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Speaker 1: I have an update on my cat situation. What was

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Speaker 1: there a cat?

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Speaker 2: What cats?

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Speaker 1: I got cats? You guys, situation that's getting an adoption?

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Speaker 1: Made it sound like it was we got it. We

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Speaker 1: got an updated. Okay around, give up? Okay, all right?

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Speaker 1: Pick Pickles got out and this it was the wor

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Speaker 1: Tickles went out. Pickles got out went wild. No, So

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Speaker 1: we were so, we had a gathering, We had people over,

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Speaker 1: people stayed late. We were like, did everybody close the

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Speaker 1: door where the cat's? Okay? Yeah, yeah, we're fine. Wake

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Speaker 1: up the next morning. Cannot find Pickles. Lucky, who's usually

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Speaker 1: out and about and is the way more social. We're like, Lucky,

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Speaker 1: where's pickles? Can't find Pickles? Can't find pickles? Okay, so

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Speaker 1: Alex has luckily we have trackers on there, you know,

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Speaker 1: but of course the tracker is not working in the house.

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Speaker 1: So all we can get is a like the tracker

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Speaker 1: to make a noise, like you push a button and

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Speaker 1: you hear a yeah, but it's and we Alex can

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Speaker 1: hit the button and sometimes deep somewhere in one of

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Speaker 1: the rooms in the house, Alex Indy's bedroom, we hear

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Speaker 1: a distantly and we're like, okay, Okay, she's got to

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Speaker 1: be under the house. She's got to be under the house.

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Speaker 1: So I go down through the crawl space. Nothing cannot

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Speaker 1: find Pickles can't. So then I'm like, oh god, real

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Speaker 1: problem is Pickles doesn't me out, Like Pickles can't make

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Speaker 1: sound for whatever reason, like she just she can barely go, like,

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Speaker 1: so we can't hear anything. So we're like Pickles, Pickles.

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Speaker 1: So I'm bringing food down. I go under the house

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Speaker 1: about seven times, yeah, because I know it's here, like

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Speaker 1: we can hear the thing, right. And then I finally,

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Speaker 1: let me say if I can share a photo with

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Speaker 1: you guys, I finally crawl to the what is the

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Speaker 1: end of my crawl space, like I'm seeing the cement

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Speaker 1: foundation under my house? Yes, And I see a little

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Speaker 1: hole like you know where the house ends. And then

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Speaker 1: it seems like there's more going on, and Pickle sticks

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Speaker 1: her little face down from this hole and I'm like,

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Speaker 1: how did you get up there?

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Speaker 2: Where are you?

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Speaker 1: And I'm like, oh my god, she's under the deck

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Speaker 1: that's like off the back of our house. So then

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Speaker 1: I'm like, all right, we gotta we gotta lift up

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Speaker 1: the deck because she can't come down where I can

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Speaker 1: see her face poking through. She can't like crawl down

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Speaker 1: and then up. I'm like, so, how did you get

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Speaker 1: there in the first place. So then I'm like, so

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Speaker 1: then I have to find the right tool to pry

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Speaker 1: up the deck. Of course, the deck is not with

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Speaker 1: regular screwdrivers. It's like these weird star screws, and I

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Speaker 1: have to like get the special screws, and so, like,

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Speaker 1: you know, forty five minutes, I finally start unscrewing the

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Speaker 1: deck when we get like some of the deck off

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Speaker 1: and I lift it up and there's just pure dirt

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Speaker 1: under it, Like what, so she's not where is she?

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Speaker 1: And then I realized there's a whole section of the

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Speaker 1: house that I can't access, like a crawl space. Like basically,

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Speaker 1: at one point somebody added onto our house and like

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Speaker 1: didn't create cross space. So my crawl space ends where

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Speaker 1: I'm like growing in the dirt, you know. I'm like, like,

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Speaker 1: you know, it's only a foot under their house, and

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Speaker 1: then it just ends where I can see her little face,

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Speaker 1: but there's more beyond that, and I don't know how

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Speaker 1: she got there. It's Narnia, right, No, So that is

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Speaker 1: at this point, it's been six six hours of like

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Speaker 1: leaving food out, trying to get her out. I've been

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Speaker 1: under the house so many times, and I'm finally.

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Speaker 2: Like, what do you do?

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Speaker 1: You have to like call animal control? Like I don't

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Speaker 1: know how, like do they have to destroy part of

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Speaker 1: our house? Like she got stuck in there somehow? So

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Speaker 1: I'm like calling all the different you know whatever phone

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Speaker 1: numbers I can find online delight to see what she

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Speaker 1: can do that could help. Well, there should be like

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Speaker 1: a cat rescue team, right, because you feel like an

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Speaker 1: idiot department. You need the patrol patrol, right, it seems

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Speaker 1: like this happens anyway. I finally I get like the

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Speaker 1: right animal people and they're like talking to me, and

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Speaker 1: you know, they're having me send photos, which I would

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Speaker 1: love to send this photo to you guys if I can.

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Speaker 1: How do I do that? Gosh?

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Speaker 2: Now we really do have a cat situation. I see

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Speaker 2: before there was no cat situation. It was just as

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Speaker 2: you know, we adopted cats. We had a cat situation.

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Speaker 2: This is the definition of a cat situation.

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Speaker 3: You need the paw patrol or god forbid, the CRT,

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Speaker 3: the cat rescue team.

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Speaker 1: I know the best part about this photo, and I

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Speaker 1: don't know if it's going to come through. Is that

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Speaker 1: it's one of those live photos. Oh so you can

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Speaker 1: see that it's just a hole, and then she sticks

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Speaker 1: her little face down, like if you watch it in

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Speaker 1: the live it's.

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Speaker 2: Obviously pickles God under there probably from outside, you know.

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Speaker 2: She how it's a she right, she got in there?

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Speaker 2: So how how so you walked around the outside of

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Speaker 2: the deck looking to see if you could find her

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Speaker 2: entry point, you couldn't.

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Speaker 1: So under under the house, I find like a rapper

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Speaker 1: that has been chewed out, and I'm like, oh, maybe

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Speaker 1: she got in there and then couldn't get out that way.

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Speaker 1: And I'm like that's the only thing I could think.

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Speaker 1: So I get the people on the phone, I you know,

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Speaker 1: finally get the call from like the guy who's like, well,

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Speaker 1: oh wow, yeah, so she sees she can stick her

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Speaker 1: head there, but then there's a whole little like valley

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Speaker 1: between me and her that she still can't get Like.

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Speaker 2: No, she can't get her bought yeah yeah, yeah right.

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Speaker 1: And she's not coming when I put a food right there.

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Speaker 1: So anyway, I get the person on the phone who's like, okay,

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Speaker 1: we'll calm you know, we'll we have a trap. Is

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Speaker 1: there a way to get a trap and they're like no,

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Speaker 1: like I can't. I don't know how to get and

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Speaker 1: they're like, okay, well we'll figure it out. We'll have

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Speaker 1: to like break maybe break down like wall I like

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Speaker 1: figure out how to like take this all apart. And

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Speaker 1: I'm like okay. And then and then luckily my friend

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Speaker 1: Ocean was staying with us, and he's like, wait, wait, wait,

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Speaker 1: there's an entrance to that section under the house that

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Speaker 1: she must have crawled in, and it was completely blocked

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Speaker 1: in the side the house, and we're like, oh my god,

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Speaker 1: this is it. Like this goes to that crawl space.

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Speaker 1: And I had to move all this crap, like she

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Speaker 1: had dodged all these piles of things to get in

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Speaker 1: to find this way, and so I'm like, oh, so

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Speaker 1: this is the access point. There's no cross So I

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Speaker 1: finally moved that. I put the food down, and Pickles

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Speaker 1: comes walking out, and then of course I'm terrified that

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Speaker 1: like she's gonna run away, but she's been there for

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Speaker 1: at this point, like eighteen hours, like all.

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Speaker 2: Night and like baby Jessica, oh yeah.

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Speaker 1: So I finally get her close enough where she's eating

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Speaker 1: out of my hand, like grab her. But anyway, long

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Speaker 1: story short, we saved Pickles. It was my entire day.

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Speaker 1: And then like now, luckily, the cats are so terrified

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Speaker 1: if the door opens and like you know, they peek

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Speaker 1: out and like Pickles just runs back inside because.

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Speaker 2: Like not today, Satan.

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Speaker 1: In the future.

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Speaker 3: One of the things you could have done is you

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Speaker 3: get another cat that looks just like Pills and you

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Speaker 3: pretend you.

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Speaker 1: Call it and just don't Yeah, just don't tell Indy exactly.

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Speaker 1: That's a lot of people could do that too. So yeah, yeah,

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Speaker 1: poor was so distraught. It was like, you know, the worst,

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Speaker 1: but oh man, we made it. But yeah, man, having

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Speaker 1: cats and you love them, it is a cat situation.

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Speaker 3: You'll break your heart and not care what they're doing

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Speaker 3: it either. That's the thing about cats.

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Speaker 2: Yeah, you I think the problem really isn't the cats.

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Speaker 2: It's that your gatherings didn't respect the cats.

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Speaker 1: Well, this is the hard No, here's the problem. Our

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Speaker 1: cats are so stinking cute. When we have people over it,

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Speaker 1: they always want to hang out with the cats. So

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Speaker 1: when we had like Indy's birthday party, all the kids

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Speaker 1: want to take turns going in to say hi to

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Speaker 1: so even we lock them in a room because we

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Speaker 1: know people are going in and out to use the bathroom.

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Speaker 1: Even though we're having the party outside, people are coming

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Speaker 1: in and out. We we can't just always be yelling.

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Speaker 1: We put the cats in one room. Invariably they get

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Speaker 1: out because kids are always going to pet the cats,

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Speaker 1: say hi, they want like there there are kids who

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Speaker 1: come just to see our cats, like they kind of

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Speaker 1: don't care about it. Sounds like a terrible petting zoo.

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Speaker 3: I'll be honest with you, just the two cats in

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Speaker 3: a room is just the worst petting zoo.

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Speaker 1: Ever or the best or the best I guess. Oh wow.

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Speaker 2: Now cats I know can jump really high, but command

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Speaker 2: is suggest a baby gate of sorts at the door,

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Speaker 2: so that if the door that you don't worry about

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Speaker 2: the cats like running just in between feet, they'd have

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Speaker 2: to actually make like a leap over.

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Speaker 3: I don't know if you do get that most cats

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Speaker 3: are not bill size and can easily clear.

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Speaker 2: I know, but what I'm saying is the quickness of

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Speaker 2: like leaving a door open a crack and then a

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Speaker 2: cat sneaking out on the bottom, versus like if you

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Speaker 2: have a pretty tall baby gate that somebody maybe couldn't

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Speaker 2: even step over, then if the door is open, I

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Speaker 2: don't know. In order for the baby gate to work,

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Speaker 2: you do need to be able to step over it,

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Speaker 2: because then they don't have to take up and down

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Speaker 2: the baby gate. So yeah, I don't know. Bill can Bill,

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Speaker 2: even though he weighs like twenty five pounds, he's got ups.

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Speaker 1: It's the radio because he's radioactive. I know his superhero.

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Speaker 1: A totally separate note.

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Speaker 3: Soon and I are having date night tonight, and hopefully

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Speaker 3: Pickles is getting out.

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Speaker 1: That's all I got to say about that.

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Speaker 2: Wow. Yeah, remember when you said Pickles got out and

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Speaker 2: he said, is that of euphemism? He's been holding.

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Speaker 1: On to that. Yes.

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Speaker 2: Welcome to Pod Meets World. I'm Daniel Fishl.

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Speaker 1: I'm right or strong.

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Speaker 2: So welcome to Season six, Episode three, Ain't College Great?

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Speaker 2: It originally aired October ninth, nineteen ninety eight. The synopsis.

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Speaker 2: Now Enrolled at Penbrook, Corey eagerly signs up for classes

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Speaker 2: without real zing what he's getting himself into. When he

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Speaker 2: visits his guidance counselor to try and fix his mistake,

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Speaker 2: he calls on an old friend for help. Meanwhile, Eric

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Speaker 2: and Jack find their sensitive sides for Rachel.

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Speaker 1: Can we what can we talk about titles for a second?

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Speaker 1: Is this a reference to something? Ain't college great? Is

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Speaker 1: that like a is there a song? Is there a

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Speaker 1: TV show? I bet got to be something?

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Speaker 3: Right?

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Speaker 1: Isn't isn't there something? Ain't something grand? Is that a thing?

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Speaker 1: Ain't ain't life grand? Is that what? It sounds like

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Speaker 1: a thing like that? Maybe I don't know. I never

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Speaker 1: understood our titles, Like we never knew our titles when

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Speaker 1: we were doing the show, remember, like did we the titles?

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Speaker 1: We knew the numbers and we never talked. But then

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Speaker 1: of course in you know, post post DVD life, everything

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Speaker 1: is streaming, everybody searches for so the episode titles have

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Speaker 1: become way more important than I remember, and they're strange

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Speaker 1: to me, Like how the time I don't get the

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Speaker 1: reference or it sounds like familiar. But I don't know

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Speaker 1: if that's just because I remember it when we were

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Speaker 1: shooting it or what like. But yeah, like this title

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Speaker 1: just struck me as weird.

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Speaker 3: Again, if you google anything like it, it just goes

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Speaker 3: to our episode.

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Speaker 2: Yeah, it doesn't. It doesn't feel like it's a direct reference.

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Speaker 1: So we ain't gonna spray let us know more, right, yeah,

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Speaker 1: I knew that one. Yeah, and then yeah, I dream

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Speaker 1: of FEOENI you know obviously that that's like an idea genie.

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Speaker 1: Like there are some that I get and then other

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Speaker 1: times I'm like, yeah, I don't get this one either.

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Speaker 1: But remember that was.

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Speaker 3: One of the things that Michael used to always do,

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Speaker 3: is that he would give these really obscure references to

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Speaker 3: things where we were like, what the hell are you

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Speaker 3: talking about?

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Speaker 1: So this is probably like.

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Speaker 3: This is the nineteen forties whatever movie you didn't know

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Speaker 3: college great, like that kind of thing.

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Speaker 1: I wonder if somebody's compiled a list of like all

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Speaker 1: the references that are in our titles, because that's a

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Speaker 1: good idea, that would be good. We can look for that.

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Speaker 3: No.

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Speaker 2: This episode was directed by William Russ mister Rusty Russ.

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Speaker 2: The second episode it was written by Jeff Manel. Before

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Speaker 2: we jump into our guest stars, do you guys have

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Speaker 2: any overall thoughts?

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Speaker 1: I enjoyed this episode quite a lot. Oh touch, I mean,

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Speaker 1: I have major problems okay with me, and it's not

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Speaker 1: just my it's not really only my performance which also

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Speaker 1: but be Sean is really annoying in this episode, I

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Speaker 1: would say negative Nelly, he's awful, and that whole dynamic

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Speaker 1: doesn't make any sense. No, it's saved by the end.

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Speaker 1: I think maybe it's the idea that you know, you

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Speaker 1: like Topanga, Sean, and Angela are all like over Corey

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Speaker 1: and then wait, we actually are there for him, Yeah,

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Speaker 1: which is kind of nice. But that whole first half

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Speaker 1: I was like, we suck.

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Speaker 2: Now.

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Speaker 1: I don't know, like, it doesn't seem like the right.

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Speaker 1: It doesn't fit with Sean to be stressed out about

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Speaker 1: Corey being a dork, Like, yeah, that is anti Sean,

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Speaker 1: Like Sewan is always the one who's fine. It's Corey

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Speaker 1: who's stressed out. It's Corey who's nervous. Sean is like,

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Speaker 1: we're gonna be fine, it's gonna be cool. You're Corey.

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Speaker 1: I'm Sean who cares. And it said Sean's the one

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Speaker 1: that's like, which actually could have been a good good

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Speaker 1: story of like Sean, we're more insecure and trying to

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Speaker 1: be cool for the first time now that he's out

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Speaker 1: of high school, and Corey's the one who's cool. Like

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Speaker 1: there could been a dynamic there, but instead Chauncey just

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Speaker 1: to brand and I was like, you suck. Dude, and

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Speaker 1: it's just not fun to watch. It's like a weird vibe.

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Speaker 1: I'm like, I'm just harshing on Martian on Corey's mellow man.

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Speaker 2: Yeah man. It's also it would have made so much

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Speaker 2: more sense for all of us to be preoccupied with

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Speaker 2: our own college stuff that we only have time for

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Speaker 2: gentle reminders to Corey, like, oh, Corey, don't overextend yourself.

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Speaker 2: I've gotta sign up for this, and I go running

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Speaker 2: off and for you to be like, you know what,

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Speaker 2: just need a pudding cup, Like if everyone's trying to

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Speaker 2: encourage Corey to just Corey, It's okay, You're gonna be fine.

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Speaker 2: Just and when he says he's signing up for these

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Speaker 2: things for us to give him gentle warnings, but we're

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Speaker 2: we should be so preoccupied with our own thing that

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Speaker 2: would help then set up later. Oh well, we always

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Speaker 2: knew you were gonna do this. That's that's the most

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Speaker 2: Corey thing you could have done. We took care of it,

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Speaker 2: and here's how we fixed it. So I completely agree

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Speaker 2: with you. I actually really I also I enjoyed the

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Speaker 2: I enjoyed the episode. I enjoyed certainly the acet line.

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Speaker 2: I can't believe. I really can't. We're on episode three

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Speaker 2: and there's still no new storyline for you at will

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Speaker 2: and was.

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Speaker 1: Going to be either actually like this one though, this

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Speaker 1: one was good to me because it was based in

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Speaker 1: character and you got to see all three of them

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Speaker 1: play to something, you know, like and it was like

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Speaker 1: riffing on them, knowing who they are, what their characters are.

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Speaker 1: I don't know, I thought it would work. Finally that

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Speaker 1: storyline worked for me. I was like, Oh, this feels

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Speaker 1: feels right, it feels comfortable, and maybe it was just

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Speaker 1: a matter of getting used to each other or what.

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Speaker 1: But for whatever reason, if this had been like the

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Speaker 1: first one, I know, that's kind of impossible because I

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Speaker 1: had to bring her in. But like, if this had

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Speaker 1: been the storyline about the two of you guys trying

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Speaker 1: to compete for her, it makes the most sense and

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Speaker 1: it's the most fun and you're great in it, so

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Speaker 1: it's totally fine, you know, like finally like, oh, you're right.

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Speaker 2: If this hadn't been episode three of them trying to

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Speaker 2: do it, it would have been no, it would be flawless.

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Speaker 2: But instead I was like, we're still only doing.

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Speaker 1: This because had you realized that his Ricky impression had

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Speaker 1: actually been on the show. He's doing exactly, which is

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Speaker 1: like at all, Like yeah, his.

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Speaker 2: Well, your black, your.

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Speaker 1: Blast shirt like the pirate shirt.

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Speaker 2: And you're sticking your fingers in the candle. It's so funny.

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Speaker 1: You like the actor episode, him going in and out

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Speaker 1: of it. He's like, dude, that's her bras one of

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Speaker 1: the funniest lies. Because it's like after all of this,

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Speaker 1: like I'm still just this giddy, corny little boy, Like,

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Speaker 1: oh my god, no, I I enjoyed it.

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Speaker 3: I had a kind of a realization with Boy Meets

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Speaker 3: World that you need to see it almost as a

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Speaker 3: bunch of different sitcoms as opposed to one continuous show

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Speaker 3: all the way through. So I'm starting to like this

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Speaker 3: version of Boy Mets World. My favorite kind of Corey.

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Speaker 3: I love neurotic crazy.

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Speaker 2: I know, season one Corey.

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Speaker 3: Yes, my favorite kind of Corey. I agree about Sean entirely.

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Speaker 3: But you know, once I got that in my head

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Speaker 3: that it's like, Okay, this is going to be the

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Speaker 3: Beast story for the rest of time. Now it's going

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Speaker 3: to be Josh, Jack and Eric going after Rachel, and

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Speaker 3: they're gonna have different versions of this, it's just what

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Speaker 3: it's going to be and neurotic Cory and all of

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Speaker 3: us in college.

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Speaker 1: I was I was looking forward to you know.

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Speaker 3: Some of the jokes obviously were not great, but overall

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Speaker 3: I enjoyed the episode.

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Speaker 2: I did thought it was I thought it was fun too.

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Speaker 2: I was pleasantly surprised. Okay, guest starring. We have some

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Speaker 2: character actor legends in this one. We mark Tim Shashan

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Speaker 2: as guidance counselor. He was a very busy TV actor,

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Speaker 2: appearing on shows like the Facts of Life, As the

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Speaker 2: World Turns, George Lopez, and Er just to name a few.

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Speaker 2: Will might recognize him as Phil Tatola in the Seinfeld

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Speaker 2: episode The stand.

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Speaker 1: In he took it Out. Yeah, great episode.

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Speaker 2: He retired from the business and two thousand and seven

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Speaker 2: and now teaches acting and is the chair and creative

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Speaker 2: director of Savannah College of Art and Designs Performing Arts Department.

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Speaker 2: Huh isn't that cool?

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Speaker 1: Savannah as in Savannah, Georgia.

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Speaker 2: Uh huh oh cool. And then we have William Wyndham

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Speaker 2: as Ned, a well known character actor with a ton

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Speaker 2: of credits, like playing doctor Seth Hazlitt on Murder. She

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Speaker 2: wrote and commodore Matt Decker in Star Trek. He was

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Speaker 2: also in a bunch of movies, but worth mentioning that

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Speaker 2: his first film ever was To Kill a Mockingbird.

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Speaker 3: Whoa.

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Speaker 2: He also won the nineteen seventy Emmy for Best Comedic

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Speaker 2: Performance by an Actor in a Comedy Series for a

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Speaker 2: show called My World and Welcome to It.

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Speaker 1: Huh.

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Speaker 2: William passed in twenty twelve at the age of eighty eight.

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Speaker 2: Then we have keone Young as Professor, another prolific guy

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Speaker 2: with an uncountable amount of credits. He appeared in movies

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Speaker 2: like Private Benjamin, The Even Stephens movie, Men in Black,

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Speaker 2: three and North. But name a TV show and he

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Speaker 2: was in it, aleas Curb Your Enthusiasm, The Golden Girls,

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Speaker 2: Small Wonder. The list is long and insane. You may

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Speaker 2: recognize him though from his time on some classics. He

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Speaker 2: was Mister Wu on Deadwood and appeared in episodes of

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Speaker 2: Sons of Anarchy and True Blood.

