WEBVTT - TGI – Episode 619 “Bee True”

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<v Speaker 1>So it's taken a while, but my bathroom, your back

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<v Speaker 1>cave is finished.

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<v Speaker 2>The bath cave is bath cave, the bath cave, the

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<v Speaker 2>bath cave is done.

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<v Speaker 3>Nice.

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<v Speaker 4>Are you so happy?

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<v Speaker 2>I'm so happy.

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<v Speaker 3>And have you been reading in the shower?

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<v Speaker 1>No, I have not been reading in the shower at all.

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<v Speaker 1>Strangely enough, i've ever met a reading that's where you

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<v Speaker 1>should read.

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<v Speaker 2>It's like reading in a womb.

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<v Speaker 1>It's warm and cozy and wonderful. And I will get

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<v Speaker 1>back to reading in the shower, but for now, I'm

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<v Speaker 1>just getting used to my my bath cave.

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<v Speaker 2>And one of the things I have.

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<v Speaker 1>And I'll post a picture, is so there was this

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<v Speaker 1>useless kind of little closet thing that I've opened up

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<v Speaker 1>and made a much bigger kind of closet area, and

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<v Speaker 1>I have some Batman stuff up there. And so two

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<v Speaker 1>of the things I have are this bat signal that

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<v Speaker 1>you gave me, and then above that is the bat.

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<v Speaker 2>Shoes the sneakers that you gave me.

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<v Speaker 1>And so it looks super cool and it's exactly when

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<v Speaker 1>I asked the guy what kind of tie, he said, well,

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<v Speaker 1>what kind of towels you want? I said, imagine Batman

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<v Speaker 1>comes back from just fighting everybody in Gotham and he's

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<v Speaker 1>covered in blood.

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<v Speaker 2>What bathroom does Bruce Wayne walk into?

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<v Speaker 1>So that's the bathroom that I had designed, and I'm

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<v Speaker 1>pretty happy, pretty happy.

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<v Speaker 2>So it's like it's a cool.

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<v Speaker 1>Gray brick all along the side. You have to take

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<v Speaker 1>an elevator down.

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<v Speaker 3>Sick. I wish he.

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<v Speaker 4>Has a that comes out and removes his back.

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<v Speaker 2>Okay, it gets even better because I then put up

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<v Speaker 2>a hook and I went online and I found the

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<v Speaker 2>most Bruce Wayne robe I could find. It's this long,

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<v Speaker 2>black cape kind of thing with this sick hood that

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<v Speaker 2>comes out.

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<v Speaker 1>Wow.

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<v Speaker 4>Ants.

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<v Speaker 5>I'm at my parents' house right now and I'm in

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<v Speaker 5>my my where my grandparents used to live.

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<v Speaker 3>That's where I'm sleeping, and I saw a robe.

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<v Speaker 1>Oh it's going to be a good one too, Mickey

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<v Speaker 1>mouse robe.

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<v Speaker 2>I still have that which one is?

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<v Speaker 3>So I know it's just a little boom.

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<v Speaker 1>My gosh, I still have Is that the best? No? Right?

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<v Speaker 2>No?

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<v Speaker 3>But it does look pretty ragged. It's been loved.

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<v Speaker 2>I thought.

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<v Speaker 4>I thought, I thought we had boy me like Navy

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<v Speaker 4>Blue Boy.

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<v Speaker 3>We've got a lot of robes.

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<v Speaker 5>Okay, baby, he gave us no. But the Christmas gift

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<v Speaker 5>every year for.

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<v Speaker 1>Yeah, yeah, yeah, that was cool. I remember one year

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<v Speaker 1>Disney gave a gift. It was I think many years

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<v Speaker 1>after Boy Me World, and and then I had done

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<v Speaker 1>something I think it was kimpossible something like that, and

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<v Speaker 1>this little package arrived and I was like, oh, that sweet,

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<v Speaker 1>and I just forgot about it.

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<v Speaker 2>I forgot about it, and like a year later I

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<v Speaker 2>opened it. It was a video iPod.

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<v Speaker 4>Wow.

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<v Speaker 2>I was like, oh, I should have opened this a

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<v Speaker 2>long time ago.

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<v Speaker 1>Yeah, and I just kind of I've assumed it was

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<v Speaker 1>some little trinket for going and I was like, oh,

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<v Speaker 1>they've upped their their gift game a.

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<v Speaker 4>Couple of years ago. It was a Disney themed crock pot,

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<v Speaker 4>a little a mini crock pot and some silicons.

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<v Speaker 1>I still have the little Mickey Mouse. Uh the hands

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<v Speaker 1>that are it's Mickey's hands. But you've got the what

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<v Speaker 1>are they the measuring sticks like the measuring cups cut Yeah,

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<v Speaker 1>my parents.

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<v Speaker 3>Mickey Mouse phone downstairs, which is pretty great. Yeah really yeah,

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<v Speaker 3>Mickey the things.

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<v Speaker 2>Yeah, I still have the Mickey phone. I have that

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<v Speaker 2>my Darth Vader one.

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<v Speaker 4>Yeah, that's that's cute. I didn't get I got rid

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<v Speaker 4>of some I made some interesting choices. If things get

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<v Speaker 4>rid of I wish I still had some of those things.

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<v Speaker 2>I still have that stuff.

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<v Speaker 4>Yeah, anyway, Welcome to Pod Meets World.

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<v Speaker 2>I'm Daniel Fishl, I'm right or Strong, and I'm will

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<v Speaker 2>for Dell.

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<v Speaker 4>Welcome to today's episode recap at Season six, episode nineteen

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<v Speaker 4>Be True, air date April ninth, nineteen ninety nine. The synopsis.

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<v Speaker 4>When mister Feene finally musters up the courage to ask

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<v Speaker 4>Dean Bolander out, a surprise arrives in the form of

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<v Speaker 4>her ex, Curtis Kincaid, so Eric convinces Corey and Sean

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<v Speaker 4>to evoke their old bad boy college selves to keep

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<v Speaker 4>Foene's hopes alive. It was directed by mister Mickey Dolans,

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<v Speaker 4>the Drummer and the Monkies, Yes, the drummer and lead

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<v Speaker 4>singer of the legendary Monkeys, a pop group forever link

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<v Speaker 4>to Boy Meets World, as each member of the band

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<v Speaker 4>appeared on the show at some point, except except for

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<v Speaker 4>Mike Mesmeth Yes he did not.

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<v Speaker 1>Oh showed up the night of the of the sh

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<v Speaker 1>Oh and said Okay, I'll be in it, and they went,

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<v Speaker 1>that's not how that works, Mike.

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<v Speaker 2>We've been rehearsing all week.

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<v Speaker 1>This sounds the story. This is okay, this is this

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<v Speaker 1>is a Sherman story.

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<v Speaker 2>He's the one who brought him all.

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<v Speaker 3>Well, there you go.

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<v Speaker 1>Okay, he's the one who he's Mickey Dolan's best friend.

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<v Speaker 3>If it's a good Hollywood story.

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<v Speaker 1>Oh, I saw I saw him. He was one hundred

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<v Speaker 1>percent there with his big, bushy beard. So he was

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<v Speaker 1>definitely there that I can that I can attest to.

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<v Speaker 1>But I mean, that's the story we heard, is that

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<v Speaker 1>he was like, I want to be on the show,

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<v Speaker 1>and they were kind of like, you can't.

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<v Speaker 4>You can't do that now.

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<v Speaker 2>Yeah.

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<v Speaker 4>The Monkeys were put together by NBC to play a

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<v Speaker 4>fictional group for a scripted comedy, but became a real

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<v Speaker 4>life chart topping band with songs like I'm a Believer,

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<v Speaker 4>Last Train to Clarksville and Daydream Believer, great song, Why

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<v Speaker 4>so many Believers?

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<v Speaker 2>They believe in a lot of things. The Monkeys, I

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<v Speaker 2>do really worked for them. Yeah.

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<v Speaker 4>This was the only episode of Boy Meets World he directed,

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<v Speaker 4>and he is now the last surviving member of the Monkeys.

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<v Speaker 4>It was written by David Brownfield. And before I jump

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<v Speaker 4>into our guest stars, anyone want to share their overall thoughts.

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<v Speaker 5>All right, what did you guys think when you realized

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<v Speaker 5>which episode this was? When you because like I saw

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<v Speaker 5>the title be True, I was like, what is that?

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<v Speaker 3>And then it started.

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<v Speaker 5>I was like, this is the be episode that Mickey directed.

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<v Speaker 5>And then I was like, this one's awful. This is

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<v Speaker 5>a disaster. Everything about this is gonna suck. Oh my god,

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<v Speaker 5>I can't believe I have to watch this. And then

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<v Speaker 5>I was so pleasantly surprised. Yi, this is a great episode,

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<v Speaker 5>and I hated myself for tanking it.

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<v Speaker 3>I was like, writer, God, I was not good in

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<v Speaker 3>this episode.

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<v Speaker 2>It wasn't horrible, but I was like, I think you're great.

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<v Speaker 5>I know, me and Ben there's you know, we were

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<v Speaker 5>like not having fun, like and this is the classic.

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<v Speaker 5>Like my memory is entirely based on the experience on

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<v Speaker 5>the set, which was not fun.

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<v Speaker 3>This week.

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<v Speaker 2>For whatever reason, we were miserable.

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<v Speaker 5>I think it's because of the props. I think it's

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<v Speaker 5>because we had a different director. It felt like a

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<v Speaker 5>lot of things that had nothing to do with our show,

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<v Speaker 5>or I don't know, whatever reason. It was a bad

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<v Speaker 5>week personally, and so those memories completely infected what otherwise

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<v Speaker 5>is a very funny script and like totally fun, totally

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<v Speaker 5>fun episode.

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<v Speaker 1>Now that I agree with you one hundred percent, That's

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<v Speaker 1>what I remember was that this was not a good

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<v Speaker 1>week for us as a as a company, you know Bill.

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<v Speaker 1>I remember Bill having a lot of struggling this week

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<v Speaker 1>with just the kind of atmosphere that was brought onto

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<v Speaker 1>the set. This week was not a great one, and

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<v Speaker 1>there was some struggles that were going on there, and

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<v Speaker 1>I think that bled down to kind of the rest

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<v Speaker 1>of us. And so that's what I remembered too. And

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<v Speaker 1>I remember sitting that same thing where I was like,

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<v Speaker 1>oh God, this episode and then watching it with Sue,

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<v Speaker 1>We're both cackling. It was like, this is hysterically funny.

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<v Speaker 2>This is a great episode.

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<v Speaker 1>I was so happy we needed it this season with

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<v Speaker 1>the last couple episodes we've had, and so it was

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<v Speaker 1>just it was the quintessential.

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<v Speaker 2>I was so happy to see this episode again.

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<v Speaker 4>It was so fun. And I did remember that the

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<v Speaker 4>overall memory of this episode was that it was a

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<v Speaker 4>that it was bad. I didn't remember why, and even

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<v Speaker 4>hearing you guys talk about the energy on set, I

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<v Speaker 4>have no memory of what that energy was. Was there

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<v Speaker 4>a lot of conflict between Mickey and Michael.

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<v Speaker 2>No, it was Mickey and Bill.

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<v Speaker 3>Bill. I think Bill was you know, Bill had a

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<v Speaker 3>lot to do this episode.

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<v Speaker 5>I mean it was a lot suddenly, you know, he

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<v Speaker 5>went from what two lines of an episode in for

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<v Speaker 5>a while and to having to do a lot of comedy,

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<v Speaker 5>having to do physical stuff, having to like you know,

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<v Speaker 5>so I think that he was under pressure.

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<v Speaker 3>His wife was there.

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<v Speaker 5>Ye know, I don't know what happened, but it was

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<v Speaker 5>not a good on set environment. And I'm yeah, and yeah,

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<v Speaker 5>it's funny to hear that will because like I, you know,

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<v Speaker 5>I didn't consciously remember that it was Bill being upset,

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<v Speaker 5>but like I could tell, especially in the scene where

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<v Speaker 5>Ben and I are like breaking all the stuff, like

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<v Speaker 5>we are low energy, we are. I also think we

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<v Speaker 5>did not do a live audience. If I remember energy,

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<v Speaker 5>it is a block and shoot, which made it harder

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<v Speaker 5>and more complicated. So yeah, I think it was yeah,

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<v Speaker 5>But watching it, I was like I was just not

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<v Speaker 5>feeling it, which.

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<v Speaker 3>Is too bad because the idea of like.

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<v Speaker 5>Corey Sean doing their like Corey Sean stuff should have

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<v Speaker 5>been fun, Like we should have been having fun with

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<v Speaker 5>this stuff, and instead I could tell that it was laborious.

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<v Speaker 2>For me even watching it was like, yeah, it was

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<v Speaker 2>a strange week.

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<v Speaker 1>It was a strange week that still birthed a really

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<v Speaker 1>fun episode.

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<v Speaker 4>I know. It's even just listening to you guys talk

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<v Speaker 4>about it. It's funny to me that, like thinking taking

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<v Speaker 4>myself out of the show, thinking about people watching it

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<v Speaker 4>going they must have had so much fun that week,

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<v Speaker 4>you know, because like it does play like a really

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<v Speaker 4>fun episode, and then to know that bts. Everyone was like, let's.

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<v Speaker 1>Just get through it, because it is a shame. It

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<v Speaker 1>put It puts some OG's back together, put Corey and

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<v Speaker 1>Sean back together, and why they were.

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<v Speaker 2>Supposed to mafia guy.

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<v Speaker 1>Yeah, they put Eric and Feenie back together, and it

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<v Speaker 1>was the way it was supposed to be seen.

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<v Speaker 5>I was just like, oh, pure Eric feene Joy. I

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<v Speaker 5>was like, yes, just keep doing this, and you guys

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<v Speaker 5>are so good in it.

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<v Speaker 3>It was really fun and.

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<v Speaker 1>It was great and and yeah, I didn't remember obviously,

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<v Speaker 1>there's certain things that have become memes, like you're in

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<v Speaker 1>a triangle, Feenie, So I remembered when that came. I

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<v Speaker 1>was like, oh wait, this is this is that scene.

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<v Speaker 1>But other than that I and then the brain the

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<v Speaker 1>thing fast.

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<v Speaker 2>I remember that. Then the rest of the week I knew.

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<v Speaker 1>Nothing of this episode, the whole thing with Matt Lawrence

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<v Speaker 1>and the Giant shoes.

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<v Speaker 2>Didn't like. None of that was I remembered.

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<v Speaker 3>I will say, not a great beet story.

0:10:42.720 --> 0:10:44.720
<v Speaker 2>Well, it's just kind of thrown in there, and.

0:10:45.559 --> 0:10:53.679
<v Speaker 5>The tag is pretty pretty bad. There's a robber that

0:10:53.800 --> 0:10:56.880
<v Speaker 5>storyline just went to there. It's like this one note

0:10:57.000 --> 0:10:59.920
<v Speaker 5>joke three times and old.

0:10:59.760 --> 0:11:03.000
<v Speaker 1>Keep old women thinking that they shouldn't be together was

0:11:03.080 --> 0:11:03.760
<v Speaker 1>kind of the joke.

0:11:04.120 --> 0:11:05.839
<v Speaker 2>It should have been an old lady, and then it

0:11:05.840 --> 0:11:08.280
<v Speaker 2>should have been a little kid, and then it should like.

0:11:08.559 --> 0:11:12.000
<v Speaker 4>Right, why are there something lay in her building?

0:11:13.040 --> 0:11:13.240
<v Speaker 2>You know?

0:11:13.360 --> 0:11:15.960
<v Speaker 3>I bet this is how that went. They went, uh,

0:11:16.040 --> 0:11:16.720
<v Speaker 3>and then they walk.

0:11:16.640 --> 0:11:19.120
<v Speaker 5>Into the hallway and there's an old lady and she says,

0:11:19.200 --> 0:11:21.439
<v Speaker 5>you're too tall for it, right, And then they were

0:11:21.480 --> 0:11:23.800
<v Speaker 5>like and then then they come out and there's somebody

0:11:23.800 --> 0:11:26.360
<v Speaker 5>else who does it too, And then even the robber

0:11:26.400 --> 0:11:27.080
<v Speaker 5>does that, and they were like.

0:11:27.080 --> 0:11:29.640
<v Speaker 3>But what if the robber was also an old lady?

0:11:29.840 --> 0:11:30.240
<v Speaker 3>You know what I mean?

0:11:30.240 --> 0:11:32.720
<v Speaker 5>It was like it just went a hat on a hat,

0:11:32.760 --> 0:11:35.200
<v Speaker 5>and so they were like, actually, guys, it's it's not

0:11:35.240 --> 0:11:37.200
<v Speaker 5>that funny funny.

0:11:38.000 --> 0:11:41.360
<v Speaker 2>And now you're just I want those shoes, though I wasn't.

0:11:41.880 --> 0:11:43.640
<v Speaker 2>I want to try that. I want to see what it's.

0:11:43.480 --> 0:11:46.199
<v Speaker 1>Like to be because, as Susan pointed out to me,

0:11:46.240 --> 0:11:47.760
<v Speaker 1>and we'll get to it in the scene, she's in.

0:11:47.840 --> 0:11:49.000
<v Speaker 2>Flats, I know.

0:11:50.080 --> 0:11:54.120
<v Speaker 1>So I did not realize that she's literally like ten

0:11:54.200 --> 0:11:55.680
<v Speaker 1>inches taller than Matt.

0:11:56.360 --> 0:11:57.600
<v Speaker 4>Yeah, because he's not.

0:11:57.640 --> 0:12:00.120
<v Speaker 2>That much shorter than me. I mean, we're yeah, he's

0:12:00.120 --> 0:12:00.560
<v Speaker 2>maybe an.

0:12:00.480 --> 0:12:01.160
<v Speaker 3>Inch or so.

0:12:01.440 --> 0:12:05.120
<v Speaker 4>Yeah, he's probably at least five eight, if not five nine.

0:12:05.520 --> 0:12:06.120
<v Speaker 2>Yeah.

0:12:06.400 --> 0:12:11.400
<v Speaker 4>Guest starring Francis ex McCarthy is Curtis kincaid. He's a

0:12:11.480 --> 0:12:14.240
<v Speaker 4>recognizable character actor you've seen in movies like The Man

0:12:14.280 --> 0:12:19.120
<v Speaker 4>with Two Brains, Basketball, Summer School, and Summer Rental.

0:12:19.720 --> 0:12:21.440
<v Speaker 3>Yeah, oh okay.

0:12:21.480 --> 0:12:24.920
<v Speaker 5>Sole was immediately will oh god, yes, because I was like,

0:12:24.960 --> 0:12:27.320
<v Speaker 5>this guy's amazing. He must work all the time. But

0:12:27.360 --> 0:12:29.679
<v Speaker 5>I actually couldn't think of anything I've seen him in.

0:12:29.840 --> 0:12:31.599
<v Speaker 5>Summer Rental is the only movie that you mentioned that

0:12:31.640 --> 0:12:32.360
<v Speaker 5>I've seen, So.

0:12:32.600 --> 0:12:35.800
<v Speaker 1>You haven't seen The Man with Two Brains. No, Oh

0:12:35.840 --> 0:12:38.880
<v Speaker 1>my god, it's Steve Martin. Arguably Steve Martin's greatest movie

0:12:38.880 --> 0:12:42.079
<v Speaker 1>ever seen. So was the blinding reference to that? Were

0:12:42.120 --> 0:12:43.480
<v Speaker 1>they like riffing on not?

0:12:43.640 --> 0:12:44.600
<v Speaker 2>I mean not really he did.

0:12:44.640 --> 0:12:46.920
<v Speaker 1>He doesn't have that big a part, but it's Oh God,

0:12:46.960 --> 0:12:48.920
<v Speaker 1>the Man with Two Brains is It's one of the

0:12:48.920 --> 0:12:50.640
<v Speaker 1>greatest comedies of all time.

0:12:52.400 --> 0:12:52.559
<v Speaker 2>Well.

0:12:52.600 --> 0:12:57.079
<v Speaker 4>He was also in around one hundred TV shows, including Cheers,

0:12:57.240 --> 0:13:01.480
<v Speaker 4>Saint Elsewhere, alf, The Secret World of Alex Mac and ncis.

0:13:01.640 --> 0:13:04.000
<v Speaker 4>He is still working at the age of eighty three.

0:13:04.679 --> 0:13:08.120
<v Speaker 4>Oh sweet, Yeah, we have Bonnie Bartlett back as Dean

0:13:08.200 --> 0:13:13.480
<v Speaker 4>Lila Bolander. Yes, and Sandra Gould plays Little Old Lady.

0:13:13.840 --> 0:13:17.680
<v Speaker 4>She's best known as Gladys Kravitz on Bewitched, but also

0:13:17.920 --> 0:13:20.960
<v Speaker 4>amongst over her one hundred credits is I Love Lucy,

0:13:21.200 --> 0:13:24.240
<v Speaker 4>The Jack Benny Program. I'm just gonna say, program like

0:13:24.320 --> 0:13:35.240
<v Speaker 4>that program, Jack Benny Program. I'm watching my programs, The

0:13:35.400 --> 0:13:39.920
<v Speaker 4>Jack Benny Program, The Brady Bunch, and the Dawn Knotts movie,

0:13:40.240 --> 0:13:44.760
<v Speaker 4>The Ghost and Mister Chicken, and Boy Meets World was

0:13:44.800 --> 0:13:48.439
<v Speaker 4>her last role. She would die later that year at

0:13:48.480 --> 0:13:51.800
<v Speaker 4>age eighty three. Oh my god, she did to enjoy

0:13:51.840 --> 0:13:52.719
<v Speaker 4>the week either.

