1
00:00:00,080 --> 00:00:03,000
Speaker 1: Good morning, usc yo yo yo yo yo yo yo

2
00:00:03,080 --> 00:00:04,760
Speaker 1: yo yo yo yo yo yo yo yo yo yo

3
00:00:04,800 --> 00:00:06,600
Speaker 1: yo yo yo yo yo yo yo yo yo yo

4
00:00:06,680 --> 00:00:09,360
Speaker 1: yo yo yo yo yo yo yo yo yo Sean Lemagne,

5
00:00:09,400 --> 00:00:16,200
Speaker 1: the piece to the plane. It is Friday, Yes, morning, Friday.

6
00:00:16,200 --> 00:00:18,599
Speaker 1: We got our co host B Scott in the building.

7
00:00:18,760 --> 00:00:21,320
Speaker 1: I know that's right. I'm back, baby. How you feeling?

8
00:00:21,480 --> 00:00:23,560
Speaker 1: I feel good. We made it to Friday. Yes, we

9
00:00:23,600 --> 00:00:26,520
Speaker 1: did it Friday. Yes, we did Friday. You do yesterday.

10
00:00:26,520 --> 00:00:28,840
Speaker 1: Because you said you were gonna touch the town. I

11
00:00:28,880 --> 00:00:31,480
Speaker 1: barely touched it. I went to the R's rooftop okay,

12
00:00:31,520 --> 00:00:33,279
Speaker 1: and I loved it. It was really nice. And then

13
00:00:33,320 --> 00:00:35,400
Speaker 1: I took my ass to sleep. What time you get

14
00:00:35,400 --> 00:00:39,800
Speaker 1: into bed? I went to sleep at eight? Oh yeah, Scott,

15
00:00:40,720 --> 00:00:43,320
Speaker 1: I love my sleep. No, that's how you say youthful.

16
00:00:43,520 --> 00:00:45,520
Speaker 1: You gotta get that sleep. I could be running ragged,

17
00:00:45,640 --> 00:00:47,440
Speaker 1: you know. Let you gotta let God do work on

18
00:00:47,479 --> 00:00:50,680
Speaker 1: your soul when you're sleeping, man that time, Yes, on

19
00:00:50,760 --> 00:00:54,120
Speaker 1: your soul. That's right, all right down. Tony yo yo

20
00:00:54,200 --> 00:00:59,120
Speaker 1: will be joining us this morning, you know. J alright, Well,

21
00:00:59,120 --> 00:01:00,840
Speaker 1: Tony Yeo will be on us. Just wanted to We're

22
00:01:00,840 --> 00:01:02,840
Speaker 1: gonna kick it with Yo. He has a new podcast

23
00:01:02,920 --> 00:01:06,039
Speaker 1: and some new music, so were gonna talk to having

24
00:01:06,040 --> 00:01:08,560
Speaker 1: a second win. I think blad TV got a lot

25
00:01:08,600 --> 00:01:11,840
Speaker 1: to do with that because people starting to see Yoe's personality. Yeah,

26
00:01:11,959 --> 00:01:14,240
Speaker 1: you know, so they saw Yo's personality and people like

27
00:01:14,360 --> 00:01:17,160
Speaker 1: whom gravitated towards him and he's always been like that.

28
00:01:17,200 --> 00:01:26,640
Speaker 1: So people, people from Queens will never stop doing good

29
00:01:26,640 --> 00:01:30,800
Speaker 1: at it. You were, you were turning yesterday with what

30
00:01:31,080 --> 00:01:38,080
Speaker 1: sound effect Scott making black people love making sound? I

31
00:01:38,160 --> 00:01:40,320
Speaker 1: did get I did get some d M from Bravo.

32
00:01:40,880 --> 00:01:44,640
Speaker 1: Yeah they were ye oh yeah, yeah. They weren't happy

33
00:01:44,640 --> 00:01:48,520
Speaker 1: with my narrative. You know, white people do your narrative.

34
00:01:49,680 --> 00:01:51,680
Speaker 1: You know, why are you doing this? What was what

35
00:01:52,000 --> 00:01:54,720
Speaker 1: was the narrative? But what was the narrative they created?

36
00:01:54,720 --> 00:01:56,400
Speaker 1: Because I feel like I knew what you were saying. Well,

37
00:01:56,440 --> 00:01:58,320
Speaker 1: you know what I mean. They were just like, you know,

38
00:01:58,600 --> 00:02:00,120
Speaker 1: they were trying to pretend like they didn't try to

39
00:02:00,240 --> 00:02:03,160
Speaker 1: give the exclusive for the trailer to someone else. Got

40
00:02:03,240 --> 00:02:05,440
Speaker 1: you like, no, it was always going to be yours.

41
00:02:05,480 --> 00:02:08,600
Speaker 1: Don't do this to us. I say, yeah, right, we

42
00:02:08,639 --> 00:02:11,720
Speaker 1: should know they're listening. Sometimes you gotta put people in

43
00:02:11,720 --> 00:02:14,320
Speaker 1: a check a little bit. Y. You gotta let that

44
00:02:14,400 --> 00:02:17,160
Speaker 1: chopper fly. Okay, it's Friday. We're gonna let that chop

45
00:02:17,680 --> 00:02:23,839
Speaker 1: chin check. Be Scott said shop. I also say pull

46
00:02:23,880 --> 00:02:28,200
Speaker 1: your face up, pr face up. All right, Well, let's

47
00:02:28,200 --> 00:02:30,320
Speaker 1: get the show cracking. We got front page news next,

48
00:02:30,320 --> 00:02:32,120
Speaker 1: Tesla figure out will be joining us? It don't move.

49
00:02:32,160 --> 00:02:35,480
Speaker 1: It's to Breakfast Club. Good morning morning. Everybody is DJ Envy,

50
00:02:35,639 --> 00:02:38,079
Speaker 1: Charlomagne the Guy. We are to Breakfast Club good morning

51
00:02:38,120 --> 00:02:41,640
Speaker 1: this Friday. Yes, indeed, all right, we have our co

52
00:02:41,840 --> 00:02:44,320
Speaker 1: host be Scott joining us this morning, and let's get

53
00:02:44,360 --> 00:02:47,760
Speaker 1: into front page news. Oh yeah, morning, Tesla. Figure out.

54
00:02:47,800 --> 00:02:51,480
Speaker 1: How are you feeling. I'm feeling good, Happy Friday. DJ Envy,

55
00:02:51,560 --> 00:02:56,320
Speaker 1: Charlomagne the God and b Scott he's such a pretty smile. Okay,

56
00:02:56,400 --> 00:02:59,360
Speaker 1: thank you. You have such great energy, Thank you, thank you.

57
00:02:59,400 --> 00:03:04,040
Speaker 1: I can feel it through the wall. Yeah. Now let's

58
00:03:04,080 --> 00:03:08,200
Speaker 1: talk this chat GPT. What is this? Yes, a lot

59
00:03:08,240 --> 00:03:12,080
Speaker 1: of you may have heard of ai chat GPT. I've

60
00:03:12,120 --> 00:03:13,600
Speaker 1: been trying to get this story out for a couple

61
00:03:13,639 --> 00:03:17,600
Speaker 1: of weeks. But since it's released in November of last year,

62
00:03:17,720 --> 00:03:21,560
Speaker 1: open ai chat GPT has been used to write cover letters,

63
00:03:21,880 --> 00:03:26,080
Speaker 1: create children books, and even help students cheat on their essays. Um,

64
00:03:26,160 --> 00:03:29,200
Speaker 1: I've used the tool myself. It is really like just

65
00:03:29,400 --> 00:03:31,799
Speaker 1: an awesome tool. It's amazing what it can do. But

66
00:03:31,960 --> 00:03:34,200
Speaker 1: they say that the chat bot can be more powerful

67
00:03:34,200 --> 00:03:37,760
Speaker 1: than we ever imagine, and experts say that chat, GPT

68
00:03:38,040 --> 00:03:42,520
Speaker 1: and related AI technology could threaten some jobs. So I

69
00:03:42,560 --> 00:03:46,000
Speaker 1: wanted to give you the top jobs that are currently

70
00:03:47,040 --> 00:03:50,160
Speaker 1: at risk of being you know, of being taken out

71
00:03:50,160 --> 00:03:53,080
Speaker 1: of the game based upon this new technology. One will

72
00:03:53,120 --> 00:03:57,200
Speaker 1: be tech jobs colders, computer program or software engineers. Two

73
00:03:57,640 --> 00:04:02,920
Speaker 1: media jobs advertising, content creation, technical writing. The legal industry

74
00:04:03,000 --> 00:04:08,400
Speaker 1: also is at threat of paralegals, legal assistants, market research analysts, teachers,

75
00:04:08,480 --> 00:04:12,040
Speaker 1: even teachers. In other words, some concern about teachers about

76
00:04:12,080 --> 00:04:14,680
Speaker 1: students actually you know, cheating on their work. But now

77
00:04:14,760 --> 00:04:17,159
Speaker 1: they're saying that it is smart enough to even teach

78
00:04:17,200 --> 00:04:22,440
Speaker 1: the class and create lesson plans. Financial jobs, traders help

79
00:04:22,480 --> 00:04:26,640
Speaker 1: gravit designers, accountants, and customer service agents. In fact, a

80
00:04:26,760 --> 00:04:30,800
Speaker 1: study said that by twenty twenty seven, twenty five percent

81
00:04:31,279 --> 00:04:34,760
Speaker 1: of companies are more than likely more than likely will

82
00:04:34,880 --> 00:04:37,560
Speaker 1: use this technology. Yeah. Well, I've been talking about this

83
00:04:37,640 --> 00:04:39,040
Speaker 1: a lot because I don't like any of it. Man,

84
00:04:39,080 --> 00:04:41,320
Speaker 1: I don't like any of this artificial intelligence stuff simply

85
00:04:41,360 --> 00:04:43,240
Speaker 1: because I don't think humans can handle it. You know,

86
00:04:43,320 --> 00:04:45,920
Speaker 1: Number one, Chat GPT will make people less creative. If

87
00:04:45,960 --> 00:04:47,919
Speaker 1: you have this technology that's writing books for you and

88
00:04:47,960 --> 00:04:51,039
Speaker 1: writing proposals and you know, writing scripts, what muscles in

89
00:04:51,080 --> 00:04:53,080
Speaker 1: your brain are you exercising? And I feel like some

90
00:04:53,120 --> 00:04:55,560
Speaker 1: of its content comes from a higher power. Right when

91
00:04:55,560 --> 00:04:58,280
Speaker 1: we get these ideas for projects and stuff, it comes

92
00:04:58,320 --> 00:05:02,039
Speaker 1: from GOOT, not chat GPT, so that you know, God

93
00:05:02,120 --> 00:05:04,119
Speaker 1: Is will give it his soul. Now that's gonna be lost.

94
00:05:04,120 --> 00:05:06,360
Speaker 1: But second, if we live in a world where we

95
00:05:06,400 --> 00:05:09,400
Speaker 1: can't even handle fake tweets, how are we gonna handle AI?

96
00:05:09,800 --> 00:05:12,720
Speaker 1: What happens when fake voice sobers and deep fake start

97
00:05:12,800 --> 00:05:15,520
Speaker 1: coming out? When you start seeing headlines, you know, audio

98
00:05:15,640 --> 00:05:17,599
Speaker 1: leaks of such and such saying this and such and

99
00:05:17,640 --> 00:05:19,760
Speaker 1: such saying and that person didn't say it, Like, we

100
00:05:19,800 --> 00:05:21,520
Speaker 1: can't handle that as a society. But then how do

101
00:05:21,520 --> 00:05:24,359
Speaker 1: you prove it it's gonna be? It's gonna be. And

102
00:05:24,360 --> 00:05:26,720
Speaker 1: it started to say I also start this. I think

103
00:05:26,760 --> 00:05:29,000
Speaker 1: it started with computers and what they were doing with computers.

104
00:05:29,080 --> 00:05:30,680
Speaker 1: Right now, you look at you know, Charlotte Mage mean

105
00:05:30,720 --> 00:05:32,360
Speaker 1: you you know we both drive over a bridge and

106
00:05:32,440 --> 00:05:34,200
Speaker 1: go through a tunnel theague get to work. There's no

107
00:05:34,279 --> 00:05:36,800
Speaker 1: more people working anymore. But you see people taking your

108
00:05:36,800 --> 00:05:39,120
Speaker 1: money collecting. Now there's no more people so all those

109
00:05:39,200 --> 00:05:41,600
Speaker 1: jobs are gone. They're talking about the next three years.

110
00:05:41,600 --> 00:05:43,479
Speaker 1: Even track the trailers. They're not gonna need track the

111
00:05:43,480 --> 00:05:46,000
Speaker 1: trailer drivers anymore because they have self driving trucks. So

112
00:05:46,000 --> 00:05:48,680
Speaker 1: we're all this job is gonna go. And I think

113
00:05:48,680 --> 00:05:50,640
Speaker 1: that people think, you know, I'm a business owner, so

114
00:05:50,720 --> 00:05:52,400
Speaker 1: I'm looking at the front perspective that a lot of

115
00:05:52,400 --> 00:05:54,360
Speaker 1: people are looking at it from is that it could

116
00:05:54,360 --> 00:05:55,960
Speaker 1: save me a lot of money. Right, so if this

117
00:05:56,200 --> 00:05:59,720
Speaker 1: whatever technology can write some blog pubs, imagine the coins,

118
00:05:59,760 --> 00:06:02,080
Speaker 1: I can say, yeah, that's what I want to know

119
00:06:02,120 --> 00:06:05,080
Speaker 1: that Scott touched though, I can come in give a

120
00:06:05,080 --> 00:06:07,080
Speaker 1: little touch. If it saved me the right type of money, Yeah,

121
00:06:07,080 --> 00:06:09,440
Speaker 1: because it is gonna save a lot of money. I

122
00:06:09,520 --> 00:06:11,120
Speaker 1: know a lot of businesses do it now where they

123
00:06:11,240 --> 00:06:14,279
Speaker 1: instead of having callers call out to do things for business,

124
00:06:14,360 --> 00:06:17,160
Speaker 1: they have these AI companies overseas and it sounds just

125
00:06:17,200 --> 00:06:19,640
Speaker 1: like a real human. They call and they talk to

126
00:06:19,680 --> 00:06:24,640
Speaker 1: you like a real that a real human human. I'm saying,

127
00:06:25,000 --> 00:06:28,760
Speaker 1: you got you got artificial intelligence, uh doing a their

128
00:06:28,760 --> 00:06:32,719
Speaker 1: attorneys doing lawsiness, you know, financial advisors, like be Scott said,

129
00:06:32,720 --> 00:06:34,600
Speaker 1: is saving people a lot of money. And that's what

130
00:06:34,680 --> 00:06:36,719
Speaker 1: people are looking at finances when they should be looking

131
00:06:36,720 --> 00:06:38,799
Speaker 1: at humanity. Right. And also too, with the writer strike

132
00:06:38,839 --> 00:06:41,440
Speaker 1: coming up, you know if they stay on strike two on,

133
00:06:41,880 --> 00:06:44,400
Speaker 1: it might be this AI that's writing the scripts. I

134
00:06:44,480 --> 00:06:46,000
Speaker 1: heard they do a pretty good job to just go

135
00:06:46,040 --> 00:06:47,800
Speaker 1: in and change a few things. You got the script

136
00:06:47,880 --> 00:06:50,120
Speaker 1: come on that. I mean, companies spent a lot of

137
00:06:50,160 --> 00:06:52,919
Speaker 1: money and production spent a lot of money writing these scripts.

138
00:06:53,040 --> 00:06:54,960
Speaker 1: They have writer from like what if you do the

139
00:06:54,960 --> 00:06:57,160
Speaker 1: whole room just go away, no more writers, nobody, you

140
00:06:57,200 --> 00:06:58,520
Speaker 1: know what I mean. And then you just have a

141
00:06:58,560 --> 00:07:02,040
Speaker 1: complete script that in thirty minutes, you teck a couple

142
00:07:02,000 --> 00:07:05,600
Speaker 1: of things and it's done. Wow. Donald Trump gonna start saying,

143
00:07:05,640 --> 00:07:09,120
Speaker 1: build a wall around Silicon Valley. You'll talk to me.

144
00:07:09,279 --> 00:07:12,680
Speaker 1: Thought the Mexicans be taking all thought the so called

145
00:07:12,680 --> 00:07:15,480
Speaker 1: the legals were taking all the jobs. No no, no, no, no,

146
00:07:15,600 --> 00:07:17,920
Speaker 1: even police officers like we're talking about the other day

147
00:07:17,960 --> 00:07:20,120
Speaker 1: that they got this new these robots that can go

148
00:07:20,160 --> 00:07:22,720
Speaker 1: and buildings and these fake dogs that can check things out,

149
00:07:22,720 --> 00:07:24,840
Speaker 1: so you know, to people don't have to go in.

150
00:07:24,920 --> 00:07:27,400
Speaker 1: And that's a good thing. Though, don't you think if

151
00:07:27,440 --> 00:07:30,120
Speaker 1: you could send a dog in the you know, because

152
00:07:30,120 --> 00:07:33,120
Speaker 1: I don't want to. I don't want a police robot

153
00:07:33,240 --> 00:07:36,200
Speaker 1: or police anything. You know why because if it's the same, uh,

154
00:07:36,240 --> 00:07:42,840
Speaker 1: you know, white supremacist programming the robots. So Charlotagne, what

155
00:07:42,920 --> 00:07:44,320
Speaker 1: are you saying? Are you saying that it should just

156
00:07:44,440 --> 00:07:47,680
Speaker 1: be banned across the board? No, AI for anything. I don't.

157
00:07:47,680 --> 00:07:48,880
Speaker 1: I don't want to. I don't know. I don't want

158
00:07:48,880 --> 00:07:50,240
Speaker 1: to go that far yet, but I don't. I don't

159
00:07:50,240 --> 00:07:52,000
Speaker 1: like where it's going. I'll say that, Okay, you know,

160
00:07:52,120 --> 00:07:53,960
Speaker 1: I don't. I don't have enough information. People if you

161
00:07:54,000 --> 00:07:56,200
Speaker 1: should be banned, yeah, but I don't. I don't. I

162
00:07:56,200 --> 00:07:58,280
Speaker 1: don't like the way. I don't like what could happen.

163
00:07:58,360 --> 00:08:01,680
Speaker 1: Put it like that, all right, Ted, Sorry to cut

164
00:08:01,720 --> 00:08:04,640
Speaker 1: you off yet, so many stories to talk about, Okay,

165
00:08:04,680 --> 00:08:07,280
Speaker 1: no problem, No, you keep us on time, So we

166
00:08:07,360 --> 00:08:11,520
Speaker 1: want to quickly talk about Feinstein. A Senator Majority Leader

167
00:08:11,600 --> 00:08:15,440
Speaker 1: Chuck Schumer is moving to temporarily temporarily replaced eighty nine

168
00:08:15,520 --> 00:08:19,840
Speaker 1: year old Senator Diane Feinstein. She is also the oldest

169
00:08:19,880 --> 00:08:22,080
Speaker 1: member of Congress and the reason why they want to

170
00:08:22,080 --> 00:08:25,560
Speaker 1: replace her is because she is currently currently experiencing medical

171
00:08:25,680 --> 00:08:30,840
Speaker 1: complications from shingles, and she has been sidelined for longer

172
00:08:30,880 --> 00:08:34,120
Speaker 1: than expected. Now she sits on the powerful Judiciary Committee,

173
00:08:34,120 --> 00:08:37,760
Speaker 1: so the replacement could help Senate Democrats advanced federal judges

174
00:08:37,840 --> 00:08:41,280
Speaker 1: for confirmation, which we've seen this same thing play out before,

175
00:08:41,960 --> 00:08:45,400
Speaker 1: especially as partisanship continues to divide America. So, in other words,

176
00:08:45,400 --> 00:08:47,960
Speaker 1: Democrats are trying to make a lot of moves, and

177
00:08:48,120 --> 00:08:52,760
Speaker 1: she has not cast a vote since February sixteenths she's

178
00:08:52,800 --> 00:08:56,840
Speaker 1: missed sixty of eighty two votes this session. Yeah, it's

179
00:08:56,880 --> 00:08:59,240
Speaker 1: it's a lot, and so several Democrats have called for

180
00:08:59,280 --> 00:09:02,280
Speaker 1: her to resign when her time is up. She has

181
00:09:02,320 --> 00:09:04,120
Speaker 1: says that she's not going to run for re election.

182
00:09:04,640 --> 00:09:08,320
Speaker 1: But take a quick listen to Representative Nancy Pelosi, who

183
00:09:08,440 --> 00:09:11,600
Speaker 1: is in defense of her, the Speaker of the House,

184
00:09:12,080 --> 00:09:15,400
Speaker 1: fighting for California, and I have seen up close and

185
00:09:15,559 --> 00:09:19,760
Speaker 1: firsthand her great leadership for our for our country, but

186
00:09:19,960 --> 00:09:24,320
Speaker 1: especially for our state of California. She deserves the respect

187
00:09:24,360 --> 00:09:28,679
Speaker 1: to get well and be back on duty. And uh,

188
00:09:29,720 --> 00:09:32,240
Speaker 1: it's it's interesting to me. I don't know what political

189
00:09:32,240 --> 00:09:35,600
Speaker 1: agendas are at work that are going after Sendra Feinstein

190
00:09:35,679 --> 00:09:38,120
Speaker 1: in that way. I've never seen them go after a

191
00:09:38,160 --> 00:09:40,760
Speaker 1: man who was sick in the Senate in that way.

192
00:09:41,520 --> 00:09:43,559
Speaker 1: Wait a minute, layd Hammers. It sounds like she's barely

193
00:09:43,559 --> 00:09:48,440
Speaker 1: holding on right they are, I mean like it's a shocking.

194
00:09:48,440 --> 00:09:52,079
Speaker 1: It's like, I can't help lord, why is everybody so old?

195
00:09:52,840 --> 00:09:55,640
Speaker 1: And and to answer that, we scott The average age

196
00:09:55,679 --> 00:09:57,840
Speaker 1: in the Senate is sixty three years old. The average

197
00:09:57,880 --> 00:10:03,560
Speaker 1: age in the House is fifty eight. That hurt me.

198
00:10:03,640 --> 00:10:06,719
Speaker 1: I'm like, oh my god, help Nancy. I pray I

199
00:10:06,800 --> 00:10:08,280
Speaker 1: get to that is. I want somebody to be screaming

200
00:10:08,280 --> 00:10:11,480
Speaker 1: helped me to this. And of course you're gonna defend her.

201
00:10:11,559 --> 00:10:15,400
Speaker 1: I mean they at the same age. Basically, she's gonna say,

202
00:10:15,440 --> 00:10:17,000
Speaker 1: ain't got nothing to do with being a woman. It's

203
00:10:17,040 --> 00:10:22,040
Speaker 1: like you old Jesus, thank you chest, no problem seeing

204
00:10:22,080 --> 00:10:24,360
Speaker 1: a little bit, all right, Get it off your chest.

205
00:10:24,480 --> 00:10:26,840
Speaker 1: Eight hundred five eight five one on five one. If

206
00:10:26,840 --> 00:10:28,559
Speaker 1: you need to vent, phone line to wide open and

207
00:10:28,600 --> 00:10:30,760
Speaker 1: getting eight hundred five eight five one on five one

208
00:10:30,840 --> 00:10:37,800
Speaker 1: is to Breakfast Club. Good morning the Breakfast Club. Ray

209
00:10:37,960 --> 00:10:41,440
Speaker 1: Ray Ray, Yo, Charlotte man, Daffy, what up are we lying?

210
00:10:41,720 --> 00:10:43,240
Speaker 1: This is your time to get it off your chest?

211
00:10:43,360 --> 00:10:46,760
Speaker 1: Hotdoor pool, outdoor pool. We want to hear from you

212
00:10:46,760 --> 00:10:48,840
Speaker 1: on the breakfast club. Get on the phone right now

213
00:10:49,000 --> 00:10:53,000
Speaker 1: here to tell you what it is. Hello, who's this?

214
00:10:53,720 --> 00:10:57,280
Speaker 1: It was? Lotty? Get it off your chest? Hey, I

215
00:10:57,320 --> 00:10:59,600
Speaker 1: just want to get off my chest. Good morning, Charlotte

216
00:10:59,600 --> 00:11:02,319
Speaker 1: Maine dj MB and we y'all go out there with

217
00:11:02,360 --> 00:11:05,880
Speaker 1: your Scott Scott. Hey, good morning to be Scott. I

218
00:11:05,880 --> 00:11:08,120
Speaker 1: want to get off my chest. Uh. You know, I'm

219
00:11:08,200 --> 00:11:12,080
Speaker 1: very outrage outraged because we had another slane of one

220
00:11:12,080 --> 00:11:17,280
Speaker 1: of our LGBT community transistor herself in Atlanta, Georgia. Her

221
00:11:17,360 --> 00:11:21,120
Speaker 1: name is Asty Burton Um. She was killed when she

222
00:11:21,200 --> 00:11:24,040
Speaker 1: was shot and signed her home and she ran out

223
00:11:24,080 --> 00:11:27,439
Speaker 1: for a neighbors knocked on doors before she comes to

224
00:11:27,559 --> 00:11:29,720
Speaker 1: her death. Uh. And you know this story is not

225
00:11:29,760 --> 00:11:32,160
Speaker 1: getting a lot of pubs, so I just wanted to

226
00:11:32,200 --> 00:11:35,040
Speaker 1: bring awareness to this story. She's from you know, the

227
00:11:35,120 --> 00:11:39,560
Speaker 1: b sr A area, but moved to uh Atlanta the

228
00:11:39,679 --> 00:11:42,960
Speaker 1: further better herself. And you know she was Layter. She's

229
00:11:43,000 --> 00:11:45,840
Speaker 1: only thirty seven years old. Her name was Asty Burtons.

230
00:11:45,880 --> 00:11:48,120
Speaker 1: I want to bring you know, light and awareness to

231
00:11:48,280 --> 00:11:52,079
Speaker 1: this story, Ashley Burton, Ashley burn Did they did they

232
00:11:52,840 --> 00:11:55,720
Speaker 1: arrested the killer? Did they finally kill her? No? Not

233
00:11:55,840 --> 00:11:58,360
Speaker 1: as m yet did just happened on the eleventh And

234
00:11:58,480 --> 00:12:01,840
Speaker 1: like we're barely getting any up state from the police

235
00:12:01,880 --> 00:12:08,600
Speaker 1: about what's going on the family of Ashley Burden. Absolutely. Yeah,

236
00:12:08,600 --> 00:12:11,040
Speaker 1: And that's why you know, like you know, every day

237
00:12:11,240 --> 00:12:13,600
Speaker 1: it seems like we're hearing more and more of cases

238
00:12:13,640 --> 00:12:15,960
Speaker 1: like this. You know, people like me, our lives are

239
00:12:16,000 --> 00:12:19,600
Speaker 1: on the line, and so that's why it's representation is important.

