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Speaker 1: And That's What You Really Missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio Podcast.

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Speaker 3: Welcome to and That's What You Really miss Podcast. Dream

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Speaker 3: Season five tour edition. We have called in the big guns.

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Speaker 3: Andrew from Gleek to the Week Pod has come with

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Speaker 3: another brilliant, brilliant set list for us. I have my

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Speaker 3: solist kids his set list. We'll see if they're similar

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Speaker 3: or different. And Andrew's set list is not one you

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Speaker 3: want to miss.

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Speaker 1: Controversial, My job was on the ground from the first

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Speaker 1: two songs.

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Speaker 2: Absolutely insane. He's unhinged and we love him. Thank you

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Speaker 2: Andrew for joining us. This is such a fun episode.

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Speaker 2: We're dream building the perfect tour ish.

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Speaker 1: For nobody to see.

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Speaker 2: Yeah, exactly. This is tour number five with Andrew. Andrew,

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Speaker 2: thank you for coming.

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Speaker 4: Oh my gosh, of course it's my pleasure.

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Speaker 2: So you're back. We're gonna do another Dream Tour set

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Speaker 2: list yes season. And you know, as we do this

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Speaker 2: and as we get on in the seasons, I just

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Speaker 2: keep thinking, had we had this relationship when the tours

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Speaker 2: were going on and we could consult you, sure it

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Speaker 2: would have been so much better and easier, and we

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Speaker 2: really could have gotten you know, given the fantastic exactly

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Speaker 2: what they wanted.

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Speaker 4: Oh well, thank you so much. I was thinking about

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Speaker 4: it as I was creating this insane list, this sane,

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Speaker 4: insane set list. But I was like, all right, I

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Speaker 4: feel like my Joker origin story was the fact that

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Speaker 4: I did not get to see all live. And that's

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Speaker 4: why I'm here today. If I went to see you

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Speaker 4: guys live, I don't think that I would be logging

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Speaker 4: in as many. Yeah we're talking about Glee on a

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Speaker 4: weekly basis as I. But yeah, no, here we are,

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Speaker 4: and we're better for it.

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Speaker 3: I guess who appreciate it?

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Speaker 4: So should we just get into it?

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Speaker 2: Well? Yeah, lay of the land? What does this tour

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Speaker 2: look like? Like? What are we? Where are we going?

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Speaker 2: What are we? Where are we performing? So much?

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Speaker 4: You asked? I really there was like a few ideas,

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Speaker 4: like you could do the the regular tour of course

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Speaker 4: that you guys were doing, or I was thinking maybe

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Speaker 4: a one night only resident or like a residency in Lima, Ohio.

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Speaker 4: I think that maybe you just like you really help

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Speaker 4: the local Lima Heights and the you know, business will

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Speaker 4: be booming, local business exactly, the economy exactly me there

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Speaker 4: take So should we just get into the set list. Yeah,

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Speaker 4: season five was I'm sure you're aware a behemoth. You're

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Speaker 4: aware more than anybody. But heath uh task to create

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Speaker 4: a tour for and so I did my best.

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Speaker 2: And if anything, you know, say what you will about

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Speaker 2: this season. But the music, the music was incredible music,

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Speaker 2: and the numbers were bigger than ever. And so actually

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Speaker 2: this is the perfect season to have a tour based

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Speaker 2: off of.

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Speaker 1: Agreed. Yeah, the tour I'm most excited about, I think.

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Speaker 2: Because it's like when you when you adept. I don't

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Speaker 2: know if it's gonna work out, but bear with me here.

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Speaker 2: When you make a movie based off a book, the

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Speaker 2: book is always better.

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Speaker 1: Ye sure, most of the time.

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Speaker 2: Every now and then you have like a little surprise. Yeah,

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Speaker 2: I think this is one of those surprises where you're

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Speaker 2: doing a tour based off a season. I think this

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Speaker 2: tour could be better than the season.

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Speaker 1: Okay, I see what you're saying.

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Speaker 4: Oh, okay, okay, all right, I'll do my best to

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Speaker 4: satisfy that. Let's do.

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Speaker 2: Don't let us down, Andrew.

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Speaker 4: Oh my god, I'm going to be removed from the zoom. Okay,

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Speaker 4: So for the opening act, we have none other than Mercedes.

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Speaker 4: Shown's Amber Riley and Amber Riley as Mercedes like in

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Speaker 4: Universe doing her tour at the end of season five,

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Speaker 4: starting off with Hell to the No, going into color Blind,

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Speaker 4: and then finishing it off with shaking.

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Speaker 2: My Head, the classic hit.

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Speaker 4: Yeah, she has so many hits, and then we go

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Speaker 4: into the setless proper starting Okay, there's some really crazy

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Speaker 4: choices in the season five and I included all of them.

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Speaker 4: So that morning Poppe teers on tour. Oh, of course,

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Speaker 4: we'll get to it. Okay, tell me if you if

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Speaker 4: you hate this first song of the tour blurred lines,

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Speaker 4: everybody get up.

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Speaker 2: Do we hate it? You're a crazy person, You're.

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Speaker 1: I understand it. I understand it.

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Speaker 3: Okay, I I'm going to pass.

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Speaker 2: I'm reserving judgment. I want to.

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Speaker 1: See you going. I want to see what I'm into it.

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Speaker 1: I'm into because I see where the journey goes, where

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Speaker 1: the journey is.

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Speaker 4: Okay, maybe you like this next song, jump and jump in,

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Speaker 4: all right, and maybe we can throw Kevin in there finally.

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Speaker 1: Hinged the unhinged or jump.

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Speaker 4: In go ahead, Kevin.

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Speaker 2: Never if you asked me how this tour would start out,

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Speaker 2: never ever would I have put these two songs. Okay,

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Speaker 2: you know, I trust Andrew and he creates. He creates

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Speaker 2: a story narrative. I want you.

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Speaker 3: We're wrong about loser like me the first time, Kevin.

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Speaker 3: So you know what, We're not always right exactly.

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Speaker 2: No, that's why I am. I'm not judging.

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Speaker 4: Yes, okay, fine, we listen and we don't judge.

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Speaker 2: Yeah, right, well, I'm listening. I might judge later, but

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Speaker 2: right now.

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Speaker 4: Okay, all right, so jump and jump in Dusty's Child

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Speaker 4: Beyonce hit. Alex Newell is like, okay, I want to

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Speaker 4: do Beyonce number. If I were a boy, it's going

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Speaker 4: it's going crazy. And then at the end this, this

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Speaker 4: might get me canceled.

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Speaker 2: All right, at the end of if.

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Speaker 4: I were a boy, everybody's like unique. We don't care

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Speaker 4: like how you identify like anything. We just care if

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Speaker 4: you whether you're a Katie or a Gaga. And then

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Speaker 4: they go into wide awake on this. Of course it

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Speaker 4: has to be Jenna. You're so wrong about this. I

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Speaker 4: don't Jenna, why don't you like this?

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Speaker 2: Because sometimes she has bad taste?

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Speaker 4: Okay, I have questions, but ask him.

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Speaker 3: Into it, you know, well, I gotta listen to it. Again,

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Speaker 3: there's something about it that just didn't hit. And mostly

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Speaker 3: it's like my performance, I think, like my vocals on it.

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Speaker 3: I don't know it just it felt like one of

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Speaker 3: those ones that like should hit but didn't for me.

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Speaker 1: I don't know, I but I understand. I get it.

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Speaker 1: I get it, and like.

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Speaker 2: I don't believe you. I don't think you do.

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Speaker 4: I think in another another like ten years, you know,

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Speaker 4: maybe then it's like wine.

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Speaker 1: Okay, I like this. If I were a boy into

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Speaker 1: Wide Awake.

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Speaker 2: I get it.

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Speaker 4: I get And then Jake, of course part of Wide Awake,

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Speaker 4: give me the remnation you are you were you were

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Speaker 4: tapped into my Google document right.

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Speaker 1: Now, I got you.

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Speaker 2: I feel the hacker.

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Speaker 1: I feel this.

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Speaker 4: Okay, nasty redmination. Marley is pissed, and so you can

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Speaker 4: see like the screen behind the stage starts to crack,

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Speaker 4: and then this is full budget wrecking ball, Thank you,

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Speaker 4: wrecking Ball, bust through the stage. I don't know how

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Speaker 4: any of that works. She's on it.

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Speaker 2: Don't worry about it. With budget, you can do anything.

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Speaker 1: Exactly, okay.

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Speaker 4: And then it's y'all's time to shine with my love

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Speaker 4: and you're never gonna get it.

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Speaker 3: Wow.

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Speaker 4: I had two tardy duets to choose from, and I

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Speaker 4: chose the more chaotic one. Yeah, clearly, Jenny, you still

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Speaker 4: push Kevin out of the chair at the end, but

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Speaker 4: then you pick them up. Artie's like, I'm okay, we'll

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Speaker 4: get over this. Go in to break Away with Darren.

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Speaker 5: Okay, okay, from the floor into one of our favorite songs,

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Speaker 5: right right right, Okay, I'll be like, but already, yes,

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Speaker 5: what we get to breakaway?

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Speaker 1: So yeah, yeah, okay.

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Speaker 4: The lights go down and then you hear and then

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Speaker 4: it's going marching band comes out. Maybe they just like

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Speaker 4: go through the aisles, got to get you into my

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Speaker 4: life clean.

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Speaker 2: Wow.

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Speaker 4: Now we're in the beating section, okay, and then hey

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Speaker 4: Jude led by uh Tina, Kitty Blaine and Sam otherwise

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Speaker 4: known as Titty Blam, and then we go into Breeze

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Speaker 4: right past that. Yeah, we're gonna go into uh let

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Speaker 4: it be, and then Jenny, you're gonna start revolution, Bell's

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Speaker 4: gonna ring, everyone's gonna leave, and then you're like, no, actually,

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Speaker 4: lock the doors. I'm going to finish this number for.

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Speaker 3: Once locked the doors, locked into let's have a.

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Speaker 1: I love that.

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Speaker 3: I don't even know what Tina's version of the full

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Speaker 3: version of Revolution sounds like, so we're here for it.

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Speaker 2: We only ever get that full version live, which I love,

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Speaker 2: love it exclusive exclusive.

