1 00:00:04,960 --> 00:00:06,920 Speaker 1: I'm going to tell you one little quick story comes. 2 00:00:07,000 --> 00:00:11,240 Speaker 1: This is a funny story. We were out drinking party. 3 00:00:11,240 --> 00:00:14,120 Speaker 1: Any one of my friends was a virgin. We said, 4 00:00:14,160 --> 00:00:16,840 Speaker 1: you know, you can't do that. Were twenty years old. Well, 5 00:00:17,480 --> 00:00:20,360 Speaker 1: so one o'clock at night we take him out. On 6 00:00:20,480 --> 00:00:23,520 Speaker 1: fifty eight. They wouldn't let us in, but when they 7 00:00:23,600 --> 00:00:26,160 Speaker 1: we wouldn't let us sin On twenty nine. We was 8 00:00:26,200 --> 00:00:28,320 Speaker 1: about four or five of us and we weren't. We 9 00:00:28,640 --> 00:00:31,360 Speaker 1: got we'd been drinking, but still, I'm a fun guy. 10 00:00:31,480 --> 00:00:33,839 Speaker 1: I don't get mad. I have the time. So they 11 00:00:33,920 --> 00:00:35,720 Speaker 1: left us sin out there and we said, this guy 12 00:00:35,840 --> 00:00:38,839 Speaker 1: right here never been with a woman, fix him up 13 00:00:38,880 --> 00:00:42,800 Speaker 1: and get him good. So we sitting around talking and 14 00:00:43,159 --> 00:00:46,360 Speaker 1: try and get us. Then my brother in law, Padel, 15 00:00:46,800 --> 00:00:48,640 Speaker 1: came over to me and wanted me to go. I said, 16 00:00:48,720 --> 00:00:51,320 Speaker 1: I can go back there. We'll go back. She said, 17 00:00:51,320 --> 00:00:54,000 Speaker 1: what do you want? She said? I said, you know, honestly, 18 00:00:54,040 --> 00:00:57,480 Speaker 1: I want to talk to you. She said, are you gay? 19 00:00:57,960 --> 00:01:03,280 Speaker 1: And I said no, with a girlfriend. I'm happily satisfied, 20 00:01:03,960 --> 00:01:05,679 Speaker 1: but I want to talk to you about your life. 21 00:01:05,880 --> 00:01:07,160 Speaker 1: Why did you get into this? 22 00:01:08,520 --> 00:01:09,120 Speaker 2: What is it? 23 00:01:09,200 --> 00:01:11,360 Speaker 1: And for thirty minutes we sat on that bed, and 24 00:01:11,760 --> 00:01:15,080 Speaker 1: she opened up to me, like what we're doing? And 25 00:01:15,120 --> 00:01:19,520 Speaker 1: she said, honey, yours is free tonight. I said, Sugar, 26 00:01:19,560 --> 00:01:22,560 Speaker 1: I appreciate that. I'm not here for that. I'm here 27 00:01:22,600 --> 00:01:25,199 Speaker 1: for my fun. I'm having some fun. But I'm gonna 28 00:01:25,200 --> 00:01:28,280 Speaker 1: give you my card if you ever need something, let 29 00:01:28,319 --> 00:01:32,959 Speaker 1: me know. A month or two later, she walks in 30 00:01:33,040 --> 00:01:36,760 Speaker 1: my office and Deaddy's eyes light up like this. But 31 00:01:36,880 --> 00:01:41,280 Speaker 1: she hed called him before the grand jury and she 32 00:01:41,400 --> 00:01:43,479 Speaker 1: wanted to see me. So she came back to back 33 00:01:43,520 --> 00:01:47,120 Speaker 1: office and I'm sitting I like, WHOA, what's going on? 34 00:01:47,280 --> 00:01:49,840 Speaker 1: She said. You know, I've never had anybody come in 35 00:01:49,840 --> 00:01:52,120 Speaker 1: in and do me like you are. I've got a 36 00:01:52,200 --> 00:01:54,800 Speaker 1: young daughter. I want her away from what I do, 37 00:01:54,920 --> 00:01:56,880 Speaker 1: and I want to buy some land with a house 38 00:01:57,400 --> 00:02:02,240 Speaker 1: to where I can keep her away from it. I said, Sugar, 39 00:02:02,280 --> 00:02:04,720 Speaker 1: i'll help you. I told you when I'm at you, 40 00:02:04,800 --> 00:02:08,080 Speaker 1: i'll help you. She said, well, I got fifty thousand 41 00:02:08,120 --> 00:02:11,760 Speaker 1: dollars cash, and I said, where is it. She said, 42 00:02:11,800 --> 00:02:15,520 Speaker 1: Tom Barker's got fifty thousand dollars my money. I said, 43 00:02:15,840 --> 00:02:18,320 Speaker 1: you don't have fifty thousand dollars. She said, what do 44 00:02:18,400 --> 00:02:20,560 Speaker 1: you mean? I said, when you go to ask for it, 45 00:02:21,000 --> 00:02:22,959 Speaker 1: you're probably gonna get the crap beat out of it. 46 00:02:23,120 --> 00:02:26,000 Speaker 1: You don't be shipped down to Carolina, honey. That's why 47 00:02:26,000 --> 00:02:29,519 Speaker 1: they call it white slavery. It breaks my heart. And 48 00:02:29,639 --> 00:02:33,280 Speaker 1: if I'm wrong, you come back to see me. But 49 00:02:33,440 --> 00:02:36,359 Speaker 1: I think I'm right, and you ought to get out 50 00:02:36,400 --> 00:02:38,440 Speaker 1: of this now why you can. 51 00:02:40,320 --> 00:02:43,760 Speaker 3: Truck shot brothels run by a web of x cons, 52 00:02:43,960 --> 00:02:49,240 Speaker 3: a commonwealth attorney wasted on whiskey and power, protection exchanged 53 00:02:49,360 --> 00:02:55,280 Speaker 3: for cash and flesh. A brish local reporter exposing it all. 54 00:02:55,480 --> 00:02:59,520 Speaker 3: This is hooker Gate, criminals and libertines in the South. 55 00:03:00,160 --> 00:03:04,880 Speaker 3: And I am your host, Doctor Lindsey Byron, author, historian 56 00:03:05,000 --> 00:03:10,720 Speaker 3: and lifelong wayward woman. This forgotten scandal happened in my hometown. 57 00:03:11,280 --> 00:03:15,480 Speaker 3: Join me as I use crumbling news clippings, interviews, and 58 00:03:15,600 --> 00:03:18,960 Speaker 3: dramatic reenactments to bring to life for the first time 59 00:03:18,960 --> 00:03:23,480 Speaker 3: in nearly fifty years, this wild ride of hedonistic corruption. 