240
00:12:19,679 --> 00:12:22,480
Speaker 1: That's why you know, what things we say, because that

241
00:12:22,520 --> 00:12:26,280
Speaker 1: trickles down into actual violence against people like me. Absolutely,

242
00:12:26,280 --> 00:12:28,000
Speaker 1: and that's why it's also important for me to be here,

243
00:12:28,360 --> 00:12:29,400
Speaker 1: you know what I mean. It's like, you know, the

244
00:12:29,480 --> 00:12:31,920
Speaker 1: change is coming, and I just hope that one day

245
00:12:32,040 --> 00:12:34,440
Speaker 1: it could mean that, you know, people like me would

246
00:12:34,440 --> 00:12:36,520
Speaker 1: be more protected and actually from the crib too. She

247
00:12:36,520 --> 00:12:38,280
Speaker 1: grew up. I'm looking at her story. She grew up

248
00:12:38,280 --> 00:12:40,240
Speaker 1: in South Carolina and uh, that's why I'm from this.

249
00:12:40,360 --> 00:12:42,599
Speaker 1: She moved to Atlanta since She was a hairstylist and

250
00:12:42,640 --> 00:12:47,120
Speaker 1: a makeup artist. Hello, who's this? What's it calling this? Robert? Robert?

251
00:12:47,120 --> 00:12:50,080
Speaker 1: Good morning guys. I just wanted to talk real quick

252
00:12:50,080 --> 00:12:54,200
Speaker 1: about the Chippa. Actually had one of my son's feature

253
00:12:55,160 --> 00:12:57,959
Speaker 1: recommended to me just to hope out using English honors

254
00:12:58,200 --> 00:13:01,280
Speaker 1: and uh, it's it's a great tool. How it really is.

255
00:13:01,559 --> 00:13:05,240
Speaker 1: As far as adop school um white college jobs, you

256
00:13:05,440 --> 00:13:08,920
Speaker 1: start organizing, you get together and make sure that you

257
00:13:08,920 --> 00:13:11,559
Speaker 1: know you're not you're not being running off our computers. Yeah,

258
00:13:11,600 --> 00:13:13,679
Speaker 1: they're definitely gonna be running off by computers because you

259
00:13:13,920 --> 00:13:15,960
Speaker 1: know how capitalism works, They're gonna always go for the

260
00:13:16,000 --> 00:13:19,000
Speaker 1: cheapest option. Absolutely absolutely, all right, thank you guys. Have

261
00:13:19,040 --> 00:13:21,160
Speaker 1: a good morning, man, have a good weekend. I don't

262
00:13:21,160 --> 00:13:22,319
Speaker 1: even know that was a real car. That might have

263
00:13:22,320 --> 00:13:27,440
Speaker 1: been a might have been I'm serious. Eight hundred five

264
00:13:27,520 --> 00:13:29,200
Speaker 1: eight five one oh five one. If you need to vent,

265
00:13:29,280 --> 00:13:31,000
Speaker 1: hit this up now. It's the Breakfast Club. Good morning,

266
00:13:31,480 --> 00:13:38,880
Speaker 1: the Breakfast Club. This is your time to get it

267
00:13:38,920 --> 00:13:41,560
Speaker 1: off your chest. Eight hundred five eight five one oh

268
00:13:41,640 --> 00:13:43,240
Speaker 1: five one. We want to hear from you on the

269
00:13:43,240 --> 00:13:48,280
Speaker 1: Breakfast Club. Hello, who's this? Tell them? Hey, good morning

270
00:13:48,280 --> 00:13:51,920
Speaker 1: I'm gonna get it off your chest. Good morning, shot

271
00:13:51,960 --> 00:13:58,000
Speaker 1: a mind and yeah, hey hold on, I'm just trying

272
00:13:58,000 --> 00:14:01,760
Speaker 1: to see your cars shows my mess at weekend. So

273
00:14:01,960 --> 00:14:06,800
Speaker 1: I was just trying to taking that's in Memphis, May

274
00:14:06,880 --> 00:14:09,880
Speaker 1: twenty eight. Don't you be cheap you get as young

275
00:14:09,920 --> 00:14:13,439
Speaker 1: ladies from tickets? You got kids, that's right, that's just

276
00:14:13,559 --> 00:14:16,199
Speaker 1: gonna be man, my friend. So I don't have kids.

277
00:14:16,240 --> 00:14:20,400
Speaker 1: I got you. I'll give you some tickets. Okay, thank you.

278
00:14:21,720 --> 00:14:26,800
Speaker 1: Don't you hang thee My car show is a twenty eight.

279
00:14:26,840 --> 00:14:28,920
Speaker 1: We'll give you some VIP tickets so you can be

280
00:14:28,960 --> 00:14:30,920
Speaker 1: in the building and all the activities that's going on

281
00:14:30,960 --> 00:14:33,040
Speaker 1: around it shout to Memphis. So we're doing it with

282
00:14:33,600 --> 00:14:35,760
Speaker 1: Paper Route, which is Young Dogs Company, and we're gonna

283
00:14:35,760 --> 00:14:38,040
Speaker 1: be celebrating dogs life. So we're gonna have dogs cars there,

284
00:14:38,120 --> 00:14:40,800
Speaker 1: key logs, fifty cent, some more celebrity friends. We're gonna

285
00:14:40,840 --> 00:14:43,080
Speaker 1: announce and it's gonna be family funday. There's gonna be

286
00:14:43,120 --> 00:14:45,240
Speaker 1: rides for the kids. You can get on the ride too.

287
00:14:45,240 --> 00:14:47,560
Speaker 1: There's gonna be jumpies, it's gonna be gaming trucks, it's

288
00:14:47,560 --> 00:14:50,720
Speaker 1: gonna be ball a bunch of food trucks. So shout

289
00:14:50,720 --> 00:14:52,160
Speaker 1: to everybody. If you want to put your car on

290
00:14:52,200 --> 00:14:54,680
Speaker 1: the show, you can dj n V Car Show at

291
00:14:54,680 --> 00:14:57,560
Speaker 1: gmail dot com. And uh, you're still on hold, and

292
00:14:57,560 --> 00:15:00,800
Speaker 1: I got you had another question, mama? Okay, yeah, I

293
00:15:00,880 --> 00:15:07,320
Speaker 1: would want to them truck driver? Yeah what what time?

294
00:15:07,400 --> 00:15:14,080
Speaker 1: Wait a minute? My daddy? Hold on all right, all right?

295
00:15:14,240 --> 00:15:17,480
Speaker 1: You never want to get your cdm No, you know

296
00:15:17,520 --> 00:15:19,880
Speaker 1: what's funny like? But I know how to drive tractors

297
00:15:19,920 --> 00:15:22,280
Speaker 1: and the trucks and everything. Absolutely, my daddy is a

298
00:15:22,280 --> 00:15:25,960
Speaker 1: truck driver. He went by red Dog, Red Dog, red dog? Hello,

299
00:15:26,000 --> 00:15:29,920
Speaker 1: who's this? Good morning? And but what up? Doe the

300
00:15:30,000 --> 00:15:33,200
Speaker 1: truck to the building? What's going on? Hey? Hey, Envy,

301
00:15:33,320 --> 00:15:38,440
Speaker 1: I love my birthday player? What bird goes? What ut dough?

302
00:15:38,640 --> 00:15:40,440
Speaker 1: What's your birthday? Hey? I know a lot of people

303
00:15:40,520 --> 00:15:43,040
Speaker 1: call in and maybe talking crap about you, but don't

304
00:15:43,040 --> 00:15:45,640
Speaker 1: listen to them. Stay the problem. Thank you? I like you?

305
00:15:45,840 --> 00:15:49,600
Speaker 1: But what's up? Hey? I just wanted to call and

306
00:15:49,680 --> 00:15:52,320
Speaker 1: say good morning? And then I wanted to ask can

307
00:15:52,320 --> 00:15:55,560
Speaker 1: I get two tickets for the Of course you can't,

308
00:15:55,560 --> 00:15:59,360
Speaker 1: It's easy. I would. I would have loved you to

309
00:15:59,360 --> 00:16:01,280
Speaker 1: give you two to get to the Black Effect Podcast.

310
00:16:01,320 --> 00:16:06,720
Speaker 1: Festival happening. Uh, I got you, love queen. Hold on,

311
00:16:06,800 --> 00:16:09,240
Speaker 1: I'm gonna put you on hold. Our producer Eddie's gonna

312
00:16:09,240 --> 00:16:11,120
Speaker 1: get your information and we're gonna give you two tickets

313
00:16:11,120 --> 00:16:13,840
Speaker 1: to the Black Effect Podcast Festival. You're driving a truck?

314
00:16:13,880 --> 00:16:21,720
Speaker 1: Are you ai? Back to back? Wait a minute, that

315
00:16:21,760 --> 00:16:27,600
Speaker 1: was a week one time? Give me a bigger horns.

316
00:16:28,480 --> 00:16:30,760
Speaker 1: Hold on, you're driving like an escalator stuff. You ain't

317
00:16:30,760 --> 00:16:33,840
Speaker 1: in no big rig? Right? Yeah, you're a big rig.

318
00:16:34,440 --> 00:16:36,560
Speaker 1: Yeah that's what I'm talking about. Let me tell you something.

319
00:16:37,320 --> 00:16:39,720
Speaker 1: What's your name on the walk? You talkie on the walk?

320
00:16:39,720 --> 00:16:43,720
Speaker 1: I ain't got no walking. What's your I guess what's

321
00:16:43,720 --> 00:16:47,000
Speaker 1: your truck name? Thought name? So you had names? I

322
00:16:47,080 --> 00:16:50,760
Speaker 1: mean he just went by a sling name of colde name.

323
00:16:50,840 --> 00:16:55,640
Speaker 1: You got a handle, it's a handle handle ten four.

324
00:16:55,960 --> 00:16:58,360
Speaker 1: But you need a cold name like bim or something

325
00:16:58,360 --> 00:17:01,040
Speaker 1: like that. What did a chick? What are the chances

326
00:17:01,080 --> 00:17:04,240
Speaker 1: of two women calling back to back that ball eighteen

327
00:17:04,280 --> 00:17:08,800
Speaker 1: wheelers that both want to go to harvest? Let me

328
00:17:08,840 --> 00:17:10,399
Speaker 1: tell you this. If I knew people calling him here

329
00:17:10,480 --> 00:17:12,680
Speaker 1: just a bagging, I would have called up and asking

330
00:17:12,840 --> 00:17:14,800
Speaker 1: y'all to pay for some of these bills. I got

331
00:17:15,000 --> 00:17:16,960
Speaker 1: how many people calling here? Back to back to back?

332
00:17:17,000 --> 00:17:19,720
Speaker 1: Can I can? I was just thinking that that's our

333
00:17:19,720 --> 00:17:22,879
Speaker 1: family member. Okay, this is they just extended film game. Hello,

334
00:17:22,880 --> 00:17:25,479
Speaker 1: who's this just a bagging? All right? That's how I came.

335
00:17:25,520 --> 00:17:29,160
Speaker 1: Good morning, Good morning your chest. Listen, man, let's talk

336
00:17:29,160 --> 00:17:31,879
Speaker 1: about these Yankees. Yesterday, Man, they course the boys some money.

337
00:17:32,240 --> 00:17:34,960
Speaker 1: Give up nine runs in the first ding, or you

338
00:17:35,000 --> 00:17:36,639
Speaker 1: bet on the Yankee game and you lost. The Yankees

339
00:17:36,680 --> 00:17:38,920
Speaker 1: lost yesterday eleven to two. How about you back? I

340
00:17:39,040 --> 00:17:41,840
Speaker 1: bet one hundred dollars the Yankees to go under nine run.

341
00:17:42,000 --> 00:17:45,119
Speaker 1: I lost that the first ding one hundred dollars. But

342
00:17:45,160 --> 00:17:47,040
Speaker 1: I'm just saying, how you give up the first picture

343
00:17:47,080 --> 00:17:49,240
Speaker 1: game of the six step and run. The relief came

344
00:17:49,280 --> 00:17:50,600
Speaker 1: in with two. I was to give up two home

345
00:17:50,640 --> 00:17:53,600
Speaker 1: runs back to back? Bro, you lost. Can't make the

346
00:17:53,640 --> 00:18:00,400
Speaker 1: stuff up. Gambling is a sin anyway. Yankees is unbelieved, man.

347
00:18:00,400 --> 00:18:02,080
Speaker 1: But you have a good day, man, Yes, sir, And

348
00:18:02,119 --> 00:18:03,920
Speaker 1: the crazy thing, how key, They're gonna win today and

349
00:18:03,920 --> 00:18:07,240
Speaker 1: you're gonna be sick. I'm gonna right back in. Bet

350
00:18:07,280 --> 00:18:09,880
Speaker 1: nigin't gonna be on double back. Get it off your chest,

351
00:18:09,960 --> 00:18:12,320
Speaker 1: eight hundred five A five one on five one. We

352
00:18:12,359 --> 00:18:14,240
Speaker 1: got rumors on the way, be Scott, what we're talking about?

353
00:18:14,320 --> 00:18:16,760
Speaker 1: Oh yeah, I got the Damie Fox update for you. Okay,

354
00:18:16,800 --> 00:18:19,320
Speaker 1: and several other things. All right, shouldn't find out. We'll

355
00:18:19,320 --> 00:18:21,320
Speaker 1: get to it next. It's the Breakfast Club. Good morning,

356
00:18:21,400 --> 00:18:28,639
Speaker 1: Oh yeah, the Breakfast Club Morning. Everybody's dj n V

357
00:18:28,920 --> 00:18:30,959
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got

358
00:18:30,960 --> 00:18:34,040
Speaker 1: our co host b Scott on Friday. Oh yeah, we

359
00:18:34,200 --> 00:18:36,200
Speaker 1: made it. Let's go, let's get to the room. Was

360
00:18:36,200 --> 00:18:38,560
Speaker 1: what we what we're teasing? So we have a Jamie

361
00:18:38,600 --> 00:18:50,520
Speaker 1: Fox update. This this is the rumor report has been

362
00:18:50,560 --> 00:18:53,920
Speaker 1: asking me for quite some time on the Breakfast Club.

363
00:18:54,040 --> 00:18:55,960
Speaker 1: I wasn't gonna come to you like, but I had to.

364
00:18:57,480 --> 00:19:03,359
Speaker 1: He goes a little thu like this. All right, we

365
00:19:03,400 --> 00:19:06,200
Speaker 1: had to get your inso okay, Oh you didn't hear it?

366
00:19:06,760 --> 00:19:12,840
Speaker 1: I might might. Yeah, it was experience a little technical difficulty,

367
00:19:12,880 --> 00:19:15,399
Speaker 1: but I'm here all right. Okay. So for those of

368
00:19:15,440 --> 00:19:18,080
Speaker 1: you who, um didn't listen to the show yesterday, shame

369
00:19:18,080 --> 00:19:21,000
Speaker 1: on you if you didn't. Um. Jamie Fox had a

370
00:19:21,080 --> 00:19:25,280
Speaker 1: very serious situation and still is in very serious situation. Um,

371
00:19:25,320 --> 00:19:28,399
Speaker 1: he had a medical emergency that thank God, you know,

372
00:19:28,440 --> 00:19:31,000
Speaker 1: the people acted quickly and he got the help that

373
00:19:31,040 --> 00:19:34,960
Speaker 1: he received. I am being told that, Um, at a

374
00:19:35,000 --> 00:19:40,080
Speaker 1: certain point Jamie could not speak and now he is

375
00:19:40,119 --> 00:19:44,040
Speaker 1: able and has started speaking again. Glory be to God. Okay,

376
00:19:44,680 --> 00:19:47,159
Speaker 1: And you know, as we said yesterday, it's just you know,

377
00:19:48,000 --> 00:19:50,240
Speaker 1: it was a shock to many. And also you can

378
00:19:50,240 --> 00:19:54,000
Speaker 1: feel the seriousness of the situation by all of the

379
00:19:54,040 --> 00:19:57,560
Speaker 1: celebrities that have been posting UM sending well wishes to

380
00:19:57,640 --> 00:20:01,320
Speaker 1: Jamie Fox, like Kerry Washington, Okay, and you know, we

381
00:20:01,440 --> 00:20:03,600
Speaker 1: send him the best. You know, as I said yesterday,

382
00:20:03,720 --> 00:20:05,639
Speaker 1: he means a lot to me. I'm so grateful to

383
00:20:05,680 --> 00:20:07,919
Speaker 1: him for everything he's done for my career, and I

384
00:20:07,960 --> 00:20:11,640
Speaker 1: hope and wish him a speedy recovery. Absolutely, definitely sending

385
00:20:11,680 --> 00:20:15,159
Speaker 1: Jamie Fox hilling energy always. Absolutely And you know, now

386
00:20:15,160 --> 00:20:18,040
Speaker 1: we're about to get into another serious situation about Nicki

387
00:20:18,040 --> 00:20:23,760
Speaker 1: Minaj psych because y'all, barbs are not gonna get me

388
00:20:23,880 --> 00:20:30,080
Speaker 1: at all. If you think so, no, no, no no no.

389
00:20:30,119 --> 00:20:31,880
Speaker 1: If you think I'm gonna come to the breakfast club

390
00:20:32,200 --> 00:20:34,840
Speaker 1: and start some stuff with the barbs, oh no, they

391
00:20:34,840 --> 00:20:36,639
Speaker 1: would in my career it'll be over. It would be

392
00:20:36,720 --> 00:20:39,400
Speaker 1: no more be Scott because those fans go hardest, play

393
00:20:39,560 --> 00:20:41,240
Speaker 1: the barbs and to be high if you don't mess

394
00:20:41,240 --> 00:20:44,320
Speaker 1: with him. Okay, but this is actually something really good.

395
00:20:44,400 --> 00:20:46,960
Speaker 1: Nicki Minaj is set to star in fifty cents Lady

396
00:20:47,080 --> 00:20:50,920
Speaker 1: Danger animated series, so she's gonna star and she's also

397
00:20:50,960 --> 00:20:53,440
Speaker 1: going to executor produced the show. It is inspired by

398
00:20:53,440 --> 00:20:57,000
Speaker 1: the Dark Dark Horse comic book series. And you know,

399
00:20:57,080 --> 00:21:00,520
Speaker 1: this is really great for you know, Nicki Minaj. This yeah,

400
00:21:00,520 --> 00:21:03,199
Speaker 1: another check, you know, something to see her differently. You know,

401
00:21:03,440 --> 00:21:06,719
Speaker 1: I love Nicki Minaj when she is happy and like

402
00:21:06,840 --> 00:21:09,800
Speaker 1: just having fun and rapping and you know, being light

403
00:21:09,840 --> 00:21:11,199
Speaker 1: with it, you know what I mean. And I like

404
00:21:11,240 --> 00:21:14,359
Speaker 1: seeing hip hop hip hop people like fifty Cent and

405
00:21:14,440 --> 00:21:17,760
Speaker 1: Nicki Minaj collaborating outside of music. Queens get the money.

406
00:21:17,760 --> 00:21:20,359
Speaker 1: I love to see people making money absolutely together. I'm

407
00:21:20,400 --> 00:21:21,800
Speaker 1: not mad at and I love saying her name Nicki

408
00:21:21,880 --> 00:21:25,399
Speaker 1: Mina Ni Minas. And speaking of fifty cent, you know

409
00:21:25,440 --> 00:21:29,359
Speaker 1: fifty Cent, he has not been happy with Stars for

410
00:21:29,480 --> 00:21:33,840
Speaker 1: quite some time, and he recently just posted another you know,

411
00:21:34,400 --> 00:21:37,280
Speaker 1: I guess going in on Stars again on Instagram. He

412
00:21:37,480 --> 00:21:39,840
Speaker 1: is basically saying he regrets working with him, and he's

413
00:21:39,880 --> 00:21:43,840
Speaker 1: not going to do anymore B B M F spinoffs

414
00:21:43,920 --> 00:21:46,560
Speaker 1: or anything else with Stars. He regrets the whole situation.

415
00:21:46,600 --> 00:21:49,160
Speaker 1: He said, I have the number one, two and three

416
00:21:49,200 --> 00:21:52,920
Speaker 1: and four top TV shows in African America, and Latino

417
00:21:53,400 --> 00:21:55,920
Speaker 1: has holes, and I hate that I did this with

418
00:21:55,960 --> 00:21:58,720
Speaker 1: the wrong people. I'm not doing any more spinoffs or

419
00:21:58,720 --> 00:22:02,320
Speaker 1: selling any other shows tours. I mean, he created Stars,

420
00:22:02,359 --> 00:22:06,120
Speaker 1: Star Listen Stars. There's absolutely no reason to not give

421
00:22:06,200 --> 00:22:08,399
Speaker 1: Curtis Jackson whatever he wants, all right. He put that

422
00:22:08,480 --> 00:22:11,240
Speaker 1: network on the map, all right. He's contributed so much

423
00:22:11,240 --> 00:22:12,960
Speaker 1: content to that network, and you have to take care

424
00:22:12,960 --> 00:22:15,159
Speaker 1: of him. Look at how like Paramount plus takes care

425
00:22:15,160 --> 00:22:16,919
Speaker 1: of somebody like a tailor shared and you might not

426
00:22:16,960 --> 00:22:18,440
Speaker 1: know who Taylor shared and it, but he's the guy

427
00:22:18,640 --> 00:22:22,280
Speaker 1: behind Yellowstone and all of yellow Stone spinoffs, Toulsa King,

428
00:22:22,720 --> 00:22:25,760
Speaker 1: Marri Kings Town, like Paramount is invested in him. So Stars,

429
00:22:25,800 --> 00:22:28,000
Speaker 1: you need to be invested in fifty the same exact way.

430
00:22:28,080 --> 00:22:30,760
Speaker 1: Can you can you think of a show on Stars

431
00:22:30,800 --> 00:22:34,400
Speaker 1: before any fifty start? Not before? But there's a show

432
00:22:34,440 --> 00:22:37,040
Speaker 1: I loved after I started watching Power on Stars, and

433
00:22:37,040 --> 00:22:39,280
Speaker 1: I you know, kept Stars because that show was coming,

434
00:22:39,320 --> 00:22:41,160
Speaker 1: which was American Guards, because I read the book back

435
00:22:41,160 --> 00:22:42,720
Speaker 1: in the day and I loved the book. But other

436
00:22:42,760 --> 00:22:44,600
Speaker 1: than that, no, I could I couldn't even tell you

437
00:22:44,640 --> 00:22:47,080
Speaker 1: what Channel Stars was before fifty didn't. I don't think

438
00:22:47,080 --> 00:22:50,800
Speaker 1: it's I don't think it's a channel. It wasn't screaming platform.

439
00:22:51,040 --> 00:22:53,800
Speaker 1: It feels like that it is. It's a screaming platform.

440
00:22:53,920 --> 00:22:59,280
Speaker 1: Really watching on screaming now though it started off as

441
00:22:59,280 --> 00:23:01,240
Speaker 1: a channel, but I first started watching Power whether I

442
00:23:01,240 --> 00:23:03,640
Speaker 1: think it was the channel? Was the channel? Remember watching

443
00:23:03,640 --> 00:23:05,680
Speaker 1: on cable? And if you can remember him back in September,

444
00:23:05,760 --> 00:23:08,199
Speaker 1: he encouraged his fans not to watch the new season

445
00:23:08,600 --> 00:23:11,520
Speaker 1: of BMF because of the fact that they hadn't greenlit

446
00:23:11,640 --> 00:23:13,600
Speaker 1: the second season of the show. And so he actually

447
00:23:13,600 --> 00:23:15,440
Speaker 1: tell him, don't stream it. Let's let's mess up the

448
00:23:15,560 --> 00:23:17,960
Speaker 1: numbers so they understand who they're dealing with. Yeah, and

449
00:23:18,040 --> 00:23:19,600
Speaker 1: fit this sen is like that. I mean, like, you know,

450
00:23:19,680 --> 00:23:22,720
Speaker 1: love him or hate him, you're gonna know how he feels. Absolutely. Also,

451
00:23:22,720 --> 00:23:24,280
Speaker 1: that's a trick question. I don't know none of the channels.

452
00:23:24,280 --> 00:23:26,399
Speaker 1: I ain't known no channel since two, four, five and

453
00:23:26,760 --> 00:23:30,760
Speaker 1: twelve back in the day. WHI channels? Do we know? Now?

454
00:23:30,400 --> 00:23:35,280
Speaker 1: What was that BT? Oh? It was thirty six? Oh?

455
00:23:35,320 --> 00:23:38,120
Speaker 1: I think it's different everywhere. It's different everywhere. I don't

456
00:23:38,119 --> 00:23:40,800
Speaker 1: know little channel. I mean, y'all about to be on BT.

457
00:23:40,880 --> 00:23:43,040
Speaker 1: You know what channel it is? Now? I know the network? No,

458
00:23:43,160 --> 00:23:46,000
Speaker 1: I definitely don't know just a damn minute, because it's

459
00:23:46,040 --> 00:23:50,040
Speaker 1: different than every market. Yeah, but I know it's in

460
00:23:50,160 --> 00:23:54,119
Speaker 1: like almost every household. Yes, yes, definitely, that's major. I

461
00:23:54,119 --> 00:23:56,760
Speaker 1: also understand why why. I don't understand why networks do that.

462
00:23:56,760 --> 00:23:58,600
Speaker 1: It's almost like when a person gets so much power

463
00:23:58,600 --> 00:24:02,359
Speaker 1: they want to pull the plug. Why especially with people

464
00:24:02,359 --> 00:24:04,760
Speaker 1: of color. Yes, that was probably an argument about money.

465
00:24:04,760 --> 00:24:07,520
Speaker 1: They probably was not giving fifty what he felt he deserved.

466
00:24:07,560 --> 00:24:08,919
Speaker 1: He was like, I'm not gonna take it, and I'm

467
00:24:08,960 --> 00:24:10,719
Speaker 1: sure another network gave him more money than that. Well,

468
00:24:10,720 --> 00:24:13,280
Speaker 1: stars could never pay fifty is true worth? Like nobody

469
00:24:13,280 --> 00:24:14,879
Speaker 1: can never pay you your true worth? Like we have

470
00:24:14,920 --> 00:24:16,920
Speaker 1: all these conversations about no your worth, no you're worth.

471
00:24:17,880 --> 00:24:20,600
Speaker 1: Nobody can ever get paid truly what they're worth, Like

472
00:24:20,840 --> 00:24:22,760
Speaker 1: like there's no NBA team that can pay Lebron with

473
00:24:22,800 --> 00:24:24,199
Speaker 1: these worth. But you know what you can't pay, you

474
00:24:24,200 --> 00:24:27,000
Speaker 1: can pay somebody their value correct. So his value to

475
00:24:27,080 --> 00:24:31,000
Speaker 1: the network is unbelievable, so you pay him his value.

476
00:24:31,160 --> 00:24:34,400
Speaker 1: How do you feel about fifties trolling in general? That's

477
00:24:34,400 --> 00:24:37,520
Speaker 1: one to ask, I'm gonna cancer, so you you with it,

478
00:24:37,600 --> 00:24:39,800
Speaker 1: Like even if it's kind of like sometimes I see

479
00:24:39,800 --> 00:24:42,280
Speaker 1: the stuff he posts, I'm like, yikes, now he's petty.

480
00:24:42,560 --> 00:24:45,439
Speaker 1: Petty is hell. Yeah, I'm just saying I'm working on

481
00:24:45,600 --> 00:24:47,040
Speaker 1: I've been working on my petty for years. I have

482
00:24:47,080 --> 00:24:50,920
Speaker 1: to I have it. I have I definitely have petty,

483
00:24:50,960 --> 00:24:52,320
Speaker 1: and I used to be. I mean my type of

484
00:24:52,359 --> 00:24:54,920
Speaker 1: petty is like it's consistent over a long period of time.

