> 00:44:14,080 Speaker 1: a reflection of your thought process. The same way you 752 00:44:14,840 --> 00:44:19,560 Speaker 1: adorn yourself with certain emblems and logos from these corporations 753 00:44:19,600 --> 00:44:24,920 Speaker 1: and companies is because they give off a certain you know, vibeal, energy, 754 00:44:25,000 --> 00:44:30,760 Speaker 1: they attract, or they make a certain statement. Money makes 755 00:44:31,080 --> 00:44:35,080 Speaker 1: the ultimate statement in addition to you know, taking care 756 00:44:35,120 --> 00:44:38,960 Speaker 1: of everything, you know, providing the ultimate level of comfort 757 00:44:39,040 --> 00:44:41,840 Speaker 1: for you to be able to operate and maneuver. You know, 758 00:44:41,920 --> 00:44:45,479 Speaker 1: it's hard to swim when you can't breathe. Money lets 759 00:44:45,560 --> 00:44:49,840 Speaker 1: you breathe. Money gives you room to breathe and swim, 760 00:44:50,000 --> 00:44:54,080 Speaker 1: and you can take them good long, dumbass white people 761 00:44:54,200 --> 00:44:58,320 Speaker 1: strokes in the pool, like long, deep back strokes. But 762 00:44:58,480 --> 00:45:02,239 Speaker 1: seeing that a thing is at some point you would 763 00:45:02,280 --> 00:45:05,040 Speaker 1: want to be able to take that same journey in 764 00:45:05,200 --> 00:45:07,759 Speaker 1: your mind to that place when you're back stroking and 765 00:45:07,880 --> 00:45:11,040 Speaker 1: you free with these options without the money, because the 766 00:45:11,160 --> 00:45:14,600 Speaker 1: money can come and the money can go, But what 767 00:45:14,719 --> 00:45:19,480 Speaker 1: you always have is just here, correct you did. Ultimately, 768 00:45:19,760 --> 00:45:22,200 Speaker 1: what I'm getting at, what are you getting at, is 769 00:45:22,280 --> 00:45:28,880 Speaker 1: that you are the money amen, your thought process, your okay, 770 00:45:29,040 --> 00:45:31,160 Speaker 1: because once you get money is just a tool. Money 771 00:45:31,200 --> 00:45:35,120 Speaker 1: is as a cell phone is just understand, it's this item. 772 00:45:35,160 --> 00:45:38,640 Speaker 1: It's just it's just another camera. Just did the meme. 773 00:45:38,840 --> 00:45:45,840 Speaker 1: I just said, okay, But listen, money is just a 774 00:45:46,160 --> 00:45:51,840 Speaker 1: vehicle to bring to fruition what you would like word. 775 00:45:53,440 --> 00:45:56,319 Speaker 1: But ultimately, when people be like, oh I need my money, 776 00:45:56,360 --> 00:45:59,160 Speaker 1: I need my money, I need my money, there is 777 00:45:59,239 --> 00:46:02,600 Speaker 1: a man tality. There's an energist, a vibration that like, 778 00:46:02,840 --> 00:46:05,000 Speaker 1: literally I've seen it and I'm a part of it. 779 00:46:05,200 --> 00:46:09,360 Speaker 1: Once you get the ball, rolling ship starts happening in 780 00:46:09,440 --> 00:46:12,080 Speaker 1: the university, opportunities in doors start open up. In The 781 00:46:12,160 --> 00:46:14,680 Speaker 1: money that you thought you didn't have is now right there. 782 00:46:15,160 --> 00:46:17,400 Speaker 1: If you just talk to that motherfucker, or if you 783 00:46:17,560 --> 00:46:19,560 Speaker 1: just go to the spot, or if you do the thing. 784 00:46:20,160 --> 00:46:23,480 Speaker 1: But if you're just sitting around wallowing in your own 785 00:46:23,719 --> 00:46:27,279 Speaker 1: I don't have stood on that, you're not gonna have you. 786 00:46:28,360 --> 00:46:30,040 Speaker 1: You know, it's like, oh, no, the money's out there. 787 00:46:30,080 --> 00:46:37,560 Speaker 1: Money is there. They just they're holding it. May whoever 788 00:46:37,840 --> 00:46:42,800 Speaker 1: just so got the eighty million at the gate and 789 00:46:43,200 --> 00:46:48,320 Speaker 1: foll Huntred was a four million, four point six million 790 00:46:48,400 --> 00:46:53,680 Speaker 1: pay per views, So four point six million pay per 791 00:46:53,719 --> 00:46:58,640 Speaker 1: views prescriptions at eighty nine or ninety nine dollars, depending 792 00:46:58,680 --> 00:47:04,760 Speaker 1: on whether it's HD, it's full hundred and fourteen million dollars. 793 00:47:04,960 --> 00:47:08,000 Speaker 1: What's the eighty million dollars at the gate? I don't 794 00:47:08,120 --> 00:47:12,160 Speaker 1: want to hear there ain't no money out there, especially 795 00:47:12,320 --> 00:47:16,480 Speaker 1: when it's people just being entertained. That wasn't even amaze. 796 00:47:16,480 --> 00:47:20,080 Speaker 1: There wasn't nothing nobody had to have. It was entertainment, 797 00:47:20,560 --> 00:47:22,920 Speaker 1: so you know it's money out there. Once you can 798 00:47:23,520 --> 00:47:27,799 Speaker 1: structure your mind around knowing that whatever you need or want, 799 00:47:28,680 --> 00:47:31,360 Speaker 1: you don't need it or want it anymore. Have it. 800 00:47:31,640 --> 00:47:34,359 Speaker 1: You have to know that it exists already in your 801 00:47:34,400 --> 00:47:38,960 Speaker 1: possession and move like that and literally it will manifest, 802 00:47:39,120 --> 00:47:41,759 Speaker 1: it will become tangible. But you gotta be able to 803 00:47:41,800 --> 00:47:43,800 Speaker 1: see the signs. I have to be able to know that, 804 00:47:44,600 --> 00:47:47,000 Speaker 1: like damn money, twenty dollars right now. It's like the 805 00:47:47,080 --> 00:47:50,480 Speaker 1: twenty dollars may not come in the physical dollars, but 806 00:47:50,600 --> 00:47:53,359 Speaker 1: it's going to come in a situation that Okay, after 807 00:47:53,400 --> 00:47:55,320 Speaker 1: twenty minutes of doing this real quick for home, he 808 00:47:55,400 --> 00:47:57,959 Speaker 1: there's my twenty dollars I was talking about. So it's 809 00:47:58,880 --> 00:48:02,000 Speaker 1: it's knowing that we are part of a system or 810 00:48:02,120 --> 00:48:05,800 Speaker 1: structure that does pick up on our energy, our thoughts 811 00:48:05,840 --> 00:48:09,480 Speaker 1: of vibration. And the more we are balanced and in 812 00:48:09,560 --> 00:48:14,000 Speaker 1: a harmonious tune with this energy just frequency, the more 813 00:48:14,160 --> 00:48:19,239 Speaker 1: easily things will be uh summoned and are readily available. 