60 00:03:25,639 --> 00:03:28,160 Speaker 2: Episode five, Keeping the Peace. 61 00:03:35,480 --> 00:03:37,960 Speaker 3: Can you tell us how you got involved in this 62 00:03:38,120 --> 00:03:41,640 Speaker 3: line of work, Brianna, I was. 63 00:03:41,600 --> 00:03:44,600 Speaker 4: Never a prostitute before I went to Danville. I was 64 00:03:44,640 --> 00:03:46,920 Speaker 4: only in the business for three months and I was 65 00:03:46,960 --> 00:03:50,720 Speaker 4: forced into that business because I was threatened. My boyfriend 66 00:03:50,760 --> 00:03:53,120 Speaker 4: threatened me and told me that if I didn't get 67 00:03:53,160 --> 00:03:55,960 Speaker 4: out and go to work, I've never seen my daughter again. 68 00:03:56,840 --> 00:03:59,840 Speaker 4: And for three years I haven't seen my daughter. 69 00:04:08,480 --> 00:04:10,160 Speaker 2: It's up to you how long she stays. 70 00:04:10,800 --> 00:04:14,160 Speaker 3: Tommy told the strange man from out of town. As 71 00:04:14,200 --> 00:04:18,599 Speaker 3: together they huddled in the office. From the bar outside, 72 00:04:19,480 --> 00:04:25,479 Speaker 3: Janet eavesdropped beside. Janet said, a woman who'd come in 73 00:04:25,560 --> 00:04:30,480 Speaker 3: on the arm of that strange man. That woman darted 74 00:04:30,480 --> 00:04:33,960 Speaker 3: her eyes from the office door to her ragged cuticles 75 00:04:34,480 --> 00:04:35,279 Speaker 3: and back again. 76 00:04:37,120 --> 00:04:42,760 Speaker 2: What's your name? Janet asked her. What's my name? Or 77 00:04:42,800 --> 00:04:50,159 Speaker 2: what do they call me? What's your name, Brianna? 78 00:04:51,520 --> 00:04:56,479 Speaker 3: Though I don't guess that'll be of much use here. Well, 79 00:04:56,600 --> 00:04:58,840 Speaker 3: what name would be of use here? 80 00:05:01,040 --> 00:05:03,880 Speaker 2: Kitten? The men call me kitten. 81 00:05:06,720 --> 00:05:10,760 Speaker 3: You don't sound much like you want to be here, Brianna. 82 00:05:11,480 --> 00:05:14,160 Speaker 2: I don't. Then, why are you? 83 00:05:16,360 --> 00:05:21,279 Speaker 3: Brianna gestured to the office door. Janet noticed four small 84 00:05:21,320 --> 00:05:26,400 Speaker 3: bruises dotting her throat. He dragged my ass here from 85 00:05:26,440 --> 00:05:28,560 Speaker 3: South Carolina, and he'll drag my ass wherever the hell 86 00:05:28,600 --> 00:05:29,520 Speaker 3: he wants to go next. 87 00:05:29,560 --> 00:05:32,120 Speaker 2: So it's all the same to me. All I care 88 00:05:32,120 --> 00:05:34,200 Speaker 2: about is getting back to my daughter. 89 00:05:36,080 --> 00:05:40,920 Speaker 3: On her finger, she rotated a signet ring engraved with initials. 90 00:05:43,360 --> 00:05:49,600 Speaker 2: That man is running her. Janet told Tommy later, I 91 00:05:49,640 --> 00:05:52,640 Speaker 2: don't care who she gives the money to. Tommy replied, 92 00:05:53,360 --> 00:05:54,000 Speaker 2: as long as. 93 00:05:53,920 --> 00:05:57,440 Speaker 3: She gives the first half to me. It's not funny, Tommy. 94 00:05:57,600 --> 00:06:01,760 Speaker 3: She don't want to be here, and thank you kindly 95 00:06:01,920 --> 00:06:05,800 Speaker 3: for your opinion, Tommy replied, then turned his back and 96 00:06:05,880 --> 00:06:09,400 Speaker 3: drew from his pocket an envelope folded in half. He 97 00:06:09,440 --> 00:06:12,839 Speaker 3: couldn't bear to let Janet know that despite how hard 98 00:06:12,960 --> 00:06:16,480 Speaker 3: they'd worked, all of them, her, him, the girls, hell, 99 00:06:16,880 --> 00:06:21,760 Speaker 3: even door man Roy, the numbers just weren't adding up. 100 00:06:22,080 --> 00:06:26,560 Speaker 3: Tommy could not allow morality to clout his business decisions 101 00:06:26,600 --> 00:06:33,080 Speaker 3: at this time. It isn't my opinion, Tommy, you and 102 00:06:33,120 --> 00:06:36,800 Speaker 3: that man talking about she stays as long as you say, 103 00:06:36,920 --> 00:06:38,400 Speaker 3: she stays talking about. 104 00:06:38,480 --> 00:06:40,720 Speaker 2: I don't care who she gives the money to. 105 00:06:41,279 --> 00:06:45,839 Speaker 3: I don't agree with that shit, Tommy, and I. 106 00:06:45,800 --> 00:06:47,120 Speaker 2: Don't agree with eavesdropping. 107 00:06:47,760 --> 00:06:51,480 Speaker 3: He returned, thumbing through the contents of the envelope, counting 108 00:06:51,880 --> 00:06:56,000 Speaker 3: under his breath. Wayne would be by any time to 109 00:06:56,000 --> 00:07:00,400 Speaker 3: pick up this week's fee. Why exactly, this man ought 110 00:07:00,440 --> 00:07:03,960 Speaker 3: to receive such a hunk of his earnings. Tommy couldn't decide. 111 00:07:04,240 --> 00:07:09,760 Speaker 3: Holly called it protection. Tommy called it blackmail. Tommy felt 112 00:07:09,800 --> 00:07:16,760 Speaker 3: his eyelid jump as he sealed the envelope containing precious 113 00:07:17,240 --> 00:07:19,800 Speaker 3: hundreds earmarked for a rich man. 114 00:07:19,840 --> 00:07:28,600 Speaker 2: He hated, Hello out there, A female voice rang out 115 00:07:28,600 --> 00:07:32,600 Speaker 2: from the lounge. Can somebody get me in? This fine 116 00:07:32,680 --> 00:07:33,880 Speaker 2: gentleman squared away? 117 00:07:34,000 --> 00:07:41,040 Speaker 3: Please you handle it? Tommy shot over his shoulder. He 118 00:07:41,120 --> 00:07:46,480 Speaker 3: didn't mean to be mean, He didn't want to be mean, 119 00:07:47,000 --> 00:07:50,480 Speaker 3: Yet clouds closed ever. 120 00:07:50,400 --> 00:07:52,000 Speaker 2: Around his restless spirit. 