485
00:24:55,280 --> 00:24:56,960
Speaker 1: It's like I kind of keep tapping you and tapping

486
00:24:56,960 --> 00:25:00,119
Speaker 1: you for tapping. That's me, Okay, I'm not You know,

487
00:25:00,160 --> 00:25:02,200
Speaker 1: you could tell Charles Charlemagne involved when he talked me

488
00:25:02,240 --> 00:25:04,560
Speaker 1: off the ledge. Usually I had to talk he's talking

489
00:25:05,080 --> 00:25:07,639
Speaker 1: because just pointless to give like people that kind of energy,

490
00:25:07,680 --> 00:25:10,440
Speaker 1: like just remove yourself from the situation. I think sometimes

491
00:25:10,480 --> 00:25:13,400
Speaker 1: that hurts individuals more. And it's like nine times out

492
00:25:13,400 --> 00:25:15,320
Speaker 1: of ten, what are we going back and forth with

493
00:25:15,680 --> 00:25:17,920
Speaker 1: this person for? Are you telling me I need to

494
00:25:17,960 --> 00:25:21,160
Speaker 1: get rid of my naughty and nice list. No, okay,

495
00:25:21,720 --> 00:25:24,000
Speaker 1: I like that. I do. I have people that definitely

496
00:25:24,040 --> 00:25:26,560
Speaker 1: on the Nighty List, and like definitely people that on

497
00:25:26,600 --> 00:25:28,720
Speaker 1: the good side. And especially when people say things about you, right,

498
00:25:28,720 --> 00:25:30,840
Speaker 1: when people say things about you, if you know it's

499
00:25:30,880 --> 00:25:33,320
Speaker 1: not true, who you got who? You gotta prove anything

500
00:25:33,560 --> 00:25:36,520
Speaker 1: that's true? You know what? You know what? I really

501
00:25:36,520 --> 00:25:40,040
Speaker 1: like it. I like this enlightened Charlemagne. This. I wish

502
00:25:40,040 --> 00:25:42,240
Speaker 1: this person was here years ago too. You are so

503
00:25:42,840 --> 00:25:45,320
Speaker 1: I had to be that to be this. Oh yeah,

504
00:25:45,840 --> 00:25:49,080
Speaker 1: come on, you're dropping these words, these nuggets. What book

505
00:25:49,119 --> 00:25:54,159
Speaker 1: have you been reading too many? Oh? I'm different, I

506
00:25:54,200 --> 00:25:57,320
Speaker 1: got that's me. I just want to pop your hand

507
00:25:57,359 --> 00:26:00,639
Speaker 1: on what why? I'm petty kill him? What the just

508
00:26:00,760 --> 00:26:08,800
Speaker 1: popping it again? Union and the poppet you on it? Alright,

509
00:26:08,800 --> 00:26:10,520
Speaker 1: that's it. That's all I have. All Right, that's your

510
00:26:10,600 --> 00:26:12,560
Speaker 1: rumor report. Now when we come back, we got front

511
00:26:12,560 --> 00:26:15,760
Speaker 1: page news. Tesla Figure will be joining us and Tony

512
00:26:15,760 --> 00:26:20,119
Speaker 1: AA will be joining us. So we're gonna kick it

513
00:26:20,160 --> 00:26:22,280
Speaker 1: with Tony. So don't move. It's to Breakfast Club. Good morning,

514
00:26:22,920 --> 00:26:26,080
Speaker 1: So Breakfast Club, your mornings will never be the same.

515
00:26:26,920 --> 00:26:29,440
Speaker 1: On April twenty first, Mommy will love you to death

516
00:26:29,480 --> 00:26:32,680
Speaker 1: in the new movie Evil Dead Rise. Critics are raven

517
00:26:32,760 --> 00:26:34,600
Speaker 1: that this is the film that horror fans have been

518
00:26:34,640 --> 00:26:37,600
Speaker 1: waiting for. Get your tickets down only in theaters April

519
00:26:37,640 --> 00:26:40,960
Speaker 1: twenty first, rated off under seventeen, not admitted without a parent.

520
00:26:41,040 --> 00:26:44,800
Speaker 1: Morning everybody, j n V Sholominia. Guy, we are the

521
00:26:44,840 --> 00:26:47,879
Speaker 1: breakfast club. We got our co host be Scott. Oh yeah,

522
00:26:47,880 --> 00:26:51,960
Speaker 1: and let's get in some front page news. Now. NBA

523
00:26:52,080 --> 00:26:54,399
Speaker 1: starts today, So anybody out there that NBA fans. The

524
00:26:54,440 --> 00:26:56,760
Speaker 1: Bull take on the heated seven o'clock, The thundertakes on

525
00:26:56,800 --> 00:26:59,320
Speaker 1: the Timberwolves at nine thirty, and of course we got

526
00:26:59,320 --> 00:27:04,400
Speaker 1: Tesla Figure back absolutely Good morning, V. Scotti, V Scott Energy. Yes,

527
00:27:07,080 --> 00:27:12,119
Speaker 1: in DJA. Now let's get it cracking. I know they

528
00:27:12,160 --> 00:27:16,000
Speaker 1: found somebody in the killing of cash I founder Bob Lee, right, yes,

529
00:27:16,200 --> 00:27:19,520
Speaker 1: all of the conspiracy theorists were talking about, you know,

530
00:27:19,560 --> 00:27:21,920
Speaker 1: why did the cash F founder? How did they get killed?

531
00:27:21,920 --> 00:27:25,040
Speaker 1: What happened? So quick update on that a tech consultant

532
00:27:25,040 --> 00:27:27,960
Speaker 1: was arrested and charged with murder a Thursday, and the

533
00:27:27,960 --> 00:27:31,240
Speaker 1: stabbing death of cash F founder Bob Lee last week

534
00:27:31,280 --> 00:27:36,040
Speaker 1: in downtown San Francisco. Now the killer Nina Mohamade, was

535
00:27:36,080 --> 00:27:40,280
Speaker 1: taken into custody Thursday morning in a San Francisco suburb

536
00:27:40,440 --> 00:27:43,200
Speaker 1: and booked on the suspicion of murder. Now, the chief

537
00:27:43,359 --> 00:27:46,800
Speaker 1: did not disclose what the possible motive could be. But again,

538
00:27:46,880 --> 00:27:49,840
Speaker 1: I'm sure the internet investigators will come up with all

539
00:27:49,880 --> 00:27:52,480
Speaker 1: types of motives, but wanted to just give a quick

540
00:27:52,560 --> 00:27:55,320
Speaker 1: update that that person has been found and arrested. And

541
00:27:55,440 --> 00:27:57,720
Speaker 1: I said too, I felt like this is the prime

542
00:27:57,760 --> 00:28:00,720
Speaker 1: example of how you could be loud and wrong, because

543
00:28:00,760 --> 00:28:03,600
Speaker 1: initially when he was murdered, you know, everyone had all

544
00:28:03,680 --> 00:28:06,479
Speaker 1: these theories and they're even blaming like maybe a homeless

545
00:28:06,480 --> 00:28:08,720
Speaker 1: person did it or whatever. I'm like, so now that

546
00:28:08,840 --> 00:28:11,879
Speaker 1: information comes out, you know, it's totally different from what

547
00:28:11,880 --> 00:28:14,280
Speaker 1: we initially thought. And so that's why it's always good

548
00:28:14,320 --> 00:28:16,440
Speaker 1: to skip a beat. It's okay to skip a beach.

549
00:28:16,640 --> 00:28:18,800
Speaker 1: You don't have to be the first two. It okay

550
00:28:18,920 --> 00:28:21,000
Speaker 1: the skipp a beet. Let the facts come out and

551
00:28:21,040 --> 00:28:25,479
Speaker 1: then drop your opinion or the information that's correct. And

552
00:28:25,480 --> 00:28:27,639
Speaker 1: where as the narrative regularly seeing me like they banging

553
00:28:27,680 --> 00:28:30,000
Speaker 1: and banging in the tech in the tech world, right like,

554
00:28:30,000 --> 00:28:31,600
Speaker 1: like what's the point of taking that man out, did

555
00:28:31,640 --> 00:28:33,639
Speaker 1: that person who killed him get his territory? So like

556
00:28:35,080 --> 00:28:37,119
Speaker 1: it seemed crazy, but you know, also he might just

557
00:28:37,200 --> 00:28:39,800
Speaker 1: be disgruntled. Yeah, they said when he got stabbed at,

558
00:28:40,080 --> 00:28:42,479
Speaker 1: he was trying to get help, but nobody would help him.

559
00:28:42,480 --> 00:28:43,760
Speaker 1: Like he ran up to a couple of cars and

560
00:28:43,800 --> 00:28:45,800
Speaker 1: people see him with the blood and everybody took off.

561
00:28:45,840 --> 00:28:47,480
Speaker 1: So I wondered if one of those guys would have

562
00:28:47,480 --> 00:28:49,920
Speaker 1: stopped to help him, if he would still be alive today,

563
00:28:49,960 --> 00:28:51,960
Speaker 1: you know. And they also say that, you know, when

564
00:28:51,960 --> 00:28:55,640
Speaker 1: stabbing occur, that is a more personal thing. So when

565
00:28:55,960 --> 00:28:57,800
Speaker 1: you know, when you hear of a stabbing death, it

566
00:28:58,040 --> 00:29:01,800
Speaker 1: usually is some type of emotional connection to it, because

567
00:29:01,840 --> 00:29:03,200
Speaker 1: je I mean, that's personal. You gotta get up on

568
00:29:03,280 --> 00:29:06,120
Speaker 1: somebody and get the work, that's right. So now let's

569
00:29:06,120 --> 00:29:08,640
Speaker 1: talk about rental prices and groceries. How are we looking

570
00:29:08,720 --> 00:29:11,720
Speaker 1: on that side of things. Yeah, rental prices were by

571
00:29:11,760 --> 00:29:15,320
Speaker 1: far the largest contributor to the rise of inflation on

572
00:29:15,760 --> 00:29:18,719
Speaker 1: an annual basis in March, according to the Bureau of

573
00:29:18,880 --> 00:29:22,200
Speaker 1: Labor Statistics. Now, while consumers are paying a little less

574
00:29:22,200 --> 00:29:25,840
Speaker 1: for gasoline, housing has went up by eight percent during

575
00:29:25,880 --> 00:29:28,680
Speaker 1: the same period. And you may ask why is rent

576
00:29:28,760 --> 00:29:31,400
Speaker 1: so high right now? And with the study has shown

577
00:29:31,480 --> 00:29:34,440
Speaker 1: that over the past two years, the US median rent

578
00:29:34,520 --> 00:29:37,400
Speaker 1: rolls by eighteen percent, and that was mostly because of

579
00:29:37,440 --> 00:29:41,120
Speaker 1: a competitive housing market and higher mortgage rates that shut

580
00:29:41,160 --> 00:29:43,800
Speaker 1: a lot of people out of home buying. A strong

581
00:29:43,880 --> 00:29:47,360
Speaker 1: jobs market and shortness of inventory also contributed to the

582
00:29:47,480 --> 00:29:51,400
Speaker 1: rising rent. But they are saying that newly constructive apartments

583
00:29:51,400 --> 00:29:53,520
Speaker 1: are expected to hit the market this year and that

584
00:29:53,600 --> 00:29:57,240
Speaker 1: should help lower the rent prices, so maybe some relief

585
00:29:57,360 --> 00:30:00,360
Speaker 1: is coming. But on Monday, I'm going to cover story

586
00:30:00,440 --> 00:30:04,280
Speaker 1: about how they are predicting a recession this year, so

587
00:30:04,480 --> 00:30:05,840
Speaker 1: I'm just gonna have to see how it all this

588
00:30:06,000 --> 00:30:09,000
Speaker 1: washes out. Yeah, prices are stupid higher. You know, right

589
00:30:09,000 --> 00:30:11,880
Speaker 1: when the pandemic hit, you know, rental prices went down,

590
00:30:11,960 --> 00:30:13,720
Speaker 1: went down. A lot of people were scared. People were

591
00:30:13,760 --> 00:30:16,200
Speaker 1: moving out of major cities moving into the suburbs, so

592
00:30:16,280 --> 00:30:18,240
Speaker 1: rental prices went down, and then it feels like a

593
00:30:18,320 --> 00:30:20,800
Speaker 1: year into it, it shot up. I've never seen rental

594
00:30:20,840 --> 00:30:24,040
Speaker 1: prices that high in my life. And as a landlord,

595
00:30:24,120 --> 00:30:26,440
Speaker 1: because I own a couple of buildings, you have to

596
00:30:26,440 --> 00:30:29,440
Speaker 1: be competitive, and the prices are so high it's ridiculous.

597
00:30:29,520 --> 00:30:31,400
Speaker 1: And that is due to the fact that, you know,

598
00:30:31,440 --> 00:30:33,760
Speaker 1: people can't buy houses right now because the interest rates

599
00:30:33,760 --> 00:30:36,120
Speaker 1: to six and seven percent, eight percent. It's hard for

600
00:30:36,120 --> 00:30:37,719
Speaker 1: people to get loans. It's hard for people to put

601
00:30:37,800 --> 00:30:40,959
Speaker 1: money down. Fah loans are very difficult right now, and

602
00:30:41,400 --> 00:30:44,200
Speaker 1: they are allowing forty years, but you know, people don't

603
00:30:44,240 --> 00:30:45,720
Speaker 1: have the p and min to put down, Like there's

604
00:30:45,760 --> 00:30:48,160
Speaker 1: a lot going into it. And I kind of hope

605
00:30:48,200 --> 00:30:50,760
Speaker 1: that we get those rental prices back down because right

606
00:30:50,760 --> 00:30:53,040
Speaker 1: now it's just too crazy. Do you think that it's

607
00:30:53,400 --> 00:30:56,320
Speaker 1: because during COVID landlords lost so much money and now

608
00:30:56,360 --> 00:30:59,280
Speaker 1: they're trying to make it back. Did you lose money?

609
00:30:59,440 --> 00:31:01,920
Speaker 1: I did. A lot of my tenants did not pay

610
00:31:02,000 --> 00:31:04,200
Speaker 1: because they couldn't pay. Well, not even that they couldn't pay.

611
00:31:04,280 --> 00:31:06,120
Speaker 1: I think when the governor got on radio and said

612
00:31:06,160 --> 00:31:08,200
Speaker 1: on TV and said don't pay your rent, people who

613
00:31:08,200 --> 00:31:11,960
Speaker 1: could afford it. Nobody was paying. Because some landlords got money,

614
00:31:12,160 --> 00:31:14,719
Speaker 1: like from the state or the cities. We didn't get

615
00:31:14,760 --> 00:31:16,760
Speaker 1: a little help. It wasn't it wasn't enough to maintain

616
00:31:16,800 --> 00:31:19,560
Speaker 1: everybody that didn't pay. But it was also the fact that,

617
00:31:19,600 --> 00:31:21,800
Speaker 1: like you said, that there's so much inventory. People were

618
00:31:21,840 --> 00:31:24,160
Speaker 1: buying so many houses. There were not enough places for

619
00:31:24,280 --> 00:31:26,840
Speaker 1: people to live because people were moving. So I hope

620
00:31:26,840 --> 00:31:29,040
Speaker 1: it fixed itself. But I've seen it in the house

621
00:31:29,080 --> 00:31:31,120
Speaker 1: and market. I've seen it in the car market. I've

622
00:31:31,120 --> 00:31:33,120
Speaker 1: seen it in so many different markets where inflation is

623
00:31:33,120 --> 00:31:35,120
Speaker 1: pushing prices high and it's getting ridiculous. And this is

624
00:31:35,120 --> 00:31:37,320
Speaker 1: what's contributing to so many people's stress. Like I don't

625
00:31:37,320 --> 00:31:39,760
Speaker 1: think we discussed enough about it, how fols having you know,

626
00:31:39,840 --> 00:31:43,440
Speaker 1: financial issues contribute to people having mental and emotional health issues.

627
00:31:43,440 --> 00:31:45,320
Speaker 1: The fact you can't take care of your basic need

628
00:31:45,400 --> 00:31:48,000
Speaker 1: like housing and food, you know what I mean. Yeah,

629
00:31:48,080 --> 00:31:50,360
Speaker 1: we all been broke before. You can deal with anything.

630
00:31:50,720 --> 00:31:53,280
Speaker 1: You got a place to stay in, something need, right,

631
00:31:53,520 --> 00:31:54,600
Speaker 1: you know what I mean. But if you can't even

632
00:31:54,640 --> 00:31:56,600
Speaker 1: take care of those two things, oh my god. Think

633
00:31:56,600 --> 00:31:59,080
Speaker 1: about like this. They were charging over prices for a

634
00:31:59,240 --> 00:32:02,120
Speaker 1: cause like Hondas and Nissan. So if a Honda is

635
00:32:02,160 --> 00:32:05,360
Speaker 1: twenty thousand dollars during one time, they were charging thirty

636
00:32:05,360 --> 00:32:07,840
Speaker 1: thousand for that same Honda. Wow, And if you were

637
00:32:08,120 --> 00:32:10,840
Speaker 1: lucky or we're able to get that Honda right now,

638
00:32:10,880 --> 00:32:13,880
Speaker 1: it's not worth that money now, so now you're upside down.

639
00:32:14,040 --> 00:32:15,920
Speaker 1: So that's gonna be a problem. It's gonna be really

640
00:32:15,960 --> 00:32:19,960
Speaker 1: effed up for people. My first car was a nineteen

641
00:32:20,800 --> 00:32:22,600
Speaker 1: the flip up La. Actually mine was a Niece a

642
00:32:22,680 --> 00:32:25,200
Speaker 1: Dot and a Nissan Dots. And then I had a

643
00:32:25,320 --> 00:32:30,520
Speaker 1: Honda way Man, a Nissan Dot. Hold on, yeah, that's

644
00:32:30,520 --> 00:32:34,040
Speaker 1: a long time anymore. Then I had had a Honda,

645
00:32:34,280 --> 00:32:37,000
Speaker 1: a Honda Civic, and then I had another Honda Civic

646
00:32:37,120 --> 00:32:38,840
Speaker 1: later on. Well, I tell you, I thought I was

647
00:32:38,840 --> 00:32:42,880
Speaker 1: doing something that I put some rams on. I didn't

648
00:32:42,920 --> 00:32:44,560
Speaker 1: have no look. And then I had to murder love

649
00:32:44,720 --> 00:32:47,960
Speaker 1: seat you had le leve claw I had claw Man.

650
00:32:48,160 --> 00:32:50,880
Speaker 1: What was your first car, tas, I'm just curious. I

651
00:32:50,920 --> 00:32:52,880
Speaker 1: had a Honda Del Soul. That was the first one

652
00:32:52,920 --> 00:32:55,520
Speaker 1: that I bought myself. Unda, and then I had yeah,

653
00:32:55,800 --> 00:32:58,240
Speaker 1: Honda Del Soul. I want y'all to know something too.

654
00:32:58,280 --> 00:33:03,160
Speaker 1: Then Honda would never gave up. Now I never heard

655
00:33:03,160 --> 00:33:06,840
Speaker 1: of that. It was a little two seater with a

656
00:33:06,840 --> 00:33:08,640
Speaker 1: little It had the little top that came up, you

657
00:33:08,680 --> 00:33:11,520
Speaker 1: know the sound. It sound like a music group. It

658
00:33:11,720 --> 00:33:21,560
Speaker 1: was I was flying yet it was a hand so minute. Yes,

659
00:33:21,640 --> 00:33:26,240
Speaker 1: it was Google. It was my was I think she

660
00:33:26,320 --> 00:33:34,960
Speaker 1: might be at the real test. Yeah, they got so

661
00:33:35,120 --> 00:33:36,960
Speaker 1: I'm looking at it right now. Really that's right with

662
00:33:37,200 --> 00:33:39,560
Speaker 1: a little two seat. I got a real bad record

663
00:33:39,640 --> 00:33:42,240
Speaker 1: it though, But I don't sound flies hell. I'm saying, somebody,

664
00:33:42,360 --> 00:33:44,480
Speaker 1: hands will never give up on us if we didn't

665
00:33:44,480 --> 00:33:46,840
Speaker 1: give up on them, because we would have still had

666
00:33:46,920 --> 00:33:49,120
Speaker 1: them hands now, we never gave up on them. Hands

667
00:33:50,160 --> 00:33:52,880
Speaker 1: undred what you were doing, I'm gonna drive it okay,

668
00:33:53,480 --> 00:33:55,479
Speaker 1: thank you. You have a great week and what you're

669
00:33:55,480 --> 00:33:58,560
Speaker 1: doing this week problem working. I'm getting the news prepared

670
00:33:58,600 --> 00:34:01,240
Speaker 1: on Monday. I want to talk about but since you

671
00:34:01,240 --> 00:34:03,160
Speaker 1: guys mentioned stress, there's a story that I wanted to

672
00:34:03,160 --> 00:34:04,720
Speaker 1: talk about today. I was trying to end on a

673
00:34:04,800 --> 00:34:07,440
Speaker 1: lighter note, but you know that didn't work out too well.

674
00:34:07,480 --> 00:34:09,200
Speaker 1: But I want to talk about how being black in

675
00:34:09,280 --> 00:34:12,120
Speaker 1: America is stressful. So I'm going to be working on

676
00:34:12,160 --> 00:34:14,600
Speaker 1: the news and focusing on what I can bring the

677
00:34:14,640 --> 00:34:17,480
Speaker 1: good people on Monday morning. Make sure y'all subscribe to

678
00:34:17,480 --> 00:34:19,880
Speaker 1: the US Great Shot, No Chase of podcast hosted by

679
00:34:19,920 --> 00:34:23,000
Speaker 1: Teslin Figgirl. It's on the Black Effect. I Heeartradio podcast

680
00:34:23,080 --> 00:34:26,000
Speaker 1: Network and Test will be with us next Saturday, April

681
00:34:26,040 --> 00:34:28,520
Speaker 1: twenty second in Atlanta at Pullman Yards for the first

682
00:34:28,600 --> 00:34:31,560
Speaker 1: ever Black Effect Podcast Festival. She's on the Woman in

683
00:34:31,640 --> 00:34:34,400
Speaker 1: Podcasting panel. I'm gonna miss you. I feel like we

684
00:34:34,520 --> 00:34:39,279
Speaker 1: bo d my baby. We made a bond, you know. Yeah,

685
00:34:39,360 --> 00:34:41,799
Speaker 1: we're gonna stay in contact, all right. Yes, when we

686
00:34:41,920 --> 00:34:48,600
Speaker 1: come back, Tony Yaya will be joining. Oh, we're gonna

687
00:34:48,640 --> 00:34:50,200
Speaker 1: kicking with Tony yeyo when we come back. It's the

688
00:34:50,200 --> 00:34:56,839
Speaker 1: Breakfast Club of Morning, the Breakfast Club, Wait on, wait,

689
00:34:56,920 --> 00:35:01,399
Speaker 1: Badass Club. It's dj V the Guy, the World's most

690
00:35:01,480 --> 00:35:06,279
Speaker 1: Dangerous Morning. Y'all the Breakfast Club Morning. Everybody is j

691
00:35:06,880 --> 00:35:09,680
Speaker 1: m V Charlemagne the Guy. We all the Breakfast Club.

692
00:35:09,680 --> 00:35:11,640
Speaker 1: We got a special guests in the building to talk

693
00:35:11,680 --> 00:35:16,640
Speaker 1: in New York right to not have to bring it

694
00:35:16,680 --> 00:35:20,239
Speaker 1: back right, whatever you don't feeling, man, how you feeling, brother,

695
00:35:20,320 --> 00:35:22,880
Speaker 1: I'm feeling good man. Running around one y'all show. I

696
00:35:22,880 --> 00:35:25,319
Speaker 1: feel like you got a second win, yo, Like it's

697
00:35:25,360 --> 00:35:29,000
Speaker 1: been a second win, third win. Yeah. I mean, you know,

698
00:35:29,200 --> 00:35:31,080
Speaker 1: I'll see the way fifty work and I'm like, yo

699
00:35:31,120 --> 00:35:32,920
Speaker 1: when he goas be like, yo, y'all a lazy y'all

700
00:35:32,960 --> 00:35:35,600
Speaker 1: are lazy. And I'm just realizing like I thought I

701
00:35:35,640 --> 00:35:38,000
Speaker 1: was working when I wasn't. So during the COVID, it

702
00:35:38,080 --> 00:35:39,799
Speaker 1: was just like a tough time, Like I'm sitting back,

703
00:35:39,920 --> 00:35:42,239
Speaker 1: wasn't no tours. I'm like, y'a'll about to figure out

704
00:35:42,280 --> 00:35:45,040
Speaker 1: other things to do. So I started doing the music

705
00:35:45,120 --> 00:35:48,640
Speaker 1: and then I started, you know, messing with last and

706
00:35:48,760 --> 00:35:50,920
Speaker 1: I just started realizing when you put your presents out

707
00:35:50,960 --> 00:35:53,799
Speaker 1: there to all these younger generations, the new kids that

708
00:35:53,840 --> 00:35:56,319
Speaker 1: really don't know us, they know g Unit or some

709
00:35:56,360 --> 00:35:58,959
Speaker 1: people do remember, like when I go on tour, it'd

710
00:35:58,960 --> 00:36:00,839
Speaker 1: be like, y're my father used to play or my

711
00:36:00,880 --> 00:36:03,400
Speaker 1: mom's used to play Chaun, So it passed down to

712
00:36:03,480 --> 00:36:05,880
Speaker 1: that generation. So I'm going on my own toys and

713
00:36:05,920 --> 00:36:07,960
Speaker 1: you know, I'm just making myself valuable. Man, putting that

714
00:36:08,040 --> 00:36:10,680
Speaker 1: work in that upset you when you're fifty, stay ya

715
00:36:10,719 --> 00:36:14,400
Speaker 1: always lazy? Nah? Not even that motivates me because at

716
00:36:14,440 --> 00:36:17,120
Speaker 1: a point sometimes you do get lazy our careers. We

717
00:36:17,120 --> 00:36:19,160
Speaker 1: was kind of spoiler to think about it. We had

718
00:36:19,280 --> 00:36:22,080
Speaker 1: fifty where he was doing everything for us, so asked

719
00:36:22,080 --> 00:36:23,719
Speaker 1: for like when we was coming out, you have the

720
00:36:23,800 --> 00:36:26,759
Speaker 1: young guns. For instance, I remember Hervan saying Jay is

721
00:36:26,800 --> 00:36:29,600
Speaker 1: not gonna do what fifty does for young guns. He

722
00:36:29,640 --> 00:36:31,760
Speaker 1: was saying it in front of their face. Y'all got fifty,

723
00:36:31,800 --> 00:36:34,280
Speaker 1: Like fifty was, you know, help us being the videos

724
00:36:34,960 --> 00:36:36,879
Speaker 1: second back for that when he dropped when he showed

725
00:36:36,880 --> 00:36:39,400
Speaker 1: eleven million records, he dropped bag for mercy. Yeah, you

726
00:36:39,400 --> 00:36:40,719
Speaker 1: know what I'm saying. I was in jail, you know,

727
00:36:40,800 --> 00:36:42,160
Speaker 1: him and them and them was shotting me out. So

728
00:36:42,160 --> 00:36:43,640
Speaker 1: I always showed my love to him. I know how

729
00:36:43,680 --> 00:36:47,040
Speaker 1: fifty is he? You know, y'all the same sign, y'all crazy,

730
00:36:47,160 --> 00:36:50,160
Speaker 1: you know what. It's all good, you know, but it

731
00:36:50,239 --> 00:36:52,560
Speaker 1: just motivates me to work because I see how he worked.

