WEBVTT - Cousin Brucie

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left That's Podcast.

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<v Speaker 1>My guest this week is truly alleged the soundtrack of

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<v Speaker 1>my growing up, the one and only cousin Brucing. Thank you,

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<v Speaker 1>what a lovely introduction. Well so nice to not only

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<v Speaker 1>hear you, right, but also to see you. A pleasure,

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<v Speaker 1>and thank you so much for the invitation. Really do

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<v Speaker 1>appreciate it. I gotta tell you what a huge influencial.

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<v Speaker 1>I mean, I'm sure you know you hear this all

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<v Speaker 1>the time, but when I went to college, I had

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<v Speaker 1>a radio show and I immediately called myself cousin Bobby.

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<v Speaker 1>And there are people to this day who say, hey, couse,

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<v Speaker 1>so this is not something you know that I'm blowing smoke.

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<v Speaker 1>This is a real thing. So were you always Brucy? No,

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<v Speaker 1>My parents at time, especially when they needed a babysitter

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<v Speaker 1>I couldn't get one, had other names for me. I

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<v Speaker 1>don't want to say what they were, but yeah, it's

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<v Speaker 1>my name is Brucey. It's always been brucy. Yeah. And

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<v Speaker 1>so when you've been on the radio, from the moment

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<v Speaker 1>you're on radio, was also brucy. Yeah. Well no that's

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<v Speaker 1>not true. No, my real name is Bruce Morrow. Most thing,

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<v Speaker 1>most people think my name is Bruce Cousins. You see,

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<v Speaker 1>they think my last name is Cousin. Uh No, it's

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<v Speaker 1>but it's Bruce Morrow. I got my name actually. Uh.

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<v Speaker 1>I was on W Y and S in New York City.

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<v Speaker 1>Were like, here a nice story. It's kind of a

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<v Speaker 1>fun story. It's it's fun. Uh. So I'm in the

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<v Speaker 1>studio and uh security guarden. Those days we were allowed

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<v Speaker 1>to have people come up. We didn't think they were

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<v Speaker 1>gonna come inteer the radio station. So so he brings

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<v Speaker 1>in this a little silver haired lady. She walks and

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<v Speaker 1>he says, Mr Tomorrow, is this all right? To bring

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<v Speaker 1>her in? I said this, pre cousin Brucy, and uh,

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<v Speaker 1>I said, please bring her in. I love people. I

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<v Speaker 1>like people. She owed me open the door and it's

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<v Speaker 1>little silver haired, twinkly eyed lady walks in. She locks

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<v Speaker 1>on my eyes immediately, Bob cousin, Bob, if i'm me,

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<v Speaker 1>when somebody locks on eyes like I'm doing to yours

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<v Speaker 1>right now, whether we're we're on the screen, um, they

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<v Speaker 1>get you. That's the big secret of life. When you

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<v Speaker 1>want to talk to somebody, you want something luck on

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<v Speaker 1>their eyes, not they knows, not them. I'll hit the

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<v Speaker 1>eyes immediately. So she locks on my eyes and she

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<v Speaker 1>says to me, quote, excuse me, uh, sir. And I

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<v Speaker 1>knew she didn't know who I was. She wasn't sitting

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<v Speaker 1>hearing Elvis and Jerry Lee Lewis or anybody else. She

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<v Speaker 1>said to me, do you believe her overlated? And I said, oh,

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<v Speaker 1>I'm a Brooklyn kid, so I know somebody's after something. Money, money, money, money,

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<v Speaker 1>So I said, yes, I do believe her overlated. And

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<v Speaker 1>I do believe that Bob all right somewhere along the line,

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<v Speaker 1>and she said, well, listen, I'm broke. And I said,

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<v Speaker 1>hold on one second, man, and I queue up my record.

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<v Speaker 1>And those days we played these little black things with

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<v Speaker 1>holes in them, and I used to queue up a record.

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<v Speaker 1>We didn't have any digital starts or anything. And I

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<v Speaker 1>said okay. She said, well, cousin, i'm broke. Let me

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<v Speaker 1>fifty cents to get home. And I looked at her

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<v Speaker 1>and she had these smiling eyes, and I said, sure,

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<v Speaker 1>I gave a fifty cents, right, And she said, thanks, cousin,

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<v Speaker 1>talk to you. She leaves. I never see her again

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<v Speaker 1>that night in the Brooklyn Battery tunnel. I lived in Brooklyn,

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<v Speaker 1>and those days I was on the way home, and

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<v Speaker 1>in the middle of that tunnel I hear cousin, cousin,

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<v Speaker 1>cousin brucie. That's it. I got it. I got my stick,

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<v Speaker 1>I got my handle. The next morning, I go in

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<v Speaker 1>and I speak to the program director, and he says,

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<v Speaker 1>are you crazy? You can't goin to the cousin bruci

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<v Speaker 1>There is the big apple man. This is New York City.

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<v Speaker 1>This is not Fargo, this is not Morgantown, West Virginia.

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<v Speaker 1>This is New York City. Forget it, I said, sir,

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<v Speaker 1>let me ask you something. When you were a kid

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<v Speaker 1>not so long ago, I was small enough to say

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<v Speaker 1>that to him, to butt them up a little bit.

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<v Speaker 1>Who did you like to go to Didn't you like

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<v Speaker 1>to go to your homes of your cousins. They had

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<v Speaker 1>the best toys, and your aunt and uncle will always

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<v Speaker 1>treat you nice with food and snacks. He said, yeuh,

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<v Speaker 1>all right, he said, I'll tell you what, kid, do

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<v Speaker 1>this sparingly tonight. Don't overdo it, because if you overdo it,

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<v Speaker 1>you're gonna be in trouble deep Well, that night, Bob

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<v Speaker 1>I went on the air. I don't think there was

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<v Speaker 1>more than three and a half words that went by

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<v Speaker 1>without me saying because I cousin them. I even wanted

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<v Speaker 1>to the bathroom. My cousin dom I did everything. I

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<v Speaker 1>didn't stop. That next morning, at six o'clock, I get

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<v Speaker 1>a call. It's the program director and he says to me, Bruce,

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<v Speaker 1>I said, yes, get your posterior midsection in here, quick,

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<v Speaker 1>get it in here. Now you're in trouble. I got scared, stiff.

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<v Speaker 1>I called my father. Now, I've never been fired. I

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<v Speaker 1>thought maybe he would hit me, and this guy would

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<v Speaker 1>smack me or something. I didn't know what they were

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<v Speaker 1>gonna do. So my dad goes in with me. He

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<v Speaker 1>was a street smart guy, grew up in East New York,

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<v Speaker 1>and uh, we're going together and Leeds says to me,

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<v Speaker 1>sit over the airpirs and I'm scared stiff. My father says,

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<v Speaker 1>next his desk and says, well, what's the problem. He said,

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<v Speaker 1>I told your son not to overdo it, and I'm

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<v Speaker 1>gonna tell you something. He didn't stop last night. The cousin.

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<v Speaker 1>I said, well, is that okay? He says, I want

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<v Speaker 1>to show you something, and then it's funny. He opens

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<v Speaker 1>It wasn't funny at that. He opens his desk raw

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<v Speaker 1>and he pulls out hundreds of yellow envelopes, hundreds, and

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<v Speaker 1>they're spilling off his hands all over his desk. Now,

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<v Speaker 1>these yellow envelopes were precursor to the email crieze, right,

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<v Speaker 1>They were called Western Union telegrams. He received hundreds of

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<v Speaker 1>Western Union telegrams wanting cousin Brucy. So my father smartly says, well,

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<v Speaker 1>what's wrong with that? Says I told him about too.

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<v Speaker 1>I'm firing him on the spot. So my father looks

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<v Speaker 1>at him and he says, but I'm gonna put him

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<v Speaker 1>on a seven year contract immediately. Cousin, cousin bry That's

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<v Speaker 1>a long story, but Cousin Brucy was born Bob. Okay,

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<v Speaker 1>that's okay. You are such a character. You know a

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<v Speaker 1>lot of people they're on mike or they're on stage,

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<v Speaker 1>personality is totally different. But we got on and you

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<v Speaker 1>were immediately Cousin Brucy. No, there is no you know,

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<v Speaker 1>can I tell you something? Maybe I shouldn't say this,

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<v Speaker 1>you can. You're gonna tell everybody. I'm told that. You

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<v Speaker 1>you tell what you want to tell, which is good,

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<v Speaker 1>so do I There was no cousin Brucey. It's Bruce.

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<v Speaker 1>It's Bruce, Bruce Morrow. Bruce Morrow is cousin Bruci. There

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<v Speaker 1>is no comic character. It's me. What can I tell you?

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<v Speaker 1>I sleep this way, I talk of my sleep this way.

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<v Speaker 1>I go to the bathroom this way, I take showers,

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<v Speaker 1>I get up and I'm me. Now. Am I unhappy

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<v Speaker 1>at times? Oh? Yeah, yeah, I'm just like everybody else.

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<v Speaker 1>I have my moments, but generally I'm a pretty happy camper.

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<v Speaker 1>I love life, and Bob, I love what I am doing.

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<v Speaker 1>Underline bold underline, I love what I'm doing. I'm happy. Okay.

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<v Speaker 1>So you grew up in Brooklyn? Yes? What I hesitated? Yes? Okay?

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<v Speaker 1>And were your parents were they born in America? Yes?

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<v Speaker 1>My parents were born in America. My grandparents one was

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<v Speaker 1>via these huh, that's why I walked so well, I guess,

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<v Speaker 1>and my grandma was Russian. My parents were both born here. Yes.

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<v Speaker 1>And what did your parents or your do for a living? Well?

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<v Speaker 1>My father, uh stole automobile caps, caps and my dad

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<v Speaker 1>was in the garment business. He manufactured and designed children's clothing.

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<v Speaker 1>And my mother was a Brooklyn housewife, took care of

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<v Speaker 1>the family, shopped and she was terrific, never really had

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<v Speaker 1>an occupation. My dad was the breadwinner, the right breadwinner.

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<v Speaker 1>And then how many kids in the family, my brother

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<v Speaker 1>and myself, And which one is older? Well, I'm younger,

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<v Speaker 1>but he's he's younger. And explain it. Now you figured

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<v Speaker 1>out out. I said, I'm younger, but he's younger. Oh,

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<v Speaker 1>I got it, now, I got I have heard it first.

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<v Speaker 1>What what does his life look like? Well, Bobby was

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<v Speaker 1>in marketing. My brother, Bob's in marketing. He's I guess

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<v Speaker 1>SMI tired. Now he's down in Florida. See, I don't

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<v Speaker 1>have the word retired him of my vocabulary. I refuse.

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<v Speaker 1>I don't like the what I call the R word.

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<v Speaker 1>I believe, as long as you have energy and you

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<v Speaker 1>have desire, and you have an enjoyment of what you're doing,

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<v Speaker 1>you should do it. You should do it. I mean,

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<v Speaker 1>if you can't get out of bed, you are having

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<v Speaker 1>a problem. That's another story. But I speak to people

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<v Speaker 1>all the time on the air who should not be

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<v Speaker 1>retired their board and they're angry there, hustile, And I

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<v Speaker 1>don't believe people should retire unless they absolutely after. Now,

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<v Speaker 1>weren't there moments though, when you were not on the

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<v Speaker 1>air you were on the business side of it. Yes,

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<v Speaker 1>I think you've done some research. I'm getting a feeling

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<v Speaker 1>I really hadn't. I said, I know your story, you know,

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<v Speaker 1>because I know I know Bob Sherman, a friend of mine,

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<v Speaker 1>hooked me up with him. And then of course you

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<v Speaker 1>work with Stiller men, so you know, said you're an

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<v Speaker 1>on air guy. I was wondering what motivated you, how

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<v Speaker 1>you felt when you were not in front of a mic. Yeah,

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<v Speaker 1>well I was never really through not being in front

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<v Speaker 1>of a mic. Um. I became a businessman. Bob Silliman

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<v Speaker 1>and I and we lost him about a year or

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<v Speaker 1>so ago, and uh, he and I formed the Silliman

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<v Speaker 1>Morrow Broadcast Group, and we bought radio stations and a

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<v Speaker 1>couple of television stations. And I used to fly in

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<v Speaker 1>a twin engine something or other um lego, I don't

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<v Speaker 1>know what it was. And we had a pilot and

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<v Speaker 1>he fly me to different my different radio stations with Bob,

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<v Speaker 1>and every day I'd be in a different market, I'd

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<v Speaker 1>go on the air, and then after the year I'd

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<v Speaker 1>go sell because you know, people love to meet characters

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<v Speaker 1>like us. They enjoyed people in you know, the business wheel.

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<v Speaker 1>They enjoy you know, saying hey, how you doing, price

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<v Speaker 1>heard you last night? They get a kick out of it.

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<v Speaker 1>So I used to fly to different markets almost every day.

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<v Speaker 1>I did that for about seven years. We we guarded

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<v Speaker 1>about well seven major radio stations. It became any more

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<v Speaker 1>than that a couple of television stations. And I enjoyed

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<v Speaker 1>it very much. I used to sit and I do

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<v Speaker 1>my shows on each station that I sit in the office,

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<v Speaker 1>and the kids would come in or pardon me for saying, kids,

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<v Speaker 1>but these are the people who were for me young

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<v Speaker 1>using young guys or gals, and they sit with me

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<v Speaker 1>and they'd make exchooses. Why I caught him making a mistake,

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<v Speaker 1>and I'd look him in the eye. This is Brucey

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<v Speaker 1>now in his jacket and a tie, which is not me,

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<v Speaker 1>and I'd say, no, listen, don't try to bowld me.

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<v Speaker 1>I invented what you're telling me. Don't tell me, don't

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<v Speaker 1>tell me that that's my story. I invent that stuff.

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<v Speaker 1>So that is what I want you to do. I

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<v Speaker 1>want you to make your mistakes. Feel good about that.

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<v Speaker 1>But Lord help you if you do it again, I

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<v Speaker 1>want you to correct your mistakes. So I became a

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<v Speaker 1>business executive and after a while, I don't know, I

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<v Speaker 1>just didn't didn't enjoy it. I missed my microphones. So

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<v Speaker 1>I continued doing a lot of Michael and work on

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<v Speaker 1>our own radio stations, selling and and they're going on

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<v Speaker 1>the air. And then day Joe McCoy and Rod Coraco,

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<v Speaker 1>these are two executives at CBSFM, called me and he

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<v Speaker 1>said to me, you know, Bruce, because it's time to

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<v Speaker 1>come home, time to come home to New York. And

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<v Speaker 1>I said, well, I can I own a d radio

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<v Speaker 1>stations and some television properties. I have some problems. She says, no,

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<v Speaker 1>you gotta come home. So they came out. They came

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<v Speaker 1>out to my station and Randolph, New Jersey, and we

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<v Speaker 1>found a little sandwich shop and we sat down and

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<v Speaker 1>we talked. And of course it didn't take much to

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<v Speaker 1>sell me. I'm a sucker. I mean, I'm an easy mark.

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<v Speaker 1>I really missed being on the air. And they talked me. Oh,

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<v Speaker 1>actually maybe I talked to him. I said maybe, how

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<v Speaker 1>about once a week? No, that's so much, how about

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<v Speaker 1>once a month? So I did it for a once

0:11:46.200 --> 0:11:49.360
<v Speaker 1>a month on CBS FM. The once a month became

0:11:49.480 --> 0:11:53.160
<v Speaker 1>twice a month, thrice a month, and then quadruple a month,

0:11:53.480 --> 0:11:55.560
<v Speaker 1>and I just fell in love with it again. And

0:11:55.559 --> 0:11:59.200
<v Speaker 1>then Bob and I, after a while we decided to sell.

0:11:59.280 --> 0:12:01.360
<v Speaker 1>It was during the DEAs to believe, when it was

0:12:01.360 --> 0:12:03.800
<v Speaker 1>still time to sell. That's why you see me smile,

0:12:03.880 --> 0:12:05.560
<v Speaker 1>by the way. I know I've got to ask you

0:12:05.600 --> 0:12:08.760
<v Speaker 1>that next. That's why I'm still a character. Let me

0:12:08.760 --> 0:12:12.080
<v Speaker 1>tell you we did knock Wood very very well, and uh,

0:12:12.440 --> 0:12:14.960
<v Speaker 1>you know, just everything worked out for me. But my

0:12:15.120 --> 0:12:18.840
<v Speaker 1>love from broadcasting, I believe is the most important part

0:12:18.840 --> 0:12:21.680
<v Speaker 1>of my life. I love what I do. I really

0:12:21.880 --> 0:12:24.480
<v Speaker 1>adore this audience. And when I get on the mic,

0:12:24.600 --> 0:12:27.920
<v Speaker 1>Bob Hope, I'm not answering all your questions, but when

0:12:28.000 --> 0:12:31.560
<v Speaker 1>you I get on the microphone, I feel them. I'm

0:12:31.559 --> 0:12:35.760
<v Speaker 1>not talking through a mic right now. Uh, this blue

0:12:36.200 --> 0:12:40.079
<v Speaker 1>white Snowbird or whatever it's called. I'm talking directly to

0:12:40.200 --> 0:12:44.000
<v Speaker 1>people at their homes. I know that I'm in bed

0:12:44.040 --> 0:12:47.040
<v Speaker 1>with people. I know that I'm showering with people. I

0:12:47.080 --> 0:12:49.760
<v Speaker 1>know that I'm taking a bathroom people, I'm shopping, I'm

0:12:49.760 --> 0:12:53.360
<v Speaker 1>in cars, I'm just walking with people. And I feel it.

0:12:53.679 --> 0:12:55.839
<v Speaker 1>I feel in my in my heart, I feel it

0:12:55.920 --> 0:12:59.040
<v Speaker 1>in my gut, and it comes across. I forget where

0:12:59.040 --> 0:13:01.400
<v Speaker 1>I am. I forget that them in a studio. That's

0:13:01.400 --> 0:13:05.320
<v Speaker 1>always the sentiser things and wires and all kinds of

0:13:05.360 --> 0:13:09.439
<v Speaker 1>glass between me. It doesn't matter. I'm at home. I'm

0:13:09.559 --> 0:13:12.280
<v Speaker 1>very much at home. Now. I'm not gonna answer the

0:13:12.320 --> 0:13:14.280
<v Speaker 1>next question. Let me see you answer it, because I

0:13:14.280 --> 0:13:17.000
<v Speaker 1>want to continue on this. Okay, Well, you know you're

0:13:17.000 --> 0:13:20.319
<v Speaker 1>doing telling great stories. But do you need the audience

0:13:20.360 --> 0:13:23.840
<v Speaker 1>to complete you? Or without the audience, do you feel

0:13:23.880 --> 0:13:27.720
<v Speaker 1>like something is missing and you get depressed. Well, I

0:13:27.800 --> 0:13:29.800
<v Speaker 1>need an audience, There's no doubt about it. I have

0:13:29.880 --> 0:13:32.559
<v Speaker 1>to feel the audience. Now, how do you feel an audience?

0:13:32.600 --> 0:13:35.840
<v Speaker 1>I mean, that's something that God's God given. It's something

0:13:35.880 --> 0:13:38.480
<v Speaker 1>that's in my soul. It's in my heart. I know

0:13:38.600 --> 0:13:44.360
<v Speaker 1>they're they're obviously the physical reaction telephones, emails now right

0:13:44.720 --> 0:13:49.360
<v Speaker 1>and uh, twitters and twitters and modyrs whatever they're doing today.

0:13:49.600 --> 0:13:52.240
<v Speaker 1>But I know the audience is there because as soon

0:13:52.280 --> 0:13:56.120
<v Speaker 1>as I say something, there is a physical reaction. But

0:13:56.280 --> 0:14:00.200
<v Speaker 1>besides that, quite wait, a physical reaction in you, No

0:14:00.679 --> 0:14:03.480
<v Speaker 1>physical reaction from the audience to me, I mean, you

0:14:03.520 --> 0:14:07.600
<v Speaker 1>see it, the screens light up, the telephones light up. Uh.

0:14:07.640 --> 0:14:09.880
<v Speaker 1>I'll tell you something I'm very proud of and maybe

0:14:09.880 --> 0:14:12.360
<v Speaker 1>you'll get a kick out of this. I broke the

0:14:12.440 --> 0:14:16.960
<v Speaker 1>telephone system last Saturday. I love that and I always

0:14:16.960 --> 0:14:18.640
<v Speaker 1>say that to be but come on, call me, let's

0:14:18.640 --> 0:14:21.720
<v Speaker 1>break the system. It broke. We had an overload. It

0:14:21.800 --> 0:14:25.240
<v Speaker 1>was wonderful years ago when I was a w ABC.

0:14:25.320 --> 0:14:28.440
<v Speaker 1>You know I left w ABC. Oh gosh, my forty

0:14:28.480 --> 0:14:31.320
<v Speaker 1>six years ago. Last time I was on besides now

0:14:31.760 --> 0:14:35.120
<v Speaker 1>and uh, we used today threatened to shut down the system,

0:14:35.320 --> 0:14:39.360
<v Speaker 1>the telephone system. I'd say bi monthly, every time I'm on,

0:14:39.800 --> 0:14:42.840
<v Speaker 1>I'd get telephone calls and then sometimes will be the

0:14:42.880 --> 0:14:46.360
<v Speaker 1>surge and it would break down the exchange today, Today's today.

0:14:46.400 --> 0:14:48.800
<v Speaker 1>You don't have to break down exchange, but systems do

0:14:49.480 --> 0:14:52.200
<v Speaker 1>get into ill repair, and they did that last Saturday.

0:14:52.320 --> 0:14:55.760
<v Speaker 1>So the question, the answer is I feel them because

0:14:55.800 --> 0:14:59.640
<v Speaker 1>I have a physical field telephones, emails, etcetera. And I

0:14:59.720 --> 0:15:02.280
<v Speaker 1>know this. I know this in my body. I can

0:15:02.320 --> 0:15:09.080
<v Speaker 1>feel it. Yes, But do you need it to complete you? Yes? Absolutely.

0:15:09.640 --> 0:15:12.280
<v Speaker 1>I am happy as when I have an audience. I

0:15:12.320 --> 0:15:15.680
<v Speaker 1>love being on the stage. I'm a ham I love it.

0:15:15.960 --> 0:15:19.000
<v Speaker 1>I love the feeling. I like the feeling of making

0:15:19.000 --> 0:15:22.440
<v Speaker 1>people happy. I know they smile. Some people probably get

0:15:22.440 --> 0:15:23.960
<v Speaker 1>mad at me, and why don't they say I wanted

0:15:23.920 --> 0:15:26.600
<v Speaker 1>to be quiet? Knock it off. I know that. But

0:15:28.320 --> 0:15:32.080
<v Speaker 1>of the people are loving what they're hearing, I'm I'm

0:15:32.080 --> 0:15:35.480
<v Speaker 1>reaching them. I'm crossing that bridge. So it makes me happy.

0:15:35.640 --> 0:15:37.160
<v Speaker 1>I love to be in front of an audience on

0:15:37.240 --> 0:15:41.280
<v Speaker 1>the stage show. I love doing Broadway. I love live television,

0:15:41.520 --> 0:15:44.280
<v Speaker 1>but my favorite is what we're doing now. I love

0:15:44.320 --> 0:15:46.840
<v Speaker 1>being on the air. I like I like my radio.

