WEBVTT - Stealing Superman: Episode Two – Four Empty Frames

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<v Speaker 1>In early two thousand, eBay was still a little bit

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<v Speaker 1>of a novelty. The auction site hadn't even introduced the

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<v Speaker 1>buy it Now feature four items. If you wanted something,

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<v Speaker 1>you had to wait days until bidding ended, and you

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<v Speaker 1>had to hope you had the highest offer. Sniping, or

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<v Speaker 1>the act of bidding at the last possible second, could rip.

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<v Speaker 1>Some prized would be possession out of your grasp, especially

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<v Speaker 1>if someone had a broadband connection with blazing fast internet

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<v Speaker 1>speeds instead of you know, dial up. eBay was also

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<v Speaker 1>becoming a hot market for comic books. Before eBay, if

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<v Speaker 1>you wanted to buy a rare comic, you'd have to

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<v Speaker 1>go to an auction in person, or attend a comic

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<v Speaker 1>convention or by a trade publication and scan their list

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<v Speaker 1>of comics. Then may you and in order with a check.

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<v Speaker 1>But Eva was changing all that. It was democratizing the

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<v Speaker 1>buying and selling of collectibles. That's important to know in

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<v Speaker 1>order to understand what happens next. As you'll recall, comic

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<v Speaker 1>book dealer Stephen Fishler got a frantic phone call from

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<v Speaker 1>Nicholas Cage, who explained his three most prized comic books,

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<v Speaker 1>worth hundreds of thousands of dollars had been stolen. Action

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<v Speaker 1>Comics number one, Detective Comics Number twenty seven, and the

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<v Speaker 1>lesser valued but still important Detective Comics Number one vanished

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<v Speaker 1>without trace from his house in a gated community in

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<v Speaker 1>bel Air. No leads, no suspects, just a despondent cage

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<v Speaker 1>staring at empty wall frames that had once housed the

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<v Speaker 1>debuts of Superman and Batman. Stephen, of course, was key

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<v Speaker 1>bring an eye on the collector's community, looking for any

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<v Speaker 1>sign of the stolen books coming onto the market. He

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<v Speaker 1>owned his own place, Metropolis Collectibles in New York, but

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<v Speaker 1>the chances of the thief strolling into his business were slim. Still,

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<v Speaker 1>Stephen kept looking. Hope was the only currency he had

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<v Speaker 1>at the moment, and look optimism is a defining Superman trait.

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<v Speaker 1>One day, a collector showed Stephen one of his newer acquisitions.

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<v Speaker 1>It was a copy of Marvel Mystery Comics number seventy one,

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<v Speaker 1>dated April. The original human Torch is flying through the air.

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<v Speaker 1>A number of characters from ancient Egypt are shocked by

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<v Speaker 1>his appearance. His young side kick, Tora, who is also

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<v Speaker 1>on flare, is sacking someone in the gut. Another man

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<v Speaker 1>appears to be reviving Cleopatra from her sarcophagus, injecting her

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<v Speaker 1>with a strange serum. It's your typical Golden Age comic cover,

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<v Speaker 1>lots of disparate elements stitched together to compel a kid

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<v Speaker 1>to spend his one and only dime to see how

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<v Speaker 1>the hell any of this made sense These days. It's

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<v Speaker 1>a desirable comic, though not one of the most sought after.

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<v Speaker 1>Some people chase it just because the cover is cool,

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<v Speaker 1>A dynamic composition by Golden Age artist Alex Schomberg. What's

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<v Speaker 1>with the Egyptians? Well, it was just after World War

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<v Speaker 1>Two and comics needed new villains to employ. But something

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<v Speaker 1>else about it seemed strange to Stephen. Not just the

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<v Speaker 1>fact that to self immolating heroes were punching ancient Egyptians.

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<v Speaker 1>Besides that, here's Stephen to explain. He showed it to me.

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<v Speaker 1>It's a well known collector in New York, and I went, weird,

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<v Speaker 1>you get this book? And then you said, I got

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<v Speaker 1>it from this woman, and I'm looking at it. I'm

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<v Speaker 1>looking at it. This is impossible. I sold this book.

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<v Speaker 1>How could Stephen possibly know that there were hundreds of

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<v Speaker 1>copies of Marvel Mysteries number seventy one out there that

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<v Speaker 1>had survived being thrown away by parents. But this one

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<v Speaker 1>was different. Inside on the first page was a handwritten

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<v Speaker 1>sequence of numbers and letters seven eight four one dash

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<v Speaker 1>D dash three to zero. It's an old comic book.

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<v Speaker 1>Kids wrote or drew all kinds of things on them

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<v Speaker 1>before they realized. Some of them could put their kids

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<v Speaker 1>through college. But this isn't just a doodo. It's legendary

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<v Speaker 1>in the comic book collector's community because it means the

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<v Speaker 1>comic belonged to the d collection, one of the most

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<v Speaker 1>comprehensive ever assembled. It's a pedigree like a fingerprint. The

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<v Speaker 1>person who bought this comic book and thousands of others

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<v Speaker 1>wrote a code on the first page of everyone he

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<v Speaker 1>bought as a teenager and young adult. There's only one

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<v Speaker 1>Marvel Mystery Comics number with those numbers inside, and it

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<v Speaker 1>once belonged to a collector. Stephen Fishler knew, well, this

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<v Speaker 1>was exactly a book that I had sold Nick that

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<v Speaker 1>somehow left his house. Someone hadn't stolen three comics from

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<v Speaker 1>Nicholas Cage. Someone had stolen four for I Heart Radio.

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<v Speaker 1>This is stealing Superman I'm your host, Danis Schwartz, and

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<v Speaker 1>this is episode two, four empty frames. As soon as

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<v Speaker 1>Stephen got a look at the Marvel Mystery, it was

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<v Speaker 1>his turn to call Cage and a near panic. It

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<v Speaker 1>was possible he was somehow mistaken that he misremembered selling

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<v Speaker 1>it to him, that maybe it wasn't the d copy

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<v Speaker 1>Cage had bought, but no Cage confirmed it. He had

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<v Speaker 1>had a Marvel Mystery and now it was gone somehow.

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<v Speaker 1>In the chaotic aftermath of the heist, he hadn't noticed

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<v Speaker 1>it missing. Everyone's attention had been on the Big Two,

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<v Speaker 1>Action number one and Detective number twenty seven. No one

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<v Speaker 1>had noticed the weird Egypt meets Marvel comic had vanished too.

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<v Speaker 1>Nick had a run of Marvel Mystery and the only

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<v Speaker 1>Marvel Mystery missing from the house it was Marvel seventy one.

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<v Speaker 1>He had one through ninety two, I believe, but missing

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<v Speaker 1>the seventy one. And I said, well it was the

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<v Speaker 1>seventy one was taken out of the house. We're a book,

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<v Speaker 1>I went, that's it was a pedigree book with very

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<v Speaker 1>unique markings. It's the same book. So who was this

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<v Speaker 1>woman on eBay had sold the book to his collector friend.

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<v Speaker 1>eBay seller profiles usually have scant information. People can be

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<v Speaker 1>as anonymous as they like. For the most part, you

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<v Speaker 1>might buy something, even something worth thousands, and not have

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<v Speaker 1>any more information about the seller than that their screen

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<v Speaker 1>name is Biceps Due. There's just one exception. An eBay

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<v Speaker 1>profile usually offers up the user's city and state. The seller,

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<v Speaker 1>the one with cages book was in Connecticut and obviously

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<v Speaker 1>connected it to the theft. There's no way if I

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<v Speaker 1>sold in this book that a woman in Connecticut would

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<v Speaker 1>have ended up with. But that's how it happened. So

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<v Speaker 1>that was the only lead that I had. Somehow, in

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<v Speaker 1>the span of just a couple of months, this book

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<v Speaker 1>had been taken from cages home and been delivered miles

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<v Speaker 1>away and then wound up on eBay. A few fouls

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<v Speaker 1>it a monumental book on its own, but it just

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<v Speaker 1>was a book that I told them. There was just

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<v Speaker 1>one thing to do. He asked the buyer for more

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<v Speaker 1>information about the seller, and so he gave me the

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<v Speaker 1>person who got it from and that's how that we began.

