WEBVTT - #32 Vivian

0:00:15.210 --> 0:00:26.690
<v Speaker 1>Pushkin Jackie.

0:00:27.130 --> 0:00:33.129
<v Speaker 2>Hello, who calls it six thirty on Friday night?

0:00:32.129 --> 0:00:34.450
<v Speaker 1>Wait? Wait?

0:00:34.489 --> 0:00:34.569
<v Speaker 3>What?

0:00:34.730 --> 0:00:36.810
<v Speaker 1>I wanted to say one thing? Hello?

0:00:37.170 --> 0:00:40.610
<v Speaker 4>Yeah, you do you know that a new season of

0:00:40.690 --> 0:00:41.529
<v Speaker 4>my show is starting?

0:00:42.129 --> 0:00:43.530
<v Speaker 2>I had no idea Listen.

0:00:43.530 --> 0:00:45.690
<v Speaker 1>I wanted to wash you great luck. Is this a

0:00:45.769 --> 0:00:46.250
<v Speaker 1>kiss off?

0:00:47.650 --> 0:00:58.650
<v Speaker 2>Yeah?

0:00:58.730 --> 0:00:59.770
<v Speaker 1>From Gimblet Media.

0:01:00.130 --> 0:01:06.610
<v Speaker 4>I'm Jonathan Goldstein and this is Heavyweight Today's episode Vivian

0:01:13.410 --> 0:01:22.930
<v Speaker 4>right after the break. This story begins back before the quarantine,

0:01:23.450 --> 0:01:26.810
<v Speaker 4>a time when people didn't start conversations with how are

0:01:26.850 --> 0:01:31.250
<v Speaker 4>you holding up? During those innocent days. We started with

0:01:31.290 --> 0:01:31.650
<v Speaker 4>the weather.

0:01:32.170 --> 0:01:36.050
<v Speaker 5>It was minus forty last week minus forty. My front

0:01:36.050 --> 0:01:38.290
<v Speaker 5>door froze shut. I had to use like a hair

0:01:38.410 --> 0:01:39.810
<v Speaker 5>dryer to get out of the house.

0:01:40.850 --> 0:01:43.490
<v Speaker 4>Vivian lives in Canada, and while I'm always happy to

0:01:43.530 --> 0:01:45.770
<v Speaker 4>talk about Canada, white Horse is beautiful.

0:01:45.970 --> 0:01:47.970
<v Speaker 1>I once had an opportunity to go there.

0:01:48.170 --> 0:01:51.450
<v Speaker 4>It's not the reason why we're here. Vivian's reached out

0:01:51.490 --> 0:01:54.210
<v Speaker 4>to talk about something that happened twenty five years ago

0:01:54.610 --> 0:01:57.810
<v Speaker 4>that she still has questions about the death of her

0:01:57.890 --> 0:01:58.490
<v Speaker 4>uncle Ellio.

0:01:59.090 --> 0:02:03.330
<v Speaker 5>I grew up in Winnipeg. There's like nothing that sexy

0:02:03.490 --> 0:02:08.169
<v Speaker 5>about Winnipeg and my uncle it was like he had

0:02:08.250 --> 0:02:11.610
<v Speaker 5>just like breathed off of like a film set, Like

0:02:11.730 --> 0:02:15.130
<v Speaker 5>you wear this black leather jacket. He's like tight jeans,

0:02:15.329 --> 0:02:20.770
<v Speaker 5>and he smoked cigarettes and he just emanated coolness. I

0:02:20.770 --> 0:02:25.050
<v Speaker 5>don't really know how other to say it than he did. Yeah,

0:02:25.090 --> 0:02:25.770
<v Speaker 5>this swagger.

0:02:27.770 --> 0:02:30.450
<v Speaker 4>Ellio lived in New York City. He was a journalist

0:02:30.530 --> 0:02:33.450
<v Speaker 4>and had friends who were artists and writers. He gave

0:02:33.530 --> 0:02:36.450
<v Speaker 4>Vivian her very first journal, which he still carries around

0:02:36.530 --> 0:02:40.050
<v Speaker 4>to this day. In Vivian's memory, there was a lightness

0:02:40.050 --> 0:02:43.250
<v Speaker 4>about Elio. Everything was always for a laugh, Like the

0:02:43.290 --> 0:02:46.130
<v Speaker 4>time they were back visiting their family in Brazil and

0:02:46.210 --> 0:02:49.810
<v Speaker 4>Elo had Vivian and her brother full dozens of paper airplanes.

0:02:50.690 --> 0:02:52.570
<v Speaker 5>He was staying on the ninth or tenth floor of

0:02:52.610 --> 0:02:56.130
<v Speaker 5>this apartment building and it was like this really beautiful

0:02:56.130 --> 0:02:59.530
<v Speaker 5>sunny day and we like walked out onto the balcony

0:02:59.570 --> 0:03:01.530
<v Speaker 5>and just like shot off like one hundred of these

0:03:01.570 --> 0:03:08.370
<v Speaker 5>airplanes into the sunshine. It felt like electric and so

0:03:09.410 --> 0:03:10.730
<v Speaker 5>like free.

0:03:10.970 --> 0:03:13.410
<v Speaker 4>On the inside of Vivian's arm is a tattoo of

0:03:13.450 --> 0:03:16.250
<v Speaker 4>a paper airplane. It's there to remind her of the

0:03:16.290 --> 0:03:19.610
<v Speaker 4>freedom and lightness she felt that day. It's there to

0:03:19.650 --> 0:03:25.810
<v Speaker 4>remind her of Elli Oh. November seventh, nineteen ninety two,

0:03:26.090 --> 0:03:29.169
<v Speaker 4>Vivian was nine years old. It was her brother's birthday

0:03:29.450 --> 0:03:31.890
<v Speaker 4>and the family was heading out to celebrate when the

0:03:31.930 --> 0:03:38.650
<v Speaker 4>phone rang. It was Elyo's roommate, a man named Marcello.

0:03:37.530 --> 0:03:42.410
<v Speaker 5>And Marcello just said straight up like Elu had a

0:03:42.410 --> 0:03:49.210
<v Speaker 5>seizure that's related to AIDS and he's sick, and that

0:03:49.370 --> 0:03:51.570
<v Speaker 5>was how the family found out that one that he

0:03:51.650 --> 0:03:54.930
<v Speaker 5>was gay, in too, that he had AIDS.

0:03:55.770 --> 0:03:58.090
<v Speaker 4>Ellio was in his mid thirties and had never told

0:03:58.130 --> 0:04:01.170
<v Speaker 4>his family he was gay. In fact, he often spoke

0:04:01.210 --> 0:04:04.450
<v Speaker 4>of wanting to find a wife and settle down. Over

0:04:04.450 --> 0:04:08.090
<v Speaker 4>the next few years, the illness advanced rapidly, so Vivian's

0:04:08.090 --> 0:04:12.170
<v Speaker 4>family planned out visit. Vivian remembers one trip in particular,

0:04:12.770 --> 0:04:15.010
<v Speaker 4>her dad packed her and her brother into the car

0:04:15.170 --> 0:04:18.290
<v Speaker 4>to drive from Winnipeg to New York, a twenty five

0:04:18.370 --> 0:04:19.969
<v Speaker 4>hour road trip to.

0:04:20.089 --> 0:04:23.330
<v Speaker 3>My dad's little Honda Civic with no air conditioning.

0:04:23.969 --> 0:04:27.169
<v Speaker 4>This is Vivian's brother, Eduardo. He's three years older than

0:04:27.250 --> 0:04:29.890
<v Speaker 4>Vivian and has clearer memories from the trip down.

0:04:30.609 --> 0:04:33.089
<v Speaker 3>It was like hottest summer on record.