814 00:48:19,800 --> 00:48:24,320 Speaker 1: And that's I said. I'll have to say, Reverend, I nigger. 815 00:48:24,920 --> 00:48:28,880 Speaker 1: The reverend he was talking that about money, and he 816 00:48:29,080 --> 00:48:32,520 Speaker 1: led me to never got her before we even get 817 00:48:32,600 --> 00:48:35,520 Speaker 1: into that gangster ship. This is the sound. This is 818 00:48:35,560 --> 00:48:41,800 Speaker 1: turned into a ghetto ted Talk financial edition with I 819 00:48:41,880 --> 00:48:44,640 Speaker 1: know you're talking good ship, and now you're gonna continue 820 00:48:44,680 --> 00:48:47,000 Speaker 1: to spill this information. I don't know where you got 821 00:48:47,080 --> 00:48:50,719 Speaker 1: it and been watching been bred and behold up, heale horse. 822 00:48:51,040 --> 00:48:52,960 Speaker 1: He just told you how to get your mind right 823 00:48:53,000 --> 00:48:55,680 Speaker 1: to get this money. Not talk about going from needing 824 00:48:55,680 --> 00:48:57,600 Speaker 1: and not having to getting and what you're gonna do 825 00:48:57,680 --> 00:49:00,879 Speaker 1: with it. Come on, folk, bringers, bringers man shot the two. 826 00:49:02,920 --> 00:49:07,080 Speaker 1: I see why. Just be like, if you listen to 827 00:49:07,239 --> 00:49:10,640 Speaker 1: a bunch of big words in a row, you'll start 828 00:49:10,719 --> 00:49:14,880 Speaker 1: to drill, like like I'll be hearing, but then a 829 00:49:14,960 --> 00:49:20,239 Speaker 1: certain problem like yeah, yeah going on. And then when 830 00:49:20,239 --> 00:49:25,160 Speaker 1: I came back, the nigga said, and equivocally, then I 831 00:49:25,280 --> 00:49:27,399 Speaker 1: just heard that quickly. But you're talking some real ship. 832 00:49:28,000 --> 00:49:31,160 Speaker 1: I just want I don't dumb it, but numb it. 833 00:49:32,280 --> 00:49:34,880 Speaker 1: You feel it's the perfect It's gonna be the perfect 834 00:49:34,960 --> 00:49:42,080 Speaker 1: litmus because this nigga is Yeah, you know you're being 835 00:49:42,160 --> 00:49:47,680 Speaker 1: facetious right now, really, bubb give him the game right quick? 836 00:49:47,920 --> 00:49:50,440 Speaker 1: Keep going. Okay, that's what I brought you here for 837 00:49:50,600 --> 00:49:56,400 Speaker 1: for this late night pimp, financial breakdown, anything atmosphere universal. 838 00:49:57,320 --> 00:50:00,880 Speaker 1: I'm just going off the vibe and always want to 839 00:50:00,920 --> 00:50:06,640 Speaker 1: be able to have substance, always need to have substance. 840 00:50:06,760 --> 00:50:09,719 Speaker 1: When I I mean, we can talk about social ship, 841 00:50:10,000 --> 00:50:12,400 Speaker 1: social media ship, big bootysh it, you know, bitch, just 842 00:50:12,440 --> 00:50:14,959 Speaker 1: one fun. Now we really talking about getting this money. 843 00:50:15,600 --> 00:50:19,000 Speaker 1: But you know, ultimately our people gonna get to you know, 844 00:50:19,160 --> 00:50:21,200 Speaker 1: we we we're be in a better place when we 845 00:50:21,360 --> 00:50:25,160 Speaker 1: realize our value and our worth and having self confidence 846 00:50:25,880 --> 00:50:29,280 Speaker 1: in addition to some knowledge and wherewithal makes a difference. 847 00:50:29,320 --> 00:50:30,920 Speaker 1: I can't talk like this if I didn't have the 848 00:50:31,000 --> 00:50:33,520 Speaker 1: experience of going through what I went through. But that 849 00:50:33,640 --> 00:50:37,120 Speaker 1: ship wasn't I can't say it was fun, you know. 850 00:50:37,520 --> 00:50:40,440 Speaker 1: I mean that's no just you know, life it's ups 851 00:50:40,440 --> 00:50:43,040 Speaker 1: and downs. But you know when you when when you 852 00:50:43,480 --> 00:50:45,279 Speaker 1: want somebody to be your manager, and then then your 853 00:50:45,320 --> 00:50:47,719 Speaker 1: manager but they sucked, then you have to become your 854 00:50:47,760 --> 00:50:49,920 Speaker 1: own manager. And it's like now you know, okay, this 855 00:50:50,080 --> 00:50:52,480 Speaker 1: is why I didn't want to be a manager. So 856 00:50:52,600 --> 00:50:54,239 Speaker 1: I just wanted to be an artist and make music. 