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Speaker 1: Yeah, also a voice of Gi Joe. Oh Yeah.

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Speaker 2: He is now a very active and award winning voice actor,

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Speaker 2: most notably on High High, Puffy, Ami Yumi, and Samurai Jack.

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Speaker 2: Jumping into our recap, Wow, we have so many new

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Speaker 2: set alerts. We are in the hallway of the Penbrook dorms,

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Speaker 2: which is very much before.

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Speaker 1: We go any farther.

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Speaker 3: The second guy, the guy who passed away in twenty twelve,

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Speaker 3: Which part did he play?

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Speaker 1: He was the guy on the docks on the correction

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Speaker 1: next to Feeni. Okay, gotcha, got jay? Gotcha?

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Speaker 2: Yes, we're in the Penbrook hallway. Dorms are designed very

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Speaker 2: much like the Boy's Apartment hallway. Notice that as well,

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Speaker 2: so listeners. Like when we explained the setup of the

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Speaker 2: studio with the set, so maybe we could briefly explain.

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Speaker 2: I don't remember the hallway either, was it.

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Speaker 1: I think it was on the other side, so like

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Speaker 1: after you're facing the audience, it was to the left

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Speaker 1: of the audience on the audience, on the same side

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Speaker 1: as the audience that was on the same side. So

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Speaker 1: if you're looking at the audience, it was to the

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Speaker 1: left of them, on the same side that they were on. Yes, yes, yes, yes,

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Speaker 1: the opposite the union, the student union. The student union

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Speaker 1: was to Yeah. The living room was on that side,

400
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Speaker 1: wasn't it. It was more to the right.

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Speaker 2: It was Phoene's classroom exactly.

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Speaker 1: The hallway and the kitchen kitchen. Phoenie is still there.

403
00:19:48,480 --> 00:19:51,840
Speaker 2: Yeah, kitchen, I was still the kitchen. Side yard was there,

404
00:19:51,920 --> 00:19:54,040
Speaker 2: and then on the other side of side yard was

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Speaker 2: student union. Gotcha, Phoene's other side of Phoene's yard, gotcha. Okay,

406
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Speaker 2: So Corey is an overly enthusiastic high fiving random strangers

407
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Speaker 2: and aimlessly shouting college at the top of his.

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Speaker 1: Same I love this.

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Speaker 2: I love it. Sean quickly calms him down. They don't

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00:20:16,320 --> 00:20:18,359
Speaker 2: know anyone yet. He'd rather not be known as the

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Speaker 2: Woo who boys. By the way, I liked this this.

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Speaker 2: This was fine to me, you saying like, Okay, let's

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Speaker 2: not be known as the woo hoo boys. This is

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Speaker 2: totally fine. I have no problem. Like, let's just let's

415
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Speaker 2: scope it out first, let's get a feel cool dude.

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Speaker 1: But it would I think if Sean had been like

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Speaker 1: overly obsessed with being cool cool and Corey was just

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00:20:38,800 --> 00:20:42,360
Speaker 1: sort of free and dorkey, going that's a good dynamic.

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Speaker 1: But instead it's like Corey's kind of free and insecure

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Speaker 1: and worried about being this and then Shawn's pissed at him.

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Speaker 3: It's just like, but that just again proving Michael right

422
00:20:53,280 --> 00:20:55,800
Speaker 3: when it comes to one major note, which is anger

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Speaker 3: isn't funny and you're kind of playing it angry? Yeah,

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00:20:58,880 --> 00:21:01,720
Speaker 3: and it's it comes whereas if you were like he

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Speaker 3: comes in, you're like, hey.

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Speaker 1: Can you kick you know what? Why don't we get

427
00:21:04,800 --> 00:21:07,320
Speaker 1: your pudding cup? Like you're the one who gives him? Well,

428
00:21:07,400 --> 00:21:09,200
Speaker 1: I don't even know if it's angry. I think it's

429
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Speaker 1: just that if if Sean is cool what he's playing,

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Speaker 1: he is cool and he's judging Corey, that guy sucks.

431
00:21:17,280 --> 00:21:20,199
Speaker 1: Like if he's cool and he's fine with Corey being door,

432
00:21:20,480 --> 00:21:23,560
Speaker 1: everyone loves him. But if he's like, whoa, whoa, whoa,

433
00:21:23,600 --> 00:21:27,159
Speaker 1: I'm cooler than you, Corey and he actually is sucks

434
00:21:27,160 --> 00:21:28,919
Speaker 1: like he should be trying to be cool and not

435
00:21:29,240 --> 00:21:30,840
Speaker 1: or I don't know, but as it is, like in

436
00:21:30,880 --> 00:21:34,639
Speaker 1: this episode, he always loved Corey, doesn't know that Corey

437
00:21:34,640 --> 00:21:38,080
Speaker 1: wants putting exactly think the Corey's family is going, what

438
00:21:38,080 --> 00:21:41,159
Speaker 1: are you kidding me? He knows exactly what he's getting

439
00:21:41,160 --> 00:21:43,240
Speaker 1: with Corey as a room mate. Why is this an issue?

440
00:21:43,320 --> 00:21:47,280
Speaker 2: And it's what he wanted? Anything, it makes Sean more

441
00:21:47,359 --> 00:21:50,560
Speaker 2: cool that his friend is the antithesis of cool.

442
00:21:51,040 --> 00:21:54,720
Speaker 3: So it was a very different, Sean. This episode just

443
00:21:54,840 --> 00:21:55,560
Speaker 3: completely different.

444
00:21:55,800 --> 00:21:57,640
Speaker 1: The next thing that happens, what happens.

445
00:21:57,840 --> 00:21:59,920
Speaker 2: Points to a door behind Corey. This is their room.

446
00:22:00,080 --> 00:22:02,239
Speaker 2: Corey's wide eyed. We can't just walk in here. This

447
00:22:02,320 --> 00:22:04,920
Speaker 2: is big. You can't just open this door. Sean's over

448
00:22:04,960 --> 00:22:07,440
Speaker 2: the theatrics. We're not in high school anymore. That crap

449
00:22:07,600 --> 00:22:08,600
Speaker 2: just has to stop.

450
00:22:09,200 --> 00:22:10,720
Speaker 1: I don't mind that. I don't mind that because it

451
00:22:10,800 --> 00:22:13,040
Speaker 1: was like a nice callback to the first episode of

452
00:22:13,080 --> 00:22:15,640
Speaker 1: high school, which was actually our first episode of seventh grade.

453
00:22:15,760 --> 00:22:19,000
Speaker 2: But yes, he opens the door and we're introduced to

454
00:22:19,080 --> 00:22:22,000
Speaker 2: Corey and Sean's dorm room. It's a standard dorm room,

455
00:22:22,000 --> 00:22:25,640
Speaker 2: but Corey's in awe. It's so beautiful. But Sean argues, no,

456
00:22:25,880 --> 00:22:28,520
Speaker 2: beautiful is not a strong enough word. A better word

457
00:22:28,640 --> 00:22:29,800
Speaker 2: is sucks.

458
00:22:30,160 --> 00:22:30,400
Speaker 4: Suck.

459
00:22:30,560 --> 00:22:34,240
Speaker 1: Shan would be so stoked on this road. The guy

460
00:22:34,359 --> 00:22:36,600
Speaker 1: grew up in a trailer park. His room at the

461
00:22:36,640 --> 00:22:40,960
Speaker 1: apartment was a literal pig style. This is the joke

462
00:22:41,040 --> 00:22:45,040
Speaker 1: should be that. Corey's like, ohh and Sean is like, dude,

463
00:22:45,160 --> 00:22:47,040
Speaker 1: you can you believe how big this is?

464
00:22:47,320 --> 00:22:53,240
Speaker 3: Look, seld Moon, there are walls like that.

465
00:22:53,320 --> 00:22:56,640
Speaker 1: Yeah done, Oh my god, it doesn't have wheels. Look

466
00:22:56,640 --> 00:22:59,520
Speaker 1: at this, There's so many easy jokes that could have

467
00:22:59,560 --> 00:23:02,119
Speaker 1: been to the same point, but instead, like they just

468
00:23:02,160 --> 00:23:04,760
Speaker 1: threw Sean under the bus, like it doesn't make any sense,

469
00:23:04,800 --> 00:23:06,240
Speaker 1: Like you would be stoked, dude.

470
00:23:06,240 --> 00:23:10,200
Speaker 3: You should have walked in, ripped off the sheet and gone,

471
00:23:10,640 --> 00:23:15,760
Speaker 3: there's not a single bloodstain on this mattress something like that,

472
00:23:15,800 --> 00:23:19,119
Speaker 3: where it's like it's Xana do yeah. There.

473
00:23:20,560 --> 00:23:22,880
Speaker 1: You know a million different things we could have made

474
00:23:22,920 --> 00:23:25,639
Speaker 1: that were jokes, but not yeah, not that. Yeah, it

475
00:23:25,640 --> 00:23:26,960
Speaker 1: was a very character for Sean.

476
00:23:27,080 --> 00:23:29,560
Speaker 2: It was Sean says, give me a spoon. I'm digging

477
00:23:29,560 --> 00:23:33,800
Speaker 2: a tunnel right now. Corey ignores Sean's negativity and innocently

478
00:23:33,840 --> 00:23:38,040
Speaker 2: opens up a pudding cup. Shawn's draw drops, wow, you

479
00:23:38,080 --> 00:23:42,200
Speaker 2: brought pudding to college. Corey's taken back, what I brought

480
00:23:42,200 --> 00:23:45,040
Speaker 2: one for you, which was so sweet, so cute. I

481
00:23:45,119 --> 00:23:48,479
Speaker 2: bought one for you. Sean shushes him and gives him

482
00:23:48,480 --> 00:23:50,959
Speaker 2: a small rundown on college. One oh one, no pudding,

483
00:23:51,080 --> 00:23:54,560
Speaker 2: no woohooing. Okay, Corey catches on, this is a chance

484
00:23:54,600 --> 00:23:57,120
Speaker 2: to reinvent ourselves, right, we can be anything we want.

485
00:23:57,359 --> 00:24:00,480
Speaker 2: Sean shakes his head. No, you can be yourself, just

486
00:24:00,520 --> 00:24:03,680
Speaker 2: without the pudding, because I swear on my mother wherever

487
00:24:03,720 --> 00:24:05,800
Speaker 2: the hell she is, if I get to be known

488
00:24:05,880 --> 00:24:08,919
Speaker 2: as pudding Boy's best friend, I will kill you.

489
00:24:09,240 --> 00:24:11,080
Speaker 1: Would have been ten times funnier if I actually took

490
00:24:11,119 --> 00:24:14,679
Speaker 1: putting from him walking yeah, like literally, if I was like, okay,

491
00:24:14,720 --> 00:24:18,919
Speaker 1: after this, we're don and then Sewan would have been likable,

492
00:24:18,960 --> 00:24:20,880
Speaker 1: because then it would have been like yours, you want

493
00:24:20,920 --> 00:24:23,320
Speaker 1: to be cool, but flail in. You actually want the

494
00:24:23,359 --> 00:24:26,560
Speaker 1: pudding too? Would It's such an easy fix and same dialogue.

495
00:24:26,560 --> 00:24:28,639
Speaker 1: But I'm eating the pudding while I'm giving him the

496
00:24:28,680 --> 00:24:30,440
Speaker 1: speech perfect you know what, like.

497
00:24:30,560 --> 00:24:33,200
Speaker 2: I brought one for you? Oh thanks, so.

498
00:24:33,040 --> 00:24:38,480
Speaker 1: Sweat anyway, no more pudding. How funny is that?

499
00:24:38,600 --> 00:24:41,879
Speaker 2: Exactly? It's so funny. Cory is as jolly as can be.

500
00:24:42,080 --> 00:24:45,480
Speaker 2: You can't ruin my mood, Sean. Then Alan, Amy and

501
00:24:45,480 --> 00:24:47,600
Speaker 2: Morgan appear at the door. Alan is rolling in a

502
00:24:47,680 --> 00:24:50,359
Speaker 2: giant trunk. I think when you bolted from the car,

503
00:24:50,520 --> 00:24:55,840
Speaker 2: yelling college college, you forgot something. Corey's eyes light up

504
00:24:56,040 --> 00:25:00,640
Speaker 2: my pudding trunk. Sean dramatically cringes, and Amy believe her

505
00:25:00,640 --> 00:25:04,480
Speaker 2: little boys in college. Then Corey breaks in awkward silence. Hey,

506
00:25:04,560 --> 00:25:07,560
Speaker 2: thanks for raising me. See you, Morgan pipes up. Come on, guys,

507
00:25:07,600 --> 00:25:09,520
Speaker 2: let's go. Time is money see you in four years.

508
00:25:09,920 --> 00:25:13,000
Speaker 1: Of course, she's dressed like a real kid her age exactly.

509
00:25:13,119 --> 00:25:16,320
Speaker 1: Thank god. It was like, oh she wasn't in footy pajamas?

510
00:25:16,520 --> 00:25:21,360
Speaker 2: How great? Well, how grades and propeller head.

511
00:25:21,800 --> 00:25:25,359
Speaker 1: She's just holding the lollipop. Okay, I'm off to the sandbox.

512
00:25:26,400 --> 00:25:27,159
Speaker 1: So funny, I was.

513
00:25:27,200 --> 00:25:29,800
Speaker 2: I've never obviously I'm the oldest of two, but I

514
00:25:29,800 --> 00:25:32,760
Speaker 2: would imagine my feeling is that as the youngest, when

515
00:25:33,000 --> 00:25:35,800
Speaker 2: your siblings are both out of the house, that's got

516
00:25:35,840 --> 00:25:36,960
Speaker 2: to be a fun feeling.

517
00:25:37,200 --> 00:25:39,920
Speaker 1: It's awesome. She's got to have a new sibling born.

518
00:25:40,440 --> 00:25:41,480
Speaker 1: I know that's the different.

519
00:25:41,560 --> 00:25:44,960
Speaker 3: Yeah, I became Yeah, I became an only child, which

520
00:25:45,640 --> 00:25:47,240
Speaker 3: both my brothers were at college, and it was just

521
00:25:47,280 --> 00:25:48,160
Speaker 3: my parents and I forever.

522
00:25:48,160 --> 00:25:50,840
Speaker 1: It was great, love my brothers. But it was still

523
00:25:50,840 --> 00:25:51,679
Speaker 1: a lot of fun to be Oh.

524
00:25:51,760 --> 00:25:54,480
Speaker 2: Yeah, so I'm like, she's got to be stoked. Corey

525
00:25:54,480 --> 00:25:57,520
Speaker 2: admits I'll miss you, Morgan. Her tone changes, that's not

526
00:25:57,720 --> 00:25:59,800
Speaker 2: fair and she runs to runs to him for a

527
00:25:59,800 --> 00:26:02,560
Speaker 2: big Amy and Alan pyle on and look to Sean

528
00:26:02,640 --> 00:26:06,040
Speaker 2: to join them. He grins, Ah, sure, why not. They

529
00:26:06,080 --> 00:26:09,080
Speaker 2: all embrace. Then Amy starts to get emotional. I'm going

530
00:26:09,160 --> 00:26:11,840
Speaker 2: to miss my baby boy. Corey says she didn't get

531
00:26:11,840 --> 00:26:14,920
Speaker 2: like this for Eric. Amy suddenly turns serious. He doesn't

532
00:26:14,960 --> 00:26:18,920
Speaker 2: know we're here, does he? Alan quickly bolts for the door.

533
00:26:19,000 --> 00:26:21,080
Speaker 2: Let's get out of here. They're gone as quick as

534
00:26:21,119 --> 00:26:23,600
Speaker 2: they arrived, leaving Corey and Sean alone again.

535
00:26:24,240 --> 00:26:25,080
Speaker 1: So I have a question.

536
00:26:25,160 --> 00:26:27,399
Speaker 3: So Susan actually had a question, and it was one

537
00:26:27,480 --> 00:26:31,480
Speaker 3: I'm not sure was ever answered. Do we ever establish

538
00:26:31,840 --> 00:26:34,880
Speaker 3: how close Penbrook is to where we live?

539
00:26:35,920 --> 00:26:37,720
Speaker 1: No? Man, it's all Philadelphia, right, So.

540
00:26:37,800 --> 00:26:40,760
Speaker 3: Right, so they're still in Philly, the apartments close to

541
00:26:40,800 --> 00:26:43,320
Speaker 3: where they grew up, the apartments close to the apartment

542
00:26:43,560 --> 00:26:46,200
Speaker 3: to the college. But we never say it's like, hey,

543
00:26:46,200 --> 00:26:47,880
Speaker 3: you're a mom of only a half hour from home,

544
00:26:47,920 --> 00:26:49,360
Speaker 3: Like we don't ever get that specific.

545
00:26:49,440 --> 00:26:51,199
Speaker 1: No, but it should be right, because I feel like

546
00:26:51,320 --> 00:26:55,679
Speaker 1: Penbrook would be in Philadelphia City center. And how do

547
00:26:55,800 --> 00:26:58,920
Speaker 1: we establish that the Matthews there's like two towns that

548
00:26:58,960 --> 00:27:03,320
Speaker 1: would kind of narrowed down to right, Oh, Chester and no,

549
00:27:03,560 --> 00:27:06,520
Speaker 1: you guys remember Westchester? No, don't remember what it was.

550
00:27:06,680 --> 00:27:08,320
Speaker 1: I don't remember what they were. Don't remember they were.

551
00:27:08,359 --> 00:27:12,200
Speaker 1: They were about thirty to forty five minutes from Philadelphia, proper, Okay,

552
00:27:12,200 --> 00:27:15,359
Speaker 1: so figure probably half less than an hour. I will assume, right,

553
00:27:15,359 --> 00:27:16,959
Speaker 1: because it's a suburb that they I mean.

554
00:27:17,000 --> 00:27:20,280
Speaker 2: We also in just the last episode, will Eric had

555
00:27:20,320 --> 00:27:23,320
Speaker 2: gone from his apartment, which we're assuming is close to Penbrook,

556
00:27:23,640 --> 00:27:26,360
Speaker 2: his apartment, back to the Matthew's house, and back, all

557
00:27:26,440 --> 00:27:28,280
Speaker 2: within the span of a night. When we thought.

558
00:27:29,760 --> 00:27:30,879
Speaker 1: It's Sitcom walking distance.

559
00:27:30,920 --> 00:27:35,280
Speaker 3: Yeah, okay, just like one thousand miles from Philadelphia, North

560
00:27:35,440 --> 00:27:37,080
Speaker 3: is still in the continental United States.

561
00:27:37,560 --> 00:27:42,320
Speaker 2: Yeah. Corey turns to his best friend so excited, we're here.

562
00:27:42,440 --> 00:27:46,320
Speaker 2: We're in college. Sean grinns, Yeah, it's pretty cool. Then

563
00:27:46,400 --> 00:27:48,199
Speaker 2: to Pank and Angela up here at the door to

564
00:27:48,240 --> 00:27:52,200
Speaker 2: Panga playfully announces they found some college guys. Corey alerts Sean.

565
00:27:52,440 --> 00:27:55,360
Speaker 2: She means us. Corey states the obvious, Well, the four

566
00:27:55,400 --> 00:27:57,800
Speaker 2: of us are here at Penbrook, and Angela suggests they

567
00:27:57,880 --> 00:28:00,320
Speaker 2: check it out. The girls leave together, but Sean keeps

568
00:28:00,359 --> 00:28:04,919
Speaker 2: Corey behind. We're in college. Now, nobody knows us be cool.

569
00:28:05,640 --> 00:28:07,480
Speaker 2: Now back in the hallway with a student playing an

570
00:28:07,480 --> 00:28:11,720
Speaker 2: acoustic guitar. Corey tries to act casual. We have hallways,

571
00:28:11,800 --> 00:28:14,840
Speaker 2: rooms and co ed bathrooms. Just then a girl walks

572
00:28:14,840 --> 00:28:17,560
Speaker 2: into the bathroom. Corey smirks at Sean. You see Seannie.

573
00:28:17,640 --> 00:28:21,000
Speaker 2: In college, girls are not called girls, they're called co eds.

574
00:28:22,040 --> 00:28:25,040
Speaker 2: But then a man walks into the same bathroom. Corey

575
00:28:25,119 --> 00:28:28,200
Speaker 2: whispers to his friends a joke that would not fly now,

576
00:28:28,960 --> 00:28:33,080
Speaker 2: boy is she butch Angela clarifies that the co ed

577
00:28:33,080 --> 00:28:35,200
Speaker 2: bathroom is for men and women at the same time

578
00:28:35,560 --> 00:28:42,400
Speaker 2: to Pega ads just like on Ali McBeal, just another

579
00:28:42,680 --> 00:28:45,120
Speaker 2: show that's on at the time.

580
00:28:45,400 --> 00:28:46,240
Speaker 1: It was a huge hit.

581
00:28:47,280 --> 00:28:47,960
Speaker 2: Whatever show.

582
00:28:48,320 --> 00:28:50,360
Speaker 1: Oh yeah, I never watched it.

583
00:28:50,560 --> 00:28:51,680
Speaker 2: Oh I loved that show.

584
00:28:52,240 --> 00:28:54,200
Speaker 1: Do people still love it or is it one of

585
00:28:54,200 --> 00:28:56,040
Speaker 1: those things that was like it was a big cultural

586
00:28:56,080 --> 00:28:57,960
Speaker 1: moment that came and went.

587
00:28:57,880 --> 00:29:00,720
Speaker 3: Right, Yeah, yeah it was. That was Dan Baby and

588
00:29:00,760 --> 00:29:03,080
Speaker 3: all that right, he knows whistling, and there's.

589
00:29:02,920 --> 00:29:03,520
Speaker 1: A lot of life.

590
00:29:03,520 --> 00:29:06,400
Speaker 2: And also her very short skirts for business. It was

591
00:29:06,440 --> 00:29:08,680
Speaker 2: like a real like, oh my gosh, do you see

592
00:29:08,680 --> 00:29:11,240
Speaker 2: this woman who's a professional woman, she's wearing these very

593
00:29:11,240 --> 00:29:14,440
Speaker 2: small skirts. It reminds me of the inspiration for Topanga.