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Speaker 4: I ticked the tour and then finishing out this beatles

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Speaker 4: little uh segment with Santana bringing out Danny and singing

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Speaker 4: here comes the Sun. Yes, okay. And then so after

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Speaker 4: that performance Sametime, it's like, Danny, you know you're great

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Speaker 4: and all, but I don't think you're for me. Heather

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Speaker 4: Morris at the top of the rafters, I'm thinking she's

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Speaker 4: like singing Valerie from like she makes her way to

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Speaker 4: the stage, singing Valerie. Once Heather Morris is on the stage,

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Speaker 4: nian Heather together, they're like, oh, we're just missing one person, Diana.

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Speaker 4: They go into Toxic Yes. Then Gwyneth Paltrow and the

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Speaker 4: rest of everybody else comes out party all the time

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Speaker 4: the foam falls from the ceiling. I never like realized that, like,

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Speaker 4: y'all weren't part of that number.

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Speaker 1: We were shooting something else.

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Speaker 2: I think probably you know, it got busy, we were

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Speaker 2: a little we were a little behind.

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Speaker 3: There was something, there is something a huge relief when

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Speaker 3: I read it and was like, I'm not in that.

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Speaker 3: And then when I watched it back this time round,

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Speaker 3: I was like, I wish.

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Speaker 1: I was in that.

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Speaker 2: Oh yeah, you know that was really bad fomo. Yeah, yeah,

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Speaker 2: it is such a good number.

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Speaker 4: It's so good Okay, okay, And so Gwyneth is like,

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Speaker 4: I think you all are ready for Nationals. Go to

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Speaker 4: Skylar Aston doing mister Vado counting stars.

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Speaker 2: That gives us time to also clean the foam off

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Speaker 2: the stage because we can.

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Speaker 4: Okay, And then you guys do the entire National set

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Speaker 4: list more than a feeling. America found what I'm looking for. Yeah,

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Speaker 4: are we surprised that we're including the entire America?

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Speaker 2: A little bit?

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Speaker 1: America a little bit? But I do love America.

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Speaker 2: I do too.

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Speaker 4: I couldn't cut you know that. No favoritism, I don't.

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Speaker 2: I don't like am I don't love America independently, but

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Speaker 2: the trio, yeah, I love it.

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Speaker 4: Yeah.

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Speaker 3: If America comes on though, I'll listen to it now.

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Speaker 2: I will. What is it about our version made me

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Speaker 2: really like that song?

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Speaker 3: I think it's that it's like the background books were

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Speaker 3: really cool. Okay, Yeah, yeah, no, I'm into it.

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Speaker 2: Okay, So I.

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Speaker 4: So goody. Both you guys are paired off Kevin and

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Speaker 4: Alex Yes.

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Speaker 2: Yeah, yeah, Alex is just like go went off.

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Speaker 4: It's great National set lists to a close, Let's go down.

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Speaker 4: You just hear the speaker, well we lost. I feel

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Speaker 4: like a loser. And then like you hear y'all's voices

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Speaker 4: like me, like me, we hear Cordon Darren like me,

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Speaker 4: like me, loser like me? Season five version. Yes, frankly,

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Speaker 4: the superior version of ladser like me.

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Speaker 1: I'll say, really living thank you.

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Speaker 4: Transitions here, Yeah, okay, we're getting We're nearing the end,

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Speaker 4: all right, so Cordon Darren are like, okay, high school's over.

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Speaker 4: Time to move out, moving out. Now Here comes the

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Speaker 4: New York set from the stage. From the bottom of

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Speaker 4: the stage comes a giant, giant replica of the carousel

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Speaker 4: from Brooklyn Bridge Park. Absolutely yeah, wow, Yes, we go

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Speaker 4: into Natural Woman. It's spinning the.

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Speaker 1: We need it.

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Speaker 2: I have chills. Can you imagine the choreography they could

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Speaker 2: do on there with everybody like heightened version. Oh, it'd beautiful.

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Speaker 4: It's great, Frankly, not talked about enough mar solos. I

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Speaker 4: feel correct, definitely okay, And so then we see I

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Speaker 4: just saw Sunset Boulevard the other night. This is full

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Speaker 4: better than I obviously heard the reviews and they were

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Speaker 4: all insane, but this was it went above and beyond that.

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Speaker 4: So I'm borrowing a gimmick from this. Okay, Okay, So

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Speaker 4: we see on the screen behind the stage, Uh, you know,

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Speaker 4: a camera going up to Rachel's dressing room. There's a

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Speaker 4: very in the the star on the wall Rachel's dressing room.

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Speaker 4: They're like, Rachel, it's time for your number. It's time

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Speaker 4: for your number. Open the door. It's not Rachel, it's Santana. Yes,

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Speaker 4: we're going into Santana's Uh, don't run my parade.

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Speaker 2: Stanna's dump, Andrew, Andrew, I have full chills, don't I

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Speaker 2: need it so bad? I have full chills loving. Okay,

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Speaker 2: you're a psycho. This is so good because like Leah

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Speaker 2: did it.

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Speaker 4: I think she did, like both tours, like yeah, the

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Speaker 4: whole aisle thing. Yeah do it. Okay, you need it?

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Speaker 1: So wow, that's really good. All right, that's bad.

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Speaker 2: That is cinema.

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Speaker 1: Yeah that is yes, yes, you can.

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Speaker 2: See it right the lighting backstage.

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Speaker 1: Yeah, I can totally okay into.

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Speaker 2: It passing us in the hallway and oh right.

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Speaker 1: Yeah yes by the water cooler.

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Speaker 3: Yeah, oh yeah, okay, okay.

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Speaker 4: So Rachel's waiting for for Santana on stage and she

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Speaker 4: is livid and goes into one of y'all's favorite numbers, Gloria. Yes,

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Speaker 4: they're battling it out. Yes, it's present, it's yes, okay,

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Speaker 4: and then out comes clean and they're like, Okay, this

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Speaker 4: is a this is a flimsy transition.

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Speaker 2: Okay.

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Speaker 4: Santana and Rachel are fighting and so are we, I guess,

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Speaker 4: and they go into Love is a Battlefield and they're fencing.

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Speaker 2: Yes, yes, and then you have this stage in your

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Speaker 2: mind like kind of why I have an idea for this? Okay,

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Speaker 2: So do you know how well it was a botched performance,

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Speaker 2: not any of their fault, but on the Grammys, like

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Speaker 2: two or three years ago, when Harry Styles had like

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Speaker 2: the rotating stage if they could be on if like

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Speaker 2: the platform came out of the stage right and it's

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Speaker 2: raising up so they're above stage level on like a

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Speaker 2: turning platform as they're doing this dancers. Sorry, that's where

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Speaker 2: I'm going with this, and it's like all black. It's

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Speaker 2: like a maybe the stage is like lit, it's all white,

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Speaker 2: so it's just spotlights and black on the back of them.

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Speaker 2: You have like the dancers coming in to help them move.

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Speaker 1: Yeah.

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Speaker 2: Perfect right, glad we got that figured out. This is

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Speaker 2: a problem. I was gonna be up all night.

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Speaker 4: Oh my god, what are we gonna do with love?

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Speaker 4: Is at the end of Love is a battlefield. The

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Speaker 4: crew members are harnessing a harness onto Christ Yes for

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Speaker 4: correct in the Google document for Lucky Star.

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Speaker 2: Yeah, bitch, let him fly.

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Speaker 3: I feel like Lucky Star needs to be like pinked

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Speaker 3: in on her tour in that like three sixty harness,

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Speaker 3: like across the whole stadium like arena, you know.

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Speaker 2: Yes, see that's what that's the trick. He's already in

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Speaker 2: the harness. We don't know what during that was a

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Speaker 2: battlefield and then he just goes and then Blaine pushes

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Speaker 2: him off. Yeah, the thing so we think he's gonna

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Speaker 2: fall and but just flies.

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Speaker 4: Oh my god, this is good.

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Speaker 2: I just got chilled.

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Speaker 3: I also think that everybody should be all the dancers

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Speaker 3: should be in fencing uniforms and like fencing with faceless

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Speaker 3: you know, masks, so that it looks like Blaine and Kurt.

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Speaker 4: You know what, It's the same thing that happened last

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Speaker 4: time that I talked to you all about the season

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Speaker 4: four towards that I'm like, I got I'm getting too

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Speaker 4: excited for something that's.

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Speaker 3: Not going create for us.

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Speaker 2: We don't even let that out there because of course

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Speaker 2: you can't, Okay, So, uh, Chris call pursuing Lucky Star.

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Speaker 4: He's doing his best pink impression going around the uh

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Speaker 4: the arena, and of course he's like, ladies and gentlemen,

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Speaker 4: June Squib and like all these twelve year old girls

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Speaker 4: that don't have any context for June Swib is going

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Speaker 4: crazy and they're like, oh my god, we love you, June.

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Speaker 4: And then we get into take me Home tonight. Maybe

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Speaker 4: I don't this. This feels terrible, just like unleashing, just

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Speaker 4: like dogs that need rest, that need homes into the

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Speaker 4: arena it likes to just take home.

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Speaker 1: We've really we've really become unhinged here.

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Speaker 2: Oh yeah, yeah, that might get you canceled.

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Speaker 6: Okay, plus dogs letting dogs go home to a that's

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Speaker 6: not okay, and then okay, and so.

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Speaker 4: Then there's so many people on stage. Everybody clears out

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Speaker 4: except for Rachel. She does glitter in the air, but

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Speaker 4: when she gets the part where she sings like calling

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Speaker 4: me Sugar, it's Vanessa Lenngi's Sugar Mata now in the

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Speaker 4: harness and she's going around the arena as pink. It's

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Speaker 4: bothered me so much every time.

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Speaker 2: That's stupid.

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Speaker 4: This every time I'm like, Rachel, you you, you're singing.

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Speaker 4: I know that's the lyric calling me sugar, but there's

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Speaker 4: already a character on this show aimed sugar.

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Speaker 2: Let her have it.