857 00:50:54,400 --> 00:50:56,920 Speaker 1: But then you start going on the managerial side to 858 00:50:57,000 --> 00:51:00,319 Speaker 1: where you see how much the music business is more 859 00:51:00,400 --> 00:51:02,759 Speaker 1: business than music. So then it's like, then, okay, I 860 00:51:02,880 --> 00:51:05,040 Speaker 1: really need to learn some more about just shouldn't pay 861 00:51:05,040 --> 00:51:08,160 Speaker 1: attention and start focusing on you know what is just 862 00:51:08,880 --> 00:51:13,040 Speaker 1: you know, public relations and marketing and you know, just 863 00:51:13,160 --> 00:51:16,560 Speaker 1: all the things that go into getting the album of 864 00:51:16,600 --> 00:51:18,680 Speaker 1: the song or the artists to the next level after 865 00:51:18,760 --> 00:51:21,319 Speaker 1: the song is written and recorded, because folks will write 866 00:51:21,360 --> 00:51:23,160 Speaker 1: the song, leave out the studio and be like, you 867 00:51:23,200 --> 00:51:24,800 Speaker 1: got the hit, and it's like, no, it's not a 868 00:51:24,880 --> 00:51:30,319 Speaker 1: hit yet, you got a long way to go. So um. Ultimately, 869 00:51:31,000 --> 00:51:34,880 Speaker 1: branding became the way to where if you didn't just 870 00:51:35,000 --> 00:51:38,080 Speaker 1: want to be a one hit wonder. It was my philosophy, 871 00:51:38,200 --> 00:51:41,360 Speaker 1: which is a lot of people's philosophy, that you just 872 00:51:41,560 --> 00:51:45,320 Speaker 1: brand yourself. Make your name good, so whatever you do 873 00:51:45,520 --> 00:51:48,200 Speaker 1: with your name on it is gonna be good. Like 874 00:51:48,360 --> 00:51:51,080 Speaker 1: you don't make don't focus on making one good thing. 875 00:51:51,680 --> 00:51:55,640 Speaker 1: Make yourself good so everything you do is good and 876 00:51:55,719 --> 00:51:58,960 Speaker 1: then people will come whether Fat Man Daz is doing 877 00:51:59,080 --> 00:52:03,279 Speaker 1: comedy or or wrapping or selling bath soap or like 878 00:52:03,719 --> 00:52:07,839 Speaker 1: doing um construction. Hell for me, he owned like construction sites. 879 00:52:07,920 --> 00:52:11,360 Speaker 1: Whatever it is, it's gonna be branded in such a 880 00:52:11,440 --> 00:52:15,040 Speaker 1: way that people know that he good, and he do 881 00:52:15,200 --> 00:52:17,359 Speaker 1: ship good. And if I want my ship done good, 882 00:52:17,400 --> 00:52:21,319 Speaker 1: I'm gonna go see him. I would have said integrity, 883 00:52:21,800 --> 00:52:25,320 Speaker 1: but Fat Maine d would have felt asleep. Man, I 884 00:52:25,400 --> 00:52:31,120 Speaker 1: feel I ain't gonna sleep on the Maybe we're having 885 00:52:31,160 --> 00:52:34,800 Speaker 1: on some real las game. This hill Man too, you 886 00:52:34,840 --> 00:52:39,279 Speaker 1: know what I mean. He's probably cast for the skilled class. Yeah, 887 00:52:39,320 --> 00:52:41,520 Speaker 1: but still got a thousand on the s A T. Wow, 888 00:52:42,400 --> 00:52:45,719 Speaker 1: you did that. I did it. That's the thing, though, 889 00:52:45,760 --> 00:52:47,680 Speaker 1: you know you'll be trying to act like you don't know. 890 00:52:47,920 --> 00:52:51,200 Speaker 1: You know, though I don't act. Sometimes I've seen you'd 891 00:52:51,200 --> 00:52:56,560 Speaker 1: be like, you know, you know what's going on. But see, 892 00:52:56,600 --> 00:52:59,439 Speaker 1: that's what that's what the whole platform is for. Breads, 893 00:52:59,520 --> 00:53:02,920 Speaker 1: some little who'll be watching us up here, told that ship, 894 00:53:03,000 --> 00:53:05,719 Speaker 1: but they'd be catching the other ship too. Everybody out 895 00:53:05,760 --> 00:53:08,200 Speaker 1: there smart. Everybody out there is a genius. Ain't nobody 896 00:53:08,200 --> 00:53:12,560 Speaker 1: out there dummy? We just do dumb ship. It's folks 897 00:53:12,640 --> 00:53:15,319 Speaker 1: out there. It's so good at the call of duty 898 00:53:15,400 --> 00:53:17,200 Speaker 1: or something. It's like, then you're a genius like you, 899 00:53:17,400 --> 00:53:22,719 Speaker 1: But it's like that's not necessarily where somebody's time and 900 00:53:22,880 --> 00:53:26,480 Speaker 1: energy should go. But at the same time, it's folks 901 00:53:26,560 --> 00:53:29,040 Speaker 1: really good at doing stuff they might not supposed to 902 00:53:29,080 --> 00:53:33,160 Speaker 1: be doing. But everybody's really good at doing something. So 903 00:53:33,320 --> 00:53:36,719 Speaker 1: it's just wanting to use that same energy and put 904 00:53:36,800 --> 00:53:40,600 Speaker 1: that same good towards something that maybe does benefit or 905 00:53:40,719 --> 00:53:43,719 Speaker 1: help or give back or whatever the case. Maybe it 906 00:53:43,880 --> 00:53:49,239 Speaker 1: just depends. Man, preach it. Then I feel like, you know, 907 00:53:49,440 --> 00:53:51,320 Speaker 1: like and I feel like we have the teacher's lands 908 00:53:51,440 --> 00:53:54,440 Speaker 1: right now. I just we're just three teachers chopping up 909 00:53:54,520 --> 00:53:58,080 Speaker 1: lesson Because I remember back in the days when I 910 00:53:58,239 --> 00:54:03,000 Speaker 1: wasn't ship, way back, way back, I'm talking about. This 911 00:54:03,120 --> 00:54:06,200 Speaker 1: was way back my life last week, man, that wasn't 912 00:54:06,200 --> 00:54:08,319 Speaker 1: even last week. I'm talking about. It was way back 913 00:54:08,400 --> 00:54:12,160 Speaker 1: and back back, back back. Everybody was on Facebook. Then 914 00:54:13,600 --> 00:54:15,640 Speaker 1: was it my Space? Man? It was. It was right 915 00:54:15,680 --> 00:54:18,239 Speaker 1: after that I wasn't shipped. I was. I hated my 916 00:54:18,400 --> 00:54:20,279 Speaker 1: Space days. But then I hit up, I get I 917 00:54:20,400 --> 00:54:23,759 Speaker 1: committed the comedy and it changed everything. Like all my 918 00:54:23,920 --> 00:54:26,800 Speaker 1: money was coming from telling jokes and this is a 919 00:54:27,000 --> 00:54:30,000 Speaker 1: very fickle business. And I was like funk. I just 920 00:54:30,160 --> 00:54:32,279 Speaker 1: said at the career when I was sucked up, Like, man, 921 00:54:32,400 --> 00:54:35,160 Speaker 1: I can't believe that I'm sucked up. And you know, 922 00:54:35,280 --> 00:54:37,680 Speaker 1: the one thing that you tell yourself when you funked up, 923 00:54:37,760 --> 00:54:39,719 Speaker 1: and man, the next time I get on my feet, 924 00:54:39,760 --> 00:54:44,080 Speaker 1: ain't never gonna be everything. But see, it's just like damn, 925 00:54:44,880 --> 00:54:47,960 Speaker 1: you kept finding kept finding myself in the same situation. 