0:15:47.160 --> 0:15:50.720
<v Speaker 1>I love I love doing talk shows. You know my shows, Bob,

0:15:51.480 --> 0:15:53.720
<v Speaker 1>there's all with one breath. You know that right since

0:15:53.760 --> 0:16:00.800
<v Speaker 1>you started, uh, my shows have changed amazingly. UH. When

0:16:00.800 --> 0:16:04.360
<v Speaker 1>I first started, obviously, it was very mechanical. I was

0:16:04.360 --> 0:16:07.800
<v Speaker 1>in Bermuda, my first job when I graduated from New

0:16:07.880 --> 0:16:10.680
<v Speaker 1>York University, where I founded the radio station. By the way,

0:16:10.960 --> 0:16:14.000
<v Speaker 1>I went to Bermuda, I sent out my uh my demos.

0:16:14.400 --> 0:16:16.640
<v Speaker 1>So I spent the yuran Bermuda, and I came back

0:16:16.640 --> 0:16:19.320
<v Speaker 1>and had different jobs and became a producer and everything.

0:16:19.560 --> 0:16:22.280
<v Speaker 1>But when I went on the Era, the old days

0:16:22.640 --> 0:16:29.760
<v Speaker 1>w ABC and even CBSFM. It was really UH music, news, weather,

0:16:30.160 --> 0:16:35.560
<v Speaker 1>I did jingles, I did uh telephoned, uh exchanges, but

0:16:35.680 --> 0:16:40.400
<v Speaker 1>I it wasn't really a talk tipe show. It has evolved.

0:16:40.480 --> 0:16:45.560
<v Speaker 1>It has metamorphized, metamorphis sisto to bed word and to

0:16:45.840 --> 0:16:47.920
<v Speaker 1>uh you let it that I know you won't, but

0:16:48.040 --> 0:16:52.360
<v Speaker 1>it's okay. Uh. It has changed into a variety show today.

0:16:52.360 --> 0:16:56.120
<v Speaker 1>It is no longer UH music, time and weather. It

0:16:56.240 --> 0:17:00.200
<v Speaker 1>is now brucie and variety and music and people want

0:17:00.200 --> 0:17:03.400
<v Speaker 1>to hear ideas. The audience of you has become so

0:17:04.080 --> 0:17:09.520
<v Speaker 1>amazingly hyper sophisticated that they demand certain content and playing

0:17:09.680 --> 0:17:13.640
<v Speaker 1>records as a jukebox is not enough, and giving him

0:17:13.640 --> 0:17:16.200
<v Speaker 1>a weather break once in a while with a temperature

0:17:16.240 --> 0:17:19.360
<v Speaker 1>reading is not enough. They want to hear ideas, They

0:17:19.400 --> 0:17:22.400
<v Speaker 1>want to hear other people. They want to hear exchanges

0:17:22.600 --> 0:17:25.960
<v Speaker 1>like you do. You are a communicator. I have become

0:17:26.000 --> 0:17:28.880
<v Speaker 1>a communicator and I'm very proud of that. I love

0:17:28.960 --> 0:17:33.040
<v Speaker 1>to talk and the the connection I have and is

0:17:33.080 --> 0:17:37.480
<v Speaker 1>a big word with me. Connection capital c underlined. My

0:17:37.720 --> 0:17:41.720
<v Speaker 1>bold with my audience is amazing. What has developed over

0:17:41.760 --> 0:17:44.919
<v Speaker 1>the past many years. So I have this connection, and

0:17:44.960 --> 0:17:47.760
<v Speaker 1>I've learned how to use it. Well, it was easy

0:17:47.760 --> 0:17:50.760
<v Speaker 1>for me to learn because it's me. Okay, let's go

0:17:50.840 --> 0:17:52.840
<v Speaker 1>back to Brooklyn. What kind of kid were you? You

0:17:53.000 --> 0:17:54.879
<v Speaker 1>are a loner? Were you the leader of the band?

0:17:54.920 --> 0:17:58.400
<v Speaker 1>You remember the group? Well, I'm gonna shock you now,

0:17:58.880 --> 0:18:01.360
<v Speaker 1>maybe not. You probably know this. I was a shy kid.

0:18:02.119 --> 0:18:04.840
<v Speaker 1>I was always kind of a semi leader because I

0:18:04.920 --> 0:18:07.679
<v Speaker 1>was always big. I was always the tallest in my class,

0:18:07.960 --> 0:18:10.840
<v Speaker 1>or one of them. Anyhow, I was kind of shy

0:18:10.960 --> 0:18:14.240
<v Speaker 1>in class. I would make a deal with the teacher

0:18:14.280 --> 0:18:16.560
<v Speaker 1>not to call me. I get my bees and my

0:18:16.640 --> 0:18:19.320
<v Speaker 1>cs C plus is, but I didn't want to stand

0:18:19.400 --> 0:18:21.800
<v Speaker 1>up in front of class. I was shyny. I was

0:18:21.840 --> 0:18:25.960
<v Speaker 1>a very shy kid. One day, a very astute teacher,

0:18:26.080 --> 0:18:29.360
<v Speaker 1>my English teacher, Mrs fry Lesher, and I believe it's

0:18:29.359 --> 0:18:31.719
<v Speaker 1>a PS two oh six in Brooklyn, New York. I

0:18:31.760 --> 0:18:35.560
<v Speaker 1>love that love that school asked me to try out

0:18:35.600 --> 0:18:39.159
<v Speaker 1>for a hygiene play. Now, you're probably too young to

0:18:39.200 --> 0:18:42.040
<v Speaker 1>remember the word hygiene. Not that you don't have hygiene.

0:18:42.160 --> 0:18:44.480
<v Speaker 1>I didn't say that, said don't go after me, right,

0:18:44.800 --> 0:18:47.760
<v Speaker 1>I didn't say that. We used to have hygiene plays.

0:18:47.800 --> 0:18:51.080
<v Speaker 1>Because in those days we couldn't have sex education. It

0:18:51.160 --> 0:18:54.480
<v Speaker 1>was not permitted the word high sex, or maybe it

0:18:54.520 --> 0:18:57.880
<v Speaker 1>was education. So we had hygiene place and one day

0:18:57.920 --> 0:19:01.000
<v Speaker 1>I did Finally she convinced me to try out, and

0:19:01.040 --> 0:19:06.920
<v Speaker 1>I won the part of a cavity. Are you laughing

0:19:06.960 --> 0:19:10.399
<v Speaker 1>at me? All right? I won the part of that part. Yeah,

0:19:10.480 --> 0:19:12.600
<v Speaker 1>And it's a good line. A lot of people still

0:19:12.640 --> 0:19:15.159
<v Speaker 1>think I am one. And I was on that stage

0:19:15.160 --> 0:19:17.240
<v Speaker 1>that day. You let't forget it. This is in my

0:19:17.320 --> 0:19:20.040
<v Speaker 1>heart and my body. And they had me dressed up

0:19:20.080 --> 0:19:22.560
<v Speaker 1>as a big tooth with a black spot somewhere in

0:19:22.600 --> 0:19:26.000
<v Speaker 1>the top, and I sang something like, uh, I never

0:19:26.080 --> 0:19:28.760
<v Speaker 1>brushed my teeth. Amy doesn't let me brush my teeth,

0:19:28.840 --> 0:19:31.399
<v Speaker 1>you know, I kind of think. And something happened to

0:19:31.440 --> 0:19:33.600
<v Speaker 1>me on the on the stage that day. I looked

0:19:33.600 --> 0:19:37.040
<v Speaker 1>out of a little window, you know, the window that

0:19:37.119 --> 0:19:40.800
<v Speaker 1>bad tooth, and I saw the audience laughing, and I

0:19:40.880 --> 0:19:43.600
<v Speaker 1>felt the heat and the warmth of the audience coming

0:19:43.640 --> 0:19:46.800
<v Speaker 1>at me. I never stopped. I never stopped from that

0:19:46.880 --> 0:19:48.879
<v Speaker 1>day because I knew this is what I wanted to do.

0:19:49.240 --> 0:19:53.560
<v Speaker 1>I stopped my Uh, I was gonna maybe study medicine, right,

0:19:53.840 --> 0:19:56.439
<v Speaker 1>I was maybe gonna become I didn't know about being

0:19:56.480 --> 0:19:58.760
<v Speaker 1>an astronaut, but I wanted to be a pilot. I

0:19:58.840 --> 0:20:02.480
<v Speaker 1>never thought of this, and on that stage, the heat

0:20:02.560 --> 0:20:06.199
<v Speaker 1>and warmth and reception of that audience, I realized what

0:20:06.240 --> 0:20:08.000
<v Speaker 1>I was going to do for the rest of my life.

0:20:08.400 --> 0:20:10.719
<v Speaker 1>And here where we are today. Yeah, so you were

0:20:10.720 --> 0:20:13.439
<v Speaker 1>in high school? Were you in the school plays? Yeah?

0:20:13.680 --> 0:20:16.920
<v Speaker 1>Doing school plays and what he called public school too,

0:20:16.920 --> 0:20:19.160
<v Speaker 1>as I said, PS. Two six. So I started really

0:20:19.160 --> 0:20:22.479
<v Speaker 1>in elementary school, and then I graduated to high school.

0:20:22.640 --> 0:20:25.040
<v Speaker 1>And while I was in high school, I wanted to

0:20:25.200 --> 0:20:28.360
<v Speaker 1>audition to what they call the Old City Radio Workshop,

0:20:28.640 --> 0:20:31.359
<v Speaker 1>and that's where my radio career really started. Well, but well,

0:20:31.440 --> 0:20:34.080
<v Speaker 1>let's let's slow down for a second. Since you love

0:20:34.160 --> 0:20:37.399
<v Speaker 1>the heat of the audience, did you contemplate going the

0:20:37.520 --> 0:20:40.159
<v Speaker 1>Broadway or being in the movies or was it always

0:20:40.280 --> 0:20:44.240
<v Speaker 1>radio now? At one time, I always like radio because

0:20:44.280 --> 0:20:46.480
<v Speaker 1>it was fun. It seemed to be an easier way

0:20:46.520 --> 0:20:50.120
<v Speaker 1>of life. But I went to drama school. My girlfriend's

0:20:50.160 --> 0:20:52.439
<v Speaker 1>mother convinced me to go to drama school, and I

0:20:52.520 --> 0:20:56.080
<v Speaker 1>was going to become an actor. I enjoyed being on

0:20:56.119 --> 0:20:59.640
<v Speaker 1>the stage, and I realized pretty quickly that I don't

0:20:59.640 --> 0:21:02.560
<v Speaker 1>think an actor's life was for me high didda e

0:21:02.640 --> 0:21:06.080
<v Speaker 1>d No, it was not for me. Uh. When I

0:21:06.119 --> 0:21:10.000
<v Speaker 1>got to the last part of high elementary school, radio

0:21:10.440 --> 0:21:13.680
<v Speaker 1>and television pointed its way to me. It was pretty

0:21:13.680 --> 0:21:16.520
<v Speaker 1>obvious what I wanted to do. Okay, So you're talking

0:21:16.560 --> 0:21:20.440
<v Speaker 1>about the All City all see the Radio Workshop in Brooklyn,

0:21:20.440 --> 0:21:23.200
<v Speaker 1>New York or the New York City Board of Education

0:21:23.280 --> 0:21:25.919
<v Speaker 1>system they used to have. I hope they still have

0:21:26.000 --> 0:21:28.280
<v Speaker 1>it because this is where I got my education, really

0:21:28.400 --> 0:21:32.119
<v Speaker 1>honestly and everything. I won the audition and I stayed

0:21:32.160 --> 0:21:34.359
<v Speaker 1>with them for about three and a half years. This

0:21:34.600 --> 0:21:37.040
<v Speaker 1>they had their own radio station. It was called w

0:21:37.280 --> 0:21:40.359
<v Speaker 1>n y E FM w n y E f M,

0:21:40.600 --> 0:21:43.960
<v Speaker 1>and it was housed in studios at Brooklyn Technical High

0:21:43.960 --> 0:21:46.960
<v Speaker 1>School downtown Brooklyn, and I stayed there for three and

0:21:46.960 --> 0:21:49.919
<v Speaker 1>a half years. I did shows, I did acting, Okay,

0:21:49.920 --> 0:21:54.359
<v Speaker 1>but just where could one hear that station today? No? No,

0:21:54.520 --> 0:21:57.000
<v Speaker 1>back then? Was it over the year watch? Was it

0:21:57.040 --> 0:21:59.439
<v Speaker 1>a wired situation? No? No, no, that was out. That

0:21:59.520 --> 0:22:02.000
<v Speaker 1>was something that was later that was an over the

0:22:02.080 --> 0:22:06.040
<v Speaker 1>air broadcast station. I don't remember ninety probably the lower

0:22:06.800 --> 0:22:09.159
<v Speaker 1>two point one or something. That's where they have you

0:22:09.200 --> 0:22:12.399
<v Speaker 1>know a Board of Education frequency and uh, we were

0:22:12.440 --> 0:22:15.360
<v Speaker 1>actually on the air and I played I remember Paul Bunyan.

0:22:15.800 --> 0:22:18.440
<v Speaker 1>I played all different kind of dramatic parts. I wasn't

0:22:18.480 --> 0:22:21.480
<v Speaker 1>doing music in those days. I did reporting, I did

0:22:21.640 --> 0:22:26.600
<v Speaker 1>uh poetry readings. But my biggest advancement was playing Paul Bunyan.

0:22:27.440 --> 0:22:32.680
<v Speaker 1>It was me, it was not it was it was typecast. Okay,

0:22:32.720 --> 0:22:35.720
<v Speaker 1>this was while you were in high school. Yeah. And

0:22:35.760 --> 0:22:38.919
<v Speaker 1>so then you decide to go to college. This is

0:22:38.920 --> 0:22:41.040
<v Speaker 1>a business where many people did not go to college.

0:22:41.040 --> 0:22:44.399
<v Speaker 1>How did you end up going to college? Well, my

0:22:44.520 --> 0:22:49.919
<v Speaker 1>parents offered me a car. That was a little incentive,

0:22:50.040 --> 0:22:51.679
<v Speaker 1>right to offered me a car if I went to

0:22:51.720 --> 0:22:54.639
<v Speaker 1>college because I wanted to go out. I wanted to

0:22:54.640 --> 0:22:57.080
<v Speaker 1>go on the stage. I wanted to study a little

0:22:57.119 --> 0:23:00.359
<v Speaker 1>more acting. I still had the acting bug and I

0:23:00.400 --> 0:23:02.919
<v Speaker 1>wanted to go on radio because I had that bug too.

0:23:03.280 --> 0:23:06.080
<v Speaker 1>But they convinced me that college would be the right

0:23:06.080 --> 0:23:09.080
<v Speaker 1>way to go. So I remember I was the recipient

0:23:09.119 --> 0:23:13.480
<v Speaker 1>of a beautiful two door Uh. It was a Ford

0:23:13.520 --> 0:23:16.879
<v Speaker 1>at two door Ford and it was green and white

0:23:17.040 --> 0:23:19.720
<v Speaker 1>cream topped. It was a beautiful car. How did I

0:23:19.760 --> 0:23:24.560
<v Speaker 1>am radio? It was brand new Oh yeah, Oh, that's

0:23:24.600 --> 0:23:27.760
<v Speaker 1>quite an attentive Mario was. My parents were really great.

0:23:27.960 --> 0:23:30.520
<v Speaker 1>I mean that was an expensive carmer those days. Probably course,

0:23:30.560 --> 0:23:36.520
<v Speaker 1>at least three dollars, I don't know, Probably more like, okay,

0:23:36.600 --> 0:23:42.040
<v Speaker 1>so you start school where college? College? Now you're gonna

0:23:42.040 --> 0:23:45.320
<v Speaker 1>embarrass me. See, you know you are a very smart,

0:23:45.440 --> 0:23:48.280
<v Speaker 1>shy guy. You sly guy. I know what you're doing here,

0:23:48.440 --> 0:23:52.240
<v Speaker 1>all right? I went me you, I know what you're doing.

0:23:52.320 --> 0:23:55.359
<v Speaker 1>I went to Brooklyn College, right. I lasted there for

0:23:55.400 --> 0:23:58.000
<v Speaker 1>six months. You're gonna embarrass me now, but I'm gonna now,

0:23:58.040 --> 0:24:00.159
<v Speaker 1>I'm I'm in it. I gotta tell him. I went

0:24:00.200 --> 0:24:03.840
<v Speaker 1>to Brooking College for six months. For some reason, I

0:24:03.840 --> 0:24:11.400
<v Speaker 1>couldn't find the classes. Yeah, they kept moving the classes.

0:24:11.640 --> 0:24:15.680
<v Speaker 1>So I I left obviously, or maybe I was requested

0:24:15.680 --> 0:24:18.040
<v Speaker 1>to leave. I don't know. It was maybe a combination

0:24:18.080 --> 0:24:22.520
<v Speaker 1>that too, Bob cousin Bob Um. I started talking to

0:24:22.560 --> 0:24:25.760
<v Speaker 1>people who went to New York University, and it sounded good.

0:24:25.920 --> 0:24:28.080
<v Speaker 1>It sounds like I wanted to do something there. So

0:24:28.119 --> 0:24:31.160
<v Speaker 1>I enrolled at n y U. And what was there

0:24:31.160 --> 0:24:33.679
<v Speaker 1>In the first year. I decided they needed a radio

0:24:33.760 --> 0:24:36.440
<v Speaker 1>station and then we didn't have when we had a

0:24:36.560 --> 0:24:40.240
<v Speaker 1>radio club, you know, was held at an Arizat studio

0:24:40.960 --> 0:24:44.240
<v Speaker 1>and we had a microphone and uh a little control

0:24:44.320 --> 0:24:47.000
<v Speaker 1>room and we practiced radio. But it wasn't going anywhere

0:24:47.160 --> 0:24:51.160
<v Speaker 1>but into somebody's web corps or something or wire recorder

0:24:51.200 --> 0:24:53.639
<v Speaker 1>in those days. So I decided I was gonna go

0:24:54.200 --> 0:24:56.720
<v Speaker 1>this is this is typical me. Now, I was gonna

0:24:56.760 --> 0:24:59.480
<v Speaker 1>go see a dean. I looked up to dean, my dean,

0:25:00.040 --> 0:25:03.160
<v Speaker 1>and uh, I was gonna go ask him to get

0:25:03.160 --> 0:25:05.600
<v Speaker 1>me a radio station for the college. We needed a

0:25:05.720 --> 0:25:09.360
<v Speaker 1>radio station. It really was important part of the community.

0:25:09.480 --> 0:25:13.320
<v Speaker 1>So it was snowing. It was a bad snowy, nasty day,

0:25:13.520 --> 0:25:19.000
<v Speaker 1>muddy snow, slush, and I tripped into the dean's office

0:25:19.080 --> 0:25:22.399
<v Speaker 1>with my gloshes. Now, in those days, Bobby probably remember,

0:25:22.640 --> 0:25:26.600
<v Speaker 1>we used to wear these over shoes called galoshes. Terrible.

0:25:26.680 --> 0:25:29.399
<v Speaker 1>I mean, you know, forget it. So I went in

0:25:29.640 --> 0:25:32.240
<v Speaker 1>and I didn't take my glashes off, and I brought

0:25:32.240 --> 0:25:34.800
<v Speaker 1>in a lot of slush with me. He looked down

0:25:34.840 --> 0:25:37.760
<v Speaker 1>at his beautiful new carpet, and I knew right away

0:25:37.800 --> 0:25:39.800
<v Speaker 1>he looked back at me once again the eyes he

0:25:39.880 --> 0:25:42.000
<v Speaker 1>was not happy. He says, what can I do? For you,

0:25:42.240 --> 0:25:45.040
<v Speaker 1>Mr Morrow, And I said, well, sir, I want to

0:25:45.040 --> 0:25:47.919
<v Speaker 1>build a radio station. We need a radio station, the

0:25:47.920 --> 0:25:51.400
<v Speaker 1>community needs one, the college needs one. So he looked

0:25:51.400 --> 0:25:53.480
<v Speaker 1>at me and said, you know what, I think it's

0:25:53.480 --> 0:25:55.920
<v Speaker 1>a good idea. I'm gonna get you twenty eight dollars.

0:25:55.960 --> 0:26:00.560
<v Speaker 1>Get out. Literally, he didn't want me. I'm I messed

0:26:00.600 --> 0:26:04.000
<v Speaker 1>up his office. He gave me eventually twenty eight dollars

0:26:04.000 --> 0:26:08.800
<v Speaker 1>to professor my professors. I went and board wire. I

0:26:08.840 --> 0:26:13.320
<v Speaker 1>bought a used Dina box phonograph, and we had a microphone,

0:26:13.880 --> 0:26:16.000
<v Speaker 1>and I formed the club of people who really wanted

0:26:16.000 --> 0:26:19.280
<v Speaker 1>to be on the radio. I took the wire from

0:26:19.280 --> 0:26:22.600
<v Speaker 1>the back of the console, dropped it four stories out

0:26:22.640 --> 0:26:25.639
<v Speaker 1>of window, and I connected it with solder to the

0:26:25.680 --> 0:26:29.080
<v Speaker 1>back of two radios in a lounge in the green

0:26:29.160 --> 0:26:33.720
<v Speaker 1>room down there upstairs. We had microphone and a Dina box.

0:26:33.960 --> 0:26:36.040
<v Speaker 1>I went over to London Records at r C A,

0:26:36.080 --> 0:26:39.879
<v Speaker 1>and I begged them for their catalogs. I had, you know,

0:26:40.040 --> 0:26:44.040
<v Speaker 1>Cosmo music, and I had Semi pop music, had all that. Well,

0:26:44.119 --> 0:26:46.919
<v Speaker 1>we started doing shows. We did news, we did music,

0:26:47.119 --> 0:26:49.639
<v Speaker 1>and it went to the fourth four stories below the

0:26:49.800 --> 0:26:53.520
<v Speaker 1>two radios. But we were on the air. That's how

0:26:53.600 --> 0:26:56.240
<v Speaker 1>it started. That's my career. That's how the career started.

0:26:56.400 --> 0:26:58.880
<v Speaker 1>I knew that to really gets this out of me. Okay.

0:26:58.920 --> 0:27:01.600
<v Speaker 1>And then was at the extent of the radio station

0:27:01.680 --> 0:27:05.440
<v Speaker 1>during your whole college career or did they ultimately get

0:27:05.480 --> 0:27:08.000
<v Speaker 1>it over the year broadcast? Yeah they did, they did.

0:27:08.119 --> 0:27:10.800
<v Speaker 1>Uh what was it called carry a current? I think

0:27:10.800 --> 0:27:13.840
<v Speaker 1>they did carry according after a while. Yeah, carry accurrent

0:27:13.960 --> 0:27:16.760
<v Speaker 1>is not really over the year. We never had a transmitter,

0:27:16.800 --> 0:27:20.080
<v Speaker 1>so to speak, but we somehow the technicians we now,

0:27:20.160 --> 0:27:24.080
<v Speaker 1>we hired a technician. He the UH cabled us into

0:27:24.200 --> 0:27:28.080
<v Speaker 1>the electrical circus throughout the college, and the electrical circus

0:27:28.280 --> 0:27:31.040
<v Speaker 1>carried this UH the signal. So we were on the air.