0:13:52.720 --> 0:13:55.800
<v Speaker 1>No God, but also you blew by one of the

0:13:55.800 --> 0:13:57.880
<v Speaker 1>biggest television characters of all time.

0:13:57.920 --> 0:14:01.120
<v Speaker 2>Missus misteris oh miss grat Have you never heard it?

0:14:01.160 --> 0:14:04.000
<v Speaker 1>Like? It's whenever somebody's a nosy neighbor, it's always a

0:14:04.600 --> 0:14:05.720
<v Speaker 1>real Missus Kravitz.

0:14:05.800 --> 0:14:07.080
<v Speaker 2>Yeah, real missus Kravitz.

0:14:07.160 --> 0:14:10.600
<v Speaker 1>That's where that's from. She's with the Missus Kravitz from Bewitch.

0:14:10.600 --> 0:14:13.560
<v Speaker 2>I had no idea. Oh that's awesome.

0:14:14.520 --> 0:14:18.120
<v Speaker 4>We have Lily and Adams as Missus Furlong. She was

0:14:18.160 --> 0:14:21.320
<v Speaker 4>a very busy background actor, best known as Tilly and

0:14:21.400 --> 0:14:27.760
<v Speaker 4>Steve Martin's the jerk scene in Navin's Humble Mississippi Beginnings,

0:14:27.760 --> 0:14:30.800
<v Speaker 4>but she also appeared in Bruce Almighty, Little Nikki Wings,

0:14:30.840 --> 0:14:33.960
<v Speaker 4>and Frasier. But honestly, she appeared in every TV show

0:14:33.960 --> 0:14:36.520
<v Speaker 4>from nineteen eighty two to twenty eleven, when she passed

0:14:36.520 --> 0:14:40.400
<v Speaker 4>away at the age of eighty nine. And finally, Mildred.

0:14:40.520 --> 0:14:42.840
<v Speaker 5>She gets a name and the other other woman gets

0:14:42.880 --> 0:14:44.240
<v Speaker 5>little old lady.

0:14:44.280 --> 0:14:47.240
<v Speaker 4>There's the other one is missus Bertleson.

0:14:47.920 --> 0:14:49.720
<v Speaker 2>Huh okay.

0:14:49.760 --> 0:14:53.040
<v Speaker 4>She was also on Party of Five, So Mildred Dumas

0:14:53.080 --> 0:14:55.280
<v Speaker 4>is Missus Bertleson. She was also on Party of Five,

0:14:55.360 --> 0:14:58.000
<v Speaker 4>Two Guys, A Girl in a Pizza Place, and two

0:14:58.160 --> 0:15:01.520
<v Speaker 4>episodes of Malcolm in the middle. So, which one do

0:15:01.560 --> 0:15:06.160
<v Speaker 4>we think is the robber little old lady? Why wouldn't

0:15:06.160 --> 0:15:07.680
<v Speaker 4>they call her robber or something?

0:15:08.120 --> 0:15:11.680
<v Speaker 5>Yeah, I don't know, Yeah, because I guess they would

0:15:11.760 --> 0:15:14.840
<v Speaker 5>know the other women because they were like in the

0:15:14.960 --> 0:15:19.360
<v Speaker 5>building or neighbors or whatever. But the robber would just

0:15:19.400 --> 0:15:22.240
<v Speaker 5>be the reveal is it's a little old lady.

0:15:22.280 --> 0:15:24.960
<v Speaker 4>Right right? Assed. I mean also you could call her

0:15:24.960 --> 0:15:29.680
<v Speaker 4>a burglar. You could call it, you know, call her.

0:15:29.320 --> 0:15:33.560
<v Speaker 1>Burglar to me evokes like the hamburglar, like the black

0:15:33.600 --> 0:15:36.520
<v Speaker 1>and white shirt and like, oh, I'm gonna punch you

0:15:36.520 --> 0:15:36.960
<v Speaker 1>in the mush.

0:15:36.960 --> 0:15:38.600
<v Speaker 2>See, Like that's like that kind of thing.

0:15:38.680 --> 0:15:41.200
<v Speaker 5>It's something that I like, I actually do tell my

0:15:41.280 --> 0:15:44.840
<v Speaker 5>writing students. I was like, an actor is going to

0:15:44.960 --> 0:15:46.840
<v Speaker 5>have to play this, and you're going to have to

0:15:46.920 --> 0:15:50.280
<v Speaker 5>hire them. If you write ugly girl number three or

0:15:50.720 --> 0:15:53.920
<v Speaker 5>fat guy eating in the corner, think about how that's

0:15:54.120 --> 0:15:56.360
<v Speaker 5>gonna make them feel, and think about the quality of

0:15:56.360 --> 0:15:57.960
<v Speaker 5>the performance you're going to get from the actor who

0:15:58.040 --> 0:16:00.560
<v Speaker 5>agrees to do that role versus you know, because they

0:16:00.560 --> 0:16:03.120
<v Speaker 5>are going to feel defeated already. Just start so just

0:16:03.200 --> 0:16:04.840
<v Speaker 5>try just try give him a name, give them a

0:16:04.840 --> 0:16:07.200
<v Speaker 5>little bit you know, it's a gift to the actor whatever.

0:16:07.560 --> 0:16:10.680
<v Speaker 5>Make it fun for them, not humiliating. But back in

0:16:10.720 --> 0:16:12.760
<v Speaker 5>the day, they still they used to do it all

0:16:12.800 --> 0:16:14.720
<v Speaker 5>the time. It would just write that, you know, geeky

0:16:14.800 --> 0:16:17.240
<v Speaker 5>guy whatever, and it's like they would think it's funny,

0:16:17.240 --> 0:16:19.600
<v Speaker 5>and you'd get that the perspective of the show or

0:16:19.640 --> 0:16:22.480
<v Speaker 5>the perspective of the movie is is that what?

0:16:23.040 --> 0:16:24.840
<v Speaker 3>But recognize that a human being is gonna have to

0:16:24.840 --> 0:16:25.400
<v Speaker 3>play this.

0:16:25.320 --> 0:16:26.160
<v Speaker 1>So give me.

0:16:26.160 --> 0:16:28.280
<v Speaker 4>If I started auditioning again and I started getting a

0:16:28.280 --> 0:16:31.600
<v Speaker 4>bunch of frumpy, middle middle aged lady roles, I'd be like,

0:16:31.840 --> 0:16:33.760
<v Speaker 4>oh god, it's okay.

0:16:34.160 --> 0:16:36.640
<v Speaker 5>But I mean even when it's positive, like because you know,

0:16:36.720 --> 0:16:39.800
<v Speaker 5>I remember having to audition for like hot guy this

0:16:39.960 --> 0:16:42.160
<v Speaker 5>or whatever, and I would not do it. I would

0:16:42.160 --> 0:16:44.240
<v Speaker 5>at audition or I'd just be like, I'm never gonna

0:16:44.240 --> 0:16:46.360
<v Speaker 5>get this. I would be so insecure that I'm like, well,

0:16:46.440 --> 0:16:47.560
<v Speaker 5>they will obviously want.

0:16:47.480 --> 0:16:50.040
<v Speaker 4>Right, is someone hotter than I would do that.

0:16:50.080 --> 0:16:50.880
<v Speaker 2>I did that all the time.

0:16:50.880 --> 0:16:52.360
<v Speaker 1>It's like, hey, we lucky to come in and read

0:16:52.400 --> 0:16:55.000
<v Speaker 1>for the quarterback. I'm like, why You're never going to

0:16:55.080 --> 0:16:57.480
<v Speaker 1>cast me as the quarterback? Like it's never gonna happen.

0:16:57.760 --> 0:16:59.760
<v Speaker 1>But is that fat guy three eating in the corner?

0:16:59.760 --> 0:17:01.320
<v Speaker 1>That is that available?

0:17:01.760 --> 0:17:06.200
<v Speaker 2>I'd like to I'd like to. Yeah, sitting in a corner.

0:17:06.200 --> 0:17:06.919
<v Speaker 2>That's all I have to do.

0:17:07.600 --> 0:17:08.120
<v Speaker 3>Love that.

0:17:08.640 --> 0:17:09.600
<v Speaker 2>I'll take that all day.

0:17:11.119 --> 0:17:13.720
<v Speaker 4>Jumping into our recap, we start in the student union.

0:17:13.800 --> 0:17:16.119
<v Speaker 4>Phoene walks in and Eric's seated at a table, quickly

0:17:16.119 --> 0:17:21.119
<v Speaker 4>spots him. Phoenie, you here, sit now. Phoene hesitantly approaches

0:17:21.119 --> 0:17:25.000
<v Speaker 4>his student Eric. Don't do that, Eric interrupts him, Dean bolander.

0:17:25.280 --> 0:17:28.200
<v Speaker 4>Phoene quickly takes a seat. Okay, what you got.

0:17:28.720 --> 0:17:30.600
<v Speaker 1>I was so happy just watching this because I don't

0:17:30.600 --> 0:17:32.480
<v Speaker 1>remember any of this, but just seeing Eric and Phoenie

0:17:32.520 --> 0:17:33.080
<v Speaker 1>together again, I.

0:17:33.080 --> 0:17:34.680
<v Speaker 4>Was like, oh, this is so much, so great.

0:17:34.880 --> 0:17:39.560
<v Speaker 5>So I'm also officially at the stage where I'm appreciating

0:17:39.760 --> 0:17:47.440
<v Speaker 5>and uh uh wishing I had Phoene's wardrobe. It's delightful.

0:17:48.240 --> 0:17:50.879
<v Speaker 5>I was just like I was coveting it. That's the

0:17:50.880 --> 0:17:53.240
<v Speaker 5>word I was looking for. I was coveting Phoenie's wardrobe.

0:17:53.480 --> 0:17:55.239
<v Speaker 5>I was like, I'm an old I'm an old man.

0:17:55.320 --> 0:17:58.359
<v Speaker 5>Now I want I want that because that was a

0:17:58.440 --> 0:18:01.679
<v Speaker 5>it's like a window pane when it is just I

0:18:01.760 --> 0:18:03.800
<v Speaker 5>was like oh, Phoenie, looking.

0:18:03.560 --> 0:18:05.840
<v Speaker 3>Good, looking good, FENI I want that coat.

0:18:06.359 --> 0:18:07.440
<v Speaker 4>It is so great.

0:18:07.560 --> 0:18:10.040
<v Speaker 3>Yeah, he always rocks the coat vest combo too.

0:18:10.119 --> 0:18:12.159
<v Speaker 5>Yes, I just feel like you have to be like

0:18:12.240 --> 0:18:13.600
<v Speaker 5>sixty plus to pull off.

0:18:13.640 --> 0:18:16.400
<v Speaker 1>But like Bonnie told me, I think he still has

0:18:16.440 --> 0:18:18.040
<v Speaker 1>a lot of his wardrobe. So I think a lot

0:18:18.119 --> 0:18:19.920
<v Speaker 1>of those suits that he's still got.

0:18:20.240 --> 0:18:22.639
<v Speaker 4>Maybe you, maybe next time when we see Bill in

0:18:22.680 --> 0:18:26.480
<v Speaker 4>Long Beach, can you maybe ask him? Could I could

0:18:26.520 --> 0:18:30.880
<v Speaker 4>I borrow one of your jacket vest combos try out

0:18:30.920 --> 0:18:32.119
<v Speaker 4>for a weekend? See if I like it?

0:18:32.200 --> 0:18:32.840
<v Speaker 2>Thank you love it.

0:18:32.840 --> 0:18:34.680
<v Speaker 1>I'm sorry every time you just said when we see

0:18:34.720 --> 0:18:37.919
<v Speaker 1>Bill and Long Beach, I just picture Bill in his

0:18:38.000 --> 0:18:40.760
<v Speaker 1>scooter but rock back like this, driving and you're just

0:18:40.800 --> 0:18:43.280
<v Speaker 1>hearing like the LBC going on in the back, like yeah,

0:18:43.320 --> 0:18:44.159
<v Speaker 1>just Bill in the LBC.

0:18:44.480 --> 0:18:45.040
<v Speaker 4>I can't wait.

0:18:45.240 --> 0:18:46.360
<v Speaker 2>Yeah, I can't be awesome.

0:18:47.320 --> 0:18:49.320
<v Speaker 4>So Eric asks, how old do you know, mister Feennie?

0:18:49.359 --> 0:18:53.359
<v Speaker 4>What ninety one hundred? Phoene glares back, one hundred. What

0:18:53.400 --> 0:18:56.680
<v Speaker 4>do you want? Eric clarifies himself, not what I want.

0:18:56.760 --> 0:18:59.600
<v Speaker 4>It's what you want. But you're not going after Phoene

0:18:59.640 --> 0:19:02.880
<v Speaker 4>informed Eric my relationship with Dean Bolander will proceed at

0:19:02.920 --> 0:19:06.240
<v Speaker 4>my pace, not yours. But Eric argues, you are such

0:19:06.280 --> 0:19:08.640
<v Speaker 4>a scaredy cat. I mean, here's a woman that you've

0:19:08.640 --> 0:19:10.760
<v Speaker 4>obviously got the hots for, and you're not gonna do

0:19:10.840 --> 0:19:15.399
<v Speaker 4>anything about it. Mister Feenie angrily looks at Eric. Mister Matthews,

0:19:15.480 --> 0:19:20.639
<v Speaker 4>don't reduce my feelings for the woman to the hats, unless,

0:19:20.680 --> 0:19:24.320
<v Speaker 4>of course, she used that term. Eric insists, mister Feenie,

0:19:24.400 --> 0:19:25.919
<v Speaker 4>you have been good to me over the years. You

0:19:25.960 --> 0:19:29.560
<v Speaker 4>taught me everything I never paid attention to. It's payback time.

0:19:29.960 --> 0:19:32.879
<v Speaker 4>Phoene's not interested. Oh no, no, no payback time. I

0:19:32.880 --> 0:19:35.639
<v Speaker 4>don't want it, Eric, Eric isn't hearing it while sipping

0:19:35.640 --> 0:19:38.360
<v Speaker 4>his coffee. It's out of your hands, Phoene, Sorry, out

0:19:38.359 --> 0:19:41.680
<v Speaker 4>of your hands. Phoene explains, Dean Bolander is the kind

0:19:41.760 --> 0:19:45.560
<v Speaker 4>of woman that you have to romance slowly, carefully, like

0:19:45.600 --> 0:19:48.960
<v Speaker 4>an orchid. I'm a gardener, I know these things. Then

0:19:49.119 --> 0:19:52.080
<v Speaker 4>on cue to Pega and Angelo walk in with Dean Bolander.

0:19:52.320 --> 0:19:54.639
<v Speaker 4>The Dean tells the girls stop selling me. I like

0:19:54.720 --> 0:19:56.760
<v Speaker 4>the man very much, but he needs to pick up

0:19:56.800 --> 0:19:59.960
<v Speaker 4>the pace of this dance. To Penga defends her mentor

0:20:00.119 --> 0:20:02.480
<v Speaker 4>Or isn't there anything to be said for the old

0:20:02.520 --> 0:20:07.000
<v Speaker 4>fashioned approach. She sarcastically responds, yeah, and then makes a

0:20:07.040 --> 0:20:07.600
<v Speaker 4>fart noise.

0:20:08.720 --> 0:20:11.240
<v Speaker 2>Raspberry.

0:20:11.359 --> 0:20:12.960
<v Speaker 3>This could have been punched up a little bit. I

0:20:13.000 --> 0:20:17.480
<v Speaker 3>was like, why, why are to Panga and need us somewhere?

0:20:17.840 --> 0:20:19.720
<v Speaker 5>Yeah, it would have been nice to just give a

0:20:19.720 --> 0:20:22.560
<v Speaker 5>little bit of like pre conversation with you guys that

0:20:22.680 --> 0:20:25.000
<v Speaker 5>sets up that she that you think that she and.

0:20:24.960 --> 0:20:26.560
<v Speaker 3>PHOENI you know, I don't know. I know it's all

0:20:26.640 --> 0:20:27.320
<v Speaker 3>time constraint.

0:20:27.560 --> 0:20:34.400
<v Speaker 1>But then Justanga and and Angela and.

0:20:34.840 --> 0:20:37.240
<v Speaker 5>So big at this point, right, and then you have

0:20:37.560 --> 0:20:40.840
<v Speaker 5>like basically two guest stars. You have the Dean and

0:20:41.080 --> 0:20:43.919
<v Speaker 5>the Adventurer taking over so much time.

0:20:43.960 --> 0:20:46.280
<v Speaker 2>And old Lady one through eight a lot of people.

0:20:47.119 --> 0:20:47.280
<v Speaker 5>You know.

0:20:47.400 --> 0:20:49.680
<v Speaker 4>It is really interesting thinking about what we've talked about

0:20:49.720 --> 0:20:52.800
<v Speaker 4>with there being some tension between Mickey and Bill, it

0:20:52.920 --> 0:20:57.399
<v Speaker 4>is really interesting that they gave this Big Bill episode

0:20:58.040 --> 0:21:00.560
<v Speaker 4>to a first time director that.

0:21:00.640 --> 0:21:02.320
<v Speaker 2>Had a lot of set pieces. I mean, we had

0:21:02.320 --> 0:21:05.240
<v Speaker 2>the b and I remember that was a big problem.

0:21:05.400 --> 0:21:06.439
<v Speaker 2>And the props.

0:21:06.440 --> 0:21:08.280
<v Speaker 1>There was a ton of props and there was new sets,

0:21:08.320 --> 0:21:12.919
<v Speaker 1>and yeah, maybe that's why they I often wonder do you,

0:21:13.040 --> 0:21:14.600
<v Speaker 1>I mean, you're both directors, so you would know this.

0:21:15.040 --> 0:21:20.320
<v Speaker 1>How far into the process will they decide no audience?

0:21:21.680 --> 0:21:24.160
<v Speaker 2>I mean it's the table read or is it well

0:21:24.160 --> 0:21:26.159
<v Speaker 2>before when they're okay?

0:21:26.200 --> 0:21:30.040
<v Speaker 1>So it's not like sometimes before the scripts are coming

0:21:30.080 --> 0:21:31.840
<v Speaker 1>in in three weeks from the show, it's like, you know,

0:21:32.000 --> 0:21:33.600
<v Speaker 1>this episode here, we're not going to do this one

0:21:33.600 --> 0:21:34.359
<v Speaker 1>in front of the audience.

0:21:34.400 --> 0:21:38.040
<v Speaker 4>On Boy, we probably did decide at the production meeting.

0:21:39.160 --> 0:21:42.280
<v Speaker 4>On shows I work on now, if they're shows that

0:21:42.359 --> 0:21:45.080
<v Speaker 4>have a live audience, sometimes like by the time the

0:21:45.119 --> 0:21:47.399
<v Speaker 4>outline is out, it's already been discussed, this is going

0:21:47.480 --> 0:21:49.760
<v Speaker 4>to be a big episode. We're already thinking about blocking

0:21:49.760 --> 0:21:54.040
<v Speaker 4>and shooting, and so it's decided like well before. But

0:21:54.119 --> 0:21:57.399
<v Speaker 4>on Boy, we probably figured out at the production meeting

0:21:57.480 --> 0:21:59.840
<v Speaker 4>or the week before when the outline came out and

0:22:00.119 --> 0:22:02.680
<v Speaker 4>people were like, look at all these sets that we're

0:22:02.680 --> 0:22:03.359
<v Speaker 4>gonna have to build.

0:22:03.600 --> 0:22:04.360
<v Speaker 2>But this was a thing.

0:22:04.480 --> 0:22:06.480
<v Speaker 1>This was a thing on our show because think about

0:22:06.560 --> 0:22:08.600
<v Speaker 1>Heyfer's first episode was.

0:22:08.560 --> 0:22:09.760
<v Speaker 2>The Casablanca one.

0:22:10.320 --> 0:22:12.280
<v Speaker 1>I mean, it's like there is a lot of times

0:22:12.280 --> 0:22:15.359
<v Speaker 1>when they get first time directors really complicated shows.

0:22:15.400 --> 0:22:20.240
<v Speaker 3>That's true. Also, the Eskimo was.

0:22:19.520 --> 0:22:23.880
<v Speaker 4>Jody No, it was that was Lish yeah.

0:22:23.600 --> 0:22:26.760
<v Speaker 3>Yeah, yes, that was a difficult one.

0:22:26.920 --> 0:22:30.160
<v Speaker 4>Yeah, But I mean, and that is that's a that's

0:22:30.200 --> 0:22:32.440
<v Speaker 4>a definite test of the director for the first time,

0:22:32.560 --> 0:22:36.320
<v Speaker 4>for sure, and it's an unnecessary one. But like more

0:22:36.359 --> 0:22:40.359
<v Speaker 4>than even just first time director and big sets for Bill,

0:22:41.000 --> 0:22:46.240
<v Speaker 4>like Bill would have probably been a lot more comfortable

0:22:47.440 --> 0:22:51.440
<v Speaker 4>or somebody Kendall, somebody he really knew, who knew him

0:22:51.520 --> 0:22:56.639
<v Speaker 4>really well, who also knew how Bill liked to receive notes,

0:22:56.760 --> 0:23:00.000
<v Speaker 4>because did he ever receive notes? Like and so I can't.