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Speaker 4: And so this is the moment I'm dead. Okay, okay,

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Speaker 4: And then final number, you know you had to do

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Speaker 4: it to him, Pompey and everybody, everybody comes out on

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Speaker 4: stage again. We got Adam Lambert, we got Demi Levado,

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Speaker 4: we got jew and Squib, we got yeah, yeah, let's

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Speaker 4: go down. And then now here's the encore. You hear

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Speaker 4: on the on the surround sound, make some noise if

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Speaker 4: your katie, where my guts at? A crazy goes into encore,

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Speaker 4: starts with Marry the Night, into applause, then roar wow,

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Speaker 4: and we got we got the vines, we got all

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Speaker 4: the fits. Yeah, it's insane. Yeah. And then one final

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Speaker 4: bonus number, we got to do the Fox of course

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Speaker 4: with the puppets. I think you guys are.

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Speaker 3: Starting with lord lines and we're closing with what the

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Speaker 3: Fox say.

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Speaker 4: Yeah, the two best songs of season five.

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Speaker 1: Now you're really canceled.

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Speaker 4: Yeah no, but I feel like you got to go

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Speaker 4: back or go home. So that's that's wow.

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Speaker 1: Wow wow wow wow wow.

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Speaker 2: Wow, Andrew, you hate I think. I think there's a

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Speaker 2: lot of a lot of great things here.

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Speaker 1: Yes, I agree, I'm into it.

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Speaker 3: I think the middle section, act two, if you will.

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Speaker 1: If we're breaking hands, this is the three acts.

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Speaker 3: Act two is our strongest act here, Andrew, I think excellent.

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Speaker 3: All right, I think your transitions are excellent. I think

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Speaker 3: this is well thought out. This is more well thought

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Speaker 3: out than I had for my tour.

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Speaker 1: I would I would swap out some songs.

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Speaker 3: I'm going to offer some some options for swap out,

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Speaker 3: and I'm going to offer some opening and closing changes.

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Speaker 2: Okay, and my vision is independently almost the exact same

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Speaker 2: as Jenna's. Oh really yeah yeah, I read Jenna's listen.

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Speaker 2: I was like, okay, well this is the same except

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Speaker 2: maybe three songs.

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Speaker 3: Wow, that's fascinating. Okay, my opening was actually your closing.

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Speaker 3: So my opening was applause.

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Speaker 4: Oh oh that's fine, Like we opened.

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Speaker 3: With applause, and like maybe it's not just Chord who

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Speaker 3: does the crazy opening video that Penny sees, but like, oh,

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00:22:38,560 --> 00:22:42,760
Speaker 3: multiple cast members doing that hated and like doing that

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Speaker 3: to the camera. I love it into roar and then

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Speaker 3: I'm adding on our.

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Speaker 4: Way, okay, hitten bob.

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Speaker 3: Yeah, that's why it's a hidden Bob and I feel

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Speaker 3: like it's a crowd pleaser and I feel like it

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Speaker 3: gets people up on their.

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Speaker 1: I also have to include.

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Speaker 4: Do wop Okay, yes, yes?

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Speaker 3: Now could that be the camera a live camera moment Jenna?

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Speaker 2: That's Jenna, you.

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00:23:17,320 --> 00:23:25,280
Speaker 3: Know, because we're walking through bathroom warehouses and weird underneath

393
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Speaker 3: elevators because that's New York vibe.

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Speaker 1: So that's those are my my opening options.

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Speaker 2: Can I make a pitch there because I think this

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Speaker 2: is where we can start combining some of these things.

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Speaker 2: The gag of Santana being revealed to be in Rachel's

398
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Speaker 2: dressing room is so good that I think you have

399
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Speaker 2: to do that first, right. Then Santana comes out and

400
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Speaker 2: does r my parade, so that's how we get introduced

401
00:23:57,680 --> 00:24:00,919
Speaker 2: to the camera thing. And then she's like, hold on,

402
00:24:01,720 --> 00:24:04,520
Speaker 2: I missing somebody, and then the camera got another camera.

403
00:24:04,840 --> 00:24:08,760
Speaker 2: Oh good, goes backstage and find Mercedes. Yeah, and we

404
00:24:08,800 --> 00:24:12,480
Speaker 2: follow Mercedes out to the stage and then they perform.

405
00:24:12,680 --> 00:24:17,119
Speaker 4: Yeah, they finish, praise and do up that thing existing

406
00:24:17,320 --> 00:24:21,200
Speaker 4: in the same concert and can you imagine?

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Speaker 1: Oh god, Okay, yes, I like that, Kevin, I like that.

408
00:24:24,880 --> 00:24:27,360
Speaker 4: Okay.

409
00:24:28,600 --> 00:24:31,080
Speaker 3: Oh, let me think here. I have to add back

410
00:24:31,160 --> 00:24:33,639
Speaker 3: in whenever I call you friends. So I'm gonna swap

411
00:24:33,680 --> 00:24:34,320
Speaker 3: that out.

412
00:24:34,520 --> 00:24:35,600
Speaker 4: Okay, I'm gonna.

413
00:24:35,400 --> 00:24:36,080
Speaker 2: Swap it out.

414
00:24:36,240 --> 00:24:38,439
Speaker 4: Are we keeping both tardy duets?

415
00:24:38,440 --> 00:24:41,760
Speaker 3: Are we replacing I don't know, because I like dropping

416
00:24:42,000 --> 00:24:44,320
Speaker 3: him out of the wheelchair and to break away.

417
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Speaker 2: That's what you like about that place, you.

418
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Speaker 1: Know, it's the transition, Jenna.

419
00:24:53,160 --> 00:24:55,120
Speaker 4: I'm just pushing you down every night.

420
00:24:55,400 --> 00:24:58,040
Speaker 1: I'm sorry. It's just I'm not going to knock you

421
00:24:58,080 --> 00:24:58,600
Speaker 1: out of the chair.

422
00:24:58,640 --> 00:25:02,160
Speaker 2: But I do think that I would not be able

423
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Speaker 2: to do that.

424
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Speaker 3: Okay, fine, Maybe you could be in the the rewalk.

425
00:25:10,240 --> 00:25:13,719
Speaker 1: And you and you fall out and Tina picks you up.

426
00:25:14,119 --> 00:25:14,960
Speaker 2: How do we kick.

427
00:25:17,760 --> 00:25:19,760
Speaker 4: Just did a crazy face bomb?

428
00:25:24,000 --> 00:25:26,480
Speaker 1: This tour is also unhinched already that I'm not.

429
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Speaker 3: I'm leaning into it, okay, Okay, So I have another

430
00:25:34,880 --> 00:25:38,359
Speaker 3: proposal for you, Andrew. I love that you brought sugar

431
00:25:38,440 --> 00:25:42,280
Speaker 3: Matta back into this because we did not get enough Vanessa.

432
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Speaker 4: She's not in season five period.

433
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Speaker 3: Yeah, it's just feels so when when Rachel singing got

434
00:25:53,119 --> 00:25:56,520
Speaker 3: in the air, which was in my encore can be

435
00:25:56,560 --> 00:26:01,440
Speaker 3: moved up and then sure comes to her through she says,

436
00:26:01,560 --> 00:26:05,040
Speaker 3: guess what, bitches, I'm back, and I brought my trouble

437
00:26:05,080 --> 00:26:08,920
Speaker 3: tones with me. I had a trouble Tone reunion in this,

438
00:26:09,080 --> 00:26:11,520
Speaker 3: and I had Stronger, I had Rumor has It and

439
00:26:11,640 --> 00:26:14,320
Speaker 3: Survivor in there is a middle thing kind of like

440
00:26:14,440 --> 00:26:17,320
Speaker 3: the Warblers did on our tours, where like they had

441
00:26:17,320 --> 00:26:18,600
Speaker 3: a segment where like we.

442
00:26:18,520 --> 00:26:21,280
Speaker 1: Got to rest for a second. So I'm into this.

443
00:26:21,880 --> 00:26:24,520
Speaker 3: Let's bring Sugar back and then let's just really lean

444
00:26:24,560 --> 00:26:26,600
Speaker 3: into it and let's bring all the trouble Tones back.

445
00:26:27,640 --> 00:26:31,520
Speaker 4: I love you were valuing of course, like resting in

446
00:26:31,520 --> 00:26:34,560
Speaker 4: between songs something that I'm not even considered. I'm like,

447
00:26:35,359 --> 00:26:36,440
Speaker 4: the most chaotic set.

448
00:26:36,760 --> 00:26:39,160
Speaker 3: I really had a chaotic A Tina had a chaotic

449
00:26:39,240 --> 00:26:42,000
Speaker 3: set in like at the second half of the tour

450
00:26:42,600 --> 00:26:45,040
Speaker 3: into the encore because I was in like almost every

451
00:26:45,119 --> 00:26:49,360
Speaker 3: number of the encore and that was crazy and I

452
00:26:49,400 --> 00:26:49,840
Speaker 3: loved it.

453
00:26:49,880 --> 00:26:50,320
Speaker 1: I loved it.

454
00:26:50,359 --> 00:26:55,439
Speaker 3: Every night it was like the most fun. And but

455
00:26:55,880 --> 00:26:58,840
Speaker 3: there was something about when the Warblers went out and

456
00:26:58,840 --> 00:27:00,760
Speaker 3: we got to like hang out for second, we all

457
00:27:00,880 --> 00:27:03,040
Speaker 3: got to like regroup with each other, and the girls

458
00:27:03,080 --> 00:27:05,040
Speaker 3: would hang out in like the changing area under the

459
00:27:05,080 --> 00:27:07,080
Speaker 3: stage and do chances, and the boys would come visit.

460
00:27:07,240 --> 00:27:08,879
Speaker 1: So I appreciate that.

461
00:27:09,119 --> 00:27:12,359
Speaker 2: Yeah, yeah, for sure, Jimmy, you have a really nice moment.

462
00:27:12,400 --> 00:27:15,480
Speaker 2: And sorry, I'm like blowing up your You're set here,

463
00:27:15,840 --> 00:27:19,280
Speaker 2: that's okay, but you had a really like sweet moment

464
00:27:19,560 --> 00:27:21,320
Speaker 2: with the best day of my life whenever I call

465
00:27:21,359 --> 00:27:24,840
Speaker 2: you friend and to break away, which I really enjoy.

466
00:27:25,200 --> 00:27:27,800
Speaker 1: Okay, okay, But then I.