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<v Speaker 1>This isn't as strange as it sounds. The rare comics

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<v Speaker 1>collecting community is small Plenty of people buy and read comics, sure,

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<v Speaker 1>but not that many deal in rare, high priced books

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<v Speaker 1>from the nineteen forties. Stephen is among the most well

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<v Speaker 1>known dealers of such paper treasures. The collector was from

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<v Speaker 1>New York, where Stephen lived. They had done business before,

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<v Speaker 1>so the comic finding its way to Stephen wasn't far fetched.

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<v Speaker 1>Most desirable comics made their way to him eventually, and

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<v Speaker 1>the man, whom Stephen prefers not to name, trusted him,

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<v Speaker 1>and so he told him that the seller was a she,

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<v Speaker 1>a woman named Kimberly. He gave Stephen a phone number

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<v Speaker 1>and an email, so Stephen began dialing, wondering if the

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<v Speaker 1>person who would pick up the phone knew that the

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<v Speaker 1>comics she had sold had been taken from the home

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<v Speaker 1>of Nicholas Cage. I had contacted the woman asking how

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<v Speaker 1>she got it, and she was very worried and defensive.

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<v Speaker 1>Kimberly did not wish to discuss where her Marvel Mystery

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<v Speaker 1>number seventy one had come from. Stephen kept trying left

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<v Speaker 1>her phone messages but got no response. Maybe she was

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<v Speaker 1>just unsettled by the question, maybe she had no idea

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<v Speaker 1>it was stolen. But then the buyer told Stephen another detail,

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<v Speaker 1>a detail that didn't do anything to convince him. Kimberly

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<v Speaker 1>was an innocent bystander. He had bought the comic in person,

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<v Speaker 1>an in person swap money for the Marvel Mystery. This

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<v Speaker 1>is the kind of thing people may do on Craigslist,

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<v Speaker 1>but on eBay, even back then, it was unusual. The

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<v Speaker 1>whole point of eBay was to find items you couldn't

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<v Speaker 1>find locally, and with relative anonymity, you could purchase them

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<v Speaker 1>safely without risk of being lured into someone's basement. But

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<v Speaker 1>Kimberly preferred a personal meeting, and the collector didn't mind.

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<v Speaker 1>Connecticut was a short drive. He had no idea the

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<v Speaker 1>comic was well questionable, and no idea why Kimberly wanted

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<v Speaker 1>to keep it offline. A cash transaction didn't leave much

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<v Speaker 1>of a paper trail. If Kimberly didn't know the comic

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<v Speaker 1>was hot, why insist on meeting up in person? Why

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<v Speaker 1>the Cloak and Dagger stuff? Stephen pondered, whoever took the

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<v Speaker 1>Marvel Mystery had taken the other books, the very rare,

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<v Speaker 1>very valuable com x. It stood to reason Kimberly probably

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<v Speaker 1>knew something about the others. So he sat down and

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<v Speaker 1>began typing another message. This one was more to the point.

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<v Speaker 1>I sent a letter quietly to this woman who somehow

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<v Speaker 1>had one of the other stolen books, the Marvel seventy one.

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<v Speaker 1>Sent her a letter and I said, you know you

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<v Speaker 1>might have gotten books. This is my only lead. I said,

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<v Speaker 1>you may have been in possession of books that could

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<v Speaker 1>be stolen, But the owner really just wants to get

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<v Speaker 1>his book back. So I said, here's a picture of

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<v Speaker 1>a book that was stolen. If you have this book,

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<v Speaker 1>I will give you ten thousand dollars. There's no questions,

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<v Speaker 1>asked finders a reward for returning this book, Thinking you

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<v Speaker 1>know she got this cheaper book, Stephen was essentially offering

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<v Speaker 1>her a finder's fee if she could procure the real treasure,

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<v Speaker 1>the action number one or the detective number twenty seven

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<v Speaker 1>or both. He mailed the letter and wait did And

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<v Speaker 1>while he waited, he thought about something else, something else

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<v Speaker 1>that was strange about seeing this comic on eBay. When

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<v Speaker 1>it disappeared from Cages House. It had been raw. That's

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<v Speaker 1>what collectors called a book that hadn't been graded by

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<v Speaker 1>a third party company, hadn't been assessed for its condition,

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<v Speaker 1>for blemishes, for an objective ten point rating of how

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<v Speaker 1>well it aged, since it was first on the stands

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<v Speaker 1>in the system. All changed in two thousand when what's

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<v Speaker 1>now called the Certified Guarantee Company or c g C

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<v Speaker 1>started looking at comics. For a fee of roughly twenty dollars.

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<v Speaker 1>C g C would take your rare comic, examine it,

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<v Speaker 1>and put it in a protective plastic case so it

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<v Speaker 1>would be forever sealed against further wear. It solved the

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<v Speaker 1>problem of a dealer and buyer having different ideas of

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<v Speaker 1>what a comics condition was. It was perfect for eBay

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<v Speaker 1>when you had to buy items site unseen. C g

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<v Speaker 1>C really took off in the early two thousand's mostly

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<v Speaker 1>because of eBay. That's Paul Lytch primary grater for c

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<v Speaker 1>g C. Back then he was the secondary greater. So

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<v Speaker 1>what CDC really did. It really gave buyers the level

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<v Speaker 1>playing field to say, no, c g C, this third party, independent,

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<v Speaker 1>impartial company gave this book that you're selling me an

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<v Speaker 1>eight five, so I'm only going to pay the eight

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<v Speaker 1>five price. C g C could make sure a comic

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<v Speaker 1>was unrestored, hadn't been messed with and they graded down

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<v Speaker 1>to the tenth of a point, from point five to

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<v Speaker 1>nine point two to rarely a ten point Oh, this

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<v Speaker 1>Marvel Mystery scored very very high, a nine point four,

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<v Speaker 1>close to perfect. Once a book is slabbed, it's protected

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<v Speaker 1>against a lot of things that age old comics which

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<v Speaker 1>were never printed to last, Cheap ink and cheap paper degrade.

