WEBVTT - Storytelling with Adam McKay

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<v Speaker 1>Hey, before we start, I wanted to let you know

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<v Speaker 1>that this interview was recorded a while ago. Since then,

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<v Speaker 1>some of the projects our guess we'll talk about have

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<v Speaker 1>evolved a bit. And also, we cut down four billion,

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<v Speaker 1>three hundred and eighty seven million trees. Yeah, I know

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<v Speaker 1>that's an insane number, but it's true. Also, over one

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<v Speaker 1>hundred and fifty people died from wildfires, we hit record

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<v Speaker 1>global temperatures, and a fuck ton of other terrible things

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<v Speaker 1>have happened. Check the show notes if you want to

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<v Speaker 1>see updates on anything we talk about in today's episode.

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<v Speaker 1>Thanks for listening.

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<v Speaker 2>I had the moment where I'm like, holy crap, where

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<v Speaker 2>no one's paying attention. We're in real trouble here.

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<v Speaker 3>What do I do? I make movies.

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<v Speaker 2>So I wrote five six different ideas for movies, and

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<v Speaker 2>I just kept coming back to the idea that if

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<v Speaker 2>a good portion of the movie could be funny, nothing

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<v Speaker 2>is better at, you know, bringing people together then laughter.

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<v Speaker 3>It's kind of the ultimate truth detector.

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<v Speaker 2>Hi.

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<v Speaker 1>I'm Chris Turney, and this is Unfucking the Future, a

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<v Speaker 1>show about the climate crisis and what we can do

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<v Speaker 1>about it. It's easy to get depressed about the climate.

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<v Speaker 1>According to a host of recent scientific studies, this past

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<v Speaker 1>year was the hottest ever recorded in human history. But

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<v Speaker 1>now is not the time to despair. It's for time

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<v Speaker 1>to get activated. And that's what this show is all about. Together,

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<v Speaker 1>we really can on fuck this. Let's dig in.

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<v Speaker 4>We're fucking the future.

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<v Speaker 1>Let's play a game, all right. On the counter of three,

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<v Speaker 1>name your favorite dinosaur. Don't even think about it, just

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<v Speaker 1>name it ready one two three glass.

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<v Speaker 5>Raptor favorite non pornographic magazine to masturbate two Good housekeeping.

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<v Speaker 5>If you were a chick, who's the one guy you

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<v Speaker 5>would sleep with?

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<v Speaker 1>John Samos? What did we just become best friends?

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<v Speaker 3>Yep?

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<v Speaker 1>That's a scene from the two thousand and eight film

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<v Speaker 1>Step Brothers. It stars John c Riley and Will Farrell

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<v Speaker 1>and was directed by our guest today, Adam McKay. He's

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<v Speaker 1>since written, directed, or produced projects like Succession, The Big Short,

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<v Speaker 1>and Anchorman. The Man is a Hollywood legend, but he's

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<v Speaker 1>not just a filmmaker. Adam McKay is also an activist,

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<v Speaker 1>and he's tackling the climate crisis in his own particular

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<v Speaker 1>way his storytelling. His most recent film, Don't Look On

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<v Speaker 1>is an environmental allegory he's used for success of that

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<v Speaker 1>film to create Yellow Dot, a production studio that's fighting

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<v Speaker 1>back against all that climate disinformation we.

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<v Speaker 3>See every day.

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<v Speaker 1>So how did this comedy genius become a climate activist.

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<v Speaker 1>It started back in two thousand and eight when he

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<v Speaker 1>was making a film about another global crisis, the mortgage bubble.

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<v Speaker 3>We were making this movie, The Big Short.

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<v Speaker 2>And you know, because I have a job where I

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<v Speaker 2>write scripts, I direct, it's not a regular nine to

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<v Speaker 2>five job. Part of my job is to kind of

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<v Speaker 2>just follow whatever interests me or I'm curious about. So

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<v Speaker 2>I started reading some stuff that was really alarming, and

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<v Speaker 2>I went from concerned giving money to holy crap, we

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<v Speaker 2>are in trouble. I thought I have to be wrong,

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<v Speaker 2>like it can't be this, you know, dire. And so

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<v Speaker 2>I started just talking to scientists and calling them and

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<v Speaker 2>I just kept double triple checking the science, and every

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<v Speaker 2>answer I got was worse than one.

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<v Speaker 1>But before Adam was digging himself deeper and deeper into

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<v Speaker 1>a hole of climate anxiety, and suddenly just giving money

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<v Speaker 1>didn't seem like enough. He felt like he had to

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<v Speaker 1>do something, and so he started writing.

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<v Speaker 6>I heard there's an asteroid or a comment or something

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<v Speaker 6>that you don't like the looks of.

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<v Speaker 3>Tell me about it.

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<v Speaker 1>Yeah, twenty minutes, twenty minutes go. That's a clip from

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<v Speaker 1>Don't Look Up, Adam's record breaking twenty twenty one film.

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<v Speaker 1>You can find it on Netflix. The movies about two

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<v Speaker 1>scientists who tried to warn the media and mankind. But

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<v Speaker 1>there's an approaching comment that's going to destroy our planet.

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<v Speaker 1>Now you're never going to believe this, but no one listens.

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<v Speaker 6>And then doctor Mindy and miss Debosky, you'll come on

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<v Speaker 6>and talk about that planet you discovered.

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<v Speaker 1>We filmed a comment.

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<v Speaker 7>They know what we're here to talk about.

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<v Speaker 6>Right of course, Jack and Bree love doing science segments.

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<v Speaker 6>Just remember, keep it light fine, Jack and Bree love

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<v Speaker 6>having a good time.

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<v Speaker 1>That's my Partnessy V is frighteningly close to how the

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<v Speaker 1>world has dealt with global heating, or hasn't. Despite the

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<v Speaker 1>decades of warnings from the scientific community, the reaction from

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<v Speaker 1>world leaders has been more like tumbleweeds. Adam recognized, but

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<v Speaker 1>the climate crisis isn't just a scientific problem. It's actually

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<v Speaker 1>a hearts and minds problem. It's making people care about

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<v Speaker 1>this problem, and how's he doing it through storytelling.

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<v Speaker 3>So the story of that movie is obviously.

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<v Speaker 2>I had the moment where I'm like, holy crap, where

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<v Speaker 2>no one's paying attention, We're in real trouble here.

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<v Speaker 3>What do I do?

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<v Speaker 2>I make movies? And I just kept coming back to

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<v Speaker 2>the that if a good portion in the movie could

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<v Speaker 2>be funny, nothing is better at you know, bringing people

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<v Speaker 2>together then laughter. It's kind of the ultimate truth detector.

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<v Speaker 2>So I sort of settled on the comedy, and then

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<v Speaker 2>obviously we got into making it done.

