WEBVTT - Hour 3 - Aaron Judge Speculation, Peter Billingsley

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<v Speaker 1>You are listening to The Dan Patrick Show on Fox

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<v Speaker 1>Sports Radio Final Hour. On this Tuesday, Dan and The

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<v Speaker 1>Dan H. Dan Patrick Show, we'll talk to the man

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<v Speaker 1>who portrayed Ralphie and Christmas story. Peter Billingsley will join us.

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<v Speaker 1>Coming up, Brock Purty gets his first start for the

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<v Speaker 1>forty nine ers, and his first start is going to

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<v Speaker 1>be against Tom Brady. Here's the niners new starting quarterback. Like,

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<v Speaker 1>your first start will be against Tom Brady. Yeah, that's that. Yeah,

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<v Speaker 1>I think it's cool. I think it's really cool. Um,

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<v Speaker 1>they's been playing football, are that I've been alive, So yeah,

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<v Speaker 1>to have a first start against you know, the goat,

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<v Speaker 1>it's gonna be pretty cool. But it's just any other game, man.

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<v Speaker 1>It's gotta be efficient to do my thing and play football.

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<v Speaker 1>It's not just any other game. But you gotta take

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<v Speaker 1>advantage of what you have. You got a great play

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<v Speaker 1>caller in Kyle Shanahan, you have a good offensive line,

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<v Speaker 1>you have skilled position players, and you have a great defense.

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<v Speaker 1>Just go in and try to manage a game. You

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<v Speaker 1>don't have to be a hero. You're not back in

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<v Speaker 1>college and that'll take you a long way. But your

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<v Speaker 1>first matchup against Tom Brady. Tom Brady has six hundred

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<v Speaker 1>and forty touchdown passes. Brock Purty has won that of

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<v Speaker 1>the day, that of the day. Here comes the stat

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<v Speaker 1>of the day, as that of the day of the day,

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<v Speaker 1>he incomes the stat of the day. If I'm brock Purty,

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<v Speaker 1>I go to my press conference and I say, you know,

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<v Speaker 1>Tom Brady and I have combined for six hundred and

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<v Speaker 1>forty one touchdown passes in our career. I swear I

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<v Speaker 1>thought he was the intern. Check in the microphone, you know,

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<v Speaker 1>the sound quality when he was up there. And then

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<v Speaker 1>I realized that brock Purty, who's what twenty two years

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<v Speaker 1>of age, gonna be starting for the forty nine ers.

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<v Speaker 1>I'm gonna guess he gets carded wherever he goes. He

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<v Speaker 1>probably gets stopped when he goes into the building, like

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<v Speaker 1>I am, I'm the new starting quarterback. Yeah, all right,

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<v Speaker 1>all right, Jimmy Lipper, sure you are. Sunday night, it'll

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<v Speaker 1>be Tuah and the Dolphins in Los Angeles to battle

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<v Speaker 1>Justin Herbert and the Chargers. That's seven Eastern on NBC,

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<v Speaker 1>and Peacock will get phone calls coming up. We have

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<v Speaker 1>an Aaron Judge, Bet and we have an idea for

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<v Speaker 1>Baker Mayfield. Also, the transfer portal this week over a

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<v Speaker 1>thousand players, over a thousand yesterday, all from Colorado. Yeah,

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<v Speaker 1>I mean too Colorado. Ye. No, I think both Dion's

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<v Speaker 1>gonna have that revolving door there. It's like come on in,

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<v Speaker 1>you're leaving, yeah, Paul. It's kind of a unique transfer

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<v Speaker 1>portal because of COVID. A lot of guys got the

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<v Speaker 1>bonus year of eligibility, a lot took it, so there

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<v Speaker 1>is a kind of a backlog of players and maybe

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<v Speaker 1>not enough spots in college football, so a lot of

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<v Speaker 1>the trans reporter kids might be uh, sol you know

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<v Speaker 1>what I mean, and not have a scholarship and the

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<v Speaker 1>transper portal kids, yes, morv Yeah. Yesterday a Kada Trey

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<v Speaker 1>Sanders wide receiver at Alabama tweeted at you got room

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<v Speaker 1>for me? Unc wow oh wow, Oh now there's an

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<v Speaker 1>opening at Alabama. Yea wide receiver room though. Yeah. Uh.

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<v Speaker 1>Phone numbers eight seven seven three d P Show email

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<v Speaker 1>address DPA dan Patrick dot com, Twitter handle at DPS show.

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<v Speaker 1>Say good morning everybody listening on the radio, Thank you

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<v Speaker 1>for allowing us into your day. Also watching on Peacock

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<v Speaker 1>our streaming partner. Download that app and you can watch

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<v Speaker 1>for free. We have run out of a lot of

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<v Speaker 1>stuff for the holidays. Here went through all the calendars,

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<v Speaker 1>the moonshine. We do have some merchandise there, the Pennies,

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<v Speaker 1>Bang biscuits, um. But there's there's some great T shirts

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<v Speaker 1>there as well. Go to dan Patrick dot com. We'll

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<v Speaker 1>let you know with our next batch of moonshine, Tailgate Moonshine,

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<v Speaker 1>when we'll have that for you. We hope to have

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<v Speaker 1>it around the holidays, it might be after Christmas. We

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<v Speaker 1>were actually sampling a new well a potential new moonshine

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<v Speaker 1>for the show yesterday. I said to the danants, I said, uh, hey,

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<v Speaker 1>you guys got an assignment. We're like, the show's over.

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<v Speaker 1>I go, all right, can you give me five minutes

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<v Speaker 1>We're going to sip on some moonshine. It'll pat our feed. Yes,

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<v Speaker 1>I know everybody was, even Fritzie had some of it.

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<v Speaker 1>I did. I got a little excited there. Yeah. So

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<v Speaker 1>that's where we're we're testing out new moonshine and then

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<v Speaker 1>we'll let you know. But hopefully we'll be able to

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<v Speaker 1>do that around the holidays. We'll let you know as

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<v Speaker 1>soon as they're available, and they've sold out very quickly,

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<v Speaker 1>less than an hour the first two batches that we

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<v Speaker 1>put out. All right, phone calls coming up. Let's do

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<v Speaker 1>the errand Judge bets. Okay, here are the odds for

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<v Speaker 1>Aaron Judge's next team. They've been updating every day, but

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<v Speaker 1>they've been pretty consistent. There's a thirty three percent odds

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<v Speaker 1>chance that he goes to San Francisco Giants. Twenty six

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<v Speaker 1>point seven percent is the Yankees, The Dodgers are sixteen percent,

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<v Speaker 1>the Mets are twelve percent, the Astro of twelve percent.

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<v Speaker 1>Then there's a bunch of teams. If I gave you this,

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<v Speaker 1>San Francisco Giants or the field, who would you take? Giants?

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<v Speaker 1>Are they not heavy favorites? Semi heavy favorite? I'm gonna

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<v Speaker 1>I don't know. Oh, I'm being told that Rock Purtty

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<v Speaker 1>and Tom Brady have combined for six hundred forty two touchdowns.

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<v Speaker 1>Brock Purtty had two touchdown throws last week. No, I

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<v Speaker 1>screwed it up, so you can't. I can't have that

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<v Speaker 1>as stat of the day, Correction of the day, correction

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<v Speaker 1>of the day. Our buddy Matt Jenkins just corrected me

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<v Speaker 1>there that Rock pretty had two touchdowns. Therefore they have

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<v Speaker 1>combined for six hundred and forty two. Oh, would I

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<v Speaker 1>take the Giants to the field. I guess if it

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<v Speaker 1>was the Giants of the field, I'd take the field.

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<v Speaker 1>Just that seems like I got more opportunities. I don't

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<v Speaker 1>know if the Dodgers are involved in this um. It

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<v Speaker 1>just feels like it's the Yankees or the Giants. Yes, Hunter,

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<v Speaker 1>I think it's the Giants. I don't have any inside information.

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<v Speaker 1>I just got this feeling. You don't have any inside

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<v Speaker 1>He's been there, done that as far as the pin stripes,

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<v Speaker 1>unless he has this major desire to spend his whole

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<v Speaker 1>life as a Yankee. But that's where he grew up.

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<v Speaker 1>I guess right, that's his favorite. Why didn't you get

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<v Speaker 1>some insight in for nobody cares if you'd go. I

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<v Speaker 1>think he's going to the Giants that I don't know anything.

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<v Speaker 1>I understand why he would be the Giants to be

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<v Speaker 1>the favorite, because he already did the Yankees thing and

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<v Speaker 1>now he wants to go home and doesn't want to

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<v Speaker 1>be a Yankee for life. No, I think I don't

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<v Speaker 1>think he wants to be a Giant, now the team

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<v Speaker 1>he grew up with. All right, thank you to welcome. Yeah,

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<v Speaker 1>wouldn't it be great for baseball if he joined the

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<v Speaker 1>Mets just for the storyline. There are eleven sent chance

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<v Speaker 1>I think, just because they spend like their nuts. That'd

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<v Speaker 1>be just good for baseballs to have him go cross that.