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<v Speaker 1>So with the micro chamber paper in there, it will

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<v Speaker 1>help aging of the book and it will help it

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<v Speaker 1>with environmental storage problems that may happen down the road

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<v Speaker 1>depending on how you store your comics. So that comic

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<v Speaker 1>is then placed into an inner well. In the inner

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<v Speaker 1>well we have many, many different sizes that are custom

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<v Speaker 1>made for comics. That inner well is sealed on all

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<v Speaker 1>the edges and then it is placed in the outer

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<v Speaker 1>acrylic folder, which is just an acrylic plastic, very sturdy,

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<v Speaker 1>and that is sonically sealed and welded shut. And so

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<v Speaker 1>you have a tamper evidence very what's the word. I'm

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<v Speaker 1>looking for safe way to store your comics and archipe

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<v Speaker 1>a nice archival way to protect your comics and protect

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<v Speaker 1>them from any kind of other damage that could happen

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<v Speaker 1>just with life. So someone had thoughtfully taken Cage's stolen

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<v Speaker 1>comic and decided it deserved archival protection, at which point

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<v Speaker 1>it was sent to c g C for grading before

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<v Speaker 1>being auctioned on eBay. Someone wanted to squeeze every last

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<v Speaker 1>dollar out of its value, which was contrary to most

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<v Speaker 1>stolen goods, where getting a fraction of an item's worth

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<v Speaker 1>is usually good enough. This was well bold. Imagine swiping

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<v Speaker 1>a painting from a wall and then going to get

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<v Speaker 1>it appraised in the hopes word hadn't yet reached the

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<v Speaker 1>expert about the art going missing, or going to a

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<v Speaker 1>framing store with a swiped van go to pick out

0:15:53.480 --> 0:15:57.680
<v Speaker 1>the perfect frame for your wall. Kimberly either didn't know

0:15:57.880 --> 0:16:01.720
<v Speaker 1>it had been stolen, or knew but figured it was

0:16:01.800 --> 0:16:05.800
<v Speaker 1>one of many Marvel Mystery comics. She didn't seem to

0:16:05.800 --> 0:16:09.800
<v Speaker 1>have any idea it was a D copy, one instantly

0:16:09.960 --> 0:16:16.440
<v Speaker 1>recognizable someone had slipped it. Suggested that the thief knew

0:16:16.560 --> 0:16:20.480
<v Speaker 1>enough about comics to grab the most valuable ones, but

0:16:20.640 --> 0:16:23.200
<v Speaker 1>wasn't that much of an insider to know about the

0:16:23.320 --> 0:16:29.720
<v Speaker 1>D collection. It revealed something else too. The comics were

0:16:29.800 --> 0:16:34.200
<v Speaker 1>taken from Cage's home just days before c g C

0:16:34.560 --> 0:16:40.800
<v Speaker 1>officially opened for business just days c g C began

0:16:40.920 --> 0:16:46.280
<v Speaker 1>accepting submissions from the public on January first, two thousand.

0:16:47.160 --> 0:16:51.840
<v Speaker 1>It's possible that whoever took Cage's comics wanted to get

0:16:51.880 --> 0:16:57.320
<v Speaker 1>ahead of c g C, ahead of Cage, possibly submitting

0:16:57.560 --> 0:17:01.120
<v Speaker 1>his valuable books to be slabbed and therefore making them

0:17:01.160 --> 0:17:05.640
<v Speaker 1>harder to steal. Each slabbed c g C comic carries

0:17:05.720 --> 0:17:09.520
<v Speaker 1>a certification number. There would be no way of reselling

0:17:09.520 --> 0:17:13.280
<v Speaker 1>it in its c g C case without someone realizing

0:17:13.320 --> 0:17:16.960
<v Speaker 1>it had been stolen. Someone would have to take it out,

0:17:17.720 --> 0:17:22.000
<v Speaker 1>crack the slab, make it a raw book again. It

0:17:22.040 --> 0:17:26.080
<v Speaker 1>would be harder. Whoever took the comics may have been

0:17:26.119 --> 0:17:29.960
<v Speaker 1>knowledgeable enough to know that if they waited any longer,

0:17:30.560 --> 0:17:34.159
<v Speaker 1>the comics might be off to c g C for submission.

0:17:34.680 --> 0:17:39.280
<v Speaker 1>Than in case and trackable, we have helped our chatboards.

0:17:39.440 --> 0:17:43.159
<v Speaker 1>Dealers have listed books and the serial numbers and the

0:17:43.240 --> 0:17:46.560
<v Speaker 1>grades that have been stolen from their shops, and our

0:17:46.760 --> 0:17:50.880
<v Speaker 1>comic book community has helped find them. And it has helped,

0:17:51.000 --> 0:17:55.119
<v Speaker 1>but unfortunately still some tests do happen. But it also

0:17:55.240 --> 0:18:00.240
<v Speaker 1>presented another avenue for Stephen to explore. Anyone submit to

0:18:00.480 --> 0:18:03.560
<v Speaker 1>c g C had to provide a name and return

0:18:03.640 --> 0:18:06.280
<v Speaker 1>address to get their comic book back from their office

0:18:06.320 --> 0:18:10.920
<v Speaker 1>in New Jersey unless they submitted it through a participating dealer.

0:18:11.720 --> 0:18:14.560
<v Speaker 1>So Stephen reached out to a contact at c g

0:18:14.720 --> 0:18:19.639
<v Speaker 1>C to see if he could learn anything else. In fact,

0:18:19.840 --> 0:18:23.040
<v Speaker 1>Stephen had actually helped get c g C off the ground,

0:18:23.359 --> 0:18:26.480
<v Speaker 1>helping map out what the ten point grading system should

0:18:26.480 --> 0:18:31.840
<v Speaker 1>look like, and he discovered something very interesting about Kimberly.

0:18:32.520 --> 0:18:35.119
<v Speaker 1>She apparently called c g C and said, the c

0:18:35.320 --> 0:18:38.760
<v Speaker 1>g C g about personal information about who it's a grade.

0:18:38.760 --> 0:18:42.680
<v Speaker 1>It's something about that. Whole situation looked pretty bad. Kimberly

0:18:42.920 --> 0:18:47.720
<v Speaker 1>from Connecticut was definitely getting worried. She didn't know Stephen

0:18:47.800 --> 0:18:51.760
<v Speaker 1>had already gotten her information from the buyer. C g C,

0:18:52.160 --> 0:18:56.240
<v Speaker 1>for the record, didn't provide any further details about Kimberly

0:18:56.320 --> 0:19:00.119
<v Speaker 1>to Stephen, but what they had done was confirmed what

0:19:00.240 --> 0:19:03.399
<v Speaker 1>he already knew to be true that the comic he

0:19:03.560 --> 0:19:08.000
<v Speaker 1>sold Cage was undoubtedly part of the d collection. If

0:19:08.000 --> 0:19:12.560
<v Speaker 1>Stephen had any doubt before c g C provided authentication,

0:19:13.280 --> 0:19:17.840
<v Speaker 1>they always noted a comics pedigree on their label. Kimberly

0:19:17.920 --> 0:19:21.840
<v Speaker 1>had taken steps to guarantee that it was Cages comic

0:19:22.119 --> 0:19:26.840
<v Speaker 1>beyond all doubt. So out of those four comics, why

0:19:26.960 --> 0:19:32.440
<v Speaker 1>had this one, the least valuable, least important, come up first.

0:19:33.080 --> 0:19:35.880
<v Speaker 1>Why wouldn't the person who grabbed it from Cage's home

0:19:36.520 --> 0:19:39.240
<v Speaker 1>try to cash in on the action number one for

0:19:39.359 --> 0:19:43.359
<v Speaker 1>two hundred thousand dollars? Why not in case that one

0:19:43.600 --> 0:19:46.440
<v Speaker 1>in a C G C slab and shoot for the stars.

0:19:47.280 --> 0:19:51.960
<v Speaker 1>It's a marvel mystery mystery. So we asked someone who

0:19:52.040 --> 0:19:56.080
<v Speaker 1>might know. We asked an art thief. Well, what did

0:19:56.160 --> 0:19:59.120
<v Speaker 1>she want? Attitude is I never give anyone the benefit

0:19:59.119 --> 0:20:02.320
<v Speaker 1>of the doubt, and God everyone is despicable as each other.

0:20:02.520 --> 0:20:05.000
<v Speaker 1>And if you go into these things with that attitude,

0:20:05.040 --> 0:20:24.119
<v Speaker 1>you normally can't go far wrong. Okay, so let's be clear.