0:27:31.080 --> 0:27:34.800
<v Speaker 1>I saw it selling time to local sponsors. I got

0:27:34.800 --> 0:27:38.000
<v Speaker 1>a lot of records. We had newscasters, I mean a group.

0:27:38.280 --> 0:27:41.240
<v Speaker 1>I had a radio station and it worked. And today

0:27:41.640 --> 0:27:44.760
<v Speaker 1>that radio station uh w n y U FM is

0:27:44.840 --> 0:27:49.320
<v Speaker 1>on the air and gets all kinds of awards. Yeah. Absolutely, okay,

0:27:49.720 --> 0:27:56.000
<v Speaker 1>So what do you study in college? Uh? I studied

0:27:56.119 --> 0:28:00.439
<v Speaker 1>UH radio I UH. I very rarely went to class.

0:28:00.520 --> 0:28:03.720
<v Speaker 1>The My professor's all excuse me, because they knew what

0:28:03.760 --> 0:28:07.200
<v Speaker 1>I was doing. And everybody wanted a radio station. Albeit

0:28:07.240 --> 0:28:09.240
<v Speaker 1>even though it was only two speakers at the time,

0:28:09.880 --> 0:28:13.159
<v Speaker 1>I was kind of excused. So my college career was

0:28:13.240 --> 0:28:18.040
<v Speaker 1>really building that radio station. But I learned finance, I

0:28:18.119 --> 0:28:23.720
<v Speaker 1>learned history, I learned geography, I learned sociology, I learned psychology.

0:28:23.920 --> 0:28:26.520
<v Speaker 1>I had the best, the best education of my life.

0:28:26.680 --> 0:28:29.320
<v Speaker 1>My parents paid a lot of money for that education,

0:28:29.359 --> 0:28:31.639
<v Speaker 1>but it was well worth while. Right but you, but

0:28:31.720 --> 0:28:35.080
<v Speaker 1>you did graduate, you did get a degree. O start

0:28:35.200 --> 0:28:37.159
<v Speaker 1>somewhere behind me and something. In fact, I even have

0:28:37.240 --> 0:28:39.720
<v Speaker 1>a a an honorary degree. I have a pH d.

0:28:40.280 --> 0:28:42.720
<v Speaker 1>You know, it's Dr Cousin Bruce. You know. No, I'm

0:28:42.840 --> 0:28:45.760
<v Speaker 1>very proud that I graduated, n y U. It was

0:28:45.800 --> 0:28:47.920
<v Speaker 1>tough at times. It was tough of times because my

0:28:47.960 --> 0:28:53.040
<v Speaker 1>head was always outside the classroom wanting to do things.

0:28:53.240 --> 0:28:56.360
<v Speaker 1>But I did it. I graduated, and uh, I'm very

0:28:56.360 --> 0:29:04.480
<v Speaker 1>proud of that, very proud of n Yu. You graduated.

0:29:04.520 --> 0:29:07.400
<v Speaker 1>What was the next step in your career? Well, when

0:29:07.440 --> 0:29:11.080
<v Speaker 1>I graduated, I sent out demo tapes or if you

0:29:11.080 --> 0:29:13.680
<v Speaker 1>remember those days. But we didn't have uh, you know,

0:29:13.720 --> 0:29:16.000
<v Speaker 1>we didn't have the Internet or anything. We had to

0:29:16.000 --> 0:29:19.400
<v Speaker 1>send tapes out. So I uh, sent out eight tapes

0:29:19.760 --> 0:29:23.360
<v Speaker 1>under the under the supervision of my professor's Professor Falk,

0:29:23.480 --> 0:29:26.600
<v Speaker 1>Professor Emerson. Funny while I'm talking, I remembering names here,

0:29:27.000 --> 0:29:30.200
<v Speaker 1>And I sent these tapes out to different radio stations. Now,

0:29:30.560 --> 0:29:33.080
<v Speaker 1>I've always, Bob, I've always wanted to be a warm climate.

0:29:33.640 --> 0:29:36.320
<v Speaker 1>I don't like being cold, and I don't like being

0:29:36.360 --> 0:29:38.520
<v Speaker 1>I don't like to this day. And so I sent

0:29:38.600 --> 0:29:41.360
<v Speaker 1>them out to warm climates, which is a very bad

0:29:41.400 --> 0:29:45.280
<v Speaker 1>thing to do because you're really narrowing the pickings. So

0:29:45.480 --> 0:29:48.440
<v Speaker 1>out of about eight tapes, I got four or five

0:29:48.480 --> 0:29:51.840
<v Speaker 1>back that said, kid, you're very very nice going to

0:29:51.920 --> 0:29:55.680
<v Speaker 1>your father's business. All right, forget it. And a couple

0:29:55.760 --> 0:30:01.480
<v Speaker 1>of them came back very positively. One was in Panama City, Florida.

0:30:01.720 --> 0:30:04.080
<v Speaker 1>Perfect nice weather, you know, a little cool once in

0:30:04.160 --> 0:30:06.640
<v Speaker 1>a while, nice weather. And one day the owner of

0:30:06.640 --> 0:30:09.480
<v Speaker 1>the radio station called, and once again, my dad was

0:30:09.520 --> 0:30:12.760
<v Speaker 1>standing by Dad and he's on the phone. I'm on

0:30:12.840 --> 0:30:15.160
<v Speaker 1>the other phone, and uh, he gets on him. Yes,

0:30:15.200 --> 0:30:18.120
<v Speaker 1>he said, this is Mrs so and so of whatever

0:30:18.120 --> 0:30:20.360
<v Speaker 1>the radio station was, and still there by the way,

0:30:20.440 --> 0:30:23.440
<v Speaker 1>Panama City, Florida. We'd like to offer your son a job.

0:30:24.200 --> 0:30:27.960
<v Speaker 1>So my father answered, I was like throat stopped, and

0:30:27.960 --> 0:30:30.240
<v Speaker 1>he said, yeah, well, what's the job. Well, we'd like

0:30:30.280 --> 0:30:32.840
<v Speaker 1>to give him a job, and uh, he'd work in

0:30:32.880 --> 0:30:38.160
<v Speaker 1>both our businesses. My father said, really, what both businesses? Well,

0:30:38.240 --> 0:30:40.440
<v Speaker 1>he said he was very cagy the guy. He said,

0:30:40.560 --> 0:30:43.080
<v Speaker 1>he'd been on the air for about four hours. He'll

0:30:43.120 --> 0:30:45.520
<v Speaker 1>do a two hour show and then he'll go out

0:30:45.520 --> 0:30:48.320
<v Speaker 1>and sell for two hours out small stations. Right, we'll

0:30:48.320 --> 0:30:51.120
<v Speaker 1>pay him eighty five dollars a week, and we'll help

0:30:51.200 --> 0:30:53.720
<v Speaker 1>him get settled and everything. Eighty five a week. And

0:30:53.760 --> 0:30:56.600
<v Speaker 1>then my father knew something was wrong and he said, okay,

0:30:56.920 --> 0:30:58.840
<v Speaker 1>that sounds all right for this time, because he was

0:30:58.880 --> 0:31:01.840
<v Speaker 1>going to supplement myself. I'll read what's the other business?

0:31:02.400 --> 0:31:05.920
<v Speaker 1>My father very shrewd once again, so the older of

0:31:06.000 --> 0:31:11.640
<v Speaker 1>the stations as well, Mrmorrow, we also own a car wash.

0:31:11.960 --> 0:31:14.360
<v Speaker 1>What are you laughing at? That's serious stuff. Listen, how

0:31:14.400 --> 0:31:17.200
<v Speaker 1>would you like that? He said, he'll work four hours

0:31:17.560 --> 0:31:21.120
<v Speaker 1>in our car wash. Now, my dad and I looked

0:31:21.120 --> 0:31:24.680
<v Speaker 1>at each other and we said, no, no, I wasn't

0:31:24.680 --> 0:31:28.120
<v Speaker 1>gonna carry eight hundred towels down to Florida. So we

0:31:28.360 --> 0:31:32.080
<v Speaker 1>turned that one down. About a week later, I received

0:31:32.080 --> 0:31:34.880
<v Speaker 1>a call from I guess the station of my dreams,

0:31:35.520 --> 0:31:38.240
<v Speaker 1>z B M, or as we say, z B M

0:31:38.680 --> 0:31:43.520
<v Speaker 1>z B M in Bermuda. Down in Bermuda Paradise for

0:31:43.600 --> 0:31:46.680
<v Speaker 1>two I met my loved one deep in the Blue

0:31:46.840 --> 0:31:50.080
<v Speaker 1>remember that song? Alright, anyway you do not recognize all right?

0:31:50.400 --> 0:31:53.120
<v Speaker 1>I go down to Bermuda, and I really had my

0:31:53.240 --> 0:31:56.560
<v Speaker 1>education there, Bob. This is where I learned radio. You know,

0:31:56.720 --> 0:31:59.800
<v Speaker 1>you can stay in college and high school and read

0:32:00.000 --> 0:32:03.280
<v Speaker 1>books and go to a broadcast school all your life,

0:32:03.400 --> 0:32:07.120
<v Speaker 1>but until you're on the professionally, until you're on that

0:32:07.280 --> 0:32:09.760
<v Speaker 1>radio and doing it and you feel that feeling in

0:32:09.800 --> 0:32:12.680
<v Speaker 1>your belly and you're so scared, right because it's so new,

0:32:12.920 --> 0:32:15.880
<v Speaker 1>you don't know what to do. That's when the education began.

0:32:16.280 --> 0:32:18.040
<v Speaker 1>So one year and a little bit of a couple

0:32:18.080 --> 0:32:21.560
<v Speaker 1>of months in Bermuda and I did everything from well,

0:32:21.600 --> 0:32:23.560
<v Speaker 1>I I brought rock and roll music down to that

0:32:23.640 --> 0:32:26.560
<v Speaker 1>quiet island. They used to call me the Hammer. By

0:32:26.640 --> 0:32:29.040
<v Speaker 1>the way, I still have listeners down there that right

0:32:29.120 --> 0:32:32.120
<v Speaker 1>to me. Email me. They love it, uh, that hammer

0:32:32.160 --> 0:32:35.920
<v Speaker 1>because they never heard anybody speak with the cacophony of

0:32:35.960 --> 0:32:38.720
<v Speaker 1>the music that we were playing. Suddenly they were hearing

0:32:38.880 --> 0:32:42.520
<v Speaker 1>Fats Domino and Elvis Presley and the Everly Brothers, and

0:32:42.600 --> 0:32:45.520
<v Speaker 1>yet that whole thing drifters, and they were getting a

0:32:45.520 --> 0:32:49.400
<v Speaker 1>whole new beat this once quiet Calypsonian Island, and the

0:32:49.520 --> 0:32:52.600
<v Speaker 1>Hammer was on the radio with him. I did shows,

0:32:53.480 --> 0:32:56.560
<v Speaker 1>I did stage shows. I started a show called The

0:32:56.600 --> 0:32:59.959
<v Speaker 1>Search Party. That's where I got in trouble. I mixed

0:33:00.480 --> 0:33:04.080
<v Speaker 1>black and white audience once again. I love my audience.

0:33:04.320 --> 0:33:06.640
<v Speaker 1>I was dead, so I was really wanting to have

0:33:06.680 --> 0:33:08.600
<v Speaker 1>an audience in front of me, even in those days.

0:33:08.640 --> 0:33:11.800
<v Speaker 1>I knew it. And they didn't like this too much.

0:33:12.120 --> 0:33:15.640
<v Speaker 1>They didn't like the idea of mixing audiences. So at

0:33:15.720 --> 0:33:17.920
<v Speaker 1>night I used to get threatening. When I was on

0:33:17.920 --> 0:33:20.480
<v Speaker 1>the radio, I used to get threatening phone calls. It

0:33:20.600 --> 0:33:23.240
<v Speaker 1>got so bad. And this is the old days of

0:33:23.240 --> 0:33:26.000
<v Speaker 1>the Beater's not today that things have changed. I used

0:33:26.040 --> 0:33:29.080
<v Speaker 1>to walk home with a lead pipe at the ready

0:33:29.160 --> 0:33:31.760
<v Speaker 1>in my pocket, real big pipe, and I used to

0:33:32.000 --> 0:33:34.360
<v Speaker 1>put it under my shirt because and every time a

0:33:34.400 --> 0:33:37.920
<v Speaker 1>palm tree would sway, I jumped ten feet in the

0:33:37.920 --> 0:33:41.480
<v Speaker 1>air getting ready for something. So they threatened me right

0:33:41.800 --> 0:33:43.600
<v Speaker 1>until I got home, and I used to get into

0:33:43.640 --> 0:33:47.040
<v Speaker 1>my little bed that I paid. I think, uh, ninety

0:33:47.120 --> 0:33:49.960
<v Speaker 1>dollars a month. I was on the eve of on

0:33:50.000 --> 0:33:51.920
<v Speaker 1>the eve of a roof, and if I got up,

0:33:51.960 --> 0:33:54.640
<v Speaker 1>I'd smashed my head on it. But I gotta tell

0:33:54.640 --> 0:33:58.880
<v Speaker 1>you some that was probably the most important poignant part

0:33:58.960 --> 0:34:04.880
<v Speaker 1>of my education, my radio education. I left there, go

0:34:04.920 --> 0:34:07.640
<v Speaker 1>away before you go there? Yeah, what's what's happening with

0:34:07.720 --> 0:34:12.840
<v Speaker 1>you in romance along the road here? What? Wait a minute?

0:34:13.320 --> 0:34:15.640
<v Speaker 1>Oh wait, I'm not gonna talk about that. You gotta

0:34:15.680 --> 0:34:19.920
<v Speaker 1>we only get me in trouble. I can't. I can't

0:34:19.920 --> 0:34:23.680
<v Speaker 1>afford a divorce this year. No, I guess uh I

0:34:23.719 --> 0:34:26.600
<v Speaker 1>did you have dates in high school? In college? Did

0:34:26.600 --> 0:34:30.680
<v Speaker 1>you have relationships? Sure? Oh, absolutely had a lot of girlfriends.

0:34:30.840 --> 0:34:33.840
<v Speaker 1>I thought you were talking about one specific one in Bermuda.

0:34:34.800 --> 0:34:36.800
<v Speaker 1>It was that I had my research. Does not go

0:34:36.920 --> 0:34:42.959
<v Speaker 1>that day, Thank goodness. Hold on a second, okay, okay, yeah, yeah,

0:34:43.000 --> 0:34:48.440
<v Speaker 1>of course you did have one specific person in Bermuda.

0:34:48.440 --> 0:34:52.400
<v Speaker 1>You were not homesick, well, I was homesick. I was homesick,

0:34:52.520 --> 0:34:55.399
<v Speaker 1>but there were times it was not homesick because we

0:34:55.400 --> 0:34:58.160
<v Speaker 1>were making nice. We had a good time. My uh

0:34:58.400 --> 0:35:02.400
<v Speaker 1>my two door forward, which I had pre Bermuda, was

0:35:02.440 --> 0:35:06.799
<v Speaker 1>now being used for another kind of education. I didn't

0:35:06.840 --> 0:35:10.239
<v Speaker 1>know there was a back seat there. Okay, but you

0:35:10.320 --> 0:35:13.439
<v Speaker 1>took the Ford to Bermuda too, No, no, no, I said,

0:35:13.480 --> 0:35:18.080
<v Speaker 1>I used the Ford pre Bermuda for you talking about girlfriend. Okay,

0:35:18.320 --> 0:35:21.280
<v Speaker 1>so that how do you get out of Bermuda. Well,

0:35:22.239 --> 0:35:25.440
<v Speaker 1>that's kind of a story that twenty century Fox bought

0:35:25.840 --> 0:35:28.880
<v Speaker 1>in my book, right, and that was that could have

0:35:29.120 --> 0:35:32.120
<v Speaker 1>that was almost a movie. Uh. There was a church

0:35:32.160 --> 0:35:36.560
<v Speaker 1>in Bermuda outside of Hamilton's that burned down, and this

0:35:36.719 --> 0:35:40.680
<v Speaker 1>church was in dire needs of funds they had to rebuild.

0:35:41.200 --> 0:35:44.799
<v Speaker 1>So I decided very wisely, I think to this day,

0:35:44.840 --> 0:35:48.399
<v Speaker 1>to hold a big record hop and a dance at

0:35:48.400 --> 0:35:51.400
<v Speaker 1>a huge hall in Hamilton's harbor. So we hired this

0:35:51.440 --> 0:35:54.320
<v Speaker 1>hard It could have held thousands of people. And uh,

0:35:54.400 --> 0:35:57.400
<v Speaker 1>I was going to raise money to read help rebuild

0:35:57.440 --> 0:36:01.400
<v Speaker 1>the church, which I did. I raised some funds. Um

0:36:01.480 --> 0:36:06.160
<v Speaker 1>after this was over, I was invited to leave. I

0:36:06.239 --> 0:36:09.200
<v Speaker 1>was invited to leave Bermuda. Now once again, I love

0:36:09.239 --> 0:36:12.320
<v Speaker 1>Bermuda and I've been back a couple of times since.

0:36:13.000 --> 0:36:15.840
<v Speaker 1>At this time, Bermuda was kind of living in a

0:36:15.880 --> 0:36:19.480
<v Speaker 1>different world. They weren't in today's world. They really didn't.

0:36:20.480 --> 0:36:27.400
<v Speaker 1>I think if you weren't uh British Anglo Protestant Um,

0:36:27.719 --> 0:36:31.440
<v Speaker 1>you were not acceptable. They had a lot of different

0:36:31.480 --> 0:36:34.319
<v Speaker 1>laws which have changed, you know. So I was right

0:36:34.320 --> 0:36:36.239
<v Speaker 1>there in the middle of all this stuff. So, as

0:36:36.239 --> 0:36:39.239
<v Speaker 1>I said, I got a letter and I suggested that

0:36:39.320 --> 0:36:42.160
<v Speaker 1>I leave. Okay, let's let's let's let's hold back for

0:36:42.200 --> 0:36:45.879
<v Speaker 1>a second. To what degree if you encountered anti Semitism

0:36:45.920 --> 0:36:53.680
<v Speaker 1>in your career, very little to none. Honestly, No, I've

0:36:53.680 --> 0:36:58.759
<v Speaker 1>discovered I've encountered anti humanism many times. I've never had

0:37:00.040 --> 0:37:05.200
<v Speaker 1>the unhappiness of anti Semitism or anti anything. The only

0:37:05.239 --> 0:37:08.000
<v Speaker 1>anti I really had was in Bermuda. That was just

0:37:08.600 --> 0:37:11.759
<v Speaker 1>not nice. It wasn't right. Okay. So if you were

0:37:11.840 --> 0:37:15.719
<v Speaker 1>raising money for the church, what was their problem with you? Well,

0:37:15.760 --> 0:37:20.879
<v Speaker 1>I was helping a black church. It was a black church. See,

0:37:20.920 --> 0:37:24.959
<v Speaker 1>that's what happened. So they were invited to leave. Yeah,

0:37:25.000 --> 0:37:28.520
<v Speaker 1>I started to leave, and I accepted it. I left,

0:37:29.320 --> 0:37:32.520
<v Speaker 1>and uh I went home and I got a job

0:37:32.560 --> 0:37:35.360
<v Speaker 1>in Miami. I probably had another job before that. I know,

0:37:35.440 --> 0:37:38.520
<v Speaker 1>it's getting a little kind of mushy now. Uh, I

0:37:38.560 --> 0:37:40.960
<v Speaker 1>get a job in Miami and I go to w

0:37:41.080 --> 0:37:44.719
<v Speaker 1>Y n Z in Miami, broadcasting from high you top

0:37:44.760 --> 0:37:49.640
<v Speaker 1>the beautiful Biscaine Bay, overlooking beautiful, beautiful Florida. So I

0:37:49.719 --> 0:37:52.160
<v Speaker 1>was in the there for W Y and Z for

0:37:52.200 --> 0:37:55.840
<v Speaker 1>about a year. One day I'm walking on Biscaye Boulevard

0:37:56.280 --> 0:37:59.840
<v Speaker 1>out here speak about things that you never forget. I

0:38:00.120 --> 0:38:03.640
<v Speaker 1>suddenly see Santa Claus under a palm tree. It's not

0:38:03.760 --> 0:38:07.680
<v Speaker 1>in December Christmas time, wearing Bermuda shorts and a T shirt.

0:38:08.280 --> 0:38:11.719
<v Speaker 1>And I said, boy, you're out of here. That was

0:38:12.200 --> 0:38:15.799
<v Speaker 1>I got enough see Santa Claus and shorts, you know.

0:38:16.160 --> 0:38:18.600
<v Speaker 1>So it was time to leave, and I left in

0:38:18.680 --> 0:38:22.080
<v Speaker 1>the I got jobs, So I got his producers jobs,

0:38:22.120 --> 0:38:25.200
<v Speaker 1>and I went to W I and S in New York.

0:38:25.840 --> 0:38:29.600
<v Speaker 1>When you how long were you off the air from

0:38:29.600 --> 0:38:34.840
<v Speaker 1>Remuta to your next job? Maybe three months? Pretty quick.

0:38:35.360 --> 0:38:38.799
<v Speaker 1>Do you ever think it might not work? No? I

0:38:38.920 --> 0:38:41.719
<v Speaker 1>never did. I always had. You know, I'm very lucky.

0:38:41.719 --> 0:38:44.440
<v Speaker 1>I have great faith in me. I believe in what

0:38:44.520 --> 0:38:47.880
<v Speaker 1>I do, and I ain't a feard. I'm not afraid.

0:38:48.000 --> 0:38:51.120
<v Speaker 1>I'm not a scaredy kid. I'm a Brooklyn kid. Nothing

0:38:51.200 --> 0:38:54.440
<v Speaker 1>scares me. Okay, So when you leave Miami, do you

0:38:54.480 --> 0:38:57.000
<v Speaker 1>continue to stay on the air or there are times

0:38:57.000 --> 0:39:00.200
<v Speaker 1>when you're behind the mic, behind the MICU of the

0:39:00.200 --> 0:39:04.600
<v Speaker 1>first jobs, I was at Mutual Broadcasting as a producer

0:39:05.440 --> 0:39:09.640
<v Speaker 1>and then Fate stepped in. This you're gonna like, I

0:39:09.680 --> 0:39:12.320
<v Speaker 1>am hired a w Y and as my dad parents.

0:39:12.640 --> 0:39:16.080
<v Speaker 1>My mother had a friend who was parents parents of

0:39:16.320 --> 0:39:18.600
<v Speaker 1>a young lady who worked at w I and S.

0:39:18.840 --> 0:39:21.160
<v Speaker 1>In those days, w Y and S was music. It

0:39:21.280 --> 0:39:25.759
<v Speaker 1>wasn't an old talk or all news stations. So they

0:39:25.880 --> 0:39:29.480
<v Speaker 1>hired me as a producer. Once again, Fate here it

0:39:29.600 --> 0:39:33.600
<v Speaker 1>is mom Ba bamb Homema bam home. Fate steps in.

