1 00:00:00,240 --> 00:00:04,560 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,160 --> 00:00:08,559 Speaker 2: You are tuned in to Coast to Coast AM. Connie 3 00:00:08,600 --> 00:00:13,520 Speaker 2: Willis here with you find me at Connie Willis dot com. 4 00:00:14,320 --> 00:00:16,200 Speaker 2: I think you'll enjoy the shows that I've got for you, 5 00:00:16,680 --> 00:00:19,919 Speaker 2: the newsletter, come on, go along with me, have a 6 00:00:19,920 --> 00:00:23,120 Speaker 2: good time, Blue Rock Talk, Connie after Dark and Connie 7 00:00:23,120 --> 00:00:27,520 Speaker 2: Willis the podcast that's free, and I appreciate that you 8 00:00:27,600 --> 00:00:30,800 Speaker 2: do that. When you do that, you'll hear people like 9 00:00:30,840 --> 00:00:33,400 Speaker 2: who I'm talking to right now tonight. He'll be on 10 00:00:33,600 --> 00:00:36,199 Speaker 2: eventually here with my podcast and my Blue Rock Talk. 11 00:00:36,280 --> 00:00:38,279 Speaker 2: So I'm looking forward to that to Preston, and so 12 00:00:38,400 --> 00:00:41,680 Speaker 2: are the people that you know, my blue rockers. So 13 00:00:41,920 --> 00:00:44,159 Speaker 2: thank you for looking forward to that in the future. 14 00:00:44,320 --> 00:00:46,840 Speaker 2: You are all over the place. You've got a YouTube channel. 15 00:00:46,880 --> 00:00:52,040 Speaker 2: You're also you have a website, Preston Dinnitt dot weeble 16 00:00:52,479 --> 00:00:52,960 Speaker 2: dot com. 17 00:00:52,960 --> 00:00:55,120 Speaker 3: Excuse me, yes, that's right. 18 00:00:55,640 --> 00:00:57,680 Speaker 2: Get that wee bley in there. Don't forget the weebly 19 00:00:57,760 --> 00:01:02,400 Speaker 2: you all. Preston Dennitt dot we bleed. Oh you're the 20 00:01:02,440 --> 00:01:05,360 Speaker 2: weebley guy. Yeah, you're the You're the weeblely Preston Yeah, 21 00:01:05,400 --> 00:01:08,960 Speaker 2: that's me. That's me, and Preston is a p R 22 00:01:09,160 --> 00:01:11,840 Speaker 2: E S T O N. And the Dinnett is with 23 00:01:11,959 --> 00:01:14,320 Speaker 2: the two ends and the two t's and the two 24 00:01:14,319 --> 00:01:18,440 Speaker 2: e's d E N N E T T you can 25 00:01:18,520 --> 00:01:20,839 Speaker 2: do a song and the Weebley has two e's too. 26 00:01:21,160 --> 00:01:25,800 Speaker 2: Oh my gosh, you know it it today. You know, 27 00:01:25,880 --> 00:01:28,160 Speaker 2: it's like you got to find like one word that 28 00:01:28,240 --> 00:01:31,040 Speaker 2: everybody will remember right to get to your your stuff. 29 00:01:31,040 --> 00:01:35,880 Speaker 2: It's really kind of difficult. The memories are gone memories, 30 00:01:36,400 --> 00:01:39,800 Speaker 2: they're just gone nowadays. But you're finding people that are 31 00:01:39,800 --> 00:01:43,360 Speaker 2: pulling up some memories and remembering these encounters at the 32 00:01:43,480 --> 00:01:45,880 Speaker 2: drive in, and I just think that's awesome. 33 00:01:47,200 --> 00:01:48,880 Speaker 3: Yeah, it's truly amazing. 34 00:01:50,680 --> 00:01:51,560 Speaker 2: Nice new content. 