WEBVTT - Wild Things with Princess Weekes

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy zef invest start

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<v Speaker 1>changing it with the Betel Cast. Oh okay, this is

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<v Speaker 1>the Bechdel Cast. Hello, Wow, it's me Caitlin Deronto. I

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<v Speaker 1>was just saying, how I don't have an intro for

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<v Speaker 1>this one because this movie is just so flummixing flummixing. Yeah, yeah,

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<v Speaker 1>this is a movie that we just stated off Mike.

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<v Speaker 1>It truly stumped us. It defeated the show. Every time

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<v Speaker 1>I thought I was approaching a perspective for a point,

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<v Speaker 1>it was blown up by the scene that happened afterwards

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<v Speaker 1>where I'm like, well, I guess um, that is technically

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<v Speaker 1>a lot of agency. That's be There's just when you

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<v Speaker 1>think you understand what's going on in this movie that

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<v Speaker 1>I didn't even know existed until are returning wonderful guest

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<v Speaker 1>Princess Weeks brought it to us. Yeah, well, I was like,

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<v Speaker 1>wild things could be about anything could be. It could

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<v Speaker 1>be a kids movie, could be the opposite of a

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<v Speaker 1>kids movie, which is what it is. Certainly that Yeah,

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<v Speaker 1>oh my gosh, wait, let's start the show. Sorry, this

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<v Speaker 1>is like in a good way. It felt good. It

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<v Speaker 1>felt like someone stepping on your back. Okay, So this

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<v Speaker 1>is the bucktele Cast. My name is Caitlin Darante, my

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<v Speaker 1>name is Jamie Loftus, and this is our podcast where

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<v Speaker 1>we take your favorite movies and look at it from

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<v Speaker 1>an intersectional feminist lens. And today, boy do we have

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<v Speaker 1>a challenge because today we are covering the movie Wild

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<v Speaker 1>Things from the year Uh is it night? A neo

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<v Speaker 1>noir thriller film featuring um Are you just reading from Wikipedia?

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<v Speaker 1>I thank you so much. I use exactly three words

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<v Speaker 1>from Wikipedia there. Uh, but it's a it's a it's

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<v Speaker 1>a sexy Florida movie where everything that can happen does?

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<v Speaker 1>Can we just get into it? Because I like, I

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<v Speaker 1>we gotta get our guested here, Like it's kind of urgent. Yeah.

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<v Speaker 1>If if you want to know what the Bechtel test is,

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<v Speaker 1>listen to the beginning of another episode. Honestly, we don't

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<v Speaker 1>have time. We don't have time today. There's so much happening. Yes,

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<v Speaker 1>let's just dive right in. Uh by introducing our guest

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<v Speaker 1>first and foremost, she's a YouTuber and pop culture writer.

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<v Speaker 1>You remember her from our episode on Space Jam It's

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<v Speaker 1>Princess Week solo. I'm so copy back. So I got

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<v Speaker 1>to infect you with this like glorious dumpster fire movie.

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<v Speaker 1>Things will never be the same. It's like Nev Campbell

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<v Speaker 1>has never been hotter. But also it's like it's giving

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<v Speaker 1>so much gay confusion right now, so I have to

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<v Speaker 1>we have to discuss. We simply must. And that there

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<v Speaker 1>was there was another scene removed where Matt Dylan and

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<v Speaker 1>Kevin Bacon hook up and they could Yeah, I know

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<v Speaker 1>that was going to be one of the million things

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<v Speaker 1>that happens in the last twenty minutes of the movie.

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<v Speaker 1>I wanted it. Once I knew it was missing, I

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<v Speaker 1>wanted it back. Anyways, we'll get Princess. How did this

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<v Speaker 1>movie come into your life? I am genuinely so curious.

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<v Speaker 1>What's your history? So I was on a horror podcast

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<v Speaker 1>um with writer Adam Sass and queer intellectual Dana Pioli,

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<v Speaker 1>and they mentioned the kiss between Nev Campbell and Denise

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<v Speaker 1>Richard's in this movie being an Awakening, And I was

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<v Speaker 1>just scrolling down the pandemic you know tubes, and I

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<v Speaker 1>saw the movie. I'm like, oh, hey, here's that movie

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<v Speaker 1>about that thing, and then I just started watching it

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<v Speaker 1>for shifts and then every time I thought I understood

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<v Speaker 1>what was happening, I was like what. And it's like

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<v Speaker 1>so many twists, so many turns, and yet the movie

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<v Speaker 1>is under two hours. Honestly, Yeah, that's what makes is

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<v Speaker 1>so amazing. Like you're like, thirty minutes in this happens

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<v Speaker 1>like you're just like it's it's a masterpiece of a mess.

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<v Speaker 1>I still don't know how to define any of it.

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<v Speaker 1>But when you were like, what movie do you want

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<v Speaker 1>to watch? And I was like, we have to talk

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<v Speaker 1>about this. I have to bring the ultimate feminist challenge

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<v Speaker 1>to the Oh I'm ready. I'm very ready that Like

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<v Speaker 1>I Caitlin, do you have history with this movie? I'm

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<v Speaker 1>truly I like this is with with this kind of cast.

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<v Speaker 1>I'm surprised that it I've never heard of it before. Yeah.

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<v Speaker 1>My history is that I've known of the movie for

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<v Speaker 1>a very long time. It's been on my ad are

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<v Speaker 1>probably since it came out, because I was twelve when

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<v Speaker 1>it came out, too young to like have seen it

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<v Speaker 1>in theaters, but like I think my friends watched did

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<v Speaker 1>it sleepovers? Like It's been on my radar since since

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<v Speaker 1>its inception or conception whatever. Sorry if our listeners not

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<v Speaker 1>familiar with the movie Inception. That was the famous fart

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<v Speaker 1>noise from Inception. It is almost as iconic as the

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<v Speaker 1>women in this movie, but yet not. It's true con

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<v Speaker 1>Zummer could not top what Nev Campbell and Thanks Truths

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<v Speaker 1>are doing here. So true. So I've known about it

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<v Speaker 1>for a long time. It's been on my list of

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<v Speaker 1>things to watch for a long time. But again, as

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<v Speaker 1>I mentioned recently, because we've been covering a lot of

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<v Speaker 1>erotic thrillers lately, it's just a genre that I never

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<v Speaker 1>seek out. So knowing what it was, I was like,

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<v Speaker 1>I'm not in the mood for this, so I just

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<v Speaker 1>kept putting off and putting it off. It gets referenced

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<v Speaker 1>in an episode of Pen fifteen. There's it's referenced constantly.

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<v Speaker 1>There's like so many like pop culture references to this movie,

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<v Speaker 1>particularly the pool scene, the kiss that you were talking

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<v Speaker 1>about being an awakening for a lot of people. Um,

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<v Speaker 1>and I've seen that scene before, but I had never

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<v Speaker 1>watched it all the way through until about a year ago.

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<v Speaker 1>I have a couple of friends of mine and I

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<v Speaker 1>made like to do lists were like ten things we

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<v Speaker 1>want to accomplish in the next year, and I made

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<v Speaker 1>my very just you wait, uh, it's you thought you

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<v Speaker 1>knew what my history of this movie is going to be.

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<v Speaker 1>Let's full of twists and turns, just like the movie

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<v Speaker 1>wild So my list I wanted to fill it with

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<v Speaker 1>things that were extremely achievable so as not to um,

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<v Speaker 1>you know, like disappoint myself or have unrealistic expectations. So

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<v Speaker 1>one of the things on the list was watch Wild Things. Yes,

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<v Speaker 1>I finally did. It accomplished my goal. Um So, I

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<v Speaker 1>saw it for the first time about a year ago,

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<v Speaker 1>was just completely blown away by how wild the movie is.

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<v Speaker 1>I mean wild Things more like wild movie. Amazing joke, Caitlin,

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<v Speaker 1>thank you so much. An extremely wild movie should have

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<v Speaker 1>been the name of the sequel, of which there are

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<v Speaker 1>three or four there are There's It's a franchise, There's

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<v Speaker 1>a wild Thing franchise. Of course none of them start

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<v Speaker 1>anyone nearly as iconic. But it's just like, wow, it

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<v Speaker 1>got a sequel, It got well sequel. I didn't look

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<v Speaker 1>into the sequels, but I'm okay, I start to figure

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<v Speaker 1>but who with this movie? I mean I guess if

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<v Speaker 1>your franchise is just based on twist after twist after

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<v Speaker 1>twist every like two minutes, that's an excite hitting franchise

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<v Speaker 1>to build on and it doesn't have to make sense. No, Okay,

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<v Speaker 1>So here's a pitch I have for maybe like a reboot.

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<v Speaker 1>So the Susie character, the Neough Campbell character, she's at home,

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<v Speaker 1>she's misbehaving, she gets sent to bed without dinner, and

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<v Speaker 1>then escapes into a fantasy world where she plots to

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<v Speaker 1>murder her high school guidance counselor and his secret detective friend.

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<v Speaker 1>And she also kisses her hot classmate and then everyone

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<v Speaker 1>gets murdered except for Susie. It's called Where the Wild

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<v Speaker 1>Things Are Wish we got there? I like it, genius.

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<v Speaker 1>This is why you should take her screenwriting class, Ladies

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<v Speaker 1>and gentlemen. Um, there's the plug book. Well, um, So anyway,

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<v Speaker 1>that is my history with the movie. And then I've

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<v Speaker 1>watched it twice to pret for this episode. I still

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<v Speaker 1>feel like I don't know anything that happened in the movie,

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<v Speaker 1>because I've never been more excited for a recap. I know, Jamie,

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<v Speaker 1>what about you? What's your relationship? If any? Absolutely nothing

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<v Speaker 1>I just let this movie wash over me. I had

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<v Speaker 1>to watch it twice because the first time I felt

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<v Speaker 1>like I went into a full body shock and I

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<v Speaker 1>couldn't process what was going on. Just it's so like

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<v Speaker 1>it is peak cast. Do we ever find out why

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<v Speaker 1>Bill Murray's wearing a neck brace? Do we ever? Like

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<v Speaker 1>I was, I did not expect Daphne Rubin Vega, who

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<v Speaker 1>is in the original Broadway cast of Rent, to be

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<v Speaker 1>in this movie. Just a lot of nineties treats for

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<v Speaker 1>Jamie and this movie. I don't know what was going

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<v Speaker 1>on the first time. The second time, I feel like

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<v Speaker 1>I have five hundred pages of notes, all of which

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<v Speaker 1>are questions. I yeah, that's my history. I was just

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<v Speaker 1>uh huh, and I can't wait to talk about it.

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<v Speaker 1>All right, Well, shall we get into it with the recap? Yeah?

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<v Speaker 1>Good luck, I know. I was like, I do love

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<v Speaker 1>how it begins with sex and then crime. I was

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<v Speaker 1>trying to think of another phrase. I my comedy brain

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<v Speaker 1>was not working, but I was like, there's got to

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<v Speaker 1>be a bunch of like fun phrases to do that

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<v Speaker 1>exact setup for like fun word followed by terrifying words

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<v Speaker 1>like food poisoning. There you go there you go. I

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<v Speaker 1>was literally staring at my computer for two minutes. I'm like, well,

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<v Speaker 1>I guess that's the only way to do that. It's

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<v Speaker 1>like it's like bread intolerance, you know. It's like, see

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<v Speaker 1>you guys both have one. It's going to hit me

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<v Speaker 1>like an hour from now, and it's gonna suck. Please

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<v Speaker 1>let us know as soon as you got one. Okay, Okay,

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<v Speaker 1>I'm going to start by giving content trigger warning because

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<v Speaker 1>this movie deals with rape, sexual assault, violence toward and

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<v Speaker 1>murder of women, false rape accusations, sexual relationships between adults

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<v Speaker 1>and high school students. I feel like the list goes

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<v Speaker 1>on extraction with pliers. Don't it's triggering to you? Yeah? Right.

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<v Speaker 1>I love how this movie is still explaining to you

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<v Speaker 1>what the what happened during the credits. It's great, such

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<v Speaker 1>a weird choice. Um. But all this to say, the

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<v Speaker 1>recap and our discussion will heavily involve all of these

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<v Speaker 1>potentially triggering things, just so everyone is aware at the top. Okay,

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<v Speaker 1>So we are in Blue Bay, Florida, which seems to

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<v Speaker 1>be a pretty wealthy community not too far from the Everglades. Um,

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<v Speaker 1>we see the glades, we see alligators. You think alligators

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<v Speaker 1>are going to pay off in some way. They never do.

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<v Speaker 1>We cut to a high school campus where the guidance

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<v Speaker 1>counselor Mr. Lombardo say, I'm Lombardo played by Matt Dylan.

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<v Speaker 1>Good character name, good movie name, Sam, that's a great name.

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<v Speaker 1>My note for him is that he looks like Luke Perry,

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<v Speaker 1>and that made me sad. What does a bit? But also,

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<v Speaker 1>and I don't know if Matt Dylan is attractive. I

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<v Speaker 1>don't find him to be attractive to me. He looks

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<v Speaker 1>too much like my brother. But also in addition to that,

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<v Speaker 1>I don't think he's attractive. Her brother looks like Matt

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<v Speaker 1>Dylon came a little bit. Jamie's like, all right, Harry Goes.

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<v Speaker 1>But the whole movie is like so many people want

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<v Speaker 1>to have sex with Matt Dylan, and I just I'm

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<v Speaker 1>just like, what do why whole families? When I have

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<v Speaker 1>sex with Magelon? It's wild? This might be a silly question, Um,

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<v Speaker 1>what is Matt Dylan most famous for? Well, because every

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<v Speaker 1>time I see him, I'm like, I know he's famous,

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<v Speaker 1>but I don't know for what reason. Oh? Yes, well,

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<v Speaker 1>he was a teen idol and he was in several

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<v Speaker 1>things so he started off as like a young actor

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<v Speaker 1>who grew in to more popularity. He's actually been nominated

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<v Speaker 1>for an Oscar and a Grammy. What a Grammy. Yeah,

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<v Speaker 1>he basically has just had a very prolific career. Like

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<v Speaker 1>he was in There Something about Mary, he was in

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<v Speaker 1>On the Road. He did an audiobook for that, which

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<v Speaker 1>I think he got numinated for Best Spoken Word Album.

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<v Speaker 1>He was in Crash, a terrible movie, but yeah, is

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<v Speaker 1>that still a movie? Still? An Oscar winning movie, Dark Times,

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<v Speaker 1>and then he was in You. I'm like, looking at

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<v Speaker 1>his filmography, I'm like, oh right, you mean dupree? I

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<v Speaker 1>hate that that jumped out at me. Is like that movie.

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<v Speaker 1>I think. Most famously, he was in The Outsiders, like

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<v Speaker 1>the eight three version. Okay, okay, he's an Outsider's boy,

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<v Speaker 1>thank you, thank you, And that's pretty much. It's it's

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<v Speaker 1>like him st Bos, Tom Cruise, you know, every heart

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<v Speaker 1>Throne of the eighties. It's like, here you go have

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<v Speaker 1>a movie. It's crazy Macchio. Wow, I've never seen The

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<v Speaker 1>Outsiders either. That's uh, that's my confession. It's by our

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<v Speaker 1>boy f C C. Frances O f f CC Francis

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<v Speaker 1>Ford Coppola. I wonder if that would be worth covering

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<v Speaker 1>on the show anyway. Sam Lombardo is the guidance counselor.

0:14:26.520 --> 0:14:30.760
<v Speaker 1>He's holding an assembly about sex crimes for the senior class,

0:14:31.600 --> 0:14:36.400
<v Speaker 1>one of whom is Kelly Van Ryan played by Denise Richards.

0:14:36.440 --> 0:14:41.280
<v Speaker 1>Sam invites Detective Duquette played by Kevin Bacon, and at

0:14:41.280 --> 0:14:43.520
<v Speaker 1>a certain point I do start to call him Detective

0:14:43.520 --> 0:14:47.360
<v Speaker 1>Bacon in my notes. So just so as you're aware

0:14:47.400 --> 0:14:51.600
<v Speaker 1>of that that weapon, um. So, Detective Bacon and Detective

0:14:51.640 --> 0:14:56.480
<v Speaker 1>Perez played by Daphne ruben Vega are invited to stage

0:14:56.600 --> 0:15:01.640
<v Speaker 1>to speak about sex crimes. This upsets another student, Susie

0:15:01.640 --> 0:15:05.880
<v Speaker 1>played by Nev Campbell. She seems to hate Detective Bacon,

0:15:06.520 --> 0:15:09.960
<v Speaker 1>and we will soon learn that Susie and Kelly hate

0:15:10.000 --> 0:15:14.960
<v Speaker 1>each other. It also starts with like him offering students,

0:15:15.280 --> 0:15:20.680
<v Speaker 1>rides home in his jeep like he's a slimeball from

0:15:20.720 --> 0:15:23.560
<v Speaker 1>from the jump. Yes, so what happens? I know it's

0:15:24.640 --> 0:15:29.120
<v Speaker 1>but no. Yeah, So after school, Kelly comes up to Mr.

0:15:29.160 --> 0:15:34.520
<v Speaker 1>Lombardo while he's teaching boat class. Question mark his whole thing.

0:15:35.000 --> 0:15:39.320
<v Speaker 1>He loves boats. He's not like other guidance counselors. No,

0:15:39.640 --> 0:15:45.240
<v Speaker 1>he's a cool guys counselor in Miami who Fox inappropriate

0:15:45.320 --> 0:15:49.720
<v Speaker 1>the goddess counsel who Fox and loves boats. So Kelly

0:15:49.760 --> 0:15:53.320
<v Speaker 1>seems to be especially like familiar and flirty with Mr

0:15:53.400 --> 0:15:56.360
<v Speaker 1>Lombardo and she's like, let me come over and wash

0:15:56.440 --> 0:15:59.320
<v Speaker 1>your jeep this weekend and he's like, I don't know

0:15:59.400 --> 0:16:01.760
<v Speaker 1>about that, and she's like, give me a ride home

0:16:01.840 --> 0:16:05.120
<v Speaker 1>and he's like uh, So he does give her a

0:16:05.200 --> 0:16:08.040
<v Speaker 1>ride home. We see the huge house that she lives in,

0:16:08.520 --> 0:16:12.040
<v Speaker 1>We meet her mom, Sandro van Ryan. Oh. We meet

0:16:12.040 --> 0:16:17.000
<v Speaker 1>her in the most spectacular way possible when she's having

0:16:17.040 --> 0:16:19.840
<v Speaker 1>sex with the pool guy, and that happens in US

0:16:19.920 --> 0:16:22.800
<v Speaker 1>a later scene. But sorry, we do, I guess we

0:16:22.880 --> 0:16:29.240
<v Speaker 1>do technically. Sorry, That's how That's how I felt her debut. Truly,

0:16:29.880 --> 0:16:33.520
<v Speaker 1>what an incredible scene picking up your landline phone while

0:16:33.560 --> 0:16:39.200
<v Speaker 1>having sex with pool boy, just wild stuff. She answers

0:16:39.400 --> 0:16:41.680
<v Speaker 1>the phone because she's in the middle of having sex,

0:16:41.880 --> 0:16:48.800
<v Speaker 1>so she goes hello acting acting. She's Strasbourg trained, look

0:16:48.840 --> 0:16:51.960
<v Speaker 1>out for her so she's not having sex in this scene.

0:16:52.160 --> 0:16:57.400
<v Speaker 1>But she comes out. She's like, hey, Sam Lombardo, kiss

0:16:57.480 --> 0:17:00.360
<v Speaker 1>kiss and he's like, oh my, And then I'm why

0:17:00.400 --> 0:17:02.000
<v Speaker 1>do so many people want to have sex with Matt

0:17:02.080 --> 0:17:06.000
<v Speaker 1>Dylan confusing? So so then Kelly and her friend wash

0:17:06.160 --> 0:17:10.119
<v Speaker 1>Mr Lombardo's jeep, but it's all a ploy for Kelly

0:17:10.200 --> 0:17:13.280
<v Speaker 1>to go in and seduce Mr Lombardo and then it

0:17:13.359 --> 0:17:15.320
<v Speaker 1>kind of cuts away. We don't really know what happens,

0:17:15.720 --> 0:17:18.439
<v Speaker 1>although it seems like he's not interested. And then Kelly

0:17:18.720 --> 0:17:23.879
<v Speaker 1>tells her mom the Mr Lombardo raped her. So Kelly

0:17:24.000 --> 0:17:26.760
<v Speaker 1>and her mom, Sandra, go to the police and report

0:17:26.880 --> 0:17:30.879
<v Speaker 1>the rape to Detective Bacon and Detective Perez. This is

0:17:30.920 --> 0:17:39.320
<v Speaker 1>twist number one that I absolutely did not see coming. Yeah, yeah,

0:17:39.359 --> 0:17:43.520
<v Speaker 1>So Kelly gives a statement about the rape. She tells

0:17:43.760 --> 0:17:47.800
<v Speaker 1>them a particular thing that Mr Lombardo said about I

0:17:47.800 --> 0:17:49.920
<v Speaker 1>don't even want to repeat it in the recap because

0:17:49.960 --> 0:17:54.520
<v Speaker 1>it's really gross, But she says a particular line um,

0:17:54.680 --> 0:17:58.440
<v Speaker 1>which also is an indicator that there is no physical

0:17:58.680 --> 0:18:03.800
<v Speaker 1>evidence um. Detective Perez, because there's no physical evidence, thinks

0:18:03.840 --> 0:18:07.240
<v Speaker 1>that Kelly is making this story up. Very not feminist

0:18:07.280 --> 0:18:11.960
<v Speaker 1>of her. It's very un true, right, It's like, why,

0:18:12.040 --> 0:18:16.399
<v Speaker 1>of of course the only comp that's a woman is

0:18:17.240 --> 0:18:20.399
<v Speaker 1>given that perspective. And also I feel like that was

0:18:20.440 --> 0:18:22.560
<v Speaker 1>one of the in in one of the least realistic

0:18:22.640 --> 0:18:28.080
<v Speaker 1>movies ever produced. UM Cops immediately not believing someone felt

0:18:28.480 --> 0:18:31.240
<v Speaker 1>authentic kind of The only thing that tracks about the

0:18:31.400 --> 0:18:34.040
<v Speaker 1>entire movie is the way that cops behave. Yeah, the

0:18:34.600 --> 0:18:37.080
<v Speaker 1>film is very a cab like. It's very like at

0:18:37.119 --> 0:18:39.439
<v Speaker 1>the end of it, you're like, oh, we don't trust anybody.

0:18:39.600 --> 0:18:44.399
<v Speaker 1>All authority is bad. Probably the working class, everyone except

0:18:44.480 --> 0:18:48.320
<v Speaker 1>Nev Campbell deserves to die exactly. Only the working classes

0:18:48.400 --> 0:18:52.280
<v Speaker 1>should survive, is what Well thinks. Is yeah, true, true,

0:18:53.080 --> 0:18:55.040
<v Speaker 1>but you know, the kind of the other people who

0:18:55.080 --> 0:18:58.720
<v Speaker 1>have heard Kelly's statement aren't sure because Sam has a

0:18:58.800 --> 0:19:03.480
<v Speaker 1>reputation of being easy. So Sam knows that this accusation

0:19:03.560 --> 0:19:06.320
<v Speaker 1>is going to be very difficult to recover him. His

0:19:06.400 --> 0:19:09.399
<v Speaker 1>reputation will be tarnished, and he's worried he won't be

0:19:09.440 --> 0:19:11.680
<v Speaker 1>able to find a lawyer willing to go up against

0:19:11.680 --> 0:19:14.280
<v Speaker 1>the Van Ryan family since they're very rich and powerful

0:19:14.320 --> 0:19:17.200
<v Speaker 1>in the community. But he does find a lawyer, Ken

0:19:17.240 --> 0:19:20.639
<v Speaker 1>Bowden or Bowden, his name is pronounced differently in every scene.