0:39:34.600 --> 0:39:39.400
<v Speaker 1>There's a strike after calls a strike. Now what happens

0:39:39.400 --> 0:39:43.120
<v Speaker 1>when there's a strike, all of the on air personalities leave,

0:39:43.640 --> 0:39:45.360
<v Speaker 1>They go out and they pick it or they just

0:39:45.480 --> 0:39:49.640
<v Speaker 1>leave and uh. Then the other unions like what was it?

0:39:51.000 --> 0:39:53.640
<v Speaker 1>Navid was something? I believe it was NAVID, the engineering unit.

0:39:53.960 --> 0:39:57.160
<v Speaker 1>They could not cross the picket line, so we were

0:39:57.440 --> 0:40:00.919
<v Speaker 1>without operating personnel. So what are you do? Well, as

0:40:00.960 --> 0:40:04.360
<v Speaker 1>a you know, a broadcaster, you do what comes dentually.

0:40:04.640 --> 0:40:07.800
<v Speaker 1>You get everybody that works for you that's non union

0:40:08.000 --> 0:40:09.880
<v Speaker 1>and you put them on the air and all the

0:40:09.920 --> 0:40:13.120
<v Speaker 1>ancelory jobs that's what you do. So they knew I

0:40:13.200 --> 0:40:17.000
<v Speaker 1>had experience. They put me on the air. Okay, but

0:40:17.560 --> 0:40:21.040
<v Speaker 1>did your the people broadcasting were on strike. Did they

0:40:21.080 --> 0:40:23.879
<v Speaker 1>see you as a scab or did they excell Let's

0:40:23.880 --> 0:40:26.480
<v Speaker 1>put it this way. At first, well I was that's

0:40:26.520 --> 0:40:28.440
<v Speaker 1>after the fact. But I went on the air, So

0:40:28.600 --> 0:40:31.600
<v Speaker 1>just no preceding. That went on the air, and I

0:40:31.680 --> 0:40:34.400
<v Speaker 1>stayed on the air for quite some time. Cousin Brusci

0:40:34.480 --> 0:40:38.640
<v Speaker 1>was born on the air. That's what happened. My enthusiasm,

0:40:38.719 --> 0:40:42.200
<v Speaker 1>my energy was now developing, and they kept me on

0:40:42.239 --> 0:40:45.160
<v Speaker 1>the air. Now, when the strike ended, they gave me

0:40:45.200 --> 0:40:48.719
<v Speaker 1>a contract. I stayed on the air. I went on

0:40:48.760 --> 0:40:53.120
<v Speaker 1>the air. Uh. The union members, well, at first they

0:40:53.120 --> 0:40:55.879
<v Speaker 1>were kind of cold, I remember, but after a while

0:40:55.960 --> 0:40:59.279
<v Speaker 1>they warmed up. I'm a very kissy, huggy guy, and

0:40:59.320 --> 0:41:02.359
<v Speaker 1>they saw the young guy, young kid. Right, I wasn't

0:41:02.400 --> 0:41:05.239
<v Speaker 1>doing anything wrong. I was doing what I was instructed

0:41:05.280 --> 0:41:08.480
<v Speaker 1>to by executives. So I had no choice either that

0:41:08.840 --> 0:41:11.000
<v Speaker 1>or I was gonna be fired. So one on the year.

0:41:11.160 --> 0:41:13.839
<v Speaker 1>So after a while they warmed up to me. Right.

0:41:14.040 --> 0:41:17.719
<v Speaker 1>How long was the strike, Oh, I don't know. It

0:41:18.080 --> 0:41:21.200
<v Speaker 1>was a pretty good one. It was a pretty long strike.

0:41:21.440 --> 0:41:24.800
<v Speaker 1>I mean, it wasn't years or anything. I think several months. Okay,

0:41:24.840 --> 0:41:28.520
<v Speaker 1>so what year are we in? All right, now, you're

0:41:28.520 --> 0:41:32.560
<v Speaker 1>gonna have to use your research. I really, my research

0:41:32.640 --> 0:41:38.000
<v Speaker 1>is my whole life. But it's obviously pre w ABC. Wait, okay,

0:41:38.080 --> 0:41:39.919
<v Speaker 1>let me let me switch it a little bit. Because

0:41:39.920 --> 0:41:43.480
<v Speaker 1>something you've mentioned, you have a love for being performing,

0:41:43.600 --> 0:41:47.080
<v Speaker 1>You liked the connection with your audience. To what degree

0:41:47.280 --> 0:41:52.240
<v Speaker 1>was the music important to you at that time? Absolutely everything?

0:41:52.760 --> 0:41:55.480
<v Speaker 1>The music I believe was my connection. The music was

0:41:55.480 --> 0:42:00.719
<v Speaker 1>in my absolute absolute bridge to that audi. It's I

0:42:00.840 --> 0:42:03.240
<v Speaker 1>was playing that music and I sounded like that music

0:42:03.440 --> 0:42:06.359
<v Speaker 1>because I learned how to sound like that music from

0:42:06.360 --> 0:42:09.839
<v Speaker 1>Alan Freed, who was my mentor back in the old days.

0:42:09.840 --> 0:42:13.000
<v Speaker 1>Alan Freed probably the granddaddy of Top forty and rock

0:42:13.040 --> 0:42:15.480
<v Speaker 1>and roll radio when I was a kid, when I

0:42:15.560 --> 0:42:17.000
<v Speaker 1>was in high school, I used to go once in

0:42:17.000 --> 0:42:18.880
<v Speaker 1>a while up to w y and S where he

0:42:18.920 --> 0:42:21.360
<v Speaker 1>was on. Came out of Cleveland and came to Wyns.

0:42:21.560 --> 0:42:24.560
<v Speaker 1>Pressed my nose against the glass, and one day he

0:42:24.680 --> 0:42:26.840
<v Speaker 1>noticed me because I came up pretty often, and he

0:42:27.200 --> 0:42:29.840
<v Speaker 1>signaled me to come in with his hand, come on in,

0:42:30.239 --> 0:42:32.000
<v Speaker 1>and he went in. He says, kid, you like this?

0:42:32.120 --> 0:42:34.839
<v Speaker 1>I said, yes, sir. He says, don't do it going

0:42:34.880 --> 0:42:38.920
<v Speaker 1>to your father's business. It's boring, boring, and you know something,

0:42:39.040 --> 0:42:41.560
<v Speaker 1>Thank god I didn't listen to him, right. I was

0:42:41.600 --> 0:42:44.560
<v Speaker 1>so enamored because this man sounded like rock and roll,

0:42:44.719 --> 0:42:46.919
<v Speaker 1>but I sounded like it. And the music, to answer

0:42:46.920 --> 0:42:50.840
<v Speaker 1>your question, was the entire absolute bridge to where I

0:42:50.880 --> 0:42:55.360
<v Speaker 1>am today. Okay, Now, Alan Freed ultimately went up the

0:42:55.440 --> 0:42:58.440
<v Speaker 1>river as a result of Paola. To what degree did

0:42:58.480 --> 0:43:02.880
<v Speaker 1>Payola permeate the business? This back then completely? But fortunately

0:43:02.960 --> 0:43:06.160
<v Speaker 1>for me, I was a kid. I took Payola once

0:43:06.160 --> 0:43:07.759
<v Speaker 1>and I'm gonna admit it to you know, you're gonna

0:43:07.760 --> 0:43:12.040
<v Speaker 1>be shocked. Are you ready for this? All? Right? I

0:43:12.160 --> 0:43:16.640
<v Speaker 1>accepted a cherry and an apple pie from somebody once

0:43:17.560 --> 0:43:19.920
<v Speaker 1>he came up. This man who was a record promoter,

0:43:21.400 --> 0:43:24.120
<v Speaker 1>offered me, wanted me to play one of his new records,

0:43:24.440 --> 0:43:26.320
<v Speaker 1>and I he knew I could get it past and

0:43:26.360 --> 0:43:29.400
<v Speaker 1>the music meeting, and uh, he gave me a cherry

0:43:29.400 --> 0:43:32.160
<v Speaker 1>pie and an apple pie. I didn't know it was Payola.

0:43:32.640 --> 0:43:34.600
<v Speaker 1>It was pie Ola. I don't know what the heck

0:43:34.600 --> 0:43:39.319
<v Speaker 1>it was. They were very good pies. I witnessed those

0:43:39.400 --> 0:43:44.400
<v Speaker 1>days of payola, program directors, music directors, getting television sets,

0:43:44.840 --> 0:43:49.040
<v Speaker 1>cases of booze cars. I mean there was one guy

0:43:49.080 --> 0:43:53.320
<v Speaker 1>and even had a wedding. Uh, an amazing thing happened.

0:43:53.320 --> 0:43:56.320
<v Speaker 1>I had no idea. I was so young. Nobody really

0:43:56.360 --> 0:43:59.400
<v Speaker 1>ever approached me. I could have, I could have probably

0:43:59.400 --> 0:44:02.840
<v Speaker 1>followed it, but I never did. I just told you

0:44:02.920 --> 0:44:05.279
<v Speaker 1>that apple pie and cherry pie. That was okay. So

0:44:05.360 --> 0:44:07.680
<v Speaker 1>how long were you all? You went directly from w

0:44:07.719 --> 0:44:13.960
<v Speaker 1>I n S ten ten wins to w ABC. Correct? Uh, yeah,

0:44:14.000 --> 0:44:17.120
<v Speaker 1>I think you know, I think that's pretty right. I

0:44:17.160 --> 0:44:19.760
<v Speaker 1>think how long were you at ten ten wins before

0:44:20.320 --> 0:44:23.400
<v Speaker 1>you went to ABC? And what was that transition about? What?

0:44:23.480 --> 0:44:26.480
<v Speaker 1>It was? Two years? Two years at w I n S.

0:44:26.640 --> 0:44:30.279
<v Speaker 1>It ended kind of unhappily. There was a DJ named

0:44:30.320 --> 0:44:33.840
<v Speaker 1>Murray the K and Murray wanted my hours. And I

0:44:33.880 --> 0:44:36.280
<v Speaker 1>was a young guy. I didn't know how to protect myself.

0:44:36.320 --> 0:44:40.120
<v Speaker 1>I was still you know, my early early twenties, and uh,

0:44:40.239 --> 0:44:42.880
<v Speaker 1>Murray was a season veteran and he wanted those hours.

0:44:43.400 --> 0:44:48.600
<v Speaker 1>And you're talking about quantity or specific time time, which

0:44:48.640 --> 0:44:51.239
<v Speaker 1>was when oh I was on from uh, I think

0:44:51.280 --> 0:44:54.600
<v Speaker 1>ten to midnight in those days. Why did he want

0:44:54.640 --> 0:44:57.200
<v Speaker 1>those hours because he was on at night later and

0:44:57.280 --> 0:44:59.680
<v Speaker 1>he wanted the extra hours, So we wanted the hours,

0:44:59.680 --> 0:45:03.080
<v Speaker 1>and he was very friendly with the sales manager and

0:45:03.120 --> 0:45:05.719
<v Speaker 1>then they made a deal. So I was put on

0:45:05.760 --> 0:45:09.319
<v Speaker 1>a different time and eventually I left, but I was

0:45:09.400 --> 0:45:13.239
<v Speaker 1>I was really forced forced out. So murray, Uh it was.

0:45:13.280 --> 0:45:17.680
<v Speaker 1>It was not a happy moment in my life. And eventually, unfortunately,

0:45:17.880 --> 0:45:21.240
<v Speaker 1>uh it came to pass whereby he paid the piper

0:45:21.280 --> 0:45:23.920
<v Speaker 1>for that, paid the piper with his with his life.

0:45:24.120 --> 0:45:27.959
<v Speaker 1>Nothing to do with me, But that's another story he developed. Yeah,

0:45:28.000 --> 0:45:33.520
<v Speaker 1>he got very sick, right, But staying with you, how

0:45:33.520 --> 0:45:35.960
<v Speaker 1>did you did you quit? Iron asked? Or you were

0:45:36.000 --> 0:45:38.759
<v Speaker 1>you recruited by ABC? Or do you look for another job?

0:45:38.800 --> 0:45:41.319
<v Speaker 1>How did that transition happen? You know, I just want

0:45:41.400 --> 0:45:44.560
<v Speaker 1>to think. I don't think I was let go. I

0:45:44.640 --> 0:45:48.000
<v Speaker 1>looked for another job. I looked for another job and

0:45:48.080 --> 0:45:50.640
<v Speaker 1>at the time, but see none I went. I'm pretty

0:45:50.680 --> 0:45:54.160
<v Speaker 1>sure I went to W Y and Z before I went. Yeah,

0:45:54.160 --> 0:45:56.480
<v Speaker 1>I'm pretty sure that. You know what. There's so much

0:45:56.520 --> 0:46:00.000
<v Speaker 1>going on with my chronology. It's like word but as

0:46:00.040 --> 0:46:02.480
<v Speaker 1>you're talking and sort of lights up a pinball, A

0:46:02.520 --> 0:46:06.920
<v Speaker 1>little glimmer. Um, I got a job from Wins and

0:46:07.080 --> 0:46:11.239
<v Speaker 1>Wins in Miami, Florida. That's where I went. So I

0:46:11.280 --> 0:46:13.640
<v Speaker 1>went out of Florida. I was pretty I was known

0:46:13.680 --> 0:46:16.120
<v Speaker 1>by that in Florida because New Yorkers, you know a

0:46:16.200 --> 0:46:18.080
<v Speaker 1>lot of New Yorkers are there, right, and that's how

0:46:18.080 --> 0:46:22.000
<v Speaker 1>they advertise it. So a guy named Rex rand Oldness

0:46:22.200 --> 0:46:24.920
<v Speaker 1>radio station w Y and C. I think this is

0:46:24.960 --> 0:46:27.120
<v Speaker 1>where this came in because we talked about this came

0:46:27.239 --> 0:46:29.879
<v Speaker 1>terrorists before and I went down there and I spent

0:46:29.960 --> 0:46:32.439
<v Speaker 1>that year. That's where this happened. While I was down

0:46:32.480 --> 0:46:36.319
<v Speaker 1>there that year, I was recruited for w ABC. That's

0:46:36.320 --> 0:46:38.759
<v Speaker 1>when they were starting out to look and see what

0:46:38.800 --> 0:46:41.400
<v Speaker 1>they wanted to do. They were becoming they were the

0:46:41.480 --> 0:46:45.160
<v Speaker 1>seven Swinging Gentleman that they became the All Americans. And

0:46:45.200 --> 0:46:47.560
<v Speaker 1>I got the job there. I got the job. There

0:46:48.160 --> 0:46:52.040
<v Speaker 1>was Rick Sklar already the program director. Yes she was.

0:46:52.480 --> 0:46:55.560
<v Speaker 1>Rick was my program director. I think what I got there.

0:46:55.600 --> 0:46:59.000
<v Speaker 1>There was a guy leaving in transition, but Rick was

0:46:59.040 --> 0:47:02.200
<v Speaker 1>my program director and uh he called me into his

0:47:02.280 --> 0:47:05.200
<v Speaker 1>office one day and uh, I was on the air

0:47:05.719 --> 0:47:08.839
<v Speaker 1>and he goes into his draw and he pulls out

0:47:09.239 --> 0:47:12.120
<v Speaker 1>a folder when these vanilla folders and the en folder

0:47:12.200 --> 0:47:14.800
<v Speaker 1>was a star. And he said to me, Bruce, this

0:47:14.800 --> 0:47:18.719
<v Speaker 1>is Rick Slane. This is your star. This is you

0:47:18.840 --> 0:47:21.520
<v Speaker 1>from now on, and he gave me the break. I

0:47:21.560 --> 0:47:25.400
<v Speaker 1>went on the air seven to ten. Okay, and so

0:47:25.520 --> 0:47:28.880
<v Speaker 1>immediately you were at seven to ten. Let's see, right,

0:47:29.160 --> 0:47:33.840
<v Speaker 1>how long after you went on ABC did the Beatles break?

0:47:34.600 --> 0:47:37.600
<v Speaker 1>Oh many years after, because I think I'd say two

0:47:37.680 --> 0:47:40.800
<v Speaker 1>to three years later. I was starting to get records,

0:47:40.920 --> 0:47:44.080
<v Speaker 1>uh from England with them before they broke, you know,

0:47:44.120 --> 0:47:46.920
<v Speaker 1>with Swan Records VJ. And we bring him to music

0:47:47.239 --> 0:47:50.640
<v Speaker 1>meetings and we all said, well, tell a bunch of Brits,

0:47:51.120 --> 0:47:54.200
<v Speaker 1>make him believe that the Everly Brothers and Chuck Bury

0:47:54.320 --> 0:47:56.800
<v Speaker 1>we were very, very genius as we turned them down

0:47:57.200 --> 0:48:00.760
<v Speaker 1>right until we started noticing a lot of things happening

0:48:01.560 --> 0:48:04.560
<v Speaker 1>in Europe, Riots and what was going on with the Beatles.

0:48:04.560 --> 0:48:07.960
<v Speaker 1>They were growing popularity until eventually they were ready to

0:48:08.000 --> 0:48:10.680
<v Speaker 1>come over here and I get very involved with them.

0:48:10.719 --> 0:48:13.279
<v Speaker 1>I introduced them at Chase Stadium with wall wa wa wa,

0:48:13.640 --> 0:48:15.600
<v Speaker 1>this is what I want to hear. So let's slow

0:48:15.640 --> 0:48:19.680
<v Speaker 1>down a little bit. When the Beatles break in sixty four,

0:48:20.280 --> 0:48:23.000
<v Speaker 1>do you immediately, when do you sense that this is

0:48:23.040 --> 0:48:26.560
<v Speaker 1>something different? This is just not another act and other

0:48:26.600 --> 0:48:28.680
<v Speaker 1>than the Beach Boys in the Four Seasons, pretty much

0:48:28.680 --> 0:48:31.640
<v Speaker 1>gonna wipe everybody else off the radio. Kind of a

0:48:31.680 --> 0:48:33.480
<v Speaker 1>fun story. First of all, it took a little time.

0:48:34.200 --> 0:48:36.760
<v Speaker 1>Uh it was another great group and they were making

0:48:36.760 --> 0:48:39.280
<v Speaker 1>a lot of noise in Europe, and nothing really happened

0:48:39.280 --> 0:48:42.319
<v Speaker 1>till that become part of market one. Well we find

0:48:42.320 --> 0:48:46.760
<v Speaker 1>out they're gonna be coming over here, and uh uh

0:48:46.800 --> 0:48:49.640
<v Speaker 1>we started playing Beatle records. I remember the very first

0:48:49.640 --> 0:48:52.680
<v Speaker 1>Beatle record I got. I mean officially, because I had

0:48:52.719 --> 0:48:55.760
<v Speaker 1>other ones that were non official. We s get bootleg records,

0:48:55.800 --> 0:48:58.239
<v Speaker 1>of course, but officially, I gotta want to hold your head.

0:48:58.760 --> 0:49:02.320
<v Speaker 1>That was delivered to me by an armed security guard

0:49:02.400 --> 0:49:05.120
<v Speaker 1>with a promotion man with him. He had an ant

0:49:05.320 --> 0:49:08.600
<v Speaker 1>this is true, this great story. He had a had

0:49:08.640 --> 0:49:12.360
<v Speaker 1>to shade case, handcuffed to his right wrist. I always

0:49:12.400 --> 0:49:16.480
<v Speaker 1>remember the right wrist, right wrist. And the promotion man

0:49:16.520 --> 0:49:19.799
<v Speaker 1>who escorted the security guard said, you can't have what's

0:49:19.840 --> 0:49:22.520
<v Speaker 1>in there. That's a record, the first Beatle record for

0:49:22.560 --> 0:49:26.279
<v Speaker 1>you exclusively until nine o'clock. I don't know what the

0:49:26.320 --> 0:49:29.320
<v Speaker 1>nine o'clock was But then I realized at nine o'clock

0:49:29.600 --> 0:49:32.320
<v Speaker 1>he hands me the record. Mob. I played that record

0:49:32.680 --> 0:49:36.279
<v Speaker 1>eight times that night. Now here's what happened at nine

0:49:36.320 --> 0:49:40.600
<v Speaker 1>o'clock on AM radio. The atmosphere that the signal bounces

0:49:40.640 --> 0:49:44.520
<v Speaker 1>off reaches pretty high, and by the time it bounces back,

0:49:44.520 --> 0:49:47.160
<v Speaker 1>I'm reaching over forty states. That's why I got my

0:49:47.239 --> 0:49:51.720
<v Speaker 1>national limits. While that record is on about a hundred

0:49:51.760 --> 0:49:55.080
<v Speaker 1>and someone around radio stations AM radio stations all over

0:49:55.080 --> 0:49:59.200
<v Speaker 1>the country are copying recording the song that I'm playing.

0:49:59.360 --> 0:50:01.879
<v Speaker 1>That was my eclusive. They knew exactly what they were doing,

0:50:02.160 --> 0:50:06.000
<v Speaker 1>so huh. The next day, being a pretty good businessman, right,

0:50:06.520 --> 0:50:10.440
<v Speaker 1>I developed a thing called blocking out the sound. I

0:50:11.040 --> 0:50:15.200
<v Speaker 1>recorded something called because of Brucie Exclusive Exclusive. Every ten seconds,

0:50:15.520 --> 0:50:18.280
<v Speaker 1>I would play that thing on the air, destroying the record.

0:50:18.760 --> 0:50:22.840
<v Speaker 1>Nobody can copy anymore on my records Exclusive Exclusive Brusie Exclusive.

0:50:23.120 --> 0:50:25.760
<v Speaker 1>And uh, that was the end of the Beatle battle

0:50:26.160 --> 0:50:29.120
<v Speaker 1>of the broadcast airways. That stopped that for a while.

0:50:29.600 --> 0:50:35.040
<v Speaker 1>They grew tremendously in uh popularity. Give you a good example,

0:50:35.239 --> 0:50:37.880
<v Speaker 1>and this is I'm gonna this is not made up.

0:50:37.920 --> 0:50:41.160
<v Speaker 1>This is pretty close. Little Joey from the Bronx would

0:50:41.160 --> 0:50:45.040
<v Speaker 1>call me two weeks before the Beatles came to New

0:50:45.120 --> 0:50:48.600
<v Speaker 1>York and Joey would say, hey, Brucie, Hey man, we're

0:50:48.640 --> 0:50:51.360
<v Speaker 1>digging your show because we really like it. When you

0:50:51.400 --> 0:50:53.960
<v Speaker 1>play a record for me, my girl the name of Susie.

0:50:54.000 --> 0:50:58.960
<v Speaker 1>Play somebody every brothers. Two weeks after the Beatles come

0:50:59.239 --> 0:51:05.640
<v Speaker 1>listen this same kid. Hello, is this so Brucie, This

0:51:05.880 --> 0:51:10.080
<v Speaker 1>is suburb of bronx Shire on the Grand Course Shire.

0:51:10.400 --> 0:51:12.120
<v Speaker 1>Would you play a record for me and me bird?

