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Speaker 1: The volume, Oh Joe.

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Speaker 2: According to Ian Rappaport, James Cook is president at Mandatory

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Speaker 2: Minicamp and that this seeks a new deal. James Cook

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Speaker 2: had a simple response to why I like my money.

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Speaker 2: That's why I'm here Cook, as he plans to fully

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Speaker 2: participate in training camp.

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Speaker 3: They gonna they're gonna take care of him. They're gonna

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Speaker 3: take and listen at the running back position. You really

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Speaker 3: can't play that game with them.

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Speaker 2: Boy.

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Speaker 3: No, I'm just being honest, but they do not play that,

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Speaker 3: even though I we view you thus on the outside

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Speaker 3: looking in and we view you as a tier one

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Speaker 3: running back along with Saquon and then McCaffrey and in

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Speaker 3: the boys. But you really can't play that. They already

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Speaker 3: don't value the position as it is as well as

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Speaker 3: you did for the Bills since you've been there. But

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Speaker 3: they will replace your ass quick and feeling. They can

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Speaker 3: put they can find someone else, they can do the

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Speaker 3: same stuff you can do. Nah, I don't do that.

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Speaker 3: Don't play that game. I'm glad.

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Speaker 4: I'm glad he's a mini camp.

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Speaker 3: I'm glad that manage.

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Speaker 2: Yeah, three day miss mini Camp over one hundred and

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Speaker 2: five thousand fins and listen. And you know, but back

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Speaker 2: back when you and I played ot yo, if you

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Speaker 2: got fined signed a new contract, the team could forgive

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Speaker 2: that fine.

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Speaker 1: Now they can't forgive a fine. Get it.

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Speaker 3: Yeah, you can't forgive it. Yeah, you don't play with

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Speaker 3: that money. He's gonna be all right. They gonna take

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Speaker 3: care of him, though, they gonna take care of me.

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Speaker 3: Gonna you gonna have to wait for it, but they're

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Speaker 3: gonna take care of me.

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Speaker 2: Oh Joe, Kyrie says, leave cat alone. Let's take a

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Speaker 2: listen to what Kyrie had to say today.

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Speaker 5: Far I forget y'all gotta stop making in front of

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Speaker 5: my brother Cat. I'm done with y'all. Stop making fun

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Speaker 5: of my brother Cat. It's over for that. It's a rap.

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Speaker 5: I'm letting y'all know. If you repost that shit again

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Speaker 5: or you meme them up, I'm attacking you. Not like

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Speaker 5: that physically in GTA, but I'm attacking all right. I'm

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Speaker 5: attacking y'all. Gotta leave Cat alone, Okay, because y'all don't

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Speaker 5: know what it's like to grow up in Jersey and

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Speaker 5: have all of these cultures that you're a part of.

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Speaker 5: Trust me on that. Jersey is literally one hundred and

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Speaker 5: thirty miles long. It is very very small state. But

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Speaker 5: when I get back to my point, I'm going to

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Speaker 5: explaining this to you, but I'm just saying, leave him alone,

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Speaker 5: all right, leave our Jersey like because he's Dominican, he's black.

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Speaker 5: He grew up in you know, a certain area in Jersey,

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Speaker 5: just like me, and you got to survive out here.

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Speaker 5: And you have many different demographics of people, so you

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Speaker 5: got to survive out here, all right. Sometimes I don't,

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Speaker 5: I don't agree all the time when he be you know,

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Speaker 5: changing up his tone. Sometimes I don't always agree and

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Speaker 5: all that shit, you know what I mean. That should

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Speaker 5: be funny. But on a serious note, he is a man.

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Speaker 5: He's my brother, and I protect him all the time.

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Speaker 1: Yeah, that's what to be getting on it.

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Speaker 3: Okay, Hey, I like it.

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Speaker 4: It's funny.

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Speaker 3: I like when you do it.

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Speaker 4: I like listen.

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Speaker 3: I like when he be changing up, when he gets

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Speaker 3: voice out, Hey, Hey what do you say?

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Speaker 2: What do you say?

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Speaker 4: Fo Hey? I like it. I like it.

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Speaker 3: I like him he changed his toe um sometimes to me,

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Speaker 3: it's funny. I like especially there was there was I

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Speaker 3: don't know whether TikTok or I saw it. On Twitter

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Speaker 3: where they asked New York they asked Knicks fans, give

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Speaker 3: it your back, give it your bush.

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Speaker 1: And they were spot on.

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Speaker 3: Hey man, it was dog. I was in tears rolling.

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Speaker 3: I'm in tears rolling.

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Speaker 4: So I listen.

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Speaker 3: I understand Kyrie saying that's his boy, his boy and all.

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Speaker 2: But he did from Jersey. It's all expectations. And you know,

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Speaker 2: you close to home is right across the bridge. I mean,

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Speaker 2: you know he grew up in that area. Yeah, I mean,

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Speaker 2: cad a lot going on. He was very he was

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Speaker 2: extremely close. When you say he was a mama's boy,

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Speaker 2: he was absolutely oney seventeen million percent of mama's boy.

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Speaker 2: They were close close and that it took him a

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Speaker 2: while to get over that. He spoke. You know, I

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Speaker 2: had him on the party. He spoke about that. I

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Speaker 2: like it, you know, get an opportunity to talk to

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Speaker 2: him off camera and just see his manner, hythms and

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Speaker 2: things like that. I like, I said, I like it.

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Speaker 2: Do I wish he would get down on the block more. Yes, yes,

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Speaker 2: And I think you know he did a little bit

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Speaker 2: more of that, uh in the series against Indiana.

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Speaker 1: Uh, he probably just you know, do that a little

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Speaker 1: more but he's a guy.

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Speaker 2: He's very, very philanthropic, you know, you know, Joe and

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Speaker 2: some of the people say that they believe, they believe

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Speaker 2: he needs to get in better shape so he can

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Speaker 2: play defense a little bit better than what he does.

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Speaker 2: Considering he's seven foot tall and had what one block shot?

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Speaker 2: One block shot from game two to game five. That's

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Speaker 2: what accepted blow it is he's seven foot tall.

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Speaker 3: You're right, you're right, But I know one thing Kyrie cannot.

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Speaker 4: Don't.

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Speaker 3: Don't stop him. Don't stop him from changing that tone up. Hey,

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Speaker 3: that junk is too funny, man, too funny? Oh my god, Hey,

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Speaker 3: well that baby funny boy?

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Speaker 2: Oh man, Wendy went to see monks this week, O Joe.

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Speaker 2: Check out this photo that's Wenby as a showling monk.

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Speaker 3: Hey, you talking about discipline and structure. I listen when

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Speaker 3: I na man, listen, if Wimby's gonna do anything, if

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Speaker 3: he ain't gonna do anything that is similar to what

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Speaker 3: the monks practice, maybe he might come back and have

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Speaker 3: fifty points a game.

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Speaker 2: Y'all. He need to go do a Kareem. You know,

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Speaker 2: Kareem went and trained with Bruce Lee real Jetsu. Yeah,

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Speaker 2: you don't remember he was at the movie end of

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Speaker 2: the Dragon.

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Speaker 4: Oh that's right, tall lass.

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Speaker 3: Okay, okay, yeah, yeah, you're right, you're right, you're right,

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Speaker 3: you're right.

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Speaker 2: That's why. Ain't nobody messed with Cap? Ain't nobody messing

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Speaker 2: with James Johnson?

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Speaker 4: Sure, James Johnson. Oh that played with the heat.

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Speaker 2: Yeah, he was here in there. Now, if I mess

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Speaker 2: with Cap, Cap do that thing?

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Speaker 1: Man.

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Speaker 4: Okay, he got with him a black belt.

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Speaker 2: I think he has a black belt in Kareem black belt.

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Speaker 4: I'm talking about James Jhnsa.

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Speaker 1: I think he.

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Speaker 2: I think Bruce leeh disciplined with Jetson coon h No,

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Speaker 2: what was Kareem? Kareem don't have no belt, just a

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Speaker 2: brown belt to hold his pasts up. He probably ain't

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Speaker 2: got nothing.

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Speaker 6: Hm.

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Speaker 1: Oh, Joe, would you ever go on a spiritual awakening?

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Speaker 4: Oh? How many days?

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Speaker 3: Is it's there's some factors that I need to know

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Speaker 3: before I go on a spiritual awakening. How many days

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Speaker 3: is gonna three to five?

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Speaker 4: Oh?

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Speaker 3: Yeah, but three to five?

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Speaker 1: Yeah, I could do that.

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Speaker 2: Yeah, I don't think I'm going to who that who

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Speaker 2: that went up to the mountains and played stayed up

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Speaker 2: there for like forty days or something. Forty days is

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Speaker 2: the Bible? Who that who that went up into the

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Speaker 2: what that mountain? All of them they went up to

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Speaker 2: that George? Somebody went up there a honey and locusts. Man,

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Speaker 2: Please send me to that shall and temple?

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Speaker 3: Where for uh hey are.

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Speaker 1: They and chicken up there?

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Speaker 2: Now? I need to know a nigga chicken breads, uh thighs?

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Speaker 4: Three or five day?

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Speaker 1: Tails?

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Speaker 2: Rise?

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Speaker 1: I mean what were eating up there with yoe?

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Speaker 2: Hey?

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Speaker 3: Three to five days? I can live in any environment.

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Speaker 3: I don't care how bad it is. Anything over that

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Speaker 3: I can't.

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Speaker 4: I ain't.

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Speaker 3: I ain't doing it a spiritual journey.

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Speaker 2: I'm ready for that man Jordan talking about he go

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Speaker 2: to church? Hold, lord man, what happened? Yeah? That was

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Speaker 2: John the Baptist, John the Baptist? Or was Moses unusual

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Speaker 2: food such as honey such as locus and wild honey?

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Speaker 4: Hey, locus locus is yeah?

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Speaker 2: I ain't asking that as yet. I'm tried to figure

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Speaker 2: out how long did he go? How long did he go?

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Speaker 1: George?

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Speaker 3: A few days? He wasn't up there in no damn

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Speaker 3: forty days?

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Speaker 2: See what a garment of camel's hair and a leather belt,

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Speaker 2: and they had camel's way back then.

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Speaker 4: Huh, and he a fly he put that shit on.

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Speaker 2: Hold On, hold.

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Speaker 6: On, Titus boy, he said, camel here and a leather belt.

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Speaker 4: And I like that. Yeah, I like the idea.

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Speaker 3: Let's let's do that spiritual retreat. And we could do

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Speaker 3: the We could do the spiritual retreat, right, both of us.

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Speaker 4: We can talk about it on nightcap.

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Speaker 2: Hold On, they said he lived. He lived in the

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Speaker 2: wilderness till he was about thirty. I show hope he

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Speaker 2: went up there when he was twenty nine.

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Speaker 3: Hey, I don't like that, but we went in there

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Speaker 3: like a child.

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Speaker 1: Hold on, anybody, no chance?

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Speaker 2: How long is how long did John.

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Speaker 1: The Baptist spand the wilderness? Thirty years?

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Speaker 3: Noah, come on, man, uh huh.

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Speaker 2: I'm just saying to say, hey, so he disappeared in

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Speaker 2: the widows for thirty years. Now, I ain't throw off

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Speaker 2: in to hold you.

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Speaker 3: I ain't even buying that one.

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Speaker 2: I probably got three to five days. Yeah, three to five.

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Speaker 3: I could do that in the wilderness, in the mountains.

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Speaker 3: I don't care where I'm at, rigid, rigid, cold temperatures.

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Speaker 2: A last. No, I don't need I need. I need

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Speaker 2: the idea. I ain't trying to do. No, I ain't

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Speaker 2: trying to do. No extreme temperatures. I ain't trying to do.

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Speaker 1: No extreme heat, no extreme cold.

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Speaker 4: I don't like the cold.

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Speaker 2: No.

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Speaker 3: Oh I love, I love. I love extreme cold.

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Speaker 1: I like seventy two and sunny.

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Speaker 3: No, no, I need I need to be I need

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Speaker 3: to cold. I need to have it cold.

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Speaker 2: All right, Oh, Joe, we got a very special guests

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Speaker 2: joining us, joining us NBA skills training to the NBA

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Speaker 2: and College Stars.

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Speaker 1: Dribble too much, dribble?

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Speaker 2: What did you do?

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Speaker 4: What's up?

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Speaker 2: Everybody? Man?

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Speaker 4: I appreciate you guys having me here now.

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Speaker 2: I appreciate you coming on. Well, do you go by

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Speaker 2: Johnny or do you want to go by dribble?

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Speaker 4: Either way, whatever you whatever you want. Dribble was cool.

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Speaker 1: Okay, Well let's start with this.

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Speaker 2: How did you How did you get into training NBA

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Speaker 2: stars college stars? How did you?

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Speaker 1: How did this profession come about?

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Speaker 4: Well, man, you know, chasing the dream and you know,

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Speaker 4: growing up in my environment with nobody going to college

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Speaker 4: and my family and being a Haitian American in my neighborhood.

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Speaker 4: I just fell in love with the game, man, and

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Speaker 4: uh no, it kept me out of trouble and did

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Speaker 4: a lot for my mom's part, staving here, keeping me

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Speaker 4: out of the streets and on that basketball court. So

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Speaker 4: from there, you know, my goal was to play in

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Speaker 4: Division One. I end up playing at Liberty University with

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Speaker 4: Seth Curry and I ended up chasing the dream to

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Speaker 4: go to the league and playing in Mexico and getting hurt.