467
00:27:27,720 --> 00:27:31,919
Speaker 2: Think we go into Andrew's vision of the one hundred

468
00:27:32,000 --> 00:27:35,000
Speaker 2: numbers and I think we swap some things. I think

469
00:27:35,000 --> 00:27:39,399
Speaker 2: Brittany's like, boo, this is boring, and then she drops

470
00:27:39,400 --> 00:27:42,080
Speaker 2: down from the ceiling yeah and starts toxic.

471
00:27:42,880 --> 00:27:45,800
Speaker 1: Yeah, yeah, I had toxic as well.

472
00:27:45,880 --> 00:27:46,120
Speaker 3: Yeah.

473
00:27:46,280 --> 00:27:49,800
Speaker 2: I think toxic after like a really sweet little like

474
00:27:49,840 --> 00:27:51,520
Speaker 2: interstitial is fine.

475
00:27:51,560 --> 00:27:53,879
Speaker 3: Oh, I see where you're going with that. You had

476
00:27:53,880 --> 00:27:55,320
Speaker 3: toxic too, okay.

477
00:27:55,160 --> 00:27:59,520
Speaker 2: Yes, and so toxic into then she gets down they

478
00:27:59,600 --> 00:28:03,800
Speaker 2: going to I think Diana State's out there for Valerie,

479
00:28:03,920 --> 00:28:04,680
Speaker 2: bring her into.

480
00:28:04,520 --> 00:28:05,960
Speaker 1: The fold, bring Harry in there.

481
00:28:06,080 --> 00:28:09,840
Speaker 2: Yeah, okay, yeah, and then and then I think you

482
00:28:09,840 --> 00:28:14,280
Speaker 2: can go into your and then Brittany ends it. It's

483
00:28:14,280 --> 00:28:16,159
Speaker 2: like you, guys, the rest of your this is how

484
00:28:16,200 --> 00:28:18,560
Speaker 2: it's done. The rest of your are losers. And then

485
00:28:18,560 --> 00:28:22,600
Speaker 2: you go into the Andrews loser like Me, Like me,

486
00:28:23,320 --> 00:28:27,760
Speaker 2: Like me, and then we come out and do Loser

487
00:28:27,840 --> 00:28:32,920
Speaker 2: Like Me acoustic version, but it goes into the original,

488
00:28:33,119 --> 00:28:34,520
Speaker 2: the original version.

489
00:28:36,280 --> 00:28:41,120
Speaker 4: Oh whoa, I do like that, okay, ending with the

490
00:28:41,440 --> 00:28:42,560
Speaker 4: slushy Cops competti.

491
00:28:43,840 --> 00:28:45,200
Speaker 2: Definitely got to do it all.

492
00:28:45,360 --> 00:28:50,640
Speaker 3: Okay, great, great, I have one other swap there as well.

493
00:28:51,920 --> 00:28:54,960
Speaker 3: Maybe not a swap, but somewhere in there. I think

494
00:28:55,000 --> 00:28:59,000
Speaker 3: we need to find a place to put in people.

495
00:29:00,480 --> 00:29:02,960
Speaker 4: Okay, oh yeah, we have to put.

496
00:29:02,800 --> 00:29:04,560
Speaker 1: People in there. And it doesn't have to be like

497
00:29:04,680 --> 00:29:06,440
Speaker 1: Jane doesn't have to be there. We just we could

498
00:29:06,440 --> 00:29:07,440
Speaker 1: make it Rachel solo.

499
00:29:08,080 --> 00:29:12,440
Speaker 4: Yes, oh, I understood what you're saying, like who are you?

500
00:29:12,560 --> 00:29:15,680
Speaker 4: Who are you now? Sort of thing? Was that?

501
00:29:15,840 --> 00:29:16,600
Speaker 3: Was that the number?

502
00:29:16,640 --> 00:29:17,360
Speaker 1: Who are you now?

503
00:29:18,440 --> 00:29:20,720
Speaker 4: Are you talking about the Rachel s funny girl? Yes?

504
00:29:20,800 --> 00:29:23,520
Speaker 3: Yes, yes, yes, yeah, yeah, yeah, who are now?

505
00:29:23,640 --> 00:29:24,000
Speaker 1: Sorry?

506
00:29:24,080 --> 00:29:24,560
Speaker 2: Yeah?

507
00:29:24,880 --> 00:29:26,400
Speaker 1: Not not people? Who are you now?

508
00:29:26,440 --> 00:29:26,600
Speaker 5: Then?

509
00:29:27,360 --> 00:29:30,000
Speaker 1: Yeah? And putting that in there, and we can make

510
00:29:30,000 --> 00:29:30,960
Speaker 1: it a solo instead.

511
00:29:31,080 --> 00:29:34,320
Speaker 4: Oh yeah, as God intended. Sorry Jane Lynch, but.

512
00:29:34,360 --> 00:29:37,640
Speaker 2: Could totally We love Jane, but you know you could

513
00:29:37,680 --> 00:29:40,360
Speaker 2: do something like incredible with that number.

514
00:29:40,520 --> 00:29:41,280
Speaker 1: That's what I'm saying.

515
00:29:43,480 --> 00:29:48,720
Speaker 2: Yes, I need like the costume to almost be a

516
00:29:48,760 --> 00:29:53,880
Speaker 2: defying gravity moment where it's like it's like the back

517
00:29:53,880 --> 00:29:55,800
Speaker 2: of the dress or like a train or something just

518
00:29:56,160 --> 00:29:59,320
Speaker 2: starts expanding and gets bigger and bigger as she's like

519
00:29:59,400 --> 00:29:59,920
Speaker 2: singing it.

520
00:30:00,120 --> 00:30:04,520
Speaker 3: Put it on a cherry picker, you know, do it? Yeah,

521
00:30:04,720 --> 00:30:06,680
Speaker 3: put her over the audience. We're really going big with

522
00:30:06,720 --> 00:30:10,040
Speaker 3: this one. We're having the three sixty harness, let's do

523
00:30:10,120 --> 00:30:10,960
Speaker 3: the cherry picker.

524
00:30:11,240 --> 00:30:12,520
Speaker 4: Britney's coming from the money.

525
00:30:13,720 --> 00:30:16,160
Speaker 3: Yeah, I think so, we may as well lean into

526
00:30:16,200 --> 00:30:18,040
Speaker 3: it and then Chris. If Chris is doing it, then

527
00:30:18,040 --> 00:30:20,000
Speaker 3: maybe we're doing it and roar. We could do over

528
00:30:20,040 --> 00:30:27,160
Speaker 3: the audience as well. Yeah okay, yeah, yeah.

529
00:30:27,200 --> 00:30:28,760
Speaker 2: Yeah, okay.

530
00:30:30,440 --> 00:30:32,800
Speaker 3: The only other thing that I had was and I

531
00:30:32,840 --> 00:30:34,000
Speaker 3: had closed out with it.

532
00:30:34,080 --> 00:30:37,000
Speaker 1: I closed out the show with it was Somebody to Love.

533
00:30:37,480 --> 00:30:37,920
Speaker 2: Okay.

534
00:30:38,120 --> 00:30:40,600
Speaker 1: I brought the people back. I brought the people back.

535
00:30:41,000 --> 00:30:45,600
Speaker 4: I just I like Somebody to Love like all jokes aside,

536
00:30:45,800 --> 00:30:48,680
Speaker 4: best song on Gley, Like, I feel like it's almost

537
00:30:48,720 --> 00:30:51,760
Speaker 4: like unspoken that it's like of course.

538
00:30:51,640 --> 00:30:54,080
Speaker 1: So it's like it's like the.

539
00:30:55,600 --> 00:30:57,640
Speaker 3: And it's not underrated at all, but it's like the

540
00:30:57,720 --> 00:30:59,320
Speaker 3: underrated version of Don't Stop Believing.

541
00:30:59,360 --> 00:31:01,920
Speaker 1: It's like it's not as overplayed.

542
00:31:01,480 --> 00:31:05,520
Speaker 3: It's not totally and like it's so good. It's one

543
00:31:05,560 --> 00:31:09,520
Speaker 3: of my favorite numbers that we ever did, like performed,

544
00:31:10,280 --> 00:31:13,480
Speaker 3: and I'm glad you said that from your and like,

545
00:31:13,680 --> 00:31:16,000
Speaker 3: I think it is one of the best songs, if

546
00:31:16,000 --> 00:31:17,120
Speaker 3: not the best song we were done.

547
00:31:17,240 --> 00:31:20,960
Speaker 4: It's really great. Yeah, because the first number that those yeah,

548
00:31:21,200 --> 00:31:32,600
Speaker 4: the whole group do together, that's yeah, chills.

549
00:31:32,240 --> 00:31:39,120
Speaker 2: Amendments here. I think we end help me work this out, Andrew, Okay,

550
00:31:39,560 --> 00:31:46,040
Speaker 2: because I think we need Here Comes the Sun in here.

551
00:31:46,840 --> 00:31:49,680
Speaker 2: I'm cool with cutting out all the other Beatles songs

552
00:31:49,680 --> 00:31:50,840
Speaker 2: except Here Comes the Sun.

553
00:31:51,640 --> 00:31:53,640
Speaker 3: I had no other Beatles songs in there as well.

554
00:31:53,720 --> 00:31:54,960
Speaker 3: Yeah here Comes the Sun?

555
00:31:55,840 --> 00:31:56,160
Speaker 4: Wow?

556
00:31:56,600 --> 00:31:59,240
Speaker 1: Yeah, you know, did you like the Beatles stuff?

557
00:32:00,280 --> 00:32:03,360
Speaker 4: I wasn't like the I just like chose like my favorites.

558
00:32:03,800 --> 00:32:05,520
Speaker 4: They got to get you in my life. Hey, Jude,

559
00:32:05,680 --> 00:32:08,560
Speaker 4: let it be revolution what we got of it and

560
00:32:08,640 --> 00:32:13,280
Speaker 4: Here Comes the Sun, but like beyond thought, Yeah, yeah,

561
00:32:13,280 --> 00:32:15,120
Speaker 4: I wasn't like the biggest hand. I like also didn't

562
00:32:15,120 --> 00:32:17,480
Speaker 4: include a lot of Billy Joel either, only including.