0:51:12.400 --> 0:51:15.440
<v Speaker 1>Her name is Lady Suzanne. Now what I'm trying to

0:51:15.520 --> 0:51:19.920
<v Speaker 1>say here is that everybody became an anglophile. People started

0:51:19.960 --> 0:51:22.520
<v Speaker 1>developing the accents. They talked to me. Everyone was a

0:51:22.560 --> 0:51:26.919
<v Speaker 1>brit They dress, they look, they get quaffed, they dye

0:51:27.000 --> 0:51:30.640
<v Speaker 1>their hair, they do everything. And everybody was aware of

0:51:30.680 --> 0:51:33.120
<v Speaker 1>the mother country. That's what the Beatles did. So the

0:51:33.120 --> 0:51:36.280
<v Speaker 1>Beatles when they came over, not only gave us music

0:51:36.320 --> 0:51:42.680
<v Speaker 1>at that time, but they also gave us language, dress

0:51:43.400 --> 0:51:47.319
<v Speaker 1>and how we behaved ourselves. Everybody was suddenly speaking with

0:51:47.360 --> 0:51:52.160
<v Speaker 1>clip tongue. They also thought with king author. So what

0:51:52.320 --> 0:51:56.399
<v Speaker 1>was your relationship with Brian Epstein? And also the four

0:51:56.440 --> 0:51:59.560
<v Speaker 1>individual Beatles who all had a great relationship with them.

0:52:00.160 --> 0:52:02.319
<v Speaker 1>Brian just to call me every once in a while

0:52:02.440 --> 0:52:04.880
<v Speaker 1>we'd have a nice talk. But the Beatles I I

0:52:04.960 --> 0:52:07.839
<v Speaker 1>really got involved with. I met them at UH at

0:52:07.880 --> 0:52:12.080
<v Speaker 1>idle Wild Airport that became JFK. We were there at

0:52:12.080 --> 0:52:15.239
<v Speaker 1>that first press conference, which was kind of that was

0:52:15.280 --> 0:52:18.120
<v Speaker 1>a little rough. The press corps was not nice to them.

0:52:18.320 --> 0:52:20.840
<v Speaker 1>They were the boys were a little snippy, but the

0:52:20.840 --> 0:52:22.759
<v Speaker 1>press corps was kind of out to get him because

0:52:22.800 --> 0:52:25.600
<v Speaker 1>you know, the press represented mom and dad. There was

0:52:25.640 --> 0:52:28.720
<v Speaker 1>not nobody cared about the kids. There was no youth market,

0:52:29.000 --> 0:52:31.799
<v Speaker 1>so to speak at this time. UH. Then they came

0:52:31.920 --> 0:52:35.799
<v Speaker 1>up there with me. There's a very famous picture of

0:52:35.840 --> 0:52:39.640
<v Speaker 1>me with the boys broadcasting at W A Beatles c

0:52:39.920 --> 0:52:45.480
<v Speaker 1>Bob w A Beatles see right Chime Time, which I'm

0:52:45.480 --> 0:52:48.040
<v Speaker 1>still doing today by the way, which is really makes

0:52:48.040 --> 0:52:50.959
<v Speaker 1>me very happy. So I got involved with him many

0:52:51.040 --> 0:52:54.200
<v Speaker 1>times at UH where they were staying in hotels and

0:52:54.280 --> 0:52:57.600
<v Speaker 1>I saw some wild, wild things, those hells out. I

0:52:57.680 --> 0:53:00.840
<v Speaker 1>used to broadcast their arrival, say to a Warwick hotel

0:53:01.280 --> 0:53:04.799
<v Speaker 1>and uh Rick Sklar was our program director who has

0:53:04.840 --> 0:53:08.880
<v Speaker 1>a book called UH Rocket in America. I think it's

0:53:08.920 --> 0:53:11.400
<v Speaker 1>called good Book and has a story about that, and

0:53:11.480 --> 0:53:13.839
<v Speaker 1>my books have this story too. He held me out

0:53:13.840 --> 0:53:15.719
<v Speaker 1>by the seat of my pants. We didn't have any

0:53:15.760 --> 0:53:20.680
<v Speaker 1>real wireless um wireless equipment in those days, so he

0:53:20.680 --> 0:53:22.760
<v Speaker 1>held me out by the seat of my pants, my belt.

0:53:23.480 --> 0:53:25.640
<v Speaker 1>If he let go, I would have been a lot

0:53:25.680 --> 0:53:28.279
<v Speaker 1>of trouble. I was on like the eighth floor of

0:53:28.360 --> 0:53:32.520
<v Speaker 1>the of Warwick Hotel and I broadcast I'm arriving. The

0:53:32.600 --> 0:53:37.719
<v Speaker 1>kids five thousand, six thousand supposedly were herded across the

0:53:37.760 --> 0:53:40.720
<v Speaker 1>street sixth Avenue by what is now the Hilton Hotel,

0:53:41.280 --> 0:53:44.759
<v Speaker 1>and they were behind police Marricaye's horses, wooden horses. The

0:53:44.840 --> 0:53:48.480
<v Speaker 1>boys came up the one way street I think fifty

0:53:48.560 --> 0:53:52.280
<v Speaker 1>fourth Street to be Shepherd and immediately into the Warwick

0:53:52.280 --> 0:53:56.440
<v Speaker 1>Hotel when that car came, and I was broadcasting because

0:53:56.480 --> 0:53:59.600
<v Speaker 1>every kid in that audience had the radio tuned to

0:53:59.719 --> 0:54:02.600
<v Speaker 1>Duble Do a Beetle c that was that was their news,

0:54:02.920 --> 0:54:05.160
<v Speaker 1>that was their news station. So they said, the boys

0:54:05.160 --> 0:54:07.200
<v Speaker 1>are here. They comes, it's coming up the one way

0:54:07.320 --> 0:54:11.720
<v Speaker 1>and I was. The horses went down across the street,

0:54:11.760 --> 0:54:15.600
<v Speaker 1>the wooden horses. I also saw police horses being knocked

0:54:15.600 --> 0:54:19.920
<v Speaker 1>out of the way by this this delusies Suzami of

0:54:20.000 --> 0:54:23.479
<v Speaker 1>people coming across the street. It was like a tidal wave,

0:54:23.840 --> 0:54:27.360
<v Speaker 1>and they came and they rushed the entrance at Warwick

0:54:27.360 --> 0:54:30.120
<v Speaker 1>Hotel now at the Warwick Hotel. Some of them got

0:54:30.160 --> 0:54:33.359
<v Speaker 1>through and a couple of individuals grabbed the boys used

0:54:33.400 --> 0:54:36.279
<v Speaker 1>to grab their hair, hoping to get a snippet of hair.

0:54:36.719 --> 0:54:39.680
<v Speaker 1>They grabbed shirts, hoping to get a piece of fabric.

0:54:40.120 --> 0:54:43.839
<v Speaker 1>One grabbed He's saying, Christopher's medal. Great story, you want

0:54:43.840 --> 0:54:45.719
<v Speaker 1>to hear a great story. This is this is how

0:54:45.719 --> 0:54:50.239
<v Speaker 1>I got involved. You'll love this. This young girl and

0:54:50.320 --> 0:54:51.719
<v Speaker 1>I'll give you her name in a couple of moments

0:54:51.760 --> 0:54:55.120
<v Speaker 1>because I stole him in touch with her grabbed Ringlar Star.

0:54:56.280 --> 0:54:58.880
<v Speaker 1>But she did. There was an accident, right, It was

0:54:58.920 --> 0:55:02.680
<v Speaker 1>an accident. She grabbed the Saint Christopher's Medal and had it.

0:55:02.840 --> 0:55:04.600
<v Speaker 1>She didn't even know she had it, put in a

0:55:04.680 --> 0:55:09.200
<v Speaker 1>purse or something. About an hour later, Ringo and Paul

0:55:09.680 --> 0:55:12.080
<v Speaker 1>and I think John was there, and I don't remember

0:55:12.080 --> 0:55:14.759
<v Speaker 1>George there. They came in and I said to Ringo

0:55:14.880 --> 0:55:17.319
<v Speaker 1>and this is by the way, Uh, there were this

0:55:17.440 --> 0:55:19.480
<v Speaker 1>film and this and there's a lot of h I

0:55:19.600 --> 0:55:22.239
<v Speaker 1>have audio of this, and I said, ringo, I was

0:55:22.320 --> 0:55:24.880
<v Speaker 1>very nervous. I was very young and very nervous. You know,

0:55:25.120 --> 0:55:27.279
<v Speaker 1>a little insecure would have the beatles in front. I

0:55:27.280 --> 0:55:28.960
<v Speaker 1>didn't know what to do. I knew we had a

0:55:29.000 --> 0:55:32.000
<v Speaker 1>news story here, and I said, you don't look too good.

0:55:33.040 --> 0:55:35.480
<v Speaker 1>That's what I said to him. Foolish, but it was true.

0:55:35.560 --> 0:55:38.120
<v Speaker 1>He says, I don't feel too good because of Brucy.

0:55:38.640 --> 0:55:43.040
<v Speaker 1>Somebody called me St. Christopher's middle. I said, you kidding?

0:55:43.360 --> 0:55:45.319
<v Speaker 1>You got my auntie gave it to me, and I said,

0:55:45.360 --> 0:55:48.360
<v Speaker 1>stupidly was a real gold. I mean, what a stupid

0:55:48.360 --> 0:55:50.279
<v Speaker 1>thing to say. I mean, I was nervous. Come on,

0:55:50.440 --> 0:55:53.200
<v Speaker 1>you know, it was like the moment that on the

0:55:53.320 --> 0:55:55.920
<v Speaker 1>moment and he says, he, oh, I only wear a

0:55:55.960 --> 0:55:58.839
<v Speaker 1>real goal causing Brucey. That's how he asked me. He

0:55:59.000 --> 0:56:02.680
<v Speaker 1>suddenly got is snipping his back, so I said, let

0:56:02.680 --> 0:56:05.359
<v Speaker 1>me ask you something. If I can get your St.

0:56:05.440 --> 0:56:10.040
<v Speaker 1>Christomas metal back right away, Bob, the wheels started turning

0:56:10.160 --> 0:56:12.560
<v Speaker 1>right and you know what I'm gonna say. I said,

0:56:12.560 --> 0:56:15.319
<v Speaker 1>would you be willing to meet that person to give

0:56:15.360 --> 0:56:22.560
<v Speaker 1>them a kiss? And you'd hear outside you hear the crowd,

0:56:23.120 --> 0:56:26.560
<v Speaker 1>thousands of screaming right, And he said, yes, I want

0:56:26.600 --> 0:56:30.360
<v Speaker 1>that St. Christmas medal back, all documented stuff by the way,

0:56:31.040 --> 0:56:35.320
<v Speaker 1>And I said, whoever found I took it? Whoever found

0:56:35.320 --> 0:56:38.279
<v Speaker 1>the St. Christmas mean, you're not in trouble. I want

0:56:38.280 --> 0:56:40.719
<v Speaker 1>you to call me at this number as soon as

0:56:40.719 --> 0:56:42.880
<v Speaker 1>I get off the air, and we're gonna make arrangements

0:56:42.920 --> 0:56:46.040
<v Speaker 1>for you to meet Wringle and get a kiss, and

0:56:46.080 --> 0:56:48.680
<v Speaker 1>he's gonna give you a thank you. Well, sure enough,

0:56:48.719 --> 0:56:51.160
<v Speaker 1>I get off the air and people went wild outside.

0:56:51.280 --> 0:56:54.440
<v Speaker 1>You hear the audience went crazy. I get a call

0:56:54.520 --> 0:56:58.440
<v Speaker 1>from Mrs McGowan. I believe Ms McGowan. They lived in

0:56:58.480 --> 0:57:01.640
<v Speaker 1>the Bronx. That's the mother of a child. The child's name,

0:57:01.680 --> 0:57:06.279
<v Speaker 1>the young lady's name was Angela mcgewan. Angela and I

0:57:06.360 --> 0:57:08.120
<v Speaker 1>still talk once in a while, and I think she

0:57:08.200 --> 0:57:13.080
<v Speaker 1>lives down south somewhere. Well, mother said, uh, my daughter,

0:57:13.280 --> 0:57:16.080
<v Speaker 1>is she in any trouble? I said no, Mrs McGowan,

0:57:16.120 --> 0:57:19.040
<v Speaker 1>and this said, she didn't become a hero overnight. Uh,

0:57:19.120 --> 0:57:21.480
<v Speaker 1>this is what I want you to do. I got

0:57:21.480 --> 0:57:24.760
<v Speaker 1>ahold of Rick's carr. We got a suite of rooms

0:57:25.160 --> 0:57:29.360
<v Speaker 1>at the hotel across street, away from away from uh

0:57:29.640 --> 0:57:32.040
<v Speaker 1>you know, the Warwick And he said, I want you

0:57:32.080 --> 0:57:34.160
<v Speaker 1>to bring Angie there and she can bring a couple

0:57:34.160 --> 0:57:37.080
<v Speaker 1>of friends, right or one of them friends and at

0:57:37.160 --> 0:57:39.280
<v Speaker 1>eight o'clock we're gonna come and get you or whatever

0:57:39.320 --> 0:57:42.120
<v Speaker 1>the time was. Well, it happened. She got there with

0:57:42.280 --> 0:57:44.760
<v Speaker 1>Angie was scared, so for a couple of friends. They

0:57:44.800 --> 0:57:48.360
<v Speaker 1>shepherded her over very carefully to uh our eight floor

0:57:48.840 --> 0:57:53.680
<v Speaker 1>where Ringo came in and Paul and we reunited Angie

0:57:54.200 --> 0:57:57.800
<v Speaker 1>the St. Christopher's Medal and Ringo star. He talked to

0:57:57.800 --> 0:57:59.920
<v Speaker 1>her on the air hugg during gave her a kids.

0:58:00.320 --> 0:58:04.000
<v Speaker 1>She then gave him the Ringo in the St. Christopher's Medal.

0:58:04.240 --> 0:58:07.280
<v Speaker 1>There's the St. Christmas Medal story, and that really cemented

0:58:07.880 --> 0:58:17.440
<v Speaker 1>my relationship with him and with Sir Paul. Okay, did

0:58:17.520 --> 0:58:21.040
<v Speaker 1>they see you primarily as the DJ or were you

0:58:21.080 --> 0:58:24.800
<v Speaker 1>actually friends with the Beatles? No, I'd I'd say most

0:58:24.840 --> 0:58:27.320
<v Speaker 1>of us a d J. I don't. I don't think

0:58:27.360 --> 0:58:31.040
<v Speaker 1>we've ever. I got pretty friendly with John, but you know,

0:58:31.080 --> 0:58:33.680
<v Speaker 1>I never I don't think we were friends. Friends. I'd

0:58:33.680 --> 0:58:36.720
<v Speaker 1>say business friends would be more like it. And they

0:58:36.720 --> 0:58:38.760
<v Speaker 1>were very fond of me. Look I made them a

0:58:38.760 --> 0:58:42.040
<v Speaker 1>lot of money day, played their music, talked about him constantly.

0:58:42.280 --> 0:58:44.920
<v Speaker 1>I mean never stopped. I mean you couldn't go anywhere

0:58:44.920 --> 0:58:48.480
<v Speaker 1>in those days without one of the boys appearing. I

0:58:48.480 --> 0:58:50.680
<v Speaker 1>remember this is I guess I can say this. I

0:58:50.720 --> 0:58:53.960
<v Speaker 1>remember going to the bathroom at some hotel and in

0:58:54.080 --> 0:58:57.080
<v Speaker 1>one of the stalls, right there was pictures of John

0:58:57.600 --> 0:59:01.520
<v Speaker 1>and Paul right in there. You couldn't go anywhere without

0:59:01.520 --> 0:59:05.640
<v Speaker 1>a representation of the Beatles. The Beatles arrived, but here

0:59:05.680 --> 0:59:08.360
<v Speaker 1>was a very important PostScript that I want the audience

0:59:08.400 --> 0:59:12.840
<v Speaker 1>to know. The Beatles just did not happen right, because

0:59:12.840 --> 0:59:16.440
<v Speaker 1>the Lord didn't come down and say, my children, I

0:59:16.560 --> 0:59:19.560
<v Speaker 1>shall be got the Beatles to the right. You've been good.

0:59:19.800 --> 0:59:22.720
<v Speaker 1>I'm giving you something. No, it happened with a lot

0:59:22.760 --> 0:59:26.720
<v Speaker 1>of money, a lot of hype, a lot of promotion,

0:59:27.280 --> 0:59:29.840
<v Speaker 1>a lot of sweat, a lot of guys like me

0:59:30.120 --> 0:59:33.520
<v Speaker 1>promoting the Beatles. Did we ever think that they were

0:59:33.520 --> 0:59:38.880
<v Speaker 1>going to become a sociological phenomenon surpassing their music. No, no,

0:59:39.120 --> 0:59:41.880
<v Speaker 1>we never thought. Nobody was that smart. We were not

0:59:42.000 --> 0:59:44.760
<v Speaker 1>that smart. I never thought that would happen because by

0:59:44.760 --> 0:59:48.400
<v Speaker 1>the time I introduced him at Shase Stadium, I'm jumping again, right.

0:59:48.440 --> 0:59:51.560
<v Speaker 1>I introduced him with with that Sullivan Schase Stadium. The

0:59:51.640 --> 0:59:54.360
<v Speaker 1>people were there really to be with him. The music

0:59:54.480 --> 0:59:59.520
<v Speaker 1>was almost secondary because you couldn't hear it anyhow. Okay, now,

1:00:00.880 --> 1:00:03.360
<v Speaker 1>when the Beatles arrived, there's sort of a fight in

1:00:03.440 --> 1:00:06.640
<v Speaker 1>New York to own the Beatles. Your nemesis, Marie the

1:00:06.720 --> 1:00:09.920
<v Speaker 1>Case says he's the fifth Beatle. To what degree were

1:00:09.920 --> 1:00:12.680
<v Speaker 1>you conscious of the conscious of that and trying to

1:00:12.720 --> 1:00:15.960
<v Speaker 1>win the Beatle war? Very conscious? Now, First of all,

1:00:16.200 --> 1:00:19.240
<v Speaker 1>the Beatles never liked this fifth Beatle because the fifth Beatle,

1:00:19.280 --> 1:00:23.080
<v Speaker 1>thinks spread about four or five other jocks quote in

1:00:23.200 --> 1:00:27.560
<v Speaker 1>the country. Uh, they adopted that moniker. They never liked that.

1:00:28.240 --> 1:00:32.200
<v Speaker 1>The Beatle battle was tremendous. We became w a Beatles

1:00:32.240 --> 1:00:36.200
<v Speaker 1>c We put out cards and prices, and I mean

1:00:36.240 --> 1:00:39.600
<v Speaker 1>we did everything. We gave away tickets to their concerts,

1:00:39.880 --> 1:00:44.040
<v Speaker 1>We gave away Beetles, sweaters and mufflers and gloves, anything

1:00:44.080 --> 1:00:46.600
<v Speaker 1>Beatles we would do. So we were very connizant of

1:00:46.640 --> 1:00:49.920
<v Speaker 1>the UH and aware of what was happening with the

1:00:49.920 --> 1:00:53.640
<v Speaker 1>other radio stations. And uh, we were hell bent on

1:00:53.800 --> 1:00:55.960
<v Speaker 1>winning this one. And I believe we did. And I

1:00:56.000 --> 1:00:59.320
<v Speaker 1>think well, first of all, the year's size of his

1:00:59.560 --> 1:01:02.360
<v Speaker 1>radio station, which I was always very proud of, fifty

1:01:02.360 --> 1:01:05.680
<v Speaker 1>thou watts clear channel and in the other stations in

1:01:05.760 --> 1:01:08.360
<v Speaker 1>town could not even hold a candle to it. It

1:01:08.480 --> 1:01:10.959
<v Speaker 1>was small. I used to call them tea pots, right,

1:01:11.120 --> 1:01:13.640
<v Speaker 1>and they were tiny compared to this. So just how

1:01:13.720 --> 1:01:17.800
<v Speaker 1>sheer power alone gave us the upper hand? No, I

1:01:17.880 --> 1:01:19.880
<v Speaker 1>just certainly remember because there were three. It was w

1:01:20.040 --> 1:01:22.120
<v Speaker 1>m c A, w ABC in ten ten wins. I

1:01:22.160 --> 1:01:24.920
<v Speaker 1>was always an ABC guy. But as you say, winds

1:01:24.920 --> 1:01:28.160
<v Speaker 1>Win News and then m c A fitted out. We

1:01:28.400 --> 1:01:31.560
<v Speaker 1>know that radio. In radio, you live and die by

1:01:31.560 --> 1:01:35.960
<v Speaker 1>the book. The ratings when you went on ABC, how

1:01:36.000 --> 1:01:40.160
<v Speaker 1>are the ratings? Did the Beatles uh improve your ratings?

1:01:40.200 --> 1:01:42.960
<v Speaker 1>Personal ratings? And how are your ratings relative to the

1:01:43.000 --> 1:01:46.160
<v Speaker 1>other jocks? Well, but the ratings on w ABC were

1:01:46.160 --> 1:01:49.840
<v Speaker 1>always amazing. It took a little while to establish. But well,

1:01:49.840 --> 1:01:51.800
<v Speaker 1>I don't know what that there's a statistic comes in

1:01:51.920 --> 1:01:54.960
<v Speaker 1>my mind. One in four radios were always listening to

1:01:55.000 --> 1:01:58.080
<v Speaker 1>custom Brucey. Now, if you think of that, you translate

1:01:58.160 --> 1:02:01.280
<v Speaker 1>that that is cannot be done. It cannot happen. Went

1:02:02.240 --> 1:02:05.000
<v Speaker 1>on the beach if you want on any beach, Jones Beach,

1:02:05.040 --> 1:02:10.000
<v Speaker 1>Brighton Beach, Conyana. You remember this if you climbed over bodies.

1:02:10.480 --> 1:02:13.320
<v Speaker 1>Everybody had a radio, and I'd say four out of

1:02:13.320 --> 1:02:17.440
<v Speaker 1>five radios were listening to w ABC even before the Beatles.

1:02:17.680 --> 1:02:21.240
<v Speaker 1>Now would answer you a question Beatles came on. Uh,

1:02:21.240 --> 1:02:24.280
<v Speaker 1>did they improve the ratings? Oh? I mean, I don't

1:02:24.280 --> 1:02:27.720
<v Speaker 1>know how money the percentage, but tremendous because everybody was

1:02:27.800 --> 1:02:31.480
<v Speaker 1>listening for a new Beatles record, new Beatles record. I

1:02:31.560 --> 1:02:34.120
<v Speaker 1>knew we'd have them first. Just because of the size

1:02:34.120 --> 1:02:38.400
<v Speaker 1>of this station. We got all the exclutions and okay,

1:02:38.440 --> 1:02:41.959
<v Speaker 1>you were bookended by Dan Ingram and Scott Muni. Did

1:02:42.040 --> 1:02:44.640
<v Speaker 1>you become the star of the stage? When did you

1:02:44.720 --> 1:02:47.760
<v Speaker 1>realize you were such a star? Were you the star

1:02:47.840 --> 1:02:51.200
<v Speaker 1>of the station? And were the other jock's jealous Well,

1:02:51.600 --> 1:02:54.640
<v Speaker 1>you know, in those days w ABC, it looked like

1:02:54.680 --> 1:02:57.880
<v Speaker 1>we were one happy family. That was never the case.

1:02:58.320 --> 1:03:01.360
<v Speaker 1>We were a professional family. We're never a happy family.