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Speaker 4: And I feel like God pushed me to really be

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Speaker 4: teaching more than playing and I just committed two feet

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Speaker 4: into that and I started a brand called Handlelight.

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Speaker 2: Okay, so your goal, so was your goal of eventually

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Speaker 2: was to play in the NBA. Did you want to

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Speaker 2: play in the NBA. Did you have aspirations of playing

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Speaker 2: in the NBA?

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Speaker 4: Yes, I had aspirations to play in the NBA. It

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Speaker 4: was my goal to get there. And no matter what,

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Speaker 4: you know, and playing in Mexico and the horrible floors,

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Speaker 4: it just it gave me strest fractures and it messed

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Speaker 4: up my journey. And I just didn't feel like, you know,

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Speaker 4: it was time for that anymore. And I just felt

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Speaker 4: felt like it was calling me, you know, to invest

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Speaker 4: into these kids, these young kids. Yeah, you feel me.

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Speaker 3: Hey, listen, when you were a kids. Mann you from

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Speaker 3: you from? Are you from down here in the crib?

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Speaker 3: You're from Boying?

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Speaker 7: Now hold on, why ain't know you was from the crib?

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Speaker 7: Boy five sixty one? I said, that's how you're do. Oh,

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Speaker 7: you're right down the street where you went to high

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Speaker 7: school at I.

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Speaker 4: Went to Boy and High Marks. Okay, so Lamar went

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Speaker 4: to boy too, Uh? Lamar Yeah, Lamar Jackson, Travis Hunter.

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Speaker 4: I played with Travis, so okay. I was the I

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Speaker 4: was the receiver on Boy and High with Travis Hunter's dad,

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Speaker 4: So okay. I think people know about what Travis Hunter

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Speaker 4: dad was doing out here.

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Speaker 3: I know about seeing you. I know about seeing you. Yeah, yeah, definitely.

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Speaker 3: Hey listen, listen. Your client list reads from all It

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Speaker 3: has an all star Battley. You got Chris Paul Tomorrow,

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Speaker 3: the Rose, and you worked at Kobe White and more.

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Speaker 3: When a future Hall of Famer walks into your gym

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Speaker 3: and decides to get work, how do you how do

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Speaker 3: you decipher what's someone that is already established needs to

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Speaker 3: work on as opposed to someone that comes in that's

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Speaker 3: new man. That's an amazing question.

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Speaker 4: And for me, when it's like that type of skill level,

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Speaker 4: I'm really confident in what I can do and what

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Speaker 4: I'm teaching and how the people to get better. But

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Speaker 4: I take those opportunities to really ease into like building

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Speaker 4: a relationship with them because I'm really there to learn

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Speaker 4: even more from them. Because you know, even though I'm

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Speaker 4: a trainer, these guys are seeing different defensive rotations. They're

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Speaker 4: really out there. So I collaborate with Chris Paul and

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Speaker 4: I let them have the floor and then I turned

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Speaker 4: that into a drill and I add my skill to

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Speaker 4: it and it just becomes like a collaboration on the workout.

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Speaker 2: Okay, So what's your opinion on the criticism with personal

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Speaker 2: trainers and AAU ruining American basketball. While we see the

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Speaker 2: European players, we haven't had an American born MVP and

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Speaker 2: I think seven years.

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Speaker 1: So you hear Lebron said, you hear I saw Richard

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Speaker 1: Jefferson say say it.

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Speaker 2: I've heard Dwayne Wade said, I heard a lot of

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Speaker 2: guys say AAU and personal trainers are ruining it, beigcause

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Speaker 2: and we see the uptick in European players starting to

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Speaker 2: dominate the league.

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Speaker 4: Well, I would say AU is almost like it's like

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Speaker 4: when we was back in the days on that outside

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Speaker 4: court until the light's coming off, playing ten thirty forty

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Speaker 4: game on concrete. Right, it's just a new age in basketball.

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Speaker 4: But my opinion on it is there's always going to

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Speaker 4: be a chance to play. Now, you're always going to

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Speaker 4: have a game to play. So to me, what they

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Speaker 4: do over overseason Europe is they really care about the

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Speaker 4: development and teaching the game and playing the game the

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Speaker 4: right way, and then everything just starts to develop even

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Speaker 4: more so my opinion about it is I care more

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Speaker 4: about the development. I think trainers are all the social

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Speaker 4: media kind of you know, gay training of like a

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Speaker 4: bad and red a little bit because some guys are

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Speaker 4: just out there doing it for fun. They're not really

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Speaker 4: like committed to really learning the game and then giving

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Speaker 4: back to the community and helping them get better and developed.

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Speaker 4: It's more might it might be a content play. Okay,

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Speaker 4: I'll show you how to do these three moves, like

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Speaker 4: you know, millions of likes I do this trick, and

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Speaker 4: it's just like it's a messing world right now with

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Speaker 4: social media. And I come from the old school man.

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Speaker 4: I put the work in the sweat equity. I just

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Speaker 4: happen to have a million followers by my skill. So

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Speaker 4: that being stead, I think if you focus on developing

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Speaker 4: your craft, having a good skill and hard work, the

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Speaker 4: followers will come. And I think that's a little bit

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Speaker 4: far removed right now. People think they got to be

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Speaker 4: on a you know, social media channel, have this type

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Speaker 4: of collaboration now, put up the work, put into work,

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Speaker 4: and there's a lot of resource now resources now no

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Speaker 4: matter where you play, they will find me. So that's

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Speaker 4: the positive thing about it. There's always games to play,

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Speaker 4: but the development needs to take a real hit in

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Speaker 4: my opinion.

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Speaker 3: That's that's a good thing that you just said that too.

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Speaker 3: In all, obviously for for all the parents that might

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Speaker 3: be watching, how are they supposed to tell a difference

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Speaker 3: from those that can hit that are trainers that can

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Speaker 3: help with the child development and improving their game, and

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Speaker 3: those that are just taking money for content purposes.

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Speaker 2: Yeah.

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Speaker 4: Yeah, Man, it's like it's really hard to discipher sometimes

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Speaker 4: because it is a business and coaches gotta make money

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Speaker 4: because they're invested, and so they got to kind of

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Speaker 4: pull their way. But man, it hits far from removed

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Speaker 4: from community basketball and not coaching your community that you

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Speaker 4: know that's still working. There probably right now. You guys

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Speaker 4: probably know a coach that helped you out when you

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Speaker 4: was younger is still in that same community. And I

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Speaker 4: think with the resources and the opportunity with basketball and

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Speaker 4: the money involved in all of these things, it just

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Speaker 4: takes out that love just to help in somebody just

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Speaker 4: because you want to see them make it. You kind

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Speaker 4: of start seeing like a benefit out of it, like

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Speaker 4: if you help this person. And I come from an

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Speaker 4: era where you know, at eas l Hester and Beach

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Speaker 4: Community Center, that's changed my mind. I still got coaches

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Speaker 4: now that I go back every year and do campus

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Speaker 4: and clinics there. I think the coaching is just it's

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Speaker 4: just it's just a different world.

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Speaker 2: Man.

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Speaker 4: I'm still I'm still learning it.

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Speaker 2: Man.

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Speaker 4: You guys are doing a credible job with the media.

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Speaker 2: Man rich of that. When you look at handles, how

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Speaker 2: do you I mean, how do you rate handles? Do

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Speaker 2: you look at somebody that could just pack the ball,

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Speaker 2: like like Kyrie. Kyrie has tremendous handles in and out

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Speaker 2: the heads. He's great with either hand. He might be

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Speaker 2: the best below rim finisher in NBA history because of

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Speaker 2: his skill set and the way he can spend the

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Speaker 2: ball in the English, he can put on with either hand.

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Speaker 2: You look at there have been great ball Rod Strickland

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Speaker 2: could handle the ball, Isaiah Thomas could handle the ball,

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Speaker 2: Tim Hardaway and Alan Iverson had to cross over. So

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Speaker 2: how do you judge handles man?

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Speaker 4: First of all, do you have hands?

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Speaker 6: No?

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Speaker 4: Because the way you describe it, man, I'm an on

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Speaker 4: the floor right now. Yeah, I'm I'm the hooper. I'm

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Speaker 4: the hooper. I'm the hooper. I'm the hooper of the crew. Okay,

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Speaker 4: bad man, handles man. The game has changed because now

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Speaker 4: you know every if you can dribble the ball and

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Speaker 4: space out of the floor and getting that thing and

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Speaker 4: kick out for three, like everybody is trying to handle

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Speaker 4: the ball. And I think the Warriors really changed the

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Speaker 4: game when Draymond started running that point. It just made

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Speaker 4: people even be more aware of handles. Along with the

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Speaker 4: guards that are were winning back to back years from

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Speaker 4: like Stephen Curry and Kyrie Irvin. These guys are being

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Speaker 4: successful with handles. So I think you work on handles,

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Speaker 4: you work on everything. But the game is really about reaction.

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Speaker 4: Even those guys that you see doing the highlights, they're

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Speaker 4: really reacting to defenders. So with handles. I like to

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Speaker 4: teach kids on how to control the ball, like starting

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Speaker 4: from the feet out, you know, ball control, footwork, show

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Speaker 4: their ball manipulations. You learned all of that to get

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Speaker 4: to A to B really quick and as somebody stopped that,

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Speaker 4: then you got C and D. So I think it's

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Speaker 4: just about how people are teaching the kids to be

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Speaker 4: involved in the game and use their handles. Whatever position

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Speaker 4: it is, and every position, you got to handle the ball.

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Speaker 4: To me, even if you're a big man in a

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Speaker 4: dumber spot and you catching the ball and you got

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Speaker 4: to take one dribble to finish on the other side,

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Speaker 4: that's still ball handled it. If you got to do

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Speaker 4: a euro and pick it off, pick it up off

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Speaker 4: the ground, that's still ball handling. So I think it's

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Speaker 4: really a part of the game that's really lift up

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Speaker 4: in the community in basketball, and a lot of people

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Speaker 4: are seeing the advantage of having good handles.

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Speaker 2: But what we see now with handles, we didn't see

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Speaker 2: the guys guy's got handles now to get their shot off.

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Speaker 2: You look at Steph Curry, he's in and out back. Hey,

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Speaker 2: James hard really started it where he would go and

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Speaker 2: then get that up. Guys didn't really have guys had

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Speaker 2: handles to like break down the defense.

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Speaker 1: Now guys have handles to get a shot off.

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Speaker 2: You look at a Kyrie, you look at a James Harden,

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Speaker 2: you look at a Steph Curry. You look at these

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Speaker 2: guys with the pool Kevin Durant with with the huge

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Speaker 2: crossover to get to his spot.

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Speaker 1: Did when did that transition happen? When do we go.

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Speaker 2: From because you know, guys back down and this turnover

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Speaker 2: and shoot over one shoulder the other. When do we

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Speaker 2: get to the guys and get the shot?

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Speaker 4: That's such a good question, man, that's a early good question.

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Speaker 4: I just I just to think. I just think the

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Speaker 4: game started evolving and the defense started getting you know,

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Speaker 4: like with the game involving with like Kevin Durant putting

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Speaker 4: pressure on another big fella. He's taking advantage back to

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Speaker 4: the basket against a big fellow his size, he might

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Speaker 4: get that contest right. But if he bring him out

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Speaker 4: there and he's been working on his handle all summer

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Speaker 4: and he feels comfortable. Now you forcing somebody that's out

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Speaker 4: of position to guard somebody like a guard. And I've

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Speaker 4: worked with Kevin Durant and he moves like he's six foot.

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Speaker 1: Yeah, he's smooth.

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Speaker 4: He got little pockets he could get to off the

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Speaker 4: pull up, and it's just much easier. If you can

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Speaker 4: handle the ball. You still got the bump fade, you

436
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Speaker 4: still can create space. But if you can move that

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Speaker 4: ball like a guard without getting turnovers and being efficient

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Speaker 4: with it, you cause problems and you win championships at

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Speaker 4: that position. With Kevin Durant, in my opinion.

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Speaker 2: Ain't shave with the snatch and got that snatch now,

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Speaker 2: I mean, bro that snatch.

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00:22:32,600 --> 00:22:35,800
Speaker 3: Hey, hey, do you see I like street ball?

443
00:22:35,920 --> 00:22:36,120
Speaker 2: Right?

444
00:22:36,400 --> 00:22:36,640
Speaker 1: Yeah?

445
00:22:36,680 --> 00:22:39,840
Speaker 3: And do you think do you think someone that plays

446
00:22:39,840 --> 00:22:43,399
Speaker 3: streetball or loves the game of street ball can transition

447
00:22:43,560 --> 00:22:47,480
Speaker 3: into playing organized basketball even though some of the habits

448
00:22:48,200 --> 00:22:50,520
Speaker 3: are frowned upon in organized basketball.

449
00:22:50,680 --> 00:22:51,800
Speaker 4: Do you see a mixture of.

450
00:22:51,760 --> 00:22:55,800
Speaker 3: Both being able to to coincide together or you don't

451
00:22:55,800 --> 00:23:01,840
Speaker 3: think so? Absolutely? I think streetball is really.