563
00:32:17,200 --> 00:32:18,280
Speaker 2: Even I.

564
00:32:19,880 --> 00:32:19,920
Speaker 5: O.

565
00:32:20,000 --> 00:32:21,880
Speaker 1: I did I included Honesty in there?

566
00:32:22,480 --> 00:32:25,080
Speaker 2: Oh yeah, I don't think that's right for this.

567
00:32:26,000 --> 00:32:29,120
Speaker 1: Kevin say that, but like it's such a good song.

568
00:32:30,040 --> 00:32:34,680
Speaker 2: Yeah, but like I hadn't want to see in an arena.

569
00:32:34,720 --> 00:32:37,200
Speaker 3: I had if I were a boy, Marry the Night,

570
00:32:37,400 --> 00:32:38,800
Speaker 3: natural woman and Honesty.

571
00:32:39,720 --> 00:32:41,000
Speaker 1: That's the grouping I had it with.

572
00:32:41,120 --> 00:32:44,920
Speaker 2: That's not fair. That's not fair to me. That is

573
00:32:45,040 --> 00:32:47,360
Speaker 2: would you I would swap that for Addicted to Love?

574
00:32:47,760 --> 00:32:50,280
Speaker 4: That's what I was about to say. Yeah, would you

575
00:32:50,320 --> 00:32:52,640
Speaker 4: want to perform Addicted to Love live?

576
00:32:53,640 --> 00:32:58,200
Speaker 2: I don't know if I could. I don't. I don't

577
00:32:58,320 --> 00:33:01,680
Speaker 2: love that song necessarily, but I think performance wise it

578
00:33:01,680 --> 00:33:02,760
Speaker 2: could be really fun.

579
00:33:03,400 --> 00:33:06,840
Speaker 3: Yeah, I agree, Okay, that's fine, we can swip it.

580
00:33:07,680 --> 00:33:10,280
Speaker 2: It could because then the energy like I need Adam

581
00:33:10,760 --> 00:33:13,520
Speaker 2: there for Mary the Night like that has to happen.

582
00:33:13,600 --> 00:33:17,560
Speaker 2: That is absolutely insane. I need Demi. Therefore, Here Comes

583
00:33:17,600 --> 00:33:23,440
Speaker 2: the Sun. That's beautiful, and I think we need to

584
00:33:23,480 --> 00:33:26,800
Speaker 2: do the entire national set list. I think that's a

585
00:33:26,800 --> 00:33:27,640
Speaker 2: non negotiable.

586
00:33:28,400 --> 00:33:31,320
Speaker 4: I one thing that just like sprung up my mind.

587
00:33:31,640 --> 00:33:33,720
Speaker 4: As you were talking about Addicted to Love and also

588
00:33:33,760 --> 00:33:36,880
Speaker 4: talking about Demi and Adam, I almost feel feel free

589
00:33:36,920 --> 00:33:40,560
Speaker 4: to shut this down. Both of their voices would I think,

590
00:33:40,640 --> 00:33:43,320
Speaker 4: like a trio performance of Addicted to Love with you

591
00:33:44,120 --> 00:33:48,280
Speaker 4: Adam and Demi would be crazy on that.

592
00:33:48,520 --> 00:33:50,400
Speaker 1: I do it, do it.

593
00:33:51,040 --> 00:33:55,400
Speaker 2: I would hate myself to do it. You have to

594
00:33:55,440 --> 00:33:58,600
Speaker 2: be trying to keep up with those two. Are you

595
00:33:58,720 --> 00:33:59,600
Speaker 2: out of your mind?

596
00:34:00,560 --> 00:34:02,680
Speaker 4: No, chill, chill, you.

597
00:34:02,680 --> 00:34:04,400
Speaker 1: Could do it. I think we have to do that.

598
00:34:05,000 --> 00:34:08,279
Speaker 2: Okay, I'm all for that, but that would be psycho.

599
00:34:08,480 --> 00:34:10,839
Speaker 2: I would be so happy when that number was over.

600
00:34:11,520 --> 00:34:14,360
Speaker 4: It would be so it would be so good. Kevin,

601
00:34:14,480 --> 00:34:20,000
Speaker 4: you like literally have only second to Noah Guthrie. Yes,

602
00:34:20,200 --> 00:34:22,280
Speaker 4: like the second best male vocal.

603
00:34:22,640 --> 00:34:26,719
Speaker 2: Yes, oh my gosh, thank you so thank you. That

604
00:34:26,800 --> 00:34:32,600
Speaker 2: is a very big compliment. Thank you good. Noah's voice is.

605
00:34:33,239 --> 00:34:36,719
Speaker 1: Stupid, like wait till we get him on the.

606
00:34:36,840 --> 00:34:39,120
Speaker 2: He came on. I remember when he first showed up

607
00:34:39,160 --> 00:34:42,440
Speaker 2: and we heard his voice like, You're like, oh, we

608
00:34:42,520 --> 00:34:46,239
Speaker 2: have needed where have you been? I'm like, finally, Oh, and.

609
00:34:46,239 --> 00:34:51,000
Speaker 3: There's only twelve episodes left Butter Butter, He's so good.

610
00:34:51,920 --> 00:34:53,000
Speaker 1: Oh God, he's so good.

611
00:34:54,000 --> 00:34:57,560
Speaker 3: I also had and because we're kind of leaning into

612
00:34:58,040 --> 00:35:02,919
Speaker 3: the rivalry between Santana and Rachel the dressing room and

613
00:35:03,200 --> 00:35:07,320
Speaker 3: ran on my parade. I also had Brave in there.

614
00:35:07,800 --> 00:35:08,160
Speaker 4: Mm hmm.

615
00:35:08,640 --> 00:35:10,480
Speaker 1: And I wonder if, like i'd like to see it,

616
00:35:10,760 --> 00:35:11,640
Speaker 1: we could add.

617
00:35:11,440 --> 00:35:17,440
Speaker 3: Santana into more of a duet for Brave and we do, like, yeah,

618
00:35:17,480 --> 00:35:20,919
Speaker 3: we see them kind of come together at the end

619
00:35:21,719 --> 00:35:24,919
Speaker 3: and put put that on like a button on their

620
00:35:25,200 --> 00:35:26,000
Speaker 3: little rivalry.

621
00:35:26,680 --> 00:35:28,680
Speaker 4: Oh, they'll be cute. Yeah, it would be really cute

622
00:35:28,719 --> 00:35:30,879
Speaker 4: instead of be okay, which I'm glad that we kind

623
00:35:30,880 --> 00:35:31,920
Speaker 4: of all agree.

624
00:35:32,160 --> 00:35:35,520
Speaker 3: Yeah, we're not okay, beautiful, We're not okay with that

625
00:35:35,880 --> 00:35:36,800
Speaker 3: beautiful gowns.

626
00:35:37,239 --> 00:35:39,040
Speaker 4: Beautiful gown, beautiful gown.

627
00:35:39,360 --> 00:35:48,719
Speaker 3: Yeah, be okay, not okay. Yeah, we could be without it, okay. Yes, yes,

628
00:35:48,760 --> 00:35:49,880
Speaker 3: we're doing Brave and I.

629
00:35:49,840 --> 00:35:54,359
Speaker 2: Would like to see Brave, okay, Yeah, anything else, any

630
00:35:54,400 --> 00:35:58,240
Speaker 2: any other I think?

631
00:35:58,800 --> 00:36:00,200
Speaker 1: And here's I have to say.

632
00:36:00,320 --> 00:36:03,279
Speaker 3: I did put Wide Awake in my encore Okay, so

633
00:36:03,320 --> 00:36:04,680
Speaker 3: I don't hate it that much.

634
00:36:04,960 --> 00:36:06,319
Speaker 2: I think it's a great encore song.

635
00:36:07,040 --> 00:36:07,799
Speaker 1: That's what I thought.

636
00:36:07,880 --> 00:36:08,839
Speaker 2: I think that's really nice.

637
00:36:08,920 --> 00:36:13,720
Speaker 3: It's kind of like your Friday number, but like you know, yeah.

638
00:36:14,160 --> 00:36:18,400
Speaker 4: We didn't Friday get like cut from the tour after

639
00:36:18,480 --> 00:36:22,040
Speaker 4: a cute yeah, because it was so bad. Was it

640
00:36:22,120 --> 00:36:24,040
Speaker 4: just like poorly received? What was going on?

641
00:36:24,280 --> 00:36:27,240
Speaker 2: No, it was it's a bit of a mask. Oh okay,

642
00:36:27,440 --> 00:36:28,400
Speaker 2: yeah it was.

643
00:36:29,160 --> 00:36:29,759
Speaker 1: It was a bit of.

644
00:36:29,680 --> 00:36:33,719
Speaker 2: A don't let boys like have to figure something out

645
00:36:33,719 --> 00:36:36,920
Speaker 2: on their own. Well, the girls went out there and

646
00:36:36,960 --> 00:36:39,680
Speaker 2: did an acoustic number, that shit would be tight.

647
00:36:40,520 --> 00:36:42,760
Speaker 1: We would have went out there with like tell him.

648
00:36:43,560 --> 00:36:49,920
Speaker 2: Yeah. It was like people were strumming the guitar at

649
00:36:49,920 --> 00:36:55,080
Speaker 2: different times. People did have hearts and harmonies. It was

650
00:36:55,239 --> 00:36:56,600
Speaker 2: it was like a weird thing.

651
00:36:57,680 --> 00:36:57,879
Speaker 3: Yeah.

652
00:36:57,960 --> 00:37:00,279
Speaker 2: I think Ryan really wanted that number to happen in

653
00:37:00,360 --> 00:37:01,880
Speaker 2: the encore. I think that's why it happened.

654
00:37:01,880 --> 00:37:02,520
Speaker 4: What was the moment?

655
00:37:02,680 --> 00:37:04,359
Speaker 2: Yeah, and I think people.

656
00:37:05,200 --> 00:37:08,839
Speaker 1: Liked the song when it was us. It's just like

657
00:37:09,760 --> 00:37:11,040
Speaker 1: it didn't know what it wanted to be.

658
00:37:11,320 --> 00:37:12,920
Speaker 2: Kind of Yeah, we didn't do our, we didn't hold

659
00:37:12,960 --> 00:37:14,279
Speaker 2: up our end of the and.