0:19:21.240 --> 0:19:25.359
<v Speaker 1>Um played by Bill Murray in the weirdest casting choice

0:19:25.359 --> 0:19:29.199
<v Speaker 1>I've ever seen, baffling, Why is Bill Murray in the

0:19:29.240 --> 0:19:31.600
<v Speaker 1>movie Wild Things, and why is he wearing a neck

0:19:31.600 --> 0:19:34.200
<v Speaker 1>brace and why won't he tell us? I think it's

0:19:34.200 --> 0:19:38.040
<v Speaker 1>implied that he's wearing it to collect on insurance money

0:19:38.040 --> 0:19:40.760
<v Speaker 1>that he doesn't actually deserve, because he says something like, oh,

0:19:40.800 --> 0:19:42.640
<v Speaker 1>I don't have to wear this all the time, but

0:19:42.680 --> 0:19:46.240
<v Speaker 1>there was an insurance guy here earlier. That's my guess.

0:19:47.800 --> 0:19:52.879
<v Speaker 1>It's the perfect crime, so can the lawyer is just like,

0:19:53.040 --> 0:19:54.840
<v Speaker 1>don't worry, Sam, if you didn't do it, you have

0:19:54.880 --> 0:19:58.040
<v Speaker 1>nothing to worry about. But we see Sam Lombardo being

0:19:58.040 --> 0:20:00.720
<v Speaker 1>more and more rejected by the community. He's like banned

0:20:00.720 --> 0:20:03.800
<v Speaker 1>from the country club. He's run off the road by

0:20:03.880 --> 0:20:07.920
<v Speaker 1>this guy, Frankie, the pool guy who Sandra van Ryan

0:20:08.000 --> 0:20:11.240
<v Speaker 1>was having sex with in my favorite part of the movie.

0:20:11.240 --> 0:20:13.840
<v Speaker 1>And then when I was looking up um it was

0:20:13.880 --> 0:20:16.080
<v Speaker 1>another I was a writer from the Ringers favorite part

0:20:16.119 --> 0:20:18.720
<v Speaker 1>of the movie as well. I felt very validated Um

0:20:18.760 --> 0:20:21.600
<v Speaker 1>in the scene where he's run off the road into

0:20:22.400 --> 0:20:26.800
<v Speaker 1>the glades basically, and then it's it's very bizarre, like

0:20:27.040 --> 0:20:29.520
<v Speaker 1>the pool that comes out. He's like, are you okay?

0:20:29.640 --> 0:20:33.200
<v Speaker 1>And then I'll be fine and that he gets punched

0:20:33.200 --> 0:20:37.640
<v Speaker 1>in the face, cut to a surprised raccoon, Like, I know,

0:20:38.119 --> 0:20:42.800
<v Speaker 1>that is one of the best scenes in any cinema.

0:20:43.080 --> 0:20:45.600
<v Speaker 1>That raccoon is a genius. And then they faced the

0:20:45.680 --> 0:20:50.440
<v Speaker 1>black on the raccoon. It's so good, perfect editing choice. Yeah,

0:20:50.560 --> 0:20:52.520
<v Speaker 1>I was like that had to have been some sort

0:20:52.520 --> 0:20:55.000
<v Speaker 1>of editing pickle they were in were like, we didn't

0:20:55.040 --> 0:20:57.159
<v Speaker 1>get a good punch or something like that. They're like,

0:20:57.200 --> 0:21:00.639
<v Speaker 1>we do have the bureau of that raccoon and it

0:21:00.880 --> 0:21:04.480
<v Speaker 1>looks it's it's great. Never underestimate a shot of a

0:21:04.520 --> 0:21:08.679
<v Speaker 1>wild animal. You know, that's the wildest thing in the movie.

0:21:08.880 --> 0:21:15.520
<v Speaker 1>If you ask me, wild things were like wild raccoon. Alright,

0:21:15.560 --> 0:21:20.400
<v Speaker 1>really really great. Okay, So meanwhile, the detectives have begun

0:21:20.520 --> 0:21:26.280
<v Speaker 1>investigating this allegation. They go to talk to Susie That's

0:21:26.359 --> 0:21:30.719
<v Speaker 1>Enough Campbell again, who tells them that Sam Lombardo also

0:21:30.880 --> 0:21:35.000
<v Speaker 1>raped her about a year prior, and she says that

0:21:35.160 --> 0:21:39.280
<v Speaker 1>Sam Lombardo said the same line that Kelly had said

0:21:39.480 --> 0:21:44.000
<v Speaker 1>Sam told her right, So that kind of corroborates their

0:21:44.040 --> 0:21:46.800
<v Speaker 1>stories and it makes the detectives think that, oh, this

0:21:47.000 --> 0:21:50.879
<v Speaker 1>this did happen. So they arrest Sam Lombardo and he

0:21:50.880 --> 0:21:54.240
<v Speaker 1>gets thrown in jail. We then cut to the trial

0:21:54.800 --> 0:22:00.400
<v Speaker 1>where Kelly and Susie give their testimonies. But during Susie's testimony,

0:22:00.440 --> 0:22:05.760
<v Speaker 1>she reveals that Sam Lombardo did not rape her or Kelly.

0:22:05.800 --> 0:22:10.080
<v Speaker 1>This was all for revenge. Susie's motivation is that Sam

0:22:10.160 --> 0:22:12.440
<v Speaker 1>Lombardo and Susie used to be friends, but then he

0:22:12.480 --> 0:22:15.440
<v Speaker 1>wasn't there for her when she was arrested and sent

0:22:15.480 --> 0:22:19.000
<v Speaker 1>to Juvie, and so she's retaliating against him for that.

0:22:19.400 --> 0:22:22.240
<v Speaker 1>Kelly is in love with him and got really jealous

0:22:22.240 --> 0:22:24.240
<v Speaker 1>when she found out that he was having sex with

0:22:24.280 --> 0:22:27.840
<v Speaker 1>her mom. So this whole thing is a revenge plot

0:22:27.880 --> 0:22:31.159
<v Speaker 1>and it was all Kelly's idea. According to Susie, I

0:22:31.160 --> 0:22:33.680
<v Speaker 1>had to rewind a couple of times to be like, now,

0:22:33.720 --> 0:22:39.240
<v Speaker 1>hold on, what is the plan here? And I want

0:22:39.240 --> 0:22:42.520
<v Speaker 1>to say, like the plot is so like Gillian Flynn.

0:22:42.600 --> 0:22:44.399
<v Speaker 1>I can just see her as like a young woman

0:22:44.440 --> 0:22:47.439
<v Speaker 1>watching this movie and like this is good ship. I

0:22:47.480 --> 0:22:49.639
<v Speaker 1>can work with that. I can work with this. And

0:22:49.680 --> 0:22:52.600
<v Speaker 1>I just like and like Nev Campbell is like acting

0:22:52.720 --> 0:22:54.679
<v Speaker 1>so well how to stay like her eyes are all

0:22:54.760 --> 0:22:57.160
<v Speaker 1>red and water and I'm like, girl, you were giving

0:22:57.160 --> 0:23:00.200
<v Speaker 1>a very a plus performance in this be movie and

0:23:00.359 --> 0:23:03.800
<v Speaker 1>it just elevates everything because you just believe her, and

0:23:03.840 --> 0:23:07.199
<v Speaker 1>like Denise Richards is just sitting there, just seething with

0:23:07.240 --> 0:23:10.480
<v Speaker 1>her like beautiful face, just like you bitch, and it's like,

0:23:10.520 --> 0:23:14.639
<v Speaker 1>it's just like, uh, it's so. It's so the fact

0:23:14.640 --> 0:23:18.840
<v Speaker 1>that nev Campbell could get those lines out and emote

0:23:18.880 --> 0:23:22.800
<v Speaker 1>at the same time was I was just like, wow, egot,

0:23:23.119 --> 0:23:26.280
<v Speaker 1>she she deserves it. She deserves it all. Because I

0:23:26.320 --> 0:23:29.840
<v Speaker 1>could not even take that information into my head as

0:23:29.880 --> 0:23:32.840
<v Speaker 1>it was being said to me. It was it was

0:23:32.880 --> 0:23:35.400
<v Speaker 1>a symphony. It was wild. And then I also looked

0:23:35.440 --> 0:23:38.040
<v Speaker 1>at I was like, how old were I looked it

0:23:38.119 --> 0:23:42.480
<v Speaker 1>up to. Yeah, so it's like the age difference between

0:23:42.720 --> 0:23:45.520
<v Speaker 1>Denise Richards and Magdalen in reality is like six or

0:23:45.560 --> 0:23:49.200
<v Speaker 1>seven years. They're all it's it's all very like, which

0:23:49.200 --> 0:23:51.520
<v Speaker 1>I don't. I mean, I'm glad they did not cast

0:23:51.600 --> 0:23:57.440
<v Speaker 1>actual children in this movie because it's disturbing even like

0:23:57.560 --> 0:24:00.720
<v Speaker 1>on its face. But I was just like something, it

0:24:00.840 --> 0:24:02.879
<v Speaker 1>just it felt very c W two be in the

0:24:02.920 --> 0:24:07.360
<v Speaker 1>way that I was like, what anyways, Yeah, it's yeah,

0:24:07.400 --> 0:24:10.240
<v Speaker 1>because Denise is twenty seven and Nive is twenty five,

0:24:10.280 --> 0:24:12.200
<v Speaker 1>and usually when you watch films like that. Everyone is

0:24:12.680 --> 0:24:16.040
<v Speaker 1>staged and looks much older. They both look super young.

0:24:16.960 --> 0:24:19.560
<v Speaker 1>They were like in their like early twenties, and I'm

0:24:19.600 --> 0:24:23.840
<v Speaker 1>like seven. She looks great. I mean, she looks great now. Um,

0:24:24.280 --> 0:24:26.679
<v Speaker 1>I love her. Is her name pronounced nive. I've been

0:24:26.680 --> 0:24:30.119
<v Speaker 1>saying Nev Campbell. I have no idea which one it is.

0:24:30.400 --> 0:24:33.120
<v Speaker 1>I don't know. I pronounced things badly, so I'm star doing.

0:24:33.600 --> 0:24:36.719
<v Speaker 1>I'm just sad. What do you say, Caitlin? Nev? Then

0:24:36.760 --> 0:24:38.840
<v Speaker 1>I'm gonna I'm gonna do that then, but I'm not

0:24:38.880 --> 0:24:43.520
<v Speaker 1>sure if that's correct. I guess we've covered movies with her.

0:24:43.640 --> 0:24:45.199
<v Speaker 1>Is there's sometimes when I don't know how to say

0:24:45.200 --> 0:24:51.760
<v Speaker 1>an actor's name, most usually Wynn McGregor. I just like,

0:24:51.840 --> 0:24:55.719
<v Speaker 1>I just yeah, I think I think you're right, Caitlin,

0:24:55.760 --> 0:24:59.640
<v Speaker 1>because on on her pronunciation thing it's like and eat

0:24:59.720 --> 0:25:02.520
<v Speaker 1>and V. So then I'm guessing it's nev ne Okay,

0:25:02.600 --> 0:25:10.600
<v Speaker 1>Well Nev, I'm sure you're listening and got it right. Okay,

0:25:10.680 --> 0:25:14.520
<v Speaker 1>So we get this big reveal, this big twist that

0:25:14.680 --> 0:25:17.080
<v Speaker 1>these rape allegations are false and it was all a

0:25:17.119 --> 0:25:20.480
<v Speaker 1>big revenge plot and it was all Kelly's idea. So

0:25:20.560 --> 0:25:24.480
<v Speaker 1>now Sam Lombardo can file a lawsuit against the Van

0:25:24.560 --> 0:25:28.520
<v Speaker 1>Ryan family for perjury. So they settle out of court

0:25:28.680 --> 0:25:31.120
<v Speaker 1>and Sam gets a ton of money from it, something

0:25:31.119 --> 0:25:33.920
<v Speaker 1>like eight point five million dollars. And this is very

0:25:34.000 --> 0:25:38.000
<v Speaker 1>upsetting to Kelly because her mom is breaking her trust

0:25:38.280 --> 0:25:42.359
<v Speaker 1>to pay off Sam. So there's this scene where she

0:25:42.440 --> 0:25:44.800
<v Speaker 1>like throws things at him and she's like, I hate you,

0:25:44.800 --> 0:25:47.240
<v Speaker 1>You're the worst. And and then that's only halfway through

0:25:47.240 --> 0:25:49.679
<v Speaker 1>the movie, so like, what else could even happen? Just

0:25:49.880 --> 0:25:54.040
<v Speaker 1>you wait, we cut two Sam at this motel where

0:25:54.040 --> 0:25:57.240
<v Speaker 1>he's been saying Kelly is there, and we're like, oh, no,

0:25:57.320 --> 0:26:01.159
<v Speaker 1>she's going to get revenge on him. But twist, Kelly

0:26:01.280 --> 0:26:05.520
<v Speaker 1>and Sam Lombardo are having an affair and they plotted

0:26:05.560 --> 0:26:10.560
<v Speaker 1>this whole thing together to set up Kelly's mom, Sandra Dune.

0:26:11.840 --> 0:26:20.920
<v Speaker 1>Then and guess who else is there? Susie Done. Where

0:26:21.000 --> 0:26:23.919
<v Speaker 1>was the inception soundtrack for this, because that would have

0:26:23.960 --> 0:26:28.760
<v Speaker 1>been very satisfying if Susie walks in and it's just like, yeah,

0:26:29.240 --> 0:26:32.359
<v Speaker 1>I gasp or like remember in Rogue one the trailer

0:26:32.400 --> 0:26:38.320
<v Speaker 1>when they're like either if guys would have been great?

0:26:38.800 --> 0:26:41.600
<v Speaker 1>I truely I gasped when I mean, at first, I

0:26:41.640 --> 0:26:45.000
<v Speaker 1>was like, Okay, okay, that's the twist. Denise and Matt

0:26:45.040 --> 0:26:48.000
<v Speaker 1>are in on it together, Okay, But then when Nev

0:26:48.080 --> 0:26:50.119
<v Speaker 1>Campbell comes in the room, I was like, okay, this

0:26:50.160 --> 0:26:53.600
<v Speaker 1>movie is And that's like less than halfway through the movie.

0:26:54.040 --> 0:26:58.399
<v Speaker 1>It's like they can't, they can't maintain this, but then

0:26:58.440 --> 0:27:02.480
<v Speaker 1>they do. But then here's my brilliant observation about this movie.

0:27:02.480 --> 0:27:04.240
<v Speaker 1>I'm like, oh my gosh, it has so many twists.

0:27:04.320 --> 0:27:10.400
<v Speaker 1>What is it a Saw movie exactly? And for more

0:27:10.440 --> 0:27:12.720
<v Speaker 1>of that, you can listen to our new Saw episode

0:27:12.760 --> 0:27:18.199
<v Speaker 1>on the Matreon Wow plug Alert game over. And you

0:27:18.240 --> 0:27:20.960
<v Speaker 1>know what, as a patron, I can say, it's worth

0:27:21.000 --> 0:27:26.000
<v Speaker 1>the money. Thank you, says oh my gosh, just lady

0:27:26.040 --> 0:27:30.520
<v Speaker 1>supporting ladies. Wow, solidarity simply what we do. I'm like,

0:27:30.560 --> 0:27:33.840
<v Speaker 1>I'm like Mimi and from Rent in this movie. Although

0:27:34.040 --> 0:27:36.359
<v Speaker 1>although technically she was right, she's like, I don't trust

0:27:36.400 --> 0:27:38.879
<v Speaker 1>this this white girl, and I'm like, oh man, but

0:27:38.960 --> 0:27:42.320
<v Speaker 1>it sucks that she's right. There are a lot of

0:27:42.359 --> 0:27:44.840
<v Speaker 1>ways to like because I was I was thinking about

0:27:44.840 --> 0:27:48.080
<v Speaker 1>that too, where it's like like there's so many ways

0:27:48.119 --> 0:27:51.680
<v Speaker 1>to view that thing where it's like she is right

0:27:51.800 --> 0:27:56.679
<v Speaker 1>to disbelieve this spoiled, rich white girl. But then also

0:27:57.080 --> 0:28:01.760
<v Speaker 1>she's a cop, and you're just like like it, um,

0:28:01.800 --> 0:28:05.320
<v Speaker 1>this one's a brain breaker. But also she is right.

0:28:05.640 --> 0:28:10.200
<v Speaker 1>But she's right, she saw right through the scheme. Okay,

0:28:10.760 --> 0:28:14.359
<v Speaker 1>So Susie is there, Kelly is there, Sam is there.

0:28:14.520 --> 0:28:17.320
<v Speaker 1>They're all working together. They're going to split the money

0:28:17.359 --> 0:28:20.760
<v Speaker 1>three ways. Then they all start kissing each other. They

0:28:20.800 --> 0:28:24.600
<v Speaker 1>have a threesome, but after that night they can't be

0:28:24.640 --> 0:28:28.840
<v Speaker 1>seen together because people will catch on to their scheme.

0:28:29.680 --> 0:28:33.840
<v Speaker 1>We then cut to the detectives. They're feeling silly from

0:28:33.880 --> 0:28:38.280
<v Speaker 1>being duped by Susie and Kelly, and Detective Bacon is

0:28:38.360 --> 0:28:41.800
<v Speaker 1>like starting to piece things together that this might be

0:28:41.840 --> 0:28:44.840
<v Speaker 1>a setup for Sam the teens to get a big

0:28:44.920 --> 0:28:49.680
<v Speaker 1>pay day. Um. So Detective Bacon goes to question Kelly

0:28:49.760 --> 0:28:52.760
<v Speaker 1>and then later Susie and they're both like, um, I

0:28:52.800 --> 0:28:55.640
<v Speaker 1>don't know what you're talking about. I just feel like

0:28:56.120 --> 0:28:57.880
<v Speaker 1>I don't know. I was just like it's such a

0:28:57.960 --> 0:29:02.000
<v Speaker 1>huge risk for it's specially Susie, where it's like, Okay,

0:29:02.040 --> 0:29:06.600
<v Speaker 1>all you have to do is ruin your life potentially

0:29:06.800 --> 0:29:09.720
<v Speaker 1>and open yourself up to public. The public scrutiny of

0:29:11.480 --> 0:29:15.280
<v Speaker 1>and if everything goes off according to plan, then you'll

0:29:15.280 --> 0:29:17.400
<v Speaker 1>get like a couple of million dollars, which is like,

0:29:17.640 --> 0:29:20.480
<v Speaker 1>I mean, that fucking rules. But there's so many things

0:29:20.560 --> 0:29:24.280
<v Speaker 1>had to line up for that to happen. Especially first,

0:29:24.280 --> 0:29:26.120
<v Speaker 1>I was just I was just concerned about Susie the

0:29:26.160 --> 0:29:28.880
<v Speaker 1>whole time, because I'm like, she's she is the vulnerable

0:29:28.920 --> 0:29:33.160
<v Speaker 1>one of the three, and she starts freaking out about

0:29:33.160 --> 0:29:36.760
<v Speaker 1>the whole thing. She goes over to Kelly's house. Kelly

0:29:36.800 --> 0:29:41.520
<v Speaker 1>calls Sam. They have a private conversation where they're worried

0:29:41.560 --> 0:29:44.120
<v Speaker 1>that Susie is gonna blow this for them, so Sam

0:29:44.160 --> 0:29:47.960
<v Speaker 1>ominously says, well, if she gets out of line, I'll

0:29:48.040 --> 0:29:55.719
<v Speaker 1>handle it right. And then because Susie is upset, she

0:29:55.800 --> 0:29:58.760
<v Speaker 1>and Kelly get into a fight. They're like slapping each other.

0:29:58.840 --> 0:30:01.440
<v Speaker 1>They fall into the pool they're trying to drown each other.

0:30:01.880 --> 0:30:05.720
<v Speaker 1>But then this fight turns sexy and they start having

0:30:06.280 --> 0:30:10.000
<v Speaker 1>a heavy makeout session, which I think is the scene

0:30:10.000 --> 0:30:14.760
<v Speaker 1>that the movie is most famous for. Meanwhile, Detective Bacon

0:30:15.320 --> 0:30:20.000
<v Speaker 1>is nearby spying on them and videotaping them, so for him,

0:30:20.040 --> 0:30:22.760
<v Speaker 1>this is more proof that Sam, Susie, and Kelly are

0:30:22.840 --> 0:30:31.320
<v Speaker 1>including in this scheme together narc No. So one night,

0:30:31.480 --> 0:30:34.000
<v Speaker 1>Susie and Kelly and Sam go to the beach and

0:30:34.040 --> 0:30:39.120
<v Speaker 1>Susie is really drunk and Sam kills Susie and buries

0:30:39.160 --> 0:30:43.080
<v Speaker 1>her body in the glades or does he or does he?

0:30:45.040 --> 0:30:46.560
<v Speaker 1>It reminds we have one of you guys were doing.

0:30:46.600 --> 0:30:52.440
<v Speaker 1>Black Swan is like or is it? Black Swan wishes

0:30:52.640 --> 0:30:59.320
<v Speaker 1>it could reach the narrative Heights of wild Things, so

0:30:59.480 --> 0:31:02.640
<v Speaker 1>not long for this. Detective Bacon finds the spot where

0:31:02.880 --> 0:31:06.200
<v Speaker 1>this murder took place, and he finds some teeth, but

0:31:06.280 --> 0:31:10.000
<v Speaker 1>he's not yet sure if any crime was actually committed

0:31:10.080 --> 0:31:12.280
<v Speaker 1>or like what happened, or if they are Susie's teeth.

0:31:12.880 --> 0:31:16.000
<v Speaker 1>Detective Perez, on the other hand, thinks that Susie probably

0:31:16.040 --> 0:31:18.240
<v Speaker 1>just ran away to l A like she said she

0:31:18.320 --> 0:31:21.680
<v Speaker 1>was going to, and then Perez is tasked with keeping

0:31:21.720 --> 0:31:24.920
<v Speaker 1>an eye on Sam, who invites her into his hotel

0:31:25.000 --> 0:31:29.560
<v Speaker 1>room to show her Kelly's school file, which does seem

0:31:29.640 --> 0:31:34.840
<v Speaker 1>like some kind of hippa or something violation. Yes, not much,

0:31:35.080 --> 0:31:41.240
<v Speaker 1>that's definitely not professional. Yeah, not professional. Also not professional

0:31:41.280 --> 0:31:45.160
<v Speaker 1>as him sleeping with his students. Very gross. I love,

0:31:45.560 --> 0:31:47.800
<v Speaker 1>I know that he works at like a fancy private school,

0:31:47.800 --> 0:31:51.320
<v Speaker 1>but he had I was like, a guidance counselor has

0:31:51.480 --> 0:31:56.000
<v Speaker 1>that house. He's so rich, must be from money or something.