35 00:01:53,680 --> 00:01:57,480 Speaker 3: Yeah, like I said, it really shocked me. I thought 36 00:01:57,480 --> 00:02:02,320 Speaker 3: I pretty much covered the field uptown inside, and no, 37 00:02:02,840 --> 00:02:05,800 Speaker 3: there's always something new to learn. I don't know why 38 00:02:05,840 --> 00:02:09,440 Speaker 3: I keep thinking that, oh, I've heard it all, because no, 39 00:02:09,600 --> 00:02:13,280 Speaker 3: you haven't. Something always comes along and turns everything on 40 00:02:13,320 --> 00:02:15,800 Speaker 3: its head, and this absolutely did. 41 00:02:16,560 --> 00:02:22,440 Speaker 2: Yeah, so what are so okay? So you know, there's 42 00:02:22,560 --> 00:02:25,280 Speaker 2: just like a handful it seems like to me there's 43 00:02:25,280 --> 00:02:27,920 Speaker 2: just a handful of drive ins now that are still 44 00:02:27,960 --> 00:02:30,560 Speaker 2: around or or are more starting to pop up again. 45 00:02:31,080 --> 00:02:34,079 Speaker 2: I can't imagine that, But are they I loved them, 46 00:02:34,160 --> 00:02:36,320 Speaker 2: they were great. But it's a whole different world now. 47 00:02:37,360 --> 00:02:39,520 Speaker 2: But are there still some out there? And is this 48 00:02:40,040 --> 00:02:41,520 Speaker 2: phenomenon still happening? 49 00:02:42,560 --> 00:02:45,280 Speaker 3: Oh yeah, yeah, there used to be thousands. The real 50 00:02:45,320 --> 00:02:49,720 Speaker 3: heyday was the city. Yeah, sixties and seventies, thousands upon thousands. 51 00:02:49,760 --> 00:02:52,520 Speaker 3: This was the thing to do. People will go there 52 00:02:52,480 --> 00:02:56,840 Speaker 3: and there were playgrounds, prize giveaways, they work shows, petting zoo's, 53 00:02:57,000 --> 00:02:58,079 Speaker 3: balloon rides. 54 00:02:58,280 --> 00:03:00,799 Speaker 2: Mud wrestling. There was mud wrestle these. 55 00:03:01,400 --> 00:03:03,400 Speaker 3: Really, I kid you not, I'm not. 56 00:03:03,840 --> 00:03:06,480 Speaker 2: I'm not joking. We found this out last night. 57 00:03:08,280 --> 00:03:10,560 Speaker 3: It was the thing to do. But it did start 58 00:03:10,560 --> 00:03:13,400 Speaker 3: to fade away in the eighties when we got you know, 59 00:03:13,520 --> 00:03:17,920 Speaker 3: VCRs Home Entertainment. But there's still several hundred that have 60 00:03:18,040 --> 00:03:21,079 Speaker 3: hung on, and I've got current cases all the way. 61 00:03:21,280 --> 00:03:24,040 Speaker 3: I think the most recent one that was real solid, 62 00:03:24,720 --> 00:03:28,320 Speaker 3: because I found some later, but twenty fifteen that was 63 00:03:28,360 --> 00:03:31,359 Speaker 3: the most recent, really good case I found, which is 64 00:03:31,400 --> 00:03:36,360 Speaker 3: still fairly recent. Don't tell us, Oh you know, what 65 00:03:36,400 --> 00:03:38,480 Speaker 3: I'd really like to do, Connie is kind of take 66 00:03:38,520 --> 00:03:39,840 Speaker 3: you on a journey through time. 67 00:03:40,840 --> 00:03:44,360 Speaker 2: Oh, thank you absolutely. 68 00:03:44,160 --> 00:03:46,520 Speaker 3: Because I mean it's like a movie how this rolls out. 69 00:03:47,160 --> 00:03:51,680 Speaker 2: Yeah, it's a story within a story with stories in there. 70 00:03:51,720 --> 00:03:56,520 Speaker 2: So no go please, thank you. The stage is yours. 