0:23:01.560 --> 0:23:06.000
<v Speaker 4>It just feels like a situation that wasn't set up, Yeah,

0:23:06.119 --> 0:23:09.240
<v Speaker 4>could have been avoided and wasn't really the most supportive

0:23:09.280 --> 0:23:12.439
<v Speaker 4>of our you know, the actor on the show that

0:23:12.560 --> 0:23:18.040
<v Speaker 4>maybe deserved the most protection. So Dean Bolander continues, he

0:23:18.080 --> 0:23:20.600
<v Speaker 4>needs to do something, he needs to express his feelings.

0:23:20.600 --> 0:23:23.160
<v Speaker 4>Goodness knows, I've been dropping the man hints left and right.

0:23:23.560 --> 0:23:27.040
<v Speaker 4>Angela suggests maybe you're being too subtle. Dean Bolander shows

0:23:27.040 --> 0:23:29.480
<v Speaker 4>some skin and admits I hiked up my skirt at

0:23:29.480 --> 0:23:35.040
<v Speaker 4>the seminar. Angela is impressed. Damn. Back at the big table,

0:23:35.040 --> 0:23:37.359
<v Speaker 4>it is funny. Back at the table, Eric is giving

0:23:37.359 --> 0:23:39.879
<v Speaker 4>Feenie a pep talk. The time is now every second

0:23:39.920 --> 0:23:46.280
<v Speaker 4>you wait is another clogged artery. The professor turns to

0:23:46.320 --> 0:23:49.440
<v Speaker 4>look at Dean Bolander and admits, you know, my cholesterol

0:23:49.520 --> 0:23:53.800
<v Speaker 4>level is high. Eric dramatically asks George. If not, now,

0:23:54.119 --> 0:23:58.480
<v Speaker 4>when is this the first George from Eric? So I

0:23:58.480 --> 0:23:59.440
<v Speaker 4>think this is the first.

0:23:59.680 --> 0:24:02.120
<v Speaker 1>I mean that hit the ears weird where it's like, wow,

0:24:02.160 --> 0:24:03.960
<v Speaker 1>you just called him to George.

0:24:04.240 --> 0:24:07.919
<v Speaker 4>Yeah, and Phoene finally decides, Now he gets up, and

0:24:08.040 --> 0:24:10.480
<v Speaker 4>Eric jumps right out of his chair too, following Phoenie

0:24:10.520 --> 0:24:12.960
<v Speaker 4>and grabbing his shoulders. That's right, that's right, you are

0:24:13.000 --> 0:24:16.480
<v Speaker 4>the man. You are the man. Phoene can't take any more. Oh, well,

0:24:16.520 --> 0:24:19.800
<v Speaker 4>you just get lost. Eric quickly responds, I'm lost. Just

0:24:19.840 --> 0:24:23.880
<v Speaker 4>bring her home, Just bring her home. Phoene approaches the Dean.

0:24:24.440 --> 0:24:28.680
<v Speaker 4>Excuse me, Dean Bolander, There's something that I've been meaning

0:24:28.680 --> 0:24:31.359
<v Speaker 4>to say to you, And then just as he's getting

0:24:31.359 --> 0:24:34.200
<v Speaker 4>to the good part, he's interrupted by a man barging

0:24:34.240 --> 0:24:37.520
<v Speaker 4>into the student union with his arms wide open. There

0:24:37.680 --> 0:24:42.000
<v Speaker 4>she is Lilah Bolander, the eighth Wonder of the World.

0:24:42.920 --> 0:24:47.080
<v Speaker 4>Dean Bolander yells Curtis and runs into his arms. A

0:24:47.160 --> 0:24:54.320
<v Speaker 4>defeated Phoene says to Eric, he must know her, and

0:24:54.600 --> 0:24:59.600
<v Speaker 4>it's a romp. It's a romp. We're we're romping. We

0:24:59.640 --> 0:25:01.359
<v Speaker 4>go to a commercial break, and then we returned to

0:25:01.359 --> 0:25:03.760
<v Speaker 4>the student union. Curtis and Dean Bolander walk back to

0:25:03.800 --> 0:25:08.280
<v Speaker 4>a confused Feenie, their arms intertwined. The Dean is gushing, well, Curtis,

0:25:08.280 --> 0:25:11.720
<v Speaker 4>what's it been fifteen years? Curtis agrees, All this time,

0:25:11.760 --> 0:25:14.600
<v Speaker 4>I'm running around the world digging up bones and you're

0:25:14.720 --> 0:25:18.320
<v Speaker 4>here not aging a day. Doesn't seem fair, but I

0:25:18.440 --> 0:25:21.199
<v Speaker 4>like it. Eric tries to a sure feene Relax, this

0:25:21.240 --> 0:25:25.440
<v Speaker 4>guy's got nothing. Dean Bolander walks Curtis over. I want

0:25:25.440 --> 0:25:28.200
<v Speaker 4>you to meet someone. This is my colleague and friend,

0:25:28.359 --> 0:25:32.120
<v Speaker 4>George Feeney. Curtis reaches out his hand. Kurt Kincaid put

0:25:32.160 --> 0:25:35.640
<v Speaker 4>it there. Poene accepts the handshake and responds, a pleasure,

0:25:35.720 --> 0:25:39.320
<v Speaker 4>mister Kincaid. Curtis laughs, Oh, come on, what's with the mister?

0:25:39.800 --> 0:25:48.159
<v Speaker 4>It's doctor Kincaid. Wonderful, it's perfect doctor. What's with the

0:25:48.240 --> 0:25:53.040
<v Speaker 4>mister it's doctor? Dean Bolander explains, Curtis is in town

0:25:53.080 --> 0:25:55.600
<v Speaker 4>to speak at our science seminar. He's made some top

0:25:55.680 --> 0:25:59.760
<v Speaker 4>secret fines in Africa. So he came to pen.

0:26:00.680 --> 0:26:05.159
<v Speaker 5>Yes, of course, this is renowned international archaeology school.

0:26:05.680 --> 0:26:11.399
<v Speaker 4>FA okay, Curtis humbly brags, Oh, just a little something

0:26:11.400 --> 0:26:14.840
<v Speaker 4>that will change the course of the new millennium. Phoene's surprised.

0:26:15.119 --> 0:26:19.080
<v Speaker 4>So then you're an archaeologist, Curtis pleads George. That makes

0:26:19.080 --> 0:26:21.520
<v Speaker 4>me feel like a geezer with a compass. I prefer

0:26:21.680 --> 0:26:26.760
<v Speaker 4>Fortune Hunter Venture or my personal favorite Lila's X husband.

0:26:27.080 --> 0:26:30.240
<v Speaker 1>Oh sorry, no, audience, I'm doing it myself.

0:26:31.520 --> 0:26:34.800
<v Speaker 4>Eric whispers to Feeney X. It's not a problem. But

0:26:34.840 --> 0:26:38.320
<v Speaker 4>then Curtis grabs Dean Bolander's hands and proclaims, but I'm

0:26:38.359 --> 0:26:42.200
<v Speaker 4>here to win her back. Eric suddenly shifts course and suggests,

0:26:42.400 --> 0:26:45.080
<v Speaker 4>you know what, you've been alone this long? How about

0:26:45.480 --> 0:26:47.399
<v Speaker 4>you know, like a puppy.

0:26:48.960 --> 0:26:52.320
<v Speaker 2>Solid for one with a puzzle. Yeah, poor George.

0:26:52.840 --> 0:26:55.720
<v Speaker 1>Does anybody else have a problem thinking that Pembrooke has

0:26:55.800 --> 0:26:58.200
<v Speaker 1>to be just a school if Eric's at.

0:26:58.040 --> 0:27:00.119
<v Speaker 4>It, No, I have a But.

0:27:01.600 --> 0:27:04.400
<v Speaker 2>It's like Eric and Tapanga are at the same school.

0:27:04.880 --> 0:27:07.000
<v Speaker 5>But there are those schools that are big, like big

0:27:07.119 --> 0:27:08.200
<v Speaker 5>state schools.

0:27:07.880 --> 0:27:10.639
<v Speaker 3>Are big and they have you know, various levels.

0:27:10.640 --> 0:27:14.439
<v Speaker 2>So this is the Arizona State of I think.

0:27:14.280 --> 0:27:16.040
<v Speaker 3>It's a Penn State. I think it's like Penn State,

0:27:16.200 --> 0:27:18.040
<v Speaker 3>because Penn State is is.

0:27:18.000 --> 0:27:21.119
<v Speaker 5>Actually a very good school, but it's also very big,

0:27:21.160 --> 0:27:23.960
<v Speaker 5>and they allow you know, they have a higher acceptance

0:27:24.040 --> 0:27:26.879
<v Speaker 5>rate because they have like state funding, so they allow

0:27:26.960 --> 0:27:29.480
<v Speaker 5>people that have like a certain GPA. So it's like,

0:27:29.520 --> 0:27:32.080
<v Speaker 5>you know, it's it's basically like combining a junior college

0:27:32.119 --> 0:27:34.200
<v Speaker 5>and a university, but when you get that big, it's

0:27:34.240 --> 0:27:36.800
<v Speaker 5>like you have all the levels represented.

0:27:36.680 --> 0:27:40.080
<v Speaker 2>The junior college version of basically you know that works

0:27:40.080 --> 0:27:42.280
<v Speaker 2>for me? Then okay, So then.

0:27:42.200 --> 0:27:44.399
<v Speaker 4>We're in the school hallway. Eric stands in front of

0:27:44.400 --> 0:27:49.120
<v Speaker 4>Sean and Corey's bake sale table, dramatically narrating a god

0:27:49.160 --> 0:27:52.679
<v Speaker 4>in a Godfather esque accent, and the man stepped in

0:27:52.760 --> 0:27:55.560
<v Speaker 4>between them, and the course of true love for one

0:27:55.800 --> 0:27:58.280
<v Speaker 4>of our own may have forever been altered by this

0:27:58.960 --> 0:27:59.960
<v Speaker 4>ski voice.

0:28:01.160 --> 0:28:02.280
<v Speaker 3>I don't think it's even a word.

0:28:02.680 --> 0:28:03.400
<v Speaker 4>I don't know either.

0:28:06.920 --> 0:28:07.200
<v Speaker 1>I don't know.

0:28:07.400 --> 0:28:10.000
<v Speaker 2>I don't even think it's a word. Okay, where where

0:28:10.000 --> 0:28:11.880
<v Speaker 2>does this come from? No idea.

0:28:12.000 --> 0:28:14.480
<v Speaker 1>It's also way too long. It's funny, but way too

0:28:14.480 --> 0:28:15.919
<v Speaker 1>way too funny.

0:28:15.920 --> 0:28:18.280
<v Speaker 5>So I was watching this episode with Ocean, who is like,

0:28:18.359 --> 0:28:20.399
<v Speaker 5>you know, only seeing one or two episodes of Boys

0:28:20.440 --> 0:28:22.560
<v Speaker 5>World ever, he used to come to Tapians but he

0:28:22.880 --> 0:28:24.280
<v Speaker 5>and and that was his date.

0:28:24.359 --> 0:28:26.920
<v Speaker 3>He's like, okay, we get the joke this is And

0:28:26.960 --> 0:28:29.440
<v Speaker 3>I was like, you know what happened? We did it.

0:28:29.440 --> 0:28:31.880
<v Speaker 5>It was probably like only four lines, and the writers

0:28:31.880 --> 0:28:32.879
<v Speaker 5>just thought it was so funny.

0:28:32.920 --> 0:28:35.840
<v Speaker 3>And then they were like, let's keep going. This could

0:28:35.840 --> 0:28:37.119
<v Speaker 3>only get better going.

0:28:37.200 --> 0:28:39.640
<v Speaker 5>It was like, wow, let's let's pull some to Panga

0:28:40.040 --> 0:28:42.280
<v Speaker 5>Angela dialogue and give it to the guys doing this.

0:28:42.560 --> 0:28:45.600
<v Speaker 3>Yeah, that'll be funny to give it. Toy drove to

0:28:45.640 --> 0:28:45.960
<v Speaker 3>the ground.

0:28:46.040 --> 0:28:49.040
<v Speaker 5>They drove it to the ground. By the time, like

0:28:49.120 --> 0:28:51.960
<v Speaker 5>I'm getting up and walking around. It was like just

0:28:52.160 --> 0:28:53.920
<v Speaker 5>if we just had us like sipping the.

0:28:53.840 --> 0:28:56.360
<v Speaker 4>Thing, Corey saying, how do you come to me?

0:28:57.160 --> 0:28:57.960
<v Speaker 2>But I just didn't know.

0:28:58.360 --> 0:28:59.600
<v Speaker 3>I just wanted I was.

0:29:00.040 --> 0:29:01.760
<v Speaker 2>I remembered this. I knew it was funny.

0:29:01.840 --> 0:29:05.280
<v Speaker 3>It was funny, but without the music which sets it up.

0:29:05.680 --> 0:29:08.000
<v Speaker 3>Why is this happening? Why are we suddenly Italian?

0:29:08.320 --> 0:29:10.120
<v Speaker 4>I'm saying, I don't why do you have a bake sale?

0:29:10.440 --> 0:29:13.200
<v Speaker 1>I know, well, I think the whole point is supposed

0:29:13.240 --> 0:29:20.040
<v Speaker 1>to be you're the two you're the godfathers of Mayhem.

0:29:20.760 --> 0:29:25.600
<v Speaker 1>So but you've gone legit because Corey is on probation

0:29:25.960 --> 0:29:28.200
<v Speaker 1>and you have found yourself while traveling.

0:29:28.280 --> 0:29:29.400
<v Speaker 3>How do you know Corey is on.

0:29:29.960 --> 0:29:30.680
<v Speaker 2>He even says it.

0:29:30.720 --> 0:29:34.000
<v Speaker 1>He says that the principle put me on probation for

0:29:34.040 --> 0:29:36.160
<v Speaker 1>but he goes, I remember, Eric, I hate a teacher.

0:29:36.680 --> 0:29:38.960
<v Speaker 2>I'm on probation. If I do anything, you kicked out

0:29:38.960 --> 0:29:39.200
<v Speaker 2>of here.

0:29:39.240 --> 0:29:42.360
<v Speaker 5>I guess I just wish before the accents that was

0:29:42.400 --> 0:29:43.640
<v Speaker 5>set up, do you know what I mean? It was

0:29:43.720 --> 0:29:46.560
<v Speaker 5>like it was like Eric said I need help. I

0:29:46.600 --> 0:29:48.760
<v Speaker 5>needed someone to help me. And somebody you know, was

0:29:48.880 --> 0:29:51.080
<v Speaker 5>next to you and said, well you can't ask Corey

0:29:51.080 --> 0:29:51.800
<v Speaker 5>and Sean why not?

0:29:51.880 --> 0:29:52.920
<v Speaker 3>Well they've gone legit.

0:29:53.360 --> 0:29:55.479
<v Speaker 5>And then we cut this scene, you know, and then

0:29:55.520 --> 0:29:57.960
<v Speaker 5>I'm like, oh, okay, they have to do the bake

0:29:58.040 --> 0:29:58.960
<v Speaker 5>sale because I don't know.

0:29:58.960 --> 0:30:01.200
<v Speaker 3>It was just like to have I was discussing.

0:30:00.760 --> 0:30:03.800
<v Speaker 5>It already in Italian accents.

0:30:03.840 --> 0:30:06.880
<v Speaker 3>I was just disoriented. Okay, I'll just go with it.

0:30:07.200 --> 0:30:08.280
<v Speaker 3>Yeah whatever.

0:30:08.320 --> 0:30:12.160
<v Speaker 2>Yeah, too long and very random, but a lot of math.

0:30:12.160 --> 0:30:13.960
<v Speaker 4>For a funny joke. It is a funny joke, but

0:30:13.960 --> 0:30:18.120
<v Speaker 4>there's a lot of math to get to it. And

0:30:18.120 --> 0:30:20.400
<v Speaker 4>and yeah, once we got the joke and get a

0:30:20.400 --> 0:30:21.840
<v Speaker 4>good solid laugh, get out.

0:30:22.800 --> 0:30:24.800
<v Speaker 1>And I also I think we should have dropped the

0:30:24.800 --> 0:30:26.280
<v Speaker 1>accents at some point and been like, why are we

0:30:26.320 --> 0:30:27.400
<v Speaker 1>Italian like you?

0:30:27.800 --> 0:30:29.360
<v Speaker 2>Why are you doing that circle?

0:30:30.120 --> 0:30:30.800
<v Speaker 4>Why are you doing it?

0:30:30.840 --> 0:30:33.000
<v Speaker 2>You did it? I don't know. This isn't even my hat,

0:30:33.080 --> 0:30:35.920
<v Speaker 2>Like I mean, it could have been funny. Yeah.

0:30:36.080 --> 0:30:38.640
<v Speaker 4>Corey looks at Eric and also delves into this mafia

0:30:38.680 --> 0:30:42.000
<v Speaker 4>inspired moment. Why do you come to us now on

0:30:42.200 --> 0:30:46.600
<v Speaker 4>this the day of our bake sale? Eric explains, well,

0:30:46.640 --> 0:30:50.160
<v Speaker 4>because this just happened like five minutes ago. Corey asks, Okay,

0:30:50.200 --> 0:30:52.719
<v Speaker 4>what do you need? And Eric admits I need for

0:30:52.800 --> 0:30:55.560
<v Speaker 4>you to do me this favor. The tension is broken

0:30:55.640 --> 0:30:58.600
<v Speaker 4>up by Sean loudly slurping his coffee. Corey puts his

0:30:58.640 --> 0:31:01.080
<v Speaker 4>hand on his chest. You need me to do you

0:31:01.120 --> 0:31:04.520
<v Speaker 4>this favor. You never invited me into your home, You

0:31:04.640 --> 0:31:08.640
<v Speaker 4>never invited me for a cup of coffee. Sean shakes

0:31:08.640 --> 0:31:09.760
<v Speaker 4>his head in disapproval.

0:31:10.120 --> 0:31:12.640
<v Speaker 5>Eric thought, but at this point, I was like, the

0:31:13.080 --> 0:31:15.160
<v Speaker 5>joke is going to be that Sean never speaks, but

0:31:15.200 --> 0:31:17.280
<v Speaker 5>he has all the power exactly, And so I thought

0:31:17.320 --> 0:31:18.960
<v Speaker 5>Corey was going to have to like check with me,

0:31:19.080 --> 0:31:21.120
<v Speaker 5>and I like do a double sip, which that means

0:31:21.440 --> 0:31:21.920
<v Speaker 5>means something.

0:31:22.000 --> 0:31:23.000
<v Speaker 3>Oh, it's like a And.

0:31:23.000 --> 0:31:24.400
<v Speaker 5>I thought that would have been way funnier and we

0:31:24.400 --> 0:31:26.400
<v Speaker 5>could have just gotten out. But instead of talking, I

0:31:26.440 --> 0:31:27.600
<v Speaker 5>got to get up and do that.

0:31:27.720 --> 0:31:32.280
<v Speaker 4>Yeah, Eric admits, yes, I know, and for this, I

0:31:32.320 --> 0:31:35.360
<v Speaker 4>am sorry, but we must help Foene. But he mustn't

0:31:35.400 --> 0:31:37.640
<v Speaker 4>know that it is us that is the biggest This

0:31:37.720 --> 0:31:39.960
<v Speaker 4>is the biggest job we've ever attempted to pull off.

0:31:40.120 --> 0:31:42.240
<v Speaker 4>I come to you with my hat in my hand.

0:31:42.800 --> 0:31:46.600
<v Speaker 4>Corey pipes up, it's my hat, and Eric snaps back,

0:31:46.680 --> 0:31:48.800
<v Speaker 4>it's my hand. Are you in or are you out?

0:31:49.120 --> 0:31:50.600
<v Speaker 3>Great beat, Sean.

0:31:50.440 --> 0:31:53.600
<v Speaker 4>Chimes in, Eric, we're flattered that you've come to us,

0:31:53.920 --> 0:31:58.280
<v Speaker 4>but look around. We're legitimate now. Corey points out we're

0:31:58.320 --> 0:32:01.880
<v Speaker 4>in the bake sale business. But Eric pleads, guys, it's feeny.

0:32:01.960 --> 0:32:05.120
<v Speaker 4>He's family. This may be his one chance at true love.

0:32:05.680 --> 0:32:09.160
<v Speaker 4>Sean reminds him, I just spent sixty eight bucks traveling

0:32:09.200 --> 0:32:17.280
<v Speaker 4>around this country. I learned a few things about life.

0:32:17.840 --> 0:32:21.280
<v Speaker 4>Corey asks, why don't you tell him what you learned? Sean, Then,

0:32:21.880 --> 0:32:25.360
<v Speaker 4>breaking character, Corey whispers to his brother, I love this part,

0:32:25.880 --> 0:32:28.680
<v Speaker 4>Sean starts his diatribe. I learned to be at peace

0:32:28.720 --> 0:32:31.240
<v Speaker 4>with myself. I like looking over my shoulder and not

0:32:31.320 --> 0:32:33.959
<v Speaker 4>worrying about who's coming after me. Then as a student

0:32:34.000 --> 0:32:36.360
<v Speaker 4>walks past Sean, he does look over his shit.

0:32:37.800 --> 0:32:40.840
<v Speaker 5>Funny, it's such a good kind of He was on

0:32:40.880 --> 0:32:43.080
<v Speaker 5>the other side though, right on the camera, because you

0:32:43.200 --> 0:32:44.040
<v Speaker 5>just I look away.

0:32:44.360 --> 0:32:51.800
<v Speaker 4>But yeah, the rhythm is oh, it's so funny. He continues.