594
00:29:14,440 --> 00:29:16,360
Speaker 2: When she cut her hair that outfit that what you

595
00:29:16,480 --> 00:29:18,640
Speaker 2: called my skirt a belt. And then when we saw

596
00:29:18,720 --> 00:29:22,280
Speaker 2: Tapanga in the mailroom with Phil Leads, when she was like,

597
00:29:22,360 --> 00:29:24,520
Speaker 2: I suggested something and it became a law. I was

598
00:29:24,560 --> 00:29:27,400
Speaker 2: also wearing a short skirt. Then it was like Topega's

599
00:29:27,400 --> 00:29:32,840
Speaker 2: business attire was heavily influenced by Alan McBeal, Corey mocks

600
00:29:32,880 --> 00:29:36,680
Speaker 2: her and Worth, noting the subtitles say like Cartman, I was.

601
00:29:36,640 --> 00:29:37,600
Speaker 1: Gonna say, it's Cartman.

602
00:29:37,760 --> 00:29:46,280
Speaker 2: It's it says it even in the subtle it's so

603
00:29:46,280 --> 00:29:46,600
Speaker 2: so do.

604
00:29:46,520 --> 00:29:49,120
Speaker 1: You think I said Cartman voice in the script or

605
00:29:49,120 --> 00:29:50,760
Speaker 1: do you think Ben just did Cartman?

606
00:29:50,920 --> 00:29:52,200
Speaker 2: I think Ben just did that.

607
00:29:52,600 --> 00:29:54,880
Speaker 1: I think it just said what wouldn't have been otherwise,

608
00:29:54,920 --> 00:29:59,960
Speaker 1: Like it's so not Corey to mock to Peg totally bad,

609
00:30:00,360 --> 00:30:03,400
Speaker 1: is totally fat, Like he might have just done it,

610
00:30:03,440 --> 00:30:05,720
Speaker 1: Like I feel like the line was not even there,

611
00:30:06,360 --> 00:30:07,760
Speaker 1: and because.

612
00:30:08,200 --> 00:30:10,720
Speaker 2: He may have just said let her go in let

613
00:30:10,760 --> 00:30:12,640
Speaker 2: her go in there, and then they.

614
00:30:12,600 --> 00:30:14,920
Speaker 1: I don't think they would have written that except that

615
00:30:14,920 --> 00:30:16,840
Speaker 1: Ben would have just done it and it's funny. We

616
00:30:16,880 --> 00:30:18,560
Speaker 1: all would have laughed and then yeah, he was like

617
00:30:18,600 --> 00:30:20,960
Speaker 1: can I say this? And they're like, yeah, yeah, funny.

618
00:30:21,240 --> 00:30:23,880
Speaker 2: Angela assures him it's no big deal, and Sean says

619
00:30:23,880 --> 00:30:26,640
Speaker 2: he's going in the three enter as Corey stays behind

620
00:30:26,640 --> 00:30:29,560
Speaker 2: and Winds come on. I just got comfortable going in

621
00:30:29,560 --> 00:30:33,160
Speaker 2: front of guys. And then we're a college registration. There

622
00:30:33,200 --> 00:30:36,080
Speaker 2: are tons of background actors here and our four new

623
00:30:36,120 --> 00:30:38,600
Speaker 2: students are all signing up for various college classes.

624
00:30:38,600 --> 00:30:41,240
Speaker 1: Student union looking weird because it has that like desk

625
00:30:41,320 --> 00:30:44,240
Speaker 1: in the front, so it's a strange introduction to the space.

626
00:30:44,360 --> 00:30:45,960
Speaker 1: But it's a big set though.

627
00:30:46,000 --> 00:30:48,640
Speaker 3: I mean, do you remember that the cavernous set all

628
00:30:48,800 --> 00:30:50,360
Speaker 3: because you have the eating area, you had.

629
00:30:50,320 --> 00:30:55,160
Speaker 1: That, the pool table, the outdoor table, the outdoor table.

630
00:30:55,200 --> 00:30:57,400
Speaker 1: That was an enormous set. It's a it's a really

631
00:30:57,520 --> 00:30:59,960
Speaker 1: I was interesting to be seeing it for the first

632
00:31:00,080 --> 00:31:02,080
Speaker 1: I'm ever, you know, or since I was in it

633
00:31:02,720 --> 00:31:05,520
Speaker 1: and thinking, because it reminded me a lot of Girlley's

634
00:31:05,520 --> 00:31:07,360
Speaker 1: World sets. Yeah, actually reminded me a lot of the

635
00:31:07,360 --> 00:31:09,720
Speaker 1: coffee shop set from Girlmy Tour. Like I didn't realize

636
00:31:09,760 --> 00:31:11,880
Speaker 1: how much that coffee shop was modeled on this because

637
00:31:11,880 --> 00:31:15,040
Speaker 1: it had the outdoor table just like this and the

638
00:31:15,080 --> 00:31:18,280
Speaker 1: couch with the you know, it's like, wow, this is clearly.

639
00:31:18,040 --> 00:31:22,400
Speaker 3: You're you're both in the production side of television, and

640
00:31:22,560 --> 00:31:25,240
Speaker 3: maybe it's such a different aspect of television that you.

641
00:31:25,240 --> 00:31:26,040
Speaker 1: Might not know the answer.

642
00:31:26,120 --> 00:31:29,719
Speaker 3: But what is something like a set like this cost?

643
00:31:30,680 --> 00:31:32,080
Speaker 3: Is this one hundred and fifty thousand dollars?

644
00:31:32,120 --> 00:31:33,640
Speaker 1: This is a million dollars? Like, how much does it

645
00:31:33,680 --> 00:31:36,800
Speaker 1: cost to build a set like this? Fifty thousand? You

646
00:31:36,840 --> 00:31:39,360
Speaker 1: think to do the whole set? Okay, yeah, I like

647
00:31:39,440 --> 00:31:41,840
Speaker 1: that much. The most expensive part is like the paint

648
00:31:41,880 --> 00:31:46,600
Speaker 1: and the fixtures, you know, because the walls are just plywood, so.

649
00:31:46,640 --> 00:31:49,480
Speaker 2: It's sure most of it's rented. Probably, right.

650
00:31:49,640 --> 00:31:51,280
Speaker 4: I can't tune you in here. We did get some

651
00:31:51,320 --> 00:31:54,560
Speaker 4: emails last time you had this conversation. They said that

652
00:31:54,680 --> 00:31:57,520
Speaker 4: network is closer to what writers saying and shows that

653
00:31:57,640 --> 00:31:59,239
Speaker 4: have to be a little scrappy or can do that

654
00:31:59,240 --> 00:31:59,840
Speaker 4: for twenty to.

655
00:31:59,760 --> 00:32:02,560
Speaker 1: Thirty Okay, right, good, good to know. Interesting.

656
00:32:03,320 --> 00:32:05,440
Speaker 2: Our four new students are all signing up for various

657
00:32:05,480 --> 00:32:08,720
Speaker 2: college classes like psych one oh one, introductory business, and

658
00:32:08,920 --> 00:32:12,800
Speaker 2: one apparently called Let's Make Bread, which.

659
00:32:12,640 --> 00:32:14,960
Speaker 1: Is the only class I wanted to take. Did you

660
00:32:15,000 --> 00:32:16,480
Speaker 1: see that? That's great?

661
00:32:28,040 --> 00:32:30,760
Speaker 2: Corey looks around the room with admiration. This is where

662
00:32:30,760 --> 00:32:32,920
Speaker 2: we will determine who we are and what we know

663
00:32:33,040 --> 00:32:35,520
Speaker 2: for the rest of our lives. Sean tells him to

664
00:32:35,520 --> 00:32:38,320
Speaker 2: shut up again, and Tapanga reminds him they're only freshmen.

665
00:32:38,560 --> 00:32:40,560
Speaker 2: There's really no big decision to make yet. It's just

666
00:32:40,640 --> 00:32:43,400
Speaker 2: anything that says one oh one or intro two. Corey

667
00:32:43,440 --> 00:32:46,320
Speaker 2: disagrees that's the safe route. He was studying his course

668
00:32:46,320 --> 00:32:48,160
Speaker 2: guide last night, and the old Corey would have gone

669
00:32:48,200 --> 00:32:50,760
Speaker 2: down that road of safe and easy courses. But he

670
00:32:50,800 --> 00:32:54,040
Speaker 2: refuses to be trampled by the masses registering for a

671
00:32:54,080 --> 00:32:58,080
Speaker 2: little course he likes to call introduction for mediocrity. Sean

672
00:32:58,120 --> 00:33:01,959
Speaker 2: asks if he's done with his diatribe. He is. They

673
00:33:02,040 --> 00:33:04,280
Speaker 2: all dispersed a register, leaving Corey to look around at

674
00:33:04,320 --> 00:33:06,760
Speaker 2: the various options. He lands it a course that no

675
00:33:06,800 --> 00:33:09,240
Speaker 2: one is in line for. He nods at the professor

676
00:33:09,280 --> 00:33:11,240
Speaker 2: sitting there and jokes that the rest of the students

677
00:33:11,240 --> 00:33:11,880
Speaker 2: are cattle.

678
00:33:12,240 --> 00:33:16,480
Speaker 1: He proceeds, must have been the last, like the last

679
00:33:16,640 --> 00:33:19,640
Speaker 1: era of signing up in person for classes, right, because

680
00:33:19,680 --> 00:33:22,640
Speaker 1: I was already doing it online. Actually I remember, I

681
00:33:22,640 --> 00:33:25,320
Speaker 1: think we were doing it via phone. So you would

682
00:33:25,360 --> 00:33:27,680
Speaker 1: call and they would have been right in this year,

683
00:33:27,920 --> 00:33:30,280
Speaker 1: you would call and have to like enter the right

684
00:33:30,560 --> 00:33:33,840
Speaker 1: like code for the right class, and then it would

685
00:33:33,840 --> 00:33:37,520
Speaker 1: tell you you are registered for you know, philosophy one

686
00:33:37,520 --> 00:33:40,200
Speaker 1: oh one or whatever. Yeah, that's what would you get.

687
00:33:40,400 --> 00:33:42,080
Speaker 3: Just I was like if you were trying to get

688
00:33:42,080 --> 00:33:43,520
Speaker 3: into the same class as a bunch of people, and

689
00:33:43,640 --> 00:33:45,040
Speaker 3: was it like trying to win concert tickets?

690
00:33:45,120 --> 00:33:47,400
Speaker 1: You know what it was is you would get assigned

691
00:33:48,440 --> 00:33:50,600
Speaker 1: like a fifteen minute period that you could call in

692
00:33:50,760 --> 00:33:53,680
Speaker 1: so like and that if that was assigned by what

693
00:33:53,800 --> 00:33:55,479
Speaker 1: grade you were. So if you were a senior, you

694
00:33:55,520 --> 00:33:59,360
Speaker 1: had like you know, the the hours, like the seniors

695
00:33:59,360 --> 00:34:01,680
Speaker 1: got the first and then so it went by class

696
00:34:01,680 --> 00:34:03,880
Speaker 1: so by the time, and of course that worked out

697
00:34:03,920 --> 00:34:05,480
Speaker 1: because like the seniors weren't trying to get into the

698
00:34:05,520 --> 00:34:07,440
Speaker 1: one on one classes around. But yeah, so it was

699
00:34:07,480 --> 00:34:09,600
Speaker 1: all on the phone, that's right. And we also got

700
00:34:09,640 --> 00:34:12,319
Speaker 1: email addresses. That was like a big new thing. Yeah,

701
00:34:12,440 --> 00:34:16,160
Speaker 1: email address was your your school dot edu. And then yeah,

702
00:34:16,160 --> 00:34:18,279
Speaker 1: we did it on the phone. But by the time

703
00:34:18,280 --> 00:34:21,440
Speaker 1: I was at Columbia, which was two thousand, everything was online.

704
00:34:21,480 --> 00:34:22,440
Speaker 1: Like by that it was you.

705
00:34:22,400 --> 00:34:26,600
Speaker 2: Know, the last the last great sign up in person.

706
00:34:26,960 --> 00:34:30,160
Speaker 1: Yeah, seems fun like walk around and be like you.

707
00:34:30,040 --> 00:34:32,560
Speaker 2: Look to see like, oh, like that cute person, and when.

708
00:34:32,440 --> 00:34:35,400
Speaker 1: The professors be there, like at their table for their class.

709
00:34:35,520 --> 00:34:38,920
Speaker 2: Yeah, trying to recruit. I love this idea. Let's go

710
00:34:39,040 --> 00:34:41,480
Speaker 2: back the sweet nostalgia of being in person.

711
00:34:42,800 --> 00:34:44,560
Speaker 3: Oh god, if I had a time machine to go back,

712
00:34:44,560 --> 00:34:46,000
Speaker 3: the last thing I'd be doing would be going back

713
00:34:46,040 --> 00:34:47,719
Speaker 3: to sign up for college questions.

714
00:34:47,800 --> 00:34:50,640
Speaker 1: Are you find it better.

715
00:34:52,640 --> 00:34:53,560
Speaker 2: To hear this writer?

716
00:34:54,760 --> 00:34:56,640
Speaker 1: The idea that you could take a classes like all

717
00:34:56,680 --> 00:34:58,600
Speaker 1: the random things. Doesn't that excite you?

718
00:34:58,680 --> 00:34:58,759
Speaker 4: Like?

719
00:34:59,560 --> 00:35:03,560
Speaker 1: But it would be the list of the top machine,

720
00:35:03,840 --> 00:35:08,040
Speaker 1: top of the list, top of the think of the difference.

721
00:35:08,080 --> 00:35:11,480
Speaker 2: Okay, will You'd be in a crowd, Will's automatically out,

722
00:35:11,520 --> 00:35:15,120
Speaker 2: You'd be signing up for courses. Will's like, no, thanks, writer,

723
00:35:15,400 --> 00:35:18,200
Speaker 2: first place I'd go back to tons of people.

724
00:35:19,880 --> 00:35:22,040
Speaker 1: The idea of like going from here to the bookstore

725
00:35:22,080 --> 00:35:24,360
Speaker 1: to get the books for the class, like coming to

726
00:35:24,400 --> 00:35:27,040
Speaker 1: find like I remember piling like you know, you'd get

727
00:35:27,040 --> 00:35:28,719
Speaker 1: to sign up for these courses and then you just

728
00:35:28,760 --> 00:35:30,839
Speaker 1: get to go and be like, oh, I need all

729
00:35:30,960 --> 00:35:32,960
Speaker 1: twenty five of these books, and I just get to

730
00:35:33,000 --> 00:35:35,880
Speaker 1: like make my shelf for the year. Oh it's the best.

731
00:35:36,480 --> 00:35:38,000
Speaker 1: I'm look I'm gonna get to read all of this.

732
00:35:39,080 --> 00:35:42,120
Speaker 2: Oh when would you read your syllabus?

733
00:35:42,800 --> 00:35:43,000
Speaker 3: Oh?

734
00:35:43,800 --> 00:35:45,920
Speaker 1: Hey, I got it. Yeah, but you don't. That's the thing.

735
00:35:45,960 --> 00:35:49,200
Speaker 1: You wouldn't get your syllables. You showed up in class,

736
00:35:49,440 --> 00:35:51,160
Speaker 1: and then you'd get it and be like oh, and

737
00:35:51,280 --> 00:35:52,319
Speaker 1: I'd be so excited. Yeah.

738
00:35:52,440 --> 00:35:54,360
Speaker 3: You are third on the list of picking what we

739
00:35:54,400 --> 00:35:59,480
Speaker 3: do with the time machine for the record, you get Joyce.

740
00:36:00,160 --> 00:36:01,960
Speaker 1: I'm a lifelong learner. I'm going to be that old guy.

741
00:36:02,160 --> 00:36:02,560
Speaker 2: Me too.

742
00:36:02,680 --> 00:36:05,440
Speaker 3: But then, instead of using the time machine to go

743
00:36:05,480 --> 00:36:07,160
Speaker 3: back to sign up for History one on one, let's

744
00:36:07,160 --> 00:36:08,839
Speaker 3: just go back to the Battle of Agon.

745
00:36:08,560 --> 00:36:09,520
Speaker 1: Court and see what happened.

746
00:36:13,440 --> 00:36:16,319
Speaker 2: Okay, Corey proceeds to sign up, but only then we

747
00:36:16,360 --> 00:36:19,440
Speaker 2: see that he's now a student in existentialist thought and

748
00:36:19,480 --> 00:36:23,200
Speaker 2: its effect on quantum physics. And then we're at the

749
00:36:23,200 --> 00:36:25,760
Speaker 2: Guy's apartment. Rachel is sitting on the couch in her robe,

750
00:36:25,760 --> 00:36:28,000
Speaker 2: with tissues scattered all around her, in a bucket of

751
00:36:28,080 --> 00:36:30,719
Speaker 2: cheese balls on her lap. Jack and Eric walk out

752
00:36:30,719 --> 00:36:32,520
Speaker 2: of their rooms. They have to get going, so.

753
00:36:32,440 --> 00:36:35,200
Speaker 1: We gotta keep track. Does Rachel wear this robe or

754
00:36:35,239 --> 00:36:38,280
Speaker 1: a short robe every episode? Every so far? Okay, every single.

755
00:36:38,080 --> 00:36:40,280
Speaker 2: Episode YEP, so far, Episode three three.

756
00:36:40,200 --> 00:36:42,360
Speaker 1: It's like, seems like it's a requirement. She's got to

757
00:36:42,360 --> 00:36:43,600
Speaker 1: be in a robe at some point.

758
00:36:43,760 --> 00:36:46,520
Speaker 2: But Rachel immediately bursts into tears. Jack calls Eric an

759
00:36:46,560 --> 00:36:50,120
Speaker 2: idiot for making her cry. Rachel wales, Rachel, that's what

760
00:36:50,160 --> 00:36:52,800
Speaker 2: my boyfriend used to call me. The boys are confused.

761
00:36:53,000 --> 00:36:55,000
Speaker 2: Eric jumps in, there's going to be plenty of time

762
00:36:55,040 --> 00:36:57,160
Speaker 2: for that stroll down memory lane later, Babe, I got

763
00:36:57,239 --> 00:36:59,800
Speaker 2: to get there before hooked on phonics gets filled up.

764
00:37:01,120 --> 00:37:03,840
Speaker 2: Jack looks for Eric, who's scarfing down a bowl of Cereal,

765
00:37:03,920 --> 00:37:07,120
Speaker 2: to show some sympathy. Can't you see she's upset? Were

766
00:37:07,160 --> 00:37:08,440
Speaker 2: you eating cocoa puffs?

767
00:37:08,520 --> 00:37:11,320
Speaker 1: I have no idea, but it looked good. Is so great?

768
00:37:11,440 --> 00:37:13,359
Speaker 2: I love Cereal me too, but I don't need it,

769
00:37:13,400 --> 00:37:17,080
Speaker 2: but I should what you don't need?

770
00:37:17,160 --> 00:37:19,560
Speaker 1: Don't you know? Cereal's really not good for you, so

771
00:37:19,600 --> 00:37:22,480
Speaker 1: I don't. I don't. That's very very Everything.

772
00:37:22,160 --> 00:37:23,799
Speaker 2: Else you eat is so good for you, So.

773
00:37:25,480 --> 00:37:28,880
Speaker 1: Yes, thank you very much, no Cereal. I wish I

774
00:37:28,920 --> 00:37:33,600
Speaker 1: would you have a say you have a twice a year?

775
00:37:34,480 --> 00:37:35,880
Speaker 2: That's true? Yeah?

776
00:37:36,040 --> 00:37:37,120
Speaker 1: Yeah, really, yeah?

777
00:37:37,160 --> 00:37:40,200
Speaker 2: I know he doesn't He like treats. Himself on his birthday,

778
00:37:40,320 --> 00:37:42,600
Speaker 2: and then occasionally if we're at a con, he'll go

779
00:37:42,680 --> 00:37:44,960
Speaker 2: with me. Because the problem is Sue's probably not that

780
00:37:45,080 --> 00:37:46,440
Speaker 2: is as excited about McDonald's.

781
00:37:46,480 --> 00:37:48,960
Speaker 1: Of course, my personal trainer wife. No, she's not as

782
00:37:49,000 --> 00:37:54,319
Speaker 1: excited about McDonald's as I am. So no, when so.

783
00:37:54,239 --> 00:37:57,000
Speaker 2: When you're around me and I'm really excited about it,

784
00:37:57,239 --> 00:38:00,160
Speaker 2: you're happy to have a friend. Exactly, I got it,

785
00:38:00,960 --> 00:38:07,640
Speaker 2: I got it, Okay. Eric tries to study his crying roommate. Obviously,

786
00:38:07,760 --> 00:38:10,920
Speaker 2: I don't have your power of perception. Rachel looks at

787
00:38:10,960 --> 00:38:12,640
Speaker 2: them with me, Scara running down her face, and Eric

788
00:38:12,640 --> 00:38:17,879
Speaker 2: aggressively shouts what Rachel bursts into tears again. Everything Eric

789
00:38:17,920 --> 00:38:20,480
Speaker 2: sees this is a good sign. Everything's out. Now, let's

790
00:38:20,520 --> 00:38:23,120
Speaker 2: get out of here, hurry. But Rachel doesn't move. I

791
00:38:23,160 --> 00:38:25,000
Speaker 2: just don't know what I'm doing here. We had plans,

792
00:38:25,040 --> 00:38:26,279
Speaker 2: we were going to live together, we were going to

793
00:38:26,320 --> 00:38:31,040
Speaker 2: go to college together. Her sadness intensifies. It remembers ye

794
00:38:31,800 --> 00:38:32,600
Speaker 2: that before.

795
00:38:34,200 --> 00:38:38,440
Speaker 1: Because that's actually not what they said they well, I mean,

796
00:38:38,480 --> 00:38:40,040
Speaker 1: I guess she gave up Yale for their.

797
00:38:40,239 --> 00:38:42,920
Speaker 2: Toll for them to go to college here. Yeah, very similar.

798
00:38:43,920 --> 00:38:46,319
Speaker 2: We were going to get a doggie. Jack sits with

799
00:38:46,360 --> 00:38:48,919
Speaker 2: her and empathizes, feels like your whole world is turned

800
00:38:48,960 --> 00:38:51,319
Speaker 2: upside down. Right. She doesn't answer, but she uses his

801
00:38:51,400 --> 00:38:54,799
Speaker 2: shirt sleeve as a tissue. Jack continues, school's about to start.

802
00:38:54,840 --> 00:38:56,520
Speaker 2: You're living with two guys you don't even know in

803
00:38:56,560 --> 00:38:57,439
Speaker 2: some strange town.