71 00:03:56,560 --> 00:04:01,160 Speaker 3: Go ahead. It starts in the nineteen fifties, right, and 72 00:04:01,200 --> 00:04:03,920 Speaker 3: this is when it did really ramp up. As you know, 73 00:04:03,960 --> 00:04:07,040 Speaker 3: the Modern Age of UFOs was nineteen forty seven and 74 00:04:07,120 --> 00:04:10,560 Speaker 3: onwards with roswell in a huge super wave, and this 75 00:04:10,600 --> 00:04:13,680 Speaker 3: is when society really started to take notice. Of course, 76 00:04:13,720 --> 00:04:16,599 Speaker 3: it does go back thousands of years, but this has 77 00:04:16,760 --> 00:04:20,160 Speaker 3: unprecedented what's happened to humanity since the Modern Age of 78 00:04:20,240 --> 00:04:24,240 Speaker 3: UFOs nineteen forty seven and that's when this started to happen. 79 00:04:24,880 --> 00:04:28,240 Speaker 3: And the earliest case I could find is significant, I think, 80 00:04:28,839 --> 00:04:32,000 Speaker 3: because it has something really interesting to say about how 81 00:04:32,040 --> 00:04:35,400 Speaker 3: we treat this subject. And that occurred at the Starlight 82 00:04:35,520 --> 00:04:40,320 Speaker 3: Drive in on July twenty second, nineteen fifty Spartanburg, North Carolina. 83 00:04:41,240 --> 00:04:45,000 Speaker 3: There was a colonel or gosh, let's see, I believe 84 00:04:45,000 --> 00:04:51,240 Speaker 3: it was a writer who was at the movie, a 85 00:04:51,320 --> 00:04:55,960 Speaker 3: military officer though, and he was there with his wife 86 00:04:56,040 --> 00:04:59,599 Speaker 3: when this sort of dirigible like object sort of just 87 00:05:00,000 --> 00:05:02,880 Speaker 3: I went by the theater I think he didn't think 88 00:05:02,960 --> 00:05:05,720 Speaker 3: much of it until it returned, and then it came 89 00:05:05,760 --> 00:05:08,040 Speaker 3: back a third time, and by the fourth time it's 90 00:05:08,120 --> 00:05:11,520 Speaker 3: clear that it is doing something. And he described it 91 00:05:11,560 --> 00:05:16,359 Speaker 3: as the dirigible object, the sort of rounded bottom, silvery white, 92 00:05:16,480 --> 00:05:20,000 Speaker 3: and that fourth pass, it came very very low. And 93 00:05:20,200 --> 00:05:21,880 Speaker 3: he wasn't the only one who saw it at this point. 94 00:05:22,760 --> 00:05:26,000 Speaker 3: Several people in the theater saw it. So he sent 95 00:05:26,040 --> 00:05:29,520 Speaker 3: a report to the Air Force, and I tracked this 96 00:05:29,680 --> 00:05:32,799 Speaker 3: report because you know there's a lot of documents online. 97 00:05:32,960 --> 00:05:37,600 Speaker 3: This was reported to the Precursor Project Blue Book and 98 00:05:37,800 --> 00:05:42,719 Speaker 3: actually went to Colonel John Meads at the commanding General 99 00:05:42,920 --> 00:05:46,680 Speaker 3: at Wright Patterson Air Force Base. Now, if you know 100 00:05:46,760 --> 00:05:52,120 Speaker 3: anything about UFOs, right Patterson is UFO Central. That's where 101 00:05:52,600 --> 00:05:56,839 Speaker 3: we do the studying of foreign technology. So this is 102 00:05:56,880 --> 00:06:01,840 Speaker 3: important because this shows that our government is fully aware. 103 00:06:02,720 --> 00:06:07,360 Speaker 3: I thought, well, maybe that's a coincidence, but I don't 104 00:06:07,400 --> 00:06:11,200 Speaker 3: think so, because it wasn't long after that August twelfth, 105 00:06:11,279 --> 00:06:13,880 Speaker 3: nineteen fifty two. This is one of my favorite cases. 106 00:06:14,560 --> 00:06:18,960 Speaker 3: Terrorists driving in Bakersfield, California. It's a big theater space 107 00:06:19,000 --> 00:06:21,800 Speaker 3: for six hundred and fifty cars, and again there's a 108 00:06:21,839 --> 00:06:26,080 Speaker 3: military officer in the audience. The early cases were mostly 109 00:06:26,160 --> 00:06:33,560 Speaker 3: military officers, I think because the reporters didn't believe regular 110 00:06:33,640 --> 00:06:36,440 Speaker 3: citizens and they wanted really good witnesses. 