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<v Speaker 1>Yeah again, justin Verlander, he launched to Grom. The Yankees

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<v Speaker 1>don't have him. Could let's be cool, like remember when

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<v Speaker 1>everyone was going to the nets? Nope, no, I don't

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<v Speaker 1>think anybody went to the nets. Nothing. There's never nothing.

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<v Speaker 1>This whole idea that the Mets are going to be

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<v Speaker 1>good and popular, it never happens. What does not exist,

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<v Speaker 1>It always feels good. It's like the Jets, like you go,

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<v Speaker 1>here's the Jets. Here they come, and then they're still

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<v Speaker 1>the same old Jets. I'll take it right in reyz

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<v Speaker 1>over over Jeter a ron better left side of the endfield.

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<v Speaker 1>Shut up. Yeah. Yeah. The California Angels, I still call

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<v Speaker 1>him California Angels, the Los Angeles Angels. They have Votani

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<v Speaker 1>and Trout and they can't. I don't know if they

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<v Speaker 1>can compete public sentiment with the Dodgers. No, no, they

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<v Speaker 1>have the most world famous player and the best player. Yeah,

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<v Speaker 1>and they and even that, but they have no hist

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<v Speaker 1>The Dodgers have history, they have tradition, they win, right.

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<v Speaker 1>The Angels are curiosity. But what I want Aaron Judge

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<v Speaker 1>second half of his career for what he's going to

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<v Speaker 1>make the answers. Now, if you're the Yankees, it feels

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<v Speaker 1>like you need to keep him. Can the you know,

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<v Speaker 1>the Giants spend that money and now you have a

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<v Speaker 1>face for the franchise. I certainly understand that. But you

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<v Speaker 1>know he's gonna be thirty one years of age, and

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<v Speaker 1>if you didn't think that he was going to be

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<v Speaker 1>this great, now you think he's going to continue to

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<v Speaker 1>be great because the Yankees could assigned him and got

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<v Speaker 1>him at what would be considered a bargain, but they didn't.

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<v Speaker 1>What is it that they saw or didn't see where

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<v Speaker 1>they go? I don't know. Let's just let this play out. Yeah,

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<v Speaker 1>pull the one thing that bothers him about Aaron Judge.

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<v Speaker 1>He's had two monster seasons and four good seasons and

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<v Speaker 1>you're gonna pay full boat for that. Yeah. His first

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<v Speaker 1>year was gigantic. Then he meandered around twenty seven home

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<v Speaker 1>runs twenty seven home runs nine He was injured that season,

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<v Speaker 1>but a year ago he two eighty seven with thirty

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<v Speaker 1>nine home runs, which is very good. Great, Yeah, but

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<v Speaker 1>then this year he went ballistic. Yeah. But if you're

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<v Speaker 1>gonna say, is he gonna be more like this year

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<v Speaker 1>or last year or the year before that? As you

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<v Speaker 1>get older, somebody of that size, you know, those holes

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<v Speaker 1>in your swing get a little bit bigger because you

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<v Speaker 1>don't your bat speed slows down. But he had a

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<v Speaker 1>wonderful year, great year, one of the great years that

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<v Speaker 1>we've ever seen. Is that worth giving him three hundred

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<v Speaker 1>and fifty million dollars? You're already overpaying for Giancarlos Stanton,

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<v Speaker 1>Garrett Cole. I mean you know they that Giancarlos Stanton contract.

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<v Speaker 1>Good God. First of all, I couldn't understand the Marlins

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<v Speaker 1>giving it to him, and then you've found somebody to

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<v Speaker 1>take him off your hands, and I'm like, God, that

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<v Speaker 1>that's the worst move in the best to move by

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<v Speaker 1>the same franchise there that they they they got rid

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<v Speaker 1>of him after they had signed him to that huge deal. Yeah,

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<v Speaker 1>poling the Yankees, Oh, gen Carlos Stanton thirty two million dollars,

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<v Speaker 1>a year for the next five seasons. And yeah, I

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<v Speaker 1>don't think there's a way out of it. I'm looking

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<v Speaker 1>at it. I think he twelve. I think they all

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<v Speaker 1>want buck fifty. A buck fifty for five seasons. Yeah, yeah, more.

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<v Speaker 1>But if Aaron Jets signs with the Mets, pole question,

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<v Speaker 1>is this a Metstown? Yes? Or no? I hate that

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<v Speaker 1>so much. It's a Metstown, It's a Jetstown? Yeah? Is

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<v Speaker 1>it a Metstown? Oh? The media just desperately wants it

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<v Speaker 1>to be a Mets town. Just desperate was I just

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<v Speaker 1>have these memories of doing the show at the ESPN

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<v Speaker 1>Zone in Times Square with you, Dan, Yeah, when we

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<v Speaker 1>were still at ESPN, and we would go there and

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<v Speaker 1>every everybody had to wear Mets jerseys because this was

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<v Speaker 1>a Mets town. Now get out of here. Uh, Dicky

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<v Speaker 1>in Iowa? Hi, Dickie, what's on your mind today? Hey? Dan,

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<v Speaker 1>Thanks for taking the call. I just wanted to say

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<v Speaker 1>that I'm really enjoying the Heisman slash Oscar winner comparison,

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<v Speaker 1>and so as I'm listening, it reminded me of a

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<v Speaker 1>story that you've told on air before. I believe it

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<v Speaker 1>was a saving private Ryan, Yes, Oscar party, Yes, and

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<v Speaker 1>it seemed as though it was a slam dunk for

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<v Speaker 1>Best Picture winner. Yes, and I believe it was. Was

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<v Speaker 1>it Shakespeare in Love that one that year? Yes? And

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<v Speaker 1>the mood in the room was not what it should

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<v Speaker 1>have been. No, because Tom Hanks won for Saving Private Ryan.

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<v Speaker 1>But we thought we could have picked whatever movie party

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<v Speaker 1>to go to. My wife and I because I wanted

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<v Speaker 1>to take her to the Academy Awards. And I said, hun,

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<v Speaker 1>Saving Private Ryan is supposed to win all these awards.

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<v Speaker 1>Do you want to go to that? Or we can

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<v Speaker 1>go too? And I started mentioning, and she goes, why

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<v Speaker 1>did love Shakespeare in Love? I said, but yeah, but

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<v Speaker 1>they're not winning. You know I'm winning, Gwyneth A. Pountner

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<v Speaker 1>are not winning. Oh my god changed filmmaking with this movie.

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<v Speaker 1>It's definitely I know. And the winner is Shakespeare in Love.

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<v Speaker 1>It's a new world. And my wife goes, can we

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<v Speaker 1>get into that? I go, no, no, we we got

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<v Speaker 1>an invitation. We have a ticket to get us in

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<v Speaker 1>Saving We went into Saving Private Ryan and it felt

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<v Speaker 1>like they were all coming back from war that you know,

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<v Speaker 1>they were defeated. There were casualties because nobody was having

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<v Speaker 1>a good time and then Tom Hanks had his Oscar

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<v Speaker 1>and everybody's like yeah, and then that was it. There

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<v Speaker 1>was no real celebrating there. So Shakespeare in Love. Yeahs bar,

0:13:04.040 --> 0:13:08.520
<v Speaker 1>that's probably like going to the Atlanta Falcon super Bowl party.

0:13:08.040 --> 0:13:14.240
<v Speaker 1>Oh yeah, let's go there, all right, Robert in La Hi, Robert,

0:13:14.280 --> 0:13:18.800
<v Speaker 1>what's on your mind today? Hey? Dan? First time, long time,

0:13:18.920 --> 0:13:22.280
<v Speaker 1>six foot three and a four ever fluctuating two hundred pounds. Yeah.