0:31:56.040 --> 0:31:57.880
<v Speaker 1>I was like, I don't think that that is a

0:31:57.880 --> 0:32:03.080
<v Speaker 1>guidance counselor salary house, especially not in Florida. I feel

0:32:03.120 --> 0:32:06.600
<v Speaker 1>like where they don't pay educators particularly well, right, I'm

0:32:06.640 --> 0:32:09.760
<v Speaker 1>like it should it should be every guidance counselor doing

0:32:09.800 --> 0:32:15.000
<v Speaker 1>their job well should live in a palatial estate. But

0:32:15.440 --> 0:32:18.080
<v Speaker 1>an have a boat and have a boat. Why how

0:32:18.160 --> 0:32:22.680
<v Speaker 1>does he this? This perpetuates the narrative that guidance counselors

0:32:22.840 --> 0:32:28.920
<v Speaker 1>have boat money, which they should, but they don't. They don't, right, Okay,

0:32:28.960 --> 0:32:33.280
<v Speaker 1>So he's showing his students files to Detective Perez and

0:32:33.320 --> 0:32:37.880
<v Speaker 1>then he and Detective Prez almost kiss, but then he's like,

0:32:38.040 --> 0:32:43.720
<v Speaker 1>I gotta go by. Meanwhile, Detective Bacon pays Kelly a visit.

0:32:44.360 --> 0:32:47.040
<v Speaker 1>He claims to protect her because he thinks that Sam

0:32:47.120 --> 0:32:49.040
<v Speaker 1>is going to kill her. Next I think, I'm not

0:32:49.040 --> 0:32:52.120
<v Speaker 1>really sure what the motive was here, but there's a

0:32:52.120 --> 0:32:56.160
<v Speaker 1>struggle that we can't totally see. We hear gunshots and

0:32:56.200 --> 0:32:59.000
<v Speaker 1>then Detective Bacon comes back outside. He's been shot in

0:32:59.040 --> 0:33:03.080
<v Speaker 1>the arm and Kelly has been fatally shot. He gives

0:33:03.080 --> 0:33:05.440
<v Speaker 1>a statement saying that he had to shoot her in

0:33:05.440 --> 0:33:09.720
<v Speaker 1>self defense, but even so, he is fired from the force.

0:33:10.600 --> 0:33:14.600
<v Speaker 1>We then cut to Sam Lombardo on a beach. He's chilling,

0:33:14.800 --> 0:33:18.880
<v Speaker 1>he's got his millions. Uh. He goes into his hotel

0:33:19.400 --> 0:33:25.600
<v Speaker 1>and who is there but Detective Kevin Bacon and his bacon.

0:33:28.040 --> 0:33:33.520
<v Speaker 1>What an artful turn. It's just yes, incredible, the way

0:33:33.560 --> 0:33:37.000
<v Speaker 1>he casually turns we see his penis. I don't know why,

0:33:37.120 --> 0:33:39.720
<v Speaker 1>because they've done everything but full frontal at this point.

0:33:40.080 --> 0:33:42.440
<v Speaker 1>I don't know why. I was like, oh my, I

0:33:42.520 --> 0:33:45.960
<v Speaker 1>felt very old because we're still we still like I

0:33:46.000 --> 0:33:47.400
<v Speaker 1>remember the first time I saw it. I was like

0:33:47.480 --> 0:33:50.040
<v Speaker 1>laying on my couch and I was like, is that

0:33:50.160 --> 0:33:54.160
<v Speaker 1>Kevin Bacon's favors? I was like, I texted so many people.

0:33:54.200 --> 0:33:56.360
<v Speaker 1>I was like, did you know about this? Did you

0:33:56.480 --> 0:33:59.880
<v Speaker 1>know about the pain? It's like it was such a surprise.

0:34:00.080 --> 0:34:02.640
<v Speaker 1>It was just so like you said, casually done. Yeah,

0:34:02.880 --> 0:34:04.680
<v Speaker 1>and then they were supposed to make out. I'm like,

0:34:04.720 --> 0:34:09.000
<v Speaker 1>so we could have had Kevin's bacon and Matt Dallen's

0:34:10.320 --> 0:34:14.160
<v Speaker 1>for like, come on, guys, and and after all we've

0:34:14.200 --> 0:34:16.919
<v Speaker 1>been through watching Wild Things, we deserved it. I feel

0:34:16.920 --> 0:34:19.960
<v Speaker 1>like we earned it, as viewers did. Um. But yeah,

0:34:20.000 --> 0:34:22.560
<v Speaker 1>I thought that that was because, like I mean, I

0:34:22.600 --> 0:34:27.240
<v Speaker 1>feel like full frontal scenes are treated so like tight shot,

0:34:27.480 --> 0:34:30.360
<v Speaker 1>like we did it, and this was just so casual,

0:34:30.400 --> 0:34:33.399
<v Speaker 1>like blinking you'd miss it. But also you know, hot

0:34:33.440 --> 0:34:36.200
<v Speaker 1>and thrilling and confusing, because this movie is all three

0:34:36.200 --> 0:34:41.160
<v Speaker 1>of those things. Okay, So Kevin Bacon shows his dick

0:34:41.239 --> 0:34:44.640
<v Speaker 1>in movies. I think all the time. He really I

0:34:44.640 --> 0:34:47.760
<v Speaker 1>didn't know he was known for that. I think Caitlin's dropping.

0:34:49.200 --> 0:34:52.160
<v Speaker 1>What else have you seen Kevin Bacon's penis? I feel

0:34:52.160 --> 0:34:57.080
<v Speaker 1>like we're having I seen Kevin. I'm googling it, but

0:34:57.239 --> 0:34:59.480
<v Speaker 1>I'm pretty sure that. Okay, So he's in a movie

0:34:59.520 --> 0:35:02.239
<v Speaker 1>called Hall Old Man, which I think you see his

0:35:02.440 --> 0:35:06.800
<v Speaker 1>penis in. I'm gonna regret this google search. I know,

0:35:06.920 --> 0:35:12.080
<v Speaker 1>I know, I'm like furiously Okay, here's something from cinema

0:35:12.160 --> 0:35:16.920
<v Speaker 1>blend dot com entitled why movies need more penises according

0:35:16.960 --> 0:35:19.680
<v Speaker 1>to Kevin Bacon. Oh my gosh, Kevin Bacon on male

0:35:19.760 --> 0:35:27.560
<v Speaker 1>nuditian movies. Gentlemen, It's time to free the Bacon. Uh wow,

0:35:27.600 --> 0:35:30.840
<v Speaker 1>six degrees of Kevin Bacon takes on a whole new meaning.

0:35:31.280 --> 0:35:35.120
<v Speaker 1>Now wow, that's like pretty fucking cool. He said this

0:35:35.200 --> 0:35:40.040
<v Speaker 1>in somewhat recently, but still we want to be naked too,

0:35:40.360 --> 0:35:45.080
<v Speaker 1>Thanks Kevin. Sure, Kevin. Now, not to bring up the minions,

0:35:45.160 --> 0:35:47.799
<v Speaker 1>but we are talking about Kevin. Where is this going,

0:35:47.840 --> 0:35:52.840
<v Speaker 1>Oh Kevin, Okay, the Kevin connection. Yes, six degrees of

0:35:53.080 --> 0:35:57.000
<v Speaker 1>Kevin Bacon. Um, Kevin the Minion and Kevin Bacon are

0:35:57.040 --> 0:36:00.960
<v Speaker 1>separated by only by zero degrees because they're both named Kevin. Yeah,

0:36:00.960 --> 0:36:06.560
<v Speaker 1>they're part of the grand tradition of Kevin's in film exactly,

0:36:06.960 --> 0:36:10.960
<v Speaker 1>Kevin Klein, Kevin Bacon, Kevin the Mignion, Kevin the Mignion,

0:36:11.160 --> 0:36:15.919
<v Speaker 1>Kevin le Mignon, Le Mignon, filet Mignon. So he picks

0:36:16.000 --> 0:36:21.040
<v Speaker 1>up the phone because bellow Kevin le Mignon. But all

0:36:21.040 --> 0:36:24.720
<v Speaker 1>that to say, like Kevin Bacon is I didn't realize

0:36:24.719 --> 0:36:26.879
<v Speaker 1>that he was part of a movement to to free

0:36:26.920 --> 0:36:33.240
<v Speaker 1>to Bacon Um by his own description like full support.

0:36:33.800 --> 0:36:37.000
<v Speaker 1>Thank you, Kevin, Um, thank you for your service. And

0:36:37.200 --> 0:36:41.080
<v Speaker 1>this was this was a thrilling moment in a thrilling movie.

0:36:41.280 --> 0:36:44.279
<v Speaker 1>Absolutely truly yes, so we see his penis. He's in

0:36:44.280 --> 0:36:50.600
<v Speaker 1>the shower. Because another twist, Kevin Bacon and Sam Lombardo

0:36:50.760 --> 0:36:54.799
<v Speaker 1>are partners and the two of them have been colluding

0:36:55.160 --> 0:37:01.760
<v Speaker 1>this whole time. Tragic. They talk about Kelly's death. Kelly

0:37:01.760 --> 0:37:03.760
<v Speaker 1>wasn't supposed to die, that was not part of the plan.

0:37:04.120 --> 0:37:06.440
<v Speaker 1>But now the cops are convinced that Kelly is the

0:37:06.480 --> 0:37:10.200
<v Speaker 1>one who killed Susie, so it seems like Sam is

0:37:10.239 --> 0:37:15.200
<v Speaker 1>totally off the hook. Sam then takes Detective Bacon out

0:37:15.280 --> 0:37:20.040
<v Speaker 1>on his new sail boat, and Sam flings him overboard

0:37:21.239 --> 0:37:23.840
<v Speaker 1>because I guess he wants all the money for himself.

0:37:23.880 --> 0:37:26.640
<v Speaker 1>He doesn't want to split it with Kevin Bacon. Kevin

0:37:26.640 --> 0:37:29.239
<v Speaker 1>Bacon gets back on the boat. There's a scuffle, and

0:37:29.280 --> 0:37:36.440
<v Speaker 1>then another twist because I guess who's there, Susie. She's

0:37:36.920 --> 0:37:41.479
<v Speaker 1>not dead after all, you know, like rich Miami lady wig,

0:37:42.000 --> 0:37:45.840
<v Speaker 1>and she shoots and kills Detective Bacon with a harpoon

0:37:45.920 --> 0:37:49.319
<v Speaker 1>gun and I love a good harpoon gun. It's my

0:37:49.480 --> 0:37:55.640
<v Speaker 1>favorite weapon. It's and then she kills Sam with poison,

0:37:56.440 --> 0:38:01.319
<v Speaker 1>the second coolest weapon. She's like giving him this like

0:38:01.680 --> 0:38:06.480
<v Speaker 1>snarky pop quiz as she's murdering. Oh it's so satisfying. Um.

0:38:06.600 --> 0:38:11.120
<v Speaker 1>And so we learn that Susie is a genius who

0:38:11.160 --> 0:38:13.880
<v Speaker 1>knows how to sail, and that basically she was the

0:38:13.920 --> 0:38:17.600
<v Speaker 1>mastermind behind this whole thing, because during the credits we

0:38:17.680 --> 0:38:23.320
<v Speaker 1>see flashbacks of Susie approaching Sam Lombardo and like blackmailing him.

0:38:23.320 --> 0:38:27.239
<v Speaker 1>She tells him to befriend Kevin Bacon. She's just like

0:38:27.280 --> 0:38:31.320
<v Speaker 1>again orchestrating this whole scheme. You see the tooth removal,

0:38:31.640 --> 0:38:33.680
<v Speaker 1>which that's going to stick with me for a while.

0:38:34.000 --> 0:38:38.640
<v Speaker 1>That's right up there with the raccoon right. Uh. Then

0:38:38.680 --> 0:38:42.560
<v Speaker 1>we see the scene where Detective Bacon actually shoots Kelly twice,

0:38:42.640 --> 0:38:45.600
<v Speaker 1>like not in self defense, he just like makes it

0:38:45.640 --> 0:38:49.279
<v Speaker 1>look like she shot him. And then finally there's a

0:38:49.320 --> 0:38:53.000
<v Speaker 1>scene where Bill Murray gives Susie a case full of

0:38:53.040 --> 0:38:55.319
<v Speaker 1>money and then she kisses him on the cheek and

0:38:55.360 --> 0:38:59.240
<v Speaker 1>it makes it seem like they're also in cahoots or something.

0:38:59.440 --> 0:39:03.799
<v Speaker 1>Not really sure what the intention was there, but that

0:39:04.040 --> 0:39:07.920
<v Speaker 1>is the end of the movie. So let's take a

0:39:08.040 --> 0:39:22.840
<v Speaker 1>break and we will come back to discuss and we're back.

0:39:23.640 --> 0:39:27.160
<v Speaker 1>I just wanted to pull more this did this Kevin Bacon? Uh?

0:39:27.400 --> 0:39:29.200
<v Speaker 1>I just wanted to return to the free the Bacon

0:39:29.400 --> 0:39:37.800
<v Speaker 1>movement for just a Kevinbacon bellow. Kevin Uh. He said, gentlemen,

0:39:37.840 --> 0:39:40.080
<v Speaker 1>it's time to free the bacon. And by bacon, of course,

0:39:40.120 --> 0:39:43.719
<v Speaker 1>I mean your weener, your balls, and your butt. He

0:39:43.800 --> 0:39:45.920
<v Speaker 1>goes on to say that his show, the show he

0:39:46.000 --> 0:39:49.480
<v Speaker 1>was on, was canceled because there wasn't a single shot

0:39:49.560 --> 0:39:54.480
<v Speaker 1>of his penis. He really was going in. This is

0:39:54.520 --> 0:39:56.440
<v Speaker 1>like all done in a jokey way. But I just

0:39:56.760 --> 0:40:01.839
<v Speaker 1>love him. That's good. I love him. Uh. There were

0:40:01.880 --> 0:40:03.719
<v Speaker 1>two things I wanted to bring up because I try

0:40:03.760 --> 0:40:06.080
<v Speaker 1>to bring some good stuff to the to the show

0:40:06.080 --> 0:40:08.279
<v Speaker 1>when you bring me. So. One of the things that

0:40:08.320 --> 0:40:12.719
<v Speaker 1>I love is the conversation between Um Susie's grandmother and

0:40:12.800 --> 0:40:15.480
<v Speaker 1>a detective, where it's revealed that the reason why she

0:40:15.560 --> 0:40:21.840
<v Speaker 1>wants revenge on Ray the cop, is because he murdered

0:40:21.880 --> 0:40:27.239
<v Speaker 1>a seminal boy that she was friends with. So she's

0:40:27.239 --> 0:40:30.640
<v Speaker 1>an ally, So we love that about her. And then

0:40:31.520 --> 0:40:35.640
<v Speaker 1>the late Great Roger Ebert gave Wild Things three stars

0:40:36.600 --> 0:40:40.719
<v Speaker 1>and in his review he says, he says this, which

0:40:40.760 --> 0:40:43.040
<v Speaker 1>I'm going to read it just because it's really hilarious.

0:40:43.040 --> 0:40:47.200
<v Speaker 1>He says, Wild Things is lurid trash with a plot

0:40:47.280 --> 0:40:50.719
<v Speaker 1>so twisted they're still explaining it during the closing titles.

0:40:51.280 --> 0:40:54.560
<v Speaker 1>It's like a three way collision between softcore sex film,

0:40:54.880 --> 0:40:58.160
<v Speaker 1>a soap opera, and a B grade noir. I liked it.

0:41:00.160 --> 0:41:02.719
<v Speaker 1>Look when he's right, He's right. He that goes on

0:41:02.800 --> 0:41:07.360
<v Speaker 1>to say the movie solidifies Nev Campbell's position as the

0:41:07.440 --> 0:41:11.200
<v Speaker 1>queen of slick exploitation because this was right after both Screams,

0:41:11.920 --> 0:41:16.440
<v Speaker 1>and gives Matt Dylan and Kevin Bacon lots of chances

0:41:16.440 --> 0:41:20.080
<v Speaker 1>to squint ominously, and has a sex scene with Denise

0:41:20.200 --> 0:41:24.160
<v Speaker 1>Richards that is either gratuitous or indispensable, depending on your

0:41:24.200 --> 0:41:28.759
<v Speaker 1>point of view. He then goes movies such as this

0:41:28.920 --> 0:41:32.760
<v Speaker 1>either entertained or a friend audiences. There's no neutral ground.

0:41:33.040 --> 0:41:36.799
<v Speaker 1>Either you're a connoisseur of melo dramatic, comic vulgarity, or

0:41:36.840 --> 0:41:39.359
<v Speaker 1>you're not. You know who you are. I don't want

0:41:39.400 --> 0:41:42.920
<v Speaker 1>to get any postcards telling me this movie isn't bad taste.

0:41:43.239 --> 0:41:47.280
<v Speaker 1>I'm warning you it isn't bad taste. Bad taste elevated

0:41:47.360 --> 0:41:51.080
<v Speaker 1>to the level of demented sleeves, and I just thought

0:41:51.719 --> 0:41:59.080
<v Speaker 1>eloquence style. Look we've had our disagreements with Roderie Britten's

0:42:00.040 --> 0:42:03.920
<v Speaker 1>it that is, Uh, that is because a solid appraisal

0:42:04.280 --> 0:42:09.000
<v Speaker 1>of the movie. I love that he gave it three stars,

0:42:09.200 --> 0:42:12.160
<v Speaker 1>would not have three out of four to like, that's

0:42:12.200 --> 0:42:15.759
<v Speaker 1>a he's on a different scale. Yeah, he has some

0:42:15.840 --> 0:42:18.560
<v Speaker 1>of the weirdest reviews, Like you never know he's going

0:42:18.600 --> 0:42:20.839
<v Speaker 1>to think of something, And I find that's why, even

0:42:20.840 --> 0:42:23.920
<v Speaker 1>when I strongly disagree with him, I'm like, I just

0:42:23.920 --> 0:42:26.439
<v Speaker 1>want to know what he's thinking exactly. We always bring

0:42:26.480 --> 0:42:29.000
<v Speaker 1>up his reviews for a reason because either we're like, whoa,

0:42:29.040 --> 0:42:31.160
<v Speaker 1>I'm shocked that we were on the same page about that,

0:42:31.280 --> 0:42:36.239
<v Speaker 1>or like, this is the worst thing I've ever heard. Interesting, Well, here,

0:42:36.320 --> 0:42:39.480
<v Speaker 1>he's right. What did he call it a demented sleeves?

0:42:39.560 --> 0:42:44.759
<v Speaker 1>Or yes, he called it demented sleeves. I mean he's

0:42:44.760 --> 0:42:50.080
<v Speaker 1>not wrong. Um, where do we want to start with

0:42:50.160 --> 0:42:57.359
<v Speaker 1>this analysis? Uh, there's a there's a smash Myth song

0:42:57.400 --> 0:43:00.480
<v Speaker 1>in this right. Oh, I just wanted to firm at

0:43:00.520 --> 0:43:03.480
<v Speaker 1>the beginning. There's I think a smash Moth song. Is

0:43:03.480 --> 0:43:07.560
<v Speaker 1>it smash Moth? I couldn't remember. I'll verify, I'll verify that.

0:43:08.880 --> 0:43:11.600
<v Speaker 1>But but there's plenty of other things to talk about. Yeah,

0:43:11.680 --> 0:43:16.360
<v Speaker 1>where where would we like to begin? Does anyone have

0:43:16.400 --> 0:43:19.520
<v Speaker 1>a strong so for me? I remember first watching the

0:43:19.600 --> 0:43:21.759
<v Speaker 1>movie and I was like, great, they're gonna make some

0:43:21.880 --> 0:43:24.520
<v Speaker 1>that these girls lied about rape. I hate this. But

0:43:24.600 --> 0:43:26.880
<v Speaker 1>then when it was all like, oh, they're all in

0:43:26.880 --> 0:43:31.480
<v Speaker 1>this super contrived, ridiculous revenge plot, I was like, well,

0:43:32.400 --> 0:43:34.120
<v Speaker 1>this I can handle. You know. It was like it

0:43:34.160 --> 0:43:35.880
<v Speaker 1>was like a very thing of like and it was

0:43:35.920 --> 0:43:39.960
<v Speaker 1>just purely like these two girls lied about being sexually

0:43:39.960 --> 0:43:43.720
<v Speaker 1>assaulted to destroy this man's life just because they were bitter.

0:43:43.880 --> 0:43:47.200
<v Speaker 1>I was like, that's annoying. I don't like that. Delete,

0:43:47.600 --> 0:43:52.359
<v Speaker 1>but I do support women's wrongs, and I really did

0:43:52.480 --> 0:43:55.440
<v Speaker 1>like how it came together, even while knowing that it

0:43:55.520 --> 0:44:00.879
<v Speaker 1>was very bad and not at all good. Like it's

0:44:01.080 --> 0:44:04.520
<v Speaker 1>because it is like net Like, if you're looking for

0:44:04.719 --> 0:44:08.040
<v Speaker 1>like a good takeaway this movie, I don't think that

0:44:08.080 --> 0:44:11.239
<v Speaker 1>you'll find it. I did find some attempts to be

0:44:11.320 --> 0:44:15.120
<v Speaker 1>like this movie is feminist actually, and it's like, well,

0:44:15.239 --> 0:44:18.680
<v Speaker 1>let's not. Let's not go completely wild, Like I don't

0:44:18.680 --> 0:44:20.880
<v Speaker 1>think that there's a really good argument for that, but

0:44:20.960 --> 0:44:24.440
<v Speaker 1>it's so off the rails that it's it's almost like

0:44:24.560 --> 0:44:28.440
<v Speaker 1>hard to talk about because it's so off the rails

0:44:28.520 --> 0:44:32.400
<v Speaker 1>every single thing it happens. And where I was thinking

0:44:32.440 --> 0:44:36.799
<v Speaker 1>about I was trying to like put it in historical

0:44:37.400 --> 0:44:42.480
<v Speaker 1>context of like, okay, somewhat recent but also completely different time.

0:44:43.000 --> 0:44:47.480
<v Speaker 1>There is this element of this big public trial, of

0:44:47.560 --> 0:44:50.640
<v Speaker 1>which there were a ton in the nineties, most of

0:44:50.680 --> 0:44:55.160
<v Speaker 1>which women were like disbelieved in and mistreated and like

0:44:55.360 --> 0:44:58.680
<v Speaker 1>you know, ganged up on by the media and the public.

0:44:59.040 --> 0:45:00.640
<v Speaker 1>And I was like, maybe the is trying to say

0:45:00.680 --> 0:45:04.480
<v Speaker 1>something about that. It seems like that's definitely like the

0:45:04.520 --> 0:45:06.600
<v Speaker 1>world this takes place, and but then it takes another

0:45:06.640 --> 0:45:09.080
<v Speaker 1>turn and then your five steps removed from that and

0:45:10.120 --> 0:45:13.560
<v Speaker 1>right at its core, like having a movie about two

0:45:13.840 --> 0:45:17.359
<v Speaker 1>young girls lying about rape even though like you could

0:45:17.440 --> 0:45:21.479
<v Speaker 1>argue they have been statutory raped by Matt Dylan because

0:45:21.520 --> 0:45:28.719
<v Speaker 1>they are under age, like it, uh, you know, right, right, Okay, So,

0:45:28.840 --> 0:45:32.680
<v Speaker 1>like I tried to kind of map out the story

0:45:32.960 --> 0:45:37.719
<v Speaker 1>and like the twists and the implications of what happens

0:45:37.719 --> 0:45:40.839
<v Speaker 1>with each kind of major story beat, and like what

0:45:40.880 --> 0:45:45.319
<v Speaker 1>you're thinking as an audience member as things progress. So

0:45:45.440 --> 0:45:49.439
<v Speaker 1>first you you think it's you think it's about two

0:45:50.120 --> 0:45:54.920
<v Speaker 1>teenage girls being assaulted by an adult man being assaulted

0:45:54.920 --> 0:46:00.239
<v Speaker 1>by their guidance counselor, although I don't remember, Okay, I

0:46:00.239 --> 0:46:02.680
<v Speaker 1>think we're supposed to think that Denise Richards is lying

0:46:02.719 --> 0:46:05.000
<v Speaker 1>from the beginning, though, because we see that shot of

0:46:05.040 --> 0:46:08.879
<v Speaker 1>her quote unquote seducing him and like what we're told

0:46:08.920 --> 0:46:12.160
<v Speaker 1>as a calculated way, Yeah, I feel as though the

0:46:12.160 --> 0:46:16.040
<v Speaker 1>movie wants you to be under the impression that she

0:46:16.239 --> 0:46:20.239
<v Speaker 1>is lying about it, because she is like this, like, yeah,

0:46:20.239 --> 0:46:23.960
<v Speaker 1>this s doctress who is now bitter that she was rejected,

0:46:24.600 --> 0:46:27.920
<v Speaker 1>so you see her give her statement. We meanwhile have

0:46:28.000 --> 0:46:32.160
<v Speaker 1>this female cop being like, I think she's I think

0:46:32.200 --> 0:46:37.120
<v Speaker 1>Kelly Van Ryan is lying. We can unpack that further.

