1 00:00:02,520 --> 00:00:05,480 Speaker 1: One, do y'all thanks to an anyone, do y'all thing, 2 00:00:05,640 --> 00:00:11,480 Speaker 1: do y'all thing, do your thanks to any one Tony one? Anyway, 3 00:00:14,440 --> 00:00:18,520 Speaker 1: Drake the most memorable artists of all time. I don't 4 00:00:19,200 --> 00:00:21,800 Speaker 1: he's very memorable and yeah, I mean is He's like, YO, 5 00:00:21,960 --> 00:00:23,919 Speaker 1: made me all the way to the bank, so he's 6 00:00:23,960 --> 00:00:27,520 Speaker 1: fine with it. Teamed up with the A T. L 7 00:00:27,640 --> 00:00:31,120 Speaker 1: by Way of London shooter twenty one, Savage put out 8 00:00:31,120 --> 00:00:35,520 Speaker 1: a collap album called Her Loss. And this year episode 9 00:00:35,560 --> 00:00:40,600 Speaker 1: ain't really about the memorable Drake. This is about and recently, 10 00:00:40,600 --> 00:00:43,199 Speaker 1: which here's what's crazy. The statement that I'm about to 11 00:00:43,320 --> 00:00:45,280 Speaker 1: use to help us understand what's going on with the 12 00:00:45,320 --> 00:00:50,080 Speaker 1: Republicans is something that I thought. I'm surprised it made 13 00:00:50,520 --> 00:00:53,440 Speaker 1: the waves it made, you know, and almost the waves 14 00:00:53,479 --> 00:00:57,200 Speaker 1: it made is proof that one is probably wrong, which 15 00:00:57,240 --> 00:00:59,640 Speaker 1: is what we're gonna get into a little later. So 16 00:01:00,080 --> 00:01:05,560 Speaker 1: m twenty one was on Clubhouse, which I did not 17 00:01:05,720 --> 00:01:09,000 Speaker 1: know it's still a thing. Apparently it is. If you 18 00:01:09,000 --> 00:01:11,720 Speaker 1: don't know. Clubhouse is like an app where basically it's 19 00:01:11,760 --> 00:01:14,040 Speaker 1: like a party line where you can group chat. Then 20 00:01:14,080 --> 00:01:16,840 Speaker 1: you can listen into the group chat, but it's audio, 21 00:01:17,080 --> 00:01:20,600 Speaker 1: so It's like being on a big old like talking session. 22 00:01:20,600 --> 00:01:24,840 Speaker 1: It's like a group text, only it's audio and uh 23 00:01:24,880 --> 00:01:26,960 Speaker 1: and you can listen in the audience. Eas Fool was 24 00:01:27,040 --> 00:01:32,080 Speaker 1: like talking about stuff. It's anyway. I thought it was dead, 25 00:01:32,360 --> 00:01:36,399 Speaker 1: but apparently it's not. Uh, which may say something about me. 26 00:01:36,600 --> 00:01:39,319 Speaker 1: But anyway, they were talking about Nas. If you don't 27 00:01:39,360 --> 00:01:43,600 Speaker 1: know Nas as the Queen's rapper legend, I I can't 28 00:01:43,680 --> 00:01:46,520 Speaker 1: understate the legendness about Nas. And I'm gonna get into 29 00:01:46,840 --> 00:01:50,120 Speaker 1: what I mean by that a little later. But Nasa 30 00:01:50,240 --> 00:01:53,080 Speaker 1: just released an album called The King's Disease three. Now, 31 00:01:53,160 --> 00:01:59,320 Speaker 1: nas Is first record was four Illmatic, So for him 32 00:01:59,360 --> 00:02:01,880 Speaker 1: to still be seen albums that we're still talking about, 33 00:02:01,960 --> 00:02:05,920 Speaker 1: it is jay Z level aging. You know what I'm saying, 34 00:02:06,080 --> 00:02:10,120 Speaker 1: like fine wine, and he's not slowed down. He sounds incredible, 35 00:02:10,520 --> 00:02:13,400 Speaker 1: doesn't sound like an old dude. He linked up with 36 00:02:13,440 --> 00:02:16,000 Speaker 1: this dude named hit Boy out here from from the 37 00:02:16,040 --> 00:02:18,720 Speaker 1: I E and shout out my homeboy Jaan sport J 38 00:02:18,840 --> 00:02:21,720 Speaker 1: who has been like co producing with hit Boy. Uh So, anyway, 39 00:02:21,760 --> 00:02:24,720 Speaker 1: he's been releasing these like really incredible records, The King's 40 00:02:24,720 --> 00:02:31,079 Speaker 1: Disease one, two, and three. Anyway, in this clubhouse talk. 41 00:02:31,880 --> 00:02:36,760 Speaker 1: One was saying, man, Nas is not relevant, that he's 42 00:02:36,800 --> 00:02:42,240 Speaker 1: not relevant. He's just has a loyalist fan base and 43 00:02:42,320 --> 00:02:46,440 Speaker 1: keeps putting good ass music out. So Nas is not relevant. 44 00:02:47,520 --> 00:02:50,359 Speaker 1: He's just got a really loyal fan base and it's 45 00:02:50,440 --> 00:02:57,720 Speaker 1: making really good music. So in ones mind, that's not 46 00:02:57,800 --> 00:03:01,880 Speaker 1: a disk in his minds of statement of fact, he's 47 00:03:01,919 --> 00:03:05,960 Speaker 1: given the O g as flowers, this amazing music, has 48 00:03:05,960 --> 00:03:07,760 Speaker 1: an incredible fan base. I wish we all could have 49 00:03:07,760 --> 00:03:14,640 Speaker 1: incredible family. Hey relevant though, yea, oh man, it's his argument, 50 00:03:16,800 --> 00:03:19,639 Speaker 1: and that's like I did not I would think something 51 00:03:19,720 --> 00:03:23,040 Speaker 1: like that because I thought naz You're right, I thought 52 00:03:23,080 --> 00:03:28,160 Speaker 1: nazles just for the old heads. I was offended, but 53 00:03:28,200 --> 00:03:31,640 Speaker 1: I understood what the young dude met. And then that 54 00:03:31,760 --> 00:03:37,440 Speaker 1: was that statement made headlines. Te Savage says Nas is 55 00:03:37,440 --> 00:03:41,520 Speaker 1: not relevant, But it led me to the question. It's like, well, 56 00:03:41,560 --> 00:03:45,840 Speaker 1: what the hell does relevant mean? Because out your mouth 57 00:03:45,920 --> 00:03:49,680 Speaker 1: you just say he got a lot of fan base, 58 00:03:51,360 --> 00:03:58,240 Speaker 1: it