926 00:54:49,000 --> 00:54:51,799 Speaker 1: I planned for this, but it seemed like like you said, 927 00:54:51,960 --> 00:54:54,239 Speaker 1: life just keep on happening and don't matter what you 928 00:54:54,400 --> 00:54:58,200 Speaker 1: thought you had planned. Some ship you just gotta go 929 00:54:58,360 --> 00:55:00,680 Speaker 1: through because it's a lesson in the You gotta know 930 00:55:00,880 --> 00:55:03,120 Speaker 1: they never about you. You can think you got all right. 931 00:55:03,160 --> 00:55:05,800 Speaker 1: I'm straight now if something, if all this ship happened 932 00:55:05,800 --> 00:55:08,680 Speaker 1: to me again, I'd be straight because I had to 933 00:55:08,840 --> 00:55:12,080 Speaker 1: learn what these people want a thousand dollars to. Dam 934 00:55:12,920 --> 00:55:15,560 Speaker 1: they ain't don't want to hear nothing. And just like 935 00:55:15,680 --> 00:55:18,080 Speaker 1: you said, it's the same if you had the same 936 00:55:18,239 --> 00:55:21,279 Speaker 1: urgency every day, you're like, well, funk. If I came 937 00:55:21,400 --> 00:55:23,560 Speaker 1: up with a thousand because I needed it right, then 938 00:55:23,920 --> 00:55:26,440 Speaker 1: I can do this ship every day. I can command that, 939 00:55:27,080 --> 00:55:28,800 Speaker 1: you know what I mean. It's just like just like 940 00:55:28,920 --> 00:55:31,320 Speaker 1: you said, everything that you go through prepare you for 941 00:55:31,440 --> 00:55:34,839 Speaker 1: what you're going for where you're going. Some motherfucker's don't 942 00:55:34,880 --> 00:55:37,440 Speaker 1: just go through life and don't never learn ship you'll 943 00:55:37,440 --> 00:55:40,080 Speaker 1: be around a whole bunch of motherfucker's who make the 944 00:55:40,200 --> 00:55:42,560 Speaker 1: most fucked up decision Like, damn, well, why are you 945 00:55:42,680 --> 00:55:45,360 Speaker 1: still around these motherfucker's? You should you see that. You 946 00:55:45,800 --> 00:55:48,280 Speaker 1: you hang around a bunch of motherfucker's, go on bullishit 947 00:55:48,400 --> 00:55:52,560 Speaker 1: you next because you get too comfortable doing the wrong ship. 948 00:55:53,160 --> 00:55:55,680 Speaker 1: You gotta tune in and figure out just like you said, 949 00:55:55,760 --> 00:55:58,839 Speaker 1: that one ship that you can do the motherfucking depth 950 00:55:58,920 --> 00:56:01,879 Speaker 1: that can't nobody do better than you. That's what makes 951 00:56:02,040 --> 00:56:09,080 Speaker 1: life so interesting to me is because if everyone is 952 00:56:09,840 --> 00:56:12,759 Speaker 1: the true creator of their reality, if everybody has the 953 00:56:12,800 --> 00:56:16,120 Speaker 1: ability to create the reality even though you know should 954 00:56:16,120 --> 00:56:19,160 Speaker 1: be happening, but it is what it is. You know, 955 00:56:21,480 --> 00:56:24,239 Speaker 1: energy is neither creator, no destroyed. It don't have to 956 00:56:24,280 --> 00:56:26,560 Speaker 1: be good. It don't have to be bad. A whole 957 00:56:26,600 --> 00:56:29,440 Speaker 1: bunch of pushups is bad until I get swollen, then 958 00:56:29,520 --> 00:56:33,279 Speaker 1: the pushups was good. So hey, man, come on, now 959 00:56:33,480 --> 00:56:37,239 Speaker 1: do something with that. Everybody is in the position that 960 00:56:37,360 --> 00:56:40,040 Speaker 1: they end so that they can go through what they 961 00:56:40,120 --> 00:56:42,560 Speaker 1: need to go through to be who they are. So 962 00:56:42,640 --> 00:56:45,000 Speaker 1: ain't no sense of trying to rush or push nobody 963 00:56:45,080 --> 00:56:47,480 Speaker 1: out of a situation or push them to be or 964 00:56:47,600 --> 00:56:50,600 Speaker 1: grow any faster. You can't yell at the tree and 965 00:56:51,080 --> 00:56:53,360 Speaker 1: it's gonna bead fruit. You can't yell at the grass 966 00:56:53,440 --> 00:56:55,320 Speaker 1: and it's gonna grow any higher than it's supposed to 967 00:56:55,360 --> 00:56:58,840 Speaker 1: grow naturally from the water and the soil and the sunshine. 968 00:56:59,160 --> 00:57:02,280 Speaker 1: So you have to the process. You gotta let people 969 00:57:02,680 --> 00:57:05,839 Speaker 1: things go through the process, man. And when it's time 970 00:57:05,960 --> 00:57:08,120 Speaker 1: for the baby to be born, when it's time for 971 00:57:08,280 --> 00:57:10,720 Speaker 1: the flower to blossom, when it's time for a person 972 00:57:10,800 --> 00:57:13,600 Speaker 1: to evolve and decide they don't want to cheat on 973 00:57:13,680 --> 00:57:16,800 Speaker 1: they want to know, then we we will get to 974 00:57:16,960 --> 00:57:19,960 Speaker 1: that point. Evolution is all around us, basically, It's what 975 00:57:20,080 --> 00:57:24,080 Speaker 1: he's saying. Absolutely, yeah, yeah, they are might know the truth. 