111 00:06:36,640 --> 00:06:39,920 Speaker 2: All right, right, makes sense, yep, right, I agree with 112 00:06:39,960 --> 00:06:40,800 Speaker 2: you yet. 113 00:06:41,200 --> 00:06:45,200 Speaker 3: So, yeah, this is in Bakersfield and there's about six 114 00:06:45,279 --> 00:06:49,119 Speaker 3: hundred cars there or so when this UFO drops down. 115 00:06:49,440 --> 00:06:52,559 Speaker 3: This one was prescribed as cigar shaped. There's all different 116 00:06:52,600 --> 00:06:55,960 Speaker 3: types of course, saucers and egg shaped and cigars and 117 00:06:56,000 --> 00:06:59,760 Speaker 3: so forth. This one was cigar shaped. And it comes zoom, 118 00:07:00,240 --> 00:07:04,120 Speaker 3: stops right above the screen, flashes its lights at the audience, 119 00:07:04,680 --> 00:07:08,000 Speaker 3: and then darts off. So this is a real quick one. 120 00:07:08,480 --> 00:07:11,480 Speaker 3: But a lot of people saw it and started calling 121 00:07:11,680 --> 00:07:16,720 Speaker 3: the local sheriff's office. Deputy Sheriff Leroy Hatfields has taking 122 00:07:16,760 --> 00:07:19,720 Speaker 3: the calls one after another, and after the fourth or 123 00:07:19,720 --> 00:07:23,120 Speaker 3: fifth call, he's like, the phone is still ringing. He's like, 124 00:07:23,280 --> 00:07:25,880 Speaker 3: hold on, I'm going to just go down there. And 125 00:07:25,960 --> 00:07:28,200 Speaker 3: goes down there and still finds about one hundred people 126 00:07:28,640 --> 00:07:31,520 Speaker 3: just talking about it, and it takes the testimony of 127 00:07:31,560 --> 00:07:34,360 Speaker 3: about thirty of them. They were lining up. He's like, 128 00:07:34,400 --> 00:07:38,000 Speaker 3: that's it. My arm's tired. I've got what she's you 129 00:07:38,040 --> 00:07:40,679 Speaker 3: know the report. I think I know what you've seen 130 00:07:40,800 --> 00:07:44,600 Speaker 3: or I've got the descriptions. So he sends he writes 131 00:07:44,640 --> 00:07:48,640 Speaker 3: it up right, and sends this report to the nearest 132 00:07:49,200 --> 00:07:52,320 Speaker 3: Air Force base, which turns out to be Edwards and 133 00:07:52,520 --> 00:07:55,440 Speaker 3: Edwards don't even get me started on Edwards because they 134 00:07:55,480 --> 00:07:58,960 Speaker 3: have had so many UFO sidings and landings and all 135 00:07:59,080 --> 00:08:02,240 Speaker 3: kinds of stuff. It's the UFO magnet there, so they 136 00:08:02,280 --> 00:08:05,880 Speaker 3: know what's going on at any rate. It goes to 137 00:08:05,920 --> 00:08:10,240 Speaker 3: a blue book officer there and he writes up this 138 00:08:10,320 --> 00:08:13,800 Speaker 3: report marks at action and sends it the next day 139 00:08:14,480 --> 00:08:18,640 Speaker 3: to the Air Technical Intelligence Command again at Wright Patterson, 140 00:08:19,280 --> 00:08:22,360 Speaker 3: and the copy goes to Enter Air Force Base in Colorado, 141 00:08:22,920 --> 00:08:25,920 Speaker 3: which is where we track all the incoming and outgoing traffic, 142 00:08:26,480 --> 00:08:30,920 Speaker 3: and get this to the Director of Intelligence at Washington, DC. 143 00:08:33,240 --> 00:08:37,240 Speaker 3: So they knew wow beginning, because back in the fifties, 144 00:08:37,280 --> 00:08:41,920 Speaker 3: if you saw a UFO, you're hoaxing, you're hallucinating, you're misperceiving. 