1:03:01.440 --> 1:03:03.320
<v Speaker 1>Some of the guys gets to get together with others,

1:03:03.560 --> 1:03:07.360
<v Speaker 1>but there was always professional jealousy. I never looked at

1:03:07.360 --> 1:03:11.200
<v Speaker 1>myself as the star of the station, albeit maybe the

1:03:11.240 --> 1:03:15.400
<v Speaker 1>executives and the salespeople did. Uh. I just did my job.

1:03:15.760 --> 1:03:17.880
<v Speaker 1>I did my shows, and I love my audience. I

1:03:18.000 --> 1:03:21.480
<v Speaker 1>never had really time to really think about being a

1:03:21.520 --> 1:03:24.920
<v Speaker 1>star or you know, getting getting involved. All the television

1:03:24.960 --> 1:03:27.600
<v Speaker 1>stuff came to me, the newspapers came to me. I

1:03:27.640 --> 1:03:30.680
<v Speaker 1>did my Palisades Park shows, which gave me a tremendous,

1:03:30.960 --> 1:03:36.000
<v Speaker 1>tremendous leeway on everybody else. Everybody loved going to Palisades Park.

1:03:36.320 --> 1:03:38.760
<v Speaker 1>But so you know, Bob, I never really and did

1:03:38.800 --> 1:03:41.680
<v Speaker 1>this day this. This might sound a little corny in

1:03:41.760 --> 1:03:45.240
<v Speaker 1>my bath, I don't look at myself as a radio star.

1:03:46.240 --> 1:03:49.800
<v Speaker 1>I'm cousin Brucie. I'm doing my thing and I'm keeping

1:03:49.800 --> 1:03:52.640
<v Speaker 1>this audience. And I know they loved me because I

1:03:52.680 --> 1:03:55.680
<v Speaker 1>love them, right. That's so, That's as far as it goes. Now,

1:03:55.720 --> 1:03:58.120
<v Speaker 1>if somebody is going to make a marble model that

1:03:58.280 --> 1:04:01.640
<v Speaker 1>for me, uh and put it in Time Square someday, great,

1:04:01.800 --> 1:04:04.000
<v Speaker 1>I won't know it. Well, maybe I will, I don't know.

1:04:04.560 --> 1:04:06.400
<v Speaker 1>Maybe I will be able to come back. I'll make

1:04:06.440 --> 1:04:09.120
<v Speaker 1>a deal if I can. I know how to make deals.

1:04:09.440 --> 1:04:12.240
<v Speaker 1>But I don't know. I just do my thing, and

1:04:12.280 --> 1:04:15.680
<v Speaker 1>I'm really not interested in how do you say being

1:04:15.720 --> 1:04:19.320
<v Speaker 1>a star? Facts? Kind of interesting. Anytime a young person

1:04:19.400 --> 1:04:21.720
<v Speaker 1>comes to me and I give a lot of advice.

1:04:21.760 --> 1:04:24.600
<v Speaker 1>I'm an advice guy. I like to help people, right

1:04:25.120 --> 1:04:28.360
<v Speaker 1>and uh, if one of them says to me, hey,

1:04:28.560 --> 1:04:31.840
<v Speaker 1>I want to be a recording star, that turns me

1:04:31.880 --> 1:04:34.440
<v Speaker 1>off right away. I want to become a recording artist.

1:04:34.720 --> 1:04:37.440
<v Speaker 1>I'll talk with him for an hour. Ep So the word,

1:04:37.680 --> 1:04:40.560
<v Speaker 1>the word star, I don't know what that means. I

1:04:40.880 --> 1:04:43.960
<v Speaker 1>think I do my thing. I love it, I have

1:04:44.080 --> 1:04:46.680
<v Speaker 1>my heart, my soul in it, and to this day

1:04:47.120 --> 1:04:50.720
<v Speaker 1>I am as excited. Uh. But that, like says Brucey,

1:04:50.800 --> 1:04:55.120
<v Speaker 1>you're on the air, my little heart pounds and I

1:04:55.200 --> 1:04:58.560
<v Speaker 1>have that little butterfly on my stomach and I'm so happy.

1:04:58.960 --> 1:05:01.720
<v Speaker 1>I am happy, to a matter of fact, on the air,

1:05:01.920 --> 1:05:05.120
<v Speaker 1>I'm back at w ABC. I'm home now. How did

1:05:05.120 --> 1:05:08.800
<v Speaker 1>that happen? Wow? A complete circle. But I'm so happy

1:05:09.040 --> 1:05:11.680
<v Speaker 1>this has happened because I have that feeling again. I

1:05:11.720 --> 1:05:14.840
<v Speaker 1>haven't had that feeling in quite a while, but it's returned.

1:05:14.880 --> 1:05:19.560
<v Speaker 1>It's good. Let's go back to the sixties. Historically, even

1:05:19.560 --> 1:05:24.360
<v Speaker 1>to today, radio is not a lucrative profession. So you

1:05:24.400 --> 1:05:27.320
<v Speaker 1>were on the biggest station. You had a huge audience,

1:05:27.360 --> 1:05:31.160
<v Speaker 1>how are you doing financially? Very well? Remember you know

1:05:31.200 --> 1:05:34.720
<v Speaker 1>when you're in this market now, and we were making millions. No,

1:05:35.560 --> 1:05:39.840
<v Speaker 1>we were making times more than anybody else anywhere in

1:05:39.840 --> 1:05:42.680
<v Speaker 1>the country. L A does pretty well, maybe a little

1:05:42.720 --> 1:05:45.840
<v Speaker 1>bit of Chicago, but New York City always was very

1:05:45.880 --> 1:05:48.040
<v Speaker 1>good to me, and it were good to most of

1:05:48.040 --> 1:05:52.200
<v Speaker 1>the guys today. Can I skipped today for one minute? Today,

1:05:53.520 --> 1:05:59.040
<v Speaker 1>Cousin John, who bought this man, who purchased this mega station, this,

1:05:59.560 --> 1:06:03.720
<v Speaker 1>this all, this of power right, offered me the best

1:06:03.760 --> 1:06:07.080
<v Speaker 1>contract of my career. So I'm sitting here today saying

1:06:07.360 --> 1:06:09.960
<v Speaker 1>to my wife Judy, I got the best contract I've

1:06:09.960 --> 1:06:13.040
<v Speaker 1>ever had. I've always done well. I mean, cousin Bruce

1:06:13.240 --> 1:06:16.440
<v Speaker 1>is very very happy sold by radio stations. Television stations

1:06:16.600 --> 1:06:19.280
<v Speaker 1>always made a lot of money with radio. So you're

1:06:19.320 --> 1:06:21.600
<v Speaker 1>looking at a guy. That's That's why I'm smiling, and

1:06:21.760 --> 1:06:23.560
<v Speaker 1>I feel good. I can do what I want for

1:06:23.560 --> 1:06:25.760
<v Speaker 1>any risk of my life. This is out of love.

1:06:26.200 --> 1:06:30.760
<v Speaker 1>So I was very happy they paid me well. Could

1:06:30.760 --> 1:06:32.800
<v Speaker 1>they have paid me more? Of course, you always think

1:06:33.000 --> 1:06:35.720
<v Speaker 1>you're worth more than you get. But I've always been

1:06:35.760 --> 1:06:38.880
<v Speaker 1>managing very well over my career. I mean when I

1:06:38.920 --> 1:06:42.840
<v Speaker 1>came back. I guess some bermuda. I decided that day

1:06:43.240 --> 1:06:46.520
<v Speaker 1>and look that I'm never gonna be I'm never gonna

1:06:46.520 --> 1:06:50.040
<v Speaker 1>be poor. I'm gonna have money and I'm gonna make

1:06:50.080 --> 1:06:52.320
<v Speaker 1>it doing what I want to do, being on the

1:06:52.400 --> 1:06:55.840
<v Speaker 1>radio and it and it worked. So yes, I lived

1:06:55.840 --> 1:06:58.479
<v Speaker 1>in Connecticut, certainly didn't have a driver's license, and only

1:06:58.560 --> 1:07:01.200
<v Speaker 1>wished I could go to Palisades Park. How did that

1:07:01.240 --> 1:07:04.720
<v Speaker 1>come together? That was, I'd say, next to the Beatles

1:07:05.440 --> 1:07:09.160
<v Speaker 1>introducing with Chase Stadium, probably the most important part of

1:07:09.200 --> 1:07:12.800
<v Speaker 1>my life. Um, while I was at UH because it

1:07:12.880 --> 1:07:14.960
<v Speaker 1>was W I and S. That's where it really started.

1:07:15.600 --> 1:07:20.600
<v Speaker 1>Or the owner, Irving Rosenthal, was very friendly with the

1:07:20.640 --> 1:07:26.120
<v Speaker 1>owners and the executives of the radio station. And I

1:07:26.200 --> 1:07:28.800
<v Speaker 1>was on at night and people like you say, I

1:07:28.920 --> 1:07:31.600
<v Speaker 1>was there, their boy. I was there. Rick gave me

1:07:31.680 --> 1:07:35.000
<v Speaker 1>a star. I was their star, and he asked them

1:07:35.040 --> 1:07:37.800
<v Speaker 1>if I can be, you know, covering to Palisades Park

1:07:38.000 --> 1:07:41.280
<v Speaker 1>and do shows. Well, long story short, I stayed at

1:07:41.320 --> 1:07:45.000
<v Speaker 1>Palisades Park doing shows, producing them put in it together

1:07:45.200 --> 1:07:47.560
<v Speaker 1>and him seeing them for over a decade and a half.

1:07:48.080 --> 1:07:50.160
<v Speaker 1>And that was an important part of my life to

1:07:50.240 --> 1:07:54.360
<v Speaker 1>this day. I do Palisades Park reunions because the Palisades

1:07:54.440 --> 1:07:58.400
<v Speaker 1>Park is ingrained in my audience. And no matter where

1:07:58.440 --> 1:08:01.560
<v Speaker 1>that audience is, they know Palisades Park. They know it.

1:08:01.960 --> 1:08:05.760
<v Speaker 1>And we used to be there on weekends. Rain storm, thunder,

1:08:05.960 --> 1:08:08.640
<v Speaker 1>didn't matter, snow. We'd have that show. That show we'd

1:08:08.640 --> 1:08:11.760
<v Speaker 1>go on and we had every every major star there

1:08:12.080 --> 1:08:16.760
<v Speaker 1>lip sinking lip syncing records. We couldn't afford to pay

1:08:16.880 --> 1:08:19.920
<v Speaker 1>people to have a live man, so those days it

1:08:20.000 --> 1:08:23.920
<v Speaker 1>was socially acceptable to lip sync. So I stayed there

1:08:23.960 --> 1:08:26.160
<v Speaker 1>for a year and a half and I love it

1:08:26.479 --> 1:08:29.479
<v Speaker 1>to this day. Well you can list to my shows

1:08:29.520 --> 1:08:32.639
<v Speaker 1>and you'll always hear somebody saying, Brucie played Palisades Park

1:08:32.680 --> 1:08:35.960
<v Speaker 1>by Freddie Boom boom cannon. Right course, can you sing

1:08:35.960 --> 1:08:39.479
<v Speaker 1>the commercial? Can you sing the jingle? Right? Palisades has

1:08:39.520 --> 1:08:43.679
<v Speaker 1>the fun? Palisades is the place. Come on over, remember

1:08:43.720 --> 1:08:45.920
<v Speaker 1>that and this one, of course, and say you're some

1:08:45.920 --> 1:08:49.000
<v Speaker 1>one you're like, take let's see, uh, skip the bother

1:08:49.120 --> 1:08:52.879
<v Speaker 1>and skip the fuss. Take a public service bus, public

1:08:52.960 --> 1:08:56.320
<v Speaker 1>service shower is great. Take it right up to the gate,

1:08:56.600 --> 1:09:01.200
<v Speaker 1>so we said, And people still remember those commercial Palisades

1:09:01.400 --> 1:09:04.120
<v Speaker 1>as a place we grew up. We all grew up,

1:09:04.640 --> 1:09:08.559
<v Speaker 1>and I was a babysitter for thousands of young people

1:09:08.840 --> 1:09:12.360
<v Speaker 1>and adults, and it come over in those sunny Saturdays

1:09:12.400 --> 1:09:17.920
<v Speaker 1>and Sundays and we'd have one great free show time. Okay,

1:09:18.160 --> 1:09:21.519
<v Speaker 1>now today's DJs, of course, the classic example being Ryan

1:09:21.600 --> 1:09:25.439
<v Speaker 1>Seacrest there on the radio. They're doing television because traditionally

1:09:25.439 --> 1:09:28.040
<v Speaker 1>you're only on the radio for like four hours. In

1:09:28.080 --> 1:09:32.120
<v Speaker 1>your days at w ABC, you were on the air

1:09:32.160 --> 1:09:35.360
<v Speaker 1>for four hours, seven to eleven. What was the rest

1:09:35.400 --> 1:09:39.280
<v Speaker 1>of your day, looking like well, I would do uh appearances.

1:09:39.840 --> 1:09:42.200
<v Speaker 1>I even taught at New York University for a while.

1:09:42.600 --> 1:09:47.400
<v Speaker 1>I taught. I always delivered lectures. I'd be invited to schools.

1:09:47.840 --> 1:09:50.759
<v Speaker 1>I'd be invited to people's homes for dinner, for lunch.

1:09:51.040 --> 1:09:55.000
<v Speaker 1>I'd be invited to bomb Mitzvah's confirmations, baptisms. I became

1:09:55.120 --> 1:09:57.880
<v Speaker 1>part of a family. And this is what I realized

1:09:58.160 --> 1:10:02.519
<v Speaker 1>that this is more than just microphone and a guy

1:10:02.880 --> 1:10:05.960
<v Speaker 1>who was a DJ. I never liked that word just jockey.

1:10:06.560 --> 1:10:10.000
<v Speaker 1>I'm a I'm a radio guy. I'm a broadcaster. Um.

1:10:10.080 --> 1:10:12.920
<v Speaker 1>I realized very early in my career that this was

1:10:12.920 --> 1:10:17.639
<v Speaker 1>gonna go much further than playing records and giving time

1:10:17.640 --> 1:10:21.439
<v Speaker 1>and weather. This was gonna become part of family. I

1:10:21.520 --> 1:10:25.360
<v Speaker 1>was going to become part of people's lives. Okay, So

1:10:25.479 --> 1:10:30.320
<v Speaker 1>if someone reached out, you would always respond just about um.

1:10:30.439 --> 1:10:32.840
<v Speaker 1>You know what I always say is ten percent of

1:10:32.880 --> 1:10:37.640
<v Speaker 1>the public is certifiably insane, literally should be institutionalized. But

1:10:37.720 --> 1:10:40.679
<v Speaker 1>you never know which ten percent? Do you think percent?

1:10:40.760 --> 1:10:42.679
<v Speaker 1>Maybe I know, no, you're know what I'm talking about.

1:10:42.680 --> 1:10:45.920
<v Speaker 1>It We've all had bad experiences. So since you were

1:10:45.960 --> 1:10:48.880
<v Speaker 1>so open, I would assume you occasionally had a bad experience.

1:10:49.960 --> 1:10:53.679
<v Speaker 1>I had to listen. I've been attacked a couple of times,

1:10:54.160 --> 1:10:58.320
<v Speaker 1>you know, physically, Earth's Earth's let's life threatening. Once there

1:10:58.360 --> 1:11:01.519
<v Speaker 1>was a woman that decided that I destroyed her life.

1:11:01.520 --> 1:11:04.760
<v Speaker 1>I mean, we're we're open to everything, but fortunately for me,

1:11:05.000 --> 1:11:07.960
<v Speaker 1>hasn't happened too often. This woman decided that I wrecked

1:11:07.960 --> 1:11:10.040
<v Speaker 1>her life. That I was in the windshield of a

1:11:10.160 --> 1:11:13.320
<v Speaker 1>car every time she opened her refrigerator. I was there.

1:11:13.920 --> 1:11:16.920
<v Speaker 1>I mean, whoa a little what? Well? One day I'm up.

1:11:17.640 --> 1:11:19.800
<v Speaker 1>I think it was at NBC d's and have these

1:11:19.880 --> 1:11:22.240
<v Speaker 1>Uh that's when I was in my NBC days. I

1:11:22.400 --> 1:11:25.519
<v Speaker 1>miss was on that I was on. Uh interesting days.

1:11:25.760 --> 1:11:28.600
<v Speaker 1>He used to have these guided tours at Rock and

1:11:28.680 --> 1:11:30.559
<v Speaker 1>Fellow Center a NBC. I don't know if you have

1:11:30.560 --> 1:11:32.320
<v Speaker 1>a one on one of those things, and one day

1:11:32.479 --> 1:11:35.720
<v Speaker 1>I did you. One day, there's a woman outside the

1:11:35.720 --> 1:11:40.280
<v Speaker 1>glass with the scissors, a large, not a little like

1:11:40.479 --> 1:11:43.479
<v Speaker 1>you know. Cuticle says, it's a large son of a

1:11:43.520 --> 1:11:47.120
<v Speaker 1>gun turkey carving scissors right, and she's gone with our

1:11:47.120 --> 1:11:50.080
<v Speaker 1>hands up in the air and using this as threatening

1:11:50.200 --> 1:11:52.800
<v Speaker 1>and pounding on the glass or needless to say, we

1:11:52.880 --> 1:11:55.760
<v Speaker 1>had her removed very quickly. That was the first time.

1:11:56.320 --> 1:11:58.960
<v Speaker 1>The next time I met her again, I was doing

1:11:58.960 --> 1:12:03.840
<v Speaker 1>a live performance. I'm doing a live performance and at

1:12:03.840 --> 1:12:06.080
<v Speaker 1>the end of the performance, people come up for autographs.

1:12:06.400 --> 1:12:10.639
<v Speaker 1>She came running on the stage with a knife, a knife.

1:12:11.120 --> 1:12:13.840
<v Speaker 1>I literally grabbed her. I'm a pretty pretty big guy,

1:12:14.240 --> 1:12:16.439
<v Speaker 1>and I have good reflections. I'm a Brooklyn kid, you know,

1:12:16.600 --> 1:12:19.679
<v Speaker 1>bot on the streets. I grabbed her wrist, held him back.

1:12:19.960 --> 1:12:22.639
<v Speaker 1>Guards came over, We had the police come in. Her

1:12:22.680 --> 1:12:24.479
<v Speaker 1>mother then came in to talk to me. And I

1:12:24.560 --> 1:12:26.439
<v Speaker 1>have her name, but I don't even want to mention

1:12:26.439 --> 1:12:28.880
<v Speaker 1>her name. But I remember that name very well. Let

1:12:28.880 --> 1:12:32.400
<v Speaker 1>me tell you. That was scary. Uh. The mother promised

1:12:32.400 --> 1:12:35.240
<v Speaker 1>to have her institutionalized if I didn't press charges. Now

1:12:35.840 --> 1:12:38.760
<v Speaker 1>I might get a press charges. Sport woman is so sick.

1:12:38.920 --> 1:12:42.520
<v Speaker 1>I'm in a refrigerator, and maybe I go in a refrigerator,

1:12:42.600 --> 1:12:45.599
<v Speaker 1>but I wasn't in there, so I never heard from

1:12:45.640 --> 1:12:49.080
<v Speaker 1>her again. The next problem, Oh wait, I'm not dead.

1:12:49.120 --> 1:12:51.559
<v Speaker 1>I'm gonna give you. I mean, it's not well. Our

1:12:51.600 --> 1:12:54.160
<v Speaker 1>lives are not easy. People think, oh boy, they make

1:12:54.200 --> 1:12:56.200
<v Speaker 1>all this money and a corne air for a few

1:12:56.240 --> 1:12:59.639
<v Speaker 1>hours and play the Beatles and the Everly Brothers and

1:12:59.640 --> 1:13:03.360
<v Speaker 1>and uh Elvis and they go home. No, I'm in

1:13:03.400 --> 1:13:09.040
<v Speaker 1>the h local Supermark with my kids. I'm a regular

1:13:09.040 --> 1:13:12.320
<v Speaker 1>guy and I go out and people always people nine point.

1:13:12.360 --> 1:13:15.880
<v Speaker 1>I just hey, Bercy, hey, cous hey, Cousin's very nice

1:13:15.920 --> 1:13:18.400
<v Speaker 1>to be really nice. I'm walking down on the aisle.

1:13:19.000 --> 1:13:20.960
<v Speaker 1>My kids are on the side of me, looking, you know,

1:13:21.160 --> 1:13:24.080
<v Speaker 1>to buy things. And suddenly I looked down the aisle

1:13:24.439 --> 1:13:26.320
<v Speaker 1>at the beginning of the aisle and I see a

1:13:26.360 --> 1:13:29.400
<v Speaker 1>man with a love of jacket, kind of strange looking,

1:13:29.479 --> 1:13:32.720
<v Speaker 1>big guy. And I see him on zippers jacket and

1:13:32.760 --> 1:13:35.120
<v Speaker 1>he's walking towards me, and he puts his hand in

1:13:35.240 --> 1:13:37.920
<v Speaker 1>the side the jacket as if he's gonna grab something.

1:13:38.040 --> 1:13:41.080
<v Speaker 1>All right, you just pulled back. I said to the kids,

1:13:41.479 --> 1:13:45.640
<v Speaker 1>leave now, daddy, I leave now. I got where my

1:13:45.720 --> 1:13:48.719
<v Speaker 1>kids quick because the Lord of him and he's walking

1:13:48.800 --> 1:13:52.120
<v Speaker 1>towards me, and he's walking towards me, and he's reaching

1:13:52.160 --> 1:13:55.479
<v Speaker 1>and reaching and reaching, and I'm ready to meet my maker.

1:13:55.920 --> 1:13:58.920
<v Speaker 1>I figured I was gonna finally see the golden microphone

1:13:58.960 --> 1:14:02.760
<v Speaker 1>in the sky. And he pulls his hand out of

1:14:02.800 --> 1:14:04.680
<v Speaker 1>his jacket says, hey, can I give your load of

1:14:04.720 --> 1:14:09.800
<v Speaker 1>grandfrom this? So it's now the damage was done. I

1:14:09.800 --> 1:14:11.640
<v Speaker 1>don't know what my blood pressure went to. Let me

1:14:11.640 --> 1:14:14.920
<v Speaker 1>tell you, I was kind of scared. I was kind

1:14:14.920 --> 1:14:18.320
<v Speaker 1>of scared. So you know, every single day, you know,

1:14:18.360 --> 1:14:20.640
<v Speaker 1>when you when you're out in public, you never know.

1:14:20.800 --> 1:14:23.960
<v Speaker 1>You said that ten percent, that's a big percentage. Ten percent.

1:14:24.360 --> 1:14:28.760
<v Speaker 1>You never know what's gonna happen. So am I on guard? Yeah?

1:14:28.880 --> 1:14:33.000
<v Speaker 1>Part of me is always always waiting for something. I

1:14:33.040 --> 1:14:36.559
<v Speaker 1>watched my my love is there. But there's that maybe

1:14:36.560 --> 1:14:40.040
<v Speaker 1>ten percent of me that's looking around for watching for

1:14:40.120 --> 1:14:42.680
<v Speaker 1>that woman again with the scissors. I don't know. So

1:14:42.720 --> 1:14:45.759
<v Speaker 1>it's it's not easy just it's not an easy life.