0:13:23.600 --> 0:13:26.680
<v Speaker 1>So I think I have the year that is going

0:13:26.720 --> 0:13:30.319
<v Speaker 1>to put this debate between the Heisman Trophy and the

0:13:30.360 --> 0:13:33.360
<v Speaker 1>Oscar to the to the full test. Okay, is this

0:13:33.480 --> 0:13:37.640
<v Speaker 1>best supporting best supporting actor? This? No, no, no, this

0:13:37.760 --> 0:13:42.280
<v Speaker 1>is best actor? Oh okay, all right, let me here,

0:13:42.559 --> 0:13:45.520
<v Speaker 1>So here we go. Two thousand and two Friend of

0:13:45.559 --> 0:13:51.480
<v Speaker 1>the Show Heisman Trophy winner Carson Palmer or Best Actor

0:13:52.280 --> 0:13:58.800
<v Speaker 1>Denzel Washington for a training day. I would say Denzel

0:13:59.120 --> 0:14:03.400
<v Speaker 1>for training day, although I have argued that he wasn't

0:14:03.400 --> 0:14:07.440
<v Speaker 1>the best actor in that movie. Yeah, po, if Carson

0:14:07.480 --> 0:14:11.200
<v Speaker 1>Palmer would have won a super Bowl with the Bengals, you, Michael,

0:14:11.200 --> 0:14:15.520
<v Speaker 1>Carson Palmer to do with that franchise, that would Yeah,

0:14:15.559 --> 0:14:17.520
<v Speaker 1>you gotta go Denzel on that one. And then his

0:14:17.840 --> 0:14:23.960
<v Speaker 1>uh partner in that movie. Ethan Hawk was so great

0:14:24.000 --> 0:14:27.440
<v Speaker 1>in that movie. He got overshadowed because it's Denzel, But

0:14:27.600 --> 0:14:32.520
<v Speaker 1>Denzel played his character was you know, limited. It was

0:14:32.560 --> 0:14:36.000
<v Speaker 1>like he was this guy, you know, Ethan Hawk had

0:14:36.000 --> 0:14:41.160
<v Speaker 1>to be tough guy soft, uh you know, on drugs,

0:14:41.280 --> 0:14:45.280
<v Speaker 1>nearly getting killed like his His range in that movie

0:14:45.320 --> 0:14:48.040
<v Speaker 1>is spectacular. And I don't even know if he got

0:14:48.080 --> 0:14:52.760
<v Speaker 1>nominated for he should have for Best Supporting Actor. He

0:14:52.920 --> 0:14:59.280
<v Speaker 1>was wonderful. Yeah, py Colin Firth Best Actor, King's Speech

0:15:00.160 --> 0:15:04.160
<v Speaker 1>or Cam Newton at Auburn one hit wonder Monster year

0:15:04.920 --> 0:15:07.600
<v Speaker 1>MVP took him to the super Bowl. I think Colin

0:15:07.640 --> 0:15:10.240
<v Speaker 1>first gonna lose that one. Yeah, I think I'd go

0:15:10.320 --> 0:15:14.280
<v Speaker 1>Cameron Newton Junior the third Yeah, yes, just to follow

0:15:14.360 --> 0:15:19.840
<v Speaker 1>up yah yah Best Actor. Denzel Washington won Best Supporting Actor.

0:15:19.880 --> 0:15:24.760
<v Speaker 1>Ethan Hawk just nominated, didn't win. He was great. He

0:15:24.880 --> 0:15:28.920
<v Speaker 1>was great. I didn't like the last scene in Training

0:15:29.000 --> 0:15:32.600
<v Speaker 1>Day where he got shot by the Russians like, you know,

0:15:33.120 --> 0:15:40.560
<v Speaker 1>a hundred times. I wasn't big on them. They could

0:15:40.600 --> 0:15:42.360
<v Speaker 1>have killed him, but he didn't have to shoot him

0:15:42.360 --> 0:15:48.120
<v Speaker 1>like a hundred times. And you know, it's like, Okay,

0:15:48.360 --> 0:15:54.239
<v Speaker 1>come on. He'd love the movie. I love the bathtub

0:15:54.320 --> 0:15:58.560
<v Speaker 1>scene when he goes over there and he's playing cards. Smoke.

0:15:58.640 --> 0:16:02.480
<v Speaker 1>When Ethan Hawk is playing cards, he realized Denzel has

0:16:02.560 --> 0:16:05.520
<v Speaker 1>left him when it dawns on him. Oh oh that is.

0:16:06.680 --> 0:16:09.400
<v Speaker 1>And and you know, the one guy was really slow,

0:16:09.760 --> 0:16:12.160
<v Speaker 1>and you know he would always say these stupid things.

0:16:12.400 --> 0:16:15.240
<v Speaker 1>And then the other guy who had the shotgun, big time,

0:16:17.640 --> 0:16:26.240
<v Speaker 1>big time. Bro. Don't forget. Oh I don't. That was

0:16:26.400 --> 0:16:29.600
<v Speaker 1>Eva Mendes is coming out party. I think that we're

0:16:29.640 --> 0:16:32.320
<v Speaker 1>there for it. Yeah, coming out party with nothing on

0:16:33.200 --> 0:16:38.320
<v Speaker 1>Eva Mendes. Yes, yes, yes, indeed. All right, let's take

0:16:38.320 --> 0:16:42.600
<v Speaker 1>a break, we'll talk acting. He was Ralphie and Christmas Story.

0:16:42.680 --> 0:16:45.640
<v Speaker 1>Christmas Story. Peter Billingsley will join us coming up next

0:16:45.720 --> 0:16:50.120
<v Speaker 1>year on The Dan Patrick Show. Ah, the Mercedes been

0:16:50.240 --> 0:16:53.240
<v Speaker 1>sprinter van. Seaton was in one last year with the

0:16:53.240 --> 0:16:56.160
<v Speaker 1>French kid went cross country. We gave that one away.

0:16:56.840 --> 0:16:59.840
<v Speaker 1>And you know, when you had that Mercedes sprinter van,

0:17:00.840 --> 0:17:03.440
<v Speaker 1>you're opening up more than just doors, You're opening up

0:17:03.480 --> 0:17:08.399
<v Speaker 1>potential see the world. You know, each and every sprinter

0:17:08.480 --> 0:17:10.600
<v Speaker 1>van built design and equip to let you hit the

0:17:10.640 --> 0:17:13.080
<v Speaker 1>open road and take on any goal that you set

0:17:13.320 --> 0:17:16.720
<v Speaker 1>help you follow your own passions. Reawaken that spirit of

0:17:16.760 --> 0:17:22.640
<v Speaker 1>adventure and check out all the bold, fun, big exciting

0:17:22.680 --> 0:17:25.720
<v Speaker 1>experiences and check those off your bucket list. Owning a

0:17:25.800 --> 0:17:29.040
<v Speaker 1>Mercedes ben Sprinter van let you live, work and play,

0:17:29.560 --> 0:17:31.840
<v Speaker 1>and you can do that with your dreams, no matter

0:17:31.880 --> 0:17:34.640
<v Speaker 1>how far off the beaten path they take you. Sprinter

0:17:34.760 --> 0:17:38.760
<v Speaker 1>Van is capable and versatile enough to help you drive

0:17:38.800 --> 0:17:42.320
<v Speaker 1>your ambitions. You can get a gas or diesel engine,

0:17:42.320 --> 0:17:45.240
<v Speaker 1>thousands of ways to customize it. Now's the time to

0:17:45.359 --> 0:17:49.120
<v Speaker 1>discover what moves you the most. Don't wait, unlock your

0:17:49.160 --> 0:17:54.119
<v Speaker 1>potential inside of Mercedes Benz sprinter Thanks for listening to

0:17:54.119 --> 0:17:56.640
<v Speaker 1>The Dan Patrick Show podcast. Be sure to catch us

0:17:56.720 --> 0:17:59.520
<v Speaker 1>live every weekday morning nine until noon eastern six to

0:17:59.600 --> 0:18:02.440
<v Speaker 1>nine Shiffico on Fox Sports Radio, and you can find

0:18:02.520 --> 0:18:06.560
<v Speaker 1>us on the iHeartRadio app at FSR or stream us

0:18:06.600 --> 0:18:10.320
<v Speaker 1>live on the Peacock app. That say no, No, No,

0:18:10.359 --> 0:18:15.399
<v Speaker 1>I didn't say say here we go all together? Now

0:18:15.119 --> 0:18:22.359
<v Speaker 1>want to take me home? Okay, that's a great song,

0:18:22.920 --> 0:18:27.359
<v Speaker 1>that is, But I think doesn't Tom Waits do a

0:18:27.480 --> 0:18:35.760
<v Speaker 1>song about closing time, but it's not called Closing Time. Yes,

0:18:36.119 --> 0:18:38.439
<v Speaker 1>there's an album called Closing Time by Tom Waits and

0:18:38.440 --> 0:18:40.000
<v Speaker 1>they have a bunch of songs on it. Yeah, but

0:18:40.160 --> 0:18:42.760
<v Speaker 1>the album not the song. Now, what's that song that

0:18:42.880 --> 0:18:46.800
<v Speaker 1>he sings one of his most famous songs, Hoodie and

0:18:46.800 --> 0:18:52.280
<v Speaker 1>the Blowfish covered it, grow Up? Is that your Tom

0:18:52.280 --> 0:18:56.560
<v Speaker 1>Wasting person? I hope I don't fall in love? Yes,

0:18:57.280 --> 0:19:01.320
<v Speaker 1>from nineteen seventy sties Closing Time. That is a great song,

0:19:02.080 --> 0:19:08.119
<v Speaker 1>great song. Just don't let's Seaton sing it? I know.

0:19:08.800 --> 0:19:13.639
<v Speaker 1>Come on coach to boy. Wait are you you're coaching

0:19:13.960 --> 0:19:20.080
<v Speaker 1>ed ors? You're on there. Peter Billingsley, actor, filmmaker, producer.