0:04:33.929 --> 0:04:34.569
<v Speaker 6>Along the way.

0:04:34.609 --> 0:04:38.569
<v Speaker 3>We had to stop in convenience stores and supermarkets just

0:04:38.570 --> 0:04:39.330
<v Speaker 3>to cool off.

0:04:40.489 --> 0:04:43.210
<v Speaker 4>Eduardo says. His father brought along a video camera and

0:04:43.369 --> 0:04:47.890
<v Speaker 4>entered ELO's tiny apartment on Lafayette Street already rolling. Elio

0:04:48.049 --> 0:04:51.050
<v Speaker 4>was lying prone on the couch, not wanting to be recorded.

0:04:51.570 --> 0:04:55.770
<v Speaker 3>She turned his head from us, kind of pulling the

0:04:55.770 --> 0:04:59.369
<v Speaker 3>blanket off over his sighs his head and being like

0:04:59.409 --> 0:05:00.849
<v Speaker 3>embarrassed at how he looked.

0:05:01.810 --> 0:05:04.929
<v Speaker 4>Elio was thin and frail and hooked up to IV tubes.

0:05:05.929 --> 0:05:09.850
<v Speaker 4>Vivian's grandparents had flown in from South Paulo. Watch them

0:05:09.849 --> 0:05:10.369
<v Speaker 4>with their son.

0:05:11.210 --> 0:05:17.370
<v Speaker 5>I remember them not touching him because presumably they were

0:05:17.409 --> 0:05:21.529
<v Speaker 5>afraid to get sick. And I remember thinking that was

0:05:21.570 --> 0:05:26.890
<v Speaker 5>like really just like really weird and really sad. The

0:05:26.969 --> 0:05:32.450
<v Speaker 5>family didn't really help. They didn't help, like when when

0:05:32.489 --> 0:05:36.330
<v Speaker 5>Ali was sick. I guess my dad's conception of health

0:05:36.330 --> 0:05:38.089
<v Speaker 5>thing was like, oh, I'm going to bring the kids

0:05:38.130 --> 0:05:41.529
<v Speaker 5>for like five days and we'll come visit. But no

0:05:41.529 --> 0:05:49.650
<v Speaker 5>one like stopped their lives to like come look after him.

0:05:49.770 --> 0:05:52.370
<v Speaker 4>While the family paid for all of Elio's medical bills,

0:05:52.729 --> 0:05:55.650
<v Speaker 4>the person who actually did stop his life did come

0:05:55.650 --> 0:05:57.809
<v Speaker 4>look after Eli. Oh was the man who made the

0:05:57.810 --> 0:06:07.049
<v Speaker 4>phone call that November day in nineteen ninety two. Marcello

0:06:09.169 --> 0:06:12.849
<v Speaker 4>has almost no memories of Marcello, and Eduardo's memories are vague,

0:06:13.330 --> 0:06:16.929
<v Speaker 4>Marcello moving about the apartment, always in the background, referred

0:06:16.929 --> 0:06:20.689
<v Speaker 4>to by ellioh only as a friend. Growing up, the

0:06:20.770 --> 0:06:23.929
<v Speaker 4>name Marcelo meant nothing to Vivian. It was only later,

0:06:24.169 --> 0:06:27.289
<v Speaker 4>as a teenager that she learned Marcelo had been partners

0:06:27.330 --> 0:06:29.650
<v Speaker 4>with her uncle for thirteen years.

0:06:30.289 --> 0:06:32.330
<v Speaker 5>And I think part of it is because, you know,

0:06:32.489 --> 0:06:37.169
<v Speaker 5>unlike an aunt, like say Ellie was heterosexual, on dating

0:06:37.169 --> 0:06:40.609
<v Speaker 5>a woman, his partner would have been introduced in that way, like, oh,

0:06:40.690 --> 0:06:44.529
<v Speaker 5>well this is your aunt or this is a more

0:06:45.289 --> 0:06:46.969
<v Speaker 5>important person in your life.

0:06:47.210 --> 0:06:50.729
<v Speaker 4>Right, Elliot couldn't say, hey, this is your uncle exactly.

0:06:51.770 --> 0:06:56.130
<v Speaker 5>But in some ways, you know, even though it sounds

0:06:56.169 --> 0:06:58.609
<v Speaker 5>really weird, it's like he is kind of my uncle.

0:06:58.969 --> 0:07:01.409
<v Speaker 1>Hmmm, I don't think it sounds that weird.

0:07:01.450 --> 0:07:03.450
<v Speaker 4>I mean it's sort of like, you know, if things

0:07:03.489 --> 0:07:07.210
<v Speaker 4>had been different, if your uncle had married him, you

0:07:07.250 --> 0:07:11.010
<v Speaker 4>guys would have had a formal connection, and instead there

0:07:11.050 --> 0:07:13.050
<v Speaker 4>isn't exactly a name for him, and as a result,

0:07:13.090 --> 0:07:16.329
<v Speaker 4>you've lost that person who was so good to your uncle.

0:07:17.170 --> 0:07:26.009
<v Speaker 5>Yeah, exactly. It was obviously so like shamed in my

0:07:26.170 --> 0:07:33.650
<v Speaker 5>family that you know, we couldn't even call ell you gay.

0:07:33.770 --> 0:07:36.730
<v Speaker 4>The wound Vivian feels over the injustice or family did

0:07:36.770 --> 0:07:39.890
<v Speaker 4>to Elioh has only grown deeper over the years as

0:07:39.929 --> 0:07:43.090
<v Speaker 4>she's become better able to put herself in her uncle's shoes.

0:07:43.970 --> 0:07:48.850
<v Speaker 5>I didn't really clue into being attracted to women until

0:07:48.929 --> 0:07:53.850
<v Speaker 5>I was like twenty early twenties. I couldn't let myself

0:07:53.929 --> 0:07:57.489
<v Speaker 5>even think about that because seeing how the family like

0:07:57.730 --> 0:08:03.770
<v Speaker 5>treated my uncle, like, I'm sure it left this message

0:08:03.810 --> 0:08:06.809
<v Speaker 5>with me, you know that it wasn't a good thing.

0:08:17.170 --> 0:08:20.410
<v Speaker 5>This month I turned thirty seven, I turned thirty seven,

0:08:20.450 --> 0:08:23.410
<v Speaker 5>which is the same year that my uncle passed away.

0:08:24.130 --> 0:08:27.730
<v Speaker 5>And so at this point in my life, if I

0:08:27.770 --> 0:08:31.930
<v Speaker 5>had this illness, like terminal illness, and I was living

0:08:31.970 --> 0:08:35.130
<v Speaker 5>on the other side of the world and my family

0:08:35.290 --> 0:08:38.290
<v Speaker 5>didn't come, you know, to help.

0:08:38.130 --> 0:08:41.410
<v Speaker 1>Me, as Marcela did.

0:08:43.610 --> 0:08:48.250
<v Speaker 5>Yeah, yeah, I don't even know him, like I can't

0:08:48.250 --> 0:08:51.690
<v Speaker 5>even remember like a visual of him, and yet like

0:08:53.530 --> 0:09:02.890
<v Speaker 5>I feel very connected to this person. I want to

0:09:02.890 --> 0:09:09.090
<v Speaker 5>find Marcello and I want to tell him thank you

0:09:09.450 --> 0:09:16.210
<v Speaker 5>for looking after Elu for that huge sacrifice that he made,

0:09:17.010 --> 0:09:18.490
<v Speaker 5>and I think I want to let him know that

0:09:19.450 --> 0:09:24.530
<v Speaker 5>I have spent, you know, so much time like thinking

0:09:24.570 --> 0:09:30.650
<v Speaker 5>about him.