1:14:46.280 --> 1:14:51.720
<v Speaker 1>Let's go back to if I somehow got through to you,

1:14:51.720 --> 1:14:55.840
<v Speaker 1>you would come to my house for dinner if I

1:14:55.880 --> 1:14:59.080
<v Speaker 1>like you, not only when it comes to your house.

1:14:59.120 --> 1:15:01.120
<v Speaker 1>I might even do a show from my house. I

1:15:01.160 --> 1:15:04.240
<v Speaker 1>has to do shows. If I like somebody, we go

1:15:04.320 --> 1:15:06.599
<v Speaker 1>to somebody's house and they have a black party, people

1:15:06.600 --> 1:15:08.600
<v Speaker 1>would come in and be wild. We do shows in

1:15:08.720 --> 1:15:11.040
<v Speaker 1>the house. I mean, I would go to everybody's house.

1:15:11.080 --> 1:15:13.600
<v Speaker 1>You know, that's impossible. We had tens and tens of

1:15:13.640 --> 1:15:16.840
<v Speaker 1>how many hundreds of thousands of people listening one time,

1:15:17.080 --> 1:15:19.080
<v Speaker 1>but every once in a while somebody would get to

1:15:19.120 --> 1:15:22.240
<v Speaker 1>me and I before I befriend them. I still have

1:15:22.320 --> 1:15:25.160
<v Speaker 1>friends from those days to this day listening to me

1:15:25.479 --> 1:15:28.519
<v Speaker 1>on my shows today. That's still that's still have my

1:15:28.640 --> 1:15:31.439
<v Speaker 1>heart and I know them. You know. Look, I love

1:15:31.520 --> 1:15:33.360
<v Speaker 1>my audience, and there's a guys, you know how many

1:15:33.360 --> 1:15:37.439
<v Speaker 1>millions are listening, but there's always that little cadre right

1:15:37.760 --> 1:15:40.240
<v Speaker 1>that have been with me all my life. And when

1:15:40.320 --> 1:15:42.320
<v Speaker 1>I go to their house for dinner, I go to

1:15:42.360 --> 1:15:46.840
<v Speaker 1>their weddings, I go to their kids baptisms. Yeah, they're

1:15:46.920 --> 1:15:49.320
<v Speaker 1>part of my life. And that's when an audience has

1:15:49.360 --> 1:15:52.439
<v Speaker 1>to be part of your life. Now, going back to

1:15:52.479 --> 1:15:56.439
<v Speaker 1>the sixties, all young kids teenagers had a transistor radio

1:15:56.840 --> 1:15:59.639
<v Speaker 1>and I vividly remember doing my homework with my blodder

1:15:59.720 --> 1:16:03.320
<v Speaker 1>and the transistor right next to me. But the key

1:16:03.520 --> 1:16:09.559
<v Speaker 1>night was Tuesday when you did the countdown dollar. How

1:16:09.560 --> 1:16:13.240
<v Speaker 1>did you end up getting the countdown? Well, I guess

1:16:13.280 --> 1:16:17.639
<v Speaker 1>that program director decided that's where they can look when

1:16:17.680 --> 1:16:20.120
<v Speaker 1>I was on at night. You know, during the day,

1:16:20.280 --> 1:16:23.479
<v Speaker 1>during the morning, you had commuters, you had people going

1:16:23.560 --> 1:16:25.960
<v Speaker 1>to business, you had some of the moms that it

1:16:26.160 --> 1:16:29.160
<v Speaker 1>then it became mom time, right, and then it became

1:16:29.520 --> 1:16:32.400
<v Speaker 1>maybe coming back from business time at night that's when

1:16:32.439 --> 1:16:35.600
<v Speaker 1>the kids were listening. So who would a survey A

1:16:35.680 --> 1:16:38.960
<v Speaker 1>Sylvan that called the Silvan Dollar Survey appealed to. Now

1:16:39.000 --> 1:16:40.760
<v Speaker 1>these were a little so in the audience of those

1:16:41.120 --> 1:16:44.120
<v Speaker 1>These are little slips of paper maybe three inches wide

1:16:44.160 --> 1:16:47.920
<v Speaker 1>by maybe six inches deep right length, and it would

1:16:47.920 --> 1:16:51.120
<v Speaker 1>say top forty and don't have a picture of the

1:16:51.200 --> 1:16:53.840
<v Speaker 1>All American of the year, it's what would call and

1:16:53.840 --> 1:16:56.200
<v Speaker 1>it would have a print out of the top songs

1:16:56.320 --> 1:17:00.840
<v Speaker 1>numerically listed in order of how they ranked ranked of

1:17:00.840 --> 1:17:04.240
<v Speaker 1>that particular week on the back of that particular slip

1:17:04.840 --> 1:17:08.720
<v Speaker 1>wasn't add uh huh. They never lost a beat. They

1:17:08.800 --> 1:17:11.640
<v Speaker 1>knew they could sell that because we gave out thousands

1:17:11.640 --> 1:17:16.000
<v Speaker 1>of these things. They were in record stores, supermarkets, anywhere

1:17:16.040 --> 1:17:19.400
<v Speaker 1>you can. You know, layer lay a bunch of papers down.

1:17:19.680 --> 1:17:22.559
<v Speaker 1>They were, They were taken and people love them. People

1:17:22.600 --> 1:17:25.479
<v Speaker 1>love them. I still get them to this day and

1:17:25.560 --> 1:17:27.880
<v Speaker 1>I love to see them. It was really good. But

1:17:27.920 --> 1:17:30.880
<v Speaker 1>I got it because they programmed it, because they wanted

1:17:30.920 --> 1:17:34.559
<v Speaker 1>the teens. I had all the teams. It's so funny

1:17:34.600 --> 1:17:37.680
<v Speaker 1>that morning drive time became the slot because I grew

1:17:37.760 --> 1:17:40.240
<v Speaker 1>up when, of course evening radio was the key. Now,

1:17:40.280 --> 1:17:45.599
<v Speaker 1>as the sixties evolved, really things change culturally, things change musically.

1:17:45.640 --> 1:17:47.960
<v Speaker 1>We have the British invase and then we have the

1:17:48.000 --> 1:17:51.960
<v Speaker 1>San Francisco sound. As the sound evolves, are you still

1:17:52.000 --> 1:17:54.479
<v Speaker 1>a fan of the music, Yes, very very much. I

1:17:54.560 --> 1:17:57.800
<v Speaker 1>love the music. Uh, the Motown sound, of course, the

1:17:57.840 --> 1:18:00.439
<v Speaker 1>Brits sound evolved amazingly and I did a lot of

1:18:00.680 --> 1:18:05.680
<v Speaker 1>television shows for ABC Television and NBC two. I was

1:18:05.680 --> 1:18:08.439
<v Speaker 1>sent over to UH to England and I did a

1:18:08.439 --> 1:18:11.599
<v Speaker 1>lot of shows in those days, talking and being with

1:18:11.880 --> 1:18:16.520
<v Speaker 1>the great stars of England. Motown the same thing San Francisco,

1:18:16.720 --> 1:18:20.800
<v Speaker 1>you name it, the New York Sound, the Los Angeles sound, Boston,

1:18:21.040 --> 1:18:24.240
<v Speaker 1>wherever the sound was evolving, I was sent and I

1:18:24.240 --> 1:18:28.360
<v Speaker 1>would go and Uh. I was always very cognizant of

1:18:28.439 --> 1:18:31.040
<v Speaker 1>what was going on in music. I love the music.

1:18:31.360 --> 1:18:33.320
<v Speaker 1>I was never a hip hop fan. As hip hop

1:18:33.400 --> 1:18:37.800
<v Speaker 1>started developing, I didn't understand it. I never really I'll

1:18:37.800 --> 1:18:41.599
<v Speaker 1>admit this, I never really understood jazz. Uh. I like

1:18:42.400 --> 1:18:45.320
<v Speaker 1>jazz for Rainy Dave, very soft jazz, but I've never

1:18:45.360 --> 1:18:49.439
<v Speaker 1>been a jazz fan. I never appreciated it. Maybe someday

1:18:49.479 --> 1:18:52.920
<v Speaker 1>I will. I have plenty of time. But hip hop, No,

1:18:53.320 --> 1:18:55.040
<v Speaker 1>that's not what I wanted. It's not where I wanted

1:18:55.040 --> 1:18:57.720
<v Speaker 1>the music to go. Uh, not what I wanted. I

1:18:57.720 --> 1:19:00.200
<v Speaker 1>wanted my R and B sound. I wanted to be

1:19:00.280 --> 1:19:03.040
<v Speaker 1>comfortable with what I was listening to, and I wanted

1:19:03.240 --> 1:19:06.800
<v Speaker 1>my audience to be comfortable what they were listening to. Obviously,

1:19:07.040 --> 1:19:11.120
<v Speaker 1>you can't stop progress, you know. I always said every

1:19:11.160 --> 1:19:16.560
<v Speaker 1>decade of music, fifties borrows from the forties, the sixties

1:19:16.600 --> 1:19:19.520
<v Speaker 1>borrowed from the fifties, and it's always like a transition

1:19:19.600 --> 1:19:23.320
<v Speaker 1>period of music from the preceding time and it evolves

1:19:23.560 --> 1:19:27.640
<v Speaker 1>and it transforms into what we're listening to. Well, it

1:19:27.720 --> 1:19:30.280
<v Speaker 1>was so by the eighties. By the late eighties, it

1:19:30.400 --> 1:19:32.960
<v Speaker 1>was getting a little bit out of my reach. I

1:19:33.000 --> 1:19:37.160
<v Speaker 1>didn't really understand what was happening. Albeit I like a

1:19:37.160 --> 1:19:40.519
<v Speaker 1>lot of the music today. I enjoy listening to it because,

1:19:40.520 --> 1:19:42.879
<v Speaker 1>you know why, I hear a lot of my sixties

1:19:42.880 --> 1:19:45.759
<v Speaker 1>and that music. I hear a lot of the stuff

1:19:45.840 --> 1:19:49.839
<v Speaker 1>that I helped develop and what's going on today. Music evolves,

1:19:50.160 --> 1:19:53.120
<v Speaker 1>and it revolves, and it makes a circle, it comes back,

1:19:53.439 --> 1:19:56.160
<v Speaker 1>it changes quite a bit. That's what the Beatles did.

1:19:56.479 --> 1:19:59.599
<v Speaker 1>Beatles took our music of the fifties and they gave

1:19:59.600 --> 1:20:02.160
<v Speaker 1>it a sick cease flavor, you know, with a different,

1:20:02.840 --> 1:20:06.200
<v Speaker 1>different accent, different feeling, and a different genius. They had

1:20:06.240 --> 1:20:08.559
<v Speaker 1>genius in it. And by the end of the fifties

1:20:08.560 --> 1:20:13.719
<v Speaker 1>and sixties music, the whole industry was changed. Technology changed,

1:20:14.080 --> 1:20:20.120
<v Speaker 1>distribution changed. There's a big word record distribution, records. People

1:20:20.200 --> 1:20:23.439
<v Speaker 1>still buying a lot of records. Was distribution change. Has

1:20:23.520 --> 1:20:27.320
<v Speaker 1>distribution change. We got larger radio stations, got more powerful

1:20:27.640 --> 1:20:31.559
<v Speaker 1>and more powerful and reaching people, and we started getting

1:20:31.640 --> 1:20:36.599
<v Speaker 1>wonderful producers and poets into the music. Industry, and things

1:20:36.600 --> 1:20:39.920
<v Speaker 1>started growing. So by the late sixties we were really

1:20:39.920 --> 1:20:43.439
<v Speaker 1>going to town. Everything was going well. Okay. So if

1:20:43.439 --> 1:20:45.880
<v Speaker 1>one listens to your show, one of the features is

1:20:45.960 --> 1:20:49.479
<v Speaker 1>you frequently have stars of the past come on the radio.

1:20:50.160 --> 1:20:52.599
<v Speaker 1>Are there two or three of these people that are

1:20:52.680 --> 1:20:55.200
<v Speaker 1>genuine friends that you've maintained a relationship or was it

1:20:55.320 --> 1:20:58.799
<v Speaker 1>more of a professional relationship. No. You become very close,

1:20:59.600 --> 1:21:03.160
<v Speaker 1>very good, very institute. Bobby become very close to some

1:21:03.280 --> 1:21:06.480
<v Speaker 1>of them, think a lot of them. I become extremely

1:21:06.560 --> 1:21:13.160
<v Speaker 1>close to Tony Orlando. I love Tony Orlando. Um, I'm

1:21:13.160 --> 1:21:15.240
<v Speaker 1>gonna I don't want to a friend anyway, because I

1:21:15.320 --> 1:21:18.200
<v Speaker 1>have so many friends. I lost a dear friend, Leslie Gore.

1:21:18.720 --> 1:21:20.720
<v Speaker 1>I lost, sir. You know, we've lost a lot of

1:21:21.400 --> 1:21:26.040
<v Speaker 1>great stars. I'm friends with Charlie Thomas, the Drifters, I'm

1:21:26.080 --> 1:21:31.440
<v Speaker 1>friends Gosh, Bobby Rydell Dion. I'm friends with Paul McCartney

1:21:31.439 --> 1:21:35.760
<v Speaker 1>and Ringo. Sir Paul, I mean we're hugging friends. Who

1:21:35.760 --> 1:21:39.240
<v Speaker 1>are hugging friends? We uh whenever we get together, whenever

1:21:39.280 --> 1:21:41.040
<v Speaker 1>we see each other. In the days when we were

1:21:41.040 --> 1:21:43.280
<v Speaker 1>allowed to get together all right and see each other,

1:21:43.560 --> 1:21:48.240
<v Speaker 1>we were very very close. Um uh, Tommy James, you

1:21:48.280 --> 1:21:50.679
<v Speaker 1>know I'm gonna let out. I'm gonna leave out so many,

1:21:50.720 --> 1:21:53.720
<v Speaker 1>but so many people that are are the air, that

1:21:53.760 --> 1:21:56.960
<v Speaker 1>are you we called stars, I recognized stars I've become

1:21:57.040 --> 1:21:59.360
<v Speaker 1>very close to and they've become very close to me.

1:22:00.240 --> 1:22:04.040
<v Speaker 1>Now talking about your personal life, you reach literally millions.

1:22:04.479 --> 1:22:07.160
<v Speaker 1>Are those your friends or do you have one or

1:22:07.240 --> 1:22:09.760
<v Speaker 1>two if any best friends in your regular life other

1:22:09.800 --> 1:22:12.439
<v Speaker 1>than your wife? Oh yeah, I have a very dear

1:22:12.479 --> 1:22:15.559
<v Speaker 1>friend my one of my best friends. Well, Joe McCoy

1:22:15.640 --> 1:22:18.120
<v Speaker 1>is one of my very dear friends. Joe was program

1:22:18.200 --> 1:22:21.840
<v Speaker 1>director of CBS FM, very important part of my life.

1:22:22.479 --> 1:22:27.120
<v Speaker 1>Les Marshak, who was the voice of the Macy's Thanksgiving

1:22:27.200 --> 1:22:31.760
<v Speaker 1>Parade that we're gonna have again somehow virtually looks like uh. So,

1:22:31.840 --> 1:22:34.840
<v Speaker 1>I have a lot of very close friends of mine

1:22:35.200 --> 1:22:38.040
<v Speaker 1>that you know, we we uh we get together with

1:22:38.280 --> 1:22:41.920
<v Speaker 1>and now of course Michael Michael and Barbara the Alertsmans.

1:22:42.080 --> 1:22:46.320
<v Speaker 1>So we we have a very wonderful personal life aside

1:22:46.320 --> 1:22:50.000
<v Speaker 1>from my other personal life. See, I don't I know

1:22:50.160 --> 1:22:54.160
<v Speaker 1>it upsets my wife sometimes because we'll be eating uh

1:22:54.479 --> 1:22:58.000
<v Speaker 1>and a restaurant and people automatically come over to my

1:22:58.040 --> 1:23:02.080
<v Speaker 1>table and sit down because they know me. They feel

1:23:02.080 --> 1:23:05.160
<v Speaker 1>on part of their families. It's not some bozo on

1:23:05.240 --> 1:23:08.800
<v Speaker 1>the radio a thousand miles away, but it's somebody who's

1:23:08.840 --> 1:23:11.640
<v Speaker 1>part of their lives. And I accept this. And I

1:23:11.920 --> 1:23:14.720
<v Speaker 1>see Jody's uncomfortable with it sometimes she's used to it now,

1:23:15.080 --> 1:23:18.519
<v Speaker 1>but I love it. I love the idea that they

1:23:18.600 --> 1:23:21.880
<v Speaker 1>feel that I'm really part of their lives. And I

1:23:21.920 --> 1:23:24.320
<v Speaker 1>know I am. I know I am, so I accept this.

1:23:24.720 --> 1:23:27.760
<v Speaker 1>It's an important part and I think I think that

1:23:27.880 --> 1:23:29.920
<v Speaker 1>is what's so important. When I go on the air

1:23:30.479 --> 1:23:33.280
<v Speaker 1>at people know I'm talking to them. You know, Bob,

1:23:34.120 --> 1:23:37.120
<v Speaker 1>I'm talking to you right now, one on one. Now

1:23:37.360 --> 1:23:39.920
<v Speaker 1>you know me for a little while. I think you've

1:23:39.920 --> 1:23:44.120
<v Speaker 1>listened to me for a few years growing up, and Unstan, well,

1:23:44.160 --> 1:23:47.120
<v Speaker 1>thank you. I appreciate that. But I talked to you

1:23:47.360 --> 1:23:50.080
<v Speaker 1>personally when you were a kid. I never talked at you.

1:23:50.600 --> 1:23:54.680
<v Speaker 1>I always talked directly to you, and I maintain that

1:23:54.800 --> 1:23:58.040
<v Speaker 1>is a religion with me. It is one on one.

1:23:58.360 --> 1:24:00.160
<v Speaker 1>I can be at a radio station and I know

1:24:00.320 --> 1:24:02.519
<v Speaker 1>there are a lot of people that sting out there,

1:24:02.680 --> 1:24:06.120
<v Speaker 1>but I'm talking directly to that one person. It's personal

1:24:06.479 --> 1:24:10.479
<v Speaker 1>it's sensitive. That's what radio was. Now, you mentioned your

1:24:10.520 --> 1:24:14.840
<v Speaker 1>present wife your first wife. Did radio and your success

1:24:15.040 --> 1:24:20.720
<v Speaker 1>impact that relationship and calls it to end? Uh? I

1:24:20.760 --> 1:24:23.519
<v Speaker 1>don't think so. It might have had a tiny bit

1:24:23.560 --> 1:24:25.519
<v Speaker 1>to do with it, but no, I just think I

1:24:25.560 --> 1:24:29.320
<v Speaker 1>think my first marriage, we we outgrew each other. I

1:24:29.360 --> 1:24:31.640
<v Speaker 1>don't think radio, if I go back and think about it,

1:24:31.720 --> 1:24:34.519
<v Speaker 1>I don't think radio had anything really to do with that,

1:24:34.720 --> 1:24:37.000
<v Speaker 1>at least I hope not. I never That's funny. I

1:24:37.040 --> 1:24:42.400
<v Speaker 1>never had that thought. Uh. Jody, my wife is my partner,

1:24:42.520 --> 1:24:45.439
<v Speaker 1>she's my my best friend. She's on the air with me.

1:24:45.520 --> 1:24:48.360
<v Speaker 1>The audience loves her. Jody gets a huge amount of email.

1:24:49.360 --> 1:24:51.440
<v Speaker 1>How long? How long have you been together with Jody?

1:24:51.800 --> 1:24:55.400
<v Speaker 1>We're married now forty I think forty three years. And

1:24:55.439 --> 1:24:59.360
<v Speaker 1>how did you meet her? Briand date blind date some

1:24:59.439 --> 1:25:01.880
<v Speaker 1>friends of our He introduced each other to each other,

1:25:02.240 --> 1:25:05.240
<v Speaker 1>and Jody met me. I came out of the I

1:25:05.240 --> 1:25:07.479
<v Speaker 1>think it was CBS, I guess came out of the

1:25:07.560 --> 1:25:11.000
<v Speaker 1>radio station that day, and there was It's been a

1:25:11.080 --> 1:25:13.880
<v Speaker 1>romance ever since. And we went down a little literally

1:25:14.160 --> 1:25:16.479
<v Speaker 1>and it's uh. Jody was born here in New York

1:25:16.920 --> 1:25:19.599
<v Speaker 1>and she was a teacher. And it's funny I met her.

1:25:20.120 --> 1:25:23.240
<v Speaker 1>Years before I met her, my brother was dating her.

1:25:23.600 --> 1:25:25.639
<v Speaker 1>We keep things on the film. I didn't know this,

1:25:25.960 --> 1:25:29.000
<v Speaker 1>and he brought her up. Bobby used to bring his

1:25:29.120 --> 1:25:31.719
<v Speaker 1>dates up to the radio station to make some points,

1:25:32.000 --> 1:25:33.640
<v Speaker 1>you know, so he can have a good time. And

1:25:33.680 --> 1:25:35.599
<v Speaker 1>it was cheap. And it was cheap also, you know.

1:25:35.920 --> 1:25:38.240
<v Speaker 1>So he brings up this uh young lady who was

1:25:38.280 --> 1:25:40.800
<v Speaker 1>a teacher happens to be Jody, And I didn't know.

1:25:41.280 --> 1:25:45.320
<v Speaker 1>And Uh, she was teaching UH in law Old City

1:25:45.400 --> 1:25:47.599
<v Speaker 1>or something, And I asked her what she did. Always

1:25:47.640 --> 1:25:49.360
<v Speaker 1>talk to people when they come in the studio. I

1:25:49.400 --> 1:25:52.000
<v Speaker 1>will always talk to them, you know, I said, I

1:25:52.040 --> 1:25:55.280
<v Speaker 1>am so related to people that again I'll resist. So

1:25:55.360 --> 1:25:58.040
<v Speaker 1>she said she teaches at UH. I forgot the name

1:25:58.040 --> 1:26:00.479
<v Speaker 1>of the school in Long Island City, and I said

1:26:00.520 --> 1:26:03.719
<v Speaker 1>on the air, I said, your teacher is here, Miss

1:26:03.720 --> 1:26:07.599
<v Speaker 1>Berlin is here, and whoever's in miss Berlin's class tomorrow,

1:26:07.760 --> 1:26:12.240
<v Speaker 1>you do not have to do homework. I'm choosing you

1:26:12.320 --> 1:26:15.040
<v Speaker 1>from more work. Is that alright, Miss Berlin? Yes? Well,

1:26:15.120 --> 1:26:17.720
<v Speaker 1>the next morning she walked into the school. Remember four

1:26:17.880 --> 1:26:22.920
<v Speaker 1>every five radios, they went crazy. Well, a little that

1:26:23.040 --> 1:26:26.840
<v Speaker 1>I know, maybe fifteen or twenty years later, Jody and

1:26:26.880 --> 1:26:30.639
<v Speaker 1>I got together on this blind date and we were married,

1:26:31.000 --> 1:26:33.880
<v Speaker 1>and I remember that incident when she came up with

1:26:33.920 --> 1:26:36.840
<v Speaker 1>my as my brother's date. Fortunately she did not like

1:26:36.960 --> 1:26:42.960
<v Speaker 1>my brother. Okay, So as the sixties progress, the FCC

1:26:43.280 --> 1:26:47.640
<v Speaker 1>changes the rule so you can't simulcast on the FM

1:26:47.680 --> 1:26:51.479
<v Speaker 1>what you have on a M. As a result, all

1:26:51.560 --> 1:26:55.200
<v Speaker 1>all the stations that you're talking about had an FM component.