732
00:36:52,560 --> 00:36:55,279
Speaker 1: Will be on tour, He'll leave toy the Gonne movie set,

733
00:36:55,560 --> 00:36:58,440
Speaker 1: go back, go to the gym twice a day. I'm tired,

734
00:36:58,520 --> 00:37:00,480
Speaker 1: you know. I mean the three al it was a

735
00:37:00,520 --> 00:37:03,000
Speaker 1: movement within itself. Like I don't think we talked about

736
00:37:03,200 --> 00:37:05,080
Speaker 1: about that enough. I don't know why. Randomly, I was

737
00:37:05,120 --> 00:37:06,920
Speaker 1: thinking the other day about when they shouted you out

738
00:37:06,920 --> 00:37:08,880
Speaker 1: of I think it was the Grand It was Eminem,

739
00:37:08,920 --> 00:37:10,520
Speaker 1: And that's why I always shot out Eminem. You know

740
00:37:10,560 --> 00:37:12,480
Speaker 1: what I'm saying. Because he didn't have to do that.

741
00:37:12,880 --> 00:37:16,000
Speaker 1: I was on right because Allen see seventy three. This

742
00:37:16,160 --> 00:37:18,720
Speaker 1: move right here, this this hand in front of the face.

743
00:37:19,120 --> 00:37:20,880
Speaker 1: Where did that move come from? Because you know, of

744
00:37:20,920 --> 00:37:23,440
Speaker 1: course we've known you doing that for years. Where did

745
00:37:23,480 --> 00:37:25,279
Speaker 1: that come to? That really came because I was on

746
00:37:25,360 --> 00:37:27,719
Speaker 1: the run like I was at that point when we

747
00:37:27,719 --> 00:37:30,000
Speaker 1: was in the club, I was running like fifty was

748
00:37:30,000 --> 00:37:31,560
Speaker 1: like yo, he said to me. You know we had

749
00:37:31,600 --> 00:37:34,319
Speaker 1: this judge Judge Wong and Queen's everybody know no joke,

750
00:37:34,760 --> 00:37:36,160
Speaker 1: and he was like, yo, what are you gonna do.

751
00:37:36,200 --> 00:37:39,279
Speaker 1: You're gonna go to court, but go on tour. We're

752
00:37:39,320 --> 00:37:43,680
Speaker 1: blowing up now. Mixtapes are crazy playing us everywhere. I'm like, yo,

753
00:37:44,080 --> 00:37:49,520
Speaker 1: I'm running. So when John Cena just, I guess, jacket John,

754
00:37:50,120 --> 00:37:53,239
Speaker 1: give you credit. John Cena said his little brother, I

755
00:37:53,280 --> 00:37:56,319
Speaker 1: believe did it, and and his little brother dared him

756
00:37:56,360 --> 00:37:58,120
Speaker 1: to do it, and I guess he did it in

757
00:37:58,160 --> 00:38:00,839
Speaker 1: the match. And it just got crazy when you see

758
00:38:00,920 --> 00:38:03,000
Speaker 1: rees do it? What did you did? She made it.

759
00:38:03,040 --> 00:38:04,839
Speaker 1: She took it to a whole other level. She brought

760
00:38:04,840 --> 00:38:08,200
Speaker 1: it back, had me trending for shelter, She had me

761
00:38:08,239 --> 00:38:10,560
Speaker 1: trending for you know, the whole week, and they totally

762
00:38:10,560 --> 00:38:13,239
Speaker 1: did it before her, right yeah. So it was just

763
00:38:13,280 --> 00:38:15,600
Speaker 1: like I mean, with that situation was crazy because like

764
00:38:15,600 --> 00:38:17,080
Speaker 1: you said, the black girl didn't and it was a

765
00:38:17,080 --> 00:38:20,440
Speaker 1: problem then when beforehand it was Yeah, it was a problem.

766
00:38:20,480 --> 00:38:22,120
Speaker 1: So I addressed that, you know what I mean. I

767
00:38:22,120 --> 00:38:25,160
Speaker 1: talked about that too. That's crazy because when we playing

768
00:38:25,239 --> 00:38:27,520
Speaker 1: ball in the hood, you know, it's competitive. Whatever you do,

769
00:38:27,680 --> 00:38:30,279
Speaker 1: when you do your car shows, you're in competition. That's right.

770
00:38:30,320 --> 00:38:32,960
Speaker 1: I see you going people here whole day. Y'all got

771
00:38:32,960 --> 00:38:34,800
Speaker 1: the best car shows in the world. None, y'all commissied

772
00:38:34,800 --> 00:38:36,160
Speaker 1: with me. I don't know how you getting all these cars?

773
00:38:36,160 --> 00:38:39,680
Speaker 1: You said it not me, But I told fifty you

774
00:38:39,719 --> 00:38:41,319
Speaker 1: might as well just leave all his calls with you. Brother.

775
00:38:41,640 --> 00:38:43,600
Speaker 1: You know, Fifth calls me and he'd be like, let

776
00:38:43,640 --> 00:38:45,839
Speaker 1: me get the call and I'll get him back his car.

777
00:38:46,120 --> 00:38:47,640
Speaker 1: You know, I used to have his land Bow or

778
00:38:48,080 --> 00:38:50,160
Speaker 1: is Rose Royce, and he driving for one day and

779
00:38:50,200 --> 00:38:52,040
Speaker 1: then it sits and then he loses the key and

780
00:38:52,080 --> 00:38:55,200
Speaker 1: then I gotta go get it again. But d I'm

781
00:38:55,280 --> 00:38:57,640
Speaker 1: playing around. I want to go back, right. I know

782
00:38:57,760 --> 00:39:00,319
Speaker 1: he had your a long time. Where do you think

783
00:39:00,400 --> 00:39:02,640
Speaker 1: in your career happened where you didn't go to that

784
00:39:02,760 --> 00:39:05,319
Speaker 1: next level right, And I asked fifty that and he

785
00:39:05,360 --> 00:39:08,120
Speaker 1: said he thinks it was the picking of the wrong single.

786
00:39:08,640 --> 00:39:10,280
Speaker 1: What do you what do you think it was interesting?

787
00:39:10,560 --> 00:39:12,600
Speaker 1: I think it was just a lot of drama when interscope,

788
00:39:12,600 --> 00:39:14,239
Speaker 1: when I came home, you know what I mean. You

789
00:39:14,280 --> 00:39:17,000
Speaker 1: had fifty he was Curtis, I'm Curtis in the Scope Jackson,

790
00:39:17,600 --> 00:39:20,560
Speaker 1: you know, and Jimmy Irveen. You know, you had game flipping,

791
00:39:20,719 --> 00:39:23,160
Speaker 1: and like it was just confusing to me because I

792
00:39:23,200 --> 00:39:26,320
Speaker 1: was on game album and then you know, the game

793
00:39:26,360 --> 00:39:29,000
Speaker 1: thing happened, and it was like, Yo, he's on the

794
00:39:29,040 --> 00:39:31,040
Speaker 1: same label as us, so why are they not just

795
00:39:31,239 --> 00:39:33,320
Speaker 1: getting rid of them? You know, fifty so more reckless

796
00:39:33,360 --> 00:39:35,160
Speaker 1: than the mode whatever. It was like it was like

797
00:39:35,440 --> 00:39:37,280
Speaker 1: it was like a war in our own house because

798
00:39:37,280 --> 00:39:40,920
Speaker 1: you had record, you had so seduct Yes, I had

799
00:39:40,960 --> 00:39:43,400
Speaker 1: so seductor. I had I know you don't love me

800
00:39:43,440 --> 00:39:46,279
Speaker 1: in pimping, right, but you gotta remember I came in

801
00:39:46,280 --> 00:39:49,080
Speaker 1: the midst of the fifty cent in the Scope drama.

802
00:39:49,080 --> 00:39:53,560
Speaker 1: Con Yeah, I'm my own boss. You know how to

803
00:39:53,560 --> 00:39:56,359
Speaker 1: get so, I think sometimes and at that point we

804
00:39:56,440 --> 00:39:58,520
Speaker 1: had so many enemies, it was like we wasn't getting

805
00:39:58,520 --> 00:40:00,759
Speaker 1: a feature or nothing like you wasn't like we came

806
00:40:00,800 --> 00:40:03,279
Speaker 1: to a point where we never used anybody like it

807
00:40:03,320 --> 00:40:06,400
Speaker 1: was just meat Banks and fifty. You know, fifty never

808
00:40:06,760 --> 00:40:09,160
Speaker 1: looked to do features with nobody, So you know how

809
00:40:09,200 --> 00:40:11,600
Speaker 1: it is. It felt like everybody was again stuffs at

810
00:40:11,600 --> 00:40:13,680
Speaker 1: that point because nobody really messed with a fifteen industry

811
00:40:13,719 --> 00:40:16,000
Speaker 1: like that. I'll mess with us serious. Did it feel

812
00:40:16,000 --> 00:40:17,799
Speaker 1: better now because I saw you out about the other

813
00:40:17,840 --> 00:40:20,239
Speaker 1: than like you and Pistol Pete and Uncle Murder, Yeah,

814
00:40:20,239 --> 00:40:22,120
Speaker 1: it feel better. It feel it feel good to have

815
00:40:22,280 --> 00:40:24,600
Speaker 1: no drama with Fat Joe because Fat Joe I was

816
00:40:24,640 --> 00:40:26,520
Speaker 1: I was always a fan of Fat Joe. Jealous wants

817
00:40:26,520 --> 00:40:28,680
Speaker 1: to envy. You know, he was a real one. Pistol Pee,

818
00:40:28,760 --> 00:40:30,480
Speaker 1: he cooled. So it's like you get old and a

819
00:40:30,520 --> 00:40:32,480
Speaker 1: lot of stuff was just just hip hop. And I

820
00:40:32,560 --> 00:40:36,200
Speaker 1: thow you said that was the realest beef g unit. Yeah, yeah,

821
00:40:37,000 --> 00:40:38,440
Speaker 1: I guess you call that a compliment, but that's a

822
00:40:38,520 --> 00:40:40,920
Speaker 1: big compliment. And I don't I don't look at the

823
00:40:41,000 --> 00:40:43,840
Speaker 1: job root thing. It's like real. But y'all had screep

824
00:40:43,840 --> 00:40:46,080
Speaker 1: beef getting the n y'all had beef with Yeah, I

825
00:40:46,120 --> 00:40:47,560
Speaker 1: look at I look at them. I look at like

826
00:40:47,600 --> 00:40:51,000
Speaker 1: the preams the world. Yeah, I look at those kind

827
00:40:51,040 --> 00:40:53,400
Speaker 1: of guys, or like the Real Beefs, the Jimmy Henchman

828
00:40:53,600 --> 00:40:56,239
Speaker 1: goes with, like the Real Beefs. Where it got real

829
00:40:56,280 --> 00:40:58,960
Speaker 1: with the street guys, but Indus grew wid You said

830
00:40:59,000 --> 00:41:02,440
Speaker 1: Terence Squad was, yeah, industry wise tourist card. Okay, why

831
00:41:02,520 --> 00:41:04,800
Speaker 1: what makes that? What makes it? Because I don't know.

832
00:41:04,880 --> 00:41:07,359
Speaker 1: It's just a whole bunch of crazy Spanish dudes. Man. Yeah,

833
00:41:10,000 --> 00:41:12,560
Speaker 1: I'm saying, what's the crazy story that you was like,

834
00:41:12,840 --> 00:41:15,120
Speaker 1: we might not make it out of here. Um, I

835
00:41:15,160 --> 00:41:17,520
Speaker 1: wouldn't say we we were scared, but I could say

836
00:41:18,120 --> 00:41:20,439
Speaker 1: it was the Vibe Awards when we seen Shook Knight

837
00:41:20,840 --> 00:41:23,880
Speaker 1: and Earth Gotti and they walked past the trailer. It

838
00:41:24,080 --> 00:41:25,400
Speaker 1: is what it is. We in New York, but we

839
00:41:25,560 --> 00:41:27,239
Speaker 1: in La. You know what I'm saying. We New York

840
00:41:27,320 --> 00:41:29,040
Speaker 1: dudes were in La. You know what I'm saying. So

841
00:41:29,080 --> 00:41:31,000
Speaker 1: you see Shook Knight. You always heard about this guy,

842
00:41:31,120 --> 00:41:33,839
Speaker 1: you know TV magazines, but you know I never had

843
00:41:34,280 --> 00:41:36,000
Speaker 1: in the club was the first running, but this was

844
00:41:36,080 --> 00:41:38,759
Speaker 1: the second. So he walks past the trailer with Earth

845
00:41:39,239 --> 00:41:42,480
Speaker 1: and M fifty just look at um, James Cruise. James Cruise,

846
00:41:42,560 --> 00:41:43,799
Speaker 1: you know, shout out to him. He was a little

847
00:41:44,000 --> 00:41:46,640
Speaker 1: James Crews is always in a situation industry guy. He

848
00:41:46,680 --> 00:41:49,160
Speaker 1: got to run around with fifty bullerpoof fesses. You know

849
00:41:49,160 --> 00:41:51,400
Speaker 1: how Chris Lighty was in the trenches. It's crazy. So

850
00:41:51,560 --> 00:41:53,799
Speaker 1: he just tapped James Cruise and say, yo, go by

851
00:41:53,880 --> 00:41:56,520
Speaker 1: twenty knops, go by twenty knops. Yeah, just go to

852
00:41:56,640 --> 00:41:59,120
Speaker 1: the hardware story. I'm like, it's what we're gonna do.

853
00:41:59,280 --> 00:42:03,239
Speaker 1: Just seem you know, it might get crazy. It was

854
00:42:03,239 --> 00:42:05,600
Speaker 1: about twenty to fifteen or something like that. So James

855
00:42:05,640 --> 00:42:08,000
Speaker 1: Cruce goes to the Hallway store by twenty knives. He

856
00:42:08,120 --> 00:42:10,560
Speaker 1: gives the bags fifty handing them out, and then you

857
00:42:10,640 --> 00:42:12,560
Speaker 1: know when we got there, we had beef with Fat

858
00:42:12,640 --> 00:42:15,400
Speaker 1: Joe at that point. We Doctor Dre's there, so you

859
00:42:15,440 --> 00:42:17,799
Speaker 1: know that's obviously a beef with Sugar Knights. Knight got

860
00:42:18,080 --> 00:42:20,840
Speaker 1: like some crazy looking Compton looking dudes with him, you

861
00:42:20,880 --> 00:42:22,600
Speaker 1: know what I'm saying. So it just you felt the

862
00:42:22,719 --> 00:42:24,680
Speaker 1: energy to where we had our chairs like this. You're

863
00:42:24,719 --> 00:42:27,160
Speaker 1: not watching the ship, watching watching the show. We got this.

864
00:42:27,440 --> 00:42:30,319
Speaker 1: You felt the energy like you felt someone's gonna go down.

865
00:42:30,760 --> 00:42:33,400
Speaker 1: And that's when you know we wasn't taking pictures back then,

866
00:42:33,440 --> 00:42:36,000
Speaker 1: So I guess he has Dre for the autograph pops

867
00:42:36,000 --> 00:42:38,279
Speaker 1: on Dre Dre falls, but he ordered might even get

868
00:42:38,360 --> 00:42:40,920
Speaker 1: up start popping on him, and it just got crazy.

869
00:42:41,040 --> 00:42:43,080
Speaker 1: Nab started coming from everywhere, and that's when you know

870
00:42:43,160 --> 00:42:45,239
Speaker 1: one of the dudes got stabbed. So my question is

871
00:42:45,320 --> 00:42:47,120
Speaker 1: if there was twenty knives, I'll come, only young Bucky

872
00:42:47,160 --> 00:42:49,240
Speaker 1: didn't stab him. Yep, Now that that dude got stabbed

873
00:42:49,239 --> 00:42:51,000
Speaker 1: in the chest, Young Bucks stabbed him with the funk.

874
00:42:51,040 --> 00:42:54,399
Speaker 1: I don't know where that game got that. I don't

875
00:42:54,440 --> 00:42:57,799
Speaker 1: know where you just came with the fault. Nobody gave

876
00:42:57,880 --> 00:43:02,080
Speaker 1: bucking knight. Nah, but no, that's why I was tripping.

877
00:43:02,160 --> 00:43:04,160
Speaker 1: I know I had one of anybody else, did you

878
00:43:04,200 --> 00:43:06,080
Speaker 1: know what I'm saying? But Buck a matter of fact,

879
00:43:06,200 --> 00:43:08,960
Speaker 1: him in Banks was backstage. They was about to perform,

880
00:43:09,080 --> 00:43:12,080
Speaker 1: and he just came with the funk as soon as

881
00:43:12,120 --> 00:43:14,759
Speaker 1: they started talking that time when they started, we went

882
00:43:14,800 --> 00:43:17,279
Speaker 1: back to the mansion after that happened because the kid

883
00:43:17,320 --> 00:43:19,680
Speaker 1: got stabbed in the chess, he collapsed everything. The fork

884
00:43:19,800 --> 00:43:22,400
Speaker 1: wasn't nothing, and we got back to the mansion and

885
00:43:22,880 --> 00:43:24,680
Speaker 1: it was on the news. It was like attempted murder,

886
00:43:24,760 --> 00:43:26,400
Speaker 1: young Buck. Young Buck was like, I didn't do that.

887
00:43:26,520 --> 00:43:33,000
Speaker 1: Mine switch up when that time. That's why I'll be

888
00:43:33,120 --> 00:43:36,600
Speaker 1: staying out of Chuck was like, I didn't do that, man,

889
00:43:37,160 --> 00:43:39,000
Speaker 1: because you Buck hit him with the fuck he ain't

890
00:43:39,000 --> 00:43:42,440
Speaker 1: stabbed him in the chess. He kind of ran with

891
00:43:42,520 --> 00:43:45,920
Speaker 1: the story though, didn't. I mean, you know, come on, man, rappers,

892
00:43:46,000 --> 00:43:49,200
Speaker 1: man the story. We got more with Tony Yaloe when

893
00:43:49,239 --> 00:43:51,480
Speaker 1: we come back. A matter of fact, let's get into

894
00:43:51,520 --> 00:43:53,200
Speaker 1: a class of Yaloe record? Can we getting in the

895
00:43:53,280 --> 00:43:55,560
Speaker 1: so seductive? It's the breakfast Club? Good morning, we are

896
00:43:55,640 --> 00:43:58,120
Speaker 1: the Breakfast Club out co host b Scott is here

897
00:43:58,320 --> 00:44:00,279
Speaker 1: and we're still kicking it with Tony Yaloe. Now, for

898
00:44:00,360 --> 00:44:02,480
Speaker 1: people that don't know, there was a time when when

899
00:44:02,680 --> 00:44:05,120
Speaker 1: y'all were all strained, right, gun, it wasn't talking to

900
00:44:05,160 --> 00:44:07,400
Speaker 1: fifty fifty, wasn't talking to gen What happened during that

901
00:44:07,480 --> 00:44:09,640
Speaker 1: time and then what got your back together? I'm always

902
00:44:09,680 --> 00:44:12,520
Speaker 1: talking fifty fifty. Just I'm used to fifties character because

903
00:44:12,560 --> 00:44:15,160
Speaker 1: he's he's a crazy cancer like Charlotte Magne, so I'm

904
00:44:15,280 --> 00:44:16,760
Speaker 1: used to him. He used to be on the block,

905
00:44:17,239 --> 00:44:20,120
Speaker 1: you know. I remember one day fifty Willian he fell

906
00:44:20,160 --> 00:44:22,279
Speaker 1: off his bike and told yo. He was like, Yo,

907
00:44:22,760 --> 00:44:25,800
Speaker 1: nobody better laugh. Everybody started laughing. Nobody better laughing me.

908
00:44:25,800 --> 00:44:29,040
Speaker 1: I'm punched out on your face. I know, being on

909
00:44:29,120 --> 00:44:31,920
Speaker 1: the block, I don't know him better than anybody. Banks

910
00:44:32,040 --> 00:44:34,160
Speaker 1: is a little younger. So Banks was, you know, high school.

911
00:44:34,200 --> 00:44:37,400
Speaker 1: He went to August Martin buck Is from Cashville and

912
00:44:37,560 --> 00:44:42,320
Speaker 1: games from Colli La. But once money and ego get involved,

913
00:44:42,360 --> 00:44:45,280
Speaker 1: you know how dude start acting everybody's day own boss

914
00:44:45,320 --> 00:44:47,680
Speaker 1: in the way and sometimes to get to their head.

915
00:44:47,760 --> 00:44:49,279
Speaker 1: For me, it was different. I got out of jail

916
00:44:49,320 --> 00:44:51,360
Speaker 1: and I'm like, you're all live in Battery Park. I

917
00:44:51,440 --> 00:44:54,600
Speaker 1: could see the Statue of Liberty, so I'm open. I'm like, wow,

918
00:44:54,760 --> 00:44:57,719
Speaker 1: Ranker's allen to this, thanks fifth. So I always had

919
00:44:57,760 --> 00:44:59,800
Speaker 1: that loyalty because I'm coming fresh out of jail, like

920
00:45:00,239 --> 00:45:02,600
Speaker 1: we we blew up. You also never seem to have

921
00:45:02,680 --> 00:45:05,680
Speaker 1: a sense of entitlement, ah do. I'm like, I'm good.

922
00:45:05,719 --> 00:45:07,680
Speaker 1: I got a couple of houses, I made some good money,

923
00:45:07,680 --> 00:45:10,000
Speaker 1: I traveled the world. I'm like on my fourth fifth passport,

924
00:45:10,120 --> 00:45:12,439
Speaker 1: I'm humble, you know, I ain't got as much cars

925
00:45:12,480 --> 00:45:14,160
Speaker 1: as Envy, but I got a few and that a few,

926
00:45:14,719 --> 00:45:16,759
Speaker 1: you know. But but for me, I'm like, yo, we

927
00:45:16,920 --> 00:45:19,400
Speaker 1: all make money. I didn't seem Fifth like, for instance,

928
00:45:19,440 --> 00:45:22,239
Speaker 1: I'm gonna say it buck like Buckle go on tour.

929
00:45:22,520 --> 00:45:24,319
Speaker 1: You know what I'm saying. We wasn't familiar with money.

930
00:45:24,360 --> 00:45:27,280
Speaker 1: How to save money? We black dudes from from the hood,

931
00:45:27,800 --> 00:45:31,520
Speaker 1: you know, like you're going toy your spend two fifty, right,

932
00:45:31,680 --> 00:45:33,640
Speaker 1: and then later on you have that grace period because

933
00:45:33,640 --> 00:45:35,719
Speaker 1: you're in another tax bracket, right, so you'll be you

934
00:45:35,800 --> 00:45:37,759
Speaker 1: out to pay that, but maybe a year and a half,

935
00:45:37,800 --> 00:45:39,920
Speaker 1: maybe two years later that money and I might not

936
00:45:40,000 --> 00:45:42,000
Speaker 1: be there. Your fifth cant of ball to fifty, I

937
00:45:42,040 --> 00:45:44,279
Speaker 1: got a tax problem? How many times you think a

938
00:45:44,360 --> 00:45:46,480
Speaker 1: person's gonna do that for you? The one thing I

939
00:45:46,560 --> 00:45:48,320
Speaker 1: think fifty dropping the ball with you? Yeah, it was

940
00:45:48,440 --> 00:45:50,680
Speaker 1: why you ain't in none of these TV shows. Man.

941
00:45:51,280 --> 00:45:55,600
Speaker 1: You know, you just got that natural personality. You know what, No,

942
00:45:55,680 --> 00:45:57,320
Speaker 1: I want to do it. But I looked at it

943
00:45:57,440 --> 00:45:59,880
Speaker 1: like this, if he put all his friends in power,

944
00:46:00,040 --> 00:46:04,080
Speaker 1: it wouldn't be Yeah, all right, cool, good, Let yeah

945
00:46:04,320 --> 00:46:08,080
Speaker 1: see watch this fifth put me in something? Yeah, have

946
00:46:08,200 --> 00:46:10,600
Speaker 1: you ever asked, No, No, I don't be pressing fifty.

947
00:46:10,680 --> 00:46:13,080
Speaker 1: Done enough for me? You know what I'm saying. Like

948
00:46:13,840 --> 00:46:15,279
Speaker 1: I was going to fifth y'ard. I need a half

949
00:46:15,320 --> 00:46:17,960
Speaker 1: a million, bro, I got you? Or a million bro?

950
00:46:18,440 --> 00:46:21,200
Speaker 1: Got you? Mom, Bro, I can't keep pressing him half

951
00:46:21,239 --> 00:46:23,800
Speaker 1: a million. Yeah, I've seen him doing for buck to

952
00:46:24,000 --> 00:46:26,719
Speaker 1: yea buck. I need I need a quarter? Yeah, man,

953
00:46:26,760 --> 00:46:29,680
Speaker 1: I got got you. What's your relationship with Banks? Banks

954
00:46:29,800 --> 00:46:32,640
Speaker 1: is my brother. I talk to him another day that

955
00:46:32,840 --> 00:46:36,200
Speaker 1: I'll stay I'll stay hot because Fifth is you know,

956
00:46:36,320 --> 00:46:38,319
Speaker 1: Fifth is Fifth. Fifth is crazy. I just know how

957
00:46:38,360 --> 00:46:39,799
Speaker 1: to deal with him, you know what I'm saying. From

958
00:46:39,840 --> 00:46:42,160
Speaker 1: South Jamaica, he'd been like that, like you gotta think

959
00:46:42,200 --> 00:46:44,520
Speaker 1: on a block. Twelve years old. I never knew who

960
00:46:44,560 --> 00:46:48,040
Speaker 1: his father was. Mom's got killed. He's selling drugs with

961
00:46:48,200 --> 00:46:51,680
Speaker 1: all the dudes twice his age, these dudes like eighteen nineteen.

962
00:46:52,120 --> 00:46:54,120
Speaker 1: You know what I'm saying. So he came up different.

963
00:46:54,160 --> 00:46:55,920
Speaker 1: I had a mother and father. You know, I was

964
00:46:55,960 --> 00:46:58,440
Speaker 1: supposed to be a good kid. Actually, but you know

965
00:46:58,640 --> 00:47:01,440
Speaker 1: the streets my neighborhood, there was no role models. Everybody,

966
00:47:01,520 --> 00:47:03,759
Speaker 1: so drugs. That's how you got the name. Yea yeah,

967
00:47:04,400 --> 00:47:06,200
Speaker 1: being on the block. My father used to chase me

968
00:47:06,280 --> 00:47:08,680
Speaker 1: off the block. Haitian parents, you know, don't play Island parents,

969
00:47:08,760 --> 00:47:11,399
Speaker 1: don't play chase me off the plot. Did you really

970
00:47:11,480 --> 00:47:13,879
Speaker 1: want to rap? That was just you saw you saw

971
00:47:13,920 --> 00:47:16,320
Speaker 1: it working for fifth He's like, you know I'm gonna track. Yeah. No,

972
00:47:16,440 --> 00:47:18,239
Speaker 1: I mean I was on the block, and you know

973
00:47:18,280 --> 00:47:19,640
Speaker 1: I used to be in the parties with my man,

974
00:47:19,719 --> 00:47:22,600
Speaker 1: Fat Shot DJ Roughhans, and we used to go you know,

975
00:47:22,680 --> 00:47:24,720
Speaker 1: freaky tiers from my hood. So we used to always

976
00:47:24,760 --> 00:47:26,880
Speaker 1: get on the mic and play around and freestyle in

977
00:47:26,960 --> 00:47:29,080
Speaker 1: my man basement. And you know, I just started rapping.

