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Speaker 1: So I'm sleeping in the shower and I get a

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Speaker 1: call from Tom Sharpling and he's whispering and he, yes,

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Speaker 1: I'm a giant prune. I'm one giant prune because I

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Speaker 1: you know how you put a shampoo in and you

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Speaker 1: have to close your eyes or else make you cry.

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Speaker 1: And you know how if I you know, if I

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Speaker 1: end up closing my eyes for too long, I have

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Speaker 1: to go to sleep. So that's what happened this morning.

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Speaker 1: But I get this call from Tom and he's being

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Speaker 1: very quiet, and he says, Buddy, I'm stuck in the

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Speaker 1: police station. I stole some jewels and I hid them

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Speaker 1: in the roof of the police station, but then they

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Speaker 1: caught me, and so now I have to pretend to

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Speaker 1: be a real undercover hop to try and get the

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Speaker 1: jewels out of the ceiling. And so I need you

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Speaker 1: and Sean to come get me, and you can then

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Speaker 1: save me, and you can have some of the jewels.

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Speaker 1: And he said that, yes, I do have rubies. He said,

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Speaker 1: oh wow.

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Speaker 2: Yeah. Well I had asked him to name the jewels

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Speaker 2: that he had when I got the call.

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Speaker 1: And oh, okay, because I know you don't like them.

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Speaker 1: I know you don't like rubies, which is why.

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Speaker 2: Well, I don't like rubies. And also he had not

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Speaker 2: taken my birthstone, so I was like, what's in it

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Speaker 2: for me?

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Speaker 1: What is your birth paradox?

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Speaker 2: And I'm such a lover of astrology and all things

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Speaker 2: mystical that I just felt like, Wow, this isn't really

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Speaker 2: worth the trip for me.

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Speaker 1: And I know the thing with rubies for you is

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Speaker 1: that you think that they seem like they would be

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Speaker 1: hot if you touch it.

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Speaker 2: They look very very hot. I would hate to have

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Speaker 2: one on my hand or God forbid, in my pocket.

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Speaker 2: And also that's the easiest stone to curse for a

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Speaker 2: gypsy like a kur Samuelett is ninety eight percent of

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Speaker 2: the time he's going to have a ruby.

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Speaker 1: M So anyway, I scoot over to New York.

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Speaker 2: And Phillie kazan movie where her name is a ruby.

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Speaker 2: Remember Paul Sano's a writer, and he makes it.

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Speaker 1: Ruby's Ruby's Ruby's Ruby's.

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Speaker 2: Park, Ruby's Ruby's Park. Yes, okay, go ahead, that's the

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Speaker 2: only kind of ruby. I like. Go ahead.

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Speaker 1: So I'm in New York's suddenly, and I go to

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Speaker 1: the address that Tom gave me, okay, and there's no

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Speaker 1: police headquarters that I can see, but I do find

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Speaker 1: myself in the rail yard where Tom records his podcast.

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Speaker 1: Mm hmm, yeah, and I see a guy who is

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Speaker 1: a policeman, but he looks a lot like engineer Jason Dudio,

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Speaker 1: wearing glasses and a mustache and a sherif's badge that

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Speaker 1: I now think was a sticker. Okay, but I don't

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Speaker 1: just in case he's been like an undercover policeman all along.

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Speaker 1: I don't want to like be mean to him or something. Yes, yes, yes,

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Speaker 1: yes yes.

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Speaker 2: Questions about the sheriff's badge.

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Speaker 1: Yes, yes, yes yes.

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Speaker 2: Did it have sequins in the middle of it that

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Speaker 2: were in sort of the shape of a heart? And

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Speaker 2: did it say hotty Police? Yes? Okay, Okay, that's a

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Speaker 2: real badge. I don't know how he got it.

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Speaker 1: Okay, so he is a real policeman.

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Speaker 2: Don't feel bad. Oh Okay, it doesn't mean that he's

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Speaker 2: a real policeman. But maybe his dad was a policeman

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Speaker 2: like mine was, and I used to take my dad's

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Speaker 2: batch and do all kinds of wild shit.

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Speaker 1: I suspected this about a lot of the engineers, that

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Speaker 1: they are actually policemen, especially in your Cody, who. I

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Speaker 1: wonder if he does all those extreme sports, and I

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Speaker 1: wonder if he's trying to it's been sort of trying

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Speaker 1: to point break us all along, and that he's been

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Speaker 1: and then that's been sort of the idea behind Engineer Cody.

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Speaker 2: Right, he's buddying up to to adrenaline junkie.

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Speaker 1: Yes who.

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Speaker 2: Some people snort for it, some people shoot up for it,

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Speaker 2: but we just ride the big waves for the rush.

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Speaker 2: And he thinks that once he's sort of in our

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Speaker 2: club of wild men, that will reveal to him all

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Speaker 2: our schemes.

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Speaker 1: But we can talk about that later, you know, we

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Speaker 1: can sort that out later. So I say hello, say

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Speaker 1: top of the morning officer to end near Jason Judio

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Speaker 1: and he says hey, and his mustache immediately falls off

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Speaker 1: in his mouth he eats it, which okay, I think

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Speaker 1: was an accident. Well, he wanted I think he wanted

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Speaker 1: to make it look like he did it on purpose,

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Speaker 1: so he was like, yummy breakfast. But that now I'm thinking,

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Speaker 1: like it's an afternoon, it's a breakfast time. Even though

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Speaker 1: I said top of the morning, I don't know like

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Speaker 1: another way to say hi to a police officer. But

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Speaker 1: it was lunchtime and injured. Just dude to say, it's

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Speaker 1: breakfast time and he's.

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Speaker 2: Just eating breakfast at lunchtime and his breakfast is a mustache.

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Speaker 2: That's a bridge too far.

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Speaker 1: So yeah, so I'm thinking I got to get out

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Speaker 1: of here.

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Speaker 2: M hmm.

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Speaker 3: Can I say something?

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Speaker 1: And this, well, this is the next thing. And then

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Speaker 1: Todd walks out of the cafe car where he records

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Speaker 1: this podcast, and he says, hey, come in here, have

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Speaker 1: a seat. I want to talk to you, and this

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Speaker 1: is it and we're here and let me call you

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Speaker 1: and this is where we are.

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Speaker 3: Yeah, welcome.

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Speaker 2: Okay, well all right, so if you if you're really

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Speaker 2: in New York, because I just want to you know,

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Speaker 2: last time, this was all a big misunderstanding. But I

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Speaker 2: am in that your ladies room, Okay, I can't hear

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Speaker 2: you anywhere. If you want to sing a little something, yeah, I.

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Speaker 1: Can say something. Maybe you work.

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Speaker 2: I'm on tell me and I'm checking all the story

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Speaker 2: work and I'm not I'm not hearing my forward. Do

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Speaker 2: you know any twenty one pilots?

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Speaker 1: Uh? Yeah, but I don't want to say that song

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Speaker 1: right now. Oh no, I'm thinking of ex Ambassadors. No,

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Speaker 1: I don't know any twenty one pilots.

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Speaker 2: Oh okay, I got this fucking jam called stressed out

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Speaker 2: that I've been just feeling in a big way, rightly,

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Speaker 2: But yeah, I've checked all the store.

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Speaker 1: You're not in here, But okay, was there anyone else

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Speaker 1: in there? Uh?

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Speaker 2: Yeah, just a couple a couple of wild horses.

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Speaker 1: You're here, Yeah, I mean I am here to New York. Yeah.

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Speaker 1: And the plane ride was a lot longer this time

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Speaker 1: than it was last time when I went to other

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Speaker 1: New York, so that this is this makes a lot

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Speaker 1: more sense. Welcome, right, so this is real New York.

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Speaker 1: But anyway, Tom, you had something you wanted to say,

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Speaker 1: and I hope it's related to what this trick is

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Speaker 1: all about.

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Speaker 3: Yes, first, let me just sidebar a couple things. Dudeo

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Speaker 3: engineer Duteo was eating the mustache because here on the

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Speaker 3: East Coast, I don't know if it's made it out

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Speaker 3: to Hollywood yet. Party City now offers breakfast anytime. They're

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Speaker 3: kind of following on the heels of McDonald's or Taco Bell.

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Speaker 3: Party City Now is breakfast anytime. That's why he said

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Speaker 3: yummy breakfast.

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Speaker 1: So that's interesting because they didn't used to have breakfast

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Speaker 1: at all No, and now they have breakfast twenty four

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Speaker 1: hours a day. They didn't even used to be, as

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Speaker 1: far as I know, open all day. Log.

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Speaker 3: Oh, there's breakfast in there, and you can't get in

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Speaker 3: for one half of the day. You'll just see like

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Speaker 3: steamer trays with pancakes and waffles, and there's an omelet

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Speaker 3: station in there, and a guy just who just shrugs

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Speaker 3: his shoulders when you pull the door. He's like, we're closed,

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Speaker 3: and he's like, I can't do anything about it either,

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Speaker 3: breakfast any time.

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Speaker 2: But Bell can't like this. Togo Bell cannot like this

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Speaker 2: because the true breakfast defectors, I feel are not going

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Speaker 2: for the Amcrunt trap. They are going to be going

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Speaker 2: to party City because they're deffecting not only from a

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Speaker 2: traditional sort of breakfast restaurant, but from restaurants altogether.

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Speaker 1: Sean has been trying to make this podcast more like

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Speaker 1: dough Boys. He's been watching dough Boys and how they've

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Speaker 1: gotten so successful so quickly. Sure, so that's why naming

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Speaker 1: the specific menu items. You know you're gonna.

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Speaker 2: Find me doing that all throughout the meal. You know,

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Speaker 2: chicken digglers, what are some other menu items. I like

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Speaker 2: to say, Pazuki, what else is really funny? Just because

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Speaker 2: it's a relate am at a restaurant zone.

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Speaker 1: I mean, it's a lot like pazuki, but it is.

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Speaker 1: It is another thing you can say, Yeah.

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Speaker 2: I'm sorry I mowed the lawn on the zone a

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Speaker 2: bit for you. I should have backed that up. Yeah, okay,

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Speaker 2: So that's gonna be some of the funniness that's coming

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Speaker 2: out of my end of this. But I also because

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Speaker 2: just because I'm not there and I wasn't planning on

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Speaker 2: doing the podcast right now, we'll be probably running some

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Speaker 2: errands and taking care of some other stuff on on

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Speaker 2: the phone with you guys. So that's okay.

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Speaker 1: Yeah, I mean, for me, this is Tom's show man.

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Speaker 3: I just wanted you to hear what was going to

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Speaker 3: go down more than anything.

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Speaker 1: Is this a show? I don't know. We're talking in

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Speaker 1: the microphones. Is this an episode of our show?

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Speaker 4: Now?

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Speaker 3: What this is is kind of like recording the minutes

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Speaker 3: of a business meeting that this tape will roll live

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Speaker 3: on as like a document of how business is done.

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Speaker 1: Okay, what another example or.

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Speaker 3: Something like if you go to like a business museum

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Speaker 3: and you can listen to other.

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Speaker 1: Meetings, some of the big meetings, yeah, throughout history, just

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Speaker 1: people buying it in the room. And that one in

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Speaker 1: Liar Liar where he like points to everyone in the

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Speaker 1: room and he's like ooozer yeah and then yeah, like

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Speaker 1: this just says everything one by one.

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Speaker 3: It's because he can't help it because his child cursed him.

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Speaker 1: Yeah.

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Speaker 2: I like that scene because when they get to the

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Speaker 2: African American gentleman, I'm alwayst quite nervous.

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Speaker 1: Yeah, but I think he calls him like a like

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Speaker 1: a bore or something something very hard was.

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Speaker 2: I think he really goes after him and just is

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Speaker 2: completely unfiltered and says sort of the littlest horrible thing

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Speaker 2: that he can think of about everyone. He's calling these

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Speaker 2: women to sweat and he's know this stuff. And he

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Speaker 2: gets to that gentleman and he says like, you know

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Speaker 2: brown noser.

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Speaker 1: Oh yeah, yeah yeah, and they love it. So it's

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Speaker 1: definitely not brown Noser, by the way.

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Speaker 2: But why how do you know?

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Speaker 1: I just I think I remember from a movie that

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Speaker 1: that's that's not what that is.

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Speaker 3: Oh yeah, yeah, there was no jewel heist. Yeah, that

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Speaker 3: was just a canard.

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Speaker 1: That's as That's as far as I've caught up to

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Speaker 1: at this point.

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Speaker 3: Now. I brought you here for a business meeting and

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Speaker 3: a proposition that I feel will benefit all almost all parties,

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Speaker 3: all parties, you and me and Sean too to it

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Speaker 3: in its own way ultimately. Sure, I don't want to

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Speaker 3: get too inside baseball, but you've spent a fair amount

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Speaker 3: of time here in New York.

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Speaker 1: Yeah.

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Speaker 3: Over the last you and I were working on something

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Speaker 3: we call Project X. Sure can't say what it is.

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Speaker 2: He came out.