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<v Speaker 1>Look Up was such a big moment for climate scientists.

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<v Speaker 1>I think we will owe you a huge fanks from

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<v Speaker 1>the scientific community. I went embarrassed myself for you to

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<v Speaker 1>ask if you saw my picture before you cast in,

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<v Speaker 1>you just told me for a project, why did you

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<v Speaker 1>choose a comment?

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<v Speaker 2>My friend David Sirota, who's a journalist, had made an

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<v Speaker 2>offhanded comment to me about how it's like a meteorite's

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<v Speaker 2>going to hit the planet and no one cares yes,

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<v Speaker 2>And I remember saying to him and he was talking

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<v Speaker 2>about climate and I said, David, that's the movie and

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<v Speaker 2>he's like, what do you mean. I go, that's the

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<v Speaker 2>movie and he's like, how is that a movie?

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<v Speaker 3>I go, well, let me figure that out.

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<v Speaker 1>What Adam wanted to get across was the urgency of

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<v Speaker 1>a climate crisis. It's something that's happening right now. There's

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<v Speaker 1>nothing more urgent than a comet about to blast us

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<v Speaker 1>all to oblivion.

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<v Speaker 2>What would really surprise us would be a comet, because

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<v Speaker 2>that could come from outside our solar system, and that

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<v Speaker 2>would kind of blindside us.

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<v Speaker 3>And what we liked.

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<v Speaker 2>About it was it was a familiar movie trope that

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<v Speaker 2>a lot of us know. We've seen versions of disaster movies,

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<v Speaker 2>whether it's an earthquake or Godzilla's going to attack a city.

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<v Speaker 2>We're very comfortable with that as something that we know

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<v Speaker 2>how that story plays out.

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<v Speaker 1>Normally in a disaster flick, humanity comes together to save

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<v Speaker 1>a day, but of course in Don't Look Up, the

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<v Speaker 1>opposite happens.

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<v Speaker 2>So disrupting that story would feel weird to an audience

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<v Speaker 2>and hopefully funny and maybe a little uncomfortable, And so

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<v Speaker 2>that that was really how I came upon it.

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<v Speaker 8>It's headed directly at Earth and it really likely will hit.

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<v Speaker 1>This sounds very very exciting.

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<v Speaker 6>Exploding stars like stars actually explode, So how big is

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<v Speaker 6>this thing going to like destroy someone's house.

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<v Speaker 1>Is that possible?

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<v Speaker 2>Well, comment bed asking, which is what it will officially

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<v Speaker 2>be named, is somewhere ye right, congratulations, it's somewhere between

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<v Speaker 2>six and nine kilometers across.

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<v Speaker 3>So it's bad.

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<v Speaker 2>It would damage the entire planet, not just a house.

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<v Speaker 3>The entire planet.

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<v Speaker 6>Okay, Well, as it's damaging, will it hit this one

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<v Speaker 6>house in particular, that's right on the coast of New Jersey.

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<v Speaker 1>It's my ex wife's house.

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<v Speaker 3>I needed to be it. Can we make that happen?

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<v Speaker 1>Once he had figured out his idea for the movie,

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<v Speaker 1>Adam says, the script just poured out of him.

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<v Speaker 3>He was so inspired and it was the craziest experience.

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<v Speaker 2>I had an outline, but then I went to this

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<v Speaker 2>house we have lake in Ireland, and I wrote the

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<v Speaker 2>whole script in like four weeks.

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<v Speaker 3>It was incredible.

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<v Speaker 1>Wow, just did he really poured out of me.

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<v Speaker 2>I've had that experience maybe one or two other times,

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<v Speaker 2>but never like this. It was like a fever dream.

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<v Speaker 2>So it was the fastest thing ever where. We sent

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<v Speaker 2>it to Leo. We sent it to Jen Lawrence. I

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<v Speaker 2>think Jen Lawrence was first in and then Leo and

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<v Speaker 2>Tyler Perry and all these great people and then the

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<v Speaker 2>release of it was its own crazy story, like nothing.

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<v Speaker 3>Oh my god, it was insane.

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<v Speaker 1>In the movie, the media and the government all turn

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<v Speaker 1>a blind eye to this comic that's about to wipe

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<v Speaker 1>out a planet, and meanwhile they're frightening the people who

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<v Speaker 1>are trying to warn the public about the impending disaster.

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<v Speaker 1>It's depressingly similar to what happened when the movie was

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<v Speaker 1>actually released.

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<v Speaker 3>Oh my god, it was insane.

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<v Speaker 2>When we did the theatrical release, we got it was

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<v Speaker 2>like I've gotten bad reviews before, Like I don't care.

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<v Speaker 3>When you do this as a job, you're used to it.

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<v Speaker 9>But these were the nastiest reviews, Like they were so

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<v Speaker 9>angry and personal and welcome to my world.

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<v Speaker 3>I remember joking, this must be what it's like.

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<v Speaker 2>This must be what it's like to be a climate

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<v Speaker 2>science is for the pat sort of hears.

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<v Speaker 1>Can I share with you, just for a moment, what

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<v Speaker 1>bad reviews have looked like for climate scientists, for search

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<v Speaker 1>fundings being blocked, individuals have been publicly vilified, and of

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<v Speaker 1>course there's some good old gas lighting going on out there.

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<v Speaker 10>President Trump just tweeted about the extreme cold slamming more

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<v Speaker 10>than seventeen million Americans tonight. His tweet also mocked the

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<v Speaker 10>science of climate change. From President writes in the East,

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<v Speaker 10>it could be the coldest New Year's Eve on record.

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<v Speaker 10>Perhaps could use a little bit of that good old

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<v Speaker 10>global warming that our country, but not other countries, was

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<v Speaker 10>going to pay trillions of dollars to protect against. Bundle up.

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<v Speaker 1>There's an insane amount of misinformation out there, and there's

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<v Speaker 1>a lot of companies and politicians who are making money

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<v Speaker 1>with a status quo we now have. It's created a

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<v Speaker 1>pretty toxic environment for those of us talking about climate

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<v Speaker 1>and apparently also for those making movies about climate any.

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<v Speaker 1>Reviews were quite mixed, with some critics describing it as

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<v Speaker 1>too negative and even smug.

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<v Speaker 2>Meryl Streep I remember, was like, I don't understand. She's

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<v Speaker 2>like she was confused, like I saw the movie. This

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<v Speaker 2>is not the movie I saw it. But then a

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<v Speaker 2>wonderful thing that happened.

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<v Speaker 4>We're un fucking the future. We're un fucking the future.