0:20:24.480 --> 0:20:30.480
<v Speaker 1>We asked a reformed art thief, a man named Paul Hendry.

0:20:30.840 --> 0:20:33.760
<v Speaker 1>Paul is from the UK, and for years he made

0:20:33.840 --> 0:20:38.000
<v Speaker 1>a dishonest living as a knocker. That's a person who

0:20:38.040 --> 0:20:42.000
<v Speaker 1>would find reasons to get inside someone's house and assess

0:20:42.080 --> 0:20:46.399
<v Speaker 1>their belongings for anything worth stealing. If he found something good,

0:20:46.520 --> 0:20:50.359
<v Speaker 1>he'd rope in some co conspirators, the people doing the

0:20:50.480 --> 0:20:55.320
<v Speaker 1>actual liberation of the goods. Well, yes, I was born

0:20:55.359 --> 0:20:58.359
<v Speaker 1>in Brighton on the South Coach of the UK in

0:20:58.480 --> 0:21:02.159
<v Speaker 1>nine and was adopted. And then when I was twelve,

0:21:02.240 --> 0:21:04.080
<v Speaker 1>I went out on the knocker, which is something where

0:21:04.119 --> 0:21:06.800
<v Speaker 1>you knock on people's heals you try to buy antiques.

0:21:07.040 --> 0:21:10.760
<v Speaker 1>I moved swiftly up the food chain and started organizing

0:21:10.840 --> 0:21:13.920
<v Speaker 1>thefts from country houses, and then I became very, very

0:21:13.960 --> 0:21:16.840
<v Speaker 1>successful in the nineteen eighties, and then I gave up

0:21:16.920 --> 0:21:19.639
<v Speaker 1>the business early nineties when my son was born, and

0:21:19.680 --> 0:21:22.359
<v Speaker 1>I went to university and got a BA honors degree

0:21:22.359 --> 0:21:26.360
<v Speaker 1>in American Social Studies and a master's degree in contemporary history.

0:21:26.840 --> 0:21:30.600
<v Speaker 1>And I now commentate on art related crime because I've

0:21:30.600 --> 0:21:35.440
<v Speaker 1>seen it from both perspectives. Paul has helped the FBI,

0:21:35.880 --> 0:21:41.360
<v Speaker 1>foreign Law Enforcement, and local bureaus find and recover stolen artworks.

0:21:41.359 --> 0:21:45.160
<v Speaker 1>He's well versed in what happens when someone steals one

0:21:45.160 --> 0:21:48.160
<v Speaker 1>of a kind pieces and then tries to figure out

0:21:48.200 --> 0:21:51.080
<v Speaker 1>what to do with them. Well, yes, people call me

0:21:51.160 --> 0:21:54.200
<v Speaker 1>the art crime on Bardsman. So really, when I see

0:21:54.240 --> 0:21:57.240
<v Speaker 1>wrong doing, whoever's doing it, whether it's law enforcement, the

0:21:57.280 --> 0:22:02.639
<v Speaker 1>insurance industry, private art detect chie's themes handless whoever, I

0:22:02.680 --> 0:22:05.280
<v Speaker 1>call everyone out. So to be honest with you, I

0:22:05.440 --> 0:22:09.880
<v Speaker 1>upset everyone at some point each time, and the fact

0:22:10.040 --> 0:22:13.919
<v Speaker 1>that the Marvel Mystery, the least valuable comic in the bunch,

0:22:14.160 --> 0:22:17.520
<v Speaker 1>was the first to surface, doesn't surprise him one bit.

0:22:18.119 --> 0:22:21.520
<v Speaker 1>Like obviously the person put it on eBay testing the water.

0:22:21.640 --> 0:22:24.600
<v Speaker 1>It's a test balloon scene whether it can slip through

0:22:24.680 --> 0:22:29.120
<v Speaker 1>the market without coming on top without being discovered. Remember,

0:22:29.400 --> 0:22:33.320
<v Speaker 1>two of the four comics were the two rarest The

0:22:33.400 --> 0:22:37.680
<v Speaker 1>other two the Marvel Mystery and the Detective Number one, weren't.

0:22:38.400 --> 0:22:42.440
<v Speaker 1>The Action Number One was worth at least two hundred

0:22:42.680 --> 0:22:48.040
<v Speaker 1>thousand dollars, the Marvel Mystery about a thousand dollars. To

0:22:48.119 --> 0:22:51.520
<v Speaker 1>be honest with you, because of the large discrepancies in value,

0:22:51.640 --> 0:22:54.760
<v Speaker 1>I will be leaning towards they took those to use

0:22:54.840 --> 0:22:57.199
<v Speaker 1>a test balloons and the proof of putting in that is,

0:22:57.240 --> 0:23:00.680
<v Speaker 1>the first comic that surfaced in Connecticut was the lesser

0:23:00.760 --> 0:23:04.119
<v Speaker 1>valued one, right, So I would actually look towards that

0:23:04.160 --> 0:23:06.880
<v Speaker 1>as Yes, they took one very valuable one and one

0:23:06.960 --> 0:23:10.480
<v Speaker 1>less valuable one, one very valuable one, one less valuable

0:23:10.480 --> 0:23:14.119
<v Speaker 1>one to use as bargaining chips as a test balloon.

0:23:16.119 --> 0:23:19.920
<v Speaker 1>If the Marvel Mystery had gone undetected. It was entirely

0:23:20.000 --> 0:23:24.320
<v Speaker 1>possible that the more valuable comics would have surfaced soon

0:23:24.400 --> 0:23:28.760
<v Speaker 1>after the Action number one and detective number twenty seven.

0:23:29.359 --> 0:23:33.360
<v Speaker 1>Maybe they'd be in shiny new c g C slabs

0:23:33.400 --> 0:23:37.600
<v Speaker 1>ready to be framed or displayed. Maybe they already were

0:23:38.160 --> 0:23:41.520
<v Speaker 1>c g C. After all, couldn't possibly be suspicious of

0:23:41.640 --> 0:23:44.680
<v Speaker 1>every comic that was submitted to them, or treat the

0:23:44.720 --> 0:23:48.920
<v Speaker 1>submitter as though they were a thief. But the Marvel

0:23:49.000 --> 0:23:54.320
<v Speaker 1>Mystery did not go undetected. Stephen detected it. This was

0:23:54.359 --> 0:23:59.360
<v Speaker 1>a real lead, tangible, verifiable proof that at least one

0:23:59.400 --> 0:24:02.600
<v Speaker 1>of the comic was out there, and proof that the

0:24:02.640 --> 0:24:05.959
<v Speaker 1>comics weren't taken as a prank or had some home

0:24:06.040 --> 0:24:10.639
<v Speaker 1>been misplaced. Whoever had taken the comics had not done

0:24:10.680 --> 0:24:14.040
<v Speaker 1>so for their own personal pleasure to have some kind

0:24:14.040 --> 0:24:18.040
<v Speaker 1>of illicit comic book collection for their eyes only. The

0:24:18.160 --> 0:24:26.840
<v Speaker 1>Marvel Mystery was put up for sale for money. You

0:24:26.920 --> 0:24:30.600
<v Speaker 1>have to remember art, be a comic, a painting, a sculpture,

0:24:30.760 --> 0:24:33.639
<v Speaker 1>or anything. He's just a commodity, and that they steal

0:24:33.720 --> 0:24:37.320
<v Speaker 1>them because they pan and then they try to monetize them. Now,

0:24:37.560 --> 0:24:41.879
<v Speaker 1>comics are like say, musical instruments, they're quite unique and

0:24:41.960 --> 0:24:45.440
<v Speaker 1>knee market for them, and collectors market is a very

0:24:45.560 --> 0:24:49.240
<v Speaker 1>very small market. The majority of art crime is against

0:24:49.280 --> 0:24:53.359
<v Speaker 1>personal householders where they have art and antique stolen with

0:24:53.560 --> 0:24:56.720
<v Speaker 1>values ranging from say a thousand dollars up to ten

0:24:56.800 --> 0:25:00.400
<v Speaker 1>tho dollars and maybe a hundred thousand dollars, and those

0:25:00.480 --> 0:25:04.320
<v Speaker 1>things happened every day of the week all over the world.