121 00:07:54,520 --> 00:07:59,440 Speaker 3: Janet followed orders, but in her heart a seed of 122 00:07:59,560 --> 00:08:06,520 Speaker 3: disco tent sprouted roots. This is my first night back 123 00:08:06,560 --> 00:08:09,240 Speaker 3: in three weeks, and y'all got us out here waiting, 124 00:08:09,880 --> 00:08:13,520 Speaker 3: Connie teased Janet. When Janet finally met her at the counter. 125 00:08:14,680 --> 00:08:18,840 Speaker 3: Behind Connie, a builder from South Hill shuffled his feet. 126 00:08:21,440 --> 00:08:25,520 Speaker 2: What does he want, Connie? He wants a straight Janet? 127 00:08:27,000 --> 00:08:29,880 Speaker 3: Go on, then, Janet said, and Connie led the builder 128 00:08:29,920 --> 00:08:34,280 Speaker 3: to a room in the back. I knew you'd return, 129 00:08:35,120 --> 00:08:40,960 Speaker 3: Connie cooed as she shut the door. Janet returned to 130 00:08:41,000 --> 00:08:43,720 Speaker 3: her desk, the location she'd been working more often than 131 00:08:43,760 --> 00:08:46,960 Speaker 3: the back rooms. Lately, cutting up the money and creating 132 00:08:47,000 --> 00:08:51,200 Speaker 3: schedules keeping track of clientele, Janet found herself dealing in 133 00:08:51,320 --> 00:08:55,480 Speaker 3: log books more often than hand relief. These days, she 134 00:08:55,880 --> 00:08:59,600 Speaker 3: buried herself and balancing the budget away to be useful 135 00:08:59,640 --> 00:09:03,960 Speaker 3: to perhap apps iron out the wrinkle. Stubbornly forming in 136 00:09:04,040 --> 00:09:08,000 Speaker 3: their love, Janet barely had time to engross herself in 137 00:09:08,040 --> 00:09:12,280 Speaker 3: the numbers. However, when she heard Connie laughing down the 138 00:09:12,320 --> 00:09:23,600 Speaker 3: hallway again. That didn't take long, Janet remarked, after Connie escorted. 139 00:09:23,160 --> 00:09:24,200 Speaker 2: The builder out the door. 140 00:09:25,800 --> 00:09:30,839 Speaker 3: Never does, Connie smiled, handing Janet two fives and a ten. 141 00:09:33,520 --> 00:09:38,520 Speaker 3: Janet looked at the clock, almost nine. The darkness gathered outside, 142 00:09:39,080 --> 00:09:42,080 Speaker 3: enveloping the truck stop in a blanket of night. This 143 00:09:43,160 --> 00:09:48,719 Speaker 3: was a hidden place and out of the way stop, small, unobtrusive, 144 00:09:49,200 --> 00:09:54,080 Speaker 3: humble made of cinder blocks and tin, a hiding place 145 00:09:54,400 --> 00:09:58,560 Speaker 3: for sin. Janet added Connie's two fives and a ten 146 00:09:58,679 --> 00:10:01,840 Speaker 3: to the slim stack of ca collected that day. She 147 00:10:01,960 --> 00:10:05,840 Speaker 3: stacked the bills according to denominations, waiting until it was 148 00:10:05,880 --> 00:10:11,600 Speaker 3: all organized to determine the final sum. Some girls seem 149 00:10:12,280 --> 00:10:17,400 Speaker 3: so free, like Connie, flitting in and out of the 150 00:10:17,440 --> 00:10:20,439 Speaker 3: truck stop, from week to week, to month to month, 151 00:10:20,880 --> 00:10:25,839 Speaker 3: laughing all the while. Then there were girls like this 152 00:10:26,000 --> 00:10:31,960 Speaker 3: new one, Brianna Sullen, quiet, strangely beholden to some man. 153 00:10:33,679 --> 00:10:38,320 Speaker 3: No man could ever lord over me like that. We 154 00:10:38,480 --> 00:10:45,800 Speaker 3: think as strong, independent women, until one day get under 155 00:10:45,840 --> 00:10:48,640 Speaker 3: his thumb. And you don't know how it happened. You 156 00:10:48,880 --> 00:10:53,880 Speaker 3: just know you can't get out. Hell, maybe you don't 157 00:10:53,880 --> 00:11:01,280 Speaker 3: want to get out. Maybe this is love now unpacked. 158 00:11:01,880 --> 00:11:04,400 Speaker 3: Crept silently from her room to Janet's desk. 159 00:11:06,960 --> 00:11:08,040 Speaker 2: Where can I make a call? 160 00:11:08,800 --> 00:11:12,080 Speaker 3: She asked, and Janet pointed to the phone at the 161 00:11:12,160 --> 00:11:17,000 Speaker 3: end of the bar. As she finished organizing the day's earnings, 162 00:11:17,040 --> 00:11:20,280 Speaker 3: Janet noticed a strange doodle and blue ink on one 163 00:11:20,320 --> 00:11:25,280 Speaker 3: of the bills. Across the room. She heard Brianna promise 164 00:11:25,679 --> 00:11:33,280 Speaker 3: into the phone, Mommy will be home soon. Poor fool, 165 00:11:33,720 --> 00:11:36,720 Speaker 3: Janet thought, depositing the cash into a bag. 166 00:11:39,000 --> 00:11:40,120 Speaker 2: Okay, missus Dowdy. 167 00:11:40,960 --> 00:11:43,520 Speaker 3: After Phyllis got out of the hospital, did you have 168 00:11:43,679 --> 00:11:46,040 Speaker 3: anything to do with her going to her mother's and 169 00:11:46,080 --> 00:11:47,800 Speaker 3: not coming back to Harold Wayne. 170 00:11:48,440 --> 00:11:52,160 Speaker 2: No, sir, were you in charge at that time? 171 00:11:53,160 --> 00:11:56,840 Speaker 3: Yes, sir, Phyllis had been in charge before that time, 172 00:11:56,920 --> 00:11:57,360 Speaker 3: hadn't she? 173 00:11:58,440 --> 00:11:59,000 Speaker 2: From what I. 174 00:11:59,000 --> 00:12:01,400 Speaker 1: Heard, she wasn't capable of being in charge? 