452
00:23:03,320 --> 00:23:07,400
Speaker 4: Unteachable. You gotta almost be in that vibe. There's some

453
00:23:07,480 --> 00:23:10,760
Speaker 4: things now that I might do with the basketball and

454
00:23:10,880 --> 00:23:13,400
Speaker 4: try to teach NBA guys on how to do it.

455
00:23:14,080 --> 00:23:15,840
Speaker 4: And if they ain't grow up in that era of

456
00:23:15,920 --> 00:23:18,600
Speaker 4: watching in one mixtape, get to my Little and all

457
00:23:18,600 --> 00:23:21,160
Speaker 4: that kind of stuff what I grew up with. Yeah,

458
00:23:21,440 --> 00:23:24,880
Speaker 4: the rhythm is a little off, like back in the day,

459
00:23:24,920 --> 00:23:27,960
Speaker 4: I'm popping in a mixtape and I'm watching it over

460
00:23:28,040 --> 00:23:31,240
Speaker 4: and over. This is like street ball. They carrying the

461
00:23:31,280 --> 00:23:36,600
Speaker 4: ball over they you know, it just makes you more

462
00:23:36,600 --> 00:23:40,840
Speaker 4: comfortable with the ball, and it also brings out your personality.

463
00:23:40,920 --> 00:23:45,399
Speaker 4: And nowadays in basketball, especially with everybody trying to dribble

464
00:23:45,400 --> 00:23:48,119
Speaker 4: the ball, they gonna box. They could box you. They

465
00:23:48,119 --> 00:23:51,000
Speaker 4: could box you when you're only doing this right, and

466
00:23:51,000 --> 00:23:52,639
Speaker 4: then you got to work on your handle on the

467
00:23:52,680 --> 00:23:54,959
Speaker 4: low and then when you pop out, everybody's see it.

468
00:23:55,320 --> 00:23:57,639
Speaker 4: But I think it just opens up your personality. And

469
00:23:57,680 --> 00:24:00,359
Speaker 4: street ball it's all I remember rest of us to

470
00:24:00,480 --> 00:24:04,280
Speaker 4: escalate it, even to them, like it's big big boys,

471
00:24:04,280 --> 00:24:06,679
Speaker 4: the handle of the ball, being able to create space,

472
00:24:06,800 --> 00:24:09,800
Speaker 4: move like a guard. Some of the things that street

473
00:24:09,840 --> 00:24:12,200
Speaker 4: ball things can carry over a lot and people who

474
00:24:12,200 --> 00:24:15,840
Speaker 4: ask that player like it's that, you know, even even

475
00:24:16,000 --> 00:24:18,960
Speaker 4: Stephan Curry does a couple of street ball moves.

476
00:24:19,359 --> 00:24:21,000
Speaker 1: A lot of them guys have adopted that.

477
00:24:21,119 --> 00:24:23,880
Speaker 4: Yeah, they adopt like, but they can't they know how

478
00:24:23,880 --> 00:24:26,359
Speaker 4: to use it efficiently. You know, they might do a

479
00:24:26,400 --> 00:24:29,560
Speaker 4: street ball move and see it online, especially now with

480
00:24:29,640 --> 00:24:32,040
Speaker 4: all these one on ones and all this stuff. I

481
00:24:32,080 --> 00:24:35,879
Speaker 4: got NBA guys, they're watching one on one battles like

482
00:24:35,960 --> 00:24:39,720
Speaker 4: we used to watch back DVD battles. They like, they're

483
00:24:39,720 --> 00:24:44,080
Speaker 4: watching one on one and they're taking the things from

484
00:24:44,160 --> 00:24:47,359
Speaker 4: one on one battles and they're applying it to the NBA.

485
00:24:47,960 --> 00:24:51,440
Speaker 4: So they're definitely like in the community and the new

486
00:24:51,520 --> 00:24:56,639
Speaker 4: and one now might be these like amazing players like

487
00:24:56,800 --> 00:25:00,119
Speaker 4: that are playing one on one like next Chapter and

488
00:25:00,119 --> 00:25:02,679
Speaker 4: all these other guys doing it. That might be the

489
00:25:02,840 --> 00:25:04,840
Speaker 4: new street ball, you know what I mean.

490
00:25:04,920 --> 00:25:08,840
Speaker 1: Yeah, it's like the figure of go ahead, O Joe,

491
00:25:08,840 --> 00:25:09,600
Speaker 1: go ahead. I just by that.

492
00:25:09,720 --> 00:25:11,960
Speaker 3: I just had one more question. Listen, you you're a

493
00:25:12,000 --> 00:25:15,080
Speaker 3: basketball spahn. So if you were to have a favorite player,

494
00:25:15,160 --> 00:25:17,520
Speaker 3: not all time, just who's your favorite player right now

495
00:25:17,600 --> 00:25:18,000
Speaker 3: in the game?

496
00:25:18,040 --> 00:25:20,640
Speaker 4: Do that you just love everything about their game from

497
00:25:20,640 --> 00:25:24,879
Speaker 4: A to Z. Kobe White, I just I've been on

498
00:25:24,920 --> 00:25:27,520
Speaker 4: the process, man, I've got him. When he first came

499
00:25:27,560 --> 00:25:29,840
Speaker 4: into the league and he had a little shoulder injury,

500
00:25:30,160 --> 00:25:33,160
Speaker 4: he went from averaging nine points to jumping up to nineteen,

501
00:25:33,240 --> 00:25:36,439
Speaker 4: to jumping up to twenty and he never missed the

502
00:25:36,480 --> 00:25:39,840
Speaker 4: summer and I've watched the process. I got clips that

503
00:25:40,280 --> 00:25:44,040
Speaker 4: I can show you from training and working on reaction,

504
00:25:44,240 --> 00:25:48,360
Speaker 4: working on his handle to translating and doing against Lebron

505
00:25:48,480 --> 00:25:51,920
Speaker 4: one of his own idols. Right, So it's like that's

506
00:25:51,960 --> 00:25:54,359
Speaker 4: the special part for training for me is being able

507
00:25:54,359 --> 00:25:57,640
Speaker 4: to see these guys getting the lab, work on something

508
00:25:57,720 --> 00:25:59,960
Speaker 4: I help them create, and then now they go in

509
00:26:00,160 --> 00:26:02,560
Speaker 4: the game and they put it out there forever the

510
00:26:02,680 --> 00:26:04,960
Speaker 4: world to see. And I'm able to be that middle

511
00:26:04,960 --> 00:26:08,200
Speaker 4: person to show the youth be like, hey, Cochin White

512
00:26:08,200 --> 00:26:10,920
Speaker 4: most is the ball just like you. He goes hard,

513
00:26:10,920 --> 00:26:13,440
Speaker 4: he gets tired, just like you. But all the working

514
00:26:13,520 --> 00:26:16,359
Speaker 4: put in that lab. That's why he's my favorite player

515
00:26:16,440 --> 00:26:19,520
Speaker 4: because I know how much hard work he's put to

516
00:26:19,600 --> 00:26:21,840
Speaker 4: be Perusa. And so Kobe White is one of my

517
00:26:21,840 --> 00:26:24,840
Speaker 4: favorite players. Chris call is one of my favorite players.

518
00:26:24,880 --> 00:26:28,520
Speaker 4: Of course my clients, right, I get it. I feel

519
00:26:28,520 --> 00:26:33,320
Speaker 4: like the clients that I have, Chris Paul, the Marty Rosen,

520
00:26:34,160 --> 00:26:37,400
Speaker 4: Kobe White, these consistent clients that I have, they are

521
00:26:37,520 --> 00:26:40,520
Speaker 4: a true professional. And I think there's a difference between

522
00:26:41,080 --> 00:26:46,560
Speaker 4: being a pro athlete and being a professional athlete coming

523
00:26:46,800 --> 00:26:48,960
Speaker 4: every day and doing all of the things that you

524
00:26:49,040 --> 00:26:51,000
Speaker 4: need to do to be great at this game.

525
00:26:51,080 --> 00:26:55,040
Speaker 2: So no, professionally is your occupation? A pro is how

526
00:26:55,080 --> 00:26:56,240
Speaker 2: you go about the occupation?

527
00:26:56,359 --> 00:26:57,879
Speaker 4: Yes, sir, I like that.

528
00:26:58,040 --> 00:27:01,760
Speaker 2: I look at and we talk about this a lot,

529
00:27:01,920 --> 00:27:05,200
Speaker 2: and you said you said something very interesting. I think

530
00:27:05,240 --> 00:27:09,320
Speaker 2: it's hard to not get incrementally better if you put

531
00:27:09,320 --> 00:27:11,439
Speaker 2: the work in. I'm not saying that you're gonna go

532
00:27:11,480 --> 00:27:13,680
Speaker 2: from a guy that averages ten points to all of

533
00:27:13,720 --> 00:27:16,480
Speaker 2: a sudden averaging thirty three points. I'm not gonna say

534
00:27:16,520 --> 00:27:18,280
Speaker 2: that you're gonna be a guy that comes in and

535
00:27:18,320 --> 00:27:20,560
Speaker 2: be you know, you know, a.

536
00:27:20,600 --> 00:27:22,080
Speaker 1: Six or seventh player of the all of a sudden

537
00:27:22,119 --> 00:27:22,879
Speaker 1: be a Hall of Famer.

538
00:27:23,119 --> 00:27:25,320
Speaker 2: But it's just hard for me to see a guy

539
00:27:25,359 --> 00:27:27,800
Speaker 2: put time in in the gym and he's not get

540
00:27:27,800 --> 00:27:31,080
Speaker 2: incrementally better. Because I see shape, I see a guy

541
00:27:31,200 --> 00:27:34,320
Speaker 2: like an Oustar Reevez. I see some of these guys

542
00:27:34,320 --> 00:27:37,120
Speaker 2: that you can tell that they put the work in.

543
00:27:37,440 --> 00:27:40,320
Speaker 2: But I can also see guys they haven't gotten any

544
00:27:40,320 --> 00:27:41,360
Speaker 2: better offence their rookie year.

545
00:27:42,160 --> 00:27:43,840
Speaker 3: Why you think that shouldn't.

546
00:27:44,359 --> 00:27:48,879
Speaker 2: Because see the thing you're what you say, see I

547
00:27:48,920 --> 00:27:50,920
Speaker 2: see better than what I see better than not here.

548
00:27:51,480 --> 00:27:53,479
Speaker 2: I heard what you told me, But I see your

549
00:27:53,520 --> 00:27:56,280
Speaker 2: game has not evolved. And as a matter of fact,

550
00:27:56,320 --> 00:28:00,240
Speaker 2: you're worse now you're three year four than you were

551
00:28:00,040 --> 00:28:02,440
Speaker 2: you're one year two because you're.

552
00:28:02,240 --> 00:28:04,560
Speaker 1: Not putting the time in in the gym. Then I'm not.

553
00:28:04,480 --> 00:28:05,879
Speaker 2: Saying that you're gonna be all of a sudden be

554
00:28:06,000 --> 00:28:08,959
Speaker 2: Lebron or Staff or one of these great players. But

555
00:28:09,000 --> 00:28:11,440
Speaker 2: it's just hard for you to put any amount of

556
00:28:11,520 --> 00:28:14,280
Speaker 2: time into anything and not get better at it.

557
00:28:14,400 --> 00:28:17,399
Speaker 4: Yeah, that is, And I think like the adversity that

558
00:28:17,520 --> 00:28:21,639
Speaker 4: comes with it and the timing, like those two things

559
00:28:21,680 --> 00:28:25,080
Speaker 4: are very important because while you're getting better, there's gonna

560
00:28:25,119 --> 00:28:28,840
Speaker 4: be adversity. Your guys. Sometimes you'll feel like oh man, like,

561
00:28:29,000 --> 00:28:32,720
Speaker 4: for instance, me all that Liberty University and had the

562
00:28:32,720 --> 00:28:34,679
Speaker 4: best handles in the team. You know, I felt like

563
00:28:34,720 --> 00:28:37,240
Speaker 4: I was the best player in the team, and I

564
00:28:37,240 --> 00:28:39,520
Speaker 4: didn't get it much planning time I rolled the bench.

565
00:28:39,560 --> 00:28:41,760
Speaker 4: I had Steth Curry as a freshman in front of

566
00:28:42,160 --> 00:28:46,880
Speaker 4: leading the country and scoring, and the coach, coach, my

567
00:28:47,000 --> 00:28:50,840
Speaker 4: coach wanted me to get paint touches and find people.

568
00:28:50,880 --> 00:28:54,440
Speaker 4: But when I got recruited, I got recruited as a

569
00:28:54,440 --> 00:28:57,320
Speaker 4: as a scorer, So it was hard for me to

570
00:28:57,480 --> 00:29:01,560
Speaker 4: like translate that. And I think people it's all about

571
00:29:01,640 --> 00:29:05,320
Speaker 4: that circle of people that's around you. Like you might

572
00:29:05,360 --> 00:29:07,840
Speaker 4: be in a situation where okay, coach just wants you

573
00:29:07,920 --> 00:29:10,200
Speaker 4: to run to the corner shooting three of play defense,

574
00:29:10,440 --> 00:29:12,920
Speaker 4: but you've got this whole bag that you can go to.

575
00:29:14,200 --> 00:29:17,240
Speaker 4: That's like a fine balance between doing what the coach

576
00:29:17,360 --> 00:29:20,160
Speaker 4: needs you to do and then get it in your bag.