0:32:51.960 --> 0:32:54.720
<v Speaker 4>These schemes and capers I used to hatch. They only

0:32:54.800 --> 0:32:57.720
<v Speaker 4>lead to despair. That's what I learned. I also learned

0:32:57.760 --> 0:33:00.680
<v Speaker 4>never to park a trailer across a railroad track. When

0:33:00.720 --> 0:33:01.600
<v Speaker 4>that thing is down.

0:33:02.360 --> 0:33:05.680
<v Speaker 5>It's perfect right, because if I knew the name for it,

0:33:05.680 --> 0:33:07.920
<v Speaker 5>it wouldn't be fun I think.

0:33:09.440 --> 0:33:09.920
<v Speaker 3>So good.

0:33:10.640 --> 0:33:12.720
<v Speaker 4>It's like, if you knew the name for it, it would

0:33:12.720 --> 0:33:14.920
<v Speaker 4>be a full lesson learned. Instead, it's just.

0:33:17.680 --> 0:33:18.200
<v Speaker 1>You learn.

0:33:20.160 --> 0:33:21.080
<v Speaker 3>That good.

0:33:22.320 --> 0:33:26.040
<v Speaker 4>Corey ads. Besides, Eric, I hit a teacher. Remember the

0:33:26.080 --> 0:33:28.640
<v Speaker 4>dean put me on probation. I do one thing wrong,

0:33:28.680 --> 0:33:31.200
<v Speaker 4>I'm out of here. Sean asks Eric, don't you think

0:33:31.240 --> 0:33:33.880
<v Speaker 4>Phoene can take care of himself? But Eric shakes his head.

0:33:34.000 --> 0:33:37.640
<v Speaker 4>I'm ashamed. I'm ashamed to call you guys, my brother Sean.

0:33:38.360 --> 0:33:40.400
<v Speaker 4>The more we say how long this went on? Every

0:33:40.400 --> 0:33:42.120
<v Speaker 4>time I read another thing, though, I'm like, but what

0:33:42.160 --> 0:33:42.640
<v Speaker 4>do you cut?

0:33:43.320 --> 0:33:46.240
<v Speaker 3>That's a problem cut. They were like, we just gotta

0:33:46.280 --> 0:33:47.320
<v Speaker 3>go with it. We just gotta.

0:33:48.800 --> 0:33:50.560
<v Speaker 2>It's really funny. It was just too long, but it's

0:33:50.600 --> 0:33:51.280
<v Speaker 2>really funny.

0:33:51.480 --> 0:33:54.280
<v Speaker 4>He grabs a cupcake off the table and shoves it

0:33:54.280 --> 0:33:56.880
<v Speaker 4>in his mouth, staring down Sean in the process. Then

0:33:56.960 --> 0:34:00.640
<v Speaker 4>he walks away to a big applause from the inmates. Unimpressed,

0:34:00.640 --> 0:34:02.880
<v Speaker 4>Sean tells Corey, he ate the paper.

0:34:03.800 --> 0:34:07.320
<v Speaker 2>Wait a minute, that's right, there's applause. Yeah, so maybe

0:34:07.320 --> 0:34:08.120
<v Speaker 2>there was audience.

0:34:08.920 --> 0:34:12.160
<v Speaker 4>There must have been audience.

0:34:12.640 --> 0:34:12.960
<v Speaker 1>Yeah.

0:34:13.080 --> 0:34:16.640
<v Speaker 2>Maybe it sounded pretty organic though, the clapping, that's right.

0:34:17.320 --> 0:34:21.000
<v Speaker 5>And there's the reaction to the brain stuff they oh

0:34:21.040 --> 0:34:21.480
<v Speaker 5>and awe.

0:34:21.520 --> 0:34:24.240
<v Speaker 2>But I also I definitely remember.

0:34:24.680 --> 0:34:27.520
<v Speaker 4>Wait, you know what I remember? Maybe they played this

0:34:27.640 --> 0:34:32.480
<v Speaker 4>episode for another audience, like another week's audience capture and

0:34:32.560 --> 0:34:33.680
<v Speaker 4>captured reaction.

0:34:33.880 --> 0:34:36.239
<v Speaker 2>That's what they did. Yeah, yeah, that could have been it.

0:34:36.280 --> 0:34:39.120
<v Speaker 4>The brain stuff. There's no way that would have been

0:34:39.120 --> 0:34:40.640
<v Speaker 4>something we shot in front of the audience.

0:34:40.719 --> 0:34:43.080
<v Speaker 1>No, that was the other side of the that was

0:34:43.120 --> 0:34:44.360
<v Speaker 1>the same side as the audience.

0:34:44.400 --> 0:34:46.040
<v Speaker 2>As well down you're looking at the audience.

0:34:46.040 --> 0:34:47.719
<v Speaker 1>It was all the way down to the left, and

0:34:47.760 --> 0:34:49.879
<v Speaker 1>it was a big, cavernous kind of set at the time,

0:34:50.000 --> 0:34:51.600
<v Speaker 1>and that definitely wasn't done.

0:34:51.480 --> 0:34:52.160
<v Speaker 3>In front of the audience.

0:34:52.560 --> 0:34:54.200
<v Speaker 2>I can't remember if we just blocked and taped a

0:34:54.200 --> 0:34:56.680
<v Speaker 2>couple scenes and then.

0:34:56.840 --> 0:34:57.600
<v Speaker 3>I'm just remembering.

0:34:57.640 --> 0:35:00.719
<v Speaker 5>This is the episode where and Sing came to visit

0:35:00.760 --> 0:35:02.520
<v Speaker 5>and I had the conversation about the monkeys.

0:35:03.400 --> 0:35:07.760
<v Speaker 4>Tell the story again. It's so funny. That story cracks

0:35:07.840 --> 0:35:08.160
<v Speaker 4>me up.

0:35:08.239 --> 0:35:10.440
<v Speaker 5>It was. Yeah, so we were at Craft Service and

0:35:10.560 --> 0:35:14.520
<v Speaker 5>it was me and Justin and I guess Lance or

0:35:14.520 --> 0:35:17.839
<v Speaker 5>whoever else having a conversation about like what's next, and

0:35:17.840 --> 0:35:21.160
<v Speaker 5>and just well, yeah, for indsake, and Justin was like, yeah, well,

0:35:21.480 --> 0:35:23.920
<v Speaker 5>you know, they want us to do like a TV

0:35:24.000 --> 0:35:26.560
<v Speaker 5>show or you know, like with the band as acting.

0:35:26.920 --> 0:35:28.960
<v Speaker 5>And I was and I was like, uh, are you

0:35:29.000 --> 0:35:31.240
<v Speaker 5>going to do that? And You're like, yeah, we really

0:35:31.239 --> 0:35:32.680
<v Speaker 5>don't want to do that. And we were both just

0:35:32.719 --> 0:35:35.919
<v Speaker 5>sort of like acknowledging and that's kind of a crappy.

0:35:35.680 --> 0:35:38.040
<v Speaker 3>Cheesy hockey idea.

0:35:38.440 --> 0:35:41.239
<v Speaker 5>And Mickey Dolan's grabbed a handful of nuts right behind

0:35:41.320 --> 0:35:43.600
<v Speaker 5>from Craft Services, like why why not why not? And

0:35:43.760 --> 0:35:47.879
<v Speaker 5>was eating and I just remember watching Justin turn make realize.

0:35:47.600 --> 0:35:49.560
<v Speaker 3>Who he was talking to, make the calculation be like, oh,

0:35:49.600 --> 0:35:51.759
<v Speaker 3>well it's just not you know, we'll see it's you're

0:35:51.760 --> 0:35:52.120
<v Speaker 3>on Twitter.

0:35:52.160 --> 0:35:55.600
<v Speaker 5>We'll probably I don't know why we would, and like

0:35:55.760 --> 0:35:59.520
<v Speaker 5>it was just one of the greatest moments only see

0:35:59.560 --> 0:36:05.799
<v Speaker 5>the creation and like, oh Timberlake back pedaling in front

0:36:05.840 --> 0:36:06.080
<v Speaker 5>of them.

0:36:07.719 --> 0:36:09.560
<v Speaker 2>Only in Hollywood craft service tables you.

0:36:09.520 --> 0:36:12.120
<v Speaker 1>Get to see this kind of Oh why would band

0:36:12.160 --> 0:36:13.160
<v Speaker 1>being a TV show?

0:36:13.200 --> 0:36:14.800
<v Speaker 3>That's the dumbest thing I've ever heard.

0:36:15.040 --> 0:36:19.960
<v Speaker 4>Oh hello, Hello, he's behind me, isn't it.

0:36:19.960 --> 0:36:22.040
<v Speaker 5>It probably also came out of now that I realized

0:36:22.040 --> 0:36:25.200
<v Speaker 5>that the conversation probably evolved out of Nobody's angel having

0:36:25.239 --> 0:36:28.160
<v Speaker 5>been on our show, so you know, the idea of

0:36:28.200 --> 0:36:32.120
<v Speaker 5>like boy bands appearing on shows, Like I'm sure that

0:36:32.120 --> 0:36:33.480
<v Speaker 5>that's why he and I were talking.

0:36:33.280 --> 0:36:35.719
<v Speaker 4>About Mickey Dolan's direct that episode.

0:36:35.840 --> 0:36:37.399
<v Speaker 3>That would that would have made sense.

0:36:37.640 --> 0:36:40.080
<v Speaker 5>But I'm sitting there, Yeah, I probably was like, you know,

0:36:40.160 --> 0:36:42.719
<v Speaker 5>it really didn't work, Like we had these girls on

0:36:42.719 --> 0:36:44.600
<v Speaker 5>her ship, you don't know what. And then Justin was like, yeah,

0:36:44.600 --> 0:36:45.920
<v Speaker 5>they want us to do it, but it's gonna be

0:36:45.960 --> 0:36:47.000
<v Speaker 5>why would we ever do that?

0:36:47.120 --> 0:36:51.520
<v Speaker 3>Oh, mickey, it's a great moment.

0:36:52.440 --> 0:36:55.000
<v Speaker 4>So then we're in the apartment. Jack and Rachel are

0:36:55.000 --> 0:36:57.399
<v Speaker 4>making out, but something seems to be bothering her. Jack

0:36:57.480 --> 0:37:00.400
<v Speaker 4>is worried. What's the matter? She explains, you know, I

0:37:00.440 --> 0:37:02.680
<v Speaker 4>really love this, but have you noticed that this is

0:37:02.680 --> 0:37:07.879
<v Speaker 4>all we do? Jack smiles, Yeah, isn't it great? She agrees, Yeah, yeah,

0:37:07.920 --> 0:37:10.960
<v Speaker 4>it is great, but I want more. Jack looks up

0:37:11.000 --> 0:37:14.279
<v Speaker 4>at God. Oh thank you. He grabs Rachel's hand to

0:37:14.320 --> 0:37:17.000
<v Speaker 4>head upstairs. Well, more is right this way.

0:37:17.160 --> 0:37:20.879
<v Speaker 1>So they're not sleeping together, of course, lived together, of course,

0:37:20.960 --> 0:37:21.520
<v Speaker 1>sleep together.

0:37:21.840 --> 0:37:23.520
<v Speaker 2>It's just but again, we've we've.

0:37:23.360 --> 0:37:26.120
<v Speaker 1>Already talked about the fact that that Jack has had

0:37:26.160 --> 0:37:28.360
<v Speaker 1>sex because he's in the Streame episode.

0:37:28.400 --> 0:37:31.480
<v Speaker 2>He's dead. So you just I don't know why they

0:37:31.520 --> 0:37:32.520
<v Speaker 2>had to bracket.

0:37:32.120 --> 0:37:34.359
<v Speaker 1>The fact that they're definitely not having sex, Like, why

0:37:34.480 --> 0:37:38.399
<v Speaker 1>even address it in any way? Shape because it's they're

0:37:38.440 --> 0:37:39.840
<v Speaker 1>in their twenties and they live together.

0:37:40.280 --> 0:37:41.200
<v Speaker 3>Yeah, enter dating.

0:37:41.600 --> 0:37:43.719
<v Speaker 1>I mean, it's just a kid's show, I know, but

0:37:43.760 --> 0:37:45.880
<v Speaker 1>it's not though at this point they were all, you know,

0:37:46.239 --> 0:37:47.200
<v Speaker 1>adults in college.

0:37:47.560 --> 0:37:49.320
<v Speaker 2>Yeah, yeah, it's TJF.

0:37:49.320 --> 0:37:52.000
<v Speaker 3>Though they're still hoping that eight year olds are watching.

0:37:53.000 --> 0:37:53.600
<v Speaker 2>Yeah, I don't know.

0:37:53.640 --> 0:37:56.120
<v Speaker 1>It just seemed like a weird thing to throw out there, like, yes,

0:37:56.160 --> 0:37:58.840
<v Speaker 1>I get to have sex with this adult woman I live.

0:37:58.719 --> 0:38:04.399
<v Speaker 4>With the next thing, she said, But but she stops him.

0:38:04.440 --> 0:38:07.280
<v Speaker 4>Oh no, I mean I want us to be a couple.

0:38:07.920 --> 0:38:12.360
<v Speaker 4>So okay, so they're not officially a couple.

0:38:12.640 --> 0:38:13.600
<v Speaker 2>They live together.

0:38:13.640 --> 0:38:15.520
<v Speaker 4>I mean that's but they live together because they're because

0:38:15.520 --> 0:38:17.160
<v Speaker 4>they were living together.

0:38:17.160 --> 0:38:19.960
<v Speaker 2>They separate rooms. We think they're I think she went

0:38:20.040 --> 0:38:20.800
<v Speaker 2>up in one direction.

0:38:20.920 --> 0:38:28.040
<v Speaker 4>He Jack's confused. We are a couple. She's not sold.

0:38:28.080 --> 0:38:29.960
<v Speaker 4>I want to go out, Jack, we haven't gone out

0:38:29.960 --> 0:38:32.280
<v Speaker 4>since we've become a couple. Why don't we ever go anywhere?

0:38:32.280 --> 0:38:34.440
<v Speaker 4>So I guess they are a couple. I don't know.

0:38:34.880 --> 0:38:37.360
<v Speaker 4>He disagrees. We go plenty of places. He points to

0:38:37.360 --> 0:38:40.000
<v Speaker 4>different places in the apartment. First you went there, then

0:38:40.040 --> 0:38:41.800
<v Speaker 4>you went there, and now we're gonna go up there.

0:38:42.200 --> 0:38:44.600
<v Speaker 4>She clarifies, I want to be with people. I want

0:38:44.600 --> 0:38:48.520
<v Speaker 4>to go dancing. Jack looks stressed. Let's go to the movies.

0:38:48.960 --> 0:38:51.319
<v Speaker 4>She points out. The movies are dark, no one will

0:38:51.320 --> 0:38:53.480
<v Speaker 4>see us, and I want to show you off. She

0:38:53.520 --> 0:38:55.840
<v Speaker 4>scoots closer to him. I want to go dancing. You

0:38:55.880 --> 0:38:59.520
<v Speaker 4>can dance, right, Jack half heartedly answers, Yeah, I can dance.

0:39:00.040 --> 0:39:02.160
<v Speaker 1>It's a great answer to the way he does it

0:39:02.280 --> 0:39:02.960
<v Speaker 1>because he can.

0:39:05.400 --> 0:39:07.360
<v Speaker 2>Yes, Yes, I can dance.

0:39:08.880 --> 0:39:11.320
<v Speaker 4>She hugs him and exclaims, great. Then we'll go dancing

0:39:11.320 --> 0:39:14.239
<v Speaker 4>tomorrow night. She begins to walk upstairs. Oh, Jack, this

0:39:14.360 --> 0:39:16.239
<v Speaker 4>is going to be so much fun. I can't wait.

0:39:16.840 --> 0:39:19.279
<v Speaker 4>Jack does not seem to be too happy about this plan.

0:39:20.360 --> 0:39:22.279
<v Speaker 4>And then we're in Phoenie's classroom and the students are

0:39:22.280 --> 0:39:24.480
<v Speaker 4>sitting at their desks, while Feenie and Dean Boland are

0:39:24.480 --> 0:39:26.919
<v Speaker 4>also watch on as Curtis speaks to the class about

0:39:26.920 --> 0:39:30.840
<v Speaker 4>his adventures. So I jump off the cliff, grab hold

0:39:30.880 --> 0:39:33.799
<v Speaker 4>of a big old branch jungle gym to the river

0:39:34.080 --> 0:39:37.560
<v Speaker 4>and never saw Chief Yakazo's ugly mug again. And the

0:39:37.600 --> 0:39:40.360
<v Speaker 4>cursed Ruby of the zang Kwai now resides in the

0:39:40.360 --> 0:39:44.400
<v Speaker 4>Turkish Museum of Natural History, diagonally across from the Hard

0:39:44.520 --> 0:39:53.160
<v Speaker 4>Rock Cafe. Hard Rock Cafe makes me laugh. So gosh,

0:39:53.200 --> 0:39:55.080
<v Speaker 4>it was so big in the nineties.

0:39:55.239 --> 0:39:57.800
<v Speaker 2>It was so great, and it was do you remember

0:39:58.080 --> 0:39:58.920
<v Speaker 2>Planet Hollywood?

0:39:59.400 --> 0:40:02.719
<v Speaker 1>Is the captain crunched chicken fingers that we would all

0:40:02.760 --> 0:40:05.680
<v Speaker 1>go to get the cafic crunch with that amazing dipping sauce.

0:40:05.760 --> 0:40:08.480
<v Speaker 5>Like, why did we I feel like I was always

0:40:08.480 --> 0:40:10.680
<v Speaker 5>being invited to planet Hollywood for some of the events.

0:40:10.680 --> 0:40:11.719
<v Speaker 3>We were always.

0:40:11.400 --> 0:40:13.640
<v Speaker 4>Invited to Planet Hollywood. We got to put our hands

0:40:13.640 --> 0:40:14.440
<v Speaker 4>in the mud.

0:40:14.800 --> 0:40:15.160
<v Speaker 2>I don't know.

0:40:15.680 --> 0:40:16.920
<v Speaker 3>They only wanted to peng us.

0:40:17.160 --> 0:40:18.600
<v Speaker 2>No, I got I had mine done too.

0:40:18.920 --> 0:40:21.439
<v Speaker 3>Really you did it too, for sure, And it wasn't mud.

0:40:21.440 --> 0:40:22.560
<v Speaker 3>It was cement, right, I.

0:40:22.560 --> 0:40:25.960
<v Speaker 5>Mean that's like, okays, muddy stuff, just like you put

0:40:25.960 --> 0:40:26.840
<v Speaker 5>it in mud and then wash it.

0:40:26.920 --> 0:40:29.040
<v Speaker 4>Oh okay, so like four inches three four.

0:40:28.920 --> 0:40:32.320
<v Speaker 1>Inches okay, regular photo this episode photo.

0:40:33.280 --> 0:40:35.960
<v Speaker 5>For some reason, they put her in lifts then even

0:40:36.000 --> 0:40:37.160
<v Speaker 5>though they look like flats.

0:40:37.520 --> 0:40:40.240
<v Speaker 2>Look how much taller she is now?

0:40:42.000 --> 0:40:46.640
<v Speaker 4>Yeah, maybe she's in flats for that opening scene so

0:40:46.680 --> 0:40:48.680
<v Speaker 4>that we established she's in flats, and then for the

0:40:48.680 --> 0:40:50.280
<v Speaker 4>rest of the episode she actually wore heels.

0:40:50.440 --> 0:40:52.799
<v Speaker 1>Oh maybe that's what it is, because I mean she's like,

0:40:53.800 --> 0:40:55.839
<v Speaker 1>she's like, it's six inches taller than him.

0:40:56.080 --> 0:40:59.200
<v Speaker 4>Though if she stood right next to him, it wouldn't

0:40:59.200 --> 0:41:01.280
<v Speaker 4>be that big of a difference. I bet that angle,

0:41:01.840 --> 0:41:03.480
<v Speaker 4>but I do it is possible that she had on

0:41:03.560 --> 0:41:05.480
<v Speaker 4>little heels for the rest of the episode, and for

0:41:05.520 --> 0:41:08.080
<v Speaker 4>that establishing shut those.

0:41:07.840 --> 0:41:11.759
<v Speaker 2>Are her shoes in the episode. I can't tell what

0:41:11.800 --> 0:41:12.200
<v Speaker 2>they are.

0:41:12.239 --> 0:41:13.759
<v Speaker 4>Ah, there's a little heel there.

0:41:13.880 --> 0:41:15.960
<v Speaker 3>Oh yeah, oh yeah, that's what.

0:41:16.160 --> 0:41:18.279
<v Speaker 1>Okay, So that's what because this is the two of

0:41:18.320 --> 0:41:21.480
<v Speaker 1>them together when he's in I can't dig shoes.

0:41:21.640 --> 0:41:24.520
<v Speaker 3>Yeah, because he's getting like six inches.

0:41:24.200 --> 0:41:27.480
<v Speaker 2>Off of that at least at least, so okay.