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<v Speaker 2>We released it on Netflix worldwide and it was the

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<v Speaker 2>most incredible thing I've ever seen. People in dozens of

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<v Speaker 2>languages immediately identified with it, and it went on to

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<v Speaker 2>become the number one movie in like ninety two countries,

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<v Speaker 2>which that doesn't happen with a comedy.

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<v Speaker 3>It's very rare. Comedy is very cultural.

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<v Speaker 2>And then I started hearing stories that there were huge

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<v Speaker 2>protests in France.

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<v Speaker 11>The French process is obviously so hyped up. Everyone's frying

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<v Speaker 11>banana skins, Mario cart style. There's no police there, and

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<v Speaker 11>they started and banas I just got hit in the

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<v Speaker 11>head banana skins. How politicians, police and the public around

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<v Speaker 11>the world reacts has yet to be seen, but the

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<v Speaker 11>past week has shown that climate protest is now made

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<v Speaker 11>up of a whole ecosystem of tactics.

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<v Speaker 2>And then climate scientists were like criticizing movie critics, like

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<v Speaker 2>there were these fights online, like George Mambiad wrote this

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<v Speaker 2>beautiful piece how the movie made him cry because it

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<v Speaker 2>had been in his life for the previous twenty years.

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<v Speaker 1>The response amongst my fellow scientists was quite amazing, and

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<v Speaker 1>it takes a lot to get them excited. It was

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<v Speaker 1>a special moment for many of us. Someone else understood

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<v Speaker 1>and showed just how mad the last few decades have been.

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<v Speaker 2>So it ended up being an experience like nothing I

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<v Speaker 2>have ever had in making films and TV shows. You know,

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<v Speaker 2>we're dealing with just a gargantuan force, you know, changing

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<v Speaker 2>the livable climate, and it's amazing how much it just

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<v Speaker 2>bats you around emotionally, how it plays with people's perceptions,

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<v Speaker 2>how some people you don't want to deny it. So yeah,

0:13:51.240 --> 0:13:55.760
<v Speaker 2>it's a wild, wild experience, there's no question. And the

0:13:55.880 --> 0:13:58.320
<v Speaker 2>number one thing I've been trying to do through the

0:13:58.360 --> 0:14:02.280
<v Speaker 2>whole thing is just keep my sense of humor.

0:14:03.840 --> 0:14:07.280
<v Speaker 1>It's not surprising Adam would prioritize his sense of humor

0:14:07.360 --> 0:14:11.240
<v Speaker 1>considering his background, but he's also onto something in regards

0:14:11.240 --> 0:14:14.640
<v Speaker 1>to how we humans are wired to communicate. If there's

0:14:14.679 --> 0:14:17.720
<v Speaker 1>one failing we scientists have is that we think that

0:14:17.760 --> 0:14:20.800
<v Speaker 1>the only way to communicate the urgency of global heating

0:14:21.160 --> 0:14:25.600
<v Speaker 1>is via facts and data. But research increasingly shows that

0:14:25.680 --> 0:14:30.120
<v Speaker 1>these facts don't often change people's minds. If we really

0:14:30.160 --> 0:14:34.200
<v Speaker 1>want people's attention, we need new strategies. We need empathy,

0:14:34.720 --> 0:14:37.960
<v Speaker 1>we need common ground, We need to tell them stories.

0:14:38.720 --> 0:14:41.440
<v Speaker 1>All this points back to a big lesson Adam learned,

0:14:41.600 --> 0:14:42.920
<v Speaker 1>and we can take away too.

0:14:43.600 --> 0:14:46.720
<v Speaker 2>What I learned is there is no one way to

0:14:46.880 --> 0:14:49.440
<v Speaker 2>do it. Yes, this is a story that's got to

0:14:49.480 --> 0:14:53.360
<v Speaker 2>be told in a thousand and a million different ways,

0:14:53.400 --> 0:14:56.680
<v Speaker 2>because you know, seven billion people, the world is vast,

0:14:56.720 --> 0:14:58.800
<v Speaker 2>there's so many different emotional experiences.

0:14:58.840 --> 0:15:01.520
<v Speaker 3>So what I learned we don't look.

0:15:01.400 --> 0:15:05.440
<v Speaker 2>Up is the way we told the story worked really

0:15:05.600 --> 0:15:09.640
<v Speaker 2>well for the people it worked for, and.

0:15:11.800 --> 0:15:12.720
<v Speaker 3>That's great.

0:15:13.040 --> 0:15:16.560
<v Speaker 2>So yeah, the big lesson as well, there are a

0:15:16.760 --> 0:15:20.200
<v Speaker 2>lot of different ways to tell this story for a

0:15:20.440 --> 0:15:23.880
<v Speaker 2>lot of different people. One example is, you know, we

0:15:24.000 --> 0:15:27.440
<v Speaker 2>do this prayer in the end of the movie where

0:15:27.480 --> 0:15:32.560
<v Speaker 2>Timothy Chalomay's character says a very sincere prayer to God

0:15:32.760 --> 0:15:34.880
<v Speaker 2>in this moment of collapse.

0:15:35.280 --> 0:15:42.800
<v Speaker 12>Dearest Father, an almighty Creator, we ask for your grace tonight,

0:15:43.960 --> 0:15:50.400
<v Speaker 12>despite our pride, their forgiveness, despite our.

0:15:50.320 --> 0:15:55.680
<v Speaker 2>Down And there's nothing funny or cynical about it. I mean,

0:15:55.720 --> 0:15:59.040
<v Speaker 2>I wrote that as sincere as possible, but it never

0:15:59.120 --> 0:16:02.480
<v Speaker 2>occurred to me that they were of course a duh.

0:16:02.560 --> 0:16:06.720
<v Speaker 2>There would be tons of people of faith that would

0:16:06.760 --> 0:16:10.479
<v Speaker 2>really connect with that moment. So I read some beautiful

0:16:10.600 --> 0:16:14.520
<v Speaker 2>pieces in outlets that normally I don't think would even

0:16:14.760 --> 0:16:18.840
<v Speaker 2>watch anything I make, like you know, Christian News Monthly

0:16:19.200 --> 0:16:23.080
<v Speaker 2>or whatever making that up. And then I saw some

0:16:23.360 --> 0:16:27.360
<v Speaker 2>responses to the movie from Believe It or Not, right

0:16:27.400 --> 0:16:31.280
<v Speaker 2>wing corners of the World, and I saw like one

0:16:31.320 --> 0:16:34.000
<v Speaker 2>guy who I'm sure his boss yelled at him afterwards,

0:16:34.280 --> 0:16:36.320
<v Speaker 2>but he wrote this piece that was like the movie

0:16:36.400 --> 0:16:42.280
<v Speaker 2>is ultimately calling for true accountability. And I was like, wow,

0:16:42.480 --> 0:16:46.760
<v Speaker 2>this guy is writing for a magazine I find reprehensible,

0:16:47.240 --> 0:16:49.640
<v Speaker 2>but he really got the movie.