978
00:47:29,480 --> 00:47:31,560
Speaker 1: But you know, I never thought fifty was gonna sell

979
00:47:31,640 --> 00:47:34,480
Speaker 1: eleven million records. We'd be in the house listening to

980
00:47:34,560 --> 00:47:36,400
Speaker 1: get Richard I trying, dude, just like you know, I

981
00:47:36,480 --> 00:47:39,080
Speaker 1: was like, but I always seen a vision. I'm like, Noah,

982
00:47:39,120 --> 00:47:41,680
Speaker 1: this is five fifties the next one. You know. I'm

983
00:47:41,920 --> 00:47:43,520
Speaker 1: I'm a music guy. Like I used to go to

984
00:47:43,600 --> 00:47:46,560
Speaker 1: the as and buy Envy tapes, Clue tapes, Dog Tim,

985
00:47:46,719 --> 00:47:49,480
Speaker 1: Grandmaster Vic, all of it, because Queen's is music. The

986
00:47:49,600 --> 00:47:54,320
Speaker 1: people really like to buy MV tapes. Yes, okay, V

987
00:47:54,400 --> 00:47:58,239
Speaker 1: a legend now people were Hot Wax. He know, we

988
00:47:58,560 --> 00:47:59,920
Speaker 1: used to go to Hot Wax. Get to tell you,

989
00:48:00,440 --> 00:48:02,560
Speaker 1: I don't know, you know, because you gotta remember Clue

990
00:48:02,560 --> 00:48:05,480
Speaker 1: and the envy went from It went from blends because

991
00:48:05,520 --> 00:48:07,680
Speaker 1: we used to every It used to be all about Blends, Grimaster,

992
00:48:07,800 --> 00:48:10,319
Speaker 1: Victor of Time, Dirty Harry, and then they just went

993
00:48:10,440 --> 00:48:13,239
Speaker 1: it went to playing exclusives and that was you and Clue.

994
00:48:13,640 --> 00:48:15,799
Speaker 1: That's how they changed the game. Him and Clue played

995
00:48:15,840 --> 00:48:18,680
Speaker 1: exclusive records like a NADS freestyle or this freestyle that

996
00:48:18,880 --> 00:48:20,279
Speaker 1: you ever got mad at them put leaking in the

997
00:48:20,440 --> 00:48:23,640
Speaker 1: y'all records. Nah, because the bootleggers made us at that point,

998
00:48:23,680 --> 00:48:26,680
Speaker 1: the DJ's made us because we was getting played everywhere

999
00:48:26,800 --> 00:48:29,080
Speaker 1: we go to the bootleggers. You know, sometimes dudes, I

1000
00:48:29,200 --> 00:48:31,040
Speaker 1: want to beat up the bootleggers and fifty be like, nah,

1001
00:48:31,160 --> 00:48:33,000
Speaker 1: are you doing that. It's spread in the world. We

1002
00:48:33,080 --> 00:48:35,880
Speaker 1: had mixtapes everywhere you go. But you know the conversation,

1003
00:48:35,960 --> 00:48:38,759
Speaker 1: nobody asked, you know, you know what Dirty Harry and

1004
00:48:38,800 --> 00:48:40,319
Speaker 1: all of them did, and we know what y'all did.

1005
00:48:40,440 --> 00:48:43,480
Speaker 1: But the artist like what guit did, and they were

1006
00:48:43,520 --> 00:48:45,279
Speaker 1: one of the first hips did in the locks. They

1007
00:48:45,360 --> 00:48:48,120
Speaker 1: took the mixtape game to another level. What y'all started

1008
00:48:48,160 --> 00:48:51,239
Speaker 1: doing mixtape right, But we wasn't stopping. We just we

1009
00:48:51,360 --> 00:48:54,440
Speaker 1: had a mixtape every week. Remember I remember when Ja

1010
00:48:54,560 --> 00:48:57,279
Speaker 1: Rule dissed us and we was an eminem studio and

1011
00:48:57,400 --> 00:49:00,160
Speaker 1: we did semi automatic gunfire and that like that like

1012
00:49:00,440 --> 00:49:03,200
Speaker 1: killed John that that tape, whole tape killing Jaru. Shout

1013
00:49:03,320 --> 00:49:06,680
Speaker 1: to Jaru killed him, still killing him and um he said,

1014
00:49:07,560 --> 00:49:09,759
Speaker 1: still kill him Jesus. And have you ever ran in

1015
00:49:09,800 --> 00:49:13,200
Speaker 1: the job? Nah? Never, Nah, only only when you know

1016
00:49:13,280 --> 00:49:16,399
Speaker 1: the situation in the studio that was that way back

1017
00:49:16,440 --> 00:49:17,800
Speaker 1: and I had like a cut on my head. I

1018
00:49:17,960 --> 00:49:21,960
Speaker 1: was like years ago. But to me, you gotta understand

1019
00:49:22,120 --> 00:49:24,320
Speaker 1: when we think of Queen's I was in the streets

1020
00:49:24,360 --> 00:49:26,400
Speaker 1: for real, Like I'm gonna keep it real, Like I

1021
00:49:26,480 --> 00:49:30,000
Speaker 1: don't know what Jaw was doing. I'm not from his neighborhood.

1022
00:49:30,080 --> 00:49:32,480
Speaker 1: My baby moms just from his neighborhood. Pop over there

1023
00:49:32,600 --> 00:49:36,200
Speaker 1: in um Woodhall asked for like seeing Niles come to

1024
00:49:36,280 --> 00:49:39,040
Speaker 1: the block with black just E money bags coming through,

1025
00:49:39,400 --> 00:49:41,839
Speaker 1: Like my block was legendary one three four on Guy

1026
00:49:41,880 --> 00:49:45,719
Speaker 1: bru It was legendary. Where everybody was outside. I was outside,

1027
00:49:45,760 --> 00:49:47,759
Speaker 1: So I never they said IRV Gotti was a DJ,

1028
00:49:48,360 --> 00:49:50,160
Speaker 1: but I never been to a party where he DJ.

1029
00:49:50,719 --> 00:49:53,680
Speaker 1: I know the Rockaway Twins, I know gold Fingers, I

1030
00:49:53,840 --> 00:49:57,600
Speaker 1: know tape Master that brings the system everywhere. Friend Master,

1031
00:49:57,760 --> 00:50:02,120
Speaker 1: Vic Baby J. Come on, like, I've never seen Earth

1032
00:50:02,280 --> 00:50:03,960
Speaker 1: do a party, and I haven't been the parties on

1033
00:50:04,000 --> 00:50:06,680
Speaker 1: the North Side, south Side everywhere. I've never really seen

1034
00:50:06,760 --> 00:50:10,160
Speaker 1: them outside Like Ja Ru wasn't known as a figure

1035
00:50:10,440 --> 00:50:13,359
Speaker 1: in the neighborhood, in any neighborhood. No disrespect, But now

1036
00:50:13,440 --> 00:50:15,200
Speaker 1: I want to ask, you know, they've been trying to

1037
00:50:15,239 --> 00:50:17,480
Speaker 1: beat me up here the last two three weeks. Right

1038
00:50:18,520 --> 00:50:21,040
Speaker 1: if fifty and Wayne did, can't ask him, how you

1039
00:50:21,120 --> 00:50:23,920
Speaker 1: gonna ask Tony Yo, that he gonna have an objective opinion.

1040
00:50:24,120 --> 00:50:26,080
Speaker 1: I think I think it's gonna be good. But I mean,

1041
00:50:26,360 --> 00:50:29,319
Speaker 1: you know, Wayne got a catalog to and Fifth got

1042
00:50:29,400 --> 00:50:31,719
Speaker 1: a catalog. I see now, I will say this, so

1043
00:50:31,760 --> 00:50:33,920
Speaker 1: a lot of records that they both have, So I

1044
00:50:34,000 --> 00:50:36,759
Speaker 1: mean it'll be a dog fight. It'll be good. YO.

1045
00:50:36,840 --> 00:50:39,319
Speaker 1: Say that, y'all don't say he said catalog. I find

1046
00:50:39,400 --> 00:50:42,279
Speaker 1: disrespectful if they say get rich or just take out

1047
00:50:42,400 --> 00:50:47,640
Speaker 1: Wayne's whole. Nah, we gotta go back you play eight

1048
00:50:47,719 --> 00:50:50,040
Speaker 1: songs off just I can't play eight songs off get

1049
00:50:50,120 --> 00:50:52,200
Speaker 1: rich and I trying because because Wayne does have a

1050
00:50:52,280 --> 00:50:54,520
Speaker 1: lot of songs. I say Wayne is a bigger artist

1051
00:50:54,680 --> 00:50:56,960
Speaker 1: when it comes to a rapper, Wayne has been doing

1052
00:50:57,000 --> 00:51:03,320
Speaker 1: this since. But when it comes to cultural influence, is

1053
00:51:03,360 --> 00:51:05,279
Speaker 1: bigger than I don't think. I don't think nothing was

1054
00:51:05,360 --> 00:51:09,880
Speaker 1: bigger than nine Doctor Drake. But you gotta understand the

1055
00:51:09,960 --> 00:51:12,400
Speaker 1: element of everything was crazy. It was crazy like we

1056
00:51:12,520 --> 00:51:15,160
Speaker 1: had video games that was selling. We had clothes that

1057
00:51:15,320 --> 00:51:17,800
Speaker 1: was selling. Right, do we have Cereal, Adam, do we

1058
00:51:17,880 --> 00:51:19,839
Speaker 1: have Syreal? I think we had Cyreal that was selling.

1059
00:51:20,080 --> 00:51:25,120
Speaker 1: We had everything, socks, like, everything was selling. And eminem

1060
00:51:25,280 --> 00:51:29,320
Speaker 1: was what at so sixty million, fifty so eleven million?

1061
00:51:29,880 --> 00:51:31,920
Speaker 1: It was crazy. Like I don't think that one thing

1062
00:51:32,040 --> 00:51:34,720
Speaker 1: is Wayne has the Nicki Minas, he has the Drakes,

1063
00:51:34,800 --> 00:51:36,839
Speaker 1: he has the young money, he has a huge kid.

1064
00:51:37,080 --> 00:51:41,160
Speaker 1: That right, Drake, and of course, but when it comes

1065
00:51:41,200 --> 00:51:43,880
Speaker 1: to those cultural hits, I don't think there's nothing bigger

1066
00:51:43,880 --> 00:51:45,759
Speaker 1: than the record that you played for fifty And like

1067
00:51:45,760 --> 00:51:47,640
Speaker 1: I said, you could pick any Wayne record and I

1068
00:51:47,840 --> 00:51:51,000
Speaker 1: will destroy that one record with pick one record. We

1069
00:51:51,120 --> 00:51:54,200
Speaker 1: had the street, we had the Street you got I'm

1070
00:51:54,200 --> 00:51:56,560
Speaker 1: talking about. I'm talking about the mixtape where every nothing

1071
00:51:56,680 --> 00:52:00,840
Speaker 1: was playing. But Jane No, I understand. Yeah, act like

1072
00:52:00,880 --> 00:52:03,239
Speaker 1: Wayne didn't have this come in. But I'm just saying

1073
00:52:03,239 --> 00:52:05,759
Speaker 1: that when it comes to that cultural influence of how

1074
00:52:05,840 --> 00:52:09,759
Speaker 1: a record feels, we had kids win Bulletproof vest in

1075
00:52:09,800 --> 00:52:14,000
Speaker 1: the suburbs Man Wayne, kids wearing the rock star jeans

1076
00:52:14,120 --> 00:52:16,920
Speaker 1: and minds right, it's right dress. Wayne is the legend.

1077
00:52:17,640 --> 00:52:21,920
Speaker 1: He started right now. You gotta remember this. We was

1078
00:52:21,960 --> 00:52:24,640
Speaker 1: on a little Wayne tour back in the days we started.

1079
00:52:24,719 --> 00:52:29,200
Speaker 1: He started where ahead of us, and that's start started.

1080
00:52:29,239 --> 00:52:31,440
Speaker 1: If they had to beef people forget about that way

1081
00:52:31,480 --> 00:52:33,560
Speaker 1: that I'm pitching your vitamin water or something like, oh yeah,

1082
00:52:33,560 --> 00:52:37,120
Speaker 1: I remember that one. They cool Now I don't move.

1083
00:52:37,160 --> 00:52:38,880
Speaker 1: We got more with Tony Yaya when we come back.

1084
00:52:38,920 --> 00:52:42,400
Speaker 1: It's the Breakfast Club the morning. Everybody's DJ n V.

1085
00:52:42,680 --> 00:52:45,040
Speaker 1: Charlemagne the guy. We are the Breakfast Club. Our co

1086
00:52:45,160 --> 00:52:47,279
Speaker 1: host B Scott is here and we're still kicking it

1087
00:52:47,360 --> 00:52:49,920
Speaker 1: with Tony Yayo. Charlemagne. What about that stabbing when you

1088
00:52:50,120 --> 00:52:53,120
Speaker 1: talk you mentioned it briefly though, Oh and Sony, Yeah,

1089
00:52:53,320 --> 00:52:55,960
Speaker 1: was it a real stabbing? It was real it was

1090
00:52:56,000 --> 00:52:58,080
Speaker 1: a real stabbing. I'm gonna tell you what happened. Then

1091
00:52:58,320 --> 00:53:00,520
Speaker 1: we was in the studio and that was that's Sony,

1092
00:53:00,640 --> 00:53:03,080
Speaker 1: right what Sony. Remember they had to one across the

1093
00:53:03,160 --> 00:53:05,560
Speaker 1: street and they had the big building, big builders where

1094
00:53:05,560 --> 00:53:07,520
Speaker 1: that everybody would say Michael Jackson would take all the rooms,

1095
00:53:07,680 --> 00:53:12,080
Speaker 1: right right. So we um walking in and at that time, Um,

1096
00:53:12,280 --> 00:53:14,279
Speaker 1: I think we've seen y Clef and you know, I

1097
00:53:14,360 --> 00:53:17,319
Speaker 1: think I think Scooter was there was Haitian Jack there,

1098
00:53:17,520 --> 00:53:19,920
Speaker 1: Haitian Jack. We see him in the lobby. It's just

1099
00:53:20,040 --> 00:53:23,920
Speaker 1: me and fifty. Yeah, you know back Yeah, they was

1100
00:53:23,960 --> 00:53:27,359
Speaker 1: all in the lobby with Cleff. We seen Cleff and um,

1101
00:53:27,440 --> 00:53:31,080
Speaker 1: I think Priswell was there too or whatever. So you know,

1102
00:53:31,120 --> 00:53:32,960
Speaker 1: we go upstairs, but we're not worried about fifth. I

1103
00:53:32,960 --> 00:53:34,719
Speaker 1: set a fifth, guy. I don't got nothing on me.

1104
00:53:34,800 --> 00:53:37,440
Speaker 1: Fifth out a fourth fifth, No safety on them, eachelling.

1105
00:53:37,640 --> 00:53:40,359
Speaker 1: We go upstairs. We got a session. So Clark Kent,

1106
00:53:40,800 --> 00:53:43,800
Speaker 1: his nephew end up being a DJ gives, but Gives

1107
00:53:43,880 --> 00:53:46,080
Speaker 1: was not really a street dude. He was just a

1108
00:53:46,160 --> 00:53:48,200
Speaker 1: cool dude. You know. Shout out to Clark Kent. He

1109
00:53:48,280 --> 00:53:50,160
Speaker 1: was just like, yo, here, fifty, I got a DJ

1110
00:53:50,320 --> 00:53:53,080
Speaker 1: for you, right. So we go in the studio we're

1111
00:53:53,080 --> 00:53:55,960
Speaker 1: supposed to record. Now, the studio is small. It's a

1112
00:53:56,080 --> 00:53:59,480
Speaker 1: small room and it's a small hallway. So in the

1113
00:53:59,600 --> 00:54:03,080
Speaker 1: next room is um toning Poke. They're working on beats,

1114
00:54:03,640 --> 00:54:06,160
Speaker 1: and me fifteen gigs is in the room with the engineer.

1115
00:54:06,440 --> 00:54:08,959
Speaker 1: Forgot what fifty was working on. I guess I'm gonna

1116
00:54:09,000 --> 00:54:12,560
Speaker 1: keep it real. I don't know was signing. I think

1117
00:54:12,680 --> 00:54:15,040
Speaker 1: in my mind, I think prize Well said something like

1118
00:54:15,600 --> 00:54:17,400
Speaker 1: I don't know why, like he must you know what

1119
00:54:18,440 --> 00:54:20,759
Speaker 1: we he I think he said something gonna keep it real.

1120
00:54:20,760 --> 00:54:23,600
Speaker 1: I don't think it was trust people you just named

1121
00:54:23,920 --> 00:54:26,160
Speaker 1: trust me. That was the information that was you know

1122
00:54:26,200 --> 00:54:28,719
Speaker 1: what I mean that prize Well said something to jah

1123
00:54:28,800 --> 00:54:31,920
Speaker 1: ruining them. So we're in the room. You just hear

1124
00:54:32,080 --> 00:54:35,120
Speaker 1: boo boo boo commotion. These dudes come in like it's

1125
00:54:35,120 --> 00:54:37,160
Speaker 1: a movie like that what's sucked out? But they ain't.

1126
00:54:37,640 --> 00:54:39,840
Speaker 1: It's no guns or nothing. It's nothing really. All you

1127
00:54:39,920 --> 00:54:42,880
Speaker 1: see his crutches and like like stuff picked up from

1128
00:54:42,920 --> 00:54:45,160
Speaker 1: the studio, and I guess one of them had like

1129
00:54:45,200 --> 00:54:48,960
Speaker 1: a kitchen knight. So it was was Earth. It was Earth, brother,

1130
00:54:49,400 --> 00:54:52,080
Speaker 1: I think it was black chat at that point, Jah,

1131
00:54:52,600 --> 00:54:55,080
Speaker 1: I think somebody else. But so we started to get

1132
00:54:55,120 --> 00:54:57,239
Speaker 1: it on. Nobody turned off the light. While we're getting

1133
00:54:57,280 --> 00:54:59,320
Speaker 1: it on. The light like turned off because you know

1134
00:54:59,440 --> 00:55:02,720
Speaker 1: how something somebody bumped to the switch. So we're fighting.

1135
00:55:02,760 --> 00:55:04,560
Speaker 1: Everything is dark. You don't know what's going on. You

1136
00:55:04,680 --> 00:55:07,239
Speaker 1: just hit Melee, So all your was get the gun.

1137
00:55:07,840 --> 00:55:09,640
Speaker 1: You know. Fifth bluffed him because the gun was in

1138
00:55:09,680 --> 00:55:11,400
Speaker 1: the other room. That's why I said, j Ruin, he

1139
00:55:11,400 --> 00:55:13,800
Speaker 1: wouldn't even be here. He would have been gone, Like

1140
00:55:14,560 --> 00:55:16,960
Speaker 1: our careers would have been totally different if that gun

1141
00:55:17,440 --> 00:55:19,560
Speaker 1: was in that room. And I swear on my dad father, like,

1142
00:55:19,680 --> 00:55:21,680
Speaker 1: I'm telling you the truth. The gun was in the

1143
00:55:21,760 --> 00:55:24,160
Speaker 1: other room. I've seen it. I'm seeing with my own

1144
00:55:24,200 --> 00:55:26,439
Speaker 1: two eyes. They come in, we get it on, boom

1145
00:55:26,440 --> 00:55:28,360
Speaker 1: boom boom, and get the gun. They run out. Fifty

1146
00:55:28,480 --> 00:55:29,960
Speaker 1: or speak at one of them. I don't know if

1147
00:55:29,960 --> 00:55:32,760
Speaker 1: it was brother or whoever. I see him through speaking

1148
00:55:32,960 --> 00:55:35,360
Speaker 1: get the gun. Once they heard get the gun, everybody

1149
00:55:35,440 --> 00:55:37,960
Speaker 1: started running out. But the gun was in the other room,

1150
00:55:38,160 --> 00:55:39,800
Speaker 1: and that was it. Fifty had a scratch on his

1151
00:55:39,880 --> 00:55:42,560
Speaker 1: back right and I got stabbed in my hands and

1152
00:55:43,000 --> 00:55:45,200
Speaker 1: my finger was like cut right head. So look it

1153
00:55:45,320 --> 00:55:48,160
Speaker 1: looked crazy because it was hanging a little bit, but look,

1154
00:55:48,239 --> 00:55:50,719
Speaker 1: this is all I got that and that that was

1155
00:55:50,760 --> 00:55:52,719
Speaker 1: it to think about how blessed y'all are, because I

1156
00:55:52,760 --> 00:55:55,160
Speaker 1: think about all the violence y'all escape, because I ain't

1157
00:55:55,160 --> 00:55:57,320
Speaker 1: never even heard about the shooting that happened before. The

1158
00:55:57,440 --> 00:56:00,360
Speaker 1: young man got slapped, right, na, But it's that in

1159
00:56:00,480 --> 00:56:02,640
Speaker 1: your motherhouse. Get Yeah, yeah, it's cool. But I always

1160
00:56:02,680 --> 00:56:04,520
Speaker 1: looked at it like this, bro, if I slapped your

1161
00:56:04,600 --> 00:56:07,239
Speaker 1: kid or your kids, what are you gonna you're gonna

1162
00:56:07,320 --> 00:56:09,719
Speaker 1: you got the right, it's all gloves off and it's

1163
00:56:09,760 --> 00:56:12,600
Speaker 1: all good. But then y'all unit offices got shot up before. Yes,

1164
00:56:12,719 --> 00:56:14,439
Speaker 1: y'all missed a lot of bullets, is what I'm saying.

1165
00:56:16,160 --> 00:56:18,560
Speaker 1: Crib like a bullet. You know, it's crazy. And I

1166
00:56:18,600 --> 00:56:20,799
Speaker 1: always think God, like I always see my prayers before

1167
00:56:20,800 --> 00:56:22,759
Speaker 1: I lift the house, because I remember one day I

1168
00:56:22,840 --> 00:56:24,839
Speaker 1: had a plaque and people won't even bleed his story

1169
00:56:25,040 --> 00:56:27,279
Speaker 1: and a bullet fell out of it and my father

1170
00:56:27,400 --> 00:56:29,000
Speaker 1: found it. He was staying with me at the time.

1171
00:56:29,280 --> 00:56:31,239
Speaker 1: The next day, my mom's crib got shot up, or

1172
00:56:31,280 --> 00:56:33,480
Speaker 1: could have been the same day, like when my mom's

1173
00:56:33,560 --> 00:56:35,200
Speaker 1: crib got shot hip, So I mean, you know, guard

1174
00:56:35,320 --> 00:56:37,640
Speaker 1: is good. Bro. A bullet plaque a bullet like I

1175
00:56:37,719 --> 00:56:40,120
Speaker 1: had a fifty cent plaque and it got bullets in

1176
00:56:40,200 --> 00:56:43,080
Speaker 1: it and it's above my door, and my father found it.

1177
00:56:43,160 --> 00:56:44,800
Speaker 1: He's like if somebody shot the house up, and I'm like,

1178
00:56:44,880 --> 00:56:47,120
Speaker 1: now to fell off the plaque and the next day

1179
00:56:47,719 --> 00:56:50,080
Speaker 1: like my mom's crib got shot up. So you get signs,

1180
00:56:50,520 --> 00:56:52,000
Speaker 1: you know, to be low and you gotta move right

1181
00:56:52,000 --> 00:56:54,360
Speaker 1: because one thing about us is we knew how to

1182
00:56:54,440 --> 00:56:57,200
Speaker 1: move like all right, cool if it's hot, cool, I'm good.

1183
00:56:57,280 --> 00:56:59,000
Speaker 1: Like when my mom's crib got shot up, I went

1184
00:56:59,040 --> 00:57:01,319
Speaker 1: out there and was looking to do stuff in fifty

1185
00:57:01,360 --> 00:57:03,920
Speaker 1: of calling me like, yo, bro, you outside, you got

1186
00:57:04,160 --> 00:57:06,839
Speaker 1: something more on you? You're bugging out. Bro Use your brain, Bro,

1187
00:57:07,280 --> 00:57:09,279
Speaker 1: there's chests, not checkers. That's why I say, you know,

1188
00:57:10,040 --> 00:57:11,560
Speaker 1: it must have been like seven eight years ago to

1189
00:57:11,640 --> 00:57:16,320
Speaker 1: see you in fifty enjoying what y'all didn't have before.

1190
00:57:16,640 --> 00:57:18,800
Speaker 1: But I mean because they couldn't go to the clubs

1191
00:57:18,840 --> 00:57:21,640
Speaker 1: and experienced the records like y'all should have. Y'all couldn't

1192
00:57:21,640 --> 00:57:23,360
Speaker 1: go to these evicts and go to these things, and

1193
00:57:23,400 --> 00:57:25,080
Speaker 1: it wasn't because of the rappers. It was mainly because

1194
00:57:25,080 --> 00:57:26,800
Speaker 1: of the hip hop police, because there was times when

1195
00:57:26,840 --> 00:57:29,120
Speaker 1: it be like no G unit, no dip set in

1196
00:57:29,160 --> 00:57:32,400
Speaker 1: the clubs, all the clubs in Manhattan. So hip hop police,

1197
00:57:32,400 --> 00:57:34,880
Speaker 1: you remember Curley Top, you should retire now, hip hop

1198
00:57:34,960 --> 00:57:37,400
Speaker 1: police they all retired. There's all new ones now for

1199
00:57:37,960 --> 00:57:40,280
Speaker 1: the dudes that will follow TJ and all these dudes

1200
00:57:40,640 --> 00:57:42,800
Speaker 1: in the city and all the young dudes now. But

1201
00:57:43,240 --> 00:57:46,000
Speaker 1: all them dudes are retired. But them dudes, you should tellusyo,

1202
00:57:46,040 --> 00:57:47,560
Speaker 1: you can't come to this club. You know how much

1203
00:57:47,600 --> 00:57:51,200
Speaker 1: money we missed out on. Definitely good to see that, man, Yeah, yeah,

1204
00:57:51,200 --> 00:57:52,840
Speaker 1: it could grab the on the Welcome to the coaching parp.

1205
00:57:55,040 --> 00:57:57,440
Speaker 1: What I've seen you in you screaming on math hop

1206
00:57:57,480 --> 00:57:59,880
Speaker 1: for what happened with with that? No, Han Finlam is good.

1207
00:58:00,000 --> 00:58:02,160
Speaker 1: I just feel like sometimes like when you go online

1208
00:58:02,160 --> 00:58:04,760
Speaker 1: and just be like it just felt like clickbait, Like

1209
00:58:04,880 --> 00:58:07,160
Speaker 1: you asking me can I pick up the phone if

1210
00:58:07,280 --> 00:58:09,360
Speaker 1: for banks and fifties around they're both my friends. I'm

1211
00:58:09,360 --> 00:58:11,880
Speaker 1: a grown ass, you know, man, what are you talking about?