0:41:27.840 --> 0:41:30.880
<v Speaker 4>All the students except for Eric, clap in amazement to

0:41:30.880 --> 0:41:35.040
<v Speaker 4>paying an angela let out and inspired Wow. Eric aggressively

0:41:35.080 --> 0:41:38.560
<v Speaker 4>asks them, Hey, whose side are you on? Phoene speaks up, well,

0:41:38.600 --> 0:41:42.480
<v Speaker 4>thank you, doctor Kincaid for that vivid story, which provides

0:41:42.560 --> 0:41:45.759
<v Speaker 4>us with a perfect transition into today's assignment, where on

0:41:45.920 --> 0:41:49.880
<v Speaker 4>neighboring crete we will find Sir Arthur Evans excavating a

0:41:49.960 --> 0:41:53.360
<v Speaker 4>minoan nosis. I don't know what. I don't know how

0:41:53.400 --> 0:41:56.200
<v Speaker 4>to say any of the beginning in eighteen ninety nine,

0:41:56.840 --> 0:41:59.879
<v Speaker 4>as Phoeney continues to lecture, the class clearly falls into

0:42:00.560 --> 0:42:02.440
<v Speaker 4>Eric casually walks to the front of the room to

0:42:02.480 --> 0:42:04.680
<v Speaker 4>throw something out, and on his way back to his seat,

0:42:04.800 --> 0:42:07.000
<v Speaker 4>Eric coughs into Phoene's ear, you're dying.

0:42:07.200 --> 0:42:08.680
<v Speaker 3>Do something.

0:42:10.120 --> 0:42:13.360
<v Speaker 4>Phoeney continues, we will read what Evans was most interested

0:42:13.400 --> 0:42:16.200
<v Speaker 4>in excavating and the effect it had on archaeology in

0:42:16.239 --> 0:42:22.279
<v Speaker 4>the twentieth century. Even Curtis looks bored. He exclaims, ponderous, man, ponderous,

0:42:22.400 --> 0:42:26.080
<v Speaker 4>while shaking his head. Dean Bolander tells her ex George

0:42:26.120 --> 0:42:30.200
<v Speaker 4>is a fine educator, Curtis. Curtis shrugs his shoulders. Sorry,

0:42:30.200 --> 0:42:32.959
<v Speaker 4>but when you've had these experiences firsthand, it's a little

0:42:33.000 --> 0:42:35.719
<v Speaker 4>hard to get excited about reading a book. But I

0:42:35.800 --> 0:42:39.720
<v Speaker 4>suppose reading is a lot safer than actually doing something.

0:42:40.120 --> 0:42:45.080
<v Speaker 2>Oh Shot, still in the audience, Yehill be the audience.

0:42:45.400 --> 0:42:47.680
<v Speaker 4>Eric, Corey and Sean overhear these statements, and a little

0:42:47.680 --> 0:42:51.920
<v Speaker 4>Italian music starts to play. The three boys exchange looks.

0:42:52.600 --> 0:42:55.880
<v Speaker 4>Corey leans into Sean back in his godfather accent. I

0:42:55.920 --> 0:43:00.520
<v Speaker 4>feel as though this gentleman may require our attention. Sean

0:43:00.840 --> 0:43:05.720
<v Speaker 4>nods in agreement, perhaps a lesson in humility. Corey adds

0:43:05.920 --> 0:43:11.120
<v Speaker 4>something big, Shawna grees something spectacular. Corey looks at Sean

0:43:11.200 --> 0:43:14.120
<v Speaker 4>and in his normal voice, prefaces, but let's not get

0:43:14.120 --> 0:43:17.439
<v Speaker 4>caught like all the other times. Okay, and then we're

0:43:17.440 --> 0:43:23.799
<v Speaker 4>in the college science department storage closet. Sure, Corey and

0:43:23.840 --> 0:43:25.200
<v Speaker 4>Sean walk inside, and.

0:43:29.840 --> 0:43:32.959
<v Speaker 2>Seriously, it's like, is this the Smithsonian? What's happening here?

0:43:34.040 --> 0:43:38.000
<v Speaker 4>Apparently this college is an overflow from a museum. Corey

0:43:38.120 --> 0:43:42.000
<v Speaker 4>is excited. Oh ho, shany of all the plans we've concocted,

0:43:42.440 --> 0:43:46.160
<v Speaker 4>this is the best one. And we have concocted some doozies.

0:43:46.600 --> 0:43:49.279
<v Speaker 4>Shawn agrees, and Feenie always caught us. But we're in

0:43:49.320 --> 0:43:53.040
<v Speaker 4>college now, we are older, we're wiser. Corey wonders, you

0:43:53.040 --> 0:43:55.680
<v Speaker 4>think he's up to the challenge. Sean grins. It's us

0:43:55.719 --> 0:43:59.239
<v Speaker 4>against him, living on the edge. Babe. Corey gushes, I

0:43:59.320 --> 0:44:02.080
<v Speaker 4>like it when you call him babe. Sean is ready.

0:44:02.160 --> 0:44:04.520
<v Speaker 4>All right, So Eric said, this guy Curtis stored all

0:44:04.560 --> 0:44:06.839
<v Speaker 4>the stuff from his last dig here in the science lab.

0:44:07.239 --> 0:44:10.640
<v Speaker 4>Corey examines the artifacts. Yeah, he's supposedly got something that's

0:44:10.680 --> 0:44:13.800
<v Speaker 4>going to alter the course of the new millennium. Sean asks,

0:44:13.840 --> 0:44:16.359
<v Speaker 4>are we ready to execute phase one of our master plan?

0:44:16.719 --> 0:44:19.480
<v Speaker 4>Didn't you guys already have this conversation like you were

0:44:19.480 --> 0:44:21.680
<v Speaker 4>we ready? It feels like we could have cut this

0:44:21.840 --> 0:44:22.520
<v Speaker 4>little part out.

0:44:22.640 --> 0:44:25.560
<v Speaker 2>This is also a terrible plan, breaking artifacts. It's like,

0:44:25.760 --> 0:44:26.760
<v Speaker 2>how is this the plan?

0:44:27.040 --> 0:44:31.279
<v Speaker 5>This wat this is where we were miserable, and I think, yeah,

0:44:31.320 --> 0:44:32.480
<v Speaker 5>you know, it's just I don't know.

0:44:32.640 --> 0:44:36.720
<v Speaker 4>It is true that for all the mayhem Corey and Sean,

0:44:36.880 --> 0:44:40.400
<v Speaker 4>cause they're not usually destructive.

0:44:39.880 --> 0:44:43.799
<v Speaker 5>No at all, No, and that the funny parts were

0:44:43.840 --> 0:44:47.000
<v Speaker 5>always that Sean was making Corey do it and Corey

0:44:47.080 --> 0:44:51.480
<v Speaker 5>was more nervous, right, amazingly, so the dynamic of the

0:44:51.520 --> 0:44:54.879
<v Speaker 5>Corey Sean doesn't ever work like this, right, Like think

0:44:54.920 --> 0:44:56.960
<v Speaker 5>about think about the B and B episode, right, like

0:44:57.000 --> 0:44:59.800
<v Speaker 5>the whole the dynamic is Sean being like, it's gonna

0:44:59.840 --> 0:45:00.360
<v Speaker 5>be fine.

0:45:00.400 --> 0:45:04.120
<v Speaker 4>It's exactly, it's a victimless crime, right yes.

0:45:04.200 --> 0:45:06.480
<v Speaker 5>And and but also just the between the two of us,

0:45:06.480 --> 0:45:10.000
<v Speaker 5>the energy, whereas this has this like weird performative, like

0:45:10.719 --> 0:45:12.439
<v Speaker 5>I don't know, it just feels weird.

0:45:12.760 --> 0:45:15.880
<v Speaker 4>It's yeah, yeah, I agree, this doesn't. It feels a

0:45:15.880 --> 0:45:20.080
<v Speaker 4>little out of character. Although the characters, the idea for

0:45:20.160 --> 0:45:23.040
<v Speaker 4>it is funny, it's just not not in character.

0:45:23.600 --> 0:45:25.680
<v Speaker 1>I remember, this is where all the problems started, was

0:45:25.760 --> 0:45:28.759
<v Speaker 1>just this set. Everything in this set was that we

0:45:28.760 --> 0:45:29.319
<v Speaker 1>were just not.

0:45:29.840 --> 0:45:31.719
<v Speaker 5>And I think coming back, it probably had to do

0:45:31.920 --> 0:45:34.440
<v Speaker 5>with just all the props, you know, like all that

0:45:34.480 --> 0:45:37.080
<v Speaker 5>stuff adds time makes actors.

0:45:37.160 --> 0:45:39.600
<v Speaker 4>Some actress are really good actors.

0:45:39.600 --> 0:45:41.440
<v Speaker 3>And then we had not We had to be that.

0:45:41.480 --> 0:45:43.440
<v Speaker 3>We had to like drug do you remember this.

0:45:43.520 --> 0:45:45.080
<v Speaker 4>We had to like there was a real bee.

0:45:45.800 --> 0:45:46.920
<v Speaker 2>Yeah, we had.

0:45:46.760 --> 0:45:48.719
<v Speaker 5>Like a b wrangler and and because you know, we

0:45:48.719 --> 0:45:50.799
<v Speaker 5>don't want to like put we had to put a

0:45:50.840 --> 0:45:51.680
<v Speaker 5>live b on her.

0:45:51.760 --> 0:45:53.560
<v Speaker 3>And I forget how we did it, but there's some

0:45:54.239 --> 0:45:56.360
<v Speaker 3>like thing you you.

0:45:55.880 --> 0:45:58.120
<v Speaker 5>Like, stun a bee and put it on her and

0:45:58.280 --> 0:45:59.600
<v Speaker 5>you know it probably didn't have a stinger.

0:45:59.640 --> 0:46:01.440
<v Speaker 3>I don't like. I just it was a lot. There

0:46:01.480 --> 0:46:03.279
<v Speaker 3>was a lot of stuff going on and everyone was

0:46:03.400 --> 0:46:03.960
<v Speaker 3>stressed out.

0:46:04.200 --> 0:46:06.440
<v Speaker 2>And there's like nine people in that set. Yeah, I

0:46:06.480 --> 0:46:08.319
<v Speaker 2>mean we think about it's the whole damn cast is

0:46:08.320 --> 0:46:10.960
<v Speaker 2>in that one set. Yeah. It was.

0:46:11.040 --> 0:46:14.200
<v Speaker 1>I remember just not going well the whole week. I

0:46:14.200 --> 0:46:16.239
<v Speaker 1>mean just it was every time we stepped into that set,

0:46:16.239 --> 0:46:17.319
<v Speaker 1>it was not a good time.

0:46:18.160 --> 0:46:21.640
<v Speaker 4>Yeah, hearing you talk about it, if I were a

0:46:21.680 --> 0:46:23.960
<v Speaker 4>director getting that script, I'd be like, oh my gosh,

0:46:24.000 --> 0:46:26.040
<v Speaker 4>we have a huge set with a bunch of props

0:46:26.040 --> 0:46:28.840
<v Speaker 4>and we've got nine people in it with a live b.

0:46:29.080 --> 0:46:30.240
<v Speaker 4>I'd be like, this is a nightmare.

0:46:30.320 --> 0:46:33.400
<v Speaker 1>Well, I remember you and I and Trina were just like,

0:46:33.480 --> 0:46:35.680
<v Speaker 1>we did our best to just tuck back away.

0:46:35.880 --> 0:46:36.880
<v Speaker 2>Yeah, and we were.

0:46:36.760 --> 0:46:38.680
<v Speaker 1>Trying to step but then they'd have us step up

0:46:38.719 --> 0:46:40.400
<v Speaker 1>for a line and then step back, and then step

0:46:40.480 --> 0:46:41.880
<v Speaker 1>up for a line and step back, and it was

0:46:41.960 --> 0:46:42.720
<v Speaker 1>just one of those.

0:46:43.000 --> 0:46:45.400
<v Speaker 2>Very awkward, yeah, very awkward times.

0:46:46.640 --> 0:46:50.080
<v Speaker 4>So Corey's enthused, let's mess this place up. The boys

0:46:50.120 --> 0:46:52.600
<v Speaker 4>start aimlessly throwing paper in the air and moving things

0:46:52.640 --> 0:46:55.319
<v Speaker 4>all around. Corey announces, you know, Shannie, I honestly don't

0:46:55.320 --> 0:46:58.200
<v Speaker 4>see how anything could be simpler. He agrees this is

0:46:58.320 --> 0:47:03.400
<v Speaker 4>child's play. What's this? Sure enough, he's examining a brain

0:47:03.560 --> 0:47:07.360
<v Speaker 4>in a big jar. Corey insists that's gotta be his discovery.

0:47:07.560 --> 0:47:10.719
<v Speaker 4>He discovered the world's first brain. If this gets out,

0:47:10.719 --> 0:47:13.839
<v Speaker 4>PHOENI will never get the Dean. Sean's impressed. You could

0:47:13.840 --> 0:47:18.120
<v Speaker 4>get any woman with the world's first brain. Corey wonders,

0:47:18.280 --> 0:47:21.759
<v Speaker 4>could I get to Panga? Sean responds, yeah, I think

0:47:21.840 --> 0:47:24.279
<v Speaker 4>you could could have been.

0:47:24.200 --> 0:47:29.560
<v Speaker 1>Lifted also, So the just to follow the track.

0:47:29.680 --> 0:47:30.600
<v Speaker 2>The plan is.

0:47:32.520 --> 0:47:37.560
<v Speaker 1>Trash the stuff and make it and Blaine feenie. So

0:47:37.600 --> 0:47:41.319
<v Speaker 1>then when the Dean comes in, what because Eric then

0:47:41.440 --> 0:47:43.759
<v Speaker 1>throws in like he just made it up. Oh, this

0:47:43.920 --> 0:47:46.239
<v Speaker 1>was an act of love, So that wasn't part of

0:47:46.280 --> 0:47:47.320
<v Speaker 1>the original plan.

0:47:47.640 --> 0:47:52.000
<v Speaker 5>So that I think the original plan is to make

0:47:52.080 --> 0:47:56.920
<v Speaker 5>it look like Feenie destroyed ofrage of jealousy.

0:47:57.080 --> 0:47:58.720
<v Speaker 3>Yeah, attacked his find.

0:47:58.840 --> 0:48:00.880
<v Speaker 4>So I do think you're part of it. Was with

0:48:01.000 --> 0:48:02.800
<v Speaker 4>that was was part of it, even.

0:48:02.680 --> 0:48:04.680
<v Speaker 1>Though it seems I didn't play it like that at all,

0:48:04.680 --> 0:48:07.080
<v Speaker 1>because I played it like I just Eric just comes

0:48:07.120 --> 0:48:09.520
<v Speaker 1>up with But it's an act of love like it was.

0:48:09.640 --> 0:48:11.959
<v Speaker 2>It wasn't like he. I didn't play it like I was.

0:48:11.880 --> 0:48:14.759
<v Speaker 3>In on the You screwed it up as an actor.

0:48:14.840 --> 0:48:18.600
<v Speaker 2>If that's the plan, this whole episode is my fault.

0:48:18.920 --> 0:48:19.560
<v Speaker 2>That's my fault.

0:48:19.640 --> 0:48:23.320
<v Speaker 1>You apologize just me andry about I didn't hear anything

0:48:23.360 --> 0:48:24.400
<v Speaker 1>after be Wrangler.

0:48:24.600 --> 0:48:25.319
<v Speaker 2>I'm honest with you.

0:48:25.440 --> 0:48:28.759
<v Speaker 3>Let's go, I want to be a be Wrangler. Let's

0:48:28.760 --> 0:48:29.239
<v Speaker 3>get Mackey.

0:48:29.760 --> 0:48:33.520
<v Speaker 2>Yeah Francis you said, Francis is eighty three.

0:48:33.560 --> 0:48:36.160
<v Speaker 4>Now he's still working, He's still doing it. Corey lets

0:48:36.160 --> 0:48:39.719
<v Speaker 4>out a Homer Simpson style whoa and grabs the brain jar.

0:48:39.960 --> 0:48:42.160
<v Speaker 4>Sean stops him. Whoa, whoa? Hey, that jar has been

0:48:42.160 --> 0:48:45.160
<v Speaker 4>closed for five thousand years. Corey is struggling to open it.

0:48:45.239 --> 0:48:47.520
<v Speaker 4>You know, this must be the world's first jar. How

0:48:47.560 --> 0:48:50.399
<v Speaker 4>do I get this thing open? Also, this this joke

0:48:50.400 --> 0:48:53.360
<v Speaker 4>about the world's first brain, isn't that funny?

0:48:53.640 --> 0:48:53.920
<v Speaker 3>No?

0:48:54.200 --> 0:48:57.080
<v Speaker 2>Not to keep it going, and it keeps going, Yeah.

0:48:56.880 --> 0:48:58.839
<v Speaker 5>I know, And it's all this level of like are

0:48:58.880 --> 0:49:01.480
<v Speaker 5>we supposed to be stupid? Because then we're able to

0:49:01.560 --> 0:49:04.920
<v Speaker 5>like reference all the like yeah, actual artifacts and stuff.

0:49:05.000 --> 0:49:06.919
<v Speaker 5>So it's like, are we doing this ironically?

0:49:07.280 --> 0:49:07.759
<v Speaker 3>I don't know.

0:49:08.280 --> 0:49:10.319
<v Speaker 1>You're also hitting a jar like you're going to open

0:49:10.320 --> 0:49:12.560
<v Speaker 1>a screwtop jar, which is actually just a pull off things.

0:49:12.680 --> 0:49:17.239
<v Speaker 5>I think the point was we know all these things

0:49:17.280 --> 0:49:19.640
<v Speaker 5>are going to happen, and that we're supposed to just

0:49:19.719 --> 0:49:24.320
<v Speaker 5>be like ironically protect like we're having a dialogue.

0:49:23.719 --> 0:49:25.279
<v Speaker 3>To just we just want to trash the place.

0:49:25.520 --> 0:49:28.040
<v Speaker 5>So this was supposed to be like if you paste

0:49:28.120 --> 0:49:30.120
<v Speaker 5>this up and Ben and I played it with a

0:49:30.200 --> 0:49:33.640
<v Speaker 5>level of like banter, like fast banter, I think it

0:49:33.680 --> 0:49:37.720
<v Speaker 5>would have worked. But instead we're like kind of really

0:49:37.760 --> 0:49:40.160
<v Speaker 5>playing it really saying like as if we think this

0:49:40.520 --> 0:49:43.600
<v Speaker 5>it's slow, it's just not working. So I wonder if

0:49:43.600 --> 0:49:45.400
<v Speaker 5>the dialogue was meant to be like hand me that

0:49:46.440 --> 0:49:48.120
<v Speaker 5>we're a first jar and instead we're.

0:49:47.920 --> 0:49:51.600
<v Speaker 3>Like, wow, that's the old you know. It's like it's

0:49:51.680 --> 0:49:55.640
<v Speaker 3>just too intense, it's too slow, and it's it's it's

0:49:55.640 --> 0:49:57.359
<v Speaker 3>an energy thing. We should this should have all been

0:49:57.440 --> 0:49:58.680
<v Speaker 3>like breezy ridiculousness.

0:49:58.800 --> 0:50:00.680
<v Speaker 4>Yes, you're right, you're right. You guys are if you

0:50:00.760 --> 0:50:04.439
<v Speaker 4>guys are ironically having a conversation about this brain, Yes,

0:50:04.440 --> 0:50:06.600
<v Speaker 4>it's it's funny ten times faster.

0:50:06.719 --> 0:50:08.480
<v Speaker 3>Yeah, it's just like can't bampam. But you don't even

0:50:08.520 --> 0:50:09.480
<v Speaker 3>have time to process it.

0:50:22.880 --> 0:50:25.360
<v Speaker 4>So Corey is struggling to open it. You know, Uh,

0:50:25.360 --> 0:50:27.600
<v Speaker 4>how do I get this thing open? Sean has an idea,

0:50:27.880 --> 0:50:30.759
<v Speaker 4>hand me the rare Phoenician mallet. Corey picks up a

0:50:30.800 --> 0:50:33.279
<v Speaker 4>nearby object, and Sean explains, no, no, no, no, that's

0:50:33.320 --> 0:50:36.160
<v Speaker 4>an Egyptian dental tool. He points to a different object

0:50:36.239 --> 0:50:38.719
<v Speaker 4>and hits the jar with it. The tool snaps in half,

0:50:38.719 --> 0:50:41.680
<v Speaker 4>and Sean sighs, Phoenician piece of crap. So we've had

0:50:41.719 --> 0:50:43.800
<v Speaker 4>a damn and a crap in one episode.

0:50:43.960 --> 0:50:45.440
<v Speaker 2>We're also breaking artifacts.

0:50:46.520 --> 0:50:48.839
<v Speaker 4>Sean isn't bothered. I'll replace it. I see them all

0:50:48.840 --> 0:50:50.640
<v Speaker 4>the time at bed bath and Phoenician.

0:50:51.719 --> 0:50:52.120
<v Speaker 3>Good joke.

0:50:52.120 --> 0:50:55.240
<v Speaker 4>It's a funny joke. Here, hand me the byzantine statue

0:50:55.239 --> 0:50:58.319
<v Speaker 4>of King Hafaratu. Corey hands him the gold piece and

0:50:58.360 --> 0:51:00.640
<v Speaker 4>Sean hits it on, hits it on the jar as

0:51:00.680 --> 0:51:03.480
<v Speaker 4>hard as he can. On impact, it shatters into hundreds

0:51:03.480 --> 0:51:06.759
<v Speaker 4>of pieces. Sean moves along home shopping channel. There's six

0:51:06.800 --> 0:51:10.120
<v Speaker 4>billion of them left now amongst the mess. Sean easily

0:51:10.120 --> 0:51:12.200
<v Speaker 4>pops the lid off the brain jar and Corey reaches

0:51:12.200 --> 0:51:15.759
<v Speaker 4>in to grab it. We get some ea from the

0:51:15.840 --> 0:51:19.799
<v Speaker 4>audience as the slime drips off the prop. Wow, the

0:51:19.920 --> 0:51:24.040
<v Speaker 4>human brain, Corey says, the thing that separates us from

0:51:24.040 --> 0:51:27.160
<v Speaker 4>the animals. Seawan agrees, because they would have an animal brain.