is making incredible music. And the statement was covered 59 00:03:58,280 --> 00:04:02,160 Speaker 1: in all of the hip hop culture outlets. What did 60 00:04:02,280 --> 00:04:08,760 Speaker 1: that mean? He's relevant? What the hell do you mean 61 00:04:08,800 --> 00:04:13,080 Speaker 1: by relevant? Is he popular? What do you I mean? 62 00:04:13,560 --> 00:04:16,800 Speaker 1: What are you trying to say by that? And I 63 00:04:16,880 --> 00:04:20,640 Speaker 1: guess after the Midtterns we could ask the same question 64 00:04:20,680 --> 00:04:37,760 Speaker 1: about Donald trump Hood politics. Y'all. What's up, y'all, Welcome 65 00:04:37,800 --> 00:04:42,039 Speaker 1: to this next episode of politics. We post mid terms, 66 00:04:42,440 --> 00:04:44,680 Speaker 1: that red wave was more like a red ripple, you 67 00:04:44,720 --> 00:04:47,000 Speaker 1: know what I'm saying. And I think what's super interesting 68 00:04:47,040 --> 00:04:50,200 Speaker 1: about this recent Midtterns is that ain't nobody happy? Nobody 69 00:04:50,320 --> 00:04:53,360 Speaker 1: everybody everybody feel like they got second place, you know, 70 00:04:53,520 --> 00:04:57,480 Speaker 1: which is an interesting hot take on where our politics 71 00:04:57,520 --> 00:04:59,880 Speaker 1: are now, and that maybe both of these parties need 72 00:04:59,920 --> 00:05:02,200 Speaker 1: to start listening to the people for which they're supposed 73 00:05:02,240 --> 00:05:04,520 Speaker 1: to be representing, because neither one of y'all made neither 74 00:05:04,560 --> 00:05:07,839 Speaker 1: one of y'all constituents very happy. Everybody feel like they 75 00:05:07,960 --> 00:05:10,400 Speaker 1: got a Constellation prize. But that's not what this episode 76 00:05:10,440 --> 00:05:13,040 Speaker 1: is about, which is a topic that should be an 77 00:05:13,080 --> 00:05:17,440 Speaker 1: episode by itself. I want to talk about Donald Trump's 78 00:05:17,480 --> 00:05:23,760 Speaker 1: report card now supposedly tonight. Now this is uh November today, 79 00:05:23,920 --> 00:05:26,240 Speaker 1: right now, wait, let me make sure it's the fifteen. 80 00:05:27,320 --> 00:05:29,200 Speaker 1: This is in real time. Don't ad at this outmap 81 00:05:29,240 --> 00:05:32,760 Speaker 1: because it's even funny. So this is the fifteenth uh 82 00:05:32,839 --> 00:05:35,720 Speaker 1: Trump supposed to make some sort of announcement about his presidency. 83 00:05:35,839 --> 00:05:37,840 Speaker 1: But this is before that, so I don't know that. 84 00:05:37,920 --> 00:05:41,080 Speaker 1: But since Trump got a big mouth, he always be 85 00:05:41,160 --> 00:05:44,560 Speaker 1: writing checks by with his mouth that his bodycane cash, 86 00:05:44,960 --> 00:05:49,280 Speaker 1: which is very black statement. He'd be making these mid 87 00:05:49,480 --> 00:05:54,480 Speaker 1: terms report cards on him. He makes whatever. When sometimes 88 00:05:54,520 --> 00:05:57,080 Speaker 1: we can make everything about you, it's gonna bite you 89 00:05:57,120 --> 00:05:59,560 Speaker 1: in the ass later. So he made this is a 90 00:05:59,640 --> 00:06:02,200 Speaker 1: report card about him. So the question is like, all right, 91 00:06:02,600 --> 00:06:07,920 Speaker 1: does your co sign work? You know, does your co 92 00:06:08,120 --> 00:06:12,120 Speaker 1: sign plus people talking about your talking points to do 93 00:06:12,160 --> 00:06:16,320 Speaker 1: it work? And the question remains, okay, Well, three of 94 00:06:16,360 --> 00:06:22,320 Speaker 1: your candidates that we're like election denying candidates. Katie Hobbs 95 00:06:22,400 --> 00:06:26,039 Speaker 1: is the the Democrat in Arizona won the governor race 96 00:06:26,080 --> 00:06:30,719 Speaker 1: against Um carry Lake, who was straight up election denier, 97 00:06:31,400 --> 00:06:35,760 Speaker 1: like ya niggas is cheating ladies. She lost in Arizona. 98 00:06:37,440 --> 00:06:38,880 Speaker 1: You know what I'm saying. It's kind of like Liz 99 00:06:38,960 --> 00:06:44,280 Speaker 1: Cheney out here flexing, you feel me, Blake Masters, Mark Fitchum. 100 00:06:44,360 --> 00:06:46,520 Speaker 1: There are all these three candidates who was like all 101 00:06:46,600 --> 00:06:49,360 Speaker 1: up on that election denial. The niggas lost their race. 102 00:06:51,560 --> 00:06:53,920 Speaker 1: And then there's a fourth Abraham Hamma Day I think 103 00:06:53,960 --> 00:06:56,200 Speaker 1: that's how you say his name. He like it's too 104 00:06:56,240 --> 00:06:59,000 Speaker 1: close to call, but he losing. I mean, I don't 105 00:06:59,040 --> 00:07:01,440 Speaker 1: know by the time this came mouth. So that's like, yo, 106 00:07:01,520 --> 00:07:04,920 Speaker 1: that's oh for four fan. So as you may be 107 00:07:05,080 --> 00:07:08,360 Speaker 1: seeing in the sort of the papers, like you know, 108 00:07:08,640 --> 00:07:12,520 Speaker 1: we might have a Trump problem like okay, yeah, really 109 00:07:16,000 --> 00:07:21,360 Speaker 1: word anyway, but it forces to ask the question about 110 00:07:21,400 --> 00:07:25,000 Speaker 1: what is relevancy. Now, let's get back to Nas because 111 00:07:25,000 --> 00:07:59,480 Speaker 1: that's more fun. So twenty one, you know these I 112 00:07:59,520 --> 00:08:03,840 Speaker 1: don't know how plugged in y'all are one savages. I mean, 113 00:08:03,840 --> 00:08:07,720 Speaker 1: he's a very popular rapper and Drake is one of 114 00:08:07,760 --> 00:08:11,240 Speaker 1: the three biggest you know that the trinity of hip hop. 115 00:08:11,360 --> 00:08:14,640 Speaker 1: You know that's on the top, Drake, Kendrick Cold Like 116 00:08:14,840 --> 00:08:17,600 Speaker 1: you know these are the it's your your your trinity, 117 00:08:17,760 --> 00:08:24,680 Speaker 1: you know. Anyway, for the statement twenty one is making 118 00:08:24,720 --> 00:08:29,080 Speaker 1: to be so egregious to a lot of us, is 119 00:08:29,120 --> 00:08:32,199 Speaker 1: you have to understand who Nas is, okay, And if 120 00:08:32,240 --> 00:08:35,679 Speaker 1: you don't know, let me give you a brief history. 