1212
00:58:12,080 --> 00:58:13,880
Speaker 1: And then you ask me about like six nine and

1213
00:58:13,920 --> 00:58:15,720
Speaker 1: I don't want to, you know, I know dudes that

1214
00:58:15,760 --> 00:58:18,120
Speaker 1: got locked up over that. So I'm just like, nah,

1215
00:58:18,160 --> 00:58:20,760
Speaker 1: I don't I don't want to just felt like clickbait. Now,

1216
00:58:20,960 --> 00:58:23,280
Speaker 1: don't want to do music. Yeah, I just dropped the mixtape.

1217
00:58:23,320 --> 00:58:25,480
Speaker 1: Layal just dropped what do you want to do? It like,

1218
00:58:25,640 --> 00:58:28,640
Speaker 1: because I feel like your personality it's so big you

1219
00:58:28,720 --> 00:58:30,920
Speaker 1: probably can make this money doing that now. Yeah, I

1220
00:58:31,000 --> 00:58:33,680
Speaker 1: mean I do like talking to people. I do. I

1221
00:58:33,800 --> 00:58:36,080
Speaker 1: do like I do like what you do you know,

1222
00:58:36,280 --> 00:58:38,560
Speaker 1: and what Envy do and the breakfast club do. So

1223
00:58:38,680 --> 00:58:40,520
Speaker 1: I mean I think now the game is changing, Like

1224
00:58:40,760 --> 00:58:43,800
Speaker 1: these podcasts be fun, like you see podcast radio shows

1225
00:58:43,880 --> 00:58:46,080
Speaker 1: like it's going to YouTube now. People want to you

1226
00:58:46,120 --> 00:58:48,240
Speaker 1: know know, they want to know my personality. They want

1227
00:58:48,280 --> 00:58:51,200
Speaker 1: to know your personality. I'm like a sponge. I just

1228
00:58:51,320 --> 00:58:53,560
Speaker 1: like to watch your guys all the time and just

1229
00:58:53,680 --> 00:58:55,480
Speaker 1: soak up game, you know what I mean? Like how

1230
00:58:55,520 --> 00:58:57,600
Speaker 1: you got the books, if you got the car shows.

1231
00:58:57,600 --> 00:58:59,520
Speaker 1: It's all a hustle for me, you know what I mean?

1232
00:58:59,600 --> 00:59:02,600
Speaker 1: Like I see y'all hustling. You got about three shows, man,

1233
00:59:02,760 --> 00:59:06,160
Speaker 1: Yeah we're working three four shows. This guy got about

1234
00:59:06,200 --> 00:59:09,600
Speaker 1: three four shows going on. Car show, got the reality show,

1235
00:59:09,760 --> 00:59:12,360
Speaker 1: got the the House show right the real estate. So

1236
00:59:12,480 --> 00:59:14,080
Speaker 1: it's just I don't know. It's just like a hustle

1237
00:59:14,160 --> 00:59:17,160
Speaker 1: for me. I just want to hustle music podcast like

1238
00:59:17,240 --> 00:59:19,400
Speaker 1: Welcome to the Coach. I'm gonna woke go crazy with

1239
00:59:19,440 --> 00:59:22,080
Speaker 1: the production this year. Um I got the Passport to

1240
00:59:22,120 --> 00:59:24,200
Speaker 1: the Future. I'm trying to do things for the kids

1241
00:59:24,320 --> 00:59:27,040
Speaker 1: this year. Um I got the clothes of course on

1242
00:59:27,160 --> 00:59:29,920
Speaker 1: passport boys dot com. What else I got going on

1243
00:59:30,160 --> 00:59:34,480
Speaker 1: Sony Theater on the twenty six um and more tours coming. Man.

1244
00:59:34,560 --> 00:59:38,160
Speaker 1: Shout out the fifty, shout the banks. Yeah, back on

1245
00:59:38,240 --> 00:59:43,880
Speaker 1: the road. No, not banks. Shout uncle Murder. Murder the murder. Yeah,

1246
00:59:43,920 --> 00:59:47,120
Speaker 1: shout uncle murder. No, no this respecting banks. But you know,

1247
00:59:47,760 --> 00:59:49,680
Speaker 1: you know fifty is crazy? Is that? You know that's

1248
00:59:49,720 --> 00:59:51,720
Speaker 1: something that banks gotta, you know, work out me. I

1249
00:59:51,840 --> 00:59:54,280
Speaker 1: just know fifty for a long time off the block

1250
00:59:54,400 --> 00:59:57,280
Speaker 1: before Banks, So I'm kind of note. You know, he

1251
00:59:57,400 --> 01:00:00,360
Speaker 1: might say something crazy and it's you. I heard him

1252
01:00:00,360 --> 01:00:02,280
Speaker 1: say some crazy stuff in life. Bro. Now, we used

1253
01:00:02,280 --> 01:00:04,200
Speaker 1: to hit them stories with fifty with swing on wood

1254
01:00:04,280 --> 01:00:09,560
Speaker 1: Kid and swing on play the Wrong Rap. I think

1255
01:00:09,600 --> 01:00:12,520
Speaker 1: one time was the craziest though, was um we backstage,

1256
01:00:12,600 --> 01:00:14,880
Speaker 1: this is the craziest one though, and I hope nobody

1257
01:00:14,960 --> 01:00:17,840
Speaker 1: getting mad about this. Um and fifty said to James

1258
01:00:17,880 --> 01:00:20,920
Speaker 1: Cruise because he always messed always to this day, so

1259
01:00:21,080 --> 01:00:23,120
Speaker 1: let stay. I don't know why, but he said to

1260
01:00:23,240 --> 01:00:25,720
Speaker 1: James Cruise, we Mayweather. It's the may Weather. I don't

1261
01:00:25,720 --> 01:00:29,360
Speaker 1: know we were Mayweather. Mad people's back. Then he goes, oh, man,

1262
01:00:29,640 --> 01:00:33,680
Speaker 1: that man f Didy Like, I'm like, yo, in front

1263
01:00:33,680 --> 01:00:39,840
Speaker 1: of people, did he touch your butt? To your but

1264
01:00:40,080 --> 01:00:42,280
Speaker 1: I was like, no disrespect to them. But I was like, Yo,

1265
01:00:42,360 --> 01:00:45,360
Speaker 1: this dude, it's crazy crazy. So I know why everybody

1266
01:00:45,400 --> 01:00:48,480
Speaker 1: hate me. I understand, man, But that's my guy, bro. Crazy.

1267
01:00:48,600 --> 01:00:50,560
Speaker 1: What did everybody say what he said? Yo? The whole

1268
01:00:50,640 --> 01:00:55,560
Speaker 1: room just stopped like, man, man, man, you know what

1269
01:00:55,560 --> 01:00:58,560
Speaker 1: I'm saying. I'm James Crewe. He was good. No, he's

1270
01:00:58,560 --> 01:01:02,200
Speaker 1: a cool dude. That's my guy. You never know what

1271
01:01:02,320 --> 01:01:04,480
Speaker 1: he's gonna say. Man, So why we're on the road,

1272
01:01:04,520 --> 01:01:07,360
Speaker 1: I stay away from giving space. Man. I get with

1273
01:01:07,440 --> 01:01:10,640
Speaker 1: you later on the showtime, Bro, fifth's crazy. Man. Jesus,

1274
01:01:10,720 --> 01:01:12,880
Speaker 1: all right, well, we appreciate you for joining us. Check

1275
01:01:12,920 --> 01:01:16,600
Speaker 1: out the podcast to the Coach Podcast. It's Tony Ao.

1276
01:01:16,840 --> 01:01:19,480
Speaker 1: You made it. Mom on the Breakfast Club. You've been

1277
01:01:19,560 --> 01:01:22,200
Speaker 1: up here before, Yeah, but I'm by myself now. It's

1278
01:01:22,240 --> 01:01:25,360
Speaker 1: the Breakfast Club. Good morning morning everybody. It's DJ n

1279
01:01:25,440 --> 01:01:27,440
Speaker 1: V Charlomagne the guy. We are the Breakfast Club on

1280
01:01:27,480 --> 01:01:30,840
Speaker 1: this Friday. We got b Scott our guest host. Oh yeah,

1281
01:01:30,960 --> 01:01:32,720
Speaker 1: I am here. It's time for the rumors. Give us

1282
01:01:32,720 --> 01:01:34,919
Speaker 1: a little tease, a little tease. We're gonna be talking

1283
01:01:34,920 --> 01:01:38,480
Speaker 1: about something that is actually really, really, really heavy. And

1284
01:01:38,640 --> 01:01:49,200
Speaker 1: that is the whole situation with Wendy Williams. This is

1285
01:01:49,240 --> 01:01:53,360
Speaker 1: the rumor report has been asking me quite some time

1286
01:01:53,880 --> 01:01:56,040
Speaker 1: on the Breakfast Club. I wasn't going to come to

1287
01:01:56,120 --> 01:01:59,400
Speaker 1: you that, but I had to go a little stuff

1288
01:01:59,520 --> 01:02:05,280
Speaker 1: like this. When I tell you that intro gets me

1289
01:02:05,440 --> 01:02:11,280
Speaker 1: every time, shout the tailor who produced that tailor made it. Yes.

1290
01:02:11,520 --> 01:02:14,440
Speaker 1: So this is a heavy situation, and this is a

1291
01:02:14,520 --> 01:02:19,560
Speaker 1: situation that honestly, it makes me really really sad. It's like,

1292
01:02:19,720 --> 01:02:22,560
Speaker 1: deep in my spirit, I'm sad about this. And it

1293
01:02:22,760 --> 01:02:27,320
Speaker 1: is in regards to Wendy Williams, and most recently this

1294
01:02:27,480 --> 01:02:30,800
Speaker 1: story is pertaining to her brother. So her brother is

1295
01:02:30,800 --> 01:02:34,120
Speaker 1: slamming the manager for signing her up to a reality show,

1296
01:02:34,200 --> 01:02:36,640
Speaker 1: even though she is not in the right frame of mind.

1297
01:02:37,200 --> 01:02:39,680
Speaker 1: He is really upset with Tommy Williams. I mean Tommy

1298
01:02:39,680 --> 01:02:43,040
Speaker 1: wis her brother, but he's upset with the manager, will Shelby,

1299
01:02:43,160 --> 01:02:46,120
Speaker 1: and just feels like she's not in any condition to

1300
01:02:46,240 --> 01:02:50,600
Speaker 1: be doing anything, much less a reality show situation. And

1301
01:02:50,680 --> 01:02:53,120
Speaker 1: I think we have a clip why are you eating here?

1302
01:02:53,200 --> 01:02:55,080
Speaker 1: Do you see like somebition that she's in. Does it

1303
01:02:55,160 --> 01:02:57,360
Speaker 1: looks like she's ready to start a podcast? For goodness?

1304
01:02:57,360 --> 01:03:03,800
Speaker 1: Say it doesn't this nonsense? This guy will it's puttying

1305
01:03:03,880 --> 01:03:07,600
Speaker 1: one day around, got it all out? Travel here, travel there,

1306
01:03:08,400 --> 01:03:11,040
Speaker 1: let's go, let's make this money. And I don't care

1307
01:03:11,080 --> 01:03:13,680
Speaker 1: if you're making sense. Talcola shows it to be where

1308
01:03:13,760 --> 01:03:15,760
Speaker 1: she was and where she is now? Is that the

1309
01:03:15,840 --> 01:03:18,160
Speaker 1: show is that? It is that when my dad has

1310
01:03:18,240 --> 01:03:20,800
Speaker 1: to look forward to watching who wants these kind of memories?

1311
01:03:20,960 --> 01:03:23,000
Speaker 1: Why couldn't she just get better all the way and

1312
01:03:23,080 --> 01:03:25,720
Speaker 1: then just do something She hasn't been contemplated because she

1313
01:03:25,720 --> 01:03:27,840
Speaker 1: couldn't think it through. But while everybody else is doing

1314
01:03:27,880 --> 01:03:30,120
Speaker 1: the contemplation for her and say if she needs to

1315
01:03:30,160 --> 01:03:31,480
Speaker 1: do this, that and the third, she could have been

1316
01:03:31,520 --> 01:03:34,560
Speaker 1: down here, recovered and I think in a situation like that,

1317
01:03:34,720 --> 01:03:37,440
Speaker 1: you I would listen to the brother right, absolutely clearly,

1318
01:03:37,480 --> 01:03:40,200
Speaker 1: the brother with no best in a situation like that,

1319
01:03:40,280 --> 01:03:42,080
Speaker 1: He's been with his sisters whole life. But if the

1320
01:03:42,120 --> 01:03:44,680
Speaker 1: brothers around, I don't know if, like because I'm sure

1321
01:03:44,720 --> 01:03:46,360
Speaker 1: the people have surround her in the last couple of

1322
01:03:46,480 --> 01:03:48,760
Speaker 1: years with no best right because they around, really, you

1323
01:03:48,800 --> 01:03:50,440
Speaker 1: don't think so they know how she's feeling or how

1324
01:03:50,480 --> 01:03:53,919
Speaker 1: her mentalism all that. Two things here, so number one

1325
01:03:54,160 --> 01:03:56,840
Speaker 1: for me, Initially it was me and Daily Mail that

1326
01:03:56,880 --> 01:03:59,480
Speaker 1: we're breaking the exclusive back to back about Wendy Williams

1327
01:03:59,560 --> 01:04:02,440
Speaker 1: in terms of your husband having an affair. Then I

1328
01:04:02,520 --> 01:04:04,720
Speaker 1: broke about the baby being on the way, and then

1329
01:04:04,880 --> 01:04:07,760
Speaker 1: ultimately about you know, repeated stories about the demise of

1330
01:04:07,840 --> 01:04:09,640
Speaker 1: the show. And I just wanted to say and make

1331
01:04:09,680 --> 01:04:14,160
Speaker 1: clear that I had no idea that we would end

1332
01:04:14,240 --> 01:04:18,880
Speaker 1: up here because I feel so sad for her. It

1333
01:04:19,080 --> 01:04:20,560
Speaker 1: hurts me. It just you know, I mean, it's kind

1334
01:04:20,560 --> 01:04:22,600
Speaker 1: of like, as a human being to see someone's demise.

1335
01:04:22,640 --> 01:04:26,640
Speaker 1: What we're witnessing is the demise of an individual, and

1336
01:04:27,240 --> 01:04:30,040
Speaker 1: regardless of what people may think of Wendy Williams, it's

1337
01:04:30,080 --> 01:04:32,800
Speaker 1: just really hard to see. Yeah, by the way, be

1338
01:04:32,920 --> 01:04:35,080
Speaker 1: saying that's that's obvious just looking at what we've been

1339
01:04:35,080 --> 01:04:37,280
Speaker 1: seeing in the past couple of years. And then number two,

1340
01:04:38,640 --> 01:04:40,920
Speaker 1: the question that I've been wanting to ask you for

1341
01:04:41,000 --> 01:04:44,800
Speaker 1: quite some time is that how do you feel and

1342
01:04:44,960 --> 01:04:47,800
Speaker 1: how has this been affecting you? Because you work with

1343
01:04:47,880 --> 01:04:51,960
Speaker 1: her for so many years? What is it like to

1344
01:04:52,080 --> 01:04:55,080
Speaker 1: see her in this state and to see it consistently

1345
01:04:55,520 --> 01:05:00,200
Speaker 1: continue to deteriorate. Um, that's a great question. I haven't

1346
01:05:00,200 --> 01:05:01,800
Speaker 1: really thought about it, I mean, because it's turful for

1347
01:05:01,880 --> 01:05:03,919
Speaker 1: me and I didn't work with her. Yeah, of course

1348
01:05:03,920 --> 01:05:05,160
Speaker 1: you don't like to see it. You never like to

1349
01:05:05,160 --> 01:05:07,240
Speaker 1: see anybody that has uh, you know, done what she's

1350
01:05:07,280 --> 01:05:10,120
Speaker 1: done for our business, you know, in like that, I

1351
01:05:10,200 --> 01:05:12,640
Speaker 1: always say, you know, I want I want our planes

1352
01:05:12,760 --> 01:05:14,800
Speaker 1: to land with the wheels out. You know. You don't

1353
01:05:14,840 --> 01:05:17,880
Speaker 1: want to see people, you know, the end of their

1354
01:05:17,960 --> 01:05:21,800
Speaker 1: situations crashing burn, so to speak. And that's what that's

1355
01:05:21,800 --> 01:05:24,000
Speaker 1: what it seems like this situation has done over the

1356
01:05:24,040 --> 01:05:26,640
Speaker 1: past few years. Feels like it's crashing and crashing and burning. So,

1357
01:05:26,680 --> 01:05:28,360
Speaker 1: of course, of course I don't like that. I mean, Dash,

1358
01:05:28,400 --> 01:05:30,280
Speaker 1: you never thought about reaching out because I know, well,

1359
01:05:30,280 --> 01:05:31,520
Speaker 1: how first of all, how long did y'all work with

1360
01:05:31,560 --> 01:05:33,840
Speaker 1: each other? Work with each other? For three years? That's

1361
01:05:33,840 --> 01:05:36,360
Speaker 1: what I was thinking. It was a short seem like

1362
01:05:36,800 --> 01:05:39,200
Speaker 1: a long time because it was impactful. Yeah, it wasn't

1363
01:05:39,600 --> 01:05:41,400
Speaker 1: when they're when they're in and her husband did a

1364
01:05:41,440 --> 01:05:43,480
Speaker 1: lot for me, but it's like, yeah, we weren't not

1365
01:05:43,640 --> 01:05:45,760
Speaker 1: best friends. We might have been close at that time.

1366
01:05:46,160 --> 01:05:49,520
Speaker 1: What's been what fifteen years? And they also try to

1367
01:05:49,560 --> 01:05:53,080
Speaker 1: sabotage you correct, well, yeah, you know, b Y, Yeah,

1368
01:05:53,920 --> 01:05:57,760
Speaker 1: I think I think it's that that picture that husband. Yeah,

1369
01:05:57,840 --> 01:05:59,840
Speaker 1: I think it's that picture of you sitting on her lap. Maker,

1370
01:06:00,160 --> 01:06:04,480
Speaker 1: shut up, shut up. I mean like that damn picture.

1371
01:06:04,840 --> 01:06:06,720
Speaker 1: You got that picture hanging up on your wall sowhere,

1372
01:06:06,920 --> 01:06:13,200
Speaker 1: you know, definitely sad. Do we navigate this, charlotne? Like

1373
01:06:13,560 --> 01:06:15,280
Speaker 1: how do we? I don't know, because Wendy is never

1374
01:06:15,400 --> 01:06:17,880
Speaker 1: historically letting anybody in, you know what I mean. So

1375
01:06:18,000 --> 01:06:20,000
Speaker 1: it's just like right now, she's probably the situation was

1376
01:06:20,320 --> 01:06:22,160
Speaker 1: all she got is herself, But she does have a

1377
01:06:22,240 --> 01:06:23,960
Speaker 1: family that loves her. But if she's not letting that

1378
01:06:24,080 --> 01:06:26,400
Speaker 1: family in, how can anybody help her? I wonder if

1379
01:06:26,440 --> 01:06:28,400
Speaker 1: it was it might be passed the point of help.

1380
01:06:28,480 --> 01:06:31,360
Speaker 1: That's true. I was wondering if it was financially. Maybe

1381
01:06:31,440 --> 01:06:33,480
Speaker 1: they're doing the show for finances, because we know how

1382
01:06:33,520 --> 01:06:36,000
Speaker 1: money is was locked up, and maybe she needs the

1383
01:06:36,080 --> 01:06:38,400
Speaker 1: money to pay for, you know, mortgage. Maybe she don't

1384
01:06:38,440 --> 01:06:40,320
Speaker 1: even know what's going on. Maybe she doesn't know what

1385
01:06:40,480 --> 01:06:42,439
Speaker 1: she know what I'm saying. Maybe that's what Tommy is saying.

1386
01:06:42,440 --> 01:06:44,120
Speaker 1: She don't even know what. It feels that way. It

1387
01:06:44,160 --> 01:06:48,120
Speaker 1: feels like she's just disoriented, discombobulated. But at the end

1388
01:06:48,120 --> 01:06:50,160
Speaker 1: of the day, I just want to send positivity to

1389
01:06:50,280 --> 01:06:54,439
Speaker 1: her absolutely, and just like Lord Jesus help us man.

1390
01:06:54,800 --> 01:06:56,520
Speaker 1: That's all I got right now, that's all I got

1391
01:06:56,600 --> 01:06:59,000
Speaker 1: to see, sending her healing and energy thoughts and pressed.

1392
01:06:59,200 --> 01:07:01,560
Speaker 1: All right, all right, well, thank you for that room

1393
01:07:01,600 --> 01:07:03,920
Speaker 1: of report, Charlaye, who are you get that? Don Man?

1394
01:07:04,040 --> 01:07:05,960
Speaker 1: Four after the hour. You know, we had a conversation

1395
01:07:06,040 --> 01:07:08,880
Speaker 1: earlier about artificial intelligence, but I really need to talk

1396
01:07:08,920 --> 01:07:12,720
Speaker 1: to y'all about how artificial intelligence I feel is going

1397
01:07:12,800 --> 01:07:15,040
Speaker 1: to ruin our society as we know it. Okay, we'll

1398
01:07:15,080 --> 01:07:18,040
Speaker 1: discuss I'm gonna talk to yall about AI Scammus, all right,

1399
01:07:18,080 --> 01:07:20,080
Speaker 1: and I ain't see not love here. We were supposed

1400
01:07:20,080 --> 01:07:23,000
Speaker 1: to do a whole fifty cent versus little Wayne. I

1401
01:07:23,040 --> 01:07:25,600
Speaker 1: think she's scared. I think Nila Simone, if you know

1402
01:07:25,760 --> 01:07:28,960
Speaker 1: DJ Nila Simone, you tell her I want all the

1403
01:07:29,040 --> 01:07:32,360
Speaker 1: smoke and let me tell you something. She is so beautiful.

1404
01:07:32,920 --> 01:07:34,440
Speaker 1: She is beautiful. And then when she told me she

1405
01:07:34,520 --> 01:07:38,160
Speaker 1: beat her own face with her makeup, I mean, you know,

1406
01:07:38,200 --> 01:07:39,760
Speaker 1: for people who don't know what that means. Yeah, but

1407
01:07:40,000 --> 01:07:42,200
Speaker 1: she beat her face. Didn't look amazing. She didn't herself.

1408
01:07:42,600 --> 01:07:44,360
Speaker 1: I sit here and pay for all of this, and

1409
01:07:44,560 --> 01:07:48,400
Speaker 1: she is doing herself. When I introducing Scott yesterday, I said, hey,

1410
01:07:48,480 --> 01:07:50,160
Speaker 1: now this is Be Simone because I can bind their

1411
01:07:50,240 --> 01:07:56,920
Speaker 1: name and shout out to be someone. We love you,

1412
01:07:58,040 --> 01:08:00,880
Speaker 1: all right, Well just be Scott, right, Dunkey day is

1413
01:08:00,960 --> 01:08:05,040
Speaker 1: up next the Breakfast Club. Your Morning's will never be

1414
01:08:05,240 --> 01:08:10,320
Speaker 1: the same. Monday April seventeenth at nine am eighth Central Me,

1415
01:08:10,600 --> 01:08:13,520
Speaker 1: DJ Envy and Charlomagne and God host a breakfast club

1416
01:08:13,600 --> 01:08:16,960
Speaker 1: on b ET. The evolution will be televised on a

1417
01:08:17,080 --> 01:08:19,840
Speaker 1: new set with top tier guests. The Breakfast Club with

1418
01:08:20,040 --> 01:08:23,960
Speaker 1: real talk rains starts Monday April seventeenth at nine am,

1419
01:08:24,080 --> 01:08:26,479
Speaker 1: eighth Central on b et me. Let's don't be a

1420
01:08:26,560 --> 01:08:30,960
Speaker 1: dusky because right now you want some real It's time

1421
01:08:31,040 --> 01:08:33,080
Speaker 1: for Donkey of the Day. So if we ever feel

1422
01:08:33,120 --> 01:08:34,920
Speaker 1: I need to be a dunk man, hit it with

1423
01:08:35,000 --> 01:08:39,479
Speaker 1: the heat. She didn't It ain't please I had become

1424
01:08:39,600 --> 01:08:44,599
Speaker 1: Donkey of the day the breakfast club. Bitches, you're a dunkey. Wow,

1425
01:08:45,040 --> 01:08:47,400
Speaker 1: he's trying to sabotad it. Now you didn't tell her,

1426
01:08:47,400 --> 01:08:49,559
Speaker 1: You didn't tell us supposed to be here anyway, Donkey

1427
01:08:49,720 --> 01:08:52,280
Speaker 1: to Day from Donkey of Today for Friday, April fourteenth

1428
01:08:52,479 --> 01:08:54,920
Speaker 1: is more of a PSA than anything. I feel like

1429
01:08:55,040 --> 01:08:57,000
Speaker 1: I just have to bring some public awareness to this

1430
01:08:57,200 --> 01:08:59,280
Speaker 1: latest scam that is happening, and it's gonna be the

1431
01:08:59,360 --> 01:09:03,000
Speaker 1: first of men because humans have mutually assured our own

1432
01:09:03,080 --> 01:09:07,040
Speaker 1: destruction by opening the doors for artificial intelligence. I know,

1433
01:09:07,240 --> 01:09:10,360
Speaker 1: I know technology. You know me, and you're old. You

1434
01:09:10,439 --> 01:09:13,559
Speaker 1: have to embrace innovation. Listen to me. Innovation is great, Okay,

1435
01:09:13,600 --> 01:09:16,080
Speaker 1: anything that can make our lives easier and better, I'm

1436
01:09:16,120 --> 01:09:18,439
Speaker 1: all for it. But artificial intelligence is not gonna make

1437
01:09:18,479 --> 01:09:20,840
Speaker 1: our lives easier art better. It's gonna make our lives

1438
01:09:20,960 --> 01:09:23,400
Speaker 1: harder and more difficult because one of the hardest and

1439
01:09:23,479 --> 01:09:26,000
Speaker 1: most difficult things for people to do over the last

1440
01:09:26,160 --> 01:09:29,479
Speaker 1: decade or so is determine what's real and what's not.

1441
01:09:30,120 --> 01:09:32,599
Speaker 1: And AI isn't going to blur the lines between reality

1442
01:09:32,640 --> 01:09:35,519
Speaker 1: and fantasy. It's going to erase those lines period. Case

1443
01:09:35,600 --> 01:09:38,439
Speaker 1: in point, the story the story I'm about to tell

1444
01:09:38,479 --> 01:09:43,120
Speaker 1: you all of Arizona Mom Jennifer DeStefano. Jennifer Destephano was

1445
01:09:43,160 --> 01:09:45,640
Speaker 1: at home minding her business and she got a phone call.

1446
01:09:45,680 --> 01:09:47,360
Speaker 1: Would you like to know what the phone call was about?

1447
01:09:47,520 --> 01:09:49,840
Speaker 1: Let's go to CBS five for the report. Police don't

1448
01:09:49,880 --> 01:09:51,599
Speaker 1: have the money both you and your daughter or death.