0:51:27.600 --> 0:51:29.719
<v Speaker 4>Corey nods in agreement. I hold in my mind a.

0:51:29.719 --> 0:51:31.759
<v Speaker 3>Lot of character that Corey just like, is cool with

0:51:31.840 --> 0:51:33.040
<v Speaker 3>reaching in and grabbing a brain.

0:51:33.239 --> 0:51:36.320
<v Speaker 4>I know it's yeah.

0:51:36.719 --> 0:51:38.520
<v Speaker 5>I mean, first of all, that's just a weird thing

0:51:38.560 --> 0:51:41.600
<v Speaker 5>to do. That's I don't think any person would just

0:51:41.640 --> 0:51:42.280
<v Speaker 5>grab it.

0:51:42.320 --> 0:51:45.600
<v Speaker 4>Okay, oh why would you? There's no reason. You broke

0:51:45.600 --> 0:51:47.400
<v Speaker 4>it open, put it on the floor, tip it on

0:51:47.440 --> 0:51:49.080
<v Speaker 4>its side. You don't need to take the brain out.

0:51:50.000 --> 0:51:51.920
<v Speaker 4>Corey nods in agreement. I hold in my hands the

0:51:51.920 --> 0:51:54.960
<v Speaker 4>pinnacle of God's creation. Think fast. He chucks the brain

0:51:55.000 --> 0:51:57.080
<v Speaker 4>at Sean's chest and it falls to the ground. We

0:51:57.160 --> 0:52:01.440
<v Speaker 4>see it split in half. Sean asks, you want personality

0:52:01.520 --> 0:52:02.400
<v Speaker 4>or motor skills?

0:52:02.880 --> 0:52:05.160
<v Speaker 2>Good joke, pretty good, Joe, very very fun.

0:52:06.600 --> 0:52:08.040
<v Speaker 5>That's what they wanted to get to, because that's a

0:52:08.360 --> 0:52:10.799
<v Speaker 5>good joke.

0:52:10.000 --> 0:52:13.200
<v Speaker 4>To your idea or to your note earlier, where you

0:52:13.239 --> 0:52:15.720
<v Speaker 4>were like, we know all of this is going to happen,

0:52:15.960 --> 0:52:18.160
<v Speaker 4>Why then do you act? Why is it bad or

0:52:18.200 --> 0:52:22.799
<v Speaker 4>shocking or surprising? When it splits in half, like now

0:52:22.840 --> 0:52:25.399
<v Speaker 4>we've really done some damage to it, Like as if

0:52:26.719 --> 0:52:29.200
<v Speaker 4>just opening it on its own wasn't bad enough. I

0:52:29.239 --> 0:52:31.520
<v Speaker 4>don't know it just in this moment it felt like, oops,

0:52:31.520 --> 0:52:34.520
<v Speaker 4>we may have gone too far and why? But why?

0:52:34.719 --> 0:52:38.720
<v Speaker 4>Why is this too far? Anyway? We're in Phoenie's classroom.

0:52:38.760 --> 0:52:41.359
<v Speaker 4>Phoene is teaching his students about energy when Eric, who's

0:52:41.360 --> 0:52:43.080
<v Speaker 4>in the back of the classroom, slams his hand on

0:52:43.120 --> 0:52:45.640
<v Speaker 4>his desk and shouts, Phoene, stop hiding behind your books.

0:52:46.120 --> 0:52:49.320
<v Speaker 4>Phoene ignores Eric and continues his explanation on quantum physics,

0:52:49.560 --> 0:52:52.760
<v Speaker 4>but Eric can see right past the facade. Oh, Phoenie

0:52:52.760 --> 0:52:55.360
<v Speaker 4>you're in pain, Phoene snaps Eric, you're not even in

0:52:55.440 --> 0:52:59.719
<v Speaker 4>this class. Nevertheless, Eric wages on, but someone who is

0:52:59.719 --> 0:53:02.760
<v Speaker 4>perfect fine does not let some world famous, super duper

0:53:02.800 --> 0:53:05.600
<v Speaker 4>explorer guy who's five times the man you'll ever be,

0:53:05.840 --> 0:53:10.680
<v Speaker 4>swoop in and take your booty. Feenie angrily shouts, she

0:53:11.040 --> 0:53:12.760
<v Speaker 4>is not my booty.

0:53:14.000 --> 0:53:16.479
<v Speaker 1>I love you, and then he's like coming's like coming,

0:53:16.520 --> 0:53:20.120
<v Speaker 1>the audience, like the his classroom. Down'm like, sorry, sorry,

0:53:20.400 --> 0:53:21.160
<v Speaker 1>such a great beat.

0:53:21.239 --> 0:53:23.960
<v Speaker 4>He is embarrassed by his outburst, but tells Eric and

0:53:24.040 --> 0:53:27.120
<v Speaker 4>if she was my booty, I would prefer not to

0:53:27.200 --> 0:53:30.640
<v Speaker 4>talk about my booty in front of the entire class.

0:53:31.480 --> 0:53:34.920
<v Speaker 4>Eric breaks it to him, Look, come on, Phoenie, everybody knows.

0:53:35.280 --> 0:53:37.680
<v Speaker 4>Phoenie insists, no one knows. I have behaved in a

0:53:37.719 --> 0:53:41.400
<v Speaker 4>manner befitting a man of my situation. Eric decides to

0:53:41.440 --> 0:53:44.760
<v Speaker 4>ask the class himself. Okay, who here knows who? Feenie

0:53:44.840 --> 0:53:47.160
<v Speaker 4>loves the whole class, yells in unison.

0:53:46.920 --> 0:53:48.319
<v Speaker 2>The dean.

0:53:49.920 --> 0:53:50.880
<v Speaker 3>So they don't have to get paid.

0:53:50.960 --> 0:53:53.960
<v Speaker 4>Yep, don't worry, we would never pay all those people.

0:53:55.160 --> 0:53:58.600
<v Speaker 4>Foene points to the door. All right, everybody out now alone.

0:53:58.719 --> 0:54:01.520
<v Speaker 4>Eric tries to assure him just rooting for you, mister Feoene.

0:54:01.560 --> 0:54:04.640
<v Speaker 4>Why won't you make your move? Phoeney explains Eric. In

0:54:04.719 --> 0:54:07.080
<v Speaker 4>a world that is not run by savages, there is

0:54:07.120 --> 0:54:10.440
<v Speaker 4>such a thing as decorum. Now, decorum would suggest that

0:54:10.480 --> 0:54:13.440
<v Speaker 4>a gentleman allow a lady to resolve an old relationship

0:54:13.480 --> 0:54:16.919
<v Speaker 4>before he endangers her in a new one. Eric argues, yes,

0:54:16.960 --> 0:54:19.239
<v Speaker 4>but see, you're already in a new relationship. You're in

0:54:19.239 --> 0:54:22.720
<v Speaker 4>a triangle, Feene. Eric makes a triangle with his fingers.

0:54:22.840 --> 0:54:24.560
<v Speaker 4>Do you make a square?

0:54:24.800 --> 0:54:29.160
<v Speaker 2>Do you make a square that's become a meme? That trying?

0:54:29.880 --> 0:54:31.960
<v Speaker 2>Rachel yell yah.

0:54:33.120 --> 0:54:36.000
<v Speaker 4>Eric makes a square with his fingers and takes it,

0:54:36.040 --> 0:54:38.280
<v Speaker 4>and take it from somebody who's been in a triangle

0:54:38.320 --> 0:54:42.080
<v Speaker 4>before he who hesitates is lost. Eric realizes his pain

0:54:42.120 --> 0:54:47.120
<v Speaker 4>and screams Rachel child. Phoene's concerned, but Eric and says,

0:54:47.200 --> 0:54:49.359
<v Speaker 4>I'm okay, I'm okay, I'm fine, I'm just like you.

0:54:49.680 --> 0:54:52.360
<v Speaker 4>This terrifies Foene. Oh dear, I don't want to be

0:54:52.480 --> 0:54:55.640
<v Speaker 4>like you, and Eric starts sobbing, and then we're back

0:54:55.680 --> 0:54:59.640
<v Speaker 4>in the science lab. Sean is still holding the split brain. Cory,

0:54:59.680 --> 0:55:02.239
<v Speaker 4>you at a perfectly good world's first brain, and now

0:55:02.320 --> 0:55:05.799
<v Speaker 4>look at it. Corey says, he's sorry, Sean Hansom see

0:55:06.120 --> 0:55:11.239
<v Speaker 4>like this part. What so Sean handsom the brain and

0:55:11.280 --> 0:55:13.960
<v Speaker 4>asks for help. Well, here, just like smash it back

0:55:13.960 --> 0:55:16.880
<v Speaker 4>together and put it back in the jar. Corey nods

0:55:16.880 --> 0:55:19.160
<v Speaker 4>and casually throws the brain back in the jar. You

0:55:19.160 --> 0:55:22.279
<v Speaker 4>know what, I better hide this because then on c

0:55:22.640 --> 0:55:25.560
<v Speaker 4>he drops the glass jar onto another glass jar and

0:55:25.680 --> 0:55:28.439
<v Speaker 4>it is a shattered mess. This is the same kind

0:55:28.440 --> 0:55:29.360
<v Speaker 4>of broken jars.

0:55:29.200 --> 0:55:31.239
<v Speaker 1>A lot of broken jars, and it's the same kind

0:55:31.280 --> 0:55:34.040
<v Speaker 1>of problem we had in the Godfather scene where it's

0:55:34.080 --> 0:55:37.120
<v Speaker 1>like it's funny dialogue and funny stuff happening. That's just

0:55:37.600 --> 0:55:40.359
<v Speaker 1>it's way too long. Yeah, they keep cutting back. They're

0:55:40.400 --> 0:55:42.799
<v Speaker 1>still in the thing and still with the brain. After

0:55:42.800 --> 0:55:44.960
<v Speaker 1>the Phoenix, it's like, okay, we're still on this.

0:55:45.040 --> 0:55:46.880
<v Speaker 4>When if you were really pulling a keeper, you'd be

0:55:46.920 --> 0:55:48.799
<v Speaker 4>in and out as fast as you could possibly be.

0:55:49.040 --> 0:55:50.759
<v Speaker 4>You do what you needed to do, and you'd get

0:55:50.800 --> 0:55:53.960
<v Speaker 4>out of it. And you know, thinking back to like

0:55:54.040 --> 0:55:56.400
<v Speaker 4>you and you writer saying that you feel like you

0:55:56.400 --> 0:56:00.759
<v Speaker 4>weren't committed to it, these questions were asked because even

0:56:00.800 --> 0:56:05.040
<v Speaker 4>though it's maybe it's funny when you're the actor in it,

0:56:05.239 --> 0:56:10.520
<v Speaker 4>and you're just looking for I need threads of reality

0:56:11.440 --> 0:56:14.000
<v Speaker 4>to hold on to to. I can circle around them

0:56:14.040 --> 0:56:17.040
<v Speaker 4>with with hilarity, but I need to know what the

0:56:17.080 --> 0:56:21.280
<v Speaker 4>thread of reality is? Is this the plan? Like, what's

0:56:21.320 --> 0:56:22.680
<v Speaker 4>the plan with the are we go?

0:56:22.840 --> 0:56:23.520
<v Speaker 3>Are we is?

0:56:23.560 --> 0:56:25.080
<v Speaker 4>Our plan to break the brain?

0:56:25.480 --> 0:56:27.160
<v Speaker 3>I got the fix? This is the fix?

0:56:28.239 --> 0:56:28.560
<v Speaker 4>Uh?

0:56:28.719 --> 0:56:32.520
<v Speaker 5>To Panga and Angela are they're trying to stop, They're like,

0:56:32.560 --> 0:56:34.000
<v Speaker 5>this is too far, this is too much.

0:56:34.040 --> 0:56:34.839
<v Speaker 3>What are you guys doing?

0:56:34.880 --> 0:56:38.680
<v Speaker 5>And we're lecturing them on how to be good you know,

0:56:38.760 --> 0:56:41.120
<v Speaker 5>schemers and we're breaking everything so you're able to have

0:56:41.160 --> 0:56:41.720
<v Speaker 5>the tension.

0:56:42.000 --> 0:56:43.840
<v Speaker 3>You guys are like, don't know, put that down? That

0:56:43.880 --> 0:56:46.200
<v Speaker 3>could be the first human brand, could it? Oh right?

0:56:46.239 --> 0:56:48.680
<v Speaker 5>You know, and like we're being the kooky ones. Well,

0:56:48.760 --> 0:56:50.600
<v Speaker 5>you guys are the thread of reality being like this

0:56:50.680 --> 0:56:51.279
<v Speaker 5>is a stupid plan?

0:56:51.400 --> 0:56:52.440
<v Speaker 4>Is the best a bad idea?

0:56:52.480 --> 0:56:53.440
<v Speaker 3>And then you have something to.

0:56:53.400 --> 0:56:56.480
<v Speaker 5>Do And then in the reveal scene you could be saying, oh,

0:56:56.600 --> 0:56:59.040
<v Speaker 5>that actually worked. You know, there's a turn for your characters,

0:56:59.040 --> 0:57:01.080
<v Speaker 5>like I can't believe it. We're instead this is all

0:57:01.200 --> 0:57:02.200
<v Speaker 5>just like inevitable.

0:57:02.280 --> 0:57:04.360
<v Speaker 1>Yeah, I would have I would have even taken that

0:57:04.440 --> 0:57:06.440
<v Speaker 1>idea and gone even farther where I would have had

0:57:06.480 --> 0:57:08.440
<v Speaker 1>the entire episode. The two people that are trying to

0:57:08.440 --> 0:57:10.640
<v Speaker 1>get them together and scheming but bad at it are

0:57:10.880 --> 0:57:14.879
<v Speaker 1>Angela and Panga, and it's and it's Sean and Corey like, ah,

0:57:15.080 --> 0:57:17.160
<v Speaker 1>I'm never going to be able to do this by themselves,

0:57:17.240 --> 0:57:20.480
<v Speaker 1>Like it's that and them having like the caper or

0:57:20.520 --> 0:57:22.360
<v Speaker 1>trying to pull off a caper and just being bad

0:57:22.360 --> 0:57:25.120
<v Speaker 1>at it is actually really funny.

0:57:25.160 --> 0:57:26.840
<v Speaker 2>And then it's the boys kind of showing them how

0:57:26.880 --> 0:57:27.200
<v Speaker 2>to do it.

0:57:27.480 --> 0:57:29.160
<v Speaker 3>Yeah, but the girls just want to dance.

0:57:29.320 --> 0:57:34.120
<v Speaker 4>So that's just to writer's point though, if it had

0:57:34.160 --> 0:57:36.280
<v Speaker 4>been that we were that, maybe we were saying, like,

0:57:36.360 --> 0:57:38.960
<v Speaker 4>you cannot do this. You're like, we never do anything.

0:57:39.040 --> 0:57:41.280
<v Speaker 4>We don't We're not going to ruin anything that bad,

0:57:41.640 --> 0:57:46.000
<v Speaker 4>we just said. And then it's an accident, right, yeah.

0:57:46.040 --> 0:57:47.840
<v Speaker 2>Even though we can fix this crash.

0:57:47.800 --> 0:57:52.439
<v Speaker 4>Exactly exactly, there's a couple of little fixes.

0:57:52.120 --> 0:57:53.760
<v Speaker 1>That could have that could have happened, but it seem

0:57:53.800 --> 0:57:56.040
<v Speaker 1>like they're literally just going in and trashing all this

0:57:56.200 --> 0:57:57.400
<v Speaker 1>really priceless stuff.

0:57:58.000 --> 0:58:02.080
<v Speaker 4>Yes, and then, for whatever reason, the brain separating is

0:58:02.240 --> 0:58:06.440
<v Speaker 4>one step too far amongst the plan of already breaking stuff,

0:58:06.480 --> 0:58:08.520
<v Speaker 4>so that loses much.

0:58:08.440 --> 0:58:10.000
<v Speaker 3>Change in this the whole scene.

0:58:10.160 --> 0:58:12.880
<v Speaker 5>It's two scenes, and all that happens is we walk in,

0:58:13.120 --> 0:58:16.320
<v Speaker 5>break something to release a bee and open a window.

0:58:16.360 --> 0:58:19.120
<v Speaker 5>Those are the only actual changes, right. Everything else is

0:58:19.200 --> 0:58:20.800
<v Speaker 5>non change and it takes.

0:58:20.960 --> 0:58:24.360
<v Speaker 3>Like two Yeah, it's like that's just the problem. And

0:58:24.400 --> 0:58:26.480
<v Speaker 3>so if they had and so they're trying to cre

0:58:26.560 --> 0:58:27.480
<v Speaker 3>attention because.

0:58:27.240 --> 0:58:28.920
<v Speaker 5>They came up with some good jokes, you know, the

0:58:28.920 --> 0:58:32.520
<v Speaker 5>finish and this the brain thing, the skills, and they

0:58:32.560 --> 0:58:34.080
<v Speaker 5>just got hooked on those jokes and they were like, well,

0:58:34.080 --> 0:58:34.760
<v Speaker 5>how do I pick.

0:58:34.680 --> 0:58:40.360
<v Speaker 4>This work right? Corey's eyes widen. Uh oh, Sean walks over. Oh,

0:58:40.440 --> 0:58:43.000
<v Speaker 4>he broke another jar. Wonder what was in that one.

0:58:43.200 --> 0:58:46.280
<v Speaker 4>Suddenly we hear a loud buzz. Sean admits, whoa, that

0:58:46.400 --> 0:58:49.440
<v Speaker 4>is one of angry bee. Corey fights on forget the bee,

0:58:49.480 --> 0:58:53.320
<v Speaker 4>on to phase two. He points at the window. Sean smirks, yeah,

0:58:53.400 --> 0:58:56.280
<v Speaker 4>how about we open a window for some air. Corey

0:58:56.320 --> 0:58:58.960
<v Speaker 4>tries to stop him. Wait a minute, Sean won't opening

0:58:59.040 --> 0:59:02.080
<v Speaker 4>a window set off alarm. And just as Sean opens

0:59:02.120 --> 0:59:05.480
<v Speaker 4>the window and alarm goes off, Sean sarcastically comments, almost

0:59:05.480 --> 0:59:08.040
<v Speaker 4>like this was part of their plan. Oh man, we

0:59:08.120 --> 0:59:12.480
<v Speaker 4>never learn anything, do we, Corey responds, unbothered, no, And

0:59:12.560 --> 0:59:15.640
<v Speaker 4>now the teacher from next door is gonna hear that alarm.

0:59:16.160 --> 0:59:19.920
<v Speaker 4>Sean continues, and he's gonna come in here all mad.

0:59:20.360 --> 0:59:22.880
<v Speaker 4>Corey adds, like they've seen it hundreds of times before.

0:59:22.920 --> 0:59:25.400
<v Speaker 4>I know how this will end. And I wonder who

0:59:25.400 --> 0:59:29.360
<v Speaker 4>that teacher's gonna be on cue. Phoene comes running through

0:59:29.400 --> 0:59:31.760
<v Speaker 4>the door. Both Corey and Sean continue to go through

0:59:31.760 --> 0:59:36.320
<v Speaker 4>the robotic motions. Oh no, it's feene The professor is concerned.

0:59:36.360 --> 0:59:39.120
<v Speaker 4>What's going on in here? Corey says nothing, and Sean

0:59:39.240 --> 0:59:43.000
<v Speaker 4>unconvincingly states, we didn't break this stuff. Phoene asks, well,

0:59:43.000 --> 0:59:46.440
<v Speaker 4>who did? And Corey shouts you did, and both boys

0:59:46.520 --> 0:59:48.520
<v Speaker 4>run out of the room and lock the door. Feeney

0:59:48.600 --> 0:59:52.280
<v Speaker 4>yells and pounds on the door, but the boys are gone,

0:59:52.440 --> 0:59:54.200
<v Speaker 4>and then we're back in the apartment. Rachel's in a

0:59:54.200 --> 0:59:56.240
<v Speaker 4>tight black dress spinning around the living room.

0:59:57.400 --> 0:59:58.600
<v Speaker 2>Dan's night, it's night.

0:59:58.720 --> 1:00:01.680
<v Speaker 4>Can't wait to go out? Come on out, Jack, I

1:00:01.680 --> 1:00:04.160
<v Speaker 4>want to see how good you look. Jack awkwardly appears

1:00:04.200 --> 1:00:06.800
<v Speaker 4>and gives a little wave. How you doing. Rachel gives

1:00:06.840 --> 1:00:11.040
<v Speaker 4>him a confused look, okay, something's different. Jack waves it off. Yeah,

1:00:11.040 --> 1:00:13.520
<v Speaker 4>and we're going out. Let's go, but Rachel stops him.

1:00:13.680 --> 1:00:17.360
<v Speaker 4>Oh wait a second, you're tall. Jack shrugs it off. Yeah,

1:00:17.400 --> 1:00:20.320
<v Speaker 4>so are you. Let's go. Jack starts walking toward the door,

1:00:20.360 --> 1:00:23.360
<v Speaker 4>but Rachel pulls him back. No, I mean I'm looking

1:00:23.400 --> 1:00:25.960
<v Speaker 4>straight ahead and suddenly you're in my field of vision.

