1 00:00:00,120 --> 00:00:02,640 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,680 --> 00:00:04,400 Speaker 1: am your host Movie Mike. Today I want to share 3 00:00:04,440 --> 00:00:07,520 Speaker 1: with you my ultimate summer movie survival guide, how to 4 00:00:07,560 --> 00:00:09,800 Speaker 1: save you time, how to save you money at the 5 00:00:09,800 --> 00:00:13,160 Speaker 1: movie theater. And this survival guide includes my top five 6 00:00:13,280 --> 00:00:16,480 Speaker 1: must see movies of the summer. In the movie review, 7 00:00:16,520 --> 00:00:20,640 Speaker 1: we'll be talking about Fast X, most importantly how ridiculous 8 00:00:20,680 --> 00:00:23,040 Speaker 1: it was and do we need to see another Fast 9 00:00:23,040 --> 00:00:25,760 Speaker 1: movie after this installment? And in the trailer park we'll 10 00:00:25,760 --> 00:00:29,440 Speaker 1: be talking about Mission Impossible, Dead Reckoning Part one and 11 00:00:29,480 --> 00:00:32,120 Speaker 1: how Tom Cruise performed his own stunts in this movie. 12 00:00:32,200 --> 00:00:34,400 Speaker 1: Thank you for being here, Thank you for being subscribed. 13 00:00:34,440 --> 00:00:37,080 Speaker 1: Shout out to the Monday Morning Movie Crew. He Now, 14 00:00:37,440 --> 00:00:38,360 Speaker 1: let's talk movies. 15 00:00:38,720 --> 00:00:41,960 Speaker 2: In a world where everyone and their mother has a podcast. 16 00:00:42,440 --> 00:00:46,360 Speaker 2: One man stands to infiltrate the ears of listeners like 17 00:00:46,440 --> 00:00:48,879 Speaker 2: never before in a movie podcast. 18 00:00:49,600 --> 00:00:51,760 Speaker 1: A man with so much movie knowledge. 19 00:00:51,840 --> 00:00:55,960 Speaker 2: He's basically like a walking IMTV with glasses. 20 00:00:56,360 --> 00:01:01,480 Speaker 1: From the Nashville Podcast Network. This is Movie Movie Podcast, 21 00:01:02,400 --> 00:01:05,440 Speaker 1: Movie Crew. It is my favorite time a year. It 22 00:01:05,560 --> 00:01:09,119 Speaker 1: is summer blockbuster season. I already go to the movies 23 00:01:09,160 --> 00:01:11,360 Speaker 1: a lot, but I get even more excited to go 24 00:01:11,360 --> 00:01:14,759 Speaker 1: to the movies even more around summer Blockbuster season, because 25 00:01:14,800 --> 00:01:17,520 Speaker 1: you get all the big action movies, the movies where 26 00:01:17,520 --> 00:01:20,160 Speaker 1: you can turn off your brain, throw some popcorn in 27 00:01:20,200 --> 00:01:22,760 Speaker 1: your face, and just sit there and enjoy it in 28 00:01:22,800 --> 00:01:25,399 Speaker 1: the cool, dark theater to escape that sun. It is 29 00:01:25,440 --> 00:01:28,119 Speaker 1: my favorite time of year, the time of year I've 30 00:01:28,160 --> 00:01:29,840 Speaker 1: looked forward to ever since I was a kid, so 31 00:01:29,840 --> 00:01:32,120 Speaker 1: I think I probably associate a lot of that with 32 00:01:32,240 --> 00:01:35,240 Speaker 1: my childhood. But man, there's some great movies coming out 33 00:01:35,240 --> 00:01:36,560 Speaker 1: this year. I do want to share with you my 34 00:01:36,600 --> 00:01:39,360 Speaker 1: top five must see movies of the summer. But before 35 00:01:39,400 --> 00:01:41,759 Speaker 1: we get into that, since I go to the movies 36 00:01:41,840 --> 00:01:44,600 Speaker 1: so much, I've developed this list of skills and how 37 00:01:44,640 --> 00:01:47,000 Speaker 1: to save time and how to save money, and I 38 00:01:47,120 --> 00:01:49,560 Speaker 1: realized that maybe not everybody knows about these, so I 39 00:01:49,560 --> 00:01:51,919 Speaker 1: wanted to share this with you to keep some extra 40 00:01:52,040 --> 00:01:54,000 Speaker 1: cash in your pocket, especially if you have a big 41 00:01:54,040 --> 00:01:56,080 Speaker 1: family or you're like me and go to the movie 42 00:01:56,120 --> 00:01:59,400 Speaker 1: theater a lot. I'm talking one to two times a week. 43 00:01:59,600 --> 00:02:02,800 Speaker 1: These are things that I've learned that have saved me time, 44 00:02:03,160 --> 00:02:05,120 Speaker 1: have saved me money, and I want to share them 45 00:02:05,160 --> 00:02:07,639 Speaker 1: with you. So let's get into it. At number five, 46 00:02:08,360 --> 00:02:11,440 Speaker 1: don't see anything in three D. It was cool, but 47 00:02:11,560 --> 00:02:14,760 Speaker 1: hasn't really been cool since about twenty ten. Avatar came 48 00:02:14,800 --> 00:02:17,320 Speaker 1: out in two thousand and nine, and it really pushed 49 00:02:17,320 --> 00:02:21,480 Speaker 1: that technology, but I find that after about fifteen maybe 50 00:02:21,480 --> 00:02:24,320 Speaker 1: twenty minutes, the novelty of it quickly wears off, so 51 00:02:24,360 --> 00:02:27,840 Speaker 1: I think it's kind of a fad. And when movies 52 00:02:27,880 --> 00:02:30,519 Speaker 1: were cashing in more on it, they were actually doing 53 00:02:30,560 --> 00:02:33,600 Speaker 1: some things that would benefit three D, so maybe it'd 54 00:02:33,639 --> 00:02:36,280 Speaker 1: be like bubbles blowing at you or some kind of 55 00:02:36,320 --> 00:02:38,959 Speaker 1: missile shooting at you, just to make it feel like 56 00:02:39,000 --> 00:02:42,760 Speaker 1: they were actually utilizing that technology. But since then it's 57 00:02:42,800 --> 00:02:45,840 Speaker 1: really gone to the wayside, so I'm actually surprised they 58 00:02:45,880 --> 00:02:48,040 Speaker 1: still offer this feature. I feel like they are just 59 00:02:48,120 --> 00:02:51,040 Speaker 1: tacking it on to take your money, so especially if 60 00:02:51,080 --> 00:02:54,080 Speaker 1: you're going to these Disney movies and it's adding on 61 00:02:54,160 --> 00:02:57,200 Speaker 1: another five bucks, so it's not worth it. Along those 62 00:02:57,240 --> 00:03:01,480 Speaker 1: same lines, if a movie wasn't shot with Imax cameras, 63 00:03:01,840 --> 00:03:04,960 Speaker 1: it's not worth seeing in Imax. What this means is 64 00:03:05,200 --> 00:03:08,639 Speaker 1: so usually movies will advertise that it was shot on 65 00:03:08,720 --> 00:03:11,359 Speaker 1: Imax cameras, so watch for that in trailers, and it's 66 00:03:11,400 --> 00:03:13,960 Speaker 1: usually the big directors with big budgets who are able 67 00:03:14,000 --> 00:03:16,480 Speaker 1: to do this. One movie in particular is Doom Too 68 00:03:16,560 --> 00:03:18,840 Speaker 1: coming out later this year, which I've been talking about. 69 00:03:19,160 --> 00:03:23,160 Speaker 1: That movie was shot with Imax cameras, therefore it does 70 00:03:23,360 --> 00:03:26,600 Speaker 1: utilize the whole entire IMAX screen, so I think it's 71 00:03:26,600 --> 00:03:29,320 Speaker 1: really only worth it if it was shot and that's 72 00:03:29,360 --> 00:03:32,440 Speaker 1: how it's intended to be seen. Otherwise, they're just kind 73 00:03:32,440 --> 00:03:34,640 Speaker 1: of getting you for more money. So that's my number 74 00:03:34,680 --> 00:03:38,040 Speaker 1: five tip. At number four, go to an independent theater. 75 00:03:38,160 --> 00:03:41,720 Speaker 1: Support local. There's the movie theater I love in Nashville 76 00:03:41,760 --> 00:03:45,200 Speaker 1: called the Bell Court. Now, your local movie theater may 77 00:03:45,240 --> 00:03:48,760 Speaker 1: not get all the big movies every single week, but 78 00:03:48,800 --> 00:03:52,240 Speaker 1: it's a really great way to support a business. So 79 00:03:52,280 --> 00:03:55,520 Speaker 1: go there, buy a bunch of snacks, which are usually cheaper, 80 00:03:55,600 --> 00:03:58,600 Speaker 1: along with the ticket prices being cheaper, and I find 81 00:03:58,640 --> 00:04:02,040 Speaker 1: that they also offer more special deals than the big 82 00:04:02,120 --> 00:04:05,800 Speaker 1: theater chains. So find your local theater, sign up for 83 00:04:05,840 --> 00:04:09,520 Speaker 1: their emails, and utilize that because I feel like your 84 00:04:09,560 --> 00:04:12,280 Speaker 1: dollar goes further at a local theater, and it just 85 00:04:12,280 --> 00:04:14,840 Speaker 1: feels like it matters a little bit more. I find 86 00:04:14,880 --> 00:04:17,799 Speaker 1: the experience is a lot more calm at a local theater, 87 00:04:18,040 --> 00:04:20,920 Speaker 1: and you can also find more independent movies, so it's 88 00:04:20,960 --> 00:04:23,720 Speaker 1: expanding your mind at the same time. But also at 89 00:04:23,720 --> 00:04:26,119 Speaker 1: some of these they will get the bigger movies later 90 00:04:26,240 --> 00:04:29,240 Speaker 1: and you can watch them for cheaper. So support your 91 00:04:29,279 --> 00:04:33,680 Speaker 1: local independent theater and save money. At number three, go 92 00:04:33,760 --> 00:04:37,120 Speaker 1: catch a matinee. I love a matinee, so at any 93 00:04:37,160 --> 00:04:40,040 Speaker 1: movie theater, tickets are going to be cheaper, sometimes thirty 94 00:04:40,040 --> 00:04:43,640 Speaker 1: percent less. If you go during the day, it's also 95 00:04:43,760 --> 00:04:47,400 Speaker 1: less crowded. And if you go to a matinee, make 96 00:04:47,440 --> 00:04:49,440 Speaker 1: sure to eat lunch before so you can save money, 97 00:04:49,520 --> 00:04:52,080 Speaker 1: hunt snacks, and then just go to dinner after. Kelsey 98 00:04:52,120 --> 00:04:54,240 Speaker 1: and I love doing that. We go to a matinee 99 00:04:54,560 --> 00:04:56,640 Speaker 1: and then have our dinner after so we don't spend 100 00:04:56,680 --> 00:04:58,880 Speaker 1: a lot of money on drinks and snacks. And another 101 00:04:58,920 --> 00:05:01,840 Speaker 1: thing I found that not every nobody knows is Friday 102 00:05:02,040 --> 00:05:05,440 Speaker 1: is no longer the official release date for movies. For 103 00:05:05,520 --> 00:05:08,960 Speaker 1: any major release, they have movie times starting on Thursday. 104 00:05:09,160 --> 00:05:12,400 Speaker 1: I think it's trying to expand and give people more options. 105 00:05:12,600 --> 00:05:15,080 Speaker 1: So the more days they can offer, the more times. 