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Speaker 3: We well, no, it's the TV series of Projects and

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Speaker 3: it was, Yeah, we were and and I were going

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Speaker 3: to throw a realized party with a lab experimented monkey

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Speaker 3: from the first Project X. It's like the two exa

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Speaker 3: verses meet each other in the series. It's like, what

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Speaker 3: if a monkey that they were doing experiments on ends

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Speaker 3: up growing down with the worst humans alive?

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Speaker 1: And we tried to make him a DJ but I

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Speaker 1: guess they did too many experiments on him and he

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Speaker 1: just kind of sat on the record. It just sort

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Speaker 1: of went around and around.

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Speaker 2: But that's good, that's good footage as well.

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Speaker 1: Yeah, but he wasn't having it. Didn't look like he

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Speaker 1: was having fun or not having fun.

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Speaker 2: You know what?

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Speaker 1: I mean, so you've got.

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Speaker 2: The monkey, You've got Helen Hunt, and then you've got

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Speaker 2: that kid who was kind of a jerk who took

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Speaker 2: some UCB classes and I heard some funny stories about him.

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Speaker 3: We were we got a type of him, we got

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Speaker 3: we had on the audition the casting thing it said

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Speaker 3: looking for the jerk who did some UCB classes, who

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Speaker 3: Sean heard some funny stories about.

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Speaker 2: Type Yeah, just they're right on the heels of Project X.

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Speaker 2: He was kind of like swinging it around in some

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Speaker 2: of those classes, like it was all easy street from

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Speaker 2: here on out. And then I can't remember his name

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Speaker 2: now and I haven't seen him since.

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Speaker 3: So Sean Sean. That's what Hayes and I have been

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Speaker 3: working on, and I guess it's a fun time to

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Speaker 3: reveal it. For the this is a good industry platform

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Speaker 3: that people can now know that the Project X.

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Speaker 2: So it's Project XX.

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Speaker 3: It's Project XX, which I mean, how did we not

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Speaker 3: get either Vin Diesel or Ice Cube involved in this?

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Speaker 1: I know, right, yeah, Well, I mean that would have

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Speaker 1: been Project XX triple X, Triple X, yes, which now

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Speaker 1: seven X state, what's that you do?

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Speaker 2: Put out a poster that says Project XX it's going

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Speaker 2: to be pretty easy for people to put a circle

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Speaker 2: around those two x'es and then put a little frownie

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Speaker 2: face so that it does look like the X is

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Speaker 2: our eyes and it is a dead face.

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Speaker 3: Ooh oh no, you mean like people are not gonna

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Speaker 3: people are just weighing in early.

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Speaker 1: Well, what if he died from the movie being so good?

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Speaker 1: So like funny? What if he died is a movie

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Speaker 1: so funny and he party too much?

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Speaker 2: I just that's clear in the graffiti hates.

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Speaker 3: Well, we should do that on the posters preemptively.

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Speaker 1: Yeah, like get ahead of it, like like gaff again

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Speaker 1: like eminem.

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Speaker 3: Yeah, like we can just make it like like just

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Speaker 3: write pre printed graffiti on it, just like yeah, and

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Speaker 3: what if we have some of the graffiti be like

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Speaker 3: like one is kind of like I don't know about

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Speaker 3: this show, bro, and then someone else will write something

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Speaker 3: like I saw six episodes. I work in the industry.

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Speaker 3: I saw six episodes. It's cool show.

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Speaker 1: Yeah, Like those deal like those real deadline comments better

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Speaker 1: just put up by uninterested parties that say, like pump

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Speaker 1: for this. Yeah, everyone involved is a true talent.

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Speaker 2: So well, you're gonna you're talking about flipping it on them,

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Speaker 2: like having ended with that, leave it to beaveru line.

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Speaker 2: I'm sorry, we just sort of blew past that comment.

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Speaker 1: Hate.

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Speaker 2: Is that what you're yeah saying?

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Speaker 1: Yeah, where he said it, Yeah, he said before they

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Speaker 1: could say.

290
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Speaker 2: It okay, and he flipped it on him, So you're

291
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Speaker 2: gonna flip it on him by being like, we think

292
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Speaker 2: this show is really good. Yes, they can't get out

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Speaker 2: and say it first.

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Speaker 1: Yes, they'll be getting ready to write something, and then

295
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Speaker 1: they'll be hearing the guy already say that he saw

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Speaker 1: he got a screeter of six episodes, that it actually

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Speaker 1: is is pretty good.

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Speaker 3: Yeah, he'll say, like, I gotta I gotta pix the

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Speaker 3: count watch six rough cuts. It's really it's legit funny.

300
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Speaker 2: I'm always surprised at some of those dead time comments,

301
00:16:34,320 --> 00:16:39,440
Speaker 2: just that there are so many people who with nothing

302
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Speaker 2: to gain, want to support and say that someone is

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Speaker 2: a true talent, one of the best guys in town. Yes,

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Speaker 2: that they deserve this if it's like a big opportunity

305
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Speaker 2: and vice first. So when agents switch agencies, I'm surprised

306
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Speaker 2: how many people know whether it's actually not a loss

307
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Speaker 2: for the agency that lost them, because in fact that

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Speaker 2: agent is just a loser.

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Speaker 1: So anyway, Tom, Yeah, we were working on this. We

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Speaker 1: weren't that we were in discussion of this. I don't

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Speaker 1: want to say that this was like a front burner project,

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Speaker 1: no for me.

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Speaker 3: For me, for me, it was a little a little

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Speaker 3: more front burner. But I know you're you're a different

315
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Speaker 3: We're all at different points, and we go up and

316
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Speaker 3: we go down. Sure, we go up and we go down.

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Speaker 1: Yeah, speaking of.

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Speaker 2: Agencies, have you guys been to Cia? Lay?

319
00:17:39,720 --> 00:17:44,080
Speaker 1: No, what's what's happening there? It's a ghost town, tumbleweez,

320
00:17:45,359 --> 00:17:46,560
Speaker 1: there's nobody there.

321
00:17:47,600 --> 00:17:49,800
Speaker 2: Yes, the one of the simple person. I mean I went,

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Speaker 2: you know, I checked the women's bathroom of course when

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Speaker 2: I heard that you might be in New York. But

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Speaker 2: then I went to check Cia just because I know

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Speaker 2: that you like the coffee being there.

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Speaker 1: Oh okay, I thought you did you check the women's

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Speaker 1: bathroom zaa as well?

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Speaker 2: Sure, while I was there already.

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Speaker 1: You just went over there.

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00:18:07,880 --> 00:18:08,800
Speaker 2: Yeah, I've been in there.

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Speaker 3: Well you're here today, Yes, Yeah, I'm here. You're here today?

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Speaker 1: Yeah? Why?

333
00:18:14,760 --> 00:18:20,639
Speaker 3: Because simple I've always held to the philosophy that if

334
00:18:20,680 --> 00:18:23,760
Speaker 3: you're going to nine to five at there's always some

335
00:18:23,920 --> 00:18:28,879
Speaker 3: kid in a garage out in Toledo who's still working

336
00:18:29,680 --> 00:18:33,159
Speaker 3: while you're resting on your laurels. And that's how you

337
00:18:33,240 --> 00:18:37,720
Speaker 3: lose the race. So I'm working on a Sunday to

338
00:18:37,840 --> 00:18:43,320
Speaker 3: make this pitch because I want basically, there are points

339
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Speaker 3: in life when you realize you got to go for it, right,

340
00:18:46,760 --> 00:18:50,240
Speaker 3: You just gotta you just gotta say, you just got

341
00:18:50,240 --> 00:18:51,360
Speaker 3: to say, you know.

342
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Speaker 1: Just f it. I can remember one what's that?

343
00:18:57,520 --> 00:18:57,800
Speaker 3: What's that?

344
00:18:58,680 --> 00:19:00,639
Speaker 2: I can remember one point in my life like that

345
00:19:00,680 --> 00:19:02,200
Speaker 2: when I was like, I gotta go for it.

346
00:19:02,840 --> 00:19:03,399
Speaker 1: What was that?

347
00:19:04,480 --> 00:19:07,800
Speaker 2: I really wanted to get into Princeton, but my grades

348
00:19:07,800 --> 00:19:11,080
Speaker 2: weren't necessarily good enough, so I turned my parents' house

349
00:19:11,080 --> 00:19:14,439
Speaker 2: into a brothel. Uh. And I invited a bunch of

350
00:19:14,480 --> 00:19:16,679
Speaker 2: prostitutes there, and then I had the Dean over for

351
00:19:16,720 --> 00:19:20,480
Speaker 2: an interview at the same time, and my friend Booger

352
00:19:20,520 --> 00:19:22,240
Speaker 2: also crashed my car into the water.

353
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Speaker 1: M hm, And what and how was that going to

354
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Speaker 1: get you into Princeton?

355
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Speaker 2: Uh? Why don't you ask my degree? Hey, how did

356
00:19:36,000 --> 00:19:37,760
Speaker 2: the eggs work? You guys?

357
00:19:38,880 --> 00:19:43,399
Speaker 1: How did like Tom like how Tom used to be eggs?

358
00:19:44,359 --> 00:19:48,040
Speaker 2: No, I'm over that whole thing. If I'm making an

359
00:19:48,080 --> 00:19:50,840
Speaker 2: egg that.

360
00:19:51,840 --> 00:19:52,840
Speaker 3: Why are you over that?

361
00:19:54,760 --> 00:19:56,280
Speaker 2: I can't even find it in the rear view?

362
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Speaker 5: Oh bray, Well your way you're making eggs?

363
00:20:01,400 --> 00:20:04,520
Speaker 2: Well, hypothetically, if I was gonna make an egg, is

364
00:20:04,560 --> 00:20:05,840
Speaker 2: a pan gotta be hot first?

365
00:20:07,040 --> 00:20:10,199
Speaker 1: Uh? It doesn't have to be hot first necessarily, but

366
00:20:10,359 --> 00:20:12,919
Speaker 1: at some point it does have to become hot.

367
00:20:13,480 --> 00:20:13,880
Speaker 2: Oops.

368
00:20:15,119 --> 00:20:20,800
Speaker 1: Oops, Okay, it's just never gonna it's never gonna be

369
00:20:20,840 --> 00:20:22,080
Speaker 1: hot the way you're doing it.

370
00:20:22,600 --> 00:20:25,800
Speaker 2: I gotta find a hot piece for it. Okay. And

371
00:20:25,840 --> 00:20:28,840
Speaker 2: then what's going on in term of you don't want

372
00:20:28,840 --> 00:20:32,240
Speaker 2: an egg to be sticky on? There? You gotta do

373
00:20:33,000 --> 00:20:34,480
Speaker 2: what splash.

374
00:20:34,160 --> 00:20:38,080
Speaker 1: Oil or sticky on where? Uh?

375
00:20:39,000 --> 00:20:41,560
Speaker 2: The cold pan? Or oh no, the pan has to

376
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Speaker 2: get hot.

377
00:20:42,680 --> 00:20:44,960
Speaker 1: See that's what. Yeah, so that's the thing. You're using

378
00:20:45,040 --> 00:20:47,560
Speaker 1: a cold pan and you have to find some kind

379
00:20:47,600 --> 00:20:48,800
Speaker 1: of way to make it hot.

380
00:20:48,880 --> 00:20:52,359
Speaker 2: Now, but I'm making it hot. Is it gonna be sticky?

381
00:20:53,280 --> 00:20:55,440
Speaker 1: Yeah, it's gonna be a little sticky. But you can

382
00:20:55,560 --> 00:20:58,520
Speaker 1: use a little oil or butter or something. What kind

383
00:20:58,560 --> 00:20:59,920
Speaker 1: of agg are you trying to make?

384
00:21:02,640 --> 00:21:04,320
Speaker 2: Let me see what I say?

385
00:21:06,640 --> 00:21:09,639
Speaker 1: What? What? What? What? The what? The egg says?

386
00:21:10,920 --> 00:21:16,520
Speaker 2: Yeah, Hello, I'm just shaking it near my ear. It

387
00:21:16,640 --> 00:21:21,040
Speaker 2: sounds like there's like a dragon in there. A dragon,

388
00:21:22,240 --> 00:21:25,439
Speaker 2: I think, yea, yeah, pretty big. I can't just be

389
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Speaker 2: a bird.

390
00:21:27,560 --> 00:21:28,680
Speaker 1: But you want to cook it?

391
00:21:30,040 --> 00:21:34,960
Speaker 2: Yeah, I gotta cook it. Okay, Well, I mean, and

392
00:21:35,000 --> 00:21:37,000
Speaker 2: then how do I not make it go sticky?

393
00:21:38,840 --> 00:21:41,560
Speaker 1: Well, the sticky thing that we took care of a

394
00:21:41,560 --> 00:21:44,000
Speaker 1: little bit ago with the Remember that we talked about

395
00:21:44,000 --> 00:21:47,920
Speaker 1: the oil and butter or not both, just either one

396
00:21:48,080 --> 00:21:55,000
Speaker 1: or I guess you could do both. Okay, something heavy,

397
00:21:56,040 --> 00:22:00,360
Speaker 1: Nothing should really be heavy while you're doing this. You're

398
00:22:00,359 --> 00:22:02,840
Speaker 1: hearing that. I'm hearing you try to pick up something

399
00:22:02,880 --> 00:22:06,200
Speaker 1: really heavy, and it just doesn't seem like that doesn't

400
00:22:06,240 --> 00:22:07,960
Speaker 1: seem right for what you're trying to do.