577
00:29:20,560 --> 00:29:23,160
Speaker 4: So I think, like you know, with development, you gotta

578
00:29:23,680 --> 00:29:26,400
Speaker 4: like to for that confidence to get better, it gotta

579
00:29:26,440 --> 00:29:29,120
Speaker 4: be a lot of factors that's hit. It gotta be

580
00:29:29,200 --> 00:29:32,680
Speaker 4: your upbringing, it gotta be you know, the adversary on

581
00:29:32,800 --> 00:29:36,160
Speaker 4: how you handle it, how you take direction. It's more

582
00:29:36,200 --> 00:29:38,840
Speaker 4: than just putting that ball in that basket. And you

583
00:29:38,880 --> 00:29:41,440
Speaker 4: know working. We know a bunch of dudes from our neighborhood.

584
00:29:41,440 --> 00:29:45,000
Speaker 4: They can they good, but it's a lot of things

585
00:29:45,040 --> 00:29:48,800
Speaker 4: to get better in basketball. It's not just basketball, you know.

586
00:29:48,960 --> 00:29:50,720
Speaker 4: It's like you got to learn how to play this game,

587
00:29:50,760 --> 00:29:52,440
Speaker 4: and you got to learn how to be a professional

588
00:29:53,000 --> 00:29:53,360
Speaker 4: at it.

589
00:29:53,480 --> 00:29:56,240
Speaker 2: Dribble, all they wanted was a janitor or cashier and

590
00:29:56,320 --> 00:29:58,080
Speaker 2: you trying to be VP CEO.

591
00:30:01,600 --> 00:30:04,680
Speaker 4: All they thought, that's all.

592
00:30:04,680 --> 00:30:06,479
Speaker 1: That's all they were looking for. That's all they was.

593
00:30:07,160 --> 00:30:09,320
Speaker 4: They ain't saying you're gonna be that, that's you, They

594
00:30:09,440 --> 00:30:11,400
Speaker 4: just said they need you that to be that for

595
00:30:11,560 --> 00:30:12,000
Speaker 4: right now?

596
00:30:12,040 --> 00:30:15,000
Speaker 2: Can you do how many how many stores have we

597
00:30:15,080 --> 00:30:18,640
Speaker 2: heard somebody starting out in the mailroom, somebody starting out

598
00:30:18,640 --> 00:30:20,880
Speaker 2: at the bottom floor, and all of a sudden they're

599
00:30:21,000 --> 00:30:23,840
Speaker 2: CEO of the company. Because a lot of times we

600
00:30:23,920 --> 00:30:27,680
Speaker 2: can't see past our own situation. We can't see the

601
00:30:27,720 --> 00:30:29,960
Speaker 2: box that we're in as far as we can see.

602
00:30:30,800 --> 00:30:32,920
Speaker 2: Sometimes you have to think outside of the box and

603
00:30:32,960 --> 00:30:35,960
Speaker 2: see yourself beyond where you actually are.

604
00:30:36,200 --> 00:30:39,880
Speaker 4: And being humble and having a great routine that keeps

605
00:30:39,880 --> 00:30:42,800
Speaker 4: you mentally strong and keep you chasing your goal even

606
00:30:42,840 --> 00:30:44,760
Speaker 4: if it's not right now you know.

607
00:30:45,160 --> 00:30:48,240
Speaker 2: Yep? Well, jobber, thanks for coming on tell us Chat

608
00:30:48,240 --> 00:30:49,920
Speaker 2: where they can find you out on social media, Man,

609
00:30:49,960 --> 00:30:50,640
Speaker 2: you can find.

610
00:30:50,480 --> 00:30:55,240
Speaker 4: Me at dribble too Much on social media or handle life,

611
00:30:55,640 --> 00:30:58,200
Speaker 4: or you can find some training tools if you want

612
00:30:58,240 --> 00:31:00,840
Speaker 4: to on handlelife dot com to get your handles better.

613
00:31:01,800 --> 00:31:01,920
Speaker 1: Man.

614
00:31:01,880 --> 00:31:04,720
Speaker 2: I appreciate it all the best continued success. Man, Thanks

615
00:31:04,720 --> 00:31:06,520
Speaker 2: for giving us a couple of minutes moments of your

616
00:31:06,520 --> 00:31:07,120
Speaker 2: time tonight.

617
00:31:07,320 --> 00:31:09,600
Speaker 1: We greatly appreciate it. Continued success, bro.

618
00:31:09,560 --> 00:31:12,440
Speaker 4: Man, thank you and continue having that great success on

619
00:31:12,480 --> 00:31:15,000
Speaker 4: the show. I can tell why it's a great show.

620
00:31:15,320 --> 00:31:18,040
Speaker 4: Some of the questions that I've got asked on this show,

621
00:31:18,120 --> 00:31:20,400
Speaker 4: I've never been asked in my life. So you guys

622
00:31:20,440 --> 00:31:23,040
Speaker 4: are doing an incredible an incredible job, and keep it up.

623
00:31:23,640 --> 00:31:24,960
Speaker 1: Thank you, man, I appreciate it. Man.

624
00:31:25,120 --> 00:31:33,160
Speaker 3: You's yes, sir, all right, I s it's.

625
00:31:33,960 --> 00:31:41,760
Speaker 2: All right, Oh Joe, nice time for rough draft. Today's okay,

626
00:31:41,760 --> 00:31:50,360
Speaker 2: we got the animation, we will get elemation. All right,

627
00:31:50,400 --> 00:31:55,360
Speaker 2: oh Joe. Today's questions. Top excuses to get out of plans.

628
00:31:56,800 --> 00:31:59,480
Speaker 4: Oh, oh, that's a good one, that boy. Ah.

629
00:31:59,560 --> 00:32:01,440
Speaker 1: You know, Hey, I'm going and I get to go first.

630
00:32:02,280 --> 00:32:03,360
Speaker 4: I won't the last one.

631
00:32:03,920 --> 00:32:05,720
Speaker 1: It's not who go? Won you go?

632
00:32:05,760 --> 00:32:06,040
Speaker 3: Who go?

633
00:32:06,200 --> 00:32:06,880
Speaker 1: We rotate?

634
00:32:08,040 --> 00:32:11,200
Speaker 3: Hey, hold on, if we play basketball and not make

635
00:32:11,240 --> 00:32:14,000
Speaker 3: the shot, it's make it take it, which is talking.

636
00:32:13,800 --> 00:32:16,440
Speaker 2: About first of all, ash been giving you as been

637
00:32:16,440 --> 00:32:19,160
Speaker 2: giving you first for like the last okay.

638
00:32:18,840 --> 00:32:20,480
Speaker 3: Go ahead, well you know what, you know what, you

639
00:32:20,480 --> 00:32:22,400
Speaker 3: know what? You can go first because you're gonna lose anyway.

640
00:32:22,440 --> 00:32:22,840
Speaker 4: Go ahead?

641
00:32:23,080 --> 00:32:25,120
Speaker 2: Oh your bad? Oh your man? You know man, I

642
00:32:25,120 --> 00:32:28,640
Speaker 2: got a headed go yo, Yeah, I can't do it tonight,

643
00:32:28,800 --> 00:32:37,680
Speaker 2: can't go okay go okay. Uh you know what, Hey,

644
00:32:37,880 --> 00:32:39,720
Speaker 2: it all depends what those plans are.

645
00:32:40,360 --> 00:32:45,520
Speaker 3: Yeah, that that too, that too. Hey, give me a minute.

646
00:32:46,240 --> 00:32:49,600
Speaker 3: I'm gonna call you right back. Okay, I'm gonna call

647
00:32:49,640 --> 00:32:51,080
Speaker 3: I'm gonna call you right back. I'm gonna let you

648
00:32:51,080 --> 00:32:54,040
Speaker 3: know right right back. Man, don't never don't never call back.

649
00:32:57,040 --> 00:32:57,240
Speaker 2: Man.

650
00:32:57,280 --> 00:32:58,480
Speaker 1: Oh, your son came up.

651
00:33:00,760 --> 00:33:04,280
Speaker 3: Some came up. Yeah that that listen. That ain't better

652
00:33:04,280 --> 00:33:07,120
Speaker 3: than man, I ain't got.

653
00:33:07,080 --> 00:33:07,600
Speaker 1: Nothing to well.

654
00:33:11,600 --> 00:33:18,840
Speaker 2: Uh, well, you know what, man, I'm just tired, man, tired, tired, tired.

655
00:33:19,840 --> 00:33:22,520
Speaker 4: I don't don't nobody ever say they tired. You lie,

656
00:33:23,640 --> 00:33:27,600
Speaker 4: you lied, man, I ain't heard I'm tired.

657
00:33:28,600 --> 00:33:31,400
Speaker 2: Uh you heard it before.

658
00:33:32,960 --> 00:33:35,240
Speaker 3: Hey, you know what I'm Hey, why am I ain't

659
00:33:35,240 --> 00:33:36,520
Speaker 3: gonna be but I ain't gonna be able to make

660
00:33:36,520 --> 00:33:37,640
Speaker 3: with saw boys and night Boy.

661
00:33:37,680 --> 00:33:39,160
Speaker 4: I got a check. I gotta chill with him, old

662
00:33:39,200 --> 00:33:39,760
Speaker 4: Lady Bryan.

663
00:33:40,320 --> 00:33:43,280
Speaker 2: Yeah, that's a good one. That's to keep the keep

664
00:33:43,320 --> 00:33:44,080
Speaker 2: the peace o choke.

665
00:33:44,280 --> 00:33:48,280
Speaker 4: Yeah yeah, yeah, to.

666
00:33:48,320 --> 00:33:52,520
Speaker 1: Keep mm hmm.

667
00:33:57,320 --> 00:34:03,200
Speaker 2: Hey, hey, something came up. I'm tired, Yeah, I use

668
00:34:03,280 --> 00:34:07,520
Speaker 2: I'm sick. Okay, damn, I mean a head. They ain't

669
00:34:07,560 --> 00:34:15,240
Speaker 2: really sick, you know what? How about this? Uh damn,

670
00:34:16,280 --> 00:34:18,000
Speaker 2: I don't really, I don't really do the whole lot

671
00:34:18,000 --> 00:34:19,879
Speaker 2: of excuses about YAE. I just now I ain't gonna

672
00:34:19,880 --> 00:34:21,520
Speaker 2: be able to make it and lost already.

673
00:34:21,560 --> 00:34:23,080
Speaker 4: Now I done told y'all, I told you you can

674
00:34:23,080 --> 00:34:24,480
Speaker 4: go further. You're gonna lose anyway.

675
00:34:25,000 --> 00:34:28,839
Speaker 1: Nah, you know what about Yoe my dog? My dog

676
00:34:28,960 --> 00:34:29,439
Speaker 1: sick though?

677
00:34:29,800 --> 00:34:30,120
Speaker 2: Yeah?

678
00:34:30,160 --> 00:34:33,960
Speaker 1: Man, you know Titus Man been pooping all over the place.

679
00:34:34,880 --> 00:34:38,640
Speaker 4: Okay, ship boy, what's up? Why was y'all boyfriend to

680
00:34:38,680 --> 00:34:39,080
Speaker 4: do the night?

681
00:34:39,200 --> 00:34:39,359
Speaker 6: Right?

682
00:34:40,440 --> 00:34:45,480
Speaker 3: Y'all gotta well Boobo trip well club live boy ship

683
00:34:45,560 --> 00:34:47,799
Speaker 3: But y'all boy tripping boy at the beginning of the month.

684
00:34:47,840 --> 00:34:52,160
Speaker 3: Boy rent dude, Why I came up while y'all tripping?

685
00:34:53,560 --> 00:34:57,240
Speaker 2: Hey, I'm like dee bo y'all ain't never got no money,

686
00:34:59,320 --> 00:35:01,920
Speaker 2: he ain't so became up up tired by dogs sick?

687
00:35:02,360 --> 00:35:04,840
Speaker 2: What else could I use? Like I said, Man, I

688
00:35:04,840 --> 00:35:13,120
Speaker 2: don't Oh, oh, Joe, car man man, the car man,

689
00:35:13,200 --> 00:35:15,680
Speaker 2: this car man. I don't know what's wrong with this car? Yeah,

690
00:35:17,600 --> 00:35:23,840
Speaker 2: I ain't got more car all of them on the break? Yeah, Hey, Gord, trouble.

691
00:35:24,440 --> 00:35:26,640
Speaker 4: Hey, I ain't. I ain't got to listen. But what

692
00:35:26,800 --> 00:35:30,640
Speaker 4: y'all y'all trying to get into by hold on? You

693
00:35:30,640 --> 00:35:31,640
Speaker 4: know you got to hear them with that.

694
00:35:36,040 --> 00:35:36,680
Speaker 1: I said I'm tired.

695
00:35:36,719 --> 00:35:38,120
Speaker 2: I got tired.

696
00:35:38,320 --> 00:35:40,279
Speaker 4: I ain't say I was tired. Boy, I ain't even

697
00:35:40,280 --> 00:35:41,200
Speaker 4: get the excuse yet.

698
00:35:42,400 --> 00:35:43,960
Speaker 3: But you know, a nigga tank on the boy, you

699
00:35:43,960 --> 00:35:44,719
Speaker 3: got to swing it all.

700
00:35:44,719 --> 00:35:46,840
Speaker 4: For your boy.