1449
01:09:51,880 --> 01:09:56,520
Speaker 1: Warning of close encounters with scammers who used artificial intelligence

1450
01:09:56,800 --> 01:10:00,320
Speaker 1: to clone her daughter's voice. Yeah, this is crazy. Actually

1451
01:10:00,320 --> 01:10:03,120
Speaker 1: made her believe they had kidnapped her fifteen year old,

1452
01:10:03,200 --> 01:10:06,759
Speaker 1: and then they demanded a ransom. So as on your size,

1453
01:10:06,800 --> 01:10:09,599
Speaker 1: Susan Campbell found out this is crazy. It doesn't take

1454
01:10:09,720 --> 01:10:13,080
Speaker 1: much of a voice sample to pull this scam off.

1455
01:10:14,320 --> 01:10:17,640
Speaker 1: The phone number was unfamiliar. Jennifer Destephano almost let it

1456
01:10:17,720 --> 01:10:21,360
Speaker 1: go to voicemail, but her fifteen year old was out

1457
01:10:21,400 --> 01:10:24,360
Speaker 1: of town skiing. Maybe there had been an accident. I

1458
01:10:24,520 --> 01:10:26,840
Speaker 1: pick up the phone and I hear my daughter's voice

1459
01:10:27,040 --> 01:10:30,240
Speaker 1: and it says mom, and she's sobbing. And then I

1460
01:10:30,320 --> 01:10:32,920
Speaker 1: hear a man's voice say, put your head back, lie down.

1461
01:10:33,479 --> 01:10:35,160
Speaker 1: And this man gets on the phone and he's like,

1462
01:10:35,720 --> 01:10:38,439
Speaker 1: listen here, I've got your daughter. This is how it's

1463
01:10:38,439 --> 01:10:41,479
Speaker 1: gonna go down. You call the police, you call anybody.

1464
01:10:41,520 --> 01:10:43,639
Speaker 1: I'm gonna pop her some excopeful of drugs. I'm gonna

1465
01:10:43,640 --> 01:10:45,400
Speaker 1: have my way to throw a drop off in Mexico.

1466
01:10:45,920 --> 01:10:47,960
Speaker 1: And at that moment, I just started shaking. I'm like what.

1467
01:10:48,120 --> 01:10:50,800
Speaker 1: In the background, she's going help me, Mom, please help me,

1468
01:10:50,960 --> 01:10:53,719
Speaker 1: help me. And Polly I never doubted for one second

1469
01:10:53,760 --> 01:10:57,080
Speaker 1: it was her. The person who had supposedly kidnapped Jennifer's

1470
01:10:57,200 --> 01:11:01,120
Speaker 1: daughter demanded money. He started at a million dollars. It

1471
01:11:01,280 --> 01:11:03,559
Speaker 1: was like that, I don't have a million dollars. I'm

1472
01:11:03,600 --> 01:11:06,519
Speaker 1: like fin whatever, start my daughter. Then he wants fifty

1473
01:11:06,600 --> 01:11:12,400
Speaker 1: thousand dollars. Humans, dear humans, How are we okay with this? Okay?

1474
01:11:12,439 --> 01:11:14,479
Speaker 1: How was anybody okay with this? How come we are

1475
01:11:14,560 --> 01:11:16,920
Speaker 1: choosing to be optos to what is right around the corner.

1476
01:11:16,960 --> 01:11:19,280
Speaker 1: I don't like any of this AI stuff. Okay. In fact,

1477
01:11:19,320 --> 01:11:21,960
Speaker 1: my spider senses go off around anybody I see pushing

1478
01:11:22,000 --> 01:11:24,000
Speaker 1: it because I'm like that person might be an agent.

1479
01:11:24,120 --> 01:11:25,720
Speaker 1: All right, we live in a world right now where

1480
01:11:25,720 --> 01:11:28,200
Speaker 1: people can't even handle fake tweets, So how the hell

1481
01:11:28,240 --> 01:11:31,440
Speaker 1: will we handle AI. If you thought the misinformation campaigns

1482
01:11:31,600 --> 01:11:34,160
Speaker 1: in the twenty sixteen and twenty twenty elections were nuts,

1483
01:11:34,400 --> 01:11:37,040
Speaker 1: imagine what twenty twenty four is gonna look like. Folks

1484
01:11:37,160 --> 01:11:39,599
Speaker 1: used to take videos and audios and edit them out

1485
01:11:39,640 --> 01:11:42,960
Speaker 1: of context to manipulate people. Now I can do deep

1486
01:11:43,000 --> 01:11:46,080
Speaker 1: fake videos and have AI simulation that can completely mimic

1487
01:11:46,200 --> 01:11:49,479
Speaker 1: my voice, the inflection, the emotion, And we really want

1488
01:11:49,520 --> 01:11:54,040
Speaker 1: to unleash that evil on this already stupid ass American society, okay,

1489
01:11:54,240 --> 01:11:57,240
Speaker 1: which then will impact the world. YouTube, social media, to

1490
01:11:57,360 --> 01:11:59,759
Speaker 1: news y'all already running with a bunch of fake stories.

1491
01:11:59,840 --> 01:12:02,639
Speaker 1: Now what happens when these news outlets start receiving audio

1492
01:12:02,760 --> 01:12:06,439
Speaker 1: leads of audio leaks of fake AI conversations between world

1493
01:12:06,600 --> 01:12:11,000
Speaker 1: leaders threatening nuclear war, Fake AI conversations from celebrities saying

1494
01:12:11,120 --> 01:12:13,600
Speaker 1: wild things about different groups right before they have a

1495
01:12:13,680 --> 01:12:16,439
Speaker 1: movie or TV show, up book coming out. Fake AI

1496
01:12:16,600 --> 01:12:19,840
Speaker 1: conversations between co workers. Now you're running up on your

1497
01:12:19,880 --> 01:12:22,320
Speaker 1: co workers because you heard it was talking spicy about you,

1498
01:12:22,560 --> 01:12:26,040
Speaker 1: and it's just AI. Fake AI conversations between your significant

1499
01:12:26,080 --> 01:12:28,439
Speaker 1: other and one of your homies. You're gonna think your

1500
01:12:28,520 --> 01:12:30,679
Speaker 1: mate is cheating on you with your best friend because

1501
01:12:30,680 --> 01:12:33,519
Speaker 1: of AI and human emotions move it to speed of light.

1502
01:12:34,080 --> 01:12:36,639
Speaker 1: Nobody stops to think about what's real and what's not real.

1503
01:12:36,680 --> 01:12:39,040
Speaker 1: It's just all about what you feel. We don't felt

1504
01:12:39,040 --> 01:12:42,160
Speaker 1: the facts. We felt the feelings, and nobody cares about

1505
01:12:42,200 --> 01:12:45,120
Speaker 1: the truth when the lie is more entertaining. But no, no, no,

1506
01:12:45,400 --> 01:12:48,519
Speaker 1: y'all need AI. Once again. I'm just raising public awareness

1507
01:12:48,560 --> 01:12:50,479
Speaker 1: because the article I read in the New York Post

1508
01:12:51,280 --> 01:12:53,160
Speaker 1: FBI agent said the only way to stop it is

1509
01:12:53,160 --> 01:12:55,360
Speaker 1: to raise public awareness. Now, if you're wondering how they

1510
01:12:55,400 --> 01:12:58,160
Speaker 1: are able to even get your voice in the first place,

1511
01:12:58,479 --> 01:13:01,880
Speaker 1: listen to this man whose name sounds like somebody on

1512
01:13:02,000 --> 01:13:05,120
Speaker 1: Mortal Combat. I can't pronounce it. Sabaro Kamaboty. He's a

1513
01:13:05,120 --> 01:13:08,280
Speaker 1: computer science professor at Arizona State University. He breaks it down,

1514
01:13:08,880 --> 01:13:12,519
Speaker 1: you can no longer trust you years. Subaro common Party

1515
01:13:12,680 --> 01:13:15,720
Speaker 1: is a computer science professor at Arizona State. He specializes

1516
01:13:15,800 --> 01:13:19,639
Speaker 1: in AI. He says, voice cloning technology is rapidly improving.

1517
01:13:20,280 --> 01:13:22,760
Speaker 1: Now there are ks in which you can do this

1518
01:13:22,920 --> 01:13:26,120
Speaker 1: with just three seconds of your voice. So with the

1519
01:13:26,200 --> 01:13:29,040
Speaker 1: three seconds, it can come extremely close to how exactly

1520
01:13:29,160 --> 01:13:32,280
Speaker 1: you sound, and you don't even need any special equipment.

1521
01:13:32,800 --> 01:13:35,479
Speaker 1: I chose a free program for a test, and I'm

1522
01:13:35,560 --> 01:13:39,000
Speaker 1: not actually talking. It's a new try, and you know,

1523
01:13:39,200 --> 01:13:42,840
Speaker 1: and I think they could be great, good uses, but

1524
01:13:43,479 --> 01:13:46,439
Speaker 1: suddenly they can be pretty What is some duces to

1525
01:13:47,120 --> 01:13:50,360
Speaker 1: We have all these conversations about secret societies and illuminati.

1526
01:13:50,479 --> 01:13:52,320
Speaker 1: Let me tell you something. Somebody has been planning this

1527
01:13:52,439 --> 01:13:55,240
Speaker 1: for the last thirty years at least, probably longer ename

1528
01:13:55,320 --> 01:13:57,680
Speaker 1: in patient. Think about how many decades of data they

1529
01:13:57,760 --> 01:14:01,519
Speaker 1: have on all of us, video audio from Planet the Mosspace,

1530
01:14:01,600 --> 01:14:04,320
Speaker 1: to Facebook, to Twitter, to Instagram, the tick tack they

1531
01:14:04,400 --> 01:14:06,720
Speaker 1: got us already, all right, There is no putting the

1532
01:14:06,760 --> 01:14:10,280
Speaker 1: toothpaste back into YouTube. Y'all always having conversations about celebrity

1533
01:14:10,400 --> 01:14:13,200
Speaker 1: being cloned when the reality is they have cloned all

1534
01:14:13,280 --> 01:14:16,200
Speaker 1: of us already. Okay. Now, by the way, the situation

1535
01:14:16,280 --> 01:14:18,800
Speaker 1: in Arizona with Jennifer isn't It's not a one time thing.

1536
01:14:18,840 --> 01:14:20,960
Speaker 1: It happened to a woman named Beth Royce last month,

1537
01:14:21,120 --> 01:14:22,760
Speaker 1: and it happened in the similar to a woman named

1538
01:14:22,840 --> 01:14:25,800
Speaker 1: Chelsea Gates, and both cases a man called threatened to

1539
01:14:25,880 --> 01:14:28,760
Speaker 1: kill a family member, in best case her sister and

1540
01:14:28,880 --> 01:14:31,320
Speaker 1: Chelsea case her mom, and in the background, Beef and

1541
01:14:31,439 --> 01:14:35,000
Speaker 1: Chelsea could hear their relatives crying and begging for helping

1542
01:14:35,040 --> 01:14:37,000
Speaker 1: the men. The man did a thousand dollars, and of

1543
01:14:37,120 --> 01:14:40,599
Speaker 1: course Beth and Chelsea sent the money. Okay, I truly

1544
01:14:40,640 --> 01:14:43,599
Speaker 1: don't see how people can't see this coming now. FBI

1545
01:14:43,720 --> 01:14:46,000
Speaker 1: agent Dan Mayo has some tips on what we should

1546
01:14:46,000 --> 01:14:47,720
Speaker 1: be looking out for. We all should be making a

1547
01:14:47,840 --> 01:14:49,519
Speaker 1: note of this because this is about to be our

1548
01:14:49,560 --> 01:14:53,680
Speaker 1: new reality, simply because humans can't help themselves. Listen, you

1549
01:14:53,760 --> 01:14:56,640
Speaker 1: gotta slow down a diffuse the situation. The FBI is

1550
01:14:56,720 --> 01:14:59,439
Speaker 1: Dan Man says scammers who use voice cloning often find

1551
01:14:59,479 --> 01:15:02,120
Speaker 1: their prey on social media. They're going to be looking

1552
01:15:02,200 --> 01:15:05,320
Speaker 1: for public profiles that have as much information as possible

1553
01:15:05,360 --> 01:15:06,960
Speaker 1: on you, and when they get a hold of that,

1554
01:15:07,320 --> 01:15:10,120
Speaker 1: they're gonna dig into you. The Federal Trade Commission says

1555
01:15:10,160 --> 01:15:13,800
Speaker 1: gammers will often ask their victims to wire money, send cryptocurrency,

1556
01:15:14,280 --> 01:15:17,280
Speaker 1: or pay the ransom with gift cards. Once the money

1557
01:15:17,439 --> 01:15:20,479
Speaker 1: is gone, it's almost impossible to get it back. The

1558
01:15:20,560 --> 01:15:22,880
Speaker 1: phone numbers coming from an area code that you're not

1559
01:15:23,000 --> 01:15:25,599
Speaker 1: familiar with, that should be one red flag, second red

1560
01:15:25,640 --> 01:15:28,599
Speaker 1: flag international number. Sometimes they will call from those as well,

1561
01:15:29,000 --> 01:15:31,280
Speaker 1: third red flag. They will not allow you to get

1562
01:15:31,280 --> 01:15:33,519
Speaker 1: off the phone and talk to your significant other. Right

1563
01:15:33,760 --> 01:15:36,880
Speaker 1: that's a problem. I'm in this how I started it.

1564
01:15:37,120 --> 01:15:39,120
Speaker 1: I don't like any of this AI stuff simply because

1565
01:15:39,160 --> 01:15:41,080
Speaker 1: I know you humans can't handle it. I didn't even

1566
01:15:41,120 --> 01:15:43,759
Speaker 1: get into how chat GPT is gonna make people less creative,

1567
01:15:43,800 --> 01:15:45,920
Speaker 1: and how it's going to totally stop people from really

1568
01:15:45,960 --> 01:15:48,960
Speaker 1: flexing those brain muscles. Writers in Hollywood, I'll show y'all

1569
01:15:48,960 --> 01:15:50,479
Speaker 1: want to go on a strike right now. Not to

1570
01:15:50,560 --> 01:15:52,839
Speaker 1: mention if you let it, If you let chat GPT

1571
01:15:53,200 --> 01:15:55,160
Speaker 1: write a job proposal for you, what happens when you

1572
01:15:55,200 --> 01:15:58,000
Speaker 1: actually have to sit with someone and explain that proposal yourself.

1573
01:15:58,120 --> 01:16:00,519
Speaker 1: Not to mention the millions and millions of jobs that

1574
01:16:00,560 --> 01:16:02,920
Speaker 1: are going to be lost. Tech jobs, media jobs, legal

1575
01:16:03,000 --> 01:16:07,439
Speaker 1: industry jobs, para legals, legal assistance, You're done, teachers, finance jobs,

1576
01:16:07,520 --> 01:16:11,280
Speaker 1: personal financial advisors, financial analysis, financial analysts, it's a rap

1577
01:16:11,320 --> 01:16:15,400
Speaker 1: for y'all. Okay, my advice build a wall around silicone

1578
01:16:15,479 --> 01:16:19,160
Speaker 1: valley before it's too late. The job in life you

1579
01:16:19,320 --> 01:16:22,000
Speaker 1: save might be your own. Please give all these people

1580
01:16:22,040 --> 01:16:25,840
Speaker 1: already manipulating, manipulating AI to scam folks the biggest he are.

1581
01:16:30,840 --> 01:16:33,600
Speaker 1: It's TikTok. Not TikTok. I know I know what I

1582
01:16:33,680 --> 01:16:35,320
Speaker 1: was doing. Let me just say this, the hex your

1583
01:16:35,400 --> 01:16:37,320
Speaker 1: execution on the Donkey of the Day is something to

1584
01:16:37,439 --> 01:16:41,040
Speaker 1: be whole. Is it a read? It's amazing. I'm impressed.

1585
01:16:42,320 --> 01:16:44,720
Speaker 1: I wanted to know it was a It was a read.

1586
01:16:44,880 --> 01:16:47,800
Speaker 1: It's a read. But you're so good at it. I

1587
01:16:47,880 --> 01:16:49,920
Speaker 1: was in awe of it. I was like, wow, I

1588
01:16:49,960 --> 01:16:52,080
Speaker 1: appreciate that. I mean, you were hitting it and hitting

1589
01:16:52,080 --> 01:16:56,040
Speaker 1: and hitting and kip clip. I was like, okay, thank you.

1590
01:16:56,240 --> 01:16:57,720
Speaker 1: I can't do it without the product. That is why

1591
01:16:57,800 --> 01:17:00,880
Speaker 1: Charlemagne it is here. You did that. Well, thank you

1592
01:17:00,960 --> 01:17:06,560
Speaker 1: for that Donkey of the Day. I hope you got that.

1593
01:17:08,920 --> 01:17:13,040
Speaker 1: Right now. When we come back, shout to Nala Simone.

1594
01:17:13,439 --> 01:17:16,439
Speaker 1: She ain't here. She's a little scared. This morning, we

1595
01:17:16,479 --> 01:17:19,760
Speaker 1: were supposed to be doing our own battle nineteen up here,

1596
01:17:19,880 --> 01:17:22,639
Speaker 1: we're supposed to be doing fifty cent versus Little Wayne.

1597
01:17:22,800 --> 01:17:25,320
Speaker 1: She's supposed to do a Little Wayne four minute mix.

1598
01:17:25,520 --> 01:17:27,759
Speaker 1: I'm doing a four minute mix. She just sent her mixing.

1599
01:17:28,040 --> 01:17:30,160
Speaker 1: So when we come back, we're gonna play a Little

1600
01:17:30,200 --> 01:17:35,439
Speaker 1: Wayne four minute mix. Minut no, no, she'll be here

1601
01:17:35,479 --> 01:17:38,400
Speaker 1: eight nineteen. We're gonna flip a coin head to tell

1602
01:17:39,000 --> 01:17:42,599
Speaker 1: what you want. Which one you want? Oh my god?

1603
01:17:43,120 --> 01:17:46,240
Speaker 1: All right, oh my god. And you want tails because

1604
01:17:46,240 --> 01:17:49,599
Speaker 1: you're bottom. Bet your tail, your bottom, I bet your tails.

1605
01:17:49,800 --> 01:17:55,400
Speaker 1: Oh huh huh, it's heads. Mama said, not le go second.

1606
01:17:55,439 --> 01:17:57,800
Speaker 1: I'll go first. When we come back. Open up the

1607
01:17:57,840 --> 01:18:00,200
Speaker 1: phone lines eight hundred five eighty five, one on five one.

1608
01:18:00,320 --> 01:18:02,000
Speaker 1: I want you guys to listen to both mixes. We're

1609
01:18:02,000 --> 01:18:03,960
Speaker 1: having a good time on a Friday. We're gonna play

1610
01:18:03,960 --> 01:18:06,120
Speaker 1: a four minute Little Wayne mix, four minute fifty cent mix.

1611
01:18:06,200 --> 01:18:09,439
Speaker 1: You guys called the side. Who is the best artist?

1612
01:18:09,800 --> 01:18:11,439
Speaker 1: A little mini verses you and I just have a

1613
01:18:11,479 --> 01:18:15,160
Speaker 1: little fun on a Friday and saying Charlemagne pick heads.

1614
01:18:16,479 --> 01:18:19,880
Speaker 1: I'll be going first. That sound crazy? What is happening? Like?

1615
01:18:20,200 --> 01:18:24,640
Speaker 1: What is happening? How did we get here? In the

1616
01:18:24,800 --> 01:18:28,160
Speaker 1: name of James? When we come back, is the breakfast Club.

1617
01:18:29,720 --> 01:18:36,519
Speaker 1: The breakfast Club. The breakfast Club is back where I

1618
01:18:36,560 --> 01:18:39,640
Speaker 1: want to be. Oh you can't. Yes, she's here. Make

1619
01:18:39,720 --> 01:18:41,439
Speaker 1: sure you here. I told you she was gonna be here.

1620
01:18:41,479 --> 01:18:43,679
Speaker 1: She ain't scared of you. Morning we are to Breakfast Club.

1621
01:18:43,720 --> 01:18:48,559
Speaker 1: Our co hosts hed B Scott, the beautiful Nila, Thank

1622
01:18:48,600 --> 01:18:51,200
Speaker 1: you so beautiful to ye. This this guy is a character.

1623
01:18:51,280 --> 01:18:52,760
Speaker 1: I heard him talking is when I was on my

1624
01:18:52,840 --> 01:18:55,280
Speaker 1: way over here. I'm like scared. I've never been scared

1625
01:18:56,200 --> 01:19:00,000
Speaker 1: my life. This has been going on for a while.

1626
01:19:00,640 --> 01:19:02,840
Speaker 1: You know, this debate and started went from you know,

1627
01:19:03,000 --> 01:19:05,360
Speaker 1: low key talking about it on Apple Radio. I saw

1628
01:19:05,520 --> 01:19:09,320
Speaker 1: Kevin Durant talking about it. We talked about it. Katie said,

1629
01:19:10,840 --> 01:19:13,479
Speaker 1: I'm not I'm not. I'm not imposed to anybody who

1630
01:19:13,560 --> 01:19:15,920
Speaker 1: picks fifty cents, just like I'm not opposed to anybody

1631
01:19:15,920 --> 01:19:17,679
Speaker 1: who picks a little Wayne. But it's just a disrespect

1632
01:19:17,720 --> 01:19:20,360
Speaker 1: when they say one album can take out Wayne's whole

1633
01:19:20,400 --> 01:19:23,280
Speaker 1: catalog and disrespectful. Be Scott, what do you think little Wayne?

1634
01:19:23,320 --> 01:19:27,559
Speaker 1: A fifty cent? Little was a versus little Wayne? He's

1635
01:19:27,600 --> 01:19:36,040
Speaker 1: a decision, didn't hesitate. So this is what we're gonna

1636
01:19:36,040 --> 01:19:37,479
Speaker 1: do this morning. We said, we're gonna do a four

1637
01:19:37,520 --> 01:19:39,519
Speaker 1: minute mix. I'm gonna do a four minute, fifty minute,

1638
01:19:39,960 --> 01:19:43,360
Speaker 1: fifty minute, four minute fifty mix. Knowledge on a four

1639
01:19:43,479 --> 01:19:47,080
Speaker 1: minute little Wayne mix? Oh I thought you made four minute,

1640
01:19:47,160 --> 01:19:49,479
Speaker 1: four minutes and fifty seconds. I'm about to say, wait,

1641
01:19:49,560 --> 01:19:52,160
Speaker 1: so you got five minutes? No, no four minute mix.

1642
01:19:52,560 --> 01:19:54,000
Speaker 1: We both do a mix. We're gonna open up the

1643
01:19:54,040 --> 01:19:56,400
Speaker 1: phone lines. Let you guys, judge eight hundred and five

1644
01:19:56,439 --> 01:19:58,439
Speaker 1: eighty five, one oh five one that doing these mixes

1645
01:19:58,439 --> 01:20:01,639
Speaker 1: with very difficult because you put in a catalog into

1646
01:20:01,840 --> 01:20:03,679
Speaker 1: four minutes and you're trying to get the best records

1647
01:20:03,680 --> 01:20:06,320
Speaker 1: in the best music. And I want that smoke. Yeah, yeah,

1648
01:20:06,360 --> 01:20:08,040
Speaker 1: I just want you to know I didn't even touch

1649
01:20:08,840 --> 01:20:12,200
Speaker 1: like a quarter of Wayne. I know you probably you

1650
01:20:12,280 --> 01:20:14,639
Speaker 1: know hit all the fifties greatest hits. Now. I couldn't

1651
01:20:14,640 --> 01:20:18,080
Speaker 1: get what Ara Waynes, did you go? Um? Two thousands?

1652
01:20:18,320 --> 01:20:22,400
Speaker 1: Like two thousand? Like blog era. I went back a

1653
01:20:22,439 --> 01:20:27,200
Speaker 1: little bit and then I got you what are you

1654
01:20:27,280 --> 01:20:35,400
Speaker 1: talking about? It was? It was honestly too easy. I

1655
01:20:35,600 --> 01:20:37,320
Speaker 1: was like, you know, what are you know what Evy's

1656
01:20:37,360 --> 01:20:39,719
Speaker 1: gonna play? Because its options? He only got one album

1657
01:20:39,800 --> 01:20:44,160
Speaker 1: of options. There's more than one album stuff. I could

1658
01:20:44,160 --> 01:20:47,599
Speaker 1: go to DJ albums. I like how she casually reads.

1659
01:20:49,479 --> 01:20:53,400
Speaker 1: Let's open up the fold lines eight hundred five eight

1660
01:20:53,479 --> 01:20:56,360
Speaker 1: five one oh five one. We we did coins and

1661
01:20:56,479 --> 01:21:00,360
Speaker 1: Charlemagne pick head Okay, heads, I said, head, you pick

1662
01:21:00,439 --> 01:21:03,920
Speaker 1: tails in bottom. Here we go, top hot, damn, here

1663
01:21:04,000 --> 01:21:10,479
Speaker 1: we go again. I'm not not nowhere, nowhere, there, nowhere

1664
01:21:10,640 --> 01:21:14,200
Speaker 1: near my god. That's good. That's that is not he's

1665
01:21:14,200 --> 01:21:16,680
Speaker 1: holding that cup. It might be power, that's definitely not.

1666
01:21:16,880 --> 01:21:18,960
Speaker 1: But anyway, let's get to the mix and then call

1667
01:21:19,040 --> 01:21:20,760
Speaker 1: us up. Eight hundred and five A five one oh

1668
01:21:20,800 --> 01:21:22,400
Speaker 1: five one. Now, y'all know I love knowledge, so we're

1669
01:21:22,400 --> 01:21:23,880
Speaker 1: just having some fun. But let's do It's the breakfast

1670
01:21:23,880 --> 01:21:29,120
Speaker 1: club the morning. And he started off the shame you

1671
01:21:29,200 --> 01:21:33,519
Speaker 1: started off, but you're strong. Let me let me tell you.

1672
01:21:33,840 --> 01:21:36,720
Speaker 1: I might have to stand corrected. I don't know that

1673
01:21:36,840 --> 01:21:40,559
Speaker 1: got me round up? Let over. Yeah, I'm only here

1674
01:21:40,640 --> 01:21:42,600
Speaker 1: doing this. What does this mean? You can't okay, you

1675
01:21:42,600 --> 01:21:44,160
Speaker 1: can't see me? Okay? And I was like, why I

1676
01:21:44,240 --> 01:21:45,920
Speaker 1: started in the club. I was you started with the

1677
01:21:45,920 --> 01:21:49,439
Speaker 1: power theme song because I'm like, you gotta start, and

1678
01:21:49,520 --> 01:21:51,360
Speaker 1: then you go to I know how to do this

1679
01:21:51,520 --> 01:21:56,560
Speaker 1: quake I'm glad you learned. Lets you know how to

1680
01:21:56,640 --> 01:21:58,320
Speaker 1: do something, because in the book you said you didn't

1681
01:21:58,320 --> 01:21:59,960
Speaker 1: know how to do nothing, said you knew how to start.