0:16:50.160 --> 0:16:55.000
<v Speaker 1>The end is so moving, Adam, the prayer is beautiful

0:16:55.200 --> 0:16:59.560
<v Speaker 1>and Leonardo DiCaprio a wonderful moment at the tay Bluff.

0:16:59.680 --> 0:17:02.560
<v Speaker 1>I think it's something like we really did have everything,

0:17:02.720 --> 0:17:05.240
<v Speaker 1>didn't we? And oh my god, it was so beautiful.

0:17:05.240 --> 0:17:06.919
<v Speaker 1>I actually brought me to tears and it was just

0:17:06.960 --> 0:17:09.720
<v Speaker 1>an incredible emotional moment. It was just so real.

0:17:12.000 --> 0:17:14.400
<v Speaker 12>The thing of it is is we really.

0:17:16.520 --> 0:17:18.639
<v Speaker 4>We really did have everything, didn't we?

0:17:20.960 --> 0:17:23.399
<v Speaker 1>I mean, when you think about it.

0:17:25.480 --> 0:17:28.320
<v Speaker 3>So I got to tell you this story of that line.

0:17:28.920 --> 0:17:32.120
<v Speaker 2>So for me, the line in the end when I

0:17:32.160 --> 0:17:35.600
<v Speaker 2>wrote it was Jen Lawrence saying, at least we tried,

0:17:36.600 --> 0:17:38.680
<v Speaker 2>And that was the line when I was a little

0:17:38.840 --> 0:17:42.360
<v Speaker 2>great line, but no, no, no, I totally agree with you.

0:17:42.400 --> 0:17:46.080
<v Speaker 2>So I when I wrote that line at this lake

0:17:46.160 --> 0:17:49.040
<v Speaker 2>house in Ireland, I had tears in my aunt. So

0:17:49.160 --> 0:17:52.399
<v Speaker 2>then we're shooting the scene and DiCaprio comes up to

0:17:52.400 --> 0:17:55.160
<v Speaker 2>me and he goes, you know, I love Jen's line,

0:17:55.200 --> 0:17:58.600
<v Speaker 2>but is there a line that can really drive the

0:17:58.760 --> 0:18:02.240
<v Speaker 2>loss home? And of course I'm the writer of the script.

0:18:02.320 --> 0:18:04.800
<v Speaker 2>I'm delighted with the line I've written and it's so.

0:18:04.880 --> 0:18:05.480
<v Speaker 3>I tell him.

0:18:05.880 --> 0:18:08.960
<v Speaker 2>I go like, look, I think it works great, but

0:18:09.000 --> 0:18:11.120
<v Speaker 2>if you want to try something, which is the way

0:18:11.160 --> 0:18:14.600
<v Speaker 2>I work, I always let actors improvise. I go, if

0:18:14.640 --> 0:18:18.239
<v Speaker 2>you've got something, let's film it. So he leaves. Then

0:18:18.280 --> 0:18:20.920
<v Speaker 2>he comes back and I'm next to my script supervisor,

0:18:21.480 --> 0:18:27.000
<v Speaker 2>Kate Hardman, who's hilarious from Texas and no BS calls

0:18:27.119 --> 0:18:29.560
<v Speaker 2>everything like she sees it, and DiCaprio's like, you.

0:18:29.560 --> 0:18:32.679
<v Speaker 3>Know, I came up with this line. What do you

0:18:32.760 --> 0:18:33.360
<v Speaker 3>think of this?

0:18:33.480 --> 0:18:35.679
<v Speaker 2>And he takes a beat and he says, you know,

0:18:35.800 --> 0:18:39.600
<v Speaker 2>right at the very end, I just say, wow, we

0:18:39.720 --> 0:18:43.280
<v Speaker 2>really did have it all, didn't we? And he said,

0:18:44.200 --> 0:18:47.760
<v Speaker 2>and Kate Hartman and I both of us tears in

0:18:47.800 --> 0:18:53.160
<v Speaker 2>our eyes, and I'm like, uh yeah, Leo, let's do that.

0:18:54.000 --> 0:18:56.280
<v Speaker 1>It's all right, It's all right.

0:18:58.840 --> 0:19:01.760
<v Speaker 2>Like e what after they saw the movie was like

0:19:01.880 --> 0:19:04.159
<v Speaker 2>that was the line? And I go, you know, I

0:19:04.200 --> 0:19:07.520
<v Speaker 2>cannot tell a lie. I did not script that. That

0:19:07.720 --> 0:19:10.520
<v Speaker 2>was all Leo and I go, well, the.

0:19:10.560 --> 0:19:12.960
<v Speaker 3>Only credit I'll give myself is I filmed it.

0:19:13.000 --> 0:19:16.600
<v Speaker 2>I was smart enough to go you inspired, you inspired,

0:19:17.440 --> 0:19:20.439
<v Speaker 2>Thank you. I like the Twister, but but it's so

0:19:20.640 --> 0:19:25.680
<v Speaker 2>funny because it might be the single line from anything

0:19:25.720 --> 0:19:29.719
<v Speaker 2>I've ever worked on that moves me the most. It

0:19:29.800 --> 0:19:33.040
<v Speaker 2>hit me every single time I watched the movie when

0:19:33.040 --> 0:19:34.680
<v Speaker 2>we were editing or screening it.

0:19:35.200 --> 0:19:37.840
<v Speaker 1>Adam was encouraged by the success he saw We don't

0:19:37.880 --> 0:19:41.720
<v Speaker 1>look up, and this inspired him to start another big project.

0:19:42.280 --> 0:19:47.360
<v Speaker 1>He founded Yellow Dots Studios. It's a nonprofit production studio

0:19:47.560 --> 0:19:50.600
<v Speaker 1>fighting against climate disinformation and inaction.

0:19:51.160 --> 0:19:54.600
<v Speaker 2>One goal is educate on climate. There's still a remarkable

0:19:54.800 --> 0:19:58.719
<v Speaker 2>amount of people once again because no functioning news media

0:19:58.760 --> 0:20:03.320
<v Speaker 2>on it. They don't under stand the basics on how

0:20:03.359 --> 0:20:04.399
<v Speaker 2>the climate is warming.

0:20:04.720 --> 0:20:07.160
<v Speaker 3>So that's a big thing. Communicate the science.

0:20:07.480 --> 0:20:10.760
<v Speaker 2>The other thing is to point to the cause aka

0:20:11.040 --> 0:20:14.560
<v Speaker 2>the villains, big oil and the banks that fund them.