121 00:08:37,280 --> 00:08:40,920 Speaker 1: So Nas used to go by Nasty Naz, right, and 122 00:08:41,559 --> 00:08:43,319 Speaker 1: when he was a nineteen years old he put out 123 00:08:43,360 --> 00:08:48,040 Speaker 1: this record called ill Matic and ill Matic top to bottom. 124 00:08:48,280 --> 00:08:52,120 Speaker 1: He Nas was a prodigy, like he just out of Queens. 125 00:08:52,200 --> 00:08:55,760 Speaker 1: He's rapping Queen's Bridge. He put mob deep on Nas 126 00:08:55,920 --> 00:09:01,520 Speaker 1: was this raspy kind of baritone. Pocket was so different 127 00:09:01,559 --> 00:09:05,720 Speaker 1: than everybody else's. He became the voice of New York 128 00:09:05,880 --> 00:09:14,520 Speaker 1: of like street rap, knowledge, street knowledge, right, and ill matic. Arguably, actually, 129 00:09:14,520 --> 00:09:17,560 Speaker 1: in arguably it's pretty There's a few things that you 130 00:09:17,600 --> 00:09:22,199 Speaker 1: know no one denies in hip hop if you've been 131 00:09:22,240 --> 00:09:25,120 Speaker 1: around long enough. Of course, generational changes may happen. But 132 00:09:25,280 --> 00:09:28,680 Speaker 1: the truth is Illmatic is in the top five greatest 133 00:09:28,720 --> 00:09:33,560 Speaker 1: albums in like full length records. It's in the top 134 00:09:33,640 --> 00:09:36,040 Speaker 1: five of all of hip hop history. Like people throw 135 00:09:36,080 --> 00:09:39,000 Speaker 1: around God greatest of all time. I think people use 136 00:09:39,040 --> 00:09:41,960 Speaker 1: it too frivolously. I I do not like how many 137 00:09:42,000 --> 00:09:43,880 Speaker 1: times people say godd and stuff like that, and like 138 00:09:44,480 --> 00:09:47,439 Speaker 1: you hear what you're saying, you're saying great tists of 139 00:09:47,480 --> 00:09:49,760 Speaker 1: all time. Like y'all throw the word around too much. 140 00:09:50,120 --> 00:09:52,880 Speaker 1: So when I say it, I mean it illmatic. And 141 00:09:52,920 --> 00:09:54,840 Speaker 1: this is listen you listen, and I'm a I'm an 142 00:09:54,960 --> 00:09:56,560 Speaker 1: l a boy. So for me to admit that this 143 00:09:56,679 --> 00:10:02,600 Speaker 1: Queen's rapper is ill maatic one of the greatest records. Okay, 144 00:10:02,600 --> 00:10:04,080 Speaker 1: so you want to know the rest of the pantheon 145 00:10:04,160 --> 00:10:07,600 Speaker 1: here Lauren Hill's miss education, the mis education Lauren Hill, 146 00:10:07,600 --> 00:10:12,120 Speaker 1: it's undeniable. I don't know what to tell you. It's undeniable. 147 00:10:12,679 --> 00:10:16,319 Speaker 1: People argues, tribe call quests, whether it's a low end 148 00:10:16,320 --> 00:10:22,120 Speaker 1: theory or midnight marauders that's in the these are It's undeniable, right, 149 00:10:22,200 --> 00:10:26,640 Speaker 1: These records are perfect. Illmatic is one of them. It's 150 00:10:26,679 --> 00:10:30,720 Speaker 1: just it's perfect. And then people would say the Carter 151 00:10:30,880 --> 00:10:32,840 Speaker 1: like one of the cars, like the Carter for you know, 152 00:10:33,040 --> 00:10:36,360 Speaker 1: low Wayne, It's it's a perfect record. Ill Matic is 153 00:10:36,360 --> 00:10:41,040 Speaker 1: in there. Now. Nas has been dropping records throughout this 154 00:10:41,080 --> 00:10:45,080 Speaker 1: whole time. Now while all this is happening, jay Z 155 00:10:45,280 --> 00:10:51,400 Speaker 1: is becoming a star, right, But jay Z's early years, 156 00:10:52,400 --> 00:10:55,439 Speaker 1: he wasn't this like larger than life mogul that he 157 00:10:55,720 --> 00:10:59,400 Speaker 1: grew into. That jay Z was a Brooklyn rapper who 158 00:10:59,440 --> 00:11:02,280 Speaker 1: just wanted to get put on jazz and Mattaz. He 159 00:11:02,400 --> 00:11:05,080 Speaker 1: wasn't the one that y'all know of now that you 160 00:11:05,120 --> 00:11:07,720 Speaker 1: know the picture of cool to boss, the billionaire. He wasn't. 161 00:11:09,559 --> 00:11:13,120 Speaker 1: He wasn't that. Then. Nas was the king Nos Nos Nas, 162 00:11:13,160 --> 00:11:15,200 Speaker 1: Nas is the king of the show, like NAS was 163 00:11:15,240 --> 00:11:18,839 Speaker 1: the king of the show. We all followed Nas. Uh, 164 00:11:18,880 --> 00:11:22,520 Speaker 1: and then he had a series of dud records. First well, 165 00:11:22,520 --> 00:11:25,000 Speaker 1: then the next one was it was written that had 166 00:11:25,040 --> 00:11:28,240 Speaker 1: this the if I Rule the World, the song with 167 00:11:28,360 --> 00:11:33,280 Speaker 1: Lauren Hill and him if I Rule the World classic right, 168 00:11:33,559 --> 00:11:35,560 Speaker 1: then he did the thing you know on one of 169 00:11:35,559 --> 00:11:38,520 Speaker 1: the records, nostrodamis with with Puffy you can hate Me 170 00:11:38,679 --> 00:11:42,200 Speaker 1: now that you can't stop now. But there was a 171 00:11:42,240 --> 00:11:48,880 Speaker 1: series of duds that NAS put out. Then you know 172 00:11:48,920 --> 00:11:51,720 Speaker 1: when people