701
00:35:47,320 --> 00:35:49,719
Speaker 2: You're going you're going back to talking like when we

702
00:35:49,760 --> 00:35:50,480
Speaker 2: was in high school.

703
00:35:50,640 --> 00:35:53,759
Speaker 3: Yeah, my take on eat boy, I ain't really got

704
00:35:53,800 --> 00:35:54,840
Speaker 3: it right now, Bright.

705
00:35:55,200 --> 00:35:57,000
Speaker 1: I want this one, Joe. I think I got this one.

706
00:35:57,040 --> 00:35:59,680
Speaker 3: No you no, you ain't get this one.

707
00:36:00,120 --> 00:36:06,359
Speaker 2: Yeah, I got this one. Ah uh uh, I think

708
00:36:06,360 --> 00:36:06,680
Speaker 2: I got this.

709
00:36:07,400 --> 00:36:07,759
Speaker 4: I told you.

710
00:36:07,880 --> 00:36:09,600
Speaker 3: I told you was gonna lose before we even started.

711
00:36:12,400 --> 00:36:15,359
Speaker 2: Yeah, man, you know car bad A, the car man,

712
00:36:15,440 --> 00:36:17,200
Speaker 2: that car trouble man get you every time.

713
00:36:17,960 --> 00:36:20,520
Speaker 3: Hey, not having no gas, not having no.

714
00:36:20,560 --> 00:36:23,520
Speaker 1: Gas, but you know, but see the thing you got

715
00:36:23,600 --> 00:36:24,440
Speaker 1: you got some homeboy.

716
00:36:24,520 --> 00:36:26,520
Speaker 2: Hey man, you got two dollars on you because you

717
00:36:26,600 --> 00:36:32,160
Speaker 2: know back then, not now, but when I was coming up,

718
00:36:32,400 --> 00:36:34,680
Speaker 2: you get by four y'all y'all get two dollars each,

719
00:36:35,719 --> 00:36:40,560
Speaker 2: ride all night, Hey, that way that was funded. Ain't

720
00:36:40,560 --> 00:36:42,520
Speaker 2: going nowhere, just spending just riding around.

721
00:36:43,719 --> 00:36:44,239
Speaker 4: That's it.

722
00:36:45,600 --> 00:36:47,640
Speaker 1: That was a good one, all right, Chad, what y'all think?

723
00:36:49,680 --> 00:36:51,799
Speaker 3: I told you? I told you what it was. You know,

724
00:36:51,920 --> 00:36:53,640
Speaker 3: you know I want that one. I won that one

725
00:36:53,680 --> 00:36:55,680
Speaker 3: before it even started. I could just all right, well

726
00:36:55,719 --> 00:36:58,040
Speaker 3: we got guess what we going to your favorite? Now

727
00:36:58,560 --> 00:37:00,560
Speaker 3: it's time for spello slinko?

728
00:37:00,719 --> 00:37:01,640
Speaker 4: Are we doing?

729
00:37:03,200 --> 00:37:03,960
Speaker 1: Where your hat at?

730
00:37:07,400 --> 00:37:10,160
Speaker 2: Oh? You have you have? You do? I need to

731
00:37:10,160 --> 00:37:11,160
Speaker 2: call to get your hat back.

732
00:37:11,080 --> 00:37:15,000
Speaker 4: To she she threw it away? Man the way, it's all,

733
00:37:15,000 --> 00:37:16,359
Speaker 4: it's all good. It's all good.

734
00:37:16,840 --> 00:37:17,839
Speaker 2: We'll get you another one.

735
00:37:17,880 --> 00:37:21,080
Speaker 4: Yeah, it is all good. I talked, I told them

736
00:37:21,080 --> 00:37:21,919
Speaker 4: with all the other day.

737
00:37:24,960 --> 00:37:25,359
Speaker 1: That's good.

738
00:37:25,400 --> 00:37:25,759
Speaker 2: I'm glad.

739
00:37:25,840 --> 00:37:26,560
Speaker 1: Y'all cool still?

740
00:37:26,680 --> 00:37:27,480
Speaker 3: Yeah yeah we cool?

741
00:37:27,520 --> 00:37:30,360
Speaker 4: Were cool a dog. We don't have a dog. You know.

742
00:37:30,400 --> 00:37:32,160
Speaker 3: You want to see you want to see people, you know,

743
00:37:32,360 --> 00:37:34,360
Speaker 3: living and and being happy and stuff.

744
00:37:34,440 --> 00:37:37,239
Speaker 4: Yeah, yeah, that's that's my dog, all.

745
00:37:37,280 --> 00:37:44,960
Speaker 2: Right, O Joe. The first word is differentiate. Huh differentiate differentiate.

746
00:37:44,360 --> 00:37:48,799
Speaker 4: B I F F E R E N T I

747
00:37:48,840 --> 00:37:49,440
Speaker 4: A T E.

748
00:37:52,080 --> 00:37:52,279
Speaker 2: Yeah.

749
00:37:52,520 --> 00:37:54,400
Speaker 3: Listen, I know how to spell. Now, I know how

750
00:37:54,400 --> 00:37:57,200
Speaker 3: to spell. Don't do me like that don't say, don't

751
00:37:57,200 --> 00:37:57,799
Speaker 3: do me like that.

752
00:37:57,920 --> 00:38:00,880
Speaker 2: Now, I know this is what I do now, okay,

753
00:38:01,120 --> 00:38:03,600
Speaker 2: and it somebody put a stop cheating, don't ye.

754
00:38:05,000 --> 00:38:06,840
Speaker 4: As soon as you said the word, I started spelling,

755
00:38:06,880 --> 00:38:07,520
Speaker 4: what are you talking about?

756
00:38:07,560 --> 00:38:09,759
Speaker 2: I know that's that's that's why they say, stop cheat,

757
00:38:09,800 --> 00:38:14,200
Speaker 2: don't yo. The next word is anesthesia. Anaesthesia.

758
00:38:15,800 --> 00:38:18,839
Speaker 4: This is tricky.

759
00:38:19,560 --> 00:38:20,440
Speaker 1: It ain't that tricky.

760
00:38:20,560 --> 00:38:22,040
Speaker 3: No, it is because there's a there's a there's a

761
00:38:22,120 --> 00:38:23,400
Speaker 3: there's an h in there somewhere.

762
00:38:25,040 --> 00:38:25,800
Speaker 1: Anesthesia.

763
00:38:27,000 --> 00:38:29,480
Speaker 3: Hey, I know, I'm listen. I'm gonna mess this one up.

764
00:38:29,800 --> 00:38:31,200
Speaker 3: And I know I'm gonna be pissed because I know

765
00:38:31,280 --> 00:38:42,320
Speaker 3: it's an h in there somewhere and aestheesia A n

766
00:38:44,160 --> 00:38:48,680
Speaker 3: uh A n t h stezia and a ste Steve

767
00:38:50,239 --> 00:38:56,839
Speaker 3: and uh and a seza and uh and uh anestheza

768
00:38:57,360 --> 00:39:00,279
Speaker 3: and uh. All right, A N A A n E

769
00:39:01,080 --> 00:39:02,160
Speaker 3: t h E.

770
00:39:04,120 --> 00:39:07,439
Speaker 2: S I A man, God damn man A n E

771
00:39:07,560 --> 00:39:10,719
Speaker 2: s t h E s I A anesthesia.

772
00:39:11,239 --> 00:39:13,120
Speaker 3: I'm I'm gonna get that one. I won't gonna get

773
00:39:13,120 --> 00:39:14,960
Speaker 3: that one. I see and I see anesthesia so much.

774
00:39:15,000 --> 00:39:19,359
Speaker 3: And I still spelled the wrong ship. Okay, I got

775
00:39:19,360 --> 00:39:20,880
Speaker 3: the next one though, don't worry about I got to.

776
00:39:21,080 --> 00:39:24,600
Speaker 1: The river horse of Africa. Hippopotamus.

777
00:39:25,600 --> 00:39:31,840
Speaker 8: Hippo okay, h I p p o hip po hippo

778
00:39:33,400 --> 00:39:45,000
Speaker 8: pa hip hippo yip okay h I p p O

779
00:39:46,840 --> 00:39:48,040
Speaker 8: p A T T.

780
00:39:52,480 --> 00:39:57,879
Speaker 2: Why I asked, laughing at you, laughing he that man

781
00:39:58,040 --> 00:39:59,880
Speaker 2: added about three T to hippopotamus.

782
00:40:00,120 --> 00:40:01,680
Speaker 4: No, then I just say, I didn't even get through

783
00:40:01,680 --> 00:40:02,120
Speaker 4: the T part.

784
00:40:02,120 --> 00:40:02,160
Speaker 6: You.

785
00:40:02,200 --> 00:40:05,719
Speaker 4: I just say, hippo so I T T Huh.

786
00:40:06,120 --> 00:40:07,239
Speaker 1: You just said T T.

787
00:40:08,520 --> 00:40:14,360
Speaker 4: Hippo potter hippo h I p p o puh puh.

788
00:40:14,920 --> 00:40:20,120
Speaker 2: P a t A m u s h I p

789
00:40:20,120 --> 00:40:24,320
Speaker 2: p o p o t a m u s hippopotamus

790
00:40:24,320 --> 00:40:24,880
Speaker 2: one T.

791
00:40:26,440 --> 00:40:31,440
Speaker 4: Yes, Oh my goodness.

792
00:40:32,600 --> 00:40:34,080
Speaker 3: All right, I got this one. I promise you I

793
00:40:34,080 --> 00:40:34,680
Speaker 3: got this one.

794
00:40:35,719 --> 00:40:39,120
Speaker 1: Handkerchief handkerchief h.

795
00:40:39,120 --> 00:40:44,520
Speaker 3: A h A n k E r c A c

796
00:40:44,760 --> 00:40:46,480
Speaker 3: f h.

797
00:40:46,440 --> 00:40:52,560
Speaker 1: A n d k e r c h h I

798
00:40:52,719 --> 00:40:54,160
Speaker 1: e f handkerchief.

799
00:40:54,440 --> 00:40:57,359
Speaker 3: Where the fucking d come from?

800
00:41:00,239 --> 00:41:02,560
Speaker 4: Win a DCA. You gotta pronounce it the right way

801
00:41:02,600 --> 00:41:02,959
Speaker 4: you said.

802
00:41:03,000 --> 00:41:06,399
Speaker 3: You said handkerchief, that's what it is pronounced.

803
00:41:06,000 --> 00:41:11,120
Speaker 2: No, it's not hand it's not handkerchief, it's handkerchief.

804
00:41:11,239 --> 00:41:13,319
Speaker 4: When you need to spread. No, that's not the that's not.

805
00:41:13,400 --> 00:41:17,880
Speaker 1: The silent handkerchief. No handkerchief. The D is silent.

806
00:41:18,080 --> 00:41:21,120
Speaker 4: You can't do that. You can't do that. I spelled

807
00:41:21,120 --> 00:41:22,000
Speaker 4: it how you said it?

808
00:41:22,880 --> 00:41:24,080
Speaker 1: The D is silent.

809
00:41:24,920 --> 00:41:26,600
Speaker 4: No, that that's not gonna work.

810
00:41:26,760 --> 00:41:30,080
Speaker 3: That's not gonna work. If you they work, you need

811
00:41:30,120 --> 00:41:32,760
Speaker 3: to say hand kerchief if you want me, it's.

812
00:41:32,600 --> 00:41:35,320
Speaker 1: Not handkerchief, it's handkerchief. The D is silent.

813
00:41:35,520 --> 00:41:38,919
Speaker 2: They butchered the English language. That with me that way

814
00:41:38,960 --> 00:41:43,759
Speaker 2: before my time as gouten bird. Yeah, Lee, okay, how

815
00:41:43,760 --> 00:41:45,239
Speaker 2: about this one?

816
00:41:45,800 --> 00:41:47,640
Speaker 3: Haiji? Oh haiji, that's easy.

817
00:41:48,160 --> 00:41:51,120
Speaker 4: H y g I n e e wait h y

818
00:41:51,400 --> 00:41:53,080
Speaker 4: g i e n e.

819
00:41:54,640 --> 00:41:57,279
Speaker 2: H y g i e n e.

820
00:41:57,680 --> 00:41:59,439
Speaker 3: Yeah, I need listen. Now, that's one thing I don't

821
00:41:59,440 --> 00:42:01,000
Speaker 3: play with. That's I know how to spell that one

822
00:42:01,040 --> 00:42:01,480
Speaker 3: right away.

823
00:42:01,680 --> 00:42:02,160
Speaker 4: I don't play.

824
00:42:03,400 --> 00:42:05,280
Speaker 1: Oh Joe, you were two out of five.

825
00:42:05,600 --> 00:42:05,960
Speaker 4: Damn.

826
00:42:07,719 --> 00:42:10,839
Speaker 3: I'm sorry, chat, I apologize, I apologize.

827
00:42:10,880 --> 00:42:23,359
Speaker 9: I'm sorry, And now it's time for dunk on up.

828
00:42:23,719 --> 00:42:32,520
Speaker 3: Okay, okay, let's go. Now, I've been struggling reading a

829
00:42:32,520 --> 00:42:40,360
Speaker 3: little bit. Hey, hey, before we started doing it, can

830
00:42:40,440 --> 00:42:42,560
Speaker 3: I can I tell you something that really what nobody

831
00:42:42,560 --> 00:42:44,040
Speaker 3: really knows you know, I can't.