0:20:14.680 --> 0:20:19.280
<v Speaker 2>They directly did this. They knew back in the seventies

0:20:19.280 --> 0:20:22.160
<v Speaker 2>that it was happening. They chose to lie about it

0:20:22.240 --> 0:20:23.719
<v Speaker 2>and keep making money.

0:20:24.200 --> 0:20:27.560
<v Speaker 1>Okay, I need to interrupt for a second and underscore

0:20:27.640 --> 0:20:31.960
<v Speaker 1>Adam's last point. The big ore companies have known about

0:20:31.960 --> 0:20:35.680
<v Speaker 1>global heating for decades, and instead of trying to help,

0:20:36.000 --> 0:20:39.600
<v Speaker 1>they covered it up, which brings us to a segment

0:20:39.640 --> 0:20:44.240
<v Speaker 1>we call what the fuck are you talking about? What

0:20:44.280 --> 0:20:51.080
<v Speaker 1>the fuck are you talking about? You might assume that

0:20:51.160 --> 0:20:54.200
<v Speaker 1>we've only known about global heating for a few decades,

0:20:54.600 --> 0:20:58.200
<v Speaker 1>but actually as far back as the eighteen eighties, scientists

0:20:58.280 --> 0:21:00.720
<v Speaker 1>knew but if we added carbon to the hemosphere it

0:21:00.760 --> 0:21:04.920
<v Speaker 1>could change our climate. Now fast forward to the nineteen seventies.

0:21:05.520 --> 0:21:08.280
<v Speaker 1>By that time there was some amazing research being done

0:21:08.280 --> 0:21:11.000
<v Speaker 1>to figure out what impact burning fossil fuels was having

0:21:11.080 --> 0:21:16.040
<v Speaker 1>on the climate. Who was doing at research? X on Mobile, Yes,

0:21:16.119 --> 0:21:19.560
<v Speaker 1>that big oil company, and they confirmed by nineteen seventy

0:21:19.560 --> 0:21:22.800
<v Speaker 1>seven that global heating was real and was actually happening.

0:21:23.280 --> 0:21:26.200
<v Speaker 1>So what did they do with this information? They spent

0:21:26.520 --> 0:21:30.320
<v Speaker 1>millions and millions of dollars spreading lies and confusion about

0:21:30.359 --> 0:21:34.680
<v Speaker 1>their own excellent research. The public started to hear about

0:21:34.760 --> 0:21:38.159
<v Speaker 1>the changing climate in the nineteen eighties. I was a

0:21:38.200 --> 0:21:41.320
<v Speaker 1>nerdy teenager growing up in England and I remember Margaret

0:21:41.400 --> 0:21:45.120
<v Speaker 1>Thatcher of a British prime minister, giving several famous speeches

0:21:45.160 --> 0:21:48.760
<v Speaker 1>about it. She spoke about the responsibility we had to

0:21:48.840 --> 0:21:53.600
<v Speaker 1>balance economic growth with protection for the environment. But it

0:21:53.760 --> 0:21:57.480
<v Speaker 1>must be gross, but it doesn't plunder the planet today

0:21:58.440 --> 0:22:01.720
<v Speaker 1>and leave our children to deal with the consequences tomorrow.

0:22:02.480 --> 0:22:04.280
<v Speaker 1>We are not the lords.

0:22:04.680 --> 0:22:08.359
<v Speaker 7>We are the lord's creatures, the trustees.

0:22:07.800 --> 0:22:08.600
<v Speaker 8>Of this planet.

0:22:13.040 --> 0:22:15.960
<v Speaker 1>That clip was from a speech Thatcher gave in nineteen

0:22:16.000 --> 0:22:19.520
<v Speaker 1>eighty nine. But here's a crazy thing. Since she gave

0:22:19.560 --> 0:22:22.720
<v Speaker 1>that speech, humans have pumped more carbon into the atmosphere

0:22:22.840 --> 0:22:26.320
<v Speaker 1>than we did in the entirety of history before nineteen

0:22:26.359 --> 0:22:29.879
<v Speaker 1>eighty nine. In other words, most of the damage from

0:22:29.920 --> 0:22:33.679
<v Speaker 1>burning fossil fuels has been caused after these big corporations

0:22:33.760 --> 0:22:38.439
<v Speaker 1>knew exactly how harmful it was. It's absolutely criminal. And

0:22:38.480 --> 0:22:42.359
<v Speaker 1>that's what the fuck we're talking about. What the fuck

0:22:42.400 --> 0:22:48.240
<v Speaker 1>a we're talking about? Okay, let us get back to Adam,

0:22:48.480 --> 0:22:52.320
<v Speaker 1>who's actually trying to help us unfuck this. He's using

0:22:52.359 --> 0:22:55.080
<v Speaker 1>his voice as a storyteller and an activist through his

0:22:55.160 --> 0:22:57.199
<v Speaker 1>company Yellow Dots Studios.

0:22:57.760 --> 0:23:03.320
<v Speaker 2>We're working on numerous different climates projects. I wrote a

0:23:03.359 --> 0:23:08.119
<v Speaker 2>script called to see that's a specscript.

0:23:07.560 --> 0:23:10.560
<v Speaker 1>To TC is that two degrees anegrad correct.

0:23:10.320 --> 0:23:16.240
<v Speaker 2>Correct and it's a big sort of climate epic that's

0:23:16.359 --> 0:23:22.480
<v Speaker 2>you know, dramatic, funny, thrilling that spans hundreds of years

0:23:22.640 --> 0:23:26.120
<v Speaker 2>of climate change. And then I'm working on another script

0:23:26.320 --> 0:23:30.200
<v Speaker 2>about the corruption that has stopped action on climate and

0:23:30.240 --> 0:23:33.399
<v Speaker 2>it's a comedy. It's about a serial killer that hires

0:23:33.480 --> 0:23:36.720
<v Speaker 2>a lobbyist to make it easier for him to kill.

0:23:37.200 --> 0:23:46.280
<v Speaker 2>And we've got Rob Pattinson, Robert Downey, Junior uh for

0:23:46.520 --> 0:23:51.840
<v Speaker 2>his twitterker, Amy Adams, Daniel Deadweiler. It's incredible cast has

0:23:51.880 --> 0:23:54.920
<v Speaker 2>signed up. It's definitely one of the main thrusts of

0:23:55.560 --> 0:23:59.760
<v Speaker 2>every single thing I'm doing, just because it feels ridiculous

0:23:59.800 --> 0:24:06.080
<v Speaker 2>to be you're alive at this giant seismic moment and

0:24:06.160 --> 0:24:10.200
<v Speaker 2>not to at least somewhat address it with anything we're doing.

0:24:10.240 --> 0:24:13.040
<v Speaker 2>It feels like a lot of stuff that doesn't is

0:24:13.080 --> 0:24:17.800
<v Speaker 2>going to feel awfully irrelevant in the next couple years.