say, yo, you got ethered, you heard that 173 00:11:51,760 --> 00:11:56,720 Speaker 1: phrase like either it's this idea of like if somebody 174 00:11:56,840 --> 00:12:00,280 Speaker 1: just kind of like you know, killed it, like he third, 175 00:12:00,480 --> 00:12:02,640 Speaker 1: you know that it became a phrase ether is actually 176 00:12:02,640 --> 00:12:08,440 Speaker 1: a NAS song because jay Z distant And ultimately the 177 00:12:08,559 --> 00:12:10,400 Speaker 1: argument was like, well jay Z kind of won the 178 00:12:10,400 --> 00:12:14,200 Speaker 1: war because uh, he became you know, the hole that 179 00:12:14,240 --> 00:12:17,160 Speaker 1: we know, but he took a shot at NAS, right 180 00:12:17,320 --> 00:12:20,199 Speaker 1: because and one of the Killer's killer lines was like 181 00:12:20,679 --> 00:12:25,320 Speaker 1: NAS's track record is like you got ten albums and 182 00:12:25,400 --> 00:12:28,040 Speaker 1: only two good ones, so that's eight out of ten 183 00:12:28,080 --> 00:12:30,560 Speaker 1: of your albums are trash. Like that was that was 184 00:12:30,640 --> 00:12:32,559 Speaker 1: kind of the argument that they made about Nas. But 185 00:12:32,640 --> 00:12:35,040 Speaker 1: NAS came back from this other with another album called 186 00:12:35,080 --> 00:12:38,440 Speaker 1: Still Matic, with a song called Gotcha Self a Gun, 187 00:12:38,559 --> 00:12:41,520 Speaker 1: which we talked about in one of our episodes. But 188 00:12:41,679 --> 00:12:45,760 Speaker 1: on that was a song called Ether god Son across 189 00:12:45,800 --> 00:12:49,080 Speaker 1: the Belly You Proved you lost already and that song 190 00:12:49,559 --> 00:12:53,720 Speaker 1: probably still as far as like this tracks on a record, 191 00:12:53,840 --> 00:13:01,600 Speaker 1: It's we It's again, inarguable was the one of the 192 00:13:01,640 --> 00:13:05,720 Speaker 1: greatest comebacks, the greatest haymaker in hip hop, like no this. 193 00:13:06,000 --> 00:13:09,840 Speaker 1: It became a verb because the name of the song 194 00:13:09,960 --> 00:13:12,800 Speaker 1: was ether. So when you ethered something, when you eather 195 00:13:13,000 --> 00:13:16,000 Speaker 1: that person, you're doing what Nas did to jay Z. 196 00:13:16,840 --> 00:13:23,880 Speaker 1: That's what you understand. So he's royalty right then he 197 00:13:23,920 --> 00:13:27,200 Speaker 1: took this hiatus, you know. Then they did the like 198 00:13:28,120 --> 00:13:30,840 Speaker 1: year anniversary of Ill Maatic and he meets up with 199 00:13:30,880 --> 00:13:33,760 Speaker 1: this this this kid named hit Boy now hit Boys. 200 00:13:34,480 --> 00:13:37,000 Speaker 1: You know, he's in his twenties. He landed a few 201 00:13:37,040 --> 00:13:40,400 Speaker 1: tracks with like Nip and was like but he comes 202 00:13:40,400 --> 00:13:47,160 Speaker 1: out of the Inland empire, local dude, freakishly talented. He 203 00:13:47,320 --> 00:13:51,880 Speaker 1: locks in with Nas and then he starts making these albums. 204 00:13:53,360 --> 00:13:57,040 Speaker 1: And usually when a person hits this stage in their career, 205 00:13:57,760 --> 00:13:59,880 Speaker 1: and you start trying to wrap on some of the 206 00:14:00,280 --> 00:14:05,800 Speaker 1: young dudes production, You sound like an old head trying 207 00:14:05,840 --> 00:14:15,240 Speaker 1: to sound young. It rarely works. However, it's like he's 208 00:14:15,320 --> 00:14:20,440 Speaker 1: aging in reverse. He's not missing a step. He sounds 209 00:14:20,560 --> 00:14:23,440 Speaker 1: dope on these like young boy kind of drums. It 210 00:14:23,560 --> 00:14:27,200 Speaker 1: sounds like him, you know him boy understands to not 211 00:14:27,320 --> 00:14:29,400 Speaker 1: put him on something. That's wheny one would rap on 212 00:14:29,480 --> 00:14:32,040 Speaker 1: to not sound like Drake, put him on something that 213 00:14:32,120 --> 00:14:38,400 Speaker 1: he would sound good on but sounds current. That's do 214 00:14:38,480 --> 00:14:40,680 Speaker 1: you remember hip hop is so young in in the 215 00:14:40,720 --> 00:14:46,120 Speaker 1: grand scheme of things, this is unheard of, nas is 216 00:14:47,520 --> 00:14:52,280 Speaker 1: I don't know? Comeback? Can you call it that? You 217 00:14:52,560 --> 00:14:58,240 Speaker 1: because he had been consistently putting out albums now granted 218 00:14:58,720 --> 00:15:02,920 Speaker 1: as you, one could to argue right that those albums 219 00:15:02,960 --> 00:15:08,600 Speaker 1: he had been putting out pre hit Boy, we're albums 220 00:15:08,600 --> 00:15:10,720 Speaker 1: for the heads. There was albums for the hip hop 221 00:15:10,760 --> 00:15:13,800 Speaker 1: has that just love him, that understand Allmatic to understands, 222 00:15:13,800 --> 00:15:19,000 Speaker 1: Thematic Nostro Dominis, which was you know, but it was written. 223 00:15:19,360 --> 00:15:21,600 Speaker 1: You know what I'm saying, hip hop is Dead was 224 00:15:21,600 --> 00:15:26,160 Speaker 1: one of his records. He'd been consistently putting out albums that, yeah, 225 00:15:26,240 --> 00:15:33,600 Speaker 1: they weren't getting the critics accolade that these albums are. 226 00:15:34,240 --> 00:15:40,720 Speaker 1: But this renaissance of his has He's actually set now 227 00:15:41,600 --> 00:15:45,280 Speaker 1: a pathway forward for elder statesman in hip hop. He 228 00:15:45,320 --> 00:15:51,640 Speaker 1: has proven longevity. He has proven that your skills. Because 229 00:15:51,640 --> 00:15:53,720 Speaker 1: to have a career to put out an album in 230 00:15:53,840 --> 00:15:56,440 Speaker 1: ninety four and to put out an album in two 231 00:15:56,440 --> 00:16:04,600 Speaker 1: thousand twenty two, that isn't just reminiscent of how you sounded. 