106 00:05:15,279 --> 00:05:17,560 Speaker 1: It just helps these movies make money. So if you 107 00:05:17,600 --> 00:05:19,760 Speaker 1: want to go to see a brand new movie the 108 00:05:19,800 --> 00:05:21,479 Speaker 1: week it's released, and you don't want to sit in 109 00:05:21,520 --> 00:05:24,800 Speaker 1: a crowded theater, check it out on a Thursday at 110 00:05:24,880 --> 00:05:26,960 Speaker 1: number two. This one is going to save you time. 111 00:05:27,640 --> 00:05:30,520 Speaker 1: If you don't want to watch the previews, get to 112 00:05:30,560 --> 00:05:34,320 Speaker 1: the movie about fifteen to eighteen minutes after the start 113 00:05:34,360 --> 00:05:37,520 Speaker 1: time that is listed based upon your comfort level on 114 00:05:37,600 --> 00:05:40,200 Speaker 1: how close you like to cut it. There is always 115 00:05:40,680 --> 00:05:44,480 Speaker 1: at least twenty minutes of previews for every movie. So 116 00:05:44,520 --> 00:05:48,280 Speaker 1: say you're going to a seven pm showtime, get there 117 00:05:48,320 --> 00:05:50,720 Speaker 1: at seven eighteen. That's what I will do. Give you 118 00:05:50,800 --> 00:05:53,400 Speaker 1: time to find your seat, which most movie theaters now 119 00:05:53,560 --> 00:05:56,520 Speaker 1: offer the option for you to pick your seats. The 120 00:05:56,560 --> 00:05:59,120 Speaker 1: only thing I run into Sometimes if you cut it 121 00:05:59,160 --> 00:06:01,880 Speaker 1: a little bit too clear, chances are somebody's going to 122 00:06:02,120 --> 00:06:03,960 Speaker 1: get there early and be like, oh, I want to 123 00:06:04,000 --> 00:06:06,520 Speaker 1: take this seat. Sometimes you will have to kick somebody 124 00:06:06,520 --> 00:06:08,919 Speaker 1: out of your seat. But hey, you pick that seat, 125 00:06:08,960 --> 00:06:11,560 Speaker 1: you paid for that seat, you are entitled to that seat. 126 00:06:11,720 --> 00:06:14,560 Speaker 1: So that's why I would say, depending on your comfort level, 127 00:06:14,600 --> 00:06:16,240 Speaker 1: if you don't want to deal with that, get their 128 00:06:16,279 --> 00:06:19,040 Speaker 1: fifteen minutes after the time that is listed. And this 129 00:06:19,080 --> 00:06:21,640 Speaker 1: is also because for me, because I've already seen all 130 00:06:21,680 --> 00:06:24,280 Speaker 1: these trailers and it's hard for me to sit through 131 00:06:24,320 --> 00:06:27,080 Speaker 1: them time and time again, so I try to time 132 00:06:27,120 --> 00:06:30,280 Speaker 1: it out perfectly. So usually that eighteen minutes in mark 133 00:06:30,480 --> 00:06:32,560 Speaker 1: is perfect for me. And if you didn't know this, 134 00:06:32,880 --> 00:06:37,120 Speaker 1: different genres of movies have different amounts of trailers, so 135 00:06:37,160 --> 00:06:40,200 Speaker 1: typically they have twenty minutes, but if it's an animated movie, 136 00:06:40,279 --> 00:06:43,360 Speaker 1: those will have about seventeen to eighteen minutes of previews, 137 00:06:43,440 --> 00:06:46,440 Speaker 1: and that's usually because they have less G and PG 138 00:06:46,560 --> 00:06:50,200 Speaker 1: rated movies to advertise to you, so animated movies will 139 00:06:50,240 --> 00:06:54,440 Speaker 1: always have less everything else PG thirteen are rated will 140 00:06:54,480 --> 00:06:57,880 Speaker 1: always have about twenty minutes. The ones that usually have 141 00:06:58,200 --> 00:07:03,120 Speaker 1: longer preview time are superhero movies. Those usually have twenty 142 00:07:03,160 --> 00:07:05,680 Speaker 1: two minutes of previews, and the reason this is is 143 00:07:05,720 --> 00:07:08,800 Speaker 1: because they know the audiences are gonna be bigger, so 144 00:07:08,880 --> 00:07:12,480 Speaker 1: they throw more trailers on that to advertise more and 145 00:07:12,560 --> 00:07:15,560 Speaker 1: also give people more of a buffer time to get 146 00:07:15,600 --> 00:07:18,600 Speaker 1: into their seat. So if it's a really big blockbuster, 147 00:07:18,760 --> 00:07:21,600 Speaker 1: it's gonna have about twenty two minutes of previews, so 148 00:07:21,920 --> 00:07:24,480 Speaker 1: that is some useful information if you'll like to get 149 00:07:24,520 --> 00:07:27,520 Speaker 1: there right on time. And then the last preview that 150 00:07:27,600 --> 00:07:31,720 Speaker 1: always runs is the theater's commercial. And at this point, 151 00:07:31,800 --> 00:07:35,400 Speaker 1: I have the Regal commercial down to every single line. 152 00:07:35,440 --> 00:07:37,760 Speaker 1: I could recite it in my sleep. It actually haunts 153 00:07:37,800 --> 00:07:39,440 Speaker 1: me in my sleep because I've seen it so much. 154 00:07:39,760 --> 00:07:41,480 Speaker 1: Not even that great of a commercial, and they've been 155 00:07:41,560 --> 00:07:43,920 Speaker 1: running it for almost three years now, so they need 156 00:07:43,960 --> 00:07:46,480 Speaker 1: to update that one. And then my number one tip 157 00:07:46,720 --> 00:07:49,240 Speaker 1: to save you money at the movies this summer is 158 00:07:49,280 --> 00:07:51,280 Speaker 1: you got to sign up for a membership pass or 159 00:07:51,320 --> 00:07:53,840 Speaker 1: just a loyalty program. The difference between the two. A 160 00:07:53,880 --> 00:07:57,040 Speaker 1: membership pass you have to pay, usually a monthly fee, 161 00:07:57,240 --> 00:07:59,480 Speaker 1: but it's gonna get you into more movies. So if 162 00:07:59,480 --> 00:08:01,640 Speaker 1: you go to the movies a lot. So the theater 163 00:08:01,760 --> 00:08:05,480 Speaker 1: I love and have the most of in Nashville is Regal, 164 00:08:05,800 --> 00:08:08,080 Speaker 1: So I'm a part of the Regal Crown Club. I 165 00:08:08,200 --> 00:08:10,800 Speaker 1: find that even if I had more options, this is 166 00:08:10,840 --> 00:08:13,400 Speaker 1: the one I would pick because it's really catered to 167 00:08:13,440 --> 00:08:15,480 Speaker 1: people who go to the movies a lot. They give 168 00:08:15,520 --> 00:08:17,800 Speaker 1: you a lot of extra points per visit. They're gonna 169 00:08:17,840 --> 00:08:19,760 Speaker 1: give you a lot of deals. We use them a 170 00:08:19,800 --> 00:08:22,520 Speaker 1: lot for concession. So every time we end up do 171 00:08:22,680 --> 00:08:25,840 Speaker 1: getting concessions, we rarely pay for them because we go 172 00:08:25,920 --> 00:08:28,120 Speaker 1: to the movie so much so. Other movie theaters have 173 00:08:28,200 --> 00:08:30,840 Speaker 1: this too. Alamo Draft House, if I had one here, 174 00:08:30,840 --> 00:08:33,360 Speaker 1: I would definitely have that one, probably over Regal, just 175 00:08:33,360 --> 00:08:37,280 Speaker 1: because I love Alamo Draft House. There's also the AMC Stubs, 176 00:08:37,280 --> 00:08:40,719 Speaker 1: Premiere Fandango, VIP and most of these, if you go 177 00:08:40,760 --> 00:08:43,280 Speaker 1: to the movies at least two times a month, they're 178 00:08:43,280 --> 00:08:45,760 Speaker 1: gonna pay for themselves. Again, this is not a commercial. 179 00:08:45,800 --> 00:08:48,000 Speaker 1: This is just me trying to save you money. But 180 00:08:48,080 --> 00:08:50,840 Speaker 1: even if you don't want to pay for a membership 181 00:08:50,840 --> 00:08:53,240 Speaker 1: pass to a movie theater, you can always just sign 182 00:08:53,320 --> 00:08:56,200 Speaker 1: up for their loyalty program. You get the app you 183 00:08:56,240 --> 00:08:58,320 Speaker 1: sign up with through email, and then you just build 184 00:08:58,400 --> 00:09:00,719 Speaker 1: up points for going to see movies. Get yourself a 185 00:09:00,760 --> 00:09:03,960 Speaker 1: free popcorn, get yourself a free drink. You're gonna save money. 186 00:09:04,080 --> 00:09:05,920 Speaker 1: So now that we know how to save money at 187 00:09:05,960 --> 00:09:08,960 Speaker 1: the movies this summer, let's talk about my top five 188 00:09:09,080 --> 00:09:12,720 Speaker 1: most anticipated movies that I can't wait to see. Kicking 189 00:09:12,760 --> 00:09:16,360 Speaker 1: it off with number five, I have Transformers Rise of 190 00:09:16,400 --> 00:09:20,559 Speaker 1: the Beasts from director Steve Cappele Junior has a budget 191 00:09:20,559 --> 00:09:23,280 Speaker 1: of two hundred million dollars in a runtime of two 192 00:09:23,360 --> 00:09:29,040 Speaker 1: hours and seven minutes, Transformers movies just feel like summer 193 00:09:29,080 --> 00:09:31,000 Speaker 1: to me. And I don't know why I get so 194 00:09:31,080 --> 00:09:33,800 Speaker 1: excited about these movies because they really haven't been good 195 00:09:34,200 --> 00:09:36,920 Speaker 1: since the two thousands. I take that back. Twenty eighteen's 196 00:09:36,960 --> 00:09:40,840 Speaker 1: Bumblebee reignited those first feelings I had going to see 197 00:09:40,840 --> 00:09:44,280 Speaker 1: those initial movies with Chila buff in theaters. That one 198 00:09:44,360 --> 00:09:46,440 Speaker 1: got it right. It made it fun again, It made 199 00:09:46,480 --> 00:09:49,360 Speaker 1: it more exciting. They got the action right in those movies. 200 00:09:49,600 --> 00:09:51,400 Speaker 1: I think it got to a point where they were 201 00:09:51,400 --> 00:09:54,960 Speaker 1: making so many it was hard to differentiate all of 202 00:09:55,000 --> 00:09:59,000 Speaker 1: the Transformer stories. And they also weren't getting great leads. 203 00:09:59,040 --> 00:10:02,120 Speaker 1: After Megan Fox and Chila Abuff no longer starred in 204 00:10:02,160 --> 00:10:05,800 Speaker 1: the movies. Hailey Steinfeld in twenty eighteen's bumble Bee did 205 00:10:05,840 --> 00:10:08,160 Speaker 1: really well, so I have a lot of hope going 206 00:10:08,200 --> 00:10:11,600 Speaker 1: into this movie. This one takes place in the nineteen nineties, 207 00:10:11,600 --> 00:10:14,360 Speaker 1: so it would also feel very nostalgic to me, my 208 00:10:14,520 --> 00:10:17,079 Speaker 1: favorite decade because of the decade I grew up in. 209 00:10:17,360 --> 00:10:20,920 Speaker 1: And there's just something special about hearing Optimus Prime's voice 210 00:10:21,000 --> 00:10:23,880 Speaker 1: and all the other autobots voices in a theater, just 211 00:10:23,920 --> 00:10:28,120 Speaker 1: that rumble, that real, low speaking voice just sounds like 212 00:10:28,240 --> 00:10:31,600 Speaker 1: summer to me. So at number five, I have Transformers, 213 00:10:31,720 --> 00:10:35,679 Speaker 1: Rise of the Beasts coming out on June ninth. At 214 00:10:35,760 --> 00:10:38,720 Speaker 1: number four, I have Spider Man Across the Spider Verse 215 00:10:38,760 --> 00:10:41,880 Speaker 1: coming out on June second. Since it's an animated movie 216 00:10:41,960 --> 00:10:44,439 Speaker 1: on this large of a scale, you have three directors, 217 00:10:44,600 --> 00:10:48,440 Speaker 1: Joaquim Dos Santos, Justin Kate Thompson, and Kemp Powers. With 218 00:10:48,520 --> 00:10:52,120 Speaker 1: the runtime of two hours and sixteen minutes, makes it 219 00:10:52,200 --> 00:10:56,720 Speaker 1: the longest running animated movie made by a Hollywood studio ever. 220 00:10:56,880 --> 00:10:59,120 Speaker 1: So at one hundred and thirty six minutes, it beat 221 00:10:59,160 --> 00:11:01,720 Speaker 1: out The Lord of the Rings from nineteen seventy eight, 222 00:11:01,760 --> 00:11:03,959 Speaker 1: which was an animated movie that ran for one hundred 223 00:11:03,960 --> 00:11:06,360 Speaker 1: and thirty two minutes, and it also beat out Disney's 224 00:11:06,360 --> 00:11:09,480 Speaker 1: Fantasia from nineteen forty which was one hundred and twenty 225 00:11:09,520 --> 00:11:12,320 Speaker 1: four minutes. But this movie cost one hundred and fifty 226 00:11:12,360 --> 00:11:14,880 Speaker 1: million dollars to make, which is an increase from part 227 00:11:14,960 --> 00:11:17,400 Speaker 1: one where they only spend ninety million dollars. Let me 228 00:11:17,480 --> 00:11:20,120 Speaker 1: are ninety million dollars, So this one's gonna be bigger, 229 00:11:20,600 --> 00:11:23,199 Speaker 1: more elaborate. There more Spider Man in this movie that 230 00:11:23,280 --> 00:11:25,640 Speaker 1: you can count. And I was just looking on Marble's 231 00:11:25,720 --> 00:11:29,200 Speaker 1: Instagram at all the posters for this movie and seeing 232 00:11:29,240 --> 00:11:32,160 Speaker 1: all the individual Spider Man like Spider Punk, it looks 233 00:11:32,200 --> 00:11:34,600 Speaker 1: like this movie is going to be a really fun time. 234 00:11:34,880 --> 00:11:37,160 Speaker 1: I guess why I put this movie at number four 235 00:11:37,200 --> 00:11:39,360 Speaker 1: and not my number one. Even though Spider Man is 236 00:11:39,400 --> 00:11:42,440 Speaker 1: my favorite Marvel character, I don't want to overhype it 237 00:11:42,480 --> 00:11:45,440 Speaker 1: at this point because Spider Man into the Spider Verse 238 00:11:45,840 --> 00:11:48,800 Speaker 1: is my favorite Spider Man movie. I don't think it's 239 00:11:48,840 --> 00:11:51,840 Speaker 1: the best Spider Man movie, but for my own personal taste, 240 00:11:51,960 --> 00:11:54,080 Speaker 1: it is my favorite because I feel like it was 241 00:11:54,120 --> 00:11:57,400 Speaker 1: the Spider Man movie that took all the rules out 242 00:11:57,440 --> 00:12:00,080 Speaker 1: of what it means to make a Spider Man movie. 