1:26:55.840 --> 1:26:59.080
<v Speaker 1>Now you ultimately were on the FM a certain amount.

1:26:59.400 --> 1:27:01.920
<v Speaker 1>Scott and he went first. You know, there was w

1:27:01.960 --> 1:27:04.920
<v Speaker 1>o R, then there was w A b CFM. There

1:27:05.000 --> 1:27:08.920
<v Speaker 1>was ultimately any W or Scott changed. Tell me about

1:27:08.920 --> 1:27:12.639
<v Speaker 1>that transition. That was a tough time. I really didn't

1:27:12.720 --> 1:27:16.240
<v Speaker 1>understand it. I didn't pay too much attention at the beginning.

1:27:16.680 --> 1:27:19.360
<v Speaker 1>And then we saw numbers, you know, like you said before,

1:27:19.360 --> 1:27:23.559
<v Speaker 1>our important ratings are numbers were eroting. And suddenly this

1:27:23.800 --> 1:27:27.120
<v Speaker 1>uh up start called FM, which really has been a

1:27:27.200 --> 1:27:29.400
<v Speaker 1>round since. I feel to go back in your history,

1:27:29.400 --> 1:27:33.200
<v Speaker 1>probably find it in the twenties, I mean, experimental and everything.

1:27:33.479 --> 1:27:37.120
<v Speaker 1>World War two stopped the development of it, and then

1:27:37.160 --> 1:27:41.240
<v Speaker 1>suddenly we're now back in the sixties and FM starting

1:27:41.360 --> 1:27:45.600
<v Speaker 1>to make some points. We were making all the money

1:27:45.680 --> 1:27:49.560
<v Speaker 1>because we had the most listeners. FM was getting a

1:27:49.600 --> 1:27:55.280
<v Speaker 1>reputation of being a radio radio without commercials, alright, radio

1:27:55.320 --> 1:27:58.840
<v Speaker 1>without commercials for a good reason. They didn't have any listeners, right,

1:27:58.960 --> 1:28:02.720
<v Speaker 1>but well, you know, so look sponsors clients by when

1:28:02.760 --> 1:28:05.960
<v Speaker 1>you when they know that Cousin Brucie has listeners. Cousin

1:28:06.000 --> 1:28:08.200
<v Speaker 1>Brucie had half of the listeners, I'd have half of

1:28:08.200 --> 1:28:10.720
<v Speaker 1>the revenue coming in. Well, a little by little, low

1:28:11.320 --> 1:28:15.800
<v Speaker 1>FM was developing and they started getting numbers. AM was

1:28:15.880 --> 1:28:19.120
<v Speaker 1>really starting to get hurt. And that's when I realized,

1:28:19.120 --> 1:28:21.760
<v Speaker 1>you know, this was getting to a time what we

1:28:21.800 --> 1:28:26.559
<v Speaker 1>have to think about changing our lifestyle. And AM radio

1:28:26.880 --> 1:28:30.040
<v Speaker 1>started going down the tubes a little bit terrestrial radio.

1:28:30.240 --> 1:28:33.080
<v Speaker 1>I don't know if I AM ever really recovered. Part

1:28:33.160 --> 1:28:37.120
<v Speaker 1>is gonna recover now, Oh boy, it's gonna recover now,

1:28:37.160 --> 1:28:41.360
<v Speaker 1>I'm telling you all right. So, uh, I started buying

1:28:41.439 --> 1:28:46.000
<v Speaker 1>radio stations. I started, I went to the CBSFM and

1:28:46.120 --> 1:28:49.640
<v Speaker 1>I did. I did a lot of things to rejuvenate

1:28:49.840 --> 1:28:52.640
<v Speaker 1>my career because all I cared about I wanted to

1:28:52.640 --> 1:28:55.360
<v Speaker 1>be on the radio. I didn't want to lose my audience.

1:28:55.479 --> 1:28:58.680
<v Speaker 1>That audience was now growing up having kids. They were

1:28:58.760 --> 1:29:02.880
<v Speaker 1>my kids, I would their godfather, and that's what happened.

1:29:02.920 --> 1:29:07.400
<v Speaker 1>So I was became aware of it slowly. The Needles

1:29:07.400 --> 1:29:10.840
<v Speaker 1>just say, the radio landscape is completely changed. Since the sixties,

1:29:11.160 --> 1:29:15.439
<v Speaker 1>there were a handful of dominant UH stations in every market.

1:29:15.479 --> 1:29:20.040
<v Speaker 1>You could break a record regionally. Ultimately that was changed

1:29:20.080 --> 1:29:24.320
<v Speaker 1>by MTV and today we have the Internet. Records tend

1:29:24.360 --> 1:29:27.679
<v Speaker 1>to break first on the Internet and then go to radio.

1:29:28.240 --> 1:29:32.880
<v Speaker 1>In addition, statistics tell us the younger generation tends not

1:29:33.000 --> 1:29:36.640
<v Speaker 1>to be addicted to the radio as much as their forebears.

1:29:37.280 --> 1:29:40.680
<v Speaker 1>So I ask you, obviously, you will survive no matter what.

1:29:40.920 --> 1:29:44.200
<v Speaker 1>But in general, what is the future of radio? I

1:29:44.240 --> 1:29:46.360
<v Speaker 1>think the future of radio is terrific, and I think

1:29:46.680 --> 1:29:49.800
<v Speaker 1>I think the audience has become so sophisticated that I

1:29:49.840 --> 1:29:52.160
<v Speaker 1>don't know if they care if they're listening in a

1:29:52.720 --> 1:29:56.840
<v Speaker 1>pod and iPod uh uh, if they're listening uh to

1:29:57.160 --> 1:30:01.080
<v Speaker 1>uh Internet radio or what have a device they're listening

1:30:01.080 --> 1:30:04.960
<v Speaker 1>to it today. I think the audience wants content. So therefore,

1:30:05.560 --> 1:30:09.120
<v Speaker 1>if you give them content, no matter what device you're on,

1:30:09.360 --> 1:30:12.640
<v Speaker 1>whether it be a m FM, satellite, if it be

1:30:13.320 --> 1:30:15.479
<v Speaker 1>a pot in your ear. You know, I have a

1:30:16.560 --> 1:30:19.559
<v Speaker 1>I have a prediction. In fifty years infants are going

1:30:19.600 --> 1:30:23.000
<v Speaker 1>to be born with transistors and resistance behind the right

1:30:23.040 --> 1:30:24.920
<v Speaker 1>of Earth, and you're gonna be able to think, get

1:30:24.920 --> 1:30:27.960
<v Speaker 1>me cousin brucie, and that's all they need. They got

1:30:27.960 --> 1:30:31.000
<v Speaker 1>it a little silly, but that's what's happening today. You

1:30:31.120 --> 1:30:36.360
<v Speaker 1>have Alexa, you have Google Assistant. People listen to me.

1:30:36.400 --> 1:30:38.920
<v Speaker 1>Now with Alexa, you have Syria you can listen to.

1:30:39.120 --> 1:30:42.200
<v Speaker 1>You have I Heart Radio. So there's so many ways

1:30:42.800 --> 1:30:47.160
<v Speaker 1>of garnering communication. But the most important thing I think

1:30:47.200 --> 1:30:51.519
<v Speaker 1>today the audience is that sophisticated. They want content. Give

1:30:51.600 --> 1:30:54.720
<v Speaker 1>them content. They will go whether it's a M f

1:30:54.920 --> 1:30:57.679
<v Speaker 1>M or whatever it is, they will find you because

1:30:57.720 --> 1:31:00.160
<v Speaker 1>they want to listen to something that they hear in

1:31:00.200 --> 1:31:06.960
<v Speaker 1>their lifestyle. Okay. Now, MTV ultimately evolved played fewer videos,

1:31:07.040 --> 1:31:10.240
<v Speaker 1>primarily for ratings, but then as the twenty one century

1:31:10.320 --> 1:31:14.759
<v Speaker 1>came along, the people in MTV said, even though people

1:31:14.760 --> 1:31:18.760
<v Speaker 1>are clamoring for the days of yesterday, we know that

1:31:19.000 --> 1:31:23.000
<v Speaker 1>video is now an on demand item. Okay, so we're

1:31:23.000 --> 1:31:26.720
<v Speaker 1>not playing videos. Music is an on demand item. You

1:31:26.760 --> 1:31:30.360
<v Speaker 1>talked earlier. You talked earlier about your present show that's

1:31:30.360 --> 1:31:33.360
<v Speaker 1>more of a talk show. So I ask you, in

1:31:33.400 --> 1:31:38.439
<v Speaker 1>addition to yourself, what works on radio today. Well, once again,

1:31:38.840 --> 1:31:41.599
<v Speaker 1>I keep going back to that word content. I think

1:31:41.640 --> 1:31:44.679
<v Speaker 1>what will work on radio today is that you give

1:31:44.760 --> 1:31:47.920
<v Speaker 1>people what they want, which is not just playing a

1:31:47.960 --> 1:31:50.639
<v Speaker 1>stream of music like a jukebox, but that they can't

1:31:50.640 --> 1:31:54.559
<v Speaker 1>get anywhere. They don't need radio radio. When you say

1:31:54.560 --> 1:31:59.200
<v Speaker 1>the word radio, radio to me means communication one on

1:31:59.200 --> 1:32:01.240
<v Speaker 1>one or to a group. If you want to do

1:32:01.280 --> 1:32:05.080
<v Speaker 1>a podcast type thing, that's fine, you're getting a special audience.

1:32:05.360 --> 1:32:08.120
<v Speaker 1>But I believe my kind of radio and radio at

1:32:08.200 --> 1:32:13.880
<v Speaker 1>large is reaching out for people with ideas and with lifestyle,

1:32:14.840 --> 1:32:18.920
<v Speaker 1>entertainment and information. You put that in that pod, I

1:32:18.960 --> 1:32:22.640
<v Speaker 1>think you'll always capture an audience. Uh. I. Recently, if

1:32:22.680 --> 1:32:26.479
<v Speaker 1>I may went back, I completed my circle. I went

1:32:26.479 --> 1:32:29.320
<v Speaker 1>back to w ABC Radio. I left there forty six

1:32:29.400 --> 1:32:31.800
<v Speaker 1>years ago. Now forty six years ago was a very

1:32:31.840 --> 1:32:35.439
<v Speaker 1>different form of broadcasting. As I said, we did music, news,

1:32:35.800 --> 1:32:38.559
<v Speaker 1>I did weather and things like that, very little talk,

1:32:38.960 --> 1:32:41.599
<v Speaker 1>just a lot of jingles and stuff like that. And

1:32:41.640 --> 1:32:44.799
<v Speaker 1>also there were no devices. You listened to a local

1:32:44.880 --> 1:32:47.960
<v Speaker 1>AM band, you listen to it, and then FM came in.

1:32:48.400 --> 1:32:54.280
<v Speaker 1>Today we have such a variety of how to listen

1:32:54.280 --> 1:32:56.800
<v Speaker 1>to communication on and this is just a tip of

1:32:56.840 --> 1:33:00.240
<v Speaker 1>the iceberg because seems like every week something else came out.

1:33:00.640 --> 1:33:03.439
<v Speaker 1>So I come back to w ABC and what am

1:33:03.439 --> 1:33:06.160
<v Speaker 1>I doing? Now? Am I doing the same thing? No?

1:33:06.640 --> 1:33:09.920
<v Speaker 1>Am I doing some of it? Yeah? Because people want it.

1:33:10.320 --> 1:33:13.320
<v Speaker 1>You know, how I decided what to do on my

1:33:13.400 --> 1:33:17.760
<v Speaker 1>current shows in w ABC, I used the Internet. I

1:33:17.880 --> 1:33:21.360
<v Speaker 1>use my cousin Bruci Facebook page and other things that

1:33:21.760 --> 1:33:25.120
<v Speaker 1>the U other the bulletin boards and things like that.

1:33:25.479 --> 1:33:27.840
<v Speaker 1>And the question was what am I gonna do with

1:33:27.880 --> 1:33:31.120
<v Speaker 1>this show? So originally I said, you know, but in

1:33:31.200 --> 1:33:33.599
<v Speaker 1>the press had a lot of press when it was announced.

1:33:33.600 --> 1:33:36.880
<v Speaker 1>I'm coming back to this to seventies seven. I think

1:33:36.880 --> 1:33:40.599
<v Speaker 1>I'll be doing uh, fifties, sixties, seventies and eighties. Well

1:33:41.040 --> 1:33:44.679
<v Speaker 1>all hell broke procluse bombs. They wanted You're not doing eighties.

1:33:44.720 --> 1:33:49.240
<v Speaker 1>No eighties for you. Everybody's doing eighties. Hell are the eighties, Percy.

1:33:49.360 --> 1:33:53.040
<v Speaker 1>We want fifties, sixties and seventies. We want your echo back.

1:33:53.880 --> 1:33:58.280
<v Speaker 1>What I don't want echo? It's coming here. Twenty one

1:33:58.280 --> 1:34:00.519
<v Speaker 1>I'm gonna do. Hey, everybody gets a I don't want

1:34:00.520 --> 1:34:06.000
<v Speaker 1>to do. I'm doing echo vox popular the people's voices heard.

1:34:06.160 --> 1:34:09.320
<v Speaker 1>They want jingles. I swear to god I can play

1:34:09.360 --> 1:34:12.680
<v Speaker 1>as many jingles as as records. They'll be happy. They

1:34:12.720 --> 1:34:15.160
<v Speaker 1>want the records. Now, what is this, teddy? They want

1:34:15.160 --> 1:34:18.080
<v Speaker 1>to jingles? This tells you they want that connection to

1:34:18.120 --> 1:34:22.320
<v Speaker 1>the past. Everybody today we are in a bubble. We

1:34:22.479 --> 1:34:25.799
<v Speaker 1>all want to escape. I am part of that escape,

1:34:25.880 --> 1:34:29.360
<v Speaker 1>Bob all right. My music is that escape. My jingles,

1:34:29.640 --> 1:34:32.800
<v Speaker 1>my reverb as part of that escape. They want to

1:34:32.800 --> 1:34:35.280
<v Speaker 1>go back and they want to leave this bubble that

1:34:35.360 --> 1:34:37.559
<v Speaker 1>we're in for those few hours. And when I go

1:34:37.600 --> 1:34:39.840
<v Speaker 1>on the air today, I don't know if you've heard

1:34:39.880 --> 1:34:42.519
<v Speaker 1>me yet, but when I opened a show, first thing

1:34:42.600 --> 1:34:46.800
<v Speaker 1>I say, Becausins, here's the deal. You can't listen. You

1:34:46.920 --> 1:34:51.799
<v Speaker 1>can listen to me. There's no politics on this show. None.

1:34:52.720 --> 1:34:57.360
<v Speaker 1>There's no talk about COVID none. You have a problem

1:34:57.400 --> 1:35:00.360
<v Speaker 1>that you really need solved, and it's personal. I'll talk

1:35:00.360 --> 1:35:02.960
<v Speaker 1>to you, but I'm talking politics no matter what. And

1:35:03.000 --> 1:35:05.880
<v Speaker 1>if anyone talks politics, you're out. And I said, now,

1:35:05.920 --> 1:35:08.200
<v Speaker 1>if you can't go by those rules, go get some

1:35:08.280 --> 1:35:11.360
<v Speaker 1>ice cream somewhere, leave me alone. And that's what I do.

1:35:11.560 --> 1:35:13.840
<v Speaker 1>And I go on and everyone loves it. They love

1:35:13.920 --> 1:35:18.360
<v Speaker 1>the idea to escape our streets right now. And Bob,

1:35:18.720 --> 1:35:21.240
<v Speaker 1>you are as you are like I. You would like

1:35:21.320 --> 1:35:24.880
<v Speaker 1>to run away a little bit too, We all would. Okay,

1:35:24.880 --> 1:35:28.040
<v Speaker 1>speaking of running away, you're now on the air one

1:35:28.080 --> 1:35:30.639
<v Speaker 1>time a week. What is the rest of Brucie's week

1:35:30.760 --> 1:35:35.320
<v Speaker 1>look like? What was Shodi wash to answer that? I

1:35:35.360 --> 1:35:39.080
<v Speaker 1>go shopping order supermarket. I have been in the pharmacy

1:35:39.160 --> 1:35:41.439
<v Speaker 1>more than they've ever been in these four months in

1:35:41.520 --> 1:35:44.400
<v Speaker 1>my whole life. I don't know what we're doing. We're buying.

1:35:44.560 --> 1:35:46.960
<v Speaker 1>I have no idea. We're in the pharmacy. So what

1:35:47.000 --> 1:35:50.639
<v Speaker 1>we do is it's home. Jody and I go for walks. Well,

1:35:50.840 --> 1:35:52.479
<v Speaker 1>I love to hike. I keep it. I keep in

1:35:52.520 --> 1:35:55.160
<v Speaker 1>great shape. I really, I'm in good shape. Still feel

1:35:55.240 --> 1:35:58.680
<v Speaker 1>very powerful, so I stay young. I watch what I eat,

1:35:58.720 --> 1:36:03.080
<v Speaker 1>I don't drink too much. I miss visiting friends. I

1:36:03.160 --> 1:36:06.320
<v Speaker 1>missed the personal relationship of hugging. I'm a hugger. I'm

1:36:06.320 --> 1:36:10.880
<v Speaker 1>a toucher. I like touching, touching people. I like skin. Right,

1:36:11.200 --> 1:36:14.000
<v Speaker 1>we can't touch anymore that is breaking my heart. Um,

1:36:14.920 --> 1:36:19.800
<v Speaker 1>I watch television a lot, were watching series we stream.

1:36:19.920 --> 1:36:23.200
<v Speaker 1>I go on my computer constantly. I answer my mail,

1:36:23.760 --> 1:36:26.919
<v Speaker 1>which takes me a huge number of hours. The emails

1:36:26.920 --> 1:36:30.960
<v Speaker 1>are great. Everybody's requesting this is from last Saturday's show.

1:36:31.520 --> 1:36:33.400
<v Speaker 1>I don't know if you can see it. No, it's

1:36:33.439 --> 1:36:36.360
<v Speaker 1>really it's I'll flip it for those people. And these

1:36:36.360 --> 1:36:40.160
<v Speaker 1>are printed out emails, a huge stack. That's one one day.

1:36:40.479 --> 1:36:41.880
<v Speaker 1>What am I gonna do with these things? Am I

1:36:41.880 --> 1:36:44.320
<v Speaker 1>gonna answer? You know? You know I'm gonna answer everyone.

1:36:44.680 --> 1:36:47.240
<v Speaker 1>I'm gonna play everyone they're requesting. But it's gonna take

1:36:47.280 --> 1:36:52.559
<v Speaker 1>me for Christmas? Is it's it's but so that's my point.

1:36:52.880 --> 1:36:57.240
<v Speaker 1>The response is terrific. People want content, they want to

1:36:57.280 --> 1:36:59.960
<v Speaker 1>find what they would like to listen to. I'm gonna escape.

1:37:00.720 --> 1:37:04.280
<v Speaker 1>I have that bridge and uh we have three hours

1:37:04.280 --> 1:37:07.360
<v Speaker 1>now once a week. We'll see what happens for that.

1:37:07.640 --> 1:37:11.200
<v Speaker 1>I have a feeling. Let's go back to the vall

1:37:11.280 --> 1:37:14.280
<v Speaker 1>for one more time. How did the four seasons end

1:37:14.360 --> 1:37:18.639
<v Speaker 1>up doing your jingle? I have no idea, however, all

1:37:18.680 --> 1:37:21.200
<v Speaker 1>I know is I received a phone call from Bob

1:37:21.200 --> 1:37:24.960
<v Speaker 1>Gordion and Frankie Valley and they said, I have a

1:37:25.000 --> 1:37:27.479
<v Speaker 1>present for you. Guys, I have a present for you.

1:37:27.800 --> 1:37:29.800
<v Speaker 1>About a week later, they came up with a five

1:37:29.800 --> 1:37:33.280
<v Speaker 1>inch reel of real to real tape. A lot of

1:37:33.280 --> 1:37:36.200
<v Speaker 1>the audience might not remember what tapers that little uh.

1:37:36.240 --> 1:37:38.920
<v Speaker 1>It's on a plastic reel, round reel and it's like

1:37:38.960 --> 1:37:41.479
<v Speaker 1>maybe a quarter inch stick and you played it on

1:37:41.520 --> 1:37:45.280
<v Speaker 1>a tape recorder. They brought me this thing and they said, play.

1:37:45.320 --> 1:37:47.759
<v Speaker 1>This is for you. It's a gift. That's how it happened.

1:37:47.840 --> 1:37:51.080
<v Speaker 1>They gave me a gift. Now that gift has followed

1:37:51.120 --> 1:37:54.080
<v Speaker 1>me everywhere I go, no matter if I even do

1:37:54.120 --> 1:37:57.400
<v Speaker 1>a guest spot out of station, if I do interviews.

1:37:58.120 --> 1:38:01.400
<v Speaker 1>You probably have that song the four season singing, right,

1:38:01.479 --> 1:38:04.720
<v Speaker 1>go go cousin, Brucy, that was a beautiful gift. How

1:38:04.920 --> 1:38:06.920
<v Speaker 1>I came about and you know, I never really found out.

1:38:07.080 --> 1:38:09.920
<v Speaker 1>It's a very good question, Brucy. This has been wonderful.

1:38:09.960 --> 1:38:12.719
<v Speaker 1>You're a fount of knowledge. In addition to telling your story,

1:38:12.760 --> 1:38:16.280
<v Speaker 1>there's a lot of wisdom. I learned certain things. You know.

1:38:16.400 --> 1:38:18.880
<v Speaker 1>I love talking to you. I look forward to talking

1:38:18.880 --> 1:38:21.000
<v Speaker 1>to you in the future. This has just been wonderful. Well, listen,

1:38:21.000 --> 1:38:23.559
<v Speaker 1>this is only part one. You think you hurt stories

1:38:25.880 --> 1:38:31.080
<v Speaker 1>listening more stories, We'll do part two. Bob, Really, I

1:38:31.200 --> 1:38:35.240
<v Speaker 1>know about you. Your reputation really precedes you. You have

1:38:35.320 --> 1:38:40.120
<v Speaker 1>a great, great reputation. I congratulate you. I love to

1:38:40.240 --> 1:38:43.920
<v Speaker 1>meet people who love broadcasting, and you are a broadcaster.

1:38:44.280 --> 1:38:48.679
<v Speaker 1>And I'm thrilled to be part of your your family. Now, well,

1:38:48.800 --> 1:38:51.760
<v Speaker 1>to hear that from cousin Brucy himself, I'm cpelling. It's

1:38:51.800 --> 1:38:57.000
<v Speaker 1>like unbelievableing. That's Greek. I know that work. Listen. I'm

1:38:57.000 --> 1:38:58.880
<v Speaker 1>not gonna let you do any more. Stick right now

1:38:59.040 --> 1:39:01.400
<v Speaker 1>until next time. This has been Bob Left since