145 00:08:42,080 --> 00:08:45,360 Speaker 3: Go away, there's no such thing. But they knew, they 146 00:08:45,440 --> 00:08:46,240 Speaker 3: knew the whole time. 147 00:08:48,200 --> 00:08:52,360 Speaker 2: Oh yeah, yep, I agree with that. Okay, I'm gonna 148 00:08:52,400 --> 00:08:54,160 Speaker 2: sit back, hold on, let me go get some pop going. 149 00:08:54,200 --> 00:08:56,439 Speaker 2: Hold on, wait a minute, I need some more butter. Okay, okay, 150 00:08:56,440 --> 00:08:57,840 Speaker 2: hold on, I'm ready. I'm ready to go. 151 00:08:58,440 --> 00:09:02,320 Speaker 3: All right, here's another one. Things aren't even getting exciting yet. 152 00:09:02,320 --> 00:09:06,520 Speaker 3: This is just the introduction. This is the little cartoon 153 00:09:06,559 --> 00:09:11,040 Speaker 3: at the beginning of a movie. Here's another case which 154 00:09:11,160 --> 00:09:15,440 Speaker 3: really struck me profoundly. This was July seventeenth, nineteen fifty four, 155 00:09:16,080 --> 00:09:20,240 Speaker 3: Saint Louis, Missouri, at the Skyline Theater. All the people 156 00:09:20,240 --> 00:09:23,120 Speaker 3: are at the theater when suddenly this red glow starts 157 00:09:23,160 --> 00:09:26,320 Speaker 3: to sweep over the parking lot and off to the side, 158 00:09:26,360 --> 00:09:29,360 Speaker 3: this time not next to the screen as usual. This 159 00:09:29,440 --> 00:09:33,959 Speaker 3: one's unusual. Net way is this UFO. It's really bright, 160 00:09:34,080 --> 00:09:37,680 Speaker 3: it's casting this eerie light. It's oval shaped, it's quite low, 161 00:09:37,760 --> 00:09:41,160 Speaker 3: about fifty one hundred feet off the ground and just 162 00:09:41,240 --> 00:09:44,880 Speaker 3: sitting there. So everyone, of course, in these cases, they 163 00:09:44,920 --> 00:09:48,000 Speaker 3: stop watching the movie and look at this thing, which 164 00:09:48,040 --> 00:09:51,320 Speaker 3: is much more interesting. And some people are getting scared 165 00:09:51,679 --> 00:09:54,280 Speaker 3: and staying in their cars, and others are getting out 166 00:09:54,320 --> 00:09:57,319 Speaker 3: and looking at this thing. It's an eerie silence kind 167 00:09:57,320 --> 00:10:00,440 Speaker 3: of settling over the whole parking lot. One of the 168 00:10:00,480 --> 00:10:04,200 Speaker 3: witnesses was this young man who was very interested. He 169 00:10:04,240 --> 00:10:06,920 Speaker 3: was just a kid, right seven or eight years old, 170 00:10:08,040 --> 00:10:10,040 Speaker 3: gets out of his car with his family and looking 171 00:10:10,080 --> 00:10:13,240 Speaker 3: at it. He doesn't realize it, but his father works 172 00:10:13,240 --> 00:10:16,360 Speaker 3: at the local airport not too far away and is 173 00:10:16,360 --> 00:10:20,600 Speaker 3: also watching it through binoculars from the control tower. He's 174 00:10:20,640 --> 00:10:22,640 Speaker 3: got lots of pilots and stuff in his family, so 175 00:10:22,679 --> 00:10:26,640 Speaker 3: he's very interested in all of this. And right when 176 00:10:26,640 --> 00:10:29,640 Speaker 3: people start to run towards this thing and try to 177 00:10:29,640 --> 