0:46:37.280 --> 0:46:41.520
<v Speaker 1>But then it turns out that the teens are lying,

0:46:42.160 --> 0:46:46.920
<v Speaker 1>which perpetuates the myth that survivors of rape are lying

0:46:47.040 --> 0:46:49.919
<v Speaker 1>and making it all up to ruin the lives of men,

0:46:50.360 --> 0:46:53.239
<v Speaker 1>which was also like the public narrative at these big

0:46:53.239 --> 0:46:56.680
<v Speaker 1>show trials of the nineties as well. Exactly. Then it

0:46:56.680 --> 0:46:59.600
<v Speaker 1>turns out that the team girls are in cahoots with

0:46:59.640 --> 0:47:02.239
<v Speaker 1>the man and trying to make money from it, which

0:47:02.280 --> 0:47:05.279
<v Speaker 1>perpetuates the myth that survivors of rape are lying and

0:47:05.320 --> 0:47:09.280
<v Speaker 1>making it all up for financial gain, which is another

0:47:09.600 --> 0:47:15.520
<v Speaker 1>common perception. Also, meanwhile, this adult man is in a

0:47:15.560 --> 0:47:19.080
<v Speaker 1>sexual relationship with both of these teen girls. And while

0:47:19.080 --> 0:47:22.080
<v Speaker 1>the movie repeatedly lets you know that they are eighteen,

0:47:24.680 --> 0:47:27.000
<v Speaker 1>they are the age of consent, but st like you,

0:47:27.000 --> 0:47:33.279
<v Speaker 1>your teachers can't have sex, but their students dynamic, power dynamic, disgusting. Yes, he's, like,

0:47:33.560 --> 0:47:36.239
<v Speaker 1>I think, supposed to be twice their age, like he

0:47:36.400 --> 0:47:40.759
<v Speaker 1>the characters twice the ages the girls there c W.

0:47:40.960 --> 0:47:46.440
<v Speaker 1>Casting is so wild, guys, because you're like, I'm not sure, Okay,

0:47:46.480 --> 0:47:50.240
<v Speaker 1>I didn't catch that they were stated to be eighteen.

0:47:50.280 --> 0:47:54.160
<v Speaker 1>They're stated to be eighteen, got it? But who knows

0:47:54.160 --> 0:47:57.320
<v Speaker 1>when they turned to eighteen? Also, again, the power dynamic

0:47:57.640 --> 0:48:02.440
<v Speaker 1>is extremely disgusting. Then we're led to believe that the

0:48:02.480 --> 0:48:07.000
<v Speaker 1>two girls are murdered by one of the men and

0:48:07.040 --> 0:48:09.000
<v Speaker 1>then the other guy who turns out to be his

0:48:09.080 --> 0:48:12.600
<v Speaker 1>partner in crime, who we learn is a corrupt cop,

0:48:13.719 --> 0:48:16.880
<v Speaker 1>but not the same cop who thought the rape victims

0:48:16.920 --> 0:48:22.960
<v Speaker 1>were lying, So that's confusing. And she is another thing

0:48:23.000 --> 0:48:27.120
<v Speaker 1>that I was like, is Daphne ruben Vega implied as

0:48:27.200 --> 0:48:33.000
<v Speaker 1>having a relationship with Kevin Bacon as well, Like there's

0:48:33.040 --> 0:48:35.719
<v Speaker 1>like some scene between them that seems kind of like

0:48:36.200 --> 0:48:40.319
<v Speaker 1>hinting at somewhere or intimate, but I wasn't sure. And

0:48:40.360 --> 0:48:42.640
<v Speaker 1>then it's like she's the only one that's actually, I

0:48:42.640 --> 0:48:46.080
<v Speaker 1>guess attempting to solve the case, even though her I

0:48:46.080 --> 0:48:48.960
<v Speaker 1>I can't always trace her logic, but I wasn't sure

0:48:49.000 --> 0:48:51.160
<v Speaker 1>if it was also implied. It just like is implied.

0:48:51.280 --> 0:48:54.080
<v Speaker 1>It seems like that every woman in this story is

0:48:54.120 --> 0:48:58.040
<v Speaker 1>in a sexual relationship with either Matt Dylan, Kevin Bacon

0:48:58.480 --> 0:49:02.520
<v Speaker 1>or both. Yeah, It's like one of the most frustrating

0:49:02.560 --> 0:49:05.359
<v Speaker 1>things is because like if you watch like the right

0:49:05.440 --> 0:49:09.719
<v Speaker 1>thillers of like the nineties and eighties always pick like

0:49:09.760 --> 0:49:11.920
<v Speaker 1>the most generic white man, like all of them with

0:49:12.080 --> 0:49:17.759
<v Speaker 1>like Michael Douglas, and I don't understand why these beautiful

0:49:17.800 --> 0:49:21.160
<v Speaker 1>women are trying to ruin, you know, the dick life

0:49:21.200 --> 0:49:23.719
<v Speaker 1>of Michael Douglas. You know, is that who I don't

0:49:23.760 --> 0:49:26.680
<v Speaker 1>believe Glenn Close is going to ruin her entire mental

0:49:26.680 --> 0:49:31.360
<v Speaker 1>health for this person. It doesn't always get I I

0:49:31.520 --> 0:49:34.680
<v Speaker 1>still I'm not all the way through it yet, but

0:49:34.760 --> 0:49:37.160
<v Speaker 1>I know that that's the most recent season of you

0:49:37.239 --> 0:49:40.600
<v Speaker 1>must remember this is like all about eighties erotic thrillers

0:49:40.640 --> 0:49:43.160
<v Speaker 1>and like the politics surround again and the actors surround again.

0:49:43.200 --> 0:49:45.920
<v Speaker 1>But it is all like it's a murderers row of

0:49:46.000 --> 0:49:50.440
<v Speaker 1>like oh that that guy question Mark, Like they're all

0:49:50.520 --> 0:49:55.240
<v Speaker 1>just like different variations on the same you know, sharp

0:49:55.360 --> 0:49:58.680
<v Speaker 1>jawed white guy that I think whatever. I mean, Like,

0:49:58.800 --> 0:50:00.799
<v Speaker 1>if you're into it, you're into it personally. In this

0:50:00.880 --> 0:50:03.560
<v Speaker 1>I'm like, you know, Matt Dylan works for me. You

0:50:03.600 --> 0:50:05.960
<v Speaker 1>shouldn't have told me that about your brother, Caitlin. I

0:50:06.120 --> 0:50:13.760
<v Speaker 1>know someone's gonna be getting some texts. Okay, we shouldn't

0:50:13.719 --> 0:50:16.239
<v Speaker 1>be surprised because you're also hot, Caitlin, so that only

0:50:16.280 --> 0:50:19.600
<v Speaker 1>it only makes sense. You got hot jeans. Thank you

0:50:20.160 --> 0:50:24.640
<v Speaker 1>so much. You're so well and honestly, if someone if

0:50:24.640 --> 0:50:26.400
<v Speaker 1>you were like Matt Dylan's my cousin, I'd be like,

0:50:26.440 --> 0:50:30.799
<v Speaker 1>you know what I see it. It's the powerful face structure.

0:50:31.840 --> 0:50:40.279
<v Speaker 1>I feel sick. Um okay what okay? So then the

0:50:40.320 --> 0:50:44.880
<v Speaker 1>final So the final like twist slash, big reveal is

0:50:44.960 --> 0:50:47.480
<v Speaker 1>that one of these girls isn't actually dead, She was

0:50:47.520 --> 0:50:50.880
<v Speaker 1>not murdered, and she was scheming against the men the

0:50:50.920 --> 0:50:53.520
<v Speaker 1>whole time. The whole thing was her idea and she's

0:50:53.560 --> 0:50:58.000
<v Speaker 1>an evil genius, which you can argue, like, turns out

0:50:58.120 --> 0:51:04.120
<v Speaker 1>she has the most agents I know along canonically, Yeah,

0:51:04.120 --> 0:51:08.239
<v Speaker 1>I think there was an interesting comment from the director

0:51:08.280 --> 0:51:13.400
<v Speaker 1>about that. The director, John McNaughton, he said in so

0:51:13.520 --> 0:51:17.319
<v Speaker 1>twenty years later he says that this was his most

0:51:17.320 --> 0:51:20.839
<v Speaker 1>political film because of how he felt it commented on

0:51:21.000 --> 0:51:24.359
<v Speaker 1>social class. He said, quote, who wins the girl from

0:51:24.360 --> 0:51:26.560
<v Speaker 1>the trailer park. She's all alone on the ninety foot

0:51:26.600 --> 0:51:29.520
<v Speaker 1>sailboat out on the Caribbean. Pretty much everyone else is dead.

0:51:29.640 --> 0:51:32.279
<v Speaker 1>That was the nineties, with the concentration of wealth, but

0:51:32.360 --> 0:51:34.400
<v Speaker 1>the girl from the trailer Park takes them all down.

0:51:34.760 --> 0:51:37.040
<v Speaker 1>You know, I'm from the striving working class. A lot

0:51:37.080 --> 0:51:38.919
<v Speaker 1>of the kids I grew up with, the parents didn't

0:51:38.960 --> 0:51:40.839
<v Speaker 1>care if their kids dropped out of school. But some

0:51:40.920 --> 0:51:43.440
<v Speaker 1>of us had parents who insisted their children have an education,

0:51:43.480 --> 0:51:45.480
<v Speaker 1>go to college, escape all that. So that's where my

0:51:45.520 --> 0:51:49.160
<v Speaker 1>heart always lies. Unquote. That's a loaded statement in itself,

0:51:49.200 --> 0:51:52.520
<v Speaker 1>but I thought it was interesting that he was willing

0:51:52.560 --> 0:51:55.040
<v Speaker 1>to like publicly be like for me, this is a

0:51:55.080 --> 0:52:00.279
<v Speaker 1>movie about class struggle in Florida, which had it been

0:52:00.360 --> 0:52:06.120
<v Speaker 1>handled differently. I'm not saying it was done well, yeah, yeah,

0:52:06.360 --> 0:52:08.000
<v Speaker 1>It's one of those things where like I read that

0:52:08.040 --> 0:52:12.399
<v Speaker 1>quote and I'm like, well, I admire the hootspah, the ambition.

0:52:13.120 --> 0:52:14.799
<v Speaker 1>It is a bit of a mess, and it isn't

0:52:14.840 --> 0:52:18.239
<v Speaker 1>interesting like Marxist reading of the fill of like how

0:52:18.280 --> 0:52:22.560
<v Speaker 1>do you do a thriller like this in which you

0:52:22.719 --> 0:52:26.120
<v Speaker 1>do work to make the women more empowered? Because if

0:52:26.160 --> 0:52:31.719
<v Speaker 1>you think about something like fatal attraction or basic instinct,

0:52:32.040 --> 0:52:34.279
<v Speaker 1>there is this idea that like, at the end, the

0:52:34.280 --> 0:52:38.920
<v Speaker 1>man has to be the one who survives these toxic women.

0:52:40.320 --> 0:52:43.480
<v Speaker 1>And so in that sense, it is a flipping of

0:52:43.600 --> 0:52:46.759
<v Speaker 1>that trope, but it does so by leaning into some

0:52:46.880 --> 0:52:51.160
<v Speaker 1>of the most problematic tropes about what it means to

0:52:51.160 --> 0:52:53.799
<v Speaker 1>be a survivor. And I think I've been kind of

0:52:53.840 --> 0:52:55.920
<v Speaker 1>coming to terms with this for a while because I

0:52:56.000 --> 0:53:00.680
<v Speaker 1>do like erotic thrillers. I do like these kind of stories.

0:53:01.239 --> 0:53:04.240
<v Speaker 1>It is just hard to enjoy them because people actually

0:53:04.239 --> 0:53:07.279
<v Speaker 1>think that women are like this, that's a thing. We

0:53:07.360 --> 0:53:11.080
<v Speaker 1>live in a patriarchy, and like there are people who

0:53:11.080 --> 0:53:13.440
<v Speaker 1>really believe that women are black widows that will like

0:53:13.520 --> 0:53:17.400
<v Speaker 1>do these long cons to like ruin a man's life,

0:53:17.560 --> 0:53:19.839
<v Speaker 1>and so it stops you from being able to enjoy

0:53:19.880 --> 0:53:21.600
<v Speaker 1>a movie in which a girl does a long con

0:53:21.880 --> 0:53:26.160
<v Speaker 1>to ruin to men's life quite frankly deserved it one

0:53:26.280 --> 0:53:29.799
<v Speaker 1>is a murderer and one was a statutory rapist, right,

0:53:29.920 --> 0:53:34.040
<v Speaker 1>Like that's like the perfect Yeah, that like crystallizes something

0:53:34.080 --> 0:53:36.160
<v Speaker 1>I could not have stated as well, where it's like

0:53:36.520 --> 0:53:39.680
<v Speaker 1>it's exciting to engage with this genre as like an

0:53:39.800 --> 0:53:42.640
<v Speaker 1>escapist fantasy of like, oh, wouldn't it be amazing to

0:53:42.680 --> 0:53:44.560
<v Speaker 1>be playing a game of four D chest with a

0:53:44.600 --> 0:53:49.239
<v Speaker 1>bunch of assholes and like win. But yeah, like the

0:53:49.320 --> 0:53:53.440
<v Speaker 1>general sis male perspective, and certainly in like was like

0:53:54.040 --> 0:53:57.759
<v Speaker 1>it's supposed to like create fear within men that like

0:53:57.840 --> 0:54:01.560
<v Speaker 1>all women are out to get something from them and

0:54:01.600 --> 0:54:03.600
<v Speaker 1>if they don't get what they want, they will ruin

0:54:03.719 --> 0:54:07.680
<v Speaker 1>your life and lie. And like it's just like the

0:54:07.760 --> 0:54:11.319
<v Speaker 1>least from that perspective, it's like the least introspective way

0:54:11.400 --> 0:54:15.040
<v Speaker 1>to approach a movie, which sucks because it is super

0:54:15.160 --> 0:54:17.759
<v Speaker 1>like I used to I feel like earlier in this podcast,

0:54:18.040 --> 0:54:21.280
<v Speaker 1>like years ago, I would feel kind of like guilty,

0:54:21.400 --> 0:54:24.640
<v Speaker 1>I guess for enjoying movies like this because you're like, oh,

0:54:24.680 --> 0:54:28.360
<v Speaker 1>they do on their you know face appeared like not

0:54:28.560 --> 0:54:32.400
<v Speaker 1>particularly pro woman because women are made out to be liars.

0:54:32.400 --> 0:54:35.799
<v Speaker 1>They're like executing these long cons. They're disbelieved in all

0:54:35.840 --> 0:54:38.560
<v Speaker 1>this stuff. But it's like it just depends on how

0:54:38.600 --> 0:54:41.120
<v Speaker 1>you're engaging with it. There's a million ways to engage

0:54:41.280 --> 0:54:46.680
<v Speaker 1>with everything. And it's just like the dominant interpretation were

0:54:46.680 --> 0:54:50.880
<v Speaker 1>always given is like the is sis mail And so

0:54:52.680 --> 0:54:56.200
<v Speaker 1>if this movie was um just for people who who

0:54:56.320 --> 0:55:01.120
<v Speaker 1>understood it feel so fun. But but even but then

0:55:01.160 --> 0:55:02.840
<v Speaker 1>it's like you've listened to what the director says and

0:55:02.920 --> 0:55:05.080
<v Speaker 1>it's like, well, maybe he doesn't even understand it, so

0:55:05.640 --> 0:55:09.680
<v Speaker 1>question marks all around that. Plus what takes me too

0:55:09.680 --> 0:55:11.640
<v Speaker 1>far out of it to the point of no return

0:55:11.920 --> 0:55:14.360
<v Speaker 1>for this movie is that so much of it relies

0:55:14.480 --> 0:55:19.719
<v Speaker 1>on these false rape allegations, which is such a very

0:55:19.840 --> 0:55:24.840
<v Speaker 1>very harmful and sinister thing to perpetuate, where I'm sure

0:55:24.880 --> 0:55:28.960
<v Speaker 1>like young men boys like watch this movie and they

0:55:28.960 --> 0:55:33.520
<v Speaker 1>were like, oh my gosh, women they will just make

0:55:33.680 --> 0:55:39.040
<v Speaker 1>up stories and they will accuse me of sex crimes

0:55:39.080 --> 0:55:41.839
<v Speaker 1>just so that they can ruin my life and try

0:55:41.840 --> 0:55:43.200
<v Speaker 1>to get money out of me and try to get

0:55:43.239 --> 0:55:46.480
<v Speaker 1>attention and like you know, fame and all the reasons

0:55:46.520 --> 0:55:52.720
<v Speaker 1>that people believe survivors of rape and assault come forward.

0:55:53.320 --> 0:55:58.360
<v Speaker 1>This movie reinforces this idea that, yeah, rape allegations are wrong.

0:55:58.960 --> 0:56:01.760
<v Speaker 1>People made them up up and they did it for

0:56:01.960 --> 0:56:05.480
<v Speaker 1>very selfish reasons. And it's just like, because that's so

0:56:05.560 --> 0:56:09.080
<v Speaker 1>much at the crux of this story, it's just too

0:56:09.080 --> 0:56:12.839
<v Speaker 1>hard for me to be on this movie's side. Absolutely,

0:56:13.239 --> 0:56:14.960
<v Speaker 1>And I think that's I think I think that's just

0:56:15.040 --> 0:56:19.360
<v Speaker 1>as valid as those of us who enjoy the titillation

0:56:19.440 --> 0:56:22.520
<v Speaker 1>of it, because it really is like everyone has their

0:56:22.520 --> 0:56:26.440
<v Speaker 1>own barometer, like every everyone has their own threshold. And

0:56:26.480 --> 0:56:29.799
<v Speaker 1>I think what is frustrating is that it really is

0:56:29.840 --> 0:56:31.960
<v Speaker 1>sort of like you know, we talked about like how

0:56:32.280 --> 0:56:36.279
<v Speaker 1>society informs art and how it informs the audience right back,

0:56:36.320 --> 0:56:37.880
<v Speaker 1>and I feel like that's kind of where I'm at

0:56:37.880 --> 0:56:40.759
<v Speaker 1>when I rewatch this movie. It's like there's a part

0:56:40.760 --> 0:56:43.760
<v Speaker 1>of me that likes it because again, I like women's crimes,

0:56:43.760 --> 0:56:45.600
<v Speaker 1>and I like and I and I and I find

0:56:45.600 --> 0:56:48.840
<v Speaker 1>it and I find it compelling about this like girl

0:56:48.880 --> 0:56:53.279
<v Speaker 1>who's poor uses the like the sexual taboos of the

0:56:53.320 --> 0:56:59.000
<v Speaker 1>people around her in order to get power. But because

0:56:59.440 --> 0:57:03.560
<v Speaker 1>we live in such a fucked up society in which

0:57:04.480 --> 0:57:08.400
<v Speaker 1>that kind of woman is seen inherently as a liar,

0:57:08.760 --> 0:57:12.160
<v Speaker 1>as a con artist. It stops you from being able

0:57:12.200 --> 0:57:14.080
<v Speaker 1>to just really get absorbed into this story. I mean

0:57:14.120 --> 0:57:16.240
<v Speaker 1>we see that with, you know, with Gone Girl. Like

0:57:16.280 --> 0:57:20.000
<v Speaker 1>there's been so much recent because of certain celebrity cases

0:57:20.360 --> 0:57:23.600
<v Speaker 1>about like everyone bringing up like you see, like this

0:57:23.640 --> 0:57:26.520
<v Speaker 1>is why we can't support these films. And people have

0:57:26.560 --> 0:57:28.800
<v Speaker 1>been saying things about Gillian Flynn that I don't necessarily

0:57:28.800 --> 0:57:32.720
<v Speaker 1>agree with, but it makes it so that even a

0:57:32.720 --> 0:57:36.680
<v Speaker 1>film like that, which is clearly playing with noir tropes

0:57:36.720 --> 0:57:39.240
<v Speaker 1>and these kind of things, is seen as suspect because

0:57:39.360 --> 0:57:43.440
<v Speaker 1>it does perpetuate an idea that this is something that

0:57:43.560 --> 0:57:47.800
<v Speaker 1>women do like. And the critical reading skills and watching

0:57:47.840 --> 0:57:52.200
<v Speaker 1>skills have made it very hard to enjoy everything. So

0:57:52.840 --> 0:57:58.200
<v Speaker 1>thanks for that of ours, Thanks for that knowledge. And

0:57:58.280 --> 0:58:00.160
<v Speaker 1>it's like there's and then there's plenty of people who

0:58:00.160 --> 0:58:02.720
<v Speaker 1>watched Gone Girl and like love the ship out of

0:58:02.760 --> 0:58:05.840
<v Speaker 1>that movie for the same reasons you're describing, because they

0:58:06.040 --> 0:58:09.400
<v Speaker 1>and also because they have some perspective and can take

0:58:09.560 --> 0:58:12.520
<v Speaker 1>you know, three steps out of a movie successfully, and

0:58:12.520 --> 0:58:15.920
<v Speaker 1>and also like we've been like hinting at this throughout

0:58:15.920 --> 0:58:18.840
<v Speaker 1>the whole episode. But as as I was, I hadn't

0:58:18.880 --> 0:58:21.800
<v Speaker 1>seen this movie, but I felt like, this is like

0:58:21.840 --> 0:58:24.160
<v Speaker 1>the most this is like the X Games version of

0:58:24.160 --> 0:58:26.680
<v Speaker 1>this premise. But like I was like, oh, I've seen

0:58:26.840 --> 0:58:30.560
<v Speaker 1>movies with this premise before. Like when I was working

0:58:30.560 --> 0:58:32.600
<v Speaker 1>on Lolita podcast, I was looking at all of the

0:58:32.680 --> 0:58:36.440
<v Speaker 1>nineties movies of like teenage temptresses that are lying and

0:58:36.600 --> 0:58:39.280
<v Speaker 1>ruining a man's life, because that's the way that Lolita

0:58:39.400 --> 0:58:43.160
<v Speaker 1>is framed by the narrator. That's what he you know,

0:58:43.280 --> 0:58:45.920
<v Speaker 1>needs people to believe is happening. A whole other thing,

0:58:46.000 --> 0:58:49.600
<v Speaker 1>but it reminded me Um, this movie, at least up

0:58:49.680 --> 0:58:53.080
<v Speaker 1>until it really goes off the rails, was reminding me

0:58:53.200 --> 0:58:59.000
<v Speaker 1>of this. Alicia Silverstone's first movie is called The Crush.