976 00:57:25,720 --> 00:57:27,520 Speaker 1: Hey man, I'm glad you came down here to foot 977 00:57:27,560 --> 00:57:30,800 Speaker 1: with a man. I'm glad that you are back because 978 00:57:30,800 --> 00:57:33,400 Speaker 1: it's just like, bro, we need motherfucker's to come through 979 00:57:33,440 --> 00:57:39,160 Speaker 1: and just sprinkle some game on man and enlightening. Well 980 00:57:39,240 --> 00:57:41,040 Speaker 1: talking about none of the ship I wanted we was. 981 00:57:41,120 --> 00:57:43,480 Speaker 1: I thought we were gonna talking about, but I wanted 982 00:57:43,560 --> 00:57:46,080 Speaker 1: that part. Once you get to that real ship like that, 983 00:57:46,720 --> 00:57:49,959 Speaker 1: my job as a hostess done awesome because I feel 984 00:57:50,040 --> 00:57:54,320 Speaker 1: like for all the conversations and interviews that dude that 985 00:57:54,480 --> 00:57:57,840 Speaker 1: this is more my motif. That's all. That's what you 986 00:57:57,920 --> 00:57:59,760 Speaker 1: see what I'm saying. Remember I told you what the 987 00:58:00,120 --> 00:58:05,000 Speaker 1: cat it's all about niggas who got a motifs? I 988 00:58:05,040 --> 00:58:07,960 Speaker 1: think it's who got a motif? Man, it's a little 989 00:58:08,000 --> 00:58:13,000 Speaker 1: brother named motif. She failed down and she got to 990 00:58:13,080 --> 00:58:16,840 Speaker 1: use a motif. You feel me, bro, But tell them 991 00:58:16,840 --> 00:58:19,000 Speaker 1: about your stroke because I want everybody to know. Man, 992 00:58:19,080 --> 00:58:20,919 Speaker 1: where you at? And we got a lot of people 993 00:58:20,920 --> 00:58:23,000 Speaker 1: in letting and fun with the show. Let him know 994 00:58:23,040 --> 00:58:24,880 Speaker 1: what you posted up at that could pull up on 995 00:58:25,000 --> 00:58:27,360 Speaker 1: you and ship support black owned. I just went up 996 00:58:27,400 --> 00:58:29,800 Speaker 1: in that bitch and went grocery shopping any super snap. 997 00:58:29,960 --> 00:58:31,840 Speaker 1: I got a kind of ship there. You might you 998 00:58:31,960 --> 00:58:35,080 Speaker 1: might got Customer of the Month. I bought off kind 999 00:58:35,120 --> 00:58:41,280 Speaker 1: of ship. Yeah, man waterned tips, food tips, jumping off 1000 00:58:41,360 --> 00:58:44,680 Speaker 1: over that bitched venus to a slash foodtick, slash mote 1001 00:58:44,720 --> 00:58:50,120 Speaker 1: shop products. Got your smoke accessories, got one for the beverages, 1002 00:58:51,000 --> 00:58:56,160 Speaker 1: got the shirts, clothing line from local artists and designers. 1003 00:58:56,760 --> 00:58:59,640 Speaker 1: H we got a t M, the dispenses fives and 1004 00:59:00,080 --> 00:59:03,520 Speaker 1: ones where well, I mean you get the duves too 1005 00:59:05,400 --> 00:59:08,360 Speaker 1: in addition to you got an a GM with ones 1006 00:59:08,400 --> 00:59:11,680 Speaker 1: in it. Yeah. Bro, that's why I fought with black businesses. 1007 00:59:12,120 --> 00:59:15,280 Speaker 1: You see that you don't see else. Hey man, I 1008 00:59:15,480 --> 00:59:18,680 Speaker 1: went to my bank and tried to get out seven 1009 00:59:18,680 --> 00:59:20,680 Speaker 1: team dollars and I couldn't do it. I had to 1010 00:59:20,720 --> 00:59:25,640 Speaker 1: get a twinning. And again then so now now, so 1011 00:59:25,800 --> 00:59:27,840 Speaker 1: now to have a a t M where it's like, yo, 1012 00:59:28,400 --> 00:59:30,440 Speaker 1: I just need seven team dollars, I don't need that 1013 00:59:30,560 --> 00:59:33,000 Speaker 1: whole twin, that's right, And I could actually I got 1014 00:59:33,160 --> 00:59:36,080 Speaker 1: the option to exercise that. That's that's what I'm on. So, 1015 00:59:36,080 --> 00:59:38,880 Speaker 1: I mean, that's a blessing. You know, five and dime 1016 00:59:39,080 --> 00:59:41,040 Speaker 1: is we like to stay ahead of the game as 1017 00:59:41,080 --> 00:59:47,240 Speaker 1: far as cutting edge exactly, especially in the black community 1018 00:59:47,440 --> 00:59:50,000 Speaker 1: where you know, as I got to talking with a 1019 00:59:50,080 --> 00:59:52,280 Speaker 1: lot of the people in the neighborhood, I realized that 1020 00:59:53,200 --> 00:59:55,720 Speaker 1: for all the regentrification is going on, the still semi 1021 00:59:55,800 --> 00:59:58,920 Speaker 1: popity stricken over there, there's a lot of people on incomes, 1022 00:59:58,960 --> 01:00:02,200 Speaker 1: a lot of retired people for and the homeless population 1023 01:00:02,320 --> 01:00:06,040 Speaker 1: over there is Banana Republic. So you know, you catch 1024 01:00:06,160 --> 01:00:08,280 Speaker 1: us out there giving some sandwiches to the people, you 1025 01:00:08,360 --> 01:00:11,880 Speaker 1: catch us, you know, we were communicating with community, you know, 1026 01:00:11,920 --> 01:00:13,960 Speaker 1: the same way Jesus was kicking in with the holes 1027 01:00:14,040 --> 01:00:17,320 Speaker 1: in the criminals and thieves. You know, we we like 1028 01:00:17,360 --> 01:00:19,000 Speaker 1: to hang out with them. Home, bro, I believe that 1029 01:00:19,160 --> 01:00:21,280 Speaker 1: Jesus was in it. You could probably catch him on 1030 01:00:21,440 --> 01:00:25,600 Speaker 1: Edgewood having the man. So it just seemed I concur, 1031 01:00:26,360 --> 01:00:30,440 Speaker 1: I concur exactly he would he would talking about two 1032 01:00:30,520 --> 01:00:34,040 Speaker 1: for one, two birds and one Stone Edwood and Jesus 1033 01:00:34,080 --> 01:00:40,040 Speaker 1: here a lot of man. Yeah, man, But Edward five 