660
00:37:14,320 --> 00:37:14,960
Speaker 1: Really like.

661
00:37:16,640 --> 00:37:20,320
Speaker 3: Chris also, there was something about like needing the number

662
00:37:20,400 --> 00:37:24,719
Speaker 3: but not needing like an extra number. And because Chris

663
00:37:24,960 --> 00:37:29,480
Speaker 3: had to get from the Beast, the C stage, B stage,

664
00:37:29,560 --> 00:37:32,240
Speaker 3: the B stage on the where he did single Ladies

665
00:37:32,320 --> 00:37:34,520
Speaker 3: to get back to get Ready for Somebody to Love,

666
00:37:34,560 --> 00:37:37,440
Speaker 3: and then me and Heather and everybody else included in that,

667
00:37:38,560 --> 00:37:42,440
Speaker 3: and there needed to be like numbers in between the numbers, you.

668
00:37:42,400 --> 00:37:44,440
Speaker 2: Know, and then we figured out we didn't need it.

669
00:37:44,480 --> 00:37:48,120
Speaker 2: I could just talk more during certain sections and then

670
00:37:48,160 --> 00:37:51,960
Speaker 2: that would fill the time, right, So that's what I did.

671
00:37:52,280 --> 00:37:55,480
Speaker 2: I would like to say things we have to include,

672
00:37:56,040 --> 00:38:01,960
Speaker 2: like Andrew had some hits here, Like we need the fencing,

673
00:38:02,520 --> 00:38:08,840
Speaker 2: we need Gloria. We have to have the carousel. You

674
00:38:08,920 --> 00:38:12,960
Speaker 2: have to we have to have the phone party and

675
00:38:13,040 --> 00:38:14,600
Speaker 2: GP on that stage.

676
00:38:14,640 --> 00:38:15,680
Speaker 1: Squib has to come.

677
00:38:15,960 --> 00:38:19,680
Speaker 3: We have to have I like miss having mister Roboto

678
00:38:19,760 --> 00:38:22,080
Speaker 3: in there too, like having our like rivalry in.

679
00:38:22,080 --> 00:38:24,239
Speaker 2: There because we don't be so fun on tour.

680
00:38:24,719 --> 00:38:27,080
Speaker 1: Yeah, we also don't have like vocal adrenaline on tour.

681
00:38:27,200 --> 00:38:31,480
Speaker 2: So yeah, I need oh and the nasty rhythmation into

682
00:38:31,520 --> 00:38:36,919
Speaker 2: Wrecking Ball it was brilliant. I need a full scaffolding set.

683
00:38:37,560 --> 00:38:44,440
Speaker 2: I need and like fans going with coming through you know, black.

684
00:38:44,200 --> 00:38:49,000
Speaker 1: And white on like the monitors. So a music video absolutely, Like.

685
00:38:49,000 --> 00:38:51,160
Speaker 4: I wasn't even thinking about that, but the scaffolding from

686
00:38:51,200 --> 00:38:55,440
Speaker 4: nasty rhythmation. Oh yeah, if you've had that, and this

687
00:38:55,520 --> 00:38:58,600
Speaker 4: is so dangerous. But of course this exists only in

688
00:38:58,640 --> 00:39:01,520
Speaker 4: our minds. If we had the scaffolding and that's just

689
00:39:01,719 --> 00:39:04,719
Speaker 4: buzzed down by the wrecking ball on.

690
00:39:04,719 --> 00:39:09,799
Speaker 2: It exactly, Well, what you could do, I imagine is

691
00:39:10,239 --> 00:39:14,400
Speaker 2: if you had it. Okay, we're gonna break it into thirds,

692
00:39:14,480 --> 00:39:17,320
Speaker 2: so you have like the lower level that's all one piece,

693
00:39:17,880 --> 00:39:20,799
Speaker 2: going like horizontally across. Imagine that. Let's say it's four

694
00:39:21,040 --> 00:39:24,080
Speaker 2: Let's say there's like three floors to the scaffolding, yeah,

695
00:39:24,320 --> 00:39:26,920
Speaker 2: or one left to right is all connected in one piece.

696
00:39:28,239 --> 00:39:32,120
Speaker 2: Now the upper two floors are connected, they're separated in

697
00:39:32,160 --> 00:39:35,360
Speaker 2: the middle midway, and so it will appear as the

698
00:39:35,400 --> 00:39:38,760
Speaker 2: wrecking ball comes through those the left and right sides

699
00:39:38,920 --> 00:39:45,200
Speaker 2: will be will crack and be lifted to the ceiling. Yes, okay,

700
00:39:45,360 --> 00:39:47,200
Speaker 2: lifted away, and then she can come down the wrecking

701
00:39:47,200 --> 00:39:51,000
Speaker 2: ball and then she has the bottom level of the

702
00:39:51,080 --> 00:39:52,800
Speaker 2: scaffolding to perform on herself.

703
00:39:53,080 --> 00:39:56,120
Speaker 4: Oh good, incredible love.

704
00:39:56,480 --> 00:40:00,000
Speaker 2: We're directing a show here, you guys. Maybe awesome is right.

705
00:40:00,160 --> 00:40:02,040
Speaker 2: Austin has always said he wanted me to see what

706
00:40:02,040 --> 00:40:03,439
Speaker 2: I would do if I directed.

707
00:40:03,080 --> 00:40:05,400
Speaker 1: A musical Kevin, can we just do it?

708
00:40:05,560 --> 00:40:05,920
Speaker 2: Maybe this?

709
00:40:06,719 --> 00:40:07,880
Speaker 1: Are we doing this at this sphere?

710
00:40:08,360 --> 00:40:08,839
Speaker 3: That's what I.

711
00:40:08,800 --> 00:40:12,480
Speaker 2: Wanted to talk about before we before we end. This

712
00:40:12,880 --> 00:40:15,839
Speaker 2: is okay, like, yeah, what does the touring route look like?

713
00:40:16,040 --> 00:40:19,200
Speaker 2: I think we I don't know if this the sphere

714
00:40:19,280 --> 00:40:21,600
Speaker 2: was down the pop in my head, but yeah, this

715
00:40:21,760 --> 00:40:23,799
Speaker 2: the Sphere. I don't know if they can support all

716
00:40:23,800 --> 00:40:24,840
Speaker 2: these grand ideas.

717
00:40:25,000 --> 00:40:27,839
Speaker 4: The hardness in the sphere seems crazy.

718
00:40:27,480 --> 00:40:30,120
Speaker 2: Right, Yeah, I don't you can't build those huge sets

719
00:40:30,120 --> 00:40:33,160
Speaker 2: in the sphere. Yeah, and I don't know if like

720
00:40:33,280 --> 00:40:37,240
Speaker 2: having a bunch of like teens go to Vegas to watch.

721
00:40:37,760 --> 00:40:40,120
Speaker 2: I know our fans are anymore.

722
00:40:40,239 --> 00:40:42,719
Speaker 3: We absolutely said, because I want to be Vegas the

723
00:40:42,760 --> 00:40:43,320
Speaker 3: whole time.

724
00:40:43,880 --> 00:40:46,319
Speaker 4: Yeah, you're right, I have been to the Sphere? Have

725
00:40:46,440 --> 00:40:47,399
Speaker 4: you both been?

726
00:40:47,640 --> 00:40:50,480
Speaker 1: No, No, we want to go boys there.

727
00:40:51,200 --> 00:40:53,000
Speaker 2: We could do the arena in Vegas.

728
00:40:52,760 --> 00:40:55,160
Speaker 1: Though, Yeah, we could totally in Vegas.

729
00:40:55,280 --> 00:40:57,359
Speaker 2: I think we have to do arenas. I think we

730
00:40:57,400 --> 00:41:00,040
Speaker 2: make if this is the big production we're doing, I

731
00:40:59,840 --> 00:41:03,759
Speaker 2: think this is like again a world tour. I think

732
00:41:03,800 --> 00:41:06,680
Speaker 2: we got to show up. Wow, maybe it's a Taylor

733
00:41:06,719 --> 00:41:09,319
Speaker 2: Swift type situation where we drag it out over two years.

734
00:41:09,640 --> 00:41:11,800
Speaker 2: Yeah you know, well.

735
00:41:11,880 --> 00:41:16,320
Speaker 4: I'm this okay, so looking forward to possible like season six,

736
00:41:17,000 --> 00:41:19,760
Speaker 4: when you guys are done season six and we're talking

737
00:41:19,800 --> 00:41:22,319
Speaker 4: about a tour for that. Are we talking about a

738
00:41:22,400 --> 00:41:24,760
Speaker 4: season six tour? Are we talking about like a Taylor

739
00:41:24,760 --> 00:41:27,239
Speaker 4: swift eras I think higher capsulation?

740
00:41:27,960 --> 00:41:29,160
Speaker 1: Yeah, the whole series.

741
00:41:29,760 --> 00:41:32,320
Speaker 2: Yeah, it's a for sure.

742
00:41:32,320 --> 00:41:34,560
Speaker 4: Oh I'm gonna need to have some time with that one.

743
00:41:34,680 --> 00:41:39,560
Speaker 3: Yeah. Yeah, prepare now because we are Yeah okay, wait

744
00:41:41,160 --> 00:41:44,239
Speaker 3: you mentioned Okay, well number one, thank you for having

745
00:41:44,239 --> 00:41:47,600
Speaker 3: such a well thought out, creative plan for.

746
00:41:47,440 --> 00:41:48,479
Speaker 1: Our season five tour.

747
00:41:49,680 --> 00:41:55,759
Speaker 3: You season six is coming, We're about to embark on

748
00:41:56,680 --> 00:41:57,240
Speaker 3: a trip.

749
00:41:58,400 --> 00:41:58,720
Speaker 2: Yeah.

750
00:41:58,800 --> 00:42:02,080
Speaker 1: I have no collection of season six whatsoever.