175 00:12:03,040 --> 00:12:05,680 Speaker 2: And you feel like you are much more capable, don't you? 176 00:12:07,120 --> 00:12:07,320 Speaker 5: Yes? 177 00:12:07,400 --> 00:12:07,720 Speaker 2: I was. 178 00:12:18,559 --> 00:12:21,120 Speaker 3: The night was black on Highway fifty eight. As Harold 179 00:12:21,160 --> 00:12:25,239 Speaker 3: Wayne drove home to Robin, one side of his mind 180 00:12:25,240 --> 00:12:29,559 Speaker 3: clicked with anxiety. Slap dab in the middle of the night. 181 00:12:29,600 --> 00:12:33,440 Speaker 3: And yet that bastard Whitehead had him by the nuts again. 182 00:12:34,040 --> 00:12:37,440 Speaker 2: Joe says, jump. Harold Wayne says how. 183 00:12:37,360 --> 00:12:43,320 Speaker 3: High h WD rotated a ruby ring around his pinky. 184 00:12:44,920 --> 00:12:48,440 Speaker 3: He'd see what he could do about finding Whitehead a 185 00:12:48,520 --> 00:12:53,840 Speaker 3: girl tonight. Somehow it was imperative he keeped the peace, 186 00:12:54,960 --> 00:12:59,120 Speaker 3: But first he'd lay a kiss on the woman he loved, 187 00:12:59,160 --> 00:13:07,400 Speaker 3: blessed least sleeping now in his bend, A woman he 188 00:13:07,480 --> 00:13:12,679 Speaker 3: worked too hard, maybe and treated too hard for sure. 189 00:13:14,160 --> 00:13:21,319 Speaker 3: He'd given her expensive gifts, yes, unending compliments, passionate love making, 190 00:13:22,760 --> 00:13:27,400 Speaker 3: but he'd also allowed her to carry a heavy load 191 00:13:28,720 --> 00:13:32,160 Speaker 3: when she'd first arrived at the fifty h w D 192 00:13:32,440 --> 00:13:34,880 Speaker 3: had expected Robin to flash in and out of his 193 00:13:35,000 --> 00:13:38,240 Speaker 3: life in the same way most women did. He hadn't 194 00:13:38,600 --> 00:13:44,679 Speaker 3: expected to fall instantly madly in love He hadn't expected 195 00:13:44,720 --> 00:13:48,000 Speaker 3: her to fall in love right back the first time 196 00:13:48,040 --> 00:13:51,520 Speaker 3: they kissed, pressed against the wood paneled dark corner of 197 00:13:51,600 --> 00:13:55,800 Speaker 3: the fifty eight, he promised himself, only this one. 198 00:13:55,760 --> 00:13:59,480 Speaker 2: Time, another promise he hadn't kept. 199 00:14:01,320 --> 00:14:07,400 Speaker 3: After all, there was Phyllis to consider, and along with Phyllis, 200 00:14:07,440 --> 00:14:13,160 Speaker 3: of course, there was the baby. Do the right thing, 201 00:14:13,920 --> 00:14:18,280 Speaker 3: he lectured himself daily, And yet daily he did the 202 00:14:18,320 --> 00:14:19,480 Speaker 3: wrong thing instead. 203 00:14:22,040 --> 00:14:28,640 Speaker 2: But was it wrong? This love? How could this love 204 00:14:28,960 --> 00:14:31,040 Speaker 2: be wrong? The heart bent. 205 00:14:31,000 --> 00:14:35,600 Speaker 3: Itself to the laws of nature, not morality. Harold Wayne 206 00:14:35,680 --> 00:14:38,640 Speaker 3: no more chose to lose himself to Robin than he 207 00:14:38,720 --> 00:14:43,080 Speaker 3: chose to breathe, to sleep, to dream. I think you 208 00:14:43,120 --> 00:14:46,240 Speaker 3: should move in with your mother, he told Phyllis in 209 00:14:46,280 --> 00:14:48,480 Speaker 3: the weeks preceding the birth of their child. 210 00:14:51,520 --> 00:14:53,120 Speaker 2: She can't do her job worth a. 211 00:14:53,400 --> 00:15:01,120 Speaker 3: Shit, Robin grumbled to herself, often observing the ever expe Phyllis. 212 00:15:01,880 --> 00:15:06,560 Speaker 3: One day, Phyllis, red faced and tears streaked, knocked the 213 00:15:06,640 --> 00:15:09,120 Speaker 3: heavy log book to the floor and couldn't heartily pick 214 00:15:09,200 --> 00:15:10,440 Speaker 3: the damn thing back up. 215 00:15:10,480 --> 00:15:11,560 Speaker 2: She'd gotten so big. 216 00:15:12,920 --> 00:15:19,080 Speaker 3: Robin simply glared on with a smirk. Did your turn next, 217 00:15:19,800 --> 00:15:24,400 Speaker 3: Phyllis told her miserably from her crouch on the floor. 218 00:15:26,240 --> 00:15:33,120 Speaker 3: Robin hadn't mentioned that exchange to Harold Wayne. Instead, as 219 00:15:33,120 --> 00:15:38,760 Speaker 3: Phyllis moved out, Robin moved in. How could it be wrong? 220 00:15:38,840 --> 00:15:44,320 Speaker 3: How could this love be wrong? The night was black 221 00:15:44,400 --> 00:15:49,080 Speaker 3: on Highway fifty eight. When at last Harold Wayne arrived home. 222 00:15:49,120 --> 00:15:52,760 Speaker 3: It was deep into the darkest hour of morning. Robin 223 00:15:52,960 --> 00:15:57,040 Speaker 3: slept soundly on satin sheets. Not a bruise on her 224 00:15:57,400 --> 00:16:01,640 Speaker 3: not a worry carved into her brow, nor an alarm. 225 00:16:01,400 --> 00:16:03,000 Speaker 2: Set for the next shift. 226 00:16:04,440 --> 00:16:07,480 Speaker 3: Since he'd suggest that she take time off, she'd been 227 00:16:07,520 --> 00:16:11,120 Speaker 3: sleeping long hours, going to bed sometimes at nine at night, 228 00:16:11,160 --> 00:16:14,520 Speaker 3: and not waking until noon the next day. She hadn't 229 00:16:14,600 --> 00:16:20,120 Speaker 3: set still for far too long. He wouldn't wake her now, 230 00:16:20,400 --> 00:16:27,119 Speaker 3: not for anyone, not even Joseph Mottley Whitehead. The next afternoon, 231 00:16:27,200 --> 00:16:29,720 Speaker 3: Harold Wayne brought Robin with him to work, took her 232 00:16:29,920 --> 00:16:33,800 Speaker 3: into the office. You'll be responsible for booking girls, he explained, 233 00:16:33,800 --> 00:16:35,800 Speaker 3: as he pulled out a black book from his desk. 234 00:16:36,520 --> 00:16:39,200 Speaker 3: We need to refresh you women every three weeks. There's 235 00:16:39,200 --> 00:16:41,640 Speaker 3: a list of candidates in that file cabinet over there. 