1682
01:22:00,040 --> 01:22:04,240
Speaker 1: Gonna float back then, sucker for ten years I got

1683
01:22:04,360 --> 01:22:05,880
Speaker 1: to talk because I know what you're not gonna talk,

1684
01:22:08,560 --> 01:22:17,120
Speaker 1: so doesn't count. I think Wayne longer. I saw Nvy

1685
01:22:17,200 --> 01:22:19,240
Speaker 1: driving yesterday with the drop top down. He had twenty

1686
01:22:19,280 --> 01:22:26,080
Speaker 1: one questions playing out, was like easy money, easy, yeah,

1687
01:22:26,120 --> 01:22:28,920
Speaker 1: let's do it, come on, come on, beautiful. I'm not

1688
01:22:29,080 --> 01:22:32,400
Speaker 1: talking as a hype man, like I don't have a

1689
01:22:32,439 --> 01:22:34,439
Speaker 1: pit bull in the fight. I don't know that was cute.

1690
01:22:34,800 --> 01:22:37,400
Speaker 1: I think that. I think both of y'all did good.

1691
01:22:38,280 --> 01:22:42,000
Speaker 1: Wayne fifty verses for radio, that was both of it

1692
01:22:42,080 --> 01:22:45,840
Speaker 1: went deeper. I feel like Envy did what he had

1693
01:22:45,920 --> 01:22:48,760
Speaker 1: to do for fifty. I feel like for Wayne, though,

1694
01:22:48,840 --> 01:22:52,080
Speaker 1: I had to do more radio because he has a lot. Definitely,

1695
01:22:52,280 --> 01:22:54,599
Speaker 1: like I don't want to excuse. I could have did

1696
01:22:54,680 --> 01:22:56,240
Speaker 1: a big stape one. I could have did R and

1697
01:22:56,320 --> 01:23:01,479
Speaker 1: B one. I could have don the phone drink five

1698
01:23:01,800 --> 01:23:03,680
Speaker 1: five one O five one. That was cute. I know

1699
01:23:03,960 --> 01:23:06,040
Speaker 1: I was not expecting your Harlem chick that got me.

1700
01:23:07,040 --> 01:23:09,559
Speaker 1: It was killed in. I mean, if you're in, if

1701
01:23:09,560 --> 01:23:11,559
Speaker 1: you're in a DJ battle and the other DJ starts

1702
01:23:11,640 --> 01:23:15,160
Speaker 1: dancing to the other DJ, the DJ other DJ automatically win.

1703
01:23:15,280 --> 01:23:20,720
Speaker 1: I was I was just start casting one, two three.

1704
01:23:23,280 --> 01:23:24,920
Speaker 1: You know, Wayne needed some help. He did a lot

1705
01:23:24,960 --> 01:23:29,400
Speaker 1: of features. He needed that and the theme song knock

1706
01:23:29,439 --> 01:23:33,559
Speaker 1: it Off, and he showed he don't forget he got

1707
01:23:33,640 --> 01:23:37,280
Speaker 1: no mercy. He's on ESPN. Wayne got that too, How

1708
01:23:37,640 --> 01:23:42,040
Speaker 1: I didn't need to use it? Five one on five one?

1709
01:23:42,080 --> 01:23:45,360
Speaker 1: Would you think open up the phone lines. I'm stopped.

1710
01:23:45,960 --> 01:23:48,439
Speaker 1: I don't know, I don't know, I don't know. I'm

1711
01:23:48,520 --> 01:23:52,360
Speaker 1: just I don't have a dog in the fight. Let's

1712
01:23:52,439 --> 01:23:54,680
Speaker 1: let's open up the phone. Take some calls. It's the

1713
01:23:54,720 --> 01:24:01,000
Speaker 1: Breakfast Club. Good morning, the Breakfast Club forty. Everybody is

1714
01:24:01,040 --> 01:24:04,400
Speaker 1: TJ n Vy Charlomagne the guy. We are the Breakfast Club.

1715
01:24:04,479 --> 01:24:07,120
Speaker 1: Beat Scott our guest co host is here. Oh yeah,

1716
01:24:07,640 --> 01:24:10,840
Speaker 1: And then we got Nala. He she said to Now

1717
01:24:11,240 --> 01:24:13,800
Speaker 1: we usually do pass the awks on Fridays at this time, right,

1718
01:24:13,920 --> 01:24:17,000
Speaker 1: but since y'all had y'all versus Bran, Wayne versus fifty

1719
01:24:17,080 --> 01:24:18,519
Speaker 1: on the radio, we gotta go to the phone. We're

1720
01:24:18,520 --> 01:24:20,040
Speaker 1: gonna open up the phone lines a little bit. This

1721
01:24:20,120 --> 01:24:22,120
Speaker 1: is gonna be interesting to see who's there. Now. We're

1722
01:24:22,120 --> 01:24:27,479
Speaker 1: just gonna go, uh, Hello, who's this? Hell? What's your name?

1723
01:24:27,880 --> 01:24:30,840
Speaker 1: My name is George? What up? What I'm doing? Troy?

1724
01:24:31,880 --> 01:24:34,200
Speaker 1: Who you got? Fifty? Verse? Wayne? Who you got? And

1725
01:24:34,280 --> 01:24:36,400
Speaker 1: be honest, don't feel pressure because he got the first

1726
01:24:36,520 --> 01:24:39,599
Speaker 1: voicing here? Oh no, no, no, I'm not real night

1727
01:24:39,840 --> 01:24:43,080
Speaker 1: all day Wayne. Anybody trying to wear unvy? Screaming on

1728
01:24:43,160 --> 01:24:50,000
Speaker 1: the track the whole time? No, I like his screaming

1729
01:24:50,320 --> 01:24:53,640
Speaker 1: got me. Don't let him manipulate the call these and

1730
01:24:53,760 --> 01:24:56,080
Speaker 1: they got control of the phone. I'm going to Hello,

1731
01:24:56,120 --> 01:25:01,360
Speaker 1: who's this hey, Charlene, good morning? Where you calling from?

1732
01:25:01,640 --> 01:25:05,280
Speaker 1: Good Martin. I'm following from Jacksonville, Florida. Fall in the building,

1733
01:25:08,439 --> 01:25:11,519
Speaker 1: not a little envy. Okay, So I'm gonna have to

1734
01:25:11,680 --> 01:25:14,479
Speaker 1: you know, I love the Wayne act, but I feel

1735
01:25:14,520 --> 01:25:19,120
Speaker 1: like you didn't have likes best work and and it

1736
01:25:19,280 --> 01:25:22,479
Speaker 1: was the best that. I feel like you be wonderful. Okay,

1737
01:25:22,800 --> 01:25:25,599
Speaker 1: huh so we won one right now. I was gonna saying,

1738
01:25:25,640 --> 01:25:27,840
Speaker 1: it's a lot like you can go really deep on Wayne,

1739
01:25:27,960 --> 01:25:33,439
Speaker 1: really deep on fifty. Hello, who's this? Tyrone? What's up?

1740
01:25:33,439 --> 01:25:35,800
Speaker 1: Who are you going with this morning? Fifty or a little? Wayne?

1741
01:25:37,680 --> 01:25:46,800
Speaker 1: You not baby? Please have the baby take me? Not

1742
01:25:47,160 --> 01:25:52,760
Speaker 1: damn damn. I like that. No, Tyrone didn't. Hello, Who's this?

1743
01:25:55,640 --> 01:25:58,800
Speaker 1: Ain't sound? What's something? Mama? It's good? Who you going

1744
01:25:58,880 --> 01:26:01,960
Speaker 1: with this morning? I'm definitely going with Nyla and Wheezy

1745
01:26:02,120 --> 01:26:05,840
Speaker 1: if the baby it sound like it sounds like it's

1746
01:26:05,840 --> 01:26:13,120
Speaker 1: Wheezy f Envy this morning. Hey, this is Ryan, Hey Ryan,

1747
01:26:13,200 --> 01:26:16,519
Speaker 1: good morning. Sorry Ez I'm a Jersey, but I gotta

1748
01:26:16,600 --> 01:26:22,120
Speaker 1: say little I love. It's not looking good. It's not

1749
01:26:22,240 --> 01:26:24,559
Speaker 1: looking good. It's for one Wayne right now? You still

1750
01:26:24,600 --> 01:26:30,200
Speaker 1: you want to keep doing this to yourself? Hello? What's

1751
01:26:30,200 --> 01:26:33,599
Speaker 1: your name? Hey? Shea? Were you going with this morning? Wayne?

1752
01:26:33,920 --> 01:26:38,800
Speaker 1: Or fifty? Fifty? Be kilted? That's what I'm talking about.

1753
01:26:40,800 --> 01:26:43,439
Speaker 1: From what you're calling from Queens on your voice? Definitely

1754
01:26:43,479 --> 01:26:46,960
Speaker 1: from sound like forty projects you my god? What are

1755
01:26:46,960 --> 01:26:52,920
Speaker 1: you calling from? I'm calling from whom you jerseyfficiently from Queens.

1756
01:26:53,040 --> 01:26:56,120
Speaker 1: You can hear it in the back head throat, Baby,

1757
01:26:56,439 --> 01:27:00,759
Speaker 1: I can hit the baby project. Hello this two Wayne?

1758
01:27:00,840 --> 01:27:04,120
Speaker 1: Right now? Yo, this is what I'm ping. Man. Where

1759
01:27:04,120 --> 01:27:08,080
Speaker 1: you from? Va? Man? Va? Man? Yeah, yeah, man, Hey,

1760
01:27:08,320 --> 01:27:11,200
Speaker 1: I'll tell you what do you want with? You had

1761
01:27:11,280 --> 01:27:14,240
Speaker 1: better song? If the right jes they put the Wayne?

1762
01:27:16,520 --> 01:27:19,559
Speaker 1: Who you're going from this morning? Bro? Who you going

1763
01:27:19,600 --> 01:27:25,080
Speaker 1: with this morning? If you want me? He's coming back?

1764
01:27:25,280 --> 01:27:29,200
Speaker 1: Okay for four three? Right now he's stayed to come back. Hello?

1765
01:27:29,280 --> 01:27:32,920
Speaker 1: Who's this? This is getting real juicy? What's up? What's

1766
01:27:32,920 --> 01:27:34,880
Speaker 1: your name? Bro? What are you calling from? Man? I'm there,

1767
01:27:35,000 --> 01:27:38,120
Speaker 1: don't call him. I want to talk about the little

1768
01:27:38,120 --> 01:27:42,800
Speaker 1: Wayne versus who you got? Man? I'm going Wayne the

1769
01:27:42,920 --> 01:27:48,800
Speaker 1: hard got Okay? You want to take one more? Five? Three? Wayne?

1770
01:27:48,880 --> 01:27:55,040
Speaker 1: Right now? Random? Logan on the phone, right now, Damn Random?

1771
01:27:55,120 --> 01:27:58,280
Speaker 1: I bet you. Madison and Logan on the phone right now, Hogan,

1772
01:27:58,320 --> 01:28:02,600
Speaker 1: this shoe rude Dominique from Thromabell, South Carolina eight for

1773
01:28:02,800 --> 01:28:04,680
Speaker 1: three all day? What's happening then? When you're gonna win

1774
01:28:04,720 --> 01:28:09,280
Speaker 1: South Carolina Carolina? Hey? Hey, you got smoke your old

1775
01:28:09,320 --> 01:28:16,479
Speaker 1: playlist with? How you hitting up from that? Don't you

1776
01:28:16,600 --> 01:28:19,360
Speaker 1: disrespect some of the South Carolina like that? We wanna

1777
01:28:19,360 --> 01:28:23,400
Speaker 1: take one more? Are you done more? Let's go. I

1778
01:28:23,520 --> 01:28:26,559
Speaker 1: can't see this. Mikey Madison on the phone. Madison, Now

1779
01:28:27,200 --> 01:28:34,559
Speaker 1: this is a I Hello Hey, here calling from Man.

1780
01:28:34,600 --> 01:28:38,080
Speaker 1: I'm calling from Hell's New York this morning, New York.

1781
01:28:38,280 --> 01:28:40,280
Speaker 1: Hold on in the call. Now they called We're Queen's

1782
01:28:40,320 --> 01:28:44,200
Speaker 1: at who you got this morning? MISSISSI, Wayna, that's not true. Man,

1783
01:28:46,479 --> 01:28:49,360
Speaker 1: I grew up level. I'm gonna give it the white

1784
01:28:50,600 --> 01:28:54,040
Speaker 1: seven three Wayne, and there it is. We took seven

1785
01:28:54,120 --> 01:28:58,799
Speaker 1: three way call it. It's as okay, Ain't no coffee,

1786
01:28:58,840 --> 01:29:04,000
Speaker 1: ain't no donuts. You know, it was crazy about this

1787
01:29:04,200 --> 01:29:07,280
Speaker 1: versus that neither one of y'all went as deep as

1788
01:29:07,360 --> 01:29:09,280
Speaker 1: y'all could, because y'all could going to them when y'all

1789
01:29:09,280 --> 01:29:13,640
Speaker 1: going to the mixtapes Wayne and fifty after hearing what

1790
01:29:13,720 --> 01:29:16,160
Speaker 1: I heard this oneing, we gotta make this versus happen.

1791
01:29:16,200 --> 01:29:17,960
Speaker 1: I would love for it to happen. You'll gotta get switzing, Tim,

1792
01:29:18,040 --> 01:29:19,920
Speaker 1: y'all got to do something somebody. They gotta get sponsors

1793
01:29:19,960 --> 01:29:22,760
Speaker 1: to be able to pay something, something that would be great.

1794
01:29:23,160 --> 01:29:25,559
Speaker 1: Like you said, we we kept it close to radio

1795
01:29:25,680 --> 01:29:27,960
Speaker 1: right because we played a lot of the mixtape recause

1796
01:29:28,000 --> 01:29:30,040
Speaker 1: a lot of people look like, what's that same thing

1797
01:29:30,080 --> 01:29:35,960
Speaker 1: with Wayne? Like uh, let the beat bills and like, uh,

1798
01:29:36,320 --> 01:29:39,360
Speaker 1: I want to play comfortable just it's like play Earthquake.

1799
01:29:41,680 --> 01:29:44,720
Speaker 1: You didn't play. I didn't play. Yeah. I felt like

1800
01:29:44,880 --> 01:29:47,080
Speaker 1: some of them are more like things I would listen

1801
01:29:47,120 --> 01:29:48,560
Speaker 1: to in my own time, right at the club, not

1802
01:29:48,680 --> 01:29:52,240
Speaker 1: on radio like Uproars Radio. All the ones I played

1803
01:29:52,280 --> 01:29:55,040
Speaker 1: are radio friendly. All right, he beat me seven three,

1804
01:29:55,080 --> 01:30:00,840
Speaker 1: Wayne Young Nyla. We come back. We got the People's

1805
01:30:00,920 --> 01:30:06,920
Speaker 1: choice mixing the way hung about that man Chi trying

1806
01:30:06,920 --> 01:30:08,400
Speaker 1: to take my chair. You know, we throw it back

1807
01:30:08,439 --> 01:30:10,040
Speaker 1: on the Friday, We're gonna start off with some Nellie.

1808
01:30:10,080 --> 01:30:14,400
Speaker 1: It's the breakfast Club. Good morning, the Breakfast Club. Your

1809
01:30:14,439 --> 01:30:19,000
Speaker 1: morning's will never be the same. Monday April seventeenth, at

1810
01:30:19,080 --> 01:30:22,640
Speaker 1: nine am eighth Central, me DJ Envy and Charlomagne the

1811
01:30:22,680 --> 01:30:25,360
Speaker 1: Guy to host a breakfast club on b ET. The

1812
01:30:25,520 --> 01:30:28,479
Speaker 1: evolution will be televised on a new set with top

1813
01:30:28,560 --> 01:30:32,759
Speaker 1: tier guests. The Breakfast Club with real talk rains starts Monday,

1814
01:30:32,880 --> 01:30:36,639
Speaker 1: April seventeenth that nine am, eighth Central on b ET Morning. Everybody.

1815
01:30:36,680 --> 01:30:40,080
Speaker 1: It's DJ Envy, Charlomagne the Guy. We are the Breakfast Club.

1816
01:30:40,160 --> 01:30:43,080
Speaker 1: We have our guest co host b Scott. Indeed, NILA's

1817
01:30:43,080 --> 01:30:51,680
Speaker 1: still here, DJ Nala Yes now behind mine an now

1818
01:30:51,760 --> 01:30:53,960
Speaker 1: B Scott. We appreciate you hanging with us. Yes, and

1819
01:30:55,200 --> 01:30:57,800
Speaker 1: I did. I did, and I'm so grateful to be here.

1820
01:30:58,000 --> 01:31:01,040
Speaker 1: And also this is a token of my appreciation. Say

1821
01:31:01,160 --> 01:31:03,479
Speaker 1: thank you for being so kind to me and for

1822
01:31:03,640 --> 01:31:05,960
Speaker 1: this opportunity. I had brought to you a little something

1823
01:31:06,080 --> 01:31:09,679
Speaker 1: from Harlem Hops. They are a beer bar and located

1824
01:31:09,720 --> 01:31:12,679
Speaker 1: in Harlem and also in Chelsea, and it's black owned

1825
01:31:12,840 --> 01:31:15,040
Speaker 1: and so now you have a little something from them

1826
01:31:15,120 --> 01:31:17,680
Speaker 1: to you know, from my show, my appreciation, Thank you,

1827
01:31:17,920 --> 01:31:19,320
Speaker 1: and I also got to shout up to people who

1828
01:31:19,360 --> 01:31:22,560
Speaker 1: did my wigs. This is true and pure extensions and

1829
01:31:22,720 --> 01:31:24,639
Speaker 1: things of that nature. But I had a great time

1830
01:31:24,680 --> 01:31:28,280
Speaker 1: with you. How can they find you? Of Scott at

1831
01:31:28,320 --> 01:31:30,280
Speaker 1: B Scott. You can't find me everywhere. It's at be

1832
01:31:30,400 --> 01:31:33,240
Speaker 1: Scott and always find me on love be Scott dot com.

1833
01:31:33,439 --> 01:31:39,320
Speaker 1: All right, what's the cold own like that? Look the

1834
01:31:39,360 --> 01:31:44,799
Speaker 1: other side, he's always backwards. Look at thank you always

1835
01:31:44,800 --> 01:31:48,559
Speaker 1: from the back on. Thank you. It's a little rose

1836
01:31:48,760 --> 01:31:51,599
Speaker 1: spritzer and beer. You know, we gotta get black people

1837
01:31:51,680 --> 01:31:54,760
Speaker 1: drinks some beer. Right, Thank you so much. And now look,

1838
01:31:54,760 --> 01:31:56,080
Speaker 1: thank you for coming up. You come up with every

1839
01:31:56,120 --> 01:31:57,800
Speaker 1: Friday usually you do past the Awks. But you know

1840
01:31:57,840 --> 01:32:00,320
Speaker 1: we had a little battle, a little versus the small morning. No,

1841
01:32:00,439 --> 01:32:03,040
Speaker 1: this is great, this is fun Nilo one seven to three.

1842
01:32:03,280 --> 01:32:06,360
Speaker 1: Who out there? But I'll tell you what, man, it

1843
01:32:06,439 --> 01:32:08,320
Speaker 1: does really make me want to see a fifty cent

1844
01:32:08,680 --> 01:32:13,920
Speaker 1: Wayne versus because you can go way deep on way

1845
01:32:14,000 --> 01:32:16,639
Speaker 1: deep because leny getting really none of the mixtape stuff. Yeah,

1846
01:32:17,160 --> 01:32:18,600
Speaker 1: and I wonder when New York was this morning. I

1847
01:32:18,640 --> 01:32:19,960
Speaker 1: don't know if New York is that works, but they're

1848
01:32:19,960 --> 01:32:23,400
Speaker 1: just waking up. What the hell was going on? Your

1849
01:32:23,400 --> 01:32:25,080
Speaker 1: boots mobile? What the hell's going on in New York?

1850
01:32:25,640 --> 01:32:28,400
Speaker 1: Get your tims on your Air Force one, y'all this morning,

1851
01:32:28,479 --> 01:32:31,320
Speaker 1: not the Air Force one. I don't want to do this.

1852
01:32:31,640 --> 01:32:34,880
Speaker 1: Don't you start your start the air Force. Air Force

1853
01:32:34,960 --> 01:32:37,719
Speaker 1: one started in New York of a town. It's ninety

1854
01:32:37,760 --> 01:32:39,400
Speaker 1: degrees in New York right now. The people who grew

1855
01:32:39,479 --> 01:32:42,160
Speaker 1: up on fifty got on jean shorts and construction timberlins

1856
01:32:42,360 --> 01:32:49,160
Speaker 1: on their way to do nothings. Fitt and Yankee Fitts.

1857
01:32:49,200 --> 01:32:51,160
Speaker 1: All right, when we come back, we got the positive

1858
01:32:51,200 --> 01:32:53,320
Speaker 1: notice the Breakfast club the morning. But then everybody is

1859
01:32:53,360 --> 01:32:56,760
Speaker 1: DJ n V Charlemagne the guy. We are the Breakfast club.

1860
01:32:57,080 --> 01:33:01,040
Speaker 1: Our co host be Scottish here, I am, y'all yes,

1861
01:33:01,320 --> 01:33:02,400
Speaker 1: and it's time to get up out of here. We

1862
01:33:02,479 --> 01:33:04,599
Speaker 1: had a great time again, thank you again for stopping

1863
01:33:04,640 --> 01:33:06,240
Speaker 1: through it. It was the time with us. It was

1864
01:33:06,360 --> 01:33:08,360
Speaker 1: my honor. I had a great time, and thank you

1865
01:33:08,479 --> 01:33:10,280
Speaker 1: again for being so kind. It was not tough getting

1866
01:33:10,360 --> 01:33:12,080
Speaker 1: up early in the morning. It was, but by the

1867
01:33:12,120 --> 01:33:13,880
Speaker 1: second day I was into it. And now I'm going

1868
01:33:13,960 --> 01:33:15,640
Speaker 1: it's like, dang, just when I'm getting used to it.

1869
01:33:15,680 --> 01:33:17,920
Speaker 1: I'm sure you'll be back. Yeah, I definitely like Sammy

1870
01:33:18,000 --> 01:33:20,240
Speaker 1: in Town, you come on back through. It was my pleasure,

1871
01:33:21,120 --> 01:33:23,080
Speaker 1: all right. And I want to tell everybody too, man,

1872
01:33:23,680 --> 01:33:26,519
Speaker 1: please make sure this weekend to go get your tickets

1873
01:33:26,560 --> 01:33:30,000
Speaker 1: for the first ever Black Effect Podcast Festival, happening Saturday,

1874
01:33:30,080 --> 01:33:33,479
Speaker 1: April twenty second, next Saturday. I was looking yesterday we

1875
01:33:33,600 --> 01:33:35,439
Speaker 1: had like three hundred tickets left for a while. I

1876
01:33:35,520 --> 01:33:37,800
Speaker 1: want those tickets gone by the weekend, people, okay, because

1877
01:33:37,800 --> 01:33:39,400
Speaker 1: I want to see y'all there. We got the eighty

1878
01:33:39,439 --> 01:33:42,920
Speaker 1: five South Show performing live. We have horrible decisions, we

1879
01:33:43,040 --> 01:33:46,479
Speaker 1: have reasonably shady, we have checking in with Michelle Williams.

1880
01:33:46,520 --> 01:33:48,559
Speaker 1: We have to we talk back podcast. There guests will

1881
01:33:48,600 --> 01:33:51,120
Speaker 1: be Porsche Williams. It's hosted by me and Jesse Hilarious.

1882
01:33:51,160 --> 01:33:53,400
Speaker 1: We got food, we got music, So it's gonna be

1883
01:33:53,439 --> 01:33:56,439
Speaker 1: a good time in Atlanta next Saturday. Man, you know

1884
01:33:56,760 --> 01:33:58,760
Speaker 1: it's a it's a daytime festival. So after that, y'all

1885
01:33:58,760 --> 01:34:00,280
Speaker 1: can go watch the fight, or y'all can go see

1886
01:34:00,479 --> 01:34:02,320
Speaker 1: Little Wayne before I think a little Wayne gonna be

1887
01:34:02,320 --> 01:34:04,599
Speaker 1: in the landing next Saturday. Speaking of Wayne, so make

1888
01:34:04,600 --> 01:34:06,880
Speaker 1: sure you're gonna grab those last three hundred tickets at

1889
01:34:06,920 --> 01:34:09,240
Speaker 1: event bright dot com this weekend and go to black

1890
01:34:09,280 --> 01:34:12,360
Speaker 1: Effect dot com for more info. Okay, thank you very much.

1891
01:34:12,680 --> 01:34:14,120
Speaker 1: All Right, well you got a positive note for the

1892
01:34:14,120 --> 01:34:17,320
Speaker 1: people and don't forget again. You can follow b Scott

1893
01:34:17,439 --> 01:34:21,280
Speaker 1: at b Scott followed dj Nwlli Simone, dj nwly Simone

1894
01:34:21,720 --> 01:34:23,160
Speaker 1: and tell them about your shows and all that before

1895
01:34:23,200 --> 01:34:25,040
Speaker 1: you get about it. Oh yeah, definitely follow me at

1896
01:34:25,160 --> 01:34:28,000
Speaker 1: Nihila Simone with three e's at the end. And make

1897
01:34:28,000 --> 01:34:29,960
Speaker 1: sure you guys, once you follow me, you'll see I

1898
01:34:30,040 --> 01:34:33,519
Speaker 1: have an Amazon show every Wednesday nine pm. We go

1899
01:34:33,680 --> 01:34:36,200
Speaker 1: live on Twitch. They will also have an AMP Radio

1900
01:34:36,320 --> 01:34:38,920
Speaker 1: show that I do every Tuesdays and Thursday with on

1901
01:34:39,040 --> 01:34:41,479
Speaker 1: the Radar gay P definitely check it out and stay

1902
01:34:41,520 --> 01:34:43,360
Speaker 1: tapped in. Oh and also makes you guys tune into

1903
01:34:43,400 --> 01:34:46,400
Speaker 1: the What hip Hop podcast where we debate conversations like

1904
01:34:46,600 --> 01:34:49,200
Speaker 1: the Wayne versus fifty even though the answer to be obvious,

1905
01:34:49,400 --> 01:34:51,800
Speaker 1: but you know, sure you guys tapping up also on

1906
01:34:51,840 --> 01:34:55,040
Speaker 1: the Black Effect Network. So tapping guys, are you working? Yeah? Okay,

1907
01:34:55,360 --> 01:34:57,040
Speaker 1: all right, Well leave us on a positive note or

1908
01:34:57,080 --> 01:34:58,960
Speaker 1: the positive note simply this man, you got to learn

1909
01:34:59,000 --> 01:35:03,040
Speaker 1: the difference between someone disrespecting you versus feeling disrespected. Emotional

1910
01:35:03,120 --> 01:35:05,720
Speaker 1: ears here from a place of offense. Sometimes it's not

1911
01:35:05,760 --> 01:35:07,720
Speaker 1: what they said, it's what you are triggered by, and

1912
01:35:07,840 --> 01:35:10,799
Speaker 1: unless you know your triggers, you'll see everything as an attack.

1913
01:35:11,080 --> 01:35:14,600
Speaker 1: Enjoy the weekend and there it is breakfast club. You

1914
01:35:14,640 --> 01:35:15,840
Speaker 1: know I'm finish. What y'all dumb