401
00:22:09,000 --> 00:22:10,600
Speaker 2: Oh, you never have big eggs.

402
00:22:11,080 --> 00:22:13,119
Speaker 1: Oh that's right, I forgot. The egg is a huge

403
00:22:13,280 --> 00:22:13,880
Speaker 1: dragon egg.

404
00:22:15,200 --> 00:22:19,720
Speaker 2: Yeah, okay, So it's turning colors and I put it

405
00:22:19,760 --> 00:22:20,240
Speaker 2: on a pan.

406
00:22:21,920 --> 00:22:23,520
Speaker 1: So Tom Tom looks mad.

407
00:22:23,960 --> 00:22:26,640
Speaker 3: Tom is getting I gotta say, this feels like some

408
00:22:26,760 --> 00:22:32,440
Speaker 3: weird kind of distraction from what I'm trying to say here.

409
00:22:34,359 --> 00:22:36,679
Speaker 2: I can listen egg cook eggs. I just need to

410
00:22:36,720 --> 00:22:37,520
Speaker 2: know how they work.

411
00:22:39,960 --> 00:22:41,880
Speaker 3: You don't. You don't know how to make an egg?

412
00:22:43,560 --> 00:22:47,359
Speaker 3: There you go, that sounds like a crackling egg.

413
00:22:49,920 --> 00:22:50,840
Speaker 1: What is that Sean?

414
00:22:51,720 --> 00:22:52,360
Speaker 2: Huh?

415
00:22:52,359 --> 00:22:53,360
Speaker 1: What is that noise?

416
00:22:53,920 --> 00:22:57,320
Speaker 6: That's a sound of an egg and it's changing colors

417
00:22:57,520 --> 00:22:59,919
Speaker 6: and it's true, and they're making friends on.

418
00:22:59,880 --> 00:23:03,040
Speaker 2: The pans, like one big one. I kind of had

419
00:23:03,119 --> 00:23:05,359
Speaker 2: leftover potatoes from my dinner last.

420
00:23:05,160 --> 00:23:11,440
Speaker 3: Night, Sean, I mean, no offense. No offense, bro, I'm

421
00:23:11,480 --> 00:23:14,320
Speaker 3: trying to do something here with Hayes. I want you

422
00:23:14,359 --> 00:23:17,280
Speaker 3: to hear this, not to be so much a part

423
00:23:17,320 --> 00:23:20,840
Speaker 3: of it. So why don't you no offense? Want you

424
00:23:21,280 --> 00:23:25,280
Speaker 3: focus on your fucking eggs. Lay back and listen to

425
00:23:25,320 --> 00:23:26,720
Speaker 3: what I'm saying to Hayes.

426
00:23:28,040 --> 00:23:32,520
Speaker 2: Okay, I'm kind of beating quiet.

427
00:23:32,600 --> 00:23:35,920
Speaker 3: Actually, if you're well, you're not doing a very good

428
00:23:36,000 --> 00:23:37,000
Speaker 3: job at it.

429
00:23:38,200 --> 00:23:42,480
Speaker 2: Okay, oos, go ahead, Okay.

430
00:23:42,560 --> 00:23:45,679
Speaker 1: I do think that this is he's being aggressive.

431
00:23:45,800 --> 00:23:46,680
Speaker 3: Heah, you know what he's being.

432
00:23:46,680 --> 00:23:47,800
Speaker 1: I think he feels threatened.

433
00:23:48,000 --> 00:23:50,920
Speaker 3: So he's been a real ass hat.

434
00:23:51,440 --> 00:23:54,600
Speaker 1: And now that's Deadpool's word, and that's that's a word

435
00:23:54,640 --> 00:23:58,760
Speaker 1: that we can just throw around ourselves because.

436
00:23:58,640 --> 00:24:01,840
Speaker 3: I'm trying to work it into my because it's very contemporary.

437
00:24:02,560 --> 00:24:05,440
Speaker 2: Well, if you're trying to summon dead Cool to the podcast,

438
00:24:06,080 --> 00:24:09,080
Speaker 2: good luck, Fuddy I've been down that road before, So

439
00:24:09,200 --> 00:24:12,160
Speaker 2: go ahead say your saying. I'm gonna be quiet and everybody,

440
00:24:12,320 --> 00:24:15,080
Speaker 2: I'm going to say something so cool and interesting. I

441
00:24:15,119 --> 00:24:16,560
Speaker 2: can't wait here, man.

442
00:24:16,640 --> 00:24:20,399
Speaker 3: Yeah, I want to eat your eggs and just listen. Okay,

443
00:24:20,680 --> 00:24:22,000
Speaker 3: Oh I will.

444
00:24:22,920 --> 00:24:28,320
Speaker 1: Yeah, we'll start, guys like, come on, I I don't

445
00:24:28,359 --> 00:24:30,000
Speaker 1: want this to be I don't even know what this

446
00:24:30,080 --> 00:24:30,560
Speaker 1: is perfect.

447
00:24:30,760 --> 00:24:33,320
Speaker 3: This is perfect that this is happening, okay, because it's

448
00:24:33,440 --> 00:24:39,960
Speaker 3: drawing very distinct lines between what is and what could be.

449
00:24:40,160 --> 00:24:43,760
Speaker 1: Okay, Okay, yes I don't fully understand, but.

450
00:24:43,880 --> 00:24:45,000
Speaker 3: Well you're gonna understand.

451
00:24:45,080 --> 00:24:47,320
Speaker 1: Okay. It's just such a long lead up to this.

452
00:24:48,320 --> 00:24:52,760
Speaker 3: I wasn't making eggs, he was. That's why it's a

453
00:24:52,800 --> 00:24:56,000
Speaker 3: long lead up. Were listening for forty minutes, try to

454
00:24:56,040 --> 00:25:00,480
Speaker 3: figure out how to make the pen knots sticky?

455
00:25:01,960 --> 00:25:04,600
Speaker 2: Is that how long to cook them?

456
00:25:05,680 --> 00:25:07,359
Speaker 3: Yeah? Cook them for forty minutes.

457
00:25:07,800 --> 00:25:10,480
Speaker 1: No, Sean, he's trying to kill you. Tom's trying to.

458
00:25:10,440 --> 00:25:13,280
Speaker 3: Make them right off the thing with no forks, no nothing,

459
00:25:13,800 --> 00:25:17,919
Speaker 3: just go like like pie eating contest style, eat the

460
00:25:17,920 --> 00:25:19,960
Speaker 3: eggs that way, right on the stove.

461
00:25:20,119 --> 00:25:22,560
Speaker 1: Now, Sean, Thomas trying to make you die, he's trying

462
00:25:22,560 --> 00:25:23,200
Speaker 1: to make you die.

463
00:25:23,280 --> 00:25:23,600
Speaker 3: Sean.

464
00:25:24,520 --> 00:25:30,040
Speaker 2: Okay, the eggs is becoming very strong.

465
00:25:30,800 --> 00:25:34,119
Speaker 1: Okay, I want to know where he got the eggs,

466
00:25:34,119 --> 00:25:36,439
Speaker 1: but I also want to know what you what you

467
00:25:36,520 --> 00:25:38,840
Speaker 1: have to say. So okay, but Tom, why don't you

468
00:25:38,880 --> 00:25:41,040
Speaker 1: take your turn and you can find that out later.

469
00:25:41,200 --> 00:25:47,240
Speaker 3: Sure you've been here in New York City the Big Apple. Yes,

470
00:25:47,960 --> 00:25:52,720
Speaker 3: we've worked together on Project x X. Yes, I will

471
00:25:52,760 --> 00:25:53,320
Speaker 3: say this.

472
00:25:54,600 --> 00:25:56,840
Speaker 1: I guess I'm now in this experience here in New

473
00:25:56,920 --> 00:25:58,720
Speaker 1: York City now is very different from the one I

474
00:25:58,760 --> 00:26:01,399
Speaker 1: was having before. When you hear me again and you

475
00:26:01,440 --> 00:26:02,720
Speaker 1: think I was in New York City when I was

476
00:26:02,720 --> 00:26:05,480
Speaker 1: actually in the women's bathroom at Earwell Studios, Yeah, and

477
00:26:05,560 --> 00:26:07,399
Speaker 1: I thought it was New York. No, but you're definitely

478
00:26:07,400 --> 00:26:08,560
Speaker 1: there was a pizza in there.

479
00:26:08,720 --> 00:26:11,000
Speaker 3: Here. Open that window and listen to some of the

480
00:26:11,080 --> 00:26:12,359
Speaker 3: sounds of New York.

481
00:26:12,640 --> 00:26:17,080
Speaker 1: Okay, I'm opening the window. Yeah, there's like a bird.

482
00:26:17,359 --> 00:26:19,960
Speaker 3: Yeah, watch it. Do you hear that?

483
00:26:20,440 --> 00:26:20,640
Speaker 2: Oh?

484
00:26:20,720 --> 00:26:23,280
Speaker 1: Yeah? The bird was like an Italian like a rude

485
00:26:23,359 --> 00:26:29,880
Speaker 1: Italian bird. Mmmm. Oh wow. The famous New York car.

486
00:26:31,600 --> 00:26:34,399
Speaker 3: Jy Furro see.

487
00:26:34,359 --> 00:26:41,399
Speaker 1: Oh DoD Pardo's voice echo work on the wind hiuse.

488
00:26:39,640 --> 00:26:41,760
Speaker 2: Me sir, do you have these bathing suits in like

489
00:26:41,800 --> 00:26:42,240
Speaker 2: a teal?

490
00:26:43,880 --> 00:26:48,280
Speaker 1: That's where are you brought that? What are you shopping

491
00:26:48,320 --> 00:26:49,280
Speaker 1: for a bathing suit?

492
00:26:50,400 --> 00:26:53,160
Speaker 2: Well? If they have it in my color? Yeah?

493
00:26:53,200 --> 00:26:56,119
Speaker 1: Where were you making eggs at the store?

494
00:26:57,720 --> 00:26:59,760
Speaker 2: Oh? Yeah, just in the bathroom of a filin.

495
00:27:03,600 --> 00:27:08,440
Speaker 3: So you're here? Yeah, New York City, the most vibrant,

496
00:27:08,600 --> 00:27:10,960
Speaker 3: alive city ever.

497
00:27:11,119 --> 00:27:13,119
Speaker 2: Can I try it on? If I keep my underwear on,

498
00:27:13,280 --> 00:27:14,199
Speaker 2: you can come in with me.

499
00:27:15,680 --> 00:27:17,320
Speaker 3: Pot him down, Pot him down?

500
00:27:17,320 --> 00:27:21,160
Speaker 1: He watch he does like being other by himself with

501
00:27:21,720 --> 00:27:26,560
Speaker 1: just new clothes that are strangers to him.

502
00:27:26,760 --> 00:27:32,120
Speaker 3: I feel like, would you with me? What is his problem?

503
00:27:32,160 --> 00:27:34,720
Speaker 1: You just think? I think you just have to power

504
00:27:34,800 --> 00:27:37,280
Speaker 1: through it because I think he is threatened by you

505
00:27:37,640 --> 00:27:40,080
Speaker 1: because as you know, he didn't really like that. Grease

506
00:27:40,160 --> 00:27:41,480
Speaker 1: knows that he's got a lot of attention.

507
00:27:41,520 --> 00:27:44,080
Speaker 3: Now, that's like the biggest episode of Hollywood Handbook by

508
00:27:44,119 --> 00:27:45,520
Speaker 3: like one hundred miles.

509
00:27:45,160 --> 00:27:48,920
Speaker 1: And it tends to the episodes that I have done

510
00:27:49,200 --> 00:27:53,000
Speaker 1: with just you to make podmass at least. I don't

511
00:27:53,000 --> 00:27:53,720
Speaker 1: know if that makes sense, but.

512
00:27:53,800 --> 00:27:57,000
Speaker 3: That's the East Coast coming through. That's what I'm trying

513
00:27:57,040 --> 00:28:03,400
Speaker 3: to tell you. You're not You're not Hollywood, Hayes, you

514
00:28:03,440 --> 00:28:06,600
Speaker 3: come here, you start doing this, I am starting racking.

515
00:28:06,920 --> 00:28:14,440
Speaker 3: You start racking up the pod mass h Yeah, you're

516
00:28:14,480 --> 00:28:18,720
Speaker 3: just you're just lining them up now. It's like it's

517
00:28:18,720 --> 00:28:21,720
Speaker 3: like it's like you're like the John Williams of pod

518
00:28:21,800 --> 00:28:25,840
Speaker 3: Maass okay with the amount of awards you've gotten.

519
00:28:25,880 --> 00:28:32,240
Speaker 1: Right, I do like, can you sit me out? Does

520
00:28:32,240 --> 00:28:33,719
Speaker 1: your bathing suit have a zipper?