243 00:12:00,160 --> 00:12:03,160 Speaker 1: So I guess a little bit, I am worried that 244 00:12:03,200 --> 00:12:05,760 Speaker 1: it's going to take away from that movie. Even if 245 00:12:05,760 --> 00:12:09,360 Speaker 1: it's just ten percent not as good as that original movie, 246 00:12:09,440 --> 00:12:11,360 Speaker 1: it's going to hurt me a little bit. So I 247 00:12:11,440 --> 00:12:14,040 Speaker 1: decided to put this one at number four, even though 248 00:12:14,080 --> 00:12:16,520 Speaker 1: I already have my tickets purchase to go see it 249 00:12:16,559 --> 00:12:20,120 Speaker 1: opening day. Again, that movie is coming out on June second, 250 00:12:20,480 --> 00:12:23,959 Speaker 1: at number three. On my most Anticipated movies of the Summer, 251 00:12:24,240 --> 00:12:27,160 Speaker 1: I put Barbie coming out on July twenty first, from 252 00:12:27,200 --> 00:12:30,040 Speaker 1: director Greta Gerwig and as a runtime of one hour 253 00:12:30,080 --> 00:12:33,080 Speaker 1: and forty minutes. It cost one hundred million dollars to make. 254 00:12:33,440 --> 00:12:35,880 Speaker 1: And why this movie ranks so high for me is 255 00:12:35,920 --> 00:12:38,360 Speaker 1: mainly because I don't know a whole lot about it, 256 00:12:38,480 --> 00:12:41,760 Speaker 1: even after watching the trailer and reading about it. It's 257 00:12:41,840 --> 00:12:44,600 Speaker 1: kind of a mystery exactly what this movie is going 258 00:12:44,640 --> 00:12:47,760 Speaker 1: to be. It's giving off vibes of a meta comedy. 259 00:12:48,360 --> 00:12:51,319 Speaker 1: It's about Barbie getting expelled from barbie Land and then 260 00:12:51,360 --> 00:12:53,959 Speaker 1: going into the real world to try and find her 261 00:12:53,960 --> 00:12:57,280 Speaker 1: true purpose, to try to find happiness. So this movie 262 00:12:57,360 --> 00:13:00,880 Speaker 1: is either going to be great or going to be terrible. 263 00:13:00,920 --> 00:13:03,800 Speaker 1: I don't think there's any in between, because just the 264 00:13:03,920 --> 00:13:06,440 Speaker 1: idea of a Barbie movie at this scale, with a 265 00:13:06,559 --> 00:13:10,280 Speaker 1: very renowned director, it just gives a lot of conflicting feelings. 266 00:13:10,400 --> 00:13:14,160 Speaker 1: So for me, the anticipation lies in the mystery. I 267 00:13:14,200 --> 00:13:16,800 Speaker 1: want to see Margot Robbie as Barbie. I want to 268 00:13:16,840 --> 00:13:20,640 Speaker 1: see Ryan Gosling as Ken, but mostly I just enjoy 269 00:13:20,760 --> 00:13:24,520 Speaker 1: that this doesn't feel like your typical summer blockbuster movie. 270 00:13:24,600 --> 00:13:27,280 Speaker 1: It trades in the big action for big set design, 271 00:13:28,080 --> 00:13:30,360 Speaker 1: so I think this could be the sleeper hit of 272 00:13:30,440 --> 00:13:34,720 Speaker 1: the summer at number two. I have Asteroid City coming 273 00:13:34,760 --> 00:13:38,280 Speaker 1: out on June twenty third, from director Wes Anderson. Has 274 00:13:38,320 --> 00:13:41,200 Speaker 1: a runtime of one hour and forty five minutes and 275 00:13:41,280 --> 00:13:44,800 Speaker 1: a mere budget of only twenty five million dollars. That 276 00:13:44,920 --> 00:13:48,120 Speaker 1: is pretty low for such a major release. And apparently 277 00:13:48,120 --> 00:13:50,840 Speaker 1: Scarlett Johanson, who was in the movie, wanted to work 278 00:13:50,920 --> 00:13:53,880 Speaker 1: with Wes Anderson so bad on this project that she 279 00:13:54,040 --> 00:13:56,920 Speaker 1: only made four thousand dollars a week for her role 280 00:13:57,120 --> 00:13:59,360 Speaker 1: and she showed up on set just eight weeks after 281 00:13:59,360 --> 00:14:02,400 Speaker 1: having a baby. So I don't know why she agreed 282 00:14:02,440 --> 00:14:05,319 Speaker 1: to take such a low paid to be in this movie, 283 00:14:05,800 --> 00:14:09,480 Speaker 1: especially after Wes Anderson wrote this character with her in mind. 284 00:14:10,280 --> 00:14:13,200 Speaker 1: I think it comes down to actors just want the 285 00:14:13,240 --> 00:14:16,720 Speaker 1: opportunity to be in a Wes Anderson film. It's so 286 00:14:17,040 --> 00:14:20,800 Speaker 1: unlike anything else in Hollywood, and I feel like all 287 00:14:20,840 --> 00:14:23,600 Speaker 1: of his films have become iconic. He is that kind 288 00:14:23,640 --> 00:14:25,920 Speaker 1: of a director that if you start in one of 289 00:14:25,920 --> 00:14:29,240 Speaker 1: his movies, you're gonna be remembered for a long long time. 290 00:14:29,520 --> 00:14:33,160 Speaker 1: So it's astounding that there are so many A list actors, 291 00:14:33,280 --> 00:14:36,640 Speaker 1: including Tom Hanks, in this movie and it only costs 292 00:14:36,680 --> 00:14:39,320 Speaker 1: twenty five million dollars. I would like for all of 293 00:14:39,360 --> 00:14:42,040 Speaker 1: their salaries to be released so we can see how 294 00:14:42,080 --> 00:14:44,800 Speaker 1: much each person was paid. It also gives me hope 295 00:14:44,840 --> 00:14:49,320 Speaker 1: for Hollywood to continue to create movies about stories that 296 00:14:49,360 --> 00:14:54,400 Speaker 1: are very obscure and promoting creativity in filmmaking and style 297 00:14:54,560 --> 00:14:57,840 Speaker 1: and design, where your story and the world you create 298 00:14:57,960 --> 00:14:59,960 Speaker 1: is more important than who you have in the movie. 299 00:15:00,200 --> 00:15:01,760 Speaker 1: Even though there are a lot of great actors in 300 00:15:01,800 --> 00:15:03,880 Speaker 1: this movie, but I feel like that is what's going 301 00:15:03,920 --> 00:15:07,280 Speaker 1: to keep movies interesting. So I love that a movie 302 00:15:07,320 --> 00:15:10,560 Speaker 1: like this can still be made by Wes Anderson. Also 303 00:15:10,600 --> 00:15:12,640 Speaker 1: love that it's only an hour and forty five minutes. 304 00:15:12,720 --> 00:15:15,520 Speaker 1: That's great for a Wes Anderson movie. So at number 305 00:15:15,560 --> 00:15:18,720 Speaker 1: two Asteroid City coming out on June twenty third, I'll 306 00:15:18,720 --> 00:15:20,880 Speaker 1: definitely be going to watch that on my birthday weekend. 307 00:15:21,120 --> 00:15:24,920 Speaker 1: But at number one, my most anticipated movie of the summer, 308 00:15:25,320 --> 00:15:28,920 Speaker 1: it's The Flash, coming out on June sixteenth, from director 309 00:15:28,920 --> 00:15:32,360 Speaker 1: Andres Muskieti. It has a runtime of two hours in 310 00:15:32,400 --> 00:15:35,240 Speaker 1: twenty four minutes and a budget of about two hundred 311 00:15:35,240 --> 00:15:38,160 Speaker 1: to two hundred and twenty million dollars, making it one 312 00:15:38,200 --> 00:15:42,200 Speaker 1: of the most expensive movies in DC superhero history, it's 313 00:15:42,280 --> 00:15:44,400 Speaker 1: right at number six. So if you look at the 314 00:15:44,400 --> 00:15:46,680 Speaker 1: top five, at number five is Man of Steel, which 315 00:15:46,720 --> 00:15:49,360 Speaker 1: costs two twenty five and number four is The Dark 316 00:15:49,440 --> 00:15:52,080 Speaker 1: Knight Rises, which costs two hundred and fifty million, and 317 00:15:52,160 --> 00:15:54,920 Speaker 1: number three is Black Adam, which costs two hundred and 318 00:15:55,000 --> 00:15:57,480 Speaker 1: sixty million dollars to make. An added chunk of that 319 00:15:57,880 --> 00:16:00,680 Speaker 1: was the reshoots for that movie, and number two is 320 00:16:00,760 --> 00:16:03,680 Speaker 1: Batman versus Superman Down of Justice, which costs three hundred 321 00:16:03,720 --> 00:16:06,720 Speaker 1: million dollars to make. And at number one, with over 322 00:16:06,760 --> 00:16:09,920 Speaker 1: three hundred million dollars in the budget was just This League. 323 00:16:10,040 --> 00:16:12,560 Speaker 1: And you may be thinking, how is The Flash your 324 00:16:12,640 --> 00:16:15,480 Speaker 1: number one most anticipated movie of the summer when you're 325 00:16:15,520 --> 00:16:18,000 Speaker 1: such a big Marvel guy. I'll tell you why. I 326 00:16:18,080 --> 00:16:21,800 Speaker 1: think it's because I'm shifting a little bit. Marvel movies 327 00:16:21,840 --> 00:16:25,280 Speaker 1: will always be the movies I'm the most passionate about. 328 00:16:25,320 --> 00:16:27,840 Speaker 1: They are my comfort movies. But when it comes to 329 00:16:28,200 --> 00:16:31,840 Speaker 1: where I see superhero movies going, I'm a lot more 330 00:16:31,880 --> 00:16:35,040 Speaker 1: excited for what DC has going on, and I think 331 00:16:35,080 --> 00:16:38,920 Speaker 1: this movie is going to be very different from anything 332 00:16:38,960 --> 00:16:41,840 Speaker 1: we've seen in the last five years. I even saw 333 00:16:41,920 --> 00:16:45,080 Speaker 1: Stephen King raving about this movie. A guy who does 334 00:16:45,120 --> 00:16:48,520 Speaker 1: not like superhero movies whatsoever, said he saw this movie 335 00:16:48,960 --> 00:16:51,320 Speaker 1: and was moved by it, said it was a great movie. 336 00:16:51,800 --> 00:16:54,320 Speaker 1: James Gunn has been raving about this movie. Now he's 337 00:16:54,320 --> 00:16:56,280 Speaker 1: a little bit biased because he's going over to DC 338 00:16:56,520 --> 00:16:59,280 Speaker 1: to rebuild everything, but he says it's one of the 339 00:16:59,280 --> 00:17:02,320 Speaker 1: best superhero movies ever made. So I am buying into 340 00:17:02,400 --> 00:17:04,760 Speaker 1: the hype. I'm loving the look of Michael Keaton and 341 00:17:04,800 --> 00:17:07,879 Speaker 1: this movie still. So I just haven't been this excited 342 00:17:07,920 --> 00:17:10,960 Speaker 1: for a superhero movie, probably since No Way Home. And 343 00:17:11,119 --> 00:17:14,720 Speaker 1: right now, Guardians of the Galaxy Volume three stands as 344 00:17:14,800 --> 00:17:18,600 Speaker 1: my favorite superhero movie of the year, probably my favorite 345 00:17:18,640 --> 00:17:21,760 Speaker 1: movie of the year altogether outside of the genre. But 346 00:17:21,800 --> 00:17:25,679 Speaker 1: I'm hoping this movie candy thrown it. I mean, you 347 00:17:25,760 --> 00:17:28,560 Speaker 1: have two Batmen in this movie, by the way, I 348 00:17:28,600 --> 00:17:32,600 Speaker 1: know I pronounced Batman and Superman and spider Man differently. 349 00:17:32,680 --> 00:17:34,879 Speaker 1: It's for comedic effect, I'm aware of it. But you 350 00:17:34,960 --> 00:17:37,760 Speaker 1: have two of them, you have a Supergirl, and you 351 00:17:37,840 --> 00:17:41,000 Speaker 1: have two Flashes. I just think this movie is going 352 00:17:41,080 --> 00:17:43,280 Speaker 1: to change my life. At least I'm banking on it too. 353 00:17:43,440 --> 00:17:46,359 Speaker 1: That's why I put it at number one. Some honorable 354 00:17:46,400 --> 00:17:49,520 Speaker 1: mentions that I'm also going to be seeing this summer, 355 00:17:49,800 --> 00:17:53,760 Speaker 1: and I'm pretty stoked about Teenage Mutant Ninja Turtles Mutant 356 00:17:53,840 --> 00:17:57,320 Speaker 1: Mayhem coming out on August fourth from director Jeff Frow, 357 00:17:57,440 --> 00:18:00,480 Speaker 1: with a runtime of one hour and thirty seven minutes. 