751
00:42:02,400 --> 00:42:08,000
Speaker 4: Shocking, that's crazy. I heard the entire journey of you

752
00:42:08,000 --> 00:42:10,200
Speaker 4: guys being like, oh, we should have done a Carol

753
00:42:10,280 --> 00:42:12,920
Speaker 4: King episode, and then like I was like, oh, I

754
00:42:12,960 --> 00:42:15,799
Speaker 4: feel insane listening to this, and then like a few

755
00:42:15,840 --> 00:42:18,120
Speaker 4: hours later I get to the episode where you're like, oh,

756
00:42:18,160 --> 00:42:19,640
Speaker 4: by the way, we do have a.

757
00:42:21,600 --> 00:42:25,920
Speaker 3: It's like, well, yeah, yeah, no, why do.

758
00:42:25,960 --> 00:42:28,280
Speaker 2: People listen to it?

759
00:42:28,280 --> 00:42:30,840
Speaker 4: It's so funny. I love when I get you guys

760
00:42:30,880 --> 00:42:33,480
Speaker 4: and like these like stupid things. I'm like, I wasn't

761
00:42:33,480 --> 00:42:35,520
Speaker 4: there and it happens all the time.

762
00:42:36,160 --> 00:42:38,799
Speaker 1: Is it true that we do let it go in

763
00:42:38,920 --> 00:42:39,560
Speaker 1: this season?

764
00:42:39,960 --> 00:42:43,279
Speaker 4: Yeah? Well that's a Rachel solo at the end of

765
00:42:43,320 --> 00:42:44,200
Speaker 4: the premiere episode.

766
00:42:44,200 --> 00:42:45,600
Speaker 1: Okay, this is crazy.

767
00:42:46,120 --> 00:42:47,239
Speaker 2: Wait, she just let it go.

768
00:42:47,520 --> 00:42:49,680
Speaker 3: My daughter listens to that every single day. I hear

769
00:42:49,719 --> 00:42:52,000
Speaker 3: it in my nightmares. And I just looked on season

770
00:42:52,040 --> 00:42:55,800
Speaker 3: six Wikipedia and was like, that's not our that let.

771
00:42:55,600 --> 00:42:57,520
Speaker 2: It go, because I would like, I would like to

772
00:42:57,520 --> 00:42:58,360
Speaker 2: hear Lia sing that.

773
00:42:59,000 --> 00:43:02,320
Speaker 3: No, she can, she could rip that apart, tightrope. Okay,

774
00:43:02,560 --> 00:43:04,960
Speaker 3: all right, there's a lot of stuff coming. Tell me,

775
00:43:06,680 --> 00:43:10,320
Speaker 3: tell us, is there anything that we should or should

776
00:43:10,360 --> 00:43:13,640
Speaker 3: not expect from season six as a whole season?

777
00:43:13,800 --> 00:43:17,160
Speaker 1: Music? Like, what what are your feelings about it?

778
00:43:17,640 --> 00:43:21,800
Speaker 4: Okay, season six? I was one of the like, maybe

779
00:43:21,840 --> 00:43:24,960
Speaker 4: like the dozen people that's so sorry that we're watching

780
00:43:25,040 --> 00:43:28,080
Speaker 4: a lot my freshman year of college.

781
00:43:28,320 --> 00:43:30,759
Speaker 2: I think that was generous.

782
00:43:30,800 --> 00:43:34,319
Speaker 4: Okay, on Friday nights too, And so I'm like, it

783
00:43:34,400 --> 00:43:36,799
Speaker 4: was Friday nights, do you.

784
00:43:36,760 --> 00:43:40,359
Speaker 1: Know, Yeah, it was really moved.

785
00:43:40,760 --> 00:43:45,600
Speaker 4: Okay, yeah, I was watching it. It was Okay, there's

786
00:43:45,640 --> 00:43:47,640
Speaker 4: no there's no one to talk about it. With anymore

787
00:43:47,680 --> 00:43:53,239
Speaker 4: and yeah, aah that's why I'm here today. Okay, So

788
00:43:53,640 --> 00:43:56,640
Speaker 4: it's good. I feel like the season starts off in

789
00:43:56,719 --> 00:43:59,200
Speaker 4: like a really like good direction, really good arc. Like

790
00:43:59,239 --> 00:44:02,160
Speaker 4: the third episode of This U Coming season season six,

791
00:44:02,320 --> 00:44:05,760
Speaker 4: the Carol King Alenis morrisat episode, is one of the

792
00:44:05,800 --> 00:44:10,160
Speaker 4: strongest episodes of the series. I like musically as well,

793
00:44:11,480 --> 00:44:17,719
Speaker 4: so much fun mashups is had in that episode. Okay, So,

794
00:44:17,840 --> 00:44:21,040
Speaker 4: but like as the season gets going on really lean

795
00:44:21,080 --> 00:44:23,120
Speaker 4: into the wackiness. We get a lot of like maybe

796
00:44:23,160 --> 00:44:27,040
Speaker 4: like the beginning of season five, sort of the tone. Okay,

797
00:44:28,040 --> 00:44:31,040
Speaker 4: but then it finds itself as it continues wet, the

798
00:44:31,040 --> 00:44:35,040
Speaker 4: pretend a wedding, the pretend of clean wedding, sorry of course.

799
00:44:35,680 --> 00:44:37,440
Speaker 4: And then and then we have the two thousand and

800
00:44:37,480 --> 00:44:39,759
Speaker 4: nine and we we finished up the series. I just

801
00:44:39,800 --> 00:44:43,480
Speaker 4: remember like watching the series finale and being like, oh wow,

802
00:44:44,360 --> 00:44:47,279
Speaker 4: that's it's over now. And there's like I was like, well,

803
00:44:47,280 --> 00:44:49,239
Speaker 4: what did everyone think? I look around and there's no

804
00:44:49,280 --> 00:44:50,080
Speaker 4: one there, you.

805
00:44:50,000 --> 00:44:56,719
Speaker 1: Know, Yeah, fascinating. Okay, it's quick, it's really quick.

806
00:44:56,960 --> 00:44:57,840
Speaker 4: It's a quick season.

807
00:44:58,120 --> 00:45:02,480
Speaker 3: Yeah, what do you what were your feelings about like

808
00:45:02,880 --> 00:45:04,120
Speaker 3: a new new class?

809
00:45:05,400 --> 00:45:08,600
Speaker 4: Okay, so this is like I thought was a hot

810
00:45:08,640 --> 00:45:12,520
Speaker 4: take but is like shared by a number many a

811
00:45:12,520 --> 00:45:17,080
Speaker 4: gleek yeah that the season six cast is like a

812
00:45:17,160 --> 00:45:22,600
Speaker 4: more fun and eclectic group than the season four Yeah group.

813
00:45:23,200 --> 00:45:26,440
Speaker 4: It's like they're they're really more to borrow a name

814
00:45:26,480 --> 00:45:29,279
Speaker 4: from a season four newbie unique, They're more unique than

815
00:45:29,680 --> 00:45:34,160
Speaker 4: the season four Yeah newbies. And it's unfortunately the unfortunate

816
00:45:34,239 --> 00:45:37,160
Speaker 4: that we didn't have as much time with the season

817
00:45:37,239 --> 00:45:39,719
Speaker 4: six cast because there's so much fun yeah there.

818
00:45:39,800 --> 00:45:42,560
Speaker 3: I remember them being very funny like and having like

819
00:45:42,560 --> 00:45:45,400
Speaker 3: a really good chemistry within their group, Like I remember

820
00:45:45,440 --> 00:45:47,839
Speaker 3: watching Behind the Monitors ones with like.

821
00:45:47,840 --> 00:45:49,680
Speaker 1: Laura and Billy right, and it.

822
00:45:49,680 --> 00:45:54,040
Speaker 4: Was yeah, yeah, very funny and also crazy vocalist like

823
00:45:54,120 --> 00:45:57,759
Speaker 4: not just Noah Guthrie, like Santa Ware Billy Lewis like.

824
00:45:57,960 --> 00:46:02,280
Speaker 3: Yeah, yeah, okay, God, I'm.

825
00:46:01,480 --> 00:46:03,720
Speaker 2: Exciting to come back to me and flashes here because

826
00:46:04,160 --> 00:46:07,399
Speaker 2: I feel like I know them all so well, and

827
00:46:07,440 --> 00:46:10,520
Speaker 2: then I still can't believe they're not on the show yet.

828
00:46:11,960 --> 00:46:13,680
Speaker 1: Did you spend a lot of time with them.

829
00:46:13,600 --> 00:46:17,080
Speaker 2: Kevin, I'm I feel like I.

830
00:46:16,800 --> 00:46:19,600
Speaker 3: Were you in that choir Were you back in that

831
00:46:19,719 --> 00:46:21,680
Speaker 3: choir room with I don't even know how they do

832
00:46:21,800 --> 00:46:24,840
Speaker 3: it like Lea goes back and Kirk goes back, like

833
00:46:24,880 --> 00:46:26,560
Speaker 3: I don't actually don't even want to know, but like

834
00:46:26,600 --> 00:46:28,279
Speaker 3: I don't. I don't remember any of this.

835
00:46:28,560 --> 00:46:30,840
Speaker 2: I must have been because like I was around Marshall

836
00:46:31,000 --> 00:46:32,440
Speaker 2: and Laura, you knew.

837
00:46:32,360 --> 00:46:34,680
Speaker 1: All of them, Like you would tell me about them

838
00:46:34,719 --> 00:46:35,680
Speaker 1: and I'd be like.

839
00:46:35,680 --> 00:46:36,000
Speaker 3: I don't.

840
00:46:36,719 --> 00:46:41,120
Speaker 2: I didn't know Phineas and oh, Phineas else. I didn't

841
00:46:41,120 --> 00:46:43,000
Speaker 2: know something like the people who came in later.

842
00:46:43,239 --> 00:46:45,879
Speaker 1: I didn't know if Phineas was on the show at all.

843
00:46:46,480 --> 00:46:50,960
Speaker 4: Wait, this is not you finding out No, no, no, I know, now, Okay, when.

844
00:46:50,800 --> 00:46:53,279
Speaker 3: Billy started to come up, you know, like and Kevin's like,

845
00:46:53,400 --> 00:46:55,040
Speaker 3: you know, Phineas is on her show, and I was like,

846
00:46:55,200 --> 00:46:58,399
Speaker 3: excuse me, yeah, Like I was that out of.

847
00:46:58,360 --> 00:47:02,560
Speaker 2: The Like I think I only met Phineas during I.