521
00:28:35,640 --> 00:28:37,560
Speaker 3: Are you sure that's a bathing suit in?

522
00:28:38,880 --> 00:28:39,880
Speaker 1: Okay?

523
00:28:41,080 --> 00:28:42,959
Speaker 3: How far down your leg does it go?

524
00:28:44,080 --> 00:28:45,120
Speaker 2: Are swimming? What?

525
00:28:45,200 --> 00:28:47,320
Speaker 3: How far down your leg does this bathing suit go?

526
00:28:48,880 --> 00:28:52,560
Speaker 2: Well, there's a slit up the side that ends right

527
00:28:52,560 --> 00:28:53,280
Speaker 2: at my hip bump.

528
00:28:53,320 --> 00:28:55,360
Speaker 3: You're sure that's not an evening gown?

529
00:28:57,120 --> 00:28:58,320
Speaker 2: I don't think so.

530
00:29:00,360 --> 00:29:03,440
Speaker 3: I mean, does it have straps that go over your shoulder?

531
00:29:04,600 --> 00:29:10,680
Speaker 2: They criss cross over the back? Yeah, and then the

532
00:29:10,720 --> 00:29:11,920
Speaker 2: bottom sort of zips up.

533
00:29:13,040 --> 00:29:15,040
Speaker 1: But I guess if you go swimming in it, then

534
00:29:15,120 --> 00:29:17,280
Speaker 1: it is anything. Swims it?

535
00:29:17,400 --> 00:29:17,560
Speaker 2: Yeah?

536
00:29:17,800 --> 00:29:18,120
Speaker 3: Anything?

537
00:29:18,400 --> 00:29:20,040
Speaker 2: Having them run a tub for me to get in

538
00:29:20,120 --> 00:29:21,680
Speaker 2: and just sort of see how it moves.

539
00:29:22,160 --> 00:29:24,760
Speaker 3: Sure, will you do that?

540
00:29:26,320 --> 00:29:28,000
Speaker 2: These eggs takes fucked up?

541
00:29:32,160 --> 00:29:36,480
Speaker 1: This is I I should be there because he kind

542
00:29:36,480 --> 00:29:39,440
Speaker 1: of needs me. He doesn't need you well, based on

543
00:29:39,480 --> 00:29:42,920
Speaker 1: what I'm hearing now, he's just kind of wandering, sort

544
00:29:43,000 --> 00:29:46,800
Speaker 1: of unleashed on a Sunday. Huh, And normally it's better

545
00:29:46,840 --> 00:29:49,760
Speaker 1: for me to be there. Here's how here's a gentle

546
00:29:49,800 --> 00:29:50,560
Speaker 1: hand of a wheel.

547
00:29:51,520 --> 00:29:54,560
Speaker 2: This can't be good. This can't be right. This egg. Okay,

548
00:29:54,720 --> 00:29:55,880
Speaker 2: you guys didn't trick.

549
00:29:57,760 --> 00:30:03,960
Speaker 3: You belong here. H l a's l A did not

550
00:30:04,080 --> 00:30:07,440
Speaker 3: work for you the way New York's been working for you. Okay,

551
00:30:07,680 --> 00:30:12,040
Speaker 3: you came here, you started racking up these podcast appearances,

552
00:30:12,040 --> 00:30:18,040
Speaker 3: started in pod maast noticed. Yeah, it's it's it has

553
00:30:18,120 --> 00:30:20,719
Speaker 3: blown up for you since you've been here. But and

554
00:30:20,800 --> 00:30:26,360
Speaker 3: I feel like we, you and I have really stumbled

555
00:30:26,440 --> 00:30:32,880
Speaker 3: upon something great. Where the Beatles, for example, had like

556
00:30:32,920 --> 00:30:38,120
Speaker 3: a like a like a Pete best right, who was

557
00:30:38,320 --> 00:30:42,600
Speaker 3: seemed fine at the time made sense. Everybody was just like, oh,

558
00:30:42,600 --> 00:30:46,080
Speaker 3: which one's your favorite people? I like George, I like Paul,

559
00:30:46,240 --> 00:30:46,960
Speaker 3: I like Pete.

560
00:30:47,360 --> 00:30:49,479
Speaker 2: Would you try these eggs please and tell me if

561
00:30:49,520 --> 00:30:50,800
Speaker 2: they seem crazy to you?

562
00:30:52,760 --> 00:30:55,200
Speaker 1: Okay, I think yeah, it did me up first.

563
00:30:56,600 --> 00:31:01,840
Speaker 2: Yes, it burns. Yeah, sorry, guys, go.

564
00:31:01,800 --> 00:31:06,280
Speaker 1: Ahead, Okay, I think I think I see what you mean.

565
00:31:06,920 --> 00:31:11,440
Speaker 1: And we did have a nice thing here or wherever.

566
00:31:11,720 --> 00:31:14,120
Speaker 1: We recorded some good episodes.

567
00:31:14,280 --> 00:31:15,840
Speaker 3: Everyone loves you in New York.

568
00:31:16,080 --> 00:31:18,480
Speaker 1: Yeah, there was. I guess the only time we had

569
00:31:18,520 --> 00:31:25,160
Speaker 1: an episode get ruined was was here. But but in general,

570
00:31:25,440 --> 00:31:28,360
Speaker 1: like every yeah, everything was was good.

571
00:31:28,640 --> 00:31:32,360
Speaker 3: Yeah, everything was great. You come here, next thing, you

572
00:31:32,440 --> 00:31:33,800
Speaker 3: end up on the Vulture list?

573
00:31:34,640 --> 00:31:37,680
Speaker 1: Right, that's right? That that did happen while I was here?

574
00:31:37,840 --> 00:31:39,080
Speaker 1: Was Are you saying that was you?

575
00:31:39,160 --> 00:31:41,080
Speaker 3: It's East Coast media, bro, are you?

576
00:31:41,360 --> 00:31:42,360
Speaker 1: But you're saying you were?

577
00:31:43,200 --> 00:31:44,640
Speaker 3: Look did I write that thing?

578
00:31:45,000 --> 00:31:45,040
Speaker 2: No?

579
00:31:45,200 --> 00:31:45,560
Speaker 1: I didn't.

580
00:31:47,360 --> 00:31:49,479
Speaker 3: Did I make it happen?

581
00:31:50,920 --> 00:31:55,960
Speaker 1: Maybe? So you're saying you put our show on the list?

582
00:31:56,000 --> 00:31:58,040
Speaker 1: You got our show on the list? I took I

583
00:31:58,080 --> 00:32:00,320
Speaker 1: took my show off the lift. You took back show

584
00:32:00,360 --> 00:32:03,400
Speaker 1: off the list and got our show on? Did you

585
00:32:03,480 --> 00:32:06,440
Speaker 1: get comedy bang bang? And how did this get made on?

586
00:32:06,520 --> 00:32:07,040
Speaker 2: There?

587
00:32:07,240 --> 00:32:07,440
Speaker 4: Well?

588
00:32:08,840 --> 00:32:10,320
Speaker 2: Full of work on bugs as.

589
00:32:10,280 --> 00:32:13,560
Speaker 1: No, what does what?

590
00:32:13,760 --> 00:32:13,960
Speaker 4: Wait?

591
00:32:14,000 --> 00:32:18,160
Speaker 1: Sean? What are you shopping for a pile? Oh? He's

592
00:32:18,160 --> 00:32:20,120
Speaker 1: trying to blow away a big pile of bugs. I'm

593
00:32:20,120 --> 00:32:22,760
Speaker 1: actually really glad he's taking care of this. This is

594
00:32:23,280 --> 00:32:27,440
Speaker 1: he's showing a remarkable amount of personal responsibility because when

595
00:32:27,520 --> 00:32:29,920
Speaker 1: I tell him to do it, He's like, I'll get

596
00:32:29,960 --> 00:32:31,479
Speaker 1: to it. I'll get to it. But now I think

597
00:32:31,520 --> 00:32:33,680
Speaker 1: he wants a nice surprise for me when I when

598
00:32:33,720 --> 00:32:35,960
Speaker 1: I get back that the pile is gone.

599
00:32:36,360 --> 00:32:37,040
Speaker 3: This is why?

600
00:32:37,480 --> 00:32:41,960
Speaker 2: And is it it's normal gas that I use to

601
00:32:42,040 --> 00:32:45,040
Speaker 2: fill it up? Make it have powers? Uh huh?

602
00:32:46,440 --> 00:32:51,120
Speaker 1: Yeah, what was the comedy? How did you get the comedy?

603
00:32:51,120 --> 00:32:51,600
Speaker 1: Bang bank?

604
00:32:52,600 --> 00:32:54,760
Speaker 3: So they got on, they got they got themselves on.

605
00:32:54,880 --> 00:32:59,320
Speaker 3: That's just the usual kind of like multinational corporation, uh,

606
00:32:59,520 --> 00:33:04,520
Speaker 3: manipulating a media outlet, that's how they got on. But

607
00:33:04,640 --> 00:33:08,480
Speaker 3: I got on just by kind of working it and

608
00:33:08,560 --> 00:33:11,200
Speaker 3: saying this is important to me.

609
00:33:12,680 --> 00:33:14,560
Speaker 2: Oh man, he's starting to kick in.

610
00:33:17,480 --> 00:33:22,000
Speaker 3: He's tripping out of the eggs Hollywood Handbook. I wanted

611
00:33:22,080 --> 00:33:24,160
Speaker 3: on and they did it. That guy put it on,

612
00:33:24,680 --> 00:33:28,760
Speaker 3: he said, he said, who should we take off? He said,

613
00:33:28,760 --> 00:33:29,560
Speaker 3: I can't take.

614
00:33:29,760 --> 00:33:36,360
Speaker 2: Too makes you smaller. Yeah, so.

615
00:33:38,520 --> 00:33:43,640
Speaker 3: You're here for a reason. You found the real you.

616
00:33:43,760 --> 00:33:48,440
Speaker 3: No offense to Sean. Sean's insanely great. I love Sean

617
00:33:48,640 --> 00:33:55,800
Speaker 3: so much, so much, but he's like Pete Best uh

618
00:33:55,880 --> 00:34:01,040
Speaker 3: huh or the other one Stuart Sutcliffe.

619
00:34:00,080 --> 00:34:00,200
Speaker 2: Uh.

620
00:34:01,280 --> 00:34:05,600
Speaker 3: And you're ready to just join, You're ready to step up.

621
00:34:05,920 --> 00:34:09,600
Speaker 1: Well you I mean, you say you like Sean now

622
00:34:09,640 --> 00:34:11,880
Speaker 1: on the show, but I mean we do try to

623
00:34:11,880 --> 00:34:15,040
Speaker 1: be transparent on here. And when we would finish recording,

624
00:34:15,080 --> 00:34:17,360
Speaker 1: you would talk about Sean and you would say mean things.

625
00:34:17,840 --> 00:34:19,080
Speaker 1: You'd say, he smells.

626
00:34:19,760 --> 00:34:22,160
Speaker 2: I would say, can you keep your twenty one pilot cd?

627
00:34:24,640 --> 00:34:29,320
Speaker 2: Uh huh? I do just want to have stressed out?

628
00:34:32,719 --> 00:34:33,359
Speaker 2: Are so good?

629
00:34:34,080 --> 00:34:35,880
Speaker 3: Is this what you want your future to be?

630
00:34:37,239 --> 00:34:40,200
Speaker 1: What this thing that I'm hearing? Yeah, well this is

631
00:34:40,200 --> 00:34:42,839
Speaker 1: like his you know, Sunday fun day.

632
00:34:43,080 --> 00:34:45,600
Speaker 3: Okay, I'm telling you this.

633
00:34:45,560 --> 00:34:48,080
Speaker 1: Isn't every day he straight fye.

634
00:34:51,280 --> 00:34:53,080
Speaker 3: This a leaf blowers at fye.

635
00:34:53,400 --> 00:34:57,719
Speaker 1: Yeah, like kind of key chain ones O, gas.

636
00:34:57,440 --> 00:35:02,719
Speaker 3: Powered straight up. I'm making a play here. Okay, you

637
00:35:02,840 --> 00:35:05,920
Speaker 3: stay here, do Hollywood Handbook from here?

638
00:35:06,600 --> 00:35:10,520
Speaker 1: Uh huh? You what about Sean and Sean comes here too?

639
00:35:10,800 --> 00:35:15,880
Speaker 3: No, No, we're gonna move Sean into like a like

640
00:35:15,960 --> 00:35:21,600
Speaker 3: a Brian Wilson Sid Barrett kind of role where we're

641
00:35:22,080 --> 00:35:25,240
Speaker 3: just gonna politely transition him one step away.

642
00:35:25,560 --> 00:35:30,759
Speaker 1: Sean does live in a sad box currently, so the

643
00:35:30,800 --> 00:35:33,560
Speaker 1: Brian Wilson aspect of that could be very perfect sense

644
00:35:33,600 --> 00:35:34,120
Speaker 1: fun for him.