0:58:59.560 --> 0:59:02.840
<v Speaker 1>It's kind a similar where it's like a young It's

0:59:02.880 --> 0:59:07.520
<v Speaker 1>about a teenager who becomes obsessed with Carrie Elwis of

0:59:07.880 --> 0:59:14.200
<v Speaker 1>Um of sow fame. I believe this is most famous role.

0:59:15.320 --> 0:59:18.200
<v Speaker 1>Heaven chicks off both, but so like The Crush is

0:59:18.240 --> 0:59:21.920
<v Speaker 1>a similar premise where it's like a teenager who finds,

0:59:22.040 --> 0:59:25.160
<v Speaker 1>you know, an older man she's interested in, and then

0:59:25.280 --> 0:59:29.120
<v Speaker 1>when she feels spurned or rejected by him, she lies

0:59:29.640 --> 0:59:32.560
<v Speaker 1>to everybody and is out to ruin him, and he

0:59:32.760 --> 0:59:36.600
<v Speaker 1>is a total victim in the story. She is this conniving,

0:59:36.720 --> 0:59:42.000
<v Speaker 1>evil character and it sucks like from but I don't know,

0:59:42.440 --> 0:59:44.800
<v Speaker 1>I'm I'm very like on and off in the genre

0:59:44.880 --> 0:59:48.160
<v Speaker 1>where it depends on the execution and how it's framed.

0:59:48.600 --> 0:59:53.040
<v Speaker 1>Wild Things works for me more because it's so off

0:59:53.120 --> 0:59:55.320
<v Speaker 1>the rails that you're like, I don't know what the

0:59:55.360 --> 0:59:58.720
<v Speaker 1>takeaway from this movie could possibly be, but but I

0:59:58.760 --> 1:00:01.440
<v Speaker 1>totally agree with the Gaitlan where like, this movie doesn't

1:00:01.640 --> 1:00:08.720
<v Speaker 1>work without fundamental disbelief in young women's rape allegations, which is,

1:00:09.640 --> 1:00:12.720
<v Speaker 1>you know, inharcuably a negative. And also I think is

1:00:13.720 --> 1:00:16.640
<v Speaker 1>I mean in light of recent events, like it's not

1:00:16.720 --> 1:00:21.560
<v Speaker 1>like people are particularly more inclined to believe survivors of

1:00:21.600 --> 1:00:26.040
<v Speaker 1>assault now than they were. Um, that scene with Bill

1:00:26.120 --> 1:00:31.800
<v Speaker 1>Murray in the courtroom was rude. It was so god yeah,

1:00:32.200 --> 1:00:34.040
<v Speaker 1>And and the fact that like you know that there

1:00:34.080 --> 1:00:36.480
<v Speaker 1>are people who are just nodding along like yeah, and

1:00:36.520 --> 1:00:41.479
<v Speaker 1>then it gets validated by her being a liar, and

1:00:41.560 --> 1:00:45.840
<v Speaker 1>it just it is frustrating because I think if it,

1:00:45.960 --> 1:00:47.920
<v Speaker 1>like anything that has to do with like sort of

1:00:47.960 --> 1:00:49.640
<v Speaker 1>like I especially a friend of mine about sort of

1:00:49.680 --> 1:00:54.720
<v Speaker 1>the concept of like rape fantasies that some women have

1:00:55.040 --> 1:00:58.680
<v Speaker 1>in terms of like sexual and that like there is

1:00:58.760 --> 1:01:03.320
<v Speaker 1>this in a billy you discussed this because that gets

1:01:03.360 --> 1:01:06.480
<v Speaker 1>weaponized against us, you know, the fact that we might

1:01:06.520 --> 1:01:09.560
<v Speaker 1>have those fantasies become a thing of like, well, then

1:01:09.600 --> 1:01:11.360
<v Speaker 1>how do you know this is like that or this

1:01:11.440 --> 1:01:13.680
<v Speaker 1>is like that. It's like it's it's these inabilities to

1:01:13.680 --> 1:01:19.560
<v Speaker 1>separate real people from fiction. It's like it's fiction and

1:01:19.600 --> 1:01:22.520
<v Speaker 1>this is a real person, and it's just like it's

1:01:22.560 --> 1:01:25.360
<v Speaker 1>getting worse because even if I thought about this film

1:01:25.400 --> 1:01:29.520
<v Speaker 1>from like the class perspective of like the reason why

1:01:29.560 --> 1:01:34.000
<v Speaker 1>this you know, Afro Latina detective doesn't believe this very

1:01:34.040 --> 1:01:36.840
<v Speaker 1>privileged white woman is like not just being like women

1:01:36.840 --> 1:01:40.080
<v Speaker 1>are liars, but like that class element to it. But

1:01:40.160 --> 1:01:44.800
<v Speaker 1>even that's not helpful because privileged woman can still be

1:01:44.880 --> 1:01:47.400
<v Speaker 1>vigd in the social assault. And it does matter if

1:01:47.440 --> 1:01:51.800
<v Speaker 1>you perpetuate like the blonde white woman as inherently like

1:01:52.160 --> 1:01:55.480
<v Speaker 1>a third trap, because she is ultimately a victim in

1:01:55.520 --> 1:02:01.480
<v Speaker 1>this film because she was being sangatory raped by her teacher. Yeah,

1:02:01.520 --> 1:02:05.360
<v Speaker 1>and like manipulated. I think this isn't like touched on

1:02:05.560 --> 1:02:08.440
<v Speaker 1>in the movie really, but it's like, for sure the

1:02:08.480 --> 1:02:12.480
<v Speaker 1>Matt Dylan character had to be severely manipulating these girls

1:02:12.560 --> 1:02:15.680
<v Speaker 1>to convince them that this is absolutely going to be

1:02:15.680 --> 1:02:19.240
<v Speaker 1>in their best interest, because they're the ones who, realistically,

1:02:19.280 --> 1:02:24.000
<v Speaker 1>in this situation, would have their reputations and lives destroyed

1:02:24.120 --> 1:02:27.280
<v Speaker 1>by like engaging in this case at all. Like I think,

1:02:27.960 --> 1:02:30.000
<v Speaker 1>I'm glad it doesn't go there, but like the Nev

1:02:30.080 --> 1:02:33.560
<v Speaker 1>Campbell character, if that actually aired on TV in the nineties,

1:02:33.640 --> 1:02:36.680
<v Speaker 1>like her life would have been ruined, like it's I

1:02:36.680 --> 1:02:40.000
<v Speaker 1>don't know well, And then going back to what you

1:02:40.000 --> 1:02:42.840
<v Speaker 1>were just saying, Princess, where you know it's this this

1:02:42.880 --> 1:02:47.200
<v Speaker 1>woman of color who isn't believing this, you know, very privileged,

1:02:47.480 --> 1:02:51.440
<v Speaker 1>rich white girl. That dynamic isn't something that the movie

1:02:51.520 --> 1:02:57.240
<v Speaker 1>overtly explores. Yeah, exactly right. It's only just there for

1:02:57.360 --> 1:03:00.840
<v Speaker 1>us to interpret, but not anything that the movies actually

1:03:00.840 --> 1:03:07.960
<v Speaker 1>like clearly examining. So it's tricky. But yeah, so yeah,

1:03:08.000 --> 1:03:11.240
<v Speaker 1>So there's that scene in the court where um, where

1:03:11.280 --> 1:03:15.480
<v Speaker 1>Bill Murray is like basically badgering Nev Campbell's character to

1:03:15.920 --> 1:03:21.320
<v Speaker 1>admit that she's lying. Very unpleasant to watch, much like

1:03:21.440 --> 1:03:27.640
<v Speaker 1>a lot of the scenes between the cops and the

1:03:27.760 --> 1:03:31.960
<v Speaker 1>two teens. It gets complicated because it does turn out

1:03:31.960 --> 1:03:36.520
<v Speaker 1>that they are lying but UM. For example, when Kelly

1:03:36.720 --> 1:03:39.800
<v Speaker 1>is giving her statement towards the beginning of the movie,

1:03:40.240 --> 1:03:44.680
<v Speaker 1>Detective Prez says, well did you try to fight back? Um.

1:03:44.720 --> 1:03:47.840
<v Speaker 1>She asks a similar question to Susie, saying like, well

1:03:47.840 --> 1:03:50.760
<v Speaker 1>did you tell him to stop? Basically saying like, why

1:03:50.800 --> 1:03:55.000
<v Speaker 1>didn't you try to stop getting raped? Susie responds with,

1:03:55.160 --> 1:03:57.480
<v Speaker 1>you know, what's the difference, No one's going to believe

1:03:57.520 --> 1:04:02.320
<v Speaker 1>me anyway, which statistically true. And then, like we talked about,

1:04:02.360 --> 1:04:08.120
<v Speaker 1>there's the moment where Detective Press doesn't believe Kelly's statement

1:04:08.200 --> 1:04:10.280
<v Speaker 1>because there's no She's like, well, maybe there's no physical

1:04:10.280 --> 1:04:13.160
<v Speaker 1>evidence because she's making the whole thing up. You have

1:04:13.360 --> 1:04:16.320
<v Speaker 1>Detective Bacon saying like, well did you flirt with him

1:04:16.360 --> 1:04:19.480
<v Speaker 1>a little bit? You know, blaming her and suggesting that

1:04:19.560 --> 1:04:23.280
<v Speaker 1>her behavior makes her at fault. All these things that

1:04:23.440 --> 1:04:30.360
<v Speaker 1>are pretty authentic to how cops tend to conduct themselves

1:04:30.640 --> 1:04:33.640
<v Speaker 1>when it comes to sex crimes, UM, and how they

1:04:33.680 --> 1:04:39.280
<v Speaker 1>tend to handle reports of rape and assault. UM. I

1:04:39.280 --> 1:04:42.200
<v Speaker 1>don't know if the movie is actively commenting on this

1:04:42.440 --> 1:04:44.680
<v Speaker 1>or more just sort of like presenting it is like, well,

1:04:44.680 --> 1:04:48.760
<v Speaker 1>this is just how it's happening in this movie. Can't

1:04:48.840 --> 1:04:51.640
<v Speaker 1>really tell And I guess I don't know what my

1:04:51.720 --> 1:04:55.440
<v Speaker 1>point is about this, aside from that's kind of the

1:04:55.480 --> 1:05:00.480
<v Speaker 1>one part of the movie that does track the cops

1:05:00.600 --> 1:05:05.880
<v Speaker 1>like conductor around these but it's rendered moot. I feel

1:05:05.920 --> 1:05:09.520
<v Speaker 1>like when it turns out that the girls are lying

1:05:10.320 --> 1:05:16.200
<v Speaker 1>about these allegations, and that's the core problem. Yeah, so's

1:05:16.040 --> 1:05:18.600
<v Speaker 1>it's it's like really difficult to talk about this movie.

1:05:18.600 --> 1:05:22.280
<v Speaker 1>They've created this like whatever like shell game that it's like, well,

1:05:22.920 --> 1:05:26.200
<v Speaker 1>in the logic of the story, it's true that they're lying.

1:05:26.280 --> 1:05:28.520
<v Speaker 1>It's just like the fact that that's what they defaulted

1:05:28.560 --> 1:05:33.800
<v Speaker 1>to is very telling. And those I I would say,

1:05:33.840 --> 1:05:36.800
<v Speaker 1>I mean, based on what I learned from a scholarly

1:05:36.880 --> 1:05:40.320
<v Speaker 1>journal Wikipedia about the writing of this movie, I would

1:05:40.360 --> 1:05:43.600
<v Speaker 1>say that probably a lot of this was not intended.

1:05:43.720 --> 1:05:47.040
<v Speaker 1>It sounded like, uh, the guys went to Florida and

1:05:47.640 --> 1:05:51.840
<v Speaker 1>uh wrote a little ditty. Um, yeah, there there's the

1:05:52.360 --> 1:05:56.560
<v Speaker 1>credited screenwriter is a classic two first names Steven Peters

1:05:56.960 --> 1:06:01.720
<v Speaker 1>love that. I prefer the work of Peter Stevens, but

1:06:01.880 --> 1:06:07.560
<v Speaker 1>that's just mewise, there's two kinds of people, but like

1:06:07.640 --> 1:06:10.560
<v Speaker 1>it went through a lot of rewrites. I guess um.

1:06:10.800 --> 1:06:15.400
<v Speaker 1>A writer named kem Nunn was given a rewrite thing,

1:06:15.560 --> 1:06:20.440
<v Speaker 1>and so they were sent to Florida and uh producer

1:06:20.520 --> 1:06:25.600
<v Speaker 1>named Peter Goobers Peter Goober Oh my gosh, said that

1:06:26.120 --> 1:06:28.200
<v Speaker 1>when I read the script, I thought, as crazy as

1:06:28.280 --> 1:06:30.080
<v Speaker 1>it is, I do believe it could happen in the

1:06:30.080 --> 1:06:32.400
<v Speaker 1>world we live in. Once I believe that a story

1:06:32.440 --> 1:06:34.640
<v Speaker 1>can happen in the real world, then I know how

1:06:34.680 --> 1:06:37.959
<v Speaker 1>to direct it. And you're just like, um, I don't

1:06:37.960 --> 1:06:40.440
<v Speaker 1>think that they were thinking that hard or trying to

1:06:40.480 --> 1:06:43.920
<v Speaker 1>say that much. If they read this script overre like,

1:06:44.360 --> 1:06:48.920
<v Speaker 1>this is plausible, this could happen. Um. And the director

1:06:48.960 --> 1:06:52.720
<v Speaker 1>also said, uh, I really liked the script, but it

1:06:52.800 --> 1:06:55.880
<v Speaker 1>was also me asking myself, what sells sex and violence?

1:06:56.240 --> 1:06:58.640
<v Speaker 1>You want sex and violence, Well, here you go. How

1:06:58.720 --> 1:07:02.280
<v Speaker 1>much can you take it? They weren't thinking that hard.

1:07:03.960 --> 1:07:06.680
<v Speaker 1>They did put okay, let's take a quick break and

1:07:06.720 --> 1:07:20.000
<v Speaker 1>then come back and talk about sex and we're back.

1:07:20.280 --> 1:07:22.480
<v Speaker 1>I feel like this is very important to bring up,

1:07:22.480 --> 1:07:28.640
<v Speaker 1>so I apologize. So Steven Peters was fifty one years

1:07:28.680 --> 1:07:33.400
<v Speaker 1>old when he wrote the script for a while. Things. Okay,

1:07:33.440 --> 1:07:40.240
<v Speaker 1>so he's writing teen Girls as year old man. Oh

1:07:40.240 --> 1:07:42.760
<v Speaker 1>my god. I was like, I saw I was like

1:07:42.800 --> 1:07:47.800
<v Speaker 1>born nineteen seven, and I was like, I loved it.

1:07:47.840 --> 1:07:50.080
<v Speaker 1>Whenever you find stuff like that out, are you just

1:07:50.120 --> 1:07:52.480
<v Speaker 1>like I can't help but picture him at his house

1:07:52.560 --> 1:07:58.240
<v Speaker 1>being like, all right, like time for dinner, Like, oh god,

1:07:58.800 --> 1:08:01.040
<v Speaker 1>He's like. You know what teen girl else do is

1:08:01.160 --> 1:08:07.920
<v Speaker 1>they plot schemes to ruin the lives of men. They

1:08:07.920 --> 1:08:10.880
<v Speaker 1>punch each other and knock each other into swimming pools

1:08:11.120 --> 1:08:14.200
<v Speaker 1>and then start kissing and they kiss they do kids,

1:08:14.640 --> 1:08:19.400
<v Speaker 1>which okay, uh, let's talk about Peters. How could you

1:08:20.400 --> 1:08:23.479
<v Speaker 1>so Peter Stevens would have done it better? Peter Stevens

1:08:23.520 --> 1:08:28.479
<v Speaker 1>would never like So this scene in particular, which I

1:08:28.520 --> 1:08:31.640
<v Speaker 1>thought went on for way longer than it did, I

1:08:31.720 --> 1:08:34.160
<v Speaker 1>was like, miss remember maybe I was just you know,

1:08:34.200 --> 1:08:37.719
<v Speaker 1>wishful thinking, not sure, but oh my god. Sorry, there's

1:08:37.760 --> 1:08:40.360
<v Speaker 1>like if you type in Peter stevens our joke name

1:08:40.400 --> 1:08:45.759
<v Speaker 1>into Wikipedia, three men come up. Of course, of course,

1:08:46.000 --> 1:08:49.280
<v Speaker 1>one's a car designer, one's an r A F officer.

1:08:49.400 --> 1:08:54.400
<v Speaker 1>What is that sounds scary? Alright? Sorry? Continue. I was

1:08:54.439 --> 1:08:57.479
<v Speaker 1>just like Wow, Peter Stevens Cannon is real, real person.

1:08:58.280 --> 1:09:01.920
<v Speaker 1>So the scene in the pool where Nev Campbell's character

1:09:02.040 --> 1:09:05.240
<v Speaker 1>and Denise Richard's character they're mad at each other, they're

1:09:05.240 --> 1:09:10.000
<v Speaker 1>physically fighting, they're trying to drown each other. Things take

1:09:10.040 --> 1:09:13.080
<v Speaker 1>a turn at some point and then they are kissing

1:09:13.720 --> 1:09:17.599
<v Speaker 1>and it's it's quite steamy, although it cuts away pretty quickly.

1:09:17.640 --> 1:09:20.840
<v Speaker 1>I'm not sure if there's like an extended scene, like

1:09:20.880 --> 1:09:23.639
<v Speaker 1>an extended version like on the DVD extras or something

1:09:23.640 --> 1:09:26.479
<v Speaker 1>that I have watched, But I know there's an extended

1:09:26.560 --> 1:09:28.800
<v Speaker 1>version of the movie. I don't know if they've seen

1:09:28.880 --> 1:09:32.280
<v Speaker 1>in particular extent. This scene is not long. I have

1:09:32.360 --> 1:09:34.960
<v Speaker 1>seen these thinned version and it is not longer. It

1:09:35.040 --> 1:09:37.360
<v Speaker 1>is not longer. Okay, So I'm just filling in the

1:09:37.400 --> 1:09:40.040
<v Speaker 1>gaps in my own brain. Good to know about me

1:09:40.120 --> 1:09:44.120
<v Speaker 1>and my psyche. But the point is that I think

1:09:44.160 --> 1:09:47.120
<v Speaker 1>a lot of people have cited this movie and that

1:09:47.200 --> 1:09:50.320
<v Speaker 1>scene in particular as a sexual like a queer awakening

1:09:50.520 --> 1:09:53.280
<v Speaker 1>for them. There's also a discussion to be had about

1:09:53.400 --> 1:09:58.439
<v Speaker 1>queer baiting. There's a lot to unpack here. Also, keeping

1:09:58.479 --> 1:10:03.200
<v Speaker 1>in mind that detect to Bacon is filming this scene

1:10:03.280 --> 1:10:08.000
<v Speaker 1>on a camcorder, which will also um kind of transition

1:10:08.080 --> 1:10:12.599
<v Speaker 1>to do another conversation about the male gaze in this movie.

1:10:12.840 --> 1:10:19.960
<v Speaker 1>But the pool scene, thoughts, it really is the power

1:10:20.080 --> 1:10:24.519
<v Speaker 1>of these two women just being very incredibly good looking,

1:10:25.280 --> 1:10:30.400
<v Speaker 1>because like, because it's tacky, it's you know, supremely male

1:10:30.479 --> 1:10:34.960
<v Speaker 1>gazey in every single sense of the word. Am I

1:10:35.000 --> 1:10:37.240
<v Speaker 1>going to pretend that it wasn't nice to see Nev

1:10:37.320 --> 1:10:40.240
<v Speaker 1>Campbell and in these Richard's kiss No, I'm not gonna

1:10:40.280 --> 1:10:42.519
<v Speaker 1>lie on the beddel cast I will not. I will

1:10:42.520 --> 1:10:46.519
<v Speaker 1>not be held in contempt of cast court. You will

1:10:46.560 --> 1:10:49.200
<v Speaker 1>not perjure yourself. I will not perjure. It reminds me

1:10:49.240 --> 1:10:53.400
<v Speaker 1>of like seeing Selma Blair and Sarah Michelle Geller kiss.

1:10:55.040 --> 1:10:58.400
<v Speaker 1>That's like, was it a moment for me? Yes, that's

1:10:58.400 --> 1:11:00.960
<v Speaker 1>the feminist in my brain and meant that this is

1:11:01.000 --> 1:11:04.400
<v Speaker 1>not this was not made with me in mind. If

1:11:04.439 --> 1:11:09.920
<v Speaker 1>they had had Kevin Bacon and met Dylan kiss, then

1:11:09.960 --> 1:11:12.800
<v Speaker 1>we can have a different conversation. That would have been

1:11:13.120 --> 1:11:17.760
<v Speaker 1>Denise's boobies kissing Nev Campbell and then the Bacon and

1:11:17.800 --> 1:11:19.680
<v Speaker 1>then the kissing of the two men, and then we

1:11:19.680 --> 1:11:24.240
<v Speaker 1>could have at least had some equal opportunity voyeurism, but

1:11:24.400 --> 1:11:30.120
<v Speaker 1>we didn't. I agree. I this wasn't because I didn't

1:11:30.120 --> 1:11:32.920
<v Speaker 1>know this movie existed until this week. This was not

1:11:33.120 --> 1:11:36.400
<v Speaker 1>an awakening movie for me. But I feel like it's

1:11:36.680 --> 1:11:40.040
<v Speaker 1>very easy to see like there are other analogs to

1:11:40.120 --> 1:11:44.439
<v Speaker 1>this scene in nineties movies that do technically qualify as

1:11:44.520 --> 1:11:48.559
<v Speaker 1>queer baiting. But also that doesn't invalidate the raw power

1:11:48.880 --> 1:11:52.120
<v Speaker 1>that a scene like this can have. They also could

1:11:52.160 --> 1:11:56.320
<v Speaker 1>be queer characters. I don't know that the filmmaker's intention

1:11:56.640 --> 1:12:01.160
<v Speaker 1>was there, But do we really think that Stephen Peters

1:12:01.240 --> 1:12:03.439
<v Speaker 1>or Peter Stevens or whatever the fun his name is,

1:12:03.960 --> 1:12:06.840
<v Speaker 1>has any nuance on this topic. I would guess definitely,

1:12:06.960 --> 1:12:09.160
<v Speaker 1>but maybe he would surprise us. I don't mean he

1:12:09.240 --> 1:12:12.320
<v Speaker 1>might also, so the characters. Those two characters kiss I

1:12:12.320 --> 1:12:15.200
<v Speaker 1>think three different times throughout the movie. First in the

1:12:15.280 --> 1:12:20.840
<v Speaker 1>scene where Susie, Kelly, and Sam have a threesome, where

1:12:21.040 --> 1:12:23.320
<v Speaker 1>like he's kissing one of them, he's kissed the he

1:12:23.400 --> 1:12:25.720
<v Speaker 1>kisses the other one, and then he says, now you too,

1:12:25.800 --> 1:12:30.040
<v Speaker 1>kiss and they seem to willingly and consensually kiss each other.