0:09:30.690 --> 0:09:49.890
<v Speaker 4>After the break the search for Marcelo, I don't have

0:09:49.970 --> 0:09:53.530
<v Speaker 4>much to begin my search for Marcelo. Vivian remembers that

0:09:53.570 --> 0:09:56.250
<v Speaker 4>back when he was living with elioh Marcelo worked as

0:09:56.290 --> 0:09:59.250
<v Speaker 4>a security guard at the Museum of Modern Art, but

0:09:59.290 --> 0:10:02.610
<v Speaker 4>I can't find any record of his employment. When Vivian

0:10:02.650 --> 0:10:05.050
<v Speaker 4>told me about Elio's old group of artist friends, though,

0:10:05.450 --> 0:10:08.810
<v Speaker 4>she singled out one artist by name, a very famous

0:10:09.130 --> 0:10:13.209
<v Speaker 4>usical composer. And while the composer's number isn't readily available,

0:10:13.890 --> 0:10:20.450
<v Speaker 4>I do happen to have his cousin's number. Hello, Ira,

0:10:20.890 --> 0:10:23.530
<v Speaker 4>Oh shit, do we have an interview now? Potty mouth

0:10:23.570 --> 0:10:28.090
<v Speaker 4>broadcast or Ira Glass is cousins with minimalist musical composer

0:10:28.290 --> 0:10:30.890
<v Speaker 4>Philip Glass, the old friend of Vellios.

0:10:30.970 --> 0:10:35.330
<v Speaker 6>I seek sorry, sorry, sorry, be okay, give me a

0:10:35.330 --> 0:10:37.010
<v Speaker 6>second to turn on gear on my side.

0:10:37.210 --> 0:10:38.330
<v Speaker 1>Sure, okay, okay.

0:10:39.970 --> 0:10:42.650
<v Speaker 4>You never want to bother the people you admire, but

0:10:42.770 --> 0:10:46.450
<v Speaker 4>in the back of your mind you think, okay, maybe someday,

0:10:46.890 --> 0:10:50.010
<v Speaker 4>in an emergency, I might be entitled to a favor,

0:10:50.770 --> 0:10:52.690
<v Speaker 4>and then you ask them to write a preface to

0:10:52.730 --> 0:10:57.010
<v Speaker 4>your experimental novella published by a small Canadian press, and

0:10:57.050 --> 0:10:59.370
<v Speaker 4>then you ask them to introduce you at your book

0:10:59.450 --> 0:11:04.210
<v Speaker 4>launch that's only attended by seven people. This is how

0:11:04.250 --> 0:11:07.450
<v Speaker 4>I felt phoning up to chop yet another branch from

0:11:07.530 --> 0:11:11.610
<v Speaker 4>the giving tree, which is I a glass. So I

0:11:12.530 --> 0:11:17.530
<v Speaker 4>just wanted to I wanted to ask you for a

0:11:17.530 --> 0:11:20.850
<v Speaker 4>phone number. Okay, a cousin of yours.

0:11:23.250 --> 0:11:23.730
<v Speaker 7>Keep going.

0:11:24.250 --> 0:11:26.050
<v Speaker 4>Do you know who I'm talking about?

0:11:27.770 --> 0:11:29.450
<v Speaker 7>I assume you mean Philip.

0:11:32.570 --> 0:11:35.890
<v Speaker 4>Being something of a storyteller, the mention of Philip prompts

0:11:35.890 --> 0:11:38.570
<v Speaker 4>Irah to tell the story of when he and his

0:11:38.610 --> 0:11:41.370
<v Speaker 4>wife vacationed with Philip and his girlfriend in Italy.

0:11:42.170 --> 0:11:45.370
<v Speaker 6>He was finishing up at one of his operas and

0:11:45.410 --> 0:11:47.730
<v Speaker 6>he had an electric piano brought in and they were

0:11:47.770 --> 0:11:50.410
<v Speaker 6>in a bedroom like down the hall from us, and

0:11:50.450 --> 0:11:52.930
<v Speaker 6>so we would be woken up by him composing, which

0:11:52.970 --> 0:11:54.490
<v Speaker 6>is crazy.

0:11:54.370 --> 0:11:56.770
<v Speaker 4>And you were doing vocal warm ups, well he.

0:11:56.810 --> 0:12:01.250
<v Speaker 6>Was, Yeah, I was just practicing staying over and over.

0:12:01.410 --> 0:12:04.650
<v Speaker 4>Stay with us, Stay with us, stay stay with us.

0:12:09.650 --> 0:12:12.330
<v Speaker 4>Irah promises to reach out to Philip on my behalf

0:12:12.690 --> 0:12:15.890
<v Speaker 4>to see if he still has Marcella's phone number. Hey,

0:12:15.970 --> 0:12:18.690
<v Speaker 4>before you go, can I share with you a little

0:12:18.930 --> 0:12:19.650
<v Speaker 4>knock knock joke?

0:12:20.290 --> 0:12:20.650
<v Speaker 7>Sure?

0:12:21.490 --> 0:12:23.970
<v Speaker 4>Knock knock, who's there? Knock knock?

0:12:24.170 --> 0:12:25.810
<v Speaker 1>Who's there? Knock knock?

0:12:26.170 --> 0:12:26.690
<v Speaker 7>Who's there?

0:12:27.290 --> 0:12:27.850
<v Speaker 1>Knock knock?

0:12:30.530 --> 0:12:31.010
<v Speaker 7>Who's there?

0:12:31.650 --> 0:12:32.410
<v Speaker 1>Philip Glass?

0:12:34.610 --> 0:12:35.850
<v Speaker 6>Yeah, I know that one.

0:12:35.890 --> 0:12:37.690
<v Speaker 7>I'm sure he knows that one too, Do you think so?

0:12:38.170 --> 0:12:40.290
<v Speaker 6>I mean, that's like, can I just say, like, that's

0:12:40.290 --> 0:12:43.730
<v Speaker 6>a level of fame that you or I cannot even

0:12:43.770 --> 0:12:45.650
<v Speaker 6>aspire to to have.

0:12:45.610 --> 0:12:48.290
<v Speaker 7>A knock knock joke named after you? Who gets that?

0:12:48.970 --> 0:12:49.650
<v Speaker 7>Who gets that?

0:12:50.250 --> 0:12:50.450
<v Speaker 5>You know?

0:12:50.450 --> 0:13:04.330
<v Speaker 7>Who gets that banana?

0:13:07.250 --> 0:13:11.130
<v Speaker 4>A week later, Ira writes back, Philip doesn't have anything,

0:13:11.770 --> 0:13:14.370
<v Speaker 4>which is to say, Ira concludes at the end of

0:13:14.370 --> 0:13:20.970
<v Speaker 4>his email, knock knock, who's there? Not Philip Glass? And

0:13:21.050 --> 0:13:25.730
<v Speaker 4>so the search continues. Vivian's dad, Jacques, doesn't have a

0:13:25.730 --> 0:13:28.690
<v Speaker 4>current number for Marcello. The last time he saw him

0:13:28.850 --> 0:13:32.410
<v Speaker 4>was five years after Elio died. Still feeling guilty about

0:13:32.410 --> 0:13:36.610
<v Speaker 4>the circumstances surrounding his brother's death, Jacques had sought Marcello out.

0:13:37.570 --> 0:13:39.650
<v Speaker 4>I felt that the only person who could absolve me,

0:13:39.770 --> 0:13:44.730
<v Speaker 4>Jacques said, was Marcello. But the encounter was fraught. Jacques

0:13:44.770 --> 0:13:47.330
<v Speaker 4>later spoke of it with Vivian, telling her he walked

0:13:47.330 --> 0:13:50.170
<v Speaker 4>away feeling like Marcello was angry with their family for

0:13:50.250 --> 0:13:55.090
<v Speaker 4>abandoning elioh hearing this, I wonder if Marcello is still angry.