236 00:16:41,960 --> 00:16:46,880 Speaker 3: But most important Robin is working that door I need 237 00:16:47,000 --> 00:16:51,120 Speaker 3: a discerning head at that door. When a customer comes in, 238 00:16:51,200 --> 00:16:55,800 Speaker 3: you'll record his appearance, hair color, size, age, check his 239 00:16:55,960 --> 00:16:59,280 Speaker 3: driver's license, see if he has any paycheck stubs or 240 00:16:59,280 --> 00:17:01,840 Speaker 3: any other kind of identification to show you he. 241 00:17:01,800 --> 00:17:05,240 Speaker 2: Ain't law enforcement. Finally, you'll cut up the money. 242 00:17:05,280 --> 00:17:11,600 Speaker 3: Harold Wayne, She interrupted, I thought you wanted me to 243 00:17:11,600 --> 00:17:12,640 Speaker 3: take time off. 244 00:17:15,359 --> 00:17:20,879 Speaker 2: From dating. He replied, no more dates. I'm moving you 245 00:17:20,920 --> 00:17:27,680 Speaker 2: to management. She smiled that smile that he adored, part trouble, 246 00:17:28,720 --> 00:17:37,160 Speaker 2: part home. In his pocket, he palmed a diamond ring. 247 00:17:41,920 --> 00:17:44,800 Speaker 5: Missus Whitehead describes their marriage to have been in serious 248 00:17:44,840 --> 00:17:47,919 Speaker 5: trouble for the past four or five years. She states 249 00:17:47,920 --> 00:17:52,080 Speaker 5: that her husband alienates people, mostly when he's drinking. Her 250 00:17:52,119 --> 00:17:55,320 Speaker 5: statement was, in her exact words, Joe has been acting 251 00:17:55,440 --> 00:17:58,440 Speaker 5: nutty for the past four or five years. She said 252 00:17:58,440 --> 00:18:01,000 Speaker 5: that he has an ability to charm people and swept 253 00:18:01,080 --> 00:18:03,960 Speaker 5: her off her feet when she first met him. She 254 00:18:04,000 --> 00:18:07,360 Speaker 5: admits to having married him primarily because of his charm, education, 255 00:18:07,600 --> 00:18:10,200 Speaker 5: and status within the community, and she felt she would 256 00:18:10,200 --> 00:18:13,600 Speaker 5: be well off. She said they have not related sexually 257 00:18:13,680 --> 00:18:16,280 Speaker 5: for the past three years, and prior to that they 258 00:18:16,359 --> 00:18:20,040 Speaker 5: had a very difficult time. She goes on to elaborate 259 00:18:20,080 --> 00:18:22,880 Speaker 5: that he has on several occasions verbalized that the world 260 00:18:22,960 --> 00:18:25,199 Speaker 5: is against him, and she has felt that he was 261 00:18:25,240 --> 00:18:28,959 Speaker 5: suicidal on several occasions. In the past year. He has 262 00:18:29,000 --> 00:18:32,640 Speaker 5: talked several times about killing himself and refers to shooting himself. 263 00:18:33,400 --> 00:18:35,760 Speaker 5: She sleeps in a separate bedroom from her husband now 264 00:18:36,040 --> 00:18:39,160 Speaker 5: and is really uncertain as to the prognosis of the marriage. 265 00:18:43,920 --> 00:18:46,800 Speaker 2: You're out of control, Joe. 266 00:18:47,480 --> 00:18:52,320 Speaker 3: Elizabeth Whitehead balanced a toddler on her hip, Drinking like 267 00:18:52,359 --> 00:18:56,080 Speaker 3: a fish, she said, gone at. 268 00:18:55,760 --> 00:19:00,920 Speaker 2: All hours of the night, coming home smelling like a bitch. Heat. 269 00:19:02,440 --> 00:19:09,080 Speaker 3: I gave you everything, Joe muttered, head down. If he 270 00:19:09,160 --> 00:19:11,879 Speaker 3: kept his eyes on his speech, he might not notice 271 00:19:11,920 --> 00:19:17,359 Speaker 3: that his head was swimming. You're drunk right now, aren't you. 272 00:19:19,040 --> 00:19:26,119 Speaker 3: The baby started crying. I'm gonna do better, he promised. 273 00:19:27,520 --> 00:19:28,640 Speaker 3: You said that last time. 274 00:19:30,640 --> 00:19:32,480 Speaker 2: It's just whoa. 275 00:19:32,760 --> 00:19:39,600 Speaker 3: We couldn't get pregnant, and you were so upset, and 276 00:19:40,240 --> 00:19:44,760 Speaker 3: I had just a case after case, and I had 277 00:19:45,160 --> 00:19:52,639 Speaker 3: It's been a year of excuses, Joe, years of excuses. Joe. 278 00:19:54,000 --> 00:19:57,560 Speaker 3: He sank onto the couch, put his head in his hands. 279 00:19:58,800 --> 00:20:06,679 Speaker 3: A great wrapped his shoulders. You were two inches away 280 00:20:06,960 --> 00:20:10,600 Speaker 3: from running for the Senate, Joe, and now look at 281 00:20:10,640 --> 00:20:13,880 Speaker 3: you wheeling and dealing with the lowest of the low 282 00:20:13,920 --> 00:20:19,040 Speaker 3: and thinking I won't mind, the baby wailed louder. Well, 283 00:20:19,359 --> 00:20:24,439 Speaker 3: I do mind, Elizabeth said, over her child's cries. And 284 00:20:24,600 --> 00:20:31,440 Speaker 3: this will turn out badly. Look it already has. Let 285 00:20:31,480 --> 00:20:37,280 Speaker 3: me hold the baby, Liz hail no. Elizabeth turned on 286 00:20:37,359 --> 00:20:41,240 Speaker 3: her heels and went into the nursery. Half an hour later, 287 00:20:41,280 --> 00:20:44,600 Speaker 3: she returned, the baby sleeping in her crib, at last 288 00:20:44,840 --> 00:20:46,920 Speaker 3: to find her husband sitting on the couch with a 289 00:20:46,960 --> 00:20:52,520 Speaker 3: pistol in his hand. Is this what you want, he asked, 290 00:20:53,440 --> 00:21:00,600 Speaker 3: raising the gun to his temple. Joe, A tear sped 291 00:21:00,640 --> 00:21:05,520 Speaker 3: down his cheek. I told you i'd do better, and 292 00:21:05,640 --> 00:21:12,320 Speaker 3: I haven't. We can fix it, joke, we can, we 293 00:21:12,400 --> 00:21:18,440 Speaker 3: can fix it. He lowered the gun to his life. 294 00:21:19,119 --> 00:21:23,240 Speaker 3: One room over, a baby restarted her wail. 295 00:21:29,440 --> 00:21:31,760 Speaker 6: Couldn't he tell us what happened that night? Missus Barker. 