358 00:18:00,640 --> 00:18:02,560 Speaker 1: This movie looks like a lot of fun to me, 359 00:18:02,920 --> 00:18:06,000 Speaker 1: and I'm loving the aesthetic on the branding on this movie. 360 00:18:06,080 --> 00:18:08,679 Speaker 1: Indiana Jones and The Dial of Destiny coming out on 361 00:18:08,760 --> 00:18:12,440 Speaker 1: June thirtieth, from director James Mangold. It is two hours 362 00:18:12,440 --> 00:18:15,840 Speaker 1: and twenty two minutes and the final Indiana Jones movie. 363 00:18:15,960 --> 00:18:19,760 Speaker 1: Disney is putting the first four movies on Disney Plus 364 00:18:19,880 --> 00:18:22,159 Speaker 1: beginning on May thirty first, so I'm gonna do a 365 00:18:22,160 --> 00:18:25,480 Speaker 1: big binge on all the Indiana Jones movies. I've just 366 00:18:25,560 --> 00:18:28,919 Speaker 1: never been that big of an Indiana Jones guy, and 367 00:18:28,960 --> 00:18:33,280 Speaker 1: I've rewatched Raiders of the Lost Arc pretty recently. I 368 00:18:33,359 --> 00:18:35,560 Speaker 1: just feel like those movies feel very dated to me, 369 00:18:35,960 --> 00:18:38,080 Speaker 1: so I didn't grow up with them, and I didn't 370 00:18:38,080 --> 00:18:40,440 Speaker 1: really have a whole lot of interest whenever they came 371 00:18:40,480 --> 00:18:42,400 Speaker 1: back with them. But this one, I think it could 372 00:18:42,440 --> 00:18:45,320 Speaker 1: be pretty good. I also just love the ending of things, 373 00:18:45,800 --> 00:18:48,879 Speaker 1: the ending of movie franchises. I'll even watch the series 374 00:18:48,880 --> 00:18:51,920 Speaker 1: finale to a show that I've seen no other episode of, 375 00:18:52,240 --> 00:18:55,200 Speaker 1: just to experience how they wrap something up. Like recently, 376 00:18:55,680 --> 00:18:58,040 Speaker 1: I've never seen an episode of A Million Little Things, 377 00:18:58,560 --> 00:19:00,720 Speaker 1: watch the series finale just because I wanted to know. 378 00:19:00,920 --> 00:19:03,919 Speaker 1: So I'm a big fan of endings. Also on July twenty, 379 00:19:03,960 --> 00:19:08,200 Speaker 1: first going up against Barbie is Oppenheimer from director Christopher Nolan. 380 00:19:08,280 --> 00:19:10,399 Speaker 1: With a budget of one hundred million dollars and a 381 00:19:10,480 --> 00:19:13,639 Speaker 1: runtime of two hours and thirty minutes, It's hard for 382 00:19:13,680 --> 00:19:16,199 Speaker 1: me to want to be excited about this movie. I 383 00:19:16,240 --> 00:19:20,800 Speaker 1: love Christopher Nolan, and it's about Jay Robert Oppenheimer working 384 00:19:20,880 --> 00:19:23,480 Speaker 1: on the Manhattan Project, which led to the development of 385 00:19:23,520 --> 00:19:27,159 Speaker 1: the atomic bomb, which all with that sounds cool. The 386 00:19:27,200 --> 00:19:29,359 Speaker 1: trailer looks a little bit boring. Maybe it's the black 387 00:19:29,359 --> 00:19:32,800 Speaker 1: and white. Maybe it's the very dramatic acting. I like 388 00:19:32,880 --> 00:19:36,200 Speaker 1: Christopher Nolan where he's doing a little bit more thought 389 00:19:36,240 --> 00:19:42,199 Speaker 1: provoking things Interstellar in Space, Inception with dreams, Momento, with 390 00:19:42,359 --> 00:19:46,080 Speaker 1: trying to remember all these things. This one seems like 391 00:19:46,119 --> 00:19:49,560 Speaker 1: a little bit more of a standard movie from Christopher Nolan. 392 00:19:49,640 --> 00:19:52,080 Speaker 1: But maybe he'll prove me wrong. I'm also looking forward 393 00:19:52,119 --> 00:19:55,240 Speaker 1: to No Hard Feelings with Jennifer Lawrence. It's a comedy 394 00:19:55,280 --> 00:19:58,240 Speaker 1: coming out on June twenty third, a mere one hour 395 00:19:58,280 --> 00:20:01,159 Speaker 1: and thirty seven minutes on that one Meg two The 396 00:20:01,240 --> 00:20:04,120 Speaker 1: Trench coming out on August fourth, twenty twenty three. There's 397 00:20:04,119 --> 00:20:07,480 Speaker 1: no runtime listed, but along the same lines of Cocaine Bear, 398 00:20:07,840 --> 00:20:11,280 Speaker 1: It's always fun to see a big, crazy animal doing 399 00:20:11,320 --> 00:20:14,280 Speaker 1: big crazy animal things. We also have Blue Beetle from 400 00:20:14,359 --> 00:20:18,000 Speaker 1: DC coming out on August eighteenth. I've gone back and 401 00:20:18,040 --> 00:20:20,879 Speaker 1: forth about being excited about that movie. I love that 402 00:20:20,960 --> 00:20:23,920 Speaker 1: it's our first Mexican superhero. I just feel like the 403 00:20:24,040 --> 00:20:27,159 Speaker 1: VFX in that movie aren't really up to par for 404 00:20:27,320 --> 00:20:30,160 Speaker 1: my liking. It almost looks like a straight to streaming 405 00:20:30,200 --> 00:20:32,480 Speaker 1: movie to me. But hopefully that was just the look 406 00:20:32,480 --> 00:20:34,679 Speaker 1: in the trailer and it looks better on the big screen. 407 00:20:35,040 --> 00:20:37,520 Speaker 1: There's also this movie I've been seeing previews four. It's 408 00:20:37,560 --> 00:20:41,680 Speaker 1: called Strays. It's an R rated movie that it's live 409 00:20:41,760 --> 00:20:45,040 Speaker 1: action dogs, but they're all saying and doing really R 410 00:20:45,119 --> 00:20:48,960 Speaker 1: rated things. You have people like Will Ferrell, Jamie Fox, 411 00:20:49,040 --> 00:20:53,720 Speaker 1: Islave Fisher, Will Forte, and Josh gadd as voices. It 412 00:20:53,760 --> 00:20:56,840 Speaker 1: looks like a really dumb movie. Maybe not one I'll 413 00:20:56,840 --> 00:20:59,200 Speaker 1: be rushing to the theater to see, but I will 414 00:20:59,280 --> 00:21:01,720 Speaker 1: watch it. I feel like it probably won't do that 415 00:21:01,760 --> 00:21:04,320 Speaker 1: well at the box office because kind of a hard 416 00:21:04,359 --> 00:21:07,760 Speaker 1: sell an R rated animal movie with live action dogs. 417 00:21:07,800 --> 00:21:10,520 Speaker 1: But I do enjoy a runchy comedy and it feels 418 00:21:10,640 --> 00:21:13,199 Speaker 1: very nineties to me. It's like Homeward Bound but with 419 00:21:13,280 --> 00:21:15,679 Speaker 1: dirty words. So those are all the movies I'm excited 420 00:21:15,760 --> 00:21:18,480 Speaker 1: to see this summer. What is lacking from my list 421 00:21:18,520 --> 00:21:21,639 Speaker 1: this year is Disney. I am the least excited to 422 00:21:21,680 --> 00:21:24,679 Speaker 1: see Disney movies this year than I've ever been. But 423 00:21:24,760 --> 00:21:27,399 Speaker 1: coming out pretty soon on May twenty six, we have 424 00:21:27,480 --> 00:21:29,760 Speaker 1: The Little Mermaid, and I think it's because I've been 425 00:21:29,760 --> 00:21:35,280 Speaker 1: burned twice on live action Disney movies Pinocchio Terrible, Peter 426 00:21:35,400 --> 00:21:40,720 Speaker 1: Pan and Wendy Terrible, Lifeless, basically taking the exact same 427 00:21:40,800 --> 00:21:44,359 Speaker 1: thing they did with the animated movie and throwing together 428 00:21:44,440 --> 00:21:48,760 Speaker 1: some cheap set design, subpar special effects and calling it 429 00:21:48,840 --> 00:21:51,719 Speaker 1: a live action movie. Not doing it for me. So 430 00:21:52,359 --> 00:21:55,320 Speaker 1: that is what's keeping me from really being excited about 431 00:21:55,320 --> 00:21:58,480 Speaker 1: The Little Mermaid. And it's such a great animated movie. 432 00:21:58,520 --> 00:22:00,440 Speaker 1: I don't think it needs to be remade like action. 433 00:22:00,600 --> 00:22:03,480 Speaker 1: It doesn't demand it, and all the fish look weird 434 00:22:03,520 --> 00:22:06,760 Speaker 1: to me. What I think will save it is Hallie Bailey, 435 00:22:06,840 --> 00:22:10,040 Speaker 1: who plays Ariel, is a really great singer. I saw 436 00:22:10,080 --> 00:22:13,480 Speaker 1: her singing at Disneyland a Part of Your World, and 437 00:22:13,520 --> 00:22:16,760 Speaker 1: she crushed it. So I think the music could possibly 438 00:22:16,880 --> 00:22:20,280 Speaker 1: save it in this movie. But I'm not the biggest 439 00:22:20,280 --> 00:22:22,720 Speaker 1: fan of Disney songs. I know this is what everybody 440 00:22:22,760 --> 00:22:25,840 Speaker 1: loves about Disney, but I would like a special version 441 00:22:25,840 --> 00:22:28,320 Speaker 1: of Disney movies made for me that cuts out all 442 00:22:28,440 --> 00:22:30,960 Speaker 1: the singing, take out all the songs, just give me 443 00:22:31,000 --> 00:22:33,479 Speaker 1: the story. I think that's why I lean more towards 444 00:22:33,520 --> 00:22:35,959 Speaker 1: Pixar movies that don't do it as much. There's some 445 00:22:36,000 --> 00:22:38,280 Speaker 1: Pixar movies that don't go into song at all, like 446 00:22:38,280 --> 00:22:41,000 Speaker 1: the Toy Story movies. They don't just start singing randomly. 447 00:22:41,119 --> 00:22:43,840 Speaker 1: Which brings me to the next movie that I'm surprised. 448 00:22:44,200 --> 00:22:47,439 Speaker 1: I'm not that excited for. But it's elemental, and I 449 00:22:47,480 --> 00:22:50,160 Speaker 1: think it's because it just feels like they've already made 450 00:22:50,200 --> 00:22:52,920 Speaker 1: this movie. It feels like inside out, It feels a 451 00:22:52,960 --> 00:22:56,120 Speaker 1: little bit like Soul and feels a little bit like Zootopia. 452 00:22:56,320 --> 00:22:58,600 Speaker 1: It just seems like they took all the elements from 453 00:22:58,640 --> 00:23:02,680 Speaker 1: previous hits and made up a new movie that feels 454 00:23:02,760 --> 00:23:06,560 Speaker 1: exactly the same. So instead of remaking another movie, they're 455 00:23:06,600 --> 00:23:09,120 Speaker 1: just kind of using all the same parts to make 456 00:23:09,160 --> 00:23:11,520 Speaker 1: a new movie. But this movie's coming out on June 457 00:23:11,640 --> 00:23:14,399 Speaker 1: sixteenth and as a runtime of one hour and forty 458 00:23:14,440 --> 00:23:17,760 Speaker 1: two minutes. It's also by the director who did The 459 00:23:17,760 --> 00:23:21,960 Speaker 1: Good Dinosaur, which is the worst Pixar movie of all time. 460 00:23:22,400 --> 00:23:25,159 Speaker 1: Why would you put another movie in their hands? But 461 00:23:25,200 --> 00:23:27,800 Speaker 1: the story is about all these characters who live in 462 00:23:27,840 --> 00:23:30,719 Speaker 1: a town. They all represent the four different elements, and 463 00:23:30,760 --> 00:23:33,560 Speaker 1: you have the fire character, who is a female, and 464 00:23:33,600 --> 00:23:37,200 Speaker 1: the water character, who is a male, forming an unlikely friendship. 