804
00:38:57,840 --> 00:39:00,560
Speaker 1: Everything just got a good opportunity sert a little bit

805
00:39:00,560 --> 00:39:03,160
Speaker 1: of specificity about who this ex was. It could have

806
00:39:03,200 --> 00:39:04,040
Speaker 1: easily been like.

807
00:39:04,200 --> 00:39:06,320
Speaker 2: He's never going to come up again, though he's not important,

808
00:39:06,719 --> 00:39:07,000
Speaker 2: I know.

809
00:39:07,000 --> 00:39:10,320
Speaker 1: But he could define the terms of this this storyline,

810
00:39:10,360 --> 00:39:12,439
Speaker 1: Like this storyline is about them trying to be something

811
00:39:12,480 --> 00:39:14,560
Speaker 1: they're not right right, So I don't know. It's just

812
00:39:14,719 --> 00:39:15,520
Speaker 1: it's so generic.

813
00:39:16,000 --> 00:39:18,640
Speaker 2: I think the good news is so I actually she

814
00:39:18,760 --> 00:39:19,160
Speaker 2: is less.

815
00:39:19,360 --> 00:39:21,200
Speaker 1: So generic. It's such a bummer, Like it could have

816
00:39:21,200 --> 00:39:24,080
Speaker 1: been very easy to see, like, oh, she was dating

817
00:39:24,080 --> 00:39:26,840
Speaker 1: a rock and roll guy who was really cool, and

818
00:39:26,880 --> 00:39:29,320
Speaker 1: now she wants or a sensitive guy or a nerdy

819
00:39:29,360 --> 00:39:32,840
Speaker 1: guy whatever, and then she could be defined somewhat.

820
00:39:32,960 --> 00:39:36,319
Speaker 2: But I'm really glad they didn't define the boyfriend to

821
00:39:36,440 --> 00:39:38,640
Speaker 2: help us define her. But it would have been a

822
00:39:38,680 --> 00:39:42,399
Speaker 2: really good opportunity for him to say, who were you

823
00:39:42,719 --> 00:39:45,319
Speaker 2: before the boyfriend, Who were You? What do you like?

824
00:39:45,480 --> 00:39:47,759
Speaker 2: Because that's that's what you have time for now, no

825
00:39:47,840 --> 00:39:50,680
Speaker 2: more needing to check in with him or worry about him.

826
00:39:50,800 --> 00:39:53,759
Speaker 2: You've got time for you become the best version of

827
00:39:53,800 --> 00:39:58,279
Speaker 2: you who are You? But nobody cares. Nobody nobody on

828
00:39:58,320 --> 00:40:01,440
Speaker 2: the show, none of the characters actually care of get

829
00:40:01,440 --> 00:40:05,440
Speaker 2: around getting to know her. No, they just care about

830
00:40:05,640 --> 00:40:07,080
Speaker 2: winning her affections.

831
00:40:07,239 --> 00:40:09,440
Speaker 1: But that finally does become the point of the storyline.

832
00:40:09,800 --> 00:40:11,880
Speaker 1: Maybe that's part of why I like the storyline, is

833
00:40:11,880 --> 00:40:17,480
Speaker 1: that she's allowed to have a layer of like, you know, manipulated.

834
00:40:17,719 --> 00:40:21,880
Speaker 1: She manipulates Eric in that scene. Yeah, too good effect,

835
00:40:22,040 --> 00:40:23,800
Speaker 1: you know, and it's like, oh, she is actually smart,

836
00:40:23,800 --> 00:40:26,400
Speaker 1: she is trying, you know. But that's it's just a layer.

837
00:40:26,560 --> 00:40:28,520
Speaker 2: It's not but we don't even really get to know

838
00:40:28,600 --> 00:40:31,399
Speaker 2: her anymore that layer it only it's only a matter

839
00:40:31,440 --> 00:40:33,839
Speaker 2: of her saying, like, no, what I like about you

840
00:40:34,280 --> 00:40:36,239
Speaker 2: is that you are funny, and what I like about

841
00:40:36,320 --> 00:40:39,240
Speaker 2: you is that you are sensitive. So now I've really

842
00:40:39,560 --> 00:40:41,960
Speaker 2: nailed down those two characters We've already gotten to know

843
00:40:42,040 --> 00:40:47,120
Speaker 2: over multiple seasons. One's really funny, one's really sensitive. Got it.

844
00:40:47,120 --> 00:40:50,759
Speaker 1: It's also it's just the object of their affections exactly. Well,

845
00:40:50,760 --> 00:40:51,680
Speaker 1: that's why I'm saying it's not.

846
00:40:51,719 --> 00:40:53,960
Speaker 3: It doesn't do the Kate beckhamsale test at all, because

847
00:40:54,000 --> 00:40:56,759
Speaker 3: all she talks about is boys the whole time, if

848
00:40:56,800 --> 00:40:58,400
Speaker 3: either her ex boyfriend or the new guys.

849
00:40:58,760 --> 00:41:01,520
Speaker 1: Guys, and I don't I bet you. Rachel's never allowed

850
00:41:01,520 --> 00:41:03,440
Speaker 1: to be in a scene with another girl and just

851
00:41:03,520 --> 00:41:06,400
Speaker 1: and at all like alone without without it. I can

852
00:41:06,440 --> 00:41:08,160
Speaker 1: think of I can think of one right now. Yeah,

853
00:41:08,440 --> 00:41:11,360
Speaker 1: I can think of one scene. It's only the girls

854
00:41:12,840 --> 00:41:15,640
Speaker 1: pang his wedding. Yeah, yeah, with the parasols.

855
00:41:15,760 --> 00:41:17,920
Speaker 2: Correctly, Yeah, I did remember that there is one with

856
00:41:17,960 --> 00:41:18,640
Speaker 2: the parasols.

857
00:41:18,680 --> 00:41:19,040
Speaker 1: Okay.

858
00:41:19,440 --> 00:41:22,600
Speaker 2: Rachel says, that's exactly how she feels. She applauds Jack

859
00:41:22,640 --> 00:41:25,680
Speaker 2: for being so sensitive. Eric watches on John on the floor.

860
00:41:26,000 --> 00:41:28,080
Speaker 2: Rachel just wishes there was some way she could pull

861
00:41:28,120 --> 00:41:30,839
Speaker 2: herself out of this, so Eric chimes in. He has

862
00:41:30,880 --> 00:41:33,680
Speaker 2: the perfect thing. Jack tells him it's not a good time,

863
00:41:33,960 --> 00:41:36,759
Speaker 2: but Eric insists it's always a good time for.

864
00:41:38,239 --> 00:41:39,239
Speaker 1: Will do it.

865
00:41:39,840 --> 00:41:42,200
Speaker 3: I don't remember, so they taught me this I had

866
00:41:43,200 --> 00:41:45,239
Speaker 3: before is a real thing.

867
00:41:45,280 --> 00:41:45,640
Speaker 2: I don't know.

868
00:41:46,080 --> 00:41:47,480
Speaker 1: I thought maybe we had created it.

869
00:41:47,600 --> 00:41:49,880
Speaker 3: No, because I because I remember Michael and everybody like

870
00:41:49,920 --> 00:41:52,400
Speaker 3: looking at me during run or during table reading. I

871
00:41:52,440 --> 00:41:55,280
Speaker 3: was like, I don't know this, what is this? And

872
00:41:55,400 --> 00:41:57,400
Speaker 3: so it's what in a cat.

873
00:41:58,640 --> 00:42:04,320
Speaker 2: Wood little man by windows stood saw a rabbit hoping.

874
00:42:03,960 --> 00:42:08,359
Speaker 1: By knocking at the door or something like that at

875
00:42:08,400 --> 00:42:08,920
Speaker 1: the door.

876
00:42:09,360 --> 00:42:12,799
Speaker 2: Yeah, And irritated, Jack tries to interrupt, but Rachel joins in.

877
00:42:13,440 --> 00:42:16,239
Speaker 2: Help me, help me, help me, he said, for the

878
00:42:16,440 --> 00:42:19,839
Speaker 2: hunter shoots me dead. They look to Jack to join in,

879
00:42:19,920 --> 00:42:23,600
Speaker 2: but he does not. Instead, she gives Eric a big hug.

880
00:42:23,800 --> 00:42:26,839
Speaker 2: He is so much fun. Eric smiles ear to ear,

881
00:42:27,200 --> 00:42:30,680
Speaker 2: yay me, yay me. Then she hugs Jack again, and

882
00:42:30,760 --> 00:42:33,879
Speaker 2: you are so caring. She walks upstairs to get ready

883
00:42:33,880 --> 00:42:36,640
Speaker 2: and admits, if you two were one guy, I would

884
00:42:36,719 --> 00:42:37,880
Speaker 2: be in real trouble.

885
00:42:38,160 --> 00:42:40,360
Speaker 1: Set up, set up up.

886
00:42:40,440 --> 00:42:43,200
Speaker 3: Oh yes, in a cabin in the woods is a

887
00:42:43,280 --> 00:42:44,120
Speaker 3: nursery rhyme.

888
00:42:44,320 --> 00:42:47,600
Speaker 1: Okay that I guess. There's a lot if you go

889
00:42:47,719 --> 00:42:51,200
Speaker 1: check it out. It's yeah. I never knew this either.

890
00:42:52,120 --> 00:42:54,520
Speaker 3: I didn't either, but apparently it's a famous nursery rhyme

891
00:42:54,640 --> 00:42:55,399
Speaker 3: from back in the day.

892
00:42:55,440 --> 00:42:57,560
Speaker 1: That's all because I remember everyone looking at me like

893
00:42:57,840 --> 00:42:59,319
Speaker 1: sing it, and I was like, I have no idea

894
00:42:59,360 --> 00:43:02,160
Speaker 1: what this is in New York and nine.

895
00:43:03,239 --> 00:43:08,720
Speaker 3: Exactly writers, exactly what town from nineteen?

896
00:43:09,360 --> 00:43:10,279
Speaker 1: How do you not know that?

897
00:43:11,560 --> 00:43:14,680
Speaker 2: Eric laughs, but then he has an idea. One guy

898
00:43:15,000 --> 00:43:19,320
Speaker 2: Jack instantly stops him. No, and then our big moment,

899
00:43:19,520 --> 00:43:21,600
Speaker 2: this is this feels like our first scene in the

900
00:43:21,600 --> 00:43:24,000
Speaker 2: student union, because even though we saw the first the

901
00:43:24,000 --> 00:43:26,680
Speaker 2: student union, in the first one, it's kind of unrecognizable.

902
00:43:26,719 --> 00:43:29,440
Speaker 2: For one thing, there were how many extras do you

903
00:43:29,480 --> 00:43:31,480
Speaker 2: think we're in that first student union scene?

904
00:43:31,680 --> 00:43:35,160
Speaker 1: Fifty? I know it seemed like it like it. Yeah,

905
00:43:35,760 --> 00:43:39,520
Speaker 1: I recognized, so it was crowded.

906
00:43:39,560 --> 00:43:40,720
Speaker 2: It was really crowded.

907
00:43:40,719 --> 00:43:42,520
Speaker 3: And a bunch of them also went to John Adams

908
00:43:42,560 --> 00:43:44,600
Speaker 3: because I recognized obviously a bunch of our extras are back,

909
00:43:44,640 --> 00:43:45,840
Speaker 3: and I was like, thank god they didn't get all

910
00:43:45,920 --> 00:43:48,080
Speaker 3: new extras. We still have a whole bunch of the

911
00:43:48,120 --> 00:43:48,600
Speaker 3: same extra.

912
00:43:48,719 --> 00:43:53,040
Speaker 2: I did notice some very tall people, very tall, also

913
00:43:53,120 --> 00:43:56,839
Speaker 2: some very built people. It was like they added some

914
00:43:57,040 --> 00:44:00,200
Speaker 2: like yes, college sexuality, Yeah they did.

915
00:44:00,280 --> 00:44:01,640
Speaker 1: They added some swags. They did.

916
00:44:02,239 --> 00:44:02,359
Speaker 4: So.

917
00:44:02,440 --> 00:44:05,920
Speaker 2: Corey is reading a quantum physics textbook written by David

918
00:44:05,960 --> 00:44:11,040
Speaker 2: Glazier and Peter Tulo. Do you guys know Peter toolo. No, okay,

919
00:44:11,080 --> 00:44:15,040
Speaker 2: we were trying to decide. I suspected it was somebody

920
00:44:15,080 --> 00:44:17,719
Speaker 2: who like owns a prop house or worked at the

921
00:44:17,719 --> 00:44:20,280
Speaker 2: prop house, and so when David Glazier pitched the idea,

922
00:44:20,719 --> 00:44:23,280
Speaker 2: Jensen said, he looked up Peter Tulo and he works

923
00:44:23,320 --> 00:44:27,000
Speaker 2: in the same field. He's also his IMDb credits as

924
00:44:27,080 --> 00:44:28,480
Speaker 2: art department on different shows.

925
00:44:28,480 --> 00:44:32,839
Speaker 3: So Glazer is the inventor of glazer Pops exactly.

926
00:44:35,040 --> 00:44:38,160
Speaker 2: Corey uh Well, deep in concentration to Pengashan and Angela

927
00:44:38,239 --> 00:44:41,200
Speaker 2: arrived carrying books themselves to bank asks if he's already

928
00:44:41,239 --> 00:44:44,000
Speaker 2: done registering, and Corey says yes. He even bought each

929
00:44:44,040 --> 00:44:46,520
Speaker 2: of them a Penbrook sweatshirt. He lays it on the table.

930
00:44:46,719 --> 00:44:48,160
Speaker 2: Go Penguins.

931
00:44:49,120 --> 00:44:51,720
Speaker 1: I want a Pembrook sweatshirt. I want an original Pembrooke sweatshirt.

932
00:44:51,719 --> 00:44:53,440
Speaker 1: I wonder where they're at. Where they are I'm sure

933
00:44:53,480 --> 00:44:55,919
Speaker 1: you can find them online? Right? A real one though,

934
00:44:55,960 --> 00:44:58,080
Speaker 1: Like I want like one of those? Yeah, I know.

935
00:44:58,719 --> 00:45:00,960
Speaker 2: Sean looks at him with disgust. Don't ever do that

936
00:45:01,400 --> 00:45:03,520
Speaker 2: to pegasifts through Corey's text, buffs like.

937
00:45:03,480 --> 00:45:04,080
Speaker 1: Why is Sean?

938
00:45:04,160 --> 00:45:06,960
Speaker 3: I know no one likes Judge Sean No, stop and

939
00:45:07,239 --> 00:45:10,640
Speaker 3: never Ben judge Sean, it never happened, he wins, and

940
00:45:10,719 --> 00:45:12,200
Speaker 3: for him to say, don't ever do that.

941
00:45:12,239 --> 00:45:15,680
Speaker 2: If anything, it's so cute. Yes, I love that he's

942
00:45:15,719 --> 00:45:19,880
Speaker 2: like excited about Penguin to Pega sifts through Corey's textbooks

943
00:45:19,920 --> 00:45:25,720
Speaker 2: quantum physics, theoretical calculus, inorganic chemistry, forensic pathology. Corey examines

944
00:45:25,760 --> 00:45:28,560
Speaker 2: the sweatshirt he's laid out. Is this your son, mister.

945
00:45:28,400 --> 00:45:31,000
Speaker 1: Johnson's so funny, such a great joke.

946
00:45:31,160 --> 00:45:35,840
Speaker 2: Oh good, Angela shakes her head. Corey, how do I

947
00:45:35,840 --> 00:45:39,920
Speaker 2: put this delicately? Could you be a bigger moron? He's confused.

948
00:45:39,960 --> 00:45:42,680
Speaker 2: Why would you ask me that? Why? And that's again

949
00:45:42,840 --> 00:45:46,520
Speaker 2: more Ben reads like for sure though, Ben with his.

950
00:45:46,960 --> 00:45:49,080
Speaker 1: Was having so much fun this week. Oh yes, this

951
00:45:49,200 --> 00:45:51,640
Speaker 1: is a great episode for him. Yes, I feel like

952
00:45:51,680 --> 00:45:54,120
Speaker 1: the pressure, like once the pressure is off the Corey

953
00:45:54,120 --> 00:45:56,560
Speaker 1: to Panga stuff, which is so funny to think about.

954
00:45:56,600 --> 00:45:59,479
Speaker 1: Like we said, these two episodes, it's like we gotta

955
00:45:59,520 --> 00:46:01,759
Speaker 1: wrap up all the stuff from the last season and

956
00:46:01,760 --> 00:46:04,160
Speaker 1: then it's just like reset a lot of ways. This

957
00:46:04,320 --> 00:46:06,080
Speaker 1: is the first episode of the season. It's just you

958
00:46:06,080 --> 00:46:08,560
Speaker 1: have to like finish up the drama from the last season.

959
00:46:09,040 --> 00:46:12,200
Speaker 1: I wish I would have so much more freeing for

960
00:46:12,320 --> 00:46:14,600
Speaker 1: pen It's an actor like this is just better, this

961
00:46:14,680 --> 00:46:15,120
Speaker 1: is fun.

962
00:46:15,200 --> 00:46:17,400
Speaker 2: Like I wish I would have noticed Topanga wearing an

963
00:46:17,440 --> 00:46:20,440
Speaker 2: engagement ring. She wearing the ring Amy gave.

964
00:46:20,239 --> 00:46:22,600
Speaker 1: Hers didn't I didn't notice.

965
00:46:22,600 --> 00:46:25,040
Speaker 2: I wish I would have paid attention. I will make

966
00:46:25,040 --> 00:46:27,040
Speaker 2: a note to pay attention next time.

967
00:46:27,560 --> 00:46:30,279
Speaker 1: So I will never I actually remember shooting this scene

968
00:46:31,880 --> 00:46:33,919
Speaker 1: because it was one of the few times it's Steve

969
00:46:34,000 --> 00:46:37,919
Speaker 1: hayfer Our a d gave me some honest feedback, because

970
00:46:37,960 --> 00:46:40,279
Speaker 1: you know, usually we didn't get like after feedback from

971
00:46:40,280 --> 00:46:43,719
Speaker 1: like stage managers, you know. But I was like, we

972
00:46:43,719 --> 00:46:46,640
Speaker 1: were at we were at the audience read and it

973
00:46:46,680 --> 00:46:49,200
Speaker 1: was not I was not getting laughs. And I remember

974
00:46:49,320 --> 00:46:52,080
Speaker 1: just being like, man, what's happening? And like now I

975
00:46:52,120 --> 00:46:54,640
Speaker 1: can see like it's just not funny like Sean is.

976
00:46:54,760 --> 00:46:57,719
Speaker 1: But I also and and I remember Steve being I

977
00:46:57,800 --> 00:47:00,000
Speaker 1: was like, what's happening is I said? I asked him,

978
00:47:00,040 --> 00:47:01,600
Speaker 1: I'm like what, and he was just like, yeah, it's

979
00:47:01,640 --> 00:47:03,359
Speaker 1: just not as good as it was earlier in the week.

980
00:47:04,280 --> 00:47:05,960
Speaker 1: He was very honest with me. He's like, yeah, you're

981
00:47:05,960 --> 00:47:08,080
Speaker 1: not doing it as like I forget how he phrased

982
00:47:08,080 --> 00:47:10,760
Speaker 1: it exactly, but I remember being like, oh, okay, okay,

983
00:47:10,840 --> 00:47:14,040
Speaker 1: yeah it's not And now I can see like I'm

984
00:47:14,040 --> 00:47:17,040
Speaker 1: pushing too hard. There's a beat where I laugh at

985
00:47:17,120 --> 00:47:19,200
Speaker 1: Corey and then I like yell at him. It's like

986
00:47:19,360 --> 00:47:22,480
Speaker 1: nah no, and it's not good. It's like I'm too aggressive.

987
00:47:22,520 --> 00:47:25,680
Speaker 1: It's Sean being negative anyway. I just it's one of

988
00:47:25,719 --> 00:47:28,120
Speaker 1: those few memories I have of, like, you know, getting

989
00:47:28,160 --> 00:47:30,439
Speaker 1: feedback from somebody who you usually don't get feedback from,

990
00:47:30,480 --> 00:47:31,840
Speaker 1: being like, yeah, I know it's not working writer, and

991
00:47:31,960 --> 00:47:34,680
Speaker 1: being like yeah, he's right right now, I see it.

992
00:47:34,719 --> 00:47:36,839
Speaker 1: I'm like, it really still didn't work, so I didn't

993
00:47:36,920 --> 00:47:38,720
Speaker 1: didn't fix it even have to get in the note.

994
00:47:39,040 --> 00:47:40,960
Speaker 3: It made me wonder something and you could tell me

995
00:47:40,960 --> 00:47:44,600
Speaker 3: that I'm totally wrong. But do you think Eric me

996
00:47:44,840 --> 00:47:48,000
Speaker 3: pushing the comedy so hard is making other people push

997
00:47:48,120 --> 00:47:53,440
Speaker 3: their comedy too, Because I'm doing I like everything. I'm

998
00:47:53,480 --> 00:47:55,759
Speaker 3: not picking my beat. But it seemed like you kind

999
00:47:55,760 --> 00:47:59,000
Speaker 3: of were in this episode like I think I'm going

1000
00:47:59,040 --> 00:48:00,840
Speaker 3: to hit more comedy beat and I.

1001
00:48:00,800 --> 00:48:02,719
Speaker 1: Do you think I'm off? No, I just think that

1002
00:48:02,840 --> 00:48:05,319
Speaker 1: the Sean is lost in this episode and then like

1003
00:48:05,360 --> 00:48:07,839
Speaker 1: me is a very small part, Like, you know, I'm

1004
00:48:07,880 --> 00:48:10,279
Speaker 1: only in a couple of scenes, so I think I

1005
00:48:10,320 --> 00:48:12,160
Speaker 1: was just checked out this week. But it just doesn't

1006
00:48:12,160 --> 00:48:15,959
Speaker 1: feel right. I don't like my performance, but I also

1007
00:48:16,040 --> 00:48:17,719
Speaker 1: still like the characters. I don't know which comes are

1008
00:48:17,719 --> 00:48:19,880
Speaker 1: totally different. It's not it's a totally different Yeah, it's

1009
00:48:19,920 --> 00:48:22,160
Speaker 1: just not fun. Like it's a bad vibe. You know,

1010
00:48:22,239 --> 00:48:22,880
Speaker 1: he's a downer.