296 00:21:32,480 --> 00:21:34,560 Speaker 7: I was working at the twenty nine one night when 297 00:21:34,560 --> 00:21:37,639 Speaker 7: I got a call from Wayne Holly. He told me 298 00:21:37,720 --> 00:21:40,040 Speaker 7: it was him and asked if I would like to 299 00:21:40,119 --> 00:21:44,040 Speaker 7: do a favor and would I get another female companion 300 00:21:44,160 --> 00:21:47,080 Speaker 7: and come to his trailer, and I said yes. I 301 00:21:47,160 --> 00:21:50,280 Speaker 7: called my husband Thomas. I told him where I was going, 302 00:21:50,480 --> 00:21:53,359 Speaker 7: and I was to pick up another girl who was 303 00:21:53,520 --> 00:21:57,000 Speaker 7: Tnita Williams. We went to the car lot and I 304 00:21:57,200 --> 00:22:01,000 Speaker 7: blew the horn. Mister Holly came to the door and 305 00:22:01,119 --> 00:22:04,320 Speaker 7: I went inside, and mister Whitehead and another man were 306 00:22:04,400 --> 00:22:09,879 Speaker 7: drinking pretty bad, and then Nita went to bed with 307 00:22:10,040 --> 00:22:14,920 Speaker 7: both of them. I had sexual relations with mister Whitehead. 308 00:22:15,560 --> 00:22:19,399 Speaker 7: We got into a disagreement and I got mad and left. 309 00:22:20,040 --> 00:22:23,239 Speaker 7: He made the statement that he owned me, and I 310 00:22:23,359 --> 00:22:25,320 Speaker 7: did not like it. 311 00:22:26,880 --> 00:22:27,960 Speaker 5: Did you get paid for that? 312 00:22:28,119 --> 00:22:28,159 Speaker 3: Not? 313 00:22:29,280 --> 00:22:29,960 Speaker 7: No? I did not. 314 00:22:36,560 --> 00:22:41,040 Speaker 3: Tommy was well thoroughly tired of sharing his woman with 315 00:22:41,119 --> 00:22:45,160 Speaker 3: other men, and he made no secret of it. Customers 316 00:22:45,160 --> 00:22:49,919 Speaker 3: could sense his antipathy and rarely requested Janet for dates. 317 00:22:50,560 --> 00:22:53,280 Speaker 3: They'd see her working that desk and figure she was 318 00:22:53,320 --> 00:22:57,800 Speaker 3: off the table anyway she was. But when the phone 319 00:22:57,920 --> 00:23:02,040 Speaker 3: rang one night and mister Wayne Holly interrupted Janet in 320 00:23:02,040 --> 00:23:07,080 Speaker 3: her sorting of cash to ask her personally for a favor, well, 321 00:23:07,359 --> 00:23:09,119 Speaker 3: how could she say no again? 322 00:23:10,440 --> 00:23:13,080 Speaker 2: Bring that Tanita Gal too, he told her. 323 00:23:14,600 --> 00:23:18,960 Speaker 3: The happier everyone kept Whitehead, the more peaceful things ran. 324 00:23:19,400 --> 00:23:23,600 Speaker 3: The more peaceful things ran, the more peaceful ran the 325 00:23:23,720 --> 00:23:26,160 Speaker 3: love between Tommy and Janet. 326 00:23:30,680 --> 00:23:32,320 Speaker 2: Well, I know you don't want to do it. Not 327 00:23:32,520 --> 00:23:35,000 Speaker 2: rather you not do it, Tommy said. 328 00:23:35,040 --> 00:23:38,679 Speaker 3: When she called him for guidance, His attention divided by 329 00:23:38,680 --> 00:23:41,800 Speaker 3: the pills, he separated into piles on the coffee table. 330 00:23:42,760 --> 00:23:48,040 Speaker 3: The squeeze had gotten tight. Couldn't get much tighter. He'd 331 00:23:48,080 --> 00:23:54,000 Speaker 3: make his money anyway, he knew how. Janet drove through 332 00:23:54,000 --> 00:23:57,320 Speaker 3: the night to Tanita's trailer. She banged on the door 333 00:23:57,520 --> 00:24:01,240 Speaker 3: four good times before a shirtless young man creaked it open. 334 00:24:02,320 --> 00:24:05,840 Speaker 2: Tanita couldn't still be working? Could she here out of 335 00:24:05,880 --> 00:24:06,320 Speaker 2: her home? 336 00:24:07,280 --> 00:24:13,480 Speaker 3: Janet asked, as she slid by the man into Tanita's bedroom. 337 00:24:13,640 --> 00:24:18,400 Speaker 3: Shan't working, She's sleeping, the young man replied. Janet found 338 00:24:18,480 --> 00:24:20,520 Speaker 3: Tanita snoring, face down. 339 00:24:22,160 --> 00:24:22,640 Speaker 2: Tanita. 340 00:24:24,040 --> 00:24:31,080 Speaker 3: Janet shook her. Tanita continued to snore. Tanita. 341 00:24:31,760 --> 00:24:38,200 Speaker 2: Janet pinched her. Tanita continued to snore. Well, damn, it's 342 00:24:38,200 --> 00:24:41,800 Speaker 2: only ten o'clock, she said, down the hallway to the 343 00:24:41,840 --> 00:24:44,919 Speaker 2: strange young man. Why is she dead asleep? 344 00:24:48,000 --> 00:24:50,200 Speaker 3: The young man sat down on the bed beside t 345 00:24:50,200 --> 00:24:54,480 Speaker 3: Anita stroked her cheek, pushed a stray lock of hair 346 00:24:54,800 --> 00:24:59,520 Speaker 3: out of her face. Come on, baby, he said in 347 00:24:59,560 --> 00:25:02,240 Speaker 3: her ear. One of your friends is here to see you. 348 00:25:02,520 --> 00:25:09,720 Speaker 3: Gotta wake up. Tanita's eyelids fluttered, and then she sat up, 349 00:25:10,119 --> 00:25:20,200 Speaker 3: looked around listen manner, she slurred. What's her deal, Janet 350 00:25:20,200 --> 00:25:26,080 Speaker 3: asked the young man. He sat down beside Tanita squeezed 351 00:25:26,119 --> 00:25:29,720 Speaker 3: her arms and shoulders, rubbing her to wake her, as 352 00:25:29,760 --> 00:25:34,720 Speaker 3: one might towel off a newly born puppy. Her eyelids 353 00:25:34,760 --> 00:25:38,960 Speaker 3: fluttered again, and then they snapped wide open. She looked 354 00:25:38,960 --> 00:25:42,000 Speaker 3: at Janet and asked, what are you doing here? 355 00:25:43,320 --> 00:25:44,119 Speaker 2: I need your help. 356 00:25:44,840 --> 00:25:48,359 Speaker 3: I'm all for it. I know me too, but I 357 00:25:48,480 --> 00:25:54,920 Speaker 3: need you. It's Joe Whitehead again. Tanita's eyes fluttered clothes. 