0:13:55.970 --> 0:13:59.210
<v Speaker 4>Perhaps after all of these years, Marcello doesn't want to

0:13:59.210 --> 0:14:07.650
<v Speaker 4>be found. The only other thing I know about Marcello

0:14:08.010 --> 0:14:11.890
<v Speaker 4>is that he'd been involved in AIDS activism. After extensive googling,

0:14:12.210 --> 0:14:15.330
<v Speaker 4>I discover an article on an HIV resource site from

0:14:15.450 --> 0:14:18.690
<v Speaker 4>nineteen ninety eight written by Marcello's spelled with one L,

0:14:19.010 --> 0:14:22.730
<v Speaker 4>not two, as Vivian had remembered, being so young at

0:14:22.730 --> 0:14:26.050
<v Speaker 4>the time. Maybe there are other details Vivian is misremembering,

0:14:26.730 --> 0:14:29.610
<v Speaker 4>And sure enough it's in a nineteen ninety four staffing

0:14:29.650 --> 0:14:32.730
<v Speaker 4>report for the Met not the MoMA, that I find

0:14:32.810 --> 0:14:38.890
<v Speaker 4>the one eld Marcello. He now lives in San Francisco,

0:14:39.250 --> 0:14:42.530
<v Speaker 4>and in my excitement, I leave him a rambling, incoherent

0:14:42.610 --> 0:14:45.010
<v Speaker 4>message about how I know this must be so weird,

0:14:45.410 --> 0:14:49.930
<v Speaker 4>but I'm calling on behalf of Elio's niece, Vivian Marcello. Hey,

0:14:50.210 --> 0:14:51.970
<v Speaker 4>I'm so glad that you have the time to talk.

0:14:52.050 --> 0:14:55.370
<v Speaker 4>The very next day, Marcello calls back, and right off

0:14:55.410 --> 0:14:59.450
<v Speaker 4>the bat admits that his feelings about Elio's family are mixed.

0:15:00.210 --> 0:15:04.050
<v Speaker 8>It's it's complicated, it's very complicated.

0:15:04.250 --> 0:15:09.170
<v Speaker 9>It's just really it's a complicated history.

0:15:09.850 --> 0:15:12.970
<v Speaker 4>Marcelo unravels it for me, beginning at the same place

0:15:13.090 --> 0:15:16.770
<v Speaker 4>Vivian did November of nineteen ninety two. It was the

0:15:16.770 --> 0:15:18.690
<v Speaker 4>morning after Bill Clinton was elected.

0:15:19.210 --> 0:15:21.730
<v Speaker 9>We're sitting in a coffee shop reading the results of

0:15:21.770 --> 0:15:25.730
<v Speaker 9>the elections, and I had a grandma's seizure right in

0:15:25.770 --> 0:15:26.250
<v Speaker 9>front of me.

0:15:28.330 --> 0:15:31.210
<v Speaker 4>They rushed to a nearby hospital, where tests were performed,

0:15:31.490 --> 0:15:34.050
<v Speaker 4>and for the next few days Marcelo walked around in

0:15:34.090 --> 0:15:38.370
<v Speaker 4>a stupor. When they received the official diagnosis, Marcello picked

0:15:38.410 --> 0:15:40.970
<v Speaker 4>up the phone and made the call to Vivian's house.

0:15:45.490 --> 0:15:49.050
<v Speaker 4>The learning that Elio had AIDS was devastating. The disease

0:15:49.130 --> 0:15:52.170
<v Speaker 4>itself was all too familiar in New York City. By

0:15:52.170 --> 0:15:55.330
<v Speaker 4>that year, nineteen ninety two, AIDS had become the leading

0:15:55.370 --> 0:15:58.210
<v Speaker 4>cause of death in American men aged twenty five to

0:15:58.250 --> 0:15:58.770
<v Speaker 4>forty four.

0:15:59.490 --> 0:16:01.730
<v Speaker 9>You remember in the nineties an eight as you would

0:16:01.730 --> 0:16:04.490
<v Speaker 9>see people gone, can the sheikshare?

0:16:04.570 --> 0:16:04.770
<v Speaker 8>You know?

0:16:06.010 --> 0:16:07.970
<v Speaker 9>And so that was sort of like a certain look.

0:16:09.810 --> 0:16:15.210
<v Speaker 9>However handsome he was, he got that look. He had

0:16:15.250 --> 0:16:16.850
<v Speaker 9>lost control of his bomb movements.

0:16:16.970 --> 0:16:24.970
<v Speaker 8>He was in diapers, he was blind, he was I'm sorry.

0:16:26.730 --> 0:16:29.290
<v Speaker 4>Marcello was in his late twenties when it became Leo's

0:16:29.290 --> 0:16:33.050
<v Speaker 4>full time nurse. Ellio was sick for three years, and

0:16:33.210 --> 0:16:36.250
<v Speaker 4>just months before the AIDS cocktail became widely available.

0:16:36.730 --> 0:16:40.410
<v Speaker 8>He died very beautifully. He died very peacefully.

0:16:41.330 --> 0:16:47.170
<v Speaker 9>In those last moments. It was a beautiful night. There

0:16:47.250 --> 0:16:52.490
<v Speaker 9>was this blue sky, and there's stars and a crescent moon.

0:16:53.210 --> 0:16:56.650
<v Speaker 9>And as we looked up the sky, this airplane sort

0:16:56.650 --> 0:16:58.010
<v Speaker 9>of crisscrossed took the moon.

0:16:59.250 --> 0:17:02.930
<v Speaker 4>As Marcello speaks, I'm reminded of Ellio in Brazil flying

0:17:02.930 --> 0:17:04.410
<v Speaker 4>paper planes off the balcony.

0:17:05.410 --> 0:17:09.050
<v Speaker 9>And we waved at Alu and then we said goodbye,

0:17:09.210 --> 0:17:10.170
<v Speaker 9>and then he passed.

0:17:19.209 --> 0:17:22.810
<v Speaker 4>True to Jacques's telling, Marcello was angry with the family's behavior,

0:17:23.209 --> 0:17:26.530
<v Speaker 4>especially during the last days of Elio's life. That's when

0:17:26.530 --> 0:17:30.289
<v Speaker 4>things grew complicated. The family had set aside funds so

0:17:30.369 --> 0:17:33.209
<v Speaker 4>Marcelo could pay for the embalming. It had to happen

0:17:33.209 --> 0:17:35.530
<v Speaker 4>as soon as Elo died before the body could be

0:17:35.570 --> 0:17:36.250
<v Speaker 4>sent to Brazil.

0:17:36.330 --> 0:17:36.890
<v Speaker 1>For burial.

0:17:37.689 --> 0:17:40.570
<v Speaker 4>When Marcelo knew Eleo only had a day or two left,

0:17:40.850 --> 0:17:42.689
<v Speaker 4>in the midst of so many other worries and so

0:17:42.770 --> 0:17:46.570
<v Speaker 4>much sadness, he phoned Eleo's middle brother, Vivian's uncle, so

0:17:46.770 --> 0:17:50.330
<v Speaker 4>arrangements could be made, but Vivian's uncle didn't believe him,

0:17:50.730 --> 0:17:53.129
<v Speaker 4>insisting Elyo had more time The.

0:17:53.209 --> 0:17:55.409
<v Speaker 9>Day before he was dying. You know, I said, listen,

0:17:55.409 --> 0:17:57.449
<v Speaker 9>I need your guys to release the money because this

0:17:57.530 --> 0:18:01.209
<v Speaker 9>is going to happen. And he suggested that I was

0:18:01.209 --> 0:18:06.810
<v Speaker 9>trying to talk at the money, and I lost it

0:18:06.850 --> 0:18:07.409
<v Speaker 9>at that moment.