1:12:30.120 --> 1:12:33.559
<v Speaker 1>And it's very hot, admittedly, and it seems like, am

1:12:33.560 --> 1:12:35.800
<v Speaker 1>I am? I out of line? Baits saying it doesn't

1:12:35.800 --> 1:12:38.000
<v Speaker 1>seem like it's like it seems like it's happened before,

1:12:38.320 --> 1:12:42.640
<v Speaker 1>like could be that was my maybe that again I'm projecting.

1:12:42.840 --> 1:12:45.719
<v Speaker 1>I was like, oh, wait, these ladies know what they're doing. Well,

1:12:45.880 --> 1:12:48.080
<v Speaker 1>what I can say, I'll let you finish and I'll

1:12:48.160 --> 1:12:49.920
<v Speaker 1>I'll come in with my facts that I wrote for

1:12:50.040 --> 1:12:53.400
<v Speaker 1>this thing. Sure. So then they kiss again in the

1:12:53.720 --> 1:12:56.400
<v Speaker 1>pool scene, and then they kiss the third time. I

1:12:56.439 --> 1:13:00.080
<v Speaker 1>think they're in Kelly's mom's range rover. It's when they

1:13:00.120 --> 1:13:02.600
<v Speaker 1>like go to the beach, and shortly shortly after that

1:13:02.720 --> 1:13:06.840
<v Speaker 1>is when Susie is we think murdered by Sam. Turns

1:13:06.840 --> 1:13:10.320
<v Speaker 1>out she wasn't. But they just share like we're just

1:13:10.360 --> 1:13:12.880
<v Speaker 1>gonna we need to get wasted and have fun tonight,

1:13:12.920 --> 1:13:16.200
<v Speaker 1>and then they kiss each other. So we don't really

1:13:16.439 --> 1:13:20.880
<v Speaker 1>know because the movie doesn't explore their relationship beyond that,

1:13:21.880 --> 1:13:25.320
<v Speaker 1>but it does happen three times that they kiss on screen.

1:13:25.400 --> 1:13:30.280
<v Speaker 1>If that kind of contextualizes anything further, But Princess, you

1:13:30.360 --> 1:13:34.160
<v Speaker 1>had you have a thought, so I wanted to say so.

1:13:34.760 --> 1:13:38.519
<v Speaker 1>Nev Campbell said that she enjoyed kissing Denise in a

1:13:38.920 --> 1:13:42.400
<v Speaker 1>interview when she talked about the Rolling Stone and they

1:13:42.400 --> 1:13:44.519
<v Speaker 1>said that they kind of like got like, you know,

1:13:44.600 --> 1:13:46.759
<v Speaker 1>had some margarities, and but then that they're both adult

1:13:46.760 --> 1:13:50.280
<v Speaker 1>women does make me feel a lot more comfortable. Yes,

1:13:51.160 --> 1:13:54.280
<v Speaker 1>and seven has a lot more autonomy than like a

1:13:54.400 --> 1:13:59.080
<v Speaker 1>twenty one. Those few years do matter to me. And

1:13:59.120 --> 1:14:01.559
<v Speaker 1>then she said that she wrote in her journal about

1:14:01.600 --> 1:14:06.000
<v Speaker 1>the experience and she wrote, Okay, I'm going to make

1:14:06.040 --> 1:14:08.160
<v Speaker 1>out with a girl for the first time in my life.

1:14:08.400 --> 1:14:10.679
<v Speaker 1>It's so interesting that a lot of times you learn

1:14:10.760 --> 1:14:13.880
<v Speaker 1>things about yourself and have new experiences when shooting a

1:14:13.920 --> 1:14:16.640
<v Speaker 1>scene because there are things you would normally do in

1:14:16.680 --> 1:14:22.400
<v Speaker 1>your life. It's so interesting, isn't that she's so cute?

1:14:23.560 --> 1:14:26.439
<v Speaker 1>And Denise was just kind of like, at one point,

1:14:26.479 --> 1:14:29.160
<v Speaker 1>I was thinking, it's four o'clock in the morning, I'm

1:14:29.160 --> 1:14:31.439
<v Speaker 1>half naked in a swimming pool, I'm making out with

1:14:31.720 --> 1:14:35.920
<v Speaker 1>Nev Campbell. What am I doing here? God bless? And

1:14:36.080 --> 1:14:37.680
<v Speaker 1>one thing I will say, because I know there's been

1:14:37.760 --> 1:14:40.800
<v Speaker 1>to talk about about consent. One thing that the director

1:14:41.320 --> 1:14:45.000
<v Speaker 1>did say is that he puts all the sex scenes

1:14:45.960 --> 1:14:50.240
<v Speaker 1>in the script, so whenever he hires actors, he makes

1:14:50.280 --> 1:14:52.360
<v Speaker 1>sure that they know that that's in the script, that

1:14:52.439 --> 1:14:57.360
<v Speaker 1>they don't have to feel tricked or manipulated into that

1:14:57.800 --> 1:15:00.200
<v Speaker 1>once they're in a comforting zone, he'll maybe see how

1:15:00.280 --> 1:15:02.559
<v Speaker 1>much more comfort they have was certain things. But he

1:15:02.600 --> 1:15:06.000
<v Speaker 1>does put it all in there, and I feel that

1:15:06.160 --> 1:15:09.679
<v Speaker 1>is a good thing as well. Yeah, I agree. It's

1:15:09.800 --> 1:15:14.040
<v Speaker 1>it's like, I shame on me for being shocked whenever

1:15:14.080 --> 1:15:17.320
<v Speaker 1>a director male director does the bare minimum for their cast.

1:15:17.400 --> 1:15:20.360
<v Speaker 1>But like that, I was also kind of, I guess,

1:15:20.680 --> 1:15:24.880
<v Speaker 1>like heartened to read about the fact that, yeah, like

1:15:24.920 --> 1:15:27.120
<v Speaker 1>they knew about the nudity and it was like built

1:15:27.120 --> 1:15:31.480
<v Speaker 1>into their contracts. Where like Denise Richards did an extensive

1:15:31.520 --> 1:15:34.800
<v Speaker 1>negotiation on how much nudity would be allowed, she had

1:15:34.840 --> 1:15:37.720
<v Speaker 1>the option to use a body double, she opted not to.

1:15:38.640 --> 1:15:40.760
<v Speaker 1>You know, I'm assuming when she was like, shout out

1:15:40.760 --> 1:15:47.920
<v Speaker 1>to the body double episode we did recently another erotic' um,

1:15:48.000 --> 1:15:50.280
<v Speaker 1>but she said that she she filmed the scene with

1:15:50.360 --> 1:15:52.600
<v Speaker 1>herself without a body double, after drinking a picture of

1:15:52.600 --> 1:15:58.280
<v Speaker 1>Margarita's with Nev Campbell. Again incredible. M reminds me of

1:15:58.360 --> 1:16:01.120
<v Speaker 1>the oh, what's the What's Ski Sisters thriller? We just

1:16:01.200 --> 1:16:06.040
<v Speaker 1>covered bound. Yes, they also mentioned bonding and getting a

1:16:06.040 --> 1:16:09.080
<v Speaker 1>little tipsy before hooking up on screen. For that movie,

1:16:09.800 --> 1:16:13.400
<v Speaker 1>Campbell's contract had a strict no nudity clause, and Kevin

1:16:13.439 --> 1:16:16.439
<v Speaker 1>Bacon also had a new no nudity clause that he

1:16:16.600 --> 1:16:19.759
<v Speaker 1>then later because he was also a producer on the movie,

1:16:19.840 --> 1:16:21.760
<v Speaker 1>even though he was quoted as saying, this is the

1:16:21.760 --> 1:16:26.920
<v Speaker 1>trashiest thing I've ever read, but he's also a producer. Um,

1:16:26.960 --> 1:16:29.479
<v Speaker 1>so he had a no nudity clause. But then he

1:16:30.080 --> 1:16:34.200
<v Speaker 1>uh and quoting Wikipedia but without giving it much thought,

1:16:34.280 --> 1:16:36.719
<v Speaker 1>allowed McNaughton to use the shot that he thought looked

1:16:36.720 --> 1:16:39.360
<v Speaker 1>best in a moment of frontal nudity was included in

1:16:39.400 --> 1:16:42.000
<v Speaker 1>the film. So you mean everyone had the option to

1:16:42.000 --> 1:16:44.600
<v Speaker 1>be naked or not. So you mean, Kevin, let me

1:16:44.640 --> 1:16:48.519
<v Speaker 1>show you my bacon. Bacon was originally like, no bacon

1:16:48.560 --> 1:16:50.360
<v Speaker 1>in this one. Originally he was like, I want to

1:16:50.360 --> 1:16:54.719
<v Speaker 1>be serious. But then he's like, actually, yes Bacon. Yeah,

1:16:54.800 --> 1:16:56.920
<v Speaker 1>He's like, this movie will only be successful if I

1:16:56.960 --> 1:17:00.400
<v Speaker 1>showed my bacon. And you know what, now, three sequel later,

1:17:01.120 --> 1:17:03.720
<v Speaker 1>it was wrong not him. Yeah, how would the world

1:17:03.760 --> 1:17:07.240
<v Speaker 1>be different? And and a big question in the ripple

1:17:07.240 --> 1:17:09.840
<v Speaker 1>of how would the world be different is what if

1:17:10.160 --> 1:17:13.519
<v Speaker 1>the I don't think it was filmed. The Duquette and

1:17:13.560 --> 1:17:17.280
<v Speaker 1>Lombardo sex scene near the end of the film. I

1:17:17.280 --> 1:17:20.160
<v Speaker 1>would imagine, and again, maybe this is my imagination getting

1:17:20.160 --> 1:17:23.240
<v Speaker 1>away from me. I'm imagining Matt Dylan gets in the

1:17:23.280 --> 1:17:26.719
<v Speaker 1>shower with Kevin Bacon in the scene with the Bacon

1:17:27.080 --> 1:17:29.919
<v Speaker 1>I don't know. It says that the original screenplay featured

1:17:30.080 --> 1:17:33.000
<v Speaker 1>a scene between Duquette and Lombardo near the end of

1:17:33.000 --> 1:17:34.680
<v Speaker 1>the film where the men kiss in the shower. Oh

1:17:34.720 --> 1:17:37.080
<v Speaker 1>that's why I think that. Okay, they kiss in the shower,

1:17:37.640 --> 1:17:41.440
<v Speaker 1>revealing that the two had a relationship that allowed Lombardo

1:17:41.560 --> 1:17:44.400
<v Speaker 1>to prey on Duquette in order to manipulate him and

1:17:44.479 --> 1:17:48.160
<v Speaker 1>con him out of the money. This is a twist

1:17:48.280 --> 1:17:52.160
<v Speaker 1>that is very in keeping with this movie. The reason

1:17:52.280 --> 1:17:55.640
<v Speaker 1>it didn't happen, according to Kevin Bacon, the scene was

1:17:55.800 --> 1:17:59.120
<v Speaker 1>modified to the Bacon scene. We have to eliminate any

1:17:59.160 --> 1:18:01.600
<v Speaker 1>suggestion of a sex relationship between the men, as the

1:18:01.640 --> 1:18:06.280
<v Speaker 1>film's financiers quote didn't like the idea of men making out.

1:18:06.360 --> 1:18:12.240
<v Speaker 1>They felt it went too far unquote, which I fucking

1:18:12.439 --> 1:18:16.719
<v Speaker 1>didn't feel like women making out went too far, Which

1:18:16.840 --> 1:18:20.280
<v Speaker 1>goes back to sort of the male gaze kind of

1:18:20.360 --> 1:18:24.360
<v Speaker 1>exploitation of women's bodies that we'll talk about. Um. Yeah,

1:18:24.560 --> 1:18:28.320
<v Speaker 1>the last thing I want to say about the relationship

1:18:28.680 --> 1:18:36.479
<v Speaker 1>or I guess sexual connection between Susie and Kelly. There's

1:18:36.520 --> 1:18:40.280
<v Speaker 1>that scene where we learned what's in Kelly's file slash.

1:18:40.320 --> 1:18:44.800
<v Speaker 1>We learned what Sam wrote in Kelly's file that he

1:18:44.840 --> 1:18:49.120
<v Speaker 1>then gives to Detective Perez, and he says in it

1:18:49.320 --> 1:18:56.040
<v Speaker 1>that Kelly is sexually confused, which implies that bisexual people

1:18:56.280 --> 1:18:59.320
<v Speaker 1>or like like people who are questioning their sexuality are

1:19:00.040 --> 1:19:05.639
<v Speaker 1>quote unquote sexually confused. A deeply stance to take another

1:19:05.680 --> 1:19:08.000
<v Speaker 1>thing that's like presented I think very matter of factly

1:19:08.200 --> 1:19:10.640
<v Speaker 1>and not as a way of commenting on anything. I

1:19:10.680 --> 1:19:13.000
<v Speaker 1>think that that's just the writer being like And of

1:19:13.040 --> 1:19:16.800
<v Speaker 1>course everyone feels this way because in the same sentence,

1:19:17.360 --> 1:19:20.639
<v Speaker 1>Kelly is said to have threatened the life of two people,

1:19:21.320 --> 1:19:25.479
<v Speaker 1>as if she is threatening people's lives because she is

1:19:25.600 --> 1:19:29.880
<v Speaker 1>quote unquote sexually confused. Like her sexual confusion is leading

1:19:29.880 --> 1:19:34.240
<v Speaker 1>to like violent tendencies kind of thing, which brings us

1:19:34.240 --> 1:19:38.519
<v Speaker 1>back to the basic instinct. But I don't know if

1:19:38.560 --> 1:19:41.240
<v Speaker 1>that's what the movie believes, or if that's just what

1:19:41.439 --> 1:19:44.320
<v Speaker 1>sim Lombardo thinks, and we already know that he's a

1:19:44.320 --> 1:19:49.720
<v Speaker 1>sleazy character who manipulates people. I couldn't really tell, and

1:19:49.760 --> 1:19:55.200
<v Speaker 1>that confuses things. If well, I guess not to tip

1:19:55.720 --> 1:19:59.280
<v Speaker 1>my hat or give Steven Peters the benefit of the doubt.

1:19:59.640 --> 1:20:03.600
<v Speaker 1>But if that character was originally written as also being bisexual,

1:20:04.400 --> 1:20:09.080
<v Speaker 1>then that's a totally different read on that scene. Totally confusing,

1:20:09.520 --> 1:20:13.160
<v Speaker 1>so confusing. I just had the thought, like, I just

1:20:13.280 --> 1:20:15.559
<v Speaker 1>was like, what if I want someone to cut the

1:20:15.600 --> 1:20:19.599
<v Speaker 1>trailer for this movie with like the Jennifer's Body audio,

1:20:19.640 --> 1:20:23.960
<v Speaker 1>because imagine if it was like Didnise Richards and and

1:20:24.080 --> 1:20:29.320
<v Speaker 1>Nev Campbell in like Jennifer's Body. Now I'm just having chills.

1:20:28.280 --> 1:20:30.960
<v Speaker 1>Go now, I just have to live. It's gonna have

1:20:31.000 --> 1:20:33.680
<v Speaker 1>to live in my brain now. And it's the thing is,

1:20:33.720 --> 1:20:37.720
<v Speaker 1>it's not too late either. It's not too late. It

1:20:37.840 --> 1:20:48.240
<v Speaker 1>can be done. Can we talk about the male gaze cinematography? Absolutely? Sure? Okay,

1:20:48.320 --> 1:20:50.759
<v Speaker 1>so we get a lot of it. Jeffrey L. Kimball.

1:20:53.320 --> 1:20:58.160
<v Speaker 1>Just so you know, this is also at photography staging

1:20:58.240 --> 1:21:02.080
<v Speaker 1>these shots known previously. Oh this is interesting. He was,

1:21:02.840 --> 1:21:06.040
<v Speaker 1>this is really interesting. He was also the cinematographer for

1:21:06.080 --> 1:21:09.520
<v Speaker 1>the Legend of Billy Jean that was his first movie. Okay,

1:21:09.960 --> 1:21:15.360
<v Speaker 1>does not compute, does not line up all right? Well, anyways,

1:21:16.080 --> 1:21:19.960
<v Speaker 1>so we get I think the first extreme example is

1:21:20.200 --> 1:21:24.080
<v Speaker 1>a gratuitous scene of two girls washing a car. There

1:21:24.080 --> 1:21:27.800
<v Speaker 1>are so many lingering shots of like their butts, their

1:21:27.920 --> 1:21:31.240
<v Speaker 1>pelvis is like, we see their like wet t shirts.

1:21:31.280 --> 1:21:34.120
<v Speaker 1>And this scene does not need to be in the movie.

1:21:34.200 --> 1:21:38.479
<v Speaker 1>We do not need girls washing a car. Take it

1:21:38.479 --> 1:21:41.680
<v Speaker 1>out of the movie. The movie is tighter and more seamless.

1:21:42.120 --> 1:21:46.680
<v Speaker 1>But I also I don't but I also understand awakening

1:21:46.680 --> 1:21:49.280
<v Speaker 1>appeal of a scene like that, but it's also like, well,

1:21:49.280 --> 1:21:53.479
<v Speaker 1>but that scene is clearly intended for six men. So

1:21:53.800 --> 1:21:57.479
<v Speaker 1>I'm going through Jeffrey Kimble's filmography and I'm curious er

1:21:57.560 --> 1:22:00.800
<v Speaker 1>and curious er. He starts with a Legend of Billy Jean.

1:22:00.960 --> 1:22:04.400
<v Speaker 1>He also is a cinematographer on Top Gun. He also

1:22:04.479 --> 1:22:08.280
<v Speaker 1>did an Adrian Line movie, so he also did true

1:22:08.400 --> 1:22:15.880
<v Speaker 1>romance Like this guy films Bodies, Bodies, Bodies, Bodies. Need

1:22:15.960 --> 1:22:19.000
<v Speaker 1>to see that one wasn't him. Yeah, I haven't seen

1:22:19.040 --> 1:22:21.639
<v Speaker 1>it yet, I have seen Bodies, Bodies, Bodies. I think

1:22:21.640 --> 1:22:24.360
<v Speaker 1>he's retired. He also did Old Dog, which I don't

1:22:24.360 --> 1:22:27.439
<v Speaker 1>have a comment on. I just think it's fun. Um.

1:22:27.680 --> 1:22:32.680
<v Speaker 1>But anyways, yeah, this this guy loves a greased up,

1:22:32.760 --> 1:22:38.799
<v Speaker 1>wet body to film. Sure, just that's threesome scene. There's

1:22:38.840 --> 1:22:43.559
<v Speaker 1>a lot of like heavy focus on you know, the

1:22:43.640 --> 1:22:47.120
<v Speaker 1>Denisius boobs her butt and the way that, like Matt

1:22:47.160 --> 1:22:51.639
<v Speaker 1>Dylan's body is not focused on or objectified. We get

1:22:51.680 --> 1:22:54.600
<v Speaker 1>a scene where Denise Richards is getting out of a

1:22:54.760 --> 1:22:59.040
<v Speaker 1>pool all sexy for no reason. The camera slowly pans

1:22:59.120 --> 1:23:01.800
<v Speaker 1>up her body. She's talling off. You can see her

1:23:01.880 --> 1:23:07.480
<v Speaker 1>nipples through her swimsuit. Detective Bacon is like, nice stroke. Anyway,

1:23:07.680 --> 1:23:11.000
<v Speaker 1>did you plan this whole scheme to get a bunch

1:23:11.040 --> 1:23:14.759
<v Speaker 1>of money out of your mom? And she's like what anyway,

1:23:15.040 --> 1:23:17.760
<v Speaker 1>no reason this scene needs to take place at a

1:23:17.800 --> 1:23:20.200
<v Speaker 1>pool or like right after she's gotten out of a pool.

1:23:20.760 --> 1:23:22.720
<v Speaker 1>Just a lot of choices were made, and I get it,

1:23:22.760 --> 1:23:26.000
<v Speaker 1>like this is these are staples of the erotic thriller.

1:23:26.479 --> 1:23:29.400
<v Speaker 1>But why is a trope of the erotic thriller to

1:23:29.880 --> 1:23:34.400
<v Speaker 1>exploit and objectify women's bodies constantly? That's a question I

1:23:34.400 --> 1:23:37.880
<v Speaker 1>would ask. It was like I felt so However, when

1:23:37.880 --> 1:23:40.120
<v Speaker 1>I was rewatching that scene, I just like, damn, I

1:23:40.200 --> 1:23:44.720
<v Speaker 1>hate that I am attracted to Like, damn it, my

1:23:45.439 --> 1:23:50.120
<v Speaker 1>queerness portrays me again part of the problem. I felt

1:23:50.120 --> 1:23:51.880
<v Speaker 1>like that I means I was like, am I am?

1:23:51.880 --> 1:23:54.759
<v Speaker 1>I part of the problem because I obviously I would

1:23:54.760 --> 1:23:57.400
<v Speaker 1>not have shot if I was a cinematographer, I would

1:23:57.400 --> 1:24:00.000
<v Speaker 1>not shoot it in that way because it's just it's

1:24:00.120 --> 1:24:02.120
<v Speaker 1>very over the top and es much because it isn't

1:24:02.120 --> 1:24:04.599
<v Speaker 1>as equally like, you know, we have to see dick

1:24:04.680 --> 1:24:06.280
<v Speaker 1>lines then, you know what I'm saying. It's like we

1:24:06.360 --> 1:24:09.760
<v Speaker 1>had all the time. Yeah, we only see that one

1:24:09.800 --> 1:24:13.439
<v Speaker 1>tiny little glimpse of coming Bacon's bacon, and that wasn't enough.

1:24:13.479 --> 1:24:15.000
<v Speaker 1>And it wasn't even supposed to be there. It wasn't

1:24:15.040 --> 1:24:18.200
<v Speaker 1>even intentional. I think it's also just like I remember

1:24:18.200 --> 1:24:20.680
<v Speaker 1>watching the movie, I'm like, these starts are so vieuristic

1:24:21.040 --> 1:24:23.320
<v Speaker 1>and these women look so good. It was like it

1:24:23.439 --> 1:24:26.280
<v Speaker 1>was like, like, I know, it looked so cool, Like

1:24:26.320 --> 1:24:28.640
<v Speaker 1>her styling was really cool. I loved her her like

1:24:29.000 --> 1:24:32.760
<v Speaker 1>goth like outfits. Like I'm just like, man that the

1:24:32.800 --> 1:24:36.600
<v Speaker 1>costumers really dressed these ladies up very nicely. Miss his

1:24:36.760 --> 1:24:41.360
<v Speaker 1>hot topic herself. I really liked her costume. It there's

1:24:41.400 --> 1:24:45.040
<v Speaker 1>a number of different ways to approach the cinematography where

1:24:45.080 --> 1:24:47.040
<v Speaker 1>I think, like, on its face, it is like clearly

1:24:47.120 --> 1:24:52.280
<v Speaker 1>exploitative of women, especially like very obvious what they're trying

1:24:52.320 --> 1:24:56.080
<v Speaker 1>to do, very obvious, the like whatever that there's a

1:24:56.080 --> 1:24:59.160
<v Speaker 1>good fifteen years leading up to this movie where doing

1:24:59.240 --> 1:25:02.360
<v Speaker 1>that is a very proven money making box office move.