465 00:23:37,320 --> 00:23:39,440 Speaker 1: But it just feels like it lacks a little bit 466 00:23:39,480 --> 00:23:42,360 Speaker 1: of imagination to me. Hopefully kids will love it. I'm 467 00:23:42,359 --> 00:23:44,000 Speaker 1: still gonna go watch it, but I'm not gonna be 468 00:23:44,040 --> 00:23:46,080 Speaker 1: happy about it. All right, Well, come back, I'll give 469 00:23:46,119 --> 00:23:49,240 Speaker 1: you my review spoiler free a fast X, and then 470 00:23:49,280 --> 00:23:52,520 Speaker 1: we'll be talking about another big summer movie, Mission Impossible 471 00:23:52,840 --> 00:23:59,879 Speaker 1: Dead Reckoning Part one. After this, about to get into 472 00:23:59,920 --> 00:24:03,800 Speaker 1: another spoiler free movie review, If you're watching on YouTube, 473 00:24:03,800 --> 00:24:06,640 Speaker 1: where I post all my individual movie reviews. I am 474 00:24:06,720 --> 00:24:10,680 Speaker 1: not wearing sleeves in honor of Dom Toreto. I have 475 00:24:10,840 --> 00:24:15,440 Speaker 1: a love hate relationship with Fast movies. I haven't really 476 00:24:15,480 --> 00:24:18,639 Speaker 1: expected them to be good since probably Fast seven, the 477 00:24:18,680 --> 00:24:23,040 Speaker 1: last one with Paul Walker, and now they are just big, fun, 478 00:24:23,400 --> 00:24:26,200 Speaker 1: dumb movies, and that is why I love them. Somebody 479 00:24:26,240 --> 00:24:29,160 Speaker 1: asked me why do I like Fast and the Furious 480 00:24:29,160 --> 00:24:32,480 Speaker 1: movies when I myself drive a forward focus, and I 481 00:24:32,560 --> 00:24:35,959 Speaker 1: remember that Fast and the Furious movies used to be 482 00:24:36,040 --> 00:24:39,359 Speaker 1: focused on what, oh, street racing. They have come so 483 00:24:39,560 --> 00:24:42,320 Speaker 1: far from that where I don't know if they are 484 00:24:42,320 --> 00:24:45,879 Speaker 1: a part superhero if they are a part just big 485 00:24:46,000 --> 00:24:48,960 Speaker 1: soap operas. The way I think about it is they're 486 00:24:49,000 --> 00:24:54,280 Speaker 1: almost like WWE wrestling. You don't watch WWE wrestling because 487 00:24:54,280 --> 00:24:57,640 Speaker 1: you want to watch good old sports. I don't care 488 00:24:57,760 --> 00:25:01,160 Speaker 1: that it's quote unquote fake. I watch it because it's entertaining. 489 00:25:01,560 --> 00:25:03,959 Speaker 1: That is why I watched Fast and the Furious movies. 490 00:25:04,240 --> 00:25:06,400 Speaker 1: That is why I was still excited about this one, 491 00:25:06,440 --> 00:25:08,520 Speaker 1: and going into it, I didn't know if I was 492 00:25:08,560 --> 00:25:10,960 Speaker 1: gonna see this one and think I'm completely done, because 493 00:25:10,960 --> 00:25:13,640 Speaker 1: to be honest, after Fast nine I was a little 494 00:25:13,680 --> 00:25:16,919 Speaker 1: bit over it. I think probably after Fast seven that 495 00:25:17,119 --> 00:25:19,560 Speaker 1: was like the last real legit good Fast in the 496 00:25:19,600 --> 00:25:23,199 Speaker 1: Furious movie. And now they are almost just over the 497 00:25:23,200 --> 00:25:26,240 Speaker 1: top and comedic and very self aware. So I don't 498 00:25:26,280 --> 00:25:29,240 Speaker 1: really go into it watching for the plot. I don't 499 00:25:29,240 --> 00:25:32,240 Speaker 1: go into it wanting anything to make sense. So going 500 00:25:32,280 --> 00:25:34,720 Speaker 1: into this one, I was thinking, as long as it's 501 00:25:34,760 --> 00:25:38,159 Speaker 1: just entertaining, big dumb fund that is all I wanted 502 00:25:38,160 --> 00:25:40,840 Speaker 1: to be so the same reason I watched wrestling, the 503 00:25:40,880 --> 00:25:44,120 Speaker 1: same reason when I was home at my parents' house recently, 504 00:25:44,200 --> 00:25:47,760 Speaker 1: why she watches novail Us. It's not the best acting, 505 00:25:47,840 --> 00:25:50,840 Speaker 1: it's not the best storyline, but there's something just comforting 506 00:25:50,880 --> 00:25:53,359 Speaker 1: about them. But Fast X did deliver on that account. 507 00:25:53,480 --> 00:25:55,280 Speaker 1: It did remind me, though, how big of a pop 508 00:25:55,320 --> 00:25:57,720 Speaker 1: culture event these movies were when they came out back 509 00:25:57,760 --> 00:26:01,240 Speaker 1: in the early two thousands. It's sparked a culture among 510 00:26:01,280 --> 00:26:04,159 Speaker 1: teenagers buying their first cars. Ever, now they wanted to 511 00:26:04,160 --> 00:26:07,080 Speaker 1: get big, souped up race cars that they couldn't afford. 512 00:26:07,160 --> 00:26:09,520 Speaker 1: You couldn't afford that five hundred dollars payment, kid, and 513 00:26:09,600 --> 00:26:13,400 Speaker 1: even me, it sparked me wanting to get a car magazine. 514 00:26:13,440 --> 00:26:16,200 Speaker 1: I don't know anything about cars, and for some reason, 515 00:26:16,240 --> 00:26:18,800 Speaker 1: I was just so interested in looking at rims and 516 00:26:18,840 --> 00:26:21,400 Speaker 1: looking what's underneath the hood. And if I could get 517 00:26:21,400 --> 00:26:24,359 Speaker 1: a NOS tank in my car, my life would be set. 518 00:26:24,440 --> 00:26:27,160 Speaker 1: These movies have come a long way since then, and 519 00:26:27,480 --> 00:26:30,439 Speaker 1: Fastecs kind of in a way got back to his roots. 520 00:26:30,440 --> 00:26:33,600 Speaker 1: So what this movie is about, It's really centered around 521 00:26:33,640 --> 00:26:35,600 Speaker 1: the villain, which I think is what helped this movie 522 00:26:35,640 --> 00:26:38,560 Speaker 1: be more entertaining. And you have Jason Momoa playing the 523 00:26:38,600 --> 00:26:42,199 Speaker 1: son of a kingpin that Dom and Paul Walker robbed 524 00:26:42,200 --> 00:26:44,800 Speaker 1: money from in a previous Fast movie, So there's that 525 00:26:44,840 --> 00:26:47,440 Speaker 1: connection at the very beginning of the movie. And I 526 00:26:47,480 --> 00:26:50,639 Speaker 1: think Jason Momoa's character in this is what the franchise needed. 527 00:26:50,720 --> 00:26:54,120 Speaker 1: A good villain and a cheesy, over the top, very 528 00:26:54,200 --> 00:26:57,399 Speaker 1: extra villain, and he played it so well. I think 529 00:26:57,560 --> 00:26:59,679 Speaker 1: that is what made this movie so enjoyable, because in 530 00:26:59,680 --> 00:27:02,760 Speaker 1: actually movies, in Fast movies, sometimes you always just have 531 00:27:02,920 --> 00:27:05,720 Speaker 1: this big villain who is very cheesy at his core, 532 00:27:05,840 --> 00:27:08,840 Speaker 1: but they try to come off as being very intimidating 533 00:27:09,160 --> 00:27:12,000 Speaker 1: and very cool and you want to hate them, but 534 00:27:12,320 --> 00:27:14,640 Speaker 1: it's just so cheesy. You don't really buy into it. 535 00:27:14,720 --> 00:27:17,240 Speaker 1: But Jason Momoa's character in this movie is kind of 536 00:27:17,240 --> 00:27:20,280 Speaker 1: like Joker inside of a cracker jack box. He just 537 00:27:20,359 --> 00:27:22,840 Speaker 1: wants to see the world burn, essentially, and he is 538 00:27:22,880 --> 00:27:25,919 Speaker 1: not only trying to get revenge on Dom, but his 539 00:27:25,960 --> 00:27:28,000 Speaker 1: whole thing is he doesn't just want to kill Dom. 540 00:27:28,520 --> 00:27:31,560 Speaker 1: He wants to make Domb suffer and everybody in this 541 00:27:31,600 --> 00:27:35,080 Speaker 1: movie suffer, So he has this sense of anarchy. He's 542 00:27:35,119 --> 00:27:38,560 Speaker 1: not just trying to unleash havoc and destroy their cars 543 00:27:38,600 --> 00:27:41,159 Speaker 1: and destroy their world. He wants to make their world 544 00:27:41,640 --> 00:27:44,800 Speaker 1: burn as he takes them down. So I kind of 545 00:27:44,880 --> 00:27:48,320 Speaker 1: liked that they did that this character who you hate 546 00:27:48,359 --> 00:27:50,600 Speaker 1: but also kind of enjoy at the same time, and 547 00:27:50,720 --> 00:27:53,600 Speaker 1: Jason Memoa plays it so well, so over the top, 548 00:27:53,680 --> 00:27:56,119 Speaker 1: so extra, from his fashion choices, from the way that 549 00:27:56,160 --> 00:27:59,280 Speaker 1: he speaks, from his mannerisms I got. I wouldn't say 550 00:27:59,320 --> 00:28:03,119 Speaker 1: Heath Ledger Joker vibes, but maybe the Joker in the 551 00:28:03,240 --> 00:28:06,040 Speaker 1: animated Batman. That's kind of what I felt like his 552 00:28:06,040 --> 00:28:09,359 Speaker 1: inspiration was. So I found it enjoyable. And then you 553 00:28:09,400 --> 00:28:12,440 Speaker 1: have Dom, the main character, the good guy, which after 554 00:28:12,480 --> 00:28:14,840 Speaker 1: watching this movie, I'm not convinced that he is that 555 00:28:14,920 --> 00:28:18,119 Speaker 1: good of a guy. If you look at Jason Momoa's 556 00:28:18,200 --> 00:28:22,360 Speaker 1: villain character motives in this movie and Dom's motives, I'm 557 00:28:22,400 --> 00:28:24,560 Speaker 1: not sure they're that much different. So I'm not sure 558 00:28:24,600 --> 00:28:28,199 Speaker 1: any of the Fasters are the actual good guys in 559 00:28:28,240 --> 00:28:31,160 Speaker 1: this when you consider how much collateral damage they made 560 00:28:31,200 --> 00:28:34,960 Speaker 1: in this movie. You have this bomb rolling through Rome 561 00:28:35,320 --> 00:28:39,080 Speaker 1: on fire, and yes they are the good guys trying 562 00:28:39,120 --> 00:28:41,720 Speaker 1: to stop it, but everything they do to try and 563 00:28:41,800 --> 00:28:45,280 Speaker 1: stop it almost causes as much damage as the bad 564 00:28:45,320 --> 00:28:47,760 Speaker 1: guy here. I also wonder a lot of things about 565 00:28:47,800 --> 00:28:50,120 Speaker 1: the Fasters. The Fasters that is what I call all 566 00:28:50,200 --> 00:28:53,840 Speaker 1: the quote unquote good guys in this movie. Ludigris, Tyrese Gibson, 567 00:28:53,960 --> 00:28:57,600 Speaker 1: Michelle Rodriguez to me, they are the Fasters. I question 568 00:28:57,760 --> 00:29:00,640 Speaker 1: their motives after this. I also question how exactly they 569 00:29:00,760 --> 00:29:03,840 Speaker 1: make money. I know there's some references in this movie 570 00:29:03,880 --> 00:29:06,400 Speaker 1: to their accounts getting drained. I really don't know how 571 00:29:06,440 --> 00:29:09,320 Speaker 1: you make money saving the world through drag racing. I 572 00:29:09,320 --> 00:29:11,520 Speaker 1: would like to get a look at their financial records 573 00:29:11,560 --> 00:29:13,800 Speaker 1: when they sit down and do their taxes. I also 574 00:29:13,880 --> 00:29:18,560 Speaker 1: wonder why their cars never require gas, and it feels 575 00:29:18,640 --> 00:29:21,120 Speaker 1: like in the fast movies they don't pay attention to 576 00:29:21,160 --> 00:29:24,280 Speaker 1: any of the laws of physics science. Everything goes out 577 00:29:24,280 --> 00:29:26,640 Speaker 1: the window. I feel like even in superhero movies there 578 00:29:26,720 --> 00:29:30,920 Speaker 1: are some rules and restrictions that they follow. In this movie, 579 00:29:31,120 --> 00:29:33,680 Speaker 1: nothing matters. You can fly off a cliff and land 580 00:29:33,720 --> 00:29:36,440 Speaker 1: and the tires don't explode. Everything is all cool because 581 00:29:36,480 --> 00:29:39,520 Speaker 1: you are the good guy. I also wonder, and I'm 582 00:29:39,560 --> 00:29:42,000 Speaker 1: not sure why Brie Larson was in this movie or 583 00:29:42,080 --> 00:29:47,040 Speaker 1: Charlie Throne. There are a lot of pretty big, noteworthy 584 00:29:47,080 --> 00:29:50,160 Speaker 1: actors in this that don't have to do a fast movie. Earlier, 585 00:29:50,240 --> 00:29:52,800 Speaker 1: I was talking how some actors I feel like it's 586 00:29:52,800 --> 00:29:55,800 Speaker 1: a badge of honor to be in a Wes Anderson movie. 