0:18:10.689 --> 0:18:12.810
<v Speaker 8>That's just when Baalistic.

0:18:13.330 --> 0:18:15.689
<v Speaker 4>The family had left Marcello the burden of caring for

0:18:15.730 --> 0:18:19.050
<v Speaker 4>elioh and now on top of that, they were accusing

0:18:19.129 --> 0:18:22.529
<v Speaker 4>him of theft. Marcello knew he wouldn't be welcomed as

0:18:22.570 --> 0:18:24.889
<v Speaker 4>a part of Elio's family, and so he did not

0:18:24.970 --> 0:18:28.049
<v Speaker 4>attend the funeral in Brazil. He would later learn from

0:18:28.090 --> 0:18:31.249
<v Speaker 4>friends who were present that he wasn't thanked. In fact,

0:18:31.449 --> 0:18:33.369
<v Speaker 4>there wasn't so much as a mention of his name,

0:18:33.929 --> 0:18:37.489
<v Speaker 4>not at the service nor in the death announcement, which

0:18:37.530 --> 0:18:43.010
<v Speaker 4>is to say Marcello's feelings are indeed complicated, but when

0:18:43.010 --> 0:18:45.490
<v Speaker 4>he looks up a photo of Vivian online and sees

0:18:45.530 --> 0:18:47.810
<v Speaker 4>her face, something is made simple.

0:18:49.770 --> 0:18:51.010
<v Speaker 8>She looks like al a lot.

0:18:51.250 --> 0:18:52.490
<v Speaker 9>She looks like you a lot.

0:18:52.570 --> 0:18:55.850
<v Speaker 8>She looks like of all the kids, she is the

0:18:55.850 --> 0:18:57.330
<v Speaker 8>one who looks like him a lot.

0:18:57.449 --> 0:18:58.330
<v Speaker 7>She looks like him.

0:18:58.530 --> 0:18:59.410
<v Speaker 8>That's incredible.

0:19:09.290 --> 0:19:11.449
<v Speaker 4>By the end of our call, Marcelo has agreed to

0:19:11.449 --> 0:19:14.090
<v Speaker 4>meet Vivian in New York, where you can introduce her

0:19:14.129 --> 0:19:20.409
<v Speaker 4>to the people and places Elio loved best. Coming up

0:19:20.409 --> 0:19:27.649
<v Speaker 4>after the break, Vivian and Marcello stay with us, Stay

0:19:27.689 --> 0:19:30.929
<v Speaker 4>with us, Stay with us, Stay with us.

0:19:31.290 --> 0:19:32.129
<v Speaker 10>Stay with us.

0:19:48.369 --> 0:19:51.369
<v Speaker 9>So we would shop on these blocks on Broadway because

0:19:51.409 --> 0:19:53.249
<v Speaker 9>there are designtic source vintage clothing.

0:19:53.449 --> 0:19:56.129
<v Speaker 10>So this is this is are we walked around here.

0:19:56.449 --> 0:19:58.690
<v Speaker 4>Vivian has flown to New York to deliver a thank

0:19:58.730 --> 0:20:03.009
<v Speaker 4>you that's twenty five years overdue, and Marcelo has his

0:20:03.050 --> 0:20:06.889
<v Speaker 4>own agenda to introduce Vivian to the real Elio. And

0:20:06.929 --> 0:20:10.129
<v Speaker 4>so we're in the village on a tour through l life.

0:20:10.649 --> 0:20:13.810
<v Speaker 4>Marcelo points out their favorite hans and tells Vivian about

0:20:13.810 --> 0:20:17.050
<v Speaker 4>Eleo's career as a journalist, the time he profiled the

0:20:17.090 --> 0:20:21.129
<v Speaker 4>Beat poet Alan Ginsberg showing up for the interview. Eleo

0:20:21.250 --> 0:20:23.289
<v Speaker 4>found Ginsburg in the midst of writing a poem.

0:20:23.409 --> 0:20:26.969
<v Speaker 9>Alan Gisberg starts yelling at him, saying, you interrupt the

0:20:27.010 --> 0:20:28.130
<v Speaker 9>moment of inspiration.

0:20:28.570 --> 0:20:30.770
<v Speaker 7>This poem is gone. It's gone, gone, gone.

0:20:30.770 --> 0:20:33.650
<v Speaker 9>I won't remember a thing anymore. Held.

0:20:35.449 --> 0:20:38.489
<v Speaker 4>Marcello also takes Vivian to meet some of Ello's old friends.

0:20:41.649 --> 0:20:45.170
<v Speaker 11>You must be the niece, how are you?

0:20:45.490 --> 0:20:48.090
<v Speaker 4>Ruth was a well respected New York tattoo artist in

0:20:48.129 --> 0:20:51.730
<v Speaker 4>the seventies and eighties. Nowadays, her work is exhibited all

0:20:51.770 --> 0:20:55.050
<v Speaker 4>over the world. Her apartment is where Eleo's New York

0:20:55.090 --> 0:20:56.330
<v Speaker 4>memorial was held.

0:20:56.570 --> 0:21:00.330
<v Speaker 11>It was another aide's death. It was another terrible, terrible loss,

0:21:01.330 --> 0:21:05.409
<v Speaker 11>and everybody here had experienced it or nurses, somebody, you know.

0:21:05.570 --> 0:21:08.769
<v Speaker 11>To the end, I mean as young people as people

0:21:08.770 --> 0:21:09.530
<v Speaker 11>in the thirties.

0:21:09.609 --> 0:21:16.770
<v Speaker 8>Right, So you're very lucky anywhere, very lucky you didn't get.

0:21:16.850 --> 0:21:19.369
<v Speaker 11>Yeah, yeah, it's fantastic that you didn't.

0:21:20.770 --> 0:21:23.050
<v Speaker 9>The irony had said, twenty five years we'll talk about

0:21:23.050 --> 0:21:25.730
<v Speaker 9>a virus, and twenty five years later, celebrating out of here,

0:21:25.770 --> 0:21:27.770
<v Speaker 9>we are talk about a virus again.

0:21:29.290 --> 0:21:32.169
<v Speaker 4>It's early March twenty twenty, a few days after the

0:21:32.209 --> 0:21:36.010
<v Speaker 4>first confirmed case of COVID nineteen in New York. It's

0:21:36.010 --> 0:21:38.649
<v Speaker 4>that one weird week when we thought bumping elbows would

0:21:38.649 --> 0:21:42.369
<v Speaker 4>solve everything. In fact, here we are on a social call,

0:21:42.609 --> 0:21:45.689
<v Speaker 4>playing it quote safe by eating the snacks Ruth made

0:21:45.730 --> 0:21:50.050
<v Speaker 4>from individually prepared bulls. Just days later, schools across the

0:21:50.090 --> 0:21:56.369
<v Speaker 4>city would be closed, Restaurants, stores and offices all shut.

0:21:56.810 --> 0:21:59.490
<v Speaker 4>Like with the beginning of the AIDS pandemic, our government

0:21:59.530 --> 0:22:02.649
<v Speaker 4>would again fail in its response, our medical system would

0:22:02.649 --> 0:22:07.570
<v Speaker 4>again prove ill equipped, misinformation would abound, and doctor Anthony Fauci,

0:22:07.770 --> 0:22:11.290
<v Speaker 4>who decades earlier led tactical charge against the AIDS outbreak,

0:22:11.609 --> 0:22:20.249
<v Speaker 4>would be back on TV picking up the slack. In

0:22:20.290 --> 0:22:23.489
<v Speaker 4>contrast to the religious service in Brazil, Ruth says that

0:22:23.530 --> 0:22:26.090
<v Speaker 4>the memorial at her place for Elio that day was

0:22:26.090 --> 0:22:27.690
<v Speaker 4>a raucous affair, you know.