645
00:35:34,200 --> 00:35:38,720
Speaker 3: Yeah, yeah, he'll love it. Look this is best for everybody. Huh,

646
00:35:39,239 --> 00:35:43,680
Speaker 3: it really is. I think you're holding him back sometimes.

647
00:35:44,600 --> 00:35:48,799
Speaker 1: Sure, people say that online, and I wonder if this

648
00:35:48,880 --> 00:35:50,120
Speaker 1: is what they what they mean.

649
00:35:51,080 --> 00:35:53,040
Speaker 3: Think of what we can do here in New York.

650
00:35:53,040 --> 00:35:54,240
Speaker 3: You're in New York City.

651
00:35:54,480 --> 00:35:54,800
Speaker 1: Hmm.

652
00:35:55,840 --> 00:35:59,080
Speaker 3: You've got the election coming up, and if it's gonna

653
00:35:59,080 --> 00:36:05,520
Speaker 3: be Trump versus Hillary, that's a New York election. Oh yeah, right,

654
00:36:06,040 --> 00:36:07,120
Speaker 3: and now just think is.

655
00:36:07,400 --> 00:36:10,440
Speaker 2: Called fishing tackle. I don't want to tackle the fish.

656
00:36:10,480 --> 00:36:12,080
Speaker 2: I want to catch him with the real.

657
00:36:13,680 --> 00:36:15,920
Speaker 1: That this is going to occupy him for yeah, a

658
00:36:16,000 --> 00:36:18,160
Speaker 1: little while. So this is actually a good time. Yeah,

659
00:36:18,480 --> 00:36:26,160
Speaker 1: continue this conversation. I I I have always been saying

660
00:36:26,200 --> 00:36:29,719
Speaker 1: that the show should go to where the two people

661
00:36:29,800 --> 00:36:33,920
Speaker 1: in the presidential election are from. Yeah, that does make

662
00:36:33,960 --> 00:36:35,800
Speaker 1: the most logical sense.

663
00:36:36,000 --> 00:36:37,399
Speaker 3: You crack it open, right?

664
00:36:37,960 --> 00:36:40,600
Speaker 1: Would this have to become Hollywood?

665
00:36:41,080 --> 00:36:41,319
Speaker 4: Well?

666
00:36:41,440 --> 00:36:43,920
Speaker 3: Well, I feel like with the elections based out of

667
00:36:43,960 --> 00:36:45,640
Speaker 3: New York, this is Hollywood.

668
00:36:45,760 --> 00:36:49,600
Speaker 1: Sure, Okay, I guess that is the official definition of Hollywood.

669
00:36:49,680 --> 00:36:52,959
Speaker 3: It's wherever the action is. Yes, and if you're here

670
00:36:54,040 --> 00:36:57,480
Speaker 3: and the elections here and I'm here, yeah, this is

671
00:36:57,520 --> 00:36:58,480
Speaker 3: where the action is.

672
00:36:59,040 --> 00:37:03,239
Speaker 1: Uh huh, But can I you have a show yeah,

673
00:37:03,800 --> 00:37:06,719
Speaker 1: you have the Best Show that will end.

674
00:37:08,239 --> 00:37:09,480
Speaker 3: I'm not doing it anymore.

675
00:37:09,800 --> 00:37:10,920
Speaker 1: The Best Show is over.

676
00:37:11,280 --> 00:37:14,080
Speaker 3: It is over. I'm making a play. This is how

677
00:37:14,120 --> 00:37:18,240
Speaker 3: serious I am about this. Okay, I'm switching everything over

678
00:37:19,200 --> 00:37:23,200
Speaker 3: Hollywood Handbook East and then in parentheses it's going to

679
00:37:23,280 --> 00:37:27,480
Speaker 3: say Big Apple Bible, so.

680
00:37:27,600 --> 00:37:30,360
Speaker 1: We don't get rid of the We have a new title,

681
00:37:30,880 --> 00:37:33,680
Speaker 1: but it's just kind of sitting there waiting to be

682
00:37:33,840 --> 00:37:35,560
Speaker 1: used if it needs to be yes.

683
00:37:35,480 --> 00:37:41,000
Speaker 3: Aka Big Apple Bible. And then the logo. We're going

684
00:37:41,040 --> 00:37:43,239
Speaker 3: to get rid of the Ron Howard thing on it,

685
00:37:43,320 --> 00:37:45,360
Speaker 3: and it'll be uh, Marty.

686
00:37:46,440 --> 00:37:51,120
Speaker 1: Oh, it's gonna be Marty now, yeah, Okay, that Ron

687
00:37:51,160 --> 00:37:55,560
Speaker 1: Howard one is stuck on there. Pretty good. Yeah, so

688
00:37:55,600 --> 00:37:57,799
Speaker 1: we'd have to do it over the Ron Howard one.

689
00:37:57,880 --> 00:38:00,960
Speaker 1: And we don't actually have a note from Marty that

690
00:38:01,040 --> 00:38:04,120
Speaker 1: says I'll make that makes this hell, I'll make that happen.

691
00:38:04,200 --> 00:38:09,560
Speaker 3: Okay, I've taken everything from the Best Show. Yeah, it

692
00:38:09,640 --> 00:38:14,280
Speaker 3: is all currently as we speak, everything is being turned

693
00:38:14,560 --> 00:38:17,720
Speaker 3: to Hollywood Hambooking slash Big Apple Bible.

694
00:38:18,600 --> 00:38:21,520
Speaker 1: You started, you set this emotion already well in motion.

695
00:38:21,719 --> 00:38:27,480
Speaker 1: Now what does that evolve the podcast? To do another podcast? Okay,

696
00:38:27,560 --> 00:38:31,960
Speaker 1: the so your your corporate attorneys are working on Yes.

697
00:38:31,800 --> 00:38:34,279
Speaker 3: They're setting it up and they are not cheap.

698
00:38:34,360 --> 00:38:38,920
Speaker 2: Free kite o that tree. All I gotta do is

699
00:38:39,000 --> 00:38:40,920
Speaker 2: climb up there, and I'm golden.

700
00:38:44,200 --> 00:38:46,799
Speaker 1: He's just he's making me misshipp is sorry.

701
00:38:46,840 --> 00:38:49,320
Speaker 3: This is like exhibit A for why this has to happen.

702
00:38:49,400 --> 00:38:54,000
Speaker 1: No, it's not. It's not how I feel about it. Okay,

703
00:38:54,280 --> 00:38:58,239
Speaker 1: I like how curious he is. A lot of people

704
00:38:58,239 --> 00:39:02,360
Speaker 1: would just let that kite go. Oh mm hmm. But

705
00:39:02,440 --> 00:39:04,360
Speaker 1: he kind of doesn't see what it's all about.

706
00:39:05,560 --> 00:39:23,000
Speaker 2: Branch in a minute. One element, you're a baseness. Who oh, okay,

707
00:39:24,800 --> 00:39:27,160
Speaker 2: I stay inside here. They probably can't find me.

708
00:39:29,320 --> 00:39:30,959
Speaker 1: I think he's probably in a bear cave.

709
00:39:34,320 --> 00:39:39,600
Speaker 2: Who is it? Someone's knocking on the door. Okay, and

710
00:39:39,640 --> 00:39:40,919
Speaker 2: it's not bees right.

711
00:39:43,480 --> 00:39:47,319
Speaker 3: One element, all right, come on in.

712
00:39:50,440 --> 00:39:51,040
Speaker 1: It was a bear.

713
00:39:52,040 --> 00:39:57,520
Speaker 3: One element that I think can be very fortuitous for

714
00:39:57,680 --> 00:39:59,760
Speaker 3: us with this upcoming election.

715
00:40:00,040 --> 00:40:00,359
Speaker 2: Uh huh.

716
00:40:01,160 --> 00:40:05,680
Speaker 3: You know about this whole thing, the whole Trump Bernie thing,

717
00:40:07,400 --> 00:40:07,840
Speaker 3: the show.

718
00:40:08,760 --> 00:40:12,879
Speaker 1: Oh yes, yes, yes, the the Trump versus Bernie tour.

719
00:40:13,120 --> 00:40:20,200
Speaker 3: Yeah, yes, So what I figure if James the Domian

720
00:40:20,280 --> 00:40:24,080
Speaker 3: can't pull together a Hillary impression in time. Okay, I'm

721
00:40:24,080 --> 00:40:27,120
Speaker 3: going to coach you to do the Hillary uh and

722
00:40:27,200 --> 00:40:32,760
Speaker 3: get you to be the the like the top indie

723
00:40:32,880 --> 00:40:37,719
Speaker 3: Hillary impersonator. Okay, and then we'll pair you with Anthony Uh,

724
00:40:38,840 --> 00:40:45,759
Speaker 3: the guy who's doing the Trump one. Oh oh you're here,

725
00:40:46,160 --> 00:40:47,280
Speaker 3: so you were paying attention?

726
00:40:48,000 --> 00:40:50,640
Speaker 2: You're not a friends with means with the bear from

727
00:40:50,640 --> 00:40:55,160
Speaker 2: the Revenant. You guys like that reference, the reference of

728
00:40:55,200 --> 00:40:55,800
Speaker 2: the Rent.

729
00:40:56,040 --> 00:40:59,000
Speaker 1: No, I do like it. It's extremely current.

730
00:41:00,440 --> 00:41:04,440
Speaker 2: Is it just mentioning that comedic just knowing there was

731
00:41:04,480 --> 00:41:10,560
Speaker 2: a bear in it? Yeah, pretty funny. Anyway, I was

732
00:41:10,640 --> 00:41:14,279
Speaker 2: just hearing you Anthony Tammina Goes I love doing he's

733
00:41:14,320 --> 00:41:17,520
Speaker 2: doing the Trump stuff. What were you guys talking about?

734
00:41:18,840 --> 00:41:21,480
Speaker 3: Well that I feel like Hayes can kind of slide

735
00:41:21,560 --> 00:41:24,560
Speaker 3: into the Hillary role for the general election.

736
00:41:25,400 --> 00:41:26,920
Speaker 2: Oh hey, that could be great for you.

737
00:41:28,320 --> 00:41:30,360
Speaker 1: Yeah, thank you, Sean.

738
00:41:31,080 --> 00:41:33,080
Speaker 6: I mean I always try to encourage you when you've

739
00:41:33,120 --> 00:41:35,279
Speaker 6: got something that you want to do. You know that

740
00:41:35,640 --> 00:41:39,520
Speaker 6: could sort of expand your brand. I mean, you should

741
00:41:39,560 --> 00:41:41,799
Speaker 6: get out there and do more. Hang on that is

742
00:41:41,880 --> 00:41:43,520
Speaker 6: not Is that another kite?

743
00:41:44,120 --> 00:41:46,280
Speaker 2: Oh? That one's definitely a kite.

744
00:41:46,600 --> 00:41:50,200
Speaker 1: Be right back, guy, it's gotta climb he's I guess

745
00:41:50,239 --> 00:41:53,879
Speaker 1: he's but he is bringing his phote. He probably got

746
00:41:53,880 --> 00:42:01,239
Speaker 1: in his little hip patch. Sure, so you're offering to

747
00:42:01,280 --> 00:42:02,200
Speaker 1: be my coach?

748
00:42:02,480 --> 00:42:08,720
Speaker 3: Yeah, and put me what was it the cappuccino pao?

749
00:42:09,760 --> 00:42:10,960
Speaker 2: Uh huh?

750
00:42:11,080 --> 00:42:13,720
Speaker 3: Is it unopened or just is it just the bag?

751
00:42:14,320 --> 00:42:16,880
Speaker 1: And he and Chud forgot that he has this. He

752
00:42:18,440 --> 00:42:24,319
Speaker 1: has a specific catchphrase, so that's when he says when

753
00:42:24,840 --> 00:42:27,799
Speaker 1: he sees the geft at the data chips, it's really

754
00:42:27,840 --> 00:42:30,840
Speaker 1: the only one he has at this point because he

755
00:42:30,880 --> 00:42:33,040
Speaker 1: got rid of his other one. And it seems like

756
00:42:33,040 --> 00:42:35,880
Speaker 1: he forgot to do it at first, but then he remembered.

757
00:42:38,880 --> 00:42:40,680
Speaker 2: I guess I kind of never tried these. I just

758
00:42:40,719 --> 00:42:42,200
Speaker 2: assumed they were so close.

759
00:42:44,880 --> 00:42:50,520
Speaker 1: Hm. Hm, he's going to think about it.

760
00:42:50,600 --> 00:42:53,839
Speaker 2: Yeah, oh yeah, so.

761
00:42:55,320 --> 00:42:56,160
Speaker 3: I'll bankroll it.

762
00:42:56,760 --> 00:42:59,120
Speaker 1: Okay, it seems is it going to take a lot

763
00:42:59,160 --> 00:43:02,560
Speaker 1: of money to to get you to get you up

764
00:43:02,560 --> 00:43:04,680
Speaker 1: to speed as Hillary?

765
00:43:04,800 --> 00:43:06,280
Speaker 3: Yeah.

766
00:43:06,440 --> 00:43:08,880
Speaker 1: I just never got the impression that Trump versus Bernie

767
00:43:08,920 --> 00:43:09,680
Speaker 1: even was like.