0:25:04.800 --> 0:25:07.200
<v Speaker 1>Every now and again you get a big heist from

0:25:07.280 --> 0:25:11.200
<v Speaker 1>a museum where paintings worth millions and tens and hundreds

0:25:11.200 --> 0:25:15.400
<v Speaker 1>of millions of dollars stolen and then either ransom back

0:25:15.440 --> 0:25:19.639
<v Speaker 1>to the insurance company or victims, or they're held as

0:25:19.720 --> 0:25:23.359
<v Speaker 1>collateral and used within the underworld in drug deals because

0:25:23.440 --> 0:25:25.760
<v Speaker 1>the moving of money around the world is much more

0:25:25.760 --> 0:25:29.840
<v Speaker 1>difficult because of money laundering laws. So these comics, including

0:25:29.880 --> 0:25:32.840
<v Speaker 1>the Superman ones and all of them, are just a commodity.

0:25:33.160 --> 0:25:35.679
<v Speaker 1>If you put it in a safety deposit box, you

0:25:35.720 --> 0:25:37.760
<v Speaker 1>can give the person that you're going to borrow some

0:25:37.840 --> 0:25:40.600
<v Speaker 1>money off, or you're going to get some narcotics off.

0:25:40.680 --> 0:25:43.040
<v Speaker 1>You give them the key to the ux and access

0:25:43.080 --> 0:25:45.440
<v Speaker 1>to it as collateral, and then when you sell the

0:25:45.520 --> 0:25:47.640
<v Speaker 1>drugs to pay the money back, you can then get

0:25:47.640 --> 0:25:53.240
<v Speaker 1>the access back again when the cage books went missing.

0:25:53.720 --> 0:25:56.840
<v Speaker 1>When any art goes missing, there's always a question of

0:25:56.880 --> 0:26:00.040
<v Speaker 1>whether it was an impulsive crime, something done at a

0:26:00.119 --> 0:26:04.080
<v Speaker 1>spur of the moment, or something premeditated. And if it

0:26:04.160 --> 0:26:08.400
<v Speaker 1>were premeditated, whether the thief knew exactly where the comics

0:26:08.440 --> 0:26:11.800
<v Speaker 1>were going to go, whether they had a buyer already

0:26:11.920 --> 0:26:15.440
<v Speaker 1>lined up. If not, how else could one of them

0:26:15.480 --> 0:26:19.280
<v Speaker 1>get from Los Angeles to Connecticut so quickly. If this

0:26:19.440 --> 0:26:22.600
<v Speaker 1>would a carefully playing theath, then the people would have

0:26:22.640 --> 0:26:24.920
<v Speaker 1>eva had someone that they were going to sell them

0:26:24.920 --> 0:26:28.240
<v Speaker 1>too straightaway already sold it out, or they would at

0:26:28.320 --> 0:26:30.879
<v Speaker 1>least know where they were going to monetize them or

0:26:30.920 --> 0:26:33.920
<v Speaker 1>what they were going to do with them afterwards. Bob

0:26:33.960 --> 0:26:37.760
<v Speaker 1>Whitman x FBI Art Crime Team Boss, he's got a

0:26:37.800 --> 0:26:40.120
<v Speaker 1>good saying, you know, aren't Thieves are very good at

0:26:40.119 --> 0:26:43.680
<v Speaker 1>steam in art, but they're terrible businessmen and terrible at

0:26:43.680 --> 0:26:47.640
<v Speaker 1>trying to monetize the art once they've stolen it. Were

0:26:47.680 --> 0:26:52.359
<v Speaker 1>it not for that infernal decollection marking, the Marvel Mysteries

0:26:52.400 --> 0:26:56.840
<v Speaker 1>could have passed unnoticed. Comics have the benefit of being

0:26:56.880 --> 0:27:01.159
<v Speaker 1>printed in multiples. Most art is one of one and

0:27:01.200 --> 0:27:05.040
<v Speaker 1>therefore much harder to return to a legitimate market. Well,

0:27:05.119 --> 0:27:08.320
<v Speaker 1>a lot of art theft, you see, is opportunisty or

0:27:08.400 --> 0:27:10.760
<v Speaker 1>even those that are planning right, they put a lot

0:27:10.800 --> 0:27:14.199
<v Speaker 1>of planning into the actual ceiling of the artwork, but

0:27:14.320 --> 0:27:16.280
<v Speaker 1>not so much planning there's what they're going to do

0:27:16.359 --> 0:27:18.840
<v Speaker 1>with them once they've stolen them, and then they find

0:27:18.880 --> 0:27:21.000
<v Speaker 1>that it's even in the art world, it's a very

0:27:21.080 --> 0:27:24.399
<v Speaker 1>very exclusive club and it's very very difficult if you

0:27:24.400 --> 0:27:27.080
<v Speaker 1>don't know the right context to know what to do

0:27:27.160 --> 0:27:29.760
<v Speaker 1>with these things, unless, of coursehip was something like, I

0:27:29.760 --> 0:27:32.000
<v Speaker 1>mean there's a gang in the UK. Then they raised

0:27:32.080 --> 0:27:36.800
<v Speaker 1>stately homes. Now they sold a solid gold toilet that

0:27:36.920 --> 0:27:40.040
<v Speaker 1>was being exhibited at Blenheim Palace. And this solid gold

0:27:40.080 --> 0:27:43.160
<v Speaker 1>toilet ways, it's something like a hundred and twenty teals,

0:27:43.359 --> 0:27:45.480
<v Speaker 1>and they ripped it out of where it's been exhibited.

0:27:46.119 --> 0:27:48.119
<v Speaker 1>They cut it up and they put it in the

0:27:48.160 --> 0:27:51.919
<v Speaker 1>melting pot for five million dollars and it was insured

0:27:52.000 --> 0:27:54.920
<v Speaker 1>for six million dollars. But it got mounted down, you see,

0:27:54.960 --> 0:27:57.159
<v Speaker 1>so that the work of art that could just literally

0:27:57.200 --> 0:28:00.440
<v Speaker 1>be monetized because of the material that it was made

0:28:00.480 --> 0:28:02.800
<v Speaker 1>by it there was also place where there was a

0:28:02.840 --> 0:28:06.760
<v Speaker 1>diamond tr in Portland, Tiara that was stolen worth millions

0:28:06.800 --> 0:28:09.560
<v Speaker 1>of dollars. They just popped all the big diamonds out

0:28:09.560 --> 0:28:12.440
<v Speaker 1>of it and melted down the frame and sold the

0:28:12.520 --> 0:28:16.160
<v Speaker 1>stones for a few hundred thousand dollars. So there are

0:28:16.160 --> 0:28:18.320
<v Speaker 1>different things. I mean with this comic, you couldn't do

0:28:18.359 --> 0:28:21.880
<v Speaker 1>anything like that because it's an an animal object, something

0:28:21.880 --> 0:28:24.720
<v Speaker 1>that you can't change it into anything. But again, it

0:28:24.800 --> 0:28:28.040
<v Speaker 1>needs something that could be used as collateral by the underworld.