587 00:29:56,040 --> 00:29:59,560 Speaker 1: It's really good actors doing a smaller budget movie. So 588 00:29:59,600 --> 00:30:02,400 Speaker 1: I feel like maybe it's the opposite case of actors 589 00:30:02,440 --> 00:30:05,840 Speaker 1: also like being in big blockbusters that everybody is going 590 00:30:05,880 --> 00:30:08,320 Speaker 1: to talk about and you don't really have to use 591 00:30:08,400 --> 00:30:10,560 Speaker 1: any of your acting abilities in So I wonder why 592 00:30:10,600 --> 00:30:13,840 Speaker 1: them too, in particular, were in this movie, and how 593 00:30:14,440 --> 00:30:17,120 Speaker 1: the majority of this cast has been around throughout the 594 00:30:17,280 --> 00:30:20,320 Speaker 1: entire franchise, and honestly, some of the actors in this 595 00:30:20,560 --> 00:30:23,000 Speaker 1: it's really the only time they get work. So I 596 00:30:23,080 --> 00:30:27,040 Speaker 1: actually like the Fast franchise for that reason for being loyal, 597 00:30:27,080 --> 00:30:29,840 Speaker 1: because it is about family, and they keep around these 598 00:30:29,880 --> 00:30:32,040 Speaker 1: actors when they could just switch them out get cheaper 599 00:30:32,120 --> 00:30:35,560 Speaker 1: actors or even get better actors. But it's cool that 600 00:30:35,640 --> 00:30:39,080 Speaker 1: like Ludacrous and Tyrese Gibson continue to get work on 601 00:30:39,120 --> 00:30:42,080 Speaker 1: this scale, so even though their acting abilities are so 602 00:30:42,480 --> 00:30:44,800 Speaker 1: limited and I don't even find them to be that 603 00:30:44,960 --> 00:30:48,320 Speaker 1: great of comedic actors, And in a franchise where it 604 00:30:48,360 --> 00:30:52,600 Speaker 1: feels like they probably wrote the script with chat GBT, 605 00:30:52,640 --> 00:30:55,080 Speaker 1: what they lack on the page, they make up for 606 00:30:56,080 --> 00:30:59,440 Speaker 1: with all the crazy action. Because at two hours and 607 00:30:59,480 --> 00:31:02,920 Speaker 1: twenty one minutes, this movie sped by for me. Usually 608 00:31:03,000 --> 00:31:05,560 Speaker 1: around the hour mark, I'm already thinking about, Okay, how's 609 00:31:05,560 --> 00:31:07,240 Speaker 1: this movie going to wrap up, how's it gonna get 610 00:31:07,240 --> 00:31:09,880 Speaker 1: to the following action and the third act? But in 611 00:31:09,920 --> 00:31:12,840 Speaker 1: this movie, with all the high flying action, I never 612 00:31:12,880 --> 00:31:16,520 Speaker 1: found myself being bored. And that is saying something about 613 00:31:16,680 --> 00:31:20,240 Speaker 1: the Fast and the Furious movies. They are so incredibly entertaining, 614 00:31:20,880 --> 00:31:24,520 Speaker 1: and there's just something about watching a chase scene, something 615 00:31:24,560 --> 00:31:29,440 Speaker 1: about watching these very ridiculous things happen that just really 616 00:31:29,520 --> 00:31:32,640 Speaker 1: sucks you in and keeps you there and really allows 617 00:31:32,640 --> 00:31:34,920 Speaker 1: you to escape reality. And that is what I look 618 00:31:35,000 --> 00:31:37,720 Speaker 1: for in a big summer blockbuster movie, and the Fast 619 00:31:37,760 --> 00:31:40,800 Speaker 1: movies did it really well here. Not so much in 620 00:31:40,880 --> 00:31:43,720 Speaker 1: Fast nine because I felt like in that one they 621 00:31:43,800 --> 00:31:45,920 Speaker 1: kind of jumped the shark in that, especially with going 622 00:31:45,920 --> 00:31:48,800 Speaker 1: to space, especially with the big opening scene in that movie. 623 00:31:49,400 --> 00:31:52,800 Speaker 1: This one, in a way felt a little bit more 624 00:31:52,840 --> 00:31:56,880 Speaker 1: grounded in reality. Now, not a whole lot more grounded. Yes, 625 00:31:57,000 --> 00:32:00,000 Speaker 1: they do disregard some of the basic principles of film, 626 00:32:01,280 --> 00:32:03,600 Speaker 1: but I could kind of see some of these things 627 00:32:03,680 --> 00:32:09,720 Speaker 1: happening despite the fact that with all the shrapnel and 628 00:32:09,880 --> 00:32:12,640 Speaker 1: fire and flames that Dom doesn't even get a scratch 629 00:32:12,640 --> 00:32:14,120 Speaker 1: on them. That is kind of where they lose me 630 00:32:14,160 --> 00:32:16,360 Speaker 1: a little bit. But I felt like this one, like 631 00:32:16,400 --> 00:32:18,640 Speaker 1: I said earlier, it got a little bit back more 632 00:32:18,680 --> 00:32:21,400 Speaker 1: to their roots. Even with the cars. I think my 633 00:32:21,520 --> 00:32:24,840 Speaker 1: favorite car out of this entire movie was the one 634 00:32:24,880 --> 00:32:27,760 Speaker 1: that Charlie Sdiron's character drove. It was a DeLorean, so 635 00:32:27,880 --> 00:32:30,920 Speaker 1: like a back to the future DeLorean with the doors 636 00:32:30,920 --> 00:32:32,960 Speaker 1: that come up like gold wings. I thought that was 637 00:32:33,000 --> 00:32:35,560 Speaker 1: a very unique car to be featured in this movie. 638 00:32:35,640 --> 00:32:37,920 Speaker 1: If you weren't paying attention. You may have missed that one. 639 00:32:38,000 --> 00:32:41,920 Speaker 1: The second favorite car was the one Tyrese Gibson's character drove. 640 00:32:42,400 --> 00:32:45,000 Speaker 1: It was a gold Lamborghini, and I've never been a 641 00:32:45,000 --> 00:32:48,440 Speaker 1: fan of Lamborghini's, but it was so extra and so 642 00:32:48,600 --> 00:32:51,760 Speaker 1: over the top and so sparkly. I thought that was 643 00:32:51,800 --> 00:32:54,240 Speaker 1: a really cool moment. And it's very rare in any 644 00:32:54,280 --> 00:32:56,520 Speaker 1: movie that I get excited about a car being driven, 645 00:32:57,280 --> 00:32:59,840 Speaker 1: but I felt like that was reminiscent of the early 646 00:33:00,280 --> 00:33:02,720 Speaker 1: where you really did pay attention to that. This one 647 00:33:03,120 --> 00:33:05,200 Speaker 1: got me thinking about the cars more so. I think 648 00:33:05,400 --> 00:33:07,640 Speaker 1: it reminded me a lot more of the first time 649 00:33:07,680 --> 00:33:09,640 Speaker 1: I saw The Fast and the Furious. And then it 650 00:33:09,680 --> 00:33:12,080 Speaker 1: goes back to all the basic things that you expect 651 00:33:12,160 --> 00:33:15,080 Speaker 1: out of a Fast and the Furious movie highly focused 652 00:33:15,160 --> 00:33:18,840 Speaker 1: on family and the whole thing. Jason Momoa's character is 653 00:33:18,920 --> 00:33:22,320 Speaker 1: threatening Dom with is you have all this family, but 654 00:33:22,360 --> 00:33:25,160 Speaker 1: you can't protect them all. How are you gonna choose? 655 00:33:25,280 --> 00:33:28,440 Speaker 1: And all throughout the movie there are these different situations 656 00:33:28,920 --> 00:33:31,240 Speaker 1: where who are you gonna save? You love both of 657 00:33:31,280 --> 00:33:33,960 Speaker 1: these people, Now you got to make the decisions. So 658 00:33:34,000 --> 00:33:37,320 Speaker 1: I felt like him in that mentality was a good 659 00:33:37,400 --> 00:33:41,480 Speaker 1: kind of mind game from Dom and honestly, Vin Diesel 660 00:33:41,520 --> 00:33:44,080 Speaker 1: in this movie was my least favorite thing. I just 661 00:33:44,080 --> 00:33:46,800 Speaker 1: found myself questioning his character more and more. I don't 662 00:33:46,800 --> 00:33:48,600 Speaker 1: even think he is that good of a dad to 663 00:33:48,680 --> 00:33:51,760 Speaker 1: put his son in these situation. I feel like if 664 00:33:51,840 --> 00:33:54,680 Speaker 1: child Services wanted to come after him, they would easily 665 00:33:54,720 --> 00:33:57,080 Speaker 1: be able to take his son away from him. And 666 00:33:57,120 --> 00:33:59,480 Speaker 1: there are just certain things that I found off about 667 00:33:59,520 --> 00:34:01,440 Speaker 1: his character. I kind of find him to be a 668 00:34:01,440 --> 00:34:04,200 Speaker 1: little bit of a creep. One of his things that 669 00:34:04,240 --> 00:34:07,360 Speaker 1: he does all the time is just stares at old pictures. 670 00:34:07,920 --> 00:34:10,640 Speaker 1: That is all he does. And he talks so comedically 671 00:34:10,760 --> 00:34:14,000 Speaker 1: low that it almost felt like Vin Diesel was a 672 00:34:14,120 --> 00:34:18,480 Speaker 1: caricature of himself. Talk and so low it was almost 673 00:34:18,520 --> 00:34:20,960 Speaker 1: hard for me to understand him at times. So maybe 674 00:34:20,960 --> 00:34:23,400 Speaker 1: he's just really playing into that. At one point, I 675 00:34:23,440 --> 00:34:25,279 Speaker 1: just wanted him to go into Groot like I Am 676 00:34:25,320 --> 00:34:27,239 Speaker 1: Groot like like do that. People would freak out with 677 00:34:27,320 --> 00:34:29,719 Speaker 1: that crossover. And if you wonder if you have to 678 00:34:29,719 --> 00:34:32,680 Speaker 1: see any other Fashion and Furious movie going into this one, 679 00:34:32,800 --> 00:34:34,960 Speaker 1: you really don't. You don't have to put yourself through that. 680 00:34:35,080 --> 00:34:38,400 Speaker 1: There's one scene that feels very self aware in this movie, 681 00:34:38,920 --> 00:34:41,879 Speaker 1: and they reference all the things they have done, kind 682 00:34:41,880 --> 00:34:45,359 Speaker 1: of like a quick recap of the entire franchise, how 683 00:34:45,360 --> 00:34:49,240 Speaker 1: it went from them just being street racers to moving 684 00:34:49,280 --> 00:34:52,960 Speaker 1: on to heists and stealing from eighteen wheelers, and then 685 00:34:53,040 --> 00:34:56,239 Speaker 1: where they've gone from there. So it does a little reset. 686 00:34:56,320 --> 00:34:58,960 Speaker 1: If for some reason you need backstory on this. It's 687 00:34:59,000 --> 00:35:01,319 Speaker 1: just so big, dumb and fun that I don't think 688 00:35:01,360 --> 00:35:03,040 Speaker 1: you have to overthink it. So if you just want 689 00:35:03,080 --> 00:35:05,520 Speaker 1: to go into this one completely blind, I think that 690 00:35:05,640 --> 00:35:08,360 Speaker 1: is totally fine. The other thing I felt was lacking 691 00:35:08,560 --> 00:35:11,040 Speaker 1: a little bit in this movie was the soundtrack. With 692 00:35:11,160 --> 00:35:12,919 Speaker 1: a movie that has had one of the biggest song 693 00:35:13,000 --> 00:35:16,720 Speaker 1: moments in the last ten years, would See You Again 694 00:35:16,840 --> 00:35:21,880 Speaker 1: being such a global hit and you so well with 695 00:35:22,000 --> 00:35:24,960 Speaker 1: that last movie with Paul Walker, I feel like in 696 00:35:25,040 --> 00:35:27,200 Speaker 1: this soundtrack they just kind of went to a sound 697 00:35:27,200 --> 00:35:30,319 Speaker 1: library and drug over a bunch of songs that were 698 00:35:30,440 --> 00:35:33,720 Speaker 1: public domain or royalty free and just kind of dropped 699 00:35:33,760 --> 00:35:35,439 Speaker 1: him in. There was one song that I felt even 700 00:35:35,480 --> 00:35:37,680 Speaker 1: came in at the wrong time, like they had fully 701 00:35:37,760 --> 00:35:40,360 Speaker 1: exported this entire movie and were like, oh crap, we 702 00:35:40,480 --> 00:35:42,640 Speaker 1: kind of messed up there. Let's keep it in And 703 00:35:42,760 --> 00:35:45,680 Speaker 1: my other question I had, all of these evil people 704 00:35:46,000 --> 00:35:48,880 Speaker 1: want Dom dead. And in this movie you get a 705 00:35:48,920 --> 00:35:52,279 Speaker 1: look at where Dom lives. Dom doesn't even have a 706 00:35:52,440 --> 00:35:56,520 Speaker 1: ring cam. He lives in a normal neighborhood. And to 707 00:35:56,560 --> 00:36:00,160 Speaker 1: think that all these people are