768
00:43:10,840 --> 00:43:14,000
Speaker 3: This big stage stuff I cost, this is gonna be

769
00:43:14,120 --> 00:43:15,279
Speaker 3: high this is gonna be high cost.

770
00:43:15,360 --> 00:43:17,799
Speaker 1: Oh, we're introducing a big money element to this.

771
00:43:18,000 --> 00:43:21,040
Speaker 3: Well, it's gonna be I'm hoping I'm hoping to stage

772
00:43:21,080 --> 00:43:26,839
Speaker 3: these in amphitheaters against the debates, the actual debates when

773
00:43:26,880 --> 00:43:29,120
Speaker 3: they go out, and then see if people can tell

774
00:43:29,160 --> 00:43:29,840
Speaker 3: the difference.

775
00:43:30,520 --> 00:43:34,040
Speaker 1: Okay, and ours will be on television and they will not. No,

776
00:43:34,200 --> 00:43:37,680
Speaker 1: yours will be also, oh okay, yeah, and then we'll

777
00:43:37,800 --> 00:43:40,600
Speaker 1: quiz people after to see if they could tell.

778
00:43:40,560 --> 00:43:41,400
Speaker 3: Tell the difference.

779
00:43:41,520 --> 00:43:47,120
Speaker 1: Yeah, okay, yeah, Hey, I don't know where I am now, Sean,

780
00:43:47,800 --> 00:43:50,640
Speaker 1: what's the matter, buddy? Where'd you go?

781
00:43:50,960 --> 00:43:52,640
Speaker 2: But I don't know where I am.

782
00:43:52,880 --> 00:43:55,680
Speaker 1: Where did you walk out of Pioline's? Which way did

783
00:43:55,680 --> 00:44:01,400
Speaker 1: you walk roun front? Okay, so he went across the street.

784
00:44:02,480 --> 00:44:06,200
Speaker 2: I went run ahead for the middle.

785
00:44:06,719 --> 00:44:09,200
Speaker 3: Why do you think this is charming what he's doing,

786
00:44:09,719 --> 00:44:11,000
Speaker 3: don't you?

787
00:44:11,200 --> 00:44:14,319
Speaker 1: Little adventurer? He likes to go on these little adventures.

788
00:44:14,360 --> 00:44:20,000
Speaker 7: He's an ass hat, come on the dead Pool only

789
00:44:20,080 --> 00:44:24,400
Speaker 7: says that to his worst enemy, the normal guy who

790
00:44:24,520 --> 00:44:25,439
Speaker 7: he hates.

791
00:44:26,200 --> 00:44:27,799
Speaker 3: Whose name he wrote out in All.

792
00:44:27,719 --> 00:44:32,920
Speaker 1: The Francis Francis. He hates Francis Now Francis is the original.

793
00:44:33,520 --> 00:44:35,439
Speaker 2: He can't feel it when you're beating him up, which

794
00:44:35,480 --> 00:44:36,719
Speaker 2: makes him almost invincible.

795
00:44:39,160 --> 00:44:41,600
Speaker 1: See you know, well, you call him ass hat. You're

796
00:44:41,640 --> 00:44:44,480
Speaker 1: comparing him to that I'm running right now, that douche

797
00:44:44,560 --> 00:44:48,960
Speaker 1: nozzle Francis. If Sean don't run, okay, run, run, run

798
00:44:49,120 --> 00:44:49,760
Speaker 1: slow down.

799
00:44:49,840 --> 00:44:50,920
Speaker 4: Hey Sean, it's Hayes.

800
00:44:51,640 --> 00:44:53,640
Speaker 1: Oh that's not me, and you know that's not what

801
00:44:53,680 --> 00:44:54,040
Speaker 1: I said.

802
00:44:54,160 --> 00:44:56,920
Speaker 4: Like, Hey Sean, it's Hayes. I want you to.

803
00:44:56,920 --> 00:44:59,960
Speaker 1: Run now, Okay, I'm running.

804
00:45:00,480 --> 00:45:03,480
Speaker 4: Hey, Sewing, it's Hayes. Uh. Won't you say how many

805
00:45:03,520 --> 00:45:05,400
Speaker 4: times you could punch yourself in the face?

806
00:45:05,520 --> 00:45:07,680
Speaker 1: No, shot, don't do that now.

807
00:45:07,719 --> 00:45:10,200
Speaker 3: It's how hard as hard as can be.

808
00:45:10,400 --> 00:45:13,040
Speaker 4: Hey, you still got that pan you were cooking the

809
00:45:13,040 --> 00:45:13,560
Speaker 4: eggs with.

810
00:45:14,560 --> 00:45:16,080
Speaker 2: No, I don't know where I left it.

811
00:45:16,880 --> 00:45:19,440
Speaker 4: Hey, you see anything like a like a holdache, so

812
00:45:19,520 --> 00:45:22,960
Speaker 4: much stuff? Hey, it's Hayes again. You see anything you

813
00:45:22,960 --> 00:45:25,440
Speaker 4: can crawl into, like a sewer or anything.

814
00:45:27,280 --> 00:45:28,279
Speaker 2: There's a church, like.

815
00:45:28,360 --> 00:45:34,359
Speaker 1: Going to Cleveland Cleveland's kids. Don't go into the church, Sean,

816
00:45:34,440 --> 00:45:37,120
Speaker 1: run in slow motion, Okay, pretend, pretend to be a

817
00:45:37,160 --> 00:45:37,719
Speaker 1: slow guy.

818
00:45:37,840 --> 00:45:40,480
Speaker 4: Tom, don't tell him not to go in the church. Hey,

819
00:45:40,520 --> 00:45:44,480
Speaker 4: hey going, Hey Sewing, it's Hayes. Go in that church.

820
00:45:46,040 --> 00:45:46,600
Speaker 2: Okay.

821
00:45:47,160 --> 00:45:50,759
Speaker 1: Now he's gonna start a fight about you know how

822
00:45:50,800 --> 00:45:53,799
Speaker 1: he feels about religit The kind of the conversations he

823
00:45:53,920 --> 00:45:54,720
Speaker 1: likes to get into.

824
00:45:55,800 --> 00:46:00,319
Speaker 2: Hey, everybody, Oh, my bullshit detector is going off off

825
00:46:01,040 --> 00:46:01,800
Speaker 2: very good.

826
00:46:01,560 --> 00:46:06,320
Speaker 1: Said he was thrusting his hips the church.

827
00:46:10,200 --> 00:46:13,799
Speaker 2: Tells one of those wafers.

828
00:46:15,960 --> 00:46:21,280
Speaker 4: Oh, yeah, tell him the whole fairy tale things Sunday mornings.

829
00:46:21,320 --> 00:46:26,080
Speaker 2: It's a bird bass. Well, why don't I get in

830
00:46:26,120 --> 00:46:35,239
Speaker 2: there and splash around because I'm fricking golden eagle. Hey, hey,

831
00:46:35,280 --> 00:46:37,279
Speaker 2: get your hands off of me. You know that you

832
00:46:37,280 --> 00:46:39,960
Speaker 2: guys have killed more people than all wars combined.

833
00:46:41,000 --> 00:46:44,200
Speaker 1: It's not those guys, Jo, that's not Yeah.

834
00:46:44,040 --> 00:46:47,880
Speaker 2: That's right you Hey, ow, Hey, what's this? Hey? What

835
00:46:47,920 --> 00:46:53,319
Speaker 2: are you doing? Hey? Hey, stop stop getting my anger

836
00:46:53,360 --> 00:47:01,359
Speaker 2: with kindness? Hey, squitch softening me? Of course I felt

837
00:47:01,440 --> 00:47:06,600
Speaker 2: that way lost, like there's no answers, like nothing else. Point. Oh,

838
00:47:06,640 --> 00:47:07,960
Speaker 2: come on, you can't solve that.

839
00:47:08,880 --> 00:47:14,200
Speaker 1: He's being gently brought into their religion. So it seems

840
00:47:14,200 --> 00:47:16,440
Speaker 1: like it's worked to gets you, Dub. It seems like

841
00:47:16,480 --> 00:47:23,200
Speaker 1: he's successfully tamed him. Well, sure, Sean.

842
00:47:23,320 --> 00:47:28,440
Speaker 2: Everyone needs a moral code, and love is an appropriate

843
00:47:28,480 --> 00:47:31,600
Speaker 2: response to almost anything. What do you why? What are

844
00:47:31,600 --> 00:47:36,880
Speaker 2: you driving for me? He did that for my sins?

845
00:47:37,840 --> 00:47:40,400
Speaker 2: Jako Michael that's awful generous.

846
00:47:41,280 --> 00:47:43,399
Speaker 1: And now I worry this is going to sway too far.

847
00:47:43,800 --> 00:47:46,160
Speaker 1: The other way, a nice middle ground would have been,

848
00:47:46,719 --> 00:47:47,960
Speaker 1: you don't probably best.

849
00:47:47,719 --> 00:47:51,759
Speaker 3: For the show, you don't deserve this, Hayes. Okay, as

850
00:47:51,880 --> 00:47:53,920
Speaker 3: this is not what a co host should give you.

851
00:47:53,920 --> 00:47:56,360
Speaker 1: You're saying he's too good for me.

852
00:47:56,719 --> 00:48:01,279
Speaker 3: No, no, he's just not carrying this whole thing.

853
00:48:02,480 --> 00:48:03,880
Speaker 2: Is that a ladder in that dumpster?

854
00:48:06,920 --> 00:48:10,200
Speaker 1: Okay, it's like he's moved on.

855
00:48:12,000 --> 00:48:16,280
Speaker 4: Hey buddy, why don't you climb up that ladder? It's Hayes, Sure, Hayes.

856
00:48:16,400 --> 00:48:16,840
Speaker 2: Thanks.

857
00:48:17,760 --> 00:48:19,200
Speaker 4: And then when you get to the top of it,

858
00:48:19,280 --> 00:48:22,239
Speaker 4: climb like two invisible rungs past it.

859
00:48:22,880 --> 00:48:25,799
Speaker 2: Okay, I think I see where you're getting at. That'll

860
00:48:25,920 --> 00:48:26,799
Speaker 2: sack everybody up.

861
00:48:26,960 --> 00:48:29,720
Speaker 4: Jump up to the there's a there's an invisible ladder

862
00:48:30,040 --> 00:48:32,400
Speaker 4: hanging above it about ten feet jump up and grab

863
00:48:32,440 --> 00:48:33,200
Speaker 4: the bottom of it.

864
00:48:34,120 --> 00:48:35,560
Speaker 2: Okay, I'm running again.

865
00:48:38,160 --> 00:48:43,800
Speaker 1: Okay, I couldn't for doing any of these things anyway.

866
00:48:44,000 --> 00:48:49,040
Speaker 2: So and either there's two more rungs, I'm the visible.

867
00:48:48,640 --> 00:48:51,719
Speaker 4: One, huh, about five feet up. If you get all

868
00:48:51,719 --> 00:48:54,000
Speaker 4: the way at the tippy top, then jump.

869
00:48:54,840 --> 00:49:01,560
Speaker 2: I don't feel it yet, jump, ah, you were right. Yeah, Wow,

870
00:49:01,600 --> 00:49:02,480
Speaker 2: where does this go?

871
00:49:02,760 --> 00:49:06,759
Speaker 1: He has these kind of looney dude powers where he

872
00:49:06,760 --> 00:49:08,800
Speaker 1: can it's sort of a combination of looney tunes and

873
00:49:08,880 --> 00:49:14,920
Speaker 1: sphear where if he can manifest whatever he truly believes

874
00:49:14,920 --> 00:49:16,080
Speaker 1: it a climate.

875
00:49:17,600 --> 00:49:22,399
Speaker 2: Wow, nobody's ever been up here before. You can see

876
00:49:22,440 --> 00:49:25,719
Speaker 2: the whole city. That's where me and Hayes used to

877
00:49:25,800 --> 00:49:29,640
Speaker 2: go and get mocuccino for apple latte drinks.

878
00:49:30,480 --> 00:49:35,640
Speaker 1: That's what's any coffee, just any kind of coffee.

879
00:49:38,000 --> 00:49:39,040
Speaker 3: This is where you belong.

880
00:49:39,960 --> 00:49:42,880
Speaker 2: That's a T shirt factory where me and Hayes tried

881
00:49:42,920 --> 00:49:44,759
Speaker 2: to launch our funny t shirts.

882
00:49:45,880 --> 00:49:51,040
Speaker 1: We did h it's making you remember we had rostas Dewey.

883
00:49:51,600 --> 00:49:54,400
Speaker 3: We can do funny t shirts here and.

884
00:49:56,880 --> 00:49:59,440
Speaker 1: A basinga but it was like a banana, so it

885
00:49:59,480 --> 00:50:01,400
Speaker 1: was like banana amazinca.

886
00:50:01,600 --> 00:50:02,640
Speaker 3: We can do that here.

887
00:50:03,640 --> 00:50:04,839
Speaker 1: I don't know if we can.