00:10:33,640 Speaker 3: get closer, it takes off straight up. But this left 178 00:10:33,640 --> 00:10:37,080 Speaker 3: this one young man, his name is Peter, with a 179 00:10:37,120 --> 00:10:41,040 Speaker 3: lifelong interest in UFOs And it was years later, as 180 00:10:41,080 --> 00:10:44,959 Speaker 3: an adult he was best friends with Robert Gribble who 181 00:10:44,960 --> 00:10:49,720 Speaker 3: had started the National UFO Reporting Center and was diving 182 00:10:49,760 --> 00:10:54,400 Speaker 3: it up and Peter, his last name is Devenport. I'll 183 00:10:54,520 --> 00:10:58,920 Speaker 3: take it over. This is Peter Devenport, the National UFO 184 00:10:59,040 --> 00:11:03,920 Speaker 3: Reporting Center. And yeah, it's because of that sighting that 185 00:11:04,440 --> 00:11:07,680 Speaker 3: the lifelong interest that basically he said it himself in 186 00:11:07,679 --> 00:11:12,760 Speaker 3: his own words, inspired him to become the president of 187 00:11:12,960 --> 00:11:17,040 Speaker 3: the National UFO Reporting Center. Makes me wonder if these 188 00:11:17,160 --> 00:11:20,000 Speaker 3: UFO guys knew what they were doing when makes sort 189 00:11:20,040 --> 00:11:23,480 Speaker 3: of like this guy needs to know where real, he's 190 00:11:23,520 --> 00:11:26,440 Speaker 3: going to be doing important work in the future. I 191 00:11:26,440 --> 00:11:28,079 Speaker 3: don't know, I'm speculating there, but. 192 00:11:28,400 --> 00:11:32,480 Speaker 2: H no, I can see that. Yeah, I totally I 193 00:11:32,600 --> 00:11:36,640 Speaker 2: totally get that. That makes sense. That's you know, no coincidence, 194 00:11:36,720 --> 00:11:38,240 Speaker 2: is right, and. 195 00:11:38,280 --> 00:11:40,000 Speaker 3: One more part of the pre show because this is 196 00:11:40,000 --> 00:11:42,240 Speaker 3: when I stud this is when I started to really 197 00:11:42,280 --> 00:11:44,840 Speaker 3: wonder what's going on here. There was a case at 198 00:11:44,960 --> 00:11:48,520 Speaker 3: Charlottetown on Prince Edward Island in Canada. I don't have 199 00:11:48,559 --> 00:11:51,720 Speaker 3: the exact date, and really I don't have much details 200 00:11:51,800 --> 00:11:56,959 Speaker 3: at all, but from according to one witness, there were 201 00:11:57,080 --> 00:12:02,680 Speaker 3: UFOs hovering over this theater so many times it came repeatedly. 202 00:12:02,760 --> 00:12:06,480 Speaker 3: Some of these theaters are visited repeatedly. It came over 203 00:12:06,559 --> 00:12:08,360 Speaker 3: so many times that the owners actually put it in 204 00:12:08,400 --> 00:12:10,839 Speaker 3: their marquee started to advertise, I want to see a 205 00:12:10,920 --> 00:12:17,280 Speaker 3: UFO come to our theater. I'm like, okay, because yeah. 206 00:12:17,280 --> 00:12:19,480 Speaker 3: I did find a number of cases like the Uma 207 00:12:19,600 --> 00:12:24,200 Speaker 3: Drive in in Arizona, where was visited repeatedly. Normally they'll 208 00:12:24,200 --> 00:12:27,280 Speaker 3: pick one theater, go off to another one, and then 209 00:12:27,320 --> 00:12:29,839 Speaker 3: another one, kind of like a I don't know, a 210 00:12:29,880 --> 00:12:33,520 Speaker 3: concert tour or you know, a book signing just place 211 00:12:33,600 --> 00:12:38,240 Speaker 3: to place to place, like advertising really, so I think 212 00:12:38,280 --> 00:12:43,880 Speaker 3: that's what they're doing. Okay, they are doing this intentionally 213 00:12:44,360 --> 00:12:45,920 Speaker 3: because they know people are watching. 