1011
00:48:23,440 --> 00:48:27,160
Speaker 2: Yeah, Angela responds, because your college career is over before

1012
00:48:27,200 --> 00:48:31,759
Speaker 2: it starts. Corey chuckles. Someone's jealous, but Tapega agrees you've

1013
00:48:31,800 --> 00:48:34,239
Speaker 2: taken on an impossible load that will eventually crush you

1014
00:48:34,280 --> 00:48:36,560
Speaker 2: to death. Corey is still grinning. I know, but I

1015
00:48:36,600 --> 00:48:39,200
Speaker 2: figure we'll have ten or twelve good years together. First,

1016
00:48:39,520 --> 00:48:41,759
Speaker 2: Sean laughs a little. That was a good one, but

1017
00:48:41,800 --> 00:48:44,040
Speaker 2: then he gets serious again. Right, all I wanted you

1018
00:48:44,120 --> 00:48:46,959
Speaker 2: to do is stop with the pudding. Do you even

1019
00:48:47,000 --> 00:48:49,919
Speaker 2: know what quantum physics is? Yeah, you start to laugh, like, yeah,

1020
00:48:50,000 --> 00:48:51,040
Speaker 2: that's an awful beat.

1021
00:48:51,080 --> 00:48:52,399
Speaker 1: It would have been so I mean, and I think

1022
00:48:52,440 --> 00:48:54,480
Speaker 1: what had happened is I had been getting huge laughs

1023
00:48:54,480 --> 00:48:56,799
Speaker 1: for that right during the week because I've probably been

1024
00:48:56,840 --> 00:48:58,520
Speaker 1: more natural, and then I just got more and more

1025
00:48:58,560 --> 00:49:00,680
Speaker 1: pushed and more and more expect didn't of like the

1026
00:49:00,800 --> 00:49:02,080
Speaker 1: laugh and it just sucks.

1027
00:49:02,280 --> 00:49:04,399
Speaker 2: But so when are you saying you realized, like when

1028
00:49:04,440 --> 00:49:06,400
Speaker 2: did you ask Sean we were doing with Sean.

1029
00:49:06,480 --> 00:49:09,600
Speaker 1: Steve for the right after that laugh right there?

1030
00:49:09,760 --> 00:49:13,719
Speaker 2: Like yeah, but I mean on what day of the week?

1031
00:49:13,880 --> 00:49:14,160
Speaker 1: Okay?

1032
00:49:14,719 --> 00:49:16,880
Speaker 2: Can I peach something to you? Can I suggest something

1033
00:49:17,239 --> 00:49:20,319
Speaker 2: that all week? You have been getting laughs from the

1034
00:49:20,360 --> 00:49:25,839
Speaker 2: people who wrote the Sean this, Sean this joke. They

1035
00:49:25,840 --> 00:49:27,600
Speaker 2: thought it was funny, but when the audience saw it,

1036
00:49:27,680 --> 00:49:32,440
Speaker 2: they were like, I don't understand what Sean says. It

1037
00:49:32,480 --> 00:49:35,160
Speaker 2: wasn't about you, like there being something you needed to

1038
00:49:35,239 --> 00:49:37,959
Speaker 2: do differently. It's just that the audience is a more

1039
00:49:38,239 --> 00:49:44,200
Speaker 2: honest feedback source because they know the character the same

1040
00:49:44,239 --> 00:49:46,920
Speaker 2: way you know the character, and the writers who you

1041
00:49:46,920 --> 00:49:50,720
Speaker 2: know also obviously know the character, but can decide this week,

1042
00:49:50,800 --> 00:49:54,200
Speaker 2: let's make Sean do this thing, and then they think

1043
00:49:54,200 --> 00:49:56,680
Speaker 2: it's funny, but everyone else is like, I'm sorry, I'm confused.

1044
00:49:57,239 --> 00:50:00,879
Speaker 1: Yeah, so yeah, I think it's it's but either way,

1045
00:50:00,960 --> 00:50:04,640
Speaker 1: I pushed harder, like I just kept going, and it's

1046
00:50:04,640 --> 00:50:06,520
Speaker 1: like not funny. It's like, doesn't get funnier, just.

1047
00:50:07,000 --> 00:50:10,600
Speaker 3: Well, it's also sitcom is very difficult in that comedy

1048
00:50:10,640 --> 00:50:12,360
Speaker 3: that's over rehearsed a lot of times.

1049
00:50:12,280 --> 00:50:14,560
Speaker 1: Is no longer funny. And all you do in sitcom

1050
00:50:14,600 --> 00:50:17,600
Speaker 1: is rehearsed first, so you rehearse all week long, and

1051
00:50:17,640 --> 00:50:20,640
Speaker 1: you could be hitting the same joke a thousand times

1052
00:50:21,160 --> 00:50:23,400
Speaker 1: and it's like it just rings dead in your ears

1053
00:50:23,400 --> 00:50:25,560
Speaker 1: after a while, where it's like and that's that's something

1054
00:50:25,680 --> 00:50:28,640
Speaker 1: I had a hard time understanding, Like I never really

1055
00:50:28,719 --> 00:50:31,719
Speaker 1: quite understood that, Like I would think there's a way

1056
00:50:31,719 --> 00:50:33,839
Speaker 1: to hit the joke, and I just have to do

1057
00:50:33,920 --> 00:50:37,719
Speaker 1: it the same way every time. And of course the

1058
00:50:37,760 --> 00:50:40,920
Speaker 1: more you do that, you lose that organic human quality

1059
00:50:40,960 --> 00:50:44,080
Speaker 1: that actually invites an audience in And I would I

1060
00:50:44,120 --> 00:50:47,440
Speaker 1: would invariably beat comedy to death because I would think, oh,

1061
00:50:47,520 --> 00:50:49,520
Speaker 1: I just need to hit the and it's like I

1062
00:50:49,560 --> 00:50:51,799
Speaker 1: wish somebody had just grabbed me and been like, hey,

1063
00:50:51,880 --> 00:50:54,719
Speaker 1: you know what's more interesting being real? Like just being

1064
00:50:54,960 --> 00:50:57,120
Speaker 1: spong like you know in the comedy, because I would

1065
00:50:57,160 --> 00:50:59,800
Speaker 1: play drama for reality, but when it came to comedy,

1066
00:50:59,840 --> 00:51:01,520
Speaker 1: I would play it for like, let me hit the

1067
00:51:01,600 --> 00:51:03,520
Speaker 1: joke in the right rhythm with the right beat, over

1068
00:51:03,520 --> 00:51:05,560
Speaker 1: and over every time, and you can feel it with

1069
00:51:05,600 --> 00:51:08,120
Speaker 1: something like this, it just wasn't working. I's also a

1070
00:51:08,480 --> 00:51:10,560
Speaker 1: very child actor thing like you.

1071
00:51:10,840 --> 00:51:12,960
Speaker 3: And you know, I learned how to say a joke

1072
00:51:13,000 --> 00:51:14,919
Speaker 3: when I was ten, so I have to keep saying

1073
00:51:14,920 --> 00:51:15,439
Speaker 3: and it's yes.

1074
00:51:15,920 --> 00:51:17,719
Speaker 1: But it's also the way that we got notes. We

1075
00:51:17,719 --> 00:51:19,680
Speaker 1: were told like, this is the way to do it.

1076
00:51:19,760 --> 00:51:22,239
Speaker 1: Just do it this way and it will be funny. Yes,

1077
00:51:22,400 --> 00:51:25,000
Speaker 1: and that is true to a certain extent, But if

1078
00:51:25,040 --> 00:51:29,359
Speaker 1: it doesn't have that human quality, that spontaneous spon that's

1079
00:51:29,360 --> 00:51:31,800
Speaker 1: what people respond to, a spontaneity. They don't actually respond

1080
00:51:31,800 --> 00:51:35,279
Speaker 1: to a good performance. They respond to real life like reality,

1081
00:51:35,400 --> 00:51:37,080
Speaker 1: you know, and and being on the edge of not

1082
00:51:37,120 --> 00:51:39,879
Speaker 1: knowing what's going to happen next that draws people in. Yeah,

1083
00:51:39,920 --> 00:51:40,360
Speaker 1: I agree.

1084
00:51:40,400 --> 00:51:43,160
Speaker 2: So Sean asks, do you even know what quantum physics is?

1085
00:51:43,360 --> 00:51:46,799
Speaker 2: Corey is dumbfounded. Hi, that's what they're going to teach me.

1086
00:51:47,239 --> 00:51:49,280
Speaker 2: If I knew what it was, I would have tooken

1087
00:51:49,440 --> 00:51:52,880
Speaker 2: quantum physics too, now, wouldn't.

1088
00:51:52,360 --> 00:51:56,080
Speaker 3: I might be my favorite line of the whole show.

1089
00:51:58,160 --> 00:52:02,640
Speaker 1: Too, Wouldn't I laugh so bad?

1090
00:52:04,320 --> 00:52:07,160
Speaker 2: Sean glances at the text and tells Corey it's gibberish.

1091
00:52:07,400 --> 00:52:11,520
Speaker 2: Cory scoffs, it's not gibberish, you're gibberish. He gathers his things.

1092
00:52:11,560 --> 00:52:15,440
Speaker 2: It's new and exciting, just like me, So nuts to you,

1093
00:52:15,440 --> 00:52:22,560
Speaker 2: you jerks, and then he storms off every everything. It's

1094
00:52:22,760 --> 00:52:24,239
Speaker 2: so funny, also.

1095
00:52:24,760 --> 00:52:27,440
Speaker 1: Ben Savage, acting the idea.

1096
00:52:27,160 --> 00:52:30,440
Speaker 2: Of it's new and exciting, just like me, and then

1097
00:52:30,520 --> 00:52:33,640
Speaker 2: to use a phrase like so nuts.

1098
00:52:33,239 --> 00:52:36,480
Speaker 1: To you, nuts to you, straight from nineteen thirty three, So.

1099
00:52:36,520 --> 00:52:40,920
Speaker 3: Nuts to you, so nuts to you, your jerks.

1100
00:52:41,000 --> 00:52:42,080
Speaker 2: So funny to me.

1101
00:52:43,200 --> 00:52:45,200
Speaker 3: But it's also the joke we would always do to

1102
00:52:45,320 --> 00:52:48,640
Speaker 3: each other. It's like, I'm not you're gibbering, like we'd

1103
00:52:48,640 --> 00:52:52,000
Speaker 3: always throw the thing back. Yeah, you're the your brain's

1104
00:52:52,040 --> 00:52:56,800
Speaker 3: got the shell on it, like we would always do that.

1105
00:52:57,680 --> 00:53:00,560
Speaker 2: But then he spots his quantum physics professor. He rushes

1106
00:53:00,640 --> 00:53:02,840
Speaker 2: to him, my friend seems to think I've taken on and.

1107
00:53:02,880 --> 00:53:07,200
Speaker 1: Impossible speaking of head off. That's what is the worst.

1108
00:53:07,719 --> 00:53:11,720
Speaker 1: Why do I speaking of head off? Oh my god.

1109
00:53:14,080 --> 00:53:17,000
Speaker 2: But then he spots his quantum physics professor. He rushes

1110
00:53:17,040 --> 00:53:19,359
Speaker 2: to him, my friends seem to think that I've taken

1111
00:53:19,360 --> 00:53:21,239
Speaker 2: on an impossible load with this class, and that I'm

1112
00:53:21,239 --> 00:53:23,080
Speaker 2: going to have some trouble with the course material. The

1113
00:53:23,120 --> 00:53:25,160
Speaker 2: professor says he can decide for himself if he gives

1114
00:53:25,200 --> 00:53:27,800
Speaker 2: him a brief synopsis on the first day we start

1115
00:53:27,880 --> 00:53:34,040
Speaker 2: off with and then he transitions into actual gibberish noises.

1116
00:53:33,680 --> 00:53:35,480
Speaker 1: That I would have Do you think they auditioned him

1117
00:53:35,520 --> 00:53:36,799
Speaker 1: or do you think they just cast him? I mean,

1118
00:53:36,840 --> 00:53:38,960
Speaker 1: because I would have loved to have seen the auditions

1119
00:53:39,000 --> 00:53:42,000
Speaker 1: for this, Like you know, having like forty people come

1120
00:53:42,040 --> 00:53:44,360
Speaker 1: through and do their own version of gibberish would have

1121
00:53:44,360 --> 00:53:46,879
Speaker 1: been so much fun to see and to be able

1122
00:53:46,920 --> 00:53:48,719
Speaker 1: to pick whose gibberish is the funniest.

1123
00:53:49,719 --> 00:53:51,560
Speaker 2: It really cracked me up and it made me I

1124
00:53:51,600 --> 00:53:53,279
Speaker 2: haven't tried it, but it made me feel like I don't.

1125
00:53:53,360 --> 00:53:55,200
Speaker 2: I don't. I could never do this good of.

1126
00:53:55,120 --> 00:53:58,240
Speaker 1: Gibber I couldn't either. I couldn't either. Could yes, you could,

1127
00:53:58,440 --> 00:54:01,320
Speaker 1: but he was he was paid like not too fast,

1128
00:54:01,360 --> 00:54:07,080
Speaker 1: so it's still sounded like it's like English. It's so

1129
00:54:07,120 --> 00:54:07,520
Speaker 1: hard to do.

1130
00:54:07,640 --> 00:54:08,759
Speaker 2: Yeah, it's so hard to do.

1131
00:54:08,960 --> 00:54:10,680
Speaker 1: Have friends who used to be able to do this.

1132
00:54:10,760 --> 00:54:13,719
Speaker 1: They were brilliant. They they could do fake gibber and

1133
00:54:13,760 --> 00:54:16,000
Speaker 1: they would go They would do it for like an hour,

1134
00:54:16,040 --> 00:54:18,479
Speaker 1: and it was we would be dying because they could

1135
00:54:18,520 --> 00:54:20,799
Speaker 1: just keep it up. And they, for whatever reason, they

1136
00:54:20,800 --> 00:54:23,440
Speaker 1: had figured out the right consonant to vowel sounds so

1137
00:54:23,520 --> 00:54:25,960
Speaker 1: didn't sound like a foreign language, because that's a trick, right,

1138
00:54:26,160 --> 00:54:28,239
Speaker 1: You don't want it to sound like another You want

1139
00:54:28,239 --> 00:54:30,800
Speaker 1: it to sound like the English phrasing and the English

1140
00:54:30,840 --> 00:54:35,200
Speaker 1: monotone quality, but still be completely gibberish. It's really hard

1141
00:54:35,200 --> 00:54:39,080
Speaker 1: to do. It's because if you're doing like a fake friendship,

1142
00:54:40,200 --> 00:54:42,440
Speaker 1: you can like find fake other languages. But to do

1143
00:54:42,520 --> 00:54:46,520
Speaker 1: fake English that isn't that is still gibberish. It's really hard.

1144
00:54:46,680 --> 00:54:49,799
Speaker 2: Yeah, really good, And then he says we focus on

1145
00:54:49,840 --> 00:54:52,760
Speaker 2: and then he does more gibberish noises. Corey is confused.

1146
00:54:52,800 --> 00:54:55,680
Speaker 2: Then another professor walks up and starts talking gibberish too.

1147
00:54:56,840 --> 00:54:57,960
Speaker 1: I don't think I can try.

1148
00:54:59,080 --> 00:55:03,800
Speaker 2: I say, that was pretty good, but my instinct is

1149
00:55:03,840 --> 00:55:06,239
Speaker 2: to do it super fast, like writer said, And the

1150
00:55:06,400 --> 00:55:08,359
Speaker 2: idea is that you have to. It has to sound

1151
00:55:08,400 --> 00:55:09,160
Speaker 2: more like worse.

1152
00:55:12,320 --> 00:55:16,040
Speaker 1: Yeah, it can also be so much exaggerated him off

1153
00:55:16,200 --> 00:55:17,719
Speaker 1: that it's obvious that you're making a joke.

1154
00:55:17,800 --> 00:55:19,479
Speaker 2: It's it's really hard.

1155
00:55:19,520 --> 00:55:21,919
Speaker 1: It's tough. And you said you saw who the second

1156
00:55:21,960 --> 00:55:29,279
Speaker 1: professor was, Bob Tishlar. That's Bob Titslar. Oh yes, oh

1157
00:55:29,360 --> 00:55:32,040
Speaker 1: my god, yeah, that's amazing.

1158
00:55:31,960 --> 00:55:35,080
Speaker 2: So great, so great. So Bob Tishler walks up and

1159
00:55:35,120 --> 00:55:37,239
Speaker 2: he starts talking gibberish, and then the teachers go back

1160
00:55:37,280 --> 00:55:40,000
Speaker 2: and forth with gibberish until they tell Corey, excuse me,

1161
00:55:40,080 --> 00:55:42,799
Speaker 2: we have a staff meeting. Corey doesn't know what to do.

1162
00:55:43,000 --> 00:55:46,560
Speaker 2: He slowly turns to his friends and assures them everything's fine.

1163
00:55:47,680 --> 00:55:50,160
Speaker 2: And then we're in the guidance counselor's office. Corey is

1164
00:55:50,200 --> 00:55:53,080
Speaker 2: pacing in front of his counselor, voicing his concerns, even

1165
00:55:53,200 --> 00:55:55,920
Speaker 2: mentioning the gibberish he heard. He finally asks, is there

1166
00:55:55,960 --> 00:55:57,680
Speaker 2: any way that you could possibly get me out of

1167
00:55:57,719 --> 00:56:00,560
Speaker 2: every course I signed up for this year? The council wonders,

1168
00:56:00,680 --> 00:56:04,560
Speaker 2: you're feeling overwhelmed? Well, you are not alone in feeling that, son,

1169
00:56:05,040 --> 00:56:09,319
Speaker 2: And then he turns his head and takes some of

1170
00:56:09,360 --> 00:56:10,319
Speaker 2: a sandwich.

1171
00:56:11,440 --> 00:56:12,520
Speaker 1: Such a great beat.

1172
00:56:13,280 --> 00:56:17,600
Speaker 2: I love moments like that, just like hell, just this

1173
00:56:17,719 --> 00:56:21,920
Speaker 2: guy is so uninvested in Corey's life and story that

1174
00:56:22,000 --> 00:56:27,440
Speaker 2: he's like, I'm still gonna eat his sandwich. Oh, it

1175
00:56:27,560 --> 00:56:29,839
Speaker 2: makes me laugh so much. Corey is worried that he's

1176
00:56:29,880 --> 00:56:32,120
Speaker 2: ruined his entire life in a day, but the counselor

1177
00:56:32,160 --> 00:56:33,880
Speaker 2: assures him he can drop any course he wants and

1178
00:56:33,920 --> 00:56:36,839
Speaker 2: pick up anything that's open. Corey is relieved. He'll take

1179
00:56:36,840 --> 00:56:39,600
Speaker 2: anything that's one on one or an intro to the guidance.

1180
00:56:39,680 --> 00:56:43,080
Speaker 2: Counselor instantly announces those are gone without any emotion at all.

1181
00:56:43,280 --> 00:56:45,719
Speaker 2: Corey understands that they're gone, but like you said, he's

1182
00:56:45,719 --> 00:56:48,640
Speaker 2: made a horrible mistake. He asks his counselor to fix it.

1183
00:56:48,840 --> 00:56:51,560
Speaker 2: The man reveals, well, I can't do that. Those courses

1184
00:56:51,600 --> 00:56:54,520
Speaker 2: are closed. Corey understands that they're closed, but he reminds

1185
00:56:54,520 --> 00:56:56,520
Speaker 2: the dean that he made a horrible decision and he

1186
00:56:56,520 --> 00:56:59,520
Speaker 2: takes full responsibility for that. He begs his counselor to

1187
00:56:59,600 --> 00:57:02,880
Speaker 2: please help him. The man calmly states, he can't do that.

1188
00:57:03,200 --> 00:57:05,680
Speaker 2: Those courses are closed. Do you know that one in

1189
00:57:05,719 --> 00:57:09,000
Speaker 2: three students won't make it through their freshman year. Corey

1190
00:57:09,080 --> 00:57:11,680
Speaker 2: is freaking out. Why are you telling me that, the

1191
00:57:11,719 --> 00:57:15,600
Speaker 2: counselor explains, because college isn't for everyone then, and if

1192
00:57:15,640 --> 00:57:19,480
Speaker 2: you find simple course selections so overwhelming. Perhaps you need

1193
00:57:19,520 --> 00:57:24,160
Speaker 2: to consider if this is for you. Ooh yikes. Corey

1194
00:57:24,240 --> 00:57:28,080
Speaker 2: reminds him he's the guidance counselor. Corey gets into trouble

1195
00:57:28,080 --> 00:57:30,240
Speaker 2: and he's supposed to guide him out, but the man

1196
00:57:30,280 --> 00:57:33,920
Speaker 2: reminds him this is college, the real world. The relationship

1197
00:57:33,960 --> 00:57:36,600
Speaker 2: he's talking about doesn't exist here. He gives a fake

1198
00:57:36,640 --> 00:57:40,640
Speaker 2: apology and then says bye bye. Corey is shook.

1199
00:57:41,400 --> 00:57:44,520
Speaker 1: I don't remember there being guidance counselors in college. There

1200
00:57:44,520 --> 00:57:48,160
Speaker 1: were deans student deans like deans are student, but I

1201
00:57:48,200 --> 00:57:52,080
Speaker 1: don't remember guidance counselor die. This seam was kind of

1202
00:57:52,440 --> 00:57:54,880
Speaker 1: I was also like, didn't we already do this with

1203
00:57:55,440 --> 00:57:58,400
Speaker 1: Eric thinking that PHOENI would be at college and he's not, Like,

1204
00:57:58,440 --> 00:58:01,200
Speaker 1: this is the same joke as think about that. You're right,

1205
00:58:01,240 --> 00:58:03,520
Speaker 1: it's the same beat. In some ways, I kind of

1206
00:58:03,600 --> 00:58:05,959
Speaker 1: like this guy's funny, but I also think the scene

1207
00:58:06,000 --> 00:58:08,000
Speaker 1: could have been a lot shorter, Like the joke is

1208
00:58:08,080 --> 00:58:11,120
Speaker 1: just like I want Foene, Phoene's not here. I got

1209
00:58:11,120 --> 00:58:12,840
Speaker 1: to go get Phoenie like that's all it is. And

1210
00:58:12,880 --> 00:58:14,600
Speaker 1: instead it's like I was kind of like, where's this

1211
00:58:14,680 --> 00:58:16,400
Speaker 1: going and why are we doing this back and forth.