0:19:20.960 --> 0:19:23.600
<v Speaker 1>You can bail if you want to, Peter, but it's

0:19:23.600 --> 0:19:26.800
<v Speaker 1>great to have you back. A Christmas Story Christmas currently

0:19:26.840 --> 0:19:30.680
<v Speaker 1>streaming on HBO Max and Uh. Peter is a producer,

0:19:30.720 --> 0:19:34.359
<v Speaker 1>co writer, actor in the movie and Uh, the top

0:19:34.400 --> 0:19:38.919
<v Speaker 1>movie on the platform since premiering on November seventeenth. You're so,

0:19:39.000 --> 0:19:41.760
<v Speaker 1>you're in two of the biggest Christmas movies of all time,

0:19:42.160 --> 0:19:48.119
<v Speaker 1>two of the most famous ones, Christmas Story and then ELF. Yeah,

0:19:48.160 --> 0:19:51.560
<v Speaker 1>what questions do you get asked more about Christmas Story

0:19:51.640 --> 0:19:57.280
<v Speaker 1>or Elf? Uh? Definitely Christmas Story. The interesting thing on ELF.

0:19:56.960 --> 0:19:58.919
<v Speaker 1>Um Favreau asked me to come in and do a

0:19:58.920 --> 0:20:02.320
<v Speaker 1>little partner and a. I didn't take credit. I just said,

0:20:02.400 --> 0:20:05.240
<v Speaker 1>let me not take credit in the role. And so

0:20:05.320 --> 0:20:08.639
<v Speaker 1>it's been fun to see people realize that I'm in

0:20:08.800 --> 0:20:12.679
<v Speaker 1>health and they make this connection and then they're like, well,

0:20:12.720 --> 0:20:14.159
<v Speaker 1>why didn't you take credit? And I said, well, it's

0:20:14.240 --> 0:20:15.840
<v Speaker 1>kind of more fun to see your face like this

0:20:16.000 --> 0:20:19.200
<v Speaker 1>now when you realize it. What question do you get

0:20:19.240 --> 0:20:23.960
<v Speaker 1>about Christmas Story? Well, I'll tell you. For me, Dan,

0:20:24.200 --> 0:20:27.080
<v Speaker 1>it's nice to be back with you because it actually,

0:20:27.080 --> 0:20:29.639
<v Speaker 1>I think there's our third time. Doesn't really feel like

0:20:29.680 --> 0:20:32.119
<v Speaker 1>the Christmas season for me personally until I get a

0:20:32.200 --> 0:20:34.040
<v Speaker 1>chance to talk to you. You're like the Christmas story

0:20:34.040 --> 0:20:37.399
<v Speaker 1>whisperer for me. You've pulled out a lot of a

0:20:37.400 --> 0:20:43.040
<v Speaker 1>lot of good stories. I think probably most is it's

0:20:43.119 --> 0:20:46.760
<v Speaker 1>more a statement, which is like people wanting me to

0:20:46.880 --> 0:20:51.720
<v Speaker 1>understand how much the Parker family means to them and

0:20:52.119 --> 0:20:57.160
<v Speaker 1>is their family. It's just like you don't understand that's

0:20:57.200 --> 0:21:00.960
<v Speaker 1>my dad, that's my brother, that's my family, that's my life.

0:21:01.000 --> 0:21:05.080
<v Speaker 1>And this film is touched on such a deeply personal connection.

0:21:05.920 --> 0:21:08.840
<v Speaker 1>It's been thirty nine years, Dan since we made the movie.

0:21:09.640 --> 0:21:12.720
<v Speaker 1>But why do certain movies take on a life of

0:21:12.720 --> 0:21:16.760
<v Speaker 1>their own long after, like a slow burn Shawshank Redemption.

0:21:16.960 --> 0:21:19.240
<v Speaker 1>I mean, yeah, for sure, I mean did okay? I

0:21:19.280 --> 0:21:21.399
<v Speaker 1>think was Oscar Contender. But then it's just one of

0:21:21.400 --> 0:21:23.879
<v Speaker 1>those movies. When you turn it on Shawshank, I have

0:21:23.920 --> 0:21:26.359
<v Speaker 1>the same reaction. That's late at night and I turn on.

0:21:26.400 --> 0:21:28.680
<v Speaker 1>I'm like a damn, Now I have to finish it.

0:21:28.880 --> 0:21:31.720
<v Speaker 1>It's like you can't turn it at all, but you're

0:21:31.760 --> 0:21:40.680
<v Speaker 1>not in Shawshank. Just to let it exactly. But when

0:21:40.720 --> 0:21:43.760
<v Speaker 1>you go back and take us back when you first

0:21:43.800 --> 0:21:47.320
<v Speaker 1>audition for Ralphie. So I'll tell you a funny story

0:21:47.320 --> 0:21:50.800
<v Speaker 1>about that um which Bob Clark, the director told me about.

0:21:51.119 --> 0:21:53.080
<v Speaker 1>So as a kid at the time I was I

0:21:53.080 --> 0:21:55.439
<v Speaker 1>think it was around eleven years old. You get all

0:21:55.480 --> 0:21:57.840
<v Speaker 1>these auditions and it's kind of a circuit. You have

0:21:57.880 --> 0:21:59.600
<v Speaker 1>many of them a week. You go when you read,

0:22:00.840 --> 0:22:02.359
<v Speaker 1>and then maybe you get a call back. So I

0:22:02.400 --> 0:22:05.719
<v Speaker 1>went to read for Bob Clark. You read your scenes,

0:22:05.880 --> 0:22:10.440
<v Speaker 1>and I heard nothing. About three months later, I went

0:22:10.440 --> 0:22:14.679
<v Speaker 1>out to do a screen test in Canada where they

0:22:14.800 --> 0:22:17.600
<v Speaker 1>do all this mixing and matching, and so we had

0:22:17.680 --> 0:22:19.679
<v Speaker 1>to read for I had to read for Flick and

0:22:19.760 --> 0:22:22.959
<v Speaker 1>Schwartz and everybody else, and they do these chemistry reads

0:22:24.400 --> 0:22:26.400
<v Speaker 1>and so all the kids learn their lines. And it's

0:22:26.400 --> 0:22:28.920
<v Speaker 1>funny because they always say to you, now, don't worry

0:22:28.920 --> 0:22:30.959
<v Speaker 1>if we tell you to leave early. It's not a

0:22:30.960 --> 0:22:33.840
<v Speaker 1>bad thing. But we know that's not what you want.

0:22:33.880 --> 0:22:37.520
<v Speaker 1>You want to survive to the end. And I got

0:22:37.520 --> 0:22:40.080
<v Speaker 1>through the end, got the part. Bob later told me

0:22:40.680 --> 0:22:42.960
<v Speaker 1>I was, and it's just how the schedule fell. I

0:22:43.040 --> 0:22:46.879
<v Speaker 1>was the first kid he ever read, and he thought

0:22:46.920 --> 0:22:49.800
<v Speaker 1>in that moment, oh my gosh, this is Ralphie, this

0:22:49.880 --> 0:22:52.720
<v Speaker 1>is my guy. But I can't obviously hire the first

0:22:52.720 --> 0:22:55.000
<v Speaker 1>guy that I read. So he went on a three

0:22:55.040 --> 0:22:59.040
<v Speaker 1>month journey of reading and seeing kids, and it kind

0:22:59.040 --> 0:23:01.400
<v Speaker 1>of led back to me, you have to wait three

0:23:01.440 --> 0:23:05.160
<v Speaker 1>months to find out that you were the right person. Sometimes, Yeah,

0:23:05.200 --> 0:23:06.760
<v Speaker 1>it's just sort of the way it falls. And a

0:23:06.800 --> 0:23:08.359
<v Speaker 1>lot of those auditions, you do them, then you figure,

0:23:08.400 --> 0:23:11.440
<v Speaker 1>all right, well that's gone. You know, you just sort

0:23:11.480 --> 0:23:13.760
<v Speaker 1>of you just sort of move on. But nobody knew

0:23:13.840 --> 0:23:16.560
<v Speaker 1>Dan at that time. I mean about how these things

0:23:16.600 --> 0:23:19.000
<v Speaker 1>take a life. This movie, you know, it took twelve

0:23:19.080 --> 0:23:21.199
<v Speaker 1>years to get made. Bob Clark, the director, had to

0:23:21.200 --> 0:23:24.560
<v Speaker 1>throw his salary in to get it done. Nobody wanted

0:23:24.560 --> 0:23:28.120
<v Speaker 1>to do this movie. Full of voiceover said in nineteen forty,

0:23:28.840 --> 0:23:32.080
<v Speaker 1>you know it was not a sexy leap off the

0:23:32.160 --> 0:23:39.280
<v Speaker 1>page script. How do you act with your eyes as Ralphie?

0:23:39.680 --> 0:23:42.920
<v Speaker 1>Because your eyes are so important in telling the story

0:23:42.960 --> 0:23:44.560
<v Speaker 1>where you don't want to say anything, as much as

0:23:44.600 --> 0:23:48.120
<v Speaker 1>it felt like you were telling a story without saying anything.