0:24:17.840 --> 0:24:20.800
<v Speaker 2>So we always at least try and have it next

0:24:20.840 --> 0:24:23.639
<v Speaker 2>to a project we're doing, if not directly in the

0:24:23.680 --> 0:24:24.320
<v Speaker 2>middle of it.

0:24:25.040 --> 0:24:28.080
<v Speaker 1>One thing I really like here is that Adam's infusing

0:24:28.080 --> 0:24:31.320
<v Speaker 1>the story of a climate crisis into almost every project

0:24:31.320 --> 0:24:35.440
<v Speaker 1>that he's working on. He's also connecting people with resources

0:24:35.600 --> 0:24:39.640
<v Speaker 1>for them to make positive changes in their communities. If

0:24:39.640 --> 0:24:42.600
<v Speaker 1>you follow yellow dots on social media, you'll find lots

0:24:42.640 --> 0:24:46.240
<v Speaker 1>of ways to get connected to activism work. And that's

0:24:46.280 --> 0:24:49.040
<v Speaker 1>a lesson for all of us. It's keeping the story

0:24:49.080 --> 0:24:51.520
<v Speaker 1>at the top of everyone's mind and doing it in

0:24:51.520 --> 0:24:55.879
<v Speaker 1>a way that's useful, helpful, and most important of all, engaging.

0:24:56.240 --> 0:24:58.879
<v Speaker 1>We can all do that, even if we aren't a

0:24:58.880 --> 0:25:02.280
<v Speaker 1>famous director to hang out with movie stars. We can

0:25:02.320 --> 0:25:06.040
<v Speaker 1>communicate the story and then collectively we can turn that

0:25:06.160 --> 0:25:10.960
<v Speaker 1>awareness into action. I have good news for you on

0:25:11.000 --> 0:25:13.880
<v Speaker 1>that front too, because it turns out and in order

0:25:13.920 --> 0:25:16.879
<v Speaker 1>to change things, we don't need to convince everyone that

0:25:16.960 --> 0:25:20.520
<v Speaker 1>global heating is a crisis. We might just need three

0:25:20.560 --> 0:25:23.520
<v Speaker 1>and a half percent. What I'm talking about is a

0:25:23.560 --> 0:25:26.160
<v Speaker 1>three and a half percent rule. It's an idea based

0:25:26.160 --> 0:25:29.560
<v Speaker 1>on the search done at Harvard by Erika Chenoweth. She's

0:25:29.640 --> 0:25:33.480
<v Speaker 1>looked at nonviolent protests over this last century and found

0:25:33.520 --> 0:25:36.879
<v Speaker 1>that they almost always bring about regime change when at

0:25:36.960 --> 0:25:39.560
<v Speaker 1>least three and a half percent of a population are

0:25:39.640 --> 0:25:43.879
<v Speaker 1>taking part. We just need three and a half percent

0:25:43.920 --> 0:25:47.000
<v Speaker 1>of us willing to stand up and tell our governments

0:25:47.200 --> 0:25:48.160
<v Speaker 1>that we need action.

0:25:48.600 --> 0:25:48.879
<v Speaker 3>Now.

0:25:50.560 --> 0:25:53.240
<v Speaker 1>So I guess my question is why aren't three and

0:25:53.280 --> 0:25:55.600
<v Speaker 1>a half percent of us taking to the streets right

0:25:55.640 --> 0:25:59.399
<v Speaker 1>now to fight for climate action In the US that

0:25:59.560 --> 0:26:03.920
<v Speaker 1>looks like ten million people, which does feel like a lot.

0:26:04.560 --> 0:26:07.760
<v Speaker 1>But if you think about your city, let's take Boston

0:26:08.320 --> 0:26:11.280
<v Speaker 1>to get real change, it might only take twenty two

0:26:11.320 --> 0:26:14.640
<v Speaker 1>thousand people there to ride up and demand stronger action

0:26:14.720 --> 0:26:18.000
<v Speaker 1>on the climate crisis from the government. And honestly, to me,

0:26:18.520 --> 0:26:20.159
<v Speaker 1>it really doesn't seem impossible.

0:26:21.720 --> 0:26:25.960
<v Speaker 2>Well, in here's the good news, it's already happening. There

0:26:26.000 --> 0:26:30.320
<v Speaker 2>have already been successes. There was an incredible protest of

0:26:30.480 --> 0:26:34.639
<v Speaker 2>trying to remember the country was Norway or Sweden that

0:26:34.680 --> 0:26:39.399
<v Speaker 2>they did against private planes that garnered worldwide attention, and

0:26:39.640 --> 0:26:44.280
<v Speaker 2>afterwards there were laws passed restricting use of private jets.

0:26:44.280 --> 0:26:46.640
<v Speaker 2>So I just tell everyone I go, look, just show

0:26:46.760 --> 0:26:50.280
<v Speaker 2>up at the march. They're not violent. Doesn't mean that

0:26:50.560 --> 0:26:52.879
<v Speaker 2>cops aren't going to show up and get really pissed,

0:26:52.880 --> 0:26:56.240
<v Speaker 2>and they do arrest people. But you're going to make friends.

0:26:56.520 --> 0:26:59.399
<v Speaker 2>You're going to meet people that feel like a lot

0:26:59.520 --> 0:27:04.639
<v Speaker 2>like you. I have made so many incredible friends, taken

0:27:04.760 --> 0:27:08.720
<v Speaker 2>so much comfort from it. So people ask what they

0:27:08.800 --> 0:27:15.760
<v Speaker 2>can do. Show up for declare emergency, climate defiance, extinction rebellion,

0:27:16.000 --> 0:27:19.920
<v Speaker 2>just stop oil all these incredible groups that are out there.

0:27:20.119 --> 0:27:23.040
<v Speaker 2>I mean, that's something you can do that we know,

0:27:23.320 --> 0:27:27.439
<v Speaker 2>like you said, according to actual studies of the data,

0:27:28.280 --> 0:27:33.000
<v Speaker 2>really does work far better than signing an online petition

0:27:33.400 --> 0:27:36.080
<v Speaker 2>or you know which not fine, do that too, but

0:27:36.680 --> 0:27:40.960
<v Speaker 2>that's like a thousandth of the impact of showing up

0:27:41.000 --> 0:27:44.920
<v Speaker 2>for these non violent disruptive marches.

0:27:45.000 --> 0:27:46.240
<v Speaker 3>They're so powerful.

0:27:46.920 --> 0:27:50.520
<v Speaker 1>Oh Adam, this is just so inspirational. Just before we

0:27:50.600 --> 0:27:53.800
<v Speaker 1>sign off, could I just ask your advice as a

0:27:54.119 --> 0:27:57.159
<v Speaker 1>master communicator, how do we reach people in our lives

0:27:57.359 --> 0:27:59.000
<v Speaker 1>who don't yet care about the issue.