1212
00:58:17,120 --> 00:58:19,360
Speaker 2: Yeah, I know, but now we've got to get to

1213
00:58:19,440 --> 00:58:23,480
Speaker 2: Jackson Hole. Jackson Hole, Corey is scolding someone. You lied

1214
00:58:23,480 --> 00:58:25,480
Speaker 2: to me. You filled me with all this education, but

1215
00:58:25,480 --> 00:58:27,840
Speaker 2: you never prepared me for life. We pull out to

1216
00:58:27,840 --> 00:58:30,080
Speaker 2: reveal Feoene is sitting on a dock with a friend,

1217
00:58:30,160 --> 00:58:33,840
Speaker 2: both decked out and fishing gear. He simply responds, I'm sorry,

1218
00:58:33,880 --> 00:58:36,880
Speaker 2: have we met? And then there's a commercial break, and

1219
00:58:36,920 --> 00:58:39,960
Speaker 2: then we're back in Joy on a plane all the.

1220
00:58:39,920 --> 00:58:43,840
Speaker 1: Way to Jackson Hole. Jackson Hole. Gotenie to come back.

1221
00:58:44,480 --> 00:58:45,680
Speaker 2: Wow, yeah, well eventually.

1222
00:58:46,040 --> 00:58:48,480
Speaker 3: First, well, I love how I do to explains how

1223
00:58:48,480 --> 00:58:50,560
Speaker 3: he got there too. It's like my favorite thing.

1224
00:58:50,400 --> 00:58:50,840
Speaker 1: In the world.

1225
00:58:50,960 --> 00:58:52,960
Speaker 2: Corey reiterates to Feenie that he failed him, and the

1226
00:58:52,960 --> 00:58:54,600
Speaker 2: teacher agrees several times.

1227
00:58:54,640 --> 00:58:55,120
Speaker 1: I believe.

1228
00:58:55,320 --> 00:58:57,360
Speaker 2: Corey continues, I'm in way over my head and I

1229
00:58:57,400 --> 00:58:59,720
Speaker 2: have no idea how I got there. Phoene grabs a

1230
00:58:59,760 --> 00:59:01,920
Speaker 2: few drinks from a cooler and smiles, It's good to

1231
00:59:01,920 --> 00:59:04,440
Speaker 2: see you, mister Matthews. Corey nods, it's good to see you,

1232
00:59:04,480 --> 00:59:07,000
Speaker 2: mister Phoene. That's a nice hat, pointing to a real

1233
00:59:07,080 --> 00:59:10,160
Speaker 2: local looking cap with lures pinned to it. His former

1234
00:59:10,160 --> 00:59:13,400
Speaker 2: teacher wonders, anyone know you're here? Corey asks, you mean,

1235
00:59:13,440 --> 00:59:15,480
Speaker 2: does everyone know? I screwed up college on my first

1236
00:59:15,560 --> 00:59:17,560
Speaker 2: day and flew to Wyoming on my air miles.

1237
00:59:19,160 --> 00:59:20,120
Speaker 1: I love it.

1238
00:59:20,160 --> 00:59:23,920
Speaker 2: Phoene wonders, air miles. Where did you get those? Corey explains,

1239
00:59:24,080 --> 00:59:27,720
Speaker 2: pudding labels baby got me to Omaha bust In. From

1240
00:59:27,800 --> 00:59:29,960
Speaker 2: there I met of a Native Native American and a

1241
00:59:29,960 --> 00:59:34,000
Speaker 2: militia guy. Casino's good government bat oh god, the.

1242
00:59:34,040 --> 00:59:37,200
Speaker 1: Whole run was just one of my favorite things ever.

1243
00:59:38,520 --> 00:59:41,800
Speaker 2: So he asks Feoene how retirement's going. Phoene says he's

1244
00:59:41,840 --> 00:59:44,800
Speaker 2: having a wonderful time. After forty years of teaching, setting

1245
00:59:44,800 --> 00:59:46,600
Speaker 2: his alarm to wake up with the sun, he now

1246
00:59:46,640 --> 00:59:49,000
Speaker 2: wakes up whenever he wants to. And then he has

1247
00:59:49,040 --> 00:59:51,800
Speaker 2: a big breakfast with some of the boys. Corey wonders,

1248
00:59:51,960 --> 00:59:54,800
Speaker 2: you got boys? Phoeney points to the old men fishing

1249
00:59:54,840 --> 00:59:57,240
Speaker 2: around him. I do, and then we do whatever our

1250
00:59:57,240 --> 01:00:00,480
Speaker 2: hearts desire. For example, today we decided to go fishing.

1251
01:00:01,240 --> 01:00:03,920
Speaker 2: Corey wonders, that's all you do all day is just fish.

1252
01:00:04,200 --> 01:00:06,680
Speaker 2: Phoene explains that there's more to it than just fish.

1253
01:00:06,720 --> 01:00:10,160
Speaker 2: They swap stories, enjoy the outdoors, and more importantly, each

1254
01:00:10,200 --> 01:00:12,960
Speaker 2: other's company. The old man next to him pipes in,

1255
01:00:13,200 --> 01:00:16,480
Speaker 2: I had company once until my son in law stole it.

1256
01:00:17,000 --> 01:00:20,760
Speaker 2: Phoene responds, easy, Ned, you'll blow your pace maker. Corey

1257
01:00:20,800 --> 01:00:23,800
Speaker 2: doesn't get it. So if I understand this correctly, you guys,

1258
01:00:24,480 --> 01:00:28,919
Speaker 2: you do absolutely nothing. Phoene begins, I wouldn't characterize Ned

1259
01:00:28,960 --> 01:00:33,120
Speaker 2: cuts him off. Nope, he's got it. Corey assumes no pressure,

1260
01:00:33,200 --> 01:00:36,320
Speaker 2: no commitments, no way to screw up at all. Phoene

1261
01:00:36,320 --> 01:00:39,200
Speaker 2: wonders why he'd fly all this distance just to insult him.

1262
01:00:39,600 --> 01:00:43,200
Speaker 2: Corey can't believe it. Insult you, No, I envy you.

1263
01:00:43,480 --> 01:00:45,720
Speaker 2: This is the next best thing to being in a coma.

1264
01:00:46,080 --> 01:00:48,520
Speaker 2: He puts his arm around Phoenie and pulls him in closer.

1265
01:00:48,920 --> 01:00:51,440
Speaker 1: See, I like, I like this idea. Like I like

1266
01:00:51,480 --> 01:00:53,000
Speaker 1: the idea that Corey wants to be an old man.

1267
01:00:53,400 --> 01:00:56,040
Speaker 1: That's like, no, I could just get right to the

1268
01:00:56,040 --> 01:00:58,600
Speaker 1: old man party. Yeah, but this doesn't make any sense

1269
01:00:58,600 --> 01:01:01,480
Speaker 1: with Corey wanting to be in coll Like. The whole

1270
01:01:01,560 --> 01:01:03,760
Speaker 1: opening is like, I'm so excited. This is the new

1271
01:01:03,840 --> 01:01:05,800
Speaker 1: phase in life and I get to do things and

1272
01:01:05,880 --> 01:01:08,800
Speaker 1: learn a bunch of stuff, and now he's reacting to

1273
01:01:08,960 --> 01:01:11,760
Speaker 1: like any pressure by saying, I don't know, I just

1274
01:01:12,640 --> 01:01:14,760
Speaker 1: it didn't none of this made sense. Like I like

1275
01:01:14,840 --> 01:01:16,480
Speaker 1: the storyline, but I feel like you could have just

1276
01:01:16,520 --> 01:01:19,720
Speaker 1: tweaked it a little bit. Corey's scared of college because

1277
01:01:19,760 --> 01:01:22,440
Speaker 1: of the responsibility. To begin with, yes, and then he

1278
01:01:22,560 --> 01:01:24,960
Speaker 1: gets some responsibility, and then it backfires, and then he

1279
01:01:25,000 --> 01:01:27,840
Speaker 1: goes here and realizes he can retire, you know, and

1280
01:01:27,840 --> 01:01:31,160
Speaker 1: be an old man. I don't know, this doesn't quite track.

1281
01:01:31,240 --> 01:01:32,560
Speaker 1: It's just like whatever it needs.

1282
01:01:32,440 --> 01:01:35,560
Speaker 2: To thought of it as being that Corey is always

1283
01:01:35,640 --> 01:01:39,640
Speaker 2: excited at the beginning of a big life change, and

1284
01:01:39,720 --> 01:01:44,560
Speaker 2: then things go terribly horribly wrong, and he then goes, oh, gosh,

1285
01:01:44,560 --> 01:01:46,920
Speaker 2: and then he goes, oh, I guess that's inevitable when

1286
01:01:46,960 --> 01:01:50,120
Speaker 2: you have a big life change. So he flies to Feenie,

1287
01:01:50,280 --> 01:01:53,440
Speaker 2: who's also just had a big life change, and instead

1288
01:01:53,600 --> 01:01:56,760
Speaker 2: of it being like and Phoenie is flailing, which he is,

1289
01:01:56,800 --> 01:02:00,280
Speaker 2: he just doesn't know that, he goes the I mean,

1290
01:02:00,320 --> 01:02:03,920
Speaker 2: there's no way to screw this one up. This is

1291
01:02:03,920 --> 01:02:06,439
Speaker 2: the big life change I need because I always screw

1292
01:02:06,480 --> 01:02:10,360
Speaker 2: it up. So to me, it just felt like to me,

1293
01:02:10,400 --> 01:02:12,800
Speaker 2: it just felt like the most Corey of all things

1294
01:02:12,880 --> 01:02:16,120
Speaker 2: to be like, you mean I could jump right to retirement.

1295
01:02:16,360 --> 01:02:17,920
Speaker 2: How has no one presented this to me?

1296
01:02:18,760 --> 01:02:20,280
Speaker 3: Or he is one of those guys we've all met,

1297
01:02:20,320 --> 01:02:22,960
Speaker 3: the people whose entire life is changed by the last

1298
01:02:22,960 --> 01:02:23,640
Speaker 3: book they read.

1299
01:02:24,640 --> 01:02:28,200
Speaker 1: And that's that's Corey. Like he's you know, they go

1300
01:02:28,240 --> 01:02:29,440
Speaker 1: on the honeymoon and I've got.

1301
01:02:29,280 --> 01:02:31,400
Speaker 3: To open a coconut stand and I've got it, like

1302
01:02:31,440 --> 01:02:34,480
Speaker 3: he he's that guy where somebody says something and his

1303
01:02:34,520 --> 01:02:36,240
Speaker 3: whole life has changed for twenty minutes.

1304
01:02:36,440 --> 01:02:39,800
Speaker 1: Yeah, yeah, So.

1305
01:02:49,760 --> 01:02:52,120
Speaker 2: Well we're back at the apartment. Eric is huddled over

1306
01:02:52,200 --> 01:02:55,280
Speaker 2: a lone candle while wearing a black man blouse as

1307
01:02:55,320 --> 01:02:57,440
Speaker 2: classical music plays on a boombox.

1308
01:02:57,600 --> 01:03:00,280
Speaker 1: This is peak. This is I'll never look batter than

1309
01:03:00,280 --> 01:03:00,520
Speaker 1: in this.

1310
01:03:01,200 --> 01:03:03,360
Speaker 2: We're very tan. I was like, did Will go to Hawaii?

1311
01:03:03,600 --> 01:03:03,800
Speaker 4: Tan?

1312
01:03:04,040 --> 01:03:04,280
Speaker 1: Hair?

1313
01:03:04,360 --> 01:03:06,080
Speaker 3: I for some reason got the nine O two one

1314
01:03:06,120 --> 01:03:09,200
Speaker 3: oh Mutton chops going on, like that's the look for me.

1315
01:03:09,320 --> 01:03:10,200
Speaker 1: This this is peak.

1316
01:03:10,240 --> 01:03:12,680
Speaker 2: Will right here hot hot Wilfred Ell.

1317
01:03:12,920 --> 01:03:15,480
Speaker 1: Downhill from from this moment on listen.

1318
01:03:15,680 --> 01:03:18,000
Speaker 2: I had a great season, You're gonna have a great season.

1319
01:03:18,040 --> 01:03:22,640
Speaker 2: I'm excited for you. It's great. It's so great, congratulations,

1320
01:03:22,920 --> 01:03:23,280
Speaker 2: Thank you.

1321
01:03:23,480 --> 01:03:26,800
Speaker 1: I'm really excited. Thank you. Andy watched the opening credits

1322
01:03:27,360 --> 01:03:29,800
Speaker 1: or I started. He was going to bed and I

1323
01:03:29,840 --> 01:03:31,560
Speaker 1: was like, no, no, I got a watch. So then

1324
01:03:31,560 --> 01:03:33,520
Speaker 1: I started. He's like, wait, can I watch? I was like, no,

1325
01:03:33,760 --> 01:03:36,240
Speaker 1: go to bed. It was paused, and he's like, who's

1326
01:03:36,280 --> 01:03:38,920
Speaker 1: that redheaded girl. I was like, oh, well she just

1327
01:03:38,960 --> 01:03:41,080
Speaker 1: got out, and who's that. He didn't know who Matt

1328
01:03:41,120 --> 01:03:42,760
Speaker 1: Lawrence was. I was like, well, that's my half brother.

1329
01:03:42,960 --> 01:03:43,200
Speaker 3: Men' you.

1330
01:03:43,440 --> 01:03:45,760
Speaker 1: He's like, why is your hair so short, which, by

1331
01:03:45,800 --> 01:03:49,760
Speaker 1: the way, it looks awful and my hair looks yeah.

1332
01:03:49,800 --> 01:03:51,640
Speaker 1: I was like, oh, I didn't remember my hair being

1333
01:03:51,640 --> 01:03:55,200
Speaker 1: cut this short anyway. And I was like that's Will.

1334
01:03:55,320 --> 01:03:58,760
Speaker 1: He's like fats Will. Oh my god. I'm like, get

1335
01:03:58,760 --> 01:04:00,000
Speaker 1: out of here, go to bed. So I kicked him,

1336
01:04:00,120 --> 01:04:02,440
Speaker 1: but yeah, he didn't recognize you. He's like, who's that

1337
01:04:02,560 --> 01:04:06,200
Speaker 1: blonde guy. I'm like, that's Will. He's like highlights and everything.

1338
01:04:06,320 --> 01:04:08,560
Speaker 2: Yeah, writer, I like your short hair.

1339
01:04:08,840 --> 01:04:11,120
Speaker 1: I do. I like credit looks off.

1340
01:04:11,560 --> 01:04:13,440
Speaker 2: I didn't pay attention to the opening credits, but like

1341
01:04:13,440 --> 01:04:16,000
Speaker 2: in this episode, I thought your hair looked great. At

1342
01:04:16,000 --> 01:04:17,959
Speaker 2: the start of the college stuff, I was like, wow,

1343
01:04:18,160 --> 01:04:19,920
Speaker 2: I like this short hairstyle.

1344
01:04:20,040 --> 01:04:21,760
Speaker 1: Are you a fan of Eric long hair? Do you

1345
01:04:21,800 --> 01:04:22,880
Speaker 1: like Eric short hair better?

1346
01:04:23,120 --> 01:04:25,400
Speaker 2: I like Eric long hair. Yeah, you mean you're right?

1347
01:04:25,520 --> 01:04:27,160
Speaker 1: This this is the perfect missing.

1348
01:04:27,160 --> 01:04:29,240
Speaker 2: Yeah, this is the perfect. This is this is peak,

1349
01:04:29,480 --> 01:04:30,720
Speaker 2: this is peak hot.

1350
01:04:31,120 --> 01:04:32,680
Speaker 1: Yea, yeah, it's all downhill from here.

1351
01:04:36,320 --> 01:04:38,720
Speaker 2: Jack walks in and stares at his roommate. Eric feels

1352
01:04:38,720 --> 01:04:43,080
Speaker 2: his judgment. Oh it's you get lost. Jack asks what

1353
01:04:43,120 --> 01:04:46,200
Speaker 2: he's doing, and Eric answers, shut your cake hole, Irene.

1354
01:04:48,880 --> 01:04:52,760
Speaker 1: Just ran it will something funny to say. He'll make.

1355
01:04:54,680 --> 01:04:57,400
Speaker 2: Sensitive. All right, Rachel's gonna come back here and see

1356
01:04:57,400 --> 01:04:59,760
Speaker 2: that I'm sensitive and all man and not half man

1357
01:04:59,760 --> 01:05:05,120
Speaker 2: like you're sorry, tushy. Jack congratulate Jack congratulates him. You're

1358
01:05:05,160 --> 01:05:09,040
Speaker 2: officially in the idiot Hall of shame. Eric channels some zen.

1359
01:05:09,520 --> 01:05:11,600
Speaker 2: That hurts me, but I understand where it's coming from,

1360
01:05:11,680 --> 01:05:14,040
Speaker 2: and it's okay. Jack says, Rachel is going to see

1361
01:05:14,160 --> 01:05:16,560
Speaker 2: right through this, but Eric says he's wrong. She's gonna

1362
01:05:16,560 --> 01:05:19,440
Speaker 2: fall deep into my trap of sensitivity. Jack begs him,

1363
01:05:19,480 --> 01:05:21,880
Speaker 2: as a friend, do not make a fool of yourself.

1364
01:05:22,360 --> 01:05:25,160
Speaker 2: Eric repeats the sentiment he's asking him not to make

1365
01:05:25,200 --> 01:05:28,160
Speaker 2: a fool of himself. Then he reveals a big grin.

1366
01:05:28,600 --> 01:05:30,800
Speaker 2: How is that, man, It's like looking in a mirror.

1367
01:05:30,800 --> 01:05:33,680
Speaker 1: It's a face off so good. It's actually like a

1368
01:05:34,560 --> 01:05:36,520
Speaker 1: like the perfect impression of him.

1369
01:05:37,200 --> 01:05:41,480
Speaker 2: Yes, it's perfect. And then he does the sawing of

1370
01:05:41,480 --> 01:05:47,920
Speaker 2: your and then it's so funny. He then makes emotions

1371
01:05:47,960 --> 01:05:51,240
Speaker 2: in reference to the recent Nick Cage movie Eric, Jack Jack, Eric,

1372
01:05:51,280 --> 01:05:54,240
Speaker 2: you don't even know who you are anymore. Then Rachel

1373
01:05:54,280 --> 01:05:58,040
Speaker 2: walks in. Eric immediately summons some tears. Hello Rachel. He

1374
01:05:58,120 --> 01:06:00,680
Speaker 2: reaches to cue the music and dramatically sits back down

1375
01:06:00,680 --> 01:06:03,720
Speaker 2: with his candle. Rachel wants to know what's the matter,

1376
01:06:04,280 --> 01:06:07,160
Speaker 2: and Eric explains it's the children.

1377
01:06:07,840 --> 01:06:11,840
Speaker 1: It's right, this is Puppies and Friends today. I was like,

1378
01:06:11,880 --> 01:06:14,480
Speaker 1: this is where you got.

1379
01:06:13,040 --> 01:06:15,320
Speaker 3: This is.

1380
01:06:17,640 --> 01:06:23,400
Speaker 1: So good. The children, children, the children. It's slightly different,

1381
01:06:23,440 --> 01:06:26,120
Speaker 1: it's not quite fully evolved. Ricky, Ricky, you discovered here

1382
01:06:26,160 --> 01:06:30,560
Speaker 1: on the podcast, But my gosh, it's so fun. This

1383
01:06:31,280 --> 01:06:33,400
Speaker 1: is like this is what I was like, Oh, man,

1384
01:06:33,480 --> 01:06:37,600
Speaker 1: sitcom is so good when it's like this is peak sitcom,

1385
01:06:37,680 --> 01:06:41,760
Speaker 1: Like somebody a character that's so well established, no big

1386
01:06:41,800 --> 01:06:45,640
Speaker 1: set pieces, just a funny shirt and you're trying to

1387
01:06:45,640 --> 01:06:48,000
Speaker 1: do something that's out of character. We all know what's

1388
01:06:48,000 --> 01:06:49,920
Speaker 1: out of character, and we are with you. It is

1389
01:06:50,040 --> 01:06:52,920
Speaker 1: so fun. It is like, this is what multicam can

1390
01:06:53,000 --> 01:06:56,760
Speaker 1: do better than any anything else, any other form. So good.

1391
01:06:57,680 --> 01:07:02,280
Speaker 2: It also is like it's it's the where the Office

1392
01:07:02,600 --> 01:07:07,880
Speaker 2: really defined what it means to watch cringe television. This

1393
01:07:08,160 --> 01:07:11,760
Speaker 2: is like below that. It's a little cringey, like you're

1394
01:07:11,800 --> 01:07:17,840
Speaker 2: embarrassed for him, but mostly it is so along for

1395
01:07:17,920 --> 01:07:22,760
Speaker 2: the ride and laughing. It's like the perfect amount of gosh.

1396
01:07:22,800 --> 01:07:24,680
Speaker 2: I can't wait to see what he does next. It's

1397
01:07:24,760 --> 01:07:25,240
Speaker 2: so good.

1398
01:07:25,480 --> 01:07:27,960
Speaker 1: Right, we don't have we don't have Jack looking at

1399
01:07:28,000 --> 01:07:30,000
Speaker 1: the camera going like, can you believe he's doing this

1400
01:07:31,000 --> 01:07:32,960
Speaker 1: they always needed to do in all those you know,

1401
01:07:33,120 --> 01:07:35,560
Speaker 1: reality but in multiicam you just have to go with it.

1402
01:07:35,600 --> 01:07:39,640
Speaker 1: You just like everybody's fully committed to this completely fake reality,

1403
01:07:39,680 --> 01:07:41,080
Speaker 1: which is so fun.

1404
01:07:41,640 --> 01:07:45,720
Speaker 2: She's concerned what children, to which Eric responds, all of them,

1405
01:07:45,920 --> 01:07:48,640
Speaker 2: they're just so little. Please don't make me go on,

1406
01:07:48,960 --> 01:07:52,480
Speaker 2: because the world is a melancholy place where human relationships

1407
01:07:52,560 --> 01:07:55,720
Speaker 2: must rise to the forefront of our two brief experience

1408
01:07:55,760 --> 01:08:01,120
Speaker 2: on this insignificant swirling blue orb until we'reished, like a

1409
01:08:01,160 --> 01:08:06,200
Speaker 2: flickering flame. Eric touches the candle and then jumps, oh,

1410
01:08:06,240 --> 01:08:07,480
Speaker 2: that's hot.