0:23:48.920 --> 0:23:51.399
<v Speaker 1>A lot of people have asked if you know, or

0:23:51.440 --> 0:23:54.159
<v Speaker 1>even said, oh, those glasses, what a great idea, what

0:23:54.240 --> 0:23:58.400
<v Speaker 1>a great prop Look, I cannot I cannot see you now.

0:23:58.880 --> 0:24:04.000
<v Speaker 1>I was born with a horrible vision. I was diagnosed

0:24:04.040 --> 0:24:06.520
<v Speaker 1>because I was a front row student without the front

0:24:06.600 --> 0:24:09.560
<v Speaker 1>row student brain. The teacher said, I don't think he

0:24:09.600 --> 0:24:12.600
<v Speaker 1>can see because you still have the glasses from a

0:24:12.680 --> 0:24:15.359
<v Speaker 1>Christmas story. I do. I have some of those, yeah,

0:24:15.359 --> 0:24:18.399
<v Speaker 1>And I mean these are even similar. So but I

0:24:18.440 --> 0:24:21.760
<v Speaker 1>think one of the things I love about Ralphie is

0:24:21.760 --> 0:24:24.200
<v Speaker 1>a character, and one thing that we really pulled forward

0:24:24.240 --> 0:24:27.080
<v Speaker 1>to the sequel was that he's a dreamer, you know,

0:24:27.160 --> 0:24:29.399
<v Speaker 1>and he lives in his head and so much of

0:24:29.920 --> 0:24:33.000
<v Speaker 1>and I think that's relatable. We all are we, whether

0:24:33.000 --> 0:24:36.439
<v Speaker 1>we admit it or not. We fantasize about where our

0:24:36.480 --> 0:24:38.680
<v Speaker 1>life could be, where we might want it. And by

0:24:38.680 --> 0:24:41.280
<v Speaker 1>the same token, he's kind of a Nightmarr in the

0:24:41.320 --> 0:24:44.840
<v Speaker 1>sense that he envisions things going horribly wrong, so he

0:24:44.920 --> 0:24:46.480
<v Speaker 1>kind of lives in his head. So I think the

0:24:46.520 --> 0:24:49.520
<v Speaker 1>expressiveness of the eyes comes out of the fact that

0:24:49.520 --> 0:24:53.479
<v Speaker 1>he's in there and all that voiceover. He's just constantly thinking.

0:24:54.440 --> 0:24:57.320
<v Speaker 1>How long you've been sitting on trying to make a sequel.

0:24:58.119 --> 0:25:02.879
<v Speaker 1>I've thought about it for a while, for sure, but

0:25:03.160 --> 0:25:06.919
<v Speaker 1>it's been about four years that we've actively been developing it.

0:25:07.160 --> 0:25:11.280
<v Speaker 1>And the kind of impetus was listened as I said,

0:25:11.280 --> 0:25:13.560
<v Speaker 1>thirty nine as a little now or never. I think

0:25:13.680 --> 0:25:16.160
<v Speaker 1>we're not getting any younger. So to get the band

0:25:16.200 --> 0:25:18.120
<v Speaker 1>back together, we had to kind of do it now.

0:25:18.440 --> 0:25:21.080
<v Speaker 1>And it started with Nick Shank, who's written a lot

0:25:21.119 --> 0:25:24.159
<v Speaker 1>of movies for Clint Eastwood, is a friend, and we

0:25:24.240 --> 0:25:27.000
<v Speaker 1>started kind of breaking the story. And Nick has such

0:25:27.000 --> 0:25:29.359
<v Speaker 1>a great tone, and we wanted to start with that

0:25:29.520 --> 0:25:32.440
<v Speaker 1>greediness of the world in the tone. But you're reconnecting

0:25:32.440 --> 0:25:36.040
<v Speaker 1>with your childhood friends one hundred percent. Yeah, Ralph, he's

0:25:36.080 --> 0:25:39.480
<v Speaker 1>a father now. He's sort of an unsuccessful writer, so

0:25:39.520 --> 0:25:42.320
<v Speaker 1>he's in a place where he's not really where he

0:25:42.359 --> 0:25:43.919
<v Speaker 1>wants to be in. It kind of starts with the

0:25:43.960 --> 0:25:46.760
<v Speaker 1>passing of the old man and he's forced to go

0:25:46.800 --> 0:25:48.760
<v Speaker 1>back home and try to put on a Christmas like

0:25:48.840 --> 0:25:50.600
<v Speaker 1>he had growing up in the face of all that,

0:25:50.720 --> 0:25:54.240
<v Speaker 1>so he reconnects. He moved through town. It takes place

0:25:54.240 --> 0:25:57.560
<v Speaker 1>in nineteen seventy three, so we had to grow sideburns,

0:25:58.119 --> 0:26:02.199
<v Speaker 1>which was nice. And I'll tell you Flick played by

0:26:02.240 --> 0:26:06.840
<v Speaker 1>Scotch Schwartz, won that contest. He's got some real solid muttons.

0:26:07.320 --> 0:26:10.119
<v Speaker 1>But you know, you try to do that and I

0:26:10.119 --> 0:26:12.680
<v Speaker 1>don't know if you try to distance yourself from Ralphie

0:26:12.720 --> 0:26:16.560
<v Speaker 1>as you were growing up. Not really. I mean I've

0:26:16.600 --> 0:26:19.080
<v Speaker 1>had the good fortune of being able to do a

0:26:19.119 --> 0:26:21.760
<v Speaker 1>lot of other things and kind of have another career

0:26:21.800 --> 0:26:24.320
<v Speaker 1>behind the scenes. A lot of people run from that.

0:26:24.359 --> 0:26:26.040
<v Speaker 1>I think you and I have talked about this. You'll

0:26:26.080 --> 0:26:29.720
<v Speaker 1>have kind of somebody that has a wildly iconic role

0:26:30.200 --> 0:26:32.480
<v Speaker 1>and they'll just say, oh, I don't ever talk about that.

0:26:32.560 --> 0:26:34.440
<v Speaker 1>You know, we can talk about anything else, but not that.

0:26:34.800 --> 0:26:37.199
<v Speaker 1>It's like, well, we kind of want to talk about that,

0:26:38.080 --> 0:26:42.280
<v Speaker 1>just for a moment at least. But I didn't have that. Plus,

0:26:42.280 --> 0:26:45.359
<v Speaker 1>as I said, all the approach of fans to me

0:26:45.480 --> 0:26:48.600
<v Speaker 1>with this movie, it's pure joy Dad. I mean people

0:26:49.240 --> 0:26:53.679
<v Speaker 1>like if you don't like receiving that, you're in the

0:26:53.720 --> 0:26:59.399
<v Speaker 1>wrong business. The original you're in Indiana, but you shoot

0:26:59.400 --> 0:27:02.720
<v Speaker 1>it in Ohio, that's right. Yes, we shot in Cleveland

0:27:02.720 --> 0:27:05.800
<v Speaker 1>and Canada. Both. We shot the exterior in Cleveland and

0:27:05.840 --> 0:27:08.640
<v Speaker 1>then the interiors were in the studio in Canada. This

0:27:08.720 --> 0:27:14.520
<v Speaker 1>one we shot in Bulgaria, which I know, like why

0:27:15.440 --> 0:27:20.760
<v Speaker 1>the economy I mean world, I mean Christmas in bulgarias

0:27:20.800 --> 0:27:26.760
<v Speaker 1>the Midwest like Bulgaria, but actually interestingly looked like it

0:27:26.840 --> 0:27:28.760
<v Speaker 1>when you when it is sort of the leaves are

0:27:28.800 --> 0:27:31.199
<v Speaker 1>off the trees and the snows on the ground. But

0:27:31.320 --> 0:27:34.080
<v Speaker 1>it actually allowed us we built eleven houses, so we

0:27:34.160 --> 0:27:36.800
<v Speaker 1>built the Parker House, the pump, this house next door,

0:27:36.800 --> 0:27:39.840
<v Speaker 1>and then eleven houses on what's the old Cleveland street

0:27:39.880 --> 0:27:42.720
<v Speaker 1>in the movie. So it really feels like you're transformed

0:27:42.760 --> 0:27:44.840
<v Speaker 1>back into the world. And that was sort of another

0:27:44.880 --> 0:27:47.119
<v Speaker 1>reason of why do this movie. We had to have

0:27:47.160 --> 0:27:49.240
<v Speaker 1>the resources to be able to do it right. I

0:27:49.400 --> 0:27:52.400
<v Speaker 1>describe it as we had to play offense. We wanted

0:27:52.440 --> 0:27:54.199
<v Speaker 1>it to be great, but you gotta play defense. You

0:27:54.200 --> 0:27:58.000
<v Speaker 1>got to protect obviously against something that's become borderline sacred

0:27:58.080 --> 0:28:00.879
<v Speaker 1>now in the first movie, and so he had the

0:28:00.960 --> 0:28:03.399
<v Speaker 1>right resources. Also got to produce with Vince Vaughn, my

0:28:03.480 --> 0:28:05.960
<v Speaker 1>good buddy, which was great, and we had just really

0:28:06.000 --> 0:28:09.560
<v Speaker 1>a great team um and so the weight was worth

0:28:09.600 --> 0:28:11.520
<v Speaker 1>it and we're really really happy with how the movie

0:28:11.560 --> 0:28:15.760
<v Speaker 1>turned out. He's Peter Billingsley, actor, filmmaker, producer. Christmas Story

0:28:15.840 --> 0:28:20.919
<v Speaker 1>Christmas currently streaming on HBO Max. When did that lamp

0:28:21.480 --> 0:28:27.240
<v Speaker 1>become in vogue that people had to have? That? Were you? No?