1034 01:00:40,040 --> 01:00:41,480 Speaker 1: and dime may definitely come on out if you're in 1035 01:00:41,520 --> 01:00:45,360 Speaker 1: the metropolitan Atlanta area. We specialize in customer service as 1036 01:00:45,400 --> 01:00:49,400 Speaker 1: well as pride of ourselves and being the coolest convenience 1037 01:00:49,440 --> 01:00:53,240 Speaker 1: store in Atlanta, Georgia. Is that is that you like 1038 01:00:53,400 --> 01:00:55,480 Speaker 1: one of your only businesses right now? What else you 1039 01:00:55,560 --> 01:00:58,800 Speaker 1: want to branch off into? Oh M, Currently on my 1040 01:00:59,560 --> 01:01:05,400 Speaker 1: hip hop Tyler Perry, I'm doing a live comedy hip 1041 01:01:05,440 --> 01:01:09,600 Speaker 1: hop show. We were going theatrical with it. I mean 1042 01:01:09,760 --> 01:01:13,920 Speaker 1: I need Broadway Vegas. Uh, you know the Fox Theater. 1043 01:01:15,200 --> 01:01:19,600 Speaker 1: We we mega stage like kind of exactly exactly like 1044 01:01:19,800 --> 01:01:23,520 Speaker 1: you know, cats raising in the sun stump Mama. I 1045 01:01:23,600 --> 01:01:27,960 Speaker 1: want to say, yeah, Blue Man Group all that, But 1046 01:01:28,240 --> 01:01:31,680 Speaker 1: we're rapping, and and that's pretty much where we are. 1047 01:01:31,800 --> 01:01:35,200 Speaker 1: We like to Uh, you know, comedy is just so important, 1048 01:01:35,320 --> 01:01:39,200 Speaker 1: especially now in this time. But at the same time, 1049 01:01:39,600 --> 01:01:41,800 Speaker 1: I was raised on a lot of the great entertainers 1050 01:01:41,960 --> 01:01:49,400 Speaker 1: who refused a lot of social, um just life episodes 1051 01:01:49,560 --> 01:01:54,600 Speaker 1: into their comedic uh stand up, mainly David Chappelle, like 1052 01:01:54,680 --> 01:01:57,840 Speaker 1: I was raised on Chris Rock, h Eddie Murphy, Rich Pride, 1053 01:01:58,200 --> 01:02:02,919 Speaker 1: you know, Red Fox, but Dave's Pelle and Living Color, 1054 01:02:03,000 --> 01:02:07,600 Speaker 1: even Dwayne's Dwayne's I'm Gonna be honest with you, Um, Robert, 1055 01:02:08,120 --> 01:02:11,880 Speaker 1: Robert Townsend, Keena Ivy Waynes and the whole Waynes family 1056 01:02:12,080 --> 01:02:15,200 Speaker 1: and Living Color. What that did for my era and 1057 01:02:15,280 --> 01:02:18,920 Speaker 1: me growing up. Uh, it really set the standard because 1058 01:02:19,120 --> 01:02:21,040 Speaker 1: will you be happy to know one of them networks 1059 01:02:21,120 --> 01:02:23,280 Speaker 1: just picked and Living Color up and about the start 1060 01:02:23,360 --> 01:02:26,400 Speaker 1: running the reruns again. Yea. That ship was though, Bro, 1061 01:02:26,480 --> 01:02:28,040 Speaker 1: we're talking about that ship the other night. It's some 1062 01:02:28,240 --> 01:02:30,640 Speaker 1: it's some lot of references that the young kids might 1063 01:02:30,680 --> 01:02:35,720 Speaker 1: not get, but the classic Caratman, handed man, detected man. 1064 01:02:36,000 --> 01:02:46,920 Speaker 1: He was just a fucking head like Bill Yeah, Marshall 1065 01:02:47,120 --> 01:02:50,760 Speaker 1: can't remember that Martin spash And then they all for 1066 01:02:50,880 --> 01:02:55,680 Speaker 1: wander Man. Probably probably, I mean it seemed like it 1067 01:02:55,760 --> 01:02:59,080 Speaker 1: could have. I actually have. I'm gonna make sure I'm 1068 01:02:59,120 --> 01:03:02,480 Speaker 1: gonna research to it. But it's another comedian I forgot 1069 01:03:02,560 --> 01:03:04,800 Speaker 1: his name, that Martin actually got the ship they name 1070 01:03:04,920 --> 01:03:09,200 Speaker 1: character from Take a Break for Part too. Bro, give 1071 01:03:09,280 --> 01:03:12,800 Speaker 1: us one of your crazy Road stories man hip hop 1072 01:03:13,600 --> 01:03:17,760 Speaker 1: hip Hop game, Crazy road stories from their hip hop game, 1073 01:03:18,400 --> 01:03:21,560 Speaker 1: Crazy Road stories fround that Hill game. You know you've 1074 01:03:21,600 --> 01:03:23,960 Speaker 1: been all over the world with this ship, some of 1075 01:03:24,000 --> 01:03:26,360 Speaker 1: your favorite places to go. Why are you thinking that story? 1076 01:03:26,880 --> 01:03:34,520 Speaker 1: I mean, I like Vegas. Um, everybody like Vegas man, Okay, 1077 01:03:34,640 --> 01:03:38,280 Speaker 1: So Vegas is dope as hill. Okay, so I like pussy. 1078 01:03:38,560 --> 01:03:41,240 Speaker 1: Everybody's about to fall. Let's gets given up a pussy 1079 01:03:44,840 --> 01:03:50,680 Speaker 1: first and foremost. Normally, uh, normally my favorite places out 1080 01:03:50,680 --> 01:03:54,040 Speaker 1: of places where I had really good sex. So that's 1081 01:03:54,200 --> 01:03:57,200 Speaker 1: totally understandable. Bro. So I don't want the people to 1082 01:03:57,280 --> 01:04:00,520 Speaker 1: just think that I'm just naming like that. He said that, aware, like, 1083 01:04:00,560 --> 01:04:03,440 Speaker 1: I don't want people to think that I'm just naming 1084 01:04:03,520 --> 01:04:08,480 Speaker 1: stuff because of the tourist attractions. It's literally my experience 1085 01:04:08,640 --> 01:04:13,320 Speaker 1: there that made it like wonderful Delaware. No, I was 1086 01:04:13,320 --> 01:04:18,320 Speaker 1: about to say let, but Vegas was Vegas always been 1087 01:04:18,360 --> 01:04:21,440 Speaker 1: good to me. Kelly has not been good to Uh. 1088 01:04:22,680 --> 01:04:25,600 Speaker 1: I have nothing against CALLI. I would like to say Kelly, 1089 01:04:25,720 --> 01:04:30,360 Speaker 1: but it's not gonna make this list. Um I'm from 1090 01:04:30,440 --> 01:04:33,040 Speaker 1: the crib, so Chicago is always going to be wonderful. 