1:25:02.520 --> 1:25:06.040
<v Speaker 1>This this movie, I think kind of baffingly makes its

1:25:06.080 --> 1:25:11.960
<v Speaker 1>money back three times. But then it's, uh, I don't know,

1:25:12.080 --> 1:25:13.840
<v Speaker 1>and then and then I'm like, I'm a little bit

1:25:13.840 --> 1:25:15.519
<v Speaker 1>of a part of the problem in this case also,

1:25:16.240 --> 1:25:20.320
<v Speaker 1>so it's confusing. Yeah, it's uh, it's kind of rude

1:25:20.479 --> 1:25:26.519
<v Speaker 1>sometimes how are like sexual brains and our analyst brains.

1:25:27.240 --> 1:25:29.479
<v Speaker 1>It's almost like they're sort of like having a fight

1:25:29.600 --> 1:25:32.080
<v Speaker 1>in a pool and they're like kind of punching each other,

1:25:32.240 --> 1:25:35.880
<v Speaker 1>but then they start kissing, and I'm just like, what's

1:25:35.880 --> 1:25:39.000
<v Speaker 1>going on here? What do I think? And yeah, I

1:25:39.000 --> 1:25:43.120
<v Speaker 1>mean the threesome scene. I feel like also was kind

1:25:43.120 --> 1:25:45.760
<v Speaker 1>of telling like you like you're saying of like how

1:25:45.760 --> 1:25:49.439
<v Speaker 1>it's very very preoccupied with Denise Richard's body specifically, it's

1:25:49.479 --> 1:25:52.360
<v Speaker 1>not that occupied with Matt Dylan's body, And it's also

1:25:52.560 --> 1:25:57.240
<v Speaker 1>very preoccupied with close ups on Nev Campbell's jealous face,

1:25:57.960 --> 1:26:00.439
<v Speaker 1>as if to say, like I wish I was saying

1:26:00.640 --> 1:26:03.559
<v Speaker 1>Matt Dylan, and you're like, of the two, are you serious?

1:26:03.840 --> 1:26:07.200
<v Speaker 1>But like, but it's clear that it's like, oh, this

1:26:07.360 --> 1:26:10.080
<v Speaker 1>is like for him. And again it's like if he

1:26:10.280 --> 1:26:13.200
<v Speaker 1>if his character was canonically bisexual like he was supposed

1:26:13.240 --> 1:26:15.680
<v Speaker 1>to be, it just becomes a more I think, like

1:26:15.840 --> 1:26:20.080
<v Speaker 1>interesting conversation. And if men's bodies had been you know,

1:26:20.080 --> 1:26:22.320
<v Speaker 1>if this movie have been preoccupied with the men's bodies

1:26:22.479 --> 1:26:25.639
<v Speaker 1>as well, that shifts the conversation a little bit, but

1:26:25.920 --> 1:26:28.519
<v Speaker 1>it doesn't. And I think it's really interesting that, like

1:26:28.640 --> 1:26:33.680
<v Speaker 1>Kevin Bacon said explicitly, like our financiers were not interested

1:26:33.920 --> 1:26:38.400
<v Speaker 1>in filming a scene between two men because you know

1:26:38.479 --> 1:26:41.000
<v Speaker 1>that doesn't equal money in the way that queer betting

1:26:41.040 --> 1:26:45.800
<v Speaker 1>between two women equals money, right. I also have a

1:26:45.840 --> 1:26:50.000
<v Speaker 1>theory that and let's get into some screenwriting. Not that

1:26:50.040 --> 1:26:51.840
<v Speaker 1>I know anything about it, not that I have a

1:26:51.840 --> 1:26:55.000
<v Speaker 1>master's degree in it from Boston University, which I would

1:26:55.040 --> 1:27:00.719
<v Speaker 1>never mention, but my theory is that because when you're

1:27:00.760 --> 1:27:03.920
<v Speaker 1>writing a movie, you're always looking for ways to sort

1:27:03.960 --> 1:27:07.800
<v Speaker 1>of just like heighten the situation, especially in like an

1:27:07.800 --> 1:27:10.120
<v Speaker 1>erotic thriller. You're thinking, Okay, how can I make this,

1:27:10.160 --> 1:27:12.960
<v Speaker 1>How can I push boundaries? How can I really make

1:27:13.000 --> 1:27:17.679
<v Speaker 1>this tantalizing and push social morays and stuff like that,

1:27:17.960 --> 1:27:22.559
<v Speaker 1>And I feel like including the sexual connection between these

1:27:22.600 --> 1:27:26.759
<v Speaker 1>two teen girls was a way to be like, yeah,

1:27:27.040 --> 1:27:30.800
<v Speaker 1>I can just sort of use that, use queerness as

1:27:30.800 --> 1:27:36.040
<v Speaker 1>a way to really push boundaries and heighten this, heighten

1:27:36.120 --> 1:27:39.000
<v Speaker 1>the situation of this of this movie that's supposed to

1:27:39.000 --> 1:27:42.240
<v Speaker 1>be like sexy and violent and kind of sick because

1:27:42.280 --> 1:27:45.559
<v Speaker 1>it's about you know, rape and salt and violence. So

1:27:45.800 --> 1:27:49.400
<v Speaker 1>it loops in queerness as like a quote unquote social taboo,

1:27:49.680 --> 1:27:52.559
<v Speaker 1>like it just yeah, it's just like in basic instinct

1:27:52.560 --> 1:27:56.400
<v Speaker 1>when it's like Catherine, you know, she's bisexual but like dangerous,

1:27:56.520 --> 1:27:58.639
<v Speaker 1>you know, it's like right, and I'm just sitting here

1:27:58.680 --> 1:28:01.599
<v Speaker 1>like yes, and you know it can't just be yes.

1:28:01.680 --> 1:28:05.800
<v Speaker 1>It has to be yes. And she is dangerous because

1:28:05.840 --> 1:28:10.840
<v Speaker 1>she is bisexual and a sociopath, Like, please please include

1:28:10.960 --> 1:28:16.679
<v Speaker 1>both otherwise it is very upsetting. One is biphobic, both

1:28:16.840 --> 1:28:24.080
<v Speaker 1>is a character and yeah, yeah, yeah, it's the late

1:28:24.160 --> 1:28:27.040
<v Speaker 1>nineties I mean it's like we were we were there,

1:28:27.600 --> 1:28:31.479
<v Speaker 1>but what was happening there? I don't know. And it's

1:28:31.479 --> 1:28:34.599
<v Speaker 1>and to your point, killing it's like by including a

1:28:34.720 --> 1:28:39.080
<v Speaker 1>very queer baity plotline and just the general cinematography of

1:28:39.120 --> 1:28:42.559
<v Speaker 1>like lingering on these women's bodies so much, it's like

1:28:42.760 --> 1:28:46.040
<v Speaker 1>it almost is like it's like perceived as being risky

1:28:46.120 --> 1:28:48.960
<v Speaker 1>when in reality, there were fifteen years of movies before

1:28:49.000 --> 1:28:51.320
<v Speaker 1>this that proved that this was not risky, this was

1:28:51.360 --> 1:28:53.840
<v Speaker 1>a sure thing for them. Well they so they still

1:28:53.840 --> 1:28:56.760
<v Speaker 1>get to have the like aesthetics of being cutting edge

1:28:56.760 --> 1:28:59.680
<v Speaker 1>and risky while actually playing it extremely safe. Well, what

1:28:59.840 --> 1:29:02.760
<v Speaker 1>actually been risky and different is if they filmed the

1:29:02.800 --> 1:29:05.640
<v Speaker 1>scene between Matt Dylan and Kevin Bacon. That would have

1:29:05.680 --> 1:29:13.280
<v Speaker 1>been different. But these filmmakers didn't have the guts. They

1:29:13.280 --> 1:29:15.880
<v Speaker 1>didn't have the if they had taken a screenwriting class

1:29:15.920 --> 1:29:19.599
<v Speaker 1>with let's say, a young talented woman that wasn't born

1:29:19.680 --> 1:29:23.519
<v Speaker 1>two years after World War Two ended, maybe that would

1:29:23.560 --> 1:29:27.760
<v Speaker 1>have made a difference. Who knows, Killen. I've always said

1:29:27.800 --> 1:29:34.360
<v Speaker 1>that you're the Stephen Peters of modern screenwriting. As a compliment, well,

1:29:34.400 --> 1:29:37.280
<v Speaker 1>I preferred to be thought of as the Peter Stephens.

1:29:37.400 --> 1:29:44.400
<v Speaker 1>So fair enough, your car designer. What else is there

1:29:44.439 --> 1:29:49.440
<v Speaker 1>to discuss? Anyone have anything else? Just that like watching

1:29:49.560 --> 1:29:54.559
<v Speaker 1>this movie for the second time. This movie is sex crimes.

1:29:54.640 --> 1:29:58.879
<v Speaker 1>It is especially heinous. But to quote in another review

1:29:59.000 --> 1:30:01.679
<v Speaker 1>of it, he said it was from the Washington Post.

1:30:01.760 --> 1:30:05.120
<v Speaker 1>The person said, the film is clearly a croc. It

1:30:05.200 --> 1:30:08.200
<v Speaker 1>may not have a single redeeming feature, but it doesn't

1:30:08.200 --> 1:30:11.400
<v Speaker 1>have a dull moment either. And I'm just like, goddamn right,

1:30:11.560 --> 1:30:14.840
<v Speaker 1>It's like that is And that's a former speechwriter for

1:30:14.920 --> 1:30:19.120
<v Speaker 1>the Obama administration saying that it is so it is

1:30:19.200 --> 1:30:24.200
<v Speaker 1>so bizarre. It is. It is legitimately not a good movie.

1:30:24.400 --> 1:30:26.160
<v Speaker 1>But every time I watched it and just kind of

1:30:26.200 --> 1:30:29.920
<v Speaker 1>like fascinating, you know, I just want to smoke a brandy.

1:30:30.479 --> 1:30:33.680
<v Speaker 1>Drink of brandy is what the cigarette? Just be like fascinating.

1:30:33.880 --> 1:30:36.400
<v Speaker 1>It's it's a lot like what if this is what

1:30:36.520 --> 1:30:40.599
<v Speaker 1>the aliens find? Oh my god, And what will they

1:30:40.600 --> 1:30:43.800
<v Speaker 1>think of us? Will they think we are awesome? Or

1:30:45.680 --> 1:30:47.320
<v Speaker 1>like I just think I just think that, Like Denise

1:30:47.439 --> 1:30:52.240
<v Speaker 1>Richards was like Starship Troopers this and then Bond. You know,

1:30:52.280 --> 1:30:54.519
<v Speaker 1>it's like what a what a what a triple threat?

1:30:54.640 --> 1:30:58.439
<v Speaker 1>Just like what a trajectory and you can't say she

1:30:58.479 --> 1:31:01.400
<v Speaker 1>doesn't have the range. She's got there, she's got the

1:31:01.920 --> 1:31:04.160
<v Speaker 1>I mean, there's a reason I think that this movie

1:31:04.200 --> 1:31:06.800
<v Speaker 1>has sort of I don't know how much of like

1:31:06.800 --> 1:31:09.719
<v Speaker 1>a cult following it has. But people still't know about

1:31:09.720 --> 1:31:12.320
<v Speaker 1>this movie. People still talk about it still gets referenced,

1:31:12.439 --> 1:31:16.439
<v Speaker 1>like it's been requested numerous times on the show. You know,

1:31:16.560 --> 1:31:20.400
<v Speaker 1>it's got a legacy, uh for I think mostly being

1:31:21.160 --> 1:31:26.280
<v Speaker 1>sexy trash. I mean, what's wrong with a little sexy

1:31:26.320 --> 1:31:30.639
<v Speaker 1>trash here in there this movie? Yes, is there any thing?

1:31:30.720 --> 1:31:33.559
<v Speaker 1>I mean, I think like it's We've mentioned this several

1:31:33.600 --> 1:31:38.360
<v Speaker 1>times at this point, but um, this movie is extremely white.

1:31:38.840 --> 1:31:41.479
<v Speaker 1>Um in a state where it doesn't make sense to

1:31:41.520 --> 1:31:44.479
<v Speaker 1>be extremely like Florida is an extremely diverse state. There's

1:31:44.479 --> 1:31:47.360
<v Speaker 1>no reason for this to be in all white cast

1:31:47.400 --> 1:31:49.960
<v Speaker 1>except for Daphne Rubin Vega, I think, or actually there

1:31:49.960 --> 1:31:53.200
<v Speaker 1>are a few the principle at the school. It's it's all,

1:31:53.240 --> 1:31:55.120
<v Speaker 1>it's all kind of like the very light typical because

1:31:55.120 --> 1:31:57.960
<v Speaker 1>even you know, the seminal character is dead and we

1:31:58.040 --> 1:32:01.120
<v Speaker 1>never see them and they're the whole reason for this

1:32:01.400 --> 1:32:04.720
<v Speaker 1>entire plot, and you don't see another indigenous person there

1:32:04.760 --> 1:32:08.839
<v Speaker 1>at all, which is very disappointing. It's almost like Steven

1:32:08.880 --> 1:32:13.160
<v Speaker 1>Peters didn't educate himself on jack Ship before writing this,

1:32:13.439 --> 1:32:16.880
<v Speaker 1>Like it's in a very of the air away. It's

1:32:16.920 --> 1:32:22.120
<v Speaker 1>a it's a very white, white, white movie, and that

1:32:22.560 --> 1:32:25.320
<v Speaker 1>is one of the many facets of this movie that

1:32:25.400 --> 1:32:28.840
<v Speaker 1>does not hold up. Um. I was happy to see

1:32:29.000 --> 1:32:34.360
<v Speaker 1>Daphne ruben Vega. I just like her as a thirteen

1:32:34.400 --> 1:32:40.000
<v Speaker 1>year old former recovering um fan of rent. But do

1:32:40.040 --> 1:32:44.200
<v Speaker 1>I wish she was given more slash, more interesting things

1:32:44.360 --> 1:32:47.040
<v Speaker 1>to do? Yes? Do I wish she was not cast

1:32:47.080 --> 1:32:51.760
<v Speaker 1>as a cop? Definitely? Absolutely? Yeah? Why is she being like,

1:32:52.040 --> 1:33:00.000
<v Speaker 1>don't believe women they're do? I wish that weren't her platform? Yeah?

1:33:00.040 --> 1:33:02.960
<v Speaker 1>As there there any other things. I mean, we didn't

1:33:02.960 --> 1:33:07.320
<v Speaker 1>really get to the mom uh, horny mom, horny mom.

1:33:07.320 --> 1:33:09.240
<v Speaker 1>I mean there's really not that. Like again, I just

1:33:09.360 --> 1:33:11.280
<v Speaker 1>don't think the movie is thinking about her very hard.

1:33:11.320 --> 1:33:14.080
<v Speaker 1>But just because we we just so happened to record

1:33:14.080 --> 1:33:18.160
<v Speaker 1>an episode about Tangled yesterday and talking about like a

1:33:18.320 --> 1:33:21.840
<v Speaker 1>narcissistic mother with a daughter, I think it is like

1:33:21.920 --> 1:33:26.200
<v Speaker 1>worth mentioning that it does give Kelly's character more dimension

1:33:26.280 --> 1:33:30.080
<v Speaker 1>than I was expecting to give her a difficult relationship

1:33:30.120 --> 1:33:33.240
<v Speaker 1>with her mom, who even when even though she believes

1:33:33.240 --> 1:33:36.160
<v Speaker 1>her daughter's rape allegation, which again this is all blown

1:33:36.200 --> 1:33:38.559
<v Speaker 1>up by the fact that it's not real, but her

1:33:38.640 --> 1:33:42.760
<v Speaker 1>mother does believe her immediately but for very selfish reasons

1:33:42.920 --> 1:33:48.919
<v Speaker 1>and makes her daughter's alleged assault all about her, which

1:33:49.720 --> 1:33:52.080
<v Speaker 1>is I don't know what I mean, it just feels

1:33:52.080 --> 1:33:55.200
<v Speaker 1>worth pointing out. And also the fact that Matt Dylan

1:33:55.360 --> 1:33:58.559
<v Speaker 1>has had sex with a mother and a daughter that

1:33:58.640 --> 1:34:03.639
<v Speaker 1>are both grieving. There's you know, spouse slash father who

1:34:03.680 --> 1:34:06.880
<v Speaker 1>died by suicide the year before. It's just like the

1:34:06.920 --> 1:34:09.240
<v Speaker 1>fact that we didn't get around to talk to you

1:34:09.240 --> 1:34:12.280
<v Speaker 1>about that really speaks to how much is going on

1:34:12.439 --> 1:34:15.000
<v Speaker 1>in this movie. I mean, well, I think that's nothing

1:34:15.040 --> 1:34:17.599
<v Speaker 1>to say about grief, but I do think it's like,

1:34:18.080 --> 1:34:20.880
<v Speaker 1>I mean, that's another thing they threw in there. My

1:34:21.000 --> 1:34:24.720
<v Speaker 1>thought about that is so for a while, we are

1:34:24.800 --> 1:34:27.920
<v Speaker 1>led to believe that this whole scheme was Kelly's idea,

1:34:28.600 --> 1:34:33.600
<v Speaker 1>and that she is deliberately screwing over her mom to

1:34:33.880 --> 1:34:36.639
<v Speaker 1>get money from her, like the trust that she feels

1:34:36.680 --> 1:34:39.439
<v Speaker 1>that she deserves earlier, because right now it's like, I'm

1:34:39.439 --> 1:34:41.120
<v Speaker 1>not going to get the trust until my mother dies.

1:34:41.680 --> 1:34:46.280
<v Speaker 1>So we think for quite some time that Kelly has

1:34:46.320 --> 1:34:49.040
<v Speaker 1>such a vendetta against her mom that she's doing this

1:34:49.080 --> 1:34:54.120
<v Speaker 1>whole plot to steal from her mother, who I guess

1:34:54.280 --> 1:34:58.040
<v Speaker 1>she hates. But I felt that their relationship was not

1:34:58.920 --> 1:35:03.320
<v Speaker 1>contextualized or flored enough to understand what was going on

1:35:03.400 --> 1:35:06.559
<v Speaker 1>there at all. Do they treat each other particularly well?

1:35:06.600 --> 1:35:08.760
<v Speaker 1>I would say no, they don't seem like they have

1:35:08.760 --> 1:35:11.479
<v Speaker 1>the best relationship, but there's just we don't know enough

1:35:11.520 --> 1:35:14.680
<v Speaker 1>about it that I'm like, wait, what, why are she

1:35:14.720 --> 1:35:17.680
<v Speaker 1>doing those now? And what? Because I also feel like

1:35:17.680 --> 1:35:20.519
<v Speaker 1>with the mom, like there's a very shorthand of like

1:35:21.120 --> 1:35:25.200
<v Speaker 1>woman having sex equals evil equals villain, and I feel

1:35:25.240 --> 1:35:28.600
<v Speaker 1>like that shorthand is used with her character like or

1:35:28.640 --> 1:35:32.439
<v Speaker 1>like she's somehow callous or unfeeling by wanting to enjoy

1:35:32.680 --> 1:35:36.839
<v Speaker 1>casual sex, especially as like an older woman. Yeah, yeah,

1:35:36.880 --> 1:35:40.600
<v Speaker 1>like they really, you know, shrewd ify her in a

1:35:40.680 --> 1:35:43.560
<v Speaker 1>way that Yeah, I agree that there's not enough context.

1:35:43.760 --> 1:35:46.519
<v Speaker 1>So it's like in one way, you're like, Okay, Kelly's

1:35:46.600 --> 1:35:51.800
<v Speaker 1>character is very traumatized by like because there is that

1:35:51.960 --> 1:35:54.440
<v Speaker 1>one scene with them that doesn't give you enough information,

1:35:54.479 --> 1:35:56.479
<v Speaker 1>but it like I thought it was going to come

1:35:56.520 --> 1:35:59.960
<v Speaker 1>back and it just didn't. Where Kelly's mom has different

1:36:00.040 --> 1:36:04.120
<v Speaker 1>culty like touching her own daughter, like she can't touch her,

1:36:04.160 --> 1:36:06.240
<v Speaker 1>and it's like trying to have a conversation with her

1:36:06.320 --> 1:36:11.080
<v Speaker 1>about the dad, but like they can't quite communicate. And

1:36:11.960 --> 1:36:15.599
<v Speaker 1>that is a really interesting setup if you intend to

1:36:15.680 --> 1:36:20.439
<v Speaker 1>return to that extremely heavy plot point again, which they don't,

1:36:20.520 --> 1:36:24.400
<v Speaker 1>and it ends up making Kelly's mom look extremely callous

1:36:24.400 --> 1:36:28.080
<v Speaker 1>and manipulative and self involved. Then it just kind of

1:36:28.200 --> 1:36:30.400
<v Speaker 1>drops it. So it's kind of like, I don't know,

1:36:30.439 --> 1:36:32.960
<v Speaker 1>I couldn't even reach a conclusion of any sort about

1:36:33.000 --> 1:36:36.320
<v Speaker 1>it because you're like, it just goes away. It was

1:36:36.360 --> 1:36:39.000
<v Speaker 1>an interesting setup, but I guess I don't really have

1:36:39.080 --> 1:36:42.160
<v Speaker 1>much faith in how Mr Steven Peters would have would

1:36:42.160 --> 1:36:45.280
<v Speaker 1>have landed on it either. So yeah, that was my

1:36:45.400 --> 1:36:49.200
<v Speaker 1>last thing. Pretty baller move though, for Sandra van Ryan

1:36:49.760 --> 1:36:54.320
<v Speaker 1>to tell sam One that he was really good at sex,

1:36:54.360 --> 1:36:57.120
<v Speaker 1>but that's all he's good for, and to say that

1:36:57.200 --> 1:36:59.439
<v Speaker 1>in front of the other guy that she is currently

1:36:59.479 --> 1:37:04.240
<v Speaker 1>fucking look pretty cool. Can't wait to try that out someday.

1:37:05.080 --> 1:37:07.679
<v Speaker 1>Got I mean picking up the phone while you're coming

1:37:08.000 --> 1:37:12.559
<v Speaker 1>is also like a pretty pretty incredible thing to do. Like,

1:37:13.000 --> 1:37:19.000
<v Speaker 1>she's classically trained. I love going to like, yeah, you

1:37:19.040 --> 1:37:22.360
<v Speaker 1>go to Teresa Russell's Wikipedia page. Lee Strasberg the same

1:37:22.360 --> 1:37:26.639
<v Speaker 1>deal with Jigsaw. Jigsaw went like graduated from Yale drama school.

1:37:26.640 --> 1:37:29.240
<v Speaker 1>And you're like, and it makes sense, but you have

1:37:29.360 --> 1:37:33.519
<v Speaker 1>done that without the training. We don't know. I love you, guys.