0:28:27.520 --> 0:28:29.760
<v Speaker 1>That was that was sort of Gene Shephard, who wrote

0:28:29.760 --> 0:28:32.400
<v Speaker 1>all the source material and was a radio host UM

0:28:32.920 --> 0:28:35.480
<v Speaker 1>for WRS where he started and did the narration in

0:28:35.520 --> 0:28:38.280
<v Speaker 1>the movie. He was his brainchild. I mean, what a

0:28:38.320 --> 0:28:42.440
<v Speaker 1>wildly creative concept. And what I love about it is

0:28:42.480 --> 0:28:44.720
<v Speaker 1>it's like the old band doesn't care what it is.

0:28:44.760 --> 0:28:48.520
<v Speaker 1>He just won something. He's going to make it a win.

0:28:48.720 --> 0:28:51.640
<v Speaker 1>It didn't matter what was in that. So at first

0:28:51.640 --> 0:28:55.239
<v Speaker 1>he goes it's a statue, he could care less, and

0:28:55.280 --> 0:28:57.320
<v Speaker 1>then it's like, oh no, it's a lamp even better,

0:28:57.880 --> 0:29:02.120
<v Speaker 1>and that thing people started replicating them, and you know,

0:29:02.480 --> 0:29:04.760
<v Speaker 1>now They're everywhere I see them. You drive around, you

0:29:04.760 --> 0:29:07.719
<v Speaker 1>see him in people's front room window. Even fred Gila,

0:29:08.240 --> 0:29:11.480
<v Speaker 1>I mean, he's my favorite line in the movie. He

0:29:11.640 --> 0:29:16.640
<v Speaker 1>was such a brilliant comedian playing the straight role. But he, Darren,

0:29:16.720 --> 0:29:21.040
<v Speaker 1>was so funny, so funny, but also so dramatic, so intense.

0:29:21.160 --> 0:29:22.880
<v Speaker 1>And you look at that dad, right, that feels like

0:29:22.880 --> 0:29:25.600
<v Speaker 1>a dad. He feels like he's an inch away from

0:29:25.600 --> 0:29:30.200
<v Speaker 1>just snapping or breaking into violence. You know, it's cold.

0:29:30.360 --> 0:29:34.480
<v Speaker 1>You can tell his work sucks. Whatever he does. He's

0:29:34.600 --> 0:29:38.880
<v Speaker 1>filling up ana freeze, changing bald tires. I mean, but

0:29:40.200 --> 0:29:43.520
<v Speaker 1>with all that, you also never doubt the love in

0:29:43.560 --> 0:29:46.040
<v Speaker 1>the home, you know what I mean, Like it's it's

0:29:46.120 --> 0:29:50.600
<v Speaker 1>just there, that kind of loyalty and love. And so

0:29:50.680 --> 0:29:53.040
<v Speaker 1>that's what I think makes it feel very real. I

0:29:53.160 --> 0:29:58.000
<v Speaker 1>just I'm starting a podcast and so I and I'm

0:29:58.000 --> 0:30:01.200
<v Speaker 1>breaking down Christmas movies. You've inspired me, Dan, I think

0:30:01.200 --> 0:30:04.360
<v Speaker 1>all of our Christmas Story conversations have given me the

0:30:04.400 --> 0:30:06.800
<v Speaker 1>confidence to make the leap. And we were breaking down

0:30:06.920 --> 0:30:09.920
<v Speaker 1>Christmas Story is actually one of the movies. How much

0:30:09.960 --> 0:30:16.120
<v Speaker 1>ad libbing took place in the original A very very little,

0:30:16.720 --> 0:30:21.280
<v Speaker 1>so little in fact that even the swearing that I

0:30:21.360 --> 0:30:27.280
<v Speaker 1>did when I'm beating up Scott Farcas was scripted on

0:30:27.440 --> 0:30:31.320
<v Speaker 1>note cards by Jane Shephard. What do you mean note cards?

0:30:32.160 --> 0:30:35.040
<v Speaker 1>Like little note cards like this? So he long hand

0:30:35.160 --> 0:30:38.440
<v Speaker 1>wrote on the front and back and I think it

0:30:38.560 --> 0:30:41.880
<v Speaker 1>was three note cards. And I was given them a

0:30:41.920 --> 0:30:46.640
<v Speaker 1>couple weeks before and said commit these to memory, and

0:30:46.680 --> 0:30:50.880
<v Speaker 1>I had to memorize them. And it was gibberish. But

0:30:51.080 --> 0:30:53.120
<v Speaker 1>you know, when you're filming, you have multiple angles, so

0:30:53.160 --> 0:30:55.360
<v Speaker 1>they wanted it to be consistent when we covered it.

0:30:55.480 --> 0:30:57.680
<v Speaker 1>So I mean even it wasn't just like yeah, just

0:30:57.760 --> 0:30:59.959
<v Speaker 1>kind of mumble something and be angry and start screaming.

0:31:01.080 --> 0:31:03.120
<v Speaker 1>It was no, you need to say this. It was

0:31:03.360 --> 0:31:07.040
<v Speaker 1>like a very precise script. They've been working on it

0:31:07.080 --> 0:31:09.920
<v Speaker 1>for twelve years, so by the time we went, the

0:31:10.200 --> 0:31:13.880
<v Speaker 1>level of preparation was unlike anything I'd ever seen, I

0:31:14.000 --> 0:31:17.160
<v Speaker 1>know at that time. So you're eleven or twelve and

0:31:17.520 --> 0:31:21.240
<v Speaker 1>you're getting into dangerous territory of now kids can make

0:31:21.280 --> 0:31:24.880
<v Speaker 1>fun of you, or you're at an awkward time. I

0:31:24.920 --> 0:31:28.440
<v Speaker 1>didn't know if if school was tough. You're wearing the

0:31:28.480 --> 0:31:31.160
<v Speaker 1>bunny outfit and you know there's there's a lot of

0:31:31.200 --> 0:31:33.960
<v Speaker 1>things that they either embrace you because you're a star,

0:31:34.560 --> 0:31:36.880
<v Speaker 1>or they make fun of you. What was school like

0:31:37.080 --> 0:31:41.760
<v Speaker 1>for you? It's, yeah, some people embrace you, a lot

0:31:41.800 --> 0:31:45.000
<v Speaker 1>of them make fun of you. But I was a

0:31:45.040 --> 0:31:49.000
<v Speaker 1>homeschool kid because you're traveling somewhere, okay, So I tried to.

0:31:50.040 --> 0:31:54.240
<v Speaker 1>I mean, I unceremoniously got left back in the eighth grade,

0:31:55.560 --> 0:31:57.520
<v Speaker 1>partly because of my grades, but mostly because I just

0:31:57.640 --> 0:32:01.560
<v Speaker 1>wasn't there. So I took my g ed when I

0:32:01.680 --> 0:32:05.280
<v Speaker 1>was I think fifteen, and then was a high school

0:32:05.280 --> 0:32:09.640
<v Speaker 1>graduate at that point, so it was really a sort

0:32:09.960 --> 0:32:14.719
<v Speaker 1>of a life of tutors and classroom and you know,

0:32:15.120 --> 0:32:17.960
<v Speaker 1>on set school teachers, and then was doing homeschooling at home.

0:32:18.120 --> 0:32:20.800
<v Speaker 1>I was traveling a ton, so that that probably helped

0:32:20.840 --> 0:32:23.680
<v Speaker 1>cushion a little bit. You still have the bb gun

0:32:24.320 --> 0:32:28.560
<v Speaker 1>I do, Bob Clark, the director gave me, I don't know,

0:32:28.880 --> 0:32:30.680
<v Speaker 1>I might be the only original one and has a

0:32:30.760 --> 0:32:33.320
<v Speaker 1>nice plaque on it. And the other prize possession is

0:32:33.440 --> 0:32:35.880
<v Speaker 1>and this is the only one that was ever made

0:32:35.880 --> 0:32:38.520
<v Speaker 1>as the original Bundy suit, and those were in a

0:32:38.560 --> 0:32:41.520
<v Speaker 1>climate controlled vault that I keep. They're actually valuable now

0:32:41.640 --> 0:32:44.320
<v Speaker 1>nobody thoughts we just you do. You always take a

0:32:44.320 --> 0:32:46.400
<v Speaker 1>little something, you know, when they're wrapping out in the

0:32:46.440 --> 0:32:49.880
<v Speaker 1>costume departments and disarray, you're like, oh can I have this?