1:00:26.240 --> 1:00:29.080
<v Speaker 4>What did you do? Jack reveals I'm standing up straight.

1:00:29.160 --> 1:00:31.800
<v Speaker 4>You know me, I'm a schlump. I'm a real downlooker. Well,

1:00:31.880 --> 1:00:33.800
<v Speaker 4>let's go. He tries to run for the door, but

1:00:33.880 --> 1:00:37.440
<v Speaker 4>Rachel stops him again. She notices something. What's on your feet?

1:00:38.000 --> 1:00:41.680
<v Speaker 4>Jack calmly responds, my dancing shoes. We pulled out to

1:00:41.720 --> 1:00:46.600
<v Speaker 4>show that Jack, they looks like Herman Munster shir.

1:00:49.800 --> 1:00:52.880
<v Speaker 2>Absolutely. The only thing missing are the bolts in his neck. Yeah,

1:00:52.960 --> 1:00:54.120
<v Speaker 2>it's crazy.

1:00:55.000 --> 1:00:57.600
<v Speaker 4>We pull out to show that Jack is wearing shoes

1:00:57.600 --> 1:01:00.840
<v Speaker 4>with a six inch lift. Rachel rolls her eyes. Ugh,

1:01:01.000 --> 1:01:04.640
<v Speaker 4>I can't believe this. You bought elevator shoes. Jack quickly responds,

1:01:04.640 --> 1:01:07.480
<v Speaker 4>they're not elevator shoes. The guy never called them elevator shoes.

1:01:07.920 --> 1:01:12.280
<v Speaker 4>Rachel asks, oh, what did he call them? Jack answers manly.

1:01:12.040 --> 1:01:14.360
<v Speaker 2>Step ups good line.

1:01:15.160 --> 1:01:17.959
<v Speaker 4>Rachel realizes what's going on here. That's why you didn't

1:01:17.960 --> 1:01:20.080
<v Speaker 4>want to go out with me, because you're too embarrassed

1:01:20.080 --> 1:01:23.560
<v Speaker 4>to be seen with me because I'm so tall. Jack

1:01:23.600 --> 1:01:26.200
<v Speaker 4>tries to act oblivious. What are you talking about? Rachel

1:01:26.200 --> 1:01:28.320
<v Speaker 4>explains my whole life, I've been the tall one, the

1:01:28.360 --> 1:01:31.360
<v Speaker 4>bean pole. Hey stilts, how's the weather up there? But

1:01:31.480 --> 1:01:33.840
<v Speaker 4>Jack insists you're crazy. You know why I didn't want

1:01:33.840 --> 1:01:36.000
<v Speaker 4>to go out with you because I thought they'd say, hey,

1:01:36.240 --> 1:01:38.960
<v Speaker 4>look at the model with that shrimp. Rachel doesn't get it.

1:01:39.000 --> 1:01:40.919
<v Speaker 4>What are you talking about? You've never been worried about

1:01:40.920 --> 1:01:43.560
<v Speaker 4>this before when we've been out, He says, yeah, but

1:01:43.720 --> 1:01:46.160
<v Speaker 4>we've only ever been out as friends. I never really

1:01:46.160 --> 1:01:48.560
<v Speaker 4>thought about this until we got together, you know what.

1:01:48.760 --> 1:01:51.000
<v Speaker 4>To be honest, I never thought you'd be interested in me.

1:01:51.480 --> 1:01:54.600
<v Speaker 4>Rachel reveals, well, I am interested in you Jack. She

1:01:54.680 --> 1:01:57.760
<v Speaker 4>looks down at his shoes, but not in those. Jack

1:01:57.800 --> 1:02:00.160
<v Speaker 4>sits down to take them off. You know what, I

1:02:00.160 --> 1:02:03.240
<v Speaker 4>would love to go dancing? Her eyes light up. Really,

1:02:03.440 --> 1:02:06.600
<v Speaker 4>you mean in front of everybody? Jack nods yes, in

1:02:06.600 --> 1:02:09.720
<v Speaker 4>front of the whole world. All right, let's dance. He

1:02:09.800 --> 1:02:11.720
<v Speaker 4>takes Rachel's hand and they walk right out the door

1:02:11.720 --> 1:02:13.760
<v Speaker 4>and into the elevator, where an old lady is waiting.

1:02:14.080 --> 1:02:16.720
<v Speaker 4>As they walk in, she screams, she's too tall for you.

1:02:17.720 --> 1:02:20.720
<v Speaker 4>Jack stares at the woman, embarrassed as the elevator doors close.

1:02:20.840 --> 1:02:22.440
<v Speaker 1>And that when they were standing next to each other

1:02:22.440 --> 1:02:25.480
<v Speaker 1>in the elevator, she looks like she's three feet taller.

1:02:25.240 --> 1:02:25.640
<v Speaker 3>Than he is.

1:02:25.800 --> 1:02:28.360
<v Speaker 1>So they had to have leaning back and put her

1:02:28.400 --> 1:02:30.840
<v Speaker 1>in something. And I mean they're they're definitely trying to

1:02:30.840 --> 1:02:34.600
<v Speaker 1>play it up because there he's not five seven there

1:02:34.640 --> 1:02:35.840
<v Speaker 1>and she's not five ten there.

1:02:36.640 --> 1:02:40.840
<v Speaker 4>Just no way, no way. So yeah, so funny. Well,

1:02:40.880 --> 1:02:43.920
<v Speaker 4>we're back in the science storage lab. Phoene is holding

1:02:43.920 --> 1:02:45.439
<v Speaker 4>the brain in his hand the third time.

1:02:45.680 --> 1:02:47.720
<v Speaker 2>Third time back in the lab. Get back in the lab.

1:02:47.760 --> 1:02:48.720
<v Speaker 2>People back in the lab.

1:02:49.080 --> 1:02:51.160
<v Speaker 4>Phoene is holding the brain in his hand, trying to

1:02:51.200 --> 1:02:54.080
<v Speaker 4>wipe it clean. Just as Dean Bolander walks into the room.

1:02:54.200 --> 1:02:56.400
<v Speaker 4>She's followed by Sean and Corey, and then Tapanga and

1:02:56.440 --> 1:02:59.520
<v Speaker 4>Angela are there as well. Dean Bolander yells George and

1:02:59.560 --> 1:03:02.760
<v Speaker 4>mister Fie. He insists he didn't do this. The Dean admits,

1:03:02.880 --> 1:03:04.520
<v Speaker 4>I didn't believe them. When they told me. But it's

1:03:04.560 --> 1:03:06.360
<v Speaker 4>hard to argue with something that's right in front of

1:03:06.440 --> 1:03:09.280
<v Speaker 4>your face. Corey adds, yeah, we're just as shocked as

1:03:09.280 --> 1:03:12.360
<v Speaker 4>you are. Dean Phoene begins to panic. Now look, this

1:03:12.560 --> 1:03:15.880
<v Speaker 4>is insane. Sean yells at him to put the brain down.

1:03:16.320 --> 1:03:19.040
<v Speaker 4>Dean Bolander asks, what in Heaven's name were you thinking

1:03:19.080 --> 1:03:22.080
<v Speaker 4>when you did this. Phenie insists I didn't do it.

1:03:22.360 --> 1:03:24.760
<v Speaker 4>They did, and he points to Sean and Corey the

1:03:24.800 --> 1:03:33.200
<v Speaker 4>boy's gasp. Corey is shocked. Pearls, mister Feenie, we are insulted.

1:03:33.280 --> 1:03:36.280
<v Speaker 4>Sean and I have been upstairs selling muffins for the underprivileged.

1:03:36.800 --> 1:03:39.040
<v Speaker 4>Phoene says that's not true. The boys were down here

1:03:39.080 --> 1:03:41.280
<v Speaker 4>with him. He points at to Panga. You wouldn't lie

1:03:41.280 --> 1:03:44.200
<v Speaker 4>for him. Where was he to? Panga recites he's been

1:03:44.240 --> 1:03:48.320
<v Speaker 4>selling muffins all day. Angela robotically joins in, so was Sean.

1:03:48.840 --> 1:03:53.000
<v Speaker 4>Sean is proud. We're legitimate. Now, Dean Bolander asks, why

1:03:53.000 --> 1:03:55.480
<v Speaker 4>did you do this? George Eric, who we learn is

1:03:55.520 --> 1:03:57.360
<v Speaker 4>also in the room and must have snuck in with

1:03:57.400 --> 1:03:57.880
<v Speaker 4>the girls.

1:03:59.120 --> 1:04:02.200
<v Speaker 1>Shuls If from No, It's it's like like when Shin

1:04:02.360 --> 1:04:03.720
<v Speaker 1>gave us that card, and all of a sudden, I

1:04:03.760 --> 1:04:05.760
<v Speaker 1>was holding a queen just there.

1:04:05.960 --> 1:04:07.720
<v Speaker 2>Eric, is it from nowhere? Yep?

1:04:09.680 --> 1:04:12.320
<v Speaker 4>Uh, you know something, Dean, this was simply just an

1:04:12.360 --> 1:04:15.400
<v Speaker 4>act of love culminating in an act of vandalism. It

1:04:15.440 --> 1:04:18.400
<v Speaker 4>actually happens all the time. Dean Bolander wants to know

1:04:18.840 --> 1:04:21.439
<v Speaker 4>an act of love? Was this an act of love?

1:04:21.560 --> 1:04:25.280
<v Speaker 4>George Peeney looks around and sees Sean Corey nodding their heads.

1:04:25.680 --> 1:04:29.400
<v Speaker 4>He reluctantly admits yeah, and then nods his head with

1:04:29.440 --> 1:04:36.400
<v Speaker 4>more confidence. Yep. I wonder if Stewart had just said

1:04:36.600 --> 1:04:41.160
<v Speaker 4>it was an act of love, if Dean Bolander.

1:04:42.600 --> 1:04:46.440
<v Speaker 2>Exactly yeah, you'd never know.

1:04:46.880 --> 1:04:53.400
<v Speaker 4>I mean this idea that the dean of the school.

1:04:54.520 --> 1:04:58.440
<v Speaker 2>You you went in and destroyed all these priceless artifacts

1:04:58.560 --> 1:05:02.960
<v Speaker 2>for really a man's career for me, and destroyed this invention.

1:05:02.600 --> 1:05:08.080
<v Speaker 4>For the next so hot it makes no sense.

1:05:10.160 --> 1:05:13.480
<v Speaker 2>Not I like it is Adam Jensen got you did he.

1:05:13.600 --> 1:05:13.800
<v Speaker 3>Just go.

1:05:15.720 --> 1:05:20.720
<v Speaker 2>He got arrested for felonies vandalism.

1:05:20.960 --> 1:05:24.280
<v Speaker 5>I mean it is in the Corey Stewart storyline. That

1:05:24.400 --> 1:05:26.960
<v Speaker 5>is Corey's argument, right, Like I hit him out of

1:05:26.960 --> 1:05:27.640
<v Speaker 5>an act of love.

1:05:28.320 --> 1:05:29.960
<v Speaker 4>I had to protect my my pro property.

1:05:30.680 --> 1:05:31.520
<v Speaker 2>But that makes sense.

1:05:32.360 --> 1:05:36.080
<v Speaker 1>That at least makes sense some guys, you know, being

1:05:36.120 --> 1:05:38.240
<v Speaker 1>inappropriate with your woman punching that guy in the face,

1:05:38.320 --> 1:05:39.080
<v Speaker 1>that makes sense.

1:05:39.200 --> 1:05:41.360
<v Speaker 2>This makes no sense whatsoever.

1:05:41.760 --> 1:05:44.520
<v Speaker 4>And then Curtis walks into the room. All right, nobody move,

1:05:44.560 --> 1:05:48.000
<v Speaker 4>where's my bee? The Dan asks be? What be? And

1:05:48.080 --> 1:05:50.760
<v Speaker 4>Curtis reveals my bee. It's my discovery.

1:05:51.040 --> 1:05:53.320
<v Speaker 3>Corey the school and doesn't know what discovery?

1:05:53.400 --> 1:05:58.440
<v Speaker 5>What you come here to lecture your great discovery?

1:05:58.760 --> 1:06:01.440
<v Speaker 4>I don't know what baby? Why didn't he say what bee?

1:06:01.600 --> 1:06:04.040
<v Speaker 4>Like Cory and Sean me?

1:06:04.360 --> 1:06:05.560
<v Speaker 3>Anybody what bee?

1:06:05.560 --> 1:06:05.760
<v Speaker 1>Oh?

1:06:05.840 --> 1:06:06.480
<v Speaker 3>Yeah, there you go.

1:06:06.920 --> 1:06:09.360
<v Speaker 4>Corey knows what happened and says to Sean, uh oh.

1:06:09.520 --> 1:06:12.760
<v Speaker 4>Curtis feverishly searches the room. It's an African killer bee.

1:06:12.800 --> 1:06:16.160
<v Speaker 4>I've been searching for it for years. Sean laughs, Curtis,

1:06:16.200 --> 1:06:18.040
<v Speaker 4>you've been out of town a little too long. Those

1:06:18.080 --> 1:06:20.640
<v Speaker 4>African killer bees are swarming all over the country. They're

1:06:20.640 --> 1:06:24.080
<v Speaker 4>doing Philly next Tuesday. Curtis explains, this bee has a

1:06:24.160 --> 1:06:27.240
<v Speaker 4>reverse by migration pattern. We made that species with the

1:06:27.320 --> 1:06:29.680
<v Speaker 4>killer bees that are already here. They start migrating back

1:06:29.680 --> 1:06:32.600
<v Speaker 4>to where they originated from, saving thousands of lives. I

1:06:32.640 --> 1:06:35.040
<v Speaker 4>could be rich. Then again we hear the sound of

1:06:35.080 --> 1:06:38.320
<v Speaker 4>a bee buzzing. Everyone freaks out and Eric yells everybody relaxed,

1:06:38.400 --> 1:06:40.200
<v Speaker 4>I'll kill it and reaches.

1:06:39.880 --> 1:06:43.760
<v Speaker 2>For what they throw in rich I know, because they.

1:06:44.080 --> 1:06:49.120
<v Speaker 3>Wanted to be a bad guy.

1:06:45.720 --> 1:06:51.200
<v Speaker 2>It's what does he do for a living?

1:06:51.320 --> 1:06:52.680
<v Speaker 4>He's an archaeol archaeologist?

1:06:52.720 --> 1:06:53.320
<v Speaker 3>So what is that?

1:06:53.440 --> 1:06:56.000
<v Speaker 2>Hunts bees? I know, that's that's what he's after.

1:06:56.160 --> 1:06:58.959
<v Speaker 4>He's after a bee with a migration adventure hunter hunt.

1:06:59.120 --> 1:07:03.040
<v Speaker 4>He says, he's he's he's what's the guy who they

1:07:03.040 --> 1:07:03.440
<v Speaker 4>do all the.

1:07:03.480 --> 1:07:08.120
<v Speaker 1>Indian and thank you to all the batman you know.

1:07:10.520 --> 1:07:18.160
<v Speaker 3>Schmidt scared of spiders and.

1:07:18.280 --> 1:07:19.400
<v Speaker 2>Throws a rope around.

1:07:20.840 --> 1:07:41.240
<v Speaker 4>Skirt spiders. Curtis jumps up and takes the small piece

1:07:41.240 --> 1:07:44.400
<v Speaker 4>out of Eric's hands. No, don't touch that bee. Dean

1:07:44.440 --> 1:07:48.880
<v Speaker 4>Bolander sadly recognizes the shattered artifact. Oh, Curtis, now the

1:07:48.920 --> 1:07:52.480
<v Speaker 4>statue of King Hafaratu you gave me for our anniversary.

1:07:52.800 --> 1:07:55.040
<v Speaker 4>It's broken, Curtis, isn't.

1:07:54.840 --> 1:07:56.040
<v Speaker 3>Why is it in this closet?

1:07:56.080 --> 1:07:58.480
<v Speaker 2>Then? Why is it also hollow?

1:07:58.880 --> 1:08:03.160
<v Speaker 1>And why is is he giving He's giving her ancient and.

1:08:03.280 --> 1:08:05.000
<v Speaker 3>She doesn't keep it at that house?

1:08:05.400 --> 1:08:12.680
<v Speaker 1>No, clool S in the Science Science Archeology room at

1:08:12.680 --> 1:08:13.640
<v Speaker 1>Penbrook University.

1:08:13.880 --> 1:08:16.519
<v Speaker 4>And then, because we needed to further show he's a

1:08:16.680 --> 1:08:20.400
<v Speaker 4>bad guy, the hell with the statue. This stuff is

1:08:20.439 --> 1:08:25.400
<v Speaker 4>nothing but junk compared to that bee. Dean Bolander gasps,

1:08:25.880 --> 1:08:29.080
<v Speaker 4>this is junk, and right at that moment, the bee

1:08:29.320 --> 1:08:33.320
<v Speaker 4>lands on the Dean's neck. Curtis whispers, don't move the

1:08:33.320 --> 1:08:36.320
<v Speaker 4>bees on you. Dean Bolander reminds him, Oh, Curtis, you

1:08:36.360 --> 1:08:39.960
<v Speaker 4>know I'm allergic to bees. Curtis couldn't care less, so

1:08:40.120 --> 1:08:41.920
<v Speaker 4>you puff up for a little while. This is my

1:08:42.000 --> 1:08:46.000
<v Speaker 4>Nobel prize. Phoene slams his towel on the table and yells,

1:08:46.080 --> 1:08:51.000
<v Speaker 4>I don't think so, Curtis. He heroically grabs the bee, which.

1:08:51.520 --> 1:08:53.679
<v Speaker 3>Was a real nest.

1:08:55.960 --> 1:09:00.280
<v Speaker 1>I have a I have a quick science question. Don't

1:09:00.360 --> 1:09:02.360
<v Speaker 1>bees die once they sting you?

1:09:02.479 --> 1:09:04.320
<v Speaker 3>Yeah, that's what happens.

1:09:04.560 --> 1:09:08.240
<v Speaker 1>But I know, he says for a while, so it's

1:09:08.240 --> 1:09:10.519
<v Speaker 1>like he doesn't want the bee to sting her.

1:09:10.439 --> 1:09:11.960
<v Speaker 4>Because then the bee is going to do That's what

1:09:12.000 --> 1:09:14.040
<v Speaker 4>I thought. I was like, he should be doing everything

1:09:14.040 --> 1:09:14.479
<v Speaker 4>to be like.

1:09:14.520 --> 1:09:17.679
<v Speaker 2>To make sure that care of this bee. Yeah, exactly.

1:09:17.840 --> 1:09:22.200
<v Speaker 5>They needed him to be a villain to her, so

1:09:22.280 --> 1:09:23.719
<v Speaker 5>you could see his true colors.

1:09:23.920 --> 1:09:25.000
<v Speaker 3>He doesn't actually.

1:09:24.720 --> 1:09:26.439
<v Speaker 4>Want her, does and really care about her?

1:09:26.800 --> 1:09:28.599
<v Speaker 1>Do you think you just when you have to make bees,

1:09:28.640 --> 1:09:31.760
<v Speaker 1>you just put on like put him in a little

1:09:31.840 --> 1:09:33.679
<v Speaker 1>room together and then put on like some Marvin Gay

1:09:33.880 --> 1:09:35.560
<v Speaker 1>and you just see what happened.

1:09:35.280 --> 1:09:39.840
<v Speaker 4>And really try like that. Yeah, exactly, You've never never

1:09:39.920 --> 1:09:40.400
<v Speaker 4>thought about.

1:09:41.560 --> 1:09:48.800
<v Speaker 5>They butt waggle to communicate to one another. A bee

1:09:49.120 --> 1:09:52.120
<v Speaker 5>can waggle its butt and other bees will know how

1:09:52.280 --> 1:09:55.240
<v Speaker 5>far the source of pollen is and where which direction

1:09:55.320 --> 1:09:57.200
<v Speaker 5>it is just by the way they waggle their butts.

1:09:57.200 --> 1:09:59.200
<v Speaker 3>It's a whole like yeah, really cool.

1:09:59.520 --> 1:10:03.160
<v Speaker 1>Thank I just talked with the bees in my house,

1:10:03.680 --> 1:10:05.840
<v Speaker 1>which I assigned a treaty with the bees. So if

1:10:05.840 --> 1:10:07.920
<v Speaker 1>the bees this is years ago, Susan knows about it.

1:10:07.960 --> 1:10:08.840
<v Speaker 1>She's a bee.

1:10:09.520 --> 1:10:12.040
<v Speaker 2>No no, no, this is outside. With the number of bees.

1:10:12.040 --> 1:10:14.759
<v Speaker 2>If any of them go in the pool and are dying,

1:10:15.080 --> 1:10:18.160
<v Speaker 2>we have to save them, and then the pact is

1:10:18.200 --> 1:10:20.160
<v Speaker 2>then they don't sting any of us, so nobody gets

1:10:20.160 --> 1:10:22.200
<v Speaker 2>stung around the house and we save the bees. It's

1:10:22.200 --> 1:10:24.360
<v Speaker 2>been a pack that's been We're twenty five years into

1:10:24.360 --> 1:10:26.839
<v Speaker 2>this pact right now. So it's been been holding Well.

1:10:26.720 --> 1:10:28.719
<v Speaker 4>It's nobody's been stung at your house.

1:10:28.880 --> 1:10:29.799
<v Speaker 2>Nobody's been stung.