trying to murder him, 708 00:36:00,680 --> 00:36:03,560 Speaker 1: and it's so easy just to break into his house, Like, 709 00:36:03,640 --> 00:36:06,200 Speaker 1: how have they not done that? They're like, join the 710 00:36:06,239 --> 00:36:09,000 Speaker 1: list of people who want to take out Dom. Dom's 711 00:36:09,000 --> 00:36:11,680 Speaker 1: door is unlocked. You could go right now. He's just 712 00:36:11,680 --> 00:36:14,160 Speaker 1: in the back having a barbecue, drinking to Corona. So 713 00:36:14,320 --> 00:36:17,200 Speaker 1: I would say that these movies, I know they're going 714 00:36:17,280 --> 00:36:20,080 Speaker 1: to wrap up with the next one coming out not 715 00:36:20,320 --> 00:36:23,560 Speaker 1: next year, but the year after that. With Dom being 716 00:36:23,600 --> 00:36:26,880 Speaker 1: my least favorite part about this movie, they could easily 717 00:36:26,880 --> 00:36:29,920 Speaker 1: continue these movies without Vin Diesel. And the last question 718 00:36:30,000 --> 00:36:33,080 Speaker 1: I had after watching this movie is what is up 719 00:36:33,120 --> 00:36:35,399 Speaker 1: with all the titles to these movies. It started out 720 00:36:35,440 --> 00:36:37,800 Speaker 1: in two thousand and one The Fast and the Furious, 721 00:36:38,320 --> 00:36:41,319 Speaker 1: great movie title, It's sexy. You know exactly what you're 722 00:36:41,360 --> 00:36:44,239 Speaker 1: getting going into this movie. Then they downgraded a little 723 00:36:44,239 --> 00:36:47,320 Speaker 1: bit in two thousand and three with Too Fast, Too Furious, 724 00:36:47,400 --> 00:36:49,040 Speaker 1: just using the number. It was kind of like they 725 00:36:49,040 --> 00:36:51,800 Speaker 1: asked the director's kid, Hey, what do you want to 726 00:36:51,840 --> 00:36:54,200 Speaker 1: name this movie? Too Fast, too Furious? All right, we'll 727 00:36:54,280 --> 00:36:57,840 Speaker 1: use it. And then in three it's the Fast and Furious, 728 00:36:58,360 --> 00:37:01,279 Speaker 1: so they eliminated the and it's Tokyo Drift that came 729 00:37:01,280 --> 00:37:03,440 Speaker 1: out in two thousand and six. It's all right, But 730 00:37:03,480 --> 00:37:06,080 Speaker 1: then in two thousand and nine is just Fast and Furious, 731 00:37:06,440 --> 00:37:09,120 Speaker 1: like they're remaking the first one. Take out the the 732 00:37:09,680 --> 00:37:12,080 Speaker 1: let's run it again. And then in twenty eleven you 733 00:37:12,160 --> 00:37:15,040 Speaker 1: just get Fast five, so they are no longer furious. 734 00:37:15,520 --> 00:37:18,560 Speaker 1: But then in twenty thirteen it's Fast and Furious six, 735 00:37:19,320 --> 00:37:22,879 Speaker 1: so the Furious is back. Okay, that's cool. And then 736 00:37:22,880 --> 00:37:26,960 Speaker 1: in twenty fifteen is just Furious seven, no longer fast, 737 00:37:27,000 --> 00:37:29,759 Speaker 1: they're just furious. That sounds like an entirely different franchise. 738 00:37:30,440 --> 00:37:33,360 Speaker 1: And then in twenty and seventeen it's the Fate of 739 00:37:33,400 --> 00:37:36,799 Speaker 1: the Furious. That makes no sense. So they are just 740 00:37:37,000 --> 00:37:39,600 Speaker 1: furious now and it's the face. Okay. Then you have 741 00:37:39,640 --> 00:37:41,799 Speaker 1: Hobbs and Shaw whatever, that's fine, and then you have 742 00:37:42,280 --> 00:37:46,400 Speaker 1: f nine, the Fast saga from twenty twenty one, so 743 00:37:46,440 --> 00:37:48,120 Speaker 1: that was just like, hey, look at the keyboard what's 744 00:37:48,160 --> 00:37:50,799 Speaker 1: your favorite key on your keyboard? I really like this 745 00:37:50,960 --> 00:37:53,759 Speaker 1: F nine, this function button, let's name it that. So 746 00:37:53,840 --> 00:37:57,880 Speaker 1: the entire branding in this franchise makes completely no sense. 747 00:37:58,000 --> 00:37:59,960 Speaker 1: And then in Fast X they throw in a room 748 00:38:00,200 --> 00:38:03,719 Speaker 1: numeral when they've never used Roman numerals before, and they 749 00:38:03,760 --> 00:38:06,200 Speaker 1: completely missed the mark. This movie should have been called 750 00:38:06,280 --> 00:38:09,759 Speaker 1: Fast ten the number ten your seat belts. But I 751 00:38:09,800 --> 00:38:12,160 Speaker 1: will say the thing I was the most surprised by 752 00:38:12,280 --> 00:38:16,760 Speaker 1: after watching this movie is I was left wanting more. 753 00:38:17,560 --> 00:38:19,959 Speaker 1: I didn't want the movie to end because when it ends, 754 00:38:21,040 --> 00:38:23,520 Speaker 1: you want to know more. That That is all I'm 755 00:38:23,520 --> 00:38:25,879 Speaker 1: gonna say, because I don't want to spoil anything, but 756 00:38:26,040 --> 00:38:29,279 Speaker 1: Fast X will leave you wanting more. It delivered on 757 00:38:29,320 --> 00:38:32,720 Speaker 1: the action, It fumbled on the acting. It was almost 758 00:38:32,760 --> 00:38:35,400 Speaker 1: like the requirement to be in a Fast movie is 759 00:38:36,360 --> 00:38:39,920 Speaker 1: do you have muscles? Yes? Are you very tan? Yes? 760 00:38:40,320 --> 00:38:43,360 Speaker 1: Can you act yes? Okay, well that's gonna be a problem. 761 00:38:43,640 --> 00:38:45,560 Speaker 1: Take away those acting lessons and we'll put you in 762 00:38:45,600 --> 00:38:50,640 Speaker 1: the movie. Aside from that, and aside from Tom completely 763 00:38:50,680 --> 00:38:54,399 Speaker 1: being a total caricature of himself and being totally off 764 00:38:54,400 --> 00:38:58,480 Speaker 1: the rails, it did deliver on a very high level 765 00:38:58,560 --> 00:39:01,720 Speaker 1: of being an entertaining movie. That is all I wanted 766 00:39:01,880 --> 00:39:04,439 Speaker 1: this Fast movie to be, and it felt a little 767 00:39:04,480 --> 00:39:08,799 Speaker 1: bit less cheesy by buying into making the villain so 768 00:39:08,960 --> 00:39:12,000 Speaker 1: kooky and off the wall, and it's kind of funny 769 00:39:12,040 --> 00:39:14,040 Speaker 1: and over the top. So I think that is what 770 00:39:14,200 --> 00:39:17,520 Speaker 1: saved this movie. Jason Momoa, we need more of them. 771 00:39:17,880 --> 00:39:21,279 Speaker 1: We need more fast actions for Fast X. I give 772 00:39:21,320 --> 00:39:29,240 Speaker 1: it three point five out of five burnouts. It's time 773 00:39:29,520 --> 00:39:30,800 Speaker 1: to head down to movie. 774 00:39:30,880 --> 00:39:32,640 Speaker 2: Mike Traylor, Paul. 775 00:39:33,200 --> 00:39:36,879 Speaker 1: Done, Done, done, Dun dun dun, dun, dun, dun, dun, 776 00:39:37,080 --> 00:39:40,280 Speaker 1: dun dunt. I gotta talk about Mission Impossible Dead Reckoning 777 00:39:40,280 --> 00:39:43,400 Speaker 1: Part one. Tom Cruise is back as Ethan Hunt. It 778 00:39:43,480 --> 00:39:47,280 Speaker 1: is going to be the second to last Mission Impossible movie. 779 00:39:47,360 --> 00:39:51,440 Speaker 1: The only thing I'm not feeling about this movie is 780 00:39:51,480 --> 00:39:53,759 Speaker 1: the fact that it's being split into two movies. I 781 00:39:53,800 --> 00:39:57,440 Speaker 1: always feel when they do that, you're getting half a movie. 782 00:39:57,640 --> 00:39:59,520 Speaker 1: And I know why they do that, because it is 783 00:39:59,520 --> 00:40:02,799 Speaker 1: the final of this franchise. They want to split it 784 00:40:02,840 --> 00:40:05,520 Speaker 1: into two. But I feel like there's gonna be some 785 00:40:05,520 --> 00:40:07,560 Speaker 1: stuff left on the table. And whenever I go into 786 00:40:07,600 --> 00:40:09,960 Speaker 1: a movie knowing I'm only gonna get half of the story, 787 00:40:10,480 --> 00:40:12,319 Speaker 1: and it's going to probably end on some kind of 788 00:40:12,320 --> 00:40:15,719 Speaker 1: a cliffhanger. This movie could legitimately end with him hanging 789 00:40:15,760 --> 00:40:17,880 Speaker 1: off a cliff because he's doing all these crazy stunts. 790 00:40:18,120 --> 00:40:20,600 Speaker 1: I just don't like knowing that going into it. I 791 00:40:20,640 --> 00:40:23,680 Speaker 1: hate when any movie is made with just the intention 792 00:40:23,880 --> 00:40:26,680 Speaker 1: to make a sequel, but I understand why they're doing it. 793 00:40:26,719 --> 00:40:30,680 Speaker 1: And even though historically the Mission Impossible movies haven't been 794 00:40:30,719 --> 00:40:33,480 Speaker 1: my favorite, I think the first one is iconic in 795 00:40:33,520 --> 00:40:37,280 Speaker 1: itself and each one has been solid, but for some reason, 796 00:40:37,719 --> 00:40:39,880 Speaker 1: it's just not my go to action movie. Tom Cruise 797 00:40:39,960 --> 00:40:42,040 Speaker 1: is just not my go to action star. But I 798 00:40:42,040 --> 00:40:45,040 Speaker 1: feel like he is the one pushing cinema right now 799 00:40:45,360 --> 00:40:48,720 Speaker 1: to its boundaries and making movies for the big screen. 800 00:40:48,760 --> 00:40:50,719 Speaker 1: So before I get into more of what I think 801 00:40:50,760 --> 00:40:53,360 Speaker 1: about this movie based on this new trailer, here's just 802 00:40:53,400 --> 00:40:56,719 Speaker 1: a little bit a Mission Impossible Dead Reckoning Part one. 803 00:40:57,000 --> 00:41:04,200 Speaker 1: The Womb's coming after you. His Trader's written, shall we 804 00:41:04,320 --> 00:41:07,799 Speaker 1: right yours too? If anything happens to that, there's no 805 00:41:07,840 --> 00:41:10,520 Speaker 1: place that I won't go to kill you. That he's 806 00:41:10,560 --> 00:41:14,120 Speaker 1: right now. So this movie is coming out on July twelfth, 807 00:41:14,160 --> 00:41:16,719 Speaker 1: and Part two will come out on June twenty eighth, 808 00:41:16,840 --> 00:41:18,879 Speaker 1: twenty twenty four, so we have some time to wait 809 00:41:18,920 --> 00:41:21,600 Speaker 1: in between these two movies. What really sticks out to 810 00:41:21,640 --> 00:41:24,600 Speaker 1: me about this trailer is the skydiving stunt and the 811 00:41:24,680 --> 00:41:27,560 Speaker 1: fact that Tom Cruise actually did it. He went through 812 00:41:27,560 --> 00:41:31,000 Speaker 1: skydiving training, he went through motocross training. He did over 813 00:41:31,080 --> 00:41:35,399 Speaker 1: five hundred skydives thirteen thousand motocross jumps to get this 814 00:41:35,800 --> 00:41:38,840 Speaker 1: stunt down perfectly. And I watched the behind the scenes 815 00:41:39,320 --> 00:41:41,800 Speaker 1: of this stunt and they are calling it one of 816 00:41:41,880 --> 00:41:46,240 Speaker 1: the most elaborate stunts in cinema history, and looking into 817 00:41:46,640 --> 00:41:49,359 Speaker 1: all of the work, all of the science that went 818 00:41:49,360 --> 00:41:53,919 Speaker 1: into nailing this jump, it's pretty remarkable that you put 819 00:41:54,000 --> 00:41:56,560 Speaker 1: this much effort, spend this amount of money, put your 820 00:41:56,600 --> 00:41:59,799 Speaker 1: A list actor's life on the line, essentially for just 821 00:42:00,200 --> 00:42:03,400 Speaker 1: a mere second of the film. But it's so stunning 822 00:42:03,440 --> 00:42:06,600 Speaker 1: and so eye catching and so jaw dropping that I 823 00:42:06,640 --> 00:42:08,920 Speaker 1: think it is well worth it. I think the thing 824 00:42:08,960 --> 00:42:12,280 Speaker 1: I'm the most blown away by, aside from the dedication 825 00:42:12,480 --> 00:42:16,640 Speaker 1: to perform his own stunts, is Tom Cruise's ability to 