0:28:28.119 --> 0:28:30.040
<v Speaker 1>But you've got to get it into the underworld, and

0:28:30.080 --> 0:28:31.920
<v Speaker 1>from what I can see, I don't think they ever

0:28:31.960 --> 0:28:36.240
<v Speaker 1>really reached the underworld with this. Unfortunately, this was no

0:28:36.359 --> 0:28:40.680
<v Speaker 1>golden toilet, but it was altered in a way when

0:28:40.680 --> 0:28:43.880
<v Speaker 1>it was stolen from Cage's house. It was raw. Now

0:28:43.960 --> 0:28:47.640
<v Speaker 1>it was slabbed. Kimberly may have wanted to give the

0:28:47.680 --> 0:28:51.280
<v Speaker 1>comic a fresh start, have it appeared to be something

0:28:51.360 --> 0:28:55.680
<v Speaker 1>other than what had gone missing. Some art is stolen

0:28:55.880 --> 0:29:00.360
<v Speaker 1>for ransom, kind of a Lindberg baby situation, a kid nothing.

0:29:01.000 --> 0:29:03.600
<v Speaker 1>The intent isn't to try to move it on the market,

0:29:03.680 --> 0:29:06.880
<v Speaker 1>but to tempt the owner with it if some kind

0:29:06.880 --> 0:29:10.000
<v Speaker 1>of agreement can be made to dangle the art in

0:29:10.080 --> 0:29:12.640
<v Speaker 1>front of the nose of the victim and promise it's

0:29:12.680 --> 0:29:16.880
<v Speaker 1>safe return in exchange for a fee. Stephen Fishler had

0:29:17.000 --> 0:29:21.760
<v Speaker 1>essentially done that in reverse. He proactively offered a reward

0:29:21.840 --> 0:29:27.320
<v Speaker 1>to the mysterious Kimberly from Connecticut. The question was would

0:29:27.320 --> 0:29:48.720
<v Speaker 1>she bite guilty or not? Kimberly was not playing it cool.

0:29:49.400 --> 0:29:52.480
<v Speaker 1>She had phoned c g C in a panic, hoping

0:29:52.640 --> 0:29:56.440
<v Speaker 1>they wouldn't give out her personal information. She refused to

0:29:56.440 --> 0:30:00.200
<v Speaker 1>speak to Stephen, and when Stephen offered her a monetary

0:30:00.240 --> 0:30:03.920
<v Speaker 1>reward that was virtually ten times with the Marvel Mystery

0:30:04.040 --> 0:30:08.840
<v Speaker 1>was worth, she never responded. But Stephen wasn't out of options.

0:30:09.440 --> 0:30:13.200
<v Speaker 1>In addition to offering Kimberly a reward, he reached out

0:30:13.240 --> 0:30:17.160
<v Speaker 1>to Los Angeles Detective Donald Harrisik, the man who was

0:30:17.280 --> 0:30:21.560
<v Speaker 1>leading the investigation into the heist. Stephen expected harre sick

0:30:21.640 --> 0:30:25.960
<v Speaker 1>to do something. Make a call, contact the Connecticut police,

0:30:26.560 --> 0:30:30.560
<v Speaker 1>follow the only lead anyone had. Maybe not kicked down

0:30:30.560 --> 0:30:35.080
<v Speaker 1>her door, but something. I got a feeling from what

0:30:35.200 --> 0:30:38.719
<v Speaker 1>I heard about this woman's reaction. Who I contacted asking

0:30:38.760 --> 0:30:41.360
<v Speaker 1>how she got this Marvel mystery, she got very panicky,

0:30:41.560 --> 0:30:44.040
<v Speaker 1>so I said to the police, she's acting like she

0:30:44.120 --> 0:30:47.360
<v Speaker 1>contacted the company graded the book for her and was

0:30:47.400 --> 0:30:50.800
<v Speaker 1>worried that they would reveal her information. And when that's

0:30:50.840 --> 0:30:55.440
<v Speaker 1>somebody who knew that book was questionable. According to Stephen,

0:30:55.880 --> 0:31:01.960
<v Speaker 1>Detective Harrisick wasn't as enthusiastic as one might expect. Well.

0:31:02.000 --> 0:31:04.920
<v Speaker 1>He was annoyed that I contacted the woman directly and

0:31:04.960 --> 0:31:08.960
<v Speaker 1>now she won't talk to him. You're the police, I said,

0:31:09.040 --> 0:31:10.920
<v Speaker 1>call her up and see who you are. You know,

0:31:11.120 --> 0:31:13.880
<v Speaker 1>I don't think police work. Ended with the notion of

0:31:14.040 --> 0:31:17.440
<v Speaker 1>she won't talk to me. When Kimberly refused to talk

0:31:17.480 --> 0:31:20.600
<v Speaker 1>to her, Sick, it seemed as though he just well

0:31:20.960 --> 0:31:25.280
<v Speaker 1>gave up her re Sick was less than curious. Stephen

0:31:25.360 --> 0:31:29.080
<v Speaker 1>knew that Cage had his own security personnel working on things,

0:31:29.560 --> 0:31:32.360
<v Speaker 1>so he reached out to them to let them know

0:31:32.640 --> 0:31:36.400
<v Speaker 1>that a woman named Kimberly in Connecticut was in possession

0:31:36.520 --> 0:31:40.920
<v Speaker 1>of one of Cage's comics without question or doubt. The

0:31:41.000 --> 0:31:45.280
<v Speaker 1>d copy. Yeah, I had spoken to Oh, absolutely, just

0:31:45.320 --> 0:31:47.000
<v Speaker 1>give me an update, I said, I have found a

0:31:47.040 --> 0:31:50.120
<v Speaker 1>book that left Nick's house and it was transacted off

0:31:50.120 --> 0:31:52.600
<v Speaker 1>the v Bay by a woman in Connecticut. Well, they

0:31:52.600 --> 0:31:55.920
<v Speaker 1>found it interesting, but I'll be honest, it seemed a

0:31:55.920 --> 0:31:59.240
<v Speaker 1>bit like they were being annoyed by me. Why Nick

0:31:59.320 --> 0:32:03.120
<v Speaker 1>had a purity person I cannot remember his name in place.

0:32:03.560 --> 0:32:06.600
<v Speaker 1>A little bit after that and I all right, we'll

0:32:06.600 --> 0:32:10.040
<v Speaker 1>have the security person follow up on this. Why am

0:32:10.040 --> 0:32:13.960
<v Speaker 1>I doing this? And the security person didn't seem to

0:32:13.960 --> 0:32:16.880
<v Speaker 1>be bothered by trying to track this down. I mean,

0:32:16.920 --> 0:32:20.200
<v Speaker 1>I found it a little frustrating talking to Nick's people

0:32:20.520 --> 0:32:23.440
<v Speaker 1>when something's not let me just makes sense here, like

0:32:23.560 --> 0:32:25.640
<v Speaker 1>I could have been talking to somebody who stole it,

0:32:25.880 --> 0:32:28.480
<v Speaker 1>like they didn't want to deal with it, and maybe

0:32:28.480 --> 0:32:30.719
<v Speaker 1>they had. I don't know, to be honest, I just

0:32:30.760 --> 0:32:35.240
<v Speaker 1>don't know. There was some weirdness going on. Instead of wow,

0:32:35.360 --> 0:32:38.640
<v Speaker 1>Steve's really trying to find the book, it became wow,

0:32:38.720 --> 0:32:41.760
<v Speaker 1>Steve's really annoying us. I said to myself at the time,

0:32:41.800 --> 0:32:46.200
<v Speaker 1>I said, this is bizarre. It is bizarre. And Paul