358 00:25:56,720 --> 00:26:02,159 Speaker 3: Janet looked to the young man. 359 00:26:00,400 --> 00:26:02,480 Speaker 2: For God's sakes, go make her some coffee. 360 00:26:04,280 --> 00:26:06,320 Speaker 3: Within the hour, the two women were on the road 361 00:26:06,400 --> 00:26:12,879 Speaker 3: to Carriage Hill Trailer Park. Why the hell are you 362 00:26:13,080 --> 00:26:17,280 Speaker 3: working out of your own home, Janet's shot at the woman, 363 00:26:17,400 --> 00:26:19,440 Speaker 3: still sleepy in her passenger seat. 364 00:26:19,840 --> 00:26:23,280 Speaker 2: You can't cut Tommy out. You know that ain't right. 365 00:26:26,480 --> 00:26:30,800 Speaker 2: I won't work in then? Who was that man? To Nita? 366 00:26:31,920 --> 00:26:39,840 Speaker 3: Not everything is work, Janet? He a friend He's more 367 00:26:39,880 --> 00:26:47,959 Speaker 3: than a friend. You know, love don't last in this world? 368 00:26:48,000 --> 00:26:56,040 Speaker 3: To Nita, you might want to tell that to yourself, Janna. 369 00:27:00,200 --> 00:27:02,919 Speaker 3: Na did not want to fight with this woman. She 370 00:27:03,119 --> 00:27:06,679 Speaker 3: could tell by the way Tanita slurred her words and 371 00:27:06,840 --> 00:27:09,480 Speaker 3: peered through half shut eyes. 372 00:27:09,080 --> 00:27:12,800 Speaker 2: That she won't all the way with it. 373 00:27:14,440 --> 00:27:19,240 Speaker 3: Nonetheless, Tanita's words irritated a spot in the corner of 374 00:27:19,359 --> 00:27:20,240 Speaker 3: Janet's heart. 375 00:27:20,960 --> 00:27:24,880 Speaker 2: Love don't last, Well, that wasn't true for her and Tommy, 376 00:27:25,480 --> 00:27:26,879 Speaker 2: was it? Sure? 377 00:27:27,119 --> 00:27:32,760 Speaker 3: Tommy had been irritable lately and secretive. Janet sometimes wondered 378 00:27:32,800 --> 00:27:37,560 Speaker 3: where his mind traveled. What was Tommy always worrying about? 379 00:27:37,560 --> 00:27:44,880 Speaker 3: With his silence, his closed doors, his furrowed brow. When 380 00:27:44,880 --> 00:27:47,760 Speaker 3: the two women entered the trailer, Whitehead and his friend 381 00:27:47,800 --> 00:27:52,600 Speaker 3: wasted no time. Whitehead wrestled Tanita on the couch, kissed 382 00:27:52,640 --> 00:27:55,720 Speaker 3: her all over, smacked her on her ass, and sent 383 00:27:55,760 --> 00:27:58,919 Speaker 3: her off to a bedroom with his buddy. You and me, 384 00:27:59,040 --> 00:28:02,920 Speaker 3: we can go to other bedroom, he said to Janet, 385 00:28:03,160 --> 00:28:09,040 Speaker 3: I want to spend some time on you. Well why 386 00:28:09,119 --> 00:28:12,600 Speaker 3: it had made himself comfortable on the bed, Janet filled 387 00:28:12,640 --> 00:28:17,719 Speaker 3: up a bowl with warm, soapy water. As Janet gently 388 00:28:17,920 --> 00:28:23,919 Speaker 3: washed him, he smacked her hand away, give me a 389 00:28:23,920 --> 00:28:31,879 Speaker 3: blowjob at this, her patience broke. You talk to me 390 00:28:31,960 --> 00:28:37,080 Speaker 3: like I'm a damn dog now, Janet, I'm a friend, 391 00:28:37,720 --> 00:28:41,400 Speaker 3: a friend. How are you a friend? Just helped me 392 00:28:41,600 --> 00:28:48,400 Speaker 3: out here a little bit, Janet? He tugged ineffectually at himself. 393 00:28:50,200 --> 00:28:54,240 Speaker 3: Tommy can't hardly pay the rent, and yet here comes 394 00:28:54,640 --> 00:28:58,520 Speaker 3: mister Holly. Every Wednesday, the lord sends with his damn 395 00:28:58,640 --> 00:29:06,400 Speaker 3: hand out, Janet, every single day, you drive Tommy an 396 00:29:06,640 --> 00:29:08,080 Speaker 3: inch crazier. 397 00:29:08,160 --> 00:29:09,440 Speaker 2: And who has to pay for that? 398 00:29:10,560 --> 00:29:10,640 Speaker 5: Me? 399 00:29:11,480 --> 00:29:12,640 Speaker 2: I have to pay for that. 400 00:29:14,000 --> 00:29:21,440 Speaker 3: Please, Janet, let's please play nice. 401 00:29:22,120 --> 00:29:30,320 Speaker 2: Fuck you. Joe Whitehead relinquished his grasp, his dick plunking 402 00:29:30,400 --> 00:29:35,320 Speaker 2: weakly on his lap. Watch your mouth, he warned. 403 00:29:36,200 --> 00:29:38,760 Speaker 3: One call to Sheriff McGregor, and I'll have your two 404 00:29:38,800 --> 00:29:41,000 Speaker 3: bit business shutdown quicker than you can say. 405 00:29:41,080 --> 00:29:41,920 Speaker 2: Boo honey. 406 00:29:43,800 --> 00:29:48,840 Speaker 3: He shifted his weight, then stood fully on the bed. 407 00:29:50,080 --> 00:29:54,600 Speaker 3: The frosted glass ceiling lamp cast a golden halo around 408 00:29:54,640 --> 00:29:58,600 Speaker 3: his head as he towered now above Janet, his crotch 409 00:29:59,160 --> 00:29:59,880 Speaker 3: in her face. 410 00:30:02,920 --> 00:30:04,560 Speaker 2: Tears of rage. 411 00:30:04,600 --> 00:30:09,160 Speaker 3: Flooded her eyes. She knew she shouldn't talk back to 412 00:30:09,280 --> 00:30:12,880 Speaker 3: this man. She knew that to get what she wanted, 413 00:30:13,240 --> 00:30:16,560 Speaker 3: a peaceful home and income, a. 414 00:30:16,520 --> 00:30:19,800 Speaker 2: Hope for a better life. That she had to give 415 00:30:20,320 --> 00:30:27,160 Speaker 2: this man whatever he wanted so much depended on her compliance, 416 00:30:27,520 --> 00:30:31,120 Speaker 2: And wasn't that the story of womanhood? Compliance? 