826 00:42:16,800 --> 00:42:20,239 Speaker 1: stay in character while doing these stunts. If I did 827 00:42:20,280 --> 00:42:23,480 Speaker 1: anything remotely like this the entire time, I would just 828 00:42:23,520 --> 00:42:26,280 Speaker 1: be focused on getting it right and not injuring myself, 829 00:42:26,560 --> 00:42:30,160 Speaker 1: not hurting myself, basically not dying, but the fact that 830 00:42:30,200 --> 00:42:33,160 Speaker 1: you have to perform this stunt and then also stay 831 00:42:33,200 --> 00:42:37,360 Speaker 1: in character as Ethan Hunt, remain cool, calm and collective 832 00:42:37,400 --> 00:42:39,879 Speaker 1: and look cool and pay attention to the cameras and 833 00:42:39,960 --> 00:42:43,000 Speaker 1: you know, make sure it looks good on film. Like 834 00:42:43,080 --> 00:42:46,000 Speaker 1: that's a whole other level. And as I'm watching this 835 00:42:46,239 --> 00:42:49,120 Speaker 1: behind the scenes of this jump, it's Tom Cruise on 836 00:42:49,160 --> 00:42:53,720 Speaker 1: this motocross bike going up on this huge ramp, going 837 00:42:53,760 --> 00:42:56,360 Speaker 1: off of the cliff and then holding on to the 838 00:42:56,400 --> 00:43:00,239 Speaker 1: bike as long as possible before letting go go going 839 00:43:00,280 --> 00:43:03,440 Speaker 1: into a free fall, and then knowing exactly when to 840 00:43:03,480 --> 00:43:06,799 Speaker 1: pull the cord on his parachute. The fact that it 841 00:43:06,920 --> 00:43:09,400 Speaker 1: went so well the first time because of all this 842 00:43:09,560 --> 00:43:11,920 Speaker 1: data and science that they put into it. On the 843 00:43:11,960 --> 00:43:14,200 Speaker 1: other end, but as soon as he's done with it 844 00:43:14,239 --> 00:43:17,360 Speaker 1: the first time, immediately he is thinking on how to 845 00:43:17,440 --> 00:43:19,719 Speaker 1: make this jump better, and he goes back and does 846 00:43:19,800 --> 00:43:24,120 Speaker 1: it another six times. So it's crazy the amount of 847 00:43:24,160 --> 00:43:27,480 Speaker 1: money they probably spent just getting this stunt right, and 848 00:43:27,520 --> 00:43:29,400 Speaker 1: the fact that he was willing to go back for 849 00:43:29,520 --> 00:43:32,520 Speaker 1: more to be able to hold on to the bike longer, 850 00:43:32,760 --> 00:43:34,719 Speaker 1: to make sure he's hitting his mark better, to make 851 00:43:34,760 --> 00:43:37,600 Speaker 1: sure he looks good on camera. That is just next 852 00:43:37,680 --> 00:43:40,400 Speaker 1: level filmmaking. So it just doesn't feel like all the 853 00:43:40,440 --> 00:43:43,319 Speaker 1: other reboots and all the other sequels, because there's real 854 00:43:43,440 --> 00:43:48,320 Speaker 1: filmmaking going into this movie. You have live locations, real stunts. 855 00:43:48,360 --> 00:43:50,759 Speaker 1: It makes a difference when it feels like there is 856 00:43:50,800 --> 00:43:53,160 Speaker 1: more on the line. And I think the other thing 857 00:43:53,200 --> 00:43:55,719 Speaker 1: that really stands out is they are really trying to 858 00:43:55,760 --> 00:43:58,680 Speaker 1: make a movie that gives you that feeling of excitement 859 00:43:58,719 --> 00:44:00,919 Speaker 1: and that puts you in the action. And we had 860 00:44:00,960 --> 00:44:03,400 Speaker 1: that a lot in Top Gun Maverick, with all of 861 00:44:03,440 --> 00:44:06,040 Speaker 1: the camera placements that made you feel like you were 862 00:44:06,080 --> 00:44:09,400 Speaker 1: inside the plane right there with the characters. It felt 863 00:44:09,400 --> 00:44:12,080 Speaker 1: like you were going to speeds at which they were traveling. 864 00:44:12,280 --> 00:44:14,080 Speaker 1: And I think, based on the look of this trailer, 865 00:44:14,160 --> 00:44:16,360 Speaker 1: that will be the same case with this movie. With 866 00:44:16,480 --> 00:44:19,360 Speaker 1: the camera angle being right up there on Tom Cruise's 867 00:44:19,400 --> 00:44:22,440 Speaker 1: face as he is on this motorcycle, and the cameras 868 00:44:22,480 --> 00:44:25,400 Speaker 1: they use in this movie, they said the technology inside 869 00:44:25,400 --> 00:44:27,640 Speaker 1: of them was only developed in the last couple of years, 870 00:44:27,840 --> 00:44:29,600 Speaker 1: so I feel like we were getting something new and 871 00:44:29,800 --> 00:44:32,520 Speaker 1: fresh that hasn't been done before. So for that reason, 872 00:44:32,640 --> 00:44:35,640 Speaker 1: right now, I think Tom Cruise and Paramount are the 873 00:44:35,680 --> 00:44:39,000 Speaker 1: best duo in cinema. They're the ones making these big 874 00:44:39,080 --> 00:44:42,840 Speaker 1: action blockbusters, a genre that's not even my favorite. But 875 00:44:42,920 --> 00:44:46,200 Speaker 1: I find myself being more and more excited about this movie. 876 00:44:46,400 --> 00:44:50,400 Speaker 1: This trailer also contains his trademark of running nobody runs 877 00:44:50,480 --> 00:44:53,360 Speaker 1: in a movie like Tom Cruise. The only problem I 878 00:44:53,360 --> 00:44:55,600 Speaker 1: had with this trailer is some of the set locations 879 00:44:55,600 --> 00:44:58,600 Speaker 1: feel a little bit repetitive in the sense that I've 880 00:44:58,600 --> 00:45:01,759 Speaker 1: seen them a lot in movie He's recently. There is 881 00:45:01,800 --> 00:45:04,680 Speaker 1: one scene in particular that takes place in Berlin at 882 00:45:04,719 --> 00:45:08,200 Speaker 1: this famous roundabout. Big Hollywood movies always go to the 883 00:45:08,280 --> 00:45:11,120 Speaker 1: same locations. I get you're trying to pick iconic, famous 884 00:45:11,160 --> 00:45:13,880 Speaker 1: locations that look good on camera, but it's a big world. 885 00:45:13,960 --> 00:45:16,320 Speaker 1: Why not go to some new places that we haven't 886 00:45:16,320 --> 00:45:18,719 Speaker 1: seen featured on film. I just saw it in John 887 00:45:18,760 --> 00:45:21,120 Speaker 1: Wick Chapter four. I've seen it in so many movies. 888 00:45:21,360 --> 00:45:24,040 Speaker 1: Why not pick a different location. I also love seeing 889 00:45:24,160 --> 00:45:27,000 Speaker 1: Essim Morales as the bad guy in this movie. I 890 00:45:27,040 --> 00:45:30,680 Speaker 1: know him mostly as being Bob ritchie Vallen's brother in 891 00:45:30,760 --> 00:45:33,239 Speaker 1: La Bamba. So as soon as I see his face 892 00:45:33,280 --> 00:45:37,319 Speaker 1: on camera, I just want to scream, Richie, Mission impossible. 893 00:45:37,400 --> 00:45:41,279 Speaker 1: Dead Reckoning Part one again is coming out on July twelfth. 894 00:45:41,440 --> 00:45:45,280 Speaker 1: I don't think it's going to have as much success 895 00:45:45,400 --> 00:45:48,239 Speaker 1: at the box office as Top Gun Maverick. I think 896 00:45:48,239 --> 00:45:51,560 Speaker 1: it will be comparable, but there's a big difference in 897 00:45:51,640 --> 00:45:54,680 Speaker 1: doing a sequel to a very beloved movie thirty years 898 00:45:54,760 --> 00:45:57,719 Speaker 1: later and doing another installment in a franchise, which we'll 899 00:45:57,760 --> 00:45:59,920 Speaker 1: make it the seventh movie, So I feel like the 900 00:46:00,080 --> 00:46:02,719 Speaker 1: revenue won't be as much. But I think this will 901 00:46:02,719 --> 00:46:05,880 Speaker 1: definitely be right up there in the highest grossing movies 902 00:46:05,920 --> 00:46:07,799 Speaker 1: of the summer, and it's going to get a lot 903 00:46:07,800 --> 00:46:09,920 Speaker 1: of people back into the theater, much like Top Gun 904 00:46:10,000 --> 00:46:12,400 Speaker 1: Maverick did, who haven't been there in a long time. 905 00:46:12,480 --> 00:46:14,920 Speaker 1: So I am all here for it. I like movies 906 00:46:14,960 --> 00:46:17,280 Speaker 1: that pump up my adrenaline, so I will be there 907 00:46:17,520 --> 00:46:20,759 Speaker 1: with my parachute on my back at that for was 908 00:46:20,840 --> 00:46:25,080 Speaker 1: this week's edition of Movie by Framer par and that's 909 00:46:25,120 --> 00:46:27,520 Speaker 1: gonna do it for another episode here of the podcast. 910 00:46:27,520 --> 00:46:29,400 Speaker 1: But before I go, I got to give my listeners 911 00:46:29,400 --> 00:46:31,160 Speaker 1: shout out of the week. You can get one of 912 00:46:31,160 --> 00:46:33,440 Speaker 1: these by sending me an email movie Mike d at 913 00:46:33,480 --> 00:46:36,560 Speaker 1: gmail dot com, sending me a DM on Instagram, or 914 00:46:36,600 --> 00:46:40,080 Speaker 1: tweeting me at Mike Distro. This week's listener shout out 915 00:46:40,120 --> 00:46:42,160 Speaker 1: is to Lexi, who sent me an email and said 916 00:46:42,200 --> 00:46:45,000 Speaker 1: Mike as a fellow movie fan. I love the podcast 917 00:46:45,000 --> 00:46:47,239 Speaker 1: and have been a dedicated listener from the start. I 918 00:46:47,239 --> 00:46:49,800 Speaker 1: could swear. At one point Kelsey mentioned doing an episode 919 00:46:49,840 --> 00:46:52,600 Speaker 1: of her book reviews too. I've listened to every episode 920 00:46:52,640 --> 00:46:54,960 Speaker 1: and don't recall did I miss it. Thanks for all 921 00:46:54,960 --> 00:46:56,960 Speaker 1: you do. Big fan of the Bobby Bone Show too, 922 00:46:57,360 --> 00:46:59,480 Speaker 1: and I love when you have them do movie related 923 00:46:59,520 --> 00:47:03,920 Speaker 1: games on the show. Sign Lexi. Thank you for the email, Lexi, 924 00:47:03,960 --> 00:47:07,080 Speaker 1: And yes, Kelsey did do a couple book episodes. We 925 00:47:07,120 --> 00:47:10,200 Speaker 1: initially did one episode about books that should be turned 926 00:47:10,200 --> 00:47:12,600 Speaker 1: into movies, and then at the end of last year 927 00:47:12,640 --> 00:47:14,839 Speaker 1: she did her top ten books of twenty twenty two. 928 00:47:14,880 --> 00:47:18,200 Speaker 1: So I will link those both in the podcast episode notes, 929 00:47:18,480 --> 00:47:20,040 Speaker 1: so if you want to go listen to them, the 930 00:47:20,080 --> 00:47:21,879 Speaker 1: links will be there for you. I know some other 931 00:47:21,880 --> 00:47:24,319 Speaker 1: people too have asked about those episodes. If you missed 932 00:47:24,400 --> 00:47:27,120 Speaker 1: any episode, I encourage you to go back through the backlog. 933 00:47:27,200 --> 00:47:30,160 Speaker 1: New episodes every single week. If you miss the Broken 934 00:47:30,200 --> 00:47:32,640 Speaker 1: Lizard interview with the guys from Super Troopers, if you 935 00:47:32,719 --> 00:47:35,120 Speaker 1: missed the interview with the writer of the movie Air, 936 00:47:35,160 --> 00:47:37,560 Speaker 1: which is available now on Amazon. If you've seen that 937 00:47:37,600 --> 00:47:39,480 Speaker 1: movie now you want to go back and check out 938 00:47:39,480 --> 00:47:41,800 Speaker 1: that interview or one of the episodes. I've been messaged 939 00:47:41,800 --> 00:47:44,239 Speaker 1: about the most is the top things in movies that 940 00:47:44,360 --> 00:47:46,680 Speaker 1: twist my nipples. So all that available for you here 941 00:47:46,719 --> 00:47:48,960 Speaker 1: on the feed. Thank you for listening, thank you for 942 00:47:49,000 --> 00:47:51,600 Speaker 1: being subscribed, thank you for telling a friend. And until 943 00:47:51,640 --> 00:47:54,000 Speaker 1: next time, go out and watch good movies and I 944 00:47:54,040 --> 00:47:55,600 Speaker 1: will talk to you later.