1:37:35.600 --> 1:37:39.640
<v Speaker 1>We're so happy you came back. Like do we do

1:37:39.720 --> 1:37:41.840
<v Speaker 1>we miss I mean, I'm sure we missed something. I

1:37:41.840 --> 1:37:44.599
<v Speaker 1>feel like I missed everything. But there's there's just too

1:37:44.640 --> 1:37:47.840
<v Speaker 1>much happening in this movie. We we simply can't touch

1:37:47.880 --> 1:37:50.120
<v Speaker 1>on it at all. My last question is, what does

1:37:50.240 --> 1:37:53.040
<v Speaker 1>Teresa Russell's say? Did she say I missed it the

1:37:53.040 --> 1:37:55.120
<v Speaker 1>first time I was an anapylactic shock. The second time

1:37:55.200 --> 1:37:58.040
<v Speaker 1>I missed it? She said something on the phone to

1:37:58.080 --> 1:38:01.880
<v Speaker 1>Matt Dylan, something akin to not every man knows how

1:38:01.920 --> 1:38:06.120
<v Speaker 1>to drive my boat or like that. Oh, she says,

1:38:06.280 --> 1:38:08.679
<v Speaker 1>I haven't found a man who can drive my boat

1:38:08.720 --> 1:38:14.799
<v Speaker 1>better than you, or something like that boat as pussy metaphor. Yeah, yeah,

1:38:14.840 --> 1:38:16.920
<v Speaker 1>it's interesting. And the guy she was fucking knew it

1:38:16.960 --> 1:38:19.160
<v Speaker 1>because he was like, really, girl, I didn't even leave

1:38:19.200 --> 1:38:21.439
<v Speaker 1>the room, and she was like, I don't. This isn't

1:38:21.439 --> 1:38:25.080
<v Speaker 1>about you. That's what I'm saying. She is an icon,

1:38:27.240 --> 1:38:31.200
<v Speaker 1>perhaps maybe Mother of the Year. She is not. But

1:38:31.280 --> 1:38:35.879
<v Speaker 1>did she say did that Lee Strasburg trained Teresa Russell

1:38:36.160 --> 1:38:39.080
<v Speaker 1>say not not? Every man knows how to run ride

1:38:39.120 --> 1:38:43.720
<v Speaker 1>my boat? Absolutely yes, and we stand, let's just we do.

1:38:43.800 --> 1:38:47.479
<v Speaker 1>We have to hand it to her. Does this movie

1:38:47.520 --> 1:38:54.479
<v Speaker 1>past the Bechtel test? I think so yeah, between some people,

1:38:54.800 --> 1:38:56.720
<v Speaker 1>not as much as it should. I honestly forgot to

1:38:56.760 --> 1:39:00.439
<v Speaker 1>pay attention. As pretty usual. I would look back and

1:39:00.439 --> 1:39:03.000
<v Speaker 1>then they would talk talking to the movie like say,

1:39:03.000 --> 1:39:05.080
<v Speaker 1>I'm gonna be like, god, damn it set up. Yeah.

1:39:05.200 --> 1:39:09.040
<v Speaker 1>I think right before the girls make out, they are

1:39:09.120 --> 1:39:13.000
<v Speaker 1>talking about mommy issues, So that might be. That might

1:39:13.040 --> 1:39:16.040
<v Speaker 1>be the moment right before the queer baiting we get

1:39:16.080 --> 1:39:21.400
<v Speaker 1>feminism and then it's gone. There's also the scene where

1:39:21.560 --> 1:39:23.960
<v Speaker 1>the two girls go to the beach and Susie is like, oh,

1:39:24.000 --> 1:39:26.559
<v Speaker 1>I thought we were going to go somewhere else and

1:39:26.560 --> 1:39:28.000
<v Speaker 1>the other ones like no, I think we just like

1:39:28.080 --> 1:39:31.240
<v Speaker 1>need to get wasted tonight, and then they kiss and

1:39:31.280 --> 1:39:34.840
<v Speaker 1>then Sam shows up, but like they're like small exchanges

1:39:35.080 --> 1:39:38.400
<v Speaker 1>within larger conversation. I think the larger conversations generally don't pass,

1:39:38.479 --> 1:39:41.880
<v Speaker 1>but like individual with the micro kind of want to

1:39:41.880 --> 1:39:43.839
<v Speaker 1>give it to this movie. I don't really know why.

1:39:43.680 --> 1:39:48.519
<v Speaker 1>I'm on Scarletly Journal betel test dot com and there

1:39:48.520 --> 1:39:51.000
<v Speaker 1>are a few that I think passed in the microway.

1:39:51.240 --> 1:39:55.120
<v Speaker 1>Possibly not the macroway, but it allegedly passes in that

1:39:55.160 --> 1:39:58.759
<v Speaker 1>scene you're just describing Princess between Nev Campbell and Denise Richards,

1:39:58.880 --> 1:40:01.280
<v Speaker 1>and I guess it also passes between Denise Richards and

1:40:01.280 --> 1:40:04.080
<v Speaker 1>her mom at the beginning of their conversation where she's

1:40:04.120 --> 1:40:07.800
<v Speaker 1>being asked why she's missing school, right, and there's like

1:40:07.840 --> 1:40:10.120
<v Speaker 1>a couple lines that passed before it's like, oh, did

1:40:10.160 --> 1:40:14.400
<v Speaker 1>a boy hurt your feelings or like whatever, um ms,

1:40:14.520 --> 1:40:19.759
<v Speaker 1>Lee Strasburg, says Teresa Russell herself. Yeah, it like sucks.

1:40:19.800 --> 1:40:22.200
<v Speaker 1>Also that, like the scene that passes, it is also

1:40:22.280 --> 1:40:26.120
<v Speaker 1>full of like a blest nineties slurs and just like yeah,

1:40:26.360 --> 1:40:28.160
<v Speaker 1>every time every time I hear the R A word,

1:40:28.160 --> 1:40:33.560
<v Speaker 1>and if I'm like oh god, it's like it's like

1:40:33.600 --> 1:40:36.080
<v Speaker 1>a visceral, like oh God, I forgot that used to

1:40:36.120 --> 1:40:39.000
<v Speaker 1>be a thing that happened. Oh no, and that happened

1:40:39.040 --> 1:40:45.240
<v Speaker 1>all the time. Uh well, hey, how about that nipple

1:40:45.280 --> 1:40:53.200
<v Speaker 1>scale of ours zero to five nipples? Based on looking

1:40:53.240 --> 1:40:56.880
<v Speaker 1>at the movie through an intersectional feminist lens, I'm gonna

1:40:56.880 --> 1:41:03.160
<v Speaker 1>get a nose bleed. Oh I think I'll give the

1:41:03.200 --> 1:41:09.280
<v Speaker 1>movie a half nipple, mostly because of the way the

1:41:09.360 --> 1:41:12.679
<v Speaker 1>movie ends, because for a long time I'm like, oh no,

1:41:12.800 --> 1:41:16.799
<v Speaker 1>these girls are lying there scheming. Then they get murdered,

1:41:17.080 --> 1:41:21.600
<v Speaker 1>so basically every bad thing that could possibly happen happens.

1:41:22.080 --> 1:41:25.120
<v Speaker 1>But then it's like, wait a minute, nev Campbell was

1:41:25.160 --> 1:41:29.000
<v Speaker 1>the mastermind behind the whole thing, and she's a genius,

1:41:29.040 --> 1:41:30.880
<v Speaker 1>and I'm like, okay, I do kind of like that.

1:41:31.120 --> 1:41:35.759
<v Speaker 1>Although I could have sworn that the movie ended with

1:41:36.320 --> 1:41:40.120
<v Speaker 1>Kelly coming back also like her faking her death and

1:41:40.160 --> 1:41:44.200
<v Speaker 1>it's the two of them like working together. That would

1:41:44.200 --> 1:41:47.040
<v Speaker 1>have been feminism. That would have been like and then

1:41:47.080 --> 1:41:49.719
<v Speaker 1>it could have ended in a more bound way where

1:41:49.720 --> 1:41:57.040
<v Speaker 1>they both live, and this movie isn't really operating on bounds. No,

1:41:57.640 --> 1:42:01.280
<v Speaker 1>so I misremembered that and it's just Susie. But I'll

1:42:01.320 --> 1:42:04.360
<v Speaker 1>give that ending a half nipple. The rest of the

1:42:04.400 --> 1:42:11.040
<v Speaker 1>movie is trash, particularly how the movie basically reinforces this

1:42:11.240 --> 1:42:16.000
<v Speaker 1>extremely harmful and sinister idea that survivors of rape are

1:42:16.280 --> 1:42:20.760
<v Speaker 1>actually lying and making it all up for financial gain

1:42:21.240 --> 1:42:24.120
<v Speaker 1>and to ruin the lives of quote unquote innocent men.

1:42:24.800 --> 1:42:29.080
<v Speaker 1>Horrible thing to reinforce, very gross. And then all the

1:42:29.080 --> 1:42:32.160
<v Speaker 1>other things we talked about, just you know, the exploitation

1:42:32.200 --> 1:42:38.799
<v Speaker 1>and constant objectification of women's bodies, and all the other stuff.

1:42:39.720 --> 1:42:44.160
<v Speaker 1>The one cop who's a woman being the one leading

1:42:44.160 --> 1:42:47.320
<v Speaker 1>the charge on disbelieving the other woman and being right.

1:42:48.040 --> 1:42:54.240
<v Speaker 1>The list goes on. Just it's a cluster fluck. Um

1:42:54.280 --> 1:42:57.000
<v Speaker 1>I do. I would down the line want this movie

1:42:57.000 --> 1:42:58.960
<v Speaker 1>in a group. This would be a fun movie to

1:42:59.000 --> 1:43:02.840
<v Speaker 1>watch in a group. Oh yeah, a drinking game. Definitely

1:43:03.120 --> 1:43:08.120
<v Speaker 1>for every twist you die. But I'll give the movie

1:43:08.200 --> 1:43:10.960
<v Speaker 1>half nipple, even though I don't think it really deserves it.

1:43:11.200 --> 1:43:15.120
<v Speaker 1>And I will give that half nipple. I'll give it

1:43:15.160 --> 1:43:19.360
<v Speaker 1>to the actor Daphne ruben Vega, not the character she plays,

1:43:19.680 --> 1:43:25.920
<v Speaker 1>but the Yeah she rocks. I'll meet you there. It

1:43:25.960 --> 1:43:30.760
<v Speaker 1>feels wrong giving this movie nothing because it's doing so much. Um,

1:43:31.200 --> 1:43:35.320
<v Speaker 1>it would feel it would feel mean, but for the

1:43:35.400 --> 1:43:37.559
<v Speaker 1>for the reasons that we've been talking about for apparence

1:43:37.680 --> 1:43:40.960
<v Speaker 1>of two hours now. It is like this movie is

1:43:41.280 --> 1:43:44.760
<v Speaker 1>kind of like like it creates all these trapdoors to

1:43:44.800 --> 1:43:48.800
<v Speaker 1>make it impossible to talk about UM. But I think,

1:43:48.880 --> 1:43:50.800
<v Speaker 1>you know, I think all things considered, we did we

1:43:50.800 --> 1:43:53.680
<v Speaker 1>did a pretty good job. Because it's like, well, this

1:43:53.880 --> 1:43:55.680
<v Speaker 1>almost made a point, but then if you go back

1:43:55.720 --> 1:43:58.720
<v Speaker 1>to the original plot point that two young girls are

1:43:58.800 --> 1:44:01.920
<v Speaker 1>lying about assault, that kind of makes all the points moved.

1:44:02.000 --> 1:44:04.280
<v Speaker 1>This movie is saying everything and nothing at the same time.

1:44:04.800 --> 1:44:07.759
<v Speaker 1>It made my head hurt, truly in good and bad ways.

1:44:08.560 --> 1:44:12.960
<v Speaker 1>It feels like the most erotic and thrillyst erotic thriller

1:44:13.080 --> 1:44:16.519
<v Speaker 1>I have maybe ever seen. Yeah, I don't know that

1:44:16.520 --> 1:44:20.360
<v Speaker 1>I necessarily have much to add to what we've already said,

1:44:20.400 --> 1:44:23.960
<v Speaker 1>except that, uh, someone wrote a whole essay that's cited

1:44:23.960 --> 1:44:30.639
<v Speaker 1>on Wikipedia that this is loosely based on a Greek tragedy. Yeah,

1:44:30.800 --> 1:44:34.519
<v Speaker 1>it's like you're telling me that Matt Dylan is supposed

1:44:34.520 --> 1:44:42.320
<v Speaker 1>to be Hippolytis. It just doesn't make sense. But I

1:44:42.360 --> 1:44:45.680
<v Speaker 1>think that that speaks to how baffling this movie is

1:44:46.080 --> 1:44:49.479
<v Speaker 1>to like people need it to make sense in some way. UM,

1:44:49.520 --> 1:44:51.559
<v Speaker 1>and by relating it to some of the oldest stories

1:44:51.600 --> 1:44:55.599
<v Speaker 1>that exist on the planet. Um, okay, look, I like

1:44:55.840 --> 1:45:00.120
<v Speaker 1>how Ultimately at the end, someone says, who says it?

1:45:00.120 --> 1:45:04.240
<v Speaker 1>It's Bill Murray, much like e t he says, be good, confusing,

1:45:05.080 --> 1:45:07.680
<v Speaker 1>I'm gonna gonna have a nipple and I'm gonna, um,

1:45:08.280 --> 1:45:10.800
<v Speaker 1>I guess you gave yours to Dapty ruben Vega. So

1:45:10.880 --> 1:45:14.400
<v Speaker 1>she's I'm going to give mine to Teresa Russell and

1:45:14.640 --> 1:45:19.040
<v Speaker 1>um and her landline telephone. Yes, yes, that's amazing. I'm

1:45:19.040 --> 1:45:23.160
<v Speaker 1>gonna put your two half nips together and make it

1:45:23.200 --> 1:45:29.559
<v Speaker 1>into one full nipple. Only because I do appreciate Nev

1:45:29.640 --> 1:45:33.640
<v Speaker 1>being like this white man killed an indigenous person, and

1:45:33.640 --> 1:45:35.160
<v Speaker 1>so I'm going to everyone his life and all the

1:45:35.160 --> 1:45:39.519
<v Speaker 1>white people around and I'm like, you know, I can,

1:45:39.600 --> 1:45:42.320
<v Speaker 1>I can get down with that. And I think, you know,

1:45:42.720 --> 1:45:45.920
<v Speaker 1>to quote from Macbeth, this this film is full of

1:45:46.000 --> 1:45:52.200
<v Speaker 1>sound and fury signifying nothing. Um and and yet I

1:45:52.240 --> 1:45:55.479
<v Speaker 1>will admit it got me sometimes. I know. That was

1:45:55.560 --> 1:45:58.840
<v Speaker 1>kind of like, damn, they do look good, though I

1:45:58.920 --> 1:46:01.200
<v Speaker 1>was I really, I was just talking to Jamie. I'm like,

1:46:01.280 --> 1:46:06.439
<v Speaker 1>damn it. Part of the the sexy people do be sexy.

1:46:07.560 --> 1:46:08.880
<v Speaker 1>It was definitely a thing where I was like, I

1:46:08.920 --> 1:46:11.519
<v Speaker 1>was like, Princess, you're watching this to a feminist lens,

1:46:12.600 --> 1:46:14.640
<v Speaker 1>and I'm just like and I'm like, yeah, this is

1:46:14.640 --> 1:46:20.040
<v Speaker 1>not very bad, so you're watching respectfully, respectfully, So it's

1:46:20.160 --> 1:46:24.920
<v Speaker 1>one respectful nipple. And I'm gonna give it to Nev

1:46:25.120 --> 1:46:29.800
<v Speaker 1>for being an ally, for literally making the rich eat

1:46:29.840 --> 1:46:32.360
<v Speaker 1>themselves and then walking away with a bunch of money

1:46:32.479 --> 1:46:36.160
<v Speaker 1>into the sunset. Um. Yes, love love that for her,

1:46:36.200 --> 1:46:39.000
<v Speaker 1>which she didn't have to, you know, uplift sexist tropes

1:46:39.040 --> 1:46:44.800
<v Speaker 1>to do it. Yeah, And and it is such a fascinating, cool,

1:46:44.880 --> 1:46:47.760
<v Speaker 1>inciting incident for the dafty ruben Vega character, for her

1:46:47.840 --> 1:46:50.960
<v Speaker 1>to be avenging an indigenous friend, and the fact that

1:46:50.960 --> 1:46:54.919
<v Speaker 1>that is also a really interesting salient, like super regional

1:46:54.960 --> 1:47:01.559
<v Speaker 1>plot point to that is just dropped. Is garbage, all right.

1:47:02.040 --> 1:47:07.679
<v Speaker 1>This movie was edited by a woman. That's my final

1:47:07.800 --> 1:47:10.160
<v Speaker 1>drop of the episode. So well, I'm going to give

1:47:10.160 --> 1:47:13.320
<v Speaker 1>her credit for making them look hot and for putting

1:47:13.360 --> 1:47:15.680
<v Speaker 1>that shot of the rock coreon and that thought I

1:47:15.760 --> 1:47:20.160
<v Speaker 1>was gonna say, do you think assis Man could come

1:47:20.280 --> 1:47:28.360
<v Speaker 1>up with something of that caliber? Not possible? All right, Well, Princess,

1:47:28.400 --> 1:47:31.479
<v Speaker 1>thank you so much. For coming back, come back any time.

1:47:32.200 --> 1:47:34.680
<v Speaker 1>I love this place. I love talking to y'all. I

1:47:35.200 --> 1:47:38.120
<v Speaker 1>feel like I get a mini film education just coming here.

1:47:38.960 --> 1:47:41.519
<v Speaker 1>And thank God for you, Caitlin keeping our horny energy

1:47:41.760 --> 1:47:45.160
<v Speaker 1>on on Landy, like, come on, guys, it isn't could

1:47:45.200 --> 1:47:47.000
<v Speaker 1>have gone to a really dark We could have ended

1:47:47.000 --> 1:47:49.639
<v Speaker 1>that by being like, so all things considered pretty good

1:47:49.640 --> 1:47:54.240
<v Speaker 1>movie and Kaylin, through the power of Alfred Millinez like

1:47:54.240 --> 1:47:57.960
<v Speaker 1>then let's remember Reinfortunate and we're just like, yeah, yeah, Kayla,

1:47:58.000 --> 1:48:00.280
<v Speaker 1>you're right, you're right, You're right. I am wearing the

1:48:00.280 --> 1:48:04.840
<v Speaker 1>shirt that Jamie designed for Super Hockey Alfred Molina my

1:48:04.920 --> 1:48:08.200
<v Speaker 1>one true love. So hopefully it comes back one day.

1:48:08.400 --> 1:48:13.680
<v Speaker 1>Well fingers crossed. Princess, where can we find you on online?

1:48:13.720 --> 1:48:16.000
<v Speaker 1>Tell us where to find you? There's a million places

1:48:16.000 --> 1:48:18.880
<v Speaker 1>to find You'll let them know if I'm not seducing

1:48:18.920 --> 1:48:21.720
<v Speaker 1>people by the pool. I am on Twitter at the

1:48:22.520 --> 1:48:27.400
<v Speaker 1>Weeks Princess, and then I am on YouTube as Princess Weeks,

1:48:27.400 --> 1:48:31.240
<v Speaker 1>and I also have podcasts now. I did the It's

1:48:31.320 --> 1:48:35.040
<v Speaker 1>Lit on a Bridge podcast for PBS and I currently

1:48:35.080 --> 1:48:38.800
<v Speaker 1>co host the Netflix Gee podcast with Tessa Netting. We

1:48:38.920 --> 1:48:43.200
<v Speaker 1>got to interview Neil Gaiman ever heard of him? Um

1:48:44.840 --> 1:48:47.719
<v Speaker 1>for Sandman and like a lot of really fun talent.

1:48:47.960 --> 1:48:51.200
<v Speaker 1>And yeah, it's just a pleasure to be to be seen,

1:48:51.360 --> 1:48:55.479
<v Speaker 1>be heard and be part of feminist history. By being

1:48:55.479 --> 1:49:01.440
<v Speaker 1>part of the Bechtel Cast, we are kind of legendaries.

1:49:01.600 --> 1:49:06.400
<v Speaker 1>I mean, we're not Stephen Peters, but you know, we

1:49:06.960 --> 1:49:11.400
<v Speaker 1>just rival Peter Stevens. We're working on it. You guys

1:49:11.439 --> 1:49:14.360
<v Speaker 1>will get there, I mean, like you will age and

1:49:14.400 --> 1:49:19.240
<v Speaker 1>that's really all it takes to become here. We will

1:49:19.680 --> 1:49:22.600
<v Speaker 1>become progressively more and more out of touch with the

1:49:22.640 --> 1:49:27.160
<v Speaker 1>youth of today. We will achieve Stephen Peters level of

1:49:27.200 --> 1:49:30.040
<v Speaker 1>cognitive dissonance about what teen girls are like. Actually that

1:49:30.120 --> 1:49:35.240
<v Speaker 1>might not be positive, but you can help us get

1:49:35.280 --> 1:49:38.760
<v Speaker 1>to that that legend status by you know, just ris

1:49:38.920 --> 1:49:42.760
<v Speaker 1>up following us on social media Twitter and Instagram at

1:49:42.760 --> 1:49:45.439
<v Speaker 1>Bechtel Cast. Why don't you, you know, follow us and

1:49:45.760 --> 1:49:50.439
<v Speaker 1>subscribe on whatever podcast platform and write and review us

1:49:50.439 --> 1:49:52.840
<v Speaker 1>while you're at us. Give us five nipples. And then

1:49:52.880 --> 1:49:57.200
<v Speaker 1>there's also, of course our Patreon a k a. Matreon,

1:49:57.439 --> 1:50:01.400
<v Speaker 1>where we cover two bonus episodes every single month. Plus

1:50:01.439 --> 1:50:04.360
<v Speaker 1>you get access to the back catalog and you'll hear

1:50:04.400 --> 1:50:12.840
<v Speaker 1>such episodes as Saw and others came over Slam. So

1:50:13.000 --> 1:50:16.439
<v Speaker 1>check that out at patreon dot com slash spectel cast.

1:50:16.600 --> 1:50:21.519
<v Speaker 1>It's five dollars a month, well spent. Hell yes, um,

1:50:21.600 --> 1:50:25.000
<v Speaker 1>you can also get our merchant t public dot com

1:50:25.000 --> 1:50:29.439
<v Speaker 1>slash the back dol Cast will have new merch coming

1:50:29.439 --> 1:50:33.519
<v Speaker 1>out soon. Look. Oh, my critics will say, I haven't

1:50:33.560 --> 1:50:37.519
<v Speaker 1>designed new merchant three years. Well get I've just been

1:50:38.040 --> 1:50:42.160
<v Speaker 1>cooking up some little ideas, so don't worry about it.

1:50:42.360 --> 1:50:46.160
<v Speaker 1>Be fine, I can't wait. Well, I'll have Kevin's bacon.

1:50:48.040 --> 1:50:51.400
<v Speaker 1>But it's Kevin the Minion. It's no, I'm not doing

1:50:51.479 --> 1:50:55.040
<v Speaker 1>port I trust me. There there's nothing left to be

1:50:55.080 --> 1:50:58.479
<v Speaker 1>said in the world of sexualized minions. I have nothing

1:50:58.520 --> 1:51:03.720
<v Speaker 1>to add to the conversation. It's been exhausted. She's exhausted.

1:51:04.680 --> 1:51:08.680
<v Speaker 1>I'm I'm tired. Their cheeks are in the movie. We

1:51:08.720 --> 1:51:12.600
<v Speaker 1>should have minions merch. It doesn't need to be sexy.

1:51:12.760 --> 1:51:16.320
<v Speaker 1>We should have minions merch. Um. So I just got

1:51:16.760 --> 1:51:20.759
<v Speaker 1>a sidetracked by the possibilities. Princess, please come back. I will.

1:51:21.439 --> 1:51:25.200
<v Speaker 1>I will take something even scarier than this. Oh my goodness,

1:51:25.320 --> 1:51:27.800
<v Speaker 1>I mean this is gonna be hard to top. But boy,

1:51:27.840 --> 1:51:34.639
<v Speaker 1>howdy will I try well with that? Um? Hey, be good,

1:51:35.400 --> 1:51:40.200
<v Speaker 1>be good. To quote famous character Bill Murray, bye bye,

1:51:40.240 --> 1:51:40.960
<v Speaker 1>bye bye,