232 00:16:05,840 --> 00:16:10,040 Speaker 1: It's people aren't doing that. The roots have been consistently 233 00:16:10,080 --> 00:16:12,520 Speaker 1: putting out albums. It's kind of not the same, though. 234 00:16:13,560 --> 00:16:22,600 Speaker 1: What Nas has done is remarkable. Now, Savage, he thirty 235 00:16:22,680 --> 00:16:27,760 Speaker 1: years old. That means he was born in So. He 236 00:16:27,880 --> 00:16:32,800 Speaker 1: was two years old when Ill Mattock came out. Now, 237 00:16:32,880 --> 00:16:37,480 Speaker 1: unless he's a crate digger, which is a phrase a 238 00:16:37,480 --> 00:16:42,080 Speaker 1: lot of y'all don't understand. Um, Damn, I'm getting old. Anyway, 239 00:16:42,160 --> 00:16:46,880 Speaker 1: we'll go back to that later. Now he's thirty, which 240 00:16:46,920 --> 00:16:48,880 Speaker 1: means he's not a young boy as far as like 241 00:16:48,960 --> 00:16:51,960 Speaker 1: hip hop is concerned. But he's from the new from 242 00:16:51,960 --> 00:16:54,640 Speaker 1: the new guard. I mean he's born in So. Yeah, 243 00:16:54,640 --> 00:16:57,000 Speaker 1: you're two years old when when Ill Mattock came out. 244 00:16:57,600 --> 00:17:01,360 Speaker 1: You know, twelve years old, Stillmatic, So like, yeah, he 245 00:17:01,440 --> 00:17:10,480 Speaker 1: don't know the story around Blueprint versus Stillmatic. You don't 246 00:17:10,520 --> 00:17:15,520 Speaker 1: know them stories unless he did his homework right. What 247 00:17:15,680 --> 00:17:22,480 Speaker 1: he knows is what makes a person like relevant, if 248 00:17:22,480 --> 00:17:27,320 Speaker 1: you will, is trend setting, fashion is you know, social 249 00:17:27,359 --> 00:17:30,399 Speaker 1: media is is you know what I'm saying. Do you 250 00:17:30,440 --> 00:17:33,679 Speaker 1: walk into the city and everybody, you know, everybody stopping pause? 251 00:17:33,760 --> 00:17:35,600 Speaker 1: You know what I'm saying, Like you know you got 252 00:17:35,600 --> 00:17:37,720 Speaker 1: the Papa rozzis around you? You know, he just know 253 00:17:38,160 --> 00:17:42,720 Speaker 1: he know rock star because that's the young folks, that's 254 00:17:42,720 --> 00:17:45,080 Speaker 1: the new generation of hip hop. Like you, you're supposed 255 00:17:45,080 --> 00:17:47,840 Speaker 1: to be a rock star. So when he means relevant, 256 00:17:47,840 --> 00:17:54,720 Speaker 1: he means that NAS is different. NAS come from a 257 00:17:54,760 --> 00:18:01,080 Speaker 1: different generation. If a good comparison inolitics would be like 258 00:18:01,600 --> 00:18:03,679 Speaker 1: and I'm not calling this nigg and Mitch McConnell, but 259 00:18:03,720 --> 00:18:07,119 Speaker 1: it would be like a Mitch McConnell or or you 260 00:18:07,119 --> 00:18:09,920 Speaker 1: know what better yet think about it like this the 261 00:18:10,000 --> 00:18:15,080 Speaker 1: mobsters from Sicily or like a John Gotti, because John 262 00:18:15,119 --> 00:18:17,800 Speaker 1: Gotti and them, they was gaudy. You know, they was loud, 263 00:18:17,840 --> 00:18:20,200 Speaker 1: they had the fancy suits and you know what I'm saying, 264 00:18:20,200 --> 00:18:21,439 Speaker 1: and you you you know what I'm saying. You was 265 00:18:21,680 --> 00:18:23,439 Speaker 1: you was out on the town with the big you know, 266 00:18:23,480 --> 00:18:26,480 Speaker 1: expensive lexus is. But then but then O Gs then 267 00:18:26,520 --> 00:18:30,359 Speaker 1: O G is from Sicily. They moved quiet, they moved low. 268 00:18:31,240 --> 00:18:37,159 Speaker 1: They they understated, but they got shooters everywhere. There's a 269 00:18:37,240 --> 00:18:42,080 Speaker 1: story that Snoop tells about Nas when they was in 270 00:18:42,240 --> 00:18:44,280 Speaker 1: when they was in Vegas. It's such a dope story. 271 00:18:44,680 --> 00:18:47,959 Speaker 1: It was during like the two Pack years, right, So 272 00:18:48,000 --> 00:18:50,040 Speaker 1: they said they was all at this party, right, and 273 00:18:51,160 --> 00:18:56,160 Speaker 1: he saw Nas in two Pac saw Nas right and 274 00:18:56,680 --> 00:19:00,520 Speaker 1: Snoope watching the whole thing. And Nas walks up to 275 00:19:00,560 --> 00:19:04,040 Speaker 1: poc right and Pop being poc right, and Snoop says, now, listen, 276 00:19:04,080 --> 00:19:07,840 Speaker 1: I'm a gangbanger, so I see what's happening. Like he's like, 277 00:19:07,960 --> 00:19:12,800 Speaker 1: Nas is with nobody, but he's not with nobody, you 278 00:19:12,880 --> 00:19:15,760 Speaker 1: follow me. So Nas is alone, but he ain't alone, 279 00:19:16,320 --> 00:19:19,960 Speaker 1: meaning he got people all the around. So so Snoop 280 00:19:19,960 --> 00:19:21,800 Speaker 1: peeping game because he's like, I'm a gangbanger. I know 281 00:19:21,800 --> 00:19:24,240 Speaker 1: how this works. So so when he run up to So, 282 00:19:24,359 --> 00:19:27,920 Speaker 1: when he run up to Parc, Nas gives him love, 283 00:19:28,000 --> 00:19:30,080 Speaker 1: Like what's up? Man? You know, saw love and saw 284 00:19:30,160 --> 00:19:32,960 Speaker 1: this and all that right, and uh, you know, I 285 00:19:33,040 --> 00:19:37,200 Speaker 1: respect you, man, I love what you're doing. And Pop 286 00:19:37,280 --> 00:19:41,960 Speaker 1: Pop off and Pop Pop off like, no, man, you 287 00:19:42,080 --> 