1411
01:08:08,480 --> 01:08:12,480
Speaker 3: That was all so I remember during the first run through,

1412
01:08:13,040 --> 01:08:16,479
Speaker 3: I added touching the candle and then Michael pulled me aside.

1413
01:08:16,479 --> 01:08:18,559
Speaker 3: Afterwards He's like, I'm gonna add ou that hot. I'm like,

1414
01:08:18,600 --> 01:08:21,200
Speaker 3: all perfect, So that was all Michael coming right now?

1415
01:08:21,280 --> 01:08:23,559
Speaker 1: That like all right, great, so funny.

1416
01:08:24,360 --> 01:08:27,240
Speaker 2: Jack scoffs at the theatrics, but Rachel gives Eric a

1417
01:08:27,240 --> 01:08:30,599
Speaker 2: big hug. That is the most sensitive thing I've ever heard.

1418
01:08:31,120 --> 01:08:34,679
Speaker 2: Jack is shocked, while Eric holds Rachel's embrace with pure glee.

1419
01:08:35,000 --> 01:08:37,240
Speaker 2: She asks, would you go with me to do laundry?

1420
01:08:37,560 --> 01:08:40,559
Speaker 2: Jack can't believe what he's hearing. Rachel admits, I'm sorry,

1421
01:08:40,600 --> 01:08:43,200
Speaker 2: I just need to be alone with Eric. Jack asks

1422
01:08:43,360 --> 01:08:48,120
Speaker 2: you do, and Eric responds she do. He makes his

1423
01:08:48,160 --> 01:08:50,000
Speaker 2: way to the door by pushing his friend onto the

1424
01:08:50,000 --> 01:08:52,360
Speaker 2: couch by his face. I feel your pain, but get

1425
01:08:52,400 --> 01:08:55,479
Speaker 2: out of my way. Eric turns to his beloved and says,

1426
01:08:55,479 --> 01:08:58,680
Speaker 2: with a smolder, we've got to attend to the delegates.

1427
01:09:00,120 --> 01:09:02,280
Speaker 2: Opens the door for her, and as she waltzes right

1428
01:09:02,320 --> 01:09:04,680
Speaker 2: through it, he turns to Jack and drops the facade

1429
01:09:04,880 --> 01:09:07,280
Speaker 2: She's going to see right through me, isn't she. He

1430
01:09:07,320 --> 01:09:10,679
Speaker 2: grabs her laundry basket and picks up a piece of clothing. Dude,

1431
01:09:10,760 --> 01:09:14,400
Speaker 2: this is her bra His friends out the door.

1432
01:09:15,120 --> 01:09:17,320
Speaker 1: I mean, I'm definitely a little confused with I was like,

1433
01:09:17,520 --> 01:09:19,760
Speaker 1: why is the laundry room where he wants to go?

1434
01:09:19,840 --> 01:09:21,600
Speaker 1: And then I was like, Oh, the joke is going

1435
01:09:21,680 --> 01:09:23,160
Speaker 1: to be that she's going to get him to do

1436
01:09:23,240 --> 01:09:25,719
Speaker 1: things for her, like get him to do the laundry,

1437
01:09:25,800 --> 01:09:27,840
Speaker 1: get him to do I thought. I thought it was

1438
01:09:27,840 --> 01:09:29,479
Speaker 1: going to be like she's going to make Eric do

1439
01:09:29,560 --> 01:09:32,400
Speaker 1: all this stuff like cook dinner. So I was like, oh,

1440
01:09:32,439 --> 01:09:34,240
Speaker 1: that's going to be clever because you see her make

1441
01:09:34,280 --> 01:09:37,240
Speaker 1: the turn, like, oh yeah, she tries to pretend right.

1442
01:09:37,760 --> 01:09:40,680
Speaker 1: But then I was like, oh yeah, it ended up

1443
01:09:40,680 --> 01:09:42,920
Speaker 1: being something different. But I was like, why the laundry room.

1444
01:09:42,920 --> 01:09:44,439
Speaker 1: Why is that exciting to Eric?

1445
01:09:44,880 --> 01:09:47,599
Speaker 2: Oh yeah, I think other than I guess just being

1446
01:09:47,640 --> 01:09:48,400
Speaker 2: alone with.

1447
01:09:48,280 --> 01:09:51,040
Speaker 1: Her, alone with her and her under and her.

1448
01:09:50,760 --> 01:09:56,840
Speaker 3: Unmentionables, women's bras pretty sexy, always funny, always funny.

1449
01:09:57,840 --> 01:10:00,360
Speaker 2: And then we're back in Jackson Hole. Corey's now sitting

1450
01:10:00,360 --> 01:10:03,439
Speaker 2: in Phoene's chair, wearing his own fishing gear, possibly dozing off.

1451
01:10:03,640 --> 01:10:07,800
Speaker 2: Ned casually asks him, nice day, huh Walter. Corey nods yep.

1452
01:10:08,080 --> 01:10:11,040
Speaker 2: Then an enthusiastic Phoene appears, who's up for a movie.

1453
01:10:11,360 --> 01:10:13,400
Speaker 2: Ned likes the idea, but asks, why don't we wait

1454
01:10:13,439 --> 01:10:16,680
Speaker 2: till it rains. Phoene asks why they can't do it now,

1455
01:10:16,720 --> 01:10:19,599
Speaker 2: and Ned points out the obvious. We're fishing. The fish

1456
01:10:19,600 --> 01:10:22,840
Speaker 2: are really jumping. Phoene disagrees, no, they're not. I haven't

1457
01:10:22,840 --> 01:10:25,559
Speaker 2: seen a fish once since I've been here. Corey advises,

1458
01:10:25,600 --> 01:10:27,960
Speaker 2: through a bucket hat that's covering half his face. Take

1459
01:10:28,000 --> 01:10:30,360
Speaker 2: it easy, George, We've got the rest of our lives

1460
01:10:30,400 --> 01:10:33,519
Speaker 2: to catch a fish. Ned agrees, Walter makes a lot

1461
01:10:33,520 --> 01:10:37,360
Speaker 2: of sense, George. Phoenie argues, no, Walter doesn't. I know, No,

1462
01:10:37,560 --> 01:10:39,960
Speaker 2: he doesn't. And his name is not Walter, it's Corey.

1463
01:10:40,479 --> 01:10:43,040
Speaker 2: Ned counters Corey is too young and named to be here.

1464
01:10:43,439 --> 01:10:48,280
Speaker 1: Phoenie agrees, Corey's a really old time. I don't know,

1465
01:10:48,560 --> 01:10:50,400
Speaker 1: I just definitely don't think of Corey as like a

1466
01:10:50,439 --> 01:10:51,320
Speaker 1: young hip and Nam.

1467
01:10:51,720 --> 01:10:53,000
Speaker 2: No, I know, definitely not him.

1468
01:10:53,439 --> 01:10:53,559
Speaker 3: No.

1469
01:10:54,800 --> 01:10:57,280
Speaker 2: Phoene agrees Corey is too young to be here. I'm

1470
01:10:57,360 --> 01:10:59,519
Speaker 2: too young to be here. He turns his attention back

1471
01:10:59,520 --> 01:11:02,160
Speaker 2: to Corey. I've indulged your little fantasy for a weekend,

1472
01:11:02,160 --> 01:11:04,720
Speaker 2: hoping you'd come to your senses, but obviously no one

1473
01:11:04,760 --> 01:11:07,799
Speaker 2: here comes to their senses. Ned is offended. Don't insult

1474
01:11:07,840 --> 01:11:10,599
Speaker 2: our way of life, Phoene admits, I'm just not ready

1475
01:11:10,600 --> 01:11:14,680
Speaker 2: for your way of life. Corey is unaffected. Will miss you, George.

1476
01:11:15,920 --> 01:11:16,320
Speaker 1: Of Walter.

1477
01:11:16,640 --> 01:11:19,120
Speaker 2: Phoene lifts Corey by the arm and pulls him off

1478
01:11:19,160 --> 01:11:22,120
Speaker 2: the pier. Back to school, Walter. Then we're in the

1479
01:11:22,160 --> 01:11:24,880
Speaker 2: boys laundry room. Rachel and Eric are doing laundry together.

1480
01:11:25,080 --> 01:11:27,519
Speaker 2: Eric says, I'm glad you noticed the sensitive side of

1481
01:11:27,560 --> 01:11:30,360
Speaker 2: me as well as the devil may care side. Rachel

1482
01:11:30,439 --> 01:11:33,080
Speaker 2: leans on the door, giving Eric a seductive glance. You

1483
01:11:33,160 --> 01:11:36,000
Speaker 2: have it all, everything a girl could want. She slams

1484
01:11:36,040 --> 01:11:38,720
Speaker 2: the door shut and locks it. Eric nervously thinks her,

1485
01:11:38,720 --> 01:11:41,400
Speaker 2: but why'd you lock the door? Rachel says, if it

1486
01:11:41,439 --> 01:11:44,360
Speaker 2: was open, somebody could come in. Eric, while throwing dirty

1487
01:11:44,360 --> 01:11:47,679
Speaker 2: clothes onto the ground, thinking it's going into the laundry.

1488
01:11:48,120 --> 01:11:52,120
Speaker 2: I guess, eh, finishes her thought. Yeah, then they take

1489
01:11:52,160 --> 01:11:53,160
Speaker 2: the best machines.

1490
01:11:53,640 --> 01:11:55,439
Speaker 1: I just don't know whether to bring up the obvious

1491
01:11:55,439 --> 01:11:58,040
Speaker 1: that like, this feels like a porn seed, like this

1492
01:11:58,560 --> 01:12:00,599
Speaker 1: is a riff on a porn seat and right, like

1493
01:12:00,640 --> 01:12:04,200
Speaker 1: that's the joke is that she suddenly becomes it becomes

1494
01:12:04,240 --> 01:12:08,679
Speaker 1: like the fantasy laundry room scene in a porn film.

1495
01:12:08,720 --> 01:12:11,240
Speaker 1: And I was like, oh, so ironic that the actress

1496
01:12:11,280 --> 01:12:12,360
Speaker 1: ends up doing.

1497
01:12:12,479 --> 01:12:16,439
Speaker 2: True, except then that same joke applies to every time

1498
01:12:16,600 --> 01:12:19,599
Speaker 2: a woman decides to man handle a man on Boy

1499
01:12:19,600 --> 01:12:20,520
Speaker 2: Meets World.

1500
01:12:20,360 --> 01:12:25,600
Speaker 1: And okay, but a bit like she's playing into a fantasy,

1501
01:12:26,200 --> 01:12:26,680
Speaker 1: which to me.

1502
01:12:26,720 --> 01:12:29,840
Speaker 2: Is even more weird because you've done this for every

1503
01:12:29,920 --> 01:12:32,600
Speaker 2: woman at one point or another, where it's been like

1504
01:12:32,640 --> 01:12:36,839
Speaker 2: it's time take me, and in this case it's.

1505
01:12:36,640 --> 01:12:38,519
Speaker 1: Out of character.

1506
01:12:39,360 --> 01:12:43,240
Speaker 3: I also don't get they've established Eric has has had sex,

1507
01:12:43,439 --> 01:12:45,760
Speaker 3: so why does this now freak him out? Like the

1508
01:12:45,800 --> 01:12:48,400
Speaker 3: woman who he wants to have sex with now wants

1509
01:12:48,400 --> 01:12:51,360
Speaker 3: to have sex with him and he's now scared by it.

1510
01:12:51,479 --> 01:12:53,160
Speaker 2: Well, and also he's never been with her in this

1511
01:12:53,240 --> 01:12:56,160
Speaker 2: situation for all he knows, this is exactly who she is.

1512
01:12:56,200 --> 01:12:59,599
Speaker 2: They've known her for two episodes and they've never seen

1513
01:12:59,640 --> 01:13:02,800
Speaker 2: her in the bedroom, so like to act like whoa,

1514
01:13:03,000 --> 01:13:05,040
Speaker 2: who are you? I don't know who you are. It's

1515
01:13:05,120 --> 01:13:08,200
Speaker 2: just it's it is pretty weird. But yes, writer, I

1516
01:13:08,200 --> 01:13:11,280
Speaker 2: would agree with you that this feels very porn adjacent,

1517
01:13:11,360 --> 01:13:13,200
Speaker 2: if not for the idea that then I would have

1518
01:13:13,240 --> 01:13:16,320
Speaker 2: to say every time a woman has tried to manhandle

1519
01:13:16,360 --> 01:13:18,519
Speaker 2: a man, lock the door behind him? Where on it?

1520
01:13:18,560 --> 01:13:22,320
Speaker 2: Where a jersey?

1521
01:13:22,560 --> 01:13:27,080
Speaker 1: Every episode episode? Porn adjacent is my new favorite phrase

1522
01:13:27,120 --> 01:13:32,160
Speaker 1: I think I've ever heard. It describes a lot of

1523
01:13:32,280 --> 01:13:38,480
Speaker 1: media it does. You're right, my suggested reels on Instagram's

1524
01:13:38,520 --> 01:13:40,240
Speaker 1: only horn Jason.

1525
01:13:40,200 --> 01:13:41,479
Speaker 2: Yeah, you're you're TikTok.

1526
01:13:43,680 --> 01:13:47,360
Speaker 1: It'll always just be like, bounce like a bouncing lady.

1527
01:13:47,720 --> 01:13:51,160
Speaker 2: What all these women do, jump rope?

1528
01:13:52,640 --> 01:13:59,160
Speaker 1: It's ladies, books and cats. You've got the strangest I

1529
01:13:59,360 --> 01:14:05,920
Speaker 1: g no cats, but books and butts definitely.

1530
01:14:06,640 --> 01:14:09,679
Speaker 2: Rachel laughs, but her tone quickly gets serious. No, silly,

1531
01:14:09,760 --> 01:14:11,639
Speaker 2: I brought you here because I've never found you more

1532
01:14:11,680 --> 01:14:14,920
Speaker 2: attractive than I do. Right now, she aggressively hurls Eric

1533
01:14:14,920 --> 01:14:17,000
Speaker 2: on top of a washing machine and grabs his legs.

1534
01:14:17,080 --> 01:14:20,439
Speaker 2: I am so hot, are you? Eric is eager. Yeah,

1535
01:14:20,600 --> 01:14:28,120
Speaker 2: I'm hot. This dryer's on fluff. Rachel smirks, so am I?

1536
01:14:28,520 --> 01:14:30,840
Speaker 2: Then she begins to unbutton his shirt. He asks what

1537
01:14:30,880 --> 01:14:34,080
Speaker 2: she's doing? This shirt is clean. Rachel keeps going, I

1538
01:14:34,200 --> 01:14:36,920
Speaker 2: just want to smush it up a little bit. Eric agrees,

1539
01:14:37,040 --> 01:14:39,680
Speaker 2: schmushing's good. I like shmushing. But then he stops her

1540
01:14:39,720 --> 01:14:42,120
Speaker 2: and hops off the dryer. He says, this is wrong.

1541
01:14:42,520 --> 01:14:43,080
Speaker 1: She's hurt.

1542
01:14:43,240 --> 01:14:45,920
Speaker 2: What's the matter. Don't you want me? Eric can't deny it.

1543
01:14:46,000 --> 01:14:48,120
Speaker 2: But not in the laundry room. He always figured if

1544
01:14:48,120 --> 01:14:49,920
Speaker 2: they ever did this, it would be in some romantic

1545
01:14:49,960 --> 01:14:54,200
Speaker 2: fleabag motel. Rachel is unfazed. She pushes him against the wall.

1546
01:14:54,520 --> 01:14:55,960
Speaker 2: If you went to all the trouble to be the

1547
01:14:56,000 --> 01:14:57,960
Speaker 2: perfect man for me, the least I could do is

1548
01:14:58,000 --> 01:15:02,320
Speaker 2: be the perfect woman for you. So there's our answer.

1549
01:15:02,760 --> 01:15:04,840
Speaker 1: That's what that is? This he wants that, she thinks

1550
01:15:04,840 --> 01:15:07,000
Speaker 1: he wants the porn stars. What kind of right?

1551
01:15:07,040 --> 01:15:09,760
Speaker 2: And it also again, what I'm pointing out is that

1552
01:15:09,840 --> 01:15:14,320
Speaker 2: our writers have written women to be the male fantasy

1553
01:15:14,760 --> 01:15:17,600
Speaker 2: of what a woman is. And so here out of

1554
01:15:17,600 --> 01:15:20,600
Speaker 2: the mouth of a woman, she's pretending to be the

1555
01:15:20,640 --> 01:15:21,640
Speaker 2: perfect woman.

1556
01:15:21,880 --> 01:15:26,559
Speaker 1: Right, which is better than better than just being that

1557
01:15:26,800 --> 01:15:31,760
Speaker 1: right layer of depth, There is a layer. I yeah,

1558
01:15:32,000 --> 01:15:35,559
Speaker 1: your your point that the layers actually been utilized in

1559
01:15:35,560 --> 01:15:39,880
Speaker 1: the opposite direction many times on this show, Okay, And

1560
01:15:39,920 --> 01:15:43,040
Speaker 1: it's like why would Eric, like I think it needs

1561
01:15:43,080 --> 01:15:45,719
Speaker 1: just one extra touch, like one thing that she does

1562
01:15:45,800 --> 01:15:49,760
Speaker 1: that's a little gary to this room to make out

1563
01:15:49,800 --> 01:15:52,320
Speaker 1: with her at least, like he's not like why is

1564
01:15:52,360 --> 01:15:55,360
Speaker 1: this freaking him out? Like that one thing like she

1565
01:15:55,520 --> 01:15:59,439
Speaker 1: pulls out a whip or where it's like, oh, oh

1566
01:15:59,520 --> 01:16:02,200
Speaker 1: now it's too far, Like I don't know what that is.

1567
01:16:03,040 --> 01:16:05,320
Speaker 3: She just snaps on a rubber glove but doesn't say anything,

1568
01:16:05,360 --> 01:16:06,120
Speaker 3: and it's like, oh.

1569
01:16:06,600 --> 01:16:08,240
Speaker 1: What could it have been? What could it have been

1570
01:16:08,280 --> 01:16:13,040
Speaker 1: that would have fit t GIF? Because I mean it's

1571
01:16:13,080 --> 01:16:15,800
Speaker 1: to me, it's the idea that she like, actually, you know,

1572
01:16:15,920 --> 01:16:18,040
Speaker 1: if you could imply that he was hoping to like

1573
01:16:18,120 --> 01:16:21,080
Speaker 1: kiss her, but she's actually going to, Like if she

1574
01:16:21,200 --> 01:16:23,160
Speaker 1: like cleared off a table and was like, let's do

1575
01:16:23,240 --> 01:16:25,360
Speaker 1: it right here, right, But I guess I wouldn't been

1576
01:16:25,360 --> 01:16:27,000
Speaker 1: too explicit for a kid's show. I don't know.

1577
01:16:27,080 --> 01:16:28,360
Speaker 2: I mean I think that's what they were doing with

1578
01:16:28,400 --> 01:16:30,160
Speaker 2: the buttoning of the shirt is like, oh my gosh,

1579
01:16:30,160 --> 01:16:33,320
Speaker 2: she's already trying to take my clothes off, just like

1580
01:16:33,400 --> 01:16:34,800
Speaker 2: trying to kiss me. I think that's kind of what

1581
01:16:34,880 --> 01:16:36,640
Speaker 2: was supposed to be happening, which is what makes him

1582
01:16:36,680 --> 01:16:39,400
Speaker 2: jump off, like, oh my gosh, you're undressing me. That's

1583
01:16:39,439 --> 01:16:40,720
Speaker 2: more than I was anticipating.

1584
01:16:40,800 --> 01:16:44,800
Speaker 3: This is also clearly pre Jersey Shore, when smushing is

1585
01:16:44,960 --> 01:16:47,280
Speaker 3: what what sex was, that's what they just like, Hey,

1586
01:16:47,320 --> 01:16:49,440
Speaker 3: I smush, we smushed last night, we got a smush.

1587
01:16:49,640 --> 01:16:54,960
Speaker 1: So it's Aron saying I like smushing. You are not

1588
01:16:55,040 --> 01:16:55,920
Speaker 1: ready to have sex.

1589
01:16:56,920 --> 01:16:57,280
Speaker 2: It's like.

1590
01:16:58,920 --> 01:17:08,439
Speaker 1: If you it's like you call it, you're not ready. Good.

1591
01:17:09,160 --> 01:17:11,760
Speaker 2: I don't like it. No, you somehow always know the

1592
01:17:11,800 --> 01:17:15,040
Speaker 2: thing to say that makes me go too far man

1593
01:17:15,520 --> 01:17:20,760
Speaker 2: toom Eric.

1594
01:17:23,880 --> 01:17:24,320
Speaker 1: Smoosh.

1595
01:17:24,840 --> 01:17:27,040
Speaker 2: Eric wiggles out of her grip. This isn't you. I

1596
01:17:27,080 --> 01:17:30,000
Speaker 2: don't like this you. Rachel sternly asks, then what do

1597
01:17:30,040 --> 01:17:34,120
Speaker 2: you want me to be? Sensitive? Funny brunette. Eric admits,

1598
01:17:34,160 --> 01:17:36,280
Speaker 2: I want you to be yourself. If you're not yourself,

1599
01:17:36,320 --> 01:17:40,320
Speaker 2: then what are you? Rachel answers somebody else. Eric nods,

1600
01:17:40,360 --> 01:17:42,080
Speaker 2: and if you want to be in a relationship with me,

1601
01:17:42,360 --> 01:17:45,440
Speaker 2: then I want you to be there, not somebody else,

1602
01:17:45,760 --> 01:17:50,240
Speaker 2: and then he realizes what she's done. Oh I get it,

1603
01:17:50,560 --> 01:17:52,639
Speaker 2: Rachel grins, and I want you to be the funny,

1604
01:17:52,720 --> 01:17:55,120
Speaker 2: wonderful person you are, because that's how I like you.

1605
01:17:55,280 --> 01:17:58,719
Speaker 2: Promise me you're not going to change. Okay, Eric scoffs, okay,

1606
01:17:58,800 --> 01:18:01,559
Speaker 2: on one condition, put me back on the dryer. She

1607
01:18:01,680 --> 01:18:04,519
Speaker 2: giggles and hoists him back up and they laugh at

1608
01:18:04,520 --> 01:18:19,920
Speaker 2: the fun So then we are in the guidance counselor's office.