0:32:46.280 --> 0:32:49.640
<v Speaker 1>Hendry has a theory about that too. The police will

0:32:49.680 --> 0:32:51.800
<v Speaker 1>go out to Shay the person in Connecticut and try

0:32:51.880 --> 0:32:53.560
<v Speaker 1>to track it back from there. The fact that I

0:32:53.640 --> 0:32:58.320
<v Speaker 1>didn't do it makes you wanted a lot about this, Like, well,

0:32:58.400 --> 0:33:01.480
<v Speaker 1>initially I think We've got a look that behavior, and

0:33:01.520 --> 0:33:05.760
<v Speaker 1>any investigator would look at that behavior. Has perhaps Nicolas

0:33:05.800 --> 0:33:09.200
<v Speaker 1>Cage has some idea of who stole these things and

0:33:09.280 --> 0:33:11.800
<v Speaker 1>the reason that they stold them, because, to be honest

0:33:11.840 --> 0:33:14.160
<v Speaker 1>with you, you know what celebrities are like. If this

0:33:14.240 --> 0:33:17.480
<v Speaker 1>was just a genuine theft and Nicolas Cage is a

0:33:17.560 --> 0:33:20.000
<v Speaker 1>victim of this theft, it would have been all over

0:33:20.040 --> 0:33:22.600
<v Speaker 1>the news and it would have given interviews because you know,

0:33:22.680 --> 0:33:25.960
<v Speaker 1>in that world, Oscar Wilde said, the only thing worse

0:33:26.040 --> 0:33:29.680
<v Speaker 1>than bad publicity is no publicity, and this would have

0:33:29.760 --> 0:33:32.160
<v Speaker 1>given a platform for Nicolas Cage to say he's a

0:33:32.240 --> 0:33:34.840
<v Speaker 1>victim of an art theft. We've seen it before when

0:33:34.880 --> 0:33:37.600
<v Speaker 1>famous people have been robbed. I mean they've gone out

0:33:37.600 --> 0:33:39.760
<v Speaker 1>and they said, we'd like the things back, and they

0:33:39.800 --> 0:33:45.160
<v Speaker 1>contact the police. But at this point, Cage had still

0:33:45.320 --> 0:33:49.160
<v Speaker 1>not gone public with the theft, and neither the police

0:33:49.240 --> 0:33:54.840
<v Speaker 1>nor his security seemed enthusiastic about pursuing the Kimberly situation.

0:33:55.760 --> 0:33:59.160
<v Speaker 1>Cages people did send a letter to her, and according

0:33:59.200 --> 0:34:02.520
<v Speaker 1>to what Stephen was told, Kimberly sent a letter back

0:34:03.000 --> 0:34:07.840
<v Speaker 1>insisting they were harassing her. So it's possible Nicholas Cage

0:34:07.880 --> 0:34:11.120
<v Speaker 1>didn't want to be perceived as someone who was ordering

0:34:11.200 --> 0:34:14.600
<v Speaker 1>his staff to bother a strange woman who may or

0:34:14.640 --> 0:34:18.560
<v Speaker 1>may not know anything about his stolen comic books. That's

0:34:18.560 --> 0:34:22.680
<v Speaker 1>a weird National Enquirer worthy headline. But she was the

0:34:22.800 --> 0:34:26.399
<v Speaker 1>only link to the heist, So why didn't anyone make

0:34:26.440 --> 0:34:29.279
<v Speaker 1>more of an effort to question her? I think, as

0:34:29.360 --> 0:34:32.160
<v Speaker 1>we've gone through the whole story, it really is a

0:34:32.239 --> 0:34:35.080
<v Speaker 1>Russian dole. You're opening more and more layers, You're peeling

0:34:35.080 --> 0:34:38.120
<v Speaker 1>back the onion and every kind of stop. There is

0:34:38.200 --> 0:34:41.160
<v Speaker 1>something there that doesn't smell right, it doesn't taste right,

0:34:41.200 --> 0:34:44.480
<v Speaker 1>and doesn't look right. And in the normal world of things,

0:34:44.920 --> 0:34:47.520
<v Speaker 1>this is not only what would happen, from the theft

0:34:47.520 --> 0:34:49.759
<v Speaker 1>of it to the handling of it to the surfacing

0:34:50.160 --> 0:34:54.960
<v Speaker 1>Stephen Fishler agrees. And I gave the police this lead

0:34:55.400 --> 0:34:57.839
<v Speaker 1>and they were really just not doing much with it,

0:34:58.000 --> 0:34:59.759
<v Speaker 1>and I said, all right, well, here's the book that

0:34:59.840 --> 0:35:02.680
<v Speaker 1>he from Nick's house. This is my only lead. The

0:35:02.760 --> 0:35:05.480
<v Speaker 1>police don't seem to have the wherewithal to really follow

0:35:05.520 --> 0:35:09.000
<v Speaker 1>it up or the motivation, and I just became like

0:35:09.080 --> 0:35:12.520
<v Speaker 1>the crazy uncle who was still trying to find these books.

0:35:12.960 --> 0:35:15.600
<v Speaker 1>And the detective zombie as a sort of a nuisance.

0:35:16.280 --> 0:35:19.440
<v Speaker 1>But that was then and this is now. Time has

0:35:19.480 --> 0:35:24.239
<v Speaker 1>passed and you're probably thinking, well, why not try to

0:35:24.280 --> 0:35:30.040
<v Speaker 1>find Kimberly today. There's one hurdle to overcome. Kimberly's full

0:35:30.160 --> 0:35:33.960
<v Speaker 1>name is not uncommon. In other words, a lot of

0:35:34.000 --> 0:35:39.279
<v Speaker 1>people named Kimberly live in Connecticut. So we needed more

0:35:39.400 --> 0:35:44.120
<v Speaker 1>to go on a town a phone number, information that

0:35:44.200 --> 0:35:48.800
<v Speaker 1>has in the intervening years slipped through Stephen Fishler's memory.

0:35:49.600 --> 0:35:52.279
<v Speaker 1>But it is the kind of information c g C

0:35:52.600 --> 0:35:56.319
<v Speaker 1>would have recorded back in two thousand when they accepted

0:35:56.520 --> 0:36:00.560
<v Speaker 1>the Marvel mystery number. Seventy one escape end of the

0:36:00.600 --> 0:36:05.480
<v Speaker 1>comic still exists. So we typed in the certification number

0:36:05.520 --> 0:36:09.799
<v Speaker 1>into the c GCS database. The registrate Paul Lytch was

0:36:09.840 --> 0:36:13.879
<v Speaker 1>talking about the one given to the comic back when

0:36:13.880 --> 0:36:17.040
<v Speaker 1>it was graded. It's a ten digit number that gives

0:36:17.040 --> 0:36:20.560
<v Speaker 1>a person general information about the comic, like the data

0:36:20.719 --> 0:36:24.800
<v Speaker 1>was examined and any grader's notes like catch up staying

0:36:24.840 --> 0:36:28.440
<v Speaker 1>on third page. But the c g c S database

0:36:28.640 --> 0:36:33.880
<v Speaker 1>couldn't find the certification number. It seemed to have disappeared

0:36:34.000 --> 0:36:39.600
<v Speaker 1>from their system entirely. That was unusual. Had c g

0:36:39.800 --> 0:36:43.960
<v Speaker 1>C scrubbed the number after Kimberly called to complain, or

0:36:44.280 --> 0:36:48.000
<v Speaker 1>was it just a glitch? So we asked Paul Lynch.