0:22:27.649 --> 0:22:30.889
<v Speaker 9>With a conga line announcing the conga around this apartment.

0:22:30.970 --> 0:22:33.850
<v Speaker 11>Well, all these good looking guys in one room. You know,

0:22:33.889 --> 0:22:35.609
<v Speaker 11>it wasn't going to stay sad for two.

0:22:39.330 --> 0:22:43.489
<v Speaker 12>It was the best funeral ever anywhere.

0:22:43.929 --> 0:22:45.889
<v Speaker 8>I remember being drunk and stoned.

0:22:46.730 --> 0:22:49.409
<v Speaker 4>We also pay a visit to Ken, an artist and

0:22:49.490 --> 0:22:52.649
<v Speaker 4>an old boyfriend of Ellio's. The artist's life has been

0:22:52.689 --> 0:22:55.289
<v Speaker 4>good to Ken. He looks far younger than his seventy

0:22:55.330 --> 0:22:55.969
<v Speaker 4>five years.

0:22:56.449 --> 0:22:57.730
<v Speaker 8>You haven't seen the clothes off.

0:22:58.129 --> 0:23:01.650
<v Speaker 12>Gravity tends to do very nasty things to budys.

0:23:02.929 --> 0:23:05.090
<v Speaker 4>Ken tells us about the trip he and Elio took

0:23:05.129 --> 0:23:08.329
<v Speaker 4>to Mexico early on in their relationship. Ken had been

0:23:08.369 --> 0:23:10.129
<v Speaker 4>going through a phase at the time where he was

0:23:10.169 --> 0:23:14.129
<v Speaker 4>wearing green contact lenses. Elio had never seen Ken without them.

0:23:14.409 --> 0:23:16.609
<v Speaker 4>I would always tell Ken how much he loved his

0:23:16.689 --> 0:23:17.810
<v Speaker 4>beautiful green eyes.

0:23:18.209 --> 0:23:21.609
<v Speaker 12>I said, shit, how am I going to tell him

0:23:22.290 --> 0:23:24.250
<v Speaker 12>that these beautiful green eyes are fake?

0:23:25.889 --> 0:23:27.889
<v Speaker 8>So I decided I'm not going to tell him. What

0:23:28.010 --> 0:23:29.689
<v Speaker 8>the hell?

0:23:29.850 --> 0:23:32.929
<v Speaker 12>So we go to Mexico and I got something in

0:23:33.010 --> 0:23:34.889
<v Speaker 12>my eyes and they started bleeding.

0:23:35.810 --> 0:23:40.009
<v Speaker 8>We have to go to a hospital. We got to

0:23:40.050 --> 0:23:40.570
<v Speaker 8>the clinic.

0:23:41.330 --> 0:23:44.009
<v Speaker 12>The guy patched my eyes up, said you'll be blind

0:23:44.010 --> 0:23:49.570
<v Speaker 12>for twenty four hours. So the next day I took

0:23:49.609 --> 0:23:52.449
<v Speaker 12>the patches off, and then Eliot's looking at me and he.

0:23:52.369 --> 0:23:57.369
<v Speaker 8>Goes, oh my god. I said, what he said, your

0:23:57.409 --> 0:23:58.609
<v Speaker 8>eyes changed color?

0:23:59.689 --> 0:24:01.250
<v Speaker 7>So I tell this is perfect.

0:24:01.689 --> 0:24:03.649
<v Speaker 8>I looked in the mirror and said, oh my god,

0:24:03.730 --> 0:24:07.369
<v Speaker 8>they did. So that ended that.

0:24:07.409 --> 0:24:10.330
<v Speaker 12>I don't know if he ever found out.

0:24:16.570 --> 0:24:19.090
<v Speaker 8>Elliot melted everybody down that he met.

0:24:20.090 --> 0:24:23.330
<v Speaker 12>He was so charming. I never met anyone you couldn't

0:24:23.369 --> 0:24:27.050
<v Speaker 12>be mad at him. I tried so hard to be

0:24:27.129 --> 0:24:29.609
<v Speaker 12>mad at him so many times, and you couldn't be

0:24:29.609 --> 0:24:30.370
<v Speaker 12>mad at him.

0:24:31.209 --> 0:24:32.889
<v Speaker 4>Ken directs his gaze at Vivianne.

0:24:33.490 --> 0:24:37.289
<v Speaker 8>You're lucky, You're lucky to have had an uncle like Elleo.

0:24:39.369 --> 0:24:42.369
<v Speaker 4>Vivian is basking in Ken's praise of her uncle. The

0:24:42.449 --> 0:24:46.689
<v Speaker 4>room feels warm and friendly until Ken opens his mouth again.

0:24:47.209 --> 0:24:49.649
<v Speaker 8>I have to say his family.

0:24:49.369 --> 0:24:53.689
<v Speaker 4>Was horrible, Ken says his but he is still looking

0:24:53.689 --> 0:24:57.010
<v Speaker 4>at Vivianne. He might as well have said your your

0:24:57.090 --> 0:25:00.969
<v Speaker 4>family was horrible. Ken is being honest, but it sucks

0:25:01.010 --> 0:25:01.929
<v Speaker 4>the air out of the room.

0:25:02.570 --> 0:25:07.449
<v Speaker 12>Truly horrible. It was shocking to me. It was really

0:25:07.490 --> 0:25:10.689
<v Speaker 12>shocking to me. When his mother came. She was so

0:25:10.929 --> 0:25:14.889
<v Speaker 12>cold and so distant from l e Oh.

0:25:16.889 --> 0:25:21.810
<v Speaker 4>I know, of course, Vivian knows. It's why she's here.

0:25:25.409 --> 0:25:31.530
<v Speaker 4>Come on this way, Vivian, Marcelo and I are at

0:25:31.530 --> 0:25:34.689
<v Speaker 4>my office all day long. Marcello's been playing to her

0:25:34.689 --> 0:25:37.449
<v Speaker 4>guide to Eleo's old life. But I want him and

0:25:37.570 --> 0:25:39.930
<v Speaker 4>Vivian to get a chance to connect one on one.

0:25:40.570 --> 0:25:43.329
<v Speaker 8>Sit down, Okay, sit here, yeah, thank you.

0:25:43.649 --> 0:25:47.209
<v Speaker 4>Marcello sits on the couch, knees pressed together. Vivian is

0:25:47.209 --> 0:25:50.369
<v Speaker 4>seated across from him in an armchair, hands tucked between

0:25:50.409 --> 0:25:53.969
<v Speaker 4>her thighs. She's been waiting all day, all day, and

0:25:54.050 --> 0:25:57.889
<v Speaker 4>twenty five years for the chance to thank Marcello, and

0:25:57.929 --> 0:26:00.889
<v Speaker 4>so she stumbles her way forward, beginning with the ways

0:26:00.889 --> 0:26:02.609
<v Speaker 4>in which her family let Elo down.

0:26:03.649 --> 0:26:06.850
<v Speaker 5>I feel like the family, I feel like there was

0:26:06.850 --> 0:26:11.130
<v Speaker 5>like kind of like this like internalized shame. I don't know,

0:26:11.169 --> 0:26:13.570
<v Speaker 5>It's like that side of the family couldn't really see

0:26:13.609 --> 0:26:16.489
<v Speaker 5>past that that he was gay, and that was like

0:26:16.889 --> 0:26:21.329
<v Speaker 5>that lasting memory was like that shape.

0:26:21.449 --> 0:26:22.970
<v Speaker 9>Yeah, but I also feel like.