0:27:59.480 --> 0:28:01.920
<v Speaker 3>So, yeah, yeah, you kind of read it and react.

0:28:02.000 --> 0:28:05.600
<v Speaker 2>I love basketball, and basketball is a read and react game.

0:28:05.640 --> 0:28:08.440
<v Speaker 2>When you catch the ball, how close is your defender,

0:28:08.760 --> 0:28:12.600
<v Speaker 2>where's the defender behind them? Is anyone open? And so

0:28:12.680 --> 0:28:16.040
<v Speaker 2>it's a read and react kind of thing. And yeah,

0:28:16.080 --> 0:28:18.160
<v Speaker 2>you don't want to be going around putting people into

0:28:18.200 --> 0:28:22.280
<v Speaker 2>tears if they're having a hard time, but always if

0:28:22.280 --> 0:28:24.199
<v Speaker 2>you can do it with a little bit of like

0:28:24.320 --> 0:28:29.120
<v Speaker 2>laughing at yourself or humor, that's fantastic. And then sometimes

0:28:29.160 --> 0:28:33.239
<v Speaker 2>I'll just drop one piece of information on them, Like

0:28:33.560 --> 0:28:37.280
<v Speaker 2>if I'm talking to someone who thinks, you know, Joe

0:28:37.280 --> 0:28:40.440
<v Speaker 2>Biden's not a Republican so he's fixed everything, I'll say,

0:28:40.720 --> 0:28:44.880
<v Speaker 2>you know, actually Joe Biden has approved more oil drilling

0:28:45.320 --> 0:28:48.680
<v Speaker 2>leases than trumped it. And they'll go that's not true,

0:28:48.960 --> 0:28:51.880
<v Speaker 2>and I'll go, yeah, it, actually he is, and that

0:28:51.960 --> 0:28:54.920
<v Speaker 2>will hopefully kind of push them towards like you're not

0:28:55.040 --> 0:28:57.760
<v Speaker 2>going to solve this through a one party versus the

0:28:57.840 --> 0:29:00.560
<v Speaker 2>other lens. And then there are times I need the

0:29:00.600 --> 0:29:03.880
<v Speaker 2>people around me to help me and tell me like, hey, McKay,

0:29:04.120 --> 0:29:06.280
<v Speaker 2>calm down, No.

0:29:06.600 --> 0:29:09.520
<v Speaker 1>It's so true. Is we need We do need each

0:29:09.520 --> 0:29:12.920
<v Speaker 1>other because it's it's pre it's pre sobering what we're

0:29:12.920 --> 0:29:15.320
<v Speaker 1>going for a moment. And I just love that reading

0:29:15.320 --> 0:29:18.560
<v Speaker 1>a room, empathy, a little bit of human self irreverence

0:29:18.640 --> 0:29:22.240
<v Speaker 1>is always really it helps cut for a lot of conversations.

0:29:22.360 --> 0:29:26.240
<v Speaker 2>I always say, like, the most frustrating thing about all

0:29:26.280 --> 0:29:30.400
<v Speaker 2>of this is we have the science. We've had it

0:29:30.480 --> 0:29:33.920
<v Speaker 2>the whole time. We could have We could have switched

0:29:33.960 --> 0:29:38.560
<v Speaker 2>from fossil vuels and gone to solar panels wind like hydro.

0:29:38.840 --> 0:29:42.440
<v Speaker 2>We could have been developing new technologies like, you know,

0:29:42.600 --> 0:29:46.720
<v Speaker 2>science is our ex caliber, man, it's our secret weapons.

0:29:46.720 --> 0:29:49.040
<v Speaker 1>It's true, we just didn't use.

0:29:48.920 --> 0:29:52.880
<v Speaker 2>It because those big oil companies pay to everyone off

0:29:53.400 --> 0:29:56.680
<v Speaker 2>not to use it. So that both infuriates me and

0:29:56.800 --> 0:29:58.760
<v Speaker 2>gives me a lot of hope.

0:30:00.120 --> 0:30:07.680
<v Speaker 4>On fucking the future. We're on fucking the future.

0:30:09.840 --> 0:30:13.120
<v Speaker 1>I have to say I've really enjoyed my conversation with

0:30:13.160 --> 0:30:17.240
<v Speaker 1>Adam McKay. He's proving how powerful storytelling can be in

0:30:17.280 --> 0:30:20.600
<v Speaker 1>the fight against global heating, and it's a reminder that

0:30:20.760 --> 0:30:24.320
<v Speaker 1>our words matter, which brings us to our final segment,

0:30:24.840 --> 0:30:25.960
<v Speaker 1>what the fuck can I do?

0:30:26.960 --> 0:30:29.280
<v Speaker 3>What the fuck can I do?

0:30:30.560 --> 0:30:32.520
<v Speaker 1>So this is a part of a show where we

0:30:32.680 --> 0:30:35.440
<v Speaker 1>tell you one thing you can do to get involved

0:30:36.000 --> 0:30:38.600
<v Speaker 1>and see she was so brilliant last episode. We've asked

0:30:38.600 --> 0:30:40.520
<v Speaker 1>Maggie Bear to come back on the show each week

0:30:40.520 --> 0:30:43.280
<v Speaker 1>to help us with a segment. Hey, Maggie Cray, how's

0:30:43.280 --> 0:30:46.840
<v Speaker 1>it going great? It's great to have you back here, Maggie.

0:30:46.840 --> 0:30:48.120
<v Speaker 1>What have you got for us this week?

0:30:48.480 --> 0:30:51.200
<v Speaker 13>Okay, since Adam's interview was all about the power of

0:30:51.240 --> 0:30:54.680
<v Speaker 13>words and storytelling, I want to recommend that we all

0:30:54.720 --> 0:30:59.560
<v Speaker 13>do something super simple, and that is this, We need

0:30:59.600 --> 0:31:04.680
<v Speaker 13>to stop saying climate change. Let's call it what it is,

0:31:05.120 --> 0:31:09.080
<v Speaker 13>global heating, or for Fox's sake, a climate crisis.

0:31:09.720 --> 0:31:11.400
<v Speaker 1>And why is that important?

0:31:12.040 --> 0:31:13.640
<v Speaker 7>Well, let me ask you a question.