888
00:50:05,520 --> 00:50:13,919
Speaker 3: Let me think of a funny T shirt like a

889
00:50:13,960 --> 00:50:17,719
Speaker 3: minion or something that's that's pretty good.

890
00:50:18,040 --> 00:50:22,360
Speaker 1: Yeah, the minion should be combined with something like smoking

891
00:50:22,400 --> 00:50:26,680
Speaker 1: weed or like a should big tits or something like

892
00:50:26,719 --> 00:50:27,120
Speaker 1: what if.

893
00:50:27,000 --> 00:50:31,360
Speaker 3: It's like a minion? What if it's like a bong

894
00:50:31,520 --> 00:50:32,320
Speaker 3: shaped minion?

895
00:50:34,000 --> 00:50:37,000
Speaker 1: I guess if it's like kind of leaning over into

896
00:50:37,000 --> 00:50:39,160
Speaker 1: the bottom of the T shirt, like it wants to

897
00:50:39,600 --> 00:50:42,480
Speaker 1: uh huh, suck my dick or something like that could

898
00:50:42,520 --> 00:50:45,920
Speaker 1: be kind of funny, like it's like like it's like

899
00:50:46,040 --> 00:50:49,759
Speaker 1: trying to unzip my pants or something like that. I

900
00:50:49,760 --> 00:50:51,600
Speaker 1: get I could see that being a funny T shirt,

901
00:50:51,600 --> 00:50:54,000
Speaker 1: but I also feel like I'm going most of the

902
00:50:54,040 --> 00:50:54,520
Speaker 1: way on that.

903
00:50:54,680 --> 00:50:57,200
Speaker 3: Well, what about this then, a shirt that has hands

904
00:50:57,239 --> 00:51:00,200
Speaker 3: on it makes it look like you're pulling your sure

905
00:51:00,840 --> 00:51:02,960
Speaker 3: and underneath it reveals your aminion.

906
00:51:04,440 --> 00:51:07,440
Speaker 1: Okay, but I don't know how that would necessarily it

907
00:51:07,640 --> 00:51:11,279
Speaker 1: just that I'm wearing like suspenders underneath. Yeah, I don't

908
00:51:11,320 --> 00:51:14,520
Speaker 1: know if that part of a minion's anatomy is gonna

909
00:51:14,560 --> 00:51:18,360
Speaker 1: be is going to read so clearly you know what

910
00:51:18,400 --> 00:51:18,680
Speaker 1: I mean.

911
00:51:18,719 --> 00:51:19,719
Speaker 4: It is harder than I.

912
00:51:19,680 --> 00:51:20,239
Speaker 3: Thought it was.

913
00:51:20,280 --> 00:51:24,000
Speaker 1: If it's just like the chest area, this is harder

914
00:51:24,040 --> 00:51:24,840
Speaker 1: than I thought it was.

915
00:51:25,920 --> 00:51:29,480
Speaker 2: Yeah, guys, I'm just tuning back into you what you're doing.

916
00:51:30,080 --> 00:51:34,200
Speaker 2: You're in a bank anyway, he's in a bank. What

917
00:51:34,239 --> 00:51:38,520
Speaker 2: I'm hearing is a real misunderstanding of what shells minions.

918
00:51:40,200 --> 00:51:44,320
Speaker 2: You kind of you can see from belly button down

919
00:51:45,520 --> 00:51:48,040
Speaker 2: or from I want to say neck uff even though

920
00:51:48,040 --> 00:51:48,799
Speaker 2: they don't have a neck.

921
00:51:49,400 --> 00:51:52,800
Speaker 1: It's really any other You're right, it's.

922
00:51:52,640 --> 00:51:54,719
Speaker 2: Just like a yellow egg basically.

923
00:51:55,280 --> 00:51:58,799
Speaker 3: Okay, Look, I said it was harder than it was.

924
00:51:58,960 --> 00:52:00,719
Speaker 3: I couldn't do it. Off the top of my head.

925
00:52:01,080 --> 00:52:04,080
Speaker 1: I think Deadpool could be bursting out of there for sure.

926
00:52:05,400 --> 00:52:10,359
Speaker 2: And be like, I'm like twice three tights a lady.

927
00:52:10,640 --> 00:52:16,000
Speaker 2: I cannot believe my luck. I'm gonna get you kite.

928
00:52:16,600 --> 00:52:20,680
Speaker 1: Oh he saw a third. He keeps saying he's had

929
00:52:20,719 --> 00:52:23,440
Speaker 1: another kite, and this is the third kite. But the

930
00:52:23,480 --> 00:52:26,759
Speaker 1: first two were not kite, so this would actually be

931
00:52:26,800 --> 00:52:30,320
Speaker 1: the first kite. Yeah, if it is, which I don't,

932
00:52:30,520 --> 00:52:33,480
Speaker 1: I think it probably is not. It's it's not that

933
00:52:33,600 --> 00:52:35,480
Speaker 1: lucky a Sunday for him so far. But that's what

934
00:52:35,640 --> 00:52:37,879
Speaker 1: I love Tom, is that he thinks it's a lucky

935
00:52:37,920 --> 00:52:39,960
Speaker 1: Sunday even though he gets all the way up these

936
00:52:40,000 --> 00:52:44,040
Speaker 1: trees and it's it's never a kite. That's the secret, Tom.

937
00:52:44,120 --> 00:52:46,440
Speaker 1: It never ends up being a kite. Like he's gonna

938
00:52:46,440 --> 00:52:47,480
Speaker 1: say what it is right now.

939
00:52:47,560 --> 00:52:51,800
Speaker 2: I don't have a notebook, all right, it says Tom's plan.

940
00:52:52,480 --> 00:52:59,480
Speaker 2: I know Tom. He's a friend of mine. So you

941
00:52:59,560 --> 00:53:02,239
Speaker 2: still do you say that you had rubies because you know,

942
00:53:02,320 --> 00:53:03,640
Speaker 2: sounds scared of him. He won't go.

943
00:53:06,200 --> 00:53:10,440
Speaker 1: Is this this isle? This sounds just like your plane?

944
00:53:10,440 --> 00:53:13,560
Speaker 1: Why is it in a tree in Los Angeles?

945
00:53:14,080 --> 00:53:19,839
Speaker 2: Wait a minute, taking up with bible, that's a good

946
00:53:19,880 --> 00:53:27,360
Speaker 2: idea for a show. Wait a minute, he means my hate.

947
00:53:28,520 --> 00:53:30,360
Speaker 2: Oh wait a minute, this is a cold drawing.

948
00:53:31,800 --> 00:53:33,120
Speaker 1: It's also I guess possible that he.

949
00:53:33,640 --> 00:53:36,600
Speaker 2: Like fighting with freaking weasels.

950
00:53:37,239 --> 00:53:42,320
Speaker 3: Look turn turn the page. Uh huh, it's a house.

951
00:53:42,440 --> 00:53:43,160
Speaker 3: You see the house.

952
00:53:44,400 --> 00:53:44,759
Speaker 2: Uh huh.

953
00:53:44,960 --> 00:53:50,040
Speaker 3: You see the plane over the top firing single wine bullets.

954
00:53:51,200 --> 00:53:51,319
Speaker 2: Uh.

955
00:53:52,520 --> 00:53:55,839
Speaker 3: Now, look underneath that, there's a there's a there's a

956
00:53:55,920 --> 00:54:01,000
Speaker 3: like a spiral. Just stare into it, Okay, like, really

957
00:54:01,040 --> 00:54:01,839
Speaker 3: stare into it.

958
00:54:04,040 --> 00:54:06,000
Speaker 2: I'm seeing it. I mean it doesn't really do anything

959
00:54:06,080 --> 00:54:07,879
Speaker 2: for hand.

960
00:54:10,480 --> 00:54:10,760
Speaker 1: Okay.

961
00:54:10,880 --> 00:54:13,839
Speaker 3: Yeah, that's why I got a notebook out in Los Angeles.

962
00:54:13,880 --> 00:54:16,600
Speaker 1: Oh okay, because you knew that Sean would think it

963
00:54:16,640 --> 00:54:19,880
Speaker 1: was a k because it was just by vertues of

964
00:54:19,920 --> 00:54:20,880
Speaker 1: it being in a tree.

965
00:54:21,920 --> 00:54:26,120
Speaker 3: Isn't that right, minion Sean, Now you've.

966
00:54:29,680 --> 00:54:30,279
Speaker 1: Shot edge.

967
00:54:30,719 --> 00:54:31,800
Speaker 3: He's a minion now.

968
00:54:31,640 --> 00:54:32,840
Speaker 1: And he banana.

969
00:54:33,040 --> 00:54:38,040
Speaker 3: Yeah. Yeah, so he's out of the picture. You and

970
00:54:38,080 --> 00:54:42,600
Speaker 3: I Big Apple Bible. We do it here. I'll tell

971
00:54:42,600 --> 00:54:44,680
Speaker 3: you this, And I know we're not supposed to put

972
00:54:44,680 --> 00:54:48,839
Speaker 3: these cards on the table. I've leveraged myself up, down

973
00:54:48,880 --> 00:54:51,279
Speaker 3: every which way. I don't have two cents to my

974
00:54:51,440 --> 00:54:53,880
Speaker 3: name now in the money i've spent trying to make

975
00:54:53,920 --> 00:54:57,280
Speaker 3: this happen. Between the lawyers and the getting the sign

976
00:54:57,440 --> 00:55:00,279
Speaker 3: changed from Best Show to Hollywood Hambook East, and then

977
00:55:00,280 --> 00:55:02,840
Speaker 3: in parentheses Big Apple Bible. And then I have a

978
00:55:02,880 --> 00:55:05,840
Speaker 3: sign that's going to just say Big Apple Bible formerly

979
00:55:05,920 --> 00:55:08,879
Speaker 3: Hollywood Handbook East, and then one that just says Big

980
00:55:08,920 --> 00:55:09,680
Speaker 3: Apple Bible.

981
00:55:10,280 --> 00:55:13,680
Speaker 1: Wait, so your your your plan is to get rid

982
00:55:13,760 --> 00:55:15,600
Speaker 1: of Hollywood Handbook all together.

983
00:55:15,760 --> 00:55:17,080
Speaker 3: Well we're going to face.

984
00:55:18,920 --> 00:55:21,680
Speaker 1: Still you get rid of Hollywood Book.

985
00:55:21,840 --> 00:55:23,960
Speaker 3: Hey, punch yourself in the face.

986
00:55:25,400 --> 00:55:27,800
Speaker 1: Okay, Yeah, he's.

987
00:55:27,640 --> 00:55:31,880
Speaker 3: Not good at keeps missing. Okay, we'll tire himself out

988
00:55:31,920 --> 00:55:38,200
Speaker 3: at least so between the sign change and I've already

989
00:55:38,200 --> 00:55:41,440
Speaker 3: bought some of the wardrobe for this Hillary thing, and

990
00:55:41,480 --> 00:55:45,640
Speaker 3: I've already hired what is some like what would some

991
00:55:45,760 --> 00:55:49,120
Speaker 3: like pants suits and stuff. Sounds like it but in

992
00:55:49,160 --> 00:55:52,640
Speaker 3: your size and the wigs and the thing.

993
00:55:52,840 --> 00:55:55,920
Speaker 1: Okay, that really sounds like everything is there, like, are

994
00:55:55,960 --> 00:55:58,719
Speaker 1: you planning more? Well, I've got to Bill Clinton. I'm

995
00:55:58,719 --> 00:56:01,840
Speaker 1: working up a guy to be a built Clinton. Okay, yeah,

996
00:56:02,360 --> 00:56:04,960
Speaker 1: so I've got him. He's already working on it right now.

997
00:56:05,040 --> 00:56:08,040
Speaker 1: Oh wow, who's gonna do Wait, who's going to do

998
00:56:08,120 --> 00:56:08,720
Speaker 1: Bill Clinton?

999
00:56:10,719 --> 00:56:13,840
Speaker 3: Who's going to do Bill Clinton? Yeah it's Andy Milanakis.

1000
00:56:16,200 --> 00:56:17,120
Speaker 1: That sounds good.

1001
00:56:18,239 --> 00:56:21,560
Speaker 3: He does at His impressions are just off the charts.

1002
00:56:21,719 --> 00:56:23,000
Speaker 1: Oh okay, excuse me.

1003
00:56:23,080 --> 00:56:25,719
Speaker 2: Sure can you feel this prescription that was in the

1004
00:56:25,760 --> 00:56:31,000
Speaker 2: sleeve of my friend Tom's notebook. Yeah, it's for butt pills.

1005
00:56:32,080 --> 00:56:33,880
Speaker 3: Oh no, it's wearing off.

1006
00:56:34,760 --> 00:56:36,520
Speaker 2: I get it. Don't work that good.

1007
00:56:36,800 --> 00:56:37,720
Speaker 3: It's wearing off.

1008
00:56:38,280 --> 00:56:41,319
Speaker 1: Wait Tom, what are these butt pills? Now?

1009
00:56:41,360 --> 00:56:44,240
Speaker 3: This is him singing me there's no prescription for butt

1010
00:56:44,280 --> 00:56:44,920
Speaker 3: pills in there.