832
00:42:44,200 --> 00:42:45,799
Speaker 4: I can't even see how I'm right eye. You know that?

833
00:42:45,920 --> 00:42:47,760
Speaker 1: Right? Really?

834
00:42:48,600 --> 00:42:50,719
Speaker 4: And that's all my mom and my grandma rest in peace.

835
00:42:50,840 --> 00:42:52,600
Speaker 3: I know I play around on here a lot, but

836
00:42:52,640 --> 00:42:54,480
Speaker 3: it's one of the few things I really don't share

837
00:42:54,520 --> 00:42:56,920
Speaker 3: with nobody. And people say, well, why you always wear

838
00:42:56,960 --> 00:42:59,960
Speaker 3: shades all the time, or why you are I can't

839
00:43:00,120 --> 00:43:02,120
Speaker 3: see out my right eye. And most of the time,

840
00:43:02,239 --> 00:43:04,399
Speaker 3: even if I'm focused, and let's say I'm looking at you,

841
00:43:04,760 --> 00:43:07,480
Speaker 3: if I stare in the object long enough my air,

842
00:43:07,680 --> 00:43:09,080
Speaker 3: my eye veers off to the right.

843
00:43:09,600 --> 00:43:11,880
Speaker 2: Oh so you gotta so you gotta eye that focus

844
00:43:11,960 --> 00:43:14,239
Speaker 2: in a slide eye, then go and hold on.

845
00:43:14,320 --> 00:43:15,600
Speaker 3: It's been like this is high school.

846
00:43:15,640 --> 00:43:18,080
Speaker 2: Huh Yeah, like what you call from Artie Jason. You

847
00:43:18,120 --> 00:43:20,719
Speaker 2: gotta you gotta eye that scan the room. You see

848
00:43:20,719 --> 00:43:22,640
Speaker 2: people that coming in the room, you focus on looking

849
00:43:22,640 --> 00:43:24,560
Speaker 2: at Jordan and then you see you coming the door.

850
00:43:24,800 --> 00:43:26,239
Speaker 1: You see him bringing the food at the back.

851
00:43:26,800 --> 00:43:28,479
Speaker 3: But you you would you would never notice it because

852
00:43:28,480 --> 00:43:31,000
Speaker 3: nobody ever notices it. But just sometimes when when I'm

853
00:43:31,000 --> 00:43:33,880
Speaker 3: when I'm on camera, when if I sit here and

854
00:43:33,960 --> 00:43:36,759
Speaker 3: lock in long enough, it looks like I'm looking at you.

855
00:43:36,800 --> 00:43:38,560
Speaker 3: But all of a sudden, this one if you're off

856
00:43:38,560 --> 00:43:40,400
Speaker 3: to the right, because it has it has no focus.

857
00:43:40,440 --> 00:43:44,359
Speaker 3: It's really not looking at anything. Okay, it's weird. It's weird.

858
00:43:44,360 --> 00:43:46,719
Speaker 3: But anyway, anyway, back to matter of fact. You know what,

859
00:43:47,640 --> 00:43:49,880
Speaker 3: I really I played my whole career with one eye.

860
00:43:50,200 --> 00:43:51,839
Speaker 3: And something you can notice if you ever go back

861
00:43:51,840 --> 00:43:54,520
Speaker 3: and watch film, always notice how the ball. I don't

862
00:43:54,560 --> 00:43:56,400
Speaker 3: catch the ball until it gets right up on me.

863
00:43:58,719 --> 00:44:00,960
Speaker 3: All my balls are caught right spear instead of reaching

864
00:44:00,960 --> 00:44:02,920
Speaker 3: my hands out because I can't see it until the

865
00:44:02,920 --> 00:44:04,400
Speaker 3: ball gets close enough.

866
00:44:04,719 --> 00:44:06,759
Speaker 4: It's weird. I had to throw that out there, fun fast.

867
00:44:06,760 --> 00:44:08,319
Speaker 1: I appreciate that. Appreciate you searing that.

868
00:44:08,800 --> 00:44:12,359
Speaker 3: Yeah, anyway, okay, here we go, dump going on. No,

869
00:44:12,400 --> 00:44:15,960
Speaker 3: I'm dead ass, I didn't say that, said yeah, yeah,

870
00:44:17,440 --> 00:44:19,160
Speaker 3: and see I put it up mo Ma man grandma.

871
00:44:19,239 --> 00:44:20,040
Speaker 3: So you know I ain't playing.

872
00:44:20,120 --> 00:44:20,600
Speaker 2: Yeah, I know you.

873
00:44:20,680 --> 00:44:21,680
Speaker 1: I know you tell the truth.

874
00:44:21,920 --> 00:44:24,600
Speaker 3: Okay, okay, here we go, dum going on, baby, here

875
00:44:24,640 --> 00:44:26,440
Speaker 3: we go, Here we go. Who holds the record for

876
00:44:26,480 --> 00:44:29,759
Speaker 3: the most points score in a single NCAA men's basketball

877
00:44:30,280 --> 00:44:34,720
Speaker 3: tournament game? Oh my god, Yes, Who holds the record

878
00:44:34,719 --> 00:44:41,319
Speaker 3: for the most car God damn it.

879
00:44:41,120 --> 00:44:43,919
Speaker 1: Give give it a give me kip with Jorde.

880
00:44:45,200 --> 00:44:52,400
Speaker 3: Okay, come on, man, listen, they have to stop briefing you.

881
00:44:52,480 --> 00:44:57,399
Speaker 3: Before we threw the shows. Nobody brief you is first

882
00:44:57,400 --> 00:44:59,799
Speaker 3: of all, as back at nineteen seven. There's no way

883
00:44:59,840 --> 00:45:02,680
Speaker 3: you supposed to know this. Why am I not supposed

884
00:45:02,680 --> 00:45:03,120
Speaker 3: to know that?

885
00:45:03,680 --> 00:45:05,240
Speaker 4: How old were you in nineteen seventy?

886
00:45:05,640 --> 00:45:14,719
Speaker 1: I was two? Oh Joe, Oh Joe, I'm telling you

887
00:45:14,719 --> 00:45:15,239
Speaker 1: that's what I do.

888
00:45:15,320 --> 00:45:21,120
Speaker 2: Oh Yoe, Let me put these on. Who your daddy? Jo?

889
00:45:21,280 --> 00:45:22,080
Speaker 1: Yo?

890
00:45:27,320 --> 00:45:27,480
Speaker 2: Kay?

891
00:45:27,560 --> 00:45:29,120
Speaker 4: I'm ready, I'm ready, I'm ready. I'm ready.

892
00:45:31,480 --> 00:45:33,720
Speaker 3: Okay, Okay, I got this one. I got this one,

893
00:45:34,080 --> 00:45:36,279
Speaker 3: all right, chat, stay with me. Which player holds the

894
00:45:36,400 --> 00:45:39,239
Speaker 3: NBA record for the most turnovers in a single playoff game?

895
00:45:39,520 --> 00:45:40,799
Speaker 4: Ain't nowhere in here you getting this?

896
00:45:42,920 --> 00:45:47,960
Speaker 1: James Harden nigga?

897
00:45:49,400 --> 00:45:51,920
Speaker 4: Hold on? Hold on? Well how many?

898
00:45:53,400 --> 00:45:54,240
Speaker 2: That wasn't a question?

899
00:45:57,160 --> 00:45:57,440
Speaker 3: All right?

900
00:45:57,480 --> 00:45:57,640
Speaker 2: Well?

901
00:45:57,640 --> 00:45:58,359
Speaker 3: What year was it?

902
00:45:59,840 --> 00:46:02,000
Speaker 1: He did a he turned it over against the.

903
00:46:02,000 --> 00:46:13,319
Speaker 2: Uh, the Golden State Warriors. So it is either I

904
00:46:13,400 --> 00:46:17,680
Speaker 2: want to say, fifteen or sixteen.

905
00:46:17,840 --> 00:46:19,240
Speaker 1: Yeah it's fifteen or sixteen.

906
00:46:19,600 --> 00:46:21,080
Speaker 3: Yeah, Well you got it wrong. You got to answer

907
00:46:21,120 --> 00:46:23,880
Speaker 3: wrong because you can't decide. You can't decipher on what

908
00:46:24,000 --> 00:46:25,120
Speaker 3: year you asked.

909
00:46:24,880 --> 00:46:27,319
Speaker 2: Me who holds the record for the most turnovers in

910
00:46:27,360 --> 00:46:28,040
Speaker 2: the playoff game?

911
00:46:28,280 --> 00:46:30,759
Speaker 1: I gave you James Harden. Then you try to stump me.

912
00:46:30,800 --> 00:46:31,680
Speaker 1: Oh Joe, I don't do that.

913
00:46:31,680 --> 00:46:33,720
Speaker 4: I'm not trying to stump me. But we talked about turnover.

914
00:46:33,840 --> 00:46:35,280
Speaker 4: So you said it with James Harden.

915
00:46:35,080 --> 00:46:37,560
Speaker 1: But I said it with the end of it. I'm

916
00:46:37,560 --> 00:46:38,080
Speaker 1: the two for two.

917
00:46:38,080 --> 00:46:40,919
Speaker 3: Go ahead, Come on, wanting up, you cheating man. Who

918
00:46:40,920 --> 00:46:44,160
Speaker 3: holds the NFL record for the longest punt in the NFL.

919
00:46:43,920 --> 00:46:46,280
Speaker 2: History, The longest.

920
00:46:45,920 --> 00:46:47,600
Speaker 3: Punt in the NFL history.

921
00:46:47,640 --> 00:46:53,040
Speaker 2: Yes, ooh, I can't remember, Oh my god, it's actually

922
00:46:53,080 --> 00:46:54,000
Speaker 2: it's ninety eight yards.

923
00:46:54,040 --> 00:46:56,160
Speaker 1: As a Buffalo bill, I can't remember.

924
00:46:56,200 --> 00:46:56,640
Speaker 2: The guy.

925
00:46:58,800 --> 00:47:03,080
Speaker 1: Donnelly who I think his name is Donnelly?

926
00:47:03,440 --> 00:47:07,160
Speaker 4: Wrong. The answer that we were looking forward was Steve O'Neill.

927
00:47:07,440 --> 00:47:10,080
Speaker 3: Ninety eight yards in nineteen ninety eight yards in nineteen

928
00:47:10,160 --> 00:47:11,560
Speaker 3: sixty nine.

929
00:47:11,800 --> 00:47:12,959
Speaker 2: I knew it. Not a yard.

930
00:47:13,600 --> 00:47:17,000
Speaker 3: M yeah, yeah, we got you. Now you're not gonna

931
00:47:17,000 --> 00:47:19,320
Speaker 3: get another one right from this point on. I guarantee

932
00:47:19,320 --> 00:47:23,040
Speaker 3: you that, and you can bet your bottom. Valler, who

933
00:47:23,080 --> 00:47:25,840
Speaker 3: was the first player in the NBA history to record

934
00:47:25,840 --> 00:47:27,800
Speaker 3: a triple double in their rookie season.

935
00:47:31,320 --> 00:47:33,160
Speaker 1: A triple double in the rookie season?

936
00:47:34,239 --> 00:47:35,719
Speaker 4: Who holds? Excuse men?

937
00:47:35,840 --> 00:47:38,840
Speaker 3: Who was the first NBA player in NBA history to

938
00:47:38,920 --> 00:47:41,200
Speaker 3: record a triple double in their rookie season?

939
00:47:41,760 --> 00:47:51,720
Speaker 2: Who least started in nineteen forty seven?

940
00:48:03,160 --> 00:48:03,720
Speaker 6: Mm hmm.

941
00:48:17,800 --> 00:48:18,880
Speaker 1: It's rookie Cason.

942
00:48:19,280 --> 00:48:23,319
Speaker 3: Yeah, yeah, yeah, yeah, yeah yeah, Chad.

943
00:48:23,360 --> 00:48:24,080
Speaker 4: We got him, Chad.

944
00:48:24,080 --> 00:48:25,960
Speaker 3: We got him on the ropes, We got him on

945
00:48:26,000 --> 00:48:26,399
Speaker 3: the trip.

946
00:48:27,000 --> 00:48:28,799
Speaker 2: But first of all, the triple double didn't become a

947
00:48:28,840 --> 00:48:30,959
Speaker 2: stat in the forties. It didn't become a stat until

948
00:48:31,000 --> 00:48:31,719
Speaker 2: like the sixties.

949
00:48:33,480 --> 00:48:36,239
Speaker 3: Yeah, we got him on the rope like Ali trying

950
00:48:36,280 --> 00:48:39,080
Speaker 3: to dodge the punches. But he's getting hit with by

951
00:48:39,160 --> 00:48:39,920
Speaker 3: Joe Fraser.

952
00:48:40,719 --> 00:48:42,400
Speaker 4: He's getting hit by Joe Fraser.

953
00:48:43,480 --> 00:48:44,600
Speaker 2: Foh my goodness.

954
00:48:44,920 --> 00:48:46,759
Speaker 4: Yeah yeah yeah. Let me know if you want to

955
00:48:46,800 --> 00:48:49,759
Speaker 4: fold you, yeah, you want to fold. Let me know.

956
00:48:53,000 --> 00:48:56,000
Speaker 2: We got him Will, I don't know will.

957
00:48:56,080 --> 00:48:56,360
Speaker 4: Who?