214 00:12:46,679 --> 00:12:50,400 Speaker 2: Is anybody getting pictures of any of these? By the way, 215 00:12:50,520 --> 00:12:51,319 Speaker 2: any pictures? 216 00:12:51,720 --> 00:12:54,280 Speaker 3: Oh and a few of the later ones they didn't 217 00:12:54,320 --> 00:12:58,000 Speaker 3: really come out, so I mean, I guess it's hard 218 00:12:58,000 --> 00:13:01,160 Speaker 3: to take a picture at night of a glowing object. 219 00:13:01,960 --> 00:13:03,480 Speaker 1: But back then. 220 00:13:03,840 --> 00:13:09,480 Speaker 3: Nothing great. Unfortunately there were with the school yard encounters. 221 00:13:09,480 --> 00:13:11,959 Speaker 3: They did get some great ones, but which is very 222 00:13:12,000 --> 00:13:15,760 Speaker 3: similar to this. But no, it wasn't until the sixties 223 00:13:16,440 --> 00:13:18,680 Speaker 3: that it really started to get exciting. And this is 224 00:13:18,679 --> 00:13:24,080 Speaker 3: when I'm like, I know what's going on here, because 225 00:13:24,120 --> 00:13:27,400 Speaker 3: there was this one case that really tipped it off 226 00:13:27,400 --> 00:13:30,960 Speaker 3: for me, and that was in May of nineteen sixty 227 00:13:31,000 --> 00:13:35,280 Speaker 3: three at the Wellington Circle twin And this was investigated 228 00:13:35,280 --> 00:13:38,360 Speaker 3: by George Fawcett, who, if you're a fan of the 229 00:13:38,640 --> 00:13:43,640 Speaker 3: early UFO guys, he's a hero. He investigated a lot 230 00:13:43,640 --> 00:13:49,600 Speaker 3: of cases, a great pioneering researcher. And this is in Medford, Massachusetts. 231 00:13:50,559 --> 00:13:56,080 Speaker 3: And these two discs dropped down and then moments later 232 00:13:56,559 --> 00:13:58,640 Speaker 3: down right on top of the first two. The first 233 00:13:58,679 --> 00:14:01,240 Speaker 3: two were in a row. The second two came right 234 00:14:01,280 --> 00:14:04,679 Speaker 3: on top, and then two more came, so there's sort 235 00:14:04,720 --> 00:14:07,120 Speaker 3: of two columns now and then two more. So we 236 00:14:07,200 --> 00:14:12,800 Speaker 3: have two columns of a total of eight discs. And 237 00:14:12,840 --> 00:14:16,200 Speaker 3: at this point the people were all looking at them, 238 00:14:16,640 --> 00:14:20,800 Speaker 3: not really watching the movie. And that's when these discs 239 00:14:20,880 --> 00:14:25,520 Speaker 3: put on a forty five minute long display, started playing 240 00:14:25,760 --> 00:14:33,080 Speaker 3: like musical chairs, darting around, rotating, darting back and forth, 241 00:14:33,560 --> 00:14:37,160 Speaker 3: dancing is how people described it. And after forty five 242 00:14:37,240 --> 00:14:41,400 Speaker 3: minutes they came back into the two columns and took off. 243 00:14:43,400 --> 00:14:45,960 Speaker 2: Well, isn't that interesting because like old Spielberg did the 244 00:14:46,960 --> 00:14:50,640 Speaker 2: uh don't du dn't du du you know, put on 245 00:14:50,680 --> 00:14:57,280 Speaker 2: this whole spectacle with close encounters right exactly? Remember that 246 00:14:57,280 --> 00:14:59,760 Speaker 2: that was like this whole thing. I mean, that's what 247 00:15:00,040 --> 00:15:02,400 Speaker 2: that reminded me of them doing that. I wonder if 248 00:15:02,400 --> 00:15:05,840 Speaker 2: they picked that up from there, could be there's an 249 00:15:05,880 --> 00:15:09,640 Speaker 2: idea why not as a good one? Wow? Forty five minutes? 