417 00:30:31,560 --> 00:30:37,000 Speaker 3: Smile, be pretty, don't complain, suck the limp dick of authority, 418 00:30:37,080 --> 00:30:40,760 Speaker 3: and do it with a smile. But Janet wasn't just 419 00:30:41,040 --> 00:30:46,040 Speaker 3: a yes. She wasn't just a warm body eternally open. 420 00:30:46,440 --> 00:30:52,040 Speaker 3: Janet was running out of smiles. She had ghosts. 421 00:30:52,600 --> 00:30:56,680 Speaker 2: She was a whole person, not a plaything traded between men. 422 00:30:57,120 --> 00:30:58,760 Speaker 2: She looked up. 423 00:30:58,720 --> 00:31:04,480 Speaker 3: To this gray man standing above her, the son of judges, 424 00:31:04,600 --> 00:31:09,760 Speaker 3: the nephew of lawyers, and repeated, simply, fuck. 425 00:31:09,960 --> 00:31:18,040 Speaker 2: You, I own you, Janet, Fuck you. 426 00:31:20,040 --> 00:31:26,560 Speaker 3: I own you, Janet, he repeated, and then jumped on 427 00:31:26,640 --> 00:31:28,400 Speaker 3: the bed hard. 428 00:31:28,960 --> 00:31:31,720 Speaker 2: I own you. 429 00:31:34,800 --> 00:31:39,680 Speaker 3: Janet leaped from the bed and flattened herself against the wall. 430 00:31:40,920 --> 00:31:47,960 Speaker 3: I own you, I own you, I own you. 431 00:31:48,920 --> 00:31:55,000 Speaker 6: He hollered, leaping ever higher and landing ever harder, until 432 00:31:55,080 --> 00:31:59,840 Speaker 6: a loud crack issued from the bed, the frame buckling, 433 00:32:00,360 --> 00:32:02,959 Speaker 6: tumbling Joe Whitehead to the floor. 434 00:32:07,200 --> 00:32:08,040 Speaker 2: Wayne gonna be mad. 435 00:32:08,080 --> 00:32:12,680 Speaker 3: You broke his bed, Janet said, then stepped over the 436 00:32:12,720 --> 00:32:14,120 Speaker 3: fallen politician on her. 437 00:32:14,040 --> 00:32:29,160 Speaker 2: Way out the door. Thanks for listening. My name is 438 00:32:29,320 --> 00:32:30,640 Speaker 2: Lindsay Byron. 439 00:32:30,960 --> 00:32:34,640 Speaker 3: But most people know me as lux ATL. Learn more 440 00:32:34,640 --> 00:32:39,040 Speaker 3: about my work tips out, globe trotting and mansions worldwide 441 00:32:39,480 --> 00:32:43,760 Speaker 3: at Good Times, Badgirls dot com. Follow me on the 442 00:32:43,800 --> 00:32:50,160 Speaker 3: Gram and TikTok at lux Underscore Atl, on YouTube at 443 00:32:50,280 --> 00:32:54,960 Speaker 3: Lux at L, and on substock, where I blog weekly 444 00:32:55,200 --> 00:32:58,400 Speaker 3: at Tumultuous True Stories. 445 00:32:58,240 --> 00:32:59,200 Speaker 2: By Lindsay Byron. 446 00:33:00,040 --> 00:33:02,600 Speaker 3: You'd like to hear more about my own experience slang 447 00:33:02,640 --> 00:33:06,760 Speaker 3: and companionship across the South. Read my memoir Too Pretty 448 00:33:06,840 --> 00:33:10,280 Speaker 3: to Be Good by Lindsay Byron. Find it on Amazon, 449 00:33:10,480 --> 00:33:14,680 Speaker 3: Barnesandnoble dot com and anywhere books are sold online. Hey, 450 00:33:14,800 --> 00:33:18,040 Speaker 3: if you'd like to continue to listen to me tell stories, 451 00:33:18,240 --> 00:33:22,400 Speaker 3: check out my first podcast, strip Cast True Stories from 452 00:33:22,400 --> 00:33:26,320 Speaker 3: a Stripper with the PhD. Listen on Spotify and iTunes. 453 00:33:27,120 --> 00:33:32,440 Speaker 3: Follow this podcast on the Gram at Cookergate Underscore podcast 454 00:33:33,800 --> 00:33:37,360 Speaker 3: theme music and sound design by my long term partner 455 00:33:37,440 --> 00:33:43,280 Speaker 3: in artistic crime, Guy Kelly, You the illist GK. Check 456 00:33:43,320 --> 00:33:48,360 Speaker 3: out his work at Guy Kelly dot com. While this 457 00:33:48,520 --> 00:33:52,040 Speaker 3: podcast is based upon real events, certain elements have been 458 00:33:52,080 --> 00:33:56,520 Speaker 3: fictionalized for dramatic effect. I cannot know for certain what 459 00:33:56,680 --> 00:34:00,200 Speaker 3: exactly was said behind closed doors, so I combine my 460 00:34:00,320 --> 00:34:05,840 Speaker 3: research and imagination to dramatize scenes described most often under 461 00:34:05,880 --> 00:34:11,560 Speaker 3: oath in coord and occasionally secondhand via journalistic or personal accounts. 462 00:34:12,080 --> 00:34:16,160 Speaker 3: Find citations in this show notes. The pitch for this 463 00:34:16,280 --> 00:34:20,440 Speaker 3: podcast won the twenty twenty one Next Great Podcast competition 464 00:34:20,960 --> 00:34:24,200 Speaker 3: hosted by Tongle and iHeartRadio, which is why I'm here 465 00:34:24,280 --> 00:34:29,280 Speaker 3: now producing this joint my gratitude for the opportunity. Hooker 466 00:34:29,320 --> 00:34:35,680 Speaker 3: Gate is a production of iHeartMedia as together the two 467 00:34:35,760 --> 00:34:37,280 Speaker 3: huddled in the fuck. 468 00:34:37,800 --> 00:34:39,279 Speaker 2: Okay, let me start evert. 469 00:34:42,440 --> 00:34:47,880 Speaker 3: W No, I'm gonna call him something different. It's a 470 00:34:47,880 --> 00:34:51,600 Speaker 3: little bit better, okay,