00:19:44,439 Speaker 1: from the East. I dissed you. I dissed them. I 288 00:19:44,560 --> 00:19:47,159 Speaker 1: this big it fuck your coast, funk everybody. So he 289 00:19:47,200 --> 00:19:51,879 Speaker 1: pops off, right, but Poc rolling deep at the time. 290 00:19:52,400 --> 00:19:56,560 Speaker 1: But Pop don't know. According to Snoop, Nas is rolling deep. 291 00:19:57,600 --> 00:20:04,600 Speaker 1: So he say, Snoop, tell the story like now, I say, okay, alright, 292 00:20:04,640 --> 00:20:10,840 Speaker 1: COOLi and whatever. It's love. So Nas walks away and 293 00:20:11,080 --> 00:20:13,919 Speaker 1: Pop feel like yeah, punk that nigger. And then but 294 00:20:15,280 --> 00:20:21,199 Speaker 1: Snoop was like, no, Nas, let us slide. And so 295 00:20:21,920 --> 00:20:26,359 Speaker 1: you hear what I'm trying to tell you. The ogs 296 00:20:26,440 --> 00:20:33,000 Speaker 1: moved different, he said, no, Nas, let us go. That's 297 00:20:33,040 --> 00:20:36,560 Speaker 1: the elder statesman, naz Is. So you asked me, who's 298 00:20:36,600 --> 00:20:42,000 Speaker 1: more of a gangster? Who won that moment? So if 299 00:20:42,000 --> 00:20:45,440 Speaker 1: you Mitch McConnell or you Donald Trump, who more of 300 00:20:45,480 --> 00:20:51,240 Speaker 1: a gangster? Who running things? You know, we were talking 301 00:20:51,280 --> 00:20:53,919 Speaker 1: all the time about like Joe Biden and Joe Mansion, 302 00:20:55,560 --> 00:20:57,920 Speaker 1: who really running things here? We some of some people 303 00:20:58,000 --> 00:21:04,760 Speaker 1: move different, But you're asking me who who's relevant? Now 304 00:21:04,800 --> 00:21:07,520 Speaker 1: when you drop the name nas Is my seventeen year 305 00:21:07,520 --> 00:21:13,119 Speaker 1: old gonna no, I don't know I dropped the name 306 00:21:13,160 --> 00:21:15,719 Speaker 1: twenty one savage my seventeen years she probably gonna know that. 307 00:21:16,720 --> 00:21:24,200 Speaker 1: So in his mind, that's what relevant means. I'm asking 308 00:21:24,240 --> 00:21:28,679 Speaker 1: you what is relevant mean? And I think this is 309 00:21:28,720 --> 00:21:31,640 Speaker 1: the question that the GLP is asking. What does relevant mean? Now? 310 00:21:31,720 --> 00:21:35,040 Speaker 1: Am I saying nas is Trump? Hey? No? But what 311 00:21:35,040 --> 00:21:39,119 Speaker 1: I'm saying is, well, let's look at the scoreboard, because 312 00:21:39,119 --> 00:21:42,480 Speaker 1: what's interesting is the statement out of twenty one's mouth, 313 00:21:42,600 --> 00:21:48,800 Speaker 1: which is he's got a loyal fan base, uh check. 314 00:21:49,720 --> 00:21:55,119 Speaker 1: And nas is making incredible music that is undeniable. I 315 00:21:55,160 --> 00:21:58,320 Speaker 1: got this theory that if you in this in this 316 00:21:58,520 --> 00:22:04,200 Speaker 1: time of being canceled, yeah, you can't be messy and mediocre. 317 00:22:06,000 --> 00:22:12,440 Speaker 1: Uh you Like, if you're messy, you gotta be undeniably incredible, right, 318 00:22:12,760 --> 00:22:18,159 Speaker 1: So Dave Spell, Dave Spell is undeniable. The man was 319 00:22:18,280 --> 00:22:22,680 Speaker 1: on Saturday Night Live this past weekend and was dropping 320 00:22:22,760 --> 00:22:25,640 Speaker 1: Jim's like, he's I don't know what to tell you. 321 00:22:26,160 --> 00:22:28,359 Speaker 1: He got all you got all them trans like he'd 322 00:22:28,359 --> 00:22:30,879 Speaker 1: be saying some messy ship. But let me tell you something. 323 00:22:31,359 --> 00:22:35,359 Speaker 1: The man is undeniable. I don't throw around the world go. 324 00:22:38,600 --> 00:22:42,119 Speaker 1: He on the list though, Why Chris Brown lasts along 325 00:22:42,200 --> 00:22:47,320 Speaker 1: because he's just so good? Ye, it's just you can't 326 00:22:47,320 --> 00:22:49,760 Speaker 1: when you press play. I just I don't know what 327 00:22:49,800 --> 00:22:51,680 Speaker 1: to say. That's why we put up with the ship 328 00:22:51,760 --> 00:22:55,159 Speaker 1: because he's not me, because it's it's incredible. R Kelly, 329 00:22:55,280 --> 00:22:57,359 Speaker 1: same thing. While we put up with it. He's just 330 00:22:57,560 --> 00:23:03,200 Speaker 1: really good. Now. People crack jokes about the baby right now. Now, 331 00:23:03,240 --> 00:23:05,160 Speaker 1: I'm not here to drag the baby, but I tell 332 00:23:05,160 --> 00:23:08,560 Speaker 1: you what. Or even though you know the dollars for 333 00:23:08,640 --> 00:23:11,040 Speaker 1: his tickets on event right to buy one, get one free, 334 00:23:11,040 --> 00:23:13,800 Speaker 1: everybody got jokes about him falling off, you know. I 335 00:23:13,880 --> 00:23:15,800 Speaker 1: mean it's a great deal. Like if you're a baby fan, 336 00:23:16,920 --> 00:23:19,360 Speaker 1: this is a great deal. Like don't I don't eat 337 00:23:19,359 --> 00:23:22,400 Speaker 1: falling off? And maybe you do. Maybe he can't sell 338 00:23:22,440 --> 00:23:24,400 Speaker 1: tickets no more this let me tell you why, because 339 00:23:24,400 --> 00:23:29,080 Speaker 1: you can't be messy and mediocre. Your music has to be. Now, 340 00:23:29,080 --> 00:23:31,320 Speaker 1: am I calling to the baby mediocre? I'm saying he 341 00:23:31,400 --> 00:23:33,679 Speaker 1: a little under developed as far as I'm concerned. I 342 00:23:33,720 --> 00:23:35,440 Speaker 1: feel like the man to put out the same song 343 00:23:35,560 --> 00:23:40,520 Speaker 1: three times now, that's me. But he probably got a 344 00:23:40,560 --> 00:23:46,560 Speaker 1: loyal fan base because somebody buying them tickets. You feel 345 00:23:46,600 --> 00:23:54,040 Speaker 1: me somebody buying them tickets. So my question is like, Yo, 346 00:23:54,119 --> 00:23:56,760 Speaker 1: if you got a loyal fan base, you could still 347 00:23:56,800 --> 00:23:59,040 Speaker 1: get a hunted two hundred, three hundred, four hundred, five 348 00:23:59,080 --> 00:24:03,199 Speaker 1: hundred people in the room and they're still vibing with 349 00:24:03,240 --> 00:24:10,520 Speaker 1: your stuff. You're still dropping bars. Whatever relevant means don't matter. 