1091 01:04:33,240 --> 01:04:36,520 Speaker 1: But um brush, Chicago got some of the sexiest hood 1092 01:04:36,600 --> 01:04:40,200 Speaker 1: business in the world. They so yeah, and they pull 1093 01:04:40,320 --> 01:04:43,520 Speaker 1: up on you and they gonna be freezing. This bit 1094 01:04:43,680 --> 01:04:48,000 Speaker 1: drove all the way across town, all this snow keep going. 1095 01:04:50,760 --> 01:04:53,520 Speaker 1: You know you got a real fucking Chicago bishop. She'll 1096 01:04:53,600 --> 01:04:56,760 Speaker 1: suck you in the basement in the wintertime. That's not 1097 01:04:57,040 --> 01:05:00,920 Speaker 1: dear Jesus folk. I'm mad that up. I'm sitting there 1098 01:05:00,960 --> 01:05:02,520 Speaker 1: trying to think of a really good story and then 1099 01:05:03,080 --> 01:05:07,440 Speaker 1: register what you said, that you had sexy and a 1100 01:05:07,600 --> 01:05:10,240 Speaker 1: freezing basement in the Illinois. She got a baby fat 1101 01:05:10,320 --> 01:05:13,440 Speaker 1: coat on with the fur round. She didn't even pull 1102 01:05:13,480 --> 01:05:16,400 Speaker 1: the pants all the way down to be above the knees. Booty, ashy, 1103 01:05:16,680 --> 01:05:20,919 Speaker 1: But the pussy me my story. You still got damn 1104 01:05:20,960 --> 01:05:24,520 Speaker 1: stupid bro. I've been there. I'm sitting like being there 1105 01:05:24,600 --> 01:05:26,160 Speaker 1: so long. I don't know if I wanted that bad 1106 01:05:26,560 --> 01:05:29,120 Speaker 1: it's cold in Chicago. Bro, when you go to Chicago 1107 01:05:29,320 --> 01:05:31,360 Speaker 1: and you meet a pretty bitch that live in Harvard, 1108 01:05:31,520 --> 01:05:38,040 Speaker 1: just know you're about to get some pussy. If you 1109 01:05:38,200 --> 01:05:41,240 Speaker 1: take her to Sharky's and she cool with it, you're 1110 01:05:41,240 --> 01:05:44,040 Speaker 1: about to fund something. Bro. If you take her to 1111 01:05:44,160 --> 01:05:47,520 Speaker 1: Harrows and she get the dark meat or she get 1112 01:05:47,600 --> 01:05:52,240 Speaker 1: the three wings with the extra come on, man, extra wing. No, 1113 01:05:52,400 --> 01:05:56,840 Speaker 1: it ain't mambo something. It's mouth sauce. Mambo sauces d 1114 01:05:56,960 --> 01:06:03,160 Speaker 1: c VC forgearing me. Come on, man, I'm talking to man. 1115 01:06:03,480 --> 01:06:06,280 Speaker 1: I don't I ain't got no good story. I just know. 1116 01:06:06,440 --> 01:06:08,160 Speaker 1: I just know you got a lot of pussy because 1117 01:06:08,160 --> 01:06:11,160 Speaker 1: you was out here traveling. Yeah, it's it's a combination. 1118 01:06:11,200 --> 01:06:13,360 Speaker 1: And let's say not want to throw nobody under the bus. 1119 01:06:13,840 --> 01:06:19,240 Speaker 1: Them hoses fat Now they ain't even the same holes 1120 01:06:19,360 --> 01:06:22,000 Speaker 1: no more. I got a local group. Okay, okay, I 1121 01:06:22,040 --> 01:06:27,880 Speaker 1: got one um we in Miami um with Luda. It's 1122 01:06:27,960 --> 01:06:31,680 Speaker 1: college's birthday. It's a big gass birthday party for him 1123 01:06:31,720 --> 01:06:39,080 Speaker 1: at this one big gass club like ship. And you know, 1124 01:06:39,480 --> 01:06:42,600 Speaker 1: Chris stopped doing move a bit, and then you know 1125 01:06:42,720 --> 01:06:46,720 Speaker 1: Nigga stopped fighting and when the fight broke out. Nick 1126 01:06:47,240 --> 01:06:49,760 Speaker 1: Kelly came on stage and took the mic, and I 1127 01:06:50,040 --> 01:06:55,600 Speaker 1: never heard, Hey guys, stop, please don't why are you don't? 1128 01:06:55,680 --> 01:06:59,880 Speaker 1: Don't hurt anyone? Like his voice. His voice completely changed 1129 01:07:00,080 --> 01:07:02,760 Speaker 1: from all the mix tapes albums. I heard like he 1130 01:07:02,880 --> 01:07:06,240 Speaker 1: was thoroughly concerned for somebody in the cloud and he 1131 01:07:06,680 --> 01:07:09,920 Speaker 1: did not want the duration of his birthday party to 1132 01:07:10,000 --> 01:07:13,400 Speaker 1: be ruined by fish, the cuffs and altercations in that cloud. 1133 01:07:14,800 --> 01:07:19,040 Speaker 1: He definitely put on the most please, I don't want 1134 01:07:19,160 --> 01:07:23,320 Speaker 1: this isn't right. Could somebody can we just talk to sound? Yeah, 1135 01:07:23,360 --> 01:07:28,360 Speaker 1: he was really polite, and I thought that was noteworthy. 1136 01:07:28,920 --> 01:07:32,680 Speaker 1: Shout out the calid man for always being callid. I 1137 01:07:32,760 --> 01:07:35,760 Speaker 1: could see him being concerned for the safety. That's why 1138 01:07:35,800 --> 01:07:40,160 Speaker 1: he'd bet yeah nobody. That's why I got so many keys, 1139 01:07:40,280 --> 01:07:45,120 Speaker 1: because he knows when and where not to, Because you know, 1140 01:07:45,200 --> 01:07:47,720 Speaker 1: he couldn't be like, yo, we're the best, you can't 1141 01:07:47,720 --> 01:07:49,880 Speaker 1: be fighting. He actually like, you know what, let me 1142 01:07:50,120 --> 01:07:53,160 Speaker 1: speak to everyone in soothing matter. He doesn't rise everyone 1143 01:07:53,280 --> 01:07:57,080 Speaker 1: up even further. You know, he can't can't be trying 1144 01:07:57,120 --> 01:07:59,560 Speaker 1: to calm the fight like you about to drop another single, 1145 01:07:59,720 --> 01:08:03,760 