1609
01:18:20,080 --> 01:18:23,439
Speaker 2: Corey is back, this time with Foeni. The guidance counselor

1610
01:18:23,439 --> 01:18:26,639
Speaker 2: explains to him, I understand you've dedicated your life to teaching,

1611
01:18:26,840 --> 01:18:29,439
Speaker 2: but that was at the high school level. This is college.

1612
01:18:29,960 --> 01:18:32,839
Speaker 2: Phoene asks, high school serves to prepare you for college?

1613
01:18:32,840 --> 01:18:35,880
Speaker 2: Am I correct? The man pushes back, there are five

1614
01:18:36,000 --> 01:18:39,800
Speaker 2: thousand incoming freshmen who were able to register. Correctly, he wasn't.

1615
01:18:40,280 --> 01:18:52,160
Speaker 2: Perhaps he wasn't adequately prepared. Dt F down to fight.

1616
01:18:56,520 --> 01:19:01,680
Speaker 3: Down. I frankly thought the audience was going to have

1617
01:19:01,720 --> 01:19:03,160
Speaker 3: a bigger reaction than they did.

1618
01:19:03,200 --> 01:19:06,400
Speaker 1: It was, yeah, but I thought I was gonna be like,

1619
01:19:06,479 --> 01:19:10,240
Speaker 1: what a strange scene. Yeah, this whole thing is weird

1620
01:19:10,280 --> 01:19:13,000
Speaker 1: because I was like, are they really gonna have Phoene

1621
01:19:13,560 --> 01:19:16,800
Speaker 1: get Corey out of this situation? And then they don't?

1622
01:19:16,920 --> 01:19:19,479
Speaker 2: Actually, no, he doesn't he doesn't have the power do anything.

1623
01:19:19,479 --> 01:19:21,479
Speaker 1: You just know there's nothing we can do here. Corey.

1624
01:19:21,600 --> 01:19:24,280
Speaker 1: Let's go. But it's so why did you come all

1625
01:19:24,280 --> 01:19:27,720
Speaker 1: the way from Jackson Hole, Jackson Hole, Jackson Hole to

1626
01:19:27,840 --> 01:19:30,720
Speaker 1: do this and you can't do anything? And so the

1627
01:19:30,800 --> 01:19:32,840
Speaker 1: lesson it was a winded moment. I was like, but

1628
01:19:32,880 --> 01:19:34,880
Speaker 1: why do we need Phoenie to come in and like

1629
01:19:35,200 --> 01:19:36,200
Speaker 1: goods blazing.

1630
01:19:37,080 --> 01:19:39,920
Speaker 3: It's also it's the same scene with Eric that we

1631
01:19:39,960 --> 01:19:44,160
Speaker 3: saw before, but Eric did it by himself. Like Eric

1632
01:19:44,200 --> 01:19:45,760
Speaker 3: didn't have Phoene there with him when he went to

1633
01:19:45,800 --> 01:19:47,559
Speaker 3: Dean Bolander, Like, this is the same.

1634
01:19:47,720 --> 01:19:51,240
Speaker 2: Didn't he have imaginary Phoene? Wasn't that the episode?

1635
01:19:51,520 --> 01:19:52,800
Speaker 1: No, this is the one where it was like it

1636
01:19:52,840 --> 01:19:55,800
Speaker 1: was the big scene with with I'm with Bonnie and

1637
01:19:55,840 --> 01:19:57,240
Speaker 1: I'm like, I want to come to this school. I

1638
01:19:57,280 --> 01:19:59,439
Speaker 1: missed my interview. It's like he did it himself.

1639
01:19:59,800 --> 01:20:02,120
Speaker 3: We're Corey needs Phoenie to come and help him, and

1640
01:20:02,160 --> 01:20:04,160
Speaker 3: then Phoenie can't really help him, doesn't help him.

1641
01:20:04,479 --> 01:20:04,559
Speaker 4: No.

1642
01:20:04,960 --> 01:20:08,040
Speaker 2: I also just the joke of this being his nephew

1643
01:20:08,600 --> 01:20:12,680
Speaker 2: is like what where he goes? He says, okay, the

1644
01:20:12,800 --> 01:20:16,240
Speaker 2: inmates ooh, as Phoenie crouches down to the counselor's eye level.

1645
01:20:16,439 --> 01:20:19,760
Speaker 2: You know something, Myron, out of all my nephew's eye

1646
01:20:20,080 --> 01:20:21,679
Speaker 2: hu the most.

1647
01:20:21,840 --> 01:20:24,760
Speaker 3: It's like, what, Also, how do you miss the joke

1648
01:20:24,840 --> 01:20:27,120
Speaker 3: of not having him eating something else when you walk.

1649
01:20:26,960 --> 01:20:29,960
Speaker 2: In sandwich sandwich?

1650
01:20:30,080 --> 01:20:33,120
Speaker 1: Ye as he's eating. Yeah. I wouldn't be surprised if

1651
01:20:33,160 --> 01:20:35,280
Speaker 1: there was, like there was a major rewrite to this

1652
01:20:35,320 --> 01:20:39,760
Speaker 1: whole Yeah you think, I bet you. Originally Phoenie got

1653
01:20:39,760 --> 01:20:41,800
Speaker 1: Corey out of the situation, and then there was a

1654
01:20:41,840 --> 01:20:45,080
Speaker 1: network note that was like, what you can't do that.

1655
01:20:45,439 --> 01:20:47,280
Speaker 1: I feel like there was a rewrite where they were, well,

1656
01:20:47,320 --> 01:20:50,320
Speaker 1: we could keep the shape of Phoene saving Corey, but

1657
01:20:50,320 --> 01:20:52,960
Speaker 1: we can't actually have Phoene save Corey, so we'll just

1658
01:20:53,000 --> 01:20:54,760
Speaker 1: have our cake and eat it too. And it's like,

1659
01:20:54,800 --> 01:20:57,519
Speaker 1: but it's a weird sequence. I don't you know. It's

1660
01:20:57,600 --> 01:20:59,560
Speaker 1: nice to have Foenie back, obviously, like we need to

1661
01:20:59,640 --> 01:21:01,360
Speaker 1: keep Phoene of course, of course.

1662
01:21:02,120 --> 01:21:05,880
Speaker 2: And I do think it's the spark of Phoenie can't

1663
01:21:05,880 --> 01:21:08,479
Speaker 2: stay away. You know, we were able to rescue him

1664
01:21:08,479 --> 01:21:12,280
Speaker 2: from Jackson Hole and now he's he's back that.

1665
01:21:12,600 --> 01:21:16,000
Speaker 1: Retirement that it's not for funny, Yeah, that's funny. I

1666
01:21:16,080 --> 01:21:17,679
Speaker 1: just don't need him in this scene.

1667
01:21:17,840 --> 01:21:20,519
Speaker 3: Right, okay, Nor should he be there, Frankly, it should

1668
01:21:20,520 --> 01:21:22,040
Speaker 3: be Corey getting himself out of the trouble he put

1669
01:21:22,120 --> 01:21:23,799
Speaker 3: himself in, and he's in college now.

1670
01:21:25,200 --> 01:21:29,560
Speaker 2: And he can't. Yeah, exactly, we could go right to

1671
01:21:29,600 --> 01:21:31,600
Speaker 2: this next part at the student union, where he's like,

1672
01:21:31,640 --> 01:21:33,400
Speaker 2: I already talked to the counselor, and Phoenie's like, you know,

1673
01:21:33,439 --> 01:21:35,519
Speaker 2: you're just gonna have to deal with it, you know.

1674
01:21:36,000 --> 01:21:37,880
Speaker 2: So Phoene tells Corey there's nothing to be done, and

1675
01:21:37,920 --> 01:21:40,160
Speaker 2: he leads him out the door. The guidance counselor calmly

1676
01:21:40,200 --> 01:21:44,679
Speaker 2: tells his uncle mother will be calling you, and Phoene

1677
01:21:44,680 --> 01:21:48,679
Speaker 2: pretends to be frightened. Then we are outside the student union.

1678
01:21:48,800 --> 01:21:51,960
Speaker 2: Phoene is trudging ahead of Corey. I'm sorry, I feel

1679
01:21:51,960 --> 01:21:54,599
Speaker 2: like I failed you. Maybe it's just as well I retired,

1680
01:21:54,960 --> 01:21:57,600
Speaker 2: Corey argues back as they enter the union. No, the

1681
01:21:57,640 --> 01:22:00,040
Speaker 2: most important things I learned from you have nothing to

1682
01:21:59,880 --> 01:22:02,320
Speaker 2: do with the courses anyway. What I learned from you

1683
01:22:02,479 --> 01:22:04,720
Speaker 2: was mostly about life and how to make friends and

1684
01:22:04,720 --> 01:22:07,439
Speaker 2: how to help support the people you care about. The

1685
01:22:07,479 --> 01:22:09,960
Speaker 2: gang appears behind them and Sean agrees that's what she

1686
01:22:10,040 --> 01:22:13,679
Speaker 2: taught all of us. How you doing, mister Feenie. Phoene smiles, howdy.

1687
01:22:13,920 --> 01:22:17,000
Speaker 2: To Panga chimes in, thank you for bringing my Walter home,

1688
01:22:17,160 --> 01:22:19,760
Speaker 2: and she gives Cory a kiss. Corey tells the gang,

1689
01:22:19,800 --> 01:22:21,560
Speaker 2: I'd love to chat, but mister Feenie and I we

1690
01:22:21,640 --> 01:22:24,360
Speaker 2: got to start studying for quantum whatever it is I

1691
01:22:24,400 --> 01:22:26,880
Speaker 2: signed up for. To Pang A handsom a slip of paper,

1692
01:22:26,920 --> 01:22:30,280
Speaker 2: and Corey's confused. She explains, it's your schedule. You have

1693
01:22:30,280 --> 01:22:34,080
Speaker 2: two classes with me and three with Sean. I figured

1694
01:22:34,160 --> 01:22:35,400
Speaker 2: you'd want it that way.

1695
01:22:38,120 --> 01:22:44,519
Speaker 3: So wait, they all I hear, yes, so they all

1696
01:22:44,560 --> 01:22:45,879
Speaker 3: took an extra class.

1697
01:22:45,880 --> 01:22:50,200
Speaker 2: Originally there are three of us, okay, we each took

1698
01:22:50,240 --> 01:22:54,000
Speaker 2: an extra class. Then we dropped one and made room

1699
01:22:54,040 --> 01:22:57,320
Speaker 2: for him. But he somehow has five classes and there

1700
01:22:57,320 --> 01:23:00,439
Speaker 2: are three of us. So two of us gone two

1701
01:23:00,439 --> 01:23:01,160
Speaker 2: extra classes.

1702
01:23:01,640 --> 01:23:01,880
Speaker 3: Yeah?

1703
01:23:01,960 --> 01:23:05,360
Speaker 1: Well, and also how could he Yeah, it's like it's

1704
01:23:05,400 --> 01:23:07,680
Speaker 1: kind of like what wait what I like the message

1705
01:23:07,680 --> 01:23:09,000
Speaker 1: that like, oh yeah, friends take care.

1706
01:23:09,720 --> 01:23:12,759
Speaker 2: Yes, of course he's so predictable that we all said,

1707
01:23:12,960 --> 01:23:16,000
Speaker 2: we know what's happening. How do we preemptively fix the situation?

1708
01:23:16,400 --> 01:23:18,840
Speaker 3: Yes, I also love how once again Phoenie knows everything

1709
01:23:18,840 --> 01:23:20,599
Speaker 3: where he's like, we got to get ready because Phoenie's

1710
01:23:20,600 --> 01:23:22,720
Speaker 3: got to teach me quantum physics.

1711
01:23:24,800 --> 01:23:26,720
Speaker 1: He knows everything.

1712
01:23:28,280 --> 01:23:34,559
Speaker 2: It's okay, okay, So Corey can't believe it. How'd you

1713
01:23:34,640 --> 01:23:37,320
Speaker 2: do this? T Benga explains, we each signed up for

1714
01:23:37,320 --> 01:23:39,760
Speaker 2: an extra class, and then Angela continues, and then we

1715
01:23:39,880 --> 01:23:43,559
Speaker 2: dropped one, and Sean concludes and signed you up instead,

1716
01:23:44,280 --> 01:23:47,280
Speaker 2: And how did you do this? To Bega smiles, Hey,

1717
01:23:47,640 --> 01:23:50,280
Speaker 2: we had the same teacher you did, Phoene smiles at

1718
01:23:50,280 --> 01:23:53,479
Speaker 2: his students's soft music plays in the background. Corey takes

1719
01:23:53,520 --> 01:23:56,120
Speaker 2: a look at his new schedule. So I'm ready to

1720
01:23:56,120 --> 01:23:59,759
Speaker 2: start college now, Phoenie nods, I think you are, mister Matthews,

1721
01:24:00,320 --> 01:24:07,320
Speaker 2: I think you all are. There.

1722
01:24:07,360 --> 01:24:07,639
Speaker 3: We go.

1723
01:24:07,800 --> 01:24:09,720
Speaker 1: I still don't get it. I still don't get I

1724
01:24:09,760 --> 01:24:13,200
Speaker 1: still don't get what happened. But it's very sweet. Phoene

1725
01:24:13,200 --> 01:24:18,479
Speaker 1: taught us we took care of our friends. But baby,

1726
01:24:18,520 --> 01:24:22,120
Speaker 1: said Corey. The bottom line is Corey such a baby.

1727
01:24:22,320 --> 01:24:25,280
Speaker 1: You can't ever figure out life. And when Phoene's not there,

1728
01:24:25,439 --> 01:24:26,360
Speaker 1: we pick up the slack.

1729
01:24:26,560 --> 01:24:28,680
Speaker 3: But wait, so like so like, they all went and

1730
01:24:28,760 --> 01:24:32,200
Speaker 3: joined So let's say making one up English one oh one,

1731
01:24:32,400 --> 01:24:36,120
Speaker 3: Sean joins English one oh one Topanga, then joins English

1732
01:24:36,120 --> 01:24:38,800
Speaker 3: one on one, knowing she's gonna drop English one on

1733
01:24:38,880 --> 01:24:41,160
Speaker 3: one to let Corey have English one on one?

1734
01:24:41,240 --> 01:24:43,519
Speaker 1: Right? Is that the logic? Right? But how did he

1735
01:24:43,640 --> 01:24:46,720
Speaker 1: get registered? Like that's what I'm saying. I don't understand

1736
01:24:47,040 --> 01:24:49,000
Speaker 1: his registration information, and like.

1737
01:24:49,439 --> 01:24:52,800
Speaker 2: Yes, then we signed him instead, right, But then why

1738
01:24:52,960 --> 01:24:55,000
Speaker 2: have to sign yourself up to drop it?

1739
01:24:55,080 --> 01:24:56,639
Speaker 1: Why not just sign him up?

1740
01:24:58,160 --> 01:24:58,360
Speaker 4: Right?

1741
01:24:58,479 --> 01:25:05,040
Speaker 2: Right? I don't understand, Well, logic, You're right, I don't know,

1742
01:25:05,080 --> 01:25:08,080
Speaker 2: because we signed one an extra one for us, then

1743
01:25:08,120 --> 01:25:10,080
Speaker 2: we dropped it and signed.

1744
01:25:09,880 --> 01:25:13,599
Speaker 1: We signed up in case he did what he does,

1745
01:25:13,880 --> 01:25:16,160
Speaker 1: which is that he signs up for bad classes because

1746
01:25:16,240 --> 01:25:17,960
Speaker 1: he will.

1747
01:25:18,240 --> 01:25:20,000
Speaker 2: Because why would we writing our name on the list.

1748
01:25:20,040 --> 01:25:24,000
Speaker 2: Why didn't we? Why didn't Corey Matthews right under me?

1749
01:25:24,040 --> 01:25:26,360
Speaker 1: Because then he would have known that he was signed

1750
01:25:26,400 --> 01:25:27,920
Speaker 1: up for that class when he was going to go

1751
01:25:27,960 --> 01:25:30,280
Speaker 1: sign up for all the classes he did sign up for. Okay,

1752
01:25:30,400 --> 01:25:32,800
Speaker 1: So the idea is that we covered his butt by

1753
01:25:32,800 --> 01:25:36,759
Speaker 1: signing up for extra classes that somehow I also signed

1754
01:25:36,840 --> 01:25:39,599
Speaker 1: up for three of them. So you and Angela signed

1755
01:25:39,640 --> 01:25:43,519
Speaker 1: up for three classes that I was in. Gotcha, it's

1756
01:25:43,520 --> 01:25:44,280
Speaker 1: a snoot.

1757
01:25:45,640 --> 01:25:49,760
Speaker 2: Because the sentiment is so sweet. That's sweet, so sweet.

1758
01:25:49,800 --> 01:25:52,719
Speaker 1: It's a sweet wrong. It's a swamp.

1759
01:25:56,080 --> 01:25:59,479
Speaker 2: It's a swamp, all right. We jump into the tag.

1760
01:25:59,560 --> 01:26:02,680
Speaker 2: We're in the apartment hallway. Rachel makes Eric promise not

1761
01:26:02,760 --> 01:26:05,120
Speaker 2: to change who he is. He makes sure you like

1762
01:26:05,200 --> 01:26:08,479
Speaker 2: me how I am. She nods very much. Eric reminds

1763
01:26:08,479 --> 01:26:11,120
Speaker 2: her I do have a sensitive side, you know. Rachel grints,

1764
01:26:11,240 --> 01:26:11,519
Speaker 2: I know.

1765
01:26:12,080 --> 01:26:12,240
Speaker 3: Now.

1766
01:26:12,240 --> 01:26:15,040
Speaker 2: Can I have my braw back? Please? Eric tries to

1767
01:26:15,080 --> 01:26:18,360
Speaker 2: stay straight faced. Nope, Rachel smile wide and see you

1768
01:26:18,439 --> 01:26:21,040
Speaker 2: are funny and nobody should change the way they are.

1769
01:26:21,400 --> 01:26:24,120
Speaker 2: Then she opens the apartment door and we hear squeaking.

1770
01:26:24,680 --> 01:26:28,400
Speaker 2: Jack is dressed up in a clown costume, riding a

1771
01:26:28,400 --> 01:26:32,640
Speaker 2: little tricycle in the kitchen and squeaking its tiny bell. Eventually,

1772
01:26:32,920 --> 01:26:37,160
Speaker 2: Jack accidentally tips it over and falls directly onto his face. Unaffected,

1773
01:26:37,320 --> 01:26:41,439
Speaker 2: Eric asks Rachel laundry room. Rachel agrees, yeah, laundry room.

1774
01:26:41,680 --> 01:26:43,800
Speaker 2: She helps Jack back onto his feet and drags him

1775
01:26:43,800 --> 01:26:46,960
Speaker 2: out the door, while Eric stays behind. Before he's pulled outside,

1776
01:26:47,040 --> 01:26:50,479
Speaker 2: Jack boasts Erek, I'm going to the laundry room. Eric

1777
01:26:50,520 --> 01:26:54,160
Speaker 2: nods before yelling, next time, ask before you borrow my bike.

1778
01:26:54,640 --> 01:26:57,200
Speaker 2: He recurs, of course, it was.

1779
01:26:57,240 --> 01:26:59,160
Speaker 3: The scene ended with Jack going I'm going to the

1780
01:26:59,200 --> 01:27:00,960
Speaker 3: laundry room in the and that was the end. And

1781
01:27:01,000 --> 01:27:02,560
Speaker 3: everything else I just threw it in front of the

1782
01:27:02,600 --> 01:27:03,800
Speaker 3: audience and forget that.

1783
01:27:03,880 --> 01:27:06,160
Speaker 2: Yeah, next time, just ask before you borrow my bike.

1784
01:27:06,200 --> 01:27:09,280
Speaker 2: He recovers the fallen tricycle and coddles it while carefully

1785
01:27:09,320 --> 01:27:14,800
Speaker 2: carrying it back to his room. Yep, Well, thank you

1786
01:27:14,800 --> 01:27:17,240
Speaker 2: all for joining us for this episode of Podmeets World.

1787
01:27:17,520 --> 01:27:21,880
Speaker 2: Our next episode will be season six, episode four, Friendly Persuasion.

1788
01:27:22,120 --> 01:27:26,120
Speaker 2: It originally aired October sixteenth, nineteen ninety eight. As always,

1789
01:27:26,160 --> 01:27:28,479
Speaker 2: you can follow us on Instagram pod meets World Show.

1790
01:27:28,680 --> 01:27:31,040
Speaker 2: You can send us your emails pod meets Worldshow at

1791
01:27:31,040 --> 01:27:33,320
Speaker 2: gmail dot com. And we've got merch.

1792
01:27:34,000 --> 01:27:37,240
Speaker 3: I'm gonna buy three T shirts and then drop two

1793
01:27:37,280 --> 01:27:39,719
Speaker 3: of the T shirts so that you can.

1794
01:27:39,560 --> 01:27:41,760
Speaker 1: Have two tea merch.

1795
01:27:43,160 --> 01:27:46,599
Speaker 2: Podmeets Worldshow dot com will send us out.

1796
01:27:46,920 --> 01:27:48,639
Speaker 1: We love you all, pod dismissed.

1797
01:27:49,880 --> 01:27:53,439
Speaker 3: Podmeats World is nheart podcast produced and hosted by Danielle Fischel,

1798
01:27:53,520 --> 01:27:57,759
Speaker 3: Wilfredell and Ryder Strong executive producers Jensen Karp and Amy Sugarman,

1799
01:27:58,040 --> 01:28:01,559
Speaker 3: Executive in charge of production, Daniel rome He, producer and editor,

1800
01:28:01,640 --> 01:28:05,400
Speaker 3: Tara Sudbasch, producer, Maddie Moore, engineer and Boy Meets World

1801
01:28:05,479 --> 01:28:08,040
Speaker 3: super fan Easton Allen. Our theme song is by Kyle

1802
01:28:08,080 --> 01:28:10,400
Speaker 3: Morton of Typhoon and you can follow us on Instagram

1803
01:28:10,400 --> 01:28:13,559
Speaker 3: at Podmets World Show or email us at Podmetsworldshow at

1804
01:28:13,640 --> 01:28:16,320
Speaker 3: gmail dot com