350 00:24:10,640 --> 00:24:48,879 Speaker 1: Do it? Nas doing fine? So let's do the report 351 00:24:48,920 --> 00:24:52,080 Speaker 1: card about Trump, because Trump want to be both for 352 00:24:52,400 --> 00:24:59,840 Speaker 1: your candidates, who was only election denial ship lost maybe 353 00:25:00,160 --> 00:25:02,359 Speaker 1: not dropping bars no more, But that don't mean you're 354 00:25:02,359 --> 00:25:04,000 Speaker 1: not really on mean you got a loyal fan base. 355 00:25:04,320 --> 00:25:08,919 Speaker 1: Let's look at the rest. So according to Reuters and 356 00:25:09,680 --> 00:25:13,600 Speaker 1: US News and World Report, right, you had twelve Trump 357 00:25:13,640 --> 00:25:16,960 Speaker 1: backed candidates, twelve prominent endorsements right where he was loud 358 00:25:17,080 --> 00:25:20,880 Speaker 1: and proud about endorsing these people, which started with primary 359 00:25:20,960 --> 00:25:29,040 Speaker 1: challenges to incumbent Republicans. Okay, four won their election in Tuesday, 360 00:25:29,160 --> 00:25:33,520 Speaker 1: right out of twelve, and then two lost right, three 361 00:25:33,560 --> 00:25:45,360 Speaker 1: remained uncalled, and three lost their primaries. Okay, So winners JD. 362 00:25:45,520 --> 00:25:50,399 Speaker 1: Vancey won the U. S. Senate in Ohio, Okay, um 363 00:25:50,520 --> 00:25:56,719 Speaker 1: Ted Bud won Cenis seat in North Carolina. Okay, Russell 364 00:25:56,760 --> 00:26:00,439 Speaker 1: Fry one South Carolina and so that who you So 365 00:26:00,480 --> 00:26:02,760 Speaker 1: those are the ones we know now who lost moment 366 00:26:02,840 --> 00:26:06,240 Speaker 1: Oz of course? Right? I mean, who was you gonna 367 00:26:06,240 --> 00:26:07,560 Speaker 1: do with that? I don't even know why you backed 368 00:26:07,560 --> 00:26:11,040 Speaker 1: that man in the first place. John Gibbs lost his 369 00:26:11,119 --> 00:26:14,520 Speaker 1: bid for Michigan's district, which is crazy to be determined. 370 00:26:15,040 --> 00:26:17,960 Speaker 1: Is herschel Bull? I cannot still can't get over the 371 00:26:18,000 --> 00:26:20,000 Speaker 1: fact that that mug is in a runoff, Like, how 372 00:26:20,119 --> 00:26:24,560 Speaker 1: is we how is we there? Joe Kent, he's seeking 373 00:26:24,640 --> 00:26:30,360 Speaker 1: to seeking Washington's third congressional district. Right losers in primaries 374 00:26:30,480 --> 00:26:34,640 Speaker 1: is Lauren Colpu David Purdue went up against George's incumbent 375 00:26:34,680 --> 00:26:38,000 Speaker 1: Republican Brian Kemp. Right, he lost the Kemp Now what's 376 00:26:38,040 --> 00:26:41,440 Speaker 1: interesting about that is Kemp is a Republican. He just 377 00:26:41,480 --> 00:26:50,880 Speaker 1: stayed clear of Trump. Right. Katie arlex uh Arrington. Right, 378 00:26:50,960 --> 00:26:56,560 Speaker 1: she challenged the Republican representative Nancy Mace and lost. Right? 379 00:26:57,040 --> 00:27:00,679 Speaker 1: Is that man still relevant? I mean we all thought that, 380 00:27:00,720 --> 00:27:04,560 Speaker 1: like the Trump co sign was the cheat code, That's 381 00:27:04,560 --> 00:27:08,680 Speaker 1: what we thought. And then lastly, I mean, the question 382 00:27:08,720 --> 00:27:11,360 Speaker 1: of relevancy really kind of in my mind plays out 383 00:27:11,359 --> 00:27:17,600 Speaker 1: I rhanda Santis, which again, you're not fooling nobody. That's 384 00:27:17,840 --> 00:27:22,359 Speaker 1: dos Antos. Maybe it's not. It showed who sounded like 385 00:27:22,400 --> 00:27:24,439 Speaker 1: it to me. You know what I'm saying that like 386 00:27:24,440 --> 00:27:26,560 Speaker 1: you're trying to whitewash that ship. Maybe not you, but 387 00:27:27,000 --> 00:27:33,119 Speaker 1: somebody your family trying to el Ratio Santos. Anyway, that 388 00:27:33,280 --> 00:27:36,359 Speaker 1: still cracks me up. I'll care what y'all say, Betho 389 00:27:36,520 --> 00:27:39,200 Speaker 1: or Rourke cracks me up out there. Whatever are you 390 00:27:39,280 --> 00:27:43,040 Speaker 1: trying to lacking it up? You added, We've talked about 391 00:27:43,040 --> 00:27:45,560 Speaker 1: this before. There's no if answer, butts, he's doing a 392 00:27:45,600 --> 00:27:50,160 Speaker 1: Trump impression. He's just doing it without the assholeicness. Let 393 00:27:50,160 --> 00:27:53,040 Speaker 1: me let me make a comparison. If you guys know 394 00:27:53,119 --> 00:27:57,359 Speaker 1: the riving the trucks, the electric trucks, they're dope on 395 00:27:57,400 --> 00:28:00,920 Speaker 1: the inside. Oh my gosh. There it's a luxury ride. 396 00:28:00,920 --> 00:28:04,840 Speaker 1: It's like it's like a Tesla on the inside. And 397 00:28:04,920 --> 00:28:08,800 Speaker 1: it's like, so it's it's all the luxuries of Tesla 398 00:28:08,880 --> 00:28:11,960 Speaker 1: without the e lin. You know what I'm saying, Ribbans, 399 00:28:12,240 --> 00:28:15,560 Speaker 1: Really in the future, you you