Speaker 1: So he actually used the tone that was indicative of 1146 01:08:04,000 --> 01:08:10,840 Speaker 1: wanting to fight to stop indicative indicative. That's sleep on. 1147 01:08:10,960 --> 01:08:13,200 Speaker 1: He fell asleep. He's a did another big word for 1148 01:08:16,680 --> 01:08:21,320 Speaker 1: whatever the jurisdiction. You know, that's good. I got you. 1149 01:08:21,720 --> 01:08:24,120 Speaker 1: I'm on the way with your head. But side side, 1150 01:08:24,840 --> 01:08:28,360 Speaker 1: they can catch some of your music. And then, oh man, 1151 01:08:29,520 --> 01:08:32,920 Speaker 1: it's stuff on a bunch of sites. Uh, what's the 1152 01:08:33,000 --> 01:08:38,240 Speaker 1: main one? You got some YouTube, YouTube stuff, SoundCloud stuff, 1153 01:08:38,400 --> 01:08:41,880 Speaker 1: band count stuff. You know that nigger from that cousin 1154 01:08:42,640 --> 01:08:45,080 Speaker 1: now it's my homie though, Uh and start you so 1155 01:08:45,200 --> 01:08:50,439 Speaker 1: stupid radio g good people's like, dude, like just you 1156 01:08:50,520 --> 01:08:53,040 Speaker 1: know that they from Chicago. Ship. I met him on 1157 01:08:53,160 --> 01:08:56,920 Speaker 1: my Space, like right when the video was super blowed up, 1158 01:08:57,200 --> 01:08:59,160 Speaker 1: and I thought that name was your brother, And then 1159 01:08:59,720 --> 01:09:03,360 Speaker 1: that's racist. That's you go to racism, because man, you'd 1160 01:09:03,360 --> 01:09:05,960 Speaker 1: be saying a bunch of unconstitutional ship in my presence. Man, 1161 01:09:07,680 --> 01:09:12,479 Speaker 1: because just because too brown scan Cinnamon, Denzel color that 1162 01:09:15,080 --> 01:09:18,400 Speaker 1: got glasses on, don't mean that they're brothers. Oh man, 1163 01:09:18,560 --> 01:09:23,360 Speaker 1: you're right. I need to stop being so motherfucking racist 1164 01:09:23,439 --> 01:09:26,960 Speaker 1: all the time. Man, Man, you know you might might 1165 01:09:27,040 --> 01:09:29,000 Speaker 1: need to take class. Why that's why I funk with 1166 01:09:29,120 --> 01:09:32,519 Speaker 1: the ship. Because they accepted me for my ain't shipinges. 1167 01:09:32,680 --> 01:09:34,800 Speaker 1: This podcast is for niggas who don't eat pork. But 1168 01:09:34,880 --> 01:09:37,960 Speaker 1: like am saying, what you got to know that see 1169 01:09:38,560 --> 01:09:42,320 Speaker 1: if if pork, liquor and white women is not in 1170 01:09:42,479 --> 01:09:45,719 Speaker 1: the same setting. Bro, Nigga's then fell back on white women. 1171 01:09:45,880 --> 01:09:50,080 Speaker 1: And I did a poll. It's two thousand seventeen, Bro, niggas. Bro, 1172 01:09:50,560 --> 01:09:52,640 Speaker 1: the amount of niggas who fun with white women now 1173 01:09:52,800 --> 01:09:54,680 Speaker 1: is down to nine percent. That ship was up to 1174 01:09:54,800 --> 01:09:59,000 Speaker 1: thirteen percent. Nicks is slowly falling back off these white business. 1175 01:09:59,080 --> 01:10:02,080 Speaker 1: You don't see it like that, you know. Oddly enough, 1176 01:10:02,280 --> 01:10:05,240 Speaker 1: after you gave the statistics, I couldn't help but agree 1177 01:10:05,280 --> 01:10:08,519 Speaker 1: with you based on this. I mean, it's not just 1178 01:10:08,640 --> 01:10:11,000 Speaker 1: like a damn That's that's what happened. It's a slow 1179 01:10:11,200 --> 01:10:17,200 Speaker 1: progression though. Nigga's just going back natural too. They want, 1180 01:10:17,280 --> 01:10:19,439 Speaker 1: they want, That's what I'm saying. They won't never put 1181 01:10:19,479 --> 01:10:21,880 Speaker 1: your good ship out. That's really that's that was really good. 1182 01:10:21,920 --> 01:10:24,160 Speaker 1: Did you know that seven Tables Center niggas then got 1183 01:10:24,240 --> 01:10:26,920 Speaker 1: back with their baby momah, Man, I did not know 1184 01:10:27,000 --> 01:10:34,080 Speaker 1: what the numbers Instagram. It's on my Instagram, nigger, Come on, man, 1185 01:10:34,560 --> 01:10:41,360 Speaker 1: Nigga's going back home, bro seven and growing and growing 1186 01:10:41,560 --> 01:10:44,240 Speaker 1: niggas is just taking the blame for ship they didn't 1187 01:10:44,240 --> 01:10:48,559 Speaker 1: even do. I just want to be here for the kids. Yeah, bro, 1188 01:10:49,280 --> 01:10:53,960 Speaker 1: see I might. There's a rising consciousness. As much as 1189 01:10:54,000 --> 01:10:55,680 Speaker 1: it seemed like it's a drop off because it's a 1190 01:10:55,720 --> 01:10:58,200 Speaker 1: bunch of stupid motherfucker's walking around, there is actually a 1191 01:10:58,479 --> 01:11:02,559 Speaker 1: rise and consciousness. People are elevating their awareness and their 1192 01:11:02,720 --> 01:11:08,000 Speaker 1: level of focus, and you know, conscious decisions are being made, 1193 01:11:08,120 --> 01:11:12,200 Speaker 1: like repairing the Black family. That's exactly what we're going next. Man. 1194 01:11:12,240 --> 01:11:14,400 Speaker 1: I'm about to step out for my smoke break. Then 1195 01:11:14,400 --> 01:11:18,840 Speaker 1: we're gonna come back with shine. Let's get it. Let's 1196 01:11:18,880 --> 01:11:21,680 Speaker 1: get it. Hey, Brady, you're gonna come here on this 1197 01:11:21,800 --> 01:11:25,240 Speaker 1: second part? All right? I got you? Can you handle 1198 01:11:25,320 --> 01:11:31,200 Speaker 1: yourself around? What do you mean now? Eighty five eighty 1199 01:11:34,280 --> 01:11:36,080 Speaker 1: eighty type five five