1:10:29.840 --> 1:10:31.960
<v Speaker 1>We save bees every day, so we we've got with

1:10:32.040 --> 1:10:33.360
<v Speaker 1>a very symbiotic relationship.

1:10:33.400 --> 1:10:37.240
<v Speaker 5>But it's I've not had children running around your house

1:10:37.280 --> 1:10:40.320
<v Speaker 5>because that's when gets stung. Oh really, Oh yeah, it's

1:10:40.360 --> 1:10:44.639
<v Speaker 5>always it's always the kids who are like, like.

1:10:44.640 --> 1:10:46.320
<v Speaker 3>That's not going to calm the bee down.

1:10:46.640 --> 1:10:50.559
<v Speaker 4>That's how it's like splashing the bee. I'm like, you're

1:10:50.640 --> 1:10:53.240
<v Speaker 4>just making the bee angry. Just let the bee.

1:10:53.280 --> 1:10:55.439
<v Speaker 2>Are you afraid of bees too? Or is it just spiders?

1:10:55.520 --> 1:10:56.439
<v Speaker 4>No, No, just spiders.

1:10:57.200 --> 1:10:59.240
<v Speaker 1>A bee that can actually sting you, that doesn't bother

1:10:59.240 --> 1:11:03.840
<v Speaker 1>you at all. It's flying with a little hypodermic needle

1:11:03.880 --> 1:11:05.679
<v Speaker 1>and that doesn't freak you out. But despite a tiny

1:11:05.680 --> 1:11:07.800
<v Speaker 1>spider in front of you, and you grip my arm

1:11:07.880 --> 1:11:09.360
<v Speaker 1>until there's blood that appears.

1:11:09.680 --> 1:11:11.360
<v Speaker 4>Where were we recently when that happened again?

1:11:11.400 --> 1:11:16.000
<v Speaker 1>The car somewhere the airport and you grabbed onto me

1:11:16.280 --> 1:11:17.360
<v Speaker 1>like we were about to be in.

1:11:17.280 --> 1:11:22.040
<v Speaker 4>A spider dropping down from the roof, the smallest little spice,

1:11:22.400 --> 1:11:24.800
<v Speaker 4>the size of a piece of dust, And I said,

1:11:24.800 --> 1:11:28.720
<v Speaker 4>why does this always happen to me freaking out. He

1:11:28.840 --> 1:11:33.280
<v Speaker 4>Win says, oh the bee stings, mister Feeney. He wins

1:11:33.400 --> 1:11:35.879
<v Speaker 4>is out O. Then he hands the bee to Curtis.

1:11:36.120 --> 1:11:38.639
<v Speaker 4>I think this belongs to you. I'll return the stinger

1:11:38.680 --> 1:11:40.840
<v Speaker 4>as soon as it works its way out of my flesh.

1:11:41.040 --> 1:11:43.920
<v Speaker 4>Curtis pleads with the insect. No, no, no, no, don't die,

1:11:44.000 --> 1:11:48.160
<v Speaker 4>don't die quick? Where's the zoology department? All the students

1:11:48.200 --> 1:11:50.680
<v Speaker 4>point in different directions, and Curtis runs out with the

1:11:50.720 --> 1:11:54.400
<v Speaker 4>ailing bee in his hands. Eric exclaims, ha, that guy's

1:11:54.439 --> 1:11:59.120
<v Speaker 4>a dope man. Dean Bolander grabs Phoene's hands in hers. George,

1:11:59.320 --> 1:12:02.360
<v Speaker 4>that's the most wonderful thing anyone's ever done for me.

1:12:03.400 --> 1:12:06.760
<v Speaker 4>Phoene promises, I wouldn't let anything harm you. Lila. I

1:12:06.760 --> 1:12:08.920
<v Speaker 4>hope you know. I hope you feel the same way

1:12:08.920 --> 1:12:12.679
<v Speaker 4>about me. She asks, what took you so long? Eric,

1:12:12.720 --> 1:12:16.800
<v Speaker 4>from the side advises his teacher kiss her Pheoene. Phoene

1:12:16.880 --> 1:12:19.720
<v Speaker 4>says all right and grabs Dean Bolander and kisses her.

1:12:19.960 --> 1:12:23.920
<v Speaker 4>All the students and the audience members start clapping and cheering.

1:12:24.120 --> 1:12:24.760
<v Speaker 2>Whoo.

1:12:25.439 --> 1:12:28.200
<v Speaker 4>Corey explains to Sean, now this is a beautiful moment.

1:12:28.560 --> 1:12:31.720
<v Speaker 4>Sean adds, what's even more beautiful. It's the first time

1:12:31.720 --> 1:12:34.920
<v Speaker 4>we've ever gotten away with anything in our lives. They

1:12:34.960 --> 1:12:38.680
<v Speaker 4>give each other five and we optical.

1:12:43.000 --> 1:12:43.560
<v Speaker 2>Definitely.

1:12:43.800 --> 1:12:46.280
<v Speaker 4>We're back in the student union. Sean and Corey are

1:12:46.320 --> 1:12:49.960
<v Speaker 4>in orange jumpsuits scrubbing the windows. Corey says we've watched

1:12:50.000 --> 1:12:52.880
<v Speaker 4>seven hundred and thirty four windows so far, and Sean asks,

1:12:52.960 --> 1:12:55.400
<v Speaker 4>how did this blow up in our face? Corey says

1:12:55.400 --> 1:12:58.479
<v Speaker 4>he doesn't know we had Phoene scammed. Sean admits, yeah,

1:12:58.520 --> 1:13:01.759
<v Speaker 4>Pheene was nothing but a chick is tough. Dean Bolander

1:13:01.760 --> 1:13:04.200
<v Speaker 4>and Feenie are sitting at a nearby cafe table. The

1:13:04.240 --> 1:13:08.120
<v Speaker 4>Dean reaches for Phoene's hand and he winces. Dean Bolander asks, oh,

1:13:08.160 --> 1:13:11.679
<v Speaker 4>does it still hurt? Phoene says a little. She asks

1:13:12.000 --> 1:13:14.719
<v Speaker 4>you want me to Phoene cuts her off. Oh please,

1:13:15.200 --> 1:13:18.719
<v Speaker 4>Then Dean Bolander kisses his hand and smiles. Phoene admits

1:13:19.120 --> 1:13:21.880
<v Speaker 4>all better. He tells her he wants to thank her

1:13:21.880 --> 1:13:25.839
<v Speaker 4>again for going easy on the boys, and Dean Bolander responds, Oh, George,

1:13:25.840 --> 1:13:27.800
<v Speaker 4>one of the reasons I was attracted to you was

1:13:27.800 --> 1:13:30.280
<v Speaker 4>because I've never seen a teacher whose students were willing

1:13:30.280 --> 1:13:34.040
<v Speaker 4>to go to such lengths to see him happy. Phoene asks,

1:13:34.240 --> 1:13:37.120
<v Speaker 4>you never actually thought I was the perpetrator. Dean Bolander

1:13:37.160 --> 1:13:39.879
<v Speaker 4>assures him, Oh, I have no doubt that you're capable

1:13:39.880 --> 1:13:43.559
<v Speaker 4>of acting with reckless abandon. Phoene smiles, Oh I am.

1:13:43.760 --> 1:13:47.680
<v Speaker 4>I am. Eric, also in an orange jumpsuit, interrupts their

1:13:47.760 --> 1:13:49.719
<v Speaker 4>date and sits down next to them. This is great,

1:13:49.760 --> 1:13:51.920
<v Speaker 4>isn't it. I mean you love him, he loves you.

1:13:52.160 --> 1:13:56.040
<v Speaker 4>I love you both. We're a triangle now, Dean, there's

1:13:56.040 --> 1:13:58.599
<v Speaker 4>something you should know. Phenie and I like to hang

1:13:58.640 --> 1:14:01.160
<v Speaker 4>out quite a bit, so I'm ever around and you

1:14:01.200 --> 1:14:05.519
<v Speaker 4>guys are getting frisky. Peenie gets up and grabs Eric

1:14:06.160 --> 1:14:09.120
<v Speaker 4>Eric's chair while he rambles on or whatever it is

1:14:09.120 --> 1:14:11.080
<v Speaker 4>that you guys do. I'm going to need some kind

1:14:11.120 --> 1:14:13.559
<v Speaker 4>of a signal to know that it's my time. This

1:14:13.640 --> 1:14:15.880
<v Speaker 4>will work, he admits, as Phoeney pulls him out of

1:14:15.880 --> 1:14:17.320
<v Speaker 4>his chair and drags him away.

1:14:18.320 --> 1:14:22.120
<v Speaker 2>And then the girls get in trouble. They did as

1:14:22.160 --> 1:14:23.080
<v Speaker 2>much as Eric did.

1:14:24.840 --> 1:14:28.559
<v Speaker 3>They didn't initiate the plane. No, I don't know.

1:14:28.680 --> 1:14:30.559
<v Speaker 1>I mean Eric's standing with the two of them over there,

1:14:30.600 --> 1:14:32.120
<v Speaker 1>he didn't.

1:14:32.439 --> 1:14:34.719
<v Speaker 2>They were dancing correct, we went dancing.

1:14:34.800 --> 1:14:37.320
<v Speaker 4>I went dancing, So the worst thing we did.

1:14:37.200 --> 1:14:37.720
<v Speaker 1>Was li.

1:14:39.560 --> 1:14:41.519
<v Speaker 2>But that's the same worst thing that Eric did.

1:14:42.120 --> 1:14:46.479
<v Speaker 5>Eric, Eric the dolousands and thousands of lives from Yeah,

1:14:47.280 --> 1:14:49.080
<v Speaker 5>prob killer problems.

1:14:49.120 --> 1:14:50.120
<v Speaker 3>Sad it's gonna solve.

1:14:52.880 --> 1:14:55.400
<v Speaker 4>Well, we're back in the apartment. The elevator door opens

1:14:55.400 --> 1:14:58.400
<v Speaker 4>and it's Jack and Rachel returning from their date. Jack admits,

1:14:58.520 --> 1:15:00.599
<v Speaker 4>I don't know what I was thinking. We are perfect

1:15:00.600 --> 1:15:04.519
<v Speaker 4>for each other. Another old lady neighbor watches as they

1:15:04.560 --> 1:15:08.080
<v Speaker 4>walk to their apartment. Rachel greets her, Hi, Missus burtleson.

1:15:08.439 --> 1:15:10.800
<v Speaker 4>Then the lady burts out, she's too tall for you.

1:15:11.360 --> 1:15:13.960
<v Speaker 4>As she enters the elevator. Jack tries to run after her,

1:15:13.960 --> 1:15:16.479
<v Speaker 4>but Rachel stops him. Jack, you said you were gonna

1:15:16.520 --> 1:15:18.400
<v Speaker 4>You said you weren't gonna let this bother you. Okay.

1:15:18.880 --> 1:15:21.799
<v Speaker 4>Jack dusts himself off and agrees it's no problem. I'm okay.

1:15:22.160 --> 1:15:24.599
<v Speaker 4>Then Jack yells at the closed elevator, I hope the

1:15:24.600 --> 1:15:27.360
<v Speaker 4>cable breaks. Missus birtles and Rachel.

1:15:27.520 --> 1:15:28.479
<v Speaker 2>That was really funny in this.

1:15:28.560 --> 1:15:31.280
<v Speaker 1>He didn't have a lot to do, but he's really funny.

1:15:31.280 --> 1:15:35.280
<v Speaker 1>He's also one of those guys who his physical comedy

1:15:35.360 --> 1:15:37.320
<v Speaker 1>he does. It comes from an awkward place. When he

1:15:37.320 --> 1:15:39.080
<v Speaker 1>does his physical comedy. I can think he does it

1:15:39.120 --> 1:15:40.200
<v Speaker 1>on purpose, and it works.

1:15:40.479 --> 1:15:41.120
<v Speaker 4>It's so funny.

1:15:41.200 --> 1:15:43.200
<v Speaker 2>It actually works for him. He's really good at it.

1:15:44.360 --> 1:15:47.200
<v Speaker 4>Rachel ushers him back inside the apartment. Jack, why don't

1:15:47.200 --> 1:15:50.880
<v Speaker 4>we go inside and make us snugly? Jack agrees, Yeah,

1:15:50.960 --> 1:15:53.120
<v Speaker 4>I'm not too short for that. Rachel smirks.

1:15:53.320 --> 1:15:53.559
<v Speaker 1>I know.

1:15:54.200 --> 1:15:56.360
<v Speaker 4>When they open the apartment door they see someone wearing

1:15:56.400 --> 1:15:59.960
<v Speaker 4>a ski mask stealing their boombox. Jack grabs a back,

1:16:00.120 --> 1:16:03.759
<v Speaker 4>Hey cow, many closer and all club yeah. Jack lifts

1:16:03.880 --> 1:16:07.680
<v Speaker 4>up the perpetrator's ski mask like you do, like you do,

1:16:08.840 --> 1:16:14.640
<v Speaker 4>And it's another short, old lady. Who is this landlord?

1:16:16.840 --> 1:16:19.360
<v Speaker 2>It's just hot chicks and old women. Welcome to our building.

1:16:20.200 --> 1:16:20.680
<v Speaker 5>This is a.

1:16:22.880 --> 1:16:24.280
<v Speaker 4>And some college kids.

1:16:24.040 --> 1:16:25.519
<v Speaker 2>And some college kids. That's all we have.

1:16:25.680 --> 1:16:28.880
<v Speaker 1>There's this apartment is for the thirty seven beautiful women,

1:16:28.960 --> 1:16:30.719
<v Speaker 1>and then every other apartment is just old ladies.

1:16:30.720 --> 1:16:31.719
<v Speaker 2>That's what it is.

1:16:32.439 --> 1:16:36.080
<v Speaker 4>Well, the old lady burglar predictably says she's too tall

1:16:36.160 --> 1:16:39.559
<v Speaker 4>for you and walks out with the electronic. Rachel pats

1:16:39.680 --> 1:16:43.240
<v Speaker 4>Jack on the head while he just stands there in shock.

1:16:45.720 --> 1:16:48.360
<v Speaker 4>There's your program there's your programs.

1:16:47.760 --> 1:16:49.839
<v Speaker 3>Done without the without the tag I think.

1:16:49.720 --> 1:16:52.400
<v Speaker 1>But that's the part you could have done with is

1:16:52.439 --> 1:16:55.599
<v Speaker 1>just without the tags a good episode.

1:16:55.640 --> 1:17:01.160
<v Speaker 5>I started this recap much more positive than Somehow, in

1:17:01.240 --> 1:17:04.840
<v Speaker 5>the course of listening to recap everything, I hated all

1:17:04.880 --> 1:17:05.120
<v Speaker 5>of it.

1:17:06.960 --> 1:17:09.400
<v Speaker 4>So I did not like it as much in the

1:17:09.439 --> 1:17:11.000
<v Speaker 4>recap I did watching it.

1:17:11.240 --> 1:17:14.720
<v Speaker 5>Yeah, I feel like, what's the version of breaks in

1:17:15.040 --> 1:17:19.599
<v Speaker 5>a Burglar Old Lady? We have stun the burglar old Lady.

1:17:19.920 --> 1:17:23.920
<v Speaker 4>It's like a lot of like, don't ask any questions

1:17:24.080 --> 1:17:24.559
<v Speaker 4>at all.

1:17:25.160 --> 1:17:27.200
<v Speaker 3>But you know, I did enjoy it watching it last

1:17:27.280 --> 1:17:28.040
<v Speaker 3>year's so you know.

1:17:28.160 --> 1:17:30.439
<v Speaker 1>One of the reasons why though, and it's true, is

1:17:30.520 --> 1:17:33.719
<v Speaker 1>because these last couple of episodes have been so dramatic

1:17:33.800 --> 1:17:36.560
<v Speaker 1>and heavy. I know that the guys just holding a

1:17:36.640 --> 1:17:39.040
<v Speaker 1>broken brain. Great, let's throw a pie.

1:17:39.240 --> 1:17:42.559
<v Speaker 5>I also just think the performances, you know, are actually fun,

1:17:42.640 --> 1:17:45.599
<v Speaker 5>Like it's actually like everybody's except for me and Ben

1:17:45.720 --> 1:17:48.719
<v Speaker 5>in that scene, I feel like it's breezy, it's fun,

1:17:48.800 --> 1:17:52.080
<v Speaker 5>and everybody keeps it moving, so you don't really notice,

1:17:52.400 --> 1:17:52.880
<v Speaker 5>like you.

1:17:52.880 --> 1:17:55.439
<v Speaker 3>Don't actually stop to think, why are the bees? Why

1:17:55.520 --> 1:17:55.840
<v Speaker 3>the thing?

1:17:56.320 --> 1:17:56.519
<v Speaker 2>Yeah?

1:17:57.000 --> 1:17:59.679
<v Speaker 1>Yeah, when you break it down actually, beat by beat.

1:17:59.760 --> 1:18:02.800
<v Speaker 1>It's it's not as funny as letting it wash over you.

1:18:03.040 --> 1:18:06.200
<v Speaker 4>Yeah right, yeah, Well, thank you all for joining us

1:18:06.240 --> 1:18:08.240
<v Speaker 4>for this episode of Pod Meets World. As always, you

1:18:08.280 --> 1:18:10.840
<v Speaker 4>can follow us on Instagram pod Meets World Show. You

1:18:10.920 --> 1:18:13.240
<v Speaker 4>can send us your emails pod meets World Show at

1:18:13.360 --> 1:18:16.160
<v Speaker 4>gmail dot com. And we've got merch.

1:18:16.800 --> 1:18:20.240
<v Speaker 2>Here we come, buying us some merch.

1:18:21.200 --> 1:18:22.400
<v Speaker 3>I don't have any more.

1:18:22.439 --> 1:18:24.560
<v Speaker 2>Lyrics, but it's supposed to be like the Monkeys.

1:18:24.880 --> 1:18:26.640
<v Speaker 3>Oh god, the reference here?

1:18:26.880 --> 1:18:28.640
<v Speaker 2>No, here he come walking down the street to the

1:18:28.720 --> 1:18:29.759
<v Speaker 2>theme song of the Monkeys.

1:18:30.240 --> 1:18:31.559
<v Speaker 3>No, have you ever seen the monkey?

1:18:31.640 --> 1:18:32.080
<v Speaker 4>Monkeys?

1:18:32.360 --> 1:18:32.400
<v Speaker 1>No?

1:18:32.760 --> 1:18:35.840
<v Speaker 4>Do you think writers ever seen the monkey? Have you

1:18:35.920 --> 1:18:40.640
<v Speaker 4>ever met this? I didn't even have a teav growing up.

1:18:40.800 --> 1:18:43.920
<v Speaker 1>Good It's the Monkeys is a great show because it

1:18:44.000 --> 1:18:48.200
<v Speaker 1>does not take itself seriously. It's ridiculous. It's campy. It's

1:18:48.320 --> 1:18:49.559
<v Speaker 1>the sixties and the seventies.

1:18:49.840 --> 1:18:53.840
<v Speaker 4>My mom had a huge crush on Peter Torque because

1:18:53.880 --> 1:18:57.240
<v Speaker 4>she was the baby of the family and he and

1:18:57.320 --> 1:18:59.280
<v Speaker 4>then he was my father on the show, and my

1:18:59.400 --> 1:19:02.680
<v Speaker 4>mom was like, Peter Tork, I need to get a

1:19:02.680 --> 1:19:04.320
<v Speaker 4>picture with Peter Trk And my mom didn't get a

1:19:04.360 --> 1:19:05.680
<v Speaker 4>picture with anybody.

1:19:06.280 --> 1:19:08.280
<v Speaker 2>You know, I gotta be honest when you think about it.

1:19:08.360 --> 1:19:10.840
<v Speaker 2>The way your dad looked, especially back in the day

1:19:11.000 --> 1:19:13.960
<v Speaker 2>during during boy kind of Peter Turkish.

1:19:14.120 --> 1:19:18.439
<v Speaker 4>Oh yeah, long, forty blonde hair, a little turkey turkey.

1:19:18.720 --> 1:19:20.679
<v Speaker 2>Your mom has a tight your mom has a tork?

1:19:21.800 --> 1:19:22.760
<v Speaker 3>What your mom does?

1:19:24.640 --> 1:19:27.680
<v Speaker 4>My dad, as a teenager looked very much like a

1:19:27.880 --> 1:19:29.479
<v Speaker 4>young Matt Damon.

1:19:30.240 --> 1:19:32.360
<v Speaker 2>Oh okay, yeah cool?

1:19:32.400 --> 1:19:35.160
<v Speaker 4>Interesting anyway, UH will send us out.

1:19:35.640 --> 1:19:37.160
<v Speaker 2>We love you all, pod dismissed.

1:19:38.720 --> 1:19:41.439
<v Speaker 1>Pod Mets World is nheart podcast producer and hosted by

1:19:41.560 --> 1:19:45.679
<v Speaker 1>Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen Parp

1:19:45.760 --> 1:19:49.000
<v Speaker 1>and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:19:49.360 --> 1:19:53.600
<v Speaker 1>producer and editor, Tara Sudbaksh producer, Maddy Moore, engineer and

1:19:53.640 --> 1:19:56.280
<v Speaker 1>Boy Meets World super fan Easton Allen. Our theme song

1:19:56.360 --> 1:19:58.360
<v Speaker 1>is by Kyle Morton of Typhoon and you can follow

1:19:58.479 --> 1:20:01.160
<v Speaker 1>us on Instagram at Podmeets World Show or email us

1:20:01.200 --> 1:20:03.320
<v Speaker 1>at podmes Worldshow at gmail dot com.