848
00:47:02,520 --> 00:47:10,040
Speaker 3: Lived, ohlier than I am.

849
00:47:09,040 --> 00:47:12,040
Speaker 4: Until like the few last episodes of the of the

850
00:47:12,080 --> 00:47:18,000
Speaker 4: season's love interests for Marshall's character, right, yeah.

851
00:47:17,160 --> 00:47:19,879
Speaker 2: But like I just, oh my god, they played gay

852
00:47:19,960 --> 00:47:20,520
Speaker 2: that's right.

853
00:47:21,040 --> 00:47:25,480
Speaker 4: Yeah. How about Josie Toda? Hello, yeah, Josie.

854
00:47:25,520 --> 00:47:27,400
Speaker 2: I also like didn't really get to spend much time.

855
00:47:27,239 --> 00:47:30,080
Speaker 1: With, right, this is crazy.

856
00:47:30,320 --> 00:47:34,799
Speaker 3: I also like vaguely remember storylines, because I did have

857
00:47:34,840 --> 00:47:38,399
Speaker 3: a storyline with Lauren, with Becky and so good Yes

858
00:47:38,520 --> 00:47:41,720
Speaker 3: with Quinn zero recollection.

859
00:47:42,160 --> 00:47:44,600
Speaker 4: Which is wild because So far Away I'm so glad

860
00:47:44,600 --> 00:47:50,719
Speaker 4: that a teen number made it to iTunes didn't get

861
00:47:50,719 --> 00:47:54,520
Speaker 4: the revolution treatment because the full version of So Far Away,

862
00:47:55,760 --> 00:48:00,279
Speaker 4: so so so good. No, oh, this is It's going

863
00:48:00,320 --> 00:48:03,480
Speaker 4: to be a consistent stream. Beautiful, beautiful.

864
00:48:03,480 --> 00:48:05,480
Speaker 2: Oh I can't wait. Really, I don't know. Should I

865
00:48:05,520 --> 00:48:06,960
Speaker 2: listen to it now? Should I wait to see it

866
00:48:06,960 --> 00:48:09,040
Speaker 2: in context? First? I'm going to listen to it now.

867
00:48:08,920 --> 00:48:12,160
Speaker 4: Thank you. Like in the episode it's only like twenty seconds.

868
00:48:12,520 --> 00:48:16,279
Speaker 4: Oh really, yeah, because then Becky storms out and let

869
00:48:16,320 --> 00:48:17,000
Speaker 4: me put this on.

870
00:48:18,200 --> 00:48:18,680
Speaker 2: Listen to this.

871
00:48:19,080 --> 00:48:21,720
Speaker 1: It's a theme with Tina that we're just leaning into.

872
00:48:21,800 --> 00:48:23,960
Speaker 3: We're leaning into all of it at this point because like,

873
00:48:24,239 --> 00:48:26,000
Speaker 3: if we lean out of it, we'll just get mad.

874
00:48:26,120 --> 00:48:29,080
Speaker 1: You know, it's already been So I'm going to listen

875
00:48:29,080 --> 00:48:29,879
Speaker 1: to this car later.

876
00:48:29,960 --> 00:48:33,799
Speaker 3: Okay, Okay, Well, we'll report back with season six when

877
00:48:33,800 --> 00:48:36,399
Speaker 3: we have you back for our Eras, if.

878
00:48:36,280 --> 00:48:39,400
Speaker 2: You'll come back, yes, please Eras, please have me.

879
00:48:39,680 --> 00:48:41,279
Speaker 1: I'm going to have to have some time with that

880
00:48:41,360 --> 00:48:42,360
Speaker 1: one as well.

881
00:48:42,400 --> 00:48:45,040
Speaker 3: Because Eras is going to be something and I don't

882
00:48:45,080 --> 00:48:46,240
Speaker 3: know so much music.

883
00:48:46,320 --> 00:48:47,319
Speaker 1: What do we even do?

884
00:48:47,840 --> 00:48:49,319
Speaker 4: What do we do? We need to put a cap

885
00:48:49,760 --> 00:48:54,360
Speaker 4: because I checked season four, I had thirty songs for y'all.

886
00:48:54,520 --> 00:48:57,360
Speaker 4: In this time around I had thirty seven. And so

887
00:48:57,400 --> 00:48:59,360
Speaker 4: if we're looking at the entire series, I feel like

888
00:48:59,440 --> 00:48:59,840
Speaker 4: we need to.

889
00:48:59,840 --> 00:49:02,480
Speaker 1: Have we should have a cap. Okay, we'll look back.

890
00:49:02,560 --> 00:49:05,719
Speaker 3: Let's look back at, like over the seasons, what that

891
00:49:05,840 --> 00:49:08,160
Speaker 3: tour would look like, and then we can average, you know,

892
00:49:09,520 --> 00:49:10,080
Speaker 3: and average.

893
00:49:10,160 --> 00:49:12,040
Speaker 1: Oh, that's gonna be some so hard.

894
00:49:13,480 --> 00:49:15,800
Speaker 2: Andrew, what's happening over on Gleek of the Week podcast?

895
00:49:16,360 --> 00:49:16,680
Speaker 3: Oh?

896
00:49:16,920 --> 00:49:21,680
Speaker 4: Okay, over on Gleick the Week podcast, we just wrapped

897
00:49:21,760 --> 00:49:26,040
Speaker 4: up Round two of the Glacket where we just celebrated

898
00:49:26,320 --> 00:49:32,839
Speaker 4: four years of podcasting. Just finished Round two. Obviously a

899
00:49:32,840 --> 00:49:34,760
Speaker 4: bunch of songs we need to learn from you.

900
00:49:36,160 --> 00:49:38,440
Speaker 1: Crazy.

901
00:49:38,520 --> 00:49:43,439
Speaker 4: So I just recorded the Round three premiere the other night,

902
00:49:43,960 --> 00:49:47,680
Speaker 4: and uh, it's been tough. Songs are being cut left

903
00:49:47,719 --> 00:49:48,600
Speaker 4: and right on the blacket.

904
00:49:48,760 --> 00:49:49,640
Speaker 2: So well.

905
00:49:49,680 --> 00:49:52,600
Speaker 1: I love voting on your Instagram.

906
00:49:52,640 --> 00:49:53,040
Speaker 2: I love that.

907
00:49:53,160 --> 00:49:55,319
Speaker 4: Oh I always check. I'm like, okay, what did they

908
00:49:55,360 --> 00:49:55,799
Speaker 4: vote for?

909
00:49:56,160 --> 00:49:56,399
Speaker 2: Yeah?

910
00:49:56,719 --> 00:50:00,799
Speaker 1: I actually I get nervous I'm like, which one do

911
00:50:00,840 --> 00:50:01,320
Speaker 1: I vote for?

912
00:50:01,760 --> 00:50:03,600
Speaker 2: I don't Mine don't always align.

913
00:50:04,160 --> 00:50:07,040
Speaker 4: Yeah, same, so yeah, sometimes I'm really surprised.

914
00:50:07,120 --> 00:50:08,719
Speaker 1: Yeah I bet, I bet?

915
00:50:08,880 --> 00:50:09,080
Speaker 2: Yeah.

916
00:50:09,239 --> 00:50:12,840
Speaker 3: Okay, Well, thank you so much for coming on again

917
00:50:13,160 --> 00:50:18,440
Speaker 3: joining us for our dream tour. Oh, just really appreciate

918
00:50:18,480 --> 00:50:19,040
Speaker 3: your time.

919
00:50:19,719 --> 00:50:22,480
Speaker 2: Everyone. If you haven't already, which I assume you have,

920
00:50:22,680 --> 00:50:24,920
Speaker 2: go listen to Cleek of the Week podcast. It is

921
00:50:24,960 --> 00:50:29,359
Speaker 2: the best. Thank you so much, Andrew, and thank you well,

922
00:50:29,400 --> 00:50:30,040
Speaker 2: good to see you.

923
00:50:30,560 --> 00:50:34,000
Speaker 4: Nice to see all two see a couple of weeks.

924
00:50:34,160 --> 00:50:39,520
Speaker 3: Ye bye, Oh my gosh. He always comes with the

925
00:50:39,560 --> 00:50:42,440
Speaker 3: best tours. I actually really look forward to those episodes.

926
00:50:42,880 --> 00:50:45,200
Speaker 3: They're so creative and fun, and I'm like, anything I

927
00:50:45,239 --> 00:50:47,040
Speaker 3: come up with won't be half as creative as is.

928
00:50:47,760 --> 00:50:50,000
Speaker 3: Thank you Andrew for taking the time to put those

929
00:50:50,000 --> 00:50:52,799
Speaker 3: together in your busy schedule along with also doing your

930
00:50:52,840 --> 00:50:56,920
Speaker 3: podcast week. I hope you guys enjoyed that write in

931
00:50:57,200 --> 00:51:01,640
Speaker 3: let us know if we missed any important songs or

932
00:51:01,640 --> 00:51:02,920
Speaker 3: segments in our tour.

933
00:51:04,040 --> 00:51:08,320
Speaker 2: And yeah, he's right now. I'm just upset that I

934
00:51:08,360 --> 00:51:09,200
Speaker 2: can't see this tour.

935
00:51:09,920 --> 00:51:11,799
Speaker 1: No, I know, I get really excited for these tours.

936
00:51:11,800 --> 00:51:14,920
Speaker 2: Honestly, Yeah, I think the only thing we didn't really

937
00:51:15,440 --> 00:51:18,040
Speaker 2: fully flesh out was Gloria, because that's a moment. I

938
00:51:18,040 --> 00:51:20,080
Speaker 2: think we could have built that into something bigger.

939
00:51:20,400 --> 00:51:25,359
Speaker 3: But you guys be yeah, okay.

940
00:51:25,680 --> 00:51:29,480
Speaker 2: And that's what you really missed. Thanks for listening, and

941
00:51:29,600 --> 00:51:32,239
Speaker 2: follow us on Instagram at and that's what you really

942
00:51:32,239 --> 00:51:34,400
Speaker 2: miss pod. Make sure to write us a review and

943
00:51:34,520 --> 00:51:36,439
Speaker 2: leave us five stars. See you next time.