0:31:13.960 --> 0:31:21.280
<v Speaker 13>Do you know why everybody says climate change? So back

0:31:21.320 --> 0:31:24.560
<v Speaker 13>in the day, we used to say global warming or

0:31:24.640 --> 0:31:30.280
<v Speaker 13>greenhouse effect. But then a Republican political strategist named Frank

0:31:30.680 --> 0:31:34.959
<v Speaker 13>Lutz got involved, and in two thousand and two, Frank

0:31:35.040 --> 0:31:39.680
<v Speaker 13>wrote a famous internal memo about how Republican candidates should

0:31:39.760 --> 0:31:42.600
<v Speaker 13>speak about the environment. And I'm going to read this

0:31:42.760 --> 0:31:49.560
<v Speaker 13>bombshell to you quote. While global warming has catastrophic communications

0:31:49.600 --> 0:31:54.200
<v Speaker 13>attached to it, climate change sounds a more controllable and

0:31:54.320 --> 0:31:59.840
<v Speaker 13>less emotional challenge end quote. So basically, he recommended that

0:32:00.080 --> 0:32:04.680
<v Speaker 13>politicians downplay the climate crisis by changing what we call it.

0:32:05.680 --> 0:32:09.400
<v Speaker 1>Lovely thought on this say wow wow.

0:32:09.400 --> 0:32:11.479
<v Speaker 7>Yeah, So get this. President George W.

0:32:11.600 --> 0:32:16.080
<v Speaker 13>Bush switched from saying global warming to saying climate change, and.

0:32:16.000 --> 0:32:19.280
<v Speaker 7>Now we all say it. Everyone says it. It's crazy.

0:32:20.280 --> 0:32:23.320
<v Speaker 14>The United States has committed to strengthening our energy security

0:32:23.360 --> 0:32:26.680
<v Speaker 14>and confronting global climate change, and the best way to

0:32:26.680 --> 0:32:29.240
<v Speaker 14>meet these goals is for America to continue leading the

0:32:29.280 --> 0:32:34.000
<v Speaker 14>way toward the development of cleaner and more energy efficient technology.

0:32:34.400 --> 0:32:39.080
<v Speaker 13>The term climate change is intentionally misleading. It's part of

0:32:39.360 --> 0:32:43.320
<v Speaker 13>the disinformation campaigns that we are all subject to. So

0:32:43.400 --> 0:32:46.680
<v Speaker 13>can we please call the problem what it is? It

0:32:46.760 --> 0:32:51.280
<v Speaker 13>is a climate crisis caused by global heating. We need

0:32:51.320 --> 0:32:53.880
<v Speaker 13>to put a label on the problem that sounds like

0:32:53.960 --> 0:32:56.800
<v Speaker 13>the problem that it is the problem we need to

0:32:56.920 --> 0:32:58.320
<v Speaker 13>solve urgently.

0:32:59.160 --> 0:32:59.840
<v Speaker 3>Thanks Maggie.

0:33:00.000 --> 0:33:02.760
<v Speaker 1>That is so important and that's such a great idea,

0:33:03.360 --> 0:33:05.160
<v Speaker 1>And that's what the fuck you can do?

0:33:06.040 --> 0:33:08.360
<v Speaker 6>What the fuck can I do?

0:33:09.920 --> 0:33:12.400
<v Speaker 4>Oh fuck?

0:33:16.080 --> 0:33:20.080
<v Speaker 1>That's all for this episode. Next time I'm Fucking the Future,

0:33:20.440 --> 0:33:24.480
<v Speaker 1>I'll talk with you and Goodwill Ambassador Sabrina Elba about

0:33:24.520 --> 0:33:27.600
<v Speaker 1>the impact of a climate crisis on Somalia, where her

0:33:27.640 --> 0:33:30.640
<v Speaker 1>family is from, and we'll dig into why women and

0:33:30.720 --> 0:33:33.680
<v Speaker 1>girls at the forefront of a fight against global heating.

0:33:34.080 --> 0:33:37.080
<v Speaker 15>I'll never hear this image of this swamp land in

0:33:37.400 --> 0:33:42.480
<v Speaker 15>sire Leone that was converted into rice farms and seeing

0:33:42.520 --> 0:33:44.960
<v Speaker 15>them before and after, I could not believe that land

0:33:44.960 --> 0:33:48.360
<v Speaker 15>that was so degradated and so turned into this massive

0:33:48.400 --> 0:33:51.600
<v Speaker 15>community with women farming. And I always thought that was

0:33:51.640 --> 0:33:52.320
<v Speaker 15>so amazing.

0:33:52.360 --> 0:33:54.000
<v Speaker 8>And it just goes to show like even things like

0:33:54.120 --> 0:33:58.440
<v Speaker 8>land degregation like we need rule people to restore the

0:33:58.480 --> 0:34:02.480
<v Speaker 8>world through nature based solutions. Nature release solutions are such

0:34:02.520 --> 0:34:04.520
<v Speaker 8>a big part of it, and who else is going

0:34:04.560 --> 0:34:09.200
<v Speaker 8>to protect these areas the genuine custodians of our planet

0:34:09.239 --> 0:34:10.160
<v Speaker 8>rule people.

0:34:11.719 --> 0:34:15.160
<v Speaker 1>Until then? I'm Chris Turney signing off from Sydney, Australia.

0:34:15.320 --> 0:34:18.279
<v Speaker 1>Thanks for joining me in I'm Fucking the Future.

0:34:19.400 --> 0:34:21.040
<v Speaker 4>Fucking the Future.

0:34:25.080 --> 0:34:27.880
<v Speaker 1>I'm Fucking the Future is produced by Imagine Audio and

0:34:27.960 --> 0:34:31.960
<v Speaker 1>Awfully Nice for iHeart Podcasts and hosted by me Chris Turney.

0:34:32.840 --> 0:34:35.920
<v Speaker 1>The show is written by Meredith Bryan. I'm Fucking the

0:34:35.960 --> 0:34:39.120
<v Speaker 1>Future is produced by Amber von Shassen and Rene Colvert.

0:34:39.520 --> 0:34:43.640
<v Speaker 1>Ron Howard, Brian Grazer, Carl Welker and Nathan Chloke are

0:34:43.680 --> 0:34:47.399
<v Speaker 1>the executive producers from Imagine Audio. Jesse Burton and Katie

0:34:47.440 --> 0:34:51.800
<v Speaker 1>Hodges are the executive producers from Awfully Nice. Sound design

0:34:51.960 --> 0:34:55.880
<v Speaker 1>and mixing by Evan Arnette, Original music by Lillly Hayden

0:34:56.040 --> 0:35:00.319
<v Speaker 1>and producing services by Peter McGuigan, Sam Swinnerton to our

0:35:00.400 --> 0:35:04.280
<v Speaker 1>theme and all those fun jingles. If you enjoyed this episode,

0:35:04.440 --> 0:35:07.120
<v Speaker 1>be sure to rate and review Unfucking the Future on

0:35:07.239 --> 0:35:10.120
<v Speaker 1>Apple Podcasts or whether you get your podcasts