feel me, all the 400 00:28:15,560 --> 00:28:22,800 Speaker 1: Tesla without the e lin. That's that's really the Santos 401 00:28:22,920 --> 00:28:25,280 Speaker 1: is all the Trump without the Trump. You understand I'm 402 00:28:25,280 --> 00:28:27,960 Speaker 1: trying to say right now? And you could tell Trump 403 00:28:28,040 --> 00:28:30,479 Speaker 1: sweating about him because he got a nickname. Yeah, say, 404 00:28:30,560 --> 00:28:33,000 Speaker 1: he tried to take this man out, you feel me? 405 00:28:33,160 --> 00:28:36,359 Speaker 1: And what the Santos did was an impression of Trump 406 00:28:36,560 --> 00:28:43,520 Speaker 1: without tapping Trump. Like, listen, remember how fifty did John Episode? I? 407 00:28:43,520 --> 00:28:46,120 Speaker 1: I like, I told you all man, I thought Margie 408 00:28:46,120 --> 00:28:48,760 Speaker 1: Taylor Graham was gonna play make make a make make 409 00:28:48,800 --> 00:28:52,200 Speaker 1: a play, but the the the episode was about the Santos. 410 00:28:52,280 --> 00:28:58,600 Speaker 1: You feel me? Like that? How fifty did John? Yourself? 411 00:28:58,800 --> 00:29:01,560 Speaker 1: I wondered, if it's happen baby, my prediction coming right? 412 00:29:01,680 --> 00:29:06,080 Speaker 1: You feel me? Now? What this means about the Republican 413 00:29:06,120 --> 00:29:08,840 Speaker 1: Party's future is I mean, obviously there's a coming civil 414 00:29:08,880 --> 00:29:12,440 Speaker 1: war happening, like it's gonna happen between between them two, 415 00:29:12,600 --> 00:29:14,800 Speaker 1: Like I mean, if I'm reading the team, my intentance 416 00:29:14,840 --> 00:29:17,240 Speaker 1: is like, yo, this is this is this is coming? 417 00:29:18,080 --> 00:29:22,200 Speaker 1: You feel me? And this about the direction of the 418 00:29:22,280 --> 00:29:25,840 Speaker 1: g LP, because whatever they're doing right now is I 419 00:29:25,840 --> 00:29:29,400 Speaker 1: don't know, it ain't working. You know what I'm saying. Nobody, listen. 420 00:29:29,600 --> 00:29:33,800 Speaker 1: No one was able to spike the ball the democratic 421 00:29:33,840 --> 00:29:36,120 Speaker 1: or republic Nobody on people they were spiked ball was 422 00:29:36,160 --> 00:29:38,240 Speaker 1: the independence because they was like, I don't mess with 423 00:29:38,320 --> 00:29:40,400 Speaker 1: none of y'all. So I'm looking for the least to 424 00:29:40,520 --> 00:29:42,920 Speaker 1: many as you as possible, Like there's always was actually 425 00:29:42,960 --> 00:29:47,840 Speaker 1: kind of one in this situation. But the question is 426 00:29:47,880 --> 00:29:50,720 Speaker 1: not so much are y'all gonna move away from the fashness, 427 00:29:51,440 --> 00:29:54,880 Speaker 1: from the from the the racist dog whistles, because ain't 428 00:29:54,880 --> 00:30:00,280 Speaker 1: nobody talking about maybe your talking points is trash, you 429 00:30:00,280 --> 00:30:03,280 Speaker 1: know what I'm saying. What they're talking about is like 430 00:30:04,080 --> 00:30:08,400 Speaker 1: how we present ourselves? Is this a return to the 431 00:30:08,480 --> 00:30:12,480 Speaker 1: old guard like rhino Republican, you know, which is republican 432 00:30:12,520 --> 00:30:14,840 Speaker 1: only in name, that's what rhino means. Lame, but like 433 00:30:15,360 --> 00:30:19,680 Speaker 1: but basically this idea of just civility and you know, 434 00:30:19,880 --> 00:30:24,080 Speaker 1: small like some you know, the you know republican nice 435 00:30:24,240 --> 00:30:26,640 Speaker 1: you feel me where it's just like you're just nice, 436 00:30:26,680 --> 00:30:33,600 Speaker 1: you're approachable, racist you're right? Or is it more like no, 437 00:30:33,800 --> 00:30:41,840 Speaker 1: it's the same been towards authoritarian fascism, just not as 438 00:30:41,920 --> 00:30:46,560 Speaker 1: obnoxious about it. I don't know, I think that's coming next. 439 00:30:46,600 --> 00:30:51,160 Speaker 1: So so you tell me, is is Trump relevant? What 440 00:30:51,240 --> 00:30:56,880 Speaker 1: does relevant even mean? Do it even matter though, because 441 00:30:56,920 --> 00:31:03,520 Speaker 1: when you got a fan base, what difference does it make? 442 00:31:05,320 --> 00:31:21,080 Speaker 1: Little politics? Yeah, this is here thing was recorded by 443 00:31:21,080 --> 00:31:25,200 Speaker 1: ME Propaganda and East Low Spoil Heights, Los Angeles, California. 444 00:31:25,600 --> 00:31:31,360 Speaker 1: This smug was mixed, edited, mastered, and scored by Matt Osowski. 445 00:31:31,720 --> 00:31:33,920 Speaker 1: I can totally say his name, guys, it was it 446 00:31:34,040 --> 00:31:36,760 Speaker 1: was a stick. He's going by Matt now again because 447 00:31:37,040 --> 00:31:40,040 Speaker 1: he got two legal situations with the name Headlights. You know, 448 00:31:40,120 --> 00:31:42,280 Speaker 1: comment used to be called common sense. You know, tip 449 00:31:42,600 --> 00:31:46,280 Speaker 1: t I was tipped Sometimes it happens. Executive produced by 450 00:31:46,280 --> 00:31:50,160 Speaker 1: the one and only Sophie Lichtman for a Cool Zone 451 00:31:50,200 --> 00:31:54,320 Speaker 1: Media and the theme music by the one and only 452 00:31:54,360 --> 00:31:57,440 Speaker 1: Gold Tips Gold Tips d J Shawn p. So y'all 453 00:31:57,480 --> 00:32:00,280 Speaker 1: just remember listen every time you check in. If you 454 00:32:00,360 --> 00:32:04,800 Speaker 1: understand city living, you understand politics. We'll see you'll next 455 00:32:04,840 --> 00:32:05,040 Speaker 1: week