0:26:28.689 --> 0:26:32.009
<v Speaker 4>Marcello interrupts Vivian before she can get very far, but

0:26:32.090 --> 0:26:35.489
<v Speaker 4>almost immediately trails off. He looks down at his hands

0:26:35.490 --> 0:26:38.010
<v Speaker 4>in his lap and adjusts his feet on the carpet.

0:26:38.689 --> 0:26:41.050
<v Speaker 4>When he speaks again, he speaks softly.

0:26:42.850 --> 0:26:49.009
<v Speaker 9>I feel compelled to say something. It would be simplistic

0:26:49.129 --> 0:26:54.769
<v Speaker 9>to say that just because the family didn't accept his

0:26:55.090 --> 0:27:00.250
<v Speaker 9>being gay, this difficulty is not all on your family side.

0:27:01.010 --> 0:27:04.929
<v Speaker 9>That was also Elia's inability to be who he was

0:27:05.050 --> 0:27:06.690
<v Speaker 9>fully really yeah.

0:27:07.050 --> 0:27:08.889
<v Speaker 5>Yeah.

0:27:09.090 --> 0:27:12.210
<v Speaker 4>According to Marcello, Eleo never fully embraced his own gay

0:27:12.209 --> 0:27:15.010
<v Speaker 4>identity and so was never honest with the family about

0:27:15.050 --> 0:27:15.570
<v Speaker 4>who he was.

0:27:16.290 --> 0:27:19.449
<v Speaker 9>He was gay, had a partner for ten years, you know,

0:27:19.570 --> 0:27:22.850
<v Speaker 9>he was HIV positive, So all of that sort of

0:27:23.889 --> 0:27:27.970
<v Speaker 9>came out for the family side and the worst possible way.

0:27:29.209 --> 0:27:34.290
<v Speaker 9>So there's a lot here of broken trust.

0:27:34.689 --> 0:27:37.129
<v Speaker 4>Marcello's own family knew he was gay by the time

0:27:37.169 --> 0:27:39.850
<v Speaker 4>he was in his late teens, knew that Eleo wasn't

0:27:39.889 --> 0:27:43.050
<v Speaker 4>just a roommate. Marcello had been wanting Eleo to be

0:27:43.090 --> 0:27:47.129
<v Speaker 4>more transparent with his family for years. Instead, when the

0:27:47.169 --> 0:27:50.050
<v Speaker 4>family was around, Marcello says, Elo made him feel like

0:27:50.090 --> 0:27:53.490
<v Speaker 4>a mistress, like he had to disappear. So as much

0:27:53.490 --> 0:27:57.210
<v Speaker 4>as the family didn't acknowledge Marcello, Eleo didn't acknowledge Marcello

0:27:57.330 --> 0:28:01.129
<v Speaker 4>to the family either. Although they were a couple, Eleo

0:28:01.250 --> 0:28:04.410
<v Speaker 4>refused to fully commit to Marcello, continuing to date other

0:28:04.449 --> 0:28:09.330
<v Speaker 4>people like Ken. It was painful for Marcello. In fact,

0:28:09.409 --> 0:28:11.609
<v Speaker 4>Marceau admits that he'd been on the verge of breaking

0:28:11.689 --> 0:28:14.249
<v Speaker 4>up with Elio when they found out he had AIDS.

0:28:15.449 --> 0:28:18.850
<v Speaker 10>But made aue this ray of light.

0:28:19.010 --> 0:28:23.609
<v Speaker 9>Being joyful also made him more difficult to pin down

0:28:24.250 --> 0:28:29.689
<v Speaker 9>and taking responsibility and ownership for things that you do

0:28:30.369 --> 0:28:34.289
<v Speaker 9>as you become a grin up. So I want to

0:28:34.330 --> 0:28:37.649
<v Speaker 9>sort of take a bit of the weight from your family.

0:28:37.889 --> 0:28:41.209
<v Speaker 9>Just there's a little bit on his side as well.

0:28:42.130 --> 0:28:43.170
<v Speaker 8>There was his.

0:28:43.170 --> 0:28:50.490
<v Speaker 9>Own like internal internals, paral boughs. So I think there's

0:28:50.730 --> 0:28:54.490
<v Speaker 9>the dartful value, and there's the chicken Alio. There is

0:28:54.850 --> 0:28:58.610
<v Speaker 9>all of this a sort of wrapped and this fantastic

0:28:58.690 --> 0:29:02.049
<v Speaker 9>human being, you know, and he's just a person.

0:29:04.530 --> 0:29:10.529
<v Speaker 5>I think I relate to maybe the chicken val. Like

0:29:10.650 --> 0:29:13.850
<v Speaker 5>in my early twenties, like I started dating women and

0:29:15.650 --> 0:29:18.490
<v Speaker 5>it was something that I shared with my dad and

0:29:19.690 --> 0:29:23.610
<v Speaker 5>my brother. My mom was actually like going through some

0:29:23.730 --> 0:29:26.530
<v Speaker 5>difficult stuff like in my twenties, And to be honest,

0:29:26.530 --> 0:29:30.210
<v Speaker 5>she actually still doesn't know, but I guess she soon.

0:29:30.290 --> 0:29:35.930
<v Speaker 9>Well, yes, listen, if you have white stuff, it's faster

0:29:36.090 --> 0:29:39.010
<v Speaker 9>than you. But if you address it, it's a way

0:29:39.050 --> 0:29:41.050
<v Speaker 9>of connecting, connecting.

0:29:42.290 --> 0:29:45.009
<v Speaker 4>Marcella was encouraging Vivian to not hide who she is

0:29:45.410 --> 0:29:48.010
<v Speaker 4>the way Alio did until he got sick.

0:29:48.610 --> 0:29:51.690
<v Speaker 9>He's softened, He softened you know.

0:29:51.890 --> 0:29:56.930
<v Speaker 13>I it might sound a little sanctimonious or piles on

0:29:56.970 --> 0:30:01.130
<v Speaker 13>my part, you know, but I loved him throughout, thick

0:30:01.170 --> 0:30:07.170
<v Speaker 13>and thin, and when he got sick, he allowed me

0:30:07.209 --> 0:30:10.450
<v Speaker 13>to love him in a way that he couldn't before.

0:30:11.410 --> 0:30:12.170
<v Speaker 1>We really.

0:30:14.530 --> 0:30:17.930
<v Speaker 9>We're a couple in a way that we had never

0:30:17.970 --> 0:30:18.610
<v Speaker 9>been before.

0:30:20.050 --> 0:30:23.330
<v Speaker 4>From Marcelo, those last days offered some of his happiest

0:30:23.370 --> 0:30:28.050
<v Speaker 4>memories of their relationship. Dying allowed Elio to finally grow up.

0:30:34.610 --> 0:30:38.250
<v Speaker 9>Sometimes he would hallucinate and he would go to parties

0:30:38.930 --> 0:30:41.890
<v Speaker 9>in his hand. I remember this one that was a

0:30:41.970 --> 0:30:46.810
<v Speaker 9>party by the Russian embassy, and he was talking about

0:30:46.850 --> 0:30:49.010
<v Speaker 9>all the people he was meeting at the Russian embassy,

0:30:49.050 --> 0:30:51.010
<v Speaker 9>and he was in bed and he would do.

0:30:51.010 --> 0:30:55.170
<v Speaker 4>This Marcello minds smoking a cigarette.

0:30:55.610 --> 0:30:58.850
<v Speaker 9>But in that state. I remember one moment that is

0:30:59.970 --> 0:31:04.529
<v Speaker 9>the most precious moment of all days before he died,

0:31:04.890 --> 0:31:09.529
<v Speaker 9>I said to him, I love you, and he was

0:31:09.850 --> 0:31:16.290
<v Speaker 9>he had no cognition, his smile like year to year,

0:31:17.890 --> 0:31:19.050
<v Speaker 9>and I never forgot that.