0:36:48.600 --> 0:36:52.400
<v Speaker 1>According to Paul, the number not coming up means the

0:36:52.440 --> 0:36:56.840
<v Speaker 1>comic may have been resubmitted at some point. Some collectors

0:36:56.880 --> 0:36:59.640
<v Speaker 1>do this in the hopes c g C might wind

0:36:59.680 --> 0:37:04.080
<v Speaker 1>up giving their comic a more favorable grade. If that happened,

0:37:04.440 --> 0:37:07.560
<v Speaker 1>then the old label and number would have been destroyed.

0:37:07.840 --> 0:37:10.400
<v Speaker 1>I don't see why we wouldn't. It's got to be

0:37:10.440 --> 0:37:14.399
<v Speaker 1>here somewhere. But as far as to submitted it that's

0:37:14.440 --> 0:37:16.719
<v Speaker 1>above my pay grade, you'd have to, I don't know.

0:37:17.680 --> 0:37:21.239
<v Speaker 1>That's one of the head hunchos. Paul told us to

0:37:21.360 --> 0:37:23.880
<v Speaker 1>talk to someone higher up in the c g C

0:37:24.160 --> 0:37:28.080
<v Speaker 1>hierarchy to see what we could find out. We had

0:37:28.120 --> 0:37:32.800
<v Speaker 1>a full name and a state, a non working certification number,

0:37:33.280 --> 0:37:37.239
<v Speaker 1>and a question about a comic submitted that had been stolen.

0:37:37.920 --> 0:37:42.160
<v Speaker 1>Could they help us find Kimberly from Connecticut? We went

0:37:42.200 --> 0:37:45.640
<v Speaker 1>to the head hauncho to find out Harsh and Patel,

0:37:45.960 --> 0:37:50.399
<v Speaker 1>vice president of the c g C. We explained the situation,

0:37:50.520 --> 0:37:55.799
<v Speaker 1>and harsh And understood, but however, noble our intentions. The

0:37:55.840 --> 0:37:59.759
<v Speaker 1>c g c has a commitment to protecting the privacy

0:37:59.800 --> 0:38:03.359
<v Speaker 1>of their customers. Harshin told us that the only way

0:38:03.400 --> 0:38:06.400
<v Speaker 1>he could hand over that kind of information would be

0:38:06.440 --> 0:38:10.719
<v Speaker 1>with a subpoena. That was dead end number two, so

0:38:10.760 --> 0:38:14.640
<v Speaker 1>we tried something else. In two thousand two, that same

0:38:14.680 --> 0:38:18.200
<v Speaker 1>copy of Marvel Mystery Number seventy one went up for

0:38:18.200 --> 0:38:22.640
<v Speaker 1>sale via Heritage Auctions, one of the largest auctioneers in

0:38:22.680 --> 0:38:27.439
<v Speaker 1>the industry. Auctions like these are always private. No one

0:38:27.520 --> 0:38:31.359
<v Speaker 1>but the auction house knows who the buyers or sellers are.

0:38:32.120 --> 0:38:35.640
<v Speaker 1>It's possible the seller was the same person who bought

0:38:35.680 --> 0:38:41.200
<v Speaker 1>it from Kimberly, but again, Heritage couldn't reveal their identity.

0:38:41.520 --> 0:38:46.560
<v Speaker 1>Strike three. For now, the location of the elusive Kimberly

0:38:47.080 --> 0:38:52.000
<v Speaker 1>remains a mystery, but maybe not for much longer. There's

0:38:52.080 --> 0:38:58.520
<v Speaker 1>one more thing to try. Stay tuned, But what about

0:38:58.560 --> 0:39:02.480
<v Speaker 1>that Marvel Mystery Number seventy one. Shouldn't it have been

0:39:02.520 --> 0:39:06.600
<v Speaker 1>returned to Nicholas Cage. Shouldn't the New York buyer have

0:39:06.800 --> 0:39:11.200
<v Speaker 1>forfeited what he knew to be stolen property? Well he

0:39:11.280 --> 0:39:15.760
<v Speaker 1>would have, except Cage wasn't asking for it back because

0:39:16.000 --> 0:39:17.920
<v Speaker 1>the main thing was trying to figure out the Action

0:39:18.000 --> 0:39:22.480
<v Speaker 1>One trying to undertake him. I had mentioned to Nick

0:39:22.840 --> 0:39:26.080
<v Speaker 1>about this lead, and if Nick said to me, that's

0:39:26.120 --> 0:39:28.319
<v Speaker 1>my book, I wanted back. It was more about the

0:39:28.400 --> 0:39:35.320
<v Speaker 1>lead versus getting it back. By this point, Cage's insurance

0:39:35.320 --> 0:39:38.680
<v Speaker 1>company had paid out on all four books. He had

0:39:38.719 --> 0:39:43.759
<v Speaker 1>been financially, if not emotionally, compensated for their loss. The

0:39:43.840 --> 0:39:48.480
<v Speaker 1>Marvel mystery was in some ways small potatoes, even though

0:39:48.520 --> 0:39:52.600
<v Speaker 1>the fact that it had materialized in Connecticut means someone

0:39:52.719 --> 0:39:57.520
<v Speaker 1>had crossed state lines and technically made a Los Angeles

0:39:57.600 --> 0:40:04.000
<v Speaker 1>robbery a federal crime. And maybe it was someone Cage knew, Well,

0:40:05.360 --> 0:40:10.840
<v Speaker 1>maybe someone Cage already considered a suspect, which made looking

0:40:10.840 --> 0:40:16.160
<v Speaker 1>into Kimberly less of a priority. To find these comics,

0:40:16.200 --> 0:40:19.440
<v Speaker 1>someone was going to have to take the initiative. The

0:40:19.520 --> 0:40:23.319
<v Speaker 1>problem was there was no analog for this heist. There

0:40:23.320 --> 0:40:27.600
<v Speaker 1>were plenty of art thefts, but not many comic book thefts.

0:40:28.280 --> 0:40:31.080
<v Speaker 1>It makes you wonder if anyone had ever been bold

0:40:31.200 --> 0:40:35.240
<v Speaker 1>enough to steal an Action number one before Cage's copy

0:40:35.280 --> 0:40:39.200
<v Speaker 1>went missing, if any crime had been an inspiration for

0:40:39.280 --> 0:40:42.359
<v Speaker 1>this one, if it had been a kind of copycat

0:40:42.600 --> 0:40:48.080
<v Speaker 1>comic heist. It turns out the answer is yes, and

0:40:48.239 --> 0:41:02.920
<v Speaker 1>it happened in of all places, Connecticut. Stealing Superman is

0:41:02.960 --> 0:41:07.440
<v Speaker 1>written by Jake Rawson, sound design scoring by Josh Fisher,

0:41:07.800 --> 0:41:13.160
<v Speaker 1>additional editing by Jonathan Washington, Mixing and mastering by Baheed Frasier.

0:41:13.600 --> 0:41:18.200
<v Speaker 1>Original music by Aaron Kaufman. Research and fact checking by

0:41:18.280 --> 0:41:23.080
<v Speaker 1>Jake Rawson and Austin Thompson, with production support from Lulu Philip.

0:41:23.719 --> 0:41:28.400
<v Speaker 1>Show logo by Lucy Quintinia. Our executive producer is Jason

0:41:28.520 --> 0:41:32.440
<v Speaker 1>English and I'm your host Danish words. If you're enjoying

0:41:32.480 --> 0:41:36.480
<v Speaker 1>this show, check out Haileywood and Noble Blood and give

0:41:36.560 --> 0:41:39.960
<v Speaker 1>us a nice review. We'll see you next week. Stealing

0:41:40.000 --> 0:41:42.520
<v Speaker 1>Superman is a production of I Heart Radio.