1011
00:56:45,040 --> 00:56:47,840
Speaker 2: He's talking to a prescription.

1012
00:56:48,480 --> 00:56:51,040
Speaker 1: No, he's talking to a pharmacist. And he said it's

1013
00:56:51,040 --> 00:56:51,760
Speaker 1: a real person.

1014
00:56:52,080 --> 00:56:55,680
Speaker 3: This spell broke, and he's given me the business. This

1015
00:56:55,719 --> 00:57:00,200
Speaker 3: is him pulling a Popeye now getting little.

1016
00:57:00,080 --> 00:57:02,400
Speaker 2: Make it work so good again? Not be so stinky?

1017
00:57:02,680 --> 00:57:06,040
Speaker 3: Yeah, this is him. Wait, Tom, you're not stink well

1018
00:57:06,080 --> 00:57:10,400
Speaker 3: played Sean. True, No, it's not true, but you know

1019
00:57:10,480 --> 00:57:13,960
Speaker 3: it is true. Sean, you lost, you lost?

1020
00:57:14,360 --> 00:57:16,720
Speaker 1: Wait a second, you lost.

1021
00:57:17,480 --> 00:57:18,640
Speaker 3: You have to do it, Hayes.

1022
00:57:18,800 --> 00:57:20,400
Speaker 1: I don't know. I just don't know if I want

1023
00:57:20,440 --> 00:57:23,160
Speaker 1: to get into business with someone who's butt stinks.

1024
00:57:23,520 --> 00:57:27,280
Speaker 3: It's not true. He's making up the prescription.

1025
00:57:29,080 --> 00:57:31,120
Speaker 2: And he has to tick them in his butt too.

1026
00:57:31,200 --> 00:57:32,840
Speaker 2: He can't like eat him and it fixes it.

1027
00:57:32,880 --> 00:57:35,280
Speaker 1: He has that this isn't true.

1028
00:57:35,880 --> 00:57:37,440
Speaker 2: Okay, So then I guess I need a bunch of

1029
00:57:37,440 --> 00:57:38,800
Speaker 2: these special gloves.

1030
00:57:38,440 --> 00:57:41,120
Speaker 1: Too, Tom, I think I gotta go.

1031
00:57:41,400 --> 00:57:45,840
Speaker 3: No, this guy is an ass hat, Hayes. He's an

1032
00:57:45,840 --> 00:57:49,440
Speaker 3: ass hat. Who do you want to be with somebody

1033
00:57:49,480 --> 00:57:52,160
Speaker 3: who got somebody who had to go to try to

1034
00:57:52,200 --> 00:57:54,560
Speaker 3: get their Deadpool cup they had to go to four

1035
00:57:54,560 --> 00:57:56,840
Speaker 3: different things, or someone who knew how to get there

1036
00:57:57,040 --> 00:57:58,040
Speaker 3: the first time.

1037
00:57:59,680 --> 00:58:01,200
Speaker 1: You have a Deadpool glass, I.

1038
00:58:01,160 --> 00:58:04,080
Speaker 3: Went back twice here unwrap that.

1039
00:58:04,280 --> 00:58:06,520
Speaker 5: Wait, so you were the one who kept sewing from

1040
00:58:06,840 --> 00:58:10,160
Speaker 5: his Deadpool glass. I thought that was Deadpool itself. No,

1041
00:58:10,280 --> 00:58:13,760
Speaker 5: I went to Bethesda to get mine. Deadpool might have

1042
00:58:13,800 --> 00:58:18,200
Speaker 5: been in Los Angeles messing with Sean. Unwrap that that

1043
00:58:18,320 --> 00:58:19,760
Speaker 5: little package over there?

1044
00:58:19,920 --> 00:58:24,120
Speaker 3: Okay, yeah, yeah, oh my.

1045
00:58:24,160 --> 00:58:26,000
Speaker 1: God, it's a real Deadpool glass.

1046
00:58:26,080 --> 00:58:28,520
Speaker 3: Yeah, and it's signed read the signature.

1047
00:58:29,920 --> 00:58:32,800
Speaker 1: It's signed your friend Deadpool.

1048
00:58:33,000 --> 00:58:36,120
Speaker 3: Yeah, but read what he wrote. Who wrote to Hayes.

1049
00:58:36,760 --> 00:58:40,800
Speaker 1: To Hayes, you're not a douche nozzle?

1050
00:58:42,080 --> 00:58:46,280
Speaker 3: Wow, your friend, your friend Deadpool. That's what you get

1051
00:58:46,320 --> 00:58:49,480
Speaker 3: if you come here to Big Apple Bible.

1052
00:58:51,040 --> 00:58:54,120
Speaker 2: Hey, guys, I mistakenly walked to a really busy area

1053
00:58:54,120 --> 00:58:57,080
Speaker 2: of people. So if I'm being more quiet now, it's

1054
00:58:57,160 --> 00:58:58,400
Speaker 2: just because I got real shot.

1055
00:59:02,040 --> 00:59:05,320
Speaker 1: You know, Tom, I think I am. I think I

1056
00:59:05,360 --> 00:59:09,280
Speaker 1: have a friend who would really like this. Uh and

1057
00:59:10,680 --> 00:59:13,840
Speaker 1: he's he's back in Hollywood and he uh and he

1058
00:59:13,960 --> 00:59:14,400
Speaker 1: needs me.

1059
00:59:15,240 --> 00:59:16,520
Speaker 3: No, don't do this to me.

1060
00:59:16,680 --> 00:59:18,280
Speaker 1: And his butt smells normal.

1061
00:59:19,280 --> 00:59:20,280
Speaker 3: Don't do this to me.

1062
00:59:21,120 --> 00:59:25,200
Speaker 1: And uh and I've leveraged. He needs me and I

1063
00:59:25,240 --> 00:59:25,800
Speaker 1: need him.

1064
00:59:26,240 --> 00:59:29,040
Speaker 3: I've got nothing if you if you leave, if you

1065
00:59:29,080 --> 00:59:35,560
Speaker 3: walk out that door, I've got nothing, Tom, I uh,

1066
00:59:35,880 --> 00:59:36,800
Speaker 3: don't ruin.

1067
00:59:36,600 --> 00:59:39,280
Speaker 2: Me like this, still feeling shy. I love him? What's

1068
00:59:39,280 --> 00:59:43,520
Speaker 2: going on for you? Guys? But do I get a juice? Oh? No,

1069
00:59:43,640 --> 00:59:44,160
Speaker 2: that's got it.

1070
00:59:46,200 --> 00:59:51,040
Speaker 3: I you can't. Every your future is here, Sean, listen

1071
00:59:51,080 --> 00:59:52,000
Speaker 3: to this buffoon.

1072
00:59:52,960 --> 00:59:55,000
Speaker 1: Oh he's just a little shy. I mean, I think

1073
00:59:55,000 --> 00:59:57,120
Speaker 1: maybe he thought he was going to do some stuff

1074
00:59:57,160 --> 00:59:58,600
Speaker 1: with some people.

1075
01:00:00,040 --> 01:00:03,440
Speaker 2: Uh, I guess it's so busy. Maybe if it reaches

1076
01:00:03,560 --> 01:00:05,520
Speaker 2: me and like a person behind a counter, I would

1077
01:00:05,520 --> 01:00:08,280
Speaker 2: touch them to talk to you guys. But from all

1078
01:00:08,320 --> 01:00:10,600
Speaker 2: the customers, I get too shy.

1079
01:00:10,640 --> 01:00:16,800
Speaker 1: This sucks, Tom, I I guess there's only one thing

1080
01:00:18,040 --> 01:00:22,400
Speaker 1: I can say. What's that? And that's if you know

1081
01:00:22,640 --> 01:00:26,600
Speaker 1: there's something I can't give you, And that's the pro version.

1082
01:00:28,480 --> 01:00:31,040
Speaker 1: So Tom Sharpling is the winner of the version.

1083
01:00:31,280 --> 01:00:32,760
Speaker 3: I don't want the pro version.

1084
01:00:34,360 --> 01:00:39,200
Speaker 1: Congratulations on Hollywood Handbook, West and Insider's Guide to Kicking

1085
01:00:39,240 --> 01:00:42,320
Speaker 1: butt and Dropping Names and the red carpet lineback hallways.

1086
01:00:42,320 --> 01:00:44,960
Speaker 1: As this industry we called showbusiness.

1087
01:00:44,440 --> 01:00:46,400
Speaker 2: Guys, you guys, I am not making this up. I

1088
01:00:46,560 --> 01:00:47,400
Speaker 2: just walked by a scar.

1089
01:00:50,040 --> 01:00:53,200
Speaker 1: That's the kind of thing that There are no sclars here. Tom.

1090
01:00:53,560 --> 01:00:56,760
Speaker 1: You can give me everything then the you know, the

1091
01:00:56,880 --> 01:01:01,920
Speaker 1: late night snacks and what a like a bird. But

1092
01:01:02,000 --> 01:01:04,000
Speaker 1: there you can't get me any squares.

1093
01:01:04,360 --> 01:01:08,200
Speaker 3: I can get, I know one of them. I can

1094
01:01:08,240 --> 01:01:11,320
Speaker 3: get them to try to find the funny here. I

1095
01:01:11,360 --> 01:01:13,240
Speaker 3: know I can get them to try. They already found

1096
01:01:13,240 --> 01:01:15,760
Speaker 3: the funny in Buffalo, Tom. They're not gonna come back

1097
01:01:15,800 --> 01:01:18,280
Speaker 3: to New York. They already did the whole Buffalo Wings thing.

1098
01:01:18,400 --> 01:01:21,720
Speaker 3: Don't do this to me. Don't you do this to me.

1099
01:01:22,000 --> 01:01:24,080
Speaker 1: I have one thing we have to say to you, Tom.

1100
01:01:24,200 --> 01:01:28,280
Speaker 8: Don't you do this to me? Bye, don't you do

1101
01:01:28,320 --> 01:01:33,680
Speaker 8: this to me? Don't you do this to me? I said, bye,

1102
01:01:33,920 --> 01:01:41,200
Speaker 8: don't you do this to me? Don't don't studio shut

1103
01:01:41,240 --> 01:01:41,640
Speaker 8: them off?

1104
01:01:42,120 --> 01:01:46,280
Speaker 1: Don't slowly, slowly, don't you do this slowly? Turn his

1105
01:01:46,360 --> 01:01:48,600
Speaker 1: volume down. Dudio you I'll take you back with me.

1106
01:01:48,760 --> 01:01:56,440
Speaker 1: Don't you do this to me. Don't you now? Don't

1107
01:01:56,520 --> 01:02:00,920
Speaker 1: you do this to me? Come on, duty, let's go.

1108
01:02:03,880 --> 01:02:09,520
Speaker 1: You said by to Tom. Okay, I'm gonna turn the

1109
01:02:09,560 --> 01:02:24,240
Speaker 1: train on, so he slowly rolls away.

1110
01:02:25,400 --> 01:02:28,240
Speaker 2: Hey, I really did saws fla. If only we'd been

1111
01:02:28,240 --> 01:02:29,920
Speaker 2: on this show before, I could have gotten him get

1112
01:02:29,960 --> 01:02:30,640
Speaker 2: on the phone.

1113
01:02:31,480 --> 01:02:34,919
Speaker 1: Yeah, I can see how it would have been tough

1114
01:02:34,960 --> 01:02:37,000
Speaker 1: to explain to him in the moment that we are

1115
01:02:37,040 --> 01:02:38,240
Speaker 1: a podcast that.

1116
01:02:38,200 --> 01:02:39,720
Speaker 2: He hasn't been here family.

1117
01:02:42,200 --> 01:02:45,960
Speaker 1: Yeah, Hey, Sean, I I defeated Tom.

1118
01:02:46,000 --> 01:02:46,960
Speaker 2: Oh, thank you.

1119
01:02:49,280 --> 01:02:52,640
Speaker 1: I'll see you soon. Okay, yeah, okay, Hey, probably sit

1120
01:02:52,720 --> 01:02:54,560
Speaker 1: down on the ground until I get back. Does that

1121
01:02:54,720 --> 01:02:56,040
Speaker 1: sound good? Do you have a juice.

1122
01:02:55,840 --> 01:03:00,240
Speaker 2: Yet No, I wasn't able to get one. I got

1123
01:03:00,280 --> 01:03:01,240
Speaker 2: scared too much people.

1124
01:03:02,000 --> 01:03:05,040
Speaker 1: Okay, probably just haven't see and I'll be back in

1125
01:03:05,080 --> 01:03:05,560
Speaker 1: a few hours.

1126
01:03:05,600 --> 01:03:14,640
Speaker 2: Okay, Okay, time you go. Okay, bye bye.

1127
01:03:17,040 --> 01:03:21,120
Speaker 5: Hollywood Handbook is brought to you by Wolf Cool Productions,

1128
01:03:21,120 --> 01:03:21,160
Speaker 5: to

1129
01:03:21,240 --> 01:03:35,800
Speaker 1: Subsidiary of Calvin Noondobbs, How Baby