0:32:49.960 --> 0:32:54.880
<v Speaker 1>Sure you hung out with Vince Vaughan and the Swingers era,

0:32:55.000 --> 0:32:59.600
<v Speaker 1>didn't you. Yeah, yeah, I'm at Vincent nineteen eighty nine.

0:33:00.000 --> 0:33:03.479
<v Speaker 1>That feels like that's that's the real Vince Vaughan is

0:33:03.640 --> 0:33:06.960
<v Speaker 1>who we see in Swingers. So many great sights to Vince,

0:33:07.080 --> 0:33:11.920
<v Speaker 1>but for sure just that charming, funny, great loyal friend

0:33:12.000 --> 0:33:15.520
<v Speaker 1>who loves to go out and have a great night. Um.

0:33:16.120 --> 0:33:18.360
<v Speaker 1>And there's also no one better to get you out

0:33:18.360 --> 0:33:20.680
<v Speaker 1>of a funk if you're in one. You know, he's

0:33:20.800 --> 0:33:26.880
<v Speaker 1>just got a contagious energy. Um, it's fun. And is

0:33:27.000 --> 0:33:31.120
<v Speaker 1>Anne was great at not taking no for an answer. Uh,

0:33:31.400 --> 0:33:33.480
<v Speaker 1>you didn't take no for an answer because you you

0:33:33.560 --> 0:33:35.920
<v Speaker 1>got the sequel made. And it's great to talk to

0:33:35.960 --> 0:33:38.760
<v Speaker 1>you again. It's always great to reminisce there, and uh,

0:33:39.400 --> 0:33:42.640
<v Speaker 1>thanks for joining us. Yeah, thanks Dan. Always always good

0:33:42.640 --> 0:33:45.080
<v Speaker 1>to see Mary at Christmas here. Yep, you two, Pete.

0:33:45.160 --> 0:33:50.560
<v Speaker 1>That's Peter Billings, actor, filmmaker, producer, a Christmas Story, Christmas

0:33:51.080 --> 0:33:54.760
<v Speaker 1>and also as a podcast, cinematic Journey on Spotify, which

0:33:54.880 --> 0:33:58.600
<v Speaker 1>focuses on holiday films. He was also in Iron Man,

0:33:58.640 --> 0:34:01.479
<v Speaker 1>I Believe, Yeah, Small Roll, Iron the Breakup. He produced

0:34:01.480 --> 0:34:04.640
<v Speaker 1>and was in the Breakup. Yeah, he's friends. He's good

0:34:04.640 --> 0:34:09.080
<v Speaker 1>friends with Jon Favreau. And then Peter was also part

0:34:09.120 --> 0:34:12.160
<v Speaker 1>of Elf. Yes, Polly, you know that's not the first

0:34:12.160 --> 0:34:13.640
<v Speaker 1>time we've had him on and you did a deep

0:34:13.640 --> 0:34:15.160
<v Speaker 1>dive interview with him a few years ago when he

0:34:15.160 --> 0:34:17.640
<v Speaker 1>wasn't really talking about a Christmas story. I have so

0:34:17.719 --> 0:34:19.799
<v Speaker 1>much respect for a guy like this who can give

0:34:19.840 --> 0:34:22.360
<v Speaker 1>the fans what they want and tell stories about this

0:34:22.360 --> 0:34:25.720
<v Speaker 1>this classic movie that he may have told many times before,

0:34:25.760 --> 0:34:28.319
<v Speaker 1>and he has the energy to do it, and it

0:34:28.360 --> 0:34:30.000
<v Speaker 1>takes a lot to do that, I would bet. Yeah.

0:34:30.040 --> 0:34:32.640
<v Speaker 1>I had to really nudge him to do an interview

0:34:32.680 --> 0:34:36.120
<v Speaker 1>with me a couple of years ago where it just

0:34:36.239 --> 0:34:38.880
<v Speaker 1>felt like, you know, he's he's a producer, he's a writer,

0:34:39.000 --> 0:34:43.200
<v Speaker 1>and you want to move on from being Ralphie and

0:34:43.320 --> 0:34:46.040
<v Speaker 1>I said, no, you can't get out. I gotta bring

0:34:46.080 --> 0:34:48.600
<v Speaker 1>you back. Yeah. See, yeah, It's very much like a

0:34:48.640 --> 0:34:50.440
<v Speaker 1>band who has a hit single that didn't want to

0:34:50.440 --> 0:34:54.080
<v Speaker 1>play it anymore. It's like, I don't know about your house. Yeah. Yeah.

0:34:54.480 --> 0:34:56.960
<v Speaker 1>I heard an interview years ago with Paul McCartney and

0:34:56.960 --> 0:34:58.399
<v Speaker 1>he said, they asked me, did you ever get sick

0:34:58.400 --> 0:35:00.200
<v Speaker 1>of talk about the Beatles? He goes, well, I'm not

0:35:00.200 --> 0:35:02.359
<v Speaker 1>gonna answer that, yes, but I'll tell you this. I'm

0:35:02.360 --> 0:35:05.640
<v Speaker 1>aware that when people meet me, it's a really important

0:35:05.640 --> 0:35:07.440
<v Speaker 1>moment for them, and I don't want to ruin their

0:35:07.520 --> 0:35:09.320
<v Speaker 1>moment because they love the Beals. They grew up on

0:35:09.320 --> 0:35:11.080
<v Speaker 1>the Beals. Whatever, he goes, and if someone comes up

0:35:11.080 --> 0:35:12.839
<v Speaker 1>and says, oh, I love doing the Beatles, I'll take

0:35:12.880 --> 0:35:14.640
<v Speaker 1>a picture, shake their hand and give them a little

0:35:14.640 --> 0:35:16.760
<v Speaker 1>story if I can, because I could take ninety seconds

0:35:16.760 --> 0:35:20.040
<v Speaker 1>out of my day to not ruin everything that they

0:35:20.160 --> 0:35:22.439
<v Speaker 1>built up. It doesn't cost anything to be nice time.

0:35:23.200 --> 0:35:25.000
<v Speaker 1>That is quite true. I tell you that all the

0:35:25.000 --> 0:35:28.160
<v Speaker 1>time I have at least minimal kindness from minimal kindness.

0:35:28.360 --> 0:35:30.800
<v Speaker 1>All right, let's take a break, last call for phone calls.

0:35:30.840 --> 0:35:33.319
<v Speaker 1>What we learn what's in store tomorrow right after this.

0:35:34.239 --> 0:35:36.799
<v Speaker 1>Thanks for listening to The Dan Patrick Show podcast. Be

0:35:36.840 --> 0:35:39.399
<v Speaker 1>sure to catch us live every weekday morning nine until

0:35:39.440 --> 0:35:42.440
<v Speaker 1>noon eastern six to nine Pacific on Fox Sports Radio,

0:35:42.719 --> 0:35:45.640
<v Speaker 1>and you can find us on the iHeartRadio app at

0:35:45.680 --> 0:35:49.799
<v Speaker 1>FSR or stream us live on the Peacock app. This

0:35:49.920 --> 0:35:53.480
<v Speaker 1>is Steve Cavino and Rich Davis, and together we are

0:35:53.800 --> 0:35:58.720
<v Speaker 1>Cavino Enriched, Cavino and Mitch. Thanks buddy, that's right. Cavino

0:35:58.880 --> 0:36:02.239
<v Speaker 1>Rich Fox Sports Radio newest hit show, heard weekdays from

0:36:02.239 --> 0:36:04.879
<v Speaker 1>five to seven Eastern two to four Pacific on Fox

0:36:04.920 --> 0:36:08.040
<v Speaker 1>Sports Radio and the iHeartRadio App. Every Cavino and Rich

0:36:08.080 --> 0:36:11.080
<v Speaker 1>shows available as a podcast. Just search Covino and Rich

0:36:11.360 --> 0:36:14.000
<v Speaker 1>wherever you get your podcasts and subscribe of such a

0:36:14.080 --> 0:36:17.360
<v Speaker 1>rocking dude. The show features our unique take on sports,

0:36:17.600 --> 0:36:21.160
<v Speaker 1>injected with some fun, humor and relatability. Listen to Cavino

0:36:21.239 --> 0:36:24.799
<v Speaker 1>Enrich five days a week on the iHeartRadio app, Apple Podcasts,

0:36:25.040 --> 0:36:28.520
<v Speaker 1>or wherever you get your podcasts. Con Rich, give me

0:36:28.560 --> 0:36:32.840
<v Speaker 1>a hell yeah. Marvin picking the songs, closing time songs.

0:36:33.000 --> 0:36:35.920
<v Speaker 1>You know, there's there's this group of music that I

0:36:36.040 --> 0:36:38.799
<v Speaker 1>played so much when I was on the radio as

0:36:38.840 --> 0:36:41.879
<v Speaker 1>a DJ, and then you hate those songs, and then

0:36:41.920 --> 0:36:45.280
<v Speaker 1>it takes a while. I still haven't come back around

0:36:45.280 --> 0:36:49.400
<v Speaker 1>to go. You know, I'm gonna I'm gonna embrace Journey Boston.