0:31:20.490 --> 0:31:22.690
<v Speaker 8>So I love.

0:31:22.650 --> 0:31:28.050
<v Speaker 9>Him very very very much, and he loved me back.

0:31:28.850 --> 0:31:32.249
<v Speaker 9>And I had doubts from time to time, but in

0:31:32.370 --> 0:31:45.690
<v Speaker 9>that moment I felt it, do you want.

0:31:45.490 --> 0:31:46.170
<v Speaker 10>To commit.

0:31:58.050 --> 0:32:00.530
<v Speaker 5>I feel like not a lot of people would go

0:32:00.610 --> 0:32:04.810
<v Speaker 5>to that length, you know, I mean my family didn't.

0:32:05.730 --> 0:32:07.930
<v Speaker 5>But like I even wonder, like.

0:32:11.090 --> 0:32:14.170
<v Speaker 4>Vivian struggles for the right words for the first time

0:32:14.250 --> 0:32:16.650
<v Speaker 4>during the trip, She's trying to put herself not in

0:32:16.650 --> 0:32:19.810
<v Speaker 4>Elio's shoes, but in Marcello's if.

0:32:19.650 --> 0:32:24.450
<v Speaker 5>The rules were reversed, Like, do you think Elie would

0:32:24.450 --> 0:32:26.090
<v Speaker 5>have done that for you?

0:32:29.810 --> 0:32:32.729
<v Speaker 9>It's all as a question for me, ALA's ask that

0:32:35.730 --> 0:32:38.329
<v Speaker 9>I don't know. I don't know.

0:32:40.730 --> 0:32:42.890
<v Speaker 5>The fact that you like moved in and took care

0:32:42.930 --> 0:32:47.090
<v Speaker 5>of him is it's it is really incredible in it.

0:32:48.209 --> 0:32:53.009
<v Speaker 5>I think it just shows like how compassionate and like

0:32:53.250 --> 0:32:57.529
<v Speaker 5>how loving of a person you are that you were

0:32:57.530 --> 0:33:02.930
<v Speaker 5>able to do that. So yeah, thank you, thank you.

0:33:09.730 --> 0:33:12.050
<v Speaker 9>I didn't expect to feel the wam feeling right now.

0:33:13.130 --> 0:33:15.370
<v Speaker 9>That held a grudge for a while, and I was

0:33:15.450 --> 0:33:20.850
<v Speaker 9>proud of the grudge. I was proud of being spurned,

0:33:20.890 --> 0:33:22.610
<v Speaker 9>and I think I grew attached to that.

0:33:23.370 --> 0:33:24.170
<v Speaker 7>I held that.

0:33:25.730 --> 0:33:28.210
<v Speaker 9>As a kind of a badge of honor in a way,

0:33:29.050 --> 0:33:35.410
<v Speaker 9>and I don't anymore. Also, I'm ready to receive it.

0:33:36.209 --> 0:33:40.529
<v Speaker 9>I don't think I was so thank you. I really

0:33:40.530 --> 0:33:48.930
<v Speaker 9>really appreciate that there's a poem by John Ashberry which

0:33:48.970 --> 0:33:52.450
<v Speaker 9>I'm going to completely destroy and bustardize. But there's an

0:33:52.490 --> 0:33:58.850
<v Speaker 9>image that I really love. He says, Somewhere someone is

0:33:58.930 --> 0:34:04.330
<v Speaker 9>running desperately towards you, and I have this image of you, like.

0:34:06.450 --> 0:34:08.009
<v Speaker 8>Not desperately, but sort of.

0:34:07.970 --> 0:34:18.890
<v Speaker 5>Like when slow. I feel that too, because of you know,

0:34:18.930 --> 0:34:22.530
<v Speaker 5>the nature of everything that had happened. It was like

0:34:22.570 --> 0:34:25.810
<v Speaker 5>I didn't get that opportunity to have you, as you know,

0:34:25.850 --> 0:34:32.290
<v Speaker 5>an uncle in my life. So can I claim you

0:34:32.450 --> 0:34:33.170
<v Speaker 5>as my uncle?

0:34:37.610 --> 0:34:37.930
<v Speaker 10>Okay?

0:34:38.290 --> 0:34:38.730
<v Speaker 5>All right?

0:34:44.570 --> 0:34:47.650
<v Speaker 4>Twenty five years ago it had been Marcelo asking to

0:34:47.650 --> 0:34:51.290
<v Speaker 4>be let into the family, but now it's Vivian who's

0:34:51.290 --> 0:35:02.890
<v Speaker 4>doing the asking. Marcelo moves forward to embrace her. In

0:35:02.930 --> 0:35:06.010
<v Speaker 4>the end, Vivian receives an uncle as amazing as the

0:35:06.010 --> 0:35:07.330
<v Speaker 4>one she always imagined.

0:35:07.970 --> 0:35:09.370
<v Speaker 10>Remember you were I need?

0:35:09.450 --> 0:35:09.930
<v Speaker 2>Did a girl?

0:35:11.090 --> 0:35:15.290
<v Speaker 9>Remember your her was blondish?

0:35:15.690 --> 0:36:10.090
<v Speaker 10>Would you like to remember your tiny.

0:35:45.770 --> 0:35:51.530
<v Speaker 14>Now that the fernures returning to its good will home,

0:35:55.050 --> 0:35:59.410
<v Speaker 14>Now that the last month's rent is skating with the

0:35:59.610 --> 0:36:01.290
<v Speaker 14>damaged bottle.

0:36:01.330 --> 0:36:03.890
<v Speaker 1>Take this moment to deserve.

0:36:05.930 --> 0:36:11.930
<v Speaker 10>If we mess him and we tied felt for far

0:36:14.810 --> 0:36:17.170
<v Speaker 10>from the Thames at Acid and leave.

0:36:21.770 --> 0:36:24.690
<v Speaker 4>This episode of Heavyweight was produced by Stevie Lane along

0:36:24.730 --> 0:36:28.489
<v Speaker 4>with me Jonathan Goldstein. Our senior producer is Khalila Holt.

0:36:29.050 --> 0:36:32.650
<v Speaker 4>Special thanks to Emily Condon, Alex Bloomberg, Caitlin Kenny, mime,

0:36:32.730 --> 0:36:37.930
<v Speaker 4>O'Donnell Lydia Polgreen, Rayhan Harmansey, Nobille Chalmpott, and Jackie Cohen.

0:36:38.650 --> 0:36:41.890
<v Speaker 4>Bobby Lord mixed the episode with original music by Christine Fellows,

0:36:41.970 --> 0:36:45.130
<v Speaker 4>John K. Sampson, Blue Dot Sessions, Michael Hurst, Hailey Shaw,

0:36:45.290 --> 0:36:48.250
<v Speaker 4>and Bobby Lord. Additional music credits can be found on

0:36:48.290 --> 0:36:50.130
<v Speaker 4>our website, Gimbletmedia dot.

0:36:50.050 --> 0:36:51.530
<v Speaker 1>Com slash Heavyweight.

0:36:52.130 --> 0:36:54.290
<v Speaker 4>Our theme song is by the Weaker Than's courtesy of

0:36:54.370 --> 0:36:57.090
<v Speaker 4>Epitaph Records, and our ad music is by Hailey Shaw.

0:36:57.810 --> 0:37:00.530
<v Speaker 4>Follow us on Twitter at Heavyweight or email us at

0:37:00.570 --> 0:37:04.010
<v Speaker 4>Heavyweight at gimletmedia dot com. We'll be back with the

0:37:04.090 --> 0:37:05.770
<v Speaker 4>new episode next week.

0:37:11.810 --> 0:37:13.890
<v Speaker 2>Ba and