250 00:15:10,120 --> 00:15:11,040 Speaker 3: Can you imagine? 251 00:15:11,600 --> 00:15:12,960 Speaker 2: No, that'd be great? 252 00:15:14,080 --> 00:15:16,280 Speaker 3: Wow. I mean that's when I started to realize, Okay, 253 00:15:16,400 --> 00:15:19,440 Speaker 3: I think I understand this because in that case that 254 00:15:19,560 --> 00:15:23,000 Speaker 3: people weren't too freaked out. Sometimes they absolutely lose their 255 00:15:23,040 --> 00:15:27,840 Speaker 3: minds and just screach out of the theater. But that's 256 00:15:27,880 --> 00:15:30,520 Speaker 3: when I started to realize, Okay, they are targeting the 257 00:15:30,520 --> 00:15:34,880 Speaker 3: theaters specifically, because there was a case not long after 258 00:15:34,920 --> 00:15:38,240 Speaker 3: that two years June twenty nine, nineteen sixty four at 259 00:15:38,280 --> 00:15:42,800 Speaker 3: lant To, Georgia. All the kids were in the bleachers 260 00:15:43,160 --> 00:15:45,760 Speaker 3: because the bleachers back in those days for some of 261 00:15:45,800 --> 00:15:49,000 Speaker 3: the people who wanted to watch the movie not from 262 00:15:49,000 --> 00:15:49,400 Speaker 3: their car. 263 00:15:49,960 --> 00:15:50,560 Speaker 2: And that's right. 264 00:15:50,960 --> 00:15:53,960 Speaker 3: This is disk sort of showed up in the back, 265 00:15:54,240 --> 00:15:56,520 Speaker 3: you know, over the trees, and one kids shouts out, hey, 266 00:15:56,960 --> 00:15:59,600 Speaker 3: look at you f out and kind of the kids 267 00:15:59,640 --> 00:16:03,240 Speaker 3: just look like, hey, yeah, and it goes off and 268 00:16:03,280 --> 00:16:06,360 Speaker 3: then this same kids jumps up. He's like, it's back, 269 00:16:06,720 --> 00:16:11,680 Speaker 3: it's coming, and it comes right over the bleachers twenty 270 00:16:11,960 --> 00:16:15,240 Speaker 3: fifty feet high and just the ere everyone in the 271 00:16:15,240 --> 00:16:19,400 Speaker 3: bleachers scatters. These are mostly kids. They're running for their cars. 272 00:16:19,840 --> 00:16:22,320 Speaker 3: The main witness who reported this, I think, was to 273 00:16:22,400 --> 00:16:28,320 Speaker 3: move on ran with his cousin or sibling to the 274 00:16:28,400 --> 00:16:32,160 Speaker 3: snack stand and hid in there well, and he's looking 275 00:16:32,160 --> 00:16:35,160 Speaker 3: for his parents' cars because everyone's just losing their minds. 276 00:16:36,080 --> 00:16:40,120 Speaker 3: And finally he's like, let's creep out and see if 277 00:16:40,160 --> 00:16:44,280 Speaker 3: we can get there. But this disc is right over right, 278 00:16:44,560 --> 00:16:48,440 Speaker 3: exactly overhead, and he finally sees his family and they're 279 00:16:48,520 --> 00:16:51,160 Speaker 3: waving at him and make rush into their car and 280 00:16:51,560 --> 00:16:53,960 Speaker 3: take off. That one cleared the theater. 281 00:16:54,800 --> 00:16:58,040 Speaker 1: Listen to more Coast to Coast AM every weeknight at 282 00:16:58,080 --> 00:17:00,960 Speaker 1: one am Eastern, and go to Coast to Coasta m 283 00:17:01,080 --> 00:17:02,200 Speaker 1: dot com for more