0:36:50.239 --> 0:36:54.759
<v Speaker 1>Don't look back that album Molly Hatchett, the Cars. There

0:36:54.880 --> 0:36:58.520
<v Speaker 1>was probably fifteen of these bands. Where you go? I

0:36:58.560 --> 0:37:01.520
<v Speaker 1>could do without playing that song ever again. Yeah, Paul,

0:37:02.000 --> 0:37:04.400
<v Speaker 1>that was big in my wheelhouse journey seventh eighth grade

0:37:05.080 --> 0:37:09.279
<v Speaker 1>school dances Faithfully Lisa Kur dancing. Yeah, gotta do what

0:37:09.320 --> 0:37:13.399
<v Speaker 1>you gotta do? Yeah, yeah, yes, Marv. Yeah. I could

0:37:13.400 --> 0:37:18.919
<v Speaker 1>just see people at Huskies right now, strangers. So that's

0:37:18.920 --> 0:37:22.719
<v Speaker 1>the Yukon bar Huskies. Yeah, Huskies, thirsty dog sports bar.

0:37:22.840 --> 0:37:25.080
<v Speaker 1>WILLI manic? Come on? I was all over? Yeah, of

0:37:25.120 --> 0:37:28.960
<v Speaker 1>course you were. H Did you find Tom Waits? I hope,

0:37:28.960 --> 0:37:31.200
<v Speaker 1>but I don't fall in love with you? Who's Tom Waits?

0:37:32.440 --> 0:37:37.759
<v Speaker 1>He's one of the great songwriters. Now Tom Waits playlist

0:37:37.840 --> 0:37:41.080
<v Speaker 1>all day tomorrow? No, just Tom Waits Now, I hope

0:37:41.120 --> 0:37:43.759
<v Speaker 1>I don't fall in love with you. Let's go. We

0:37:43.840 --> 0:37:50.880
<v Speaker 1>got three minutes. It's bringing. It's a great song, wonderfully written. Uh.

0:37:50.920 --> 0:37:54.759
<v Speaker 1>This dame in sports history? What we learned? Uh March

0:37:54.800 --> 0:37:57.880
<v Speaker 1>Sebi Swiley Dat dude will be on the program tomorrow.

0:37:59.120 --> 0:38:01.640
<v Speaker 1>What to watch for tonight? We don't we have to

0:38:01.640 --> 0:38:03.920
<v Speaker 1>watch for tonight. This is tough, Dan. No Mac football

0:38:04.000 --> 0:38:05.960
<v Speaker 1>seasons over and they should keep going they should just

0:38:06.000 --> 0:38:08.279
<v Speaker 1>keep playing Mac games. That's true, they're not. I have

0:38:08.280 --> 0:38:11.400
<v Speaker 1>a game you should actually watch tonight, Lakers at Cavaliers,

0:38:11.440 --> 0:38:16.680
<v Speaker 1>seven thirty pm Eastern on tin NT. Cavaliers are favored

0:38:16.719 --> 0:38:20.399
<v Speaker 1>in that game, correct, fair by five. They're fifteen to nine.

0:38:20.400 --> 0:38:22.879
<v Speaker 1>But the Lakers have headed very good two weeks. Yes

0:38:22.920 --> 0:38:28.160
<v Speaker 1>they have. I'm gonna tune in for the entire stretching. Okay,

0:38:28.920 --> 0:38:39.680
<v Speaker 1>this is Tom Waits, It's falling in love makes well.

0:38:39.800 --> 0:38:45.040
<v Speaker 1>The music plays, you display your hard for me. See

0:38:46.160 --> 0:38:50.960
<v Speaker 1>I had a beer now here. You're call enough for me.

0:38:51.960 --> 0:39:10.080
<v Speaker 1>Just sounds like whiskey and that's a good song. All right. No, no, no,

0:39:10.840 --> 0:39:19.080
<v Speaker 1>we're not doing home. No. Hey, no, I'm gonna make

0:39:19.160 --> 0:39:24.719
<v Speaker 1>I'm gonna make you take a laugh kid. No, no, no.

0:39:26.520 --> 0:39:28.359
<v Speaker 1>I thought we were in trouble too. We started out

0:39:28.360 --> 0:39:31.680
<v Speaker 1>with bon Jovie. We didn't even get Tiger Way weird.

0:39:39.760 --> 0:39:44.319
<v Speaker 1>You're a treat Trent in Virginia, Hi, Trent, what's on

0:39:44.360 --> 0:39:48.359
<v Speaker 1>your mind today? Hey, Depie, how's it going on? Quick

0:39:48.440 --> 0:39:51.080
<v Speaker 1>thought on the air Aaron Judge situation. I'd love the

0:39:51.160 --> 0:39:52.759
<v Speaker 1>Yankees to keep him, but I don't think he's done

0:39:52.840 --> 0:39:55.080
<v Speaker 1>enough in the playoffs to make it worth it. And

0:39:55.120 --> 0:39:58.160
<v Speaker 1>then little Peter Billias like kid bit uh little note,

0:39:58.200 --> 0:40:00.239
<v Speaker 1>we'd be called the dirt bite kid. I remember watching

0:40:00.320 --> 0:40:03.719
<v Speaker 1>my grandma tell him she recorded on VHS. Okay what

0:40:03.800 --> 0:40:06.080
<v Speaker 1>I remember him for? Yeah, I didn't bring that up

0:40:06.120 --> 0:40:08.239
<v Speaker 1>that scene where Yeah, I didn't bring it up to him.

0:40:08.239 --> 0:40:12.640
<v Speaker 1>But he was also in commercials. Wasn't the Messrs Marvin?

0:40:12.680 --> 0:40:14.520
<v Speaker 1>He's very famous for that. I see Marvin this day

0:40:14.520 --> 0:40:16.840
<v Speaker 1>in sports history Poeming not a lot Dan, but you

0:40:16.840 --> 0:40:19.680
<v Speaker 1>know what the actor Geane Autry, the Cowboy. He was

0:40:19.719 --> 0:40:23.080
<v Speaker 1>granted the LA Baseball franchise by the American League. That's

0:40:23.080 --> 0:40:26.719
<v Speaker 1>how the LA Angels started. Nineteen sixty, nineteen sixty and

0:40:27.080 --> 0:40:30.040
<v Speaker 1>nineteen ninety. The National Hockey League granted membership to the

0:40:30.040 --> 0:40:33.960
<v Speaker 1>Tampa Bay Lightning and the Ottawa Senators. Okay, that's all

0:40:34.920 --> 0:40:41.040
<v Speaker 1>um on this state. Nineteen seventy nine, Darrel Dawkins shatters

0:40:41.080 --> 0:40:44.480
<v Speaker 1>his second backboard in a month that I think was

0:40:44.640 --> 0:40:48.799
<v Speaker 1>Bill Robin Zene was underneath the basket and it might

0:40:48.800 --> 0:40:54.120
<v Speaker 1>have been in Kansas City with the Kansas City Omahawk Kings. Uh.

0:40:54.200 --> 0:41:00.440
<v Speaker 1>Let's see anything else. Anything else that's about it are

0:41:00.719 --> 0:41:03.480
<v Speaker 1>final results of the poll. Question Seaton, Yeah, we put

0:41:03.480 --> 0:41:06.200
<v Speaker 1>one up hour three goat Christmas movie? All right? And

0:41:06.320 --> 0:41:10.560
<v Speaker 1>your chances were National Lampoon's Christmas Vacation, Home Alone, Elf

0:41:10.719 --> 0:41:15.840
<v Speaker 1>or Christmas Story You want to guess? Uh No, National

0:41:15.920 --> 0:41:19.880
<v Speaker 1>Lampoon's Christmas Vacation, Yeah, is that forty seven percent of

0:41:19.880 --> 0:41:24.000
<v Speaker 1>the vote, followed by Home Alone, then Christmas Story Elf

0:41:24.040 --> 0:41:26.839
<v Speaker 1>coming in last Todd, would you learn today if your

0:41:26.880 --> 0:41:29.160
<v Speaker 1>greeting children at Santa Claus you might scare the children

0:41:29.200 --> 0:41:31.160
<v Speaker 1>if you do the third strike ump call in their face.

0:41:31.200 --> 0:41:34.920
<v Speaker 1>He see O'Connor. Would you learn Peter Billingsley's Cool with

0:41:35.040 --> 0:41:39.600
<v Speaker 1>Christmas Story? Marv Peter Billingsley not in Shawshanka, Paulie Caleb

0:41:39.600 --> 0:41:41.680
<v Speaker 1>wille is no more hanging in the figuernails. We could

0:41:41.719 --> 0:41:44.080
<v Speaker 1>talk about how complicated over the banks make it to

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0:41:55.520 --> 0:42:01.040
<v Speaker 1>you tomorrow. Have a great day, everybody. One more items.

0:42:01.080 --> 0:42:03.640
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