958
00:48:58,200 --> 00:48:59,160
Speaker 1: Who was it?

959
00:49:00,040 --> 00:49:00,680
Speaker 2: Bob Coosey?

960
00:49:00,880 --> 00:49:04,359
Speaker 4: No, his name is Wes Unsealed nineteen sixty eight.

961
00:49:05,080 --> 00:49:07,440
Speaker 3: First player in anybody history record a triple double in

962
00:49:07,480 --> 00:49:08,360
Speaker 3: their rookie season.

963
00:49:08,760 --> 00:49:10,560
Speaker 1: Oh do you know what Unselled?

964
00:49:10,920 --> 00:49:11,280
Speaker 6: Yeah?

965
00:49:11,480 --> 00:49:15,720
Speaker 4: Yeah, I told him, not getting no more, right, he goes, ready,

966
00:49:15,880 --> 00:49:16,359
Speaker 4: here we go.

967
00:49:17,160 --> 00:49:19,880
Speaker 3: Who holds record for the most career fumber recoveries in

968
00:49:20,040 --> 00:49:20,840
Speaker 3: NFL history?

969
00:49:20,880 --> 00:49:23,399
Speaker 4: And how many did it recover? Ah?

970
00:49:23,520 --> 00:49:25,560
Speaker 1: Man, lord have mercy fumble recoveries.

971
00:49:26,160 --> 00:49:28,440
Speaker 4: Don't call him the lord, he he, he can't help you.

972
00:49:29,680 --> 00:49:48,560
Speaker 2: Yeah, ooh, London fled to twenty two.

973
00:49:47,239 --> 00:49:50,560
Speaker 3: Ah, that was a good one. But then she was

974
00:49:50,560 --> 00:49:53,480
Speaker 3: looking for was Warren Moon? And she was looking for

975
00:49:53,680 --> 00:49:54,279
Speaker 3: was Warren Oh?

976
00:49:54,440 --> 00:49:55,839
Speaker 1: Mad so so quick?

977
00:49:57,360 --> 00:50:00,400
Speaker 3: Hey, listen to Will Warren Moon and obviously you know

978
00:50:00,480 --> 00:50:02,760
Speaker 3: strip sack and being able to recover the phone app

979
00:50:02,960 --> 00:50:03,799
Speaker 3: Yeah or.

980
00:50:03,840 --> 00:50:05,839
Speaker 1: He though of the ball is a snap to it?

981
00:50:06,960 --> 00:50:10,680
Speaker 3: Yeah, bae, we got it. Here we go, Here we go.

982
00:50:11,680 --> 00:50:16,160
Speaker 3: Which NBA player recorded the most points in the playoff

983
00:50:16,960 --> 00:50:17,720
Speaker 3: debut game?

984
00:50:22,680 --> 00:50:25,160
Speaker 1: Alan, that is absolutely wrong.

985
00:50:25,520 --> 00:50:29,480
Speaker 3: Dance you were looking for was Luca Luca Dncik when

986
00:50:29,520 --> 00:50:31,480
Speaker 3: they went back to Dallas and he gave him boys

987
00:50:31,520 --> 00:50:32,040
Speaker 3: forty two.

988
00:50:33,080 --> 00:50:35,600
Speaker 1: Hold on you saying in a debut playoff.

989
00:50:35,200 --> 00:50:38,520
Speaker 4: Game points in the player Yeah wait.

990
00:50:40,600 --> 00:50:45,920
Speaker 1: No, a I forty eight two thousand and one. You

991
00:50:45,960 --> 00:50:46,600
Speaker 1: showed by that.

992
00:50:47,880 --> 00:50:50,600
Speaker 3: Yeah, now hold on, let me let me check, hold on,

993
00:50:50,640 --> 00:50:53,399
Speaker 3: let me check, let me check.

994
00:50:53,680 --> 00:50:55,319
Speaker 1: Forty eight I was the stepover game.

995
00:50:56,480 --> 00:50:57,759
Speaker 4: He gave it Lakers forty eight.

996
00:50:58,000 --> 00:51:04,719
Speaker 3: That game, I don't know. Ash might have to check.

997
00:51:04,719 --> 00:51:08,200
Speaker 2: You said, who scored the most point in a playoff

998
00:51:08,239 --> 00:51:08,799
Speaker 2: debut game?

999
00:51:08,840 --> 00:51:09,719
Speaker 1: Not a finals game?

1000
00:51:10,080 --> 00:51:10,520
Speaker 4: Debut?

1001
00:51:10,719 --> 00:51:12,840
Speaker 3: Yes, his debut, the debut, that's it.

1002
00:51:14,000 --> 00:51:16,040
Speaker 1: So you're thinking I was thinking finals.

1003
00:51:16,040 --> 00:51:17,040
Speaker 2: Okay, Okay, you're right.

1004
00:51:17,520 --> 00:51:20,040
Speaker 4: I didn't the word fight and then come out, come out.

1005
00:51:20,040 --> 00:51:21,280
Speaker 2: In my mind, I was taking finals.

1006
00:51:21,360 --> 00:51:24,239
Speaker 10: You only got to right, well, and a and a

1007
00:51:24,400 --> 00:51:27,520
Speaker 10: and you only got to right. So I was two

1008
00:51:27,520 --> 00:51:30,160
Speaker 10: for five. You were Tuoper five. So so Luca, so Luca.

1009
00:51:30,360 --> 00:51:31,840
Speaker 10: Luca played against the Clippers, didn't he?

1010
00:51:33,000 --> 00:51:42,560
Speaker 4: No, I said what that was?

1011
00:51:44,840 --> 00:51:46,960
Speaker 2: Are you saying, who scored the most point in a

1012
00:51:47,000 --> 00:51:50,879
Speaker 2: return I guess against the former team?

1013
00:51:51,200 --> 00:51:53,279
Speaker 1: Yes, sir, that's not what you thought.

1014
00:51:54,680 --> 00:51:58,399
Speaker 4: If I say debut, debut with me and you be the.

1015
00:51:58,360 --> 00:52:04,680
Speaker 1: First time you've done something? Right? What debut? But it

1016
00:52:04,719 --> 00:52:07,200
Speaker 1: was against the Clippers. It wasn't against Dallas. He played

1017
00:52:07,239 --> 00:52:08,200
Speaker 1: with Dallas.

1018
00:52:12,239 --> 00:52:14,880
Speaker 2: No, he said in a debut game, he said against

1019
00:52:15,000 --> 00:52:16,800
Speaker 2: Lucu to the Dallas Mavericks.

1020
00:52:17,120 --> 00:52:21,759
Speaker 1: But what I'm saying, but he did it against the Clippers.

1021
00:52:21,400 --> 00:52:22,880
Speaker 4: Right, No, he did not.

1022
00:52:23,040 --> 00:52:25,759
Speaker 3: He scored forty two against.

1023
00:52:25,719 --> 00:52:27,920
Speaker 2: He scored forty two against the Clippers. He did it

1024
00:52:27,960 --> 00:52:29,040
Speaker 2: as a Dallas Maverick.

1025
00:52:32,480 --> 00:52:33,640
Speaker 3: That's absolutely wrong.

1026
00:52:36,040 --> 00:52:48,280
Speaker 2: Actually, oh Joe, that was the that was the bubble,

1027
00:52:52,239 --> 00:52:53,799
Speaker 2: you see, Oh Joe, he was trying to stump me.

1028
00:52:53,800 --> 00:52:57,040
Speaker 2: He snump his SLF. Y'all see that chat, y'all see

1029
00:52:57,040 --> 00:53:02,759
Speaker 2: that chat? Tie five, final secret in the evening. It's

1030
00:53:02,800 --> 00:53:05,720
Speaker 2: tied for Q and eight.

1031
00:53:06,280 --> 00:53:08,640
Speaker 3: I mean, you got it right anyway.

1032
00:53:11,480 --> 00:53:15,359
Speaker 2: We tied. Finally, I need the breaks up you last time.

1033
00:53:15,920 --> 00:53:19,120
Speaker 2: Video short says, what's up, nightcap, am? What team?

1034
00:53:19,280 --> 00:53:22,200
Speaker 1: Last name? Would you change? College of pros me?

1035
00:53:22,680 --> 00:53:25,799
Speaker 2: I'll say game Cocks in twenty twenty five.

1036
00:53:25,840 --> 00:53:26,360
Speaker 1: It's wild.

1037
00:53:28,280 --> 00:53:29,960
Speaker 4: He said, who name would we changed?

1038
00:53:30,320 --> 00:53:30,560
Speaker 1: Yeah?

1039
00:53:30,560 --> 00:53:34,719
Speaker 2: He want to change the South Carolina game Cocks. Yeah,

1040
00:53:34,920 --> 00:53:36,600
Speaker 2: so he wanted to change the last name. He don't

1041
00:53:36,600 --> 00:53:38,080
Speaker 2: wanted to be called a game Cox anymore.

1042
00:53:38,520 --> 00:53:41,040
Speaker 4: But the game cock is dangerous. Does he know the

1043
00:53:41,080 --> 00:53:42,520
Speaker 4: history on game talks in real.

1044
00:53:42,360 --> 00:53:44,960
Speaker 1: Lif Yeah, that's fighting chicken mass Shoot.

1045
00:53:44,719 --> 00:53:47,960
Speaker 3: What a thing, gagster, don't change change that name.

1046
00:53:48,040 --> 00:53:49,399
Speaker 4: That's that's dope. I like that.

1047
00:53:49,920 --> 00:53:53,960
Speaker 2: Yeah, I mean when I was growing up, cock fighting

1048
00:53:54,000 --> 00:53:57,439
Speaker 2: what it's called with really really really really really really

1049
00:53:57,440 --> 00:53:58,560
Speaker 2: really really really popular.

1050
00:53:58,760 --> 00:53:59,200
Speaker 1: Yeah.

1051
00:54:00,200 --> 00:54:02,279
Speaker 3: Hey, yeah, you know they them birds, but they go

1052
00:54:02,360 --> 00:54:04,799
Speaker 3: for a pretty penny now, uh oh yeah, for sure,

1053
00:54:05,000 --> 00:54:05,480
Speaker 3: depending on.

1054
00:54:05,440 --> 00:54:06,040
Speaker 4: Where you at.

1055
00:54:06,200 --> 00:54:08,439
Speaker 3: You know, if they had it, they don't have it. Hell,

1056
00:54:08,680 --> 00:54:10,480
Speaker 3: I'm just saying, depending on where you live at.

1057
00:54:10,760 --> 00:54:12,120
Speaker 2: Oh, it used to be a big thing. It's still

1058
00:54:12,160 --> 00:54:14,080
Speaker 2: it's a big thing in Miami. They still have it.

1059
00:54:14,400 --> 00:54:18,319
Speaker 2: Yeah yeah, yeah, yeah, okay, okay, okay, Yeah, it's a

1060
00:54:18,440 --> 00:54:20,520
Speaker 2: it's a big thing. But they have you know, they

1061
00:54:20,520 --> 00:54:22,839
Speaker 2: have spurs, they have knives, they have boxing, love have

1062
00:54:22,880 --> 00:54:26,840
Speaker 2: all kinds of things. You put on a spur, yeah,

1063
00:54:26,920 --> 00:54:29,480
Speaker 2: Keper Dogwood j You said, Oh, I had a birthday.

1064
00:54:29,640 --> 00:54:32,160
Speaker 2: I listened to the Gold a little way and the

1065
00:54:32,200 --> 00:54:34,919
Speaker 2: BET Awards was a ten for ten.

1066
00:54:35,640 --> 00:54:38,120
Speaker 1: It was h I saw a little I saw a

1067
00:54:38,160 --> 00:54:38,759
Speaker 1: little bit of it.

1068
00:54:39,040 --> 00:54:43,080
Speaker 2: Uh Man for me, Wayne still got I mean the

1069
00:54:43,120 --> 00:54:44,680
Speaker 2: way he puts stuff together, oh.

1070
00:54:44,640 --> 00:54:45,560
Speaker 1: Joe, Yeah.

1071
00:54:46,120 --> 00:54:50,200
Speaker 2: Wordplay Yeah yeah, man, he's specially with it.

1072
00:54:50,400 --> 00:54:53,400
Speaker 3: Yeah, like I like I like Wayne. I think people

1073
00:54:53,440 --> 00:54:57,160
Speaker 3: have gotten so used to this eraror in the sound

1074
00:54:57,680 --> 00:55:02,080
Speaker 3: of music in this area. Yeah, yeah, appreciate uh they.

1075
00:55:02,040 --> 00:55:04,279
Speaker 2: Got the word play, like Wayne, It's just like the

1076
00:55:04,360 --> 00:55:06,680
Speaker 2: Old Guard when you heard when you heard k r

1077
00:55:06,800 --> 00:55:09,279
Speaker 2: Is One and you heard Big Daddy Kane and you

1078
00:55:09,400 --> 00:55:14,160
Speaker 2: heard rock Camp. This guy can't see them with wordplay.

1079
00:55:14,400 --> 00:55:17,040
Speaker 2: But because you don't remember, you didn't listen to them.

1080
00:55:17,200 --> 00:55:19,359
Speaker 2: You think these guys saying there, if there's some good rappers,

1081
00:55:19,400 --> 00:55:20,520
Speaker 2: I don't want to try to I don't want to

1082
00:55:20,520 --> 00:55:23,560
Speaker 2: diminish anybody. But when it comes to wordplay, when you

1083
00:55:23,600 --> 00:55:25,680
Speaker 2: start talking about k r Is One and Big Daddy

1084
00:55:25,719 --> 00:55:29,000
Speaker 2: Kane and and and uh rock Hemp stop it.

1085
00:55:29,680 --> 00:55:31,399
Speaker 1: Wayne, Wayne is from that.

1086
00:55:32,080 --> 00:55:35,000
Speaker 3: Yeah, I think just in general obviously too with with

1087
00:55:35,080 --> 00:55:38,080
Speaker 3: the with the this era of the sound of music

1088
00:55:38,200 --> 00:55:41,400
Speaker 3: is different. I hate, I hate the word mumble wrap,

1089
00:55:41,440 --> 00:55:44,399
Speaker 3: but that that's what we're what, what's what's what's hot

1090
00:55:44,520 --> 00:55:46,640
Speaker 3: right now? And then Wayne coming back with what we

1091
00:55:46,840 --> 00:55:48,319
Speaker 3: used to hearing from back in the days, and then

1092
00:55:48,320 --> 00:55:52,040
Speaker 3: not and people maybe not liking the beats, not liking

1093
00:55:52,040 --> 00:55:53,960
Speaker 3: the beats, but not listening to the words that are

1094
00:55:54,040 --> 00:55:55,440
Speaker 3: being displayed and that he's saying.

1095
00:55:55,880 --> 00:55:58,440
Speaker 2: But again, when you could understand everything they was saying

1096
00:55:58,560 --> 00:56:00,680
Speaker 2: this rappers, I mean, kr Is One, you can understand

1097
00:56:00,719 --> 00:56:03,239
Speaker 2: everything he said. You could understand you can understand Big

1098
00:56:03,320 --> 00:56:06,000
Speaker 2: Daddy Camee what he was saying you could understand what

1099
00:56:06,280 --> 00:56:09,120
Speaker 2: rock Kim was saying. You could understand even Buster even

1100
00:56:09,160 --> 00:56:11,640
Speaker 2: though he in Twitter. They going fast, but you got

1101
00:56:11,719 --> 00:56:12,120
Speaker 2: understand it.

1102
00:56:12,160 --> 00:56:14,600
Speaker 4: And Twister understand which the tube.

1103
00:56:15,160 --> 00:56:19,080
Speaker 1: Yeah, some of these guys. Actually it was Fab five.

1104
00:56:19,080 --> 00:56:21,080
Speaker 1: Freddy was the first one that had that fast rap.

1105
00:56:21,120 --> 00:56:23,080
Speaker 2: I don't know if you remember fast for your n

1106
00:56:23,120 --> 00:56:27,400
Speaker 2: TV rap Fast five Freddy. Uh, but yeah, I like

1107
00:56:27,480 --> 00:56:29,680
Speaker 2: Wade And you know some people don't like it about men.

1108
00:56:30,000 --> 00:56:34,080
Speaker 2: He fell off. He ain't fell nowhere to me. Scooty

1109
00:56:34,120 --> 00:56:36,600
Speaker 2: Puff in the UK and O Joe Kylie and humbly

1110
00:56:36,719 --> 00:56:39,480
Speaker 2: asked if you will say prayer for our dog Leo.

1111
00:56:39,880 --> 00:56:42,319
Speaker 2: A large tumor was found in Sadly, we don't have

1112
00:56:42,440 --> 00:56:46,280
Speaker 2: much time. Leo enjoys his nightcap. He's sending his best

1113
00:56:46,320 --> 00:56:48,279
Speaker 2: school dad, Bro, you ain't gonna tell me. I know

1114
00:56:48,360 --> 00:56:52,719
Speaker 2: I've been there, I've been there. I had a bull

1115
00:56:52,840 --> 00:56:59,560
Speaker 2: Mastiff name Titan. He started walking with a limp. Took

1116
00:56:59,640 --> 00:57:01,680
Speaker 2: him to the h took him to the vet. Vet

1117
00:57:01,760 --> 00:57:07,040
Speaker 2: says mister Sharp. He says, uh, I'm looking at his

1118
00:57:07,120 --> 00:57:11,200
Speaker 2: leg and we took some fluid off it. Say mister Sharp,

1119
00:57:11,239 --> 00:57:13,840
Speaker 2: I think he got lymphoma. He says, I'm telling you

1120
00:57:13,840 --> 00:57:16,400
Speaker 2: what I did. I already called the University of Georgia,

1121
00:57:16,800 --> 00:57:19,520
Speaker 2: and uh, if you can get him there, they'll take it.

1122
00:57:20,240 --> 00:57:24,720
Speaker 2: I say, say no more, go straight to Athens. Took

1123
00:57:24,800 --> 00:57:27,400
Speaker 2: him and it just so happened. It was on the weekend.

1124
00:57:28,320 --> 00:57:31,320
Speaker 2: As a matter of fact, it was the fourth that Monday,

1125
00:57:31,360 --> 00:57:35,080
Speaker 2: so they weren't gonna be able to see him. Man. Oh,

1126
00:57:35,200 --> 00:57:38,640
Speaker 2: Joe got him, took him there that Monday. We got

1127
00:57:38,720 --> 00:57:41,880
Speaker 2: him there that Sunday. It was a Sunday, stayed Monday, Monday.

1128
00:57:42,000 --> 00:57:44,960
Speaker 2: We went back up there Tuesday, talked to him. My

1129
00:57:45,000 --> 00:57:49,800
Speaker 2: girlfriend went back up there that Wednesday. They said, mister Sharp,

1130
00:57:49,840 --> 00:57:52,240
Speaker 2: we can do radio, we can do you know, radiation

1131
00:57:52,320 --> 00:57:54,000
Speaker 2: stuff like that. But they were gonna have to put

1132
00:57:54,040 --> 00:57:56,400
Speaker 2: him to sleep. So every time you do a radiation

1133
00:57:56,400 --> 00:57:57,520
Speaker 2: you're gonna have to put him to sleep.

1134
00:57:57,840 --> 00:57:58,959
Speaker 1: And then to say for a year.

1135
00:57:59,240 --> 00:58:01,200
Speaker 2: So I'll go end up like twenty five dollars just

1136
00:58:01,200 --> 00:58:03,280
Speaker 2: to get another I said, I said, nah, I said,

1137
00:58:03,280 --> 00:58:05,720
Speaker 2: we're gonna come get it. We came and got him

1138
00:58:05,720 --> 00:58:09,440
Speaker 2: that Saturday. Yeah, called the lady that Monday. Put him down.

1139
00:58:09,520 --> 00:58:09,920
Speaker 6: Man.

1140
00:58:10,160 --> 00:58:14,480
Speaker 2: That they like family, they like kids, man, And it

1141
00:58:14,520 --> 00:58:19,600
Speaker 2: doesn't get any easier, but the joy that they give you. Ojoe,

1142
00:58:20,360 --> 00:58:21,720
Speaker 2: I can't I mean, I ain't gonna lie. I can't

1143
00:58:21,720 --> 00:58:23,080
Speaker 2: see myself being without a dog.

1144
00:58:23,280 --> 00:58:27,400
Speaker 3: Yeah see, I don't understand. I can't deal with that pain.

1145
00:58:27,800 --> 00:58:30,680
Speaker 3: I've been through that pain once, and going through that

1146
00:58:30,760 --> 00:58:33,919
Speaker 3: pain when I was old enough to understand I don't

1147
00:58:34,280 --> 00:58:36,960
Speaker 3: feel this again. That was enough for me not to

1148
00:58:37,000 --> 00:58:37,760
Speaker 3: get another dog.

1149
00:58:38,240 --> 00:58:39,200
Speaker 4: Hell, you remember when we.

1150
00:58:39,480 --> 00:58:40,840
Speaker 3: When we started the show, and you was telling me

1151
00:58:41,040 --> 00:58:43,479
Speaker 3: you would tell me about the dogs that and listen,

1152
00:58:43,560 --> 00:58:45,800
Speaker 3: I'm tearing up and you tell me about your dogs.

1153
00:58:45,800 --> 00:58:46,680
Speaker 4: They ain't even mind.

1154
00:58:47,200 --> 00:58:49,880
Speaker 3: And I'm crying just hearing what you're talking about. So

1155
00:58:49,960 --> 00:58:53,680
Speaker 3: that'll lets you know how I feel and how unstable

1156
00:58:53,720 --> 00:58:56,959
Speaker 3: I am, and how I can get for losing the pant,

1157
00:58:57,080 --> 00:58:59,120
Speaker 3: I just I can't do it no more. I can't

1158
00:58:59,120 --> 00:59:01,640
Speaker 3: have anything tad to me for that long of that

1159
00:59:01,760 --> 00:59:04,280
Speaker 3: longer period of time, and then I lose you.

1160
00:59:05,440 --> 00:59:09,680
Speaker 2: Yeah, Scooty puff bro, give him as much love as

1161
00:59:09,720 --> 00:59:14,520
Speaker 2: you possibly can, let him have his favorite treats and uh.

1162
00:59:16,120 --> 00:59:18,040
Speaker 1: And uh you know oof.

1163
00:59:19,440 --> 00:59:22,040
Speaker 2: Let him go peacefully, because at that point in time,

1164
00:59:22,720 --> 00:59:26,200
Speaker 2: it's just uh, it's not for it's not for him,

1165
00:59:26,200 --> 00:59:30,320
Speaker 2: It's for you. He'd suffering, so give him his favorite treat.

1166
00:59:30,320 --> 00:59:32,040
Speaker 2: If he like ice cream, let him have whatever he

1167
00:59:32,120 --> 00:59:35,560
Speaker 2: wants steak chicken and.

1168
00:59:35,600 --> 00:59:38,280
Speaker 1: Uh man, that's tough.

1169
00:59:40,680 --> 00:59:45,000
Speaker 2: That completes this episode of Nightcap. We're gonna thank our

1170
00:59:45,040 --> 00:59:47,960
Speaker 2: special guest Dribble for joining us. She hading some insight

1171
00:59:48,040 --> 00:59:50,600
Speaker 2: on how he goes about and teaches his NBA and

1172
00:59:50,640 --> 00:59:53,280
Speaker 2: college players their handles and getting to their spot and

1173
00:59:53,280 --> 00:59:55,520
Speaker 2: getting their shot off. Y'all know me. I am your

1174
00:59:55,520 --> 00:59:58,920
Speaker 2: favorite on Shannon Shark, my partner and co hosts Liberty City,

1175
00:59:58,960 --> 01:00:02,240
Speaker 2: his own Bengal ring Hono Repro Bowler All Pro, He's

1176
01:00:02,360 --> 01:00:05,240
Speaker 2: chat O Jyo Sinko Johnson. Please make sure you hit

1177
01:00:05,280 --> 01:00:07,920
Speaker 2: that subscribe button. Please make sure you hit the like button,

1178
01:00:08,080 --> 01:00:11,160
Speaker 2: and guys, go subscribe to the Nightcap podcast feed wherever

1179
01:00:11,400 --> 01:00:13,880
Speaker 2: you get your podcast from. We want to thank each

1180
01:00:13,920 --> 01:00:16,120
Speaker 2: and every one of you for your support and you'll

1181
01:00:16,120 --> 01:00:19,400
Speaker 2: continue support because everything that we've been able to accomplish,

1182
01:00:19,400 --> 01:00:22,160
Speaker 2: what's because of you, is because of your eyes, your ears,

1183
01:00:22,240 --> 01:00:25,000
Speaker 2: and your word of mouth that has helped Nightcap become

1184
01:00:25,160 --> 01:00:28,120
Speaker 2: what we become. And Ocho and I cannot thank you enough.

1185
01:00:29,000 --> 01:00:31,400
Speaker 2: Please make sure you check out Shade by Laportier. We

1186
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Speaker 2: do have it in stock now. If you can't find

1187
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Speaker 2: it in a city or state near you, best believe

1188
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Speaker 2: we're coming soon, very soon. Order it online and we'll

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1191
01:00:47,240 --> 01:00:50,520
Speaker 2: Please drink responsibly and drop and be safe out there.

1192
01:00:51,040 --> 01:00:53,080
Speaker 2: Please go follow my media company page on all of

1193
01:00:53,120 --> 01:00:56,280
Speaker 2: its platform Shayshed Media and my clothing Company eighty four,

1194
01:00:56,520 --> 01:00:58,919
Speaker 2: with eighty four being spelled out. The link is pined

1195
01:00:58,920 --> 01:01:01,480
Speaker 2: in the chat. Supply are limited and once they're gone,

1196
01:01:01,480 --> 01:01:05,720
Speaker 2: they're gone, so please grab yours while supplies last. We're

1197
01:01:05,760 --> 01:01:09,200
Speaker 2: back tomorrow with the third member of our team, Big three.

1198
01:01:09,920 --> 01:01:14,480
Speaker 2: All right, so Joe and special guests GP, Gary Payton. Guys,

1199
01:01:14,560 --> 01:01:17,720
Speaker 2: make sure you join us after the ball game, okay,

1200
01:01:17,760 --> 01:01:20,960
Speaker 2: see on the road against the Pacers. Thank you for

1201
01:01:21,040 --> 01:01:24,200
Speaker 2: joining us tonight. I'm unc He's